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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
-Oh! -Just want to touch BASS. | 0:00:03 | 0:00:04 | |
-..paired up with an expert... -Boo! | 0:00:04 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:10 | |
Their mission? To scour Britain for antiques. | 0:00:10 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim? To make the biggest profit at auction. | 0:00:15 | 0:00:18 | |
But it's no easy ride. | 0:00:18 | 0:00:20 | |
Who will find a hidden gem? | 0:00:20 | 0:00:22 | |
HORN TOOTS | 0:00:22 | 0:00:23 | |
-Like that. -Who will take the biggest risk? | 0:00:23 | 0:00:25 | |
This could end in disaster. | 0:00:25 | 0:00:27 | |
Will anybody follow expert advice? | 0:00:27 | 0:00:30 | |
-But I love this! -Why would you buy something you're not going to use? | 0:00:30 | 0:00:33 | |
There will be worthy winners, and valiant losers. | 0:00:33 | 0:00:36 | |
-No, I don't want to shake hands. -Put your pedal to the metal. | 0:00:36 | 0:00:39 | |
Let me get out of first gear. | 0:00:39 | 0:00:41 | |
This is the Celebrity Antiques Road Trip. | 0:00:41 | 0:00:44 | |
Yeah! | 0:00:46 | 0:00:48 | |
On our trip today in a 1967 Triumph Herald are two TV legends. | 0:00:49 | 0:00:55 | |
I'm doing my best here, love. | 0:00:55 | 0:00:57 | |
We're going to sink, we're going to sink! | 0:00:57 | 0:00:59 | |
MUSIC: Good Morning Britain by Aztec Camera | 0:00:59 | 0:01:03 | |
Funnyman Brian Conley is behind the wheel, | 0:01:05 | 0:01:07 | |
and let's hope he can find an antique easier than he finds the gears! | 0:01:07 | 0:01:10 | |
GEARS GRIND | 0:01:10 | 0:01:12 | |
Oh, hello! | 0:01:12 | 0:01:15 | |
-Oh, my... -All right, it's my first day! | 0:01:15 | 0:01:18 | |
-Remember the clutch. -Riding shotgun is his old friend, | 0:01:18 | 0:01:21 | |
the original morning sofa smoothie, Nick Owen. | 0:01:21 | 0:01:25 | |
I'm really glad to be driving in a Triumph Herald. | 0:01:25 | 0:01:29 | |
-You're not driving, love. I'm driving. -Being driven, then. | 0:01:29 | 0:01:31 | |
Sorry. I'm easily confused these days! | 0:01:31 | 0:01:34 | |
Not only are these two pals, | 0:01:34 | 0:01:36 | |
but at one time, Nick was even Brian's straight man. | 0:01:36 | 0:01:39 | |
You know, we were like Morecambe and Wise, let's be honest. | 0:01:39 | 0:01:42 | |
-Without the humour. -Yes! | 0:01:42 | 0:01:44 | |
But before Brian and Nick, there was Anne and Nick. | 0:01:45 | 0:01:49 | |
Hello, and a warm welcome to the programme, this Tuesday, January 30th. | 0:01:49 | 0:01:52 | |
They ruled the morning ratings through the '80s and '90s. | 0:01:52 | 0:01:56 | |
Nick is now the face of BBC Midlands Today. | 0:01:56 | 0:01:58 | |
MUSIC: This Charming Man by The Smiths | 0:01:58 | 0:02:02 | |
Brian Conley has been a star of stage and screen for over 40 years. | 0:02:03 | 0:02:07 | |
He's had his own Saturday night show, twice, | 0:02:07 | 0:02:10 | |
hosted game shows, | 0:02:10 | 0:02:11 | |
and recently fronted the BBC's The TV That Made Me. | 0:02:11 | 0:02:15 | |
That was brilliant. That deserves a round of "applaud". | 0:02:15 | 0:02:18 | |
He's also been Buttons in 16, yes, 16 different pantos. | 0:02:20 | 0:02:24 | |
Let's hope it's not Buttons he makes today! | 0:02:24 | 0:02:27 | |
I mean, I hope I've got a good expert. | 0:02:27 | 0:02:29 | |
That is key for us, isn't it? | 0:02:29 | 0:02:30 | |
And I hope mine is more competitive than yours! | 0:02:30 | 0:02:33 | |
-And I hope mine is better-looking than yours. -Yeah. | 0:02:33 | 0:02:35 | |
I wonder which one of these two Brian will be hoping for, then. | 0:02:35 | 0:02:41 | |
Bubbly, stylish and super-smart gemmologist Kate Bliss, | 0:02:41 | 0:02:44 | |
or middle-aged curmudgeon auctioneer Philip Serrell? | 0:02:44 | 0:02:49 | |
It's a tough one! They're in a 1971 MGB GT, | 0:02:49 | 0:02:52 | |
a racy little number for a racy couple. | 0:02:52 | 0:02:55 | |
Do you know what? I'm going to come right out with it, I'm afraid. | 0:02:55 | 0:02:59 | |
-Go on, go on, go on. -Do you mind if I nab Brian? | 0:02:59 | 0:03:01 | |
I just adore his voice! | 0:03:01 | 0:03:05 | |
He's got the most incredible baritone, deep baritone. | 0:03:05 | 0:03:08 | |
Watch out, Brian! | 0:03:08 | 0:03:10 | |
DEEP VOICE: Some of us, of course, are just blessed with a golden voice, | 0:03:10 | 0:03:13 | |
I suppose. | 0:03:13 | 0:03:16 | |
Let's see where our pairs are going with their £400 today. | 0:03:16 | 0:03:20 | |
Starting off in Albrighton in the beautiful county of Shropshire, | 0:03:20 | 0:03:23 | |
they will be meandering their way around the West Midlands to Stourbridge, | 0:03:23 | 0:03:27 | |
before heading nearly 150 miles south-east to auction in | 0:03:27 | 0:03:31 | |
Stansted Mountfitchet. Say that quickly! | 0:03:31 | 0:03:34 | |
-Mind that car! -Yeah, I know. | 0:03:34 | 0:03:36 | |
-Nick, how are you? -Hello! | 0:03:36 | 0:03:38 | |
-Hello, how are you? -Hi, welcome! | 0:03:38 | 0:03:40 | |
I'm pleased you opened the door, because it doesn't work! | 0:03:40 | 0:03:42 | |
-Who's going to work with who, then? -I've got a confession. | 0:03:42 | 0:03:45 | |
Because I've got a little bit of a weak-knee job when I hear Brian's voice. | 0:03:45 | 0:03:50 | |
-Because he's got this incredible... -Lovely! | 0:03:50 | 0:03:53 | |
So, on that basis, I'm going to work with Nick! | 0:03:53 | 0:03:56 | |
-Let's get this Road Trip going! -OK. | 0:03:56 | 0:03:59 | |
First out of the blocks are Kate and Brian, | 0:04:01 | 0:04:04 | |
and it's a chance for her to get to know the man behind the voice. | 0:04:04 | 0:04:07 | |
-How did you start, in...? -I'm dyslexic, and I very much... | 0:04:07 | 0:04:12 | |
In my time at school, you know, you were just put in the remedial class, | 0:04:12 | 0:04:16 | |
and seen as someone who couldn't keep up and was thick. | 0:04:16 | 0:04:19 | |
So to defuse that, I would make people laugh, | 0:04:19 | 0:04:22 | |
and that's how the comedy came about. | 0:04:22 | 0:04:24 | |
I always say I was born to sing, and everything else I learnt. | 0:04:24 | 0:04:28 | |
Famously, I played Al Jolson for three years. | 0:04:28 | 0:04:31 | |
We went to Canada with that and the show won an Olivier Award, | 0:04:31 | 0:04:35 | |
which I'm very proud of. | 0:04:35 | 0:04:36 | |
Wow. So, what do you think you might be interested in? | 0:04:36 | 0:04:40 | |
Well, I do like my showbusiness, but I'm happy to be guided by yourself. | 0:04:40 | 0:04:45 | |
At the end of the day, it's what is in the shop. | 0:04:45 | 0:04:47 | |
At the end of the day, Kate, we've got to beat them. | 0:04:47 | 0:04:49 | |
-We have got to beat them! -We've got to pump them into the ground, love. -Oh, yeah? | 0:04:49 | 0:04:52 | |
The first stop on Brian and Kate's mission is the Victorian spa town of | 0:04:52 | 0:04:56 | |
Church Stretton. | 0:04:56 | 0:04:58 | |
-Yeah, I like the look of that. -They're starting their shopping at | 0:04:58 | 0:05:01 | |
Stretton Antiques Market, which looks stuffed. | 0:05:01 | 0:05:04 | |
Oh, I like these. | 0:05:05 | 0:05:07 | |
I like these curtains. | 0:05:07 | 0:05:08 | |
I just think they'd make a lovely dress, or a pair of glasses. | 0:05:08 | 0:05:12 | |
-Come on. -No? All right, then. | 0:05:12 | 0:05:13 | |
I think you NEED glasses, Brian! | 0:05:13 | 0:05:16 | |
Ah, yes, that's better. | 0:05:16 | 0:05:18 | |
-Now, I like that. -What have you seen? | 0:05:19 | 0:05:21 | |
Oh, I like that - look. | 0:05:21 | 0:05:22 | |
Oh, this is entertainment. | 0:05:22 | 0:05:24 | |
Oh, I really like that. | 0:05:24 | 0:05:26 | |
-Of course I do. -A bit of showbiz, just what Brian wanted. | 0:05:26 | 0:05:31 | |
-It's Sinatra. -Do you think? | 0:05:31 | 0:05:32 | |
No, it's not. I don't know, I think it's a very bad Sinatra. | 0:05:32 | 0:05:35 | |
I love it, I really do. | 0:05:35 | 0:05:37 | |
You know, like, when you go, you've got to get something you love? | 0:05:37 | 0:05:40 | |
That's right up your street, isn't it? | 0:05:40 | 0:05:42 | |
Do you know what? I want to buy it. | 0:05:42 | 0:05:44 | |
Ol' Blue Eyes here is only £11.25. | 0:05:47 | 0:05:51 | |
He's no antique, but Brian doesn't mind. | 0:05:51 | 0:05:54 | |
And I have to say, at auction, I'll buy it. | 0:05:54 | 0:05:57 | |
Yeah, but will anyone else? | 0:05:57 | 0:05:59 | |
Time to talk to shop owner Tom. | 0:05:59 | 0:06:01 | |
When he's finished his cuppa, that is. | 0:06:01 | 0:06:03 | |
-You know, I'd start really low. -Go on, then. -A fiver? | 0:06:03 | 0:06:06 | |
-Five? -Yeah. | 0:06:06 | 0:06:07 | |
-OK, so I'm going to go in that low. -Well, and then you can always come up. | 0:06:07 | 0:06:10 | |
-I know, but... -But if you go in, you can't come down. | 0:06:10 | 0:06:13 | |
-All right, yeah. -Yeah? | 0:06:13 | 0:06:14 | |
All right. I do feel a bit awkward about saying five. | 0:06:14 | 0:06:16 | |
I'll warm it up. You'll be fine. | 0:06:16 | 0:06:18 | |
-OK, OK. -Top tip, Kate. | 0:06:18 | 0:06:19 | |
Fingers crossed, Brian can follow them through. | 0:06:19 | 0:06:22 | |
Tom, we would like to show you this, quite honestly, bit of tat. | 0:06:22 | 0:06:26 | |
If I said to you that I'm happy to come in... | 0:06:26 | 0:06:29 | |
I can't even say it, Kate. | 0:06:29 | 0:06:31 | |
You want me to come in at such a... | 0:06:31 | 0:06:33 | |
I want to come in at about...£9. | 0:06:33 | 0:06:36 | |
That's not the greatest start. | 0:06:36 | 0:06:38 | |
£9, and I'll sing to you. | 0:06:38 | 0:06:41 | |
# Fly me to the moon | 0:06:41 | 0:06:43 | |
-# Let me play among the stars... # -I haven't said... | 0:06:43 | 0:06:46 | |
Well, I'm trying to influence. | 0:06:46 | 0:06:48 | |
# Let me know what spring is like | 0:06:48 | 0:06:50 | |
# On Jupiter and Mars... # | 0:06:50 | 0:06:52 | |
Tom? | 0:06:52 | 0:06:53 | |
I think Tom would rather he was on Mars. | 0:06:53 | 0:06:56 | |
I suppose I'll have to, after all that. | 0:06:56 | 0:06:58 | |
-A personal appearance of... -You lovely man! -..Brian Conley. | 0:06:58 | 0:07:02 | |
Kate, I would probably have done it for eight, | 0:07:02 | 0:07:04 | |
-but he's offered me nine. -Oh! | 0:07:04 | 0:07:06 | |
And I sang to you, and I sang! | 0:07:06 | 0:07:08 | |
I know, I got a free song as well! | 0:07:08 | 0:07:10 | |
A deal's a deal. Brian got Tom down from £11.25 to £9, and what's more, | 0:07:11 | 0:07:16 | |
he did it "his way", which is to say, not very well. | 0:07:16 | 0:07:20 | |
-Stick to your day job! -I know. | 0:07:20 | 0:07:23 | |
While those two keep browsing, | 0:07:23 | 0:07:25 | |
