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The nation's favourite celebrities... | 0:00:02 | 0:00:04 | |
-Just want to touch bass. -..paired up with an expert. | 0:00:04 | 0:00:06 | |
-So... -Boo! -LAUGHTER | 0:00:06 | 0:00:08 | |
..and a classic car. | 0:00:08 | 0:00:09 | |
-No hands! -Their mission, to scour Britain for antiques. | 0:00:09 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim, to make the biggest profit at auction. | 0:00:15 | 0:00:18 | |
-But it's no easy ride. -Ooh! | 0:00:18 | 0:00:20 | |
Who will find the hidden gem? HORN HONKS | 0:00:20 | 0:00:23 | |
-Like that. -Who will take the biggest risk? | 0:00:23 | 0:00:25 | |
-This could end in disaster. -Will anybody follow expert advice? | 0:00:25 | 0:00:29 | |
-But I love this. -Why would you buy something you're not going to use? | 0:00:29 | 0:00:32 | |
There will be worthy winners and valiant losers. | 0:00:32 | 0:00:36 | |
-No, I don't want to shake hands. -Put your pedal to the metal. | 0:00:36 | 0:00:39 | |
OK, let me get out of first gear. | 0:00:39 | 0:00:40 | |
This is the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:43 | |
Yeah! | 0:00:47 | 0:00:48 | |
Watch out. We've got the boys in blue on today's show. | 0:00:51 | 0:00:55 | |
Actors Bill Simons and Derek Fowlds. | 0:00:55 | 0:00:59 | |
-Have we got to win and beat each other? -Yes, we've got to... | 0:00:59 | 0:01:03 | |
You are going to buy terribly well. | 0:01:03 | 0:01:06 | |
-Yes. -You're going to sell terribly well. | 0:01:06 | 0:01:09 | |
-Yes. -Unfortunately, it's not going to be good enough. | 0:01:09 | 0:01:12 | |
-Well... -I can tell you that now, for a start. -Blimey, Bill! | 0:01:12 | 0:01:15 | |
The gents have been the best of chums since the '70s | 0:01:16 | 0:01:20 | |
and are the only actors to star for the whole 18-year run of | 0:01:20 | 0:01:24 | |
police drama Heartbeat. | 0:01:24 | 0:01:27 | |
RADA-trained, | 0:01:27 | 0:01:29 | |
Derek's long and illustrious career in film and TV includes roles in | 0:01:29 | 0:01:34 | |
Yes Minister and even The Basil Brush Show. | 0:01:34 | 0:01:37 | |
Boom, boom! | 0:01:37 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:40 | |
Bill's enjoyed great success over the years with a selection of roles, | 0:01:41 | 0:01:45 | |
including appearing in The Inspector Alleyne Mysteries. | 0:01:45 | 0:01:48 | |
During their Road Trip adventure, they'll each have £400 to spend. | 0:01:52 | 0:01:56 | |
-But of course, you have an advantage. -What's that? | 0:01:58 | 0:02:01 | |
Because so many of the things that we see, you were born with. | 0:02:01 | 0:02:05 | |
-It's true. -Cheeky. LAUGHTER | 0:02:05 | 0:02:07 | |
In hot pursuit are their Road Trip rozzers, | 0:02:07 | 0:02:11 | |
PC Happy, AKA Phil Serrell, | 0:02:11 | 0:02:14 | |
and the fabulously wonderful, beautiful Kate Bliss. | 0:02:14 | 0:02:17 | |
Do you know? Of all the people I could have to drive me around in a | 0:02:17 | 0:02:20 | |
police van, Philip, I would want you. | 0:02:20 | 0:02:22 | |
-Well, Kate, I'm so touched. -It's just so fitting, look at you. | 0:02:22 | 0:02:25 | |
Yeah, well, yeah. As long as I could stay in the front of it and not the | 0:02:25 | 0:02:28 | |
-back of it, I don't mind. -Well, there are bars on the back, | 0:02:28 | 0:02:30 | |
so if you don't behave, I might shut you in there later. | 0:02:30 | 0:02:33 | |
-Thank you very much. -You tell him, girl. | 0:02:33 | 0:02:35 | |
Kate and Phil have the cute-as-a-button | 0:02:35 | 0:02:38 | |
1973 Austin Morris police van. | 0:02:38 | 0:02:40 | |
It was actually used in Heartbeat. | 0:02:40 | 0:02:43 | |
There's authenticity for you. | 0:02:43 | 0:02:45 | |
-Hold on, Kate, is that an incoming call? -Oh, hang on a minute. | 0:02:45 | 0:02:48 | |
-Yeah. Now, I ordered a pizza. -Hello, hello? | 0:02:48 | 0:02:50 | |
-And make sure it's a deep crust one that I like. -Yeah, he says deep crust. | 0:02:50 | 0:02:53 | |
-Deep crust, please. -I'll have the extra cheese. | 0:02:53 | 0:02:55 | |
While the children play, | 0:02:56 | 0:02:59 | |
the grown-ups are in the flash 1970s Daimler. | 0:02:59 | 0:03:02 | |
I know I'm going to meet Philip Serrell, because I've met him before | 0:03:02 | 0:03:07 | |
-and he's very nice. -Is he the one with a scarf? | 0:03:07 | 0:03:09 | |
-You know, I've seen this programme. -Flamboyant, you call him. | 0:03:09 | 0:03:13 | |
-Flamboyant, yes. -Phil, flamboyant? LAUGHTER | 0:03:13 | 0:03:16 | |
We begin proceedings in the splendid North Yorkshire town of Helmsley. | 0:03:17 | 0:03:22 | |
Our Road Trip pals will tour around the county before heading for an | 0:03:22 | 0:03:26 | |
auction in Ilkley in West Yorkshire. | 0:03:26 | 0:03:29 | |
So you do know your life of crime is over now? | 0:03:29 | 0:03:32 | |
Phil is going to lay the law down with you. | 0:03:32 | 0:03:34 | |
-Hey, here they are! -Yeah, look at that, swinging around. | 0:03:34 | 0:03:37 | |
Yay! | 0:03:37 | 0:03:38 | |
-Good morning! -Oh, dear. | 0:03:39 | 0:03:41 | |
-Morning, both! -Good morning, gents! | 0:03:41 | 0:03:43 | |
-How are you both? -Hello, Bill. | 0:03:43 | 0:03:45 | |
-Lovely to meet you. -Hello, lovely to meet you. | 0:03:45 | 0:03:48 | |
Derek's teaming up with Kate and Bill with flamboyant Phil. | 0:03:48 | 0:03:52 | |
-Shall we get off? -Yes, let's go. | 0:03:52 | 0:03:54 | |
-Right, we're going to steal a march on you. -OK, well, we'll take the smooth option, I think. | 0:03:54 | 0:03:58 | |
-Come on, Derek, shall I drive? -Yes, please. After you. | 0:03:58 | 0:04:01 | |
Let the competition commence. | 0:04:01 | 0:04:03 | |
Right, belts on, Derek. | 0:04:05 | 0:04:07 | |
-Right, here we go. -This is rather stylish, isn't it? | 0:04:07 | 0:04:10 | |
-Right, let's leave them for dust. -Oh, stylish. | 0:04:10 | 0:04:13 | |
GEARS SQUEAK And squeaky. | 0:04:13 | 0:04:16 | |
And off we jolly well go! | 0:04:18 | 0:04:19 | |
Oh, isn't this exciting? | 0:04:26 | 0:04:27 | |
Well, Bill, we've got a good dollop of cash. We've got £400. | 0:04:33 | 0:04:36 | |
Got any ideas as to which way we might go with that? | 0:04:36 | 0:04:39 | |
No, not really. Mainly, I'm thinking of what we have at home. | 0:04:39 | 0:04:43 | |
Yeah. We've only got 400 quid, Bill. | 0:04:43 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:48 | |
-If I see something I like. -Yeah. | 0:04:52 | 0:04:54 | |
And it'll probably cost tuppence ha'penny, | 0:04:54 | 0:04:56 | |
but it's what, it's...it's an instinctive thing, isn't it? | 0:04:56 | 0:05:00 | |
I think to go on your gut is a good thing when it comes to antiques. | 0:05:00 | 0:05:03 | |
-Yeah. -You get a good feeling about something. | 0:05:03 | 0:05:06 | |
-I mean, it would be wonderful to beat Bill, so I can say... -HE JEERS | 0:05:06 | 0:05:09 | |
-You know. -That's the spirit, Derek. SHE LAUGHS | 0:05:09 | 0:05:12 | |
This pair are headed for the town of Helmsley in North Yorkshire. | 0:05:12 | 0:05:15 | |
It's the only market town in the 554 square miles | 0:05:15 | 0:05:19 | |
of the North York Moors National Park. | 0:05:19 | 0:05:23 | |
Would you look at that?! How pretty is it? | 0:05:23 | 0:05:26 | |
Room For Antiques is Derek's first emporium | 0:05:28 | 0:05:31 | |
to have a good old forage in. | 0:05:31 | 0:05:32 | |
-It's just here, I think. -Yeah, looks good. -Should we have a look? | 0:05:32 | 0:05:35 | |
Yeah. | 0:05:35 | 0:05:36 | |
This looks wonderful. | 0:05:39 | 0:05:42 | |
Under the wise eye of Kate, | 0:05:42 | 0:05:45 | |
what can we find in here? | 0:05:45 | 0:05:47 | |
This is a lovely little novelty. | 0:05:47 | 0:05:49 | |
What do you think of that? | 0:05:49 | 0:05:51 | |
-What is it? -It's a little novelty cat... -Yes... | 0:05:51 | 0:05:54 | |
-..and she's got a brass ball... -A brass ball... | 0:05:54 | 0:05:57 | |
..and in the brass ball is... | 0:05:57 | 0:06:00 | |
-Hey! -..a little tape measure. | 0:06:00 | 0:06:02 | |
-Look at that! -The ticket price here says it's £240. | 0:06:02 | 0:06:06 | |
-Yeah. -240? | 0:06:06 | 0:06:10 | |
I can't get over these prices | 0:06:10 | 0:06:12 | |
for tiny items. | 0:06:12 | 0:06:15 | |
Yeah, but it's an unusual item. | 0:06:15 | 0:06:17 | |
Yeah, but too steep for our Derek. | 0:06:17 | 0:06:20 | |
Moving on. | 0:06:21 | 0:06:23 | |
That's a lovely flask, isn't it? | 0:06:25 | 0:06:27 | |
It is a lovely flask. Have you had hip flasks in the past? | 0:06:27 | 0:06:29 | |
-I'm not telling you. -LAUGHTER | 0:06:29 | 0:06:31 | |
I think that's a yes. Do you know? That's a really nice example. | 0:06:33 | 0:06:37 | |
-So... -Is it at 45 quid? -It is, so this is pewter. | 0:06:37 | 0:06:41 | |
-Yes. -With leather. -Yeah. | 0:06:41 | 0:06:42 | |
And you can see, it's got a lot of age to it. | 0:06:42 | 0:06:45 | |
Pewter would be much more affordable in the Victorian period, | 0:06:45 | 0:06:48 | |
when this was made. But you of course take that off the bottom | 0:06:48 | 0:06:52 | |
and you've got a little drinking cup. | 0:06:52 | 0:06:54 | |
So I would say this is sort of | 0:06:54 | 0:06:56 | |
very late Victorian, maybe early Edwardian. | 0:06:56 | 0:06:59 | |
Sort of 1900, maybe even 1910. | 0:06:59 | 0:07:02 | |
Time for dealer Judy. | 0:07:02 | 0:07:04 | |
-Over to you, Derek. -So, you've got £45 here. | 0:07:04 | 0:07:08 | |
-Yes. -Now, what's the, | 0:07:08 | 0:07:11 | |
what's the deal? Can you...? | 0:07:11 | 0:07:12 | |
Well, I'm thinking about 35. | 0:07:12 | 0:07:16 | |
Can you come down to... | 0:07:16 | 0:07:18 | |
-28? -Yes. | 0:07:20 | 0:07:23 | |
That would be absolutely fine. | 0:07:23 | 0:07:25 | |
-Can I jump in and say 25? -You can, you can. | 0:07:25 | 0:07:28 | |
I was expecting you to say £25. | 0:07:28 | 0:07:30 | |
-I don't know why, I was going to say 25 and I thought... -LAUGHTER | 0:07:30 | 0:07:33 | |
