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-The nation's favourite celebrities... -Ooh. | 0:00:02 | 0:00:04 | |
Want to touch base. | 0:00:04 | 0:00:05 | |
-..paired up with an expert... -Boo! | 0:00:05 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim - to make the biggest profit at auction. | 0:00:15 | 0:00:18 | |
But it's no easy ride. Who will find a hidden gem? | 0:00:18 | 0:00:22 | |
I like that. | 0:00:22 | 0:00:24 | |
-Who will take the biggest risk? -This could end in disaster. | 0:00:24 | 0:00:27 | |
-Will anybody follow expert advice? -But I love this! | 0:00:27 | 0:00:31 | |
Why would you buy something you're not going to use? | 0:00:31 | 0:00:33 | |
There will be worthy winners and valiant losers. | 0:00:33 | 0:00:36 | |
-No, I don't want to shake hands. -Put your pedal to the metal. | 0:00:36 | 0:00:39 | |
Hang on, let me get out of first gear. | 0:00:39 | 0:00:41 | |
This is the Celebrity Antiques Road Trip. | 0:00:41 | 0:00:43 | |
Yeah! | 0:00:46 | 0:00:48 | |
Today, we're in the south of England with showbiz best pals | 0:00:48 | 0:00:52 | |
and co-stars of Radio 4 sitcom Potting On. | 0:00:52 | 0:00:57 | |
It's all-round entertainer Pam Ayres | 0:00:57 | 0:00:59 | |
and esteemed actor Geoffrey Whitehead. | 0:00:59 | 0:01:02 | |
What could be nicer than being driven | 0:01:02 | 0:01:04 | |
around the Hampshire countryside by Pam Ayres in an MG? | 0:01:04 | 0:01:09 | |
Do we have to bother with the antiques? | 0:01:09 | 0:01:11 | |
Yes, you jolly well do! | 0:01:11 | 0:01:13 | |
It's not called Celebrity Antiques Road Trip for nothing, you know! | 0:01:13 | 0:01:16 | |
Now, Pam has... | 0:01:16 | 0:01:18 | |
IN PAM'S ACCENT: ..for over 40 years, | 0:01:18 | 0:01:20 | |
made the nation shed joyful tears. | 0:01:20 | 0:01:22 | |
She's wowed us with her witty prose, | 0:01:22 | 0:01:24 | |
as a top comedienne she has rose. | 0:01:24 | 0:01:26 | |
Presenter, writer and broadcaster too, | 0:01:26 | 0:01:29 | |
fabulous Pam Ayres, we do salute you. | 0:01:29 | 0:01:31 | |
They've got a practice baby you can bath and put to bed | 0:01:31 | 0:01:36 | |
It's only made of rubber, you can drop it on its head. | 0:01:36 | 0:01:39 | |
Bestselling author Pam is starting this road trip | 0:01:39 | 0:01:43 | |
at the helm of this dark blue 1975 MGB GT. | 0:01:43 | 0:01:46 | |
I used to have one of those. | 0:01:46 | 0:01:48 | |
-Is it taking you back, Pam? -I had one of these in 1977 and it was... | 0:01:48 | 0:01:54 | |
Oh, gee! It was the pinnacle... Hang on, let me get out of first gear. | 0:01:54 | 0:01:59 | |
-It was the pinnacle of my aspirations. -Me too. | 0:01:59 | 0:02:03 | |
Seasoned actor Geoffrey trained at RADA, | 0:02:03 | 0:02:07 | |
alongside the likes of John Thaw and Tom Courtenay, | 0:02:07 | 0:02:10 | |
and went on to become a star of radio, film, theatre and TV. | 0:02:10 | 0:02:14 | |
How do I look? | 0:02:14 | 0:02:15 | |
You look... | 0:02:18 | 0:02:20 | |
unsinkable. | 0:02:20 | 0:02:22 | |
It turns out that Geoffrey has a slight advantage on this road trip. | 0:02:22 | 0:02:27 | |
My partner is someone who is... | 0:02:27 | 0:02:30 | |
well, there's no other way to disguise it, Pam, a dealer. | 0:02:30 | 0:02:34 | |
-A dealer! -Yes, but... -I think this is altogether unfair. | 0:02:34 | 0:02:40 | |
-What are you looking for in your expert, Geoffrey? -Help. | 0:02:40 | 0:02:43 | |
I want somebody supportive, ideally steamingly handsome. | 0:02:43 | 0:02:48 | |
Well, Pam, your luck may be in, | 0:02:48 | 0:02:51 | |
as joining you both on this trip are two seasoned antiquers - | 0:02:51 | 0:02:54 | |
the good-looking James Braxton and the delightful Kate Bliss, | 0:02:54 | 0:02:58 | |
who are motoring along | 0:02:58 | 0:02:59 | |
in this impressive, smooth Rolls-Royce Silver Shadow. | 0:02:59 | 0:03:03 | |
What a beautiful car! How are you finding it? | 0:03:03 | 0:03:05 | |
I could handle driving to work in this every day. | 0:03:05 | 0:03:08 | |
If you don't mind, she's been a great heroine of mine. | 0:03:08 | 0:03:12 | |
-I'd love to go with Pam Ayres. -Well, that's absolutely fine, | 0:03:12 | 0:03:15 | |
-because I would love to go with Geoffrey. -Fabulous, Pam Ayres it is! | 0:03:15 | 0:03:19 | |
The only problem is Pam Ayres may not want to go with me. | 0:03:19 | 0:03:23 | |
Well, there is that, there is that, James. | 0:03:23 | 0:03:27 | |
Once paired up, our teams will kick off this rip-roaring road trip | 0:03:27 | 0:03:31 | |
with £400 in their pockets. | 0:03:31 | 0:03:33 | |
Starting in Sparsholt, Winchester, | 0:03:33 | 0:03:36 | |
they'll then be buying up | 0:03:36 | 0:03:38 | |
in Berkshire and Hampshire, | 0:03:38 | 0:03:40 | |
before heading to Cirencester | 0:03:40 | 0:03:41 | |
in Gloucestershire for auction. | 0:03:41 | 0:03:43 | |
-Here we go, with an MG. -Look at that! -Woohoo! -Very smart! | 0:03:43 | 0:03:47 | |
-A very pretty car, isn't it? -Great! | 0:03:47 | 0:03:49 | |
-Congratulations. -Arriving in style. | 0:03:49 | 0:03:51 | |
-Very nice to meet you. James. -Hello. -Did you fit in there? | 0:03:51 | 0:03:55 | |
Partners pre-picked by our experts, they're ready to pair up. | 0:03:55 | 0:04:00 | |
-Would you like me to drive, Geoffrey, to start off? -Please. | 0:04:00 | 0:04:03 | |
-I'm in your hands. -Come on round then. | 0:04:03 | 0:04:05 | |
-It's a long way down! -It is a long way down, isn't it? | 0:04:05 | 0:04:08 | |
And hit the road. | 0:04:10 | 0:04:11 | |
-They're off! -And so should you be. Get going then. | 0:04:13 | 0:04:18 | |
Well, this is more like it. | 0:04:18 | 0:04:20 | |
It's such a relief to get out of that MG. | 0:04:20 | 0:04:22 | |
It's like being trapped in a pilchard tin! | 0:04:22 | 0:04:27 | |
-GEARS CRUNCH -I haven't quite got my gears yet. | 0:04:27 | 0:04:30 | |
I'm very pleased to see you struggling | 0:04:30 | 0:04:32 | |
cos I struggled as well. | 0:04:32 | 0:04:34 | |
-Do you like driving? -Not really. | 0:04:34 | 0:04:37 | |
I started my career in Z Cars and I couldn't drive. | 0:04:37 | 0:04:42 | |
It was a Ford Zephyr | 0:04:42 | 0:04:44 | |
and a man called Stan Hollingsworth used to lie on the floor | 0:04:44 | 0:04:47 | |
and actually work the pedals and the clutch and I would steer it. | 0:04:47 | 0:04:52 | |
-Really? So, you weren't driving? -No. | 0:04:52 | 0:04:54 | |
I think they'll be stiff rivals, won't they? | 0:04:54 | 0:04:57 | |
Yeah, I think he'll be going to box clever, James. | 0:04:57 | 0:05:00 | |
I think he'll box clever. | 0:05:00 | 0:05:02 | |
For their first pit stop, | 0:05:02 | 0:05:04 | |
Pam and James are heading | 0:05:04 | 0:05:05 | |
to Hungerford in Berkshire. | 0:05:05 | 0:05:08 | |
I feel that Geoffrey has got a vast knowledge | 0:05:08 | 0:05:10 | |
which is going to be very difficult for me to compete with. | 0:05:10 | 0:05:13 | |
Kate's very competitive as well. | 0:05:13 | 0:05:15 | |
-It's good to just gently sow doubting seeds. -Ah, yes. | 0:05:15 | 0:05:20 | |
-We could tell them about a sleeper. -A sleeper? | 0:05:20 | 0:05:24 | |
-A sleeper. -Tell me more. | 0:05:24 | 0:05:26 | |
Sleeper is a sort of little treasure that lies undiscovered. | 0:05:26 | 0:05:29 | |
Well, hopefully, there may be some sleepers hiding | 0:05:29 | 0:05:33 | |
in their first shop of the day, Hungerford Arcade. | 0:05:33 | 0:05:36 | |
-In we hop. -Right. -After you. | 0:05:36 | 0:05:39 | |
-So, eyes peeled. -My goodness! Gee, where do you start? | 0:05:39 | 0:05:44 | |
I think the great rule of thumb is the Princess Margaret school | 0:05:44 | 0:05:48 | |
of keep walking, never stop, | 0:05:48 | 0:05:50 | |
just process slowly and take it all in and then only stop when need be. | 0:05:50 | 0:05:55 | |
-Is that what she did? -Yeah. | 0:05:55 | 0:05:57 | |
-OK, we'll do the same. -Let's proceed. | 0:05:57 | 0:06:00 | |
So, what are we looking for? | 0:06:00 | 0:06:02 | |
That reminds me of Dubai, of the gold souks there. | 0:06:02 | 0:06:06 | |
I'm not looking for any gold cos I've only got 400 quid. | 0:06:06 | 0:06:09 | |
In these troubled times, gold is soaring, isn't it? | 0:06:09 | 0:06:12 | |
I like this little tea set. | 0:06:12 | 0:06:14 | |
I had one a bit like it at home and I think that's very sweet. | 0:06:14 | 0:06:17 | |
Would it be stupid of me to buy that, do you think? | 0:06:17 | 0:06:19 | |
-Course it wouldn't. -No? -How much is it? -It's £8.50. | 0:06:19 | 0:06:23 | |
-It doesn't seem too expensive, does it? -No, it doesn't. | 0:06:23 | 0:06:26 | |
-I think it's very sweet. -So, you're a decision-maker, aren't you? -Yeah. | 0:06:26 | 0:06:31 | |
-So, you leap straight in. -I like that tea set, that child's tea set. | 0:06:31 | 0:06:35 | |
I think it has great charm. We'll try and get that, shall we? | 0:06:35 | 0:06:39 | |
Shall we try and get that? I think, Pam, brilliant. | 0:06:39 | 0:06:42 | |
-What do I have to do then? -I think we... | 0:06:42 | 0:06:45 | |
Do I go and get the man by the throat | 0:06:45 | 0:06:47 | |
or do I go and choose some other things? | 0:06:47 | 0:06:49 | |
She doesn't mess about, does she? | 0:06:49 | 0:06:51 | |
-Hello. -Hello. -Hello. James. -Ian. | 0:06:51 | 0:06:54 | |
-Ian. -Hello, Ian. Hello, Ian. | 0:06:54 | 0:06:56 | |
Is this is where I have to be hard-nosed? | 0:06:56 | 0:06:58 | |
-Yeah, you have to be hard-nosed. -I like this little dinky tea set. | 0:06:58 | 0:07:03 | |
-Can we examine it first? -Yes, certainly. | 0:07:03 | 0:07:06 | |
Can my expert scrutinise it? | 0:07:06 | 0:07:08 | |
-Ian... -I think it's pretty. -Yeah. -And I like pretty china. | 0:07:08 | 0:07:12 | |
Oh, it's not that old. | 0:07:12 | 0:07:14 | |
Look, I can feel it, and we've got a clear marking there. | 0:07:14 | 0:07:17 | |
The Victorian ones were generally made | 0:07:17 | 0:07:20 | |
