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The nation's favourite celebrities. | 0:00:02 | 0:00:03 | |
Oh, I like that. | 0:00:03 | 0:00:05 | |
Paired up with an expert... | 0:00:05 | 0:00:06 | |
We've had some fun, haven't we? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
It feels as if it could go quite fast. | 0:00:09 | 0:00:11 | |
Their mission, to scour Britain for antiques. | 0:00:11 | 0:00:14 | |
-Yes! -Fantastic. | 0:00:14 | 0:00:15 | |
I'll do that in slow-mo.. | 0:00:15 | 0:00:17 | |
The aim - to make the biggest profit at auction. | 0:00:17 | 0:00:19 | |
Come on, boys! | 0:00:19 | 0:00:21 | |
But it's no easy ride. | 0:00:21 | 0:00:22 | |
Ta-dah! | 0:00:22 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
Don't sell me! | 0:00:25 | 0:00:26 | |
Who will take the biggest risks? | 0:00:26 | 0:00:28 | |
Go away, darling. | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I'm trying to spend money here. | 0:00:32 | 0:00:34 | |
There will be worthy winners... | 0:00:34 | 0:00:35 | |
Yes! | 0:00:35 | 0:00:37 | |
..and valiant losers. | 0:00:37 | 0:00:39 | |
Put your pedal to the metal, this is... | 0:00:39 | 0:00:40 | |
HORN BEEPS ..the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:43 | |
This programme contains some strong language. | 0:00:43 | 0:00:49 | |
Today we're in the south of England with | 0:00:49 | 0:00:51 | |
a couple of showbiz best pals. | 0:00:51 | 0:00:54 | |
It's comedy legend Jennifer Saunders | 0:00:54 | 0:00:56 | |
and fellow top actress Patricia Potter, | 0:00:56 | 0:00:59 | |
who are joined by a very special passenger - | 0:00:59 | 0:01:02 | |
Olive, Jennifer's dog - | 0:01:02 | 0:01:04 | |
who you can see in the back. | 0:01:04 | 0:01:06 | |
Hello, Olive, you're very close to me there. | 0:01:06 | 0:01:09 | |
I think she's loving it. | 0:01:09 | 0:01:12 | |
Do you remember once I said to you, | 0:01:12 | 0:01:14 | |
"Listen, if I never get to go on actual Antiques Road Trip, | 0:01:14 | 0:01:19 | |
"shouldn't we do our own Antiques Road Trip?" | 0:01:19 | 0:01:21 | |
-And here we are. -And here we are. -Actual Antiques Road Trip. | 0:01:21 | 0:01:24 | |
Jennifer has had us giggling since the | 0:01:24 | 0:01:27 | |
'80s and, as one half of the hilarious comedy duo, | 0:01:27 | 0:01:31 | |
French and Saunders, she's one of the UK's most loved comediennes. | 0:01:31 | 0:01:35 | |
An award-winning actress, Jennifer received worldwide acclaim | 0:01:37 | 0:01:41 | |
for writing and starring in the hit TV sitcom, Absolutely Fabulous. | 0:01:41 | 0:01:45 | |
-This couldn't be a more perfect venue. -Well, we'll see, frankly. | 0:01:47 | 0:01:49 | |
-Can you hear me, Ed? -Yes, I can hear you, darling, can you hear me? | 0:01:49 | 0:01:53 | |
-Yeah. -Sing something. | 0:01:53 | 0:01:55 | |
She will be using microphones. | 0:01:55 | 0:01:58 | |
-Yeah, have you got mics? -Yes. -Good. | 0:01:58 | 0:02:00 | |
Patricia, or Tish to her friends, is regularly on our TV screens | 0:02:01 | 0:02:05 | |
and is probably best known for her time as Diane Lloyd in Holby City. | 0:02:05 | 0:02:10 | |
I once saw on an antiques programme, | 0:02:12 | 0:02:15 | |
if you touch the tip of your tongue on a diamond, | 0:02:15 | 0:02:18 | |
if it stays cold it's real. | 0:02:18 | 0:02:20 | |
I think you sometimes have to lick the edge of | 0:02:20 | 0:02:23 | |
a ceramic bowl to tell if it's been restored. | 0:02:23 | 0:02:26 | |
I think there's going to be quite a lot of licking in this | 0:02:26 | 0:02:29 | |
Antiques Road Trip! I shall be licking all the antiques. | 0:02:29 | 0:02:33 | |
May we come in and lick some of your wares? | 0:02:33 | 0:02:37 | |
I'm going to go in and lick all the antiques before you can lick them. | 0:02:37 | 0:02:40 | |
Rather you than me, Jennifer. | 0:02:42 | 0:02:43 | |
This morning our leading ladies are motoring along in | 0:02:43 | 0:02:46 | |
a very nice 1957 Porsche 365. | 0:02:46 | 0:02:50 | |
In blue. | 0:02:51 | 0:02:52 | |
30 miles an hour. | 0:02:55 | 0:02:56 | |
Is that all we're doing? | 0:02:57 | 0:02:59 | |
-Put your foot down, woman! -Come on! | 0:02:59 | 0:03:01 | |
On this journey, Jennifer and Tish will be joined by a couple of | 0:03:04 | 0:03:07 | |
Road Trip veterans, none other than Mark Stacey and Philip Serrell... | 0:03:07 | 0:03:11 | |
# The boys are back in town. # | 0:03:13 | 0:03:15 | |
..who are roaming around in this beautiful 1973 Triumph GT6 | 0:03:15 | 0:03:20 | |
in red. | 0:03:20 | 0:03:21 | |
What's really interesting is Jennifer | 0:03:23 | 0:03:26 | |
-is really into antiques. -Is she? | 0:03:26 | 0:03:28 | |
Yeah, yeah, yeah. | 0:03:28 | 0:03:29 | |
As I gather, she does various antique fairs. | 0:03:29 | 0:03:33 | |
And, of course, she'll like you then, Philip, because you're nearly an antique, aren't you? | 0:03:33 | 0:03:37 | |
Not quite. Not quite. | 0:03:37 | 0:03:39 | |
-We haven't found a hallmark yet. -No, I'm well patinated. | 0:03:39 | 0:03:42 | |
Once paired up, | 0:03:44 | 0:03:45 | |
our teams will kick off this Road Trip with £400 in their pockets. | 0:03:45 | 0:03:49 | |
Starting near Taplow in Buckinghamshire, | 0:03:51 | 0:03:53 | |
our teams will then be buying in Berkshire, Hampshire and Oxfordshire | 0:03:53 | 0:03:57 | |
before heading to Greenwich in London for auction. | 0:03:57 | 0:04:00 | |
# The boys are back in town again. # | 0:04:01 | 0:04:03 | |
Here they are. | 0:04:03 | 0:04:05 | |
Oh, look, a Porsche 356. | 0:04:05 | 0:04:07 | |
There's the boys. | 0:04:07 | 0:04:09 | |
MIMICS SCREECHING BRAKES | 0:04:09 | 0:04:12 | |
Brake! | 0:04:12 | 0:04:13 | |
Don't be so frightening. | 0:04:13 | 0:04:16 | |
-PHILIP: -How are you, lovely? -Hello, this is very exciting. | 0:04:16 | 0:04:18 | |
Good to see you. I'm glad it's got brakes. | 0:04:18 | 0:04:20 | |
-And who's this? -This is Olive. | 0:04:20 | 0:04:23 | |
Look at Olive. How are you? | 0:04:23 | 0:04:25 | |
My name's Mark. Lovely to meet you. | 0:04:25 | 0:04:27 | |
Mark, I'm working with Olive. | 0:04:27 | 0:04:29 | |
-Are you? -I'm working with Olive. | 0:04:29 | 0:04:31 | |
Hello, Olive. | 0:04:31 | 0:04:34 | |
How are you? Good to see you. | 0:04:34 | 0:04:36 | |
So, you've got Tish. | 0:04:36 | 0:04:38 | |
I have. And you've got a blue car, and we've got a red car. | 0:04:38 | 0:04:41 | |
-This looks lovely, doesn't it? -It's very beautiful. | 0:04:41 | 0:04:43 | |
-Who's driving? -I'm happy to drive. | 0:04:43 | 0:04:45 | |
-Right, I'm going to be good. -Got a bit of experience now. | 0:04:45 | 0:04:48 | |
It's time to hit the road. | 0:04:48 | 0:04:50 | |
Come on, Olive. | 0:04:50 | 0:04:52 | |
-Do you know what I'm most pleased about? -What? | 0:04:58 | 0:05:00 | |
-Our passenger. -Oh, Olive. | 0:05:00 | 0:05:02 | |
Olive in the back there. Olive, how are you? | 0:05:02 | 0:05:05 | |
I feel we've got a slightly better car. | 0:05:07 | 0:05:09 | |
-I think we've got a better car and a better expert. -Oh, well! | 0:05:09 | 0:05:12 | |
I wouldn't let Phil hear you say that. | 0:05:12 | 0:05:15 | |
For their first stop, | 0:05:15 | 0:05:17 | |
Jennifer and Phil are heading to Hare Hatch near Reading. | 0:05:17 | 0:05:20 | |
When did you discover that you can make people laugh? | 0:05:23 | 0:05:26 | |
Well, I think it was probably at home. | 0:05:26 | 0:05:29 | |
We used to laugh all the time at home. My dad was funny. | 0:05:29 | 0:05:32 | |
And it was a general rule that, you know, | 0:05:32 | 0:05:34 | |
if you're going to sit down and have a meal together, you crack jokes. | 0:05:34 | 0:05:38 | |
You did imitations of your teachers | 0:05:38 | 0:05:41 | |
and you made fun of things | 0:05:41 | 0:05:44 | |
and situations and people. | 0:05:44 | 0:05:45 | |
So I think I had quite a good upbringing for that. | 0:05:45 | 0:05:49 | |
And then at school I never did much. | 0:05:49 | 0:05:52 | |
It wasn't until I met Dawn at college and we sort of | 0:05:52 | 0:05:56 | |
started messing about in college cabarets and things that I | 0:05:56 | 0:06:00 | |
got the complete bug and it is a bug. | 0:06:00 | 0:06:03 | |
You get the bug because the second you hear someone laugh, | 0:06:03 | 0:06:06 | |
it's like the world changes. | 0:06:06 | 0:06:08 | |
You go, "Thank you, I know what I want to do now." | 0:06:08 | 0:06:11 | |
If you're writing something for someone and they don't deliver | 0:06:11 | 0:06:15 | |
what you've imagined, how does that work? Do you throttle them? | 0:06:15 | 0:06:18 | |
-No, I have been known to do it for them. -Really? | 0:06:18 | 0:06:21 | |
To go, "No, that's not... | 0:06:21 | 0:06:23 | |
"Listen to what I'm saying and this is how you say it." | 0:06:23 | 0:06:26 | |
When we were doing Ab Fab, Jane Horrocks always used to say... | 0:06:26 | 0:06:29 | |
-MIMICS JANE: -"Why don't you just do it for me? How'd you want it done?" | 0:06:29 | 0:06:32 | |
"Oh, OK," and she'd do it. | 0:06:32 | 0:06:35 | |
-And I thought... That's... -It's professional, it makes it easier. | 0:06:35 | 0:06:38 | |
Yeah, it makes it much easier. | 0:06:38 | 0:06:40 | |
That should help with keeping Phil in check, then. | 0:06:40 | 0:06:43 | |
Jennifer, Phil and Olive have arrived at their first shop of the trip. | 0:06:43 | 0:06:47 | |
Come on, Ol. | 0:06:47 | 0:06:49 | |
Do you think we've got an unfair advantage with Olive? | 0:06:53 | 0:06:55 | |
-What? -It's three against two. | 0:06:55 | 0:06:57 | |
That's true. Come on, Ol, in we come. | 0:06:57 | 0:07:00 | |
With plenty of antiques and collectables on offer, | 0:07:00 | 0:07:03 | |
all three of them get stuck in. | 0:07:03 | 0:07:05 | |
That looks like every Elizabethan comedy set I've ever been on. | 0:07:08 | 0:07:12 | |
-Take the "pith". -That's very good. -There you go. | 0:07:16 | 0:07:19 | |
