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The nation's favourite celebrities... | 0:00:00 | 0:00:03 | |
-Ooh, I like that! -..paired up with an expert... | 0:00:03 | 0:00:06 | |
Oh, we've had some fun, haven't we? | 0:00:06 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:08 | |
It feels as if it could go quite fast. | 0:00:08 | 0:00:10 | |
Their mission? To scour Britain for antiques. | 0:00:10 | 0:00:13 | |
TUNELESS HONK | 0:00:13 | 0:00:14 | |
-Yes! -Fantastic! -I'll do that in slow-mo. | 0:00:14 | 0:00:16 | |
The aim? To make the biggest profit at auction. | 0:00:16 | 0:00:19 | |
Come on, boys! | 0:00:19 | 0:00:20 | |
But it's no easy ride. | 0:00:20 | 0:00:22 | |
Ta-da! | 0:00:22 | 0:00:23 | |
Who will find a hidden gem? | 0:00:23 | 0:00:25 | |
"Don't sell me!" | 0:00:25 | 0:00:26 | |
Who will take the biggest risks? | 0:00:26 | 0:00:28 | |
Go away, darling! | 0:00:28 | 0:00:29 | |
Will anybody follow expert advice? | 0:00:29 | 0:00:32 | |
I'm trying to spend money here. | 0:00:32 | 0:00:34 | |
There will be worthy winners. | 0:00:34 | 0:00:35 | |
-Yes! -And valiant losers. | 0:00:35 | 0:00:38 | |
Put your pedal to the metal, this is the Celebrity Antiques Road Trip. | 0:00:38 | 0:00:44 | |
Yeah! | 0:00:46 | 0:00:47 | |
On today's show, prepare yourself. | 0:00:54 | 0:00:56 | |
We have a pair of funny girls from the dizzy heights of British comedy. | 0:00:56 | 0:01:00 | |
Jan Ravens and Ronni Ancona. | 0:01:00 | 0:01:02 | |
We need a couple of bottles of Bolly, don't we? | 0:01:04 | 0:01:07 | |
Do you know, we could. We could just go away, darling. | 0:01:07 | 0:01:10 | |
Just get a couple of bottles of Bolly, darling. | 0:01:10 | 0:01:12 | |
Shall we just get a couple of bottles of Bolly? And go on the run. | 0:01:12 | 0:01:15 | |
Bolly-Stoli, darling, Bolly-Stoli. | 0:01:15 | 0:01:18 | |
But not before you buy some antiques, you two! | 0:01:18 | 0:01:22 | |
Impressionist and actor, | 0:01:22 | 0:01:23 | |
the smouldering Ronni has an illustrious career spanning over 20 years. | 0:01:23 | 0:01:29 | |
Her big break on Alistair McGowan's Big Impression saw | 0:01:29 | 0:01:33 | |
her Victoria Beckham impersonation become a much-loved hit. | 0:01:33 | 0:01:37 | |
Her talent for mimicry knows no bounds, | 0:01:37 | 0:01:40 | |
with sterling performances as Peggy in EastEnders and cooking goddess Nigella. | 0:01:40 | 0:01:46 | |
A regular on Radio 4, | 0:01:46 | 0:01:47 | |
Jan is also an esteemed actor and is a stalwart of comedy brilliance on | 0:01:47 | 0:01:52 | |
the popular Dead Ringers series. | 0:01:52 | 0:01:54 | |
A talented imitator, she includes Fiona Bruce, Delia Smith, | 0:01:54 | 0:01:58 | |
and even Her Majesty The Queen in her vast collection of extraordinary impersonations. | 0:01:58 | 0:02:03 | |
The talented twosome are old friends, | 0:02:06 | 0:02:09 | |
and have a rather nifty 1977 Jaguar XJC to whoosh about the country in. | 0:02:09 | 0:02:15 | |
Stately. | 0:02:15 | 0:02:16 | |
Look at this Ja...this bea... | 0:02:16 | 0:02:18 | |
I love a Jaguar! | 0:02:18 | 0:02:19 | |
I do like a walnut fascia. | 0:02:19 | 0:02:21 | |
It's so... | 0:02:21 | 0:02:22 | |
Steady, Ronni. | 0:02:24 | 0:02:27 | |
They each have a bag of money totalling £400. | 0:02:27 | 0:02:30 | |
I'm going to spend all the money on a handbag for me. | 0:02:30 | 0:02:35 | |
-Is that the wrong...? -That's the wrong thing. | 0:02:35 | 0:02:37 | |
No, you've got to... You can't... I think you can't keep the thing... | 0:02:37 | 0:02:41 | |
You've got to sell the thing you've bought. | 0:02:41 | 0:02:43 | |
-What?! -You've got to make a profit. | 0:02:43 | 0:02:45 | |
Can I just check the contract on that? | 0:02:45 | 0:02:47 | |
No, I think you've got to make a profit... | 0:02:47 | 0:02:49 | |
Ooh, I think we need a bit of expert guidance. | 0:02:49 | 0:02:51 | |
And who better than auctioneers James Braxton and Philip Serrell? | 0:02:52 | 0:02:56 | |
Well, for me, this is a lifelong ambition that I've now achieved. | 0:02:56 | 0:03:00 | |
-Really? -Yeah. -What, to be driven in a Bentley? | 0:03:00 | 0:03:02 | |
By Braxton. Braxton the chauff... | 0:03:02 | 0:03:04 | |
Braxton? Drive on, Braxton. Get the Bentley, Braxton. | 0:03:04 | 0:03:08 | |
-It's got a nice ring to it. -It's got a good ring, hasn't it? -I like it a lot. | 0:03:08 | 0:03:13 | |
Certainly does. The gents have the majesty of the 1989 Bentley Eight | 0:03:13 | 0:03:18 | |
to purr about the place in. | 0:03:18 | 0:03:20 | |
James, when was the last time we worked together? | 0:03:20 | 0:03:22 | |
Must have been last year. | 0:03:22 | 0:03:24 | |
And, you know, you get to know people to a certain level | 0:03:24 | 0:03:28 | |
and then you start teasing them, obviously. | 0:03:28 | 0:03:30 | |
-Yeah, I know where this is going. -Yeah. | 0:03:30 | 0:03:33 | |
You and your wig have been a staple of television | 0:03:33 | 0:03:36 | |
for about 18 years, 16 years? | 0:03:36 | 0:03:38 | |
James, I don't wear a wig. | 0:03:38 | 0:03:40 | |
Just concentrate on the driving, Braxton! | 0:03:40 | 0:03:43 | |
Meanwhile, in the Jag... | 0:03:43 | 0:03:45 | |
Who are you hoping to have, by the way, as your expert? | 0:03:45 | 0:03:48 | |
I just hope it's not that grumpy one that wears a scarf. | 0:03:55 | 0:03:58 | |
Whoops! | 0:04:00 | 0:04:01 | |
Our antiques escapade begins in the town of Redcar in North Yorkshire, | 0:04:04 | 0:04:08 | |
winding its merry way around the North-east, | 0:04:08 | 0:04:11 | |
before landing in the Cheshire town of Stockport for the auction finale. | 0:04:11 | 0:04:15 | |
All right, my bubba? | 0:04:15 | 0:04:17 | |
Time to meet the grumpy one with the scarf, and good old Brackers. | 0:04:17 | 0:04:20 | |
-Look at that. -It's a lovely car, isn't it? | 0:04:20 | 0:04:23 | |
Lovely smiles, both. | 0:04:23 | 0:04:25 | |
CAR SQUEALS | 0:04:25 | 0:04:26 | |
What a racket! Oh, my... | 0:04:26 | 0:04:29 | |
Could we get some oil, please? | 0:04:29 | 0:04:31 | |
-Morning! -Morning, morning. | 0:04:31 | 0:04:32 | |
-Hello. This is very jolly. -It is very jolly! | 0:04:32 | 0:04:36 | |
Very jolly indeed. | 0:04:36 | 0:04:37 | |
It's sunny and it's Yorkshire. Hello, I'm Jan. | 0:04:37 | 0:04:40 | |
-Philip, how are you? -Philip, hello. | 0:04:40 | 0:04:41 | |
James. Very... | 0:04:41 | 0:04:43 | |
-Good to see you. -I'm Ronni. | 0:04:43 | 0:04:45 | |
The most important question is, who's with who? | 0:04:45 | 0:04:48 | |
Ronni, how are you? | 0:04:48 | 0:04:50 | |
-Hi! -I think we're the same height, we are, so... | 0:04:50 | 0:04:53 | |
Well, I think James and Ronni have bonded! | 0:04:53 | 0:04:55 | |
-Is this a height correlation thing? -Ronni, I can offer you the Bentley. | 0:04:55 | 0:04:58 | |
-The Bentley, yeah. -I think that will do, my darling angel! | 0:04:58 | 0:05:01 | |
Will that be all right for you?! | 0:05:01 | 0:05:04 | |
Time to get those big wheels moving. | 0:05:04 | 0:05:07 | |
With Ronni and James in the Bentley... | 0:05:07 | 0:05:09 | |
..and Jan and Phil in the Jag. | 0:05:11 | 0:05:13 | |
Teams decided, are there any plans afoot? | 0:05:15 | 0:05:18 | |
I negotiate for you, or we bring a third person along with us. | 0:05:18 | 0:05:23 | |
-A third person? -Yeah. | 0:05:23 | 0:05:24 | |
Maybe we could get... | 0:05:24 | 0:05:26 | |
-AS THERESA MAY: -..Theresa May to come along, | 0:05:26 | 0:05:28 | |
with her, ha, her forced laugh and her tense mouth and, erm, | 0:05:28 | 0:05:30 | |
she would conduct a very proper, ha, negotiation. | 0:05:30 | 0:05:34 | |
Let's leave them to it, and join the other pair. | 0:05:34 | 0:05:38 | |
Jim, this car, she just purrs! | 0:05:38 | 0:05:42 | |
-It's lovely, isn't it? -I've suddenly developed | 0:05:42 | 0:05:46 | |
an appalling superiority complex ever since I've got in it. | 0:05:46 | 0:05:50 | |
I've suddenly realised my whole life has been wrong, | 0:05:50 | 0:05:54 | |
driving a rusty old lawn mower. | 0:05:54 | 0:05:57 | |
Can we order up a Bentley for Ronni, please? | 0:05:57 | 0:06:00 | |
Redcar Antiques is the first port of call for Ronni and James. | 0:06:03 | 0:06:07 | |
Just look at that weather. | 0:06:07 | 0:06:09 | |
That's so beautiful. | 0:06:09 | 0:06:11 | |
It's calling us, calling us, isn't it? | 0:06:11 | 0:06:13 | |
-It's like a treasure trove. -Yeah. | 0:06:13 | 0:06:17 | |
It certainly is jam-packed in there. | 0:06:17 | 0:06:19 | |
Ronni wastes no time finding something she rather fancies. | 0:06:25 | 0:06:30 | |
These fantastic old watercolour things are just... | 0:06:30 | 0:06:35 | |
Lovely watercolour boxes, aren't they? | 0:06:35 | 0:06:37 | |
Who's that? £25, so that's mahogany, isn't it? | 0:06:37 | 0:06:41 | |
It's lovely. | 0:06:41 | 0:06:42 | |
George Rowney & Sons were a notable | 0:06:42 | 0:06:44 | |
and much-respected art materials manufacturer, | 0:06:44 | 0:06:48 | |
and even supplied the eminent Constable and Turner, | 0:06:48 | 0:06:50 | |
don't you know? | 0:06:50 | 0:06:52 | |
This reminds me of my grandfather, who was an artist. | 0:06:52 | 0:06:55 | |
He used to paint me little scenes from the ballet and send me. | 0:06:55 | 0:07:00 | |
And his father was a cartoonist for Punch, | 0:07:00 | 0:07:03 | |
and was one of the first cartoonists | 0:07:03 | 0:07:05 | |
to do those big heads on little bodies on football cards. | 0:07:05 | 0:07:09 | |
Those old football cards. | 0:07:09 | 0:07:11 | |
And my mother was an artist, and it ran in the family. | 0:07:11 | 0:07:13 | |
And I loved... I always used to remember coming up to her room | 0:07:13 | 0:07:18 | |
when she was painting, or my grandfather, | 0:07:18 | 0:07:21 | |
and these lovely old palettes. | 0:07:21 | 0:07:23 | |
Yeah. That's a nice item, that. | 0:07:23 | 0:07:26 | |
But it is a beautiful item, | 0:07:26 | 0:07:27 | |