Nick and Phil are also getting to know one another. | 0:07:25 | 0:07:27 | |
This is your home patch, Nick, isn't it? | 0:07:27 | 0:07:29 | |
Well, I know it very well, | 0:07:29 | 0:07:31 | |
because I was lucky enough to come to school in Shropshire as a young | 0:07:31 | 0:07:34 | |
-lad many moons ago. -So you're a Salopian? | 0:07:34 | 0:07:36 | |
Yeah, I am a Salopian. | 0:07:36 | 0:07:38 | |
My father is a genuine Shropshire lad, | 0:07:38 | 0:07:40 | |
so I do know the county quite well, | 0:07:40 | 0:07:42 | |
and it's always wonderful to come back. | 0:07:42 | 0:07:45 | |
Are you in any way an antique aficionado? | 0:07:45 | 0:07:49 | |
I'm afraid I am clueless about antiques. | 0:07:49 | 0:07:53 | |
Fascinated, you know, I love hearing the history of things, | 0:07:53 | 0:07:56 | |
and I really enjoy watching programmes about antiques on television, | 0:07:56 | 0:08:00 | |
because the history associated with them is absolutely fascinating. | 0:08:00 | 0:08:03 | |
I'll do my best when we come to bargaining, | 0:08:03 | 0:08:06 | |
but it's a bit of a new area for me. | 0:08:06 | 0:08:09 | |
I'm pretty clueless, I'm not very streetwise. | 0:08:09 | 0:08:11 | |
Well, you're in good company, mate, I tell you. | 0:08:11 | 0:08:14 | |
Between us, we'll make a hash of it together. | 0:08:14 | 0:08:16 | |
We'll buy stuff we like, that's the thing. | 0:08:16 | 0:08:19 | |
Nick and Phil's first destination is Much Wenlock. | 0:08:19 | 0:08:23 | |
These two sports fans might be intrigued to know that the | 0:08:23 | 0:08:26 | |
19th-century Wenlock Olympian Games were a precursor to the modern Olympics. | 0:08:26 | 0:08:32 | |
I wonder if they will find any gold in their first shop, Memories? | 0:08:32 | 0:08:37 | |
-Shall I go in? -Yeah, absolutely. | 0:08:37 | 0:08:39 | |
-Yeah, good idea. -Wow! -Blimey, this is full to bursting. | 0:08:39 | 0:08:42 | |
There's not much stuff in here, is there? | 0:08:42 | 0:08:44 | |
You couldn't swing a cat in here. | 0:08:44 | 0:08:46 | |
Oh, hello! Sorry, puss, just a figure of speech! | 0:08:46 | 0:08:49 | |
Looking after the cat and the shop is dealer Mary. | 0:08:49 | 0:08:52 | |
-Hi, Mary. -Something's just taken my eye. | 0:08:52 | 0:08:55 | |
That jug, can you see that? | 0:08:55 | 0:08:56 | |
-What, this one? -Yeah. Is that for wine or something? | 0:08:56 | 0:08:59 | |
I mean, it could be a claret jug or a wine jug, | 0:08:59 | 0:09:02 | |
or it could be for lemonade. | 0:09:02 | 0:09:03 | |
This is hobnail cut, cos it's like hobnails. | 0:09:03 | 0:09:06 | |
-Yeah. -This is a hallmarked silver. | 0:09:06 | 0:09:08 | |
So it is silver, then? | 0:09:08 | 0:09:10 | |
Yes. If you want to nit-pick, there's a dink there, | 0:09:10 | 0:09:12 | |
but I think that really is nit-picking. | 0:09:12 | 0:09:14 | |
-That's character. -Yeah, I've got some character, I tell you. | 0:09:14 | 0:09:17 | |
-I like that a lot. -Do you? | 0:09:17 | 0:09:19 | |
-Yeah, I do. -Yeah. -Yeah, rubs up nice too. | 0:09:19 | 0:09:21 | |
The ticket price for this lovely Victorian lemonade jug is £159. | 0:09:21 | 0:09:25 | |
Now, can Nick do any better with the haggling than Brian? | 0:09:25 | 0:09:28 | |
-Please don't sing, Nick! -You're leaving me to do this, are you? | 0:09:28 | 0:09:30 | |
-Yeah, yeah, yeah. I can trust you. -Well, I am a hard-nosed businessman. | 0:09:30 | 0:09:33 | |
-I'm listening, I'm listening. -Oh, right, OK. | 0:09:33 | 0:09:35 | |
-I'll be kind. -No, no, I mean, | 0:09:35 | 0:09:37 | |
I would have to come in at about £60 for that. | 0:09:37 | 0:09:42 | |
-Blimey. -60 is a little bit low for me. | 0:09:42 | 0:09:45 | |
Very best would be about 80. | 0:09:48 | 0:09:49 | |
I could do you 80. | 0:09:49 | 0:09:51 | |
If you say 80, I say 60, why don't we say 70? | 0:09:51 | 0:09:55 | |
75? | 0:09:56 | 0:09:58 | |
70. | 0:09:58 | 0:09:59 | |
He's good. He really is very good at this. | 0:09:59 | 0:10:02 | |
Oh, Mary. I've done a deal! How exciting. | 0:10:02 | 0:10:05 | |
-Mary, thank you. -It's done. | 0:10:05 | 0:10:07 | |
Nearly £90 off. | 0:10:07 | 0:10:09 | |
I think Phil's landed on his feet with this one. | 0:10:09 | 0:10:12 | |
So we've been here five minutes, and you've bought that first lot. | 0:10:12 | 0:10:15 | |
-Yeah, yeah. -Well, all I can say is, look out, Mr Conley. | 0:10:15 | 0:10:18 | |
Back in Church Stretton, Brian and Kate are still shopping. | 0:10:19 | 0:10:22 | |
Hey, Brian, what do you think of this? | 0:10:23 | 0:10:25 | |
Erm, I think it's rubbish. | 0:10:25 | 0:10:28 | |
Look at it. It's disgusting... | 0:10:28 | 0:10:30 | |
-Not that! -..and it's plastic, it's not even real! | 0:10:30 | 0:10:33 | |
Right, just get rid of those. | 0:10:33 | 0:10:35 | |
-What do you think of that? -Oh, right, this? | 0:10:35 | 0:10:37 | |
-Yeah. -I don't know. What do you think of it? | 0:10:37 | 0:10:40 | |
Well, you know, do you know what the little trick is? | 0:10:40 | 0:10:43 | |
The drawers are often a giveaway, | 0:10:43 | 0:10:45 | |
because it may have been aged on the outside with staining and | 0:10:45 | 0:10:50 | |
distressing, but they don't bother to do that on the inside. | 0:10:50 | 0:10:53 | |
And you can see... | 0:10:53 | 0:10:54 | |
-Oh, God, yeah. -You know, if there's any new timber there, | 0:10:54 | 0:10:56 | |
-that's where it's going to be. -Which, of course, there is on this. | 0:10:56 | 0:10:59 | |
So yeah, so I think it's probably 20th century. | 0:10:59 | 0:11:02 | |
Kate, you're so clever. | 0:11:02 | 0:11:04 | |
-How much is it? -Well, the price there is 95. | 0:11:04 | 0:11:08 | |
Now, I've seen these at auction make £60, I've seen them make £160. | 0:11:08 | 0:11:15 | |
It might be worth having a go, | 0:11:15 | 0:11:16 | |
but I think I'd want quite a bit of leeway on 95. | 0:11:16 | 0:11:20 | |
I'll let you do the bargaining, because I'm rubbish at that. | 0:11:20 | 0:11:23 | |
-I really am! -I think there's room for improvement. | 0:11:23 | 0:11:26 | |
I know, I just can't, I can't do it! | 0:11:26 | 0:11:28 | |
That's one to think about just now. | 0:11:29 | 0:11:30 | |
Oh, I like that. | 0:11:32 | 0:11:34 | |
Do you know, I like the price as well. | 0:11:34 | 0:11:36 | |
£4, I bet you're going to knock them down to one or something. | 0:11:36 | 0:11:38 | |
-What is that? -Look, Art Deco magnifying mirror. | 0:11:38 | 0:11:41 | |
OK, it's a small mirror. | 0:11:41 | 0:11:43 | |
I actually thought it was a magnifying glass. | 0:11:43 | 0:11:45 | |
What would you use that for, then, just to...? | 0:11:45 | 0:11:47 | |
Yeah. Do your lippy. | 0:11:47 | 0:11:48 | |
-Have a look. -I'm going to look all professional. | 0:11:48 | 0:11:51 | |
So hold the glass, and then bring the object up to it. | 0:11:51 | 0:11:54 | |
Oh, right. I nearly had my eye out there! | 0:11:54 | 0:11:56 | |
Oh, yeah, I can see... | 0:11:56 | 0:11:57 | |
-Got it? -Yeah. | 0:11:57 | 0:11:58 | |
And you can see a little bit of cracking on there. | 0:11:58 | 0:12:01 | |
-Yes, you're right. -Now, to me, that's nice, | 0:12:01 | 0:12:03 | |
because that shows it is a period piece. | 0:12:03 | 0:12:06 | |
Possibly '50s rather than '30s, but it's very much in that Art Deco style. | 0:12:06 | 0:12:12 | |
I'm sure we'll make a profit on that. | 0:12:12 | 0:12:14 | |
So £4, are you going to knock them down on £4? | 0:12:14 | 0:12:17 | |
You know, for £4, I don't think I dare. | 0:12:17 | 0:12:19 | |
-Even I... -Good, good. | 0:12:19 | 0:12:21 | |
Because I think... Oh, I don't think I could cope! | 0:12:21 | 0:12:23 | |
It's OK, Tom, no need to get up. | 0:12:23 | 0:12:26 | |
So, the Art Deco mirror is a possible, but what about that washstand? | 0:12:26 | 0:12:30 | |
-You've got it priced at 95. -OK. | 0:12:30 | 0:12:33 | |
We'd really like a good price, if we can. | 0:12:33 | 0:12:37 | |
Go on, son, go on, mate. | 0:12:37 | 0:12:39 | |
We'll be your best friend. | 0:12:39 | 0:12:40 | |
-Go on. -Obviously, there's got to be something in it for you, Tom. | 0:12:40 | 0:12:43 | |
-I'll give you an autograph. I'll give you an autograph. -No, you're all right, Brian. | 0:12:43 | 0:12:46 | |
I mean, if I said 65? | 0:12:46 | 0:12:48 | |
-No, I can't. -No. | 0:12:48 | 0:12:50 | |
The best, the very best I'll do it for is £80. | 0:12:50 | 0:12:53 | |
That's a little bit more than I should do, but I'll do it for £80. | 0:12:53 | 0:12:57 | |
For £80 for the washstand... | 0:12:57 | 0:12:59 | |
Yes, we have seen something else actually, Tom. | 0:12:59 | 0:13:01 | |
-Right. -Have you got it, Brian? | 0:13:01 | 0:13:03 | |
I have, indeed. It's this. | 0:13:03 | 0:13:05 | |
I wondered if we... | 0:13:05 | 0:13:07 | |
You know what we're going to say, Tom, don't you? | 0:13:08 | 0:13:10 | |
-Of course I do. -Can we have the both of them for £80? -I will throw that | 0:13:10 | 0:13:13 | |
in with £80, yes. | 0:13:13 | 0:13:14 | |
-Oh, bless you, mate. -But you haven't got to sing to me. | 0:13:14 | 0:13:17 | |
That's nice, isn't it? | 0:13:17 | 0:13:19 | |
No singing? What would Frank say? | 0:13:19 | 0:13:22 | |
So that's three items bought for a total of £89. | 0:13:22 | 0:13:25 | |
-Thank you, Tom! Bye! -Thank you, Tom, God bless you! | 0:13:25 | 0:13:28 | |
-Bye! -We'd better win! | 0:13:28 | 0:13:30 | |
Back in Much Wenlock, | 0:13:32 | 0:13:33 | |
for Nick and Phil there's an embarrassment of riches. | 0:13:33 | 0:13:37 | |
I've never seen so many hairbrushes in my life. | 0:13:37 | 0:13:39 | |
Mind you, I don't think I'd need quite so many myself, will I, really? | 0:13:39 | 0:13:42 | |
Cos not too much going on up here. | 0:13:42 | 0:13:45 | |
And this, you see. This is a wonderful example of ancient, | 0:13:45 | 0:13:49 | |
-19th-century bubble wrap. -Hey, enough of the jokes, Mary is not amused. | 0:13:49 | 0:13:53 | |
Mary, is there anything you can perhaps point us in the direction of? | 0:13:56 | 0:14:00 | |
Did you notice the chargers, the Japanese chargers? | 0:14:00 | 0:14:03 | |
They're Imari, aren't they? | 0:14:03 | 0:14:05 | |
-Yes. -So these would have been made, what, 1870, 1880? | 0:14:05 | 0:14:10 | |
Imari is the name for a Japanese style of porcelain, | 0:14:10 | 0:14:14 | |
and chargers are the big plates that are put under your main plates at | 0:14:14 | 0:14:17 | |
banquets and in posh restaurants. | 0:14:17 | 0:14:19 | |
What I love about them is that there, and that there. | 0:14:19 | 0:14:22 | |
-A bit of chewing gum? -Well, yeah, but almost, | 0:14:22 | 0:14:24 | |
that's what it stood on in the kiln when it was fired. | 0:14:24 | 0:14:27 | |
OK? So that's what supported it. | 0:14:27 | 0:14:29 | |
