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-The nation's favourite celebrities... -Oh! | 0:00:02 | 0:00:03 | |
-Just want to touch base. -..paired up with an expert... | 0:00:03 | 0:00:06 | |
-Boo! -..and a classic car. | 0:00:06 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:11 | |
Their mission? To scour Britain for antiques. | 0:00:11 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim? To make the biggest profit at auction. | 0:00:15 | 0:00:18 | |
But it's no easy ride. | 0:00:18 | 0:00:20 | |
-Oh! -Who will find a hidden gem? | 0:00:20 | 0:00:23 | |
TOOT! | 0:00:23 | 0:00:24 | |
-Like that. -Who will take the biggest risk? | 0:00:24 | 0:00:26 | |
This could end in disaster. | 0:00:26 | 0:00:27 | |
Will anybody follow expert advice? | 0:00:27 | 0:00:30 | |
But I love this. | 0:00:30 | 0:00:31 | |
Why would you buy something you're not going to use? | 0:00:31 | 0:00:33 | |
There will be worthy winners and valiant losers. | 0:00:33 | 0:00:36 | |
No, I don't want to shake hands. | 0:00:36 | 0:00:37 | |
Put your pedal to the metal. | 0:00:37 | 0:00:39 | |
Hang on, let me get out of first gear. | 0:00:39 | 0:00:40 | |
This is the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:44 | |
Yeah! | 0:00:46 | 0:00:47 | |
Today, we're in Hampshire, | 0:00:50 | 0:00:52 | |
in the company of an English cricketing legend | 0:00:52 | 0:00:55 | |
and his comedy sidekick. | 0:00:55 | 0:00:57 | |
-Indicate! -Why? | 0:00:57 | 0:00:59 | |
I like the lights. | 0:00:59 | 0:01:01 | |
OK, I'll indicate. | 0:01:01 | 0:01:02 | |
So that's going right. | 0:01:02 | 0:01:03 | |
Yes, it's renowned batsman David Gower | 0:01:05 | 0:01:08 | |
and TV presenter Nick Hancock. | 0:01:08 | 0:01:10 | |
These two sporting nuts appear together | 0:01:12 | 0:01:15 | |
in the TV panel show They Think It's All Over, | 0:01:15 | 0:01:18 | |
and have remained firm friends ever since. | 0:01:18 | 0:01:21 | |
David Gower's nickname, of course, | 0:01:21 | 0:01:23 | |
was Started Brightly Then Chased A Wide One To Third Slipper. | 0:01:23 | 0:01:27 | |
-Was that easy to say? -No. | 0:01:27 | 0:01:29 | |
Nick started out as a stand-up comedian before turning his hand to | 0:01:31 | 0:01:34 | |
presenting on TV and radio. | 0:01:34 | 0:01:37 | |
Whilst David scored over 8,000 Test match runs in his career, | 0:01:38 | 0:01:43 | |
one of the highest scores by an English player. | 0:01:43 | 0:01:45 | |
The elegant batsman is behind the wheel of a 1965 Ford Anglia. | 0:01:49 | 0:01:53 | |
It's bringing back some memories, too. | 0:01:53 | 0:01:56 | |
This vintage gem... | 0:01:56 | 0:02:00 | |
-Yeah? -..is what my father drove across Africa in 1963. | 0:02:00 | 0:02:05 | |
He put it on a boat, crossed the equator with it, | 0:02:05 | 0:02:07 | |
took it back to Kent, and then, many, many years later, | 0:02:07 | 0:02:10 | |
I got to the age of 17, learned to drive badly... | 0:02:10 | 0:02:12 | |
Really? This same car? | 0:02:12 | 0:02:13 | |
This car did all that stuff, survived all that. | 0:02:13 | 0:02:15 | |
And it took me about five weeks to put into a hedge in Leicestershire. | 0:02:15 | 0:02:19 | |
It didn't survive that. | 0:02:19 | 0:02:21 | |
Let's hope you have better luck with this one. | 0:02:21 | 0:02:23 | |
Helping the gents on their intrepid antiques adventure, | 0:02:26 | 0:02:29 | |
in this 1960s Sunbeam Tiger, | 0:02:29 | 0:02:32 | |
are seasoned auctioneers Charlie Ross and Phil Serrell. | 0:02:32 | 0:02:35 | |
So how's your cricket terminology, Roscoe? | 0:02:39 | 0:02:41 | |
-Absolutely spot-on. -What about your googlies? Are they all right? | 0:02:41 | 0:02:44 | |
My googlies... You know what a googly is? | 0:02:44 | 0:02:45 | |
-Absolutely, yeah. -What is a googly? | 0:02:45 | 0:02:47 | |
-An off break... -Yes? -..bowled with a leg break action. | 0:02:47 | 0:02:49 | |
Oh! Do you know? It's something I've never had in my armoury, | 0:02:49 | 0:02:52 | |
-a googly. -No, no. -I bowl leg breaks, like this. | 0:02:52 | 0:02:55 | |
But I've never been able to bowl a googly. | 0:02:55 | 0:02:57 | |
You and me both, chief. | 0:02:57 | 0:02:59 | |
Presumably, you're going to work with David? | 0:02:59 | 0:03:01 | |
I've got to, cos he's left-handed and I'm left-handed. | 0:03:01 | 0:03:03 | |
-Oh, right, OK. -We can put on a lot of runs together. | 0:03:03 | 0:03:05 | |
David Gower is just a complete legend of the game. | 0:03:05 | 0:03:09 | |
He was certainly one of his generation's greatest batsmen. | 0:03:09 | 0:03:13 | |
-Yeah. -And he could well have been | 0:03:13 | 0:03:14 | |
-one of the greatest lefties of all-time, really. -Yeah. | 0:03:14 | 0:03:16 | |
Nick... I mean, I'm just worried what I'm going to talk to him about. | 0:03:17 | 0:03:21 | |
Because he was a Cambridge University boy, wasn't he? | 0:03:21 | 0:03:23 | |
-He's a bit brighter than you. -A bit?! | 0:03:23 | 0:03:25 | |
HE LAUGHS | 0:03:25 | 0:03:27 | |
Don't be so hard on yourself! | 0:03:27 | 0:03:29 | |
TIM LAUGHS | 0:03:29 | 0:03:30 | |
Starting out from the cathedral city of Salisbury, | 0:03:30 | 0:03:33 | |
our celebrities and experts will take a dignified drive | 0:03:33 | 0:03:36 | |
around Hampshire before heading south to the coast, | 0:03:36 | 0:03:39 | |
then in a north-easterly direction for an auction in Sidcup. | 0:03:39 | 0:03:43 | |
Oh! What is this! | 0:03:45 | 0:03:46 | |
Harry Potter. | 0:03:46 | 0:03:47 | |
Hello. Good morning. | 0:03:47 | 0:03:49 | |
It's been so long. | 0:03:49 | 0:03:50 | |
-Oh, G... This is... -Hang on... -How are you? | 0:03:50 | 0:03:52 | |
Hello, hello, hello. | 0:03:52 | 0:03:54 | |
I'm glad to be out of there, I have to say. | 0:03:54 | 0:03:56 | |
Does he drive like he bats? | 0:03:56 | 0:03:58 | |
-Yes, yes. -Nick, good to see you. -Hello, Mr Ross. | 0:03:58 | 0:04:00 | |
-How are you? -Very good to you, how are you? | 0:04:00 | 0:04:02 | |
We chatted in the car, | 0:04:02 | 0:04:04 | |
and Charlie said it was going to be | 0:04:04 | 0:04:07 | |
the talented left-handers against us. | 0:04:07 | 0:04:10 | |
-Am I with you? -Oh, yeah, you're driving. | 0:04:10 | 0:04:12 | |
-Am I? -Yeah. Jump in. | 0:04:12 | 0:04:14 | |
-Oh. -Jump in. -Can I see your licence? | 0:04:14 | 0:04:15 | |
Last one to the shop is a sissy. | 0:04:15 | 0:04:18 | |
With £400 to spend, our teams better get cracking. | 0:04:18 | 0:04:22 | |
-Oh, I like that. -That was cool, wasn't it? -Nice technique. | 0:04:22 | 0:04:25 | |
The technique is trying to put the seat belt on! | 0:04:27 | 0:04:29 | |
Bye, chaps! | 0:04:29 | 0:04:30 | |
Now, I know, Nick, that you are an... | 0:04:36 | 0:04:38 | |
You got an avid interest in sport, haven't you? | 0:04:38 | 0:04:40 | |
-Oh, yes. -So does that transform into collecting sports memorabilia and | 0:04:40 | 0:04:45 | |
-stuff? -I have. I mean, that whole sporting memorabilia thing, | 0:04:45 | 0:04:47 | |
I'll be led by you, but I think | 0:04:47 | 0:04:49 | |
you need a specialist knowledge. | 0:04:49 | 0:04:53 | |
You're not going to happen upon these top, top things for no money. | 0:04:53 | 0:04:57 | |
So what's going to float your boat? | 0:04:57 | 0:04:59 | |
Well, I'm approaching this, Phil, that... | 0:04:59 | 0:05:03 | |
Basically, I'm going to be led by you because I know nothing | 0:05:03 | 0:05:06 | |
-and you know... -Nothing. -Well, I've heard something. | 0:05:06 | 0:05:08 | |
No, no, not much, mate. Really. | 0:05:08 | 0:05:11 | |
-CHARLIE: -What about antiques? | 0:05:11 | 0:05:12 | |
Are you an antique lover, or...? | 0:05:12 | 0:05:14 | |
No, no, I'm not a great expert. | 0:05:14 | 0:05:16 | |
I've collected bits of furniture over the years. | 0:05:16 | 0:05:18 | |
-Have you? -And I like things like... | 0:05:18 | 0:05:21 | |
What I do collect is a bit of art, sculpture. | 0:05:21 | 0:05:23 | |
-Yes? -But from modern artists. | 0:05:23 | 0:05:25 | |
Yes. Are you naturally competitive? | 0:05:25 | 0:05:28 | |
-Well, naturally yes, but not at all costs. -No. | 0:05:28 | 0:05:31 | |
-PHIL: -And what about -His Lordship, -Lord Gower? | 0:05:31 | 0:05:34 | |
Well, do you know, I think the big problem for David is not going to be | 0:05:34 | 0:05:37 | |
the fine objects, because he lives his life amongst fine objects. | 0:05:37 | 0:05:41 | |
-Yes. -The problem for him is going to be shopping. | 0:05:41 | 0:05:44 | |
Because I don't think he's ever done it. | 0:05:44 | 0:05:46 | |
-What, he has someone do it for him? -He has a man | 0:05:46 | 0:05:48 | |
that goes and does his shopping. | 0:05:48 | 0:05:50 | |
-Well, he's got one today. -That's true. -Roscoe. -He has. | 0:05:50 | 0:05:53 | |
We're sharing the first shopping destination. | 0:05:59 | 0:06:02 | |
Both teams' cars are pointed to that cathedral city, | 0:06:02 | 0:06:06 | |
and Salisbury Antiques Market. So let the game commence. | 0:06:06 | 0:06:11 | |
-How are you? -We thought we'd lost you. | 0:06:11 | 0:06:13 | |
With more than 15 dealers over three floors, there's plenty on offer. | 0:06:15 | 0:06:19 | |
How competitive are you? | 0:06:19 | 0:06:20 | |
Do you want to win? | 0:06:20 | 0:06:22 | |
It would be nice to win. | 0:06:22 | 0:06:24 | |
I'd like to buy some nice things. | 0:06:24 | 0:06:25 | |
Best get looking, then. | 0:06:26 | 0:06:28 | |
Now, where are David and Charlie? | 0:06:28 | 0:06:30 | |
No. | 0:06:30 | 0:06:31 | |
No. | 0:06:34 | 0:06:35 | |
You'll get a much better sound if you hold it up. | 0:06:36 | 0:06:39 | |
Steady on. | 0:06:41 | 0:06:42 | |
Service! | 0:06:43 | 0:06:44 | |
Do you think this would be me? | 0:06:46 | 0:06:47 | |
Oh, God, that's like a smoking jacket, isn't it? | 0:06:47 | 0:06:50 | |
It's more Henry Blofeld than you, I would have thought. | 0:06:50 | 0:06:53 | |
But... | 0:06:53 | 0:06:54 | |
That is very smart. | 0:06:55 | 0:06:58 | |
Do you think if somebody saw David Gower walking up and down | 0:06:58 | 0:07:00 | |
a saleroom in that, they would be forced to bid? | 0:07:00 | 0:07:04 | |
Hello, what's going on here? | 0:07:05 | 0:07:06 | |