Oh, it's something I can lick. | 0:07:22 | 0:07:23 | |
Yeah. | 0:07:23 | 0:07:24 | |
No, fake. | 0:07:24 | 0:07:25 | |
Yuck! | 0:07:25 | 0:07:27 | |
This is an occasional table. Sorry, "occasional table" it says there. | 0:07:28 | 0:07:32 | |
It always makes me laugh when they say occasional tables. | 0:07:32 | 0:07:35 | |
-I'm not sure what they are. -Part-time table. -Yeah. | 0:07:35 | 0:07:38 | |
After a good old rummage around, | 0:07:40 | 0:07:41 | |
it looks like Jennifer has uncovered something interesting. | 0:07:41 | 0:07:44 | |
Oh, no, there's something that was once alive. | 0:07:44 | 0:07:47 | |
-Something that was once alive. -Has Olive killed that? | 0:07:47 | 0:07:50 | |
Something that still could be alive. | 0:07:50 | 0:07:52 | |
What the...? | 0:07:52 | 0:07:53 | |
Oh, that's cool, isn't it? I know where that's going. | 0:07:55 | 0:07:58 | |
-It's not going on my head. -No, I know. Go on, then. -Philip, go on. | 0:07:58 | 0:08:01 | |
-Do you want it...? -Look at it. | 0:08:01 | 0:08:03 | |
-Do I look like Rumpole? -You do. -Really? | 0:08:03 | 0:08:06 | |
Look, we've got his little stock, whatever it's called. Little collar. | 0:08:06 | 0:08:11 | |
-Oh, yeah, yeah, yeah. -With all the... And his collars. | 0:08:11 | 0:08:14 | |
-It's seen better days, the collars. -Yeah. -Haven't they? | 0:08:14 | 0:08:17 | |
They've seen better days. | 0:08:17 | 0:08:19 | |
But this is a nice tin. | 0:08:20 | 0:08:23 | |
I like that. Do you like that? | 0:08:23 | 0:08:25 | |
I think that's really nice. | 0:08:25 | 0:08:26 | |
It sports a price of £68. | 0:08:28 | 0:08:30 | |
Is there a deal to be done with Nigel? | 0:08:30 | 0:08:33 | |
How old do you think it is? | 0:08:33 | 0:08:35 | |
Er, well, the tin is certainly Victorian, I would've thought. | 0:08:35 | 0:08:38 | |
I don't think it's any earlier than that. Um... | 0:08:38 | 0:08:41 | |
Late 19th. | 0:08:41 | 0:08:42 | |
Yeah, I think you're probably right, yeah. | 0:08:42 | 0:08:44 | |
I think... | 0:08:44 | 0:08:46 | |
We're going to need to give you £40 for it, really. | 0:08:47 | 0:08:49 | |
Because it's going to make £50-£80 at auction. | 0:08:49 | 0:08:53 | |
That's my view. | 0:08:53 | 0:08:55 | |
You're not going to get there at 40, I'm afraid. | 0:08:55 | 0:08:58 | |
You will get there at 55. | 0:08:58 | 0:09:01 | |
See, we're nowhere near you at that, I don't think. | 0:09:01 | 0:09:04 | |
We're just going to lose money there. | 0:09:04 | 0:09:06 | |
Well the best, and this is the death, is 50. | 0:09:06 | 0:09:10 | |
Decision time, chaps. | 0:09:10 | 0:09:12 | |
Are you willing to part with £50 for the Victorian wig and tin? | 0:09:12 | 0:09:16 | |
I think we should because I think we might find something that | 0:09:17 | 0:09:22 | |
-can go with it. We might... -Yeah. | 0:09:22 | 0:09:24 | |
Listen, we're going to have fun with that wig. | 0:09:24 | 0:09:26 | |
Actually, there we go, thank you very much, indeed. | 0:09:26 | 0:09:28 | |
-Thank you very much, indeed. -Thank you. And onwards, sir. | 0:09:28 | 0:09:31 | |
-Thank you, Nigel. See you, bye. -Bye. -Bye. | 0:09:31 | 0:09:35 | |
So that's Jennifer and Phil bagging their first lot. | 0:09:35 | 0:09:38 | |
Great stuff. | 0:09:38 | 0:09:40 | |
Patricia and Mark, meanwhile, are making their way to Reading. | 0:09:47 | 0:09:51 | |
Did you enjoy working on Holby City? | 0:09:51 | 0:09:53 | |
I loved it. What a great job. | 0:09:53 | 0:09:56 | |
And you know a lot about medicine? | 0:09:56 | 0:09:58 | |
Oh... Come on. | 0:09:58 | 0:10:00 | |
-I know nothing about medicine. I married a doctor. -Oh, you married a doctor? | 0:10:00 | 0:10:03 | |
I married a doctor, my lovely Jim, who is doing... We met doing Holby. | 0:10:03 | 0:10:07 | |
That's another great thing about the job. | 0:10:07 | 0:10:10 | |
You met your husband on Holby. What was he doing? | 0:10:10 | 0:10:13 | |
-He was doing medical advising. -Oh, really? | 0:10:13 | 0:10:15 | |
Only to meet girls, yeah. | 0:10:15 | 0:10:17 | |
It worked, then. | 0:10:18 | 0:10:20 | |
Tish and Mark are starting this trip with | 0:10:20 | 0:10:22 | |
a visit to the Royal Berkshire Medical Museum. | 0:10:22 | 0:10:25 | |
During World War I, the Royal Berkshire and Battle hospitals | 0:10:25 | 0:10:29 | |
treated thousands of injured soldiers. | 0:10:29 | 0:10:32 | |
And it was here that one surgeon pioneered | 0:10:32 | 0:10:35 | |
a new way of healing wounds when he discovered previously | 0:10:35 | 0:10:39 | |
unidentified bacteria by using his nose. | 0:10:39 | 0:10:43 | |
-Hello. -Good morning. | 0:10:43 | 0:10:44 | |
Tish and Mark are meeting retired consultant general surgeon | 0:10:44 | 0:10:47 | |
and museum volunteer, Tom Dehn, to find out more. | 0:10:47 | 0:10:51 | |
So, Tom, can you tell us a bit about what life would have been | 0:10:51 | 0:10:54 | |
like for the soldiers on the front line? | 0:10:54 | 0:10:56 | |
Pretty miserable on the front line. | 0:10:56 | 0:10:58 | |
Over 1.5 million men and women were injured and many of those | 0:10:58 | 0:11:03 | |
injuries occurred in really desperate circumstances. | 0:11:03 | 0:11:07 | |
The soldiers climbed over barbed wire when they were being | 0:11:07 | 0:11:10 | |
machine-gunned by the enemy and they had often fallen into shell | 0:11:10 | 0:11:15 | |
holes, or foxholes, wounded. | 0:11:15 | 0:11:17 | |
The foxholes were full of dirty, | 0:11:17 | 0:11:20 | |
stagnant water and many of the injuries were complicated by | 0:11:20 | 0:11:24 | |
the development of gas gangrene, | 0:11:24 | 0:11:26 | |
owing to the fact that clothing and earth and contaminated | 0:11:26 | 0:11:31 | |
objects had been forced into their flesh by the impact of the shrapnel. | 0:11:31 | 0:11:37 | |
These sick men were brought back | 0:11:37 | 0:11:40 | |
and really the only treatment for gas gangrene was amputation. | 0:11:40 | 0:11:44 | |
Amputation. | 0:11:44 | 0:11:45 | |
Tragically many soldiers died from injuries that should never | 0:11:46 | 0:11:50 | |
have cost them their lives. | 0:11:50 | 0:11:51 | |
The lucky ones were sent back to Britain. | 0:11:56 | 0:11:59 | |
Up to 150 casualties arrived in Reading each day at the peak | 0:11:59 | 0:12:03 | |
of the war to be treated in the town's hospitals and it was | 0:12:03 | 0:12:06 | |
here that a young surgeon named Leonard Joyce made | 0:12:06 | 0:12:11 | |
a ground-breaking discovery. | 0:12:11 | 0:12:14 | |
Chairman of the Berkshire Medical Heritage Centre, Tim Smith, | 0:12:14 | 0:12:16 | |
is here to tell Tish and Mark more. | 0:12:16 | 0:12:19 | |
Joyce had noted that certain wounds, | 0:12:19 | 0:12:24 | |
of patients coming up from France, had a characteristic smell | 0:12:24 | 0:12:27 | |
and those with a characteristic smell got better more quickly | 0:12:27 | 0:12:32 | |
than other wounds. | 0:12:32 | 0:12:33 | |
And in conjunction with the bacteriologist at the hospital, | 0:12:33 | 0:12:37 | |
he cultured, grew, organisms from these particular wounds that | 0:12:37 | 0:12:42 | |
had the characteristic smell and they did animal experiments. | 0:12:42 | 0:12:45 | |
They grew this bacterium and, in animal experiments, | 0:12:45 | 0:12:50 | |
showed that it could help wound healing. | 0:12:50 | 0:12:52 | |
Then he took the very bold step of deliberately inoculating that | 0:12:52 | 0:12:56 | |
into the wounds of patients, and it worked. | 0:12:56 | 0:12:59 | |
It was what's called a proteolytic bacteria. | 0:12:59 | 0:13:02 | |
It broke down tissues to enable proper wound healing to take place. | 0:13:02 | 0:13:06 | |
He treated many patients successfully with this | 0:13:06 | 0:13:09 | |
technique and probably shortened their time in hospital. | 0:13:09 | 0:13:12 | |
Dr Leonard Joyce's pioneering work meant many of the World War I | 0:13:12 | 0:13:17 | |
wounded went on to make speedy recoveries, | 0:13:17 | 0:13:19 | |
all thanks to his nose and the discovery of Reading bacillus. | 0:13:19 | 0:13:24 | |
Jennifer, Philip and Olive have headed half an hour down the road | 0:13:28 | 0:13:31 | |
to Eversley in Hampshire, where they're arriving at their next shop. | 0:13:31 | 0:13:36 | |
This looks rather gorgeous, I must say. Out you come. | 0:13:36 | 0:13:40 | |
I thought you might stay in, but no. | 0:13:40 | 0:13:43 | |
Housed inside this 16th century barn | 0:13:45 | 0:13:48 | |
is a wide variety of antiques, furniture and collectibles. | 0:13:48 | 0:13:53 | |
-Hello! -Hello! -I'm Hilary. -Hi, Hilary, nice to meet you. | 0:13:53 | 0:13:56 | |
-Hilary, we've met, haven't we? -We've met before. Nice to see you again. | 0:13:56 | 0:13:59 | |
And what a very good lady Hilary is, let me tell you. | 0:13:59 | 0:14:02 | |
-Shall we go and have a look round? Is that all right? -Yeah. | 0:14:02 | 0:14:04 | |
-Those are nice, mind, the little lions, Jennifer. -Pretty. | 0:14:04 | 0:14:08 | |
-I do like those. -You do? -Yeah. | 0:14:08 | 0:14:10 | |
I tell you what's nice about the lions is that they're weathered. | 0:14:10 | 0:14:13 | |
-I like those. -And worn. -They're weathered and worn. | 0:14:13 | 0:14:17 | |
-They've got a nice look to them. -How much is that? -Hilary, the lions... | 0:14:17 | 0:14:21 | |
-The little ones? -Yeah. -How much is on those? -55. -55... | 0:14:21 | 0:14:26 | |
They can be 40 for you. | 0:14:26 | 0:14:28 | |
So, straightaway, the pair of reconstituted stone lions | 0:14:29 | 0:14:33 | |
are set aside for consideration | 0:14:33 | 0:14:34 | |
and it looks like Phil's found something else. | 0:14:34 | 0:14:37 | |
So this is a, erm... | 0:14:37 | 0:14:39 | |
-..a reproduction luggage rack. -Mm. | 0:14:42 | 0:14:46 | |
It is probably 1950s. | 0:14:46 | 0:14:49 | |
I quite like this cos it would look quite cool, | 0:14:50 | 0:14:53 | |
