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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
Just want to touch BASS. | 0:00:03 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
-Boo! -What?! | 0:00:06 | 0:00:08 | |
..and a classic car. | 0:00:08 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:13 | |
My office...now! | 0:00:13 | 0:00:15 | |
The aim - to make the biggest profit at auction. But it's no easy ride. | 0:00:15 | 0:00:19 | |
-WHIRRING -Ooh! | 0:00:19 | 0:00:21 | |
Who will find a hidden gem? | 0:00:21 | 0:00:22 | |
-HORN HONKS -Like that. | 0:00:22 | 0:00:24 | |
Who will take the biggest risk? | 0:00:24 | 0:00:25 | |
This could end in disaster. | 0:00:25 | 0:00:27 | |
Will anybody follow expert advice? | 0:00:27 | 0:00:30 | |
-But I love this! -Why would you buy something you won't use? | 0:00:30 | 0:00:32 | |
There will be worthy winners | 0:00:32 | 0:00:34 | |
and valiant losers. | 0:00:34 | 0:00:36 | |
No, I don't want to shake hands. | 0:00:36 | 0:00:37 | |
Put your pedal to the metal. | 0:00:37 | 0:00:38 | |
OK, let me get out of first gear. | 0:00:38 | 0:00:40 | |
This is the... | 0:00:40 | 0:00:41 | |
Yeah. | 0:00:47 | 0:00:48 | |
Today's celebrities | 0:00:50 | 0:00:51 | |
are actors Clare Holman and Felicity Montagu. | 0:00:51 | 0:00:55 | |
Clare, shouldn't you go in to another gear? | 0:00:55 | 0:00:57 | |
-Don't... Don't start... -I mean, really... | 0:00:58 | 0:01:01 | |
-Do you want to drive? -They're friends, really. | 0:01:01 | 0:01:03 | |
Although this is their debut on the same bill. | 0:01:03 | 0:01:06 | |
-Cos we haven't worked together, it's interesting. We don't know... -We don't quite know... | 0:01:06 | 0:01:10 | |
I think we're quietly competitive, but in a very gracious way. | 0:01:10 | 0:01:14 | |
Felicity has become a familiar face on both big and small screens in recent years, | 0:01:15 | 0:01:20 | |
with clever comedic performances in everything from Dad's Army to Mapp And Lucia. | 0:01:20 | 0:01:26 | |
But perhaps her best-loved character has been Alan Partridge's put-upon PA, Lynn. | 0:01:26 | 0:01:31 | |
-You like this car, don't you? -Well, I do! It's lovely. | 0:01:31 | 0:01:34 | |
I think it suits you, cos it's eccentric. | 0:01:34 | 0:01:36 | |
-And it's... -I don't know what you've got, | 0:01:36 | 0:01:38 | |
but if you've got a really posh one, I might be quite jealous of that. | 0:01:38 | 0:01:41 | |
Oh, Clare... | 0:01:41 | 0:01:42 | |
Actor and director Clare may well have developed | 0:01:42 | 0:01:45 | |
a love of vintage cars from her famous role | 0:01:45 | 0:01:49 | |
as Dr Laura Hobson in both Inspector Morse and Lewis. | 0:01:49 | 0:01:53 | |
But can TV's forensic pathologists do antiques?! | 0:01:53 | 0:01:57 | |
I know what I like, but I don't know what sells. | 0:01:57 | 0:01:59 | |
So how detailed is the knowledge we need? | 0:01:59 | 0:02:02 | |
-I don't know. -Well, didn't you ask? | 0:02:02 | 0:02:04 | |
-No, I was hoping that you were going to tell me. -Well, I don't know. I've no idea. | 0:02:04 | 0:02:07 | |
Fortunately our celebrities will be on the end of an awful lot of expert | 0:02:08 | 0:02:13 | |
guidance from dealer Arusha Irvine and auctioneer James Braxton. | 0:02:13 | 0:02:18 | |
It's 1957, isn't it, this car? | 0:02:18 | 0:02:20 | |
-Really? -Yeah, 19... -Wow! | 0:02:20 | 0:02:23 | |
It's a Jag from the era before seatbelts were mandatory. | 0:02:23 | 0:02:26 | |
I'm glad you're driving, cos I think it's a bit too much car for me. | 0:02:26 | 0:02:30 | |
This belonged to Fred Astaire, I think. | 0:02:30 | 0:02:32 | |
He must have had tiny little dancing feet. | 0:02:32 | 0:02:34 | |
Thank God you've got slim, elegant tootsies. | 0:02:34 | 0:02:37 | |
But it doesn't take a genius | 0:02:37 | 0:02:39 | |
to work out who's going to be dancing with who. | 0:02:39 | 0:02:42 | |
I was a massive fan of Morse and Lewis. | 0:02:42 | 0:02:44 | |
The amount of nights I would shout at the screen, saying, | 0:02:44 | 0:02:46 | |
"Lewis, ask her out, for goodness' sake!" | 0:02:46 | 0:02:49 | |
He did eventually. | 0:02:49 | 0:02:51 | |
Best thing that man ever did, I tell you. | 0:02:51 | 0:02:53 | |
Well, Felicity, she was great with Alan Partridge | 0:02:53 | 0:02:56 | |
-and she was great in Mapp And Lucia. -Ah, right. | 0:02:56 | 0:02:59 | |
-Really fun. -So you two are going to have a foot. A hoot! A foot?! | 0:02:59 | 0:03:03 | |
We're going to have a hoot. | 0:03:03 | 0:03:04 | |
Just wait till he finds out Felicity comes with | 0:03:05 | 0:03:08 | |
a bit of provenance herself. | 0:03:08 | 0:03:10 | |
My aunt had an antiques shop on the Isle of Wight and I used to | 0:03:10 | 0:03:13 | |
sit in the shop and I used to love the smell of the wood, | 0:03:13 | 0:03:16 | |
and look at the mirrors and the lampshades, | 0:03:16 | 0:03:19 | |
and I always hunted for antiques but I wouldn't say I've studied them. | 0:03:19 | 0:03:22 | |
Well, that puts her into exalted company | 0:03:22 | 0:03:25 | |
as far as this programme is concerned. | 0:03:25 | 0:03:28 | |
So, with £400 each and a 1960s Triumph Herald at their disposal, | 0:03:28 | 0:03:32 | |
let's get on with it. | 0:03:32 | 0:03:34 | |
-I think I might need to stop. -Oh, come on, Clare, we've only just started. | 0:03:34 | 0:03:37 | |
I know, it's a problem. | 0:03:37 | 0:03:38 | |
-It's psychological. -I've got used to peeing in bushes, but... | 0:03:38 | 0:03:41 | |
I don't know if it's appropriate for this show, really. | 0:03:41 | 0:03:43 | |
-Probably not. -Naughty. | 0:03:43 | 0:03:45 | |
After a comfort break, then... | 0:03:45 | 0:03:47 | |
-Good morning. Hello. -How are you? | 0:03:47 | 0:03:49 | |
What a sweet, dinky car. | 0:03:49 | 0:03:51 | |
-Lovely to meet you. -Hello. Lovely to meet you. | 0:03:51 | 0:03:53 | |
Felicity, that leaves us. Come here. | 0:03:53 | 0:03:57 | |
Hello. Good morning. | 0:03:57 | 0:03:58 | |
You're in this one, are you? | 0:03:58 | 0:03:59 | |
-Hello, Roo. -We're in this one, we're in this one. You're in that one. | 0:03:59 | 0:04:04 | |
Clare, wind it down! | 0:04:05 | 0:04:06 | |
Maybe we will triumph in the Triumph. | 0:04:06 | 0:04:09 | |
Ah, alliteration - we love it. | 0:04:09 | 0:04:11 | |
Shall we get ahead? | 0:04:12 | 0:04:13 | |
Let's go. | 0:04:14 | 0:04:15 | |
We're off on a nosey around the Midlands, | 0:04:17 | 0:04:20 | |
Starting in the east of Old Wolverton, Buckinghamshire, | 0:04:20 | 0:04:23 | |
and ending up out west at the Shropshire Auction in Newport. | 0:04:23 | 0:04:27 | |
But just at this moment, anything's possible. | 0:04:27 | 0:04:31 | |
We've got £400. | 0:04:31 | 0:04:33 | |
-Is that a lot? -Well, it depends. | 0:04:33 | 0:04:35 | |
-If you're like me, you like a bargain, yes. -Ah, OK. | 0:04:35 | 0:04:38 | |
That could potentially get you 23 items. | 0:04:38 | 0:04:40 | |
23?! | 0:04:40 | 0:04:41 | |
It's her superpower, Clare. | 0:04:41 | 0:04:43 | |
Think of me, in a way, as the Robin to your Batman. | 0:04:43 | 0:04:46 | |
-OK. -So I'm your sidekick. | 0:04:46 | 0:04:48 | |
So I've got your back, Batman. | 0:04:48 | 0:04:50 | |
All right, without the capes. | 0:04:50 | 0:04:51 | |
What about our other duo? Feeling dynamic? | 0:04:51 | 0:04:54 | |
Felicity, if you were in one of your many characters, | 0:04:54 | 0:04:58 | |
how would they approach these two days of buying? | 0:04:58 | 0:05:01 | |
Well, I think Lynn would be very good at the bargaining | 0:05:01 | 0:05:04 | |
on behalf of Alan, but I think she's got bad taste. | 0:05:04 | 0:05:07 | |
Diva in Mapp & Lucia, I think she would buy magazines. | 0:05:09 | 0:05:12 | |
-Magazines? -Period magazines. | 0:05:12 | 0:05:15 | |
Perpetua in Bridget Jones's Diary - Petch has got great taste | 0:05:15 | 0:05:18 | |
but Perpetua would have a budget of 20,000. | 0:05:18 | 0:05:21 | |
Well, where's the fun in that? | 0:05:21 | 0:05:23 | |
Do you collect anything? | 0:05:23 | 0:05:25 | |
Well, I love mirrors, | 0:05:25 | 0:05:26 | |
I love antique mirrors, and I have a penchant for lampshades. | 0:05:26 | 0:05:31 | |
-I love pleated lampshades. -Are you receiving treatment for this? | 0:05:31 | 0:05:34 | |
SHE CHUCKLES | 0:05:34 | 0:05:36 | |
Our first destination today will be a shared one. | 0:05:36 | 0:05:38 | |
Just as well we're all friends, for the moment. | 0:05:38 | 0:05:40 | |
Maybe we should actually develop a code word. | 0:05:40 | 0:05:42 | |
-Yes. -So you can shout "tomato" across the room | 0:05:42 | 0:05:45 | |
-and I'll know to come and find you. -Do you think that's wise? | 0:05:45 | 0:05:48 | |
Or something more exciting than "tomato". | 0:05:48 | 0:05:50 | |
What about "pathologist"? | 0:05:50 | 0:05:53 | |
"Pathologist, come hither!" | 0:05:53 | 0:05:54 | |
I think Roo may overthinking it. | 0:05:54 | 0:05:57 | |
Anyway, this is Old Wolverton, which, 50 years ago, | 0:05:57 | 0:06:00 | |
became part of the brand-new Milton Keynes. | 0:06:00 | 0:06:03 | |
"Gu-dad's." | 0:06:03 | 0:06:04 | |
-Is it "Gu-dad's"? -"Gee-dad's," isn't it? | 0:06:04 | 0:06:07 | |
Here we are. Look at this - very exciting. | 0:06:07 | 0:06:10 | |
What about "gee whiz"? | 0:06:10 | 0:06:11 | |
Good morning, hello. | 0:06:11 | 0:06:13 | |
-James. -Hello, James, I'm Mark. -Hello, Mark. | 0:06:13 | 0:06:15 | |
-Hello, Mark. I'm Felicity. -Hello, Felicity. | 0:06:15 | 0:06:17 | |
Good to meet you. So, how many floors do you have? | 0:06:17 | 0:06:22 | |
Two floors, ground floor and a first floor. | 0:06:22 | 0:06:25 | |
We do have another showroom further down the wharf. | 0:06:25 | 0:06:28 | |
-And what does that do? -Mainly furniture. | 0:06:28 | 0:06:30 | |
-Ooh. -But we do have some bits and pieces down there as well. | 0:06:30 | 0:06:34 | |
Bits and pieces? | 0:06:34 | 0:06:36 | |
-Bargains, Mark? -Absolute bargains, yes. | 0:06:36 | 0:06:38 | |
-Absolute bargains? Well... -We heard it. -Well, what do you think? | 0:06:38 | 0:06:42 | |
I'd like go there first. | 0:06:42 | 0:06:43 | |
How could they refuse? | 0:06:43 | 0:06:45 | |
Especially when they have lampshades. | 0:06:45 | 0:06:48 | |
I mean, you know, they're practical. | 0:06:48 | 0:06:49 | |
How much is that lampshade? | 0:06:49 | 0:06:51 | |
Five for the... Was it five for...? | 0:06:51 | 0:06:53 | |
-We've... -Well, I mean... -We've got £400 to spend. | 0:06:53 | 0:06:57 | |
She really likes them. | 0:06:57 | 0:06:58 | |
Oh, look, this mirror now. | 0:06:58 | 0:07:00 | |
It's a repro - I can tell that from here. | 0:07:00 | 0:07:02 | |
-Can you tell that from there? -It's too flat. | 0:07:02 | 0:07:04 | |
It's called a fret-cut wall mirror. | 0:07:04 | 0:07:06 | |
-That shape. -Of course it is - I can see the fret. | 0:07:06 | 0:07:08 | |
-The frets. -Frets, yeah. | 0:07:08 | 0:07:09 | |
Thank you, James, that's a bit of nice little information. | 0:07:09 | 0:07:13 | |
He has his uses, ma'am. | 0:07:13 | 0:07:15 | |
That's exactly the sort of thing that my parents had - | 0:07:15 | 0:07:17 | |