Pathetic hiding. | 0:07:07 | 0:07:08 | |
Oh, it...it's... Sorry. It's childish, isn't it? | 0:07:09 | 0:07:12 | |
-It is. -Yeah, let's do it. | 0:07:12 | 0:07:13 | |
Hiding things from the opposition isn't quite cricket, gents. | 0:07:13 | 0:07:17 | |
Charlie's lost his celebrity, but what's he found? | 0:07:19 | 0:07:21 | |
Feels quite interesting. | 0:07:22 | 0:07:24 | |
A model of the Queen Mary. | 0:07:27 | 0:07:29 | |
-David. -Yeah? -Have a look at this. | 0:07:29 | 0:07:31 | |
This is, I would think, about 1950s. | 0:07:31 | 0:07:34 | |
Original boxed model...of the Queen Mary. | 0:07:34 | 0:07:37 | |
All 12 decks removable? | 0:07:37 | 0:07:38 | |
Well, that's what intrigued me. | 0:07:38 | 0:07:41 | |
Two little nuts on the top here. | 0:07:41 | 0:07:43 | |
And it reveals each of the decks, which I think's quite interesting. | 0:07:43 | 0:07:48 | |
First class, which you'd be in. | 0:07:48 | 0:07:49 | |
Does it reveal what's been going on below decks? | 0:07:49 | 0:07:52 | |
I just think it's an interesting thing, and then... | 0:07:52 | 0:07:54 | |
-Oh, no. -Just gone down in value. | 0:07:54 | 0:07:56 | |
-Gower. -Excuse me... | 0:07:56 | 0:07:58 | |
I'll get it, then. I'll see if I can... | 0:07:58 | 0:08:01 | |
-I think it's an interesting object. -Don't lose the bits. | 0:08:01 | 0:08:03 | |
I think it's a really interesting, educational... | 0:08:03 | 0:08:05 | |
-Which way were the whatsits facing? -The funnels go to the back. | 0:08:05 | 0:08:08 | |
That's it. Sloping backwards. | 0:08:08 | 0:08:10 | |
-Well, it's fun, isn't it? -I just think it's a fun object, | 0:08:10 | 0:08:13 | |
and something that people would buy. | 0:08:13 | 0:08:15 | |
-At a price. -Well... | 0:08:15 | 0:08:16 | |
-You know? -Chad Valley Company Limited. | 0:08:16 | 0:08:19 | |
Yeah, yeah, good maker. | 0:08:19 | 0:08:20 | |
Original, with instructions, original box. | 0:08:20 | 0:08:23 | |
Yeah? | 0:08:23 | 0:08:25 | |
Good paintwork. | 0:08:25 | 0:08:26 | |
You know, it's in good order. | 0:08:26 | 0:08:27 | |
British brand Chad Valley started making toys | 0:08:29 | 0:08:32 | |
in the early 19th century | 0:08:32 | 0:08:33 | |
from its factory in the West Midlands - | 0:08:33 | 0:08:35 | |
unsurprisingly, in a valley near a stream called the Chad. | 0:08:35 | 0:08:39 | |
-What's it worth? -40 quid? | 0:08:42 | 0:08:44 | |
Do you know, that's exactly what I thought. | 0:08:44 | 0:08:46 | |
You're a past master of value. | 0:08:46 | 0:08:48 | |
A lucky early guess? | 0:08:48 | 0:08:49 | |
No, no, I think that's a very accurate. | 0:08:49 | 0:08:51 | |
Yes, I would think an estimate in a saleroom | 0:08:51 | 0:08:54 | |
would be 30 to 50, 40 to 60. | 0:08:54 | 0:08:56 | |
Right. Shall I go and have a word with whoever's in charge of having a | 0:08:56 | 0:08:58 | |
-word with? -It's something that I think's got a bit of mileage. | 0:08:58 | 0:09:01 | |
-Right, OK, let's have a look. -Stand by, Rose. | 0:09:01 | 0:09:04 | |
Hi, just want to see if we can... | 0:09:04 | 0:09:07 | |
-..negotiate on this. We found this. -Well, what's the price on it? | 0:09:08 | 0:09:12 | |
Probably hidden, that. I think it says 30 quid. | 0:09:12 | 0:09:14 | |
Maybe I've misread that. | 0:09:14 | 0:09:16 | |
£60. | 0:09:16 | 0:09:18 | |
Well, I'm allowed to take off 10%. | 0:09:18 | 0:09:21 | |
So if I... If I'm pushing it, I'm going to say £50 for cash. | 0:09:23 | 0:09:27 | |
If YOU'RE pushing it? | 0:09:27 | 0:09:28 | |
What if I was pushing it? | 0:09:28 | 0:09:29 | |
-Well, what are you suggesting? -Well, I reckon... | 0:09:29 | 0:09:32 | |
I mean, my initial thought was about 40 quid. | 0:09:32 | 0:09:35 | |
So I would have started... I'm going to be honest with you and say, | 0:09:36 | 0:09:39 | |
I was thinking of 40 quid, I was good to start with 30. | 0:09:39 | 0:09:41 | |
And we have checked the screws, they do work. | 0:09:41 | 0:09:43 | |
We admit that. The screws to work, but not this one at the back. | 0:09:43 | 0:09:46 | |
-So there's no propulsion. -What about 45? | 0:09:46 | 0:09:48 | |
40? Go on, just do 40. | 0:09:48 | 0:09:49 | |
40 would be lovely. | 0:09:49 | 0:09:51 | |
-OK. -Sure? -How charming. | 0:09:51 | 0:09:54 | |
-Thank you very much. -Thank you very much. -Thank you. | 0:09:54 | 0:09:56 | |
First purchase of the road trip, | 0:09:57 | 0:09:58 | |
a Chad Valley Queen Mary model with a key chart, in its original box, | 0:09:58 | 0:10:02 | |
for £40. | 0:10:02 | 0:10:04 | |
Now, what are the other two up to? | 0:10:08 | 0:10:10 | |
See, Nick, I love these. | 0:10:13 | 0:10:14 | |
Look. See, this is the Oxford University... | 0:10:14 | 0:10:17 | |
Oh, and Cambridge University relay teams, 1935. | 0:10:17 | 0:10:20 | |
They are relay teams. But the thing for me is that's 1935. | 0:10:20 | 0:10:24 | |
Four years later, outbreak of war. | 0:10:24 | 0:10:26 | |
-Yeah. -Do you know, they all look like fighter pilots, don't they? | 0:10:26 | 0:10:31 | |
-Yeah. -I know is that haircuts and everything. But it's just... | 0:10:31 | 0:10:33 | |
You can imagine them all being involved somehow. | 0:10:33 | 0:10:37 | |
-Is there a Hancock? -Yeah, there is a Hancock. | 0:10:37 | 0:10:39 | |
In the middle of it somewhere, there you are. | 0:10:39 | 0:10:43 | |
I really like that. | 0:10:43 | 0:10:44 | |
Dealer Pete? You're needed. | 0:10:44 | 0:10:46 | |
Um, well, I could... | 0:10:48 | 0:10:50 | |
I could make a phone call, see what the best is. | 0:10:51 | 0:10:54 | |
You've got a picture, and it's Oxford University, | 0:10:56 | 0:11:01 | |
with £45 on it, | 0:11:01 | 0:11:03 | |
and we were wondering what the very best price would be. | 0:11:03 | 0:11:06 | |
Philip. Oh, right. She wants to speak to you. | 0:11:06 | 0:11:08 | |
-Is that all right? -Oh, yeah, of course it is. | 0:11:08 | 0:11:10 | |
-There you go. -Absolutely right. Hotline, this. | 0:11:10 | 0:11:13 | |
Hello. This is the relay team of Oxford and Cambridge. | 0:11:13 | 0:11:16 | |
The one that we like is £20 or £25 worth for us. | 0:11:16 | 0:11:19 | |
All right, my love. So 25 just for the one? | 0:11:21 | 0:11:24 | |
OK, bye. | 0:11:24 | 0:11:25 | |
She's been more than generous. | 0:11:27 | 0:11:28 | |
What I suggest that we do, Pete, is that, if you don't mind, | 0:11:28 | 0:11:32 | |
if you could hold that for us... | 0:11:32 | 0:11:33 | |
-OK. -Certainly until the other team have left the building! | 0:11:33 | 0:11:37 | |
Don't worry, they're busy with some serious browsing. | 0:11:37 | 0:11:40 | |
-You've got enough, haven't you? -Do you need a hat? | 0:11:40 | 0:11:42 | |
-It's hot out there. -Are you thinking more of this sort of thing? | 0:11:42 | 0:11:45 | |
DAVID LAUGHS | 0:11:45 | 0:11:48 | |
-Perfect. -You think that's the hat I should be having? | 0:11:48 | 0:11:51 | |
-Is it expensive? -For nine quid, | 0:11:51 | 0:11:53 | |
I will buy that hat personally for you. | 0:11:53 | 0:11:55 | |
You won't! That will keep the sun off. | 0:11:55 | 0:11:56 | |
As long as you promise to walk around Salisbury in that. | 0:11:56 | 0:11:59 | |
-I promise to walk around Salisbury in it. -Right. Done, deal. | 0:11:59 | 0:12:02 | |
Mr Gower. | 0:12:02 | 0:12:03 | |
A gentleman! | 0:12:03 | 0:12:05 | |
What a gentleman. | 0:12:05 | 0:12:06 | |
And with nothing else to tempt them, David and Charlie head off. | 0:12:06 | 0:12:10 | |
I must say, I'm quite pleased with my present. | 0:12:10 | 0:12:12 | |
DAVID LAUGHS | 0:12:12 | 0:12:15 | |
But have Nick and Phil made a decision? | 0:12:15 | 0:12:17 | |
We're probably going to go with the photograph, | 0:12:17 | 0:12:19 | |
which I think you kept for us. | 0:12:19 | 0:12:21 | |
And... | 0:12:22 | 0:12:24 | |
Tempted as we were, that might be it. | 0:12:24 | 0:12:26 | |
So there's £30 there. | 0:12:26 | 0:12:27 | |
-OK, thank you. -Lovely. -There you go. -And we'll take the picture | 0:12:27 | 0:12:31 | |
-if we may. -Shall I be the porter? | 0:12:31 | 0:12:32 | |
-Yeah, you be the... Yeah. -I'll be the porter. | 0:12:32 | 0:12:34 | |
-There you go. -Thank you very much indeed. Cheers, thank you. | 0:12:34 | 0:12:37 | |
-We've left ourselves with some work to do. -Absolutely. | 0:12:37 | 0:12:39 | |
Don't worry, chaps. That's 1-1 so far. You're not out yet. | 0:12:39 | 0:12:44 | |
You might even have some time for some countryside pursuits. | 0:12:44 | 0:12:48 | |
Nick's presented many programmes over the years, | 0:12:50 | 0:12:53 | |
from Great Railway Journeys to Fishing All Over The World, | 0:12:53 | 0:12:56 | |
A particular past time that is his passion. | 0:12:56 | 0:12:58 | |
So why particular fishing? | 0:13:00 | 0:13:02 | |
Don't know. I like to be out and about, | 0:13:02 | 0:13:05 | |
you get to see some beautiful parts of the country. | 0:13:05 | 0:13:07 | |
But I just quite like mucking around in rivers. | 0:13:07 | 0:13:10 | |
So you are trout and salmon fishermen? | 0:13:13 | 0:13:15 | |
Well, I do... I do other fishing as well. | 0:13:15 | 0:13:16 | |
But I really enjoy that cos I love rivers. | 0:13:16 | 0:13:19 | |
They're heading to Sutton Scotney and the banks of the River Test | 0:13:19 | 0:13:23 | |
to learn about a man who led the way for a new type of fishing, | 0:13:23 | 0:13:26 | |
and one that became globally popular. | 0:13:26 | 0:13:29 | |
I'm looking forward to this. | 0:13:31 | 0:13:33 | |
-Yes. Not as much as I am! -Really? -Yeah. -Are you up for this? | 0:13:33 | 0:13:36 | |
Oh, I'm so up for doing some fishing. | 0:13:36 | 0:13:38 | |
Let's go. I want to go fishing! | 0:13:38 | 0:13:39 | |
-Come on, Mr Hancock. -I'm coming, I'm coming, I'm coming. | 0:13:39 | 0:13:42 | |
-I'm desperate to come. Let's go. -This is a man excited. -Let's go, let's go. | 0:13:42 | 0:13:45 | |
Fly fishing was first recorded in 3000 BC by the Macedonians. | 0:13:46 | 0:13:52 | |
The sport has been richly chronicled over the centuries, | 0:13:52 | 0:13:55 | |
but it was one man, Frederic Halford, | 0:13:55 | 0:13:58 | |
and his 19th-century book that has | 0:13:58 | 0:14:00 | |