especially if we can pass it off as Van Gogh's! | 0:07:27 | 0:07:30 | |
We can give it a go, James, what do you think? | 0:07:30 | 0:07:33 | |
Steady! As a trained artist herself, | 0:07:33 | 0:07:36 | |
it's no wonder that it's caught Ronni's eye. | 0:07:36 | 0:07:40 | |
-What's this, then? -These are fun. | 0:07:40 | 0:07:43 | |
-Look. This is a mechanical drinks cabinet. -Oh, wow! | 0:07:43 | 0:07:47 | |
-Wow! -Isn't that fun? | 0:07:47 | 0:07:49 | |
You see, that's fantastic. | 0:07:49 | 0:07:50 | |
But in my case, it would have to be open at all times! | 0:07:50 | 0:07:53 | |
-It's too much... -That is a great thing. | 0:07:53 | 0:07:55 | |
And do you come across a lot of these? | 0:07:55 | 0:07:57 | |
Yeah, it's one of those things that used to be around a lot, | 0:07:57 | 0:08:00 | |
but now has slightly disappeared from the auction rooms. | 0:08:00 | 0:08:03 | |
They're great fun. | 0:08:03 | 0:08:04 | |
-This is what people had in their offices. -Amazing. | 0:08:04 | 0:08:07 | |
To me, it fascinates me because I think, who opened that up? | 0:08:07 | 0:08:10 | |
Who had conversations over that? | 0:08:10 | 0:08:12 | |
Romantic. It's priced at £250. | 0:08:13 | 0:08:17 | |
While they have another rootle about, | 0:08:17 | 0:08:19 | |
let's catch up with Jan and Phil. | 0:08:19 | 0:08:21 | |
Do you study dialects and things like that? | 0:08:21 | 0:08:24 | |
No. Oh, sorry, do you know what I thought you said? | 0:08:24 | 0:08:26 | |
-Dialects. Dialects. -I thought you said, "Do you study Daleks?" | 0:08:26 | 0:08:29 | |
Yeah, no, sorry about that. | 0:08:29 | 0:08:30 | |
I was about to say, "No, I've never liked Doctor Who!" | 0:08:30 | 0:08:33 | |
Watch your diction, Phil. | 0:08:33 | 0:08:35 | |
Our duo have made their way to the town of Yarm in Stockton on Tees. | 0:08:35 | 0:08:40 | |
Rudby House Antiques owned by Sandy is their first shop of choice. | 0:08:42 | 0:08:46 | |
It has three floors of wares to peruse. | 0:08:46 | 0:08:49 | |
Look, my mum used to have all these Doulton ornaments. | 0:08:51 | 0:08:55 | |
I never liked them then. | 0:08:55 | 0:08:56 | |
-They're an age gone by, aren't they? -Yeah, they are. | 0:08:56 | 0:08:58 | |
Leave the Royal Doulton behind then. | 0:08:58 | 0:09:00 | |
What's this she's found? | 0:09:03 | 0:09:05 | |
Oh, look at these little mouse things! | 0:09:05 | 0:09:07 | |
I went to a visit to my husband's old school, | 0:09:07 | 0:09:10 | |
and they had those little mice on the benches, you know, | 0:09:10 | 0:09:13 | |
the dining room benches. | 0:09:13 | 0:09:15 | |
-Can I get them out? -Of course you can. | 0:09:15 | 0:09:17 | |
Robert "Mouseman" Thompson is a British furniture maker | 0:09:17 | 0:09:21 | |
renowned for a signature mouse, | 0:09:21 | 0:09:23 | |
which made its first appearance in 1919 | 0:09:23 | 0:09:26 | |
due to a chance conversation about being as poor as a church mouse. | 0:09:26 | 0:09:30 | |
What you really want from a Mouseman is the earlier examples. | 0:09:30 | 0:09:35 | |
This is a cheeseboard. | 0:09:35 | 0:09:37 | |
-Yes. -And you can see where someone's just cut it, which in a way... | 0:09:37 | 0:09:40 | |
-Is nice. -Yeah, yeah. | 0:09:40 | 0:09:42 | |
But I would think these are probably quite late in Mouseman terms. | 0:09:42 | 0:09:46 | |
Perhaps '60s. | 0:09:46 | 0:09:48 | |
The cheeseboard has a ticket price of £150. | 0:09:48 | 0:09:52 | |
Time for a chat with Sandy, I fancy. | 0:09:52 | 0:09:54 | |
So the cheeseboard. | 0:09:54 | 0:09:56 | |
It's a lovely little thing, but you've had it a while. | 0:09:56 | 0:09:59 | |
-I have. -We can tell you what we think we can pay for it. | 0:09:59 | 0:10:02 | |
Like £80-90's worth. | 0:10:02 | 0:10:04 | |
Well, I'll try and do my best for you, I really will. | 0:10:04 | 0:10:07 | |
-I know you will, you helped me before. -I will, | 0:10:07 | 0:10:09 | |
I'll try and do my best. Right. | 0:10:09 | 0:10:11 | |
Oh, aye. While Sandy has a think about the price, | 0:10:11 | 0:10:14 | |
Jan and Phil practise their skills of negotiation. | 0:10:14 | 0:10:17 | |
Sandy, could you take £50? | 0:10:17 | 0:10:19 | |
-AS SANDY: -Well, yes... | 0:10:19 | 0:10:20 | |
A little Edwardian... | 0:10:20 | 0:10:22 | |
Yes, I'm back, so don't say anything you don't want me to hear! | 0:10:22 | 0:10:25 | |
I was just about to do an impression of you! | 0:10:25 | 0:10:27 | |
-She was doing an impression of you, it was really good! -Were you? | 0:10:27 | 0:10:30 | |
-AS SANDY: -Yes, I was! I was doing an impression. | 0:10:30 | 0:10:32 | |
Yes. Oh, you need your eyes testing | 0:10:32 | 0:10:35 | |
if you think I'm going to give that away for £100! | 0:10:35 | 0:10:39 | |
She's good, isn't she? | 0:10:39 | 0:10:41 | |
-No. -No! | 0:10:41 | 0:10:42 | |
-THEY LAUGH -No! | 0:10:42 | 0:10:44 | |
I think you're brilliant. | 0:10:44 | 0:10:45 | |
-Aw, thank you. -I think you're brilliant. | 0:10:45 | 0:10:47 | |
Thank you. Now, what do we think? Oh, look, we've got matching nails. | 0:10:47 | 0:10:51 | |
-We haven't got matching hands, though. -No, not you. | 0:10:51 | 0:10:53 | |
Nice diversion, Jan. | 0:10:53 | 0:10:55 | |
You did say £90. I can't do it on £90. | 0:10:55 | 0:10:58 | |
-OK. -But I'll do it for £100. | 0:10:58 | 0:11:00 | |
I'm going to go for the Mouseman cheeseboard. | 0:11:00 | 0:11:01 | |
Is that a deal? Deal. | 0:11:01 | 0:11:03 | |
-Deal, Jan. -OK. | 0:11:03 | 0:11:05 | |
Pay up, Jan. £40 discount off the Mouseman cheese platter | 0:11:05 | 0:11:09 | |
is an excellent result. | 0:11:09 | 0:11:11 | |
You're a lovely woman, Jan. | 0:11:11 | 0:11:12 | |
You're a lovely woman, Sandy, thank you very much. | 0:11:12 | 0:11:14 | |
-AS SANDI TOKSVIG: -Not as nice as my very good friend | 0:11:14 | 0:11:16 | |
-Sandi Toksvig, though. -THEY LAUGH | 0:11:16 | 0:11:19 | |
-Oh, yes! -Sandi Toksvig, curiously, curiously. | 0:11:19 | 0:11:23 | |
-NORMAL VOICE: -Yes. Good old Sandi. | 0:11:23 | 0:11:25 | |
-That's good. -Yeah? | 0:11:25 | 0:11:26 | |
Ee, by gum. | 0:11:26 | 0:11:28 | |
Meanwhile back in sunny Redcar, anybody fancy a wind farm? | 0:11:30 | 0:11:33 | |
I mean, a choc ice? How are our determined shoppers getting on, | 0:11:33 | 0:11:36 | |
in a roundabout sort of way? | 0:11:36 | 0:11:38 | |
What items do you like? | 0:11:40 | 0:11:41 | |
I really do, I do like that Edwardian drinks cabinet. | 0:11:41 | 0:11:46 | |
You can buy another item, you know, we can always buy two. | 0:11:46 | 0:11:50 | |
What is your opinion at all, even? | 0:11:50 | 0:11:54 | |
I like the artist's box. | 0:11:54 | 0:11:55 | |
It has something of you, your theatrical...backdrops, | 0:11:55 | 0:11:59 | |
the artist, all that sort of thing. | 0:11:59 | 0:12:02 | |
Now, James is going to help guide negotiations. | 0:12:02 | 0:12:06 | |
Remember, the drinks cabinet with the cocktail shaker and glasses | 0:12:06 | 0:12:09 | |
is priced at £250, and the artist's box at £25. | 0:12:09 | 0:12:13 | |
Stand by for a masterclass. | 0:12:13 | 0:12:15 | |
Now, James, if I said to you £140 for the drinks cabinet... | 0:12:15 | 0:12:19 | |
I'd say £150. | 0:12:19 | 0:12:21 | |
You'd say £150. | 0:12:21 | 0:12:23 | |
And Ronni, I would shake his hand at £150. | 0:12:23 | 0:12:26 | |
I think we could do £150, yes. | 0:12:26 | 0:12:28 | |
-Shake, shake it. -That's a good deal. -That's a good deal. | 0:12:28 | 0:12:31 | |
-Done a deal! We've done a deal. -But... What about the artist's box? | 0:12:31 | 0:12:35 | |
-Well, I love the artist's box... -Could be... -A tenner or something? | 0:12:35 | 0:12:39 | |
-It can be £10 if you like. -A tenner? -Yes, please. | 0:12:39 | 0:12:42 | |
Shake his hand, Ronni. Shake his hand. | 0:12:42 | 0:12:44 | |
-James, give me your hand. -I could get used to this. | 0:12:44 | 0:12:46 | |
I think I'm going to kiss it! | 0:12:46 | 0:12:48 | |
Hey, don't frighten the bloke! | 0:12:48 | 0:12:50 | |
-Thank you so much, James. -Money, money. | 0:12:50 | 0:12:53 | |
-£160. -Oh, money! -Money, yeah. | 0:12:53 | 0:12:55 | |
He might change his mind! | 0:12:55 | 0:12:57 | |
That was swift and efficient. | 0:12:57 | 0:12:59 | |
And two lovely lots to start you off. | 0:12:59 | 0:13:02 | |
Meanwhile, Jan and Phil... | 0:13:02 | 0:13:04 | |
Can you do a Ronni? | 0:13:04 | 0:13:06 | |
-AS RONNI: -Oh, darling, well, I do do Ronni, darling, | 0:13:06 | 0:13:10 | |
but you know, I think she's got a bit sick of me doing her, darling. | 0:13:10 | 0:13:14 | |
Because you know, the thing with Ronni is you think she's, | 0:13:14 | 0:13:18 | |
you know, really, you know, kind of dippy... | 0:13:18 | 0:13:21 | |
-NORMAL VOICE: -But actually she's an Exocet missile, darling. -Is she? | 0:13:21 | 0:13:25 | |
She certainly is! | 0:13:25 | 0:13:27 | |
Jan and Phil have journeyed to the town of Hartlepool in County Durham. | 0:13:27 | 0:13:32 | |
She doesn't know it yet, but we've got a real treat in store for her. | 0:13:32 | 0:13:36 | |
This quiet little town dates back as far as the seventh century. | 0:13:40 | 0:13:45 | |
But according to local legend, | 0:13:45 | 0:13:46 | |
it was the site of a terrifying and sordid episode. | 0:13:46 | 0:13:50 | |
-Here we are, look. -The Museum of Hartlepool! | 0:13:50 | 0:13:53 | |
OK. Well, this is all a bit of a mystery. | 0:13:53 | 0:13:57 | |
As one of the country's leading satirists, | 0:13:58 | 0:14:01 | |
Jan is meeting with museum curator Mark Simmonds | 0:14:01 | 0:14:04 | |
to find out about one of the early forms of satire | 0:14:04 | 0:14:07 | |
that took place right here in the 19th century. | 0:14:07 | 0:14:10 | |
During the Napoleonic Wars, | 0:14:12 | 0:14:14 | |
a French ship was seen floundering off the coast of Hartlepool. | 0:14:14 | 0:14:18 | |
Throughout this period, there was a real threat of invasion. | 0:14:18 | 0:14:22 | |
Locals gathered at the beach to investigate the wreck | 0:14:22 | 0:14:25 | |