-a little coffee table, wouldn't it, like that? -It is quite nice. | 0:14:53 | 0:14:56 | |
-Put a tray on it. -Yeah. -It's easy. | 0:14:56 | 0:14:58 | |
-What's that at? -Priced at 95. -That's quite a lot. | 0:14:58 | 0:15:01 | |
-It's got to be 50 quid, hasn't it? -Yeah. | 0:15:01 | 0:15:04 | |
I think it's got to be slightly less, I have to say. | 0:15:04 | 0:15:07 | |
-I think if I was... -I do like this lady. | 0:15:07 | 0:15:09 | |
-If I was going to buy it... -I do like her a lot. | 0:15:09 | 0:15:12 | |
What do you think about that if we could get that at 40, do you think? | 0:15:12 | 0:15:15 | |
-40? 40, I'd go for it. -Could you do that for 40 for us? | 0:15:15 | 0:15:19 | |
Halfway - 45 I'll do. | 0:15:19 | 0:15:21 | |
-It's up to you, my love. -Yes, I do like it. | 0:15:21 | 0:15:24 | |
-We'd like this and the lions. -That at 45 and the lions at 40. | 0:15:24 | 0:15:28 | |
-80 the two would be better, wouldn't it, really? -Yeah. | 0:15:28 | 0:15:30 | |
-Cos it just makes the maths so much easier, doesn't it? -Yeah. | 0:15:30 | 0:15:33 | |
80 the two, that would... | 0:15:33 | 0:15:35 | |
Yeah, that'll be all right. 80 for the two. | 0:15:35 | 0:15:37 | |
That generous discount means Jennifer and Phil | 0:15:37 | 0:15:40 | |
bag themselves the stone lions for £40 | 0:15:40 | 0:15:44 | |
and the Georgian-style luggage rack for another 40. | 0:15:44 | 0:15:47 | |
Upstairs, some feathered friends have caught Jennifer's eye. | 0:15:49 | 0:15:53 | |
-They are gorgeous. -Those are fun, aren't they? | 0:15:53 | 0:15:56 | |
Well, I think they look really nicely done. | 0:15:56 | 0:15:58 | |
If you look at the detail on the feathers, | 0:15:58 | 0:16:00 | |
-it's really good. -Would there be a lot of movement on price on these? | 0:16:00 | 0:16:03 | |
I can always make a phone call. How much is on them? | 0:16:03 | 0:16:06 | |
-245, that's quite a lot. -Well, I'll go and ask. | 0:16:06 | 0:16:09 | |
Hilary makes a quick call to the dealer, | 0:16:11 | 0:16:14 | |
only to find he won't go any lower than £200. | 0:16:14 | 0:16:18 | |
-200? No, we'd be poles away. -I know. -Mm. | 0:16:18 | 0:16:21 | |
Turning down the turkeys, Jennifer and Phil head back downstairs... | 0:16:21 | 0:16:26 | |
and look who's turned up. | 0:16:26 | 0:16:27 | |
-Oh, no! -They're here! They got here before us! -This is not fair, is it? | 0:16:27 | 0:16:33 | |
-Hello! -Hello! | 0:16:33 | 0:16:35 | |
I can't believe you got here and you've been buying stuff. | 0:16:35 | 0:16:39 | |
-I'm so jealous. -I'm so sorry. -I'm desperate to go inside. | 0:16:39 | 0:16:43 | |
-Right, bye! -Come on. | 0:16:43 | 0:16:44 | |
I'm not surprised, as Tish and Mark are yet to buy | 0:16:44 | 0:16:47 | |
a single thing with their £400. | 0:16:47 | 0:16:50 | |
I don't know where to start, I really don't. | 0:16:50 | 0:16:53 | |
So, what we want is something that really stands out. | 0:16:53 | 0:16:56 | |
Stands out, quirky, something that's fresh to the market. | 0:16:56 | 0:16:59 | |
It's completely overwhelming. There's so much stuff. | 0:17:03 | 0:17:07 | |
While Tish and Mark are feeling the pressure, | 0:17:07 | 0:17:10 | |
their rivals are on a roll. | 0:17:10 | 0:17:13 | |
-Do you want to win? -Don't offer me the bedpan. | 0:17:13 | 0:17:17 | |
-Corner cupboard. How much? -How much would I pay for it? -Yeah. | 0:17:17 | 0:17:22 | |
Hmm. | 0:17:23 | 0:17:25 | |
-About 50 quid. -You'd pay 50 quid for it? | 0:17:25 | 0:17:28 | |
Well, I don't like it, but I think I would pay | 0:17:28 | 0:17:30 | |
something like 50 quid for that because it's quite a nice one. | 0:17:30 | 0:17:33 | |
This. | 0:17:35 | 0:17:36 | |
I'm selling that for a customer and they're very happy for it | 0:17:36 | 0:17:40 | |
to go to a good home for not a lot of money | 0:17:40 | 0:17:43 | |
so I know I can do something on that, | 0:17:43 | 0:17:45 | |
probably even £30 they'd be happy with. | 0:17:45 | 0:17:47 | |
-Did you hear that, Jennifer? -What? -They'd take 30 quid for it. | 0:17:47 | 0:17:51 | |
-Selling it for a customer. -Let's take it. -We can't walk past that. | 0:17:51 | 0:17:55 | |
-I think, for 30 quid, that's not bad at all. -How old do you think it is? | 0:17:55 | 0:17:59 | |
It's 19th century, but it may have had some alterations done, | 0:17:59 | 0:18:03 | |
-but I don't think so. -Hmm. -We can't walk past that, can we? | 0:18:03 | 0:18:06 | |
-No, I think that's... -That's profit. -OK. -That's profit. | 0:18:06 | 0:18:10 | |
You hope! So, the late Georgian corner cupboard | 0:18:10 | 0:18:14 | |
becomes their fourth lot bought. | 0:18:14 | 0:18:17 | |
Still to spend a penny, Tish has found something she fancies. | 0:18:17 | 0:18:20 | |
-Now, what do you think about this? -Oh, gosh, I need to sit down. | 0:18:20 | 0:18:23 | |
-What is it? Show me. -So this is a scrapbook. | 0:18:23 | 0:18:25 | |
What I think is interesting about it is, | 0:18:25 | 0:18:27 | |
-first of all, it's enormous. -Yes. | 0:18:27 | 0:18:28 | |
But, secondly, when you open it, you realise that, in fact, it is... | 0:18:28 | 0:18:33 | |
-Empty. -..empty. | 0:18:33 | 0:18:35 | |
And therefore I thought quite attractive for somebody | 0:18:35 | 0:18:38 | |
who was looking for a wedding present for somebody or something | 0:18:38 | 0:18:41 | |
because it's a very unique item | 0:18:41 | 0:18:42 | |
and what's brilliant about the design | 0:18:42 | 0:18:45 | |
-is as you fill it up with your stuff... -It'll get... | 0:18:45 | 0:18:47 | |
It's got space within the pages to take its full form. | 0:18:47 | 0:18:51 | |
What do you think? It's only £30. | 0:18:51 | 0:18:53 | |
-£30? -£30. | 0:18:53 | 0:18:55 | |
It looks as if it's got age and I love that sort of, | 0:18:55 | 0:18:57 | |
-what do you call this, oxblood leather? -Yes. | 0:18:57 | 0:19:01 | |
-You don't see that any more, do you? -It matches our car. | 0:19:01 | 0:19:03 | |
It does match our car. | 0:19:03 | 0:19:05 | |
I think this is not a bad buy, you know. | 0:19:05 | 0:19:08 | |
A lot of the market these days is to do with decorative items. | 0:19:08 | 0:19:12 | |
It's only £30. 20... Do you want to try and negotiate on the first item? | 0:19:12 | 0:19:17 | |
OK. | 0:19:17 | 0:19:19 | |
-All right, let's go. -Yeah? Go on, then. -I'm a bit nervous now! -Go on. | 0:19:19 | 0:19:24 | |
-OK. Let's give it a go, let's give it a go. -Give it a go. | 0:19:24 | 0:19:27 | |
Go on, Tish. Work your magic. | 0:19:27 | 0:19:29 | |
We've found this scrapbook. | 0:19:29 | 0:19:32 | |
I'm quite keen on it, but I notice that the price you have on it | 0:19:32 | 0:19:35 | |
is £30 and I was wondering if that was the best. | 0:19:35 | 0:19:37 | |
What I could do for you... | 0:19:37 | 0:19:39 | |
Erm, I think... | 0:19:39 | 0:19:41 | |
Normally, I'd say 25, but you are in a competition so I'll say 20. | 0:19:41 | 0:19:46 | |
-That sounds absolutely brilliant. -20. -Thank you so much. -Thank you. | 0:19:46 | 0:19:50 | |
-Do you agree, Mark? -Oh, you didn't need me, did you? | 0:19:50 | 0:19:52 | |
THEY LAUGH | 0:19:52 | 0:19:54 | |
No, she didn't. | 0:19:54 | 0:19:55 | |
She secured the late Victorian unused scrapbook all by herself. | 0:19:55 | 0:20:00 | |
Top marks! | 0:20:00 | 0:20:01 | |
And just as Jennifer and Philip thought they were all done... | 0:20:01 | 0:20:05 | |
-Is that a little miniature staddle stone here? -It is. It's lovely. | 0:20:05 | 0:20:08 | |
-That's weathered as well. -Ooh! -That is sweet. | 0:20:08 | 0:20:11 | |
-That's nice with the lions. -Yes. -Oh, please, let's do that. | 0:20:11 | 0:20:15 | |
Yes, definitely. | 0:20:15 | 0:20:17 | |
-I don't know how much is on that. Can you see it? -£68. | 0:20:17 | 0:20:22 | |
-£50. -Can you do this as 40 as well? | 0:20:22 | 0:20:25 | |
Not quite 40. | 0:20:25 | 0:20:27 | |
-Two? -Five. 45. | 0:20:27 | 0:20:30 | |
-OK, let's do it. -OK, done. Phew! | 0:20:30 | 0:20:34 | |
-Thank you. -Well done, Jennifer. -Thank you! | 0:20:34 | 0:20:36 | |
So, Jennifer and Phil will put the staddle stone | 0:20:36 | 0:20:40 | |
alongside their lions to make one lot for auction. | 0:20:40 | 0:20:43 | |
Mark, meanwhile, has spied those bronze turkeys | 0:20:44 | 0:20:46 | |
the other team turned down. | 0:20:46 | 0:20:49 | |
I need to look at these. | 0:20:49 | 0:20:51 | |
The thing with these is they're made about 1890/1900. | 0:20:52 | 0:20:58 | |
And there was one maker particularly | 0:21:00 | 0:21:02 | |
-who made the best quality ones, called Franz Bergman. -Right. | 0:21:02 | 0:21:05 | |
And he used to sign his initials in a little urn with the letter B. | 0:21:05 | 0:21:11 | |
The thing is that cold-painted bronze are very collectible. | 0:21:11 | 0:21:14 | |
They're quite nicely made. | 0:21:14 | 0:21:16 | |
-Do you honestly think that these would sell? -Well... | 0:21:16 | 0:21:19 | |
-I have to say, I think they're absolutely hideous. -If somebody... | 0:21:19 | 0:21:22 | |
Well, absolutely hideous can sell, you know. | 0:21:22 | 0:21:25 | |
He's not wrong. And Mark reckons the birds are worth a punt. | 0:21:25 | 0:21:30 | |
OK. Now, Hilary, we've fallen in love with these two turkeys. | 0:21:30 | 0:21:34 | |
They are nice. | 0:21:34 | 0:21:35 | |
The dealer has already said he'd take £200 for the turkeys. | 0:21:35 | 0:21:39 | |
Can Mark sweet-talk him down a little lower? | 0:21:39 | 0:21:42 | |
-Brian? Brian... -Brian. | 0:21:42 | 0:21:45 | |
Hello, Brian. | 0:21:45 | 0:21:46 | |
My lovely celebrity, Tish here, and I have fallen in love with these. | 0:21:46 | 0:21:50 | |
I think they're lovely. | 0:21:50 | 0:21:52 | |
I'm just hoping, Brian, | 0:21:52 | 0:21:53 | |
you might just tweak them under the 200 for us. | 0:21:53 | 0:21:56 | |
195? And I can't tweak you to a round 190? | 0:21:56 | 0:22:00 | |
-For cash. -Is that all right? | 0:22:00 | 0:22:03 | |