in Stoke-upon-Trent, Staffordshire, | 0:07:20 | 0:07:22 | |
and they would have been quite clumsy in their manufacture. | 0:07:22 | 0:07:25 | |
It's bone china. It's none of your rubbish. | 0:07:25 | 0:07:27 | |
-We've got to start somewhere. -Got to start somewhere. | 0:07:27 | 0:07:29 | |
At least we're starting. That's the main thing. | 0:07:29 | 0:07:31 | |
Ian, I'm tasked with getting the best possible price for it. | 0:07:31 | 0:07:34 | |
-OK, well, the current price is £8.50. -Yeah. | 0:07:34 | 0:07:37 | |
And I know the dealer, James, so I might be able to give him | 0:07:37 | 0:07:41 | |
a quick call and see if he can squeeze a little bit more off. | 0:07:41 | 0:07:44 | |
A decisive start there from Pam, | 0:07:44 | 0:07:47 | |
as Ian heads off to try and broker a deal. | 0:07:47 | 0:07:49 | |
Shall we have a look at some other things | 0:07:49 | 0:07:51 | |
while Ian is negotiating with James? | 0:07:51 | 0:07:54 | |
-Well, time is money, isn't it? -Time is money, absolutely. -Time is money. | 0:07:54 | 0:07:57 | |
-Busy people. -Jewellery, nice jewellery. | 0:07:57 | 0:08:00 | |
Expensive though for our purposes, isn't it? | 0:08:00 | 0:08:03 | |
While Pam and James carry on hunting in Hungerford, | 0:08:03 | 0:08:07 | |
Geoffrey and Kate have motored their way to Reading, | 0:08:07 | 0:08:10 | |
where they're arriving at their first shop of the day. | 0:08:10 | 0:08:14 | |
-Fanny's. -Fanny's Antiques. Look at that. -My word! | 0:08:14 | 0:08:17 | |
-So, here we go. First shop. -Plenty to look at. -Yeah! | 0:08:19 | 0:08:23 | |
-It's stuffed in here. -Indeed! | 0:08:23 | 0:08:26 | |
One of Reading's longest-running antiques havens, | 0:08:26 | 0:08:30 | |
there's plenty of collectables for Geoffrey to get his teeth into. | 0:08:30 | 0:08:34 | |
So, what about ceramics, Geoffrey? Do you like those? | 0:08:34 | 0:08:37 | |
Well, no, I don't think so. I think pottery, that is Pam's department. | 0:08:37 | 0:08:43 | |
-Is it? -I think so. -Do you think that would be a Pam piece? | 0:08:43 | 0:08:45 | |
-That's right up Pam's street. -Is it? -Yes. Look at it. Quite hideous. | 0:08:45 | 0:08:50 | |
He doesn't hold back, does he? | 0:08:50 | 0:08:52 | |
-Ah, the old cruet. -Yeah. What do you think of it? | 0:08:52 | 0:08:56 | |
Shall we have a look underneath? | 0:08:56 | 0:08:58 | |
-Yeah, I tell you what... -If I hold it up. | 0:08:58 | 0:09:00 | |
-Now, don't drop it, Geoffrey. -No. | 0:09:00 | 0:09:04 | |
James Deakin. And it's Sheffield. | 0:09:04 | 0:09:07 | |
-Hey, it's from your neck of the woods. -Well, that settles it. | 0:09:07 | 0:09:10 | |
-I mean, that's fantastic. -I would say that is Edwardian in date. -OK. | 0:09:10 | 0:09:15 | |
-Do you know what, Geoffrey? -Mm. -There's a bit of damage on there. | 0:09:15 | 0:09:19 | |
Oh, yeah, that's a bad crack, isn't it? I'm not buying damaged goods. | 0:09:19 | 0:09:23 | |
-OK. -Is that a flat no? -I'm afraid so, Sheffield and all. -I agree. | 0:09:23 | 0:09:28 | |
While Geoffrey and Kate continue to browse, | 0:09:28 | 0:09:31 | |
back in Hungerford, Pam and James are waiting for an answer | 0:09:31 | 0:09:35 | |
from Ian on the children's tea set. | 0:09:35 | 0:09:37 | |
-Here's our man. -Hello again. -Hello. -Ian, come on. -What did James say? | 0:09:37 | 0:09:41 | |
I spoke to him and he said you could have it for £5. | 0:09:41 | 0:09:44 | |
-For £5, I will accept. Thank you. -That's very kind. -That's all right. | 0:09:44 | 0:09:47 | |
-That's my first purchase and it's been an absolute undiluted joy. -OK. | 0:09:47 | 0:09:53 | |
Hasn't she got a lovely way with words? | 0:09:53 | 0:09:56 | |
-Anything else grab you, Pam? -Teddy. | 0:09:56 | 0:09:58 | |
-Teddies are worth a lot of money, aren't they? -They can be, yeah. | 0:09:58 | 0:10:02 | |
The right teddy can be worth a lot of money. | 0:10:02 | 0:10:05 | |
-Is this the right teddy, do you think? -I don't know. | 0:10:05 | 0:10:07 | |
-Is it straw-filled? -Hello, teddy. He looks rather a nice teddy. | 0:10:07 | 0:10:11 | |
What does he cost? He costs... | 0:10:11 | 0:10:14 | |
-Quite big, isn't he? -Let's have a look. £120. -Wow! | 0:10:14 | 0:10:19 | |
-He's rather nice, aren't you?. -Is he straw-filled? Does he crunch? | 0:10:19 | 0:10:23 | |
-He does crunch a bit, doesn't he? -Is that good? -It's good. | 0:10:23 | 0:10:26 | |
You're a nice boy, you are. | 0:10:26 | 0:10:28 | |
Up until the 1920s, | 0:10:28 | 0:10:30 | |
most teddies were stuffed with wood shavings, giving a straw-like feel. | 0:10:30 | 0:10:34 | |
What about his eyes? Are these glassy eyes? | 0:10:34 | 0:10:36 | |
I think they're plastic. | 0:10:36 | 0:10:37 | |
Yeah, I think they are. I don't think they're original. | 0:10:37 | 0:10:40 | |
-He's getting a bit bald, isn't he? He's been loved. -Yeah. | 0:10:40 | 0:10:44 | |
Do you think I'm daft though? | 0:10:44 | 0:10:46 | |
Cos I don't know anything about antiques, | 0:10:46 | 0:10:47 | |
I just know what I like, and I quite like him. | 0:10:47 | 0:10:50 | |
Well, Pam certainly seems smitten. Best get Ian back over. | 0:10:50 | 0:10:54 | |
-He's £120. -OK. -Do you think it's all right to buy him, James? | 0:10:54 | 0:10:58 | |
-Cos I'm on very thin ice here. -Not at 120. -No. | 0:10:58 | 0:11:02 | |
-Not at 120, my expert says. -No, it's got to be a lot less. | 0:11:02 | 0:11:05 | |
My expert's a very esteemed expert in the field of teddy bears. | 0:11:05 | 0:11:09 | |
Well, if you hand the teddy bear to me, I'll see what I can do. | 0:11:09 | 0:11:12 | |
-You're a good man. -Thank you. Setting me up for a fall there. | 0:11:12 | 0:11:15 | |
It's a nice teddy. You know, I'd be all over it if it was 30 quid. | 0:11:15 | 0:11:19 | |
-Well, yeah... -But it's not, is it? -No. | 0:11:19 | 0:11:23 | |
-It's 120, so it's a grown-up decision to make. -Yeah. | 0:11:23 | 0:11:26 | |
Right, Ian, what's the news? | 0:11:26 | 0:11:28 | |
I spoke to the dealer and she's such a fan of you both, | 0:11:28 | 0:11:33 | |
-she said you can have it for £75. -£75. | 0:11:33 | 0:11:37 | |
I'll have to consult with my expert on this. | 0:11:37 | 0:11:40 | |
-What do you think, James? -Well... | 0:11:40 | 0:11:42 | |
-I think it's a good price. -Do you? -Yeah. | 0:11:43 | 0:11:46 | |
-Well, I'm inclined to go for it. -I would concur. | 0:11:46 | 0:11:49 | |
-OK, we'd like to buy the teddy bear. -OK, shake his hand. | 0:11:49 | 0:11:53 | |
-Oh, look at that! Shake his hand. -Shake his hand. Thank you. | 0:11:53 | 0:11:57 | |
-It's a deal! -I like him. -It's a deal. -It's a deal. | 0:11:57 | 0:12:01 | |
That shake of the paw means they've spent a total of £80 | 0:12:01 | 0:12:04 | |
on two items in her very first shop. | 0:12:04 | 0:12:07 | |
ENGINE CHUGS | 0:12:07 | 0:12:09 | |
-Doesn't sound very healthy, does it? -Bit of a thump there. | 0:12:09 | 0:12:12 | |
-CAR WHINES -Oh, gee! | 0:12:12 | 0:12:14 | |
Although their shopping is off to a flying start, | 0:12:14 | 0:12:18 | |
it looks like their road trip has ground to a halt. | 0:12:18 | 0:12:21 | |
-Right... -Well, with great regret, we'll leave Ted, Big Ted. | 0:12:21 | 0:12:25 | |
Anyway, it's very good for the figure, isn't it? | 0:12:25 | 0:12:27 | |
-Very good for the figure, yes. -Very good for the figure, Pam. | 0:12:27 | 0:12:30 | |
Let's hope Geoffrey's having better luck back in Reading. | 0:12:30 | 0:12:34 | |
I've seen something that I might like but I need a closer look at it. | 0:12:34 | 0:12:37 | |
-OK. -Will you come with me? -Yeah. -It looks good. | 0:12:37 | 0:12:40 | |
Aha. Looks like a set of shutters have caught Geoffrey's eye. | 0:12:40 | 0:12:44 | |
-This is French. Well, it says it's French. -Yeah. | 0:12:44 | 0:12:46 | |
Shutter, 19th century. | 0:12:46 | 0:12:50 | |
-Yeah, it could well be. -Would you like a closer look at it? | 0:12:50 | 0:12:53 | |
-Yeah, let's have a look. -Squeeze by. | 0:12:53 | 0:12:55 | |
I like the fact that it's still got the original ironwork on it. | 0:12:55 | 0:12:59 | |
-That latch there. -That can't be faked, can it? -No, and the hinges... | 0:12:59 | 0:13:03 | |
It certainly looks like it's got some age to it. | 0:13:03 | 0:13:05 | |
It could be from a French gite. | 0:13:05 | 0:13:08 | |
I don't think it's quite classy enough for a chateaux. | 0:13:08 | 0:13:10 | |
When we go abroad to Isle-sur-la-Sorgue, Montpellier, | 0:13:10 | 0:13:15 | |
and all these places in the South of France, | 0:13:15 | 0:13:18 | |
or the fleas in Paris, | 0:13:18 | 0:13:20 | |
-you see a lot of this stuff and I just love it. -Yeah. | 0:13:20 | 0:13:25 | |
It's so reminiscent of all those trips | 0:13:25 | 0:13:28 | |
and nice sort of holidays and searching for goods and things. | 0:13:28 | 0:13:32 | |
It just speaks to me. It's got something, hasn't it? | 0:13:32 | 0:13:35 | |
It certainly has. So, what's the damage? | 0:13:35 | 0:13:38 | |
-Well, the damage... -Mm. | 0:13:38 | 0:13:40 | |
-250. -OK. | 0:13:40 | 0:13:43 | |
I wouldn't want to give more than 150 for it, really. | 0:13:43 | 0:13:47 | |
Right, best bargaining head on, Geoffrey. | 0:13:47 | 0:13:51 | |
Let's see if you can seal a deal with the top dog, Will. | 0:13:51 | 0:13:54 | |
-We've seen something that we rather like, or -I -rather like, anyway. | 0:13:54 | 0:13:58 | |
-The French shutter. -What's the price on it? | 0:13:58 | 0:14:01 | |
It's 250, which... | 0:14:01 | 0:14:03 | |
-250. -..seems a little high for us, you know. | 0:14:04 | 0:14:07 | |
-Can you do me anything on that? -200 springs to mind. | 0:14:07 | 0:14:10 | |
-We were sort of thinking the 100 to 150, weren't we? -Yeah. | 0:14:10 | 0:14:14 | |
-If you could come and meet us somewhere where you're happy. -175? | 0:14:14 | 0:14:19 | |
-Well, that sounds... Yeah, that sounds acceptable. -Are you happy? | 0:14:19 | 0:14:23 | |