-I best not. -25 is fine, Derek. -Because I've never done this before. | 0:07:33 | 0:07:36 | |
-I'm a new boy. -25 is fine. | 0:07:36 | 0:07:38 | |
-You're a star. Thank you very much. -Shall I take that for you? | 0:07:38 | 0:07:42 | |
-Thank you. -I think that's lovely. -And I'll pack that up. -Great. | 0:07:42 | 0:07:44 | |
-Thank you, Judy. -You're very welcome. -Thank you. | 0:07:44 | 0:07:47 | |
Hey, no flies on you! | 0:07:47 | 0:07:49 | |
I say, that's a pretty fair first deal, Derek. Well done. | 0:07:49 | 0:07:53 | |
What about the other pair? | 0:07:54 | 0:07:56 | |
What I think we've got to try and do is, we want to win this, don't we? | 0:07:59 | 0:08:02 | |
Oh, definitely. Definitely, what's the point of coming here? | 0:08:02 | 0:08:06 | |
Exactly, Bill. | 0:08:06 | 0:08:07 | |
The chaps have poodled their way to the spa town of Harrogate | 0:08:08 | 0:08:11 | |
in North Yorkshire. | 0:08:11 | 0:08:13 | |
Well, Bill, here we are. | 0:08:15 | 0:08:17 | |
Right, Bill, let's see what you're made of. | 0:08:18 | 0:08:20 | |
This place is huge. | 0:08:24 | 0:08:25 | |
With over 50 stalls, | 0:08:25 | 0:08:27 | |
there's sure to be something to catch your eye in here. | 0:08:27 | 0:08:29 | |
It's a real treasure trove, isn't it? | 0:08:31 | 0:08:33 | |
Well, there's just stuff everywhere, isn't there? | 0:08:33 | 0:08:36 | |
-Are you good on clothes, Phil? -Yeah, I'm good on clothes. | 0:08:37 | 0:08:41 | |
The clothes just aren't good on me, Bill. | 0:08:41 | 0:08:43 | |
CHUCKLING | 0:08:43 | 0:08:45 | |
Most of them don't have enough cloth. | 0:08:45 | 0:08:47 | |
I don't believe it, Phil! | 0:08:47 | 0:08:48 | |
-You like luggage, don't you? -I do, I think that's really cool. | 0:08:48 | 0:08:52 | |
-I love the colour. -Yes, really good. -People talk about patina and they always think it's | 0:08:52 | 0:08:56 | |
furniture that's got patina. | 0:08:56 | 0:08:58 | |
But, you know, silver has patina, and glass has patina, | 0:08:58 | 0:09:01 | |
and leather's got patina. I just love... | 0:09:01 | 0:09:04 | |
-Yes, yes. -..the colour of this. -What I think is brilliant about this, | 0:09:04 | 0:09:07 | |
I can see you carrying that in, overnight, to a hotel. | 0:09:07 | 0:09:12 | |
PHIL CHUCKLES | 0:09:12 | 0:09:15 | |
Not too sure about that, Bill. | 0:09:15 | 0:09:17 | |
But it's priced at £170. | 0:09:17 | 0:09:19 | |
Anything else? | 0:09:19 | 0:09:21 | |
-Garden furniture and stuff goes rather... -It can, actually, yeah. -What about those? | 0:09:23 | 0:09:27 | |
Well, shall I get them out? Let's see. | 0:09:27 | 0:09:29 | |
-What were they? -Well, they're old spirit barrels. | 0:09:29 | 0:09:32 | |
Well, not spirits, you probably put more like booze in these, | 0:09:32 | 0:09:35 | |
beer or whatever, but you've got the tap that goes in there. | 0:09:35 | 0:09:38 | |
-Yeah, right. -You've got a cork bung that would go into here. | 0:09:38 | 0:09:41 | |
Right, what we want to look for, you know, is any damage to them. | 0:09:41 | 0:09:46 | |
I think they are quite cool. | 0:09:49 | 0:09:50 | |
They're salt-glazed. | 0:09:51 | 0:09:53 | |
-So... -Do you have to take them in in the winter, or not? | 0:09:53 | 0:09:57 | |
Advisable to, but when they're in the kiln, | 0:09:57 | 0:09:59 | |
you chuck salt in the kiln and it gave it, like, this treacly finish. | 0:09:59 | 0:10:04 | |
And the ideal use, of course, is as a garden stool. | 0:10:04 | 0:10:08 | |
Do you know? He's like a presenter from a shopping channel. | 0:10:08 | 0:10:11 | |
You should put lights in there and have just a great pair of lights. | 0:10:11 | 0:10:15 | |
-Told you. -They're probably turn of the last century. | 0:10:15 | 0:10:18 | |
Late Victorian. And...and the thing with these is, | 0:10:18 | 0:10:22 | |
you're just trying to sell a look. | 0:10:22 | 0:10:24 | |
-Yes. -There's no price on them. Shall I have a word with Phil? -Why not? | 0:10:24 | 0:10:28 | |
Dealer Phil, you're needed. | 0:10:28 | 0:10:30 | |
-We quite like these. -Mm-hmm? | 0:10:30 | 0:10:32 | |
-What's the ticket price on these? -30 each. -30 each? | 0:10:32 | 0:10:36 | |
BILL INHALES DEEPLY | 0:10:36 | 0:10:38 | |
Bill's getting into this. | 0:10:38 | 0:10:40 | |
We've got a crack down this one, haven't we? | 0:10:40 | 0:10:42 | |
-Well, you have now. -It's there, and it's there, and it's there, really. | 0:10:42 | 0:10:45 | |
OK. | 0:10:45 | 0:10:47 | |
-What could you do the two for, if we took them both? -50. | 0:10:47 | 0:10:51 | |
-50? 40 quid and you'd have a deal? -No, 50. -45 quid and you'd have a deal? -45. -45... | 0:10:51 | 0:10:56 | |
-And we've got a deal. -45, 45... -Better shake the man's hand, Bill. | 0:10:56 | 0:11:00 | |
Straight away... | 0:11:00 | 0:11:02 | |
You've been very kind. | 0:11:02 | 0:11:04 | |
-You're a star. Thank you very much. -You're welcome. Thank you. | 0:11:04 | 0:11:07 | |
Thanks, Bill. Nice to see you. | 0:11:07 | 0:11:08 | |
-Cheers, Phil. -All right, you got it? | 0:11:08 | 0:11:11 | |
Well done. The Victorian barrels are this team's first buy. | 0:11:11 | 0:11:14 | |
Back to Derek and Kate in Helmsley. | 0:11:19 | 0:11:21 | |
Here, tell you what I've spotted, Derek. | 0:11:23 | 0:11:25 | |
These might be up your street. | 0:11:25 | 0:11:27 | |
What do you think of those cufflinks with golfers on? | 0:11:27 | 0:11:30 | |
-Now, you like a bit of golf, don't you? -Oh, yeah, yeah. | 0:11:30 | 0:11:32 | |
-I do. -Well, I can tell you there's a very buoyant market for | 0:11:32 | 0:11:35 | |
-lovely quality cufflinks. -Yeah. -They're still really good sellers. | 0:11:35 | 0:11:38 | |
What's the price of that? | 0:11:38 | 0:11:40 | |
Well, they're marked at 140, | 0:11:40 | 0:11:42 | |
but they do look very nice quality to me. | 0:11:42 | 0:11:45 | |
Judy, could we bother you? | 0:11:45 | 0:11:46 | |
Got my eye on those cufflinks in there. | 0:11:47 | 0:11:50 | |
Let's take a closer look, shall we? | 0:11:50 | 0:11:52 | |
-What do you think, Derek? -Well, I'm a Chelsea supporter. | 0:11:53 | 0:11:57 | |
-Oh, there you go, then. -So you've got the Chelsea blue. | 0:11:57 | 0:11:59 | |
-Yeah. -I love playing golf. | 0:11:59 | 0:12:02 | |
-We're trying to sell them to other people. -LAUGHTER | 0:12:02 | 0:12:06 | |
But they are nice, aren't they? | 0:12:06 | 0:12:07 | |
This is what's known as guilloche enamelling | 0:12:07 | 0:12:10 | |
and it's an ancient technique, actually. | 0:12:10 | 0:12:13 | |
It goes right back centuries | 0:12:13 | 0:12:16 | |
and it's where the silver or the precious metal is engine-turned | 0:12:16 | 0:12:20 | |
before the enamel is laid over the top, | 0:12:20 | 0:12:22 | |
and that just gives it a little bit of a, | 0:12:22 | 0:12:25 | |
sort of, opalescent sheen. | 0:12:25 | 0:12:27 | |
Do you see that? They've got a little bit of a shimmer to them. | 0:12:27 | 0:12:30 | |
Oh, yes, every discerning gentleman should have a quality pair | 0:12:31 | 0:12:34 | |
of cufflinks. These are priced at £140. | 0:12:34 | 0:12:38 | |
What would you try and get it down to, then? | 0:12:38 | 0:12:42 | |
Well, if you ask me honestly, I'd like to pay... | 0:12:42 | 0:12:45 | |
I hope Judy's not listening, but I'd like to pay about £50 for them. | 0:12:46 | 0:12:50 | |
Good luck. Oh, Judy?! | 0:12:50 | 0:12:53 | |
At auction, I'm thinking around sort of £50 to £60. | 0:12:53 | 0:12:57 | |
I know that's a long way off your price. | 0:12:57 | 0:12:59 | |
It's too far for me to drop, | 0:12:59 | 0:13:02 | |
but I could drop to say 80, if that's any help. | 0:13:02 | 0:13:05 | |
-75? -Oh, Derek... -Please? -He's so quick. | 0:13:05 | 0:13:09 | |
Yes, I'll go to 75 for you, as you are Mr Derek. | 0:13:09 | 0:13:13 | |
What do you want to do? | 0:13:13 | 0:13:15 | |
75 smackers. | 0:13:15 | 0:13:17 | |
-We'll do it. -Thank you very much. -Thank you. -Hey, that's good. | 0:13:17 | 0:13:21 | |
-Yeah, we've got two. -We have. | 0:13:21 | 0:13:24 | |
-This is, madness, isn't it? -THEY CHUCKLE | 0:13:24 | 0:13:27 | |
Oh, we're getting better at spending, aren't we? | 0:13:29 | 0:13:32 | |
-Well, I know. I'm quite excited. -Good! I'm quite excited, too. | 0:13:32 | 0:13:35 | |
So am I! | 0:13:36 | 0:13:37 | |
What about this little cabinet? | 0:13:40 | 0:13:42 | |
-Derek? -Yes? | 0:13:44 | 0:13:45 | |
Well, that... What's that? | 0:13:47 | 0:13:48 | |
That is really interesting, actually. | 0:13:48 | 0:13:50 | |
Let's see if I can get it out. This... | 0:13:50 | 0:13:54 | |
-is in gorgeous condition, actually. -I've never seen... | 0:13:54 | 0:13:56 | |
It's about 1820 in date, I would say, | 0:13:56 | 0:14:01 | |
and it's a little sewing clamp. | 0:14:01 | 0:14:03 | |
So the seamstress would clamp this to the edge of her table, | 0:14:03 | 0:14:07 | |
-her worktable.... -Oh, yes, yes. | 0:14:07 | 0:14:09 | |
..by turning that screw, and this little finial, there we go, yes, | 0:14:09 | 0:14:13 | |
that unscrews like that, and you could actually take that off. | 0:14:13 | 0:14:17 | |
-That's brilliant. -So you could take your little cotton reel away. | 0:14:17 | 0:14:20 | |
So it all depends what the price is, Derek, let's have a look. | 0:14:20 | 0:14:24 | |
-Exotic. -So we've got 145 on there. | 0:14:24 | 0:14:27 | |
-145 quid?! -Hmm... -SHE LAUGHS | 0:14:27 | 0:14:30 | |
-What? You... -What do you think of that? -It's so small. | 0:14:30 | 0:14:34 | |
I think it's a lot of money. | 0:14:34 | 0:14:36 | |
Well, I have to say, they are collectible. | 0:14:36 | 0:14:39 | |
This would have been used in the 1820s, 1830s maybe. | 0:14:39 | 0:14:43 | |
You know, it's, it's nearly 200 years old. | 0:14:43 | 0:14:47 | |
And it's made from rosewood, | 0:14:47 | 0:14:49 | |
often found in all sorts of antique objects, and this is an | 0:14:49 | 0:14:52 | |