-Oh. -And then it would have just been snapped off when it came out of the | 0:14:29 | 0:14:32 | |
kiln. And these are all down to money, really. | 0:14:32 | 0:14:35 | |
These are £110 each. | 0:14:35 | 0:14:37 | |
I'm hoping for the pair, is it? | 0:14:37 | 0:14:40 | |
It's each, actually. | 0:14:40 | 0:14:41 | |
I don't think we'd get anywhere near those. | 0:14:41 | 0:14:44 | |
Actually, I'd do 90 for the two. | 0:14:44 | 0:14:46 | |
Cos I've still got the others. | 0:14:46 | 0:14:48 | |
We're starting to mean business now, aren't we? | 0:14:48 | 0:14:50 | |
We paid £70 for the lemonade thingamajig whatsit, haven't we? | 0:14:50 | 0:14:54 | |
-Yes. -So just to make the sums really easy, | 0:14:54 | 0:14:56 | |
can we give you 70 quid for the two of these? | 0:14:56 | 0:14:58 | |
Then we'll get out of your life and never ever darken your door ever again, | 0:14:58 | 0:15:01 | |
-will we? -No, absolutely not. | 0:15:01 | 0:15:02 | |
I can go with that. | 0:15:02 | 0:15:04 | |
Yes? | 0:15:04 | 0:15:06 | |
Shake his hand, quick. | 0:15:07 | 0:15:09 | |
And kiss it. | 0:15:09 | 0:15:11 | |
£150 off the two chargers. | 0:15:12 | 0:15:15 | |
Oh, dear. Great business again, chaps. | 0:15:15 | 0:15:17 | |
These two have really hit the ground running. | 0:15:17 | 0:15:19 | |
So, with the boys' purchases packed up, | 0:15:19 | 0:15:21 | |
it's time to see what Kate and Brian are now up to. | 0:15:21 | 0:15:23 | |
They are travelling 14 miles to Shrewsbury, the county town of Shropshire, | 0:15:23 | 0:15:27 | |
and the birthplace of Charles Darwin, | 0:15:27 | 0:15:29 | |
to visit a place that might just interest Brian. | 0:15:29 | 0:15:32 | |
We're going to take out an hour or two, | 0:15:32 | 0:15:34 | |
and we're going to go to the Shropshire Regimental Museum. | 0:15:34 | 0:15:37 | |
Oh, that's good! I do like my military. | 0:15:37 | 0:15:40 | |
I don't know if you know, but I do do some charity work for... | 0:15:40 | 0:15:43 | |
It's a thing called Hire A Hero. | 0:15:43 | 0:15:44 | |
-Right. -Which is all to do with the military, | 0:15:44 | 0:15:46 | |
where they rehabilitate guys from the Navy, from the Air Force, | 0:15:46 | 0:15:51 | |
from the Army. Yeah, it's going to be interesting, that. | 0:15:51 | 0:15:53 | |
Oh, I'm pleased we're doing that, that's good. | 0:15:53 | 0:15:55 | |
The museum is in the majestic Shrewsbury Castle, | 0:15:56 | 0:16:00 | |
and it pays tribute to a regiment that had been involved in many key | 0:16:00 | 0:16:03 | |
moments of history. | 0:16:03 | 0:16:05 | |
But there are three that really stand out. | 0:16:05 | 0:16:08 | |
Curator Christine Bernath is here to tell them more. | 0:16:08 | 0:16:11 | |
-Hello. -Hello! | 0:16:11 | 0:16:13 | |
-Lovely to meet you. -The regiment can trace its origins back to Shropshire | 0:16:13 | 0:16:17 | |
in 1755, | 0:16:17 | 0:16:19 | |
but in 1815, its 53rd regiment were at the centre of global affairs, | 0:16:19 | 0:16:24 | |
when they were sent to the remote South Atlantic island of St Helena, | 0:16:24 | 0:16:28 | |
to guard the most prized prisoner in the world, | 0:16:28 | 0:16:31 | |
the defeated French Emperor, Napoleon Bonaparte. | 0:16:31 | 0:16:35 | |
53rd were essentially there to guide him. | 0:16:35 | 0:16:38 | |
But also just keep him comfortable. | 0:16:38 | 0:16:40 | |
One of the officers, Captain Poppleton, was his aide-de-camp, and it was his task, | 0:16:40 | 0:16:43 | |
really, to look after Napoleon and make sure he was happy. | 0:16:43 | 0:16:46 | |
The two built up a close relationship, | 0:16:46 | 0:16:49 | |
and there's a token of their friendship on display here - | 0:16:49 | 0:16:52 | |
a lock of Napoleon's hair. | 0:16:52 | 0:16:54 | |
Is it quite unusual to give a lock of hair? | 0:16:54 | 0:16:57 | |
Not really, in the case of Napoleon. | 0:16:57 | 0:16:59 | |
He thought himself a bit of a celebrity, | 0:16:59 | 0:17:00 | |
and he really quite liked giving away locks of hair to people, almost | 0:17:00 | 0:17:03 | |
-as a signature of sorts. -Oh, right. | 0:17:03 | 0:17:05 | |
It was a sentimental piece, and in his mind, I mean, | 0:17:05 | 0:17:08 | |
what better way to express gratitude than giving them such a personal | 0:17:08 | 0:17:11 | |
-item to take home? -Can I touch it? | 0:17:11 | 0:17:13 | |
If you just wouldn't mind popping on some cotton gloves... | 0:17:13 | 0:17:17 | |
I played Al Jolson, of course, who famously wore... | 0:17:17 | 0:17:19 | |
-IMITATES JOLSON: -"Folks, you ain't heard nothing yet. Thank you very much." | 0:17:19 | 0:17:23 | |
So this is it! | 0:17:23 | 0:17:25 | |
This is Napoleon's DNA. | 0:17:25 | 0:17:28 | |
One day, they will cut a bit of it off and make another Napoleon. | 0:17:28 | 0:17:32 | |
Isn't that amazing? | 0:17:32 | 0:17:33 | |
It wasn't just Captain Poppleton that Napoleon respected, | 0:17:34 | 0:17:38 | |
but the whole 53rd Shropshire Regiment, | 0:17:38 | 0:17:41 | |
who he nicknamed the Red Regiment, after their uniforms. | 0:17:41 | 0:17:45 | |
There was an incident when he fell out with the governor of St Helena, | 0:17:45 | 0:17:48 | |
and said that he would go and dine with the officers of his Red Regiment instead, | 0:17:48 | 0:17:52 | |
because they knew how to treat an old soldier hospitably. | 0:17:52 | 0:17:55 | |
Oh, right. So there was a lot of respect. | 0:17:55 | 0:17:57 | |
There was a lot of respect, | 0:17:57 | 0:17:59 | |
I think they were actually quite fond of each other. | 0:17:59 | 0:18:01 | |
Napoleon lived out the rest of his life on St Helena, | 0:18:01 | 0:18:04 | |
and died there in 1821. | 0:18:04 | 0:18:07 | |
But around the same time, another part of the Shropshire Regiment, | 0:18:07 | 0:18:11 | |
the 85th, were earning their place in the history books, | 0:18:11 | 0:18:14 | |
as they moved across the Atlantic to fight the Americans. | 0:18:14 | 0:18:17 | |
And their actions there may have led to the name of one of the world's | 0:18:17 | 0:18:22 | |
most famous buildings. | 0:18:22 | 0:18:24 | |
What we have here is one of the colours that was captured at the Battle of Bladensburg | 0:18:24 | 0:18:28 | |
in 1814, as part of the War Of 1812 against North America. | 0:18:28 | 0:18:31 | |
This regimental standard was captured from the Americans | 0:18:31 | 0:18:35 | |
as the 85th Shropshire occupied the new American capital. | 0:18:35 | 0:18:39 | |
So the army moved in towards Washington, supposedly to negotiate a truce. | 0:18:39 | 0:18:44 | |
However, they were shot at from one of the residential buildings, | 0:18:44 | 0:18:46 | |
and some say, in reaction to this, they decided to torch all the | 0:18:46 | 0:18:50 | |
government buildings, including the President's house. | 0:18:50 | 0:18:52 | |
So the President's house, the White House...? | 0:18:52 | 0:18:56 | |
That's right. There is a legend that says it was painted white because | 0:18:56 | 0:19:00 | |
they wanted to hide the charred remains of the brickwork. | 0:19:00 | 0:19:03 | |
MUSIC: Star Spangled Banner | 0:19:03 | 0:19:05 | |
It's not clear if this is true. | 0:19:05 | 0:19:07 | |
But what we do know is that the Shropshire Regiment certainly left | 0:19:07 | 0:19:10 | |
their mark on the American capital. | 0:19:10 | 0:19:13 | |
Wow, so, I mean, in terms of history, | 0:19:13 | 0:19:15 | |
that is an incredible event to happen, isn't it, | 0:19:15 | 0:19:17 | |
for the White House to be taken, and possibly unprecedented...? | 0:19:17 | 0:19:21 | |
That's right. And it is also the only time a Union Flag has been | 0:19:21 | 0:19:24 | |
flown from the top of the White House, as well. | 0:19:24 | 0:19:27 | |
The 1812 war would ultimately end in stalemate. | 0:19:27 | 0:19:30 | |
But it was the closing stages of the Second World War, over 120 years | 0:19:30 | 0:19:35 | |
later, that would put the Shropshire Regiment at the centre of historic | 0:19:35 | 0:19:39 | |
events once again. And it's this baton, | 0:19:39 | 0:19:42 | |
signifying the highest rank in Nazi Germany, that is the proof. | 0:19:42 | 0:19:46 | |
So who did this belong to? | 0:19:47 | 0:19:49 | |
This particular baton belonged to Grand Admiral Karl Donitz, | 0:19:49 | 0:19:53 | |
who was the commander in chief of the German Navy. | 0:19:53 | 0:19:56 | |
After Hitler's suicide in 1945, surrender wasn't immediate, | 0:19:56 | 0:20:00 | |
and Hitler's will specified that Admiral Donitz became Fuhrer. | 0:20:00 | 0:20:05 | |
Donitz fought on for 23 days, | 0:20:05 | 0:20:08 | |
before he surrendered near the Danish border, to a brigade of the | 0:20:08 | 0:20:12 | |
British Army, which included the 4th Battalion of the Shropshire Regiment. | 0:20:12 | 0:20:16 | |
The Nazis had finally been defeated, | 0:20:16 | 0:20:18 | |
and Donitz was forced to hand over the symbolic baton. | 0:20:18 | 0:20:22 | |
So, this really symbolised the end of the Third Reich, then? | 0:20:22 | 0:20:26 | |
It has got some weight to it, hasn't it? | 0:20:26 | 0:20:28 | |
So, what happened to Donitz after his capture? | 0:20:28 | 0:20:32 | |
He was tried for war crimes and eventually sent to prison. | 0:20:32 | 0:20:35 | |
-That's amazing. -And it's fascinating to learn that the Shropshire Regiment | 0:20:35 | 0:20:39 | |
was there at such key moments in history. | 0:20:39 | 0:20:41 | |
Thank you so much, Christine. | 0:20:41 | 0:20:43 | |
Yeah, it's been a real pleasure. | 0:20:43 | 0:20:45 | |
-You're very, very clever. -Thank you both! | 0:20:45 | 0:20:46 | |
Thank you. | 0:20:46 | 0:20:48 | |
Nick and Phil have come 13 miles from Much Wenlock, | 0:20:48 | 0:20:51 | |
and are also now in Shrewsbury. | 0:20:51 | 0:20:54 | |
They have taken a trip down memory lane - literally. | 0:20:54 | 0:20:57 | |
Here it is, look, Memory Lane. | 0:20:57 | 0:20:59 | |
Shall we take a trip down Memory Lane? | 0:20:59 | 0:21:01 | |
Hey. I've done that gag, Phil. | 0:21:01 | 0:21:03 | |
But will there be any unforgettable collectables? | 0:21:03 | 0:21:06 | |
Helping out is Holly. | 0:21:06 | 0:21:07 | |
Hi, Holly. | 0:21:07 | 0:21:09 | |
OK, where do you want to start? | 0:21:10 | 0:21:12 | |
I suppose we ought to start at the beginning. | 0:21:12 | 0:21:14 | |
Well, I like the old fire mark up there, look. | 0:21:14 | 0:21:16 | |
-If it's an old one. -Oh, what, with the animals on, the lions or something? | 0:21:16 | 0:21:19 | |
Yeah. In the 17th and 18th century you would have that nailed to the wall | 0:21:19 | 0:21:23 | |
of your house, so that if your timbered property in Shrewsbury | 0:21:23 | 0:21:27 | |
-was set on fire... -Yes.... | 0:21:27 | 0:21:30 | |
