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The nation's favourite celebrities... | 0:00:02 | 0:00:04 | |
Just want to touch base. | 0:00:04 | 0:00:05 | |
-..paired up with an expert... -Boo! -Ha! | 0:00:05 | 0:00:07 | |
..and a classic car. | 0:00:07 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim - to make the biggest profit at auction, | 0:00:15 | 0:00:18 | |
but it's no easy ride. | 0:00:18 | 0:00:20 | |
Who will find a hidden gem? | 0:00:21 | 0:00:22 | |
CAR HORN | 0:00:22 | 0:00:23 | |
-Like that. -Who will take the biggest risk? | 0:00:23 | 0:00:25 | |
This could end in disaster. | 0:00:25 | 0:00:27 | |
Will anybody follow expert advice? | 0:00:27 | 0:00:29 | |
But I love this! | 0:00:29 | 0:00:31 | |
Why would you buy something you are not going to use? | 0:00:31 | 0:00:33 | |
There will be worthy winners | 0:00:33 | 0:00:34 | |
and valiant losers. | 0:00:34 | 0:00:36 | |
No. I don't want to shake hands. | 0:00:36 | 0:00:37 | |
Put your pedal to the metal. | 0:00:37 | 0:00:39 | |
Let me get out of first gear. | 0:00:39 | 0:00:40 | |
This is the Celebrity Antiques Road Trip! | 0:00:40 | 0:00:43 | |
Yeah. | 0:00:47 | 0:00:48 | |
Today, we will be pootling around Edinburgh | 0:00:51 | 0:00:53 | |
with two celebrities who are the best of friends. | 0:00:53 | 0:00:56 | |
This is what life's all about, isn't it? | 0:00:56 | 0:00:58 | |
In the middle of nowhere, in a car that's smaller than my jumper. | 0:00:58 | 0:01:04 | |
Squeezed into this HMC Healey | 0:01:05 | 0:01:08 | |
are comedian Tim Vine and actor and funnyman Ricky Grover. | 0:01:08 | 0:01:12 | |
So I'm trying to find a gear I like | 0:01:12 | 0:01:14 | |
and I don't think that's one... | 0:01:14 | 0:01:16 | |
-Oh, blimey, there we are. -There you go. | 0:01:16 | 0:01:18 | |
I'm thinking I'm choosing this | 0:01:18 | 0:01:20 | |
depending on what note I'm getting from it. | 0:01:20 | 0:01:22 | |
King of one-line comedy, | 0:01:24 | 0:01:26 | |
Tim has a reputation as a fast-fire "punslinger". | 0:01:26 | 0:01:29 | |
Oh, it's a pansy. | 0:01:29 | 0:01:30 | |
Well, it's a chimpanzee. That's not a good sign, is it? | 0:01:30 | 0:01:33 | |
The funnyman even held a Guinness world record | 0:01:33 | 0:01:37 | |
for telling 499 jokes in just 60 minutes. Wow. | 0:01:37 | 0:01:41 | |
Serious, now - concentrate on the road. | 0:01:41 | 0:01:43 | |
-So, over this speed bump. -METAL SCRAPING | 0:01:43 | 0:01:46 | |
Oh! | 0:01:46 | 0:01:47 | |
That's my bum hitting the floor, isn't it? | 0:01:47 | 0:01:50 | |
MUSIC: EastEnders Theme | 0:01:50 | 0:01:53 | |
It was home from home when East Ender Ricky | 0:01:53 | 0:01:55 | |
ended up in Albert Square as Andrew Cotton. | 0:01:55 | 0:01:58 | |
He has also starred in many sitcoms, | 0:01:58 | 0:02:01 | |
like the Porridge remake. | 0:02:01 | 0:02:03 | |
Before his appearances on telly, Ricky was a star in the ring too, | 0:02:03 | 0:02:07 | |
as an amateur boxing champ. | 0:02:07 | 0:02:09 | |
Here's hoping for an appropriate sparring partner, eh? | 0:02:09 | 0:02:12 | |
What sort of antique expert are you after, Ricky? | 0:02:12 | 0:02:14 | |
It would be lovely if I've got someone who spoke my own language, wouldn't it? | 0:02:14 | 0:02:18 | |
-You're going to get the posh one. -I'm going to get the posh one. | 0:02:18 | 0:02:21 | |
You're going to go mob-handed into antique shops and threaten them | 0:02:21 | 0:02:24 | |
into giving you bargains! | 0:02:24 | 0:02:25 | |
There will be no need for that. | 0:02:25 | 0:02:27 | |
Not when you've got two veteran antique-ers on hand | 0:02:27 | 0:02:30 | |
to help with the haggling. | 0:02:30 | 0:02:31 | |
Behind the wheel of this 1969 Jaguar E-Type is James Braxton. | 0:02:31 | 0:02:35 | |
Riding shotgun is David Harper - in leather. | 0:02:35 | 0:02:38 | |
It's a beautiful car and you look beautiful too. | 0:02:39 | 0:02:42 | |
You look fantastic! | 0:02:42 | 0:02:43 | |
Oh, David, I'm loving you. | 0:02:43 | 0:02:45 | |
Steady on, you two, mutual admiration. | 0:02:45 | 0:02:47 | |
What about your celebrities, eh? | 0:02:47 | 0:02:48 | |
-So Tim Vine... -Yeah. -Do you know him? -Lovely man. | 0:02:48 | 0:02:51 | |
-I've seen him. -Right. | 0:02:51 | 0:02:53 | |
Very funny. Very funny man. | 0:02:53 | 0:02:54 | |
Lovely man. Tim is the man for me, chief. | 0:02:54 | 0:02:56 | |
I think he does suit you. | 0:02:56 | 0:02:58 | |
And I like Ricky, I think he's an all-rounder. | 0:02:58 | 0:03:00 | |
He's a sportsman, an ex-sportsman, a boxer... | 0:03:00 | 0:03:03 | |
He's a comedian, a great actor and I think he's oozing talent. | 0:03:03 | 0:03:06 | |
So I'm happy to go with Ricky. | 0:03:06 | 0:03:08 | |
That sounds like a decision to me. | 0:03:08 | 0:03:10 | |
Once paired up, our teams will hit the road | 0:03:10 | 0:03:12 | |
with £400 in their pockets. | 0:03:12 | 0:03:14 | |
James and David are standing by | 0:03:14 | 0:03:16 | |
on the shores of the Firth of Forth to go forth. | 0:03:16 | 0:03:19 | |
So I get a bit perky when I'm near to saltwater. | 0:03:19 | 0:03:23 | |
-Is this you being perky, then? -Yeah. -Oh. | 0:03:23 | 0:03:25 | |
Look lively, then, gents. | 0:03:25 | 0:03:27 | |
Here they come. | 0:03:27 | 0:03:28 | |
Isn't that a pretty car? | 0:03:28 | 0:03:30 | |
-We made it. -I've never seen a space so constrained! | 0:03:30 | 0:03:33 | |
-Take your time, chaps. -You two make a space look small, don't you? | 0:03:35 | 0:03:39 | |
-Eh? -Cor! I had to grease up to get in that! | 0:03:39 | 0:03:42 | |
-I know. -It was hard work. | 0:03:42 | 0:03:44 | |
-Well, you're with me, Ricky. -Come on... -Tim. -James. | 0:03:44 | 0:03:47 | |
-I saw you, I thought, "I hope it's him." -Oh, not again! | 0:03:47 | 0:03:49 | |
I can't keep doing this! | 0:03:49 | 0:03:51 | |
It's like getting in a submarine. | 0:03:51 | 0:03:53 | |
Well, luckily, I'm a yogic master. | 0:03:53 | 0:03:55 | |
So... | 0:03:55 | 0:03:56 | |
I'm in. We'll leave these two standing, won't we? | 0:03:56 | 0:03:59 | |
CAR HORN | 0:04:01 | 0:04:02 | |
-We've got the wrong car, haven't we? -See you tomorrow! | 0:04:02 | 0:04:05 | |
-In your own time, Tim. -Right. I'm just trying to... | 0:04:05 | 0:04:07 | |
-Shall I be master of the handbrake? -Would you mind? I knew that was on. | 0:04:07 | 0:04:10 | |
Oh, there we are. I'm going to attempt second. | 0:04:10 | 0:04:12 | |
Let's see where our pairs are headed, shall we? | 0:04:12 | 0:04:15 | |
Starting off in Inverkeithing, in beautiful Fife, | 0:04:15 | 0:04:19 | |
they will meander their way around Edinburgh | 0:04:19 | 0:04:21 | |
before heading 130 miles south, across the border, | 0:04:21 | 0:04:24 | |
to auction in Wooler. | 0:04:24 | 0:04:26 | |