to find there was one remaining survivor. | 0:14:25 | 0:14:29 | |
Clinging to the wreckage is a tiny little shivering monkey... | 0:14:29 | 0:14:33 | |
-Oh! -That's sad, isn't it? | 0:14:33 | 0:14:34 | |
..in a little, sort of, sailor costume. | 0:14:34 | 0:14:37 | |
Only the fishermen don't realise it's a monkey. | 0:14:37 | 0:14:40 | |
They hear its gibbering in fright, | 0:14:40 | 0:14:42 | |
and they think that it's a Frenchman speaking French, | 0:14:42 | 0:14:45 | |
-because they've never seen a Frenchman before. -A monkey? | 0:14:45 | 0:14:48 | |
The ship's monkey mascot confused the fishermen. | 0:14:48 | 0:14:52 | |
They believed their simian hostage was a French spy. | 0:14:52 | 0:14:56 | |
They sentenced the poor beast to death, | 0:14:56 | 0:14:59 | |
hanging it in the town square. | 0:14:59 | 0:15:01 | |
They thought the monkey was a Frenchman, | 0:15:01 | 0:15:03 | |
cos they'd never seen a French person before? | 0:15:03 | 0:15:05 | |
You've spotted the big thing with the legend. | 0:15:05 | 0:15:07 | |
It's complete rubbish, it's not true at all. | 0:15:07 | 0:15:10 | |
Actually, the roots of this tale lie in a song, | 0:15:10 | 0:15:13 | |
"The Fishermen hung the Monkey O!" | 0:15:13 | 0:15:16 | |
It was written by local folk singer and comedian Ned Corvan, | 0:15:16 | 0:15:20 | |
some 50 years after the incident is supposed to have occurred. | 0:15:20 | 0:15:24 | |
# Come and see the Frenchie who's landed on the beach | 0:15:24 | 0:15:27 | |
# He's got long arms, a great long tail | 0:15:27 | 0:15:30 | |
# And he's covered all in hair | 0:15:30 | 0:15:31 | |
# We think that he's a spy, so we'll hang him in the square... # | 0:15:31 | 0:15:36 | |
The idea was that it was poking fun at how silly, | 0:15:36 | 0:15:41 | |
how stupid could people be. | 0:15:41 | 0:15:43 | |
And it's the people that he's talking about, the fishermen, | 0:15:43 | 0:15:46 | |
who are singing the song along with him in the pubs, | 0:15:46 | 0:15:49 | |
in the music halls. | 0:15:49 | 0:15:50 | |
In the original words of the song, | 0:15:50 | 0:15:53 | |
there's little hints that they're poking fun at local politicians | 0:15:53 | 0:15:57 | |
and local bigwigs. | 0:15:57 | 0:15:59 | |
So it was kind of like the Spitting Image of its day, | 0:15:59 | 0:16:01 | |
or indeed the Dead Ringers. | 0:16:01 | 0:16:03 | |
Yeah, exactly. | 0:16:03 | 0:16:04 | |
So, the joke is about how can people be so stupid | 0:16:04 | 0:16:07 | |
not to realise these things. | 0:16:07 | 0:16:09 | |
And isn't that what satirists do? | 0:16:09 | 0:16:11 | |
Satirists exaggerate. | 0:16:11 | 0:16:12 | |
Yeah, you do exaggerate, | 0:16:12 | 0:16:14 | |
obviously you always exaggerate for comic effect, | 0:16:14 | 0:16:16 | |
but I think you have to be careful about what symbols you use. | 0:16:16 | 0:16:19 | |
They were living in a different world. | 0:16:19 | 0:16:21 | |
The 1850s is a very different world. | 0:16:21 | 0:16:23 | |
No, there was no political correctness, that's for sure. | 0:16:23 | 0:16:25 | |
But there is a very different attitude, | 0:16:25 | 0:16:27 | |
you're living in very different sort of times. | 0:16:27 | 0:16:29 | |
And humour doesn't age well, does it? | 0:16:29 | 0:16:32 | |
Are there people around who believe the story themselves? | 0:16:32 | 0:16:35 | |
I've met people who honestly believe there was a...there was a real ship, | 0:16:35 | 0:16:40 | |
-there was a real monkey... -Is this local people...? | 0:16:40 | 0:16:42 | |
Local people, yeah, I've spoken to people | 0:16:42 | 0:16:44 | |
who believe that the story is still true. | 0:16:44 | 0:16:46 | |
But there's no connection between a monkey and Hartlepool | 0:16:46 | 0:16:50 | |
before Corvan does his song in 1854. | 0:16:50 | 0:16:53 | |
Over the centuries, the legend has been much used | 0:16:53 | 0:16:56 | |
to taunt Hartlepudlians, and has remained such a popular tale | 0:16:56 | 0:17:01 | |
that even the local rugby team are known as the Monkey Hangers. | 0:17:01 | 0:17:06 | |
Locals take the story in good humour, | 0:17:06 | 0:17:08 | |
and even have a statue to the monkey's honour. | 0:17:08 | 0:17:11 | |
The myth may be bizarre and strange, | 0:17:11 | 0:17:14 | |
but the ditty penned over 150 years ago is responsible for giving | 0:17:14 | 0:17:18 | |
Hartlepool a piece of folklore that refuses to disappear. | 0:17:18 | 0:17:23 | |
Let's catch up now with Ronni and James. | 0:17:24 | 0:17:27 | |
Let's hear Nigella preparing a chocolate cake. | 0:17:27 | 0:17:30 | |
-No, she doesn't do chocolate cake now. -Why? | 0:17:30 | 0:17:32 | |
Because now she does things like avocado on toast. | 0:17:32 | 0:17:35 | |
But she still makes it sound very complex. | 0:17:35 | 0:17:38 | |
I love bread. | 0:17:38 | 0:17:40 | |
It's so primal. | 0:17:40 | 0:17:42 | |
It's like eating the essence of life itself. | 0:17:42 | 0:17:45 | |
And when it's cooked, it's called toast. | 0:17:45 | 0:17:48 | |
Very good! Nigella...I mean Ronni and James | 0:17:50 | 0:17:55 | |
have travelled south east to the village of Sleights | 0:17:55 | 0:17:58 | |
in the Esk Valley. | 0:17:58 | 0:17:59 | |
Eskdale Antiques beckons. | 0:18:01 | 0:18:03 | |
Hey, this is lovely, isn't it? | 0:18:04 | 0:18:06 | |
It looks gorgeous! | 0:18:06 | 0:18:08 | |
Looks delightful. | 0:18:08 | 0:18:10 | |
My name is Lena, queen of the Lilos. Come! | 0:18:14 | 0:18:19 | |
I love the way he's arranged this... | 0:18:21 | 0:18:23 | |
I don't know if you're taking this seriously enough. | 0:18:23 | 0:18:25 | |
I am taking it seriously. | 0:18:25 | 0:18:28 | |
-I'm going to be in trouble, now... -Put down the cones. | 0:18:28 | 0:18:30 | |
His bark is worse than his bite. | 0:18:30 | 0:18:33 | |
-As you were, Ronni. -Right. -Right. | 0:18:33 | 0:18:36 | |
-Oh, now. -What are you finding now? -Look at this! | 0:18:36 | 0:18:38 | |
Oooh! Cor, that's got a bit of weight to it. | 0:18:38 | 0:18:41 | |
-Has it got a bit of weight? -That's got a bit of weight. | 0:18:41 | 0:18:43 | |
It's rather gorgeous, isn't it? | 0:18:43 | 0:18:45 | |
I like a bit of brass, don't you? | 0:18:45 | 0:18:47 | |
-Do you like a bit of brass? -I've got... | 0:18:47 | 0:18:49 | |
I love a bit of brass. | 0:18:49 | 0:18:50 | |
Do you clean it, Ronni? | 0:18:50 | 0:18:52 | |
I am a prime brass cleaner. | 0:18:52 | 0:18:55 | |
-Well done. -Now look, I love this, because I'm obsessed with elephants. | 0:18:55 | 0:18:59 | |
-So am I! -Now, I quite like this. | 0:18:59 | 0:19:02 | |
Do you know anything... What does it say? Hang on. | 0:19:02 | 0:19:05 | |
I think it's got a bit of age, I think it's 19th century, | 0:19:05 | 0:19:07 | |
-it's a vase, it's probably Chinese. -Asian elephant vase. -Asian. | 0:19:07 | 0:19:12 | |
So not...definitely not Asian dolphin with a long tongue vase. | 0:19:12 | 0:19:17 | |
It's quite sparing, isn't it? It's quite sparing. | 0:19:17 | 0:19:19 | |
Beautifully made. So, this is all inlaid. | 0:19:19 | 0:19:22 | |
It's a brass body, a bit of silver pewter. | 0:19:22 | 0:19:25 | |
This is potentially interesting. | 0:19:25 | 0:19:27 | |
Ronni, what's the price on it? | 0:19:27 | 0:19:29 | |
It's £125. | 0:19:29 | 0:19:32 | |
-We can't do that. -Never look at a price tag. | 0:19:32 | 0:19:34 | |
We need to get that under £50. | 0:19:34 | 0:19:36 | |
I love the way you said that, "Never look at a price tag." | 0:19:36 | 0:19:40 | |
Let's go and see shopkeeper Phil | 0:19:40 | 0:19:42 | |
to get to grips with a possible deal. | 0:19:42 | 0:19:44 | |
-Have you found something you're interested in? -Yes. | 0:19:44 | 0:19:47 | |
We rather like this piece. Where's he gone? Oh, there he is! | 0:19:47 | 0:19:50 | |
You can't miss a Braxton. | 0:19:50 | 0:19:52 | |
Phil, what sort of age do you think it is? | 0:19:52 | 0:19:54 | |
-1880s? -Yeah, I think so. -Yeah, late Victorian. | 0:19:54 | 0:19:57 | |
Yeah, late 19th century, with that band there. | 0:19:57 | 0:19:59 | |
We had ascertained that with the... | 0:19:59 | 0:20:02 | |
-I told James about that, he didn't know. -Yeah. | 0:20:02 | 0:20:04 | |
Could that be £40, Phil? | 0:20:04 | 0:20:06 | |
It does have a good bit of quality. | 0:20:06 | 0:20:07 | |
I think we could probably be doing that at about £65. | 0:20:07 | 0:20:12 | |
£65. | 0:20:12 | 0:20:14 | |
THEY BREATHE OUT LOUDLY | 0:20:14 | 0:20:15 | |
Now, this is where you sound like your plumber, you see. | 0:20:15 | 0:20:18 | |
-You go... -HE BREATHES OUT LOUDLY | 0:20:18 | 0:20:20 | |
Well, see, I'd love to help you. I'd love to help you out with that. | 0:20:20 | 0:20:24 | |
But, thing is... It's more than my life's worth. | 0:20:24 | 0:20:27 | |
I mean, 65... 60? | 0:20:27 | 0:20:30 | |
-60 would be fine. -I would have said far less than that! | 0:20:30 | 0:20:34 | |
-Oh, no! I've done it all wrong! -No, we won't... | 0:20:34 | 0:20:38 | |
-I can't go back now! -Oh, James! | 0:20:38 | 0:20:41 | |
60 is a very good deal. | 0:20:41 | 0:20:43 | |
Ronni's haggled a great discount. | 0:20:43 | 0:20:46 | |
What a successful day. | 0:20:46 | 0:20:48 | |
It's successful, although I sense you were a little bit miffed | 0:20:48 | 0:20:51 | |
about my deal-making at the end. | 0:20:51 | 0:20:53 | |
Yeah, I thought the deal-making was rubbish, really. | 0:20:53 | 0:20:56 | |
So, considering my opening offer was £40... | 0:20:56 | 0:20:59 | |
The point is, he offered 65, and I, the milk of human kindness, | 0:20:59 | 0:21:05 | |
-I couldn't bear to... -What, shaved off a fiver?! | 0:21:05 | 0:21:08 | |
Go on, go on, drive me home. | 0:21:08 | 0:21:09 | |
I was trying to be kind! | 0:21:09 | 0:21:12 | |
It was like a shaving of Parmesan. | 0:21:13 | 0:21:17 | |
You did a brilliant job there, Ronni. | 0:21:18 | 0:21:20 | |