I was brought up with something like that and I had a loathing of it. | 0:07:17 | 0:07:20 | |
-But they're now very... -They're quite trendy, aren't they? | 0:07:20 | 0:07:22 | |
Shall I see how much it is? It's not something I'd buy, James. | 0:07:22 | 0:07:25 | |
What did your father play? Collected marching band music? | 0:07:25 | 0:07:28 | |
Probably. But he would get very roused. | 0:07:28 | 0:07:32 | |
Felicity's from military stock. | 0:07:32 | 0:07:34 | |
Ah, the enemy have arrived. | 0:07:34 | 0:07:36 | |
Oh, no, they've actually got a head start. | 0:07:36 | 0:07:39 | |
Might be vulnerable to a flanking manoeuvre, though. | 0:07:39 | 0:07:41 | |
Come on, partner, let's go. | 0:07:42 | 0:07:43 | |
Thanks to the prospect of absolute bargains elsewhere, | 0:07:44 | 0:07:48 | |
Clare and Roo have got this part of the shop to themselves. | 0:07:48 | 0:07:51 | |
You see, Dinky toys are very collectable. | 0:07:51 | 0:07:53 | |
They make a lot of money, but they've got to be rare editions. | 0:07:53 | 0:07:58 | |
Would you know what the rare one is? | 0:07:58 | 0:08:00 | |
Probably the one that's priced at £170! | 0:08:00 | 0:08:03 | |
Holy insight, Robin! | 0:08:03 | 0:08:06 | |
Very nice, unusual Art Nouveau... | 0:08:06 | 0:08:09 | |
-Crumb brush. -..crumb brush, which would really interest me. | 0:08:09 | 0:08:11 | |
But is that really Art Nouveau? Cos it looks a bit clumpy. | 0:08:11 | 0:08:14 | |
Art Nouveau figures are very feminine, elongated - | 0:08:14 | 0:08:17 | |
long, flowing hair. | 0:08:17 | 0:08:19 | |
This lady looks a little bit more like she's off to the supermarket, | 0:08:19 | 0:08:22 | |
picking loo roll from the top shelf. | 0:08:22 | 0:08:24 | |
-49. -That's all right - could get them down. | 0:08:24 | 0:08:27 | |
Sounds like Clare's keen to haggle. | 0:08:27 | 0:08:30 | |
Gosh, look. Look at this. | 0:08:30 | 0:08:32 | |
Chicago, circa 1930/1940, American. | 0:08:32 | 0:08:35 | |
It's obviously an address book, but... | 0:08:35 | 0:08:37 | |
Look. Ta-da. | 0:08:37 | 0:08:39 | |
-Look, Salem. -That takes me back to being... | 0:08:39 | 0:08:42 | |
"Salem Cheese & Milk." | 0:08:42 | 0:08:44 | |
-Do you know Salem? -Yeah. | 0:08:44 | 0:08:46 | |
It's where the witches were, from Arthur Miller's play. | 0:08:46 | 0:08:49 | |
The Crucible. She may well have performed it. | 0:08:49 | 0:08:51 | |
It's very Art Deco there. | 0:08:52 | 0:08:54 | |
-And is that genuine? -It is very genuine. | 0:08:54 | 0:08:56 | |
It's not something that's valuable enough | 0:08:56 | 0:08:59 | |
to do a reproduction of or a fake of, | 0:08:59 | 0:09:01 | |
so that is genuine of the period. | 0:09:01 | 0:09:04 | |
But people wouldn't buy it, would they? | 0:09:04 | 0:09:05 | |
Unless they're from Salem. | 0:09:05 | 0:09:07 | |
-Onwards? -Yes. | 0:09:07 | 0:09:08 | |
-And upwards. -Any progress elsewhere? | 0:09:08 | 0:09:11 | |
-I've noticed that you stand still. -Yeah. | 0:09:11 | 0:09:13 | |
And you just... Like, you're there, | 0:09:13 | 0:09:15 | |
and so you absorb peripherally everything that's going on. | 0:09:15 | 0:09:18 | |
I tend to sort of wander and I think I miss tricks. | 0:09:18 | 0:09:20 | |
I'm picking up tips from you. | 0:09:20 | 0:09:22 | |
-Trying to. -It's just like sport - it's all in the footwork. | 0:09:22 | 0:09:26 | |
Very Zen, James. | 0:09:26 | 0:09:27 | |
But watch out - tomato! | 0:09:27 | 0:09:30 | |
-Hello, hello. -Hello! | 0:09:30 | 0:09:32 | |
Fancy seeing you two here. | 0:09:32 | 0:09:34 | |
-Any luck? -Not as yet. | 0:09:34 | 0:09:36 | |
-We're just thinking. -Not a sausage. -Anyway, good luck. -See you around. -Good luck. | 0:09:36 | 0:09:40 | |
NARRATOR: Well, there's very little worth spying on so far - that's for sure. | 0:09:40 | 0:09:43 | |
What about this? I know it's probably not an antique. | 0:09:43 | 0:09:47 | |
Right, I'm going to walk for you with this and see if you think that | 0:09:47 | 0:09:50 | |
a woman might buy it. OK, now, what you think, James? | 0:09:50 | 0:09:53 | |
That's very... I'll tell you what - | 0:09:53 | 0:09:55 | |
-by modelling it, you've brought it alive. -OK. | 0:09:55 | 0:09:57 | |
That be acting, that be. | 0:09:57 | 0:09:59 | |
Oh, I've got my Oyster card. | 0:09:59 | 0:10:01 | |
-Oyster card. -My gym pass... | 0:10:01 | 0:10:04 | |
Gym pass! | 0:10:04 | 0:10:05 | |
-And I like the age on it. -I like the different shades of the... | 0:10:06 | 0:10:09 | |
Yeah, it's good-quality leather. | 0:10:09 | 0:10:11 | |
It's not heavy. It's stylish, isn't it? | 0:10:11 | 0:10:14 | |
Do you think it is, or I've just lost my buttons, basically? | 0:10:14 | 0:10:16 | |
No, Felicity. | 0:10:16 | 0:10:18 | |
How are Clare and Roo faring? | 0:10:18 | 0:10:19 | |
See, that's quite interesting. | 0:10:19 | 0:10:21 | |
-I like that. -It's called a Yard Of Lead propelling pencil. | 0:10:21 | 0:10:25 | |
-1941. -Which is right in World War II, London, hallmarked. | 0:10:25 | 0:10:31 | |
So, what were they writing and who were they writing to? | 0:10:31 | 0:10:34 | |
I know. What letters and correspondence would have been written with this? | 0:10:34 | 0:10:37 | |
I think that's fantastic. Does that kind of thing sell? | 0:10:37 | 0:10:40 | |
-It does. -I love it. -It's silver, it's got quite a good weight to it | 0:10:40 | 0:10:43 | |
and propelling pencils are really collectable. | 0:10:43 | 0:10:45 | |
And the price, £28 - that's reasonable. | 0:10:45 | 0:10:48 | |
What else has that dealer got? | 0:10:48 | 0:10:50 | |
-Oh, I like this. Can I just...? -Ooh! | 0:10:50 | 0:10:52 | |
Now, I don't know whether jewellery sells but that is, yeah, marcasite. | 0:10:53 | 0:10:58 | |
It's beautiful, and a good thing to check with marcasite jewellery | 0:10:58 | 0:11:02 | |
is that all the stones are intact. | 0:11:02 | 0:11:04 | |
-Good point. -It's got that beautiful sort of, you know, | 0:11:04 | 0:11:07 | |
citrine stone in there. | 0:11:07 | 0:11:09 | |
Well, you know, those two together wouldn't be that much, would they? | 0:11:09 | 0:11:13 | |
-We could try and get those down. -Yeah. -It would be a nice start. | 0:11:13 | 0:11:16 | |
-I think we should get the dealer. -Definitely. -Let's. I'm excited now. | 0:11:16 | 0:11:19 | |
I think we all are. | 0:11:19 | 0:11:20 | |
-Mark? -Yes. | 0:11:20 | 0:11:22 | |
Do fancy coming upstairs? | 0:11:22 | 0:11:24 | |
-Certainly. -That's an invite, isn't it? | 0:11:24 | 0:11:27 | |
Cheeky! | 0:11:27 | 0:11:29 | |
There's a couple of items that have caught our eye... | 0:11:29 | 0:11:31 | |
-OK. -..in this cabinet. First one is this propelling pencil. | 0:11:31 | 0:11:36 | |
-Yes, OK. -What's the best you could do? | 0:11:36 | 0:11:39 | |
I'm allowed to do 10%, £3. | 0:11:39 | 0:11:42 | |
It's got some dents on it. | 0:11:42 | 0:11:44 | |
-OK. -And so I was thinking, | 0:11:44 | 0:11:47 | |
if you could do us 14? | 0:11:47 | 0:11:49 | |
I don't think we can go that low. | 0:11:49 | 0:11:51 | |
-Would you be able to give the dealer a call? -Yeah, I can do. | 0:11:52 | 0:11:54 | |
-And we have one other. -This brooch, which is at £15. -OK. | 0:11:54 | 0:11:59 | |
We were thinking sort of eight for that. | 0:11:59 | 0:12:01 | |
Normally, we don't do trade under £20. | 0:12:01 | 0:12:04 | |
-But you've got the beautiful Clare here. -I know. | 0:12:04 | 0:12:07 | |
-This is what's doing it. -Who can resist her? -I know what I would say straightaway. | 0:12:07 | 0:12:11 | |
But while Mark goes off to call the dealer, | 0:12:11 | 0:12:14 | |
the bag's been abandoned and they're about to move on. | 0:12:14 | 0:12:18 | |
Oh, come on, James. | 0:12:18 | 0:12:19 | |
Hold on, just let me... Sorry, I'll just get... | 0:12:19 | 0:12:22 | |
Well, trying to. | 0:12:22 | 0:12:23 | |
I'm in. | 0:12:23 | 0:12:24 | |
Oh, bingo. | 0:12:24 | 0:12:26 | |
James, you gentleman. | 0:12:26 | 0:12:28 | |
I am very, very impressed. | 0:12:28 | 0:12:31 | |
Drivers, start your engines. ENGINE STARTS | 0:12:31 | 0:12:34 | |
It's all under control. | 0:12:34 | 0:12:35 | |
Now, with that kerfuffle over, do we have a deal? | 0:12:35 | 0:12:39 | |
I've spoken to David and told him what lovely people you are... | 0:12:39 | 0:12:42 | |
-You're so sweet. -And he's agreed to go to £18 on the pencil... | 0:12:42 | 0:12:47 | |
-OK. -..and £10 on the brooch. -So that's 28 for the two. | 0:12:47 | 0:12:52 | |
-I'm happy with that. -I'm happy with that, too. | 0:12:52 | 0:12:54 | |
-Yeah? -Let's go for it. Thank you so much. -Thank you very much. | 0:12:54 | 0:12:57 | |
Well worth waiting for. | 0:12:57 | 0:12:58 | |
Probably should take the items. | 0:12:58 | 0:12:59 | |
-I think you'd better. -Clare's definitely got the hang of this. | 0:12:59 | 0:13:02 | |
Slightly slower off the mark, although not for want of trying, | 0:13:04 | 0:13:09 | |
has been her friend Felicity. | 0:13:09 | 0:13:10 | |
Are you a haggler, Felicity? | 0:13:10 | 0:13:11 | |
Well, I don't haggle. What I do is passive aggressive. | 0:13:11 | 0:13:14 | |
So I need you to tell me what to do. | 0:13:14 | 0:13:16 | |
Well, you need to put the fez on, | 0:13:16 | 0:13:18 | |
you need to focus and you need to haggle like somebody from a souk. | 0:13:18 | 0:13:24 | |
And you need to party like it's 1999... | 0:13:24 | 0:13:27 | |
in the county town of Northampton. | 0:13:27 | 0:13:29 | |
From Old Wolverton to the Old Bakehouse. | 0:13:29 | 0:13:32 | |
-Here we go. -Yeah. | 0:13:33 | 0:13:35 | |
The TARDIS parked outside is a bit of a clue that there's really | 0:13:35 | 0:13:38 | |
quite a lot in here. | 0:13:38 | 0:13:39 | |
-Oh, that's fascinating. -What are they? Very spiky. | 0:13:41 | 0:13:44 | |
It looks like flower displays. | 0:13:44 | 0:13:46 | |
-Shall I open up? -Yes, OK. Are we allowed to? | 0:13:46 | 0:13:48 | |
Yeah, course we are. Dive in there. | 0:13:48 | 0:13:50 | |
-Dive in. -Oh, it's heavy. | 0:13:51 | 0:13:53 | |
So, why would it be so heavy? That's the weight test. | 0:13:53 | 0:13:57 | |
Yeah, but what is it? | 0:13:57 | 0:13:59 | |
Do you put it into the base and then you put a large piece of foam on, | 0:13:59 | 0:14:02 | |
and then you do your flower arrangement - | 0:14:02 | 0:14:04 | |
-that's how it works. -Oh, I see. | 0:14:04 | 0:14:06 | |
-But they're heavy and stick in the water. -They are different shapes. | 0:14:06 | 0:14:09 | |
-But why? -Because you can join those two. | 0:14:09 | 0:14:11 | |
-That is clever. -They're Japanese. | 0:14:12 | 0:14:14 | |
-Are they? -Yeah, it says, "Made in Japan." -Where? | 0:14:14 | 0:14:17 | |
That's handy. | 0:14:18 | 0:14:19 | |
Worth a go or should we just put them back? | 0:14:19 | 0:14:22 | |
-Too expensive, aren't they? -Yeah. | 0:14:22 | 0:14:24 | |
Crikey, I thought that was a possibility. What about upstairs? | 0:14:24 | 0:14:28 | |
Like that, James. | 0:14:28 | 0:14:29 | |
Well, there's a turn up. | 0:14:29 | 0:14:31 | |
I don't like the lamp stand but I love the lampshade. | 0:14:31 | 0:14:34 | |