190. Oh, Brian, you're such a star. Thank you so much for your time. | 0:22:03 | 0:22:07 | |
And thanks from Tish, too. | 0:22:07 | 0:22:09 | |
Jennifer and Phil might be furious when they find out, | 0:22:09 | 0:22:12 | |
but that's the bronze turkeys bought for £190. | 0:22:12 | 0:22:16 | |
-Oh, that's it! -I'm exhausted. -Right. | 0:22:17 | 0:22:19 | |
BELL RINGS | 0:22:19 | 0:22:20 | |
I'm exhausted! | 0:22:20 | 0:22:23 | |
And so ends a busy day of buying for our weary celebrities and experts. | 0:22:23 | 0:22:28 | |
Nighty-night! | 0:22:29 | 0:22:30 | |
It's the next morning. | 0:22:36 | 0:22:38 | |
Olive and our antique-hunting actresses are back on the road. | 0:22:38 | 0:22:42 | |
-How was your day yesterday? How did you find everything? -Well... | 0:22:42 | 0:22:46 | |
-Cos we left you at that... -I was livid that you got there before us. | 0:22:46 | 0:22:50 | |
Cos there was a couple of things that I thought, "Oh, I love those." | 0:22:50 | 0:22:53 | |
Like what? What things? | 0:22:53 | 0:22:55 | |
Oh, there was a couple of cold-painted bronzes and things, | 0:22:55 | 0:22:59 | |
-which you don't like, I don't think. -No, I really think they're hideous. | 0:22:59 | 0:23:02 | |
Oh, no, you see, I love a cold-painted bronze. | 0:23:02 | 0:23:05 | |
-We did see the turkeys, yes. -I thought they were great. | 0:23:05 | 0:23:08 | |
Well, that's a little awkward. | 0:23:08 | 0:23:10 | |
Anyway, despite passing on the turkeys, | 0:23:12 | 0:23:15 | |
Jennifer and Phil had a successful shopping time yesterday, | 0:23:15 | 0:23:18 | |
bagging a whole heap of goodies - | 0:23:18 | 0:23:20 | |
the Victorian tin and legal wig, | 0:23:20 | 0:23:23 | |
the reconstituted stone lions, | 0:23:23 | 0:23:26 | |
the miniature staddle stone, | 0:23:26 | 0:23:28 | |
the late Georgian corner cupboard | 0:23:28 | 0:23:31 | |
and the Georgian-style luggage rack, | 0:23:31 | 0:23:34 | |
leaving them with £195 to spend today. | 0:23:34 | 0:23:36 | |
-Thank you very much indeed. -Thank you. | 0:23:36 | 0:23:38 | |
Tish and Mark, meanwhile, have bought two lots so far - | 0:23:38 | 0:23:42 | |
the late Victorian unused scrap album | 0:23:42 | 0:23:45 | |
and the rare Bergman cold-painted bronze turkeys, | 0:23:45 | 0:23:48 | |
which means they still have £190 available to spend today. | 0:23:48 | 0:23:52 | |
Thank you very much. | 0:23:52 | 0:23:54 | |
En route to meet the girls, | 0:23:55 | 0:23:57 | |
Mark and Phil have had a bit of car trouble. | 0:23:57 | 0:24:00 | |
Thankfully, they're not too far from the meeting point | 0:24:01 | 0:24:04 | |
so they're hoofing it. | 0:24:04 | 0:24:06 | |
The girls, meanwhile, are oblivious to the boys' predicament. | 0:24:06 | 0:24:10 | |
-I think we've taken a massive risk on one of our items. -Oh, do you? | 0:24:10 | 0:24:15 | |
-Yeah. Yeah, I do. -Oh, I wish I knew what it was cos I was in that shop. | 0:24:15 | 0:24:19 | |
I know. Well, I'm not allowed to tell you. | 0:24:19 | 0:24:20 | |
-I'm sworn to secrecy and I'm finding it incredibly difficult! -OK. | 0:24:20 | 0:24:24 | |
Yeah, me, too. Ha! | 0:24:24 | 0:24:26 | |
The boys have arrived and poor Phil looks puffed out. | 0:24:27 | 0:24:31 | |
Mark, you meanie, I hope you don't expect Tish to pull you, too. | 0:24:31 | 0:24:34 | |
There's the boys. | 0:24:37 | 0:24:38 | |
Oh, they're here. Hello! | 0:24:38 | 0:24:41 | |
THEY LAUGH | 0:24:41 | 0:24:44 | |
Hello! | 0:24:44 | 0:24:46 | |
-Hello, lovely. -Why, you old fools! | 0:24:46 | 0:24:49 | |
He broke the car! | 0:24:49 | 0:24:50 | |
I only noticed you when you got your leg out. | 0:24:50 | 0:24:54 | |
-How are you this morning? -Very well. | 0:24:55 | 0:24:56 | |
-He did, he broke it. -Nice to see you, you look wonderful. | 0:24:56 | 0:24:59 | |
What a beautiful day! | 0:24:59 | 0:25:00 | |
-I didn't break the car, it broke down. -He broke the car. | 0:25:00 | 0:25:02 | |
-It broke down. -While you were driving it? | 0:25:02 | 0:25:05 | |
I was driving it, yes. But the engine just... | 0:25:05 | 0:25:08 | |
-There's something wrong with it. -What are they going to do? | 0:25:08 | 0:25:10 | |
When you said, "What are THEY going to do?" | 0:25:10 | 0:25:12 | |
you're absolutely right. | 0:25:12 | 0:25:13 | |
What are THEY going to do? Cos we've got the car. | 0:25:13 | 0:25:15 | |
-We could come in the back. -Oh, come on! Olive struggles in the back. | 0:25:15 | 0:25:19 | |
-You're not even going to let us have the car. -Have a lovely day! | 0:25:19 | 0:25:22 | |
-Please, Mark. -We'll see you later on. -What are we going to do? | 0:25:22 | 0:25:24 | |
-They've already had a head start. This isn't fair. -This is not fair. | 0:25:24 | 0:25:27 | |
-Life's full of unfairness, isn't it? -Come on, Olive. | 0:25:27 | 0:25:30 | |
I don't know what you're going to do. | 0:25:30 | 0:25:31 | |
-I think we'll start walking, don't you? -Unbelievable! | 0:25:31 | 0:25:34 | |
-You've got good sturdy legs! -You're unbelievable! | 0:25:34 | 0:25:37 | |
With no thought for their carless rivals... | 0:25:38 | 0:25:40 | |
HORN SCREECHES | 0:25:40 | 0:25:42 | |
..Jennifer and Phil make a speedy exit and take to the road, | 0:25:42 | 0:25:44 | |
heading towards Goring. | 0:25:44 | 0:25:46 | |
You do know the real bonus of this, don't you? | 0:25:49 | 0:25:53 | |
-What's that? -Well, we're going to be there an hour before them. -We are! | 0:25:53 | 0:25:55 | |
-Oh, my gosh! -What's been your worst corpsing moment on stage? | 0:25:55 | 0:26:00 | |
-Once, Dawn and I were shooting a sketch with Stephanie Beecham. -Yeah. | 0:26:00 | 0:26:07 | |
And we got the worst giggles, I mean, ever. | 0:26:07 | 0:26:11 | |
And Stephanie was great at the beginning, she was like, | 0:26:11 | 0:26:13 | |
"That's fine, that's absolutely fine, ha-ha-ha," | 0:26:13 | 0:26:15 | |
and, honestly, about half an hour in and it was half an hour... | 0:26:15 | 0:26:19 | |
-She'd had enough. -I could see on her face and that made us laugh more. | 0:26:19 | 0:26:22 | |
The fact that we knew that everybody, | 0:26:22 | 0:26:25 | |
including the director, was going, "This is no longer funny. | 0:26:25 | 0:26:28 | |
-"You have to do this now." -You can't help yourself. | 0:26:28 | 0:26:30 | |
And it just made us go even... It became unprofessional. | 0:26:30 | 0:26:35 | |
Sometimes, it's fun and it's lovely, | 0:26:35 | 0:26:37 | |
but it really was bordering on terribly unprofessional | 0:26:37 | 0:26:41 | |
and we should have been drummed out of the industry. | 0:26:41 | 0:26:44 | |
Well, we're very pleased that you weren't. | 0:26:44 | 0:26:48 | |
Both teams will start their shopping in Goring and unsurprisingly, | 0:26:48 | 0:26:53 | |
armed with a car, Jennifer and Phil may get first dibs. | 0:26:53 | 0:26:56 | |
I tell you what, you bought one, I bought one. | 0:26:58 | 0:27:01 | |
I think it's Olive's turn. Do you? | 0:27:01 | 0:27:03 | |
-Let's see if she can sniff something out. -Come on, Olive. | 0:27:03 | 0:27:06 | |
-See if you can sniff something out, Olive. -I wonder if they find bones. | 0:27:06 | 0:27:09 | |
It's antiques you're after, Phil, not bones. | 0:27:09 | 0:27:11 | |
Stuffed full of vintage and retro items, straight away, | 0:27:11 | 0:27:15 | |
Jennifer's spotted something she likes. | 0:27:15 | 0:27:17 | |
Well, you see I'm immediately drawn just for my grandchildren | 0:27:17 | 0:27:20 | |
to this little chair. Oh, that is so cute. | 0:27:20 | 0:27:25 | |
I quite like that little kids' chair. | 0:27:26 | 0:27:28 | |
I think that's rather nice. | 0:27:29 | 0:27:32 | |
Bet it'll only go for a tenner... | 0:27:34 | 0:27:36 | |
And it is only 12. | 0:27:37 | 0:27:38 | |
Get that for a fiver. | 0:27:39 | 0:27:40 | |
I think that's... I'd love that little thing. | 0:27:40 | 0:27:44 | |
-That's quite sweet. -I'd definitely, absolutely get that. | 0:27:44 | 0:27:46 | |
I think that's a cracking little item. | 0:27:46 | 0:27:48 | |
Have they got any teddies or something? | 0:27:48 | 0:27:49 | |
Like you sit the teddy in it and sell the teddy in the chair. | 0:27:49 | 0:27:53 | |
Jennifer... | 0:27:53 | 0:27:55 | |
Oh! | 0:27:55 | 0:27:57 | |
-He's quite lovely. -He is, isn't he? | 0:27:57 | 0:28:01 | |
-He's quite nice. -And he's not brand-new, either. -No. | 0:28:01 | 0:28:05 | |
-Put him on the chair. -On the chair. -Put him on the chair. | 0:28:05 | 0:28:08 | |
While Jennifer and Phil consider the chair and teddy, | 0:28:11 | 0:28:15 | |
Tish and Mark are ready to browse and raring to buy. | 0:28:15 | 0:28:19 | |
-Hello, everyone. -Hello! -How are you? -Hi! -Good morning. | 0:28:19 | 0:28:22 | |
-Thank you for having us. -Can you point us in the way of the bargains? | 0:28:22 | 0:28:25 | |
And don't say, "Everywhere." | 0:28:25 | 0:28:27 | |
-Hello! -Oh, here comes trouble. -Sorry, I'm coming through. | 0:28:27 | 0:28:31 | |
Coming through! | 0:28:31 | 0:28:32 | |
-You're not going to even stop and say hello? -Hello, hello. -Hello. | 0:28:33 | 0:28:38 | |
-We're on a mission. -Are you? | 0:28:38 | 0:28:41 | |
-Have you bagsed everything good? -No, not at all. -Good. Come on, then. | 0:28:41 | 0:28:45 | |
Quick, upstairs. | 0:28:45 | 0:28:46 | |
-Aha! Hello! -Oh, you lot, the oppo! Where's my oppo? Is she downstairs? | 0:28:50 | 0:28:53 | |
-She's gone roaring past us. -You're in here first again. Honestly! | 0:28:53 | 0:28:57 | |
-Oh, you know, it's just the way it goes. -Well, we've got to shop, Phil. | 0:28:57 | 0:28:59 | |
-We haven't got time for idle chit-chat. -Yeah, bad luck. -What? | 0:28:59 | 0:29:03 | |
"Bad luck," he said. Isn't that nasty? | 0:29:03 | 0:29:06 | |
They're the best of friends, really. | 0:29:06 | 0:29:09 | |
Right, you two - what can you find? | 0:29:09 | 0:29:12 | |