Don't listen to the rumbles from James. | 0:21:20 | 0:21:23 | |
I think a bit of a rest, don't you? So, nighty night. | 0:21:24 | 0:21:27 | |
Refreshed and ready for the day ahead, | 0:21:33 | 0:21:35 | |
how are we feeling this morning, girls? | 0:21:35 | 0:21:38 | |
Today, I have a feeling I've changed, | 0:21:38 | 0:21:41 | |
I'm going to be hard, I'm going to be ruthless. | 0:21:41 | 0:21:44 | |
-Are you? -Yeah, ruthless. I'm going to show him. | 0:21:44 | 0:21:46 | |
In fact, when James offers a price, I'm going to actually undercut him. | 0:21:46 | 0:21:53 | |
And I'll go, "My partner, he don't know what he's talking about. | 0:21:53 | 0:21:57 | |
"He may be offering 40, but I'm telling you, 20's my final offer. | 0:21:57 | 0:22:00 | |
"I'm going to be Wideboy Ancona today." | 0:22:00 | 0:22:03 | |
You've gone more like Pat from EastEnders, actually! | 0:22:03 | 0:22:06 | |
Ronni's revved up for buying, but what about Happy and Grumpy? | 0:22:08 | 0:22:12 | |
So the thing with Jan yesterday, | 0:22:12 | 0:22:15 | |
is that you say to Jan "be a Brummie," | 0:22:15 | 0:22:18 | |
-she can be a Brummie. -Yeah. | 0:22:18 | 0:22:19 | |
"Be a Scouser," she can be a Scouser. | 0:22:19 | 0:22:20 | |
-"Be a Geordie", she can be a Geordie. -Yeah. | 0:22:20 | 0:22:23 | |
There's this instant dialect, accent, whatever. | 0:22:23 | 0:22:25 | |
I'm in awe of it, really. | 0:22:25 | 0:22:27 | |
Ronni's very elegant and she speaks very quietly. | 0:22:27 | 0:22:30 | |
Very quietly. So she draws you in, | 0:22:30 | 0:22:32 | |
-she draws you in. -She kind of whispers. | 0:22:32 | 0:22:34 | |
She certainly does. Yesterday, our talented girls entered | 0:22:34 | 0:22:39 | |
into the realm of antiques with plenty of gusto. | 0:22:39 | 0:22:42 | |
Ronni and James launched into proceedings with the utmost of zest. | 0:22:42 | 0:22:47 | |
They bought the watercolour set, the rather nifty drinks cabinet, | 0:22:47 | 0:22:51 | |
and the Chinese bronze vase. | 0:22:51 | 0:22:53 | |
They have £180 left in their road-tripping wallet. | 0:22:53 | 0:22:58 | |
Jan and Phil were very careful with their money. | 0:22:58 | 0:23:01 | |
They bought the Mouseman cheese platter | 0:23:01 | 0:23:04 | |
and have a massive £300 to splurge. | 0:23:04 | 0:23:07 | |
CAR HORN HOOTS Right, let's catch up with the troops. | 0:23:07 | 0:23:11 | |
It's got a horn hasn't it? | 0:23:12 | 0:23:14 | |
-Hi. -So hi there. | 0:23:17 | 0:23:19 | |
-How are you? -Have you missed us? | 0:23:19 | 0:23:21 | |
-Desperately. Desperately. -It's been so long. | 0:23:21 | 0:23:23 | |
Come on, it's time for more shopping. | 0:23:23 | 0:23:25 | |
-What have we got, what have you got? -More shopping. -Hello love. | 0:23:25 | 0:23:30 | |
-Hi, hi. -My favourite alpine. | 0:23:30 | 0:23:33 | |
Favourite what? | 0:23:33 | 0:23:34 | |
My favourite alpine outfit. | 0:23:34 | 0:23:37 | |
Have you been doing impersonations of us? | 0:23:37 | 0:23:40 | |
We want to know that. | 0:23:40 | 0:23:41 | |
No, we would never do anything that disrespectful, would we Jan? | 0:23:41 | 0:23:44 | |
No. | 0:23:44 | 0:23:46 | |
No. Course we wouldn't. No, we wouldn't. | 0:23:47 | 0:23:50 | |
We'd better get on, cos otherwise we'll never get finished today. | 0:23:50 | 0:23:53 | |
For goodness' sake... Next time you're bargaining, | 0:23:53 | 0:23:56 | |
could you do better? | 0:23:56 | 0:23:57 | |
Come on, come on. | 0:23:57 | 0:23:59 | |
Whoever you are then, the shops await. | 0:23:59 | 0:24:01 | |
Let's jump in with Jan and Philip. | 0:24:04 | 0:24:06 | |
They're making their way to the village of West Auckland | 0:24:06 | 0:24:09 | |
in County Durham. | 0:24:09 | 0:24:10 | |
Now, just while there's no-one else here and there is no-one watching, | 0:24:10 | 0:24:13 | |
no-one listening and we're just on our own, do me a James. | 0:24:13 | 0:24:18 | |
Do you a James? | 0:24:18 | 0:24:20 | |
Well, the thing about James is that he talks through a smile | 0:24:20 | 0:24:25 | |
the whole time, doesn't he? | 0:24:25 | 0:24:27 | |
Sort of from up here somewhere. | 0:24:27 | 0:24:29 | |
That's uncanny. | 0:24:31 | 0:24:32 | |
Another beautiful day, | 0:24:33 | 0:24:35 | |
Hagas Antiques is where we're headed. | 0:24:35 | 0:24:38 | |
It's crammed to the rafters, don't you know. | 0:24:38 | 0:24:40 | |
Phil is sharing his knowledge. | 0:24:44 | 0:24:47 | |
If I owned this, what I would do is take all of these handles | 0:24:47 | 0:24:50 | |
off and throw them away | 0:24:50 | 0:24:51 | |
and I'd start again, but I'd make them all odd. | 0:24:51 | 0:24:54 | |
I think you'd have quite a bit of fun, perhaps with a glass handle, | 0:24:54 | 0:24:56 | |
a porcelain handle, a brass swan-neck handle. | 0:24:56 | 0:24:59 | |
That's a very boho idea, Phil. | 0:24:59 | 0:25:01 | |
-Well, you know. -That's very boho, isn't it? | 0:25:01 | 0:25:05 | |
-What would Hyacinth think to that? -Hyacinth? | 0:25:05 | 0:25:07 | |
Well, of course it's Hyacinth's territory | 0:25:07 | 0:25:09 | |
where we're going for the auction, isn't it? | 0:25:09 | 0:25:11 | |
I think Hyacinth would think that was perfectly awful, scruffy. | 0:25:11 | 0:25:15 | |
-She'd like mahogany? -She'd like a nice mahogany with a doily on top. | 0:25:15 | 0:25:19 | |
-Right. -Quite right. | 0:25:19 | 0:25:21 | |
After a mosey around, Jan finds something interesting. | 0:25:27 | 0:25:33 | |
It's sweet, it's got a design on the bottom as well as the top. | 0:25:33 | 0:25:37 | |
I would think there is every chance that that's a little snuffbox. | 0:25:37 | 0:25:41 | |
Possibly Indian silver, but possibly not. | 0:25:41 | 0:25:45 | |
You could sort of carry your pills around in your handbag in it. | 0:25:45 | 0:25:48 | |
Whenever you needed them, sweetie. | 0:25:48 | 0:25:50 | |
This is where I need a jolly good look. | 0:25:50 | 0:25:53 | |
And actually, I think I might need... | 0:25:53 | 0:25:56 | |
-Sorry? -Time to look professional, eh, Phil? | 0:25:56 | 0:26:00 | |
Oh, hello. | 0:26:02 | 0:26:03 | |
Yeah, see, this actually doesn't tell me anything at all, | 0:26:03 | 0:26:06 | |
but it does look rather good on camera, it makes me look... | 0:26:06 | 0:26:09 | |
As if you know what you're talking about. | 0:26:09 | 0:26:11 | |
But the reality is, you and I both know that I haven't got a clue. | 0:26:11 | 0:26:15 | |
I think it's £5 or £10 worth. | 0:26:15 | 0:26:18 | |
And while she's there, Jan's spied another little something. | 0:26:18 | 0:26:22 | |
This is quite sweet. What's that? | 0:26:22 | 0:26:24 | |
That's a little spill vase and... | 0:26:24 | 0:26:27 | |
Spills for...? | 0:26:28 | 0:26:29 | |
-For the fire? -Well, either for the fire... | 0:26:29 | 0:26:31 | |
Or you could put a fragrance in there? | 0:26:31 | 0:26:33 | |
Or a little flower vase, but it's Chinese, | 0:26:33 | 0:26:35 | |
you can tell it's Chinese, cos these are bamboo shoots, look. | 0:26:35 | 0:26:38 | |
It's about 100-120 years old, it's a little bit of Chinese export silver | 0:26:38 | 0:26:43 | |
and if you bought the two for £30 you'd probably be all right. | 0:26:43 | 0:26:46 | |
You can make the one lot. | 0:26:46 | 0:26:48 | |
Neither item is priced. | 0:26:50 | 0:26:52 | |
Time to find owner Alistair to talk money, but hang on, what's this? | 0:26:52 | 0:26:56 | |
Sitting down with tea and cake? | 0:26:56 | 0:26:59 | |
Well, I suppose Phil is getting on a bit. | 0:26:59 | 0:27:02 | |
I think the way forward might be, Jan, | 0:27:02 | 0:27:04 | |
if you told Alistair what we're interested in and | 0:27:04 | 0:27:06 | |
you be the good cop and I'll be the miserable, horrible... | 0:27:06 | 0:27:10 | |
Surely not. | 0:27:10 | 0:27:12 | |
-The price is off. -Oh, Alistair, you gave me a fright. | 0:27:12 | 0:27:15 | |
That little snuffbox or pillbox, | 0:27:15 | 0:27:20 | |
is probably around ten quid and the other thing is around £20, | 0:27:20 | 0:27:24 | |
that's where we're coming from. | 0:27:24 | 0:27:25 | |
Hasn't it gone quiet? It has, hasn't it? | 0:27:27 | 0:27:30 | |
Would you like a bit of cake, the cake's really good. | 0:27:30 | 0:27:32 | |
Well, I was just wondering if you wanted | 0:27:32 | 0:27:34 | |
the shirt off my back as well. | 0:27:34 | 0:27:37 | |
We do have to watch him, Alistair. | 0:27:37 | 0:27:39 | |
I think I could do them for a really good price of £40 for you, Phil. | 0:27:39 | 0:27:42 | |
-Really? -Yeah. | 0:27:42 | 0:27:44 | |
I think there's a nice profit in there. | 0:27:44 | 0:27:47 | |
What about if we made you our best offer of 30 quid? | 0:27:48 | 0:27:51 | |
No disrespect, Phil, but if the lady to offer me, £35, | 0:27:51 | 0:27:55 | |
then I might be able to accept it. | 0:27:55 | 0:27:57 | |
Go 30 and see what he says. | 0:27:59 | 0:28:01 | |
Hold your hand out like that, you've got to shake his hand. | 0:28:01 | 0:28:04 | |
30? | 0:28:04 | 0:28:06 | |
-Go on, then. You're a star, Alistair. -Thank you. Thank you so much. | 0:28:07 | 0:28:12 | |
-Can I shake you by the hand? -You can. -You're a gentleman. | 0:28:12 | 0:28:14 | |
Nice bit of work there, Jan and Phil. | 0:28:14 | 0:28:17 | |
The snuffbox and the spill vase for £30. | 0:28:17 | 0:28:20 | |
Well done. | 0:28:20 | 0:28:21 | |
Meanwhile, back in the Bentley. | 0:28:21 | 0:28:23 | |
I have one word for you, Ronni. | 0:28:23 | 0:28:25 | |
-Oh, yes? -Quoits. | 0:28:25 | 0:28:26 | |
How dare you, sir. | 0:28:26 | 0:28:28 | |
Quoits. It's a game. | 0:28:28 | 0:28:30 | |
Is that in your very beautiful RP accent, | 0:28:30 | 0:28:33 | |
is that you just mispronouncing kites? | 0:28:33 | 0:28:36 | |
-No. -I'm going to fly kites, kites. | 0:28:36 | 0:28:38 | |
I'm going to go into tine | 0:28:38 | 0:28:41 | |
-to do kites. No, it's... -Quoits. | 0:28:41 | 0:28:43 | |
-It's quoits. -Oh, quoits. -Quoits. | 0:28:43 | 0:28:48 | |
Quite right. What on earth are they babbling on about? | 0:28:48 | 0:28:51 | |