You're magnetically drawn to anything pleated, are you? | 0:14:34 | 0:14:38 | |
-I am. -Does it come off? | 0:14:39 | 0:14:41 | |
-Do you know if it comes off? -No, James, you can't. | 0:14:41 | 0:14:44 | |
Yeah, you can. What material is this? | 0:14:44 | 0:14:48 | |
-Is that chiffon? -Cheap chiffon. | 0:14:48 | 0:14:49 | |
I think making lampshades is a real skill and I'm in love | 0:14:49 | 0:14:53 | |
with it. There's a certain store on Fulham Palace Road, which I | 0:14:53 | 0:14:56 | |
just go and look at the quality of the pleating. | 0:14:56 | 0:14:59 | |
It's like a beautiful dress. It's like a wedding dress, you know? | 0:14:59 | 0:15:02 | |
It's very feminine, I suppose. | 0:15:02 | 0:15:04 | |
I will look at lampshades with renewed interest. | 0:15:04 | 0:15:07 | |
I sort of think it's quite theatrical, I suppose. | 0:15:07 | 0:15:09 | |
I like to walk in a room where the lamps are low, setting the mood. | 0:15:09 | 0:15:13 | |
This is reduced from 80 to 65 for the whole thing. | 0:15:13 | 0:15:16 | |
I would no more have that than fly to the flipping moon. | 0:15:16 | 0:15:19 | |
-No, nor would I. -So if we put an offer for the lampshade, | 0:15:19 | 0:15:21 | |
-it would be a tenner, wouldn't it? -Let's hope no-one sits on it. | 0:15:21 | 0:15:25 | |
Still, at least Felicity's happy. | 0:15:25 | 0:15:27 | |
But, now, a bit of beachcombing. | 0:15:27 | 0:15:29 | |
It's very smooth, it's very polished. | 0:15:29 | 0:15:32 | |
Like you, then, James. | 0:15:32 | 0:15:34 | |
You could add this to any hall of any flat or house in the land. | 0:15:34 | 0:15:39 | |
So it should have some sort of demand. | 0:15:39 | 0:15:42 | |
I'm going to take this to Felicity. | 0:15:42 | 0:15:45 | |
Steady, James. | 0:15:45 | 0:15:46 | |
It is quite a weight. It's a very slim fit. | 0:15:46 | 0:15:49 | |
Again, a bit like you, James. | 0:15:49 | 0:15:50 | |
Don't touch the drawer. | 0:15:50 | 0:15:52 | |
Look at this - what a handsome piece. | 0:15:53 | 0:15:55 | |
-I think it's unusual. -Yeah. | 0:15:55 | 0:15:57 | |
I think... I like the Edwardian period. | 0:15:57 | 0:16:00 | |
-It's older than that. -Is it? | 0:16:00 | 0:16:02 | |
-It is, yeah. -Seriously? | 0:16:02 | 0:16:03 | |
-Victorian. I'd say mid-Victorian. -How do you know? | 0:16:03 | 0:16:05 | |
You've got a rather nice sort of Grecian element here, | 0:16:05 | 0:16:08 | |
you've got a triangular pediment. | 0:16:08 | 0:16:10 | |
That's what I like, cos it's so unusual. | 0:16:10 | 0:16:12 | |
And I like these ribbon-turned legs. They're nice, aren't they? | 0:16:12 | 0:16:15 | |
It's slightly clumsy round here. | 0:16:15 | 0:16:17 | |
-It's got knobbly knees on it. -Knobbly knees. | 0:16:17 | 0:16:19 | |
Yes, and what about the knobbly price? | 0:16:19 | 0:16:21 | |
225? | 0:16:21 | 0:16:23 | |
That's... That's expensive, isn't it? | 0:16:23 | 0:16:25 | |
If I was an auctioneer, I'd probably put 100 to 150, | 0:16:25 | 0:16:29 | |
-hoping it would make 150, 200. -Really? | 0:16:29 | 0:16:33 | |
OK, with a pricey table and an inexpensive lampshade on the list, | 0:16:33 | 0:16:37 | |
let's talk to the proprietor. | 0:16:37 | 0:16:39 | |
Who's this young man? | 0:16:39 | 0:16:42 | |
-Hello, you two. -Hello. James. | 0:16:42 | 0:16:44 | |
-Pleasure. -Felicity, hi. | 0:16:44 | 0:16:46 | |
Pleased to meet you. Steve. | 0:16:46 | 0:16:47 | |
Steve. Good to meet you, Steve. | 0:16:47 | 0:16:49 | |
We've spotted a couple of things. | 0:16:49 | 0:16:50 | |
-That hall table. -We like the hall table. | 0:16:50 | 0:16:52 | |
-Bit expensive, Steve. 22... -5. | 0:16:52 | 0:16:56 | |
-It hasn't been here long. -Really? | 0:16:56 | 0:16:57 | |
Only a couple of days. | 0:16:57 | 0:16:58 | |
I have spoken to the trader and he's looking to be nearer to 170. | 0:17:00 | 0:17:04 | |
165? | 0:17:04 | 0:17:06 | |
I think lower than that. | 0:17:06 | 0:17:07 | |
-160? -No, I think... | 0:17:07 | 0:17:09 | |
This isn't going to plan. | 0:17:09 | 0:17:10 | |
-I think we can go lower than that, don't you, Felicity? -Yeah, I do. | 0:17:10 | 0:17:13 | |
What do you think? What about sort of 130? | 0:17:13 | 0:17:15 | |
Need a bit more, I think, for that. | 0:17:15 | 0:17:18 | |
165's got to be the death on that one. | 0:17:18 | 0:17:20 | |
We'll come in at 150 - that's it. I'm done. | 0:17:20 | 0:17:22 | |
-150. -Go on, let's do it. | 0:17:22 | 0:17:24 | |
-Really? -OK. -Well, that's good. -Thank you, Steve. | 0:17:24 | 0:17:26 | |
-Hurrah. -And there was one other item, wasn't there? | 0:17:26 | 0:17:29 | |
Yeah, the lampshade without the lamp stand. | 0:17:29 | 0:17:32 | |
It's rather like having the hake without the hake, isn't it? | 0:17:32 | 0:17:35 | |
It is, but I think a tenner? | 0:17:35 | 0:17:37 | |
-For that? -You liked the pleats, didn't you? -I liked the pleats. | 0:17:39 | 0:17:42 | |
So you just want the shade, but not the base. | 0:17:42 | 0:17:45 | |
-Not the base. -That's where the value is, in the base, isn't it? | 0:17:45 | 0:17:48 | |
Nudge, nudge. | 0:17:48 | 0:17:49 | |
Well, not... | 0:17:49 | 0:17:51 | |
-No, we'll do that. -Great. | 0:17:51 | 0:17:53 | |
-Shake the man's hand! -Shake the man's hand. | 0:17:53 | 0:17:55 | |
So, Felicity finally has her shade. | 0:17:55 | 0:17:58 | |
-160. -Thank you very much. | 0:17:58 | 0:18:00 | |
And while those two take a break, | 0:18:00 | 0:18:02 | |
our other couple have been doing a bit of bonding. | 0:18:02 | 0:18:05 | |
I love Art Deco. | 0:18:05 | 0:18:06 | |
I love glass. | 0:18:06 | 0:18:08 | |
My love and passion is glass. | 0:18:08 | 0:18:10 | |
Is it? My husband's father was a glass-blower. | 0:18:10 | 0:18:15 | |
I never met him, but he was responsible for all | 0:18:15 | 0:18:19 | |
-the lights in Piccadilly, you know, the neon lights? -Really? -Yeah. | 0:18:19 | 0:18:22 | |
Do you know, it seems like those two have got much more in common than | 0:18:22 | 0:18:26 | |
just TV detectives. And now, they are also in Northampton, | 0:18:26 | 0:18:31 | |
a town that's justly famous for footwear and engineering. | 0:18:31 | 0:18:34 | |
But tucked away in a Georgian terrace is a bit of Glasgow style. | 0:18:34 | 0:18:39 | |
Who'd believe that? | 0:18:39 | 0:18:41 | |
-Hi there. I'm Roo. -Hello, Roo, I'm David. -Lovely to meet you. -Hello, I'm Clare. | 0:18:41 | 0:18:44 | |
-Hello, Clare, very nice to meet you. -Good to meet you. -Would you like to come and have a look at 78 Derngate? | 0:18:44 | 0:18:48 | |
-Absolutely. -Very excited. -Follow me. -Lead the way. Thank you. | 0:18:48 | 0:18:51 | |
100 years ago, this home was substantially remodelled | 0:18:55 | 0:18:59 | |
by the legendary Scottish architect Charles Rennie Mackintosh. | 0:18:59 | 0:19:02 | |
David, this is amazing. | 0:19:03 | 0:19:05 | |
This is the only place outside of Glasgow | 0:19:05 | 0:19:08 | |
that Charles Rennie Mackintosh designed - is that right? | 0:19:08 | 0:19:11 | |
That's right. It's more or less his final sort of major architectural work. | 0:19:11 | 0:19:14 | |
It was a really difficult period. During the First World War, | 0:19:14 | 0:19:17 | |
the building trade really, you know, suffered. | 0:19:17 | 0:19:20 | |
So Mackintosh and his wife Margaret were making most of their money | 0:19:20 | 0:19:23 | |
at that time from textile design. | 0:19:23 | 0:19:25 | |
But this really would have been very welcome to Mackintosh, this commission. | 0:19:25 | 0:19:28 | |
Although nowadays his work is justly lauded, in 1916, | 0:19:29 | 0:19:32 | |
Mackintosh was no longer actively involved as an architect, | 0:19:32 | 0:19:36 | |
and was a fairly obscure figure outside Glasgow. | 0:19:36 | 0:19:39 | |
So much credit is due to his patron, Wenman Joseph Bassett-Lowke. | 0:19:39 | 0:19:43 | |
Bassett-Lowke was a model engineer. | 0:19:43 | 0:19:46 | |
He virtually invented the concept of the home model railway. | 0:19:46 | 0:19:49 | |
And he had a factory here in Northampton and made a lot of money, | 0:19:49 | 0:19:53 | |
and therefore was able to indulge his passion for good design. | 0:19:53 | 0:19:58 | |
And one of the things he wanted to do was to have a house in which nothing was older than himself. | 0:19:58 | 0:20:02 | |
And did they collaborate, or was it all Mackintosh's...? | 0:20:02 | 0:20:06 | |
It was very much collaboration, | 0:20:06 | 0:20:07 | |
unusually in Mackintosh's work, his sort of history with clients, | 0:20:07 | 0:20:11 | |
because he was quite a control freak. | 0:20:11 | 0:20:13 | |
Bassett-Lowke was a lot more forthcoming, | 0:20:13 | 0:20:16 | |
and almost was telling Mackintosh, in some cases, what to do. | 0:20:16 | 0:20:20 | |
And, you know, it would have been interesting to have been | 0:20:20 | 0:20:23 | |
a fly on the wall in the meetings between the two - | 0:20:23 | 0:20:25 | |
both very strong personalities. | 0:20:25 | 0:20:27 | |
Their creation, which became a girls' school for many years | 0:20:27 | 0:20:31 | |
before it was restored earlier this century, | 0:20:31 | 0:20:34 | |
is both clearly a work by Mackintosh, but also heralds something new. | 0:20:34 | 0:20:38 | |
In a way, the design almost seems ahead of its time, | 0:20:38 | 0:20:41 | |
because you think of Mackintosh, you think of Art Nouveau and soft, | 0:20:41 | 0:20:45 | |
flowing curves and geometric lines. | 0:20:45 | 0:20:47 | |
This is almost Art Deco. | 0:20:47 | 0:20:49 | |
It is. 78 Derngate is significant for that reason, really. | 0:20:49 | 0:20:52 | |
It's the first, I think, glimpse of Art Deco in a domestic interior in Britain. | 0:20:52 | 0:20:57 | |
Before the term was even invented, | 0:20:57 | 0:20:59 | |
Bassett-Lowke was very plugged into modern aesthetics. | 0:20:59 | 0:21:02 | |
He'd been in the continent, he'd travelled. | 0:21:02 | 0:21:04 | |
He was in touch with the latest trends, | 0:21:04 | 0:21:06 | |
particularly in places like Vienna which was a hot spot, | 0:21:06 | 0:21:08 | |
with the Secessionists and the Wiener Werkstatte. | 0:21:08 | 0:21:10 | |
Mackintosh was also in that scene - | 0:21:10 | 0:21:12 | |
he'd been in Vienna and he could deliver that. | 0:21:12 | 0:21:15 | |
And that's why we've got, really, in a way, | 0:21:15 | 0:21:17 | |
a little bit of Vienna here in Northampton. | 0:21:17 | 0:21:20 | |
Well, it's been a delight to meet you and to see the house. | 0:21:20 | 0:21:24 | |
-As two art lovers, I think we've enjoyed every second. -Yeah, it's thrilling. | 0:21:24 | 0:21:27 | |
-Really thrilling. -Great pleasure to have you. Thank you very much for coming. -Thank you so much. | 0:21:27 | 0:21:32 | |
Now, back in their respective cars, but for how long? | 0:21:35 | 0:21:39 | |
Is there anything we can do about driving the Jag? | 0:21:39 | 0:21:42 | |
Well, I have to say that is a beautiful car. | 0:21:42 | 0:21:45 | |
Well, you know, tomorrow, in the name of Morse and Lewis... | 0:21:45 | 0:21:49 | |
-What are you thinking? -I get in that car. | 0:21:49 | 0:21:51 | |