..the fire engine would come, | 0:21:30 | 0:21:32 | |
and if you subscribed to their insurance company, | 0:21:32 | 0:21:35 | |
which they knew by the fire mark on the wall, | 0:21:35 | 0:21:37 | |
they would then put your fire out. | 0:21:37 | 0:21:39 | |
But if you didn't subscribe... | 0:21:39 | 0:21:41 | |
-Pfft! -You're joking?! -No, no, no, no. | 0:21:41 | 0:21:43 | |
We know this fire mark was on a local property, | 0:21:43 | 0:21:46 | |
as the three leopards on it are from the Shrewsbury coat of arms. | 0:21:46 | 0:21:50 | |
-Do you like that? -I do, actually. | 0:21:50 | 0:21:53 | |
It's... Well, there's a story behind it, isn't there? | 0:21:53 | 0:21:56 | |
-Yeah, I quite like that. -What?! | 0:21:56 | 0:21:58 | |
£95,000? | 0:21:58 | 0:22:01 | |
Oh, £95, sorry! | 0:22:01 | 0:22:02 | |
-£95! -Yeah, I'm not very good on noughts. | 0:22:02 | 0:22:04 | |
-Are you OK? -I thought it was angina... | 0:22:04 | 0:22:06 | |
-Yeah. -You've got to look after the old folk. | 0:22:06 | 0:22:08 | |
Do you want to sit down? First thing we look at, | 0:22:08 | 0:22:10 | |
and we like it. Well, we'll think about it, shall we? | 0:22:10 | 0:22:12 | |
-Yeah, yeah, let's have a wander. -Let's have a little wander. | 0:22:12 | 0:22:15 | |
So, the fire mark is one for the back burner. | 0:22:15 | 0:22:17 | |
Who writes this stuff? | 0:22:17 | 0:22:19 | |
I think it's an early coffee grinder... | 0:22:21 | 0:22:24 | |
How on earth do you know that?! | 0:22:24 | 0:22:26 | |
It says, "Early coffee grinder". | 0:22:26 | 0:22:28 | |
Which means you could only use it up till about 8.30 in the morning. | 0:22:28 | 0:22:31 | |
-But... -Oh, Nick, your jokes are older than some of the antiques in here. | 0:22:32 | 0:22:36 | |
Did I ever tell you that my grandfather had a fantastic collection of | 0:22:36 | 0:22:40 | |
clocks and watches, and when he died, it took absolutely ages to | 0:22:40 | 0:22:44 | |
wind up his estate. Erm, but... | 0:22:44 | 0:22:46 | |
-It is late in the day, isn't it? -Yeah. | 0:22:46 | 0:22:49 | |
-Yeah, OK, fine. -It's time for these two to make a purchase. | 0:22:49 | 0:22:53 | |
Have you seen that? It's like a ladle or something. | 0:22:53 | 0:22:56 | |
-Let's have a look, then. -I'm a bit nervous about picking it up. | 0:22:56 | 0:23:00 | |
-Oh, well spotted, you, guv. -What do you think? | 0:23:00 | 0:23:02 | |
I like that. That's a real bit of yesterday's antique, that is. | 0:23:02 | 0:23:05 | |
Yeah, it's quite nice, isn't it? | 0:23:05 | 0:23:08 | |
The label here says it's an 1826 Glaswegian toddy ladle. | 0:23:08 | 0:23:13 | |
"Toddy" is a form of punch, and you warm up when you drink it. | 0:23:13 | 0:23:16 | |
But what's nice... That is whalebone. | 0:23:16 | 0:23:19 | |
Although the handle is made of protected whalebone, or baleen, | 0:23:19 | 0:23:22 | |
thanks to its age, it's legal to be sold as an antique. | 0:23:22 | 0:23:25 | |
I mean, people don't make things with whalebone... | 0:23:25 | 0:23:28 | |
-No. -Fins ain't what they used to be. | 0:23:28 | 0:23:30 | |
No, no, no. | 0:23:30 | 0:23:31 | |
He's on fire today. | 0:23:32 | 0:23:34 | |
Let's have a chat. Shall we just ask? | 0:23:34 | 0:23:36 | |
Yeah. Let's go and have a chat with Holly. | 0:23:36 | 0:23:38 | |
The ticket price for this fetching Georgian toddy ladle is £65, | 0:23:38 | 0:23:42 | |
and the fire mark is 95. | 0:23:42 | 0:23:44 | |
Do you want to play bad cop, good cop? | 0:23:44 | 0:23:46 | |
Or shall we both be the bad cop? | 0:23:46 | 0:23:48 | |
I think we both need to be the bad cop. | 0:23:48 | 0:23:49 | |
OK. What's the very best you can do, Holly? | 0:23:49 | 0:23:52 | |
£100 for the two. | 0:23:52 | 0:23:54 | |
-Would be the very best. -Would £90 buy the two? | 0:23:54 | 0:23:57 | |
No, unfortunately not, £100 would definitely be the best on those two, | 0:23:57 | 0:24:00 | |
-I'm sorry. -You see, for 95, I'd definitely snatch your hand off. | 0:24:00 | 0:24:04 | |
-Oh, go on, then! -Yes! -Yes! | 0:24:04 | 0:24:07 | |
Holly, we love you. | 0:24:07 | 0:24:10 | |
Someone high five Nick, quick. | 0:24:10 | 0:24:12 | |
You're an angel. | 0:24:12 | 0:24:15 | |
No wonder they're celebrating. | 0:24:15 | 0:24:17 | |
That's the fire mark for £50, and the toddy ladle for 45. | 0:24:17 | 0:24:20 | |
A total saving of £60. | 0:24:20 | 0:24:22 | |
Not bad at all. Cheers! | 0:24:22 | 0:24:25 | |
I think we've done well. Thank you. Bye! | 0:24:25 | 0:24:27 | |
So, that's the end of day one. | 0:24:27 | 0:24:30 | |
Time for a hot toddy, methinks. | 0:24:30 | 0:24:31 | |
Nighty-night. | 0:24:31 | 0:24:34 | |
It's another new day, | 0:24:34 | 0:24:35 | |
full of promise of antiques to be bought and deals to be done. | 0:24:35 | 0:24:39 | |
Now, I'm looking forward to today, | 0:24:39 | 0:24:41 | |
I'm looking forward to finding some more things. | 0:24:41 | 0:24:44 | |
And...you know, I am absolutely, | 0:24:44 | 0:24:47 | |
genuinely amazed at how competitive I am... | 0:24:47 | 0:24:51 | |
-Yeah. -..and want to pump you into the ground, Nick Owen. | 0:24:51 | 0:24:55 | |
Absolutely. Oh, yeah. I mean, I got really competitive. | 0:24:55 | 0:24:57 | |
-In the middle of the day, I had to go off and have a rub down with the Radio Times. -I understand. | 0:24:57 | 0:25:01 | |
And that really got me going. | 0:25:01 | 0:25:03 | |
Well, whatever works for you, Nick. | 0:25:03 | 0:25:05 | |
You know, I'm dying to ask you... | 0:25:05 | 0:25:07 | |
-Go on, then. -How did you get on with Brian? | 0:25:07 | 0:25:10 | |
Cos he just strikes me as being Mr 100% Energy. | 0:25:10 | 0:25:12 | |
Oh! He's got incredible energy. | 0:25:12 | 0:25:15 | |
I think from doing all his performances, he must have. | 0:25:15 | 0:25:18 | |
Sorry, I've just got one other question for you. | 0:25:18 | 0:25:20 | |
-DEEP VOICE: -How did you get on with the voice? | 0:25:20 | 0:25:22 | |
Oh! It's an incredible voice. | 0:25:22 | 0:25:24 | |
He kept bursting into song. | 0:25:24 | 0:25:26 | |
-Yeah. -And of course, I was going weak at the knees trying to | 0:25:26 | 0:25:29 | |
concentrate on the job. | 0:25:29 | 0:25:31 | |
Anyway, how about you? How did you get on with Nick? | 0:25:31 | 0:25:34 | |
Nick's a star, you know, he's such a lovely, lovely sweet man. | 0:25:34 | 0:25:37 | |
-Yeah. -And the thing about him is, you know... | 0:25:37 | 0:25:40 | |
You see this sort of quite serious newscaster, | 0:25:40 | 0:25:44 | |
who has to be quite serious doing the job that he does... | 0:25:44 | 0:25:47 | |
-Yeah. -The man's got a vicious sense of humour. | 0:25:47 | 0:25:50 | |
But I'm glad I've got Kate. | 0:25:50 | 0:25:53 | |
A - she's better-looking... | 0:25:53 | 0:25:55 | |
Than whom? Than Phil? | 0:25:55 | 0:25:56 | |
Than Phil. Yeah. You know? | 0:25:56 | 0:25:58 | |
It's not a particularly difficult challenge, that. | 0:25:58 | 0:26:00 | |
No. I mean, he really is an antique, isn't he? | 0:26:00 | 0:26:02 | |
-Yeah. Yeah. -And with cabriole legs. | 0:26:02 | 0:26:05 | |
I can hear a car. Here they come! | 0:26:05 | 0:26:08 | |
-Good morning! -Hello, good morning to you. | 0:26:08 | 0:26:11 | |
-How are you? -Well, well. -Well, well, well, well, well. | 0:26:11 | 0:26:14 | |
Been doing press-ups and everything, to get going this morning. | 0:26:14 | 0:26:16 | |
-Really? -I am so motivated. -Really? -It's slightly frightening. | 0:26:16 | 0:26:19 | |
-Mr Motivator. -You two are like a coiled sponge! | 0:26:19 | 0:26:23 | |
THEY CHUCKLE | 0:26:23 | 0:26:25 | |
See you later! | 0:26:27 | 0:26:29 | |
So, just to recap, yesterday, Phil and Nick were our big spenders. | 0:26:29 | 0:26:33 | |
They picked up four items on their travels - comprising two Imari chargers, | 0:26:33 | 0:26:38 | |
a Victorian lemonade jug, a silver toddy ladle and a Georgian fire mark. | 0:26:38 | 0:26:43 | |
-Yes! -Yes! | 0:26:43 | 0:26:45 | |
This leaves them with £165 for the day ahead. | 0:26:45 | 0:26:49 | |
Kate and Brian parted with a more modest sum, | 0:26:49 | 0:26:51 | |
but still managed to buy three things - | 0:26:51 | 0:26:54 | |
a Sinatra statue, a French washstand, and an Art Deco mirror, | 0:26:54 | 0:26:58 | |
leaving them a much bigger £311 for today. | 0:26:58 | 0:27:01 | |
-We'd better win. -This morning, | 0:27:02 | 0:27:03 | |
Nick and Phil are making the journey 60 miles from Shrewsbury to the | 0:27:03 | 0:27:07 | |
Worcestershire town of Bromsgrove. | 0:27:07 | 0:27:09 | |
They are heading to the birthplace of the tormented genius AE Housman, | 0:27:09 | 0:27:14 | |
who put neighbouring Shropshire on the map and was Nick's dad's | 0:27:14 | 0:27:18 | |
-favourite poet. -When I was growing up, | 0:27:18 | 0:27:20 | |
he used to take me to all these wonderful places around the county. | 0:27:20 | 0:27:25 | |
So I became familiar with Wenlock Edge and The Wrekin and the Long Mynd | 0:27:25 | 0:27:28 | |
and Shrewsbury itself. | 0:27:28 | 0:27:30 | |
And those sort of places, I grew to love. | 0:27:30 | 0:27:33 | |
And they are beautiful places. | 0:27:33 | 0:27:35 | |
And Housman wrote about them. | 0:27:35 | 0:27:36 | |
-Here we are, boy. -Well, this is it. | 0:27:37 | 0:27:39 | |
You're excited, aren't you? | 0:27:39 | 0:27:41 | |
I am so excited, I cannot tell you. | 0:27:41 | 0:27:43 | |
Well, let's have a really good time, shall we? | 0:27:43 | 0:27:45 | |
-Absolutely thrilled. -Here to meet them is Robin Shaw of the | 0:27:45 | 0:27:48 | |
-Housman Society. -Welcome to Housman's birthplace. | 0:27:48 | 0:27:50 | |
Thank you, thank you very much. | 0:27:50 | 0:27:52 | |
Alfred Edward Housman was born in this house in 1859. | 0:27:54 | 0:28:00 | |
His initial success was as a scholar of Latin at Cambridge University, | 0:28:00 | 0:28:04 | |
but it was his 63-poem cycle - A Shropshire Lad, published in 1896, | 0:28:04 | 0:28:10 | |
which really brought him to public attention. | 0:28:10 | 0:28:13 | |
I have to say, Robin, it's an amazing feeling just standing here in front | 0:28:13 | 0:28:16 | |
of the house where AEH was born. | 0:28:16 | 0:28:18 | |
This is in Worcestershire, yet he's most famous for writing about Shropshire. | 0:28:19 | 0:28:23 | |
Can you explain that? | 0:28:23 | 0:28:25 | |
Over there, there's a little hill. | 0:28:25 | 0:28:27 | |
It gives you an enormous panorama of Shropshire and down into | 0:28:27 | 0:28:31 | |
Worcestershire. And he used to go at sunset and look at the | 0:28:31 | 0:28:35 | |
Shropshire hills and romanticise about Shropshire. | 0:28:35 | 0:28:37 | |
Housman began the cycle in his 20s, | 0:28:37 | 0:28:40 | |