had the greatest influence on fly | 0:14:00 | 0:14:02 | |
fishing around the world. | 0:14:02 | 0:14:04 | |
To find out how Halford's new | 0:14:05 | 0:14:07 | |
approach changed fishing forever, | 0:14:07 | 0:14:09 | |
they're meeting fly-fishing coach Simon Cooper, | 0:14:09 | 0:14:12 | |
who has been wading in these waters for 40 years. | 0:14:12 | 0:14:16 | |
-Simon. -Nick, good to see you. -How are you? | 0:14:16 | 0:14:18 | |
-Philip. Hello, good to see you. -Good to see you. | 0:14:18 | 0:14:20 | |
You look the part, don't you? | 0:14:20 | 0:14:22 | |
-Well, you know. -It was at this very spot that Halford put pen to paper. | 0:14:22 | 0:14:27 | |
These are famously chalk streams, and chalk streams... | 0:14:27 | 0:14:30 | |
Why are they special, particularly? | 0:14:30 | 0:14:31 | |
They're very special because the water actually comes out | 0:14:31 | 0:14:35 | |
of the chalk aquifers, so it's always gin clear, | 0:14:35 | 0:14:38 | |
it's always 51 degrees. | 0:14:38 | 0:14:40 | |
I like the analogy already! | 0:14:40 | 0:14:41 | |
THEY LAUGH | 0:14:41 | 0:14:43 | |
You can drink it if you like, it won't have any effect. | 0:14:43 | 0:14:45 | |
And it's just perfect for fly fishing and brown trout. | 0:14:45 | 0:14:48 | |
So you're casting to a specific fish. | 0:14:48 | 0:14:51 | |
And brown trout are territorial, | 0:14:51 | 0:14:53 | |
so you know they're likely to stay there. | 0:14:53 | 0:14:55 | |
Exactly. Yes. | 0:14:55 | 0:14:56 | |
I mean, if you're a brown trout, you'll be born, | 0:14:56 | 0:14:59 | |
and live and die within 50 yards. | 0:14:59 | 0:15:01 | |
-Really? -Oh, yeah, they're very slothful. | 0:15:01 | 0:15:04 | |
But you, surely... | 0:15:04 | 0:15:06 | |
-I could be a brown trout? -You were born, | 0:15:06 | 0:15:08 | |
lived and will probably die within 50 miles. | 0:15:08 | 0:15:12 | |
Before Halford's book, | 0:15:12 | 0:15:14 | |
anglers fished with a wet fly fishing technique, | 0:15:14 | 0:15:18 | |
where the fly sits under the water. | 0:15:18 | 0:15:21 | |
So how exactly did Halford change fishing? | 0:15:21 | 0:15:23 | |
Up to then, fishing was a fairly random affair. | 0:15:23 | 0:15:26 | |
You were just sort of putting something on the water and hoping | 0:15:26 | 0:15:29 | |
that there was a fish in the vicinity | 0:15:29 | 0:15:31 | |
and it would actually come and grab your fly. | 0:15:31 | 0:15:33 | |
But what Halford was doing, | 0:15:33 | 0:15:35 | |
his belief was that you should identify a fish that was right | 0:15:35 | 0:15:39 | |
and coming to the surface to take a fly, | 0:15:39 | 0:15:42 | |
then identify what particular insect it was taking, | 0:15:42 | 0:15:46 | |
tie an imitation of that insect on the end of your fly line, | 0:15:46 | 0:15:50 | |
cast it to the fish, and then catch it. | 0:15:50 | 0:15:54 | |
Entomologist Halford devoted his life to the development | 0:15:54 | 0:15:58 | |
of a definitive series of flies. | 0:15:58 | 0:16:01 | |
He spent hours comparing his fake flies to preserved naturals, | 0:16:01 | 0:16:05 | |
compiling 33 illustrations to publish in his book. | 0:16:05 | 0:16:08 | |
So the basic message of the book is "match the hatch"? | 0:16:11 | 0:16:15 | |
Yeah. I mean, that's the perfect phrase to describe what we're doing. | 0:16:15 | 0:16:18 | |
Today, height of the mayfly season, Duffer's fortnight. | 0:16:18 | 0:16:22 | |
-What does that mean? -I'll just tell you. | 0:16:22 | 0:16:24 | |
Duffer's fortnight means, if you can't catch a fish this fortnight, | 0:16:24 | 0:16:28 | |
cos the mayfly are everywhere, you are a duffer. | 0:16:28 | 0:16:31 | |
Good luck. Good luck to me! | 0:16:31 | 0:16:33 | |
So this is what we're going to be fishing with. | 0:16:33 | 0:16:35 | |
This is the mayfly. There actually are insects flying around today... | 0:16:35 | 0:16:39 | |
-Yeah. -That look just like that. | 0:16:39 | 0:16:41 | |
There's one, I can see one. See, there, next to the tree. | 0:16:41 | 0:16:43 | |
Look, itty bitty bug. | 0:16:43 | 0:16:44 | |
So can these old duffers actually catch anything? | 0:16:44 | 0:16:48 | |
-And all you need to do is just up and fall. -And down. | 0:16:48 | 0:16:51 | |
-OK. -Up and down. That's it. -OK, I'll take over. | 0:16:51 | 0:16:55 | |
Just let that one just drift for a moment, and now try again. | 0:16:55 | 0:16:57 | |
Up and down. | 0:16:57 | 0:16:58 | |
-That's good. -Not really, but... | 0:17:00 | 0:17:02 | |
-Move down, see if you can get this boy here. -Right, don't cast for the minute. | 0:17:02 | 0:17:06 | |
Doing really well. Phil's doing really well. | 0:17:06 | 0:17:08 | |
Woohoo! Nice cast, well done. | 0:17:09 | 0:17:12 | |
-He's patronising you. -I know. | 0:17:12 | 0:17:14 | |
Can you see the fish moving under it? | 0:17:14 | 0:17:16 | |
No, I can't even see the fly, let alone the fish. | 0:17:16 | 0:17:18 | |
If he falls in, I've got to sit next to him in that car for the next day. | 0:17:18 | 0:17:21 | |
-Lordy. -How are you getting on, Nick? | 0:17:21 | 0:17:23 | |
I've got my trousers wet, I've frightened a lot of fish, | 0:17:23 | 0:17:26 | |
and I haven't done it properly. | 0:17:26 | 0:17:29 | |
Halford's dry fly approach did provoke controversy | 0:17:29 | 0:17:33 | |
with the traditional fishing set, | 0:17:33 | 0:17:36 | |
with wet subsurface fly fishing being more popular from the 1930s. | 0:17:36 | 0:17:40 | |
But there's no denying Halford's techniques continue to have huge | 0:17:40 | 0:17:45 | |
influence over the sport today. | 0:17:45 | 0:17:48 | |
I'm just wondering if Simon's got a spare pair of trousers anywhere. | 0:17:48 | 0:17:52 | |
I mean, one of the things... | 0:17:52 | 0:17:53 | |
If you can't enjoy fishing when you haven't caught, | 0:17:53 | 0:17:56 | |
you shouldn't really be fishing, should you? | 0:17:56 | 0:17:58 | |
And that's very lucky for me, cos that's generally the case. | 0:17:58 | 0:18:01 | |
I bet Halford never did this. | 0:18:05 | 0:18:07 | |
He'd be turning in his grave. | 0:18:08 | 0:18:10 | |
We'll leave Nick and Phil messing about on the river. | 0:18:12 | 0:18:16 | |
-Where are the other two? -This is a competition between you and Nick. | 0:18:16 | 0:18:19 | |
-Oh, yes. -You know, we're here to, I'm going to say, help and advise, | 0:18:19 | 0:18:23 | |
but damn that. You buy what you want. | 0:18:23 | 0:18:25 | |
It'll be interesting to see what we find. | 0:18:25 | 0:18:27 | |
I mean, we've got £400, and my view is let's spend. | 0:18:27 | 0:18:32 | |
They've headed into the North Wessex Downs, | 0:18:33 | 0:18:35 | |
and the village of Pewsey. | 0:18:35 | 0:18:37 | |
It's a rather splendid premises. | 0:18:40 | 0:18:42 | |
Their next shopping destination has a very Eastern feel. | 0:18:45 | 0:18:48 | |
ASIAN-INSPIRED MUSIC PLAYS | 0:18:48 | 0:18:52 | |
Does this bringing back memories of tours of yesteryear? | 0:18:52 | 0:18:55 | |
The only thing I ever brought back from anywhere was rugs. | 0:18:55 | 0:18:57 | |
-Oh, right. -They're very easy to fold up, put in cricket bags. | 0:18:57 | 0:19:00 | |
You got rid of all the cricket kit, brought back your rugs. | 0:19:00 | 0:19:03 | |
Textile printing block. | 0:19:03 | 0:19:05 | |
OK. | 0:19:06 | 0:19:07 | |
Do you think they come free with the basket? Oh, no, they don't. | 0:19:07 | 0:19:11 | |
THEY CHUCKLE | 0:19:11 | 0:19:12 | |
-£48. -Just need a few white... | 0:19:12 | 0:19:15 | |
A few white T-shirts, you can set up a business. | 0:19:15 | 0:19:18 | |
What a good idea. | 0:19:18 | 0:19:19 | |
Fabulous pictures. | 0:19:21 | 0:19:23 | |
Look at this man. | 0:19:23 | 0:19:24 | |
What's this? | 0:19:27 | 0:19:28 | |
Nice, but not Indian. | 0:19:28 | 0:19:31 | |
-Mr Gower. -Mr Ross. | 0:19:31 | 0:19:33 | |
Come here. Instantly. | 0:19:33 | 0:19:35 | |
-Si! -English. | 0:19:35 | 0:19:38 | |
Antique. Plate camera. | 0:19:38 | 0:19:41 | |
1870. Oh. | 0:19:42 | 0:19:44 | |
This is the sort of things they used to take photographs | 0:19:46 | 0:19:48 | |
of the old touring teams with, before your time. Right. | 0:19:48 | 0:19:50 | |
Go on, take it. | 0:19:50 | 0:19:52 | |
We have a large flash. | 0:19:52 | 0:19:54 | |
-London maker. Box. -Right. | 0:19:54 | 0:19:57 | |
Lens. Hope to find a signature on the lens. | 0:19:57 | 0:20:00 | |
What do we need on a lens? Name. We need a name. | 0:20:01 | 0:20:04 | |
-Oh, name, OK. -There we are. -Do you know what you're doing? | 0:20:04 | 0:20:07 | |
Delmar. I don't know the name Delmar, but London maker, | 0:20:07 | 0:20:11 | |
and it's got a number on it. | 0:20:11 | 0:20:12 | |
-So from that number, you would be able to date it. -Right. | 0:20:12 | 0:20:17 | |
1870 or whatever. | 0:20:18 | 0:20:20 | |
Brilliant. Cos it looks... Actually, if it's that old, | 0:20:20 | 0:20:23 | |
-it does look in... -It's in remarkable condition. | 0:20:23 | 0:20:25 | |
It's in very good condition, yeah. | 0:20:25 | 0:20:26 | |
It's in fabulous condition. That, I assume, is its original box. | 0:20:26 | 0:20:29 | |
That brass banding on there, fabulous. | 0:20:31 | 0:20:35 | |
I'm extremely excited about this. | 0:20:35 | 0:20:37 | |
What's it worth? | 0:20:37 | 0:20:39 | |
I wouldn't... I would have absolutely no experience. | 0:20:39 | 0:20:42 | |
I'll tell you, this wheel thing works. | 0:20:42 | 0:20:45 | |
-I mean, if you split that up, as a valuation... -Yeah. | 0:20:45 | 0:20:50 | |
..the box itself must be 50 to 80 quid. | 0:20:50 | 0:20:57 | |
The lens must beat 40 to 60 quid. | 0:20:57 | 0:21:00 | |
This box, the holding box, must be worth 50 quid. | 0:21:00 | 0:21:03 | |
Got to be... | 0:21:03 | 0:21:05 | |
I would think, 200 to £300 worth. | 0:21:06 | 0:21:09 | |
That's one possible, | 0:21:09 | 0:21:11 | |
though likely to cost them more than half their budget. | 0:21:11 | 0:21:14 | |
-Anything else? -What are you looking at over there? | 0:21:14 | 0:21:17 | |
-Oh, there is just this... -What is it? -Trinket item. | 0:21:17 | 0:21:20 | |
This, this is a tiffin box or lunchbox. | 0:21:20 | 0:21:24 | |