I think we keep it between ourselves, | 0:21:51 | 0:21:53 | |
and then we just get in and drive off. | 0:21:53 | 0:21:55 | |
-Yeah. I think so. Shall we try that? -Yes, as long as you can get it started! | 0:21:55 | 0:21:59 | |
Nighty-night. | 0:21:59 | 0:22:00 | |
Next day, we're amongst the lakes, in Leicestershire. | 0:22:03 | 0:22:07 | |
Oh, look at this bridge - isn't this lovely? | 0:22:07 | 0:22:10 | |
Oh, this is amazing! | 0:22:10 | 0:22:12 | |
-There's water. I might have to stop. -Oh, come on, Clare! | 0:22:12 | 0:22:14 | |
It's at about this point that we usually recap what's been purchased. | 0:22:18 | 0:22:21 | |
Did you find anything yesterday? | 0:22:21 | 0:22:23 | |
Well... | 0:22:23 | 0:22:25 | |
there was a, er... | 0:22:25 | 0:22:27 | |
I'm watching you. | 0:22:27 | 0:22:28 | |
-I don't know. Let me think. -FELICITY CHUCKLES | 0:22:28 | 0:22:31 | |
-How many? -Oh, I'm not saying how many, am I? | 0:22:31 | 0:22:35 | |
Unbeknownst to her chum, | 0:22:35 | 0:22:37 | |
Clare picked up a silver propelling pencil and a marcasite brooch, | 0:22:37 | 0:22:40 | |
leaving her with over £370 for today's purchases... | 0:22:40 | 0:22:45 | |
-Probably should take the items. -I think you'd better. | 0:22:45 | 0:22:48 | |
..while Felicity splashed out a bit more | 0:22:48 | 0:22:51 | |
on a side table. And, yes, a lampshade. | 0:22:51 | 0:22:54 | |
You're magnetically drawn to anything pleated, are you? | 0:22:54 | 0:22:57 | |
But she still has £240 - to go forth and haggle! | 0:22:57 | 0:23:02 | |
Felicity comes from a military background. | 0:23:02 | 0:23:05 | |
She's tough, she's thrifty. | 0:23:05 | 0:23:07 | |
She played Captain Mainwaring's wife, who is particularly fierce. | 0:23:07 | 0:23:12 | |
Clare was really good. She did sort of ask my advice, | 0:23:12 | 0:23:16 | |
but then she went straight to it and did the deal. | 0:23:16 | 0:23:19 | |
We might even be redundant by the end of this road trip, James! | 0:23:19 | 0:23:23 | |
Yes, those actors are very quick on the uptake. | 0:23:23 | 0:23:26 | |
-Look at these... -Morning, ladies. -..two glamorous ladies. -Morning. | 0:23:26 | 0:23:29 | |
You're looking very summery. | 0:23:29 | 0:23:32 | |
-Morning, morning. How are you? How are you? -Fine, yeah. -Very good. | 0:23:32 | 0:23:35 | |
Here we go. | 0:23:35 | 0:23:36 | |
It's a bit frightening. It's a bit too much. | 0:23:36 | 0:23:39 | |
-What's going on? -ROO: -Have a lovely day! | 0:23:39 | 0:23:41 | |
She's always been lusting after that! | 0:23:41 | 0:23:43 | |
Really, I'm not surprised. Bye, Clare. I know what you're doing. | 0:23:43 | 0:23:46 | |
-Yeah. Watch the gears, Clare. -Watch the gears! | 0:23:46 | 0:23:49 | |
May the best ladies win. Bye. | 0:23:49 | 0:23:52 | |
Later on, our celebrities and experts | 0:23:53 | 0:23:56 | |
will be bearing down upon Shropshire | 0:23:56 | 0:23:58 | |
for an auction at Newport. | 0:23:58 | 0:24:00 | |
But first stop today | 0:24:00 | 0:24:02 | |
is in the city of Leicester. | 0:24:02 | 0:24:03 | |
-They've nicked our car. -I wasn't surprised, though, James. | 0:24:04 | 0:24:07 | |
-Why? -Because Clare's had her eyes on it from the beginning of day one. | 0:24:07 | 0:24:10 | |
-Naughty girl. -Yes, she's a naughty girl. | 0:24:10 | 0:24:12 | |
What's the mood in the getaway car? | 0:24:12 | 0:24:14 | |
Does it suit me better or does it suit me better? | 0:24:14 | 0:24:16 | |
It suits you perfectly. | 0:24:16 | 0:24:18 | |
-It's nice, is it? -Yeah. -How do you feel in this one? | 0:24:18 | 0:24:20 | |
Maybe now we're in the Jag, we can take our buying to the next level. | 0:24:20 | 0:24:24 | |
-I definitely don't want to play it safe. -No, let's risk. | 0:24:25 | 0:24:28 | |
Yeah. Cos no-one wants a £10 profit here and there. | 0:24:28 | 0:24:30 | |
-MOOING -I think I just heard a cow mooing in my ear. -I did. I did, too! | 0:24:30 | 0:24:34 | |
What have you got to lose? | 0:24:35 | 0:24:36 | |
Yeah. Apart from complete failure. | 0:24:36 | 0:24:39 | |
That's the spirit. | 0:24:39 | 0:24:41 | |
Exactly the sort of attitude which has made Leicester's football team | 0:24:41 | 0:24:45 | |
rather famous in recent times. | 0:24:45 | 0:24:47 | |
Their ground is close by. | 0:24:47 | 0:24:49 | |
Wow! this is my kind of place. | 0:24:49 | 0:24:51 | |
-I like this. -Yeah, almost big enough for a Foxes match. | 0:24:51 | 0:24:55 | |
Although the antiques would definitely get in the way. | 0:24:55 | 0:24:59 | |
That is gorgeous. | 0:24:59 | 0:25:02 | |
-You want the price? -Go on, then. | 0:25:02 | 0:25:04 | |
Let it be 79.99. | 0:25:04 | 0:25:06 | |
-650. -I was close! | 0:25:06 | 0:25:09 | |
What do you think of this? | 0:25:09 | 0:25:11 | |
£68. That's not very much. | 0:25:11 | 0:25:13 | |
-I like it. -British railway lamp. | 0:25:13 | 0:25:16 | |
-This is not my style. -OK. -At all. | 0:25:16 | 0:25:18 | |
British railway lamps are really collectable. | 0:25:18 | 0:25:20 | |
I wouldn't like it, but a trainspotter would. | 0:25:20 | 0:25:22 | |
They would. What we need to look at - | 0:25:22 | 0:25:24 | |
-it's in very good condition. -Yeah. | 0:25:24 | 0:25:26 | |
So has it been repainted? | 0:25:26 | 0:25:27 | |
It looks like it might have been. | 0:25:27 | 0:25:29 | |
Have a feel of the weight of that. | 0:25:29 | 0:25:31 | |
Oh, my God! We've got some delicate stuff | 0:25:31 | 0:25:33 | |
and now we've got something that's a bit sort of industrial. | 0:25:33 | 0:25:35 | |
-It shows that we can be both. -Industrial is in, isn't it? | 0:25:35 | 0:25:38 | |
Industrial is very in. And it would be cool... | 0:25:38 | 0:25:40 | |
-Can I put it down now? Cos it's heavy! -Quickly. | 0:25:40 | 0:25:42 | |
That's exciting. | 0:25:42 | 0:25:44 | |
What about advertising signs? Cos I see something over there. | 0:25:45 | 0:25:50 | |
-The BP one is lovely. -Mm-hm. | 0:25:50 | 0:25:52 | |
The Fry's chocolate is glorious. | 0:25:52 | 0:25:56 | |
That's the one that's rare. | 0:25:56 | 0:25:57 | |
And it's called The Five Stages Of Fry's. | 0:25:57 | 0:26:00 | |
Look, Desperation. | 0:26:00 | 0:26:01 | |
-Pacification. -Pacification. Expectation. | 0:26:01 | 0:26:04 | |
-Acclamation. -Acclamation. -Realisation. | 0:26:04 | 0:26:06 | |
-BOTH: -"It's Fry's." | 0:26:06 | 0:26:07 | |
A real bargain at £2,800. | 0:26:07 | 0:26:09 | |
I know. | 0:26:09 | 0:26:11 | |
OK. So where to next? | 0:26:11 | 0:26:13 | |
Do you know what? There's too much exciting stuff here. | 0:26:14 | 0:26:17 | |
I know. Where do you want to go? | 0:26:17 | 0:26:19 | |
I'll follow you. I am... | 0:26:19 | 0:26:21 | |
I am your Robin, remember. | 0:26:21 | 0:26:23 | |
Not a round robin but just a Robin. | 0:26:23 | 0:26:26 | |
Your superpowers are failing. Oh, hello, what's this? | 0:26:26 | 0:26:30 | |
These are quite interesting. | 0:26:30 | 0:26:31 | |
-Are they silver? -No, they're actually silver plate. | 0:26:31 | 0:26:34 | |
-Right. -And these are very interesting | 0:26:34 | 0:26:37 | |
-because they're WMF silver-plated vases. -What is WMF? | 0:26:37 | 0:26:41 | |
Wurttembergische Metallwarenfabrik. | 0:26:43 | 0:26:46 | |
-With a roll of the R, which is not German. -Are you serious? | 0:26:46 | 0:26:49 | |
Yeah, it's a German manufacturer from the 1850s. | 0:26:49 | 0:26:52 | |
They actually started off making boring cutlery and, | 0:26:52 | 0:26:54 | |
from the 1900s to sort of 1930, Art Nouveau, Art Deco time, | 0:26:54 | 0:26:59 | |
they moved into vases and some of their items | 0:26:59 | 0:27:01 | |
-can go for thousands of pounds. -What have we got? -£40. | 0:27:01 | 0:27:04 | |
Which is quite a bit for silver-plated vases, | 0:27:04 | 0:27:06 | |
but the name is brilliant and if you look at the bottom here... | 0:27:06 | 0:27:09 | |
..tiny little logo. | 0:27:10 | 0:27:12 | |
-W... -MF. -Oh, that is a good one. | 0:27:12 | 0:27:14 | |
If we can get that down, that's a good buy, | 0:27:14 | 0:27:16 | |
because we're then adding a solid name to our bunch of items. | 0:27:16 | 0:27:21 | |
-Well done, you. -Not redundant just yet, then. | 0:27:21 | 0:27:24 | |
Now, Clare's gone solo. | 0:27:24 | 0:27:26 | |
Oh, that's nice. French. | 0:27:26 | 0:27:29 | |
It's a globe de mariee, or marriage globe. | 0:27:29 | 0:27:32 | |
I've seen one of these before. They're very beautiful. Roo! | 0:27:32 | 0:27:36 | |
Time for a second opinion. | 0:27:36 | 0:27:38 | |
It's late-19th-century French. | 0:27:38 | 0:27:40 | |
Which is your... | 0:27:40 | 0:27:42 | |
-Which I love. -You love late-19th-century French. | 0:27:42 | 0:27:44 | |
And you put your wedding photograph in and then into the cushion, | 0:27:44 | 0:27:47 | |
you stick anything memorable on it. | 0:27:47 | 0:27:49 | |
-So maybe a flower from that day... -Yes. -..or a ribbon. -Yes. Yeah. | 0:27:49 | 0:27:53 | |
But is it the real thing? | 0:27:53 | 0:27:54 | |
It's little clues that give it away. | 0:27:54 | 0:27:56 | |
If you look at the jagged teeth around this mirror, | 0:27:56 | 0:27:58 | |
you can see little signs of age, genuine wear, | 0:27:58 | 0:28:02 | |
and the lovely velvet has worn away on the cushion. | 0:28:02 | 0:28:05 | |
-Yeah. -That little bit of damage is good... | 0:28:05 | 0:28:07 | |
-Yeah. -..because it shows it as authentic. | 0:28:07 | 0:28:10 | |
Because the glass domes are fragile, it must be quite rare. | 0:28:10 | 0:28:14 | |
I like that. You said that was 160. | 0:28:14 | 0:28:16 | |
It's expensive - that's the only thing. | 0:28:16 | 0:28:18 | |
What would you think, in terms of price-wise, that you would buy that at? | 0:28:18 | 0:28:21 | |
Well, I'd love to offer 80, but I think that's going to be... | 0:28:21 | 0:28:24 | |
-Yeah. -..low. So I'd say 100. | 0:28:24 | 0:28:26 | |
Time for a breath of fresh air. | 0:28:26 | 0:28:28 | |
Yeah. This is not my kind of stuff. | 0:28:28 | 0:28:30 | |
Too much rust here. But this stuff sells well. | 0:28:30 | 0:28:33 | |
I want that. | 0:28:35 | 0:28:37 | |
-Oh, I'm sensing a bit of conviction there. -Yeah, conviction. | 0:28:37 | 0:28:40 | |
-Shall we have a closer look? -Yeah, let's have a look. | 0:28:40 | 0:28:42 | |
Wow! That's some amount of rust on there. | 0:28:42 | 0:28:44 | |
That is original, isn't it? | 0:28:44 | 0:28:46 | |
Yes. If you look closely, the actual glaze has cracked. | 0:28:46 | 0:28:50 | |
But it's called crazing and that's the sign of age. | 0:28:50 | 0:28:52 | |
And what about the rust - is that a problem or does it come off? | 0:28:52 | 0:28:55 | |
Oh, look, it's already off on my finger. | 0:28:55 | 0:28:56 | |
Well, if you carry on, you might be able to clean it up for us. | 0:28:56 | 0:28:59 | |
Once that's restored, | 0:28:59 | 0:29:01 | |
that would be beautiful cos that green is so vibrant. | 0:29:01 | 0:29:04 | |
£80. | 0:29:04 | 0:29:05 | |
-50? -It's, er... -45? | 0:29:05 | 0:29:08 | |
-40? -40. | 0:29:08 | 0:29:10 | |
-Shall we try for 40? -Let's try for 40. | 0:29:10 | 0:29:12 | |