whilst working in London as a clerk in the Patent Office, and missing | 0:28:40 | 0:28:44 | |
both his rural home and reminiscing about his childhood. | 0:28:44 | 0:28:46 | |
The book was rejected at first, but then sold slowly, | 0:28:48 | 0:28:52 | |
before his simple but elegant poems would sell in their thousands during | 0:28:52 | 0:28:57 | |
and between both World Wars, to young soldiers like Nick's dad, Bertie. | 0:28:57 | 0:29:01 | |
Soldiers in both World Wars were renowned for carrying a Housman, | 0:29:01 | 0:29:06 | |
a little edition, in their pocket. | 0:29:06 | 0:29:08 | |
They say some lives were saved because they took a bullet there and | 0:29:08 | 0:29:11 | |
it hit the book. Have you heard that story? | 0:29:11 | 0:29:13 | |
I am sure. So many were killed, so maybe it happened with one or two. | 0:29:13 | 0:29:16 | |
You know, I don't know. | 0:29:16 | 0:29:18 | |
The themes of nostalgia and loss resonated with successive | 0:29:20 | 0:29:25 | |
generations of young men living far away from home and close to death. | 0:29:25 | 0:29:29 | |
The English have always loved a sort of countryside, a rural countryside, | 0:29:30 | 0:29:34 | |
which was in the past, it was better than now. | 0:29:34 | 0:29:38 | |
-And of course, in Flanders, it was far away... -In the trenches... | 0:29:38 | 0:29:41 | |
Very far away. | 0:29:41 | 0:29:42 | |
In the poems, he has a way of | 0:29:43 | 0:29:45 | |
capturing a whole landscape in a poem, | 0:29:45 | 0:29:48 | |
doesn't he? | 0:29:48 | 0:29:50 | |
But also inspiring Housman's poems was his own crushing experience of | 0:29:50 | 0:29:54 | |
unrequited and illegal love. | 0:29:54 | 0:29:57 | |
While studying at Oxford, | 0:29:57 | 0:29:59 | |
he fell in love with a fellow student called Moses Jackson, | 0:29:59 | 0:30:02 | |
at a time when homosexuality was against the law. | 0:30:02 | 0:30:04 | |
Was Jackson aware of Housman's feelings? | 0:30:05 | 0:30:08 | |
We only know that Housman went off for a whole week missing and nobody | 0:30:08 | 0:30:11 | |
knew where he had gone. | 0:30:11 | 0:30:13 | |
But it is usually speculated that he must have told Moses Jackson and | 0:30:13 | 0:30:18 | |
Moses Jackson must've rejected any...any approach. | 0:30:18 | 0:30:21 | |
Jackson not only rejected Housman's love, but moved abroad, | 0:30:21 | 0:30:25 | |
briefly returning for his wedding, to which Housman was not invited. | 0:30:25 | 0:30:29 | |
Housman remained in love with Moses Jackson until Moses Jackson died, | 0:30:29 | 0:30:35 | |
over 30 years later. | 0:30:35 | 0:30:37 | |
That sort of burning within him was certainly one of the mainsprings of | 0:30:37 | 0:30:40 | |
the poetry. | 0:30:40 | 0:30:42 | |
Housman died in 1936 and inspired writers, like WH Auden and Alan Bennett. | 0:30:43 | 0:30:49 | |
That he suffered for his art is undeniable, | 0:30:49 | 0:30:52 | |
but to his legions of fans, like Nick and his dad, | 0:30:52 | 0:30:55 | |
it was the powerful, simple style | 0:30:55 | 0:30:57 | |
and evocative memories of the views of rural England that mattered. | 0:30:57 | 0:31:02 | |
-Oh, wow! -Is this is where Housman would have stood? | 0:31:02 | 0:31:05 | |
Yes! I've got my little book here, this is my father's book. | 0:31:05 | 0:31:09 | |
Cloth, two and six - it cost. | 0:31:09 | 0:31:12 | |
In a way, I don't need to read it, because I know it off by heart. | 0:31:12 | 0:31:14 | |
But I will read it, just in case! | 0:31:14 | 0:31:16 | |
Into my heart an air that kills | 0:31:16 | 0:31:20 | |
From yon far country blows | 0:31:20 | 0:31:23 | |
What are those blue remembered hills | 0:31:23 | 0:31:26 | |
What spires, what farms are those? | 0:31:26 | 0:31:29 | |
That is the land of lost content | 0:31:29 | 0:31:33 | |
I see it shining plain | 0:31:33 | 0:31:35 | |
The happy highways where I went | 0:31:35 | 0:31:37 | |
And cannot come again. | 0:31:37 | 0:31:39 | |
I think I've discovered Housman. | 0:31:39 | 0:31:41 | |
-Spectacular, isn't it? -Yeah, yeah. -Absolutely spectacular. | 0:31:41 | 0:31:44 | |
Meanwhile, Brian and Kate are heading 34 miles south to Bewdley in | 0:31:48 | 0:31:53 | |
Worcestershire, home to Led Zeppelin singer Robert Plant and TV chef Rustie Lee. | 0:31:53 | 0:31:58 | |
We've got a lot of money to spend today. | 0:31:59 | 0:32:01 | |
We've got a lot of money to spend. For me, | 0:32:01 | 0:32:03 | |
it would be really nice to show you some really nice quality antiques, | 0:32:03 | 0:32:06 | |
maybe a little bit of silver. | 0:32:06 | 0:32:08 | |
So let's go for quality. | 0:32:08 | 0:32:10 | |
Let's spend some cash and then we're in a good position. | 0:32:10 | 0:32:13 | |
And have a good time. | 0:32:13 | 0:32:14 | |
Yeah! More singing, please. | 0:32:14 | 0:32:17 | |
-More singing. -OK, then. | 0:32:17 | 0:32:18 | |
# You are my sunshine | 0:32:18 | 0:32:20 | |
# My only sunshine | 0:32:20 | 0:32:23 | |
# You make me happy | 0:32:23 | 0:32:25 | |
# When skies are grey | 0:32:25 | 0:32:27 | |
# You'll never know, dear | 0:32:29 | 0:32:32 | |
# How much I love you | 0:32:32 | 0:32:35 | |
# So please don't take my sunshine away. # | 0:32:35 | 0:32:42 | |
I think we can have our own television series. | 0:32:42 | 0:32:44 | |
Do you, Brian? I would be well up for that. | 0:32:44 | 0:32:47 | |
Yes, I think there's some chemistry between us. | 0:32:47 | 0:32:49 | |
And because, you know, because of my upbringing, you know, | 0:32:49 | 0:32:53 | |
born in a council house in Kilburn, I could sort of play it at one level. | 0:32:53 | 0:32:58 | |
You being the, well, I don't really know how to put this... | 0:32:58 | 0:33:02 | |
-Careful, careful. -..the posh person. | 0:33:02 | 0:33:04 | |
The posh person? You think I'm posh? | 0:33:04 | 0:33:06 | |
Yes. We could be Posh And Potty. | 0:33:06 | 0:33:08 | |
Posh And Potty? | 0:33:08 | 0:33:10 | |
-Muck And Brass. -Muck And Brass, there you go. | 0:33:10 | 0:33:13 | |
-Like it. -Now, safely arrived in Bewdley, it's time to get shopping. | 0:33:13 | 0:33:17 | |
-I'll see you later. -See you later. -Well, at least Kate will be. | 0:33:17 | 0:33:20 | |
Brian! | 0:33:20 | 0:33:22 | |
Brian! | 0:33:22 | 0:33:24 | |
-Sorry about that. -It works, then, does it? | 0:33:24 | 0:33:26 | |
I went for the comedy jugular. | 0:33:26 | 0:33:28 | |
Come on, then, let's get in. | 0:33:28 | 0:33:29 | |
Here to help both of them is David. | 0:33:30 | 0:33:32 | |
Do you recognise us? | 0:33:33 | 0:33:35 | |
It's not Bradley Walsh, is it? | 0:33:35 | 0:33:37 | |
No, it's Brian Conley. | 0:33:37 | 0:33:40 | |
Cheeky, David. Let's see what our posh and potty duo can find in here. | 0:33:40 | 0:33:44 | |
Here's some puppets! | 0:33:44 | 0:33:46 | |
You know, Kate, Lady Penelope does bear a certain resemblance. | 0:33:46 | 0:33:50 | |
And Joe 90, that's obvious, he's the spit of Bradley Walsh! | 0:33:50 | 0:33:55 | |
Ha! There's plenty of vintage items in here, | 0:33:55 | 0:33:58 | |
but what Kate is after is something really old. | 0:33:58 | 0:34:01 | |
No, not Brian. | 0:34:01 | 0:34:03 | |
I think this cabinet, if we have a little look, | 0:34:03 | 0:34:05 | |
has got some really nice antiques in it. | 0:34:05 | 0:34:07 | |
Does mean I have to get my glasses on? | 0:34:07 | 0:34:09 | |
-Maybe. -Oh! | 0:34:09 | 0:34:11 | |
Maybe. Actually, this is quite nice. | 0:34:11 | 0:34:13 | |
Do you remember, when we were talking about Napoleon in the museum... | 0:34:13 | 0:34:18 | |
-Yes, yes. -..and we looked at Napoleon's hair lock? | 0:34:18 | 0:34:21 | |
This is a memorial brooch. | 0:34:21 | 0:34:25 | |
Somebody has put a little lock of a loved one in there for safekeeping. | 0:34:25 | 0:34:29 | |
And so when you pin it on, you remember them. | 0:34:29 | 0:34:33 | |
This is made of pinchbeck, | 0:34:33 | 0:34:35 | |
a Victorian form of fake gold and there's an inscription on the back. | 0:34:35 | 0:34:39 | |
It says, "In memory of W Wall". | 0:34:39 | 0:34:44 | |
-So that's the deceased whose lock of hair it is. -Yes. | 0:34:44 | 0:34:47 | |
"1st of April, 1852." | 0:34:49 | 0:34:51 | |
That's really interesting, isn't it? | 0:34:51 | 0:34:53 | |
-Yes. -To have the name. | 0:34:53 | 0:34:55 | |
-Yeah. -So we can't pretend it's Napoleon's, though. | 0:34:55 | 0:34:58 | |
-Not quite. -That's a shame. | 0:34:58 | 0:35:00 | |
-So how much is it? -So, yeah, here we go, 25. | 0:35:00 | 0:35:03 | |
-See, I don't think that's bad. -I think, yeah, | 0:35:03 | 0:35:06 | |
if they are prepared to do us a good deal. | 0:35:06 | 0:35:08 | |
Yeah, but you know what I'm like with this bartering lark. | 0:35:08 | 0:35:11 | |
-But you want to win! -I know, but you do it, | 0:35:11 | 0:35:13 | |
you do it and then I'll just look and learn. | 0:35:13 | 0:35:15 | |
Time to see if David can do our duo a deal. | 0:35:15 | 0:35:18 | |
Hello, hello, hello. | 0:35:18 | 0:35:20 | |
Good evening, all. How are we? | 0:35:20 | 0:35:22 | |
Good cop, bad cop. | 0:35:22 | 0:35:24 | |
-All right? -I'm with you. -I'm bad cos I want a good deal. | 0:35:24 | 0:35:27 | |
We were looking for a proper antique and this fits the bill. | 0:35:27 | 0:35:31 | |
I've just noticed there is a tiny little sort of repair here on... | 0:35:31 | 0:35:37 | |
It has been done a long time ago. | 0:35:37 | 0:35:39 | |
Do you see, there's a little bit that's been added there? | 0:35:39 | 0:35:42 | |
I just wondered, the ticket price says 25... | 0:35:42 | 0:35:45 | |
What were you thinking, Kate? | 0:35:45 | 0:35:47 | |
Well, I was going be cheeky and go in at sort of 10. | 0:35:47 | 0:35:51 | |
What about 18? | 0:35:51 | 0:35:52 | |
What if I came up, David, to 14, that is bang in the middle? | 0:35:53 | 0:35:57 | |
-Does that help you? -And a massage? | 0:35:57 | 0:36:00 | |
I think 15, and we've got a deal. | 0:36:00 | 0:36:01 | |
Oh, yes! Thank you very much, Dave. | 0:36:01 | 0:36:04 | |
-Yeah. -That's the way to do it, Brian. | 0:36:04 | 0:36:07 | |
Kate has got a tenner off the ticket price. | 0:36:07 | 0:36:11 | |
-Hee-hee! -So good. One to go. | 0:36:11 | 0:36:13 | |
-One to go. -One to find. | 0:36:13 | 0:36:14 | |
And we want to buy something big. | 0:36:14 | 0:36:16 | |
Fingers crossed! | 0:36:18 | 0:36:20 | |
Yeah. | 0:36:20 | 0:36:21 | |
With that little spending spree finished, | 0:36:21 | 0:36:24 | |
both teams are now heading for the final destination for today. | 0:36:24 | 0:36:28 | |
Nick and Phil have a head start, though, | 0:36:28 | 0:36:31 | |
and are well on their way along the 10 miles to the Black Country | 0:36:31 | 0:36:34 | |