antique, and legal to sell. | 0:14:52 | 0:14:54 | |
But the international trade in rosewood is strictly controlled. | 0:14:54 | 0:14:58 | |
-Do you want to beat Bill? -I would love to beat Bill. | 0:14:58 | 0:15:01 | |
-The gloves are off, aren't they? -Well... You know, I'm such a... | 0:15:01 | 0:15:05 | |
sort of ordinary sort of bloke. | 0:15:05 | 0:15:07 | |
I think I'm bringing out the competitive streak in you. | 0:15:07 | 0:15:10 | |
-Well, you are now. -You definitely are, Kate. | 0:15:10 | 0:15:12 | |
-I think this could be love. -Should we have a chat with Judy... | 0:15:12 | 0:15:16 | |
-Yeah, 80. -..and go for it? -Shake me up, Judy. | 0:15:16 | 0:15:19 | |
We're going for the little cotton... | 0:15:19 | 0:15:21 | |
-Yes. -We're thinking, maybe, | 0:15:21 | 0:15:23 | |
can you go for 75? | 0:15:23 | 0:15:26 | |
Remember, it's priced at £145. Ooh! | 0:15:26 | 0:15:29 | |
-That's really pushing me. -Maybe 70? | 0:15:32 | 0:15:36 | |
75, I'll go for, but that is actually... | 0:15:36 | 0:15:39 | |
-Is that good? -You can't knock the lady for being fair, can you? | 0:15:40 | 0:15:43 | |
-No, I can't. -That's fantastic. -Thank you. -What do you think, Derek? | 0:15:43 | 0:15:47 | |
-Yeah, I love it. -Great, let's shake the lady's hand. | 0:15:47 | 0:15:49 | |
-Here we are. -Judy, thank you. -Thank you very much. | 0:15:49 | 0:15:51 | |
You've been fantastic, thank you very much indeed. | 0:15:51 | 0:15:53 | |
-Thank you, Kate. -Crikey Moses, Derek! | 0:15:53 | 0:15:56 | |
Three items at a total of £175 in the first shop. | 0:15:56 | 0:16:01 | |
Now, what about the fellas in the Black Mariah? | 0:16:03 | 0:16:07 | |
Well, Bill, you've played a Yorkshire policeman | 0:16:09 | 0:16:12 | |
and I'm going to take you now back in time to see what jail was like in | 0:16:12 | 0:16:17 | |
the 19th century. | 0:16:17 | 0:16:19 | |
Phil knows how to spoil a celebrity. | 0:16:19 | 0:16:22 | |
They've motored to the city of Ripon in North Yorkshire. | 0:16:22 | 0:16:26 | |
It was around here '60s drama Heartbeat was filmed, | 0:16:26 | 0:16:30 | |
but Bill's about to find out about crime and punishment in the | 0:16:30 | 0:16:34 | |
Victorian era. | 0:16:34 | 0:16:36 | |
Curator Mandy Thrippleton, from the Ripon Prison and Police Museum, | 0:16:36 | 0:16:40 | |
is going to unlock the area's terrifying history. | 0:16:40 | 0:16:43 | |
-I'm being pushed here, Bill. -Why don't you come on in and I'll show you all about punishment? -Really? | 0:16:43 | 0:16:47 | |
Naughty. You might not get back out, Phil. | 0:16:47 | 0:16:50 | |
Crime, and how to deal with it, | 0:16:53 | 0:16:54 | |
was one of the great issues of Victorian Britain. | 0:16:54 | 0:16:57 | |
Industrialisation and the consequent move of vast numbers of people from | 0:16:58 | 0:17:02 | |
the countryside to cities contributed to a soaring crime rate | 0:17:02 | 0:17:06 | |
that increased year on year. | 0:17:06 | 0:17:09 | |
Incarcerating the guilty seemed to be one solution | 0:17:09 | 0:17:12 | |
and so prisons like this one were built. | 0:17:12 | 0:17:14 | |
What a wonderful building. | 0:17:16 | 0:17:18 | |
What did it start off as? | 0:17:18 | 0:17:20 | |
Well, originally, it started off as a house of corrections in the early 1800s. | 0:17:20 | 0:17:26 | |
It then became a prison that housed | 0:17:26 | 0:17:29 | |
all the local residents that had been committing crimes, | 0:17:29 | 0:17:32 | |
and then it became a police station. | 0:17:32 | 0:17:34 | |
Sir Robert Peel established the Metropolitan Police Force in London | 0:17:36 | 0:17:39 | |
in 1829, but police procedure varied widely region to region, until the | 0:17:39 | 0:17:45 | |
introduction of a national police force in 1856. | 0:17:45 | 0:17:49 | |
I'd imagine that, in Victorian times, it wasn't an easy life here. | 0:17:49 | 0:17:54 | |
Absolutely. It was a grim place to be. | 0:17:54 | 0:17:57 | |
Obviously the Victorians were not about rehabilitation. | 0:17:57 | 0:18:01 | |
They weren't bothered about what happened to people once they left. | 0:18:01 | 0:18:04 | |
They wanted to keep people punished for their crimes | 0:18:04 | 0:18:07 | |
and so they devised many methods of punishment. | 0:18:07 | 0:18:10 | |
There were things like the crank. | 0:18:10 | 0:18:12 | |
The crank would be turned up to 10,000 times a day by a prisoner. | 0:18:15 | 0:18:20 | |
Its main purpose, to break self-respect. | 0:18:20 | 0:18:23 | |
The museum has an example. | 0:18:23 | 0:18:24 | |
-That's it there? -This is the crank that you'll be turning. | 0:18:26 | 0:18:30 | |
-None of it was about usefulness. -Yeah. | 0:18:31 | 0:18:33 | |
It was just purely taking up time. | 0:18:33 | 0:18:36 | |
-I'm never going to be naughty again. -A waste of energy and time. | 0:18:36 | 0:18:39 | |
There was also the tread wheel, which many prisons used to have. | 0:18:39 | 0:18:42 | |
It was almost like a vertical treadmill. | 0:18:42 | 0:18:44 | |
-Right. -And they would just walk, and the slats would fall away beneath | 0:18:44 | 0:18:48 | |
them, and so it was a complete waste of time, | 0:18:48 | 0:18:51 | |
and they would do that for up to eight hours a day. | 0:18:51 | 0:18:54 | |
-Oh, my God! -And there were a lot of people that referred that to as | 0:18:54 | 0:18:57 | |
one of the lunacy-inducing forms of punishment in Victorian prisons. | 0:18:57 | 0:19:02 | |
Terrible, terrible. | 0:19:02 | 0:19:04 | |
Even more chilling was the punishment for juvenile crime. | 0:19:05 | 0:19:08 | |
-So, what's this? -Well, this is a birching stool. | 0:19:10 | 0:19:13 | |
It was used for punishment for juveniles. | 0:19:13 | 0:19:17 | |
And they wear strapped in and whipped with a birching rod across | 0:19:17 | 0:19:22 | |
their backs, and every time the child would be struck, | 0:19:22 | 0:19:25 | |
children as young as eight or nine, going up to the age of 14. | 0:19:25 | 0:19:30 | |
The person doing the whipping would hit them and then they would pause, | 0:19:30 | 0:19:34 | |
so the child didn't know when the next blow was going to come. | 0:19:34 | 0:19:38 | |
It was supposed to make them reflect on why it was happening. | 0:19:40 | 0:19:44 | |
Was this just accepted by society? | 0:19:44 | 0:19:46 | |
It was indeed because prisons were essentially places of punishment. | 0:19:46 | 0:19:51 | |
I feel it's terrible that something like this could be used on almost | 0:19:51 | 0:19:55 | |
anybody, but particularly on children. | 0:19:55 | 0:19:59 | |
Petty crimes, such as a child stealing an apple or found begging, | 0:20:00 | 0:20:05 | |
would result in punishment by the birch. | 0:20:05 | 0:20:08 | |
But there was something even more terrifying | 0:20:08 | 0:20:10 | |
in store for the child criminal. | 0:20:10 | 0:20:11 | |
After the birching stool was phased out, | 0:20:11 | 0:20:14 | |
the dark cell was introduced. | 0:20:14 | 0:20:17 | |
Oh, dear. | 0:20:17 | 0:20:19 | |
This is obviously a representation, but outside in the yard | 0:20:19 | 0:20:23 | |
there was one built, so it was all solid, all wooden. | 0:20:23 | 0:20:27 | |
There was no way that sound or light could get in, | 0:20:27 | 0:20:29 | |
so it was...completely excluded any outside interference. | 0:20:29 | 0:20:35 | |
So what could have been five minutes | 0:20:35 | 0:20:37 | |
would have felt like hours and hours to a small child. | 0:20:37 | 0:20:40 | |
-Terrible. -How long would they have been in there for? | 0:20:40 | 0:20:43 | |
It could've been hours, | 0:20:43 | 0:20:44 | |
but it would have felt like weeks. | 0:20:44 | 0:20:47 | |
After the tough Victorian regime, | 0:20:47 | 0:20:50 | |
the move towards reform happened in 1895 when liberal reformer | 0:20:50 | 0:20:55 | |
Herbert Gladstone MP presented a report to Parliament. | 0:20:55 | 0:20:59 | |
It stated that prisons should turn their inmates out | 0:20:59 | 0:21:03 | |
as better people than when they went in. | 0:21:03 | 0:21:05 | |
And before we leave, let's take a look at a prison cell from 1816. | 0:21:07 | 0:21:11 | |
As you can see, it's very small. | 0:21:12 | 0:21:14 | |
There's only room for a wooden bed. | 0:21:14 | 0:21:17 | |
There's a small chamber pot, there's a tiny ledge up in the corner, | 0:21:17 | 0:21:21 | |
just for your candle. That's the only light that you would have had. | 0:21:21 | 0:21:24 | |
-Can I go and have a look? -You can indeed have a look. | 0:21:24 | 0:21:26 | |
Mandy, thank you very much. | 0:21:28 | 0:21:30 | |
It's been a wonderful experience. | 0:21:30 | 0:21:32 | |
I mean, terrifying. | 0:21:32 | 0:21:33 | |
I'm glad you enjoyed it, even though it was terrifying. | 0:21:33 | 0:21:36 | |
Thank you. | 0:21:36 | 0:21:38 | |
-Oh! -Whoops-a-daisies. | 0:21:38 | 0:21:40 | |
Bill? | 0:21:43 | 0:21:45 | |
Bill! | 0:21:45 | 0:21:47 | |
Probably the best place for him! | 0:21:47 | 0:21:48 | |
Back to Derek and Kate. | 0:21:51 | 0:21:52 | |
I think Bill is far more competitive than me. | 0:21:53 | 0:21:56 | |
Really? Well, do you know? It could be an absolutely killer duo | 0:21:56 | 0:22:01 | |
between the two of them because Philip does not hang around | 0:22:01 | 0:22:04 | |
when he is negotiating and he will go in really low. | 0:22:04 | 0:22:07 | |
Those two are off to the North Yorkshire town of Thirsk... | 0:22:09 | 0:22:12 | |
..to pay a visit to Three Tuns Antiques. | 0:22:13 | 0:22:16 | |
Cor, this looks smart. | 0:22:16 | 0:22:18 | |
Looks interesting. | 0:22:23 | 0:22:24 | |
It does. | 0:22:24 | 0:22:26 | |
After big spending this morning, | 0:22:26 | 0:22:27 | |
they have £225 left in the old kitty. | 0:22:27 | 0:22:30 | |
-Ah! -Ah, here we are. | 0:22:30 | 0:22:33 | |
Let's have a good old nose about. | 0:22:35 | 0:22:37 | |
Ha! That's just like yours, Derek. | 0:22:37 | 0:22:39 | |
Now, you see that photograph? | 0:22:44 | 0:22:45 | |