Sounds like they urgently need to talk to shopkeeper Jane. | 0:29:12 | 0:29:16 | |
Now, we've got quite a few things we've fallen in love with | 0:29:16 | 0:29:18 | |
-a little bit. -Yes. | 0:29:18 | 0:29:21 | |
Well, no, we can take or leave them. | 0:29:21 | 0:29:23 | |
-Yeah. -THEY CHUCKLE | 0:29:23 | 0:29:25 | |
The first one is this Art Nouveau fireplace. | 0:29:25 | 0:29:28 | |
-Yes. -Can I make an offer to you? | 0:29:28 | 0:29:30 | |
-You can. Yes. -Would you take 40 for it? | 0:29:30 | 0:29:33 | |
I'm afraid I can't do that, no. | 0:29:33 | 0:29:34 | |
We're supposed to only take 10% off, which would put you at £72, | 0:29:35 | 0:29:41 | |
but I'm sure we can do a little bit more. | 0:29:41 | 0:29:43 | |
What's the best you can do for us? | 0:29:43 | 0:29:44 | |
We could possibly stretch it to 60. | 0:29:44 | 0:29:47 | |
-The WMF vases, silver-plated ones. -Yes. | 0:29:47 | 0:29:51 | |
They're on at £40, I think. | 0:29:51 | 0:29:53 | |
What is the best price you can do on that? | 0:29:53 | 0:29:55 | |
The best price I can do on those is 30. | 0:29:55 | 0:29:57 | |
The railway lamp? Which is at 68. | 0:29:57 | 0:30:00 | |
We could do that at 50, | 0:30:00 | 0:30:04 | |
-I think. -The marriage dome. | 0:30:04 | 0:30:06 | |
Yes, I think our best price on that would be £120. | 0:30:06 | 0:30:11 | |
-OK. -Plenty to think about. -Who's good at maths? | 0:30:11 | 0:30:14 | |
Well, it adds up to 260 at the moment, | 0:30:14 | 0:30:16 | |
but we might be about to lose Clare's globe. | 0:30:16 | 0:30:19 | |
It could make £30, it could make 200. | 0:30:19 | 0:30:23 | |
I think I will bow to your expertise and you decide. | 0:30:23 | 0:30:27 | |
So, are you happy, then, with the three items? | 0:30:27 | 0:30:29 | |
The fireplace, the two WMF vases and the railway lamp. | 0:30:29 | 0:30:33 | |
140. | 0:30:33 | 0:30:35 | |
-OK, that's fine. -My brain can breathe again. | 0:30:35 | 0:30:37 | |
Thank you. Done deal. | 0:30:37 | 0:30:39 | |
Thank you very much. You've got some lovely stuff here. | 0:30:39 | 0:30:41 | |
And those two have just bought a nice chunk of it. | 0:30:41 | 0:30:44 | |
-Shall we go? -Yes, let's go. -Phew! OK. | 0:30:44 | 0:30:47 | |
But while Clare and Roo leave Leicester, | 0:30:47 | 0:30:49 | |
the others are on their way there. | 0:30:49 | 0:30:52 | |
How did you get into acting? | 0:30:53 | 0:30:54 | |
It hit me at high school, because I was in Pride And Prejudice. | 0:30:54 | 0:30:57 | |
-Yeah. -I played Mr Wickham. | 0:30:57 | 0:30:59 | |
-Yeah. -And I had one line. | 0:30:59 | 0:31:00 | |
And I winked at the audience and they all howled with laughter. | 0:31:00 | 0:31:03 | |
So I did it again and again. | 0:31:03 | 0:31:04 | |
What did your parents want you to do? | 0:31:04 | 0:31:06 | |
It was Father that wanted me to join the Wrens. | 0:31:06 | 0:31:09 | |
Why the Wrens? | 0:31:09 | 0:31:11 | |
Well, I think he thought I'd be a good officer. | 0:31:11 | 0:31:13 | |
It's all about bonding in the Army and acting is a bit like that. | 0:31:13 | 0:31:17 | |
It's nothing... You know, it's nothing like as serious | 0:31:17 | 0:31:19 | |
as fighting in the Army, but it's teamwork. | 0:31:19 | 0:31:22 | |
Felicity's father served in the second Punjab Regiment | 0:31:23 | 0:31:26 | |
of the British Indian Army. | 0:31:26 | 0:31:27 | |
And they've come to the New Walk Museum to learn how followers | 0:31:30 | 0:31:34 | |
of the Sikh faith acquired their reputation as skilled fighters | 0:31:34 | 0:31:38 | |
from Gurinder Singh Mann. | 0:31:38 | 0:31:40 | |
The Sikh religion is founded by Guru Nanak in the 15th century, | 0:31:40 | 0:31:44 | |
in the area of Punjab, which is in northern India. | 0:31:44 | 0:31:47 | |
They were facing a persecution from the Mughals so, as a result, | 0:31:47 | 0:31:50 | |
they militarised themselves and were able to actually | 0:31:50 | 0:31:53 | |
combine themselves into a military force. | 0:31:53 | 0:31:56 | |
Did they integrate these combat skills within their religion? | 0:31:56 | 0:32:00 | |
-Absolutely. -They had the religious side of actually praying, etc, | 0:32:00 | 0:32:03 | |
with the Sikh scriptures, | 0:32:03 | 0:32:04 | |
but they balanced it out with these military skills, as well. | 0:32:04 | 0:32:07 | |
So they became Saint soldiers, in a sense, | 0:32:07 | 0:32:09 | |
using a number of weapons which they actually kind of also used | 0:32:09 | 0:32:12 | |
to worship, as well, in a similar way | 0:32:12 | 0:32:14 | |
that they worshipped the Scriptures. | 0:32:14 | 0:32:16 | |
But during the 19th century, | 0:32:16 | 0:32:17 | |
the powerful and very wealthy Sikh Punjab region was threatened | 0:32:17 | 0:32:22 | |
by the expansionist plans of the British East India Company. | 0:32:22 | 0:32:26 | |
It was one of the last states for the British to really seize upon | 0:32:26 | 0:32:30 | |
in terms of gaining control over all of India. | 0:32:30 | 0:32:33 | |
The Punjab was the last prize? | 0:32:33 | 0:32:35 | |
It absolutely was, yeah. | 0:32:35 | 0:32:36 | |
The Maharaja Ranjit Singh died in 1839. | 0:32:36 | 0:32:39 | |
He didn't actually leave any successors and, as a result, | 0:32:39 | 0:32:42 | |
the court has gone into chaos, so the British, looking inwards, | 0:32:42 | 0:32:45 | |
saw this is a great opportunity | 0:32:45 | 0:32:47 | |
to actually now move in on the territories. | 0:32:47 | 0:32:50 | |
So were the British confident they could take the area easily? | 0:32:50 | 0:32:53 | |
Yes, they were, but they had never come across a fighting force | 0:32:53 | 0:32:56 | |
such as the Sikhs. The Sikhs had actually been trained | 0:32:56 | 0:32:58 | |
by European generals, but on top of that, | 0:32:58 | 0:33:00 | |
the Sikhs had better hand-to-hand fighting skills, as well, | 0:33:00 | 0:33:04 | |
and this was demonstrated in the Battle of Ferozeshah, for instance, | 0:33:04 | 0:33:07 | |
where the British were on the verge of defeat | 0:33:07 | 0:33:09 | |
and state papers were sent to be burnt, | 0:33:09 | 0:33:10 | |
because they never thought that they'd be able to win | 0:33:10 | 0:33:13 | |
that particular battle. | 0:33:13 | 0:33:14 | |
No wonder, when you consider the bravery of the Sikhs | 0:33:14 | 0:33:17 | |
and the weapons at their disposal. | 0:33:17 | 0:33:19 | |
We actually have a punch dagger known as a katar. | 0:33:19 | 0:33:22 | |
They would actually have this on their attire and then eventually, | 0:33:22 | 0:33:25 | |
when it came down to a particular kind of battle, | 0:33:25 | 0:33:27 | |
they would just pull it out and they would use this with deadly force. | 0:33:27 | 0:33:30 | |
-Goodness! -So what about this? | 0:33:30 | 0:33:32 | |
I'm familiar with this. | 0:33:32 | 0:33:33 | |
The Greeks invented this. | 0:33:33 | 0:33:35 | |
Did they? | 0:33:35 | 0:33:36 | |
-The quoit. -The quoit. | 0:33:36 | 0:33:38 | |
So this quoit, in particular, what we call a chakra or chakram, | 0:33:38 | 0:33:41 | |
was actually used by the Sikhs, | 0:33:41 | 0:33:43 | |
who actually used to wear them within their turbans. | 0:33:43 | 0:33:45 | |
They used to wear it on their necks as well | 0:33:45 | 0:33:48 | |
and then actually used to use this within warfare | 0:33:48 | 0:33:50 | |
to actually fight against a particular enemy. | 0:33:50 | 0:33:52 | |
What is this, this insignia here? | 0:33:52 | 0:33:54 | |
Some of the Sikh weapons actually had verses from the Sikh Scriptures | 0:33:54 | 0:33:57 | |
and it was actually a reminder | 0:33:57 | 0:33:59 | |
of their Sikh faith whilst going into battle. | 0:33:59 | 0:34:02 | |
Eventually, after four years of conflict, the Sikhs were defeated, | 0:34:02 | 0:34:07 | |
their territory becoming part of the Empire. | 0:34:07 | 0:34:10 | |
So that slow war of attrition. | 0:34:10 | 0:34:12 | |
Absolutely. | 0:34:12 | 0:34:13 | |
Sikh numbers weren't being replenished and the British | 0:34:13 | 0:34:16 | |
were increasing their forces day by day, | 0:34:16 | 0:34:19 | |
so when we get to the Battle of Gujrat in 1849, | 0:34:19 | 0:34:22 | |
the British overran the Sikhs with ease, really. | 0:34:22 | 0:34:25 | |
After that, the Punjab was annexed by the victors | 0:34:25 | 0:34:29 | |
and the Sikhs would remain under British rule | 0:34:29 | 0:34:32 | |
until independence almost 100 years later. | 0:34:32 | 0:34:34 | |
The British saw the Sikhs as being a very formidable enemy, | 0:34:34 | 0:34:37 | |
so as a result, the Sikhs were actually employed | 0:34:37 | 0:34:40 | |
in various campaigns, so this mutual friendship | 0:34:40 | 0:34:42 | |
developed over a course of many years, | 0:34:42 | 0:34:44 | |
where the Sikhs were the backbone of the Commonwealth | 0:34:44 | 0:34:47 | |
in terms of the numerous places they went to. | 0:34:47 | 0:34:50 | |
So military opponents quickly became fellow fighters? | 0:34:50 | 0:34:54 | |
That's absolutely correct. | 0:34:54 | 0:34:56 | |
Despite being just 1% of the Indian population, | 0:34:56 | 0:35:00 | |
the fighting Sikhs came to make up a quarter of the British Indian Army | 0:35:00 | 0:35:04 | |
and play a vital role in two world wars. | 0:35:04 | 0:35:07 | |
Now, the last time we saw Clare and Roo, they were busily stocking up. | 0:35:10 | 0:35:15 | |
How are you finding the haggling? | 0:35:15 | 0:35:17 | |
-I quite like it. -Yeah? | 0:35:17 | 0:35:18 | |
-Yeah. -Have we created a beast? | 0:35:18 | 0:35:20 | |
Well, maybe, yes. | 0:35:20 | 0:35:22 | |
Every shop I go into now, I'm going to have to haggle, aren't I? | 0:35:22 | 0:35:24 | |
10% off, at least. | 0:35:24 | 0:35:26 | |
That bulging boot must be a source of some consolation, too, | 0:35:26 | 0:35:30 | |
because as our teams make for their final shop, | 0:35:30 | 0:35:33 | |
this lot have work to do. | 0:35:33 | 0:35:35 | |
-Two items. -Only two. | 0:35:35 | 0:35:37 | |
That's all we've got. I hope you don't think I've been too fussy? | 0:35:37 | 0:35:39 | |
Well, whoever makes it to Market Harborough first, hey? | 0:35:39 | 0:35:43 | |
Triumph, Jag, Jag, Triumph. | 0:35:43 | 0:35:45 | |
-Triumph it is. -Look at this. | 0:35:45 | 0:35:47 | |
What a place. | 0:35:47 | 0:35:48 | |
There should be plenty to go around, mind. | 0:35:48 | 0:35:51 | |
3,000 square feet, to be exact, plus £240 left to spend. | 0:35:51 | 0:35:56 | |
What we need to do is we want to walk around the whole extent | 0:35:56 | 0:36:01 | |
of this shop and find out the good stand. | 0:36:01 | 0:36:04 | |
James, there's a taxi sign there. | 0:36:04 | 0:36:06 | |
I wouldn't have that in my home, but some people love things like that. | 0:36:06 | 0:36:09 | |
-Plastic. -I don't like it. | 0:36:09 | 0:36:11 | |
Do you mind? | 0:36:11 | 0:36:13 | |
Definitely doesn't seem too fussy now. | 0:36:13 | 0:36:15 | |
-I'm beginning to panic, James. -No, don't panic. | 0:36:15 | 0:36:17 | |
Let's keep walking round. | 0:36:17 | 0:36:18 | |
We're going quite fast, that's the thing. | 0:36:18 | 0:36:20 | |
I know. It's important to walk fast. | 0:36:20 | 0:36:22 | |