The E-Types are getting better acquainted. | 0:04:26 | 0:04:28 | |
Form an orderly queue. | 0:04:28 | 0:04:29 | |
I come from rag and bone people. | 0:04:29 | 0:04:31 | |
Rag and bone...? | 0:04:31 | 0:04:33 | |
You then, have been perfectly trained if that's the case. | 0:04:33 | 0:04:37 | |
-Give me the story there. -So... | 0:04:37 | 0:04:38 | |
..we had a horse in our hallway. | 0:04:40 | 0:04:42 | |
Your hallway, in your house? | 0:04:42 | 0:04:43 | |
In the house. | 0:04:43 | 0:04:45 | |
What, do you mean a real horse? | 0:04:45 | 0:04:46 | |
A real horse, called Ginger. | 0:04:46 | 0:04:48 | |
What's Ginger doing in the hallway? | 0:04:48 | 0:04:49 | |
You've got nothing to pull the cart, you've got to have a horse. | 0:04:49 | 0:04:52 | |
-That's your car, isn't it? -That's your car. But do you know what? | 0:04:52 | 0:04:55 | |
Can you imagine the sort of stuff | 0:04:55 | 0:04:57 | |
that's gone through my hands as a rag and bone person? | 0:04:57 | 0:05:00 | |
Well, that's interesting. | 0:05:00 | 0:05:01 | |
So, all this stuff that you've seen, | 0:05:01 | 0:05:03 | |
was there anything in particular that you really loved, | 0:05:03 | 0:05:06 | |
any particular period or type of thing? | 0:05:06 | 0:05:08 | |
Well, when you are from the East End, | 0:05:10 | 0:05:12 | |
it's not so much about the story, | 0:05:12 | 0:05:15 | |
it's more about...is there a pound note in it? | 0:05:15 | 0:05:17 | |
That's the spirit, Ricky! | 0:05:17 | 0:05:19 | |
Meanwhile, Tim and James are having a little bit of difficulty | 0:05:19 | 0:05:22 | |
with their HMC Healey. | 0:05:22 | 0:05:23 | |
There's a grinding noise... | 0:05:23 | 0:05:25 | |
-Oh... -Oh, dear. | 0:05:25 | 0:05:26 | |
-That is grinding. -Try and get into second. | 0:05:26 | 0:05:28 | |
Having a bit of trouble getting it into a gear. | 0:05:28 | 0:05:31 | |
-I'm going to try and get it in first. -Yeah. | 0:05:31 | 0:05:33 | |
I think we're reaching crisis point. | 0:05:33 | 0:05:36 | |
Or are we giving up on it? | 0:05:36 | 0:05:37 | |
I think we're giving up on it, aren't we? | 0:05:37 | 0:05:39 | |
I can't get it in gear. That's kind of... | 0:05:39 | 0:05:41 | |
That's one of the things about driving, isn't it? | 0:05:41 | 0:05:43 | |
It's quite fundamental, isn't it? | 0:05:43 | 0:05:45 | |
I think it's all right to leave it here | 0:05:45 | 0:05:47 | |
and just move on with our lives. | 0:05:47 | 0:05:49 | |
That's the car gone, then. | 0:05:49 | 0:05:51 | |
Onwards and upwards. | 0:05:51 | 0:05:53 | |
You do visual jokes as well, do you, Tim? | 0:05:53 | 0:05:55 | |
-I do some visual jokes, yeah. -That's good, isn't it? | 0:05:55 | 0:05:57 | |
Bloke said to me, "Can you copy a cassette for me?" | 0:05:57 | 0:06:00 | |
I said, "Sure..." | 0:06:00 | 0:06:01 | |
Both teams this morning are heading for the same shop. | 0:06:04 | 0:06:07 | |
Despite abandoning their car, Tim and James are first to arrive. | 0:06:07 | 0:06:11 | |
-James. -Gail. James. -Gail. | 0:06:11 | 0:06:12 | |
-Hi... -Tim. -Hi, Tim. | 0:06:12 | 0:06:14 | |
How are you? Well, we're looking for something | 0:06:14 | 0:06:17 | |
that you're selling at a price, but you don't realise it's worth more. | 0:06:17 | 0:06:20 | |
Right, well, we'll try and find something like that, I'm quite sure, upstairs! | 0:06:20 | 0:06:24 | |
Yeah. Well, Tim catches on quick. | 0:06:24 | 0:06:26 | |
The Bargain Centre has plenty to choose from. | 0:06:26 | 0:06:29 | |
I wonder what will catch their eye. | 0:06:29 | 0:06:31 | |
What's this? It looks like... Well, I don't know what it is. | 0:06:31 | 0:06:34 | |
Well, I think that was known as a telephone seat. | 0:06:34 | 0:06:36 | |
-Right. -And so, when you were nattering to Aunt Hilda, | 0:06:36 | 0:06:40 | |
you would sit in some comfort. | 0:06:40 | 0:06:43 | |
Brilliant. I think I might try it, actually. | 0:06:43 | 0:06:45 | |
I'm going to put my phone down here and see what it... | 0:06:45 | 0:06:48 | |
That's a sort of period phone, isn't it? | 0:06:48 | 0:06:51 | |
-Hello, Mother? -Hold the line! | 0:06:53 | 0:06:55 | |
Oh, Lord, here come Ricky and David. | 0:06:55 | 0:06:57 | |
Flash! | 0:06:57 | 0:06:58 | |
-We beat them. -Brilliant. Want to get in there, nice and fast. | 0:06:58 | 0:07:02 | |
Oh! Excuse me. | 0:07:03 | 0:07:04 | |
Just want to touch base. | 0:07:06 | 0:07:07 | |
If I like something, I'll say, "Sweet as a nut." | 0:07:10 | 0:07:13 | |
OK. All right, sweet as a nut. | 0:07:13 | 0:07:14 | |
Marvellous, this is great. | 0:07:14 | 0:07:16 | |
-Oh! -Hello. | 0:07:16 | 0:07:17 | |
-There's the rivals. -The competition. -Oh, my Lord... | 0:07:17 | 0:07:20 | |
How did you get here? | 0:07:20 | 0:07:22 | |
-We got a taxi. -We walked quicker than your car. | 0:07:22 | 0:07:24 | |
We've had a nice drive in the countryside, though, haven't we? | 0:07:24 | 0:07:26 | |
Yeah, we've had a nice drive, it don't matter. | 0:07:26 | 0:07:28 | |
It's all right. | 0:07:28 | 0:07:29 | |
The odds are against us, but we're still going to come good. | 0:07:29 | 0:07:32 | |
So, Ricky, this is not a "sweet as a nut" moment, is it? | 0:07:32 | 0:07:34 | |
It's not really, no. | 0:07:34 | 0:07:35 | |
-Come on, Tim. -We was here first. | 0:07:35 | 0:07:37 | |
-Yeah. -We are going to have to... | 0:07:37 | 0:07:39 | |
OK. Well, what I would like to do, I think this is a bit sparse, | 0:07:39 | 0:07:41 | |
I want to get in there, | 0:07:41 | 0:07:43 | |
but let's go behind them. | 0:07:43 | 0:07:44 | |
I know they've already been there, but I don't... | 0:07:44 | 0:07:46 | |
They know nothing, the pair of them, honestly. | 0:07:46 | 0:07:49 | |
Good plan, David. Let's see what's on offer. | 0:07:49 | 0:07:52 | |
Who does that remind you of? | 0:07:53 | 0:07:55 | |
Oh, Ginger! | 0:07:55 | 0:07:56 | |
Ginger! | 0:07:56 | 0:07:58 | |
Sellotape, James. It's very cheap | 0:08:01 | 0:08:03 | |
and I think, you know, there's a mark-up. | 0:08:03 | 0:08:05 | |
But what about the buffet? | 0:08:05 | 0:08:07 | |
Can you name the wood, Tim? | 0:08:07 | 0:08:09 | |
I'm going to call it Cyril. | 0:08:09 | 0:08:10 | |
No, it's called mahogany. | 0:08:13 | 0:08:14 | |
-OK. Cyril Mahogany, obviously. -Yeah. Cyril killer. | 0:08:14 | 0:08:17 | |
Cyril...! | 0:08:17 | 0:08:19 | |
"Cyril killer," that's a good punch line for a joke. | 0:08:19 | 0:08:22 | |
I'm going to text myself that! | 0:08:22 | 0:08:24 | |
"Cyril killer." We're getting a bit off track here, aren't we? | 0:08:24 | 0:08:27 | |
Yeah. You'd better get moving, chaps. | 0:08:27 | 0:08:29 | |
It looks like your opponents have already found something. | 0:08:29 | 0:08:33 | |