-Oh, yes. -Now that, do you recognise him? | 0:22:45 | 0:22:49 | |
No, I don't. | 0:22:49 | 0:22:50 | |
Do you remember the film... | 0:22:50 | 0:22:51 | |
..Mutiny On The Bounty? | 0:22:53 | 0:22:55 | |
I do, now you say it. | 0:22:55 | 0:22:57 | |
The one with Clark Gable? | 0:22:57 | 0:22:59 | |
Yeah. | 0:22:59 | 0:23:00 | |
Well, that is a photograph of Captain Bligh | 0:23:00 | 0:23:04 | |
played by the great Charles Laughton | 0:23:04 | 0:23:09 | |
and his favourite saying was, "Mr Christian!" | 0:23:09 | 0:23:13 | |
Very good. | 0:23:13 | 0:23:14 | |
I have no idea what Bill Simons has been doing | 0:23:20 | 0:23:23 | |
or how much money he's spent, | 0:23:23 | 0:23:25 | |
but I've got the ace in the bag because I've got Kate, | 0:23:25 | 0:23:32 | |
who is quite brilliant. | 0:23:32 | 0:23:34 | |
I think this is a whole new experience for Derek. | 0:23:34 | 0:23:36 | |
I don't think he's ever really haggled for anything. | 0:23:36 | 0:23:40 | |
He's just such a lovely gentleman, | 0:23:40 | 0:23:43 | |
perhaps a little bit too gentlemanly | 0:23:43 | 0:23:45 | |
to get a rock-bottom price, but he's doing well. | 0:23:45 | 0:23:47 | |
Hey, look at that. | 0:23:51 | 0:23:53 | |
How do you spell whisky? | 0:23:53 | 0:23:55 | |
Has whisky got an E in it? | 0:23:55 | 0:23:57 | |
Er... | 0:23:57 | 0:23:59 | |
-Yes. -Whisky... Has it? | 0:23:59 | 0:24:01 | |
Has it? Erm... | 0:24:01 | 0:24:04 | |
-Well... -It has. -Has it got an E in it? -Yeah, it has. | 0:24:04 | 0:24:08 | |
Well, Derek, the Irish and the Americans spell it with an E, | 0:24:08 | 0:24:12 | |
and the Scots without. | 0:24:12 | 0:24:14 | |
It's all down to different Gaelic translations. | 0:24:14 | 0:24:17 | |
It's priced at £30. | 0:24:17 | 0:24:19 | |
-I wonder if we should just ask the best price on that one. -OK. | 0:24:19 | 0:24:24 | |
Time to talk money with dealer Victoria. | 0:24:24 | 0:24:26 | |
What's your best price for that? | 0:24:27 | 0:24:30 | |
Seeing that it's you... | 0:24:30 | 0:24:32 | |
Right, it's nothing, it's free. | 0:24:32 | 0:24:35 | |
..I'll let you have it for £10. | 0:24:35 | 0:24:37 | |
And then you can make some money at the auction on it. | 0:24:38 | 0:24:41 | |
What do you think, Derek? | 0:24:42 | 0:24:45 | |
-I think, for £10, that's a good price. -Yes. | 0:24:45 | 0:24:47 | |
-Fantastic. -You won't go to a fiver, will you? | 0:24:47 | 0:24:50 | |
No. | 0:24:50 | 0:24:51 | |
-Come on. -There we go. | 0:24:53 | 0:24:54 | |
-Go on, then, £5 for you. -What? | 0:24:54 | 0:24:56 | |
-£5. -Really? | 0:24:56 | 0:24:58 | |
Yes, I'll let you have it for £5. | 0:24:58 | 0:25:00 | |
Derek, I'm learning from you! | 0:25:00 | 0:25:02 | |
Gee whiz, Derek. | 0:25:03 | 0:25:04 | |
That's very generous. | 0:25:05 | 0:25:06 | |
And I happen to have a fiver. | 0:25:07 | 0:25:09 | |
-Thank you very much. -Thanks a lot. Been a pleasure. | 0:25:09 | 0:25:12 | |
-Thank you very much. -Goodbye. Nice to see you. -Nice to have met you. | 0:25:12 | 0:25:15 | |
-Great, lovely. Come on, let's scarper. -Let's go. | 0:25:15 | 0:25:17 | |
You are an old charmer. | 0:25:17 | 0:25:19 | |
Don't tell anybody, will you? | 0:25:20 | 0:25:22 | |
-Bye-bye! -Bye. | 0:25:24 | 0:25:25 | |
Your secrets are safe, Derek. | 0:25:27 | 0:25:29 | |
The silver whisky decanter label means he now has four lots. | 0:25:29 | 0:25:33 | |
And he's a quick learner. | 0:25:33 | 0:25:35 | |
Well, what a wonderful day for both teams. | 0:25:37 | 0:25:40 | |
But now it's time for a lovely rest. | 0:25:40 | 0:25:42 | |
Into the cells, then. Nighty-night. | 0:25:42 | 0:25:45 | |
Top o' the mornin' to you. | 0:25:52 | 0:25:54 | |
We're back on the road with our gentlemen coppers. | 0:25:54 | 0:25:56 | |
We had a very successful day between ourselves. | 0:25:56 | 0:25:59 | |
We laughed a lot, | 0:25:59 | 0:26:01 | |
but we weren't amazingly lucky with what we found. | 0:26:01 | 0:26:05 | |
That's good news to us. | 0:26:05 | 0:26:07 | |
Oh, I know, I know, but my God, | 0:26:07 | 0:26:08 | |
we're going to have a good day today. | 0:26:08 | 0:26:11 | |
That you are, Bill. | 0:26:11 | 0:26:12 | |
And dare we peek into the Austin Morris? | 0:26:14 | 0:26:17 | |
MUSIC: Yakety Sax | 0:26:17 | 0:26:20 | |
-Do you know? In this vehicle... -Are we cutting a dash? | 0:26:20 | 0:26:23 | |
Well, I really feel like people get out of our way, | 0:26:23 | 0:26:26 | |
-but that could be your driving. -No, it's fear. Definitely fear. | 0:26:26 | 0:26:29 | |
That could be very true. | 0:26:29 | 0:26:30 | |
Yesterday, our wonderful chaps took to the world of antiques like ducks | 0:26:34 | 0:26:38 | |
to the proverbial, especially expert charmer Derek. | 0:26:38 | 0:26:42 | |
-There we go. -Go on, then. £5 for you. | 0:26:42 | 0:26:44 | |
Hey... He's already bought four items - | 0:26:44 | 0:26:47 | |
the antique pewter and leather hip flask, a pair of silver cufflinks, | 0:26:47 | 0:26:51 | |
an antique rosewood sewing clamp, | 0:26:51 | 0:26:53 | |
and the silver whisky decanter label. | 0:26:53 | 0:26:55 | |
And he still has £220 for the day ahead. | 0:26:55 | 0:26:59 | |
-Thank you. -Hey, no flies on you. | 0:26:59 | 0:27:02 | |
Bill, on the other hand, is taking it easy. | 0:27:02 | 0:27:04 | |
He has one lonely lot - a couple of Victorian barrels. | 0:27:04 | 0:27:09 | |
And the ideal use, of course, is as a garden stool. | 0:27:10 | 0:27:14 | |
His bag of money is bulging with £355. | 0:27:14 | 0:27:19 | |
Derek wants to find something really big. | 0:27:19 | 0:27:22 | |
-And here I am! -Something that'll go in the back of that. | 0:27:22 | 0:27:24 | |
-Oh, here they are. -Here they are. -Hello, you lot! | 0:27:24 | 0:27:26 | |
-Derek, how are you? -Good morning! | 0:27:26 | 0:27:28 | |
-Lovely to see you. -Nice to see you. | 0:27:28 | 0:27:31 | |
-Nice to see you. -New day? | 0:27:31 | 0:27:32 | |
He goes straight to you. | 0:27:32 | 0:27:33 | |
He was ignoring me, then. He goes straight to you. | 0:27:33 | 0:27:35 | |
We do this. We're very, very confident, I'm afraid. | 0:27:35 | 0:27:38 | |
-Really? -Well, no, I'm not afraid at all. | 0:27:38 | 0:27:41 | |
-I'm rather pleased. -You're getting the competitive bug. | 0:27:41 | 0:27:44 | |
-Shall we give them a good whipping? -Yes. | 0:27:44 | 0:27:45 | |
-You can learn a thing about negotiating from Derek. -Yes. | 0:27:45 | 0:27:48 | |
Right, we're going to go. We're going to get ahead of you. | 0:27:48 | 0:27:50 | |
Let's go. Yeah. | 0:27:50 | 0:27:51 | |
And we're off! | 0:27:57 | 0:27:59 | |
So, Derek, did you use any of your police sleuthing skills | 0:28:02 | 0:28:05 | |
to find anything out from Bill about his shopping? | 0:28:05 | 0:28:09 | |
-Bill was trying to pull a fast one. -Was he? | 0:28:09 | 0:28:11 | |
And he was saying things like | 0:28:11 | 0:28:13 | |
he'd never known Faberge to be so cheap. | 0:28:13 | 0:28:18 | |
The rivals are all headed to the | 0:28:18 | 0:28:20 | |
village of Barmby Moor in York. | 0:28:20 | 0:28:22 | |
Ha, that's right - they are all sharing a shop. | 0:28:22 | 0:28:25 | |
Look at that. | 0:28:25 | 0:28:27 | |
Right, there we go, then. | 0:28:29 | 0:28:31 | |
Well, up and at 'em. | 0:28:31 | 0:28:33 | |
Located on the York to Hull road, | 0:28:34 | 0:28:37 | |
there are a good few farm buildings bursting at the seams | 0:28:37 | 0:28:40 | |
with all sorts of goodies. | 0:28:40 | 0:28:42 | |
I like that. I've got a feeling it comes from something like a brewery. | 0:28:43 | 0:28:49 | |
And when they used to bring the bottles back to the brewery, | 0:28:50 | 0:28:53 | |
for after they'd been sold or used in the pub, | 0:28:53 | 0:28:56 | |
they rinsed them and everything and put them on this. | 0:28:56 | 0:28:59 | |
-I might be wrong. -I thought these things were French. | 0:28:59 | 0:29:01 | |
Let's look at the price. | 0:29:01 | 0:29:03 | |
HE STUTTERS | 0:29:03 | 0:29:05 | |
-How much is it? -190 quid. -Oh... | 0:29:05 | 0:29:08 | |
Blimey. | 0:29:08 | 0:29:09 | |
Let's get some help from the dealer. | 0:29:09 | 0:29:11 | |
Howdy, Greg. | 0:29:11 | 0:29:12 | |
Is it a washer? | 0:29:12 | 0:29:14 | |
It's a drier. You'd wash the bottles and then stick 'em on there. | 0:29:14 | 0:29:17 | |
So it's priced up at £190. | 0:29:17 | 0:29:19 | |
-Yeah. -With all the bottles. | 0:29:19 | 0:29:20 | |
No, not with all the bottles. | 0:29:20 | 0:29:23 | |
-What?! -What were you thinking for that with the bottles? | 0:29:23 | 0:29:26 | |
We've got to sell it at auction | 0:29:26 | 0:29:28 | |
and I'd like to see it at about 85-90 quid. | 0:29:28 | 0:29:30 | |
-With the bottles? -Yeah. | 0:29:30 | 0:29:31 | |
Let me think about it. You're going to get some other things. | 0:29:33 | 0:29:36 | |
We would like to buy, try to look at some other things here, | 0:29:36 | 0:29:38 | |
but our opposition are coming here in a minute, | 0:29:38 | 0:29:41 | |
so just tell them, if they come to this, it's reserved. | 0:29:41 | 0:29:44 | |
OK, I'll do that. | 0:29:44 | 0:29:46 | |
It's reserved. | 0:29:46 | 0:29:47 | |
Speak of the devils... | 0:29:47 | 0:29:49 | |
Well, this is a bit different, Derek. | 0:29:51 | 0:29:54 | |
Gosh, this is fascinating. | 0:29:54 | 0:29:55 | |
They've got £220 to splash. | 0:30:01 | 0:30:04 | |
-'Ello, 'ello, 'ello! -'Ello, 'ello! | 0:30:04 | 0:30:06 | |
What's goin' on 'ere, then? | 0:30:06 | 0:30:07 | |
I think it's more your size. | 0:30:07 | 0:30:08 | |
Ventress! Rowan! My office! Now! | 0:30:08 | 0:30:14 | |
Blimey! | 0:30:14 | 0:30:15 | |
Let's make a run for it for the Old Bill! | 0:30:15 | 0:30:18 | |
And Phil. | 0:30:18 | 0:30:19 | |
Oh, Bill, I love these! | 0:30:19 | 0:30:21 | |
These are so cool! | 0:30:21 | 0:30:23 | |
What? The vaulting horse? | 0:30:23 | 0:30:25 | |