Don't panic, Mrs Mainwaring. | 0:36:22 | 0:36:24 | |
On second thoughts... | 0:36:24 | 0:36:25 | |
We've got quite a bit of money left to spend. | 0:36:25 | 0:36:27 | |
-I want to go big. -I'd love to go big. | 0:36:27 | 0:36:29 | |
Best foot forward, everyone. | 0:36:29 | 0:36:31 | |
Oh. How are you doing? | 0:36:31 | 0:36:33 | |
Very well, how are you? | 0:36:33 | 0:36:34 | |
Yes, we're doing well. | 0:36:34 | 0:36:36 | |
Clare, what would you put in here, what would you put in there? | 0:36:36 | 0:36:39 | |
-Scotch. -Possibly. | 0:36:39 | 0:36:41 | |
-Vodka. -No, no, no. | 0:36:41 | 0:36:42 | |
Anyway, girls, we must rush. | 0:36:42 | 0:36:44 | |
-You must rush. -Busy, busy, eh? | 0:36:44 | 0:36:46 | |
-Busy. -Things to buy. -Things to buy. | 0:36:46 | 0:36:48 | |
-Bye. -They have a desperate look about them. | 0:36:48 | 0:36:51 | |
Quite the opposite, I'd say. | 0:36:51 | 0:36:53 | |
Ah, now they've split up. | 0:36:53 | 0:36:54 | |
Now that is lovely. | 0:36:56 | 0:36:59 | |
Real Arts and Crafts tradition here. | 0:36:59 | 0:37:01 | |
This is a sort of tree of life. | 0:37:01 | 0:37:03 | |
Look at the depth of the carving. | 0:37:03 | 0:37:05 | |
You get carving in low relief and high relief. | 0:37:05 | 0:37:08 | |
And this is really high relief. | 0:37:08 | 0:37:09 | |
And it would have been in a cabinet. | 0:37:09 | 0:37:11 | |
You can see where the polish was. | 0:37:11 | 0:37:13 | |
Something that might have come from Liberty's. | 0:37:13 | 0:37:16 | |
Possibly under the influence of the celebrated designer Archibald Knox. | 0:37:16 | 0:37:20 | |
What's the price? | 0:37:20 | 0:37:21 | |
58 quid. I love that. | 0:37:22 | 0:37:25 | |
Felicity! What do you think of that? | 0:37:25 | 0:37:27 | |
So that's real Arts and Crafts. | 0:37:29 | 0:37:31 | |
-Very cleverly carved. -It's beautifully carved. | 0:37:31 | 0:37:33 | |
I wouldn't go for it but I appreciate the craft in it. | 0:37:33 | 0:37:35 | |
-Yeah, yeah. -And I can see somebody might go for this. | 0:37:35 | 0:37:38 | |
So you're going to have to do your Mrs Mainwaring. | 0:37:38 | 0:37:41 | |
Time to chat with dealer Sally. | 0:37:41 | 0:37:43 | |
Now, we love this panel, hate the price. | 0:37:43 | 0:37:45 | |
But if you were buying that, what would you pay for it? | 0:37:45 | 0:37:48 | |
About 58, I would think. | 0:37:48 | 0:37:50 | |
Yeah, I thought she might say that! | 0:37:50 | 0:37:52 | |
Can I make a cheeky offer? 25. | 0:37:52 | 0:37:54 | |
25 is too cheeky. | 0:37:54 | 0:37:57 | |
-30? -No. | 0:37:57 | 0:37:58 | |
She would let it go for 53. | 0:37:58 | 0:38:01 | |
Other than that, we need to make a phone call. | 0:38:01 | 0:38:03 | |
-I think 35. -35. -35 is your offer. | 0:38:03 | 0:38:06 | |
You communicate 35. | 0:38:06 | 0:38:08 | |
In the meantime, we've got more buying to do. | 0:38:08 | 0:38:10 | |
-Yeah, we have. -OK, happy hunting. -Yeah. | 0:38:10 | 0:38:13 | |
Now definitely not from Liberty. | 0:38:13 | 0:38:15 | |
-1950s. -It's 1950s. | 0:38:15 | 0:38:17 | |
And, guess how much? | 0:38:17 | 0:38:19 | |
Less than 50? | 0:38:19 | 0:38:21 | |
-48. -I like it. | 0:38:21 | 0:38:22 | |
It screams 1950s, which is good. | 0:38:22 | 0:38:25 | |
I mean, it's so kitsch and plasticky. | 0:38:25 | 0:38:28 | |
Post-war is now becoming really fashionable. | 0:38:28 | 0:38:30 | |
If it was a crisp flavour, it would be a Quaver. | 0:38:30 | 0:38:33 | |
-Or a Wotsit. -Yeah. | 0:38:33 | 0:38:35 | |
A hint of cheese. | 0:38:35 | 0:38:36 | |
Other snacks are available. | 0:38:36 | 0:38:38 | |
The others have stepped outside. | 0:38:39 | 0:38:41 | |
Isn't this fun? | 0:38:41 | 0:38:42 | |
Quite a choice here, too. | 0:38:42 | 0:38:43 | |
-Do you like that the lamp? -No. | 0:38:43 | 0:38:45 | |
-No. -Sorry. | 0:38:45 | 0:38:46 | |
Still awaiting news on that carved panel, but needing to buy more. | 0:38:46 | 0:38:51 | |
I love these enamelled signs. | 0:38:51 | 0:38:52 | |
And enamelling's a great thing. | 0:38:52 | 0:38:54 | |
I think it's incredible workmanship. | 0:38:54 | 0:38:56 | |
It is, it's fantastic. | 0:38:56 | 0:38:57 | |
And I love the colours. But it's so heavily damaged, James. | 0:38:57 | 0:39:00 | |
If we found it in mint condition, it would be too much, big money. | 0:39:00 | 0:39:03 | |
-OK. -I'm expecting that to be low, low, low money. | 0:39:03 | 0:39:07 | |
Excuse me, sir, are you the stallholder, sir? | 0:39:07 | 0:39:10 | |
-James. -Andy. | 0:39:10 | 0:39:12 | |
Good to meet you, Andy. | 0:39:12 | 0:39:13 | |
Price on your enamelled sign. | 0:39:13 | 0:39:15 | |
I can do £85 for that one. | 0:39:15 | 0:39:17 | |
Oh, dear, oh, dear. | 0:39:17 | 0:39:19 | |
It's got a lovely wear on it as well. | 0:39:19 | 0:39:21 | |
Lovely wear! To me it looks like damage, Andy. | 0:39:21 | 0:39:24 | |
Patina on it. | 0:39:24 | 0:39:25 | |
Patina! | 0:39:25 | 0:39:27 | |
There's very little patina left on it! | 0:39:27 | 0:39:29 | |
-I can move down a little bit, though. -Can you? -OK. | 0:39:29 | 0:39:31 | |
-55. -No, maybe 70. | 0:39:31 | 0:39:34 | |
60. | 0:39:34 | 0:39:35 | |
Go on, then, yeah, I can do it at that. | 0:39:35 | 0:39:37 | |
60? Do you think...? | 0:39:37 | 0:39:39 | |
-Thanks, sir. -Well done, OK. | 0:39:39 | 0:39:41 | |
A steely resolve. | 0:39:41 | 0:39:43 | |
-This is Cookie. -Cookie. | 0:39:43 | 0:39:45 | |
And Cookie, is that a French Bulldog? | 0:39:45 | 0:39:46 | |
-It is indeed, yeah. -Bonjour. | 0:39:46 | 0:39:48 | |
-Does she not speak French? -No. -Oh. | 0:39:48 | 0:39:50 | |
Shame. Anyway, £60 spent. | 0:39:50 | 0:39:53 | |
Well done, Cookie. | 0:39:53 | 0:39:54 | |
Alors, eh. And back inside, | 0:39:54 | 0:39:55 | |
Clare seems to be thinking along very similar lines. | 0:39:55 | 0:39:58 | |
Just tell me about this. | 0:39:58 | 0:40:01 | |
That is actually very collectable. | 0:40:01 | 0:40:03 | |
-It's tobacco. -Is that not problematical? | 0:40:03 | 0:40:06 | |
No, it depends what you're buying. | 0:40:06 | 0:40:08 | |
The fact that smoking was obviously banned in public | 0:40:08 | 0:40:10 | |
and then smoking advertising was also banned, | 0:40:10 | 0:40:13 | |
that makes this now rare. | 0:40:13 | 0:40:14 | |
So there would be an interest in it? | 0:40:14 | 0:40:16 | |
Yes, definitely. | 0:40:16 | 0:40:18 | |
In fact, if I was to pick my ideal enamel signs I would find, | 0:40:18 | 0:40:22 | |
it would either be chocolate and confectionery, or tobacco. | 0:40:22 | 0:40:25 | |
-It's 145. -145. -So we can afford it. | 0:40:25 | 0:40:28 | |
Yes, they still have over £270. | 0:40:28 | 0:40:31 | |
Do you want to ring for attention, or shall I? | 0:40:31 | 0:40:33 | |
-Ring for attention? -There's a little bell over there. | 0:40:33 | 0:40:35 | |
I'll let you do it. | 0:40:35 | 0:40:36 | |
We will be with you shortly. | 0:40:38 | 0:40:40 | |
Here comes Sally. | 0:40:40 | 0:40:42 | |
We're looking at this enamel sign here. | 0:40:42 | 0:40:44 | |
It has got a big piece of damage there, | 0:40:44 | 0:40:46 | |
which we think means it's worth a lot less. | 0:40:46 | 0:40:48 | |
What would you say about £60? | 0:40:48 | 0:40:53 | |
What's the ticket price on that one? | 0:40:53 | 0:40:55 | |
It's 145. | 0:40:55 | 0:40:57 | |
I think that's a no. | 0:40:57 | 0:40:59 | |
What would be your best price? | 0:40:59 | 0:41:01 | |
That you could do? | 0:41:01 | 0:41:03 | |
The best on that will be 130. | 0:41:03 | 0:41:05 | |
-Right. -It is a lot of damage. | 0:41:05 | 0:41:07 | |
Would you do it for 80? | 0:41:07 | 0:41:09 | |
We'll do 85 for you. | 0:41:09 | 0:41:12 | |
Do you think we might be able to get a little bit lower | 0:41:12 | 0:41:14 | |
-if you speak to the dealer? -Maybe. -Could we try? | 0:41:14 | 0:41:17 | |
While they wait, | 0:41:17 | 0:41:18 | |
I wonder what happened about the carved panel, ticket price £58. | 0:41:18 | 0:41:23 | |
Sally, did we have any luck? | 0:41:23 | 0:41:25 | |
We did. We spoke to the dealer and the best that they'll do for you | 0:41:25 | 0:41:29 | |
-is 38. -38? What do you think? | 0:41:29 | 0:41:32 | |
-I think we should go for it. -I think we should go for it. | 0:41:32 | 0:41:34 | |
-Sally. -OK. -Thank you. -Thanks, Sally. | 0:41:34 | 0:41:36 | |
Thank you for doing that, it's really kind. | 0:41:36 | 0:41:38 | |
-Money. -Thank you. | 0:41:38 | 0:41:40 | |
More deals. Quick, Sally, back to the others. | 0:41:40 | 0:41:42 | |
Hi there. Did you manage to get a hold of the dealer? | 0:41:44 | 0:41:47 | |
We did and she said the absolute best price she'll do for you is £80. | 0:41:47 | 0:41:52 | |
Are you happy with that? | 0:41:52 | 0:41:53 | |
-I think so. -I think we've got a good chance at auction with that price. | 0:41:53 | 0:41:57 | |
-OK. -Brilliant. Done deal. Thank you again, Sally. | 0:41:57 | 0:42:00 | |
Would you like some money? | 0:42:00 | 0:42:02 | |
Good plan. Quite a team, aren't they? | 0:42:02 | 0:42:05 | |
Which just leaves Felicity and James looking for one more buy. | 0:42:06 | 0:42:11 | |
But it's getting late. | 0:42:11 | 0:42:13 | |
How do you feel about snooker cue stands? | 0:42:13 | 0:42:15 | |
Is that high on your shopping list? | 0:42:15 | 0:42:17 | |
If you had a snooker table and a snooker room, | 0:42:19 | 0:42:22 | |
that's a very easy fit. | 0:42:22 | 0:42:23 | |
It's 30 quid. | 0:42:23 | 0:42:25 | |
30 quid? Doesn't seem a lot. | 0:42:25 | 0:42:27 | |
-Yeah. -I quite like that. | 0:42:27 | 0:42:29 | |
So what shall we go in at? With it? | 0:42:29 | 0:42:31 | |
I don't know. Might do it for 20, mightn't they? | 0:42:31 | 0:42:33 | |
Ah, here's our seller. | 0:42:33 | 0:42:35 | |
Hello. You are the owner of this fine object? | 0:42:35 | 0:42:38 | |
-I am, yeah. -James. | 0:42:38 | 0:42:39 | |
-What is your name? -Mervin. -Mervin, Felicity. | 0:42:39 | 0:42:41 | |
-Hi, Felicity. -And have you had that long, Mervin? | 0:42:41 | 0:42:44 | |
No. | 0:42:44 | 0:42:45 | |
Scout's honour? | 0:42:45 | 0:42:46 | |
He's had it for ages. | 0:42:46 | 0:42:48 | |
You don't want to load it back in the lorry, do you? | 0:42:48 | 0:42:50 | |
No. It doesn't take much room, but... | 0:42:50 | 0:42:52 | |
-No. -But I'm willing to sell it. | 0:42:52 | 0:42:54 | |
Yeah. Would 18 buy it? | 0:42:54 | 0:42:57 | |
-19. -Go on, you've got yourself a deal. | 0:42:57 | 0:43:00 | |
Come on. Let's furnish you with the money, Mervin. | 0:43:00 | 0:43:02 | |
In there somewhere. | 0:43:05 | 0:43:06 | |
Mervin, there we are. Have you got £1 on you? | 0:43:06 | 0:43:08 | |
Oh, dear, twinge. | 0:43:08 | 0:43:10 | |
50p... | 0:43:11 | 0:43:12 | |
Parting with money normally does that! | 0:43:12 | 0:43:15 | |
Well, it's over now, James. | 0:43:15 | 0:43:17 | |
So let's see it all in the full light of day. | 0:43:18 | 0:43:22 | |
-Hot. -Are you melting, James? -I'm quite excited to see your stuff. | 0:43:22 | 0:43:26 | |
-Are you? -Yeah, really interested. | 0:43:26 | 0:43:27 | |
-I'm a bit nervous. -Ready, one, two, three. | 0:43:27 | 0:43:31 | |