Tiffin carriers, or dabbas, are tiered lunchboxes, | 0:21:24 | 0:21:29 | |
which first became popular in colonial India around the 1880s. | 0:21:29 | 0:21:34 | |
So that is in the same sort of vain... | 0:21:34 | 0:21:36 | |
Keep your chapatis warm. | 0:21:38 | 0:21:40 | |
Yeah. | 0:21:40 | 0:21:41 | |
-How much? -Well, on the ticket, £75. | 0:21:41 | 0:21:45 | |
Time for a spot of bartering, methinks. | 0:21:45 | 0:21:48 | |
Richard! | 0:21:48 | 0:21:50 | |
Richard, he quite likes your chapatti box. | 0:21:50 | 0:21:52 | |
-What we really like is this camera. -I love... | 0:21:55 | 0:21:57 | |
Well, it's... I walked in here, and of course | 0:21:57 | 0:21:59 | |
it's different to everything else here because it's English. | 0:21:59 | 0:22:02 | |
But it did come from India. | 0:22:02 | 0:22:04 | |
Did it? Well, do you know, I said that to David. | 0:22:04 | 0:22:06 | |
I said, I wondered if those wonderful pictures on the wall | 0:22:06 | 0:22:10 | |
of those fabulous Maharaja sort of people was taken with one of these. | 0:22:10 | 0:22:14 | |
Well, obviously somebody quite wealthy in India bought it. | 0:22:14 | 0:22:17 | |
You bought it in India? | 0:22:17 | 0:22:19 | |
-Mm. -How fascinating! | 0:22:19 | 0:22:21 | |
Do you know what I'm asking for it? | 0:22:21 | 0:22:24 | |
-No. -No, you'll have to tell us. -I've got 340 on it. | 0:22:24 | 0:22:27 | |
-340? -I'm just pulling back on your joystick. -175... | 0:22:27 | 0:22:31 | |
If you could do 210, we might have a deal. | 0:22:31 | 0:22:33 | |
210? 210 and we're done. | 0:22:33 | 0:22:35 | |
-Well done. -Are you...? Are you happy with that, Richard? | 0:22:35 | 0:22:38 | |
-I'm happy. -Are you sure? -Yeah. | 0:22:38 | 0:22:39 | |
Cos I think that's well worth the money. | 0:22:39 | 0:22:41 | |
-Thank you. -Yeah, it's a beautiful thing. -Well worth the money. | 0:22:41 | 0:22:44 | |
The 19th-century plate camera has cost this pair well | 0:22:44 | 0:22:47 | |
over half their starting budget. | 0:22:47 | 0:22:50 | |
But is that £75 chapatti box still a contender? | 0:22:50 | 0:22:55 | |
I quite like these things. I spent a lot of time in India over the years, | 0:22:55 | 0:22:59 | |
but we need to come down, because... | 0:22:59 | 0:23:01 | |
Well, we've done the deal on the camera. | 0:23:01 | 0:23:03 | |
-Yeah. -So I am going to be quite generous. | 0:23:03 | 0:23:06 | |
What about we start talking in the region of £45? | 0:23:06 | 0:23:10 | |
45... | 0:23:10 | 0:23:11 | |
Tell you what, 25, and, whatever I can find in my pocket, for change, | 0:23:13 | 0:23:16 | |
you can have the change. OK, what have we got? | 0:23:16 | 0:23:18 | |
OK, here we are. So that adds up to... | 0:23:18 | 0:23:22 | |
£1.50, 70, 90, a couple of quid's worth. | 0:23:22 | 0:23:26 | |
So that's 27 quid. You know you want to. | 0:23:26 | 0:23:28 | |
-Go on, go on. -27. Done. | 0:23:28 | 0:23:30 | |
-Good man. -Thanks, David. | 0:23:30 | 0:23:32 | |
Thank you. OK, so, I'll give you that. Another couple of those... | 0:23:32 | 0:23:36 | |
-Yeah. -And we're done. -And we're done. | 0:23:36 | 0:23:39 | |
-Mr Gower... -Good, eh? Good deal. | 0:23:39 | 0:23:42 | |
A very generous discount sees them leave with the brass chapatti | 0:23:42 | 0:23:46 | |
box for £27 | 0:23:46 | 0:23:48 | |
and the camera for £210. | 0:23:48 | 0:23:50 | |
Snap that! | 0:23:50 | 0:23:51 | |
-CHARLIE GROANS -Carry on, Mr Gower! | 0:23:51 | 0:23:54 | |
-Quick, quick, come on. -And so ends a very successful first day | 0:23:54 | 0:23:58 | |
of shopping for David and Charlie. | 0:23:58 | 0:24:00 | |
-Mind your back. -Yes, it's fine for you. | 0:24:00 | 0:24:02 | |
-Come on! -I think old Jeeves there needs a bit of a rest, don't you? | 0:24:02 | 0:24:07 | |
-Bless his heart. -Sorry, Mr Gower, sir. | 0:24:07 | 0:24:09 | |
-Sorry, sir. -Nighty-night. | 0:24:09 | 0:24:11 | |
MUSIC: Good Morning by Nacio Herb Brown, Arthur Freed | 0:24:16 | 0:24:21 | |
What's the mood with our celebrities today? | 0:24:21 | 0:24:24 | |
-How was your first day? -I felt very timid. | 0:24:25 | 0:24:29 | |
-I suddenly... -That's not you. | 0:24:29 | 0:24:31 | |
In my case, Charlie found something with... | 0:24:31 | 0:24:33 | |
"Hang on, have a look at this, this is interesting." | 0:24:33 | 0:24:35 | |
And he'd go, "Ah, fantastic!" | 0:24:35 | 0:24:37 | |
You know, it helps, someone with the practised eye. | 0:24:37 | 0:24:40 | |
And did our experts enjoy their company yesterday? | 0:24:41 | 0:24:45 | |
-How did you get on, Roscoe? -It was wonderful. -Was it? | 0:24:45 | 0:24:48 | |
Absolutely wonderful. | 0:24:48 | 0:24:49 | |
Driving around the countryside and shopping with one of the legends | 0:24:49 | 0:24:53 | |
of the game. One of my heroes of all time! | 0:24:53 | 0:24:56 | |
Do you know? That's what Gower said to me! | 0:24:56 | 0:24:58 | |
THEY LAUGH | 0:24:58 | 0:24:59 | |
Well, one of the highlights for me yesterday was seeing Hancock in the | 0:24:59 | 0:25:02 | |
middle of a river, with his trousers still on. | 0:25:02 | 0:25:05 | |
-You went fishing, didn't you? -Barefoot, no wellies, | 0:25:05 | 0:25:07 | |
no socks, no shoes, | 0:25:07 | 0:25:09 | |
trousers on, up to his thighs in water. | 0:25:09 | 0:25:12 | |
Well, let's hope today goes swimmingly. Ha-ha! | 0:25:12 | 0:25:17 | |
David and Charlie are well on their way, | 0:25:17 | 0:25:19 | |
with three items in the old bag. | 0:25:19 | 0:25:21 | |
The Chad Valley model of the Queen Mary, | 0:25:21 | 0:25:23 | |
the 19th-century camera, | 0:25:23 | 0:25:25 | |
and the chapatti box, as you do... | 0:25:25 | 0:25:27 | |
..leaving them £123 to spend today. | 0:25:29 | 0:25:33 | |
While Nick and Phil have only bought one thing so far, | 0:25:36 | 0:25:38 | |
the 1955 framed photograph | 0:25:38 | 0:25:40 | |
of the Oxford and Cambridge University relay teams. | 0:25:40 | 0:25:44 | |
-Is there a Hancock on there? -Yeah, there is a Hancock. There you are. | 0:25:44 | 0:25:48 | |
Which means that they have a whopping £375 still to spend. | 0:25:48 | 0:25:52 | |
Cheers, thank you. | 0:25:52 | 0:25:53 | |
KLAXON HONKS | 0:25:55 | 0:25:57 | |
Look, look! | 0:25:57 | 0:25:58 | |
Look at that! | 0:25:58 | 0:26:00 | |
I bet this is the first time a Ford Anglia has ever been seen | 0:26:00 | 0:26:02 | |
-in front of this house. -And the last! | 0:26:02 | 0:26:04 | |
-Oh, bravo! -Well done! | 0:26:07 | 0:26:10 | |
Marvellous. | 0:26:10 | 0:26:11 | |
David's very keen to get off, he's left the engine running. | 0:26:12 | 0:26:15 | |
Shall we set off? | 0:26:15 | 0:26:17 | |
We've got a lot of items to get, so we need to go. | 0:26:17 | 0:26:19 | |
We've done our shopping. | 0:26:19 | 0:26:20 | |
I'd like to say good luck, but don't feel like it. | 0:26:20 | 0:26:22 | |
Really? | 0:26:22 | 0:26:24 | |
-OK, we'll get on with it. -Someone's had their porridge this morning. | 0:26:24 | 0:26:27 | |
The truth is, Mr Ross, | 0:26:27 | 0:26:28 | |
you've been under surveillance for quite some time. | 0:26:28 | 0:26:30 | |
CHARLIE LAUGHS | 0:26:30 | 0:26:33 | |
Bye! | 0:26:33 | 0:26:34 | |
-OK, old boy, good luck. -And they're off. | 0:26:34 | 0:26:36 | |
So, there's something deep inside me that's intimidated by Roscoe and by | 0:26:38 | 0:26:43 | |
Gower, and I think it's because they're posh. | 0:26:43 | 0:26:45 | |
-And there's one other thing as well. -What's that? -Ability. | 0:26:45 | 0:26:48 | |
-Oh, yeah, yeah, yeah. -Yeah, yeah. | 0:26:48 | 0:26:51 | |
Posh and better than us. | 0:26:51 | 0:26:54 | |
Yeah. And that sort of... | 0:26:54 | 0:26:55 | |
Yeah, you're right, intimidating. | 0:26:55 | 0:26:57 | |
-Anyway... -Do you not feel that we're the plucky outsiders? | 0:26:57 | 0:27:01 | |
Yeah, well, no-one expects us to win, so it'll be nice if we do. | 0:27:01 | 0:27:04 | |
-Least of all us! -Yeah, well, what's...? | 0:27:04 | 0:27:07 | |
Better to travel in expectation than arrive in disappointment. | 0:27:07 | 0:27:10 | |
-Yes, yes. -This morning, | 0:27:10 | 0:27:11 | |
David and Charlie will start their shopping | 0:27:11 | 0:27:14 | |
in Hampshire's largest city, | 0:27:14 | 0:27:16 | |
Southampton. | 0:27:16 | 0:27:18 | |
We've got to buy two more things, David. | 0:27:18 | 0:27:19 | |
-Right, OK. -We've got 123 quid left. | 0:27:19 | 0:27:22 | |
-Yeah. -And we're going to a shop that specialises in nautical things. | 0:27:22 | 0:27:26 | |
-Right. -Yeah, the next port of call is Cobwebs. | 0:27:26 | 0:27:30 | |
-Pull her in here, Gower. -I'll do me best. | 0:27:32 | 0:27:34 | |
-Right, OK. -After you, Gower. | 0:27:35 | 0:27:37 | |
-Thank you. -I wouldn't want to do the Monte Carlo Rally in that, | 0:27:37 | 0:27:41 | |
really. | 0:27:41 | 0:27:42 | |
-Good morning. Peter? -Good morning. | 0:27:47 | 0:27:49 | |
It's time to divide and conquer. | 0:27:51 | 0:27:53 | |
-David... -Ross. | 0:28:08 | 0:28:10 | |
I've found an old radio. | 0:28:10 | 0:28:12 | |
Bakelite. | 0:28:12 | 0:28:14 | |
It's German manufactured. | 0:28:14 | 0:28:16 | |
This 1950s radio was made by the German factory Graetz, | 0:28:17 | 0:28:22 | |
who, after the Second World War, | 0:28:22 | 0:28:24 | |
specialised in making radios and televisions. | 0:28:24 | 0:28:27 | |
But it's in a real Art Deco style. | 0:28:29 | 0:28:32 | |
-I love it! -Right, if we take one of those off... -Yeah. | 0:28:32 | 0:28:35 | |
-..on the assumption one of those is superfluous. -Yeah. | 0:28:35 | 0:28:38 | |
Mind you, I might get a good price for you. | 0:28:38 | 0:28:40 | |
Thank you very much! | 0:28:40 | 0:28:42 | |
Cheap at half the price! | 0:28:42 | 0:28:44 | |
£35. | 0:28:44 | 0:28:46 | |
Peter, is there much flexibility in this? | 0:28:46 | 0:28:49 | |
There's a bit of flexibility. | 0:28:49 | 0:28:51 | |
Yeah, I've got it here! | 0:28:51 | 0:28:53 | |
CHARLIE LAUGHS | 0:28:53 | 0:28:55 | |
I could probably do it for 30. | 0:28:55 | 0:28:57 | |
The thing is, I've got the cash. | 0:28:57 | 0:28:59 | |
-Oh, OK. -And when I say that, there's not much of it. | 0:28:59 | 0:29:02 | |
THEY LAUGH | 0:29:02 | 0:29:04 | |