Yeah, but what you do with these is you take the top level off | 0:30:25 | 0:30:29 | |
and you've got a window seat or a very cool seat | 0:30:29 | 0:30:32 | |
at the end of the bed. | 0:30:32 | 0:30:34 | |
And then with the bottom layers, | 0:30:34 | 0:30:36 | |
you put a piece of glass in-between them | 0:30:36 | 0:30:38 | |
and you've got an uber-cool coffee table. | 0:30:38 | 0:30:40 | |
-That's genius. -Well, you see... | 0:30:40 | 0:30:43 | |
Is it "up there with the kids" or "down there with the kids"? | 0:30:43 | 0:30:45 | |
Anyway! I'm on trend. | 0:30:45 | 0:30:47 | |
I'm on fire today. | 0:30:47 | 0:30:48 | |
Yeah, don't get too carried away, Philip. | 0:30:50 | 0:30:52 | |
-Is there a price? -We don't know what the price is, let's have a look. | 0:30:52 | 0:30:55 | |
I mean, I think it's got to be about 100 quid. | 0:30:55 | 0:30:58 | |
-Erm... -Uh-oh. | 0:31:00 | 0:31:02 | |
-380. -380. -OK. | 0:31:02 | 0:31:04 | |
Well, we can have a walk round. | 0:31:04 | 0:31:06 | |
-Right. -OK, let's go see what else we can see. | 0:31:06 | 0:31:08 | |
Pricey, but interesting. | 0:31:10 | 0:31:12 | |
Now, what about Derek and Kate? | 0:31:13 | 0:31:14 | |
Are these old records worth anything? | 0:31:15 | 0:31:18 | |
Hmm? | 0:31:19 | 0:31:20 | |
Yeah, a tricky one, actually. | 0:31:20 | 0:31:23 | |
They're great... | 0:31:23 | 0:31:25 | |
for nostalgia, aren't they? | 0:31:25 | 0:31:27 | |
Yeah, but that's about it. | 0:31:27 | 0:31:28 | |
It is. I don't think they'll make us a fortune, unfortunately. | 0:31:28 | 0:31:31 | |
No, they won't, and we've got to make a fortune. | 0:31:31 | 0:31:34 | |
LAUGHTER | 0:31:34 | 0:31:35 | |
Pull away, pull away. | 0:31:36 | 0:31:38 | |
Oh, are you all right? | 0:31:38 | 0:31:39 | |
'Ello, 'ello, 'ello! What's going on here? | 0:31:39 | 0:31:42 | |
-How are you getting on? -We're doing very well. | 0:31:42 | 0:31:44 | |
-We're doing... -We are doing very, very well... | 0:31:44 | 0:31:46 | |
-Dream team! -..I'm happy to say. -Bought anything? -And you? | 0:31:46 | 0:31:49 | |
-Couldn't tell you that. -We've had a middling time. | 0:31:49 | 0:31:52 | |
-Quite an interesting... -Miserable! Miserable! | 0:31:52 | 0:31:54 | |
You're both liars...but very handsome ones. | 0:31:54 | 0:31:57 | |
-Toodle-oo. -Bye-bye. -BILL: -Bye. | 0:31:57 | 0:32:00 | |
Do you think they know that they're going to lose? | 0:32:00 | 0:32:03 | |
I think it's written all over their faces. | 0:32:03 | 0:32:05 | |
They just won't let it go, will they? | 0:32:07 | 0:32:10 | |
Right, let's stick with the cheeky ones | 0:32:10 | 0:32:12 | |
and see what they sniff out next. | 0:32:12 | 0:32:14 | |
Do you like these two, Bill? | 0:32:14 | 0:32:15 | |
Er... | 0:32:15 | 0:32:17 | |
Yes, I like that. Shabby chic. | 0:32:17 | 0:32:20 | |
-Yeah. -And that's nice. Nice drawer. | 0:32:20 | 0:32:24 | |
There's a certain irony for me with these | 0:32:24 | 0:32:26 | |
cos you've got a chest of drawers that wouldn't have been painted. | 0:32:26 | 0:32:29 | |
What I find bonkers about this, Bill, | 0:32:29 | 0:32:31 | |
is this is a late-Georgian mahogany chest of drawers, | 0:32:31 | 0:32:34 | |
but to make it saleable, all this paint's brand-new. | 0:32:34 | 0:32:37 | |
This one, Bill, this is £280. | 0:32:38 | 0:32:41 | |
This is a useful shape. | 0:32:41 | 0:32:43 | |
It's kind of like that industrial look that people want. | 0:32:43 | 0:32:46 | |
Yes, I like this. Erm... | 0:32:46 | 0:32:49 | |
-How old? -Late Victorian, 19th century. | 0:32:49 | 0:32:51 | |
Right. Let's fetch Greg. | 0:32:53 | 0:32:55 | |
There's three things that we love, but I've got to tell you, | 0:32:56 | 0:32:59 | |
it's a massive, massive ask. Bill, you love... | 0:32:59 | 0:33:01 | |
-The bottle holder outside... -OK. | 0:33:03 | 0:33:05 | |
I think is great...with the bottles. | 0:33:05 | 0:33:07 | |
I like this cos it's just stupid | 0:33:07 | 0:33:09 | |
cos I think this is a great window seat. | 0:33:09 | 0:33:13 | |
And then turn the bottom two into some really cool table. | 0:33:13 | 0:33:16 | |
Yeah, cos it comes apart. | 0:33:16 | 0:33:17 | |
Yeah. I think that's a real London lot. | 0:33:17 | 0:33:19 | |
Quite how much sense there is in selling a London lot | 0:33:19 | 0:33:21 | |
in North Yorkshire I'm not sure, but we'll find that out. | 0:33:21 | 0:33:25 | |
And the other thing is that chest of drawers down the bottom. | 0:33:25 | 0:33:29 | |
-Yeah. -We'd like to offer you... | 0:33:29 | 0:33:32 | |
Cos I think it's our best shot, really, | 0:33:32 | 0:33:34 | |
is basically £300 for the lot. | 0:33:34 | 0:33:36 | |
You see, that would be just for this, | 0:33:36 | 0:33:38 | |
but I've had this a while... | 0:33:38 | 0:33:40 | |
-Yeah. -..and the three things together... | 0:33:42 | 0:33:44 | |
..£300, I'd still be making money. | 0:33:46 | 0:33:47 | |
-So you're making a profit overall. -So that's fine, yeah. | 0:33:47 | 0:33:50 | |
-Are you sure? -Yeah. -Brilliant! -You've been a star. Thank you, Greg. | 0:33:50 | 0:33:52 | |
-Thank you. -Thank you very much. | 0:33:52 | 0:33:54 | |
-Thank you. -Brilliant. Nine... | 0:33:54 | 0:33:56 | |
How generous, Greg! Thanks! | 0:33:56 | 0:33:58 | |
That little lot breaks down to the vaulting horse for £110. | 0:33:58 | 0:34:03 | |
The late 19th-century chest of drawers also for £110. | 0:34:04 | 0:34:08 | |
And the French tiered bottle drier, with bottles, for £80. | 0:34:08 | 0:34:13 | |
Now, how are the other pair faring? | 0:34:13 | 0:34:16 | |
Hey, I like that! What do you think of that? | 0:34:16 | 0:34:18 | |
Ah! That's a Moe lamp, | 0:34:19 | 0:34:21 | |
which is made by American company Moe Brothers Manufacturing, | 0:34:21 | 0:34:24 | |
dating from the 1930s. | 0:34:24 | 0:34:26 | |
It's for a desk, isn't it? | 0:34:26 | 0:34:28 | |
It is exactly that, a desk light, which is why it's so streamlined, | 0:34:28 | 0:34:32 | |
if you like. Typical '30s. | 0:34:32 | 0:34:34 | |
-But I quite like these gilt mounts on it. -Hmm. | 0:34:34 | 0:34:37 | |
Very geometric in style. | 0:34:37 | 0:34:40 | |
It's almost like an aeroplane wing, isn't it? | 0:34:40 | 0:34:42 | |
It was such an age of speed and the design of everything | 0:34:42 | 0:34:47 | |
from the architecture to the lighting in the home | 0:34:47 | 0:34:51 | |
was very much in that style. | 0:34:51 | 0:34:54 | |
Looks good, but what's the price tag? | 0:34:54 | 0:34:57 | |
It's a very masculine, to me. | 0:34:57 | 0:34:58 | |
It would look great on a gentleman's desk, wouldn't it? | 0:34:58 | 0:35:02 | |
-45 quid. -145. | 0:35:02 | 0:35:04 | |
-145? -145. | 0:35:04 | 0:35:06 | |
What? | 0:35:06 | 0:35:08 | |
What do you think? Do you like it? | 0:35:08 | 0:35:09 | |
Well, I do, I like the shape and I like the idea of a desk lamp. | 0:35:09 | 0:35:13 | |
Time to talk money with dealer, Dominick. | 0:35:14 | 0:35:17 | |
It's a tricky one at auction, isn't it? | 0:35:17 | 0:35:18 | |
I mean, it might make £40 to £60. | 0:35:18 | 0:35:21 | |
It might make, you know, £80 to £120. | 0:35:21 | 0:35:24 | |
-£60? -Can you get anywhere near the £40 to £60, Dominick? | 0:35:24 | 0:35:27 | |
-£65? -I know that's cheeky. | 0:35:28 | 0:35:29 | |
£65. It's very cheeky. | 0:35:29 | 0:35:31 | |
You know, I do like a nice round £60. | 0:35:31 | 0:35:34 | |
-Yes. -What do you think, if Dominick can do 60? | 0:35:34 | 0:35:36 | |
-What do you think? -Yeah. -You're such a charmer, Derek. | 0:35:36 | 0:35:39 | |
-How can I say no? -What can I say? | 0:35:39 | 0:35:40 | |
What do you want? What are you after? | 0:35:40 | 0:35:42 | |
Yeah, £60. | 0:35:42 | 0:35:45 | |
£60? | 0:35:45 | 0:35:46 | |
Yeah, yeah, OK. | 0:35:46 | 0:35:48 | |
Well, I've got it in my hand. | 0:35:48 | 0:35:49 | |
Well, you may as well hand it over to me. | 0:35:49 | 0:35:53 | |
And I think you are a very lucky man. | 0:35:53 | 0:35:56 | |
I think you might be very lucky, actually. | 0:35:56 | 0:35:58 | |
No, we are. Thank you so much. | 0:35:58 | 0:36:00 | |
-Great! -I know you're an ex-copper, but... | 0:36:00 | 0:36:02 | |
Cheeky! The Art Deco desk lamp gives Derek a total of five super items. | 0:36:04 | 0:36:09 | |
Now, where are Phil and Bill? | 0:36:09 | 0:36:11 | |
Here we go! | 0:36:13 | 0:36:15 | |
I tell you what, there's a minor problem here, Bill. | 0:36:17 | 0:36:19 | |
-What's the matter? -This thing is absolutely as flat as a whatsit. | 0:36:19 | 0:36:23 | |
Uh-oh. | 0:36:23 | 0:36:24 | |
It's completely dead and... | 0:36:26 | 0:36:29 | |
He looks as if he could expire! | 0:36:29 | 0:36:30 | |
No, there's just no life at all. | 0:36:30 | 0:36:32 | |
-Oh, no. -It's not even wired up. | 0:36:32 | 0:36:35 | |
We're miles from anywhere here! | 0:36:35 | 0:36:36 | |
Well, have you ever done this before? | 0:36:36 | 0:36:39 | |
Come on then. | 0:36:39 | 0:36:40 | |
MUSIC: Rescue Me by Fontella Bass | 0:36:40 | 0:36:43 | |
Oh, look here! Who's this? Bill, Bill, Bill! We've got a lift! | 0:36:47 | 0:36:50 | |
Crumbs! That was exciting! | 0:36:50 | 0:36:54 | |
Meanwhile, let's get back to Derek and Kate. | 0:36:54 | 0:36:57 | |
They're on their way to the city of York. | 0:36:58 | 0:37:01 | |
Tell me about your National Service. | 0:37:03 | 0:37:06 | |
Yeah, I went in at 18 and I was trained as a wireless operator. | 0:37:06 | 0:37:12 | |
Dit, dit, dit, da, da, da, dit, dit, dit, | 0:37:12 | 0:37:14 | |
which is SOS. | 0:37:14 | 0:37:15 | |
We are headed for York Castle Museum | 0:37:17 | 0:37:20 | |
to find out about the incredible support given to the brave soldiers | 0:37:20 | 0:37:24 | |
who signed up to serve king and country in World War I. | 0:37:24 | 0:37:27 | |
Curator Katie Brown is going to tell us more about the astonishing | 0:37:29 | 0:37:33 | |
morale boosts given during one of the most catastrophic wars of the 20th century. | 0:37:33 | 0:37:38 | |