-Yeah, I think we're all happy. -It's a deal. -OK. -We're happy all round. | 0:14:23 | 0:14:27 | |
-Thank you. -Great, thank you, Will. -Pleasure. | 0:14:27 | 0:14:30 | |
-We've got our first item. -Indeed. | 0:14:30 | 0:14:32 | |
That pricey purchase means Geoffrey's blown | 0:14:32 | 0:14:35 | |
almost half his budget on just one item, and in his first shop, too. | 0:14:35 | 0:14:40 | |
-OK. -Right. -Onwards and upwards. | 0:14:40 | 0:14:43 | |
Yes, with a lot of our money gone. Oh, dear. | 0:14:43 | 0:14:46 | |
-Bye, Fanny's. -Off we go. | 0:14:47 | 0:14:50 | |
Back with Pam and James, they're taking a break from shopping | 0:14:52 | 0:14:55 | |
and heading south to Middle Wallop in Hampshire. | 0:14:55 | 0:14:59 | |
In her younger years, Pam was in the RAF, | 0:14:59 | 0:15:03 | |
so James has brought her to the Museum of Army Flying | 0:15:03 | 0:15:06 | |
to find out about the regiment with the briefest of histories, | 0:15:06 | 0:15:09 | |
that helped win World War II. | 0:15:09 | 0:15:12 | |
They're meeting museum curator Susan Lindsay to find out more. | 0:15:12 | 0:15:16 | |
-Hello. -Please come in. -Thank you. | 0:15:16 | 0:15:18 | |
This year marks the 75th anniversary | 0:15:20 | 0:15:22 | |
of the formation of the British Glider Pilot Regiment. | 0:15:22 | 0:15:26 | |
With a motto of "Nothing is impossible", | 0:15:26 | 0:15:29 | |
the unit's airborne assaults during the Second World War played | 0:15:29 | 0:15:32 | |
an important part in the Allied forces winning the war. | 0:15:32 | 0:15:36 | |
Susan, I live near the old airfield at Down Ampney in Gloucestershire | 0:15:36 | 0:15:41 | |
and I know lots of gliders went from there during the Second World War. | 0:15:41 | 0:15:44 | |
Why gliders? | 0:15:44 | 0:15:46 | |
Well, gliders were a really effective way of delivering | 0:15:46 | 0:15:49 | |
large numbers of troops, equipment and supplies | 0:15:49 | 0:15:51 | |
for airborne operations. | 0:15:51 | 0:15:54 | |
Because they didn't have engines, they were silent | 0:15:54 | 0:15:56 | |
and, therefore, they provided an element of surprise. | 0:15:56 | 0:15:59 | |
The military use of gliders was a German invention. | 0:15:59 | 0:16:03 | |
Following the end of World War I, | 0:16:03 | 0:16:05 | |
the Treaty of Versailles peace settlement prohibited Germany | 0:16:05 | 0:16:09 | |
from having a powered air force, | 0:16:09 | 0:16:11 | |
so they turned, instead, to gliders to train pilots. | 0:16:11 | 0:16:14 | |
Germany went on to use gliders with great success | 0:16:14 | 0:16:17 | |
during the early stages of the Second World War, | 0:16:17 | 0:16:20 | |
prompting Churchill to call for the formation of a British glider force. | 0:16:20 | 0:16:24 | |
The Glider Pilot Regiment was formed in February, 1942, | 0:16:24 | 0:16:28 | |
and the pilots were drawn from volunteers across the army. | 0:16:28 | 0:16:32 | |
Why the army? I would have thought they'd scour the airforce. | 0:16:32 | 0:16:35 | |
Well, there was some squabbling, when the unit was first set up, | 0:16:35 | 0:16:39 | |
about whether or not the pilots should be army or airforce. | 0:16:39 | 0:16:41 | |
But the nature of a glider operation is that it is, in effect, one-way, | 0:16:41 | 0:16:45 | |
so the pilot has to land the glider | 0:16:45 | 0:16:48 | |
and then get out and fight alongside the troops he's brought into battle, | 0:16:48 | 0:16:51 | |
so it was better that he was a soldier, rather than just a pilot. | 0:16:51 | 0:16:55 | |
Various gliders were used by the Allied forces | 0:16:55 | 0:16:58 | |
but the Airspeed Horsa was Britain's primary combat glider, | 0:16:58 | 0:17:03 | |
which could carry around 28 soldiers and two jeeps. | 0:17:03 | 0:17:07 | |
Towed into the air by powered aircraft, | 0:17:07 | 0:17:10 | |
the gliders would cut loose their tethers, | 0:17:10 | 0:17:13 | |
once near their target, and make controlled crash landings. | 0:17:13 | 0:17:17 | |
So, Susan, this is a Horsa glider. | 0:17:17 | 0:17:19 | |
The cockpit is angled towards us, kind of hinged at the ear. | 0:17:19 | 0:17:23 | |
Is that how you loaded it and then you closed the top like a tin lid? | 0:17:23 | 0:17:28 | |
Absolutely. This is actually a Mark II. | 0:17:28 | 0:17:31 | |
The Mark I gliders had a large door on the side, with a ramp, | 0:17:31 | 0:17:34 | |
and you had to load them that way, | 0:17:34 | 0:17:36 | |
and then, if you wanted to unload them, | 0:17:36 | 0:17:37 | |
you might have to use explosives to take the tail off. | 0:17:37 | 0:17:40 | |
-Obviously, that was unreliable and quite inefficient. -Yes. | 0:17:40 | 0:17:44 | |
So, for the Mark II, they developed a cockpit that opened like a door | 0:17:44 | 0:17:47 | |
and you could load it from the front. | 0:17:47 | 0:17:50 | |
How amazing. What an ungainly-looking contraption. | 0:17:50 | 0:17:53 | |
What was the first mission they were used in? | 0:17:53 | 0:17:55 | |
Well, the first operation that Horsas were used on | 0:17:55 | 0:17:58 | |
was called Operation Freshman. | 0:17:58 | 0:18:00 | |
This was an operation to try and disable | 0:18:00 | 0:18:04 | |
a heavy water plant in Vemork in Norway. | 0:18:04 | 0:18:08 | |
The reason why that was the target | 0:18:08 | 0:18:10 | |
was because heavy water could be used to develop an atomic bomb. | 0:18:10 | 0:18:13 | |
Two Horsa gliders were used on that operation but, sadly, | 0:18:13 | 0:18:18 | |
very poor weather conditions meant that all aircraft involved crashed | 0:18:18 | 0:18:22 | |
and those who weren't killed during the crash were captured | 0:18:22 | 0:18:26 | |
and subsequently executed by the Germans. | 0:18:26 | 0:18:28 | |
Did the Horsa gliders go on to be considered a success in the end? | 0:18:28 | 0:18:33 | |
They did. It was used in a number of different other operations, | 0:18:33 | 0:18:37 | |
right up until 1945. But, probably, one of the best known | 0:18:37 | 0:18:41 | |
is the capture of the bridge at Arnhem, | 0:18:41 | 0:18:43 | |
and that was really part of a very ambitious plan | 0:18:43 | 0:18:46 | |
to try and drive 30 corps into Germany | 0:18:46 | 0:18:49 | |
to try and finish the war in 1944. | 0:18:49 | 0:18:53 | |
And gliders were involved in landing troops and equipment | 0:18:53 | 0:18:56 | |
and, in fact, the bridge was captured | 0:18:56 | 0:18:58 | |
and it was held for four days but, for a variety of reasons, | 0:18:58 | 0:19:02 | |
the Allied troops were overwhelmed by German opposition | 0:19:02 | 0:19:05 | |
and, in the end, they had to withdraw. | 0:19:05 | 0:19:07 | |
1,300 glider pilots were involved in that operation | 0:19:07 | 0:19:10 | |
-and only approximately 700 came back. -Oh! | 0:19:10 | 0:19:14 | |
So, they made a massive contribution then, Susan, but at tremendous cost. | 0:19:14 | 0:19:18 | |
They made a massive contribution, | 0:19:18 | 0:19:20 | |
in what was a very new way of delivering troops | 0:19:20 | 0:19:23 | |
and, you're right, at a great loss. | 0:19:23 | 0:19:25 | |
Gliders were never flown operationally | 0:19:25 | 0:19:28 | |
after the Second World War, | 0:19:28 | 0:19:30 | |
with remaining members of the regiment | 0:19:30 | 0:19:32 | |
retrained as light aircraft pilots. | 0:19:32 | 0:19:35 | |
But the glider unit will forever be remembered for their role | 0:19:35 | 0:19:39 | |
in helping win the war, reminding us all, nothing is impossible. | 0:19:39 | 0:19:43 | |
Back on the open road, Geoffrey and Kate are heading | 0:19:46 | 0:19:49 | |
towards their second shop of the day in Eversley in Hampshire. | 0:19:49 | 0:19:53 | |
-Have you always wanted to be an actor? -No. | 0:19:53 | 0:19:56 | |
I was at school and it's the usual story. | 0:19:56 | 0:19:59 | |
A very enlightened schoolmaster said, | 0:19:59 | 0:20:03 | |
"I'm doing a play at the end of term, Saint Joan, | 0:20:03 | 0:20:06 | |
"and I'd very much like you to play Saint Joan." | 0:20:06 | 0:20:08 | |
Yeah, and I quite enjoyed it. | 0:20:10 | 0:20:12 | |
And then, a couple of years later, he said, | 0:20:14 | 0:20:16 | |
"I'd like you to do Hamlet," so I did Hamlet. | 0:20:16 | 0:20:19 | |
And then he said, "Have you thought of doing this for a living?" | 0:20:19 | 0:20:22 | |
And I hadn't really. And he said, "Try for RADA." | 0:20:22 | 0:20:25 | |
-And 50-odd years later... -Here you are! -..I'm still doing it. | 0:20:25 | 0:20:29 | |
And we're mighty glad you are. | 0:20:29 | 0:20:31 | |
Geoffrey and Kate have arrived at their final shop of the day, | 0:20:31 | 0:20:35 | |
Eversley Barn Antiques. | 0:20:35 | 0:20:37 | |
-What do you think? -Looks good, doesn't it? My word. | 0:20:39 | 0:20:42 | |
Housed inside this 16th-century barn are a wide variety of antiques, | 0:20:42 | 0:20:48 | |
furniture and collectables. | 0:20:48 | 0:20:49 | |
I'd quite like to have a look at those chandeliers as we came in. | 0:20:49 | 0:20:52 | |
-Ooh, OK. -That's, you see, that's all glass but, of course,... | 0:20:52 | 0:20:56 | |
Little lustre drop. 210, yeah. | 0:20:56 | 0:21:00 | |
You've got expensive taste, Geoffrey. | 0:21:00 | 0:21:02 | |
GEOFFREY LAUGHS | 0:21:02 | 0:21:04 | |
Remember, you've only got £225 left to play with | 0:21:04 | 0:21:08 | |
and you only bought one item so far. | 0:21:08 | 0:21:11 | |
What do you think of that? | 0:21:11 | 0:21:13 | |
Yeah, I mean, for your Radio Times and all the rest of it, yes. | 0:21:13 | 0:21:16 | |
-Yeah. Magazine rack. -Yeah. -Bamboo. | 0:21:16 | 0:21:20 | |
Yeah, sort of made to look a bit like tortoiseshell. | 0:21:20 | 0:21:23 | |
Yeah, exactly that. | 0:21:23 | 0:21:25 | |
-But with a basketweave base. -Good condition, attractive. | 0:21:25 | 0:21:29 | |
The thing I like about it - these little gilt tops | 0:21:29 | 0:21:33 | |
-just finish it off nicely. -Yes, they do. It's an attractive item. | 0:21:33 | 0:21:37 | |