Yeah, a Benares brass tea bell. | 0:08:33 | 0:08:35 | |
-15 quid! -15 quid. | 0:08:35 | 0:08:37 | |
-OK. -It's a bell. | 0:08:37 | 0:08:39 | |
Yeah. How does it work? How does it work? | 0:08:39 | 0:08:41 | |
So it's got to be like... | 0:08:41 | 0:08:43 | |
BELL CHIMES | 0:08:43 | 0:08:44 | |
Oh... That's a good sound. | 0:08:44 | 0:08:47 | |
I used to do a bit of chanting, I don't know if you... | 0:08:47 | 0:08:49 | |
-Genuinely? -Genuinely, this is not a wind-up. | 0:08:49 | 0:08:52 | |
Can I ring the bell and you chant? | 0:08:52 | 0:08:54 | |
Nam-myoho-renge-kyo. Nam-myoho-renge-kyo. Nam-myoho-renge-kyo. | 0:08:55 | 0:09:00 | |
Nam-myoho-renge-kyo. Nam-myoho-renge-kyo. Nam-myoho-renge-kyo... | 0:09:00 | 0:09:04 | |
HE GASPS | 0:09:04 | 0:09:06 | |
Bit out of breath, but... | 0:09:06 | 0:09:07 | |
Well, it worked on me. Yeah. | 0:09:07 | 0:09:09 | |
What age do you think that is? | 0:09:09 | 0:09:10 | |
Do you know what? I don't think it's a massive age. | 0:09:10 | 0:09:13 | |
It feels machine-made. | 0:09:13 | 0:09:16 | |
I think you're absolutely bang on. | 0:09:16 | 0:09:18 | |
-Thanks. -You can tell by the teeth there. | 0:09:18 | 0:09:20 | |
There is no wear at all. | 0:09:20 | 0:09:22 | |
It's even been blacked up in places to make it look like | 0:09:22 | 0:09:25 | |
it's built up a kind of a patination. | 0:09:25 | 0:09:26 | |
-Yeah. -But it's the kind of thing that Buddhists would have been using for centuries. | 0:09:26 | 0:09:31 | |
The design hasn't changed. | 0:09:31 | 0:09:32 | |
-Yeah. -And we know, because we've used it, it works. | 0:09:32 | 0:09:36 | |
See if we can get it for a cockle. | 0:09:36 | 0:09:38 | |
-A cockle? -A cockle, yeah. Ask him if they'll do it for a cockle. | 0:09:38 | 0:09:40 | |
-I'll ask him for a cockle. All right. -You know what a cockle...? | 0:09:40 | 0:09:43 | |
-I haven't got a clue, but I'll ask him. -Cockle and hen - ten. | 0:09:43 | 0:09:46 | |
-OK. Well... -It's our only chance of... | 0:09:46 | 0:09:48 | |
-I'm sure they'll understand East End. -Yeah, lovely. | 0:09:48 | 0:09:51 | |
-Shall we try a cockle? -Yeah, let's try it. -All right. -OK, lovely. | 0:09:51 | 0:09:54 | |
Let's see if Gail can comprehend Ricky's Cockney rhyming slang. | 0:09:54 | 0:09:58 | |
£15. | 0:09:58 | 0:10:00 | |
Gail, would you be interested in taking a cockle for it? | 0:10:00 | 0:10:03 | |
Yes, I think we could do that. £10, yes. | 0:10:03 | 0:10:07 | |
-How do you know it's £10? -Cos Gail's clued up! | 0:10:07 | 0:10:09 | |
No, that would be lovely if you've done that for us, Gail. | 0:10:09 | 0:10:11 | |
I'm over the moon with that. | 0:10:11 | 0:10:13 | |
-We'll be happy with that. -Yeah. | 0:10:13 | 0:10:14 | |
-Marvellous. Gail, thank you very much indeed. -You're welcome. | 0:10:14 | 0:10:17 | |
-Thanks so much. -You're welcome. | 0:10:17 | 0:10:19 | |
-Got our first purchase. -Cheers. Thank you very much. | 0:10:19 | 0:10:21 | |
Thanking you! | 0:10:21 | 0:10:22 | |
Good start, but watch out - | 0:10:22 | 0:10:24 | |
looks like Tim and James are on your patch. | 0:10:24 | 0:10:27 | |
Gail, do us a favour. | 0:10:27 | 0:10:30 | |
Could you call them over and say you'd like to show them something? | 0:10:30 | 0:10:33 | |
When we get them over here, we can slip over there. | 0:10:33 | 0:10:36 | |
I'll try. Tim... | 0:10:36 | 0:10:37 | |
-Hi, there. -I've got something over here I'd like to show you. | 0:10:37 | 0:10:40 | |
Right, OK. | 0:10:40 | 0:10:42 | |
I think your friends have just slipped over into the corner there. | 0:10:43 | 0:10:46 | |
-Oh, they've done the classic pincer movement. -Yeah. | 0:10:46 | 0:10:49 | |
-And you've been part of it, Gail. -Sorry! -I can't believe it. | 0:10:49 | 0:10:53 | |
-Good manoeuvring there, by the way. -Yeah. -Very good manoeuvring. | 0:10:53 | 0:10:56 | |
You've got to use all the skills you've got in your armoury. | 0:10:56 | 0:10:59 | |
Very sneaky! It doesn't seem to have phased them, though. | 0:10:59 | 0:11:02 | |
What's this? | 0:11:03 | 0:11:04 | |
Isn't it an Aussie thing? | 0:11:04 | 0:11:06 | |
Didgeridoo. | 0:11:07 | 0:11:09 | |
A didgeridoo, yeah. | 0:11:09 | 0:11:10 | |
Saw this bloke playing Dancing Queen on the didgeridoo. | 0:11:10 | 0:11:14 | |
And I thought, "That's Abba-riginal." | 0:11:14 | 0:11:16 | |
It's got a split there. | 0:11:16 | 0:11:17 | |
-But for 30 quid... -Oh, we'd get that for 15. | 0:11:17 | 0:11:20 | |
-Go for the jugular. -Let's go. -Have you got a joke about splits? | 0:11:20 | 0:11:23 | |
Er... Yes. | 0:11:23 | 0:11:24 | |
I went down my local gym - I said, "Mr Nasium..." | 0:11:24 | 0:11:26 | |
I said, "Can you teach me how to do the splits?" | 0:11:26 | 0:11:30 | |
He said, "How flexible are you?" | 0:11:30 | 0:11:32 | |
I said, "I can't make Tuesdays." | 0:11:32 | 0:11:33 | |
-Go on. Let's have a look. -Let's hope Gail's got a sense of humour, eh? | 0:11:35 | 0:11:38 | |
The didgeridoo is priced at £30, but just don't try and play it... | 0:11:38 | 0:11:42 | |
Now, we have something here... | 0:11:42 | 0:11:44 | |
..which we like. | 0:11:46 | 0:11:48 | |
But there is a... | 0:11:48 | 0:11:49 | |
There's one thing about it. | 0:11:49 | 0:11:51 | |
-A caveat. -A caveat. | 0:11:51 | 0:11:52 | |
In that it really has a | 0:11:52 | 0:11:55 | |
jolly nasty split in it. | 0:11:55 | 0:11:57 | |
So, what would you like to offer? | 0:11:57 | 0:11:58 | |
-£10. -£10, yeah. | 0:11:58 | 0:12:00 | |
A tenner? I don't think he'll go that low, | 0:12:00 | 0:12:02 | |
but I can certainly phone and ask. | 0:12:02 | 0:12:04 | |
Well, if you don't ask, you don't get. | 0:12:04 | 0:12:07 | |
Hello, it's Gail. | 0:12:08 | 0:12:09 | |
Hiya. Right, I've got a gentleman looking at the didgeridoo, | 0:12:09 | 0:12:15 | |
and he was wondering... You've got it priced at £30. | 0:12:15 | 0:12:18 | |
-Mention the... -He was wondering... | 0:12:18 | 0:12:20 | |
-There's a big split. -..if you would do it for 10? | 0:12:20 | 0:12:23 | |
What about 15? Would you go halfway? | 0:12:24 | 0:12:26 | |
Aw... That sounds fair enough. | 0:12:26 | 0:12:28 | |
We'll go with 15, tell him thank you very much. | 0:12:28 | 0:12:30 | |
-OK. Thank you very much. -Thank you. -Thank you. -Bye-bye. | 0:12:30 | 0:12:32 | |
That's their first buy of the trip. | 0:12:32 | 0:12:35 | |
Time for Tim and James to hit the road. | 0:12:35 | 0:12:37 | |
-There's their car. -Oh... If only we had... | 0:12:37 | 0:12:41 | |
-What? -A key. Well, let's see. Might have the keys in there. | 0:12:41 | 0:12:44 | |
-Shall we take it? -Well, why not? | 0:12:44 | 0:12:46 | |
Do you want to walk? It's a long way. | 0:12:46 | 0:12:48 | |
-No, I don't. Go for it. -Come on. | 0:12:48 | 0:12:49 | |