-Ah! -Wow. | 0:43:31 | 0:43:32 | |
These are WMF. | 0:43:32 | 0:43:35 | |
Yeah. Are they heavy? | 0:43:35 | 0:43:36 | |
They're not bad. They're silver plate as opposed to silver. | 0:43:36 | 0:43:38 | |
Ah, they won't be that heavy, then. | 0:43:38 | 0:43:40 | |
But they are, it's got the signature at the bottom. | 0:43:40 | 0:43:43 | |
-WMF. Magic initials. -Very collectable. | 0:43:43 | 0:43:45 | |
They're quite elegant. | 0:43:45 | 0:43:46 | |
Yeah. And the smaller bits? | 0:43:46 | 0:43:48 | |
They look interesting. | 0:43:48 | 0:43:49 | |
That's a silver propelling pencil from 1941. | 0:43:49 | 0:43:52 | |
-And the ring? -That's a silver and marquetry brooch. | 0:43:52 | 0:43:56 | |
-Ah. -Yes. So we paired the silver items together, | 0:43:56 | 0:43:59 | |
made a nice delicate little lot. | 0:43:59 | 0:44:01 | |
-Oh, that's clever. -Compared to this not very delicate item here. | 0:44:01 | 0:44:04 | |
Lovely bull's-eye lens. | 0:44:04 | 0:44:05 | |
Probably that black is covering up rust? | 0:44:05 | 0:44:08 | |
No, it's just very well preserved. | 0:44:08 | 0:44:10 | |
And the fireplace? | 0:44:10 | 0:44:11 | |
Lovely Art Nouveau fireplace. | 0:44:11 | 0:44:13 | |
-Really? -Look at those tiles. Those tiles alone. | 0:44:13 | 0:44:16 | |
-They are nice. -And we have... | 0:44:16 | 0:44:18 | |
An enamelled sign. | 0:44:18 | 0:44:20 | |
-"Players please". -"Players please". | 0:44:20 | 0:44:22 | |
-Yeah. -Good condition. How much did you pay for that? | 0:44:22 | 0:44:24 | |
That we got from 145 down to 80. | 0:44:24 | 0:44:26 | |
-Well done. -Well done. | 0:44:26 | 0:44:28 | |
OK, a change of ends. | 0:44:28 | 0:44:29 | |
One, two, three. | 0:44:29 | 0:44:31 | |
-Go, James. -Oh, lovely. | 0:44:31 | 0:44:35 | |
You've got a tobacco enamel sign. | 0:44:35 | 0:44:37 | |
Oh, yes, there we are. | 0:44:37 | 0:44:39 | |
Just wave that off. | 0:44:39 | 0:44:40 | |
What's your favourite bit, Felicity? | 0:44:40 | 0:44:42 | |
-The lampshade. -No, my favourite bit is this. | 0:44:44 | 0:44:48 | |
Oh, you see, personally, I love brown furniture, | 0:44:48 | 0:44:51 | |
but does it make much at auction, James, Mr Braxton? | 0:44:51 | 0:44:53 | |
We're going to find out. That's my favourite bit. | 0:44:53 | 0:44:57 | |
James... I think that's rather beautiful. | 0:44:57 | 0:44:58 | |
-It is. Lovely. -It's the craftsmanship that's extraordinary. | 0:44:58 | 0:45:01 | |
-It's Arts and Crafts, yeah? -Arts and Crafts. Bang on. | 0:45:01 | 0:45:04 | |
-Bang on. -I've a bit of a passion for lampshades. | 0:45:04 | 0:45:07 | |
-Pleated lampshades. -Yeah. | 0:45:07 | 0:45:08 | |
They're like lovely dresses. | 0:45:08 | 0:45:10 | |
But I like silk pleat but that was the best I could find. | 0:45:12 | 0:45:15 | |
-And that strange object is...? -That was James. | 0:45:15 | 0:45:17 | |
A cue stand. Snooker cue stand. | 0:45:17 | 0:45:19 | |
-Oh, brilliant. -I think game is on. | 0:45:19 | 0:45:21 | |
-Game is on. -Well, we'll see you... Shall we see them at the auction? | 0:45:21 | 0:45:25 | |
Well, it would be very nice if we did. | 0:45:25 | 0:45:27 | |
It would be lovely to see you. | 0:45:27 | 0:45:29 | |
-See you there. -Bye. -Bye. -Bye. | 0:45:29 | 0:45:32 | |
I think it's quite imaginative, what they've chosen. | 0:45:32 | 0:45:35 | |
-Yeah. -It's a nice sort of wide sort of choice. | 0:45:35 | 0:45:38 | |
I think the table looks lovely, | 0:45:38 | 0:45:39 | |
but I'm not sure quite whether that will sell. | 0:45:39 | 0:45:41 | |
And there's so much damage on that sign. | 0:45:41 | 0:45:43 | |
You could actually poke a few holes through their sign. | 0:45:43 | 0:45:46 | |
-Yeah. -I do think we've got quality. | 0:45:46 | 0:45:48 | |
We have got quality. | 0:45:48 | 0:45:49 | |
We could furnish a flat with that. | 0:45:49 | 0:45:50 | |
Is that a proposition? | 0:45:50 | 0:45:52 | |
After getting started in Old Wolverton, | 0:45:52 | 0:45:54 | |
our celebrities and experts have headed west for an auction | 0:45:54 | 0:45:58 | |
in the Shropshire town of Newport, | 0:45:58 | 0:46:00 | |
with just one Morris Minor alteration. | 0:46:00 | 0:46:02 | |
-Third car. -How are you finding this one? | 0:46:02 | 0:46:04 | |
Like it. I like the colour. | 0:46:04 | 0:46:06 | |
I like the starter. | 0:46:06 | 0:46:07 | |
Not quite so welcome is the fact that seat belts weren't mandatory | 0:46:07 | 0:46:10 | |
in the early '60s, so they're not wearing any. | 0:46:10 | 0:46:13 | |
Seat belts, that is, girls. | 0:46:13 | 0:46:14 | |
James is really confident. | 0:46:14 | 0:46:15 | |
So is Roo. How are you feeling? | 0:46:15 | 0:46:17 | |
Well, I didn't sleep well last night. | 0:46:17 | 0:46:20 | |
You nervous? | 0:46:20 | 0:46:21 | |
A little bit worried if nothing sells. | 0:46:21 | 0:46:24 | |
Cheer up. | 0:46:24 | 0:46:25 | |
Welcome to the Norman new town they used to call Novus Burgus. | 0:46:25 | 0:46:30 | |
Also noted for a wine bar once owned by metal maestro Ozzy Osbourne. | 0:46:31 | 0:46:36 | |
This is Brettells saleroom, with internet bidding. | 0:46:37 | 0:46:41 | |
That's what I call an entrance. | 0:46:42 | 0:46:44 | |
Come on. Hello, how are you? | 0:46:44 | 0:46:46 | |
-Making an entrance. -Fine, a bit... | 0:46:46 | 0:46:49 | |
What, excited, nervous? | 0:46:49 | 0:46:51 | |
All of the above. | 0:46:51 | 0:46:52 | |
Felicity and James parted with £277 for five auction lots, | 0:46:53 | 0:46:57 | |
one of which appears to have settled in transit. | 0:46:57 | 0:47:00 | |
Shake the man's hand. | 0:47:00 | 0:47:02 | |
Shake the man's hand. | 0:47:02 | 0:47:03 | |
While Clare and Roo spent a bit less, | 0:47:03 | 0:47:05 | |
£248 for five auction lots. | 0:47:05 | 0:47:08 | |
I might put it down now because it's heavy! | 0:47:08 | 0:47:10 | |
But who does auctioneer David Brettell think will shade it? | 0:47:10 | 0:47:14 | |
The lampshade...um...yes. | 0:47:14 | 0:47:16 | |
Virtually unsalable. | 0:47:16 | 0:47:18 | |
I am not looking forward to it. | 0:47:18 | 0:47:20 | |
It will not take long on this auction. | 0:47:20 | 0:47:22 | |
The railway lamp, well in favour, railway items here at the moment | 0:47:22 | 0:47:25 | |
are doing really well. It's got its burner inside, | 0:47:25 | 0:47:28 | |
which you don't always find. | 0:47:28 | 0:47:30 | |
The Arts and Crafts panel is by far the best thing. | 0:47:30 | 0:47:33 | |
It is a stunner. | 0:47:33 | 0:47:35 | |
It's caused a huge amount of interest, | 0:47:35 | 0:47:38 | |
by far and away the most watched item on the internet. | 0:47:38 | 0:47:41 | |
Exciting! | 0:47:41 | 0:47:43 | |
So how are you feeling? | 0:47:43 | 0:47:44 | |
Yeah, excited. A bit nervous. | 0:47:44 | 0:47:46 | |
It's like we're standing in the wings, | 0:47:46 | 0:47:48 | |
and we're just about to go on. | 0:47:48 | 0:47:49 | |
It's that terrifying moment, you think... | 0:47:49 | 0:47:53 | |
Well, you're first, Felicity, with your biggest buy, too. | 0:47:53 | 0:47:57 | |
-I think it'll do well. -Do you? -I like your side table a lot. | 0:47:57 | 0:47:59 | |
-We paid a lot for it, though. -How much did you pay for it? | 0:47:59 | 0:48:02 | |
-150. 150. -It's beautifully decorated. | 0:48:02 | 0:48:04 | |
It is lovely. It stands out. | 0:48:04 | 0:48:06 | |
It's very practical, isn't it? | 0:48:06 | 0:48:08 | |
I can start at 50. Five, 60. Five, 65, | 0:48:08 | 0:48:12 | |
70, anywhere. 70 at the bottom. 75, bid for me. | 0:48:12 | 0:48:15 | |
-75 bid... -It's moving. | 0:48:15 | 0:48:16 | |
75 bid. Hammer's up. | 0:48:16 | 0:48:18 | |
80 on the bottom. 85, 85 bid. | 0:48:18 | 0:48:21 | |
85, 85. | 0:48:21 | 0:48:22 | |
-It's edging up. -Nobody on the net. | 0:48:22 | 0:48:24 | |
85, hammers up. | 0:48:24 | 0:48:26 | |
Last chance, round we go. Sold this time at 85. | 0:48:26 | 0:48:28 | |
I would say that you're probably in the lead at this juncture. | 0:48:28 | 0:48:31 | |
Yeah, own goals have that effect, don't they, James? | 0:48:32 | 0:48:35 | |
Well, this stuff doesn't sell easily now, you were saying... | 0:48:35 | 0:48:39 | |
I think I was saying when we were buying it how well it would do! | 0:48:39 | 0:48:42 | |
Clare's propelling pencil and brooch should be a banker, though. | 0:48:44 | 0:48:48 | |
How much did you pay for this item? | 0:48:48 | 0:48:50 | |
-28. -For both. | 0:48:50 | 0:48:52 | |
That's not playing the game, that's too cheap! | 0:48:52 | 0:48:54 | |
Pretty lot. £20 for that. | 0:48:54 | 0:48:56 | |
20 bid, 20 on the net. | 0:48:56 | 0:48:57 | |
£20 I have, 22's on the net. | 0:48:57 | 0:48:59 | |
Very good. | 0:48:59 | 0:49:01 | |
25... 28 bid, 30 on the net. | 0:49:01 | 0:49:05 | |
£30... | 0:49:05 | 0:49:06 | |
-In profit. -All internet so far. | 0:49:06 | 0:49:08 | |
Nobody in here. £30, two's on the net. | 0:49:08 | 0:49:11 | |
We really want 40 and above. | 0:49:11 | 0:49:13 | |
32, five anywhere? | 0:49:13 | 0:49:14 | |
32 internet bid. | 0:49:14 | 0:49:16 | |
32, nobody in the room. | 0:49:16 | 0:49:17 | |
Five in the room now. 35's in the room. | 0:49:17 | 0:49:20 | |
I think that's enough, don't you? | 0:49:20 | 0:49:22 | |
Fair warning. At 35. | 0:49:22 | 0:49:23 | |
Eight on the net. 38, 40 in the room. | 0:49:23 | 0:49:26 | |
£40 bid. £40, hammer's up, your last chance on the internet, | 0:49:26 | 0:49:29 | |
I'm selling in the room, all done at 40. | 0:49:29 | 0:49:32 | |
40, well done. | 0:49:34 | 0:49:36 | |
Well done. A solid start, you two. | 0:49:36 | 0:49:38 | |
Nothing so obscene as people crowing over this. | 0:49:38 | 0:49:41 | |
We are the least crowy people I know. | 0:49:41 | 0:49:44 | |
No, we're very humble. | 0:49:44 | 0:49:46 | |
Humble! | 0:49:46 | 0:49:47 | |
Time for Felicity's pick. | 0:49:49 | 0:49:51 | |
It doesn't look too crumpled, does it? | 0:49:51 | 0:49:53 | |
It's a set piece, | 0:49:53 | 0:49:54 | |
I can see it in a Tennessee Williams play lighting the set. | 0:49:54 | 0:49:57 | |
I can see it in a farce, can't you? | 0:49:57 | 0:49:59 | |
I can see it wobbling on the lampshade! | 0:50:01 | 0:50:03 | |
There we are, tenner for it. | 0:50:03 | 0:50:05 | |
Fiver for it. £1 for it. | 0:50:05 | 0:50:08 | |
50p for it. | 0:50:08 | 0:50:09 | |
30p for it. | 0:50:09 | 0:50:11 | |
20p... Stop me when you like! | 0:50:11 | 0:50:13 | |
20p. 10p for it. | 0:50:13 | 0:50:15 | |
A penny for it. | 0:50:15 | 0:50:17 | |
Sold. | 0:50:17 | 0:50:18 | |
I didn't know you could go down to pennies! | 0:50:20 | 0:50:22 | |
Apparently you can. | 0:50:22 | 0:50:23 | |
Can we just review things, Felicity. | 0:50:23 | 0:50:25 | |
-We're doing quite well. -Can you just shut up, James? | 0:50:25 | 0:50:28 | |
I don't want to be polite any more. | 0:50:28 | 0:50:29 | |
Thumping great loss on the first one. | 0:50:29 | 0:50:32 | |
That was your fault! | 0:50:32 | 0:50:34 | |
And then I think some sort of record loss we've established. | 0:50:34 | 0:50:37 | |
I think this fireplace might be Clare's favourite. | 0:50:37 | 0:50:40 | |
-How much did you pay for it? -60. -60? | 0:50:40 | 0:50:44 | |