Well, I'll tell you. | 0:28:51 | 0:28:53 | |
Ronni and James have motored to the town of Darlington in County Durham. | 0:28:53 | 0:28:57 | |
James has sniffed out a rather exclusive club | 0:28:57 | 0:29:00 | |
dedicated to a sport that dates back thousands of years. | 0:29:00 | 0:29:04 | |
Founded 170 years ago, | 0:29:04 | 0:29:06 | |
the Darlington Quoits Club is the oldest surviving club of its type | 0:29:06 | 0:29:10 | |
in England. | 0:29:10 | 0:29:12 | |
The game involves throwing a metal ring around a target | 0:29:12 | 0:29:15 | |
on the ground. | 0:29:15 | 0:29:16 | |
Hello. | 0:29:18 | 0:29:19 | |
And Ronni and James are meeting with the club president, Dave Watson, | 0:29:19 | 0:29:22 | |
to find out just why this ancient game has survived the sands of time. | 0:29:22 | 0:29:27 | |
-Do come in. -I'm so excited. -Ladies first, there we are. | 0:29:27 | 0:29:30 | |
-Thank you. Ladies first. -Look at this. | 0:29:30 | 0:29:32 | |
-Oh, yes, it's a quoit. -A quoit. | 0:29:32 | 0:29:33 | |
Well done, James, quoit right. | 0:29:33 | 0:29:36 | |
By the 15th century, | 0:29:36 | 0:29:37 | |
quoits was an organised sport in pubs and taverns, | 0:29:37 | 0:29:41 | |
particularly in the north-east of England. | 0:29:41 | 0:29:43 | |
And by 1881, the first official rules were printed. | 0:29:43 | 0:29:47 | |
Dave, I know you're a huge expert in this, | 0:29:50 | 0:29:52 | |
so forgive the sort of simplicity of this initial question, | 0:29:52 | 0:29:56 | |
but what is quoits? | 0:29:56 | 0:29:58 | |
Well, it's a game. And it originated in ancient Greece, | 0:29:58 | 0:30:02 | |
it was one of the five games of the pentathlon. | 0:30:02 | 0:30:05 | |
Later on it came to England, brought by the Romans when they invaded. | 0:30:05 | 0:30:10 | |
They tended to throw at a target, | 0:30:10 | 0:30:12 | |
so instead of throwing it as far as you could, | 0:30:12 | 0:30:15 | |
they were throwing it at an object placed on the ground. | 0:30:15 | 0:30:18 | |
As time marched on, the sporting pastime | 0:30:19 | 0:30:22 | |
was a firm favourite with the workers of the land | 0:30:22 | 0:30:25 | |
and when the Industrial Revolution spawned an army of a workforce in | 0:30:25 | 0:30:29 | |
mining and steel industries, quoits had a peak of popularity. | 0:30:29 | 0:30:34 | |
What makes Darlington quoits club quite so special, | 0:30:34 | 0:30:37 | |
which, of course, it is? | 0:30:37 | 0:30:38 | |
Absolutely. Established in 1846 and here are | 0:30:38 | 0:30:41 | |
some of the founding members. | 0:30:41 | 0:30:44 | |
There were, in fact, 49 of them altogether. | 0:30:44 | 0:30:46 | |
And they were all professional people, | 0:30:46 | 0:30:49 | |
there was a banker, a tanner. | 0:30:49 | 0:30:50 | |
And that was different, wasn't it? | 0:30:50 | 0:30:52 | |
That was unusual, that they were professionals. | 0:30:52 | 0:30:54 | |
Absolutely. Instead of the working people being involved, | 0:30:54 | 0:30:57 | |
we have more professional people. | 0:30:57 | 0:30:59 | |
And was that exclusive to Darlington Quoit Club in a way? | 0:30:59 | 0:31:03 | |
Pretty much so, yes. And it goes on today. | 0:31:03 | 0:31:07 | |
Enough of the history, what about a go at the game itself? | 0:31:07 | 0:31:10 | |
Dave first. | 0:31:11 | 0:31:13 | |
-Oh! -That's bang on. -That's bang on. -This is a ringer. | 0:31:15 | 0:31:18 | |
-That's a ringer. -It's gone around the hob. | 0:31:18 | 0:31:21 | |
Cracking shot. Your turn now, James. | 0:31:21 | 0:31:24 | |
One, two... | 0:31:24 | 0:31:26 | |
METAL CLANGS | 0:31:28 | 0:31:30 | |
Just slightly overenthusiastic. | 0:31:30 | 0:31:32 | |
Sorry about the window. | 0:31:32 | 0:31:35 | |
-We'll pay for that later. -You get in. | 0:31:35 | 0:31:38 | |
-It's alternate. -Go on. | 0:31:38 | 0:31:40 | |
-That's out of your lunch money, isn't it? -Go on. | 0:31:40 | 0:31:43 | |
Right. | 0:31:43 | 0:31:45 | |
I'm a bit scared, I'm a bit nervous. | 0:31:45 | 0:31:47 | |
Watch the loafers. | 0:31:47 | 0:31:49 | |
They're very smart. | 0:31:49 | 0:31:51 | |
METAL CLANGS | 0:31:52 | 0:31:55 | |
Oh good, I'm still nearer. | 0:31:58 | 0:32:00 | |
-Sorry! -I'm still nearer. | 0:32:00 | 0:32:02 | |
Hopeless, the pair of you! | 0:32:02 | 0:32:05 | |
Since it was founded in 1846, | 0:32:05 | 0:32:07 | |
Darlington Quoits Club has been a guardian of a sport that has changed | 0:32:07 | 0:32:11 | |
little since its creation 2,500 years ago. | 0:32:11 | 0:32:17 | |
Time for James to recreate the game of the ancient Greeks. | 0:32:17 | 0:32:21 | |
Off come the braces. | 0:32:21 | 0:32:23 | |
What are you doing? | 0:32:25 | 0:32:28 | |
What is he doing? | 0:32:28 | 0:32:29 | |
Now, surely to goodness, he's not going to... | 0:32:31 | 0:32:34 | |
Oh, crikey Moses, he is! | 0:32:35 | 0:32:38 | |
Watch how this is done, OK? | 0:32:38 | 0:32:39 | |
Well. | 0:32:40 | 0:32:42 | |
The ancient Greeks would have felt the clay between their toes. | 0:32:42 | 0:32:47 | |
He is a sight for sore eyes, that man. | 0:32:47 | 0:32:51 | |
Crikey. Now, where's Jan and Phil? | 0:32:53 | 0:32:57 | |
Let's have an eavesdrop. | 0:32:57 | 0:32:59 | |
It's very funny, because I'm just thinking as we're going | 0:32:59 | 0:33:01 | |
along in the car, that that bloke will probably be, you know, | 0:33:01 | 0:33:05 | |
-doing his voice-over. -Oh, yeah, yeah, yeah. Tim. | 0:33:05 | 0:33:07 | |
So look here, I say, all going along in this lovely country road, | 0:33:07 | 0:33:13 | |
I wonder what they're going to buy, because soon | 0:33:13 | 0:33:15 | |
they're going to arrive at another shop. | 0:33:15 | 0:33:17 | |
Come on Jan, show us what you're made of! | 0:33:17 | 0:33:21 | |
Well, funnily enough the voice-over bloke will probably say | 0:33:21 | 0:33:25 | |
"Jan, you'd better get a move on and stop dilly-dallying," actually. | 0:33:25 | 0:33:29 | |
What about the Bentley? Dare I listen in? | 0:33:29 | 0:33:31 | |
Now, I heard a rumour that you two have been doing impressions of us? | 0:33:31 | 0:33:37 | |
-Yes. -I think that's quite frankly... | 0:33:37 | 0:33:40 | |
Do you think it's impertinent? | 0:33:40 | 0:33:42 | |
A little bit, yes. | 0:33:42 | 0:33:44 | |
I know how you feel. | 0:33:44 | 0:33:47 | |
The gang have made their way to the tower of Barnard Castle | 0:33:47 | 0:33:50 | |
in County Durham. | 0:33:50 | 0:33:52 | |
We're sharing a shop, | 0:33:53 | 0:33:55 | |
good job Mission Hall Antiques is big enough for this bunch. | 0:33:55 | 0:33:58 | |
There are over 40 dealers selling their wares in here | 0:33:58 | 0:34:02 | |
and Jan and Phil are first to arrive. | 0:34:02 | 0:34:05 | |
I want to try and buy something nice and big. | 0:34:05 | 0:34:07 | |
-Meaty beaty. -Yeah. | 0:34:07 | 0:34:08 | |
-Big and bouncy? -Meaty beaty big and bouncy, that's what I want. | 0:34:08 | 0:34:12 | |
All right, Jan. You've got £270 left. | 0:34:12 | 0:34:16 | |
Doesn't take them long to find something either. | 0:34:23 | 0:34:26 | |
Can you hold it? I'm going to get my glasses out. | 0:34:26 | 0:34:28 | |
I think it's quite sweet actually, I think it's a good choice. | 0:34:28 | 0:34:32 | |
-It's from Chester, it's gold. -That's where we're going, isn't it? | 0:34:32 | 0:34:35 | |
Yeah, so we're going near Chester. | 0:34:35 | 0:34:37 | |
So somebody might think that's rather lovely. | 0:34:37 | 0:34:39 | |
-A bit of an association? -Yeah. RAF sweetheart brooch, 1926-27. | 0:34:39 | 0:34:44 | |
We've got two chances with that, | 0:34:44 | 0:34:46 | |
there's the RAF connection and then there's the Chester connection, | 0:34:46 | 0:34:49 | |
but it's all down to money, isn't it? | 0:34:49 | 0:34:51 | |
Dave, what will be the very best on that? | 0:34:53 | 0:34:55 | |
-What's it got on it? -BOTH: 48. | 0:34:55 | 0:34:57 | |
Are we going the very best straightaway, are we? | 0:34:59 | 0:35:02 | |
We might go a bit lower than the very best, | 0:35:02 | 0:35:04 | |
you never know your luck really, do you? | 0:35:04 | 0:35:07 | |
£40? | 0:35:07 | 0:35:09 | |
Well, that's one to consider then. | 0:35:09 | 0:35:11 | |
Jan's spotted something too, a kitchen cabinet. | 0:35:16 | 0:35:20 | |
-Quite different. -I really like this. | 0:35:20 | 0:35:23 | |
I think that's lovely. | 0:35:23 | 0:35:24 | |
It's kind of, you know, it's plain, it's functional, it's kitchen-y, | 0:35:24 | 0:35:28 | |
it sort of reminds me of that painting by Vermeer, | 0:35:28 | 0:35:31 | |
of the maid with the jug, you know, | 0:35:31 | 0:35:33 | |
and the light coming through the window. | 0:35:33 | 0:35:36 | |
Because it's just sort of simple and it serves a purpose and it has these | 0:35:36 | 0:35:39 | |
-really useful... -Drop flaps. -..drop flaps. | 0:35:39 | 0:35:42 | |
-How much is that? -180. | 0:35:42 | 0:35:45 | |
While those two ruminate... | 0:35:45 | 0:35:48 | |
..Ronni and James have arrived. | 0:35:49 | 0:35:51 | |
-Well done, in we hop-ski. -All right. | 0:35:53 | 0:35:56 | |
£180 is the sum total Ronni and James have left to splash. | 0:35:56 | 0:36:02 | |
-These are quite fun. -Oh, yes, tell me about those. | 0:36:09 | 0:36:12 | |
-They're very pretty. -They were based on Dutch flower bricks. | 0:36:12 | 0:36:15 | |
-Yes. -And it's tin oxide, pottery. | 0:36:15 | 0:36:19 | |
And this is Isis, Oxford. | 0:36:19 | 0:36:21 | |
-Oh, from Oxford? -From Oxford, yeah. -Cos that's the river Isis? | 0:36:21 | 0:36:24 | |
-Yeah. -Would this be a copy of...? -Copy, yeah. | 0:36:24 | 0:36:26 | |
-Dutch Delft. -Dutch Delft. | 0:36:26 | 0:36:28 | |
-Which would be, like, 18th century? -18th century. | 0:36:28 | 0:36:31 | |
It was for...it was called a flower brick and you put | 0:36:31 | 0:36:34 | |
-individual blooms in that. -But it's a nice copy, isn't it? | 0:36:34 | 0:36:37 | |
-It's a lovely copy. -And do you think that was very close to what they | 0:36:37 | 0:36:40 | |