You do see a few of these around but I have to say | 0:21:37 | 0:21:40 | |
I haven't seen one as nice as this. | 0:21:40 | 0:21:42 | |
-It's just got a little bit of quality about it. -Yes, it has. | 0:21:42 | 0:21:44 | |
-That might be something to think about. -What do you think? -Certainly. | 0:21:44 | 0:21:47 | |
The Edwardian bamboo magazine rack is banked for later. Anything else? | 0:21:47 | 0:21:53 | |
-Napoleon memorabilia. -Ooh. | 0:21:53 | 0:21:56 | |
-It's a pipe tamper, you know. -Yes. | 0:21:56 | 0:21:59 | |
You push the tobacco down into the pipe bowl. | 0:21:59 | 0:22:02 | |
Yeah, which isn't really what I'm interested in, | 0:22:02 | 0:22:04 | |
but anything to do with Napoleon is... | 0:22:04 | 0:22:06 | |
There are people out there that collect everything to do with him | 0:22:06 | 0:22:10 | |
-and I think that's a nice little buy. -Yeah, he's quite small. | 0:22:10 | 0:22:14 | |
He's small but that can be, you know... He WAS small. | 0:22:14 | 0:22:17 | |
THEY LAUGH | 0:22:17 | 0:22:20 | |
-I believe, I'm told. -And he's rather fun, isn't he? -Yes, I like him. | 0:22:20 | 0:22:24 | |
I think he's probably late Victorian, if not Edwardian. | 0:22:24 | 0:22:28 | |
-Oh, really? -I wouldn't say it's the finest casting in the world. | 0:22:28 | 0:22:32 | |
Actually, for 28, you know, it's a nice affordable little... | 0:22:32 | 0:22:36 | |
It's just screaming to be bought.. | 0:22:36 | 0:22:38 | |
Mm. I tell you what, while we're at it, I rather like that pocketknife. | 0:22:38 | 0:22:42 | |
-Yeah. -What do you think about that? | 0:22:42 | 0:22:44 | |
-Like a fish, isn't it? -It is. -Yes. | 0:22:44 | 0:22:48 | |
Do you like little pocket knives, fruit knives? | 0:22:48 | 0:22:51 | |
-Yes, and it's in good... There's no damage. -No. | 0:22:51 | 0:22:55 | |
It's a lovely little silver blade, nicely hallmarked, | 0:22:55 | 0:22:59 | |
-little crown. Can you see it? -Of course. | 0:22:59 | 0:23:01 | |
It's for Sheffield, 1904, 1905, something like that. | 0:23:01 | 0:23:04 | |
-Right, excellent. -Lovely little antique piece. | 0:23:04 | 0:23:07 | |
-Carved mother-of-pearl. I think that's sweet. -I like that, | 0:23:07 | 0:23:11 | |
I like Napoleon, and I want to go to bed. | 0:23:11 | 0:23:15 | |
You've had enough. Are you telling me you've had enough? | 0:23:15 | 0:23:19 | |
Hang on, there's some buying to be done before bedtime. | 0:23:19 | 0:23:23 | |
Let's just hope Hilary can do a dream deal. | 0:23:23 | 0:23:26 | |
With the Edwardian bamboo magazine rack, priced at £75, | 0:23:26 | 0:23:30 | |
the Victorian brass pipe tamper at 28, | 0:23:30 | 0:23:34 | |
and the Edwardian fruit knife, priced at 33, | 0:23:34 | 0:23:37 | |
that's a combined ticket price of £136. | 0:23:37 | 0:23:41 | |
What do you say on all three? | 0:23:41 | 0:23:42 | |
-Well, I could probably do 60 on the magazine rack. -Yes. | 0:23:42 | 0:23:46 | |
-This Napoleon fellow? -23 on him. -That's up to 83. -83. | 0:23:46 | 0:23:52 | |
-Well, we can probably do 25 on that one. -That's 108. | 0:23:52 | 0:23:56 | |
-What about a nice...? -105, how about that? How does that sound? | 0:23:56 | 0:24:01 | |
-I was hoping for about 80. -Oh, my word! | 0:24:01 | 0:24:04 | |
-I was thinking £100 was top whack, really. -Really? | 0:24:04 | 0:24:07 | |
-I think £100 is very good. -Geoffrey's happy. -I am happy. | 0:24:07 | 0:24:10 | |
-Well, I'm happy. -Good. -That's a deal then. -100. -Splendid. | 0:24:10 | 0:24:13 | |
-Thank you very much. -Thank you. | 0:24:13 | 0:24:15 | |
Hey, so ends a very successful first day of shopping | 0:24:15 | 0:24:19 | |
for Geoffrey and Kate, with four items already bagged for auction. | 0:24:19 | 0:24:23 | |
Time now for our weary celebrities and experts | 0:24:23 | 0:24:25 | |
to have a well-earned rest so, nighty-night. | 0:24:25 | 0:24:29 | |
It's the next morning. | 0:24:32 | 0:24:34 | |
Pam and Geoffrey are back together | 0:24:34 | 0:24:36 | |
and making their way to West Wellow | 0:24:36 | 0:24:38 | |
to meet their experts. | 0:24:38 | 0:24:39 | |
Did you have a good day yesterday? Did you buy things of no value? | 0:24:39 | 0:24:43 | |
Probably. | 0:24:43 | 0:24:45 | |
I bought something which is either going to be an inspired purchase | 0:24:46 | 0:24:51 | |
or an absolute catastrophe. | 0:24:51 | 0:24:53 | |
My experience of antiques is | 0:24:53 | 0:24:55 | |
that it's usually the latter of those two choices. | 0:24:55 | 0:24:59 | |
-How did you get on with Geoffrey? -He's lovely! | 0:24:59 | 0:25:03 | |
-He's super man and he really knows his antiques. -Does he? | 0:25:03 | 0:25:07 | |
Pam goes straight in, very decisive, warms up the seller | 0:25:07 | 0:25:13 | |
-and then goes in for the jugular. -Really? -Yes. | 0:25:13 | 0:25:17 | |
-So, she's a lady on a mission? -She is. Victory is mine, Kate. | 0:25:17 | 0:25:21 | |
Nothing like being uber-confident there, is there? | 0:25:21 | 0:25:24 | |
Well, you know, it's going to go one of two ways. | 0:25:24 | 0:25:27 | |
I'm either going to win or I'm going to lose. | 0:25:27 | 0:25:29 | |
Time shall soon tell, Mr Braxton. | 0:25:29 | 0:25:33 | |
Geoffrey and Kate have already bagged four items - | 0:25:33 | 0:25:35 | |
the 19th-century French door shutters, | 0:25:35 | 0:25:38 | |
the Napoleon brass pipe tamper, | 0:25:38 | 0:25:41 | |
the Edwardian bamboo magazine rack | 0:25:41 | 0:25:43 | |
and the fruit knife from the same period... | 0:25:43 | 0:25:46 | |
You've got expensive taste, Geoffrey. | 0:25:46 | 0:25:47 | |
..leaving them £125 to spend today. | 0:25:47 | 0:25:51 | |
While James and Pan have only bought two things so far - | 0:25:51 | 0:25:55 | |
the children's porcelain tea set and the teddy bear... | 0:25:55 | 0:25:58 | |
You're a nice boy, you are. | 0:25:58 | 0:25:59 | |
..which means they have £320 still to spend. | 0:25:59 | 0:26:03 | |
As their car went kaput yesterday, we found them a new one, | 0:26:03 | 0:26:08 | |
which Pam is finding a tad confusing. | 0:26:08 | 0:26:11 | |
-Oh, I've turned the wrong... -Is it raining? | 0:26:11 | 0:26:15 | |
Not the best of starts. | 0:26:15 | 0:26:17 | |
-Here it comes. -Ooh, you got a green one! -A little green fellow. | 0:26:17 | 0:26:20 | |
-Ooh, and it's jolly smart. -And it actually works. | 0:26:20 | 0:26:23 | |
Rubber bumper, a bit later. | 0:26:23 | 0:26:25 | |
-Good morning, good morning. -Good morning, how you? -Hi. | 0:26:25 | 0:26:29 | |
-Hello, James. -Good morning, Pam. -Good morning. | 0:26:29 | 0:26:32 | |
-Shall we get into the car? -Oh! | 0:26:32 | 0:26:34 | |
-Come on, Pam, let's go. -The last one to the shops is a bad egg. | 0:26:34 | 0:26:39 | |
And they're off! | 0:26:39 | 0:26:40 | |
This morning, Geoffrey and Kate will start their shopping | 0:26:42 | 0:26:44 | |
in Ringwood, Hampshire. | 0:26:44 | 0:26:47 | |
So, who have you worked with, Geoffrey, | 0:26:47 | 0:26:48 | |
that you most admire in the acting world? | 0:26:48 | 0:26:51 | |
Oh, you can't say anybody is better than another. | 0:26:51 | 0:26:54 | |
As to people I admire, somebody like Vanessa Redgrave. | 0:26:54 | 0:26:58 | |
-Have you worked with Vanessa Redgrave? -I have. -Have you? | 0:26:58 | 0:27:00 | |
-I did a love scene with her. -Really? So, up close and personal. -Indeed. | 0:27:00 | 0:27:05 | |
-How was that? -I was nervous, lent in for, you know, the kiss | 0:27:05 | 0:27:09 | |
and I became aware of a rustling sound. | 0:27:09 | 0:27:14 | |
Suddenly a small furry head appeared from between her bosoms. | 0:27:14 | 0:27:21 | |
-Oh! -And it turned out to be a ferret. | 0:27:21 | 0:27:25 | |
And it gave the scene a certain intensity | 0:27:25 | 0:27:29 | |
which maybe it had lacked before. | 0:27:29 | 0:27:33 | |
Right... From finding ferrets to finding bargains. | 0:27:33 | 0:27:36 | |
And they've arrived at Lorraine Tarrant Antiques. | 0:27:36 | 0:27:40 | |
Lorraine's. Well, let's take Lorraine by storm. | 0:27:40 | 0:27:44 | |
-Yeah, let's. -My sweet Lorraine. | 0:27:44 | 0:27:47 | |
Housed in an old stable off the marketplace, | 0:27:48 | 0:27:52 | |
this shop sells all sorts of antiques and collectables. | 0:27:52 | 0:27:55 | |
DOOR GROANS | 0:27:55 | 0:27:57 | |
-Ooh. -Oh, hello. -Was that you, Geoffrey? -No! | 0:27:57 | 0:28:00 | |
How dare you! | 0:28:00 | 0:28:02 | |
DOOR GROANS | 0:28:02 | 0:28:04 | |
-Ooh! -I told you not to have those fish and chips last night. | 0:28:04 | 0:28:06 | |
-Squeaky cupboard! Gosh, it's crammed in here, isn't it? -Good Lord, yes. | 0:28:06 | 0:28:11 | |
Now, this cupboard, look. Is that a Baccarat decanter? | 0:28:13 | 0:28:18 | |
-Yeah, decanters aren't particularly buoyant at the moment. -OK. | 0:28:18 | 0:28:22 | |
-What about...? There's a scent bottle at the back. -There is. | 0:28:22 | 0:28:26 | |
You know, scent bottles are becoming more and more collectable, | 0:28:26 | 0:28:32 | |
-even the not so old ones. -Oh, it's Guerlain, is it? | 0:28:32 | 0:28:36 | |
It's Guerlain, French. | 0:28:36 | 0:28:38 | |
It certainly is, one of the world's oldest perfume houses. | 0:28:38 | 0:28:41 | |
It dates back to 1828, | 0:28:41 | 0:28:43 | |
when master perfumier Guerlain created fragrances | 0:28:43 | 0:28:46 | |
for the rich and famous, including Queen Victoria. | 0:28:46 | 0:28:50 | |
-Got the lovely blue lustre...stopper. -Yeah. | 0:28:50 | 0:28:55 | |
Very classic design. Stopper's all in nice condition, | 0:28:55 | 0:28:59 | |
-by the look of things. -Yeah. | 0:28:59 | 0:29:01 | |
-It's missing its little label. -Should there be something there? | 0:29:01 | 0:29:04 | |
-There should be a little gold paper label with the name. -Yeah, yeah. | 0:29:04 | 0:29:10 | |
I like the colour and that's lovely, isn't it? | 0:29:10 | 0:29:13 | |
It's expensive, priced at £145. But there's a reason for that. | 0:29:13 | 0:29:18 | |