Hello. | 0:37:38 | 0:37:39 | |
Hello, welcome to York Castle Museum! | 0:37:39 | 0:37:42 | |
-Would you like to come this way? -Lovely, thank you! | 0:37:42 | 0:37:45 | |
December 1914, the First World War had been raging for five months. | 0:37:48 | 0:37:52 | |
So when the war started, | 0:37:54 | 0:37:56 | |
everyone thought that it would be over by Christmas, didn't they? | 0:37:56 | 0:38:00 | |
They were going to go over there, save the Empire, | 0:38:00 | 0:38:03 | |
and then come home in time for Christmas. | 0:38:03 | 0:38:05 | |
Instead, the war was still raging on with no sign of an end. | 0:38:05 | 0:38:10 | |
Princess Mary, the daughter of King George V and Queen Mary, | 0:38:11 | 0:38:15 | |
wanted to show her support. | 0:38:15 | 0:38:17 | |
Originally, she wanted to pay for some tins | 0:38:17 | 0:38:19 | |
to go out to the servicemen overseas | 0:38:19 | 0:38:22 | |
out of her own personal funds, | 0:38:22 | 0:38:24 | |
but it wasn't really practical, so they set up a fund in her name. | 0:38:24 | 0:38:27 | |
The public gladly contributed to Princess Mary's fund. | 0:38:29 | 0:38:33 | |
A total of £162,000 was raised, | 0:38:33 | 0:38:36 | |
the equivalent of just under £14 million in today's money. | 0:38:36 | 0:38:40 | |
And so they produced these tins here. | 0:38:42 | 0:38:44 | |
The idea was that every soldier and serviceman and eventually airman | 0:38:44 | 0:38:47 | |
going out overseas would be given this tin | 0:38:47 | 0:38:50 | |
and it would contain tobacco and cigarettes, | 0:38:50 | 0:38:54 | |
and they all got a little card with Princess Mary's picture | 0:38:54 | 0:38:57 | |
and a little greetings card here, wishing them a happy Christmas. | 0:38:57 | 0:39:00 | |
Around 400,000 tins were sent to anyone wearing the king's uniform. | 0:39:00 | 0:39:06 | |
However, soldiers serving with regiments from Yorkshire | 0:39:06 | 0:39:10 | |
received a second tin from home. | 0:39:10 | 0:39:12 | |
So we've got this one here. Would you like to have a closer look? | 0:39:13 | 0:39:17 | |
-Kate, can you read that? -Isn't that lovely? | 0:39:17 | 0:39:19 | |
The Allied flags are on the front, obviously, aren't they? | 0:39:19 | 0:39:21 | |
Yes, all the Allied flags. | 0:39:21 | 0:39:23 | |
-And we've got an inscription there... -What does it say? | 0:39:23 | 0:39:26 | |
It says, "The Lord Mayor of New York, John Bowes Morrell, | 0:39:26 | 0:39:29 | |
"and the Sheriff Oscar F Rowntree," | 0:39:29 | 0:39:32 | |
so presumably he was Rowntree of the chocolate family Rowntree. | 0:39:32 | 0:39:35 | |
Yes, he is, yes. | 0:39:35 | 0:39:36 | |
And it says, "Send best wishes for a Happy Christmas | 0:39:36 | 0:39:41 | |
"and a bright new year to all York men | 0:39:41 | 0:39:44 | |
"who are serving their King and country. | 0:39:44 | 0:39:47 | |
That's fantastic. Wonderful. | 0:39:47 | 0:39:49 | |
Each tin contained a solid block of Rowntree's chocolate wrapped in foil. | 0:39:49 | 0:39:55 | |
Oscar Rowntree and John Bowes Morrell | 0:39:55 | 0:39:58 | |
personally funded the gesture themselves. | 0:39:58 | 0:40:01 | |
The impact of receiving something from your home county | 0:40:02 | 0:40:05 | |
was so powerful that recipient soldiers and their loved ones | 0:40:05 | 0:40:08 | |
wrote letters of thanks, known as The Chocolate Letters. | 0:40:08 | 0:40:12 | |
The museum has a collection of over 250. | 0:40:12 | 0:40:15 | |
Amazing. | 0:40:16 | 0:40:17 | |
This one here was written by the wife of private JW Agar, | 0:40:19 | 0:40:22 | |
who was in a prisoner of war camp in Germany, | 0:40:22 | 0:40:25 | |
and so she'd received a letter from him saying he'd received the gift. | 0:40:25 | 0:40:29 | |
So she's writing the letter to say thank you. | 0:40:29 | 0:40:32 | |
It says, "I was pleasantly surprised to get the postcard | 0:40:32 | 0:40:36 | |
"as the prisoners in this camp | 0:40:36 | 0:40:38 | |
"have only been allowed to write once in 50 days." | 0:40:38 | 0:40:41 | |
Yeah. | 0:40:41 | 0:40:42 | |
Extraordinary. | 0:40:42 | 0:40:44 | |
It's hard to underestimate the effect the tins had | 0:40:44 | 0:40:47 | |
on the morale of the troops, but this festive goodwill | 0:40:47 | 0:40:50 | |
extended to the legendary Christmas Day truce of 1914. | 0:40:50 | 0:40:55 | |
Yeah, I think Christmas, especially the first year, | 0:40:55 | 0:40:57 | |
it was maybe a different attitude they were having. | 0:40:57 | 0:40:59 | |
You know, the Germans across the way from them weren't feeling they were | 0:40:59 | 0:41:02 | |
that much different. So the truce happened, they went over there. | 0:41:02 | 0:41:05 | |
They played the game of football supposedly | 0:41:05 | 0:41:07 | |
and they exchanged gifts as well. | 0:41:07 | 0:41:09 | |
Early on, where that kind of difference between the sides | 0:41:09 | 0:41:12 | |
maybe wasn't as keen to them. | 0:41:12 | 0:41:13 | |
So afterwards, they became the proper enemy by, you know, | 0:41:13 | 0:41:16 | |
second, third, fourth year of war. | 0:41:16 | 0:41:18 | |
The Germans aren't the friends any more in any way, | 0:41:18 | 0:41:21 | |
so they never would have done that after that first year. | 0:41:21 | 0:41:23 | |
So it's quite a unique experience, really. | 0:41:23 | 0:41:25 | |
Thank you. I'm terribly... | 0:41:26 | 0:41:29 | |
very moved, really. | 0:41:29 | 0:41:31 | |
Let's return to Bill and Philip. | 0:41:35 | 0:41:37 | |
They finally made it to the North Yorkshire village of Huntington. | 0:41:37 | 0:41:41 | |
And The French House is where they're headed. | 0:41:43 | 0:41:46 | |
Now, what are you going to buy? | 0:41:46 | 0:41:48 | |
Well, I'm going to look round and I've got a few ideas. | 0:41:48 | 0:41:53 | |
Go on, then. You have a look round your way and I'll go round mine. | 0:41:53 | 0:41:55 | |
This fine shop sources stock direct from La Francais | 0:41:57 | 0:42:02 | |
and c'est magnifique! | 0:42:02 | 0:42:04 | |
Oh, la, la. | 0:42:04 | 0:42:06 | |
I spotted these little chairs for children. | 0:42:07 | 0:42:10 | |
Somebody might like to buy them for their granddaughter, their grandson, | 0:42:10 | 0:42:14 | |
or their children. | 0:42:14 | 0:42:16 | |
I don't know what he'll think, | 0:42:17 | 0:42:19 | |
he'll probably say, "No, load of rubbish." | 0:42:19 | 0:42:21 | |
But he'll know where they were made, | 0:42:21 | 0:42:23 | |
where they were built, the age of the wood, | 0:42:23 | 0:42:26 | |
which might be yesterday week. | 0:42:26 | 0:42:28 | |
Now, where's Phil? | 0:42:29 | 0:42:31 | |
Ah-ha! | 0:42:32 | 0:42:33 | |
NARRATOR SPEAKS FRENCH | 0:42:33 | 0:42:35 | |
Looking good, Phil! | 0:42:36 | 0:42:38 | |
I like your new hairstyle. | 0:42:38 | 0:42:40 | |
Tres bouffant. | 0:42:40 | 0:42:42 | |
What have you found, William? | 0:42:44 | 0:42:46 | |
Oh, I was looking at these chairs. | 0:42:46 | 0:42:49 | |
They're quite fun, aren't they? | 0:42:49 | 0:42:51 | |
Almost like a lime-washed country chair, isn't it? | 0:42:51 | 0:42:53 | |
Is there any age in it? | 0:42:53 | 0:42:55 | |
Probably around 1950s, something like that. | 0:42:55 | 0:42:57 | |
It would make a great little christening present. | 0:42:57 | 0:43:00 | |
And they're not priced. | 0:43:00 | 0:43:02 | |
That's one possible. | 0:43:02 | 0:43:03 | |
Anything else? | 0:43:03 | 0:43:05 | |
Why do you like this? | 0:43:05 | 0:43:06 | |
Well, I like the simplicity of it. | 0:43:06 | 0:43:09 | |
I like the fact that it's in metal, it's not in gilt, | 0:43:09 | 0:43:12 | |
and it's not painted. | 0:43:12 | 0:43:13 | |
I mean, I don't know... | 0:43:13 | 0:43:15 | |
Is that a strut on the back? | 0:43:17 | 0:43:18 | |
Yes, that's right. | 0:43:18 | 0:43:19 | |
Which is broken off... I don't really see that as being a problem. | 0:43:19 | 0:43:22 | |
-No, no. -If you want to see... | 0:43:22 | 0:43:24 | |
Anything that's a good quality, that's glazed, | 0:43:24 | 0:43:28 | |
-it's bevelled. -Yes, yes, yes. | 0:43:28 | 0:43:29 | |
-Right. -And this is a bevelled mirror plate, so I love that. | 0:43:29 | 0:43:33 | |
And I quite like the fact that it is a bit shabby | 0:43:33 | 0:43:37 | |
because it's shabby chic. | 0:43:37 | 0:43:39 | |
And it is what it's... It does what it says on the tin. | 0:43:39 | 0:43:42 | |
Another possible. | 0:43:42 | 0:43:43 | |
Yeah, I quite like that. | 0:43:43 | 0:43:45 | |
That's £45. | 0:43:45 | 0:43:47 | |
I'd try and get it for 20, 25 quid or something like that. | 0:43:47 | 0:43:49 | |
-Ask him that. -You see, in an ideal world, we've got four items. | 0:43:49 | 0:43:52 | |
One more would just make, I think, a real good quality lot. | 0:43:52 | 0:43:55 | |
-Yes. -And I love that. | 0:43:55 | 0:43:57 | |
And I like the little chair because it's primitive and I think it's fun. | 0:43:57 | 0:44:00 | |
So you could either buy this at around £20, £25. | 0:44:00 | 0:44:03 | |
You could buy the little chair at five to ten. | 0:44:03 | 0:44:06 | |
But I think it's something | 0:44:06 | 0:44:07 | |
-that I'd like you to buy - whatever you love. -Well, I... | 0:44:07 | 0:44:11 | |
-Right. -Over to you, guv'nor. -Thank you very much. | 0:44:13 | 0:44:15 | |
Let's see how he does. | 0:44:15 | 0:44:16 | |
The little chairs have stolen Bill's heart. | 0:44:16 | 0:44:18 | |
Now, ou est la dealeur? | 0:44:18 | 0:44:21 | |
-Bonjour, monsieur. -Bonjour, ca va? | 0:44:21 | 0:44:25 | |
-Ca va. -Hello, hello. | 0:44:25 | 0:44:28 | |
Now, can you give us your best price on the two chairs? | 0:44:28 | 0:44:32 | |
You can have the two chairs for £10. | 0:44:32 | 0:44:34 | |
There's lots of grandparents who have more than one grandchild... | 0:44:34 | 0:44:37 | |
-Yes, yes. -And one is slightly bigger than the other anyway, | 0:44:37 | 0:44:40 | |
so it's perfect. | 0:44:40 | 0:44:41 | |
Chances are you'll find a buyer. | 0:44:41 | 0:44:44 | |