Ricky's not going to be pleased with this. | 0:12:49 | 0:12:51 | |
He's going to love it, don't you worry. | 0:12:51 | 0:12:53 | |
It's open! | 0:12:53 | 0:12:54 | |
An old car trick. There we are. | 0:12:54 | 0:12:56 | |
ENGINE REVS | 0:12:56 | 0:12:57 | |
You're away, well done, that man! | 0:12:57 | 0:13:00 | |
Up there, turn left. | 0:13:00 | 0:13:02 | |
-Ow! -Naughty! | 0:13:04 | 0:13:06 | |
Back in the shop, none the wiser, Ricky's spotted something. | 0:13:06 | 0:13:10 | |
My gosh. Do you know what it is? | 0:13:10 | 0:13:13 | |
Is it, like, erm, a fountain? | 0:13:13 | 0:13:15 | |
You know, you press it down and the water comes out? | 0:13:15 | 0:13:17 | |
Yeah, yeah, yeah. That's exactly what it is. | 0:13:17 | 0:13:19 | |
-Brilliant. -Initials there... | 0:13:19 | 0:13:21 | |
I mean, when you see initials like that, you often think of a monarch. | 0:13:21 | 0:13:25 | |
-Yes. -But that is not a monarch, it's not "VR" or "GR". | 0:13:25 | 0:13:28 | |
-No... -It's "CN", so it's somebody's initials. | 0:13:28 | 0:13:31 | |
CN. Yeah. | 0:13:31 | 0:13:32 | |
So, erm, it's probably not | 0:13:32 | 0:13:35 | |
something that you might find in a...park. | 0:13:35 | 0:13:39 | |
-Yeah. -A public park. | 0:13:39 | 0:13:40 | |
More like it's a private home. | 0:13:40 | 0:13:42 | |
55. I think we should offer him a Bobby Moore. | 0:13:42 | 0:13:46 | |
-Let me just try and work that out. A Bobby Moore? -Yeah. | 0:13:47 | 0:13:50 | |
That's 20. | 0:13:52 | 0:13:54 | |
-See? -Am I right? | 0:13:54 | 0:13:55 | |
-Bang on - Bobby Moore, score. -Bobby Moore, score. | 0:13:55 | 0:13:58 | |
David's catching on quickly. | 0:13:58 | 0:14:00 | |
Time to talk to dealer George to see what can be done | 0:14:00 | 0:14:03 | |
on the 19th-century cast-iron wall fountain. | 0:14:03 | 0:14:05 | |
See this here, George, I don't want to hit you up the ribs too hard... | 0:14:05 | 0:14:09 | |
but is there any chance...you would take a Bobby Moore for this? | 0:14:09 | 0:14:15 | |
-Score? -Score? Yeah. 100%, you've got it. | 0:14:15 | 0:14:18 | |
Well, it's... It's a wee, wee bit... A wee bit cheap. | 0:14:18 | 0:14:22 | |
-OK. -How about if we make it 25? | 0:14:22 | 0:14:24 | |
How about if we do 22.50, meet in the middle - | 0:14:25 | 0:14:28 | |
-is there any chance of that? -I think we could maybe do that, then, | 0:14:28 | 0:14:31 | |
because it's been lying about in my garage for a long time now. | 0:14:31 | 0:14:34 | |
Yeah, I'd love to have that for 22.50, I'm over the moon with that. | 0:14:34 | 0:14:37 | |
-It gives me a bit of a chance. -You should have a good chance with that. | 0:14:37 | 0:14:40 | |
George, you've been hit up the ribs, thank you. | 0:14:40 | 0:14:42 | |
-Right you are, thanks. -Cheers, George, thanks a lot. | 0:14:42 | 0:14:44 | |
And thanks again, Gail. Cheers. | 0:14:44 | 0:14:45 | |
-You're welcome. -Thanks again. Marvellous. | 0:14:45 | 0:14:48 | |
So polite! | 0:14:48 | 0:14:49 | |
That's a total of £32.50 for the wall fountain and the Benares bell. | 0:14:49 | 0:14:53 | |
Nicely done, chaps! | 0:14:53 | 0:14:55 | |
-Where's the car, then? -Where did I park the car? | 0:14:55 | 0:14:58 | |
-Have you got the keys? -No, I haven't got the keys. | 0:14:58 | 0:15:01 | |
Hang on a minute. I know what's happened here. | 0:15:03 | 0:15:05 | |
-I know what's happened. -Have you worked it out? | 0:15:05 | 0:15:07 | |
-They taken it. -Posh mob's took it, haven't they? -Yeah. | 0:15:07 | 0:15:09 | |
-We've been robbed, haven't we? -You know what? We've been done. | 0:15:09 | 0:15:12 | |
Hit up the ribs by the posh mob! | 0:15:12 | 0:15:14 | |
Scandalous! | 0:15:15 | 0:15:17 | |
The least they could have done is to take it somewhere more scenic! | 0:15:17 | 0:15:20 | |
Not very James Bond! | 0:15:20 | 0:15:22 | |
-What a car. -Incredible. | 0:15:22 | 0:15:24 | |
When I was growing up, my favourite type of car was the E-type Jaguar | 0:15:24 | 0:15:28 | |
and I think this is my first time in an E-type Jaguar, | 0:15:28 | 0:15:30 | |
never mind driving one. | 0:15:30 | 0:15:31 | |
This is my childhood dream coming true right here. | 0:15:31 | 0:15:33 | |
This is lovely. | 0:15:33 | 0:15:35 | |
I do feel a bit guilty that we have essentially stolen their car, | 0:15:35 | 0:15:38 | |
-that's the only thing. -I don't. | 0:15:38 | 0:15:40 | |
-Don't you, at all? -No, no, no. | 0:15:40 | 0:15:42 | |
See, I know Ricky... | 0:15:42 | 0:15:43 | |
-Why? -Well, I know Ricky a little bit better than you... | 0:15:43 | 0:15:45 | |
-Yeah. -And he... | 0:15:45 | 0:15:47 | |
He boxes and, you know, he might... | 0:15:47 | 0:15:50 | |
We're on dangerous ground here. | 0:15:50 | 0:15:52 | |
We are. You know, my suggestion is that at this stage, | 0:15:52 | 0:15:54 | |
we hand the money back and we just keep driving! | 0:15:54 | 0:15:57 | |
Tim and James are heading to Tynecastle Stadium, | 0:16:00 | 0:16:03 | |
home to Heart of Midlothian Football Club. | 0:16:03 | 0:16:07 | |
They've come to find out about the Hearts team of 1914 | 0:16:07 | 0:16:11 | |
and how their actions at the outbreak of World War I | 0:16:11 | 0:16:14 | |
inspired many to fight for their country. | 0:16:14 | 0:16:17 | |
Chief operating officer Scott Gardiner is here | 0:16:17 | 0:16:20 | |
to tell them more about this defining time in the club's history. | 0:16:20 | 0:16:23 | |
Incredible stadium to be in. | 0:16:24 | 0:16:27 | |
Tell us about this amazing story that's central to this club? | 0:16:27 | 0:16:29 | |
Well, the 1914 Heart of Midlothian football team was widely regarded | 0:16:29 | 0:16:34 | |
as being one of the greatest teams that the club had had at that date, | 0:16:34 | 0:16:38 | |
and were leading the league in Scotland | 0:16:38 | 0:16:41 | |
when the Great War broke out. | 0:16:41 | 0:16:45 | |
Professional football, which continued throughout the war years, | 0:16:45 | 0:16:47 | |
was the subject of intense public scrutiny. | 0:16:47 | 0:16:50 | |
In November 1914, a damning letter appeared in the press, | 0:16:50 | 0:16:55 | |
labelling the club the "White Feathers of Midlothian". | 0:16:55 | 0:16:58 | |
This accusation of cowardice spurred the players into action. | 0:16:58 | 0:17:02 | |
The players had a meeting without the manager being there and said, | 0:17:02 | 0:17:05 | |
"We must not take this and we must show that we're as brave as everyone else," | 0:17:05 | 0:17:10 | |
and signed up en masse. | 0:17:10 | 0:17:12 | |
Feeling the call of duty, the players gave up their lead - | 0:17:12 | 0:17:15 | |
and the league - and this action proved inspirational. | 0:17:15 | 0:17:20 | |
Supporters of Hearts - as I say, | 0:17:20 | 0:17:22 | |