-would have looked like? -Exactly. | 0:36:40 | 0:36:42 | |
-Wow! -That is a copy with great integrity. | 0:36:42 | 0:36:45 | |
It's priced at £24 and is a possibility. | 0:36:45 | 0:36:49 | |
On the other side of the shop, Jan and Phil are still looking. | 0:36:49 | 0:36:52 | |
See, this one's rather sort of hunky chunky, isn't it? | 0:36:53 | 0:36:56 | |
-Yeah. -A bit like Phil. | 0:36:56 | 0:36:58 | |
I like that. | 0:36:58 | 0:37:00 | |
There's a smaller one next to it, but this one, | 0:37:00 | 0:37:02 | |
you could, like, you know, | 0:37:02 | 0:37:04 | |
you could either keep it as a ladder or you could mount it on a wall | 0:37:04 | 0:37:08 | |
as a display thing. | 0:37:08 | 0:37:09 | |
I've seen them used as shelves. | 0:37:09 | 0:37:11 | |
And you don't like that one at any price? | 0:37:11 | 0:37:13 | |
Er... Well, I don't mind it, how much are they? | 0:37:15 | 0:37:19 | |
Shall I go and get Dave? | 0:37:19 | 0:37:21 | |
Time to call in Dave to see if there's a deal to be made | 0:37:21 | 0:37:23 | |
on the hunky chunky. | 0:37:23 | 0:37:24 | |
Out of the three sets of stepladders Dave, | 0:37:24 | 0:37:27 | |
which do you think you could do the best deal on for us? | 0:37:27 | 0:37:31 | |
We quite like the big chunky ones. | 0:37:31 | 0:37:33 | |
Them big ones, they're a very sellable item... | 0:37:33 | 0:37:36 | |
Dave, you're getting your caveats in before we've even got to the price | 0:37:36 | 0:37:39 | |
-yet, Dave. -I don't even know what's on it. | 0:37:39 | 0:37:42 | |
The ticket price is £85. | 0:37:42 | 0:37:44 | |
Our very best shot is 50 quid. | 0:37:44 | 0:37:46 | |
I'll tell you what I'll do, you can have them for 60. | 0:37:46 | 0:37:50 | |
I think that's very, very reasonable. | 0:37:50 | 0:37:53 | |
-So, do you want to buy those? -Yeah, OK, done. | 0:37:53 | 0:37:55 | |
Stick with fashion, thank you very much. | 0:37:55 | 0:37:58 | |
-Thank you. -Thank you very much. -Cheers now. | 0:37:58 | 0:38:00 | |
And while we're in the mood for deals, | 0:38:00 | 0:38:02 | |
what about that kitchen cabinet? | 0:38:02 | 0:38:04 | |
It's priced at £180. | 0:38:04 | 0:38:07 | |
There's also this, Dave, which I'm very keen on, | 0:38:07 | 0:38:09 | |
I think it's very sort of utilitarian and pleasant. | 0:38:09 | 0:38:12 | |
And very popular at the moment. | 0:38:12 | 0:38:14 | |
Yes, you want to tell me how fabulous all my choices are. | 0:38:15 | 0:38:18 | |
Well, if you're selling in auction, I think it's important. | 0:38:18 | 0:38:21 | |
-What could you do that for, please? -150. -And is that the finish? | 0:38:21 | 0:38:24 | |
Well, it's more or less, yes. | 0:38:24 | 0:38:26 | |
I think if we bought that, that could lose us about 70 quid. | 0:38:26 | 0:38:30 | |
If you think you're going to lose £70, | 0:38:30 | 0:38:31 | |
there's not much point losing another tenner is there? | 0:38:31 | 0:38:34 | |
No, but we've got to like it, | 0:38:34 | 0:38:35 | |
there's a logic in that, isn't there? | 0:38:35 | 0:38:37 | |
Yeah, there is a logic in that. | 0:38:37 | 0:38:39 | |
While Jan has a think, what about the other two? | 0:38:39 | 0:38:43 | |
Now these are interesting, | 0:38:43 | 0:38:45 | |
they're, obviously, to print for a locomotive book, aren't they? | 0:38:45 | 0:38:49 | |
-Yeah. -They're printing blocks. | 0:38:49 | 0:38:50 | |
They're steam locomotives. | 0:38:50 | 0:38:52 | |
-They're gorgeous. -If you were mad on trains... | 0:38:52 | 0:38:55 | |
Which my father is. | 0:38:55 | 0:38:56 | |
Obsessed with them. | 0:38:56 | 0:38:58 | |
-Aren't they lovely? -Yes. | 0:38:58 | 0:39:00 | |
-I mean... -They're £10. | 0:39:00 | 0:39:02 | |
So, this one is going through a bridge, which is a classic scene. | 0:39:02 | 0:39:05 | |
We've got puff, puff, puff for smoke there, haven't we? | 0:39:05 | 0:39:08 | |
You can smell the printing press on them. | 0:39:08 | 0:39:10 | |
Ronni, you've got to choose one. | 0:39:10 | 0:39:12 | |
-Cool. -So, I like that one. | 0:39:12 | 0:39:15 | |
-Shall we put that one down? -OK. -Put that one down. | 0:39:15 | 0:39:17 | |
And we've got the flower brick? | 0:39:17 | 0:39:19 | |
-We've got the flower brick. -Are you happy with those? | 0:39:19 | 0:39:22 | |
I am. | 0:39:22 | 0:39:24 | |
There was some reluctance there, Ronni. | 0:39:24 | 0:39:27 | |
Well, you know, no, I am. | 0:39:27 | 0:39:29 | |
I don't want to steam roller you into anything. | 0:39:29 | 0:39:32 | |
You are being a bit of a bossy boots, James. | 0:39:32 | 0:39:35 | |
Let's find Dave to cut a deal. | 0:39:35 | 0:39:37 | |
The flower brick is priced at £24 and the printing block is ten. | 0:39:37 | 0:39:42 | |
It's talking turkey time. | 0:39:42 | 0:39:45 | |
-Dave, can you do anything on these? -Can you do anything? | 0:39:45 | 0:39:49 | |
-Can I do anything on this? -Take mercy on us. -Take mercy. | 0:39:49 | 0:39:52 | |
-Have mercy. -Rule of the house. | 0:39:52 | 0:39:55 | |
-Rule of the house. -No discount under £10. | 0:39:55 | 0:39:57 | |
Under... Jolly lucky they're not £9, | 0:39:57 | 0:40:00 | |
otherwise we wouldn't have got the discount, would we? | 0:40:00 | 0:40:04 | |
Oh, that was lucky. So lucky they're ten, so how much do you give on... | 0:40:04 | 0:40:08 | |
Well, as a goodwill gesture, I'll knock you a pound off that | 0:40:08 | 0:40:11 | |
and I'll do that for 20. | 0:40:11 | 0:40:13 | |
What do you think, Ronni? £20... | 0:40:13 | 0:40:15 | |
-£20. -..and £9? | 0:40:15 | 0:40:17 | |
I think that's a good deal. Thank you, Dave. | 0:40:17 | 0:40:19 | |
-Well done, well done. -Thank you very much. -Thanks you. | 0:40:19 | 0:40:23 | |
RONNI AND JAMES SIGH WITH RELIEF | 0:40:23 | 0:40:25 | |
Thank you, Dave. | 0:40:25 | 0:40:26 | |
And just when you think it's all over... | 0:40:26 | 0:40:29 | |
-SHE GASPS -Look at that. | 0:40:29 | 0:40:31 | |
-What is that? -That is hysterical. | 0:40:31 | 0:40:35 | |
-It's a glass boot. -Do you know, I've never seen a glass boot. | 0:40:35 | 0:40:39 | |
-Talk about a glass slipper. Cinderella. -That's fabulous. | 0:40:39 | 0:40:42 | |
That's kind of like for a hipster Cinderella. | 0:40:42 | 0:40:45 | |
-Is it heavy? -It is heavy. I presume it's a vase, right? | 0:40:45 | 0:40:48 | |
It would be a vase, but isn't that great? | 0:40:48 | 0:40:51 | |
Isn't that the campest thing you have ever seen? | 0:40:51 | 0:40:54 | |
Well, do you know what sells? Camp and cute. | 0:40:54 | 0:40:56 | |
-35. -Let's buy. -Shall we do it? -Yeah, we've got the money. | 0:40:56 | 0:41:00 | |
Come on, let's do it, let's go back in. | 0:41:00 | 0:41:02 | |
-Back in. -Back in. -Oh, Dave! | 0:41:02 | 0:41:04 | |
-Can you do a special price? -Special price. | 0:41:04 | 0:41:06 | |
Special price. | 0:41:06 | 0:41:08 | |
Special price, seeing as it's time to go home. | 0:41:08 | 0:41:11 | |
Time to go home, that's always good. People are desperate to go home. | 0:41:11 | 0:41:14 | |
-Quick, get the money. -£25. -25. | 0:41:14 | 0:41:16 | |
-That's great. -Let's do it. We've done it. -Have you got it? 25. | 0:41:16 | 0:41:19 | |
I'm so excited. | 0:41:19 | 0:41:20 | |
A very swift purchase and £10 discount off Ronni's final buy, | 0:41:20 | 0:41:25 | |
the very camp glass boot. | 0:41:25 | 0:41:28 | |
Back to Jan and Phil. | 0:41:29 | 0:41:31 | |
Remember the RAF sweetheart brooch from earlier? | 0:41:31 | 0:41:33 | |
Well, Dave has agreed a price of £35, so what's next? | 0:41:33 | 0:41:37 | |
I'm going to go for that nice little kitchen cabinet | 0:41:39 | 0:41:43 | |
that reminds me of the Vermeer painting. | 0:41:43 | 0:41:45 | |
Well, it's a nice thing. It's got a... | 0:41:45 | 0:41:48 | |
He said 150, he could perhaps knock a tenner off, perhaps a bit more. | 0:41:48 | 0:41:52 | |
We've got 175 left, haven't we? | 0:41:52 | 0:41:53 | |
-Mm. -I'm going to make one last suggestion to you. | 0:41:53 | 0:41:57 | |
-Mm-hm. -Just down there | 0:41:57 | 0:41:58 | |
there's a little child's Lloyd Loom rocking chair. | 0:41:58 | 0:42:02 | |
Now if you want to spend all of your money. | 0:42:02 | 0:42:05 | |
That's good, that's interesting. | 0:42:05 | 0:42:07 | |
Phil's leaving Jan on her ownsome to close the deal. | 0:42:07 | 0:42:11 | |
I've got £175 left. | 0:42:11 | 0:42:14 | |
I would like to make an offer on the pine cabinet in there. | 0:42:14 | 0:42:19 | |
-Yes. -There's also this interesting little rocking chair here. | 0:42:19 | 0:42:23 | |
-Mm-hm. -Child's rocking chair. | 0:42:23 | 0:42:25 | |
Do you know how much that is? | 0:42:25 | 0:42:27 | |
It would have 45 on it. | 0:42:27 | 0:42:28 | |
And that's 35 and the cabinet is 140. | 0:42:28 | 0:42:32 | |
I said 150 on the cabinet. | 0:42:32 | 0:42:34 | |
£10, I wouldn't mess you about. | 0:42:34 | 0:42:36 | |
OK. £175. | 0:42:36 | 0:42:38 | |
-Thank you very much. -How did you get on? | 0:42:38 | 0:42:40 | |
-How did you get on? -I got a deal. | 0:42:40 | 0:42:42 | |
-Well done, you. -I got a deal. | 0:42:42 | 0:42:44 | |
Well done, Jan, you've blown the entire budget. | 0:42:46 | 0:42:49 | |
What a way to finish the shopping. | 0:42:49 | 0:42:53 | |
Come on, let's have a nosy at the bumper haul from both couples. | 0:42:53 | 0:42:57 | |
Come on, actions speak louder than words. | 0:42:58 | 0:43:01 | |
-Yes! -Go on, ready? | 0:43:01 | 0:43:03 | |
Ooh! | 0:43:03 | 0:43:05 | |
-There we are. -OK! -I love your paintbox. | 0:43:06 | 0:43:09 | |
-Shall I show you our...? -Yeah. | 0:43:09 | 0:43:11 | |
Shall I do the...? | 0:43:11 | 0:43:12 | |
-It looks a very humble table, here you are, mahogany... -Presentation. | 0:43:12 | 0:43:16 | |
..and then you lift it up and it's a mechanical drinks... | 0:43:16 | 0:43:20 | |
-Mechanical drinks! -LAUGHTER | 0:43:20 | 0:43:23 | |
It's perfect for the office, when you're giving someone the sack. | 0:43:23 | 0:43:26 | |