Thank you very much. | 0:44:44 | 0:44:45 | |
You're very, very, very kind. | 0:44:45 | 0:44:47 | |
And I've got...£10. | 0:44:47 | 0:44:49 | |
That's really kind. | 0:44:51 | 0:44:53 | |
-Very kind. -Thank you very much indeed. | 0:44:53 | 0:44:55 | |
What a wonderful price for the lovely children's chairs. | 0:44:55 | 0:44:58 | |
Merci beaucoup, Steven! | 0:44:58 | 0:45:00 | |
HE SPEAKS IN FRENCH | 0:45:00 | 0:45:02 | |
Pardon? With the shopping now complete, | 0:45:02 | 0:45:04 | |
time to get the gang together | 0:45:04 | 0:45:06 | |
and have a nosy at one another's buys. Oh... I do love this bit. | 0:45:06 | 0:45:09 | |
I would just like to say that size isn't everything. | 0:45:11 | 0:45:16 | |
-Is that it? -That is it! | 0:45:17 | 0:45:20 | |
You're not impressed? | 0:45:20 | 0:45:21 | |
-No. -cufflinks. | 0:45:21 | 0:45:23 | |
-Oh, cufflinks. -They look very nicely enamelled. | 0:45:23 | 0:45:26 | |
They are. Actually, the enamel is beautiful on them. | 0:45:26 | 0:45:29 | |
-With golfers, of course, quite commercial. -Oh, very commercial. | 0:45:29 | 0:45:32 | |
-Indeed. -But I've got to tell ya, I love the spirit label. | 0:45:32 | 0:45:35 | |
But how do you spell "whisky"? | 0:45:35 | 0:45:37 | |
W-H-I-S-K-Y. | 0:45:37 | 0:45:38 | |
And how is that spelled? | 0:45:38 | 0:45:40 | |
W-H-I-S-K-E-Y. | 0:45:40 | 0:45:42 | |
Oh, that's because we're in Yorkshire. Ee, whiskey! | 0:45:42 | 0:45:45 | |
-Ee, by gum. -Ee, -tha -knows. | 0:45:45 | 0:45:47 | |
Well, we thought Irish whiskey has an E, | 0:45:47 | 0:45:50 | |
Scottish whisky doesn't have an E. | 0:45:50 | 0:45:52 | |
Yes, I didn't know that. Now what about the flask? | 0:45:52 | 0:45:55 | |
-Is that your favourite, Derek? -I like the flask very much. | 0:45:55 | 0:45:58 | |
It's the sort of thing you would carry in your hip pocket | 0:45:58 | 0:46:01 | |
and offer me one now. | 0:46:01 | 0:46:03 | |
-Often. Yes. -The light's quite nice, I think. | 0:46:03 | 0:46:05 | |
Well, that's my favourite. | 0:46:05 | 0:46:06 | |
You can't beat them in a government surplus, can you, Derek? | 0:46:06 | 0:46:09 | |
Oh, that's what it is! | 0:46:09 | 0:46:11 | |
I didn't know what it was! | 0:46:11 | 0:46:12 | |
-I thought it was... -No, government surplus. | 0:46:12 | 0:46:15 | |
-That is... -I thought it was left here by the crew! | 0:46:15 | 0:46:17 | |
That is an original piece of Art Deco lighting. | 0:46:17 | 0:46:21 | |
What about Bill and Phil's collection, then? | 0:46:21 | 0:46:24 | |
We need a really big fanfare. | 0:46:24 | 0:46:25 | |
-Are you ready for this? -Go on, then, do your stuff! | 0:46:25 | 0:46:28 | |
Three...two...one! | 0:46:28 | 0:46:31 | |
Go! Ta-da! | 0:46:31 | 0:46:33 | |
Will you just look at that?! | 0:46:33 | 0:46:34 | |
-What is it? -What do you mean, what is it? | 0:46:34 | 0:46:36 | |
Well, you've gone for lumps, haven't you? There's no denying it. | 0:46:36 | 0:46:40 | |
-What are they? -Well, you can use them as stools. | 0:46:40 | 0:46:42 | |
But they are essentially glazed barrels. | 0:46:42 | 0:46:45 | |
Yeah, and I do like those. How much were those? | 0:46:45 | 0:46:48 | |
£45. The maestro here bought those. | 0:46:48 | 0:46:50 | |
But this... I mean, you're going back to your time | 0:46:50 | 0:46:52 | |
-as a PE instructor, aren't you? -If there wasn't all the stuff here, | 0:46:52 | 0:46:55 | |
I'd give you a quick demo now. | 0:46:55 | 0:46:56 | |
-Oh, go on then! -No, no, no, just look at this. | 0:46:56 | 0:46:59 | |
I mean, what you've got to understand is that we... | 0:46:59 | 0:47:03 | |
We're bang on trend. | 0:47:03 | 0:47:04 | |
In your mind, maybe. | 0:47:05 | 0:47:07 | |
Now what about this? | 0:47:07 | 0:47:08 | |
I mean, I have to say, it looks very pretty in the sunshine. | 0:47:08 | 0:47:10 | |
-That's a sculpture. -What do you think of that, Derek? | 0:47:10 | 0:47:13 | |
-Do you like that? -I don't like it at all. | 0:47:13 | 0:47:14 | |
I'm just going to stop you there | 0:47:14 | 0:47:16 | |
because the steal of the show | 0:47:16 | 0:47:18 | |
are the Bill Simons chairs. | 0:47:18 | 0:47:20 | |
Just ask him what he paid. | 0:47:20 | 0:47:22 | |
Probably overpriced, whatever you paid. | 0:47:22 | 0:47:25 | |
I mean, who's going to sit in them? | 0:47:25 | 0:47:26 | |
I'm not interested in talking to them. Come on. | 0:47:26 | 0:47:29 | |
OK, we'll see you at the auction! | 0:47:29 | 0:47:31 | |
Then we'll see! | 0:47:31 | 0:47:32 | |
Thoughts on one another's purchases, please? | 0:47:32 | 0:47:35 | |
I'm not biased, but I really... | 0:47:35 | 0:47:37 | |
I'm not really impressed. | 0:47:37 | 0:47:39 | |
Were you all of the tremble, having seen what they've got? | 0:47:39 | 0:47:43 | |
Well, do you know? I prefer our items. | 0:47:43 | 0:47:45 | |
The chest of drawers, I thought, looked a bit tacky. | 0:47:45 | 0:47:49 | |
What do you think to their little star lots? | 0:47:50 | 0:47:53 | |
Do you think the cufflinks are good? | 0:47:53 | 0:47:55 | |
Um... | 0:47:55 | 0:47:57 | |
Well, I suppose if you're a golfer. | 0:47:57 | 0:47:59 | |
-I'm not a golfer. Are you a golfer? -A bad one. | 0:47:59 | 0:48:01 | |
-I think we're actually sitting quite pretty. -I'm very happy. | 0:48:01 | 0:48:06 | |
Good. | 0:48:06 | 0:48:08 | |
I'm glad, Derek. | 0:48:08 | 0:48:09 | |
Auction day beckons. | 0:48:09 | 0:48:11 | |
I must say, I think our stuff has more class than your stuff. | 0:48:17 | 0:48:23 | |
I thought it was all a bit twee, quite frankly! | 0:48:23 | 0:48:26 | |
It's delicate, like me. | 0:48:26 | 0:48:27 | |
We're headed for the West Yorkshire town of Ilkley. | 0:48:29 | 0:48:32 | |
Hartley's Auctioneers is our auction showdown location. | 0:48:35 | 0:48:38 | |
So, who's going to win? | 0:48:38 | 0:48:40 | |
-Here they are! -Oh! -They're here. | 0:48:40 | 0:48:42 | |
-Hi, we're here! -How are you doing? | 0:48:42 | 0:48:45 | |
-What a beautiful day! -They're up the creek without a paddle. | 0:48:45 | 0:48:47 | |
And I think I might have led you there. | 0:48:47 | 0:48:49 | |
-Hey! -This is exciting. -Let's show these pretenders how it's done! | 0:48:49 | 0:48:52 | |
-Come on! -Come on in. -I'm going to show you the way. In we go! | 0:48:52 | 0:48:55 | |
Derek and Kate spent £240 on five lots. | 0:48:58 | 0:49:01 | |
Derek excelled as a charming negotiator. | 0:49:01 | 0:49:05 | |
Bill and Phil were big spenders | 0:49:07 | 0:49:09 | |
and blew £355 on five auction lots. | 0:49:09 | 0:49:13 | |
That's genius! | 0:49:13 | 0:49:15 | |
Charles Hartley is the man in command of the rostrum. | 0:49:15 | 0:49:18 | |
Do you like our Road Trippers' offerings, Charles? | 0:49:18 | 0:49:21 | |
The lamp is probably my favourite item today. | 0:49:21 | 0:49:23 | |
I think it's very cool, very stylistically relevant | 0:49:23 | 0:49:25 | |
to stuff at the moment. I think it could do quite well today. | 0:49:25 | 0:49:27 | |
The chest of drawers, one of the oldest items we've got in, I think. | 0:49:27 | 0:49:31 | |
A very useful shape, very useful size. | 0:49:31 | 0:49:33 | |
That sort of rough, industrial sort of patina | 0:49:33 | 0:49:35 | |
-is what the market seems to like at the moment. -Thanks, Charles. | 0:49:35 | 0:49:39 | |
Oh, here they come. | 0:49:39 | 0:49:41 | |
They're looking a bit...shifty? | 0:49:41 | 0:49:43 | |
-It's exciting. -Hello, Bill. | 0:49:43 | 0:49:46 | |
Kate's got some news. | 0:49:46 | 0:49:48 | |
You know our lovely little rosewood sewing clamp? | 0:49:48 | 0:49:50 | |
-Yes, I love it. -Well, rosewood has become an endangered species | 0:49:50 | 0:49:54 | |
and because the auction house can't conclusively prove the age of it, | 0:49:54 | 0:49:59 | |
they're actually going to err on the of caution | 0:49:59 | 0:50:01 | |
and they're not going to offer it for us for sale today. | 0:50:01 | 0:50:04 | |
-Right. -And that means we're going to get our money back. | 0:50:04 | 0:50:08 | |
It's as if we haven't bought it, as far as the game is concerned. | 0:50:08 | 0:50:11 | |
But we still go forward with four fantastic lots. | 0:50:11 | 0:50:14 | |
So, we could still win? | 0:50:14 | 0:50:17 | |
Absolutely, Derek. | 0:50:17 | 0:50:19 | |
So, you've only got four items? | 0:50:19 | 0:50:20 | |
-Yep. -Yes. -Do you want to buy one of ours? -No. | 0:50:20 | 0:50:23 | |
Cheeky. First up, it's one of Bill's favourites, | 0:50:23 | 0:50:26 | |
the French tiered bottle dryer. | 0:50:26 | 0:50:28 | |
I'm starting off, this time, with interest on the sheet at 50. | 0:50:28 | 0:50:31 | |
Do I have 55 in the room? | 0:50:31 | 0:50:33 | |
55 anywhere? 55. | 0:50:33 | 0:50:34 | |
60. 65, sir? | 0:50:34 | 0:50:36 | |
65 anywhere? Anyone at 65? You can hang whatever you want on it. | 0:50:36 | 0:50:39 | |
65 anywhere? No-one in? | 0:50:39 | 0:50:41 | |
Bidding at £60, then. | 0:50:41 | 0:50:42 | |
Are we all sure? | 0:50:42 | 0:50:43 | |
It's rather worrying when you lose 20 quid and it's a result, isn't it? | 0:50:45 | 0:50:49 | |
Come on, Philip, | 0:50:51 | 0:50:53 | |
we've only just started. | 0:50:53 | 0:50:54 | |
I suppose it could've been worse. | 0:50:56 | 0:50:58 | |
You bet your socks it could. | 0:50:58 | 0:50:59 | |
Team Derek next with the antique pewter and leather hip flask. | 0:50:59 | 0:51:04 | |
Got a bit of interest on the sheet, so I'm obliged to start off at 16. | 0:51:04 | 0:51:07 | |
Do I have £18 in the room? | 0:51:07 | 0:51:08 | |
£18, anyone? Anyone at £18? | 0:51:08 | 0:51:10 | |
-Anyone in? Are you sure? -Come on. | 0:51:10 | 0:51:12 | |
Good present for any gents out there. | 0:51:12 | 0:51:14 | |
-Are you sure no-one in? -Oh, go on. | 0:51:14 | 0:51:16 | |
£16. | 0:51:16 | 0:51:17 | |
Cheap bidder gets it. | 0:51:17 | 0:51:18 | |
18. 20. 22? | 0:51:18 | 0:51:19 | |
22 anywhere? 22? | 0:51:19 | 0:51:21 | |