they were a very successful team at the time - | 0:17:22 | 0:17:24 | |
signed up because they wanted to be in the same battalion | 0:17:24 | 0:17:27 | |
-as their heroes. -Mmm. Yeah. | 0:17:27 | 0:17:30 | |
Most of them signed up for the 16th Royal Scots. | 0:17:30 | 0:17:34 | |
Within a week, the 16th Royal Scots had enlisted 1,350 men, | 0:17:34 | 0:17:40 | |
amongst them 16 Hearts players and 500 of the team's supporters. | 0:17:40 | 0:17:46 | |
You would find it difficult to imagine a football team en masse | 0:17:46 | 0:17:49 | |
in the modern age saying, "We're all off to sign up, | 0:17:49 | 0:17:53 | |
"and we're going straight to the front line." | 0:17:53 | 0:17:55 | |
Local author Tom Purdy has written about the team's transition | 0:17:55 | 0:18:00 | |
from footballers to soldiers. | 0:18:00 | 0:18:01 | |
So, what sort of training were they doing at the same time | 0:18:03 | 0:18:06 | |
as training for the football matches, then? | 0:18:06 | 0:18:08 | |
Head off into the hills, into the Pentland Hills, on night manoeuvres. | 0:18:08 | 0:18:11 | |
Come back from the night manoeuvres, six o'clock, seven o'clock in the morning. | 0:18:11 | 0:18:15 | |
-Right. -A few hours' rest, jump on a train to go to Glasgow or Aberdeen... | 0:18:15 | 0:18:19 | |
-To play football? -To play football, yes. | 0:18:19 | 0:18:21 | |
They ended up with blisters on their feet. | 0:18:21 | 0:18:24 | |
-Right, OK. -And as a result, their trainer, Jimmy Duckworth, | 0:18:24 | 0:18:28 | |
he went along with them on their night manoeuvres, | 0:18:28 | 0:18:30 | |
to bandage up their injuries. | 0:18:30 | 0:18:33 | |
Training complete, the players and fans joined the front line | 0:18:33 | 0:18:36 | |
in January 1916. | 0:18:36 | 0:18:37 | |
But no amount of training could have prepared them for what was to come. | 0:18:37 | 0:18:41 | |
Over the course of the war, around 1,000 men from the 16th Battalion, | 0:18:41 | 0:18:46 | |
including many Hearts players, lost their lives. | 0:18:46 | 0:18:50 | |
So, was this being relayed to the fans? | 0:18:50 | 0:18:51 | |
Were they aware of what was happening to their players? | 0:18:51 | 0:18:54 | |
Yes. Word eventually filtered back, as we very well know. | 0:18:54 | 0:18:57 | |
There was a form 108B, which always began with, | 0:18:57 | 0:19:01 | |
"I regret to inform you..." | 0:19:01 | 0:19:03 | |
-Right. -So, the area here, around about Tynecastle, the Gorgie area, | 0:19:03 | 0:19:08 | |
this is where the main body of enlistment came from. | 0:19:08 | 0:19:12 | |
-So, the postman was not a welcome sight on your street. -No, no. | 0:19:12 | 0:19:15 | |
There was something I was reading on the wall over there, | 0:19:15 | 0:19:18 | |
in actual fact, and I'll see if I can remember, it says... | 0:19:18 | 0:19:20 | |
"On the 9th of April 1922, | 0:19:20 | 0:19:22 | |
"the Secretary of State for Scotland unveiled the war memorial." | 0:19:22 | 0:19:26 | |
-Sir Robert Munro. -And he said... | 0:19:26 | 0:19:28 | |
"They did not hesitate to serve their country in the early days of the Great War, | 0:19:28 | 0:19:31 | |
"and their example was contagious." | 0:19:31 | 0:19:33 | |
I think that's what makes the club | 0:19:33 | 0:19:35 | |
so revered the world over, because of their actions. | 0:19:35 | 0:19:39 | |
-Mmm. -And... | 0:19:39 | 0:19:41 | |
..you know, and we won't forget them. | 0:19:42 | 0:19:44 | |
They were just ordinary men from ordinary... | 0:19:44 | 0:19:46 | |
-Boys. -..from ordinary streets, yes. | 0:19:46 | 0:19:48 | |
Yeah. | 0:19:48 | 0:19:50 | |
We had a life, we've had a life. | 0:19:50 | 0:19:52 | |
-Mmm. -They hadn't. | 0:19:52 | 0:19:53 | |
No, no. | 0:19:53 | 0:19:55 | |
A memorial garden was built to remember and celebrate | 0:19:55 | 0:19:59 | |
these men, who, in showing such bravery, became legends | 0:19:59 | 0:20:02 | |
of both the club and the game. | 0:20:02 | 0:20:05 | |
Meanwhile, Ricky and David | 0:20:09 | 0:20:10 | |
are on their way to the town of South Queensferry. | 0:20:10 | 0:20:14 | |
It sits between the two iconic bridges on the Firth of Forth. | 0:20:14 | 0:20:18 | |
-How did they get the keys? -Well, I left the keys in. -Oh! | 0:20:18 | 0:20:22 | |
I'm thinking Braxton might have slipped up and dipped your pocket. | 0:20:22 | 0:20:25 | |
-But you reckon you left them in the motor! -I left them in, yeah. | 0:20:25 | 0:20:27 | |
I tell you what, I feel shorter, | 0:20:27 | 0:20:30 | |
-I feel like I've been on a sponsored walk! -LAUGHTER | 0:20:30 | 0:20:33 | |
Not far to go now, chaps. | 0:20:33 | 0:20:34 | |
Sea Kist sells all manner of maritime antiques. | 0:20:34 | 0:20:37 | |
Sometimes you put the cream in the window, don't you? | 0:20:37 | 0:20:40 | |
-Oh, right, yeah. -So, it's worth just having a quick look. -OK. -What would you say about that duck? | 0:20:40 | 0:20:44 | |
-I actually like the duck. -I like the duck. -Why do you like the duck? | 0:20:44 | 0:20:47 | |
I don't know, I'm drawn to it. | 0:20:47 | 0:20:48 | |
-Yeah. -And I never thought I'd get drawn to a duck. | 0:20:48 | 0:20:51 | |
No, I never did. That's the first duck I've been drawn to. | 0:20:51 | 0:20:53 | |
-Unless you put it in pancakes and roll it up. -Yeah, exactly! -But that's, that's a proper duck. | 0:20:53 | 0:20:57 | |
-Time to talk to shop owner Jenny. -Hello, Jenny, we've met before. | 0:20:57 | 0:21:00 | |
-David Harper. -We have, yes, nice to see you. -Nice to meet you. -Yes. | 0:21:00 | 0:21:03 | |
Lovely to meet you, Jenny. I'm Ricky. Good to meet you. | 0:21:03 | 0:21:06 | |
-So, is there any chance of having a look at the duck? -I'm going to bring it out headfirst. -OK. -OK. | 0:21:06 | 0:21:10 | |
-Oh, right... -Does it come in two? -Ooh, maybe not. Oh, yeah. | 0:21:10 | 0:21:13 | |
-Oh! -Oh, Jenny, he's a beauty! | 0:21:13 | 0:21:16 | |
-That's half a duck. -Isn't he gorgeous? Ooh...! -LAUGHTER | 0:21:16 | 0:21:19 | |
I don't think he's from round these parts. | 0:21:19 | 0:21:21 | |
-And that's some of his excess shells, OK? -Oh, I see. -I see. OK. | 0:21:21 | 0:21:25 | |
Little bit of extra duck. | 0:21:25 | 0:21:27 | |
Shellwork was extremely popular with sailors in the Victorian era. | 0:21:27 | 0:21:30 | |
Most shell art was produced by amateurs, | 0:21:30 | 0:21:33 | |
but this ambitious three-dimensional duck design is a handsome example | 0:21:33 | 0:21:36 | |
-and could have been made by anyone. -I'm going to tell you the truth, he's freaking me out that duck, | 0:21:36 | 0:21:40 | |
it feels like it's always staring at you. | 0:21:40 | 0:21:43 | |
That's because the ticket price is £60! | 0:21:43 | 0:21:46 | |