Oh, that's nice. It's Mason's, isn't it? | 0:29:12 | 0:29:14 | |
-Yes, it is. -Mason's Pottery. | 0:29:14 | 0:29:15 | |
It's Mason's Pottery and I'm thinking | 0:29:15 | 0:29:17 | |
that there's quite a trend these days - macaroons. | 0:29:17 | 0:29:20 | |
-Macaroons - fondant fancies. -Yes. | 0:29:20 | 0:29:23 | |
And people like a cake stand. | 0:29:23 | 0:29:27 | |
-I mean, I like it. -Yeah? | 0:29:27 | 0:29:28 | |
-We'll probably get it for a tenner or something. -Yeah. | 0:29:28 | 0:29:30 | |
It's marked at 12.50, but at auction, as a single lot, they... | 0:29:30 | 0:29:34 | |
You don't think it'll make any money? | 0:29:34 | 0:29:36 | |
I don't think it'll make a huge amount. | 0:29:36 | 0:29:37 | |
Well, best put it back, then, Tish. | 0:29:37 | 0:29:39 | |
-Did you see that old tin? -This one? -Yeah. | 0:29:40 | 0:29:44 | |
I quite like that cos you could put kindling in it | 0:29:44 | 0:29:46 | |
-next to your fire. -Well, it's an old hat box. | 0:29:46 | 0:29:48 | |
I thought it might go with our wig box. | 0:29:48 | 0:29:51 | |
Aha! It looks like a lot made up of tin boxes might be on the cards. | 0:29:51 | 0:29:56 | |
We have another tin. | 0:29:57 | 0:29:59 | |
-Well, now, that is a cute thing. Look at that. -What's it for? | 0:29:59 | 0:30:04 | |
It says it's for tapers. | 0:30:04 | 0:30:05 | |
"Price's...dropless white tapers for lighting candles." | 0:30:05 | 0:30:11 | |
And... | 0:30:11 | 0:30:13 | |
there's a few tapers in there. | 0:30:13 | 0:30:15 | |
There's not four candles in there, is there? | 0:30:15 | 0:30:17 | |
-That's a nice thing. It's got possibilities. -How much is that? | 0:30:17 | 0:30:19 | |
It's got 19 on it so I think that's a bit steep. | 0:30:19 | 0:30:22 | |
Oh, she's a tough one, that Saunders! | 0:30:22 | 0:30:25 | |
-Tish? -Yes, sir. -What do you think of this? -Oh, I love it! | 0:30:27 | 0:30:31 | |
-I love it! I love it! -Of course, it's not an antique. | 0:30:33 | 0:30:36 | |
-But it's... -It's a statement piece, isn't it? | 0:30:36 | 0:30:40 | |
Yes, it's what you were saying that you wanted to find. | 0:30:40 | 0:30:42 | |
I mean, they've called it a log basket, which it could be. | 0:30:42 | 0:30:46 | |
-It could be a log basket. -Or a laundry basket. | 0:30:46 | 0:30:47 | |
I would have that in my house. | 0:30:47 | 0:30:49 | |
Or if you like a bottle of wine, of course, it could be an ice bucket. | 0:30:49 | 0:30:52 | |
-For a party. -Yeah! | 0:30:52 | 0:30:53 | |
You know, have your champagne in there. | 0:30:53 | 0:30:55 | |
-How much is it on for? -30 quid. -Oh! We've got to get this. | 0:30:55 | 0:30:58 | |
They're keen on the toleware bin | 0:30:58 | 0:31:00 | |
so dealer Suze called the owner to find out how low he'll go. | 0:31:00 | 0:31:04 | |
-Oh, well, Suze is here with the decision. -Well, the answer was £20. | 0:31:04 | 0:31:08 | |
-Brilliant! We'll take it. -Perfect! -Yes, done deal. -Definitely, come on. | 0:31:08 | 0:31:12 | |
-Thank you so much. -Listen, you're a miracle worker. Thank you so much. | 0:31:12 | 0:31:16 | |
You're so good. | 0:31:16 | 0:31:18 | |
Tish and Mark are very pleased with their purchase. | 0:31:18 | 0:31:21 | |
-Are you happy? -Delighted. -I'm delighted with this wonderful thing. | 0:31:21 | 0:31:25 | |
Now, it's Jennifer's turn to get her haggling hat on. | 0:31:29 | 0:31:33 | |
Can she strike a deal with Nicole and Maddy on the hat and taper tins? | 0:31:33 | 0:31:38 | |
So, you've got 22 on that and you've got 19 on that. | 0:31:38 | 0:31:42 | |
What's your best price for the two? | 0:31:42 | 0:31:44 | |
I'll take £5 off so it'll be 14. | 0:31:44 | 0:31:47 | |
-Hmm... -I can see your face. -Well, I'd like to pay £10. | 0:31:49 | 0:31:53 | |
-You can have it for ten. -OK. -This is not mine. -Oh, isn't it? | 0:31:53 | 0:31:57 | |
So, how do we negotiate with that? | 0:31:57 | 0:31:59 | |
So, usually it is 10%, but I'm sure I can let you have it for 15. | 0:31:59 | 0:32:03 | |
-That's not bad. Come on, Phil. -I'd have the two for 20. | 0:32:04 | 0:32:08 | |
Can you do the two for 20? | 0:32:08 | 0:32:10 | |
-It's not mine. -Hard bargain. -Yeah. | 0:32:10 | 0:32:13 | |
OK, we've also got the child's chair, which is at 12.50, | 0:32:13 | 0:32:18 | |
and this bear at 14. | 0:32:18 | 0:32:21 | |
-Right, again, they're not mine so, erm, the chair can be eight. -OK. | 0:32:21 | 0:32:28 | |
And the bear can be eight as well. | 0:32:28 | 0:32:32 | |
-15 for the two. -If we can do 15 and 20, we'll have them. | 0:32:32 | 0:32:36 | |
-Oh, go on, then. -Oh! You're fantastic! Thank you! | 0:32:36 | 0:32:40 | |
So, for £35, Jennifer and Phil have bought four more items. | 0:32:40 | 0:32:44 | |
And that means their shopping is complete. | 0:32:46 | 0:32:50 | |
-Right, I think we've done very well. -And well done, you, Olive, too. | 0:32:50 | 0:32:54 | |
Olive's worn out. | 0:32:54 | 0:32:56 | |
Tish and Mark, meanwhile, | 0:32:57 | 0:32:58 | |
have made their way to the historic market town of Hungerford. | 0:32:58 | 0:33:01 | |
Situated in the heart of the North Wessex Downs, | 0:33:01 | 0:33:05 | |
it's home to Kimmer Antiques. | 0:33:05 | 0:33:09 | |
This family-run business has a wide variety of antiques | 0:33:09 | 0:33:11 | |
and collectibles on offer. | 0:33:11 | 0:33:13 | |
Nothing inside's grabbed Tish, | 0:33:19 | 0:33:21 | |
but she's spied something interesting outside. | 0:33:21 | 0:33:25 | |
Now, why do you like this? | 0:33:26 | 0:33:27 | |
Because I love the proportions. I love a child's chair. | 0:33:29 | 0:33:32 | |
You know, the really good ones go for hundreds and hundreds of pounds. | 0:33:32 | 0:33:35 | |
-They do. -I mean, this doesn't seem to have a price on it. | 0:33:35 | 0:33:40 | |
Do you know what style of chair we call this? | 0:33:40 | 0:33:43 | |
-I'm... I know I should, but I don't. -It's called a Windsor chair. | 0:33:43 | 0:33:47 | |
-A Windsor chair! -And it's a very, very English design. -Yes. | 0:33:47 | 0:33:52 | |
They started life, really, in the sort of 1740s, | 0:33:52 | 0:33:55 | |
1730s and onwards and they've been made ever since. | 0:33:55 | 0:33:57 | |
I can tell, even with my amateur eye, | 0:33:57 | 0:34:00 | |
that this isn't a particularly high quality one. | 0:34:00 | 0:34:02 | |
-And it's not old, particularly. -And it's not old. -But... | 0:34:02 | 0:34:05 | |
-Do you think it would sell? -I think it's got | 0:34:05 | 0:34:06 | |
a charm about it, hasn't it? | 0:34:06 | 0:34:09 | |
There's no ticket price. | 0:34:09 | 0:34:11 | |
Time to call on dealer David. | 0:34:11 | 0:34:13 | |
David, now, what sort of price is that, David? | 0:34:13 | 0:34:17 | |
Can we start off around £80? | 0:34:17 | 0:34:19 | |
Good Lord, we can start there, | 0:34:19 | 0:34:21 | |
but we're going to end an awful lot lower. | 0:34:21 | 0:34:23 | |
-What do you think, Tish? -Yes, what do you think? -Erm... | 0:34:23 | 0:34:26 | |
HE MOUTHS | 0:34:27 | 0:34:29 | |
I can't quite believe what Mark has just mouthed at me | 0:34:29 | 0:34:32 | |
and I think it's probably a bit cheeky, but I'm going to be led | 0:34:32 | 0:34:36 | |
by my expert and I'm going to offer you, David, £20. | 0:34:36 | 0:34:40 | |
I could do 30 for you, Mark. | 0:34:40 | 0:34:42 | |
I think you're being very nice to Tish and I. | 0:34:42 | 0:34:44 | |
What do you think it'll make at auction? Do you think it'll be OK? | 0:34:44 | 0:34:47 | |
I think it'll be very OK if we sort of shook hands at 25. | 0:34:47 | 0:34:51 | |
-Would 28, Mark, suit you? -Yes! | 0:34:51 | 0:34:54 | |
28, yes, I'm taking over this decision! | 0:34:54 | 0:34:58 | |
What am I doing here? | 0:34:58 | 0:35:00 | |
-Mark... -Don't drive him any lower! -It was a pleasure, sir. | 0:35:00 | 0:35:04 | |
I want £3 off for shaking my hand! | 0:35:04 | 0:35:06 | |
-28, thank you so much. -That's wonderful, thank you very much. | 0:35:06 | 0:35:10 | |
£28, perfect. | 0:35:10 | 0:35:11 | |
Tish sealed that deal. | 0:35:11 | 0:35:13 | |
That's the little Windsor chair for £28. | 0:35:15 | 0:35:19 | |
-I love this chair. -You do, don't you? -I do. | 0:35:19 | 0:35:23 | |
Meanwhile, Jennifer, Phil and Olive have made their way to Newbury. | 0:35:24 | 0:35:28 | |
Jennifer is famed as one of the country's finest comediennes | 0:35:29 | 0:35:33 | |
so they've come to learn about the man who is credited | 0:35:33 | 0:35:36 | |
for inventing slapstick comedy, music hall impresario Fred Karno. | 0:35:36 | 0:35:42 | |
Here you are. | 0:35:42 | 0:35:43 | |
Here to tell them more | 0:35:43 | 0:35:44 | |
is Karno historian and biographer David Crump. | 0:35:44 | 0:35:47 | |
He started life, really, as an acrobat in the music halls | 0:35:47 | 0:35:52 | |
around 1888, but he literally took the music hall by storm. | 0:35:52 | 0:35:58 | |
I mean, he was the Andrew Lloyd Webber of his day | 0:35:58 | 0:36:00 | |
and if Fred Karno's name was above the door, | 0:36:00 | 0:36:02 | |
it didn't matter who was in the sketch. | 0:36:02 | 0:36:05 | |
Unlike a lot of music hall performers who had an act | 0:36:05 | 0:36:08 | |
and ran that act for 40 years, | 0:36:08 | 0:36:10 | |
Karno had a new sketch every three or four months | 0:36:10 | 0:36:13 | |
and a sketch was 20-30 minutes within a show | 0:36:13 | 0:36:16 | |
and he also had the Alex Ferguson approach to comics | 0:36:16 | 0:36:18 | |
in that he brought them in young, | 0:36:18 | 0:36:20 | |
trained them and then they were cheap. | 0:36:20 | 0:36:22 | |
Karno found and trained many young comics over the years | 0:36:24 | 0:36:27 | |
and two of Britain's best-loved comedians of their time | 0:36:27 | 0:36:32 | |
were discovered by Karno - | 0:36:32 | 0:36:34 | |
Charlie Chaplin and Stan Laurel. | 0:36:34 | 0:36:37 | |
They both joined him at about age 18. | 0:36:37 | 0:36:40 | |