22. 24 now. | 0:51:21 | 0:51:23 | |
It's in the room, anyone at 24? | 0:51:23 | 0:51:25 | |
-We made the money back. -Not far off, Derek. | 0:51:25 | 0:51:27 | |
-Are we all out? -That is not bad, you know? | 0:51:27 | 0:51:30 | |
Derek, we weren't far off, were we? | 0:51:30 | 0:51:31 | |
We lost £3. | 0:51:31 | 0:51:33 | |
A little bit more with commission, but, hey, that could be a lot worse. | 0:51:33 | 0:51:37 | |
Really? | 0:51:37 | 0:51:39 | |
Never a truer word spoken, dear Kate. | 0:51:39 | 0:51:42 | |
They think they've done really well and they've lost money! | 0:51:42 | 0:51:45 | |
Hang about, it's the big, old barrels from Bill next. | 0:51:46 | 0:51:50 | |
£10 to start me for the two, £10. | 0:51:51 | 0:51:52 | |
-He's starting low. -Ten. | 0:51:52 | 0:51:53 | |
12 now? 12. | 0:51:53 | 0:51:54 | |
14? 16. | 0:51:54 | 0:51:56 | |
-18. 20. -Where they finish though that matters. | 0:51:56 | 0:51:58 | |
22 anywhere? 22. | 0:51:58 | 0:51:59 | |
24. 26. | 0:51:59 | 0:52:00 | |
28. 30. | 0:52:00 | 0:52:02 | |
£30, anyone? Anyone at 30? | 0:52:02 | 0:52:04 | |
£30. Are you sure? | 0:52:04 | 0:52:06 | |
I thought these would fly. | 0:52:06 | 0:52:07 | |
No? £28 then, if we're all out... | 0:52:07 | 0:52:10 | |
That is a crime, Bill. That is a crime. | 0:52:10 | 0:52:12 | |
-Would you please just wipe the smile off your face? -No, I'm not... | 0:52:12 | 0:52:15 | |
Seriously, that is a crazy price for those. They're lovely. | 0:52:15 | 0:52:18 | |
Bargain price for one lucky bidder there. | 0:52:18 | 0:52:22 | |
I'm really sorry because those were lovely. | 0:52:24 | 0:52:26 | |
I'm surprised, I really am. | 0:52:26 | 0:52:27 | |
You're next, Derek, with the silver whiskey decanter label. | 0:52:29 | 0:52:33 | |
£5 to start me. | 0:52:33 | 0:52:34 | |
A bit of silver? | 0:52:34 | 0:52:35 | |
Five. Seven now. Seven. | 0:52:35 | 0:52:36 | |
Ten? 12. | 0:52:36 | 0:52:37 | |
14. 16. | 0:52:37 | 0:52:39 | |
-Derek, it's flying. -£16 anywhere? Anyone at £16? | 0:52:39 | 0:52:41 | |
No-one for 16? Think Christmas will be here eventually. | 0:52:41 | 0:52:43 | |
-£16. -Yes, yes. | 0:52:43 | 0:52:44 | |
£18. 18, sir? | 0:52:44 | 0:52:46 | |
18. 20. 22. 22? | 0:52:46 | 0:52:50 | |
22 anywhere? Leaving at £20 then. | 0:52:50 | 0:52:52 | |
Are we all sure? | 0:52:52 | 0:52:54 | |
-Derek, you're a genius. -What about that? | 0:52:54 | 0:52:56 | |
-What about that for a mark-up? -£20 for a snog. | 0:52:56 | 0:52:58 | |
ALL LAUGH | 0:52:58 | 0:53:00 | |
You've still got it, Derek. | 0:53:02 | 0:53:04 | |
-Great little earner. -I don't want to start laying blame anywhere here, | 0:53:04 | 0:53:07 | |
-Bill... -Right. -But if we do lose money, | 0:53:07 | 0:53:10 | |
it's because you didn't kiss anybody, all right? | 0:53:10 | 0:53:12 | |
Oh, Philip! | 0:53:12 | 0:53:14 | |
Right, Bill and Phil's vaulting horse is next. | 0:53:14 | 0:53:17 | |
Who wants to start me off with this? £20 will start me for it. | 0:53:17 | 0:53:20 | |
-Oh... -22? 22. 24. 26. | 0:53:20 | 0:53:23 | |
28. 30. 35. | 0:53:23 | 0:53:25 | |
40. 45. 50. 55. 60. | 0:53:25 | 0:53:27 | |
-£60 anywhere? -Derek, it's going, it's going. | 0:53:27 | 0:53:29 | |
70. 75. 75 anywhere? | 0:53:29 | 0:53:31 | |
75. 80. 85. 90. 95. | 0:53:31 | 0:53:35 | |
95 anywhere? | 0:53:35 | 0:53:36 | |
95. 95, 100? | 0:53:36 | 0:53:38 | |
110. 120. | 0:53:38 | 0:53:39 | |
120 anywhere? | 0:53:39 | 0:53:41 | |
Anyone at 120. 120? Are we sure we are all out at 120? | 0:53:41 | 0:53:44 | |
Leaving £110 there in the centre... | 0:53:44 | 0:53:47 | |
Do you know what? After commission, | 0:53:47 | 0:53:49 | |
that's cost us a shilling or two, | 0:53:49 | 0:53:51 | |
but do you know? That's close enough. It's close enough. | 0:53:51 | 0:53:54 | |
It certainly is. Could've been a heck of a lot worse. | 0:53:54 | 0:53:57 | |
What you call a great escape. | 0:53:57 | 0:53:59 | |
Hold on just a minute. | 0:53:59 | 0:54:00 | |
-Brilliant. -That's unbelievable. | 0:54:00 | 0:54:04 | |
Derek's next with the pair of silver cufflinks. | 0:54:04 | 0:54:08 | |
Nicely made, I'm starting off on commission bids at 40. | 0:54:08 | 0:54:11 | |
Do I have 45 in the room? 45 anywhere? 45 anywhere? | 0:54:11 | 0:54:14 | |
-Surely that can't be the only interest we have. -No, come on. | 0:54:14 | 0:54:17 | |
They're nice, are these. 45 anywhere? Bidding at £40, then. | 0:54:17 | 0:54:20 | |
-No! -If we're all out... | 0:54:20 | 0:54:23 | |
-Is that it? -Do you know? That was all over in | 0:54:23 | 0:54:25 | |
a bit of a blink of an eye, wasn't it? | 0:54:25 | 0:54:27 | |
I tell you what, somebody has got a real bargain there, I reckon. | 0:54:27 | 0:54:30 | |
They certainly have. | 0:54:32 | 0:54:33 | |
Oh, well, you know, it's only a game. | 0:54:35 | 0:54:38 | |
It's the taking part that's important. | 0:54:38 | 0:54:40 | |
Right! | 0:54:40 | 0:54:42 | |
It's another of Bill's faves, | 0:54:43 | 0:54:45 | |
the children's chairs are next. | 0:54:45 | 0:54:47 | |
Who wants to start me off on these? | 0:54:47 | 0:54:49 | |
£10 for the two. £10 to get us going. | 0:54:49 | 0:54:50 | |
Anyone in? £5, then. | 0:54:50 | 0:54:52 | |
You're not going to see many of these this often. | 0:54:52 | 0:54:54 | |
£5 anywhere? Anyone in at all? | 0:54:54 | 0:54:56 | |
£2, then. Two, scraping the barrel. | 0:54:56 | 0:54:58 | |
Here we go, you've got a starter. | 0:54:58 | 0:54:59 | |
Four. Six. Eight. | 0:54:59 | 0:55:01 | |
Ten. £10 anywhere? | 0:55:01 | 0:55:02 | |
£10 anywhere? You sure no-one's in at ten? | 0:55:02 | 0:55:04 | |
Leaving at £8. | 0:55:04 | 0:55:06 | |
It's going to sell. | 0:55:06 | 0:55:07 | |
-£8. -Not bad. Not bad. | 0:55:07 | 0:55:09 | |
I can't believe it. | 0:55:09 | 0:55:11 | |
Again, it's not a huge loss, but it's not over yet, Bill. | 0:55:11 | 0:55:15 | |
I can't believe those beautiful, beautiful chairs. | 0:55:18 | 0:55:20 | |
But there's no back. | 0:55:20 | 0:55:22 | |
Derek's Art Deco lamp is next to go. | 0:55:26 | 0:55:30 | |
I'm starting off this time at 60. | 0:55:30 | 0:55:33 | |
Do we have 65 in the room? | 0:55:33 | 0:55:35 | |
65 anywhere? | 0:55:35 | 0:55:36 | |
65. Quiet at the back. | 0:55:36 | 0:55:37 | |
65. 70. 75. | 0:55:37 | 0:55:39 | |
-Yes. -75 anywhere? Anyone at 75? | 0:55:39 | 0:55:41 | |
No more on this? Are you sure? | 0:55:41 | 0:55:42 | |
-It's very nice, is this. -Yes, one for luck. | 0:55:42 | 0:55:44 | |
£70 then on the sheet if we're out... | 0:55:44 | 0:55:47 | |
I'd be pleased with that, Derek. | 0:55:47 | 0:55:49 | |
-I'm thrilled. -Yeah, I'm thrilled too. | 0:55:49 | 0:55:51 | |
Good profit. We haven't seen too many of them. | 0:55:51 | 0:55:54 | |
I think we're in the lead. | 0:55:56 | 0:55:58 | |
Are we? | 0:55:59 | 0:56:01 | |
Yes, you are, Derek. | 0:56:01 | 0:56:03 | |
Bill, it's the final lot of the day. | 0:56:03 | 0:56:05 | |
Your late 19th-century chest of drawers. | 0:56:05 | 0:56:07 | |
Right, I'm obliged to start off this time due to a late bid at £110. | 0:56:09 | 0:56:13 | |
-Get in. -19th-century chest of four graduated doors. | 0:56:13 | 0:56:16 | |
-Late bid? -Industrially patina-ed if you like, I am starting at 110. | 0:56:16 | 0:56:20 | |
120. 130. 140. 140 anywhere? | 0:56:20 | 0:56:24 | |
Anyone at 140? Any more on this? | 0:56:24 | 0:56:25 | |
140. 150. 160. 170. 180. | 0:56:25 | 0:56:27 | |
180 anyway, you sure? | 0:56:27 | 0:56:29 | |
180 anywhere? 180 anywhere? | 0:56:29 | 0:56:31 | |
180. There we go. | 0:56:31 | 0:56:32 | |
190 now. 190's the next bid. | 0:56:32 | 0:56:34 | |
180, it's in the room currently at 180. | 0:56:34 | 0:56:36 | |
-Goodness me. -No-one in? | 0:56:36 | 0:56:38 | |
£180, it will sell. | 0:56:38 | 0:56:40 | |
Try not to, just... | 0:56:40 | 0:56:42 | |
Just don't say anything at all. | 0:56:42 | 0:56:44 | |
-That was a good result. -Yes. | 0:56:44 | 0:56:46 | |
Well done. That was your choice, wasn't it, Bill? Well done. | 0:56:46 | 0:56:50 | |
Bloomin' heck. Talk about saving the best for the last. | 0:56:50 | 0:56:53 | |
Excellent result. | 0:56:53 | 0:56:55 | |
-We better go find out who has won, hadn't we? -Come on, then. Yes. | 0:56:55 | 0:56:58 | |
-Come on, Derek. -Well done, Derek. | 0:56:58 | 0:57:00 | |
Let's face the music. | 0:57:00 | 0:57:01 | |
-I'm scared. -Come on. | 0:57:01 | 0:57:02 | |
Well, let's tot up the figures. | 0:57:05 | 0:57:06 | |
Derek and Kate began with £400 and, after all auction costs, | 0:57:10 | 0:57:14 | |
made a loss of £40.36. | 0:57:14 | 0:57:17 | |
They end the road trip with a final balance of £359.64. | 0:57:17 | 0:57:23 | |
Bill and Philip had the same budget | 0:57:24 | 0:57:27 | |
and, after all saleroom costs, | 0:57:27 | 0:57:30 | |
made a teeny, tinier loss of £38.48. | 0:57:30 | 0:57:34 | |
Their final earnings are £361.52. | 0:57:34 | 0:57:39 | |
Bill can proudly hold the Road Trip crown high | 0:57:39 | 0:57:42 | |
as today's Road Trip winner. Well done. | 0:57:42 | 0:57:45 | |
CHEERING | 0:57:45 | 0:57:47 | |
Many congratulations. | 0:57:47 | 0:57:49 | |
-I'm so sorry. -Well done. | 0:57:49 | 0:57:51 | |
But it was so close, it really was. | 0:57:51 | 0:57:53 | |
-I'm so sorry. -Well done. | 0:57:53 | 0:57:55 | |
-Right... -It's not fair. | 0:57:55 | 0:57:56 | |
-Take care. -I demand a recount. -KATE CHUCKLES | 0:57:56 | 0:58:00 | |
-Bye! -Bye-bye. | 0:58:03 | 0:58:05 | |
Off we go. | 0:58:05 | 0:58:07 | |
-Great sports. -Really good fun. -Bye! | 0:58:08 | 0:58:10 | |
Hasn't it been great, Bill, to come back here, | 0:58:16 | 0:58:19 | |
up here to Yorkshire, after all those years? | 0:58:19 | 0:58:22 | |
Oh, it's been wonderful. | 0:58:22 | 0:58:24 | |
-Would you do it again? -Like a shot. | 0:58:24 | 0:58:27 | |
More like in a heartbeat. | 0:58:27 | 0:58:29 | |
Bye-bye, chaps. | 0:58:29 | 0:58:31 |