Quackers! Anything else catch Ricky's eye? | 0:21:46 | 0:21:48 | |
What we've got is a pair of Sheffield, I would say... | 0:21:48 | 0:21:52 | |
-Yeah. -..pewter... | 0:21:52 | 0:21:53 | |
-Yeah. -1910-1920 candlesticks. | 0:21:53 | 0:21:58 | |
-Yeah. -So, this has been nipped together. | 0:21:58 | 0:22:01 | |
And you've lost a little bit off yours. | 0:22:01 | 0:22:04 | |
And also, you can tell they're handmade because, | 0:22:04 | 0:22:06 | |
-see, his arm is much further over his face than that one. -Exactly. | 0:22:06 | 0:22:10 | |
-So, it's not a machine, it's not a machine job. -It's better, isn't it? | 0:22:10 | 0:22:12 | |
You know? I'm picking this game up good, aren't I? | 0:22:12 | 0:22:15 | |
You're good. You've got a good eye, I've got to tell you. | 0:22:15 | 0:22:17 | |
Thanks, mate. My only issue with it is obviously the damage, | 0:22:17 | 0:22:20 | |
-because I know, anything like this... -Yep. -..damage is massive. | 0:22:20 | 0:22:23 | |
-Very, very easily damaged, yeah. -Yeah. -You're not wrong, Ricky. | 0:22:23 | 0:22:27 | |
That's the pewter candlesticks and the duck on hold. | 0:22:27 | 0:22:30 | |
-What's next? -I want to take you back to the Orient. | 0:22:30 | 0:22:34 | |
-I like that. -I like that. | 0:22:34 | 0:22:36 | |
-I like that. -I'm always in love with these things. | 0:22:36 | 0:22:39 | |
-I like that. -Do you know what it is? | 0:22:39 | 0:22:41 | |
Is it a tea caddy? | 0:22:41 | 0:22:43 | |
No. Not a tea caddy. David? | 0:22:43 | 0:22:46 | |
It's called a koro, because it's Japanese. | 0:22:46 | 0:22:49 | |
-OK. -If it was Chinese, it would be called a censer. | 0:22:49 | 0:22:51 | |
So, what you do, you drop in burning incense... | 0:22:51 | 0:22:55 | |
-Yeah. -..keep the lid off | 0:22:55 | 0:22:56 | |
and then out would pour clouds of smoke, | 0:22:56 | 0:23:00 | |
representing the long gone, dead souls of your ancestors. | 0:23:00 | 0:23:05 | |
I'm into it, but where's all the dead people coming from? | 0:23:05 | 0:23:08 | |
It's nice. It's not... No, it's not bad. | 0:23:08 | 0:23:10 | |
-Oh, OK. -It's celebrating those that created you. | 0:23:10 | 0:23:14 | |
So, it's a very spiritual experience, we're speaking. | 0:23:14 | 0:23:18 | |
-Yes. -That don't say "cockle," does it? It doesn't say... | 0:23:18 | 0:23:20 | |
Jenny. Do you fancy a cockle, Jenny? | 0:23:20 | 0:23:23 | |
I think we'd have to have another half one on that at least. | 0:23:24 | 0:23:27 | |
OK. Cockle and a half for that. | 0:23:27 | 0:23:29 | |
Right. So, that's 15 quid. | 0:23:30 | 0:23:33 | |
One possible. Still tempted, though, aren't you? | 0:23:33 | 0:23:36 | |
Moving on, though - what else? | 0:23:36 | 0:23:38 | |
To give us a proper chance... | 0:23:41 | 0:23:43 | |
-OK. -So, that would make that a bull's-eye... -Bull's-eye. | 0:23:43 | 0:23:46 | |
-..and that a cockle. -It's like a foreign language here! | 0:23:46 | 0:23:48 | |
-So, that's, erm... That's a bull's-eye and a cockle. -Yeah, 60. 60. | 0:23:48 | 0:23:52 | |
-Yeah. -Now time for the calculations, Jenny! | 0:23:52 | 0:23:56 | |
I think they're offering you £40 for the duck, | 0:23:56 | 0:23:59 | |
£10 for the candlesticks and £10 for the Japanese koro, | 0:23:59 | 0:24:03 | |
coming to a total of £60. | 0:24:03 | 0:24:05 | |
70 would be better. | 0:24:05 | 0:24:07 | |
And that's...that's good. | 0:24:07 | 0:24:09 | |
The duck's looking at me, I know I can't leave the duck. | 0:24:09 | 0:24:11 | |
-I know you can't leave the duck. -Can we meet halfway at 65? | 0:24:11 | 0:24:14 | |
-Yeah. Yeah, why not? -Aww. -Oh, thank you so much. | 0:24:14 | 0:24:17 | |
-I don't know why I put my glasses on! I got so excited! -LAUGHTER | 0:24:17 | 0:24:20 | |
-Thank you, Jenny. -Let's have a little spiritual cuddle. | 0:24:20 | 0:24:22 | |
-Thank you so much, Jenny. -That's a deal, then. | 0:24:22 | 0:24:25 | |
£40 for the shell-decorated duck, | 0:24:25 | 0:24:27 | |
£10 for the computer candlesticks and £15 for the koro. | 0:24:27 | 0:24:31 | |
I mean, look at this! | 0:24:31 | 0:24:32 | |
-Oh, it's a good duck! -It's a good duck. | 0:24:32 | 0:24:35 | |
I'm proud of you, David. | 0:24:35 | 0:24:36 | |
Ooh, ducky! That's it for today. Nighty-night! | 0:24:36 | 0:24:39 | |
A new morning and a new car! | 0:24:44 | 0:24:48 | |
A red TR6 replaces yesterday's broken HMC Healey, | 0:24:48 | 0:24:52 | |
but I've got a funny feeling all is not well. | 0:24:52 | 0:24:55 | |
It was James's idea to steal the E-type. | 0:24:55 | 0:24:57 | |
Ricky... | 0:25:00 | 0:25:02 | |
it wasn't my idea. It's just, I've never stolen anything in my life, | 0:25:02 | 0:25:05 | |
I'm not proud of it. | 0:25:05 | 0:25:06 | |
Ricky? | 0:25:07 | 0:25:09 | |
Don't be like this, Ricky, I mean it's...you know... | 0:25:10 | 0:25:13 | |
Tim, I've known you for over 20 years, right? | 0:25:15 | 0:25:18 | |
Yeah. | 0:25:18 | 0:25:19 | |
You've never, ever put a foot out of place. | 0:25:19 | 0:25:22 | |
Oh, here goes. | 0:25:22 | 0:25:24 | |
You've been with this Braxton geezer five minutes, right? | 0:25:24 | 0:25:27 | |
-You're nicking cars! What's going on?! -Well, I... | 0:25:27 | 0:25:30 | |
Off your own mate! | 0:25:30 | 0:25:32 | |
I know, I... Well, when you put it like that, it's quite surprising, | 0:25:32 | 0:25:35 | |
-I agree. -It's a diabolical liberty, Tim! | 0:25:35 | 0:25:39 | |
Yeah, diabolical! | 0:25:39 | 0:25:40 | |
What do our experts have to say? | 0:25:40 | 0:25:42 | |
-You stole our car! You stole it! -It was raining! | 0:25:42 | 0:25:45 | |
Yeah, well, you need to apologise to Ricky. | 0:25:45 | 0:25:48 | |
When I see Ricky, it's going to be hands-up. | 0:25:48 | 0:25:50 | |
Yeah, yeah, well, good luck! Good luck with that, James, yeah! | 0:25:50 | 0:25:52 | |
-Hands up, hands up! Couple of soft jabs! -LAUGHTER | 0:25:52 | 0:25:55 | |
Good luck with that, James. He's quite upset, you know. | 0:25:55 | 0:25:59 | |
For the start, you made out the other motor broke down. | 0:25:59 | 0:26:01 | |
The other motor DID break down, because of the fact that the gears stopped working. | 0:26:01 | 0:26:04 | |
That's why we got this new car, look, the TB, er... | 0:26:04 | 0:26:07 | |
-TB...to be confirmed or whatever it's called. What is it? -Yeah. | 0:26:07 | 0:26:10 | |
TR6. | 0:26:10 | 0:26:12 | |
Yesterday, Ricky and David bought like wildfire. | 0:26:12 | 0:26:15 | |
They have the Benares tea bell, the iron wall-mounted fountain, | 0:26:15 | 0:26:19 | |
the pewter candlesticks, | 0:26:19 | 0:26:22 | |
the Japanese koro and the shell-decorated duck... | 0:26:22 | 0:26:24 | |
It's freaking me out, that duck. | 0:26:24 | 0:26:26 | |