Chaplin's older brother, Sid, actually was a Karno comic | 0:36:40 | 0:36:43 | |
and he was the star of Karno's sketches at the time. | 0:36:43 | 0:36:46 | |
Sid encouraged Karno to give his little brother a chance. | 0:36:46 | 0:36:50 | |
Karno didn't like the look of him initially, | 0:36:50 | 0:36:52 | |
thought he was far too puny and too young to do very much. | 0:36:52 | 0:36:55 | |
He brought him in, gave him a go and he developed slowly as a comic. | 0:36:55 | 0:37:00 | |
Stan Laurel joined about the same time, they were a similar age. | 0:37:00 | 0:37:03 | |
What actually happened was Karno was touring all over the world | 0:37:03 | 0:37:05 | |
by then and it was around the time the silent movies were starting | 0:37:05 | 0:37:09 | |
so gradually these comics started to get poached by the studios | 0:37:09 | 0:37:13 | |
and, in 1910, Karno sent a tour to America | 0:37:13 | 0:37:18 | |
and he didn't want to send Sid Chaplin for fear of Sid, his star, | 0:37:18 | 0:37:22 | |
-getting stolen by the pictures. -So, the little brother... | 0:37:22 | 0:37:25 | |
-So, he sent the little brother. -Charlie. | 0:37:25 | 0:37:27 | |
So, they went on this ship called the Cairnrona. | 0:37:27 | 0:37:29 | |
This is Chaplin in the centre. This is Stan Laurel. | 0:37:29 | 0:37:32 | |
Oh, look at him! | 0:37:32 | 0:37:34 | |
-He already looks like an old man! -And they were, I think... | 0:37:34 | 0:37:37 | |
-His hat's, like, that big. -So, he was, I think, about 21 then. | 0:37:37 | 0:37:41 | |
Both Chaplin and Laurel held Karno in high regard. | 0:37:42 | 0:37:46 | |
Stan Laurel once said, "Fred Karno didn't teach Charlie | 0:37:48 | 0:37:52 | |
"and me all we know about comedy - he just taught us most of it." Ha! | 0:37:52 | 0:37:56 | |
They also picked up from Karno the sort of control freak | 0:37:56 | 0:37:59 | |
that he was so he was involved with everything - he wrote them, | 0:37:59 | 0:38:02 | |
he directed them, he was in them. | 0:38:02 | 0:38:04 | |
-He even ended up buying the company that printed the posters. -Wow! | 0:38:04 | 0:38:08 | |
He ended up running the theatres. | 0:38:08 | 0:38:10 | |
He had half a dozen theatres of his own | 0:38:10 | 0:38:12 | |
because he wanted to control the minutiae | 0:38:12 | 0:38:14 | |
and Stan Laurel was the same. | 0:38:14 | 0:38:15 | |
He wrote, he directed - he was the comedy brain | 0:38:15 | 0:38:19 | |
behind Laurel and Hardy and Chaplin, of course, was exactly the same. | 0:38:19 | 0:38:23 | |
Sid Chaplin eventually followed his brother Charlie to the States | 0:38:23 | 0:38:27 | |
and they went on to appear in a few films together, | 0:38:27 | 0:38:30 | |
including the 1923 silent movie The Pilgrim. | 0:38:30 | 0:38:34 | |
Written and directed by Charlie, the simple storyline is funny, | 0:38:35 | 0:38:38 | |
imaginative and well put together. | 0:38:38 | 0:38:40 | |
This classic comedy highlights both Charlie and Sid's natural talent | 0:38:40 | 0:38:45 | |
for slapstick comedy, which was nurtured by Karno. | 0:38:45 | 0:38:48 | |
Also known as The Guv'nor, Karno was a huge influence on early comedy | 0:38:50 | 0:38:54 | |
and the most important comedians of the early 20th century. | 0:38:54 | 0:38:58 | |
He made literally millions in today's money | 0:38:59 | 0:39:03 | |
and he invested it fairly badly in that he bought a hotel | 0:39:03 | 0:39:07 | |
on Taggs Island in the Thames by Hampton Court, | 0:39:07 | 0:39:09 | |
which he called the Karsino, | 0:39:09 | 0:39:11 | |
and put all of his money into this hotel and he basically lost the lot. | 0:39:11 | 0:39:16 | |
-It bankrupted him. -Oh, no! | 0:39:16 | 0:39:18 | |
And it was also the time the First World War came along. | 0:39:18 | 0:39:20 | |
After the First World War, I think people wanted something different. | 0:39:20 | 0:39:23 | |
-Music hall was waning and, sadly, he ended up... -They'd love it now. | 0:39:23 | 0:39:28 | |
-Yeah, absolutely. -He ended up running an off-licence in Dorset | 0:39:28 | 0:39:31 | |
and left 40 quid in his will, | 0:39:31 | 0:39:33 | |
having gone from that absolute superstardom, yeah. | 0:39:33 | 0:39:38 | |
He is credited with inventing the custard pie in the face gag. | 0:39:38 | 0:39:42 | |
You always want it to stick to the face, too. | 0:39:42 | 0:39:44 | |
The consistency's got to be just right. | 0:39:44 | 0:39:46 | |
The consistency's very important - weight and consistency. | 0:39:46 | 0:39:49 | |
Crikey Moses! | 0:39:50 | 0:39:53 | |
-That's quite a good texture. That stuck and... -It was perfect. -Yeah. | 0:39:54 | 0:40:00 | |
That's good. What was that? That was quite good. Well done! | 0:40:00 | 0:40:03 | |
-Thank you. -No! | 0:40:05 | 0:40:07 | |
Oh, no, thank you so much! | 0:40:07 | 0:40:10 | |
I'd run if I were you, Jennifer! | 0:40:10 | 0:40:12 | |
I'll just put my glasses back on. | 0:40:12 | 0:40:14 | |
Well, at least Olive's having her lunch. | 0:40:15 | 0:40:19 | |
Meanwhile, Patricia and Mark are still shopping in Hungerford. | 0:40:19 | 0:40:23 | |
They're making one last stop, | 0:40:25 | 0:40:26 | |
hoping for some final lots to take to auction. | 0:40:26 | 0:40:29 | |
-Oh... -Oh, look at this! -Oh, I can't bear it! | 0:40:30 | 0:40:34 | |
This is absolutely my kind of place. | 0:40:34 | 0:40:36 | |
Specialising in 19th and early 20th century antiques, | 0:40:37 | 0:40:41 | |
there's sure to be something to tickle Tish's Road Trip taste buds. | 0:40:41 | 0:40:45 | |
I really like this. | 0:40:46 | 0:40:49 | |
This is an old-fashioned boot scraper | 0:40:49 | 0:40:52 | |
so you plonk it down by your door and when you come in, | 0:40:52 | 0:40:54 | |
you can get all the mud off the bottom of your shoes | 0:40:54 | 0:40:56 | |
and it's got lovely wear on it here | 0:40:56 | 0:40:59 | |
and a lovely design. | 0:40:59 | 0:41:01 | |
It's sunk into concrete here, which is a little bit off-putting, | 0:41:01 | 0:41:06 | |
but, actually, the boot scraper itself, I think, is cast iron, | 0:41:06 | 0:41:09 | |
which is really good. | 0:41:09 | 0:41:11 | |
I can't see a price on it, which is a really bad sign. | 0:41:11 | 0:41:14 | |
It probably means it's incredibly expensive. | 0:41:14 | 0:41:16 | |
While Tish is eyeing up the boot scraper, | 0:41:17 | 0:41:20 | |
Mark's off for a snoop around the stock room with owner Stewart. | 0:41:20 | 0:41:25 | |
Oh, my gosh, it's like an Aladdin's cave! | 0:41:25 | 0:41:27 | |
Now... | 0:41:29 | 0:41:30 | |
..that looks rather interesting. | 0:41:32 | 0:41:34 | |
Is that a car mascot? | 0:41:34 | 0:41:36 | |
Car mascot, yeah, | 0:41:36 | 0:41:37 | |
-I imagine it is cos of the central bar in its mount. -Yes. | 0:41:37 | 0:41:40 | |
It's brass or bronze? | 0:41:40 | 0:41:42 | |
It'll be brass, actually, looking at the colour of it. | 0:41:42 | 0:41:44 | |
-You can see that on a nice car, can't you? -Yes. | 0:41:44 | 0:41:46 | |
-That's Art Deco, isn't it? -Yes. | 0:41:46 | 0:41:48 | |
I mean, the shape of him, he's quite angular. | 0:41:48 | 0:41:51 | |
-I think I've got to show my celeb partner, you know. -Yeah? | 0:41:51 | 0:41:55 | |
-Yeah, let's take that out. -OK, right. | 0:41:55 | 0:41:57 | |
-Show-and-tell time, chaps. -Right, what is it? | 0:41:58 | 0:42:01 | |
-I love this iron boot scraper. -Oh, you know what it is! | 0:42:01 | 0:42:05 | |
You see, you've got an eye, haven't you? You're absolutely right. | 0:42:05 | 0:42:09 | |
I know it's in concrete, but I think it's good | 0:42:09 | 0:42:12 | |
and I think it possibly might be something interesting | 0:42:12 | 0:42:15 | |
that people would be keen to buy. | 0:42:15 | 0:42:17 | |
Well, it's a period one, late Victorian, I would have thought. | 0:42:17 | 0:42:19 | |
-Oh, OK. -Yes, so if you're doing a house up again, it's nice to have, | 0:42:19 | 0:42:23 | |
but I've found something as well. | 0:42:23 | 0:42:25 | |
Have you? What have you found? | 0:42:25 | 0:42:27 | |
-I've found a car mascot. -Oh, I love him! A little Staffy! | 0:42:27 | 0:42:32 | |
It's a Staffordshire bull terrier, isn't it? | 0:42:32 | 0:42:34 | |
-Oh, he's got weight. -He has weight, solid. | 0:42:34 | 0:42:36 | |
But can you see the traces of silver? | 0:42:36 | 0:42:38 | |
-Yes. -Well, that's chrome. -Oh, right. | 0:42:38 | 0:42:41 | |
This would have been chromed, originally, | 0:42:41 | 0:42:43 | |
so it really would have shone out. | 0:42:43 | 0:42:44 | |
It's a really nice colour without the chrome, isn't it? | 0:42:44 | 0:42:47 | |
And if you think of chrome, what period do you think? | 0:42:47 | 0:42:49 | |
-Art Deco. -Art Deco. | 0:42:49 | 0:42:51 | |
-But I love him, but I don't... -Do you know how much he's... | 0:42:51 | 0:42:54 | |
No, and there's no price sticker on yours. | 0:42:54 | 0:42:55 | |
This could be a disaster or it could be really exciting. | 0:42:55 | 0:42:58 | |
-Shall we call Stewart in and find out? -Yes, please. | 0:42:58 | 0:43:00 | |
Stewart, can I... | 0:43:00 | 0:43:01 | |
Right, Stewart, what's the damage? | 0:43:01 | 0:43:04 | |
Well, I could say £200 each, couldn't I? | 0:43:05 | 0:43:07 | |
I'd almost frighten you away. | 0:43:07 | 0:43:09 | |
-We would say, "Thank you very much and goodbye." -Bye! | 0:43:09 | 0:43:12 | |
Erm, I was thinking 50 the two, actually, to you. 50 the...each. | 0:43:12 | 0:43:16 | |
Oh, I like 50 the two. I really like 50 the two! | 0:43:16 | 0:43:19 | |
-That was a slip of the tongue. -We won't hold to you to that. | 0:43:19 | 0:43:22 | |
-50 each, actually. -Sorry, 50 each. So, that's £100. | 0:43:22 | 0:43:26 | |
But if we were going to buy them together, would you knock a bit off? | 0:43:26 | 0:43:29 | |
I'd say £90. | 0:43:29 | 0:43:31 | |
Could you possibly stretch to 80? | 0:43:31 | 0:43:33 | |
-Hmm... -Yes, of course he can. -£90, I think, is the best. -85? | 0:43:33 | 0:43:37 | |