And then, look, here you are. | 0:43:26 | 0:43:29 | |
And then, look at the soft close, look at that. | 0:43:29 | 0:43:31 | |
-Look at that, come on! -Look at that! -That's going to... | 0:43:31 | 0:43:34 | |
-Look at that! -Look at it! -Look at it! | 0:43:34 | 0:43:37 | |
Which camp Cinderella left this here? | 0:43:37 | 0:43:42 | |
-This is... -This is a glass slipper! | 0:43:42 | 0:43:44 | |
-No, this is Cinderella's Wellington boot. -OK! | 0:43:44 | 0:43:47 | |
-Yeah. -If Cinderella lived in Hoxton or Shoreditch... | 0:43:47 | 0:43:51 | |
-Yeah. -..she'd have this instead of a glass slipper. | 0:43:51 | 0:43:54 | |
-Via Murano. -Come on! -Right, you've seen ours, let's see your haul. | 0:43:54 | 0:43:58 | |
Reveal the rubbish! | 0:43:58 | 0:44:00 | |
Oh. | 0:44:00 | 0:44:01 | |
-BOTH: Oh! -Actually... | 0:44:02 | 0:44:05 | |
-Oh! -..they've got some nice things. | 0:44:05 | 0:44:08 | |
-So... -I tell you, you could furnish a flat with that, couldn't you? | 0:44:08 | 0:44:11 | |
-Yeah. -Now look, let's have a look at this. | 0:44:11 | 0:44:13 | |
This is a Mouseman cheeseboard and I thought you'd like this, Ronni, | 0:44:13 | 0:44:16 | |
-cos it's got a little creature on it. -Oh, a woodland creature. | 0:44:16 | 0:44:20 | |
-Yes, a little creature. -I have mouse cheese plate envy now. | 0:44:20 | 0:44:24 | |
-And here. -What is that? | 0:44:24 | 0:44:25 | |
Well, this is a rather lovely kitchen cabinet, | 0:44:25 | 0:44:28 | |
which I might just... | 0:44:28 | 0:44:30 | |
Does it open up to reveal decanters? | 0:44:30 | 0:44:33 | |
-Yeah. Is it mechanical? -I'm afraid it doesn't. -What does it do? | 0:44:33 | 0:44:37 | |
-What does it do? -It does this. -Oh, it's just hinged! | 0:44:37 | 0:44:40 | |
-Yeah, it's just sort of... It's a hinge. -Hinged! | 0:44:40 | 0:44:42 | |
It's very sort of earthy, like me. | 0:44:42 | 0:44:45 | |
It's very Taurean. Earthy, passionate and prone to run to fat. | 0:44:45 | 0:44:48 | |
LAUGHTER And, um... | 0:44:48 | 0:44:50 | |
Anyway, see you in Yorkshire. | 0:44:50 | 0:44:52 | |
TIM: 'Right! Spill it, you lot. What do you really think?' | 0:44:52 | 0:44:56 | |
-I love a woodland creature. -Yeah, the mouse. | 0:44:56 | 0:44:59 | |
-I'm a slave to a woodland creature. -Yeah. | 0:44:59 | 0:45:01 | |
-The boot's going to make a profit, isn't it? -I suppose... I mean, | 0:45:01 | 0:45:06 | |
it's one of those things where, if there's somebody that likes... | 0:45:06 | 0:45:09 | |
ghastly, kitsch boots, then, yes, it will. | 0:45:09 | 0:45:13 | |
-I don't know! -Oh, rubbish. Come on, have faith. | 0:45:13 | 0:45:16 | |
-What do you think about their stuff? -I think we're winners. | 0:45:16 | 0:45:18 | |
-AMERICAN ACCENT: -I feel I can own my purchase, | 0:45:18 | 0:45:21 | |
if you know what I'm saying. I can own it. | 0:45:21 | 0:45:25 | |
-I can't say any more. -OK. | 0:45:25 | 0:45:27 | |
SHE GIGGLES TIM: You do own it, Jan. | 0:45:27 | 0:45:30 | |
And, on that note, let's get cracking to Stockport in Cheshire. | 0:45:31 | 0:45:34 | |
We have an auction to attend! Oh, yes. | 0:45:34 | 0:45:36 | |
James, I mean, he doesn't stop smiling. | 0:45:37 | 0:45:40 | |
-He doesn't actually. -Actually, it's a bit sinister. | 0:45:40 | 0:45:43 | |
There's a touch about the "Here's looking at you!" | 0:45:43 | 0:45:48 | |
-Oh, yes. -It's a touch of the old Jack Nicholson. -Here's Johnny! | 0:45:48 | 0:45:51 | |
-Here's James! -Here's James! | 0:45:51 | 0:45:55 | |
"My cocktail cabinet is going to be better than any goddamn..." | 0:45:55 | 0:46:00 | |
-"Any goddamn kitchen cabinet." -".. goddamn pine kitchen cabinet." | 0:46:00 | 0:46:05 | |
Jack Nicholson? That's a bit of a compliment. | 0:46:05 | 0:46:09 | |
-Here they are! -The gents await the ladies' arrival. | 0:46:09 | 0:46:12 | |
TYRE SQUEAKS | 0:46:12 | 0:46:14 | |
-Ha-ha! -Squeaky-deaky! | 0:46:14 | 0:46:16 | |
-Darling angels. -Vision of loveliness and beauty. | 0:46:16 | 0:46:19 | |
-The big day, guys! -It is, isn't it? -We ready? | 0:46:19 | 0:46:22 | |
-Are we pumping? -Hello, darling. | 0:46:22 | 0:46:24 | |
-I've got the feeling we're going to win. -Hello. Mwah! | 0:46:24 | 0:46:27 | |
-Good morning. -Good morning. Mwah! -Right, let battle commence. | 0:46:27 | 0:46:32 | |
TIM: 'Let battle commence indeed.' | 0:46:32 | 0:46:34 | |
Ronni and James have spent £274 on six lots. | 0:46:36 | 0:46:40 | |
Jan went for it and blew the whole 400 on six lots. | 0:46:41 | 0:46:45 | |
Good for her! | 0:46:45 | 0:46:47 | |
Maxwell Auctioneers is the saleroom, | 0:46:49 | 0:46:51 | |
where, hopefully, the profits will fly for this giggly gang. | 0:46:51 | 0:46:55 | |
The auction is also open to internet bidders. | 0:46:55 | 0:46:58 | |
The man thumping the gavel is Max Blackmore. | 0:46:58 | 0:47:01 | |
Has he any special faves from our roadtrippers? | 0:47:01 | 0:47:04 | |
The pop-up drinks cabinet, | 0:47:06 | 0:47:08 | |
it's a nice example and I think we'll do OK with it. | 0:47:08 | 0:47:13 | |
This is as nice a pair of vintage steps as I've seen. | 0:47:13 | 0:47:17 | |
Always popular as decorator's items, furnishing items. | 0:47:17 | 0:47:21 | |
-I think they'll do quite well. -Here's hoping. | 0:47:21 | 0:47:24 | |
So exciting, isn't it? | 0:47:24 | 0:47:26 | |
TIM: 'Come on, you lot, get settled. The auction is in full swing.' | 0:47:26 | 0:47:29 | |
Quite nervous! | 0:47:30 | 0:47:33 | |
First up, it's Ronni's hipster Cinderella glass boot. | 0:47:33 | 0:47:38 | |
-I'm sweating. I'm so nervous. -It'll come up on the thing. | 0:47:38 | 0:47:42 | |
Jan, my heart is literally beating. | 0:47:42 | 0:47:44 | |
-Come on, let's kick off at ten. £10 anyone? -Can I hold it up? | 0:47:44 | 0:47:47 | |
Ten bid, 12, 15, 18. | 0:47:47 | 0:47:51 | |
I think it's Murano. Should I say that? I have no idea | 0:47:51 | 0:47:54 | |
if that's the case or not, but I'm desperate. | 0:47:54 | 0:47:56 | |
£18, we're selling. | 0:47:56 | 0:47:58 | |
-At £18 and going. -GAVEL BANGS | 0:47:58 | 0:48:01 | |
-£18. -That's all right. That's all right. | 0:48:01 | 0:48:04 | |
Bad luck. Fortunately, it's only the first lot. | 0:48:04 | 0:48:07 | |
So that was a bit of a loss, wasn't it? | 0:48:07 | 0:48:09 | |
It could have been worse. It could have sold for ten, couldn't it? | 0:48:09 | 0:48:12 | |
Loving your spirit there, James! | 0:48:12 | 0:48:14 | |
Jan's turn now, with the RAF sweetheart broach. | 0:48:14 | 0:48:18 | |
I think this is going to do well. | 0:48:18 | 0:48:19 | |
20 bid, I've 20, 25? | 0:48:19 | 0:48:21 | |
25 bid. Lady in the front, you're against the net, 30 on the net. | 0:48:21 | 0:48:26 | |
-30 on the net? -What's 30 on the net? | 0:48:26 | 0:48:28 | |
-Anybody else in the room? -Absentee bid. | 0:48:28 | 0:48:30 | |
£30 on the net and I'm selling it. | 0:48:30 | 0:48:31 | |
Any further bids now? | 0:48:31 | 0:48:33 | |
-All done. -GAVEL BANGS | 0:48:33 | 0:48:36 | |
Didn't take off. Small loss, but plenty more to go. | 0:48:36 | 0:48:39 | |
I'm not too upset about that. | 0:48:39 | 0:48:42 | |
Good. It's Ronni next, with the printing block. | 0:48:42 | 0:48:45 | |
-Chip off? -The engraved... The printing... -Locomotive. | 0:48:45 | 0:48:49 | |
Steam enthusiasts here? | 0:48:49 | 0:48:50 | |
Michael Portillo. Is he here? | 0:48:50 | 0:48:52 | |
-He'd love it, wouldn't it? -LIKE DIANE ABBOTT: -Diane Abbott? | 0:48:52 | 0:48:55 | |
She'd get onto Michael and say, | 0:48:55 | 0:48:57 | |
"Michael, there is a printed plate | 0:48:57 | 0:49:00 | |
"of a steam train going to Hackney." | 0:49:00 | 0:49:05 | |
-I've 10 here, up to 15. -In profit! -15? | 0:49:05 | 0:49:09 | |
At £15 on the net. At 20. | 0:49:09 | 0:49:12 | |
-£20, front row here. -I-I can hardly breathe! | 0:49:12 | 0:49:17 | |
-I'm hyperventilating. -Do you want one of your pills? | 0:49:17 | 0:49:19 | |
Can I have one of my pills? | 0:49:19 | 0:49:20 | |
It's on the front row, it's £20. All done and selling. | 0:49:20 | 0:49:24 | |
GAVEL BANGS | 0:49:24 | 0:49:26 | |
Careful, we might buy it back ourselves. | 0:49:26 | 0:49:28 | |
We're so good. | 0:49:28 | 0:49:30 | |
Better. This is more like it. | 0:49:30 | 0:49:33 | |
OK. Who's got the James Braxton impression? | 0:49:33 | 0:49:36 | |
-LIKE JAMES: -So do you! | 0:49:36 | 0:49:37 | |
LAUGHTER | 0:49:37 | 0:49:39 | |
Actually, I think that, um... | 0:49:39 | 0:49:41 | |
both of us quite like... Actually...um... | 0:49:41 | 0:49:45 | |
-SHE MUMBLES -Hold on, hold on! | 0:49:45 | 0:49:48 | |
I do enunciate my words. | 0:49:48 | 0:49:50 | |
No, you do ENUNCIATE your words very well. EN-UN-CIATE! | 0:49:50 | 0:49:54 | |
-POSH ACCENT: -Some people are too posh to enunciate at all! | 0:49:54 | 0:49:57 | |
-Quite a lot of posh people do that. -Yeah, yeah. They just say... | 0:49:57 | 0:50:00 | |
-Like Camilla Parker Bowles. -There's no need to. Why would you? | 0:50:00 | 0:50:03 | |
I think we might have touched a nerve with the Braxton there. | 0:50:03 | 0:50:07 | |
It's Jan's turn, with the child's chair next. | 0:50:07 | 0:50:10 | |
£20 with me, at £20. | 0:50:10 | 0:50:12 | |
-That's ample. Ample. -Shush! | 0:50:12 | 0:50:14 | |
At £20 and 5. 30. | 0:50:14 | 0:50:17 | |
30? 30. | 0:50:17 | 0:50:19 | |
£30, it's cheap, this. Come on. At £30, then. | 0:50:19 | 0:50:22 | |
GAVEL BANGS | 0:50:22 | 0:50:24 | |
Minimal loss. | 0:50:24 | 0:50:26 | |
You've still got another four to go. | 0:50:26 | 0:50:28 | |
Well, it could've been worse, could've been worse. | 0:50:28 | 0:50:32 | |
Precisely! It's Ronni's watercolour set up next. | 0:50:32 | 0:50:35 | |
£20, little watercolour set. | 0:50:35 | 0:50:37 | |
20 bid, 20 I have. | 0:50:37 | 0:50:39 | |
Gentleman seated at 20. | 0:50:39 | 0:50:40 | |
-Well done. -Keep going! | 0:50:40 | 0:50:42 | |
Up to 30 now on the net, jumping in. | 0:50:42 | 0:50:44 | |