They're looking vulnerable, Felicity. | 0:50:44 | 0:50:45 | |
Who'll start me there, £30 for that. | 0:50:47 | 0:50:49 | |
£30, off we go. 20 then, start me then. | 0:50:49 | 0:50:52 | |
-£20 for it now. -Come on, come on, come on. | 0:50:52 | 0:50:54 | |
-£20... -Don't make me get angry! | 0:50:54 | 0:50:55 | |
The tiles are worth £20, anyway. | 0:50:55 | 0:50:57 | |
-Not good. -You're joking? -It's beautiful! | 0:50:57 | 0:50:59 | |
Ten. £10, thank you through the gap. | 0:50:59 | 0:51:03 | |
£10 bid in the room. | 0:51:03 | 0:51:04 | |
£10, 12. | 0:51:04 | 0:51:05 | |
£12 stood up. | 0:51:05 | 0:51:07 | |
12, 15, 18 on the net. | 0:51:07 | 0:51:09 | |
£18 internet bid. | 0:51:09 | 0:51:11 | |
Come on, it's beautiful! | 0:51:11 | 0:51:13 | |
-At £18, all done. -No! | 0:51:13 | 0:51:16 | |
18. | 0:51:16 | 0:51:17 | |
-18. -A substantial loss. | 0:51:18 | 0:51:21 | |
Oh, Riley! | 0:51:21 | 0:51:23 | |
Now they can empathise a bit. | 0:51:23 | 0:51:25 | |
-I think it's the wrong place. -It's strange, isn't it? | 0:51:25 | 0:51:28 | |
Let's make excuses. | 0:51:28 | 0:51:29 | |
I like excuses. And it's summer. | 0:51:29 | 0:51:31 | |
Well luckily, snooker and billiards aren't especially seasonal. | 0:51:31 | 0:51:35 | |
-I didn't want to buy it. -You didn't? | 0:51:35 | 0:51:36 | |
-No. I told you. -Was that your choice? | 0:51:36 | 0:51:39 | |
£10 start me. | 0:51:39 | 0:51:40 | |
Surely. Ten, thank you on the net. | 0:51:40 | 0:51:43 | |
Oh, you've got ten. | 0:51:43 | 0:51:44 | |
-You're halfway there. -At £10. | 0:51:44 | 0:51:47 | |
12, a bidder in the room. | 0:51:47 | 0:51:49 | |
-Well done, well done. -Very good. | 0:51:49 | 0:51:51 | |
They're off then, they're off. | 0:51:51 | 0:51:53 | |
-18 now... -You're almost in profit. | 0:51:53 | 0:51:55 | |
£20 internet bid. | 0:51:55 | 0:51:56 | |
£20. | 0:51:56 | 0:51:58 | |
£20. Profit, profit. | 0:51:58 | 0:52:00 | |
Nobody else in the room, I'm selling on the net, £20, sold at 20. | 0:52:00 | 0:52:04 | |
That was obviously a good buy then, Mr Braxton. | 0:52:05 | 0:52:08 | |
Huge! | 0:52:08 | 0:52:09 | |
Aren't we glossing over the loss after costs bit? | 0:52:09 | 0:52:13 | |
-Well, well done, James. -I think it's a change of fortune, isn't it? | 0:52:13 | 0:52:16 | |
Can Roo's WMF turn the tide yet further? | 0:52:16 | 0:52:19 | |
This is really your choice, I knew nothing about this. | 0:52:19 | 0:52:22 | |
-£20. -Come on... | 0:52:22 | 0:52:25 | |
Bid on the net, 20 bid. | 0:52:25 | 0:52:27 | |
-£20 I have. -He's off. | 0:52:27 | 0:52:28 | |
22 bid on the internet. | 0:52:28 | 0:52:32 | |
Come on! | 0:52:32 | 0:52:33 | |
£22 bid. | 0:52:33 | 0:52:34 | |
22, 22, round we go. | 0:52:34 | 0:52:36 | |
-Five on the net. -Five, come on. | 0:52:36 | 0:52:38 | |
Eight on the net, 28. | 0:52:38 | 0:52:41 | |
All on the internet, nobody in the room. | 0:52:41 | 0:52:43 | |
28 bid, 30 on the net. | 0:52:43 | 0:52:44 | |
£30. | 0:52:44 | 0:52:46 | |
-It's just on the internet. -£30 fair warning. | 0:52:46 | 0:52:49 | |
Last chance, all done, sold away at 30. | 0:52:49 | 0:52:52 | |
-Broke even. -Broke even. | 0:52:52 | 0:52:53 | |
-That's all right. -I think right now, I think we'll take breaking even. | 0:52:53 | 0:52:57 | |
That's a very good idea. | 0:52:57 | 0:52:59 | |
The most fun part of this, for me, | 0:52:59 | 0:53:01 | |
is the battle of the tobacco enamel signs. | 0:53:01 | 0:53:04 | |
Kicking off with Felicity and James's acquisition. | 0:53:04 | 0:53:07 | |
James, it was actually verging on stained glass. | 0:53:07 | 0:53:09 | |
Cheeky! | 0:53:09 | 0:53:10 | |
I'm sorry! | 0:53:12 | 0:53:15 | |
Start me at 50. | 0:53:15 | 0:53:17 | |
£50 for that. | 0:53:17 | 0:53:19 | |
Three watching on the internet. | 0:53:19 | 0:53:20 | |
-So three watching on the internet, OK. -35, 40, five. 45, eight. | 0:53:20 | 0:53:25 | |
-48 bid. -Come on! -In at 40. | 0:53:25 | 0:53:28 | |
£48, here to be gone at 48. | 0:53:28 | 0:53:30 | |
48, 50 on the phone. | 0:53:30 | 0:53:32 | |
-£50 bid. -On the phone. -Oh, the phone! | 0:53:32 | 0:53:35 | |
The bidding's on the telephone. | 0:53:35 | 0:53:36 | |
Hammer's up, fair warning, I'm selling. | 0:53:36 | 0:53:38 | |
-Last chance... -Why isn't he working harder? | 0:53:38 | 0:53:41 | |
On the phone at 50. | 0:53:41 | 0:53:42 | |
Well, I was worried about the condition, to be fair, | 0:53:42 | 0:53:45 | |
and James didn't listen to me. But, as usual... | 0:53:45 | 0:53:48 | |
-Team, team, team, team. -Team, team. | 0:53:48 | 0:53:50 | |
Yeah, teams win, and mostly lose together, it seems. | 0:53:50 | 0:53:54 | |
I think, actually, we've lost more than we've spent thus far. | 0:53:54 | 0:53:59 | |
It's quite an achievement. | 0:53:59 | 0:54:01 | |
Gosh. Can Clare's sign buck the trend? | 0:54:01 | 0:54:04 | |
I can start at 50, five, 60, five, 70, five. | 0:54:04 | 0:54:09 | |
75, 75, please. 80 on the net. | 0:54:09 | 0:54:13 | |
-£80 bid... -So don't worry. | 0:54:13 | 0:54:16 | |
-Come on. -Nobody in the room. | 0:54:16 | 0:54:17 | |
At £80, sold this time. | 0:54:17 | 0:54:19 | |
Anybody else moving it? | 0:54:19 | 0:54:21 | |
-Five if you want it. -Take it. | 0:54:21 | 0:54:23 | |
I'll lend him three quid. | 0:54:24 | 0:54:26 | |
No, don't, don't! | 0:54:26 | 0:54:28 | |
Do it, do it, it's only a fiver! | 0:54:28 | 0:54:30 | |
Five, 85, 85 bid, 85 bid, 85. | 0:54:30 | 0:54:33 | |
-We had to work for that one. -£85 bid, you're out on the internet now. | 0:54:33 | 0:54:36 | |
90 on the internet. | 0:54:36 | 0:54:38 | |
90, 90... | 0:54:38 | 0:54:39 | |
-90. -At £90 bid, £90. | 0:54:39 | 0:54:42 | |
Come on, a little bit more. A little bit more. | 0:54:42 | 0:54:44 | |
No, he says. At 90. | 0:54:44 | 0:54:46 | |
-Was it 90? -90. | 0:54:47 | 0:54:49 | |
-Well done. -Well done. | 0:54:49 | 0:54:50 | |
Very well done. | 0:54:50 | 0:54:51 | |
They got there. | 0:54:51 | 0:54:52 | |
First profit for a while. | 0:54:52 | 0:54:54 | |
This is our last opportunity to regain some dignity. | 0:54:54 | 0:54:59 | |
Well, we're all rooting for you, James. | 0:54:59 | 0:55:02 | |
How much did you pay for it? | 0:55:02 | 0:55:03 | |
-£38. -Oh, that's nothing. | 0:55:03 | 0:55:06 | |
Thank you, Clare. | 0:55:06 | 0:55:07 | |
-Nothing. That is nothing, isn't it? -All right! | 0:55:07 | 0:55:10 | |
My favourite lot in the sale, this Arts and Crafts walnut... | 0:55:10 | 0:55:13 | |
Favourite lot of the sale. | 0:55:13 | 0:55:15 | |
The stylised pear tree. | 0:55:15 | 0:55:16 | |
There we are. We'll start at 20, but I expect it to make 100. | 0:55:16 | 0:55:19 | |
20. 85. | 0:55:19 | 0:55:20 | |
-85! -85 on the net. | 0:55:20 | 0:55:22 | |
85 bid, 85 bid, 95 bid, 95, 100. | 0:55:22 | 0:55:26 | |
£100 I have, £100, £100. | 0:55:26 | 0:55:29 | |
Ten anywhere? Ten on the net. | 0:55:29 | 0:55:30 | |
Oh, James, you have bought well. | 0:55:30 | 0:55:32 | |
It only takes one item. | 0:55:32 | 0:55:34 | |
120 bid. 120 I have, 120 bid... | 0:55:34 | 0:55:37 | |
If you run away with this, I will feel sick to the stomach. | 0:55:37 | 0:55:41 | |
-130. -140 anywhere? | 0:55:41 | 0:55:42 | |
I can't watch, I cannot watch! | 0:55:42 | 0:55:46 | |
140 bid. 50 bid now. | 0:55:46 | 0:55:48 | |
150 bid, 150, 150 got. | 0:55:48 | 0:55:50 | |
-At £150... -James, that's an amazing buy. | 0:55:50 | 0:55:53 | |
It's being sold at £150. | 0:55:55 | 0:55:58 | |
-Well done. -That was a very good buy. -Well done. | 0:55:58 | 0:56:02 | |
That's a fine result. | 0:56:02 | 0:56:04 | |
Really turns things round. | 0:56:04 | 0:56:05 | |
-How are you feeling, James? -Smug. | 0:56:05 | 0:56:07 | |
Smug? It's funny, because you look quite smug! | 0:56:07 | 0:56:11 | |
This lamp's your last chance to wipe that smile, Clare. | 0:56:11 | 0:56:14 | |
-Stop grinning! -Sorry. | 0:56:14 | 0:56:16 | |
I'm just a naturally happy person! | 0:56:16 | 0:56:19 | |
It's very close. | 0:56:19 | 0:56:20 | |
Start at 50, five, 60, five, 70... | 0:56:20 | 0:56:23 | |
Well done. | 0:56:23 | 0:56:24 | |
75 I have, 75 bid. | 0:56:27 | 0:56:29 | |
Come on, a little bit more. | 0:56:29 | 0:56:30 | |
£75 bid. | 0:56:30 | 0:56:32 | |
80, £80 on the right. | 0:56:32 | 0:56:35 | |
OK, it's up at 80. | 0:56:35 | 0:56:36 | |
85 bid, 85 now you're out. | 0:56:36 | 0:56:39 | |
85, fair warning, I'm selling. | 0:56:39 | 0:56:40 | |
-£85 for the railway lamp. -No, don't sell, don't sell. | 0:56:40 | 0:56:42 | |
-At 85... -Come on. | 0:56:42 | 0:56:44 | |
Here on a commission bid at 85. | 0:56:44 | 0:56:47 | |
It's good, yeah, that's good. | 0:56:47 | 0:56:49 | |
-It's a profit. -Very good. -You had some good buys, you guys. | 0:56:49 | 0:56:52 | |
-Thank you. -Some nice pieces. | 0:56:52 | 0:56:55 | |
I liked your lampshade. | 0:56:55 | 0:56:56 | |
Bless you! Nice to end on a profit, though. | 0:56:56 | 0:56:59 | |
I think we've earned ourselves a big cup of tea and a huge slice of cake, | 0:56:59 | 0:57:03 | |
-in fact, the whole cake. -Definitely. Let's go. | 0:57:03 | 0:57:05 | |
Come on. | 0:57:05 | 0:57:07 | |
While we add up what's sure to be a close finish. | 0:57:07 | 0:57:10 | |
Clare and Roo started out with £400, | 0:57:10 | 0:57:13 | |
and after auction costs they made a loss of £32.34, | 0:57:13 | 0:57:17 | |
so they ended up with £367.66... | 0:57:17 | 0:57:22 | |
..while Felicity and James, who began with the same sum, | 0:57:24 | 0:57:27 | |
made a slightly smaller loss after costs of £26.89. | 0:57:27 | 0:57:32 | |
Meaning that, with a total of £373.11, | 0:57:32 | 0:57:36 | |
they are our winners, just! | 0:57:36 | 0:57:39 | |
-Congratulations! -Congratulations. | 0:57:39 | 0:57:41 | |
Very good job. | 0:57:41 | 0:57:42 | |
Very well done. | 0:57:42 | 0:57:44 | |
I think it's the journey. Someone said to me it's the journey | 0:57:44 | 0:57:46 | |
that matters more than the end result. | 0:57:46 | 0:57:48 | |
It is the journey, and it's a journey you should start. | 0:57:48 | 0:57:51 | |
-Get in, get in. -We'll take our ladylike umbrellas, James! | 0:57:51 | 0:57:53 | |
Can I give you my umbrella? | 0:57:53 | 0:57:55 | |
-Yes. -It's a typical thing with vintage cars. | 0:57:55 | 0:57:58 | |
Shall I take that umbrella? | 0:57:58 | 0:57:59 | |
-Yes, I'm going. -Go on! | 0:57:59 | 0:58:01 | |
Well done. | 0:58:01 | 0:58:02 | |
Quick! Wave, wave! | 0:58:03 | 0:58:04 | |
Bye! | 0:58:06 | 0:58:07 | |
So what will the critics make of it? | 0:58:07 | 0:58:09 | |
It's been good fun, and I've loved coming on this trip with you. | 0:58:09 | 0:58:12 | |
Yeah, I've loved doing it with you. | 0:58:12 | 0:58:13 | |
We've loved having you. | 0:58:13 | 0:58:15 | |
I just want to say, probably, sorry for not driving. | 0:58:15 | 0:58:17 | |
-It's fine. -But it's... | 0:58:19 | 0:58:21 | |
-Clare! -If I'm really honest, I've really loved the driving. | 0:58:21 | 0:58:25 | |
Yeah, and you're good at it. | 0:58:25 | 0:58:26 | |
Clare, take care, take care. | 0:58:29 | 0:58:31 |