-I'll go for 85. -Are you sure? | 0:43:37 | 0:43:39 | |
-Thank you. -No, I'm not sure, | 0:43:39 | 0:43:40 | |
but we'll leave it at that for the moment. | 0:43:40 | 0:43:42 | |
-Can we do that? -Don't, he might change his mind. | 0:43:42 | 0:43:44 | |
-Shall we say 85? -Yes, please. | 0:43:44 | 0:43:45 | |
I think that's a good deal for you two. | 0:43:45 | 0:43:47 | |
I think it is a good deal, it's a very good deal. | 0:43:47 | 0:43:49 | |
-Thank you very much indeed. -Thank you so much, Stewart. | 0:43:49 | 0:43:52 | |
That very generous discount means Tish and Mark bag the brass mascot | 0:43:52 | 0:43:56 | |
for 50 and the boot scraper for 35. | 0:43:56 | 0:43:59 | |
All shopped up, the teams are back together, | 0:43:59 | 0:44:02 | |
ready to reveal what they've all bought. | 0:44:02 | 0:44:05 | |
-We're dying to see this. -We are. | 0:44:05 | 0:44:06 | |
-Be careful. -Oh, wow! | 0:44:06 | 0:44:09 | |
OK, I'm really envious of that. | 0:44:09 | 0:44:11 | |
-I do love the... Is it a luggage rack? -Yes. | 0:44:11 | 0:44:15 | |
-Those are very in now, you know. -Well, you know me. | 0:44:15 | 0:44:17 | |
-I'm bang on trend. -Well, that's what Phil said and I'm relying on him. | 0:44:17 | 0:44:20 | |
No, they are. | 0:44:20 | 0:44:22 | |
How much did you pay for... | 0:44:22 | 0:44:23 | |
-30 quid. -Oh, that's nothing, is it? | 0:44:23 | 0:44:25 | |
-That's absurd! -That has grown on me so much. -I love it, I love it. | 0:44:25 | 0:44:28 | |
-And look at the quality. -Beautiful glazing. -I'm really envious of that. | 0:44:28 | 0:44:33 | |
-Can we just show you that, what's inside... -Oh! | 0:44:33 | 0:44:36 | |
-What do you mean, "eurgh"? It's not a dead thing. -Well, what... | 0:44:36 | 0:44:40 | |
It's a barrister's wig. | 0:44:40 | 0:44:41 | |
Because people were barristers and they wore wigs. | 0:44:41 | 0:44:44 | |
They don't want to get new ones, they want to clean up old ones. | 0:44:44 | 0:44:46 | |
Do they, really? | 0:44:46 | 0:44:47 | |
You've worked that hard to get your position | 0:44:47 | 0:44:51 | |
and you're going to buy some ratty old thing? | 0:44:51 | 0:44:54 | |
Then we have a job lot here of bear and chair. Chair bear! | 0:44:54 | 0:44:57 | |
I'm completely obsessed with your collection of stone here. | 0:44:57 | 0:45:01 | |
-I think those... -And I love the corner cabinet. | 0:45:01 | 0:45:04 | |
Yes, this cabinet's the money. | 0:45:04 | 0:45:06 | |
This is the sleeper, this is the sleeper. | 0:45:06 | 0:45:08 | |
-Oh, is it? -Oh, yes. Oh, yes. -I think Olive's the sleeper. | 0:45:08 | 0:45:11 | |
Actually, Olive's the sleeper. | 0:45:11 | 0:45:12 | |
It's Tish and Mark's turn. | 0:45:12 | 0:45:15 | |
Are you ready for this? | 0:45:15 | 0:45:16 | |
Time to reveal those turkeys. Brace yourself. | 0:45:16 | 0:45:18 | |
-SHE GASPS -Ohhh... | 0:45:18 | 0:45:22 | |
Bastards! | 0:45:22 | 0:45:24 | |
So sorry! | 0:45:24 | 0:45:26 | |
-I felt so guilty about it. -Is she a friend of yours? | 0:45:26 | 0:45:29 | |
Is she a friend of yours? | 0:45:29 | 0:45:31 | |
-I don't rate that. -Why? -It's useless. | 0:45:31 | 0:45:33 | |
OK, the important thing is, how much did the turkeys cost you? | 0:45:33 | 0:45:37 | |
£190. | 0:45:37 | 0:45:38 | |
What do you think they'll make? | 0:45:38 | 0:45:39 | |
I think they might make £400-£500. | 0:45:39 | 0:45:41 | |
-I like the boot scraper. -Good, that was my choice. | 0:45:41 | 0:45:44 | |
-I love the boot scraper. -The little chair, I'm quite jealous of. | 0:45:44 | 0:45:47 | |
I think, seriously, the only thing you're going to lose on is this. | 0:45:47 | 0:45:51 | |
I don't think we will, you know. | 0:45:51 | 0:45:53 | |
Cos it's a good interior design item. | 0:45:53 | 0:45:56 | |
I am quite cross about the turkeys! | 0:45:56 | 0:45:59 | |
No, but I won't be cross when they lose a lot of money on it, Phil. | 0:45:59 | 0:46:02 | |
-It's a risk. I think it's honestly a risk. -I think it's a risk. | 0:46:02 | 0:46:04 | |
I think it's time to go and find some custard pies, | 0:46:04 | 0:46:07 | |
isn't it, to get our revenge? | 0:46:07 | 0:46:08 | |
I think we've got a couple of sleepers. | 0:46:08 | 0:46:11 | |
I'll give you a head start. Ready, steady, go - off you go! | 0:46:11 | 0:46:14 | |
Yaay! | 0:46:14 | 0:46:15 | |
So, out of earshot, what did they really make of each other's lots? | 0:46:15 | 0:46:19 | |
I think they were a bit peeved about the turkeys. | 0:46:21 | 0:46:24 | |
Oh, I don't know why you would get that impression. | 0:46:24 | 0:46:26 | |
I couldn't believe those turkeys, could you? | 0:46:26 | 0:46:28 | |
Well, the truth is I'm glad they've got them | 0:46:28 | 0:46:32 | |
cos I'm interested to know what they might get for them | 0:46:32 | 0:46:34 | |
because then we'll know. | 0:46:34 | 0:46:36 | |
-I was envious of the stone lions. -Oh, you love those. -I love those. | 0:46:36 | 0:46:40 | |
I think they're great for a London flat. | 0:46:40 | 0:46:42 | |
-If you've got a small garden flat, perfect. -Sure. | 0:46:42 | 0:46:45 | |
-They could make money, actually. -I think they could. | 0:46:45 | 0:46:47 | |
-Oh, I love that. It's so cool. -It's useful, too. | 0:46:47 | 0:46:51 | |
It's a log basket, it's whatever you want. | 0:46:51 | 0:46:53 | |
I think Jennifer is quite disappointed she didn't buy them. | 0:46:53 | 0:46:56 | |
-Yeah, I think so, too. -I just hope we don't get stuffed. | 0:46:56 | 0:46:58 | |
Well, let's find out, shall we? | 0:47:00 | 0:47:03 | |
After starting in Taplow, | 0:47:03 | 0:47:05 | |
our teams have shopped up all around Berkshire, Buckinghamshire | 0:47:05 | 0:47:10 | |
and Oxfordshire and Jennifer and Tish are now motoring | 0:47:10 | 0:47:13 | |
towards Greenwich for the big finale. | 0:47:13 | 0:47:15 | |
Leaving Olive at home today, Jennifer is planning | 0:47:15 | 0:47:17 | |
to unleash her newly-acquired antiques expertise | 0:47:17 | 0:47:20 | |
on the auction room. | 0:47:20 | 0:47:22 | |
I'm going to lick the auctioneer, lick all my items... | 0:47:22 | 0:47:24 | |
I might lick Mark. | 0:47:24 | 0:47:25 | |
I'm going to lick every person that's in the auction house. | 0:47:25 | 0:47:29 | |
I'm going to go up and lick them! | 0:47:29 | 0:47:31 | |
JENNIFER LAUGHS | 0:47:33 | 0:47:35 | |
And then I'm going to look at some of them and say, | 0:47:35 | 0:47:38 | |
"I think you may have been restored." | 0:47:38 | 0:47:40 | |
I think they've lost it, myself. | 0:47:42 | 0:47:45 | |
The venue for today's lick-athlon is Greenwich Auctions, | 0:47:45 | 0:47:48 | |
where Mark and Phil are waiting to greet the girls. | 0:47:48 | 0:47:51 | |
-Brakes! -Brakes! -Hello! | 0:47:53 | 0:47:58 | |
-How are you, lovely? Are you all right? -Hello! | 0:47:58 | 0:48:00 | |
-Hello! -Hello, are you excited about this? It's auction day. | 0:48:00 | 0:48:03 | |
-Good to see you. -Oh, you, too. | 0:48:03 | 0:48:05 | |
-Too hot for Olive. -Oh, quite right, too. -Mr Stacey! | 0:48:05 | 0:48:09 | |
-Are you excited about this? -I'm very excited. I can't wait! | 0:48:09 | 0:48:12 | |
Oh, lovely to see you. | 0:48:12 | 0:48:13 | |
-Let's go in, let's go in. -Let's go in. | 0:48:16 | 0:48:18 | |
The man with the gavel today is Robert Dodd, | 0:48:19 | 0:48:22 | |
so what does he make of everyone's lots? | 0:48:22 | 0:48:25 | |
I like the lions - shame there isn't three, three lions, | 0:48:25 | 0:48:30 | |
then you've got a chance of a sportsperson buying them. | 0:48:30 | 0:48:32 | |
The turkeys, I'm not going to say it, | 0:48:32 | 0:48:35 | |
but someone's going to use it, aren't they? | 0:48:35 | 0:48:37 | |
Are they going to be a turkey? I don't know. | 0:48:37 | 0:48:39 | |
Time will soon tell. | 0:48:39 | 0:48:43 | |
Patricia and Mark spent the most on this trip, | 0:48:43 | 0:48:46 | |
splashing out £343 on six auction lots, | 0:48:46 | 0:48:49 | |
while Jennifer and Philip bought five lots, | 0:48:49 | 0:48:52 | |
costing them a total of £240. | 0:48:52 | 0:48:55 | |
Today's auction has buyers both online and in the room | 0:48:56 | 0:48:59 | |
so let battle commence! | 0:48:59 | 0:49:01 | |
The opening lot is Tish's little Windsor chair. | 0:49:03 | 0:49:06 | |
Bid's with me at £20 only on that chair. | 0:49:06 | 0:49:09 | |
Looking for 22, 22, 25, 28, 30. Two, five I need. | 0:49:09 | 0:49:14 | |
It's £3. Go on! 35 there, at eight over there, looking for 40. | 0:49:14 | 0:49:19 | |
-£40 there. -£40 - £12 up. | 0:49:19 | 0:49:21 | |
Looking for 45. | 0:49:21 | 0:49:23 | |
Are we all done at £42 only? | 0:49:23 | 0:49:26 | |
That's only £10 a leg. | 0:49:26 | 0:49:27 | |
Are we all done at £42? | 0:49:27 | 0:49:31 | |
Yaay! Thank you! | 0:49:31 | 0:49:33 | |
A solid profit to start with. Great stuff! | 0:49:33 | 0:49:37 | |
-£14 profit. -We're really, really pleased for you. | 0:49:37 | 0:49:40 | |
-I can see that, Philip. -Really, really pleased for you. | 0:49:40 | 0:49:43 | |
Oh, you old grump! | 0:49:43 | 0:49:46 | |
Time for Jennifer and Phil's first lot, | 0:49:46 | 0:49:48 | |
the Georgian-style luggage rack. | 0:49:48 | 0:49:51 | |
£30 I've got, looking for 32. Are we all done on that table at only 30? | 0:49:51 | 0:49:56 | |
32 there, looking for 35. | 0:49:56 | 0:49:58 | |
32 I've got and I want £35, worth all of that. Are we all done? | 0:49:58 | 0:50:02 | |
-We're in trouble. -Seated at £32... | 0:50:02 | 0:50:04 | |
Cor, that Robert's a bit handy with the gavel. | 0:50:04 | 0:50:07 | |
But that's a loss for Jennifer and Phil. | 0:50:07 | 0:50:10 | |
Did you see that awful chair that made £42 and that beautiful... | 0:50:10 | 0:50:13 | |
Philip, you've said that once already. Don't be bitter. | 0:50:13 | 0:50:15 | |
I'm not bitter! | 0:50:15 | 0:50:17 | |