35, he's back again. | 0:50:44 | 0:50:45 | |
Against you now on the net. We're in the room, £35. | 0:50:45 | 0:50:48 | |
35, the nice gentleman there. | 0:50:48 | 0:50:49 | |
-Shall we say... -Yes, no? Come on, £40 bid. | 0:50:49 | 0:50:53 | |
£40, at £40 now. | 0:50:53 | 0:50:55 | |
Anybody else? All done this time? | 0:50:55 | 0:50:57 | |
GAVEL BANGS | 0:50:57 | 0:50:58 | |
-Squee! -Well done, James. That's good, isn't it? | 0:50:58 | 0:51:00 | |
And I happened to choose it. | 0:51:00 | 0:51:02 | |
-Yeah, Ronni, it's all down to you. -I think you're a natural at this. | 0:51:02 | 0:51:06 | |
What about that? | 0:51:06 | 0:51:08 | |
She certainly is. That is the biggest profit so far! | 0:51:08 | 0:51:12 | |
It's very nice that you two could come along, isn't it? | 0:51:12 | 0:51:16 | |
LAUGHTER | 0:51:16 | 0:51:18 | |
Do you know it's beginning to wear off on her now? | 0:51:18 | 0:51:20 | |
I mean, I thought she was quite nice. | 0:51:20 | 0:51:23 | |
Indeed she is, Phil. Right, it's Jan's kitchen cabinet next. | 0:51:23 | 0:51:28 | |
This is the one I bought, | 0:51:28 | 0:51:29 | |
because it reminded me of that Vermeer painting. | 0:51:29 | 0:51:31 | |
I think there's something very sort of simple and, you know, | 0:51:31 | 0:51:35 | |
sort of pure about it. | 0:51:35 | 0:51:37 | |
40 bid, at 40, 45. | 0:51:37 | 0:51:39 | |
JAMES LAUGHS | 0:51:39 | 0:51:41 | |
-Don't laugh. -Anybody else now? | 0:51:41 | 0:51:42 | |
-50. -It's going to happen to us, Ronni. | 0:51:42 | 0:51:45 | |
-I know it is. -55. | 0:51:45 | 0:51:47 | |
-There you are, look, 55. -No? | 0:51:47 | 0:51:49 | |
55. | 0:51:49 | 0:51:50 | |
-It'll go up. -No interest on the net. | 0:51:52 | 0:51:54 | |
I'm selling at 55. | 0:51:54 | 0:51:56 | |
He's just bought a very cheap table, hasn't he? | 0:51:56 | 0:51:59 | |
-That's a cheap one. -That's unfair. | 0:51:59 | 0:52:01 | |
Oh, dear, Jan! I'm afraid Phil was proved right with that lot. | 0:52:01 | 0:52:05 | |
-I can't believe it. -That's heartbreaking. | 0:52:05 | 0:52:07 | |
The auction room pitfalls, I'm afraid. | 0:52:09 | 0:52:11 | |
Ronni, it's your flower brick next. | 0:52:11 | 0:52:14 | |
What we could do is we could fail to admit | 0:52:14 | 0:52:17 | |
that it's the copy of the Delft piece and just say it's the Delft. | 0:52:17 | 0:52:21 | |
No, but it has 1996 on the base. | 0:52:21 | 0:52:23 | |
£20? | 0:52:23 | 0:52:24 | |
Yes. We're on the net at 20. | 0:52:26 | 0:52:29 | |
-On the net at 20. -22. | 0:52:29 | 0:52:31 | |
-At 22, I'll go in twos. -Bless you! -25? -God bless you, sir! | 0:52:31 | 0:52:36 | |
-God bless you! -28. Going to you on the net. | 0:52:36 | 0:52:38 | |
28 in the room. | 0:52:38 | 0:52:40 | |
At 28 on the front row, then. Going to you on the net. | 0:52:40 | 0:52:43 | |
GAVEL BANGS | 0:52:43 | 0:52:45 | |
-28! -LIKE JAMES: -28! | 0:52:45 | 0:52:47 | |
God, I think I should take this up professionally. | 0:52:47 | 0:52:50 | |
SHE LAUGHS | 0:52:50 | 0:52:52 | |
Yeah, great result there, Ronni. | 0:52:52 | 0:52:54 | |
The Mouseman cheeseboard is next. | 0:52:56 | 0:53:00 | |
That's my favourite of all yours. | 0:53:00 | 0:53:02 | |
Little woodland creature! | 0:53:02 | 0:53:04 | |
£50, nice and low. We're on the net at 50. | 0:53:04 | 0:53:07 | |
-There you are. -On the net. | 0:53:07 | 0:53:09 | |
Where are we? 55. | 0:53:09 | 0:53:11 | |
-Well done. -60... | 0:53:11 | 0:53:13 | |
-65, with the lady. -Yes! -65 in the room and selling at 65. | 0:53:14 | 0:53:19 | |
Anybody else now? It's gotta go. | 0:53:19 | 0:53:22 | |
GAVEL BANGS | 0:53:22 | 0:53:23 | |
-God, I wish I could buy things as cheaply as all these... -I know! | 0:53:23 | 0:53:27 | |
I know, Jan. The buyer has got a cracker of a deal there. | 0:53:27 | 0:53:31 | |
Ronni's weighty Chinese bronze vase is next. | 0:53:33 | 0:53:37 | |
100 I have. | 0:53:37 | 0:53:38 | |
SHE GASPS | 0:53:38 | 0:53:40 | |
Good buy. | 0:53:40 | 0:53:42 | |
Not so funny about my bargaining now. | 0:53:42 | 0:53:45 | |
Come on. | 0:53:45 | 0:53:47 | |
Sounds reasonable for the quality of vase. | 0:53:47 | 0:53:49 | |
£100 I have. | 0:53:49 | 0:53:51 | |
I'm selling that at £100. | 0:53:51 | 0:53:54 | |
One and only bid on the net. | 0:53:54 | 0:53:56 | |
GAVEL BANGS | 0:53:56 | 0:53:57 | |
Do you know, I've strangely changed my opinion about that vase. | 0:54:00 | 0:54:02 | |
I think it's gorgeous. | 0:54:02 | 0:54:04 | |
Another good profit. | 0:54:05 | 0:54:06 | |
More like this, please, Ronni. | 0:54:06 | 0:54:09 | |
Jan's hunky chunky ladders are next. | 0:54:09 | 0:54:12 | |
Who wants a step up? | 0:54:12 | 0:54:14 | |
-At 40. -Lovely action. | 0:54:14 | 0:54:16 | |
You could put your plants on there. | 0:54:16 | 0:54:19 | |
-We're away. -55, 60. | 0:54:19 | 0:54:21 | |
65, 70. | 0:54:21 | 0:54:24 | |
-Well done, you! Well done, you! -On commission with me, at 70. | 0:54:24 | 0:54:27 | |
Any further bids now at 70? | 0:54:27 | 0:54:30 | |
All done in the room? | 0:54:30 | 0:54:32 | |
Gone away on the net, it's with me. | 0:54:32 | 0:54:34 | |
GAVEL BANGS | 0:54:34 | 0:54:35 | |
-70! -That's good. -Well done! Congratulations! -It's profit! | 0:54:35 | 0:54:38 | |
Well done, you. Well done, you. | 0:54:38 | 0:54:41 | |
Congratulations, Jan. A wonderful result. | 0:54:41 | 0:54:44 | |
-Quite uplifting! -Phew! | 0:54:44 | 0:54:47 | |
-That's good. -It's a relief. | 0:54:47 | 0:54:49 | |
Moving on, it's Ronni's beloved swish drinks cabinet next. | 0:54:50 | 0:54:55 | |
Sir, may I demonstrate its soft close? | 0:54:55 | 0:54:58 | |
-JAN LAUGHS -I'd be delighted if you do. | 0:54:58 | 0:55:00 | |
The power of mechanics, this is all... | 0:55:00 | 0:55:03 | |
Look at this. | 0:55:03 | 0:55:04 | |
-Ooh! -Lo and behold... | 0:55:05 | 0:55:07 | |
-Still going. -Do a little flourish. Like that. | 0:55:09 | 0:55:12 | |
Needs manual assistance. | 0:55:12 | 0:55:13 | |
It's six o'clock, let's pretend it's six o'clock. | 0:55:13 | 0:55:16 | |
-There we are. -Beautifully modelled, James. | 0:55:16 | 0:55:17 | |
LAUGHTER | 0:55:17 | 0:55:19 | |
-It's a lovely item. -We've gotta start somewhere. | 0:55:19 | 0:55:22 | |
60, then. Come on. | 0:55:22 | 0:55:24 | |
60 bid, £60. | 0:55:24 | 0:55:26 | |
-Oh, come on, it's very rare! -JAN LAUGHS | 0:55:26 | 0:55:29 | |
I mean, I'm not an expert myself, but it is very rare. | 0:55:29 | 0:55:33 | |
65. 70. | 0:55:33 | 0:55:36 | |
£70. | 0:55:36 | 0:55:38 | |
-£70. -£70! -£70! | 0:55:38 | 0:55:42 | |
-Come on! -70. -Come on! | 0:55:42 | 0:55:43 | |
-Keep going, sir. -I'm trying. | 0:55:43 | 0:55:46 | |
-JAN LAUGHS -I'm exhausted. I'm exhausted! | 0:55:46 | 0:55:48 | |
-75. -Oh, well done! | 0:55:48 | 0:55:50 | |
£75. 80. | 0:55:50 | 0:55:52 | |
-Come back again. -They're buying out of pity for you! | 0:55:52 | 0:55:56 | |
85, 90. | 0:55:56 | 0:55:58 | |
You won't? £90. | 0:55:58 | 0:56:00 | |
At £90. | 0:56:00 | 0:56:02 | |
95. 100. £100. | 0:56:02 | 0:56:06 | |
-It's going, going, gone. -GAVEL BANGS | 0:56:06 | 0:56:10 | |
-Yes, all the best with that, sir. -RONNI AND JAMES SIGH | 0:56:10 | 0:56:14 | |
Ouch! What a shame for such a great object. | 0:56:14 | 0:56:18 | |
It's the final lot of the day - Jan's snuff box and spill vase. | 0:56:20 | 0:56:24 | |
-Come on, Jan! -It would be nice if we just made a decent profit on a lot, | 0:56:24 | 0:56:28 | |
-wouldn't it? -Yeah. -Let's start. | 0:56:28 | 0:56:29 | |
20 bid, at £20. | 0:56:29 | 0:56:32 | |
30 I have on the net. At £30. 35. 40. | 0:56:32 | 0:56:36 | |
-He's a nice bidder. -He's good! | 0:56:36 | 0:56:39 | |
50. 55. | 0:56:39 | 0:56:41 | |
60. 65. | 0:56:41 | 0:56:44 | |
-70. 75. -RONNI GASPS | 0:56:44 | 0:56:46 | |
80. | 0:56:46 | 0:56:47 | |
-£80, front row. Are you bidding down there? -Well done. | 0:56:47 | 0:56:51 | |
£80 on the front row. Anybody else now? | 0:56:51 | 0:56:53 | |
-GAVEL BANGS -Front row has it. | 0:56:55 | 0:56:57 | |
-Well done, well done. -Well done! That's fantastic. | 0:56:57 | 0:57:00 | |
-Not bad. -That helps us a little bit, doesn't it? | 0:57:00 | 0:57:03 | |
Yeah, well done. It's very good. | 0:57:03 | 0:57:04 | |
Certainly does and it's been Jan's best profit. | 0:57:04 | 0:57:08 | |
I think we've all done very well. | 0:57:08 | 0:57:10 | |
We better go and do the sums now. | 0:57:10 | 0:57:12 | |
-Yeah, OK. -Sums, sums. | 0:57:12 | 0:57:13 | |
Good idea. Let's figure out the calculations. | 0:57:13 | 0:57:17 | |
So Jan and Phil began with £400. | 0:57:17 | 0:57:21 | |
After all auction costs, they made a loss of £129.40. | 0:57:21 | 0:57:27 | |
Their final earnings are... | 0:57:27 | 0:57:29 | |
Ronni and James also started proceedings with £400 | 0:57:32 | 0:57:36 | |
and, after all saleroom costs, they have made a loss, | 0:57:36 | 0:57:39 | |
but a much smaller one, at £23.08. | 0:57:39 | 0:57:44 | |
Their final earnings are... | 0:57:44 | 0:57:46 | |
..making them the winners of the day! Don't look so serious. | 0:57:48 | 0:57:53 | |
-JAN: -I'm drained! -It is exhausting. | 0:57:53 | 0:57:55 | |
-It is, isn't it? -It's exhausting! -It's emotionally draining. | 0:57:55 | 0:57:58 | |
-RONNI: -It's emotionally draining. | 0:57:58 | 0:58:00 | |
It's exhausting and I've got some numbers. | 0:58:00 | 0:58:02 | |
Well, you're about £100 ahead of us. | 0:58:02 | 0:58:05 | |
-No? -You've won. -Really? We've won! -Well done, you. Well done, you. | 0:58:05 | 0:58:09 | |
-Well done! -Wow! -Aw, Jan! -Oh, well done! | 0:58:09 | 0:58:12 | |
Oh, well, time to head for home! | 0:58:12 | 0:58:14 | |
-Bye! -Bye! -Bye! -TYRES SQUEAL | 0:58:15 | 0:58:18 | |
I told you to get some oil! | 0:58:18 | 0:58:20 | |
-JAN: -Haven't we been to some lovely parts of the world on our trip? | 0:58:22 | 0:58:26 | |
-So beautiful! -Bye-bye, girls! We're so sad to see you go! | 0:58:26 | 0:58:30 |