..leaving them with £302.50 to spend today. | 0:26:26 | 0:26:31 | |
Tim and James bought one item, the Australian didgeridoo... TIM BLOWS A MELODY | 0:26:32 | 0:26:37 | |
..leaving them with a huge sum of £385 to play with today. | 0:26:37 | 0:26:41 | |
Right, then, chaps - time for everyone to catch up and be friends. | 0:26:41 | 0:26:46 | |
-You keep doing that, yeah, but you're going to get one up the ribs! -LAUGHTER | 0:26:46 | 0:26:49 | |
Oh, it's a TR6 - a bit pimped up! | 0:26:49 | 0:26:51 | |
Hey, look at that! Terribly smart, isn't it? | 0:26:51 | 0:26:53 | |
-It's a pimped-up TR6! -Come on. -Ricky! | 0:26:53 | 0:26:57 | |
-Ricky, how are you feeling? -Shall I hit him now? -LAUGHTER | 0:26:57 | 0:27:00 | |
-Quick, get him, Tim! -While he's down! -LAUGHTER | 0:27:00 | 0:27:04 | |
-Big Jimmy! How are you, mate? -Very good, how are you? | 0:27:04 | 0:27:07 | |
Up the ribs, Ricky! Up the ribs! | 0:27:07 | 0:27:10 | |
It's like getting in a submarine, isn't it? | 0:27:10 | 0:27:12 | |
-Yeah, I mean... -It's a bit like strapping into a, er... | 0:27:12 | 0:27:15 | |
-..parachute. -See you, boys. | 0:27:17 | 0:27:19 | |
HORN HONKS | 0:27:20 | 0:27:23 | |
While Tim and James sort themselves out, | 0:27:23 | 0:27:25 | |
Ricky and David have a head start. | 0:27:25 | 0:27:27 | |
Both teams are heading to the Leith area of Edinburgh. | 0:27:27 | 0:27:30 | |
Out of all the roles I've done, | 0:27:32 | 0:27:33 | |
and I've sort of won some awards for stuff and that, | 0:27:33 | 0:27:36 | |
when you're from the East End, to be in EastEnders... | 0:27:36 | 0:27:40 | |
-Yeah. -..you've cracked it. -Yeah. -It's like, all my family, | 0:27:40 | 0:27:43 | |
they're not interested in anything else I've done. | 0:27:43 | 0:27:46 | |
-No. -You know, forget all the other things there are a bit highbrow and | 0:27:46 | 0:27:49 | |
a bit different. EastEnders, Andrew Cotton, they're all like, | 0:27:49 | 0:27:53 | |
-"Oh, he's cracked it!" -"He's done it!" -"You seen Ricky? You seen him on there?" | 0:27:53 | 0:27:57 | |
-Yeah. -"Oh, Andrew Cotton - he's one of your own!" | 0:27:57 | 0:28:00 | |
-That's brilliant! -Yeah. | 0:28:00 | 0:28:02 | |
-You'd be good on EastEnders, with that jacket. -LAUGHTER | 0:28:02 | 0:28:05 | |
-That's all I need. A jacket... -I tell you what, Davey... | 0:28:05 | 0:28:07 | |
-Look, Davey... -Davey? -Dave, Dave... -Yeah. -Davey. -I could open a car lot! | 0:28:07 | 0:28:11 | |
-Davey Harper. -Yeah! -LAUGHTER | 0:28:11 | 0:28:14 | |
Davey 'arper! I think not! | 0:28:14 | 0:28:17 | |
Let's check in with Tim and James. | 0:28:19 | 0:28:21 | |
We've bought one thing, haven't we, James? | 0:28:21 | 0:28:23 | |
-Yeah, we're doing well. -But are we, though? | 0:28:23 | 0:28:26 | |
Now we're on our own, you can talk to me honestly. | 0:28:26 | 0:28:29 | |
Yeah. I think we've got to spend up, chief. | 0:28:29 | 0:28:31 | |
We need to spend serious money to make serious money. | 0:28:31 | 0:28:34 | |
-Right. -Sounds like a plan. | 0:28:34 | 0:28:36 | |
Both teams are heading to Edinburgh Antiques Centre, and true to form, | 0:28:36 | 0:28:40 | |
Tim and James have arrived first. | 0:28:40 | 0:28:42 | |
-I can tell this is the location... -This is... -..where we win. | 0:28:42 | 0:28:45 | |
-This is the magic. This is... -Just give me two hours to get this safety belt off... | 0:28:45 | 0:28:49 | |
-LAUGHTER -..and I'll meet you in there round about dinner time! | 0:28:49 | 0:28:52 | |
Come on, get a move on! | 0:28:52 | 0:28:55 | |
There's plenty to see, and you've only bought one item so far. | 0:28:55 | 0:28:59 | |
Anything that catches your eye? | 0:28:59 | 0:29:01 | |
So, there's lots of silver and lots of clocks. | 0:29:01 | 0:29:03 | |
OK. I'm looking at something that, from here, looks like a small set of | 0:29:03 | 0:29:06 | |
-bellows on a tripod. -Yeah. | 0:29:06 | 0:29:08 | |
-What is it? -Looks like a lemon press to me. | 0:29:08 | 0:29:11 | |
Most likely Edwardian. | 0:29:11 | 0:29:12 | |
-We can certainly try and squeeze it in. -Oh, Tim! | 0:29:12 | 0:29:17 | |
Does it work? You know, you should be able to take that out for fairly | 0:29:17 | 0:29:20 | |
easy cleaning, shouldn't you? Ooh, here we are. | 0:29:20 | 0:29:22 | |
-Look, it's functional. -Oh, yeah. -So, you take that out, you clean it. | 0:29:22 | 0:29:26 | |
So it is...it's not faux. Nice tight fit there. | 0:29:26 | 0:29:29 | |
It works, doesn't it? | 0:29:29 | 0:29:31 | |
I think this could be the moment we buy something quite quick. | 0:29:31 | 0:29:35 | |
Let's hope so. The lemon press is priced at £75. | 0:29:35 | 0:29:39 | |
Campbell is on hand to help. | 0:29:39 | 0:29:41 | |
-It's beautiful, we like it a lot. -Mm-hmm. -What would you say to £25? | 0:29:41 | 0:29:44 | |
-LAUGHTER -Ooh! I would say that's probably a little low. | 0:29:44 | 0:29:48 | |
-Is it? -If you can knock it up slightly? | 0:29:48 | 0:29:50 | |
-What would you knock it up to? -LAUGHTER | 0:29:50 | 0:29:52 | |
45. | 0:29:54 | 0:29:55 | |
I think, touch hands, what, around 40? | 0:29:56 | 0:29:59 | |
-£40 on a deal? -£40 is a deal. | 0:29:59 | 0:30:01 | |
-Super. -No problem. -Excellent. Well done. Very good purchase. | 0:30:01 | 0:30:04 | |
-We squeezed that out of him, didn't we? -LAUGHTER | 0:30:04 | 0:30:07 | |
-Thank you. I hope you're not bitter about that! -LAUGHTER | 0:30:07 | 0:30:10 | |
That WAS quick! And look who's just arrived! | 0:30:10 | 0:30:12 | |
This is ridiculous! | 0:30:14 | 0:30:15 | |
Do you know what? I hope they've left THEIR keys in, cos I'm taking their motor. | 0:30:15 | 0:30:18 | |
Let's have a look. Keys are in. | 0:30:18 | 0:30:20 | |
-Keys are out. -I know what I'm going to do. -LAUGHTER | 0:30:22 | 0:30:25 | |
What's that? Oh! It's James Braxton's. | 0:30:25 | 0:30:27 | |
-Get it on! -It's a lovely bit of carving. -Yeah. | 0:30:27 | 0:30:30 | |
Always, when buying something, always measure the weight. | 0:30:30 | 0:30:32 | |
-Oh, hello. -How are you boys? -Always measure... Oh, hello! | 0:30:32 | 0:30:36 | |
-Very well, thank you. -Hi, team. -Ooh, hang on. | 0:30:36 | 0:30:38 | |
Ooh. What did you...? How...? | 0:30:38 | 0:30:41 | |
These aren't yours to give. | 0:30:41 | 0:30:43 | |
We saw them, we stole them, we regretted it. | 0:30:43 | 0:30:46 | |
We thought, "We're too good for that king of thing." | 0:30:46 | 0:30:48 | |
-We are too good, yeah. -Where did you get that...? | 0:30:48 | 0:30:51 | |
-That? -I got this in the East End. | 0:30:51 | 0:30:53 | |
-Yeah. -Didn't have him down as a cravat man. | 0:30:53 | 0:30:56 | |
No, I was once skiing through Tie Rack and fell down an 80ft cravat. | 0:30:56 | 0:31:00 | |
-That's one of my jokes. -LAUGHTER | 0:31:00 | 0:31:02 | |