Not much(!) Next up, it's Tish's Victorian boot scraper. | 0:50:18 | 0:50:22 | |
Straight in with a big £15. | 0:50:22 | 0:50:25 | |
Ooh, £15! Come on! | 0:50:25 | 0:50:28 | |
20 with me, looking for 22. | 0:50:28 | 0:50:29 | |
-Come on. -22, five with me. | 0:50:29 | 0:50:31 | |
28, 30. Two, five, eight, I'm out. | 0:50:31 | 0:50:34 | |
Yes? 38 there, looking for... £40 standing. | 0:50:34 | 0:50:37 | |
40! Come on! | 0:50:37 | 0:50:38 | |
Are we all done? 42 there. 45, 48. | 0:50:38 | 0:50:42 | |
I feel absolutely kippered here. | 0:50:42 | 0:50:44 | |
Yes! | 0:50:44 | 0:50:45 | |
60 I've got, looking for 65. Are we all done? | 0:50:45 | 0:50:48 | |
-65 is back. -65! | 0:50:48 | 0:50:50 | |
Are we all done at £65? | 0:50:50 | 0:50:54 | |
-Yaay! -No, don't. | 0:50:54 | 0:50:57 | |
Another money-maker there for Tish and Mark. | 0:50:57 | 0:51:00 | |
-I want to go shopping with you more. -Yaay! -Come buying with me! | 0:51:00 | 0:51:03 | |
-I would love to. -They're ignoring us. | 0:51:03 | 0:51:06 | |
Let's see if Jennifer and Phil can pull in a profit | 0:51:08 | 0:51:10 | |
with their trio of tins, including the legal wig. | 0:51:10 | 0:51:14 | |
Looking for 35, 35, 38, 42, five, eight, 55, 60, I'm out. | 0:51:14 | 0:51:20 | |
65 I want. 65, 70. 75, 80. | 0:51:20 | 0:51:24 | |
85, 90. 95, 100. And ten. 120, 130. 140. | 0:51:24 | 0:51:29 | |
-Whoa! -I said it was asleep and it woke up. | 0:51:29 | 0:51:32 | |
160. 160 on the telephone. | 0:51:32 | 0:51:35 | |
170. 180, I need. | 0:51:35 | 0:51:36 | |
-It's the wig. -Well done, my darling. | 0:51:36 | 0:51:39 | |
-180! -180 there. | 0:51:39 | 0:51:40 | |
190 on the second phone. | 0:51:40 | 0:51:42 | |
Last time at £200... | 0:51:42 | 0:51:44 | |
-Wow! -130! | 0:51:46 | 0:51:49 | |
He looks so sincere, doesn't he? | 0:51:49 | 0:51:51 | |
Hey, Jennifer predicted the tins and wig would fly and, boy, did they! | 0:51:51 | 0:51:56 | |
I'm very pleased about that. Do you know what it was? The tapers. | 0:51:56 | 0:52:00 | |
Oh, yeah(!) Moving on, it's the turn | 0:52:01 | 0:52:04 | |
of Tish and Mark's toleware bin next. | 0:52:04 | 0:52:06 | |
The bid's with me, straight in at only £25 on that. | 0:52:06 | 0:52:09 | |
£5 in profit. | 0:52:09 | 0:52:11 | |
Looking for 32. Where's 32? Five with me, looking for 38. | 0:52:11 | 0:52:15 | |
Are we all done at 35? Are we all done at 35? | 0:52:15 | 0:52:19 | |
38. 40 with me. Two, I'm out. | 0:52:19 | 0:52:22 | |
£42 in front, looking for 45. Are we all done? | 0:52:22 | 0:52:25 | |
Last time at £42... | 0:52:25 | 0:52:28 | |
Do you know what? I thought they'd make a lot more than that. | 0:52:28 | 0:52:30 | |
Still a great profit, not to be sniffed at. | 0:52:30 | 0:52:34 | |
Catch up with the wig, with Wiggy Wig over here. | 0:52:34 | 0:52:37 | |
There's a long way to go. | 0:52:37 | 0:52:38 | |
That, there is. | 0:52:38 | 0:52:40 | |
We're just over halfway | 0:52:40 | 0:52:41 | |
and Jennifer and Phil's Georgian cupboard is up next. | 0:52:41 | 0:52:44 | |
And the bid's with me, straight in at £45. | 0:52:44 | 0:52:48 | |
You're £15 in profit already. | 0:52:48 | 0:52:50 | |
45. Eight, I'm out. Looking for 50. Are we all done? | 0:52:50 | 0:52:54 | |
Last time at £48 on that cabinet... | 0:52:54 | 0:52:58 | |
Another tidy earner for Phil and Jennifer. | 0:52:58 | 0:53:01 | |
-Well, that's a bit of a profit. -A profit is a profit. | 0:53:01 | 0:53:04 | |
Wise words. Time for Tish's Victorian scrapbook next. | 0:53:04 | 0:53:09 | |
And the bid's with me, straight in at only £22 on that. | 0:53:09 | 0:53:12 | |
-Oh, come on. -25, eight, 30, I'm out. Looking for 32. | 0:53:12 | 0:53:16 | |
£30 I have, it's worth more than that. | 0:53:16 | 0:53:18 | |
I've got 30. He's going to steal this at 30. | 0:53:18 | 0:53:20 | |
Two I've got, five, eight. 38 there, 40 I want. 40 I've got. | 0:53:20 | 0:53:25 | |
Yes, we've doubled our money again! | 0:53:25 | 0:53:26 | |
All done? Standing at £40... | 0:53:26 | 0:53:30 | |
The profits are flying in today. | 0:53:30 | 0:53:33 | |
They've still got to make money on the turkeys. | 0:53:35 | 0:53:37 | |
Nobody would want to buy that. | 0:53:37 | 0:53:40 | |
Next, it's Jennifer and Phil's staddle stone and lions. | 0:53:40 | 0:53:44 | |
I've got 40, I want 42. Five, eight, I'm out. £48 on these. | 0:53:44 | 0:53:48 | |
-I'll get my mother to phone in. -48, £50 and five. | 0:53:48 | 0:53:53 | |
And 60, sir. 60 in the middle of the room, five I want. | 0:53:53 | 0:53:56 | |
-Come on. -And 70, why not? 65, I'm looking for 70. | 0:53:56 | 0:54:01 | |
Go on! Jennifer, you've got to work this. Get up, Jennifer! | 0:54:01 | 0:54:03 | |
Come on, boys! | 0:54:03 | 0:54:04 | |
-75, on the phone at 75, looking for 80. -One more! -Go on! -One more! | 0:54:04 | 0:54:08 | |
75, looking for 80. 75, looking for 80. | 0:54:08 | 0:54:12 | |
-One more! -At £75 on the telephone... -No! | 0:54:12 | 0:54:15 | |
Damn it! | 0:54:15 | 0:54:16 | |
A disappointing loss, there. Hard cheese! | 0:54:16 | 0:54:21 | |
I was so determined not to lose that much money. | 0:54:21 | 0:54:24 | |
Tish and Mark are up again, | 0:54:24 | 0:54:27 | |
this time with their Art Deco brass car mascot. | 0:54:27 | 0:54:30 | |
It's got to start with a bid with me of only £40 on this. 42 I need. | 0:54:30 | 0:54:35 | |
I've got 42, five here. Looking for 48. | 0:54:35 | 0:54:38 | |
Come on. | 0:54:38 | 0:54:40 | |
-60 with me, looking for 65. That's 70 here. -Come on. | 0:54:40 | 0:54:45 | |
Looking for 75. | 0:54:45 | 0:54:46 | |
-Are we all done on the dog? Last time... -Come on! -75, I'm out. | 0:54:46 | 0:54:49 | |
Looking for 80. Are we all done? | 0:54:49 | 0:54:52 | |
At £75... | 0:54:52 | 0:54:54 | |
The doggy's done good. Great profit there. | 0:54:56 | 0:54:59 | |
So, this is turkeys v chair. | 0:54:59 | 0:55:02 | |
Turkeys v chair and bear. Let's not forget the bear! | 0:55:02 | 0:55:05 | |
Who could, Jennifer? Here we go, it's the children's chair and bear. | 0:55:05 | 0:55:10 | |
Straight in at only £42. | 0:55:10 | 0:55:13 | |
Hello? Anyone out there? 45 I want. Anywhere... 42 with me. 45 I want. | 0:55:13 | 0:55:20 | |
The lady's here. 45, 48, 50, five out there. | 0:55:20 | 0:55:23 | |
Looking for 60 on this, I've got 55. | 0:55:23 | 0:55:26 | |
I'll take 58, then. Last time on the chair and bear at £55... | 0:55:26 | 0:55:31 | |
Fantastic result. Well done. | 0:55:31 | 0:55:34 | |
-That was a better profit. -Actually, you've made a good profit. | 0:55:34 | 0:55:38 | |
We're all in profit. | 0:55:38 | 0:55:40 | |
Jennifer and Phil are in the lead. | 0:55:40 | 0:55:42 | |
It all comes down to the last lot - | 0:55:42 | 0:55:44 | |
those Bergman cold-painted bronze turkeys. | 0:55:44 | 0:55:47 | |
Will the crowd gobble them up? | 0:55:47 | 0:55:50 | |
Looking for 95 on these two birds. I've got 95. 100. 110. 120. | 0:55:50 | 0:55:55 | |
130 I need. 130. 140. 150 I want. Second phone is 160. 170. | 0:55:55 | 0:56:02 | |
180 I need. 180. 190 I need. | 0:56:02 | 0:56:06 | |
190. 200 he needs. £200 on the second phone. | 0:56:06 | 0:56:10 | |
-I really want these to do well. -220 I want. -Well done, Stace, well done. | 0:56:10 | 0:56:14 | |
Well done. On Louis' phone, 240 I want. 20 and 250. 250 and 260. | 0:56:14 | 0:56:20 | |
-260 I've got. 270. All done at 260? -Come on! -270. Back of the room. | 0:56:20 | 0:56:27 | |
280 I want. 280. 290 there, looking for 300. You're going to do it. | 0:56:27 | 0:56:32 | |
310 in the room, 320 I need. | 0:56:32 | 0:56:35 | |
It's still going. | 0:56:35 | 0:56:36 | |
-I should have let you buy these, shouldn't I? -Don't worry! | 0:56:36 | 0:56:39 | |
350 and 60. | 0:56:39 | 0:56:42 | |
-£360 on the telephone. -Well done, Stace, well done. -Yeah, well done. | 0:56:42 | 0:56:46 | |
370, looking for 380. | 0:56:46 | 0:56:48 | |
380, looking for 390. 390, looking for 400. | 0:56:48 | 0:56:51 | |
-That's incredible. -400! | 0:56:51 | 0:56:53 | |
410 in the room, take 420. | 0:56:53 | 0:56:56 | |
420. 430. 440 I need. | 0:56:56 | 0:56:58 | |
440 on the telephone, is it? | 0:56:58 | 0:57:01 | |
I've got 430 in the room. Are we all done? | 0:57:01 | 0:57:03 | |
This time, last time at £430... | 0:57:03 | 0:57:08 | |
Give them a round of applause! | 0:57:08 | 0:57:09 | |
That is an absolutely terrific profit! | 0:57:09 | 0:57:13 | |
Jennifer and Phil must regret not buying them. They started with £400. | 0:57:15 | 0:57:20 | |
After paying auction costs, they made a tidy profit of £96.20 | 0:57:20 | 0:57:25 | |
so they end the trip with a marvellous... | 0:57:25 | 0:57:27 | |
Not bad, not bad! | 0:57:30 | 0:57:32 | |
Tish and Mark also kicked off with £400 | 0:57:32 | 0:57:35 | |
and they, too, made a profit, | 0:57:35 | 0:57:38 | |
making a very impressive £226.08 after auction costs. | 0:57:38 | 0:57:44 | |
So, they're crowned today's winners, finishing with a huge... | 0:57:44 | 0:57:48 | |
All profits go to Children In Need. | 0:57:52 | 0:57:55 | |
-Well done, Stace. Well done, you. -I am competitive, I have to say. | 0:57:56 | 0:57:59 | |
-We're all winners. -Yeah, we are. | 0:57:59 | 0:58:02 | |
Just some have won bigger than others. | 0:58:02 | 0:58:03 | |
There are no losers. There are only winners here. | 0:58:03 | 0:58:05 | |
That's what all good losers say, Jennifer. Ha! | 0:58:05 | 0:58:09 | |
Let's drive off into the sunset. | 0:58:09 | 0:58:11 | |
Bye! | 0:58:11 | 0:58:12 | |
Bye! | 0:58:12 | 0:58:14 | |
-I'm going to miss this. -I'm going to miss it. | 0:58:15 | 0:58:17 | |
Can we just do this all the time? | 0:58:17 | 0:58:19 | |
-I'm going to miss Phil and Mark so much. -I know! | 0:58:19 | 0:58:21 | |
-It has been the best fun. -It's been fantastic. | 0:58:21 | 0:58:24 | |
It's been marvellous having you. Toodle-pip, girls. | 0:58:24 | 0:58:29 |