It's not just a scent bottle. | 0:29:18 | 0:29:21 | |
It's a Shalimar scent bottle and it's Baccarat. | 0:29:21 | 0:29:25 | |
Another famous French company. | 0:29:25 | 0:29:27 | |
Baccarat has produced fine glass for over 250 years. | 0:29:27 | 0:29:31 | |
It's definitely '40s. It may be a little bit before that. | 0:29:31 | 0:29:35 | |
So, while they continue sniffing around the perfume bottle, | 0:29:35 | 0:29:38 | |
Pam and James are making their way to their first shop | 0:29:38 | 0:29:41 | |
in Winnal in Winchester. | 0:29:41 | 0:29:44 | |
So, we might find one of your elusive sleepers | 0:29:44 | 0:29:46 | |
-when we go to our next shop. -Sleeper, that's what we need. | 0:29:46 | 0:29:50 | |
-Funny enough, Pam, I have written a small limerick... -Have you, by Jove? | 0:29:50 | 0:29:54 | |
-..that includes a sleeper. -Right. | 0:29:54 | 0:29:57 | |
There was a lady called Ayres | 0:29:57 | 0:29:59 | |
Who never carried no airs | 0:29:59 | 0:30:02 | |
Sleepers she sought | 0:30:02 | 0:30:04 | |
But teddies she bought | 0:30:04 | 0:30:07 | |
And burned clutches unawares. | 0:30:07 | 0:30:10 | |
It wasn't ME who burned the clutch! | 0:30:10 | 0:30:13 | |
-Never let the facts get in the way of a good story. -No, absolutely. | 0:30:13 | 0:30:18 | |
Unfortunately, that was nothing like a good story, James. | 0:30:18 | 0:30:21 | |
Right, they've arrived at Molly's Den, | 0:30:21 | 0:30:24 | |
with £320 burning a hole in their pockets. | 0:30:24 | 0:30:27 | |
-This is our second shop. -I know. | 0:30:27 | 0:30:29 | |
-Good luck. -Let's go and see what we can find. -Let's get in there. | 0:30:29 | 0:30:33 | |
This vintage and antiques emporium is packed with unique treasures. | 0:30:33 | 0:30:38 | |
Pam and James need to get delving, | 0:30:38 | 0:30:40 | |
as they've only bought two items for auction so far. | 0:30:40 | 0:30:43 | |
-That's very bold. -I find that a bit gaudy. -Gaudy. | 0:30:43 | 0:30:47 | |
-It's sort of in-your-face. -Yes, it is gaudy. | 0:30:47 | 0:30:50 | |
-Tiger. -Weight is always a really good guide to the material. | 0:30:50 | 0:30:54 | |
-Gosh, it's featherlight. -We want bargains. | 0:30:54 | 0:30:58 | |
I've got two writing slopes at home cos I like old writing materials, | 0:30:58 | 0:31:02 | |
and that looks sort of a bit like them. | 0:31:02 | 0:31:05 | |
What would you say, is it reproduction or is it 200 years old? | 0:31:05 | 0:31:09 | |
-I don't know. You're the expert. -Ooh, it's got some weight. -Has it? | 0:31:09 | 0:31:14 | |
-Let me shift the tiger. -Shift the tiger. -Mind the priceless china. | 0:31:14 | 0:31:17 | |
The materials are fine. | 0:31:17 | 0:31:18 | |
It's hardwood, it's brass, but, actually, | 0:31:18 | 0:31:22 | |
-its construction is modern. -It's, um...a bit shonky. | 0:31:22 | 0:31:28 | |
-Not for us then, James. -No, we're winners. | 0:31:28 | 0:31:31 | |
-We are winners, we are. -We are winners. -Sorry, tiger. -Come on. | 0:31:31 | 0:31:34 | |
-We're not going to buy anything shonky, are we? -I should hope not. | 0:31:34 | 0:31:39 | |
Back in Ringwood, something small has caught Geoffrey's eye. | 0:31:41 | 0:31:45 | |
-A little cigar cutter in the bottom. -This one down here? | 0:31:45 | 0:31:48 | |
-Yes, sweet little mother-of-pearl. -Well spotted, Geoffrey. | 0:31:48 | 0:31:51 | |
It's rather fun. It's dated 1904 and it says "Singer's" on it. | 0:31:51 | 0:31:55 | |
-It's mother-of-pearl. -Who cuts cigars now? | 0:31:55 | 0:31:58 | |
But it's an antique item. | 0:31:58 | 0:32:00 | |
Do you know, well spotted, Geoffrey, | 0:32:00 | 0:32:02 | |
because that's quite an unusual little novelty, isn't it? | 0:32:02 | 0:32:05 | |
-I think so. -I love the mother-of-pearl on it. | 0:32:05 | 0:32:08 | |
-That makes it. -The mother-of-pearl makes it. | 0:32:08 | 0:32:10 | |
It's beautiful and perfect condition. | 0:32:10 | 0:32:11 | |
And it's still working, isn't it? | 0:32:11 | 0:32:13 | |
Would that snap together, cut a cigar end off? | 0:32:13 | 0:32:15 | |
-Oh, yeah. -I think you could get the end of a short cheroot. | 0:32:15 | 0:32:17 | |
-Cheroots are the small ones? -Yes, they are. | 0:32:17 | 0:32:20 | |
Do you know, those would go well with our little fruit knife, | 0:32:20 | 0:32:24 | |
-our little mother-of-pearl. Make a little lot. -That's a good idea. | 0:32:24 | 0:32:28 | |
-So, I like that, you see, so we've got a bit of a dilemma here. -Mm. | 0:32:28 | 0:32:32 | |
The cigar cutter is priced at £35. | 0:32:32 | 0:32:36 | |
Along with the perfume bottle they found earlier, | 0:32:36 | 0:32:39 | |
the combined total is £180. | 0:32:39 | 0:32:42 | |
That's 40 more than they can afford. | 0:32:42 | 0:32:44 | |
-What sort of thing could you do? -Well, I could do... -Mm... | 0:32:44 | 0:32:48 | |
A straight £100 for the two articles. | 0:32:49 | 0:32:53 | |
It's a very generous offer. I'm happy with it. Take the chance. | 0:32:53 | 0:32:58 | |
They're two nice items. Let's be optimistic. | 0:32:58 | 0:33:02 | |
-I love a bit of optimism. -Yes? | 0:33:02 | 0:33:04 | |
-Yes. -Yes! -Quick, before we change our minds. | 0:33:04 | 0:33:09 | |
So, a saving of £80. | 0:33:09 | 0:33:11 | |
That's Geoffrey and Kate all bought up for auction. | 0:33:11 | 0:33:15 | |
-Bye-bye. -Bye-bye. | 0:33:15 | 0:33:17 | |
Back in Winnal, Pam's spied an unusual piece of pottery. | 0:33:19 | 0:33:22 | |
I quite like that. I think that's quite shapely. | 0:33:22 | 0:33:25 | |
-And this is made by somebody, isn't it, important? -Yeah. | 0:33:25 | 0:33:29 | |
-Have I spotted a sleeper, James? -This could be the sleeper. | 0:33:29 | 0:33:32 | |
-Spode. -Is it? | 0:33:32 | 0:33:35 | |
Spode began producing pottery in the 18th century | 0:33:35 | 0:33:38 | |
and are credited with perfecting the formula for fine bone china. | 0:33:38 | 0:33:42 | |
-See, I've got an eye for quality. -It's shell-like. | 0:33:42 | 0:33:47 | |
-Can you hear the sea? -I can hear the sea. -Can you? | 0:33:47 | 0:33:51 | |
-I can, actually. I can hear the sea. -Whistling, isn't it? | 0:33:51 | 0:33:53 | |
I wrote a poem about the sea. | 0:33:53 | 0:33:55 | |
I am Clamp the mighty limpet | 0:33:55 | 0:33:57 | |
I am solid, I am stuck | 0:33:57 | 0:33:59 | |
I am welded to the rock face | 0:33:59 | 0:34:02 | |
With my superhuman suck | 0:34:02 | 0:34:04 | |
Don't you poke or prod me | 0:34:04 | 0:34:06 | |
For I warn you, if you do | 0:34:06 | 0:34:08 | |
You stand there for a fortnight | 0:34:08 | 0:34:10 | |
And I'll come and stick on you. | 0:34:10 | 0:34:13 | |
Let's just double-check, make sure it hasn't been restored. | 0:34:13 | 0:34:15 | |
-HE TAPS ON THE CHINA -Sometimes you touch something | 0:34:15 | 0:34:18 | |
-and it's just dead. -A dunk. -Dunk. | 0:34:18 | 0:34:20 | |
-I think that's all right. -Good. | 0:34:20 | 0:34:22 | |
-I do like it. -I have approved your purchase. -Oh, good. -How much? | 0:34:22 | 0:34:26 | |
It says vintage Spode, £15. | 0:34:26 | 0:34:30 | |
-I think a fiver. -A fiver? -A fiver. | 0:34:30 | 0:34:33 | |
You're bold. A fiver? I wouldn't have the courage to offer a fiver. | 0:34:33 | 0:34:37 | |
No, get in there. Cheeky. | 0:34:37 | 0:34:38 | |
Time to talk to Emma, who knows the vendor of the Spode vase. | 0:34:38 | 0:34:42 | |
Get your brass neck out, Pam. | 0:34:42 | 0:34:44 | |
My expert has advised me, | 0:34:44 | 0:34:46 | |
although I'm embarrassed to say so, to offer you a fiver. | 0:34:46 | 0:34:50 | |
-I can tell you now he will not accept £5. -He's hard-nosed... | 0:34:50 | 0:34:54 | |
-Yes, he is. £10 will probably be his lowest. -Ten. | 0:34:54 | 0:34:59 | |
I can give him a call for you and see if they would accept £10 for it. | 0:34:59 | 0:35:03 | |
A quick call to the dealer... and it's good news. | 0:35:03 | 0:35:07 | |
-Yes. -Lovely! -You've got it for £10. -That's terrific, thank you. | 0:35:07 | 0:35:12 | |
-Can I furnish you with the money? -Absolutely. | 0:35:12 | 0:35:14 | |
-Can I furnish YOU with the money, Emma? -Oh, absolutely. | 0:35:14 | 0:35:17 | |
-Thank you, Emma. -Thank you very much. Was it £10 tip as well? | 0:35:17 | 0:35:20 | |
-I'm afraid not. -Nice try, Emma. | 0:35:20 | 0:35:23 | |
That's another item bought for auction. Great stuff! | 0:35:23 | 0:35:26 | |
Great success. I like that. You're clutching it. | 0:35:26 | 0:35:29 | |
-Hold it tight. -Oh, yes, I will. I won't graze it. | 0:35:29 | 0:35:33 | |
-That's really nice, isn't it? -Yes, it is. It's a good one. | 0:35:35 | 0:35:38 | |
Geoffrey and Kate have hit the road again | 0:35:40 | 0:35:42 | |
and made their way to Southampton. Geoffrey's character in the sitcom | 0:35:42 | 0:35:46 | |
Still Open All Hours | 0:35:46 | 0:35:49 | |
is a keen bowler, so Kate's taking him | 0:35:49 | 0:35:51 | |
on a trip to the world's oldest surviving bowling green. | 0:35:51 | 0:35:55 | |
They're meeting archivist at Southampton Old Bowling Green | 0:35:55 | 0:35:59 | |
John Sanders to find out more. | 0:35:59 | 0:36:01 | |
Would you like to come in and see the world's oldest bowling green? | 0:36:01 | 0:36:04 | |
-What a privilege. -We'd love to. -Come on in. -Thank you. | 0:36:04 | 0:36:06 | |
-Thank you so much. -Super. -After you. | 0:36:06 | 0:36:09 | |
Although it's said that lawn bowls can be played by anyone | 0:36:09 | 0:36:13 | |
aged from 9 to 90, it does have a reputation of being a game | 0:36:13 | 0:36:17 | |
loved by people in their golden years. | 0:36:17 | 0:36:20 | |
The aim of the game is simple. | 0:36:20 | 0:36:22 | |
Get your bowls as close as possible to the small ball known as the jack. | 0:36:22 | 0:36:27 | |
It might sound easy but, as the bowls don't travel | 0:36:27 | 0:36:29 | |
in a straight line, some serious skill is needed. | 0:36:29 | 0:36:33 | |
Bowls, how did it start? What's the early history of it? | 0:36:33 | 0:36:36 | |