Can we just nudge it down a little bit, please? | 0:29:04 | 0:29:06 | |
-25. -25? -£10 discount? Very kind, grazie. | 0:29:08 | 0:29:12 | |
Yes, we could. I think that's very... | 0:29:12 | 0:29:14 | |
OK, thank you very much indeed. | 0:29:14 | 0:29:15 | |
That's one purchase done and dusted. | 0:29:17 | 0:29:19 | |
But something caught David's eye earlier. | 0:29:21 | 0:29:23 | |
-I'm assuming it is a navigational light. -It is, yeah. | 0:29:26 | 0:29:28 | |
-From... -It's quite heavy. | 0:29:30 | 0:29:32 | |
It's copper, it's 1930s, it still has its original burner inside. | 0:29:32 | 0:29:37 | |
-It's in a lovely condition. -What I also like about it is the motto, | 0:29:37 | 0:29:40 | |
or whatever it is. "Not under command." | 0:29:40 | 0:29:42 | |
-Is that very appropriate? -That rings a bell with me, that's for sure. | 0:29:42 | 0:29:45 | |
I'd like to... I've always tried to be not under command. | 0:29:45 | 0:29:48 | |
What are we looking at? | 0:29:48 | 0:29:49 | |
Oh, look, I've already reduced it, £145. | 0:29:52 | 0:29:55 | |
Yeah, that was a misprint. | 0:29:55 | 0:29:57 | |
With £25 spent on the radio, | 0:29:58 | 0:30:00 | |
David has just £98 left in his pocket. | 0:30:00 | 0:30:03 | |
-95. -95? | 0:30:04 | 0:30:06 | |
-And that is it. -Is it? | 0:30:06 | 0:30:08 | |
Yep. | 0:30:08 | 0:30:09 | |
Well, that's generous. | 0:30:09 | 0:30:10 | |
-Not even to 90? -No. -Or 85? -No. | 0:30:11 | 0:30:14 | |
-95. -95. -95. | 0:30:17 | 0:30:18 | |
-Thank you, David. -What a successful visit! | 0:30:20 | 0:30:23 | |
A Bakelite radio, | 0:30:23 | 0:30:24 | |
and the 1930s lantern, | 0:30:24 | 0:30:27 | |
for a total of £120. | 0:30:27 | 0:30:28 | |
-Fantastic. -Thank you. -Thank you very much indeed. | 0:30:31 | 0:30:33 | |
-Nice to have met you. -Thank you. | 0:30:33 | 0:30:35 | |
Thank you for entertaining us with your wonderful shop. | 0:30:35 | 0:30:37 | |
And we're off to make a profit. | 0:30:37 | 0:30:39 | |
Good. | 0:30:39 | 0:30:40 | |
Good work, team. | 0:30:40 | 0:30:42 | |
Car's over here. | 0:30:42 | 0:30:43 | |
Meanwhile, Nick and Phil are in the New Forest, | 0:30:51 | 0:30:54 | |
and on the way to the town of Lyndhurst. | 0:30:54 | 0:30:57 | |
We've sort of set our stall out to try and avoid traditional antiques, | 0:31:02 | 0:31:06 | |
-haven't we? -Yes. -With our one lot that we've bought. | 0:31:06 | 0:31:09 | |
Yes, £25. We've got £375 left. | 0:31:09 | 0:31:12 | |
And I'm thinking we just offer 375 quid for the first thing we see. | 0:31:12 | 0:31:17 | |
That's one way of doing it. | 0:31:18 | 0:31:20 | |
They're off to Lyndhurst Antiques Centre. | 0:31:20 | 0:31:22 | |
-Focus. -Focused, I'm focused. | 0:31:24 | 0:31:27 | |
-Hello. -Hi. -Hello. -Hi, I'm Nick. | 0:31:30 | 0:31:33 | |
Hi, Nick. I'm Jan. | 0:31:33 | 0:31:34 | |
Nice to meet you, Jan. | 0:31:34 | 0:31:35 | |
-And who is this? -Harry. | 0:31:35 | 0:31:36 | |
-Harry, how are you? -Hello, Nick. | 0:31:36 | 0:31:38 | |
Welcome to Lyndhurst. | 0:31:38 | 0:31:39 | |
Jason has been trading from here for five years | 0:31:41 | 0:31:43 | |
and has accumulated a varied stock. | 0:31:43 | 0:31:46 | |
So what will take Nick and Phil's fancy? | 0:31:46 | 0:31:48 | |
Nick, have a look at these, look. | 0:31:51 | 0:31:53 | |
How the world has changed! | 0:31:53 | 0:31:55 | |
That's a marrow scoop. | 0:31:55 | 0:31:56 | |
Is that vegetable marrow? | 0:31:56 | 0:31:58 | |
No, no. Bone marrow. Bone marrow. | 0:31:58 | 0:32:00 | |
You would use that for scooping out the marrow out of the spine. | 0:32:00 | 0:32:04 | |
Our Georgian forefathers made bits of silver | 0:32:04 | 0:32:08 | |
-so you could eat this stuff. -Yeah. -Bonkers, isn't it? -It is. | 0:32:08 | 0:32:11 | |
Moving on. | 0:32:11 | 0:32:12 | |
We said about cricket bats, didn't we? | 0:32:14 | 0:32:16 | |
-Yeah. -Ohhh! | 0:32:16 | 0:32:18 | |
Look at this. It's a David Gower Gray-Nicolls bat. | 0:32:20 | 0:32:24 | |
And how much do they want us... | 0:32:24 | 0:32:26 | |
-Are they going to pay us to take it away, are they? -29 quid! | 0:32:26 | 0:32:29 | |
What impresses me more than anything is | 0:32:29 | 0:32:30 | |
-the signature is joined up writing. -Yes. | 0:32:30 | 0:32:33 | |
-Yes, someone must have done it for him actually. -Yeah. | 0:32:33 | 0:32:35 | |
-Perhaps he had a man to do it. -I think we should buy it. | 0:32:35 | 0:32:37 | |
Yeah, I do. Because I think that'll do... | 0:32:37 | 0:32:39 | |
-Let's see. -Do you know what? | 0:32:39 | 0:32:41 | |
I think this... | 0:32:41 | 0:32:42 | |
You're thinking it's going to make less than the purchase price, | 0:32:42 | 0:32:44 | |
-don't you? -Oh, yes. | 0:32:44 | 0:32:45 | |
I'm kind of thinking that with him in the auction, it might make more. | 0:32:45 | 0:32:48 | |
Time for a bit of haggling. | 0:32:48 | 0:32:50 | |
Now, we've seen this rather lovely bat. | 0:32:50 | 0:32:52 | |
You've got it marked up for £29. | 0:32:52 | 0:32:55 | |
-That is correct. -What's the best you could do? | 0:32:55 | 0:32:58 | |
Well, how about I said... | 0:32:59 | 0:33:01 | |
..£22, Nick? | 0:33:02 | 0:33:04 | |
Because it has David Gower's name on it, | 0:33:05 | 0:33:08 | |
and I respect and, let's face it, love that man... | 0:33:08 | 0:33:11 | |
..it's marked up at 29... | 0:33:13 | 0:33:14 | |
-..I'm going to give you 30. -What are you doing? | 0:33:15 | 0:33:18 | |
-Giving 30...on the grounds that... -Has he seen this programme? | 0:33:18 | 0:33:21 | |
Shake my hand. | 0:33:21 | 0:33:22 | |
I will do, I will do! | 0:33:22 | 0:33:24 | |
-What are you doing? -Look, the more money we pay for it, | 0:33:24 | 0:33:27 | |
the more respect we have for David, | 0:33:27 | 0:33:28 | |
but also the more it will lose, | 0:33:28 | 0:33:31 | |
and the more that will knock his confidence. | 0:33:31 | 0:33:33 | |
-I like that a lot. -Thank you very much. | 0:33:33 | 0:33:35 | |
-You've got to say you choose it. -Oh, great. Thanks very much. | 0:33:35 | 0:33:38 | |
-Thank you. Thank you, thank you, thank you. -Thanks for coming. -Thank you, thank you, thank you. | 0:33:38 | 0:33:42 | |
HE BARKS | 0:33:42 | 0:33:43 | |
Well, at least they bought something. | 0:33:43 | 0:33:46 | |
That's all right, isn't it? | 0:33:46 | 0:33:47 | |
While Nick and Phil make their way to their last shop, | 0:33:47 | 0:33:50 | |
David and Charlie are done with buying, | 0:33:50 | 0:33:53 | |
and are en route to Portsmouth. | 0:33:53 | 0:33:54 | |
You've got a bit of a naval connection somewhere in the family. | 0:33:54 | 0:33:57 | |
My uncle John, he was commanding during the Second World War. | 0:33:57 | 0:34:01 | |
He was off the beaches for D-Day. | 0:34:01 | 0:34:03 | |
Conscription, National Service... | 0:34:04 | 0:34:06 | |
A bit of a charmed life, really. | 0:34:07 | 0:34:09 | |
Oh, yes. | 0:34:09 | 0:34:11 | |
A significant naval port for centuries, | 0:34:13 | 0:34:15 | |
Portsmouth has the world's oldest drydock, | 0:34:15 | 0:34:19 | |
where there's currently a warship with a fascinating story to tell. | 0:34:19 | 0:34:22 | |
David and Charlie are here to learn about HMS Warrior, | 0:34:25 | 0:34:28 | |
and how in the mid-19th century, | 0:34:28 | 0:34:30 | |
the modern world of engineering developed | 0:34:30 | 0:34:33 | |
this new terror of the seas. | 0:34:33 | 0:34:36 | |
The ultimate demonstration of Britain's industrial might | 0:34:36 | 0:34:39 | |
and naval power. | 0:34:39 | 0:34:40 | |
Shipwright Bob Daubeney knows the story. | 0:34:41 | 0:34:45 | |
-Good afternoon. -Good afternoon. | 0:34:45 | 0:34:47 | |
Commissioned in 1859 to counter the French battleship La Gloire, | 0:34:51 | 0:34:56 | |
HMS Warrior was the brainchild of the first Lord of the Admiralty, | 0:34:56 | 0:35:00 | |
Sir John Somerset Packington. | 0:35:00 | 0:35:02 | |
She was the most powerful, | 0:35:09 | 0:35:10 | |
heaviest built battleship of her time when she was launched. | 0:35:10 | 0:35:13 | |
You'll see she has masts and funnels. | 0:35:13 | 0:35:17 | |
She's in that transition between sail and steam. | 0:35:17 | 0:35:20 | |
The early days of power. | 0:35:20 | 0:35:22 | |
She was capable of 17.5 knots with a mix of steam and sail. | 0:35:22 | 0:35:27 | |
She could get 14.5 knots with just steam. | 0:35:27 | 0:35:30 | |
She could get a good 13 knots with just the sail. | 0:35:30 | 0:35:33 | |
With France seen as a real threat, | 0:35:34 | 0:35:36 | |
the British Navy were determined to make | 0:35:36 | 0:35:38 | |
a stronger, faster, more powerfully armed ship | 0:35:38 | 0:35:42 | |
that was superior to the French vessel. | 0:35:42 | 0:35:44 | |
What was the comparison between La Gloire, the French ship, | 0:35:45 | 0:35:48 | |
and Warrior, then? In terms of size, efficiency, capacity? | 0:35:48 | 0:35:52 | |
We were a good two thirds bigger than La Gloire, | 0:35:52 | 0:35:56 | |
so the English decided, let's make an iron one, | 0:35:56 | 0:35:59 | |
we will put similar armour on the outside, | 0:35:59 | 0:36:01 | |
we'll add a bit of teak in between, 18 inches, | 0:36:01 | 0:36:03 | |
to act as a shock absorber. | 0:36:03 | 0:36:05 | |
So she was so strong, | 0:36:05 | 0:36:07 | |
so sturdy, | 0:36:07 | 0:36:08 | |
nothing would touch it in its day. | 0:36:08 | 0:36:10 | |
So we were concerned at the time that the French | 0:36:10 | 0:36:12 | |
might be invading at any time? | 0:36:12 | 0:36:14 | |
It was Napoleon III was playing up a bit. | 0:36:14 | 0:36:17 | |
-LAUGHTER -I like that version. | 0:36:17 | 0:36:19 | |
And there's always this niggle between the two of us, isn't there? | 0:36:19 | 0:36:23 | |
Warrior was the embodiment of the Industrial Revolution at sea. | 0:36:23 | 0:36:27 | |
La Gloire had been a crushing blow to national pride, | 0:36:27 | 0:36:31 | |
a wake-up call to the British Navy, | 0:36:31 | 0:36:33 | |
and a reminder that the French threat was still alive and well. | 0:36:33 | 0:36:38 | |
So, the Admiralty upped the ante. | 0:36:38 | 0:36:40 | |
Warrior was fitted with artillery bigger and more powerful | 0:36:40 | 0:36:44 | |