town of Stourbridge, famous for its glass industry, which started in the 17th century, | 0:36:34 | 0:36:38 | |
and is still celebrated to this day with the | 0:36:38 | 0:36:42 | |
British Glass Biennale held in the town. | 0:36:42 | 0:36:45 | |
And the final shop is Grandad's Attic. | 0:36:45 | 0:36:47 | |
Grandad is not feeling well, so Dave is helping out. | 0:36:47 | 0:36:50 | |
-You must be Dave. -I am Dave. | 0:36:50 | 0:36:51 | |
Hi, good to meet you. | 0:36:51 | 0:36:53 | |
Hi, Philip, how are you. | 0:36:53 | 0:36:55 | |
Now, with £165 left, what might tickle their fancy in here? | 0:36:55 | 0:36:59 | |
Oh, look at this. | 0:36:59 | 0:37:01 | |
This is something. I love that. | 0:37:01 | 0:37:02 | |
I really like that. | 0:37:02 | 0:37:05 | |
Ah, the old willow on leather, eh? | 0:37:05 | 0:37:07 | |
Another of Nick and his dad's great loves. | 0:37:07 | 0:37:10 | |
These are great cricketers from a long time ago. | 0:37:10 | 0:37:13 | |
This guy here, Wally Hammond, my father was always going on about him, | 0:37:13 | 0:37:16 | |
what a great cricketer he was. | 0:37:16 | 0:37:18 | |
And there's another further down, I spotted. | 0:37:18 | 0:37:20 | |
Reg Perks. | 0:37:20 | 0:37:21 | |
His son was one of my friends in my early days in broadcasting, | 0:37:21 | 0:37:25 | |
Peter Perks. And that's his dad. | 0:37:25 | 0:37:28 | |
Gosh! I wonder if Peter knows that's here. | 0:37:28 | 0:37:30 | |
That's really nice. | 0:37:30 | 0:37:32 | |
Time to get out of memory lane, though, Nick. | 0:37:33 | 0:37:36 | |
You need to get into the fast lane and find some items, | 0:37:36 | 0:37:39 | |
especially with Brian and Kate hot on your heels. | 0:37:39 | 0:37:42 | |
-Quick! -Come on, Kate. | 0:37:42 | 0:37:43 | |
Let's see where they are! | 0:37:43 | 0:37:46 | |
Yes, I know they have got here first | 0:37:47 | 0:37:49 | |
but do you know what, Brian? | 0:37:49 | 0:37:50 | |
-Go on. -I don't think they have made it upstairs. | 0:37:50 | 0:37:52 | |
No. Well, let's... | 0:37:52 | 0:37:54 | |
-..split up, split up. -OK. | 0:37:54 | 0:37:55 | |
Two teams, one shop. | 0:37:56 | 0:37:58 | |
This might get a bit tasty. | 0:37:58 | 0:38:00 | |
You know, I think that's quite cool. | 0:38:00 | 0:38:02 | |
I tell you what, that will be really nice in your living room, if you're | 0:38:02 | 0:38:05 | |
-that sort of person. -And we're going to Stansted. | 0:38:05 | 0:38:08 | |
-Is Stansted trendy? -Well, there are certainly places around Stansted that are trendy. | 0:38:08 | 0:38:12 | |
-Surely! -How far is that from London? | 0:38:12 | 0:38:13 | |
A niche item like this | 0:38:13 | 0:38:15 | |
is going to be a gamble no matter where you sell it, or how much you get it for. | 0:38:15 | 0:38:18 | |
Should I ask how much that is? | 0:38:18 | 0:38:20 | |
Yeah. It's 225 on there. | 0:38:20 | 0:38:22 | |
Dave, we were looking at this here. | 0:38:22 | 0:38:23 | |
We both really like that. | 0:38:23 | 0:38:25 | |
-Yeah. -Nick has spent a lot of time on the stage. | 0:38:25 | 0:38:28 | |
Make me a good offer. | 0:38:28 | 0:38:29 | |
-It won't be a good one. -Won't? -No, it will be a horrible one. | 0:38:29 | 0:38:32 | |
Try a horrible one first. | 0:38:32 | 0:38:34 | |
-£100. -I wasn't going that high. | 0:38:34 | 0:38:36 | |
No. No. | 0:38:36 | 0:38:37 | |
-Where are you on that, then? -The absolute best is 130. | 0:38:37 | 0:38:42 | |
Can we think about that? | 0:38:42 | 0:38:43 | |
-Of course. -A definite maybe for of these two hipsters, then. | 0:38:43 | 0:38:47 | |
But what about our other team? | 0:38:47 | 0:38:49 | |
HORN TOOTS | 0:38:54 | 0:38:55 | |
-Oh! -That was me. | 0:38:55 | 0:38:57 | |
I'm a nervous wreck, working with you! | 0:39:00 | 0:39:02 | |
-I'm sorry. -That's a good one. | 0:39:02 | 0:39:04 | |
Hey, what about these, Brian? | 0:39:04 | 0:39:06 | |
Do you know, there is a really buoyant market in old enamelled signs. | 0:39:06 | 0:39:10 | |
"Nugget boot polish." | 0:39:10 | 0:39:13 | |
-HORN TOOTS -Like that. | 0:39:13 | 0:39:15 | |
-What have we got? -380. | 0:39:15 | 0:39:17 | |
We haven't got 380. | 0:39:17 | 0:39:18 | |
I know, I know. I suppose we'll have to buy this. | 0:39:18 | 0:39:22 | |
Team Conley has nearly £300 left, | 0:39:22 | 0:39:25 | |
but I'm not sure Brian wants to spend it on the sign. | 0:39:25 | 0:39:28 | |
Do you know, I'm going to go with your professionalism here. | 0:39:28 | 0:39:31 | |
But if I saw that in a skip, I would probably leave it there. | 0:39:31 | 0:39:34 | |
I would be absolutely totally unaware of how expensive this bit of | 0:39:34 | 0:39:40 | |
-metal is. -Yeah? -You know, I think it's amazing. | 0:39:40 | 0:39:43 | |
Well, this is why I'm here. | 0:39:43 | 0:39:44 | |
-I know! But will we make a profit on it or will someone throw it on a skip? -You'd be surprised. | 0:39:44 | 0:39:49 | |
There would be a lot of people who would love to have | 0:39:49 | 0:39:52 | |
-that on their wall. -Hello. -Hello! | 0:39:52 | 0:39:54 | |
What have you got there? | 0:39:54 | 0:39:56 | |
-I've got the horn. -You're not buying that, are you? | 0:39:56 | 0:39:58 | |
-No. -Well, we might be. | 0:39:58 | 0:40:00 | |
-The way we're going. -Yeah. | 0:40:00 | 0:40:01 | |
We're just keeping it from you, love. | 0:40:01 | 0:40:04 | |
HORN TOOTS | 0:40:04 | 0:40:05 | |
-There is a £10-million Ming vase over there. -Oh, so it is. | 0:40:05 | 0:40:07 | |
Right, now that they're out of the way, what are we going to do? | 0:40:07 | 0:40:10 | |
We're going to see if we can knock it down, let's be honest. | 0:40:10 | 0:40:13 | |
-See if we can knock it down. -OK, let's go and find our fellow. | 0:40:13 | 0:40:16 | |
-OK, OK. -And our fella, on this occasion, is the very helpful Dale. | 0:40:16 | 0:40:20 | |
We would like to make you an offer, which may be slightly cheeky. | 0:40:20 | 0:40:22 | |
-OK. -We don't want to offend you. -I don't mind cheeky a bit. | 0:40:22 | 0:40:25 | |
-You can say yes or no. -You can say it with a smile. -Eh? | 0:40:25 | 0:40:28 | |
BRIEF TOOT | 0:40:28 | 0:40:30 | |
Didn't work, then. | 0:40:30 | 0:40:31 | |
-Sorry about that. -How does a nice round £100, say? | 0:40:31 | 0:40:35 | |
It's a good starting point. | 0:40:35 | 0:40:37 | |
-Right. -It's a good starting point. | 0:40:37 | 0:40:39 | |
Could you stretch to 200? | 0:40:39 | 0:40:41 | |
I would say that would be a bit much for us. | 0:40:43 | 0:40:45 | |
-It is. -What do you think, Brian? | 0:40:45 | 0:40:47 | |
Oh, um... | 0:40:47 | 0:40:49 | |
150? | 0:40:49 | 0:40:50 | |
I could shake on 170. | 0:40:52 | 0:40:55 | |
-160? -Er... -Go on, then. | 0:40:55 | 0:40:59 | |
-OK, 160. -I'll shake on 160. | 0:40:59 | 0:41:00 | |
I've got that wrong, haven't I, Kate? | 0:41:01 | 0:41:03 | |
No, you get to go with that. | 0:41:03 | 0:41:05 | |
-All right, then, 160. -160, it is. | 0:41:05 | 0:41:07 | |
Not bad. | 0:41:08 | 0:41:10 | |
That's the sign for less than half price, at 160. | 0:41:10 | 0:41:13 | |
I think Brian is getting the hang of this, you know. | 0:41:13 | 0:41:16 | |
For another tenner, can we have the horn? | 0:41:16 | 0:41:19 | |
What's the price? | 0:41:19 | 0:41:21 | |
It is 45. | 0:41:21 | 0:41:23 | |
-Go on, you lovely man. -I could do it for... | 0:41:23 | 0:41:25 | |
-I could do it for 25. Will 25 do it? -20? | 0:41:25 | 0:41:30 | |
-20, will do. -Yeah, look, I'm good at bartering. | 0:41:30 | 0:41:32 | |
Come on, then. Let's go. | 0:41:32 | 0:41:35 | |
Cor blimey! | 0:41:35 | 0:41:36 | |
Brian's lightning purchase of the prewar car horn for £20 has brought | 0:41:36 | 0:41:40 | |
their shopping to an end. | 0:41:40 | 0:41:43 | |
But can Nick and Phil also close the day with a purchase too? | 0:41:43 | 0:41:46 | |
Oh, blimey! | 0:41:47 | 0:41:49 | |
Hey, I found something. | 0:41:49 | 0:41:51 | |
I don't want you to see what it is. | 0:41:51 | 0:41:53 | |
-OK. -But I just want you to do something for me. | 0:41:53 | 0:41:55 | |
-What's that? -I want you to phone me on my mobile, please. | 0:41:55 | 0:41:59 | |
-OK? -What, now? | 0:41:59 | 0:42:00 | |
Yes. | 0:42:00 | 0:42:02 | |
RINGTONE: Bring Me Sunshine by Morecombe & Wise | 0:42:02 | 0:42:05 | |
That's my favourite, I love Morecambe & Wise. | 0:42:05 | 0:42:07 | |
-Morecambe & Wise, yeah. -Eric Morecambe was a genius. | 0:42:07 | 0:42:10 | |
Yeah. My hero. | 0:42:10 | 0:42:11 | |
-Fantastic. -My absolute hero. | 0:42:11 | 0:42:14 | |
Not really sure I know what that's got to do with what you're doing here! What? | 0:42:14 | 0:42:17 | |
I've just come across this. | 0:42:17 | 0:42:19 | |
What? | 0:42:19 | 0:42:21 | |
An original 1966 Morecambe & Wise poster, That Riviera Touch. | 0:42:21 | 0:42:26 | |
"Authentic and unique." | 0:42:26 | 0:42:29 | |
Besides anything else, he was the funniest man of the 20th century. | 0:42:29 | 0:42:32 | |
How much is it? | 0:42:32 | 0:42:33 | |
A whacking 185. | 0:42:34 | 0:42:37 | |
Whoa! | 0:42:39 | 0:42:41 | |
I couldn't go looking around antique shops and bric-a-brac shops and find | 0:42:41 | 0:42:44 | |
-something about Eric Morecambe and Ernie Wise that I didn't have a go for. -No. | 0:42:44 | 0:42:48 | |
For me, I wouldn't sleep at night. | 0:42:48 | 0:42:51 | |
So, you've got £165 left. | 0:42:51 | 0:42:52 | |
-Yes. -What I'd really love to do is to buy that... | 0:42:52 | 0:42:55 | |
-For about 50? -That and the light. | 0:42:55 | 0:42:58 | |
Now, the ticket price for the lamp is £225. | 0:42:58 | 0:43:01 | |
So that is a combined ticket price of a whopping £410, | 0:43:01 | 0:43:05 | |
and our hardy hunters have only got 165. | 0:43:05 | 0:43:09 | |
-Stand by. -I've got a feeling | 0:43:09 | 0:43:11 | |
this is going to be a very tough time for us. | 0:43:11 | 0:43:14 | |
-But... -OK. -..Nick here | 0:43:14 | 0:43:17 | |
is a huge fan of Eric Morecambe. | 0:43:17 | 0:43:19 | |
Now we can either try and bid you or we can be utterly truthful with you | 0:43:19 | 0:43:22 | |
and tell you how much money we have got. | 0:43:22 | 0:43:24 | |
I prefer honesty, Phil. | 0:43:24 | 0:43:26 | |
OK, we've got 165 quid. | 0:43:26 | 0:43:27 | |
-Total. -We really love your light. | 0:43:27 | 0:43:29 | |
-Mm-hm. -And we really love that. | 0:43:29 | 0:43:32 | |
Can those two be bought for 160... | 0:43:32 | 0:43:34 | |
We haven't got a penny more. | 0:43:34 | 0:43:36 | |
Um, well... | 0:43:36 | 0:43:37 | |
-We haven't got a penny more. -I cannot... | 0:43:37 | 0:43:39 | |
I would not be able for the two. | 0:43:39 | 0:43:42 | |
Honestly, this isn't a question of cheap negotiation. | 0:43:42 | 0:43:44 | |
We have no more money at all. | 0:43:44 | 0:43:47 | |