We don't honestly know, | 0:36:36 | 0:36:38 | |
but the assumption is that it started in Egypt | 0:36:38 | 0:36:42 | |
and it was the slaves taking the pieces of stone that were left over | 0:36:42 | 0:36:46 | |
and chipping them round till they get them roughly into a ball shape | 0:36:46 | 0:36:49 | |
and using them to play a form of bowls. | 0:36:49 | 0:36:52 | |
Not the same as today, of course, but a form of bowls. | 0:36:52 | 0:36:55 | |
And then, we believe, that the Romans took it from Egypt | 0:36:55 | 0:36:59 | |
and took it around their empire. | 0:36:59 | 0:37:01 | |
The British went on to become big fans of lawn bowling, | 0:37:01 | 0:37:05 | |
with thousands of clubs across the UK, | 0:37:05 | 0:37:07 | |
and it's been a regular event at the Commonwealth Games | 0:37:07 | 0:37:10 | |
since they began in 1930. | 0:37:10 | 0:37:12 | |
How long has this green existed as an actual bowling green? | 0:37:12 | 0:37:16 | |
Somewhere between 1185 and 1308, something like that, | 0:37:16 | 0:37:20 | |
so we say 1299, just to be a nice round number. | 0:37:20 | 0:37:23 | |
Has bowls been played fairly continuously since then here? | 0:37:23 | 0:37:27 | |
Totally continuously. | 0:37:27 | 0:37:28 | |
We believe that Shakespeare actually played bowls on this green. | 0:37:28 | 0:37:31 | |
His patron was the Earl of Southampton | 0:37:31 | 0:37:33 | |
-and he came down here a lot. He did play bowls, we know. -Makes sense. | 0:37:33 | 0:37:36 | |
So, we're sure he played on this green. | 0:37:36 | 0:37:38 | |
And in the Second World War, | 0:37:38 | 0:37:40 | |
the one notable thing that happened here | 0:37:40 | 0:37:42 | |
was that a nice little friendly Luftwaffe pilot decided | 0:37:42 | 0:37:46 | |
to drop his last bomb on the corner of the green, | 0:37:46 | 0:37:49 | |
which stopped bowls for about a couple of hours. | 0:37:49 | 0:37:53 | |
Looking at it through the centuries, since the 13th century, | 0:37:53 | 0:37:58 | |
is there a classist association? Was it for the rich and the wealthy? | 0:37:58 | 0:38:01 | |
Most certainly, it was. During the Tudor times, | 0:38:01 | 0:38:05 | |
the kings, and particularly King Henry VIII, | 0:38:05 | 0:38:08 | |
who played bowls himself, he stipulated | 0:38:08 | 0:38:10 | |
that bowls should only be played by the gentry | 0:38:10 | 0:38:13 | |
and those with lots of money, basically, | 0:38:13 | 0:38:16 | |
because he wanted the peasants to do archery, | 0:38:16 | 0:38:18 | |
because that would be useful if they went to war. | 0:38:18 | 0:38:21 | |
Bowls was not going to be useful. | 0:38:21 | 0:38:23 | |
Henry VIII actually insisted that courts fine people, | 0:38:23 | 0:38:27 | |
who were caught playing bowls when they weren't entitled to, | 0:38:27 | 0:38:30 | |
a whopping ten shillings and sixpence, | 0:38:30 | 0:38:33 | |
which would be around £300 in today's money. | 0:38:33 | 0:38:36 | |
We also have here the oldest | 0:38:36 | 0:38:38 | |
continuous bowling competition in the world. | 0:38:38 | 0:38:41 | |
It is bowled for a silver medal, which started in 1776, | 0:38:41 | 0:38:45 | |
and the winner of the silver medal is allowed to be inducted | 0:38:45 | 0:38:50 | |
as a Knight of the Green and must be called Sir | 0:38:50 | 0:38:54 | |
and his wife is called Lady, in proper traditional style. | 0:38:54 | 0:38:58 | |
Mind you, you can't use that outside the green. | 0:38:58 | 0:39:00 | |
It's only inside the green and we've got some rules. | 0:39:00 | 0:39:02 | |
When we meet them for the first time, we've got to call them | 0:39:02 | 0:39:05 | |
Sir Michael or Sir Ken, or whatever. If we don't, we get fined. | 0:39:05 | 0:39:08 | |
What about you, Geoffrey? I can see you as a Knight of the Green. | 0:39:08 | 0:39:11 | |
-Would you fancy that? -Yes, think I would, actually. | 0:39:11 | 0:39:14 | |
-Could we have a couple of ends now? -I'm sure we can. | 0:39:14 | 0:39:17 | |
Let's talk to the Master of the Green | 0:39:17 | 0:39:19 | |
and see if we can get his permission. | 0:39:19 | 0:39:21 | |
With the thumbs up from Ken, Master of the Green, | 0:39:21 | 0:39:24 | |
it's time for Geoffrey and Kate to give it a bash. | 0:39:24 | 0:39:27 | |
So, if you're playing forehand, you'll be forehand right-handed. | 0:39:27 | 0:39:30 | |
-Yeah. -Small one on the inside. -That's going to go in like that. | 0:39:30 | 0:39:34 | |
-And that will go in like that. -OK. | 0:39:34 | 0:39:35 | |
If you wanted to play backhand, you just turn it round. | 0:39:35 | 0:39:37 | |
-Don't confuse me. -OK. | 0:39:37 | 0:39:40 | |
Stand on the mat and then put your left foot forward. | 0:39:40 | 0:39:43 | |
Yeah, OK. Here we go. | 0:39:43 | 0:39:45 | |
Ooh! That's pretty good, Geoffrey! | 0:39:49 | 0:39:53 | |
I tell you what, Ken, I think that's an end to me, isn't it? | 0:39:53 | 0:39:56 | |
-Very good. -Look at that! -OK, shall we go now? | 0:39:57 | 0:40:02 | |
GEOFFREY LAUGHS | 0:40:02 | 0:40:03 | |
I am now a Sir, OK? | 0:40:03 | 0:40:07 | |
Right, Kate, give it some welly, love. | 0:40:07 | 0:40:10 | |
Ooh. | 0:40:11 | 0:40:13 | |
-It's got the strength and got the length. -Oh, it's a bit too far. | 0:40:14 | 0:40:17 | |
-That's going in the ditch. -Oh, dang. | 0:40:17 | 0:40:19 | |
Ah, maybe a tad too much. | 0:40:19 | 0:40:22 | |
Time for a quick exit, methinks. | 0:40:22 | 0:40:24 | |
Ken, it's been an absolute delight and pleasure and thank you so much. | 0:40:24 | 0:40:28 | |
-My pleasure. -Thank you very much indeed. -It's been wonderful. | 0:40:28 | 0:40:31 | |
-Thank you very much. -Cup of tea, I think. -Cup of tea. | 0:40:31 | 0:40:34 | |
Meanwhile, Pam and James still have some shopping to do | 0:40:35 | 0:40:39 | |
and are heading to Emsworth in Hampshire. | 0:40:39 | 0:40:42 | |
In your vast repertoire of poetry, Pam, | 0:40:42 | 0:40:45 | |
have you got anything antique related? | 0:40:45 | 0:40:48 | |
I loved an antique dealer | 0:40:48 | 0:40:50 | |
I loved him heart and soul | 0:40:50 | 0:40:52 | |
Although he was bow-fronted | 0:40:52 | 0:40:54 | |
And his legs were cabriole | 0:40:54 | 0:40:56 | |
His eyes, they were cross-banded | 0:40:56 | 0:40:59 | |
And his surface was distressed | 0:40:59 | 0:41:01 | |
But he was nicely moulded | 0:41:01 | 0:41:03 | |
With a sturdy little chest | 0:41:03 | 0:41:05 | |
But on examination, there were several things he lacked | 0:41:05 | 0:41:08 | |
I found him dummy-fronted | 0:41:08 | 0:41:10 | |
And I found him spindle-backed | 0:41:10 | 0:41:13 | |
So I sent him off to auction | 0:41:13 | 0:41:14 | |
And I've had a note from there | 0:41:14 | 0:41:16 | |
To say he's on a pedestal | 0:41:16 | 0:41:18 | |
In Weston-super-Mare. | 0:41:18 | 0:41:20 | |
That's lovely! | 0:41:20 | 0:41:22 | |
I think I could get used to having a resident poet on the Road Trip. | 0:41:22 | 0:41:26 | |
Right, Pam and James have arrived at Emsworth Antiques Etc, | 0:41:26 | 0:41:31 | |
with £300 available to spend. And I'm expecting them to buy big. | 0:41:31 | 0:41:36 | |
-Yes, I can feel a bargain coming on. -A bargain. | 0:41:36 | 0:41:39 | |
I said big, not bargain. | 0:41:39 | 0:41:42 | |
Home to the collectables of over 25 dealers, | 0:41:42 | 0:41:44 | |
there's plenty to choose from. | 0:41:44 | 0:41:47 | |
Quite nice little evening bags, if I was going to a soiree. | 0:41:47 | 0:41:52 | |
But I don't go to many soirees. | 0:41:52 | 0:41:54 | |
Just the thing if I was intending to have a life in vice. | 0:41:56 | 0:42:00 | |
She has an eye for humour, | 0:42:00 | 0:42:03 | |
both in words and in objects. | 0:42:03 | 0:42:06 | |
I rather like that one. | 0:42:06 | 0:42:08 | |
He sort of looks as though he's saying, | 0:42:08 | 0:42:11 | |
"I know something you don't, my dear." | 0:42:11 | 0:42:13 | |
He looks as though he might go out in the middle of the night | 0:42:13 | 0:42:16 | |
-to tickle trout where he's not supposed to. -Now, there's an image. | 0:42:16 | 0:42:20 | |
Anything else you like, Pam? | 0:42:20 | 0:42:22 | |
This steam traction engine here, | 0:42:22 | 0:42:25 | |
and I like this because it reminds me | 0:42:25 | 0:42:26 | |
of the ones that used to come to the farm over the road | 0:42:26 | 0:42:29 | |
from where we lived in our village. | 0:42:29 | 0:42:31 | |
I love them because they actually work. | 0:42:31 | 0:42:33 | |
I don't necessarily think this one works | 0:42:33 | 0:42:35 | |
but I'm sure it could be made to work. | 0:42:35 | 0:42:37 | |
-Apparently, this one's from about the '50s. -That is lovely, isn't it? | 0:42:37 | 0:42:41 | |
-I like it. I do like it. Do you approve, James? -I do approve. | 0:42:41 | 0:42:44 | |
-Oh, good. -That's very nice. -I like that. It's interesting. | 0:42:44 | 0:42:48 | |
And there are lots of enthusiasts, aren't there, | 0:42:48 | 0:42:50 | |
who collect steam paraphernalia? | 0:42:50 | 0:42:52 | |
It's quite a sweet thing. What price have we got? | 0:42:52 | 0:42:56 | |
-This says £85 on it. -Yeah, £85. | 0:42:56 | 0:43:00 | |
Before you try to do a deal on the traction engine, | 0:43:00 | 0:43:03 | |
James quite fancies a couple of jars. | 0:43:03 | 0:43:06 | |
-Gosh, it's heavy. -It is heavy. | 0:43:06 | 0:43:07 | |
-It's really heavy. Oh, there's two of them. -Yeah. | 0:43:07 | 0:43:10 | |
The golden rule to buying antiques, by Braxton, is by weight. | 0:43:10 | 0:43:15 | |
They're known as Prattware. These were sort of jars. | 0:43:15 | 0:43:18 | |
Lots of companies commissioned them. | 0:43:18 | 0:43:20 | |
You might have cosmetic things or fish paste. | 0:43:20 | 0:43:24 | |
Various things were put in these things | 0:43:24 | 0:43:27 | |
-and they would have had a lid on the top. -Right. | 0:43:27 | 0:43:29 | |
They're printed and they were printed in the mid-19th century, | 0:43:29 | 0:43:32 | |