than any other warship ever built. | 0:36:44 | 0:36:45 | |
-All aboard! -If you'd would like to come this way... -Yep. | 0:36:46 | 0:36:49 | |
Walk this way. | 0:36:49 | 0:36:50 | |
So, here we have one of the Armstrong 110 pounders. | 0:36:56 | 0:37:00 | |
One of the most powerful weapons of its day. | 0:37:00 | 0:37:03 | |
You've also got rifled barrels, | 0:37:03 | 0:37:05 | |
so the projectile that's fired spins, | 0:37:05 | 0:37:07 | |
and has much greater accuracy. | 0:37:07 | 0:37:09 | |
-Yeah. -How many of these on board? | 0:37:09 | 0:37:10 | |
We've got ten of these. Eight down below, | 0:37:10 | 0:37:13 | |
two on the upper deck. | 0:37:13 | 0:37:14 | |
This is the bow chaser, there's a stern chaser. | 0:37:14 | 0:37:17 | |
If you are chasing, or being followed. | 0:37:17 | 0:37:18 | |
She can fire from four different positions. | 0:37:18 | 0:37:20 | |
-Gosh! -The enemy just haven't got a chance. | 0:37:20 | 0:37:22 | |
-They haven't! -This will shoot 2.5 miles? | 0:37:22 | 0:37:25 | |
2.5 miles. | 0:37:25 | 0:37:27 | |
Though on the upper deck, | 0:37:27 | 0:37:28 | |
because you can get a much greater trajectory, | 0:37:28 | 0:37:30 | |
it's possible it would have gone further. | 0:37:30 | 0:37:32 | |
Despite all the technology available at the time, | 0:37:32 | 0:37:35 | |
-wasn't there a bit of a problem, I hear, with the launching? -Yes. | 0:37:35 | 0:37:38 | |
You've got to be looking at one of the coldest winters on record | 0:37:38 | 0:37:41 | |
in 1860. | 0:37:41 | 0:37:44 | |
And when she was actually supposed to launch, | 0:37:44 | 0:37:46 | |
she was frozen to the slipway. | 0:37:46 | 0:37:48 | |
They had fore-thought of this. | 0:37:48 | 0:37:51 | |
They'd lit braziers below, just doesn't generate that much heat. | 0:37:51 | 0:37:55 | |
So when they'd actually got everything free, | 0:37:55 | 0:37:57 | |
they brought in hydraulic rams to try and push her down the slipway. | 0:37:57 | 0:38:00 | |
They even got all of the men on board. | 0:38:00 | 0:38:02 | |
If you look at the width of her, | 0:38:02 | 0:38:03 | |
they were running from one side to the other, | 0:38:03 | 0:38:05 | |
all in time with each other | 0:38:05 | 0:38:07 | |
to get a rocking motion just to try and break her free, | 0:38:07 | 0:38:10 | |
so she would slide down the slipway, and out into the Thames. | 0:38:10 | 0:38:13 | |
And they succeeded. | 0:38:13 | 0:38:15 | |
Go on, Gower. Go on, Gower. | 0:38:15 | 0:38:18 | |
Come on. One more! | 0:38:18 | 0:38:20 | |
LAUGHTER | 0:38:20 | 0:38:21 | |
He's going to run four! Unheard of! | 0:38:23 | 0:38:27 | |
We haven't shifted yet! | 0:38:27 | 0:38:28 | |
Britain had yet again established its naval supremacy. | 0:38:31 | 0:38:35 | |
No other ship in the world could compete, | 0:38:35 | 0:38:38 | |
but Warrior never fired a shot in anger. | 0:38:38 | 0:38:41 | |
She acted as the ultimate deterrent, | 0:38:41 | 0:38:43 | |
and that's why she was for a time the supreme ship of the seas, | 0:38:43 | 0:38:48 | |
and a supreme demonstration of Britain's industrial power. | 0:38:48 | 0:38:52 | |
Back in the Sunbeam, | 0:38:59 | 0:39:00 | |
Nick and Phil are motoring their way to Southsea, | 0:39:00 | 0:39:03 | |
to splash the last of their cash. | 0:39:03 | 0:39:05 | |
They're heading to Parmeters, | 0:39:08 | 0:39:10 | |
a shop which prides itself on stocking weird and unusual antiques. | 0:39:10 | 0:39:14 | |
-Ian, where are you? -Should suit these two, then. | 0:39:15 | 0:39:18 | |
-Welcome to Southsea. -How are you, mate? All right? | 0:39:19 | 0:39:21 | |
-How are you? -This is Nick. | 0:39:21 | 0:39:22 | |
Good to see you. How are you? | 0:39:22 | 0:39:24 | |
With £345 left to spend, | 0:39:25 | 0:39:27 | |
they'd better get a shifty on. | 0:39:27 | 0:39:29 | |
I reckon we need a plan, here. | 0:39:34 | 0:39:35 | |
-Perhaps a bit of silver or something. -Yes. | 0:39:35 | 0:39:38 | |
How does it work? | 0:39:40 | 0:39:41 | |
I always find it's best to take your glasses off. | 0:39:42 | 0:39:44 | |
Yeah, what a fine idea. Yeah. | 0:39:44 | 0:39:45 | |
Hold it right close to the thing. | 0:39:48 | 0:39:50 | |
-Oh, yeah, I've got it. -Got it? | 0:39:50 | 0:39:51 | |
Yeah. | 0:39:51 | 0:39:52 | |
It's Birmingham. | 0:39:52 | 0:39:53 | |
Yeah. Brummage-ham. | 0:39:53 | 0:39:55 | |
-Anchor? -HE JABBERS IN "BRUMMIE" | 0:39:55 | 0:39:57 | |
Got to focus here. | 0:40:00 | 0:40:01 | |
-I know, I know. -All about profit, this, it's all about profit. | 0:40:01 | 0:40:05 | |
Is there any profit in these Regency-style cornice pieces? | 0:40:05 | 0:40:09 | |
I know that somebody would have a place for these. | 0:40:09 | 0:40:13 | |
And would really know what to do with them. | 0:40:13 | 0:40:15 | |
And I like them because there doesn't seem to be much damage. | 0:40:15 | 0:40:18 | |
Quite the expert now, aren't you, Nick? | 0:40:18 | 0:40:20 | |
You know, you could use it... | 0:40:20 | 0:40:21 | |
You could use it above windows, as a pelmet. | 0:40:21 | 0:40:24 | |
You could use it as a mantelpiece. | 0:40:24 | 0:40:26 | |
You could use it... | 0:40:26 | 0:40:28 | |
on the floor. You know, you could use it to frame something. | 0:40:28 | 0:40:31 | |
I think they were made as a pelmet for a bed. | 0:40:31 | 0:40:34 | |
-OK. -Ticket price on those is £120. | 0:40:34 | 0:40:39 | |
They're one possible. | 0:40:39 | 0:40:40 | |
Anything else? | 0:40:42 | 0:40:43 | |
-This. -Oh, another reel. | 0:40:43 | 0:40:45 | |
I quite like... You've obviously got... That's nice... | 0:40:47 | 0:40:49 | |
100... Get my glasses out. And have a proper look at it. | 0:40:49 | 0:40:51 | |
-That's an Allcock. -Lovely. | 0:40:51 | 0:40:54 | |
And it's got... | 0:40:54 | 0:40:55 | |
I'm seeing if it's got silk line on it or not. | 0:40:57 | 0:40:59 | |
It's the original... Yeah. | 0:40:59 | 0:41:00 | |
That's definitely a possible. | 0:41:01 | 0:41:03 | |
I'm going to have to calm down. I'm getting overexcited. | 0:41:03 | 0:41:06 | |
Like a child in a toy shop. | 0:41:06 | 0:41:07 | |
Something else has caught Nick's eye. | 0:41:08 | 0:41:10 | |
These are good. | 0:41:10 | 0:41:12 | |
-What's that? -Ship heads. | 0:41:12 | 0:41:14 | |
-Oh, yeah, yeah. -One there, | 0:41:15 | 0:41:16 | |
-and I think there's one behind you actually. -Oh, yeah. | 0:41:16 | 0:41:19 | |
In times gone by, | 0:41:20 | 0:41:21 | |
figureheads embodied the spirit of a ship, | 0:41:21 | 0:41:24 | |
and were originally believed to placate the gods of the sea, | 0:41:24 | 0:41:27 | |
and ensure a safe passage. | 0:41:27 | 0:41:29 | |
They're from a hotel in Bournemouth. | 0:41:30 | 0:41:32 | |
-And how much are they? -A lot of money. | 0:41:32 | 0:41:35 | |
500 each. | 0:41:35 | 0:41:36 | |
Some things are better just to look at aren't they, really? | 0:41:36 | 0:41:39 | |
Well, we'll think about it. | 0:41:39 | 0:41:41 | |
Keep thinking then. | 0:41:41 | 0:41:42 | |
Who's that on the shelf? | 0:41:42 | 0:41:44 | |
Is that Sir Thomas More? | 0:41:44 | 0:41:46 | |
-I think it could be. -I think it is Sir Thomas More. | 0:41:46 | 0:41:48 | |
It's made of plaster with a bronze resin over the top. | 0:41:48 | 0:41:52 | |
OK. | 0:41:52 | 0:41:53 | |
I don't know whether Sir Thomas More is a big name in Sidcup. | 0:41:53 | 0:41:57 | |
But, you know, we can find out. | 0:41:57 | 0:41:59 | |
Asking price for this bust of Sir Thomas More | 0:41:59 | 0:42:02 | |
is £120. | 0:42:02 | 0:42:03 | |
He served as a key counsellor to Henry VIII, | 0:42:05 | 0:42:08 | |
and was famously beheaded, | 0:42:08 | 0:42:10 | |
for refusing to accept the King as head of the Church of England. | 0:42:10 | 0:42:14 | |
Time to make some decisions. | 0:42:14 | 0:42:15 | |
I really like, which I know are very expensive, | 0:42:18 | 0:42:21 | |
the two plaster ship-head-type decorative things. | 0:42:21 | 0:42:25 | |
I'd like you to tell us what the price is for the ship's head | 0:42:26 | 0:42:29 | |
that's not a ship's head, the bed frame that's not a bed frame... | 0:42:29 | 0:42:33 | |
-It's a cornice, Phil. -..and the bust. | 0:42:33 | 0:42:36 | |
So, what's the absolute finish on those, then? | 0:42:36 | 0:42:39 | |
-How much have you got? -Ah! | 0:42:40 | 0:42:42 | |
We have 345 English pounds. | 0:42:43 | 0:42:47 | |
Which I think is on the way, | 0:42:48 | 0:42:51 | |
but with a fair wind from your good self, | 0:42:51 | 0:42:53 | |
-we might get there. -I could do 340 quid and leave you with a fiver | 0:42:53 | 0:42:57 | |
to spend in the pub. | 0:42:57 | 0:42:58 | |
-For... -All three items. | 0:42:58 | 0:43:00 | |
Ian has been incredibly kind. | 0:43:01 | 0:43:04 | |
That's the ship's figurehead for £165. | 0:43:04 | 0:43:08 | |
The Sir Thomas More bust for £110. | 0:43:08 | 0:43:12 | |
And the decorative Regency cornice for £65. | 0:43:12 | 0:43:16 | |
I promise you there's 340 there. | 0:43:17 | 0:43:19 | |
-You can count it if you want. -Marvellous, I believe you. | 0:43:19 | 0:43:21 | |
-Thank you very much. -Thank YOU very much. | 0:43:21 | 0:43:23 | |
Bye-bye. | 0:43:23 | 0:43:24 | |
I think we swam the Channel there, I really do. | 0:43:24 | 0:43:27 | |
But Nick isn't finished shopping just yet. | 0:43:28 | 0:43:30 | |
What is he up to? | 0:43:30 | 0:43:32 | |
No good, by the looks of it. | 0:43:32 | 0:43:34 | |
This is not an antiques shop. | 0:43:37 | 0:43:39 | |
I don't know where Hancock's got to. | 0:43:40 | 0:43:42 | |
Spent the fiver. | 0:43:45 | 0:43:46 | |
It's nice here, I quite like it. | 0:43:46 | 0:43:48 | |
-Phil, I spent the fiver. -What have you bought? | 0:43:48 | 0:43:50 | |
I did a deal. I have bought... | 0:43:50 | 0:43:51 | |
LAUGHTER | 0:43:51 | 0:43:53 | |
-And what we are going to do... -A beach cricket set. | 0:43:53 | 0:43:55 | |
A beach cricket set. And what we do is take the bat out, | 0:43:55 | 0:43:57 | |
put Gower's bat in it, | 0:43:57 | 0:43:59 | |
cheap and nasty to go with the rest of the set. | 0:43:59 | 0:44:02 | |
-So we're all spent up! -That's ideal. | 0:44:02 | 0:44:03 | |