We have no option. | 0:43:47 | 0:43:48 | |
PHIL SNIFFLES | 0:43:48 | 0:43:50 | |
-I'm sorry. -Sorry, I get emotional. | 0:43:50 | 0:43:52 | |
I'll get the violin in a minute, there you go. | 0:43:52 | 0:43:55 | |
-OK... -Do you want to go away and think about it? | 0:43:55 | 0:43:58 | |
No. | 0:43:58 | 0:44:00 | |
I would like you to win, Nick. | 0:44:00 | 0:44:02 | |
-Oh. -And you are local. | 0:44:02 | 0:44:04 | |
LAUGHTER | 0:44:04 | 0:44:06 | |
Ah, the local lad saves the day, | 0:44:06 | 0:44:07 | |
so that's the lamp for £100 and the poster for 65. | 0:44:07 | 0:44:11 | |
285 pounds knocked off. | 0:44:11 | 0:44:14 | |
That would bring anyone sunshine. | 0:44:14 | 0:44:16 | |
Well, that's all the shopping done, | 0:44:19 | 0:44:21 | |
so it's time for our teams to pass judgment on their opponents' wares. | 0:44:21 | 0:44:25 | |
OK. Well, I would like to know what you've got. | 0:44:25 | 0:44:27 | |
Shall I give you a clue? | 0:44:27 | 0:44:28 | |
Yeah. | 0:44:28 | 0:44:30 | |
TOOTS HORN | 0:44:30 | 0:44:31 | |
-A horn. -I thought it was indigestion. -That is typical Conley, that. | 0:44:31 | 0:44:35 | |
-Voila. -Voila. -Wow! -Look at that. | 0:44:35 | 0:44:38 | |
Who does that remind you of? | 0:44:38 | 0:44:39 | |
-Yeah, absolutely. -That's class, that is. | 0:44:39 | 0:44:41 | |
-Frank Sinatra? -No. | 0:44:41 | 0:44:43 | |
No, it is a Naffta. | 0:44:43 | 0:44:44 | |
LAUGHTER | 0:44:44 | 0:44:46 | |
-It is. -What is that? | 0:44:46 | 0:44:48 | |
Ah, this is Art Deco. | 0:44:48 | 0:44:50 | |
A little mirror here. | 0:44:50 | 0:44:51 | |
And...is that scary? | 0:44:51 | 0:44:54 | |
-Agh! -There you go. What we have forgotten to mention is at the front. | 0:44:54 | 0:44:58 | |
Our piece de resistance. | 0:44:58 | 0:44:59 | |
Our most expensive lot. | 0:44:59 | 0:45:01 | |
Ta-da. | 0:45:01 | 0:45:02 | |
Grass? Oh, no, sorry. | 0:45:02 | 0:45:04 | |
-Have a look, have a look. -How much was that? | 0:45:04 | 0:45:07 | |
It's a lot of money for a bit of tin. | 0:45:07 | 0:45:09 | |
It was 160. | 0:45:09 | 0:45:11 | |
For a minute, I thought they said 160. | 0:45:11 | 0:45:14 | |
No, that's a joke. £1.60. | 0:45:14 | 0:45:16 | |
Would you like to see some quality? | 0:45:16 | 0:45:17 | |
Come on, let's have a look. | 0:45:17 | 0:45:20 | |
Ta-da! | 0:45:20 | 0:45:21 | |
HORN TOOTS | 0:45:21 | 0:45:24 | |
-Wow. -You're going to wonder what some of these things are, aren't you? | 0:45:24 | 0:45:27 | |
That, you can probably spot it's a jug. | 0:45:27 | 0:45:29 | |
It's actually a lemonade jug. | 0:45:29 | 0:45:31 | |
-Oh, that's nice. -Victorian lemonade jug. | 0:45:31 | 0:45:34 | |
And that is silver. | 0:45:34 | 0:45:36 | |
-Wow. -And then there's the plates. | 0:45:36 | 0:45:39 | |
-Yes. -These are Japanese plates. | 0:45:39 | 0:45:41 | |
-Yeah. -They've got a special name, Imari. | 0:45:41 | 0:45:43 | |
Yeah, from the port of Imari. | 0:45:43 | 0:45:45 | |
Are they old? | 0:45:45 | 0:45:46 | |
-Well, they're not young. -All right. | 0:45:46 | 0:45:49 | |
Plates, I don't know. | 0:45:49 | 0:45:50 | |
But talk about this. | 0:45:50 | 0:45:52 | |
This is a very rare poster. | 0:45:52 | 0:45:55 | |
It was actually claimed to be unique. | 0:45:55 | 0:45:56 | |
PHILIP SNORTS | 0:45:56 | 0:45:58 | |
-But... -Are you being heckled? | 0:45:58 | 0:46:00 | |
-No. -..by your partner in crime? | 0:46:00 | 0:46:01 | |
He's just got a twitch. It's claimed to be unique. | 0:46:01 | 0:46:04 | |
-You've got to get things you want. -Funniest man of the 20th century. | 0:46:04 | 0:46:07 | |
-Oh, I agree. -Apart from Brian Conley. | 0:46:07 | 0:46:09 | |
Thank you very much, very kind. | 0:46:09 | 0:46:10 | |
Well, I think you've done well. | 0:46:10 | 0:46:12 | |
-I think we've all done well. -I've got to say, you've got some nice things. | 0:46:12 | 0:46:15 | |
All very friendly, but what do they really think? | 0:46:15 | 0:46:17 | |
I have to say, my gut feeling is, I'm glad we've got what we've got. | 0:46:17 | 0:46:21 | |
I wouldn't swap any of those for ours, really. | 0:46:21 | 0:46:24 | |
I'm quite happy with what we've bought. | 0:46:24 | 0:46:26 | |
-I really am. -Phil liked my statue. | 0:46:26 | 0:46:28 | |
-He loved that. -I know. -He loved that! | 0:46:28 | 0:46:30 | |
Through gritted teeth. | 0:46:30 | 0:46:32 | |
I mean, it's just naff in the extreme. | 0:46:32 | 0:46:34 | |
-Yeah. -But I like it. -But I agree with you, | 0:46:34 | 0:46:36 | |
there's something about it. It's quite attractive in its own way, | 0:46:36 | 0:46:39 | |
-isn't it? -Well done, partner. Good job. | 0:46:39 | 0:46:41 | |
All right, should we go and see how well we do, then? | 0:46:41 | 0:46:43 | |
You've taught me a lot. You have. Thank you. | 0:46:43 | 0:46:46 | |
And now on to auction, for those antiques are to be sold. | 0:46:46 | 0:46:51 | |
Our teams started their trip in Albrighton, | 0:46:52 | 0:46:55 | |
meandering around Shropshire and Worcestershire, | 0:46:55 | 0:46:58 | |
before heading nearly 150 miles south to Essex, and Sworders Auctioneers | 0:46:58 | 0:47:02 | |
in Stansted Mountfitchet. | 0:47:02 | 0:47:04 | |
So, this is the big moment. | 0:47:05 | 0:47:07 | |
-I know! -The moment of truth. | 0:47:07 | 0:47:09 | |
Are you feeling a bit nervous about it? | 0:47:09 | 0:47:11 | |
Am I nervous? | 0:47:11 | 0:47:13 | |
-I've seen your auction lots... -I felt you were intimidated. -No. | 0:47:14 | 0:47:20 | |
You know, I'm looking forward to seeing what happens in my | 0:47:20 | 0:47:23 | |
-Morecambe & Wise poster. -We've all got something we really want. | 0:47:23 | 0:47:27 | |
For me, it's the lounge singer. | 0:47:27 | 0:47:29 | |
For you, it's the poster. | 0:47:29 | 0:47:31 | |
We both sat here at the beginning of this and said, "Well, | 0:47:31 | 0:47:34 | |
"we're not really competitive." | 0:47:34 | 0:47:36 | |
Do you think that's suddenly changed? | 0:47:36 | 0:47:38 | |
A bit. Yeah. I don't want to be humiliated. | 0:47:38 | 0:47:41 | |
Yeah. | 0:47:41 | 0:47:43 | |
Today's auctioneers, Sworders, | 0:47:43 | 0:47:44 | |
have been in business since 1782 and originally hailed from | 0:47:44 | 0:47:49 | |
Bishop's Stortford, just over the county border in Hertfordshire. | 0:47:49 | 0:47:53 | |
Hang on, where is Kate? | 0:47:53 | 0:47:54 | |
-Hello, mate. -I'm afraid you've got me on my own. | 0:47:54 | 0:47:57 | |
Oh, that's all right. | 0:47:57 | 0:47:59 | |
I just want you to know, just because there's me, | 0:47:59 | 0:48:02 | |
I'm not going to show any bias at all here. | 0:48:02 | 0:48:04 | |
But... | 0:48:04 | 0:48:06 | |
-OK. -May the best man win. | 0:48:06 | 0:48:08 | |
Unfortunately, Kate cannot be here, due to unforeseen circumstances. | 0:48:08 | 0:48:12 | |
So Brian will be going solo. | 0:48:12 | 0:48:15 | |
And on top of that, auctioneer James has some more bad news. | 0:48:15 | 0:48:19 | |
The silver-mounted lemonade jug, unfortunately, damaged in transit. | 0:48:19 | 0:48:23 | |
Had it made here in one piece and was in tiptop condition, | 0:48:23 | 0:48:26 | |
somewhere between 50 to £80. | 0:48:26 | 0:48:27 | |
So, in the spirit of fairness, | 0:48:29 | 0:48:31 | |
the original £70 purchase price has been returned to Phil and Nick's | 0:48:31 | 0:48:34 | |
kitty, meaning they have spent a total now of £330 on five lots. | 0:48:34 | 0:48:40 | |
Brian and Kate have spent 284 on six lots. | 0:48:40 | 0:48:45 | |
But what has caught James's eye? | 0:48:45 | 0:48:47 | |
The wooden spoon, the one I am worried about, would be Sinatra. | 0:48:47 | 0:48:50 | |
I mean, I can't say more than that! | 0:48:50 | 0:48:54 | |
It is terrible. | 0:48:54 | 0:48:55 | |
Harsh. Don't let it get under your skin, Frank. | 0:48:55 | 0:48:58 | |
The room is full, the phone and internet bidders are also poised. | 0:48:58 | 0:49:02 | |
Let's get this auction going, shall we? | 0:49:02 | 0:49:05 | |
I have a secret weapon, which I will reveal. | 0:49:05 | 0:49:08 | |
-Which is what? -I'm not going to tell you. | 0:49:08 | 0:49:10 | |
-It's secret, I think. -First up, it's the chairman of the board. | 0:49:10 | 0:49:14 | |
Is Frank going to fly to the moon for Brian? | 0:49:14 | 0:49:16 | |
Frank Sinatra with his microphone. | 0:49:16 | 0:49:17 | |
Where has he gone? What is he doing now? | 0:49:17 | 0:49:19 | |
James, James. | 0:49:19 | 0:49:21 | |
If I could just say, ladies and gentlemen. | 0:49:21 | 0:49:23 | |
Now, I'm a huge star. | 0:49:23 | 0:49:25 | |
Hang on, hang on. This is most irregular. | 0:49:25 | 0:49:28 | |
This is my lot, ladies and gentlemen. | 0:49:28 | 0:49:30 | |
But I don't wish to influence this in any way. | 0:49:30 | 0:49:33 | |
-But I have here... -Grovelling little tyke. | 0:49:33 | 0:49:35 | |
-Embarrassing. -..a picture of me with this auction lot, | 0:49:35 | 0:49:40 | |
in this beautiful, beautiful picture frame... | 0:49:40 | 0:49:43 | |
Is this allowed? Is this allowed in the rules? | 0:49:43 | 0:49:45 | |
I can see it adding value, frankly. | 0:49:45 | 0:49:48 | |
..with the auction, James. | 0:49:48 | 0:49:50 | |
It was a difficult enough as it was. | 0:49:50 | 0:49:52 | |
Right, let's move on. | 0:49:52 | 0:49:53 | |
You've just been disqualified. | 0:49:55 | 0:49:57 | |
Frank Sinatra, £20, surely, ladies and gentlemen? | 0:49:57 | 0:50:00 | |
The figure of Frank Sinatra. | 0:50:00 | 0:50:02 | |
There he is, £20. | 0:50:02 | 0:50:03 | |
£10, anywhere? | 0:50:03 | 0:50:05 | |
10, I'm bid. | 0:50:05 | 0:50:07 | |
10! Do I see 12? | 0:50:07 | 0:50:09 | |
How much did the frame cost you? | 0:50:09 | 0:50:11 | |
..20 quid. | 0:50:11 | 0:50:13 | |
I'll tell you what, you have won them over. | 0:50:15 | 0:50:18 | |
-Yes. -Fantastic. | 0:50:18 | 0:50:19 | |
Hardly Pennies From Heaven. | 0:50:20 | 0:50:22 | |
Only a pound, even with the picture. | 0:50:22 | 0:50:25 | |
Can I just say, I think the audience, I think you probably overwhelmed them. | 0:50:25 | 0:50:29 | |
Or underwhelmed them, well, one or the other. | 0:50:29 | 0:50:31 | |
-I am not sure which. -Next, it's Nick and Phil's Imari charger plates. | 0:50:31 | 0:50:36 | |
£30, surely? 30 is all I'm looking for. | 0:50:36 | 0:50:39 | |
20, then, if it must be, to get me started. | 0:50:39 | 0:50:42 | |
£20 is bid with the wave. | 0:50:42 | 0:50:43 | |
-22? -22? | 0:50:43 | 0:50:45 | |
25? | 0:50:45 | 0:50:46 | |
£25, with the gentleman standing. | 0:50:46 | 0:50:49 | |
At £25. | 0:50:49 | 0:50:51 | |
-That really is silly. -At £25, then. | 0:50:51 | 0:50:53 | |
Are we all done for the plates? | 0:50:53 | 0:50:54 | |
I'm not sure anybody has ever been punched on this programme before. | 0:50:56 | 0:50:59 | |