-Victorian times. -They're nice, aren't they? | 0:43:32 | 0:43:34 | |
-The colours are beautiful. -Yeah. Badly damaged, isn't it? | 0:43:34 | 0:43:38 | |
-It's damaged. -They're bashed around. -Yeah, they've been a bit beaten up. | 0:43:38 | 0:43:42 | |
How much do they cost, James? | 0:43:42 | 0:43:45 | |
-They're 30 quid each. -£30 each. Gosh. | 0:43:45 | 0:43:47 | |
Do you think these would be a good thing for me to buy? | 0:43:47 | 0:43:50 | |
-I think they might be a nice thing. -They're unusual, aren't they? | 0:43:51 | 0:43:55 | |
But first, Hilary is calling the vendor | 0:43:55 | 0:43:57 | |
of the £85 traction engine to broker a deal. | 0:43:57 | 0:44:00 | |
It's your favourite expert. Yes, it's James Braxton. | 0:44:00 | 0:44:05 | |
And it's your favourite poet, Pam Ayres. | 0:44:05 | 0:44:08 | |
Ah, what a combination! | 0:44:08 | 0:44:11 | |
I will let them know. Thank you so much. Bye. | 0:44:11 | 0:44:14 | |
Since it's you two, 40. | 0:44:14 | 0:44:17 | |
Oh, my goodness! Beyond our wildest dreams! | 0:44:17 | 0:44:21 | |
Beyond our wildest hopes! | 0:44:21 | 0:44:23 | |
We are the proud owners of a traction engine. | 0:44:23 | 0:44:26 | |
-Oh, a traction engine. -So, 40. We'll take that. | 0:44:26 | 0:44:28 | |
Thank you very much. | 0:44:28 | 0:44:30 | |
And what could you do on the recovered pots? | 0:44:30 | 0:44:32 | |
They're 30 each, which would make 60. | 0:44:32 | 0:44:36 | |
How do you feel about 35? | 0:44:36 | 0:44:39 | |
-How do you feel about 35? -I think it's an extraordinarily kind offer. | 0:44:39 | 0:44:43 | |
-I think it's a very kind offer. -Thank you, Hilary. | 0:44:43 | 0:44:45 | |
-We accept, with gratitude. -May I shake your hand? -You may. -Thank you. | 0:44:45 | 0:44:50 | |
-May I also shake your hand? -Thank you. -Never going to wash. | 0:44:50 | 0:44:53 | |
I would. | 0:44:54 | 0:44:55 | |
There you have it. | 0:44:55 | 0:44:57 | |
£75 means Pam and James are all bought up for auction. Hurrah! | 0:44:57 | 0:45:03 | |
Right, time for our teams to reunite and show off their buys. | 0:45:03 | 0:45:07 | |
I love this bit. | 0:45:07 | 0:45:09 | |
-Come on, let's get this cloth off. -Ooh! -There we are. Look at that. | 0:45:09 | 0:45:13 | |
-What do you think, Geoffrey? -A bear of character. -That is a large bear! | 0:45:13 | 0:45:17 | |
He's laying there, looking a bit corpse-like. | 0:45:17 | 0:45:20 | |
-Is that one of Watt's original engines? -Absolutely. | 0:45:20 | 0:45:23 | |
Yes, well done. | 0:45:23 | 0:45:25 | |
-It's very nice. And a tiny little... -Anyone for tea? | 0:45:25 | 0:45:29 | |
A little tea. And the rest is pots, really, isn't it? | 0:45:29 | 0:45:33 | |
Pots. And you can hear the sea in that. | 0:45:33 | 0:45:36 | |
-You can hold it to your ear. -You put things in there, do you? | 0:45:36 | 0:45:38 | |
-It's a cornucopia. -A cornucopia. | 0:45:38 | 0:45:41 | |
-Come on, let's see your goodies. -Are you ready? | 0:45:41 | 0:45:44 | |
Let's have a look at yours. We certainly are. | 0:45:44 | 0:45:46 | |
I'm going to gingerly... Here we go. Because ours are rather fragile. | 0:45:46 | 0:45:50 | |
-That's pretty. -That's very pretty. -Ta-da! | 0:45:50 | 0:45:52 | |
You're rather into bamboo, aren't you? | 0:45:52 | 0:45:54 | |
-I love bamboo! -But, there's more. | 0:45:54 | 0:45:57 | |
More? | 0:45:57 | 0:45:58 | |
-Ta-da! -Oh, you've become all architectural on us. | 0:45:58 | 0:46:01 | |
-Indeed. -A pair of... -Locked doors and shuttered windows. -Yes. | 0:46:01 | 0:46:05 | |
-Gosh! -And don't forget these small items. -No. | 0:46:05 | 0:46:09 | |
They're lovely. I can see, Geoffrey, you're quite proud of your items. | 0:46:09 | 0:46:13 | |
-Well, I owe a lot to my expert. -I like the perfume bottle. | 0:46:13 | 0:46:17 | |
-I think that's very, very pretty. -Do you, Pam? -Yes. | 0:46:17 | 0:46:19 | |
-How much was it? -Er, go on. | 0:46:19 | 0:46:23 | |
Well, it was 90. But it's a jolly good name, look. | 0:46:23 | 0:46:26 | |
-Guerlain. -Fresh from Paris. | 0:46:26 | 0:46:29 | |
And what about your louvred doors? | 0:46:29 | 0:46:31 | |
-My shutters? -Your shutters. | 0:46:31 | 0:46:33 | |
My shutters were rather expensive | 0:46:33 | 0:46:36 | |
and I think they ran at £175. | 0:46:36 | 0:46:40 | |
-Possibly. -Oh, heavens! -Stop smiling, Pam. -No, no. | 0:46:40 | 0:46:43 | |
-GEOFFREY: -I heavily invested in those. | 0:46:43 | 0:46:45 | |
If we going to do it, we do it big. | 0:46:45 | 0:46:47 | |
Well, if you want to a battle, you've got one, you know. | 0:46:47 | 0:46:51 | |
OK, before we go, I'm just going to read you my little verse, | 0:46:51 | 0:46:55 | |
which I have composed for the occasion. | 0:46:55 | 0:46:58 | |
James is suave and very nice | 0:46:58 | 0:47:01 | |
I hope he gave me good advice | 0:47:01 | 0:47:04 | |
My sales will make poor Geoffrey gulp | 0:47:04 | 0:47:08 | |
And beat my rival to a pulp. | 0:47:08 | 0:47:11 | |
-What do you think? -Very good. | 0:47:11 | 0:47:14 | |
We'll see you in Cirencester. | 0:47:14 | 0:47:16 | |
-JAMES: -I'm loving the "suave". | 0:47:16 | 0:47:18 | |
AS PAM: Time now to tell the truth and no lies | 0:47:18 | 0:47:22 | |
What do they really think of each other's buys? | 0:47:22 | 0:47:25 | |
-So, what do you think of their items? -We've nothing to worry about. | 0:47:25 | 0:47:28 | |
I love the perfume bottle. | 0:47:28 | 0:47:30 | |
It's such a lovely classic shape, very beautiful. | 0:47:30 | 0:47:32 | |
The bear's nice, you know. Amusing. But really, there's no comparison. | 0:47:32 | 0:47:37 | |
I mean, the shutters alone. | 0:47:37 | 0:47:39 | |
The shutters, I'm concerned about. | 0:47:39 | 0:47:41 | |
Seems an awful lot of money for a pile of old wood, | 0:47:41 | 0:47:43 | |
but I may be proved horribly wrong. | 0:47:43 | 0:47:45 | |
-We've definitely got better quality. -Yes. | 0:47:45 | 0:47:47 | |
But I don't think they've spent very much money, | 0:47:47 | 0:47:50 | |
so it could be all about the shutters, | 0:47:50 | 0:47:52 | |
and if the shutters are a goer, no question, we're ahead. | 0:47:52 | 0:47:56 | |
Cirencester will buy those shutters. | 0:47:56 | 0:47:58 | |
-Do you think we'll beat them to a pulp? -Probably, she says. | 0:47:58 | 0:48:02 | |
I don't know, I don't know. | 0:48:02 | 0:48:04 | |
I'm usually wrong, but we can only be optimistic. | 0:48:04 | 0:48:07 | |
Go on, let's go to the auction. | 0:48:07 | 0:48:09 | |
After starting in Sparsholt, | 0:48:13 | 0:48:16 | |
our teams have shopped around Berkshire and Hampshire | 0:48:16 | 0:48:18 | |
and Pam and Geoffrey are now motoring | 0:48:18 | 0:48:21 | |
towards Cirencester for the big finale. | 0:48:21 | 0:48:23 | |
-We're steaming up, Pam. -It seems to be a way of life for us. | 0:48:23 | 0:48:27 | |
We get in a car and the windows steam up. | 0:48:27 | 0:48:29 | |
Well, what does that tell you? | 0:48:29 | 0:48:31 | |
I'd rather not speculate. Have you got any experience of auctions? | 0:48:32 | 0:48:36 | |
I do. I go quite frequently, but not to sell. | 0:48:36 | 0:48:39 | |
I've got so much stuff that I should sell, I think like most people. | 0:48:39 | 0:48:43 | |
But I buy a lot. | 0:48:43 | 0:48:44 | |
Well, remember, selling is the name of the game today. | 0:48:44 | 0:48:47 | |
Kate and James have already arrived | 0:48:47 | 0:48:49 | |
at Moore Allen & Innocent's auction room | 0:48:49 | 0:48:51 | |
and are waiting patiently for their celebrity partners. | 0:48:51 | 0:48:55 | |
Do you think the car's broken down? | 0:48:55 | 0:48:57 | |
Thankfully not, Kate. Here they come. | 0:48:58 | 0:49:02 | |
-Well done. -Good morning! Good morning. -Good morning. | 0:49:02 | 0:49:06 | |
-Come on in. It's all happening. -Elegantly. -Hello. -How are you? | 0:49:06 | 0:49:09 | |
-Nice to see you. -This is it. -Very good. | 0:49:09 | 0:49:12 | |
On this Road Trip, Pam and James spent £165 on five auction lots. | 0:49:12 | 0:49:17 | |
Geoffrey and Kate also bought five lots, | 0:49:19 | 0:49:21 | |
but they spent a whopping £375. | 0:49:21 | 0:49:25 | |
The man with the gavel is Philip Allwood, | 0:49:26 | 0:49:28 | |
so what does he make of everyone's lots? | 0:49:28 | 0:49:31 | |
Mamod traction engine. I had one of these as a kid. Great. | 0:49:31 | 0:49:34 | |
One thing you need, to really get people going, | 0:49:34 | 0:49:37 | |
is the little turny bit on the top that helps you steer it, | 0:49:37 | 0:49:41 | |
which is missing, and the box. | 0:49:41 | 0:49:43 | |
But maybe £50 to £80, that sort of level. | 0:49:43 | 0:49:47 | |
The box makes all the difference with these things. | 0:49:47 | 0:49:49 | |
The wooden shutters, I do like. | 0:49:49 | 0:49:51 | |
They've got all the original metalwork, really quite a nice pair. | 0:49:51 | 0:49:55 | |
I wouldn't expect them to do great guns. | 0:49:55 | 0:49:57 | |
£70 to £90, £80 to £100, that sort of level, around there. | 0:49:57 | 0:50:01 | |
Right, it's the moment of truth. | 0:50:01 | 0:50:03 | |
Time for the auction, which has buyers online and in the room. | 0:50:03 | 0:50:06 | |
-You excited? -I am. | 0:50:06 | 0:50:09 | |
First up, Pam's porcelain children's tea set. | 0:50:10 | 0:50:13 | |
£5. A bid there at 5. | 0:50:13 | 0:50:15 | |
At 5, 6, 10 on the net now. 10. 12, do mean? | 0:50:15 | 0:50:17 | |
-12. At £12. -Go on! -You're hovering. | 0:50:17 | 0:50:21 | |
At £12, are you all sure? It's right in front of me then. | 0:50:21 | 0:50:24 | |
-I'm happy with 12. -At 12. | 0:50:24 | 0:50:27 | |
Well! | 0:50:28 | 0:50:30 | |
-GEOFFREY: -Well done, Pam. -JAMES: -Well done, Pam. -Yeah. | 0:50:30 | 0:50:32 | |
-Very good. -Thank you. -Well done. -Very good. | 0:50:32 | 0:50:35 | |
Very good indeed. | 0:50:35 | 0:50:37 | |
Pam's more than doubled her money on her first lot. | 0:50:37 | 0:50:40 | |