Come on, matey. | 0:44:03 | 0:44:05 | |
Right, time for our teams to reunite. | 0:44:05 | 0:44:08 | |
But will they be bowled over with each other's buys? | 0:44:08 | 0:44:12 | |
Would you like to see what we've bought? | 0:44:12 | 0:44:14 | |
Yeah, yeah, yeah. We can't wait. | 0:44:14 | 0:44:16 | |
There we go. | 0:44:16 | 0:44:17 | |
Oh, my...! | 0:44:17 | 0:44:20 | |
Hang on, there's as a bonus extra. | 0:44:20 | 0:44:22 | |
OK. Right. This is called a ra-d-io. | 0:44:22 | 0:44:24 | |
-Thanks very much. -Wireless. | 0:44:24 | 0:44:26 | |
Navigation light. It's genuine, it's 1930. | 0:44:26 | 0:44:29 | |
Can I ask you some money questions? | 0:44:29 | 0:44:30 | |
Like, how much was that? | 0:44:31 | 0:44:33 | |
25. | 0:44:33 | 0:44:34 | |
That's OK. | 0:44:34 | 0:44:35 | |
How much was that? | 0:44:35 | 0:44:37 | |
Well, that goes with that and that and that. | 0:44:37 | 0:44:39 | |
-£210. -210. | 0:44:39 | 0:44:42 | |
That's a good buy. That's a very good buy. | 0:44:42 | 0:44:45 | |
Everything's the same colour! | 0:44:45 | 0:44:46 | |
It is this year's colour. | 0:44:47 | 0:44:49 | |
We've bought on colour, haven't we? | 0:44:49 | 0:44:50 | |
Because I'm easily impressed, | 0:44:50 | 0:44:52 | |
very superficial. | 0:44:52 | 0:44:54 | |
Do you want to see some proper things? | 0:44:54 | 0:44:56 | |
-Yes, yes, I would love to. -Step this way. | 0:44:56 | 0:44:57 | |
I'm losing confidence in it now. | 0:44:57 | 0:44:59 | |
I must admit I'm beginning to worry a bit. | 0:44:59 | 0:45:01 | |
I'll go around the front and do it. | 0:45:01 | 0:45:02 | |
I've got to tell you, some of the things we bought | 0:45:02 | 0:45:04 | |
-we don't know what they are. -Right. | 0:45:04 | 0:45:06 | |
David will be able to tell you. | 0:45:06 | 0:45:08 | |
Are we ready? Three, two, one, go. | 0:45:08 | 0:45:11 | |
I think we know what those are. | 0:45:14 | 0:45:15 | |
We will leave it to the end. | 0:45:15 | 0:45:17 | |
This is a bust of Sir Thomas Moore, maybe. | 0:45:17 | 0:45:20 | |
It's got the same hat. | 0:45:20 | 0:45:22 | |
Yeah, that's why we're going for it. | 0:45:22 | 0:45:24 | |
But the thing about this is if you push the head back, | 0:45:25 | 0:45:27 | |
the Batcave opens, | 0:45:27 | 0:45:29 | |
-so that's quite good. -LAUGHTER | 0:45:29 | 0:45:31 | |
And talking of bats, what we have got here is a cheap, nasty, | 0:45:31 | 0:45:35 | |
unpleasant beach cricket set, | 0:45:35 | 0:45:38 | |
with a relevant sort of a bat. | 0:45:38 | 0:45:41 | |
-The David Gower Gray-Nicolls... -No! | 0:45:41 | 0:45:43 | |
I think we should show it in its full glory, don't you? | 0:45:45 | 0:45:48 | |
Oh... | 0:45:48 | 0:45:50 | |
It could be a fake. | 0:45:50 | 0:45:51 | |
Oh, we're never going to get it out. | 0:45:51 | 0:45:53 | |
There it is. | 0:45:53 | 0:45:54 | |
Look at that. | 0:45:54 | 0:45:55 | |
Oh! | 0:45:55 | 0:45:56 | |
-It's lovely. -And do you know what makes it so rare? | 0:45:56 | 0:45:59 | |
It's unsigned. Yeah. | 0:45:59 | 0:46:00 | |
LAUGHTER | 0:46:00 | 0:46:01 | |
And look at that. | 0:46:01 | 0:46:02 | |
This is our figurehead, Charlie. | 0:46:02 | 0:46:04 | |
She's splendid. Where did you find her? | 0:46:04 | 0:46:05 | |
-How much is she worth? -She was... | 0:46:05 | 0:46:08 | |
Have a guess how much she was. | 0:46:08 | 0:46:10 | |
I think she was, um... | 0:46:10 | 0:46:12 | |
£165. | 0:46:12 | 0:46:14 | |
Come on. | 0:46:16 | 0:46:17 | |
And not only has he seen it before, he's cheating! | 0:46:17 | 0:46:21 | |
No, what did it cost? | 0:46:21 | 0:46:22 | |
I promise you I haven't got a clue what it cost. | 0:46:23 | 0:46:25 | |
£165. | 0:46:25 | 0:46:26 | |
-It didn't! -LAUGHTER | 0:46:26 | 0:46:27 | |
Mr Gower. Did it really? | 0:46:28 | 0:46:30 | |
Yes, it cost £165. | 0:46:31 | 0:46:34 | |
He knows these things, he's an expert. | 0:46:34 | 0:46:36 | |
I think you have done well, chaps. | 0:46:36 | 0:46:38 | |
Good luck, see you at the auction. | 0:46:38 | 0:46:39 | |
All good, all good. | 0:46:39 | 0:46:41 | |
Why did you let me buy it? | 0:46:41 | 0:46:43 | |
Bye-bye. Gower! | 0:46:43 | 0:46:44 | |
Come on. | 0:46:44 | 0:46:45 | |
Behind the backs of their rivals, | 0:46:45 | 0:46:47 | |
they will spill the beans. | 0:46:47 | 0:46:49 | |
What do you think? | 0:46:49 | 0:46:51 | |
Apart from losing confidence in ours... | 0:46:51 | 0:46:53 | |
..I'm sure their stuff is good. | 0:46:54 | 0:46:56 | |
You got very excited about the camera, didn't you? | 0:46:56 | 0:46:58 | |
I think that it's all about that camera. | 0:46:58 | 0:47:01 | |
If it's on the net, | 0:47:01 | 0:47:03 | |
and people pick up on that, | 0:47:03 | 0:47:04 | |
that could make them a serious profit. | 0:47:04 | 0:47:07 | |
I'm quite encouraged. | 0:47:07 | 0:47:08 | |
Their lady I thought it's a sort of complete... | 0:47:08 | 0:47:12 | |
-That's a quirk. -It looked like wood I have, to say, from a distance. | 0:47:12 | 0:47:15 | |
Yeah. So, who knows? | 0:47:15 | 0:47:16 | |
Who's going to buy it? | 0:47:16 | 0:47:18 | |
-Not me. -I wouldn't change anything we've got. | 0:47:18 | 0:47:20 | |
No. | 0:47:20 | 0:47:22 | |
I wouldn't! What else were we going to buy? | 0:47:22 | 0:47:24 | |
No, no, I'm very happy with what we've bought. | 0:47:24 | 0:47:26 | |
Which would you rather have? Our lot or their lot? | 0:47:27 | 0:47:29 | |
Of course, ours. | 0:47:29 | 0:47:31 | |
-Of course, ours. -Good man. | 0:47:31 | 0:47:32 | |
-Are we going to win? -It's in the bag! | 0:47:32 | 0:47:35 | |
After starting in Salisbury, | 0:47:36 | 0:47:38 | |
our teams have shopped | 0:47:38 | 0:47:39 | |
all around Hampshire, | 0:47:39 | 0:47:41 | |
and now our sporting chaps, | 0:47:41 | 0:47:42 | |
David and Nick, | 0:47:42 | 0:47:43 | |
are motoring towards Sidcup | 0:47:43 | 0:47:45 | |
for the grand finale. | 0:47:45 | 0:47:46 | |
Have you ever been to Sidcup before? | 0:47:48 | 0:47:49 | |
I have, I've been to Sidcup many, many times. | 0:47:49 | 0:47:52 | |
How memorable was it last time? | 0:47:52 | 0:47:55 | |
It was... Well, I think today is going to be very much | 0:47:55 | 0:47:58 | |
the most exciting time I've been to Sidcup. | 0:47:58 | 0:48:00 | |
Here's hoping, Nick. | 0:48:00 | 0:48:01 | |
Where are they? Do you think they will be late? | 0:48:07 | 0:48:09 | |
They're touring this wonderful metropolis. | 0:48:09 | 0:48:12 | |
Here they come. LOW RUMBLING | 0:48:12 | 0:48:13 | |
Oh, listen. | 0:48:13 | 0:48:14 | |
There they are. | 0:48:14 | 0:48:16 | |
Greetings. | 0:48:16 | 0:48:17 | |
Shall we go and open the doors? | 0:48:17 | 0:48:19 | |
Yes, I might as well. | 0:48:19 | 0:48:21 | |
See if you keep the handle on. | 0:48:21 | 0:48:22 | |
Lord Gower, sir. | 0:48:22 | 0:48:23 | |
On this trip, Charlie and David spent £397 on five auction lots. | 0:48:25 | 0:48:29 | |
Come on in! | 0:48:30 | 0:48:32 | |
Nick and Phil also bought five lots, | 0:48:32 | 0:48:34 | |
and spent every last penny of their £400. | 0:48:34 | 0:48:37 | |
The man with the gavel is Alex Jenkins. | 0:48:39 | 0:48:41 | |
What does he make of everyone's lots? | 0:48:41 | 0:48:43 | |
The camera and lens is a fine item. | 0:48:44 | 0:48:46 | |
It is a good-looking thing even as an aesthetic in the corner. | 0:48:46 | 0:48:50 | |
It's got all the equipment, it's the most complete set I've seen | 0:48:50 | 0:48:52 | |
in a long time, very nice, should do good. | 0:48:52 | 0:48:55 | |
The ship's head is a great looking lot. | 0:48:55 | 0:48:57 | |
It got attention as soon as it came into the auction. | 0:48:57 | 0:48:59 | |
Lovely, big statement piece, | 0:48:59 | 0:49:01 | |
conversation piece, and it is what everyone wants. | 0:49:01 | 0:49:03 | |
It'll go into a nice design, go into retail. | 0:49:03 | 0:49:05 | |
I think that's going to be the surprise hit of the auction. | 0:49:05 | 0:49:07 | |
Right, time for the auction, | 0:49:08 | 0:49:10 | |
which has buyers online, on the phone, and in the room. | 0:49:10 | 0:49:13 | |
Just going to check my pulse. | 0:49:16 | 0:49:17 | |
-Quite exciting. -Is there one? | 0:49:17 | 0:49:19 | |
There hasn't been for a long time. | 0:49:19 | 0:49:21 | |
First up is David's chapati box. | 0:49:21 | 0:49:24 | |
Hungry? | 0:49:24 | 0:49:25 | |
Starts on the book here with me at £16. | 0:49:25 | 0:49:28 | |
18, we need, now. | 0:49:28 | 0:49:29 | |
£16. 18's there, 20, 22's yours, 24 now. | 0:49:29 | 0:49:34 | |
22 in the room, 24 we need. | 0:49:34 | 0:49:35 | |
Looking for 24. | 0:49:35 | 0:49:37 | |
At £22 and selling... | 0:49:37 | 0:49:38 | |
Not a great start to the proceedings. | 0:49:40 | 0:49:43 | |
Well, you lost money. | 0:49:43 | 0:49:44 | |
That's a certain KORMA about that, isn't there? | 0:49:44 | 0:49:46 | |
-LAUGHTER -Dearie me. | 0:49:47 | 0:49:49 | |
Next up, Nick's Regency-inspired cornice. | 0:49:51 | 0:49:54 | |
Start them at 30. | 0:49:54 | 0:49:56 | |
£30 in. There we go, 32, 34, 36. | 0:49:56 | 0:49:59 | |
-Here we go, here we go. -36 it is. | 0:49:59 | 0:50:01 | |
At £36. Anywhere else now? | 0:50:01 | 0:50:03 | |
Should be! | 0:50:03 | 0:50:04 | |
65? | 0:50:04 | 0:50:05 | |
-At £36... -No! | 0:50:05 | 0:50:07 | |
Gower. | 0:50:08 | 0:50:10 | |
Oh, don't celebrate someone else's failure! | 0:50:10 | 0:50:13 | |
No. Not very sporting, Mr Ross. | 0:50:13 | 0:50:16 | |
It's not enough to succeed. | 0:50:16 | 0:50:17 | |
Your friends have to fail. | 0:50:17 | 0:50:19 | |
It is one of those, isn't it? | 0:50:19 | 0:50:20 | |
Let's see if David and Charlie's German radio can do any better. | 0:50:22 | 0:50:26 | |
22's here, £24 we're looking for. | 0:50:26 | 0:50:28 | |
26, 28's yours. | 0:50:29 | 0:50:31 | |
There it is. | 0:50:31 | 0:50:33 | |
-£3 up. -At £28, 30 we need. | 0:50:33 | 0:50:35 | |
At £28, all done? | 0:50:35 | 0:50:37 | |
At 28... | 0:50:37 | 0:50:38 | |
And they're off the mark. | 0:50:39 | 0:50:41 | |
Gosh! | 0:50:41 | 0:50:42 | |
Could've been worse. | 0:50:42 | 0:50:43 | |
Can Nick and Phil's Oxbridge photo get them started? | 0:50:45 | 0:50:49 | |
£8 for it. £8 there, £9 needed. | 0:50:49 | 0:50:52 | |