If I hold him, will you punch him? | 0:50:59 | 0:51:01 | |
Ouch! That's a big loss to start with. | 0:51:03 | 0:51:05 | |
What profit did you make on that one, Phil? | 0:51:05 | 0:51:07 | |
Well, it's sort of give or take. | 0:51:07 | 0:51:09 | |
So, when's your next show, then? | 0:51:09 | 0:51:11 | |
I'll be doing the news fairly soon. | 0:51:11 | 0:51:13 | |
I keep doing the news and have been doing so for some time now. | 0:51:13 | 0:51:15 | |
I enjoy that. I love watching you. | 0:51:15 | 0:51:17 | |
Yes, lovely. | 0:51:17 | 0:51:19 | |
Brian and Kate's second item is the Art Deco mirror. | 0:51:19 | 0:51:22 | |
At £10. All I'm asking for it. | 0:51:22 | 0:51:24 | |
10 is bid. 12, 14, 16. | 0:51:24 | 0:51:27 | |
18, 20, 22. 24, 26. 28, 30. | 0:51:27 | 0:51:33 | |
At 30. And selling for 30. | 0:51:34 | 0:51:36 | |
Well, that is great, it's really, really lovely. | 0:51:36 | 0:51:39 | |
-Yes! -Really delighted for you. | 0:51:39 | 0:51:41 | |
I'm absolutely over the moon. | 0:51:41 | 0:51:43 | |
That's a nice little earner for Team Conley. | 0:51:43 | 0:51:45 | |
I am unbelievably happy. | 0:51:46 | 0:51:48 | |
Yes, so am I. And what's really nice is that you know he's not going to | 0:51:48 | 0:51:50 | |
go on and on and on. | 0:51:50 | 0:51:52 | |
He is not a gloating type. | 0:51:52 | 0:51:54 | |
-Not to gloat at all. -Can the fire mark heat things up for Nick and Phil? | 0:51:54 | 0:51:58 | |
10. 10, I have. | 0:51:58 | 0:52:00 | |
15, I have. 20, I have. | 0:52:00 | 0:52:02 | |
At £20, then. 25. | 0:52:02 | 0:52:03 | |
30, now. | 0:52:03 | 0:52:04 | |
The internet strikes up, at £30. | 0:52:04 | 0:52:06 | |
The bid is online at 30. | 0:52:06 | 0:52:08 | |
Any further bids? 35, now. | 0:52:08 | 0:52:09 | |
At £35. | 0:52:09 | 0:52:11 | |
It's still with the internet. | 0:52:11 | 0:52:12 | |
At 35... | 0:52:12 | 0:52:14 | |
Frankly, I'm distraught. | 0:52:14 | 0:52:16 | |
Oh, another loss. | 0:52:16 | 0:52:18 | |
Is it too early to surrender? | 0:52:18 | 0:52:20 | |
-No. -No. -Next up for Brian is the French washstand. | 0:52:20 | 0:52:24 | |
-20, I have. -Come on. | 0:52:24 | 0:52:26 | |
Good luck, mate. I'm really with you. | 0:52:26 | 0:52:28 | |
-30. -Go on, then. | 0:52:28 | 0:52:30 | |
The internet has woken up. | 0:52:30 | 0:52:32 | |
At £35. 40 is bid, then. | 0:52:32 | 0:52:34 | |
-It's in the room. -I think that's probably about right. | 0:52:34 | 0:52:37 | |
That's a result, that. In our terms, we would be so pleased with that. | 0:52:37 | 0:52:40 | |
I can't believe we have lost on that one. | 0:52:40 | 0:52:42 | |
The bid's still in the room. | 0:52:42 | 0:52:44 | |
-It's still going. -Online, then, at 55. | 0:52:44 | 0:52:47 | |
I could sell, if we're all done at £55. | 0:52:47 | 0:52:50 | |
-We would be pleased with that. -I know. | 0:52:50 | 0:52:52 | |
That is Brian and Kate's first loss of the day. | 0:52:52 | 0:52:55 | |
Nick, I should have been your expert. | 0:52:55 | 0:52:57 | |
Next, it's another of Kate's and Brian's lots - | 0:52:59 | 0:53:02 | |
the Victorian memorial broach. | 0:53:02 | 0:53:03 | |
With me here at £20. | 0:53:03 | 0:53:05 | |
You have got a £20 bid, that's a profit. | 0:53:05 | 0:53:07 | |
-22. -And you said it would, despite Kate, didn't you? | 0:53:07 | 0:53:10 | |
At the back of the room. At £28. | 0:53:10 | 0:53:12 | |
It is at the back of the room at 28. | 0:53:12 | 0:53:14 | |
And selling, if we are all done... | 0:53:14 | 0:53:15 | |
-Yes, get in there. -Try and look not... | 0:53:16 | 0:53:19 | |
This is a smile, really. | 0:53:19 | 0:53:22 | |
-Well done. -Another profit for Brian. | 0:53:22 | 0:53:24 | |
He is starting to pull away here. | 0:53:24 | 0:53:27 | |
I am really delighted for you. | 0:53:27 | 0:53:29 | |
Thank you. | 0:53:29 | 0:53:31 | |
Now, will the toddy ladle give Phil and Nick a chance to catch up? | 0:53:31 | 0:53:35 | |
30 is bid. At £30, and 5. | 0:53:35 | 0:53:38 | |
35, 40. 45, 50. | 0:53:38 | 0:53:41 | |
-Oh! -At 55, madam. | 0:53:41 | 0:53:43 | |
At 55 online. | 0:53:43 | 0:53:45 | |
-60 is bid. -We are talking profit here. | 0:53:45 | 0:53:47 | |
At 60. At £60. | 0:53:47 | 0:53:48 | |
Against you on the internet. | 0:53:48 | 0:53:50 | |
It is not often that I've wished ill on people. | 0:53:50 | 0:53:54 | |
My fault. | 0:53:55 | 0:53:57 | |
-But I am beginning just to... -Yeah. I introduced you to him. | 0:53:57 | 0:54:00 | |
-I apologise. -A first profit for Phil and Nick. | 0:54:00 | 0:54:02 | |
Could this be a comeback? | 0:54:02 | 0:54:04 | |
-I'm so happy. -How much? How much? | 0:54:04 | 0:54:07 | |
It's Brian's horn. | 0:54:07 | 0:54:09 | |
Can the loudest item produce a profit? | 0:54:09 | 0:54:11 | |
£20 is bid. At £20. | 0:54:11 | 0:54:13 | |
At £20, with me here at 20. | 0:54:13 | 0:54:15 | |
And two, do I see anywhere? | 0:54:15 | 0:54:17 | |
At £20. 22, I have. | 0:54:17 | 0:54:19 | |
Oh, no, it's another profit for him. | 0:54:19 | 0:54:21 | |
25? At £25, it's bid now. | 0:54:21 | 0:54:23 | |
-At £25. -Look pleased. | 0:54:23 | 0:54:25 | |
Just smile, all right? | 0:54:25 | 0:54:26 | |
Be gracious. | 0:54:26 | 0:54:28 | |
Yes! | 0:54:29 | 0:54:31 | |
It's a profit, just. | 0:54:31 | 0:54:33 | |
I don't want to gloat too much, you know... | 0:54:33 | 0:54:35 | |
No, don't. | 0:54:35 | 0:54:37 | |
..but I will. | 0:54:37 | 0:54:38 | |
Now, Nick's favourite item. | 0:54:41 | 0:54:43 | |
Can Eric and Ernie bring him some sunshine? | 0:54:43 | 0:54:47 | |
At 30. And five. | 0:54:47 | 0:54:48 | |
40. At £40, with me here. | 0:54:48 | 0:54:50 | |
Against you, internet this time. | 0:54:50 | 0:54:52 | |
At 40. Five. | 0:54:52 | 0:54:54 | |
50, online, still. | 0:54:54 | 0:54:55 | |
Two internet bidders. | 0:54:55 | 0:54:56 | |
At £50 online. | 0:54:56 | 0:54:58 | |
-At 50. Is there five anywhere? -It's a result for us. | 0:54:58 | 0:55:00 | |
£50, then, it is. | 0:55:00 | 0:55:01 | |
At £50 and selling... | 0:55:01 | 0:55:03 | |
It's getting embarrassing. It is getting embarrassing, | 0:55:07 | 0:55:10 | |
-ladies and gentlemen. -That's it, then. | 0:55:10 | 0:55:13 | |
Another loss for the boys. | 0:55:13 | 0:55:15 | |
I think it's the taking part that's important. | 0:55:15 | 0:55:18 | |
No, it's not, it's the winning. | 0:55:18 | 0:55:20 | |
It is Brian and Kate's final item, the Edwardian sign. | 0:55:20 | 0:55:23 | |
Lots of interest here. | 0:55:23 | 0:55:25 | |
We've got commission bids left. | 0:55:25 | 0:55:27 | |
And we can start eliminating the lower ones. | 0:55:27 | 0:55:29 | |
Straight in, £100 is bid. | 0:55:29 | 0:55:31 | |
110 online. 120. | 0:55:31 | 0:55:33 | |
Against you, internet, now. | 0:55:33 | 0:55:35 | |
-Oh, no! -£120. 130. | 0:55:35 | 0:55:37 | |
The bid is on the internet, £130. | 0:55:37 | 0:55:39 | |
Any advance in the room? | 0:55:39 | 0:55:40 | |
At £130, are we all done on the boot polish sign? | 0:55:40 | 0:55:44 | |
You have done better than I thought you were going to. | 0:55:44 | 0:55:46 | |
130. | 0:55:46 | 0:55:48 | |
-It's all right. Only lost £30. -Look at the look on his face. | 0:55:50 | 0:55:53 | |
-That's all right. -The polish sign didn't shine for them, | 0:55:53 | 0:55:56 | |
but have they done enough to win? | 0:55:56 | 0:55:58 | |
Sorry, ladies and gentlemen, this is now getting boring, isn't it? | 0:55:58 | 0:56:01 | |
Because they keep losing, I keep winning. | 0:56:01 | 0:56:04 | |
-This is getting bitter. -We are not resentful. | 0:56:04 | 0:56:06 | |
Nick and Phil's last item is the theatre lamp. | 0:56:06 | 0:56:09 | |
Will their big-spend gamble light up their day? | 0:56:09 | 0:56:12 | |
50, then, to get me started. | 0:56:12 | 0:56:14 | |
30, if it must be. | 0:56:14 | 0:56:15 | |
That is just ridiculous, really. | 0:56:15 | 0:56:16 | |
£30. Blank faces all round. | 0:56:16 | 0:56:18 | |
I thought this would do OK. | 0:56:18 | 0:56:20 | |
-20? -Oh, dear. | 0:56:20 | 0:56:22 | |
Dearie me. 20 we have, then. | 0:56:22 | 0:56:24 | |
£20 at the back of the room. | 0:56:24 | 0:56:26 | |
-A lonely £20. -Do you want to start the car? | 0:56:26 | 0:56:28 | |
I'll say, even I feel sorry for you. | 0:56:28 | 0:56:30 | |
25 is bid now, in a new place. | 0:56:30 | 0:56:33 | |
30. 35, | 0:56:33 | 0:56:34 | |
if you would like, sir? No. £30 at the back of the room. | 0:56:34 | 0:56:37 | |
£30 only. | 0:56:37 | 0:56:38 | |
You see, that is just bonkers. That is just bonkers, isn't it? | 0:56:40 | 0:56:43 | |
That is rubbing salt in the wound, isn't it? | 0:56:43 | 0:56:45 | |
-Devastating! -Oh, dear. | 0:56:45 | 0:56:46 | |
I think that's left them in the shade. | 0:56:46 | 0:56:49 | |
-Time for the totting up. -That, as they say, is that. | 0:56:49 | 0:56:52 | |
No, what they say is a whitewash, love. | 0:56:52 | 0:56:55 | |
-That's what they say. -So, the scores on the doors... | 0:56:55 | 0:57:00 | |
Phil and Nick started the trip with £400 and after paying auction costs, | 0:57:00 | 0:57:04 | |
made a loss of £166, leaving them with £234 in their piggy. | 0:57:04 | 0:57:10 | |
Brian and the absent Kate also started with £400. | 0:57:14 | 0:57:17 | |
After auction costs, they made a smaller loss of £56.04, | 0:57:17 | 0:57:22 | |
leaving them with a bigger total of £343.96, | 0:57:22 | 0:57:28 | |
making them today's Road Trip winners. | 0:57:28 | 0:57:31 | |
Congratulations! | 0:57:31 | 0:57:32 | |
There's nothing like a modest winner, is there? | 0:57:34 | 0:57:37 | |
Anyway, off you go, then. | 0:57:37 | 0:57:39 | |
Are there any other experts, in case I get asked again? | 0:57:39 | 0:57:41 | |
-Yeah, yeah. -Come on, loser. | 0:57:41 | 0:57:43 | |
Yes! | 0:57:43 | 0:57:45 | |
Take care, Phil. | 0:57:45 | 0:57:46 | |
You are going to have to walk home, love. | 0:57:46 | 0:57:48 | |
-See you. -Keep in touch. | 0:57:48 | 0:57:50 | |
Have you enjoyed it? | 0:57:54 | 0:57:55 | |
I have genuinely loved it. | 0:57:55 | 0:57:57 | |
Do you reckon you would do this again, if you're asked? | 0:57:57 | 0:58:00 | |
-I would love to do it. -GEARS GRIND | 0:58:00 | 0:58:02 | |
Oh! But I want a better car. | 0:58:02 | 0:58:04 | |
It's lovely because we're mates and it's just great that we've had | 0:58:05 | 0:58:09 | |
this experience together. And even got to know each other a little bit | 0:58:09 | 0:58:12 | |
more now cos, we've had, you know, these last few days together, | 0:58:12 | 0:58:17 | |
and do you know the worrying thing? Those antiques aren't as old as us. | 0:58:17 | 0:58:21 | |
LAUGHTER | 0:58:21 | 0:58:23 | |
Until next time, cheerio! | 0:58:23 | 0:58:26 |