-That was a good start, wasn't it? -Good start. | 0:50:40 | 0:50:42 | |
I've got the scent of victory in my nostrils. | 0:50:42 | 0:50:45 | |
Speaking of scent, next up is Geoffrey's vintage perfume bottle. | 0:50:45 | 0:50:50 | |
£20, I'm bid there. At £20. 5, if you like now. At £20. | 0:50:50 | 0:50:54 | |
-5, thank you, madam. -Bidder over there. 25. -Geoffrey, you're off now. | 0:50:54 | 0:50:58 | |
30 to me now. At £20. 30. | 0:50:58 | 0:51:01 | |
-5. At 35. 40, if you like. -Come on. | 0:51:01 | 0:51:03 | |
Come on! | 0:51:03 | 0:51:05 | |
All sure? It's on my left, at 35. | 0:51:05 | 0:51:08 | |
35. | 0:51:09 | 0:51:12 | |
Rotten luck, old chap. | 0:51:12 | 0:51:14 | |
It's the rough-and-tumble, Geoffrey, you know. | 0:51:14 | 0:51:17 | |
We've still got the shutters to come. | 0:51:17 | 0:51:20 | |
That's it. Positive thinking, Geoffrey. | 0:51:20 | 0:51:23 | |
Up next are the Prattware jars that James fancied. | 0:51:23 | 0:51:27 | |
Watch and learn, watch and learn. | 0:51:27 | 0:51:29 | |
-£20. At £20, I'm bid, thank you. -Oh, we're off. | 0:51:29 | 0:51:33 | |
30. 5. 40. | 0:51:33 | 0:51:35 | |
At £40, here on my left now. 5, if you like now. | 0:51:35 | 0:51:38 | |
At £40. It's the lady's bid in front of me then. £40. | 0:51:38 | 0:51:41 | |
-God bless you, madam. -Yeah, absolutely. | 0:51:41 | 0:51:44 | |
-It made a fiver. -Selling it, make no mistake, at £40. | 0:51:44 | 0:51:46 | |
Are you all sure at 40? | 0:51:46 | 0:51:48 | |
-GEOFFREY: -Made a mistake. | 0:51:48 | 0:51:50 | |
Well, I didn't think that was going to happen. | 0:51:50 | 0:51:53 | |
You did pick them, James. Another small profit for team Pam there. | 0:51:53 | 0:51:58 | |
Look after the pennies and the pounds will look after themselves. | 0:51:58 | 0:52:03 | |
You've got to make some pennies first though. | 0:52:03 | 0:52:06 | |
Let's hope Geoffrey can get off the mark | 0:52:06 | 0:52:08 | |
with his Edwardian bamboo magazine rack. | 0:52:08 | 0:52:11 | |
At £20, I have here. 25 anywhere? | 0:52:11 | 0:52:13 | |
At £20 for the Canterbury. At £20. 5, thank you. | 0:52:13 | 0:52:16 | |
See, hands everywhere, Geoffrey. Hands everywhere. | 0:52:16 | 0:52:19 | |
At £30, £30 here. All sure now then? | 0:52:19 | 0:52:22 | |
Selling right in front me then, at 30. Are you all done here now? | 0:52:22 | 0:52:26 | |
-At 30. -What a steal! | 0:52:26 | 0:52:29 | |
-That is a steal. There is no accounting for taste. -No. | 0:52:29 | 0:52:32 | |
I'm sorry, Geoffrey. I am sorry. | 0:52:32 | 0:52:34 | |
Don't get too disheartened yet, Geoffrey. | 0:52:37 | 0:52:39 | |
There's still time to make a comeback. | 0:52:39 | 0:52:41 | |
-That's a shame. -Ridiculous! | 0:52:41 | 0:52:44 | |
Pam's up next, this time it's her Spode cornucopia-shaped vase. | 0:52:44 | 0:52:49 | |
-£5, I'm bid there. 7. 10 on the net now. -10. -12, if you like now. | 0:52:49 | 0:52:53 | |
At £10 it is, on the net here, for this Spode. At £10. 12 anywhere? | 0:52:53 | 0:52:57 | |
All sure then? It's selling here at £10. It's on the net now. | 0:52:57 | 0:53:00 | |
You're all out in the room. At £10. You all sure, for a tenner? | 0:53:00 | 0:53:04 | |
-Oh. -The hammer's down. | 0:53:06 | 0:53:09 | |
Not quite the result Pam was hoping for, but it could be worse. | 0:53:09 | 0:53:13 | |
She could be in Geoffrey's shoes. | 0:53:13 | 0:53:15 | |
Have you got up to £100 yet? | 0:53:15 | 0:53:16 | |
We're a long way off, Geoffrey. | 0:53:19 | 0:53:22 | |
Right, Geoffrey, can you finally find a profit | 0:53:22 | 0:53:24 | |
with your Napoleon brass pipe tamper? | 0:53:24 | 0:53:27 | |
At £10. Gentleman's bid at £10, at the back there. | 0:53:28 | 0:53:31 | |
At £10. 12, if you like now. At 12, thank you. 15. | 0:53:31 | 0:53:34 | |
18. At 18. 20. At £20, at the back now. 25 now? | 0:53:34 | 0:53:39 | |
-I laughed too soon. -25, Geoffrey. | 0:53:39 | 0:53:43 | |
At £25. It's here on my left then, at 25. | 0:53:43 | 0:53:46 | |
-Thank you, sir. -Well, it's a profit. | 0:53:48 | 0:53:50 | |
-Well done. -Well done. -A profit. -Well done. | 0:53:50 | 0:53:52 | |
At last, a profit for Geoffrey. | 0:53:52 | 0:53:55 | |
You've done this before, Geoffrey, haven't you, eh? | 0:53:55 | 0:53:57 | |
Play nice, James. | 0:53:57 | 0:53:59 | |
Time to see what the people of Cirencester make | 0:53:59 | 0:54:02 | |
of Pam's model steam traction engine. | 0:54:02 | 0:54:05 | |
£30. £30, I'm bid here, on the net now. £30. 5 anywhere now? | 0:54:05 | 0:54:08 | |
It should have its starting handle. It should have a starting handle. | 0:54:08 | 0:54:11 | |
35, here. 40 now. At 40, thank you. | 0:54:11 | 0:54:14 | |
45. 50. 5. At 55. | 0:54:14 | 0:54:18 | |
I didn't think this was going to happen. | 0:54:18 | 0:54:20 | |
They're building up steam, Pam. | 0:54:20 | 0:54:22 | |
Yeah, they're building up a good head of steam. | 0:54:22 | 0:54:24 | |
£55, right in front of me now. All sure then? | 0:54:24 | 0:54:26 | |
Selling at 55. | 0:54:26 | 0:54:29 | |
-Steady. -Not bad. -Well done, Pam. | 0:54:30 | 0:54:33 | |
Not bad. Not a disgrace. | 0:54:33 | 0:54:36 | |
Certainly not. That's another profit for Pam. | 0:54:36 | 0:54:39 | |
-We're making steady progress. -Steady progress. | 0:54:39 | 0:54:42 | |
-See, we weren't rash like some people. -Yes. | 0:54:42 | 0:54:45 | |
Right, Geoffrey, can you make two profits in a row | 0:54:46 | 0:54:49 | |
with your Edwardian fruit knife and cigar cutter? | 0:54:49 | 0:54:53 | |
£20, I'm bid, thank you. At £20. 5, if you like, madam. 5. | 0:54:53 | 0:54:55 | |
-You're off now. -25. 30, if you like. 30. At £30. 5. | 0:54:55 | 0:55:00 | |
At 35, on my right now. 40, if you like. | 0:55:00 | 0:55:02 | |
-Geoffrey, we're in profit! -Oh. -Profit! | 0:55:02 | 0:55:05 | |
-At 35. 40 now? -I'm a very worried woman. | 0:55:05 | 0:55:08 | |
-35, here are my right then. -KATE: -Come on! | 0:55:08 | 0:55:10 | |
All sure now then? At 35, are you all done? | 0:55:10 | 0:55:13 | |
-35. -Not bad. -Well done. -Not bad. | 0:55:15 | 0:55:19 | |
Smile, Geoffrey. Any profit is a good profit. | 0:55:19 | 0:55:22 | |
I've had it with antiques! | 0:55:22 | 0:55:24 | |
Now, don't be downhearted. It's not all over yet. | 0:55:24 | 0:55:28 | |
Although it nearly is for Pam, as it's time for her final lot, | 0:55:28 | 0:55:32 | |
her beloved teddy bear. | 0:55:32 | 0:55:35 | |
£20, a bid there, thank you. At £20. 5, anyone now? At 25. 30 now? | 0:55:35 | 0:55:39 | |
At £30, a bid here. At £30. 5, anywhere now? | 0:55:39 | 0:55:42 | |
At £30, it is, right in front of me then. Selling here. Made a mistake. | 0:55:42 | 0:55:46 | |
-Thought it might make a little more. -Not my bear! | 0:55:46 | 0:55:48 | |
Are you all sure? At 30. | 0:55:48 | 0:55:50 | |
-Oh! -Oh, Pam. | 0:55:52 | 0:55:54 | |
-Shame! -Now you know how I feel. | 0:55:54 | 0:55:58 | |
No wonder Teddy looked sad. That's a disappointing loss for Pam. | 0:55:58 | 0:56:02 | |
Geoffrey, I can see a little smile. | 0:56:02 | 0:56:04 | |
No, not at all! | 0:56:04 | 0:56:06 | |
A smile of triumph is flickering over your lips, Geoffrey. | 0:56:06 | 0:56:10 | |
Time for the biggie, Geoffrey's priciest and last lot - | 0:56:12 | 0:56:16 | |
the 19th-century French shutters. | 0:56:16 | 0:56:18 | |
Will his big gamble pay off? | 0:56:18 | 0:56:20 | |
Start me at 100. 100, they'd be cheap. 100. | 0:56:20 | 0:56:23 | |
-Oh, nothing. -Yes, £100, a bid here. -See, you'll see. | 0:56:23 | 0:56:26 | |
-Well done. -I'm feeling very nervous. | 0:56:26 | 0:56:29 | |
At £100. It looks cheap at £100. | 0:56:29 | 0:56:31 | |
110, if you like. £100, it is here. | 0:56:31 | 0:56:33 | |
-Maiden bid, on the net now. At £100. -They're missing such a chance. | 0:56:33 | 0:56:38 | |
At £100, you all sure? | 0:56:38 | 0:56:39 | |
£100! Actually, I'm surprised cos they look a bit ramshackle to me. | 0:56:41 | 0:56:45 | |
-Oh, Pam! -Oh, Pam! | 0:56:45 | 0:56:47 | |
Ooh, what's she like? And before we find out who's won, | 0:56:48 | 0:56:52 | |
Pam's got something to say. | 0:56:52 | 0:56:54 | |
Have the shutters closed on Geoffrey's hopes? | 0:56:54 | 0:56:57 | |
My bitter rival, is he on the ropes? | 0:56:57 | 0:57:00 | |
Has my teddy thrown my hopes away | 0:57:00 | 0:57:04 | |
Or will we live to bid another day? | 0:57:04 | 0:57:08 | |
Let's find out, shall we? | 0:57:08 | 0:57:10 | |
Geoffrey and Kate started with £400. | 0:57:12 | 0:57:15 | |
After paying auction costs, they sadly made a loss of £190.50, | 0:57:15 | 0:57:20 | |
ending their trip with £209.50. | 0:57:20 | 0:57:23 | |
Pam and James also kicked off with £400 | 0:57:25 | 0:57:28 | |
and, unfortunately, also made a loss of £44.46. | 0:57:28 | 0:57:32 | |
As their loss was less, they're crowned today's winning losers, | 0:57:32 | 0:57:37 | |
if you get my drift, finishing with £355.54. | 0:57:37 | 0:57:43 | |
-We won! -We won, we won! -Congratulations! -We won. | 0:57:43 | 0:57:47 | |
So, with Pam victorious, | 0:57:47 | 0:57:49 | |
it's time for our celebrities to bid a fond farewell. | 0:57:49 | 0:57:53 | |
Geoffrey, beware of architectural salvage. | 0:57:53 | 0:57:55 | |
-Yes. -Architectural salvage. | 0:57:55 | 0:57:59 | |
-I'm sad it's over. -I'm sad it's over. Bye. | 0:57:59 | 0:58:04 | |
Have you enjoyed doing the Road Trip with me? | 0:58:08 | 0:58:10 | |
I have, absolutely. It's been one of the highlights of my career. | 0:58:10 | 0:58:15 | |
I expect there'll be a spin-off. | 0:58:15 | 0:58:17 | |
Something's going to happen from this, Pam. | 0:58:17 | 0:58:19 | |
And I've liked being with you | 0:58:19 | 0:58:21 | |
because I think you're very nice and you make me laugh. | 0:58:21 | 0:58:24 | |
Well, what can one say about the legend that is Pam Ayres? | 0:58:24 | 0:58:27 | |
Not much. | 0:58:29 | 0:58:31 | |
Until next time, toodle-pip, Road Trippers. | 0:58:32 | 0:58:36 |