Nine's in, ten. | 0:50:52 | 0:50:54 | |
Ten? It's overpriced. | 0:50:55 | 0:50:57 | |
14 it is, at £14. | 0:50:57 | 0:50:59 | |
Any more? All done at 14? | 0:50:59 | 0:51:02 | |
Out for a googly. | 0:51:02 | 0:51:03 | |
Bad luck, chaps. | 0:51:04 | 0:51:05 | |
David, in cricketing terms, how would you think this is going? | 0:51:07 | 0:51:10 | |
We are probably... | 0:51:10 | 0:51:11 | |
..40-4 at the moment. | 0:51:12 | 0:51:13 | |
-Yeah. -If we're lucky. | 0:51:13 | 0:51:15 | |
Can a navigation lamp light up the score | 0:51:15 | 0:51:18 | |
for David and Charlie? | 0:51:18 | 0:51:20 | |
Starts in straight at £80. | 0:51:20 | 0:51:22 | |
-85 we need now. -Not bad, not bad. | 0:51:22 | 0:51:24 | |
£80 I have, 85 we need, 85 it is, 90, 95. | 0:51:24 | 0:51:28 | |
Hang on, it costs 95! | 0:51:28 | 0:51:30 | |
100 it is. | 0:51:31 | 0:51:32 | |
At 100 on the book, 110 we need. | 0:51:32 | 0:51:34 | |
Just another tenner. | 0:51:34 | 0:51:35 | |
Profit, profit, profit. | 0:51:35 | 0:51:37 | |
110 is in, I am out. | 0:51:37 | 0:51:39 | |
At 110 in the room, 120 we want. | 0:51:39 | 0:51:42 | |
At 110, selling at 110. | 0:51:42 | 0:51:45 | |
Another win puts team Gower in the lead. | 0:51:46 | 0:51:48 | |
Well done, Dave. | 0:51:50 | 0:51:52 | |
This is going to be very, very close. | 0:51:52 | 0:51:54 | |
Let's see how Nick and Phil's Sir Thomas Moore bust will do. | 0:51:54 | 0:51:58 | |
£60 on this one, 60 I have. | 0:51:59 | 0:52:01 | |
-65 we need now. -Ooh! | 0:52:01 | 0:52:03 | |
65 on the phone, 70. | 0:52:03 | 0:52:05 | |
70. | 0:52:05 | 0:52:06 | |
-75. -It is coming, it is coming. | 0:52:06 | 0:52:08 | |
75's in, 80. | 0:52:09 | 0:52:11 | |
Yes... | 0:52:11 | 0:52:13 | |
75 it is, £80 we need. | 0:52:13 | 0:52:14 | |
At £75 and selling at 75... | 0:52:14 | 0:52:17 | |
Do you know for one minute, | 0:52:18 | 0:52:20 | |
-I thought we were going to make a profit there? -Well, it's a pattern! | 0:52:20 | 0:52:23 | |
Another loss. They'll be back in the pavilion soon. | 0:52:23 | 0:52:25 | |
You know you said 40-4? | 0:52:27 | 0:52:28 | |
I think we just lost another few wickets. | 0:52:28 | 0:52:30 | |
-Just lost a couple more there. -Yeah. | 0:52:30 | 0:52:32 | |
David's Queen Mary model is next to go. | 0:52:33 | 0:52:35 | |
-It starts in at... -Yes? -How much was it? -40. | 0:52:36 | 0:52:39 | |
..£35. 38 we need. | 0:52:39 | 0:52:42 | |
38, 40, 42, 44, 46, 48, 50. | 0:52:42 | 0:52:47 | |
55, 60. | 0:52:47 | 0:52:49 | |
55 it is, on my right. | 0:52:49 | 0:52:51 | |
At £55, all done? | 0:52:51 | 0:52:53 | |
Selling at 55... | 0:52:53 | 0:52:55 | |
That's a respectable return. | 0:52:56 | 0:52:58 | |
-Profit. -It is profit. -Well done. -It is profit, well done, mate. | 0:52:59 | 0:53:03 | |
Well done. | 0:53:03 | 0:53:04 | |
Next up, the cricket set. | 0:53:05 | 0:53:07 | |
Hang on, Gower's batting for the wrong team! | 0:53:08 | 0:53:10 | |
-Shall we start with two? -LAUGHTER | 0:53:10 | 0:53:12 | |
That's hundred. | 0:53:12 | 0:53:13 | |
One? | 0:53:13 | 0:53:14 | |
-50p? -We have got the 50p. | 0:53:14 | 0:53:17 | |
Moving up to five. | 0:53:17 | 0:53:18 | |
Five, six, seven, eight, nine, ten. | 0:53:18 | 0:53:22 | |
He's got 12. 14. | 0:53:22 | 0:53:24 | |
15, 15 is a nice number. | 0:53:25 | 0:53:27 | |
15, have we got 15? | 0:53:27 | 0:53:28 | |
15 it is, 18 is in. | 0:53:28 | 0:53:30 | |
See, the ladies are going now. | 0:53:30 | 0:53:32 | |
18's there, 20 at the back. | 0:53:32 | 0:53:34 | |
22. | 0:53:34 | 0:53:35 | |
22, he is in. | 0:53:35 | 0:53:36 | |
HE BANGS THE CRICKET GAVEL | 0:53:36 | 0:53:37 | |
Oh, we've got more! | 0:53:37 | 0:53:38 | |
24. We've got more! | 0:53:38 | 0:53:39 | |
-24. -You just sold it! | 0:53:39 | 0:53:41 | |
LAUGHTER | 0:53:41 | 0:53:42 | |
26, 28. | 0:53:42 | 0:53:43 | |
Are there no phone bids on this? | 0:53:43 | 0:53:45 | |
No phone bids, surprisingly. | 0:53:45 | 0:53:47 | |
30, 32, 34, | 0:53:47 | 0:53:49 | |
-36, 38, -LAUGHTER | 0:53:49 | 0:53:51 | |
40, 42, 44, 46. | 0:53:51 | 0:53:55 | |
48, 50. | 0:53:56 | 0:53:57 | |
There's a West Indian bidding for it, have you seen? | 0:53:57 | 0:54:00 | |
-50. -It's a child's... -They're mad for Gower! | 0:54:00 | 0:54:02 | |
50, 55. | 0:54:02 | 0:54:04 | |
-I'm making you money! -50 it is. | 0:54:04 | 0:54:05 | |
At £50 and... | 0:54:05 | 0:54:06 | |
-What a gentleman! -..selling. The last chance, are we all done? | 0:54:08 | 0:54:10 | |
-Thank you, David. -At £50. | 0:54:10 | 0:54:12 | |
50 it is! | 0:54:13 | 0:54:14 | |
-APPLAUSE -Well done. -Bravo. | 0:54:14 | 0:54:16 | |
What an absolute gentleman. | 0:54:16 | 0:54:18 | |
Well, that backfired for David. | 0:54:18 | 0:54:20 | |
A £20 profit for the opposition! | 0:54:20 | 0:54:22 | |
I'll have words with you, Gower. | 0:54:24 | 0:54:26 | |
What a star. Thank you so much. | 0:54:26 | 0:54:27 | |
Next up, David and Charlie's final lot. | 0:54:30 | 0:54:33 | |
The auctioneer's favourite, the 19th-century camera. | 0:54:33 | 0:54:35 | |
And it starts off on the book here with me at 300. | 0:54:37 | 0:54:40 | |
310 we need, now. 310 we need. | 0:54:40 | 0:54:43 | |
310, 320, 330, | 0:54:43 | 0:54:44 | |
340, 350. | 0:54:44 | 0:54:46 | |
-360, 370, 370... -Oh, this is more like it. | 0:54:46 | 0:54:48 | |
370's in the room so far. 380, 390. | 0:54:48 | 0:54:51 | |
Genius. Genius, Ross, genius. | 0:54:51 | 0:54:53 | |
400, 420, 430. | 0:54:53 | 0:54:55 | |
-I'm quite excited. -460, 470, 480, 490. | 0:54:55 | 0:54:59 | |
500, 520, 540, 560, | 0:54:59 | 0:55:03 | |
580, 600. 620 I'll go. | 0:55:03 | 0:55:07 | |
620's back in. | 0:55:07 | 0:55:08 | |
640, 660, 640 it is. | 0:55:08 | 0:55:11 | |
Thank you. At 640. | 0:55:11 | 0:55:13 | |
-Wow. -Selling. All done? | 0:55:13 | 0:55:15 | |
At 640... | 0:55:15 | 0:55:16 | |
Well done. Well done. | 0:55:18 | 0:55:20 | |
Howzat! | 0:55:20 | 0:55:21 | |
Crikey, a healthy profit or what? | 0:55:22 | 0:55:24 | |
I'm still very disappointed, | 0:55:24 | 0:55:26 | |
that should have gone for several thousand! | 0:55:26 | 0:55:28 | |
LAUGHTER | 0:55:28 | 0:55:29 | |
It's all down to the last lot, then. | 0:55:29 | 0:55:31 | |
Phil and Nick's ship's figurehead. | 0:55:31 | 0:55:33 | |
And we start straight in at 250. | 0:55:33 | 0:55:37 | |
-260 needed. -What?! | 0:55:37 | 0:55:38 | |
260, 270, 280, 290, 300. | 0:55:38 | 0:55:41 | |
310, 320, 330, 340, 350, 360. | 0:55:41 | 0:55:45 | |
370 on the phone. | 0:55:45 | 0:55:46 | |
380, 390, 400. | 0:55:46 | 0:55:49 | |
410, | 0:55:51 | 0:55:52 | |
420, | 0:55:52 | 0:55:53 | |
430, | 0:55:53 | 0:55:55 | |
-440. -Look at Nick's foot! | 0:55:55 | 0:55:56 | |
-LAUGHING: -460. | 0:55:56 | 0:55:58 | |
460, yeah? | 0:55:58 | 0:55:59 | |
470, 480. | 0:56:00 | 0:56:02 | |
490, 500. | 0:56:03 | 0:56:05 | |
520, 540, | 0:56:05 | 0:56:08 | |
560. | 0:56:08 | 0:56:09 | |
-Let me speak to him. -No, no. | 0:56:10 | 0:56:12 | |
580. | 0:56:12 | 0:56:13 | |
600. | 0:56:15 | 0:56:16 | |
Making more than we did on the camera. | 0:56:16 | 0:56:17 | |
-One more, madam. -Yes, it is. | 0:56:17 | 0:56:19 | |
600, 620. | 0:56:19 | 0:56:21 | |
Oh, a new bidder! New bidder! | 0:56:21 | 0:56:22 | |
640, | 0:56:23 | 0:56:25 | |
660, 680, | 0:56:25 | 0:56:26 | |
-700. -This is sensational. | 0:56:26 | 0:56:28 | |
-Shut up! -LAUGHTER | 0:56:29 | 0:56:30 | |
-LAUGHING: -720. | 0:56:30 | 0:56:32 | |
720, | 0:56:32 | 0:56:33 | |
740. | 0:56:33 | 0:56:35 | |
At 740, all done? | 0:56:35 | 0:56:37 | |
Selling at 740... | 0:56:37 | 0:56:39 | |
APPLAUSE | 0:56:39 | 0:56:40 | |
Well done, well done. | 0:56:40 | 0:56:42 | |
Do you know what? | 0:56:42 | 0:56:44 | |
I think they should make this just a one-lot programme. | 0:56:44 | 0:56:46 | |
LAUGHTER | 0:56:46 | 0:56:48 | |
Listen, it is. | 0:56:48 | 0:56:49 | |
Yeah, true! | 0:56:49 | 0:56:50 | |
Hey, well done, chaps. | 0:56:50 | 0:56:52 | |
A good innings all round. | 0:56:52 | 0:56:53 | |
That is against all logic. | 0:56:54 | 0:56:56 | |
LAUGHTER | 0:56:56 | 0:56:57 | |
What was it, 740? | 0:56:57 | 0:56:59 | |
What is ridiculous is it's just as illogical one way | 0:56:59 | 0:57:03 | |
as some of the losses were the other way. | 0:57:03 | 0:57:05 | |
So, who is the winner? | 0:57:06 | 0:57:08 | |
Let's find out, shall we? | 0:57:08 | 0:57:10 | |
David and Charlie started with £400. | 0:57:10 | 0:57:12 | |
After paying auction costs, | 0:57:12 | 0:57:14 | |
they made a healthy profit of £304.10, | 0:57:14 | 0:57:18 | |
leaving them with a total of £704.10. | 0:57:18 | 0:57:21 | |
Nick and Phil made an even bigger profit of £350 | 0:57:23 | 0:57:28 | |
leaving them with a total of £750.30, | 0:57:28 | 0:57:32 | |
and crowning them as today's winners. | 0:57:32 | 0:57:34 | |
All profits go to Children In Need. | 0:57:34 | 0:57:36 | |
Congratulations, you two. | 0:57:38 | 0:57:40 | |
Oh, love it, love it! | 0:57:40 | 0:57:41 | |
Well done! | 0:57:41 | 0:57:43 | |
You know what the difference was? | 0:57:43 | 0:57:44 | |
The David Gower cricket bat. | 0:57:44 | 0:57:46 | |
David Gower going on the rostrum and working. | 0:57:46 | 0:57:50 | |
I was excited, it was exciting. | 0:57:50 | 0:57:52 | |
Come on, then, let's go. | 0:57:52 | 0:57:54 | |
-Thank you so much. -Thank you, Nick. | 0:57:54 | 0:57:55 | |
Well done, David. | 0:57:55 | 0:57:57 | |
Very good effort. All the best. | 0:57:57 | 0:57:59 | |
Time to hit the road for the final time. | 0:57:59 | 0:58:01 | |
-Oh! -MOTOR RUMBLES THEN SCRATCHES | 0:58:03 | 0:58:05 | |
Cheers, Philip. | 0:58:05 | 0:58:06 | |
-They were great value. -Yeah, good value. -Yeah, good fun. | 0:58:07 | 0:58:10 | |
I'm not entirely sure that I couldn't make a living at this. | 0:58:11 | 0:58:14 | |
I am entirely sure that you couldn't make a living doing this. | 0:58:14 | 0:58:18 | |
Yes, well, I can't make a living doing anything else | 0:58:18 | 0:58:21 | |
so I may as well do it collecting nice pieces. | 0:58:21 | 0:58:24 | |
They think it's all over. | 0:58:24 | 0:58:26 | |
It is for now. | 0:58:26 | 0:58:27 |