-And that's why you're on Antiques Road Trip! -Exactly! | 0:31:02 | 0:31:05 | |
-That's exactly right! -Yeah. -Now, now, boys! | 0:31:05 | 0:31:08 | |
This shop's big enough for the both of you. | 0:31:08 | 0:31:11 | |
-I can't believe it. -Look at this. | 0:31:11 | 0:31:13 | |
What'll catch the latecomers' attention? | 0:31:13 | 0:31:16 | |
Whoa! Hold tight. | 0:31:16 | 0:31:19 | |
-Oriental. -That's a bit of me, isn't it? | 0:31:19 | 0:31:21 | |
It's a bit of you. I think it's a marriage thing. | 0:31:21 | 0:31:24 | |
-I think it's celebrating a marriage. -Is that something you'd wear? | 0:31:24 | 0:31:27 | |
No, I don't think you'd wear it, I think it's been made to hang. | 0:31:27 | 0:31:30 | |
-What, are you saying it's too tight for me? -We could wrap that round you, Ricky! | 0:31:30 | 0:31:33 | |
-Easy! -It would get round me, wouldn't it? -Yeah! | 0:31:33 | 0:31:35 | |
Is it on the back as well? Oh, look at that, it's painted on the back. | 0:31:35 | 0:31:38 | |
Oh, look at that. That is proper. | 0:31:38 | 0:31:40 | |
That's hand-painted silk, yeah. | 0:31:40 | 0:31:42 | |
-Is it? -Yeah, yeah. I mean, it's well and truly... | 0:31:42 | 0:31:46 | |
degraded over at least 100 years. | 0:31:46 | 0:31:48 | |
-It's at least 100 years old. -But that's a bit of cream, though, isn't it? -I like it. | 0:31:48 | 0:31:53 | |
Ceremonial drapes decorated with auspicious symbols have been part | 0:31:53 | 0:31:57 | |
of Chinese culture for millennia. | 0:31:57 | 0:32:00 | |
Elsewhere in the shop, Tim and James have found something THEY like. | 0:32:00 | 0:32:04 | |
-Who does that remind you of? -Ricky. -Ricky! -LAUGHTER | 0:32:04 | 0:32:09 | |
-Campbell... -Yes. -..there's all sorts of stuff in here. | 0:32:09 | 0:32:11 | |
-We love it. -Lovely stuff. -We'll give you £100 for the lot. -LAUGHTER | 0:32:11 | 0:32:15 | |
What's that there? That thing there? | 0:32:15 | 0:32:17 | |
They're a pair of magnification goggles. | 0:32:17 | 0:32:19 | |
They give the wearer an enlarged view. | 0:32:19 | 0:32:21 | |
I'll get it out. | 0:32:21 | 0:32:23 | |
The ticket price is £40. | 0:32:23 | 0:32:26 | |
I'll do my James impression while you're doing that. | 0:32:26 | 0:32:28 | |
"Hello. I'm wondering whether you could play table tennis." | 0:32:28 | 0:32:31 | |
LAUGHTER | 0:32:31 | 0:32:34 | |
Sorry, but I'm buying that if no-one else is! | 0:32:34 | 0:32:36 | |
That's fantastic, look at that! | 0:32:36 | 0:32:38 | |
You look like a... You look like a bottlenose dolphin that's just come | 0:32:38 | 0:32:41 | |
-out of the opticians! -LAUGHTER | 0:32:41 | 0:32:43 | |
-I must say, many hours of fun with this. -LAUGHTER | 0:32:43 | 0:32:47 | |
Can I try them on, please? And it comes with a box as well, doesn't it? | 0:32:50 | 0:32:53 | |
-Yeah, there's a box there as well, yes. -Many hours of fun! | 0:32:53 | 0:32:55 | |
LAUGHTER | 0:32:55 | 0:32:59 | |
I think you've almost created a new specie! | 0:32:59 | 0:33:01 | |
-I think I need to change my prescription, Doctor! -LAUGHTER | 0:33:01 | 0:33:06 | |
-Campbell. -Yeah. -No need to come forward like that, | 0:33:07 | 0:33:10 | |
-step backwards, please. -LAUGHTER | 0:33:10 | 0:33:12 | |
Erm, how do you feel about, erm... How do you feel about 25? | 0:33:12 | 0:33:15 | |
-Ooh, it's a little bit low, a little bit low. -Is it? Yeah. | 0:33:15 | 0:33:18 | |
Erm, how about 30? | 0:33:18 | 0:33:20 | |
-That's close, but then everything's close when you're wearing these! -LAUGHTER | 0:33:20 | 0:33:24 | |
I think... | 0:33:26 | 0:33:28 | |
-30, did you say? -30, yeah. | 0:33:28 | 0:33:30 | |
-For some reason, this is affecting my hearing! -LAUGHTER | 0:33:30 | 0:33:33 | |
I think we'll go for 30, that's very kind of you. | 0:33:35 | 0:33:38 | |
-Where are you? -What am I shaking? -LAUGHTER | 0:33:38 | 0:33:42 | |
Pull yourselves together! | 0:33:42 | 0:33:44 | |
Let's see if Ricky and David are having as much fun. | 0:33:44 | 0:33:46 | |
-And so... -What are you looking at? | 0:33:46 | 0:33:49 | |
-Here it is. -DAVID LAUGHS | 0:33:49 | 0:33:52 | |
-Oh, my gosh! -Can you see what I'm saying? | 0:33:52 | 0:33:54 | |
-Gosh! -This is the cast of a gorilla skull. | 0:33:54 | 0:33:56 | |
Interestingly, casts of ape skulls have been key to anthropology | 0:33:56 | 0:33:59 | |
research for centuries. David, oh! Open wide. | 0:33:59 | 0:34:04 | |
-It's not a real one. -No, which you, which... I wouldn't want a real one. | 0:34:04 | 0:34:07 | |
No. | 0:34:07 | 0:34:09 | |
-Who does this look like? -That's amazing! | 0:34:09 | 0:34:11 | |
That's amazing. All right, James, how are you? | 0:34:11 | 0:34:13 | |
-Especially with the cravat. -LAUGHTER | 0:34:13 | 0:34:15 | |
-That's James Braxton! -Don't let him hear. | 0:34:17 | 0:34:18 | |
-What? -Don't let him hear. | 0:34:18 | 0:34:20 | |
-I like this. -I like that. | 0:34:20 | 0:34:21 | |
The thing is, I can't tell you anything about this, | 0:34:21 | 0:34:24 | |
because all I know, it's a model of a gorilla's skull. | 0:34:24 | 0:34:27 | |
But what is it that you're drawn to? | 0:34:27 | 0:34:30 | |
Well, there's just something about it. | 0:34:30 | 0:34:32 | |
And my old nan, she used to say I was like a silverback. | 0:34:32 | 0:34:36 | |
-Yeah. -You know, she did, when I was young, | 0:34:36 | 0:34:38 | |
because I was always very strong... | 0:34:38 | 0:34:39 | |
-Yeah. -..and she used to say, "Look at him, he's like a silverback"! -LAUGHTER | 0:34:39 | 0:34:42 | |
And that's what drew me to it, and I thought, "You know what? | 0:34:42 | 0:34:46 | |
-"Let's give it a go." -Well, you can't argue with that, can you? | 0:34:46 | 0:34:49 | |
The cast of the gorilla skull is priced at £295. | 0:34:49 | 0:34:53 | |
Time to take a seat with dealer Drew, to see what can be done. | 0:34:53 | 0:34:57 | |
So, Drew, we're in a bit of trouble, aren't we? | 0:34:57 | 0:34:59 | |
We're in a little bit of schtuck. | 0:34:59 | 0:35:01 | |
-Yeah. -I like this, I really want this... | 0:35:01 | 0:35:04 | |
-OK. -..but I've also seen... | 0:35:04 | 0:35:07 | |
out there, hanging on the wall, | 0:35:07 | 0:35:09 | |
a bit of Chinese thing going on. | 0:35:09 | 0:35:11 | |
I don't know whether it's a bit of clothing or what it is. | 0:35:11 | 0:35:13 | |
What was the Chinese thing up for? | 0:35:13 | 0:35:16 | |
It was up for 500. | 0:35:16 | 0:35:17 | |
So, it's up for a monkey. | 0:35:17 | 0:35:19 | |
This is all I've got left in the world, Drew. | 0:35:19 | 0:35:21 | |
-I've got £2.50 there. -Uh-huh. | 0:35:22 | 0:35:24 | |
We don't need to mention that, Drew. | 0:35:24 | 0:35:26 | |
-Oh, right. -That's your... | 0:35:26 | 0:35:28 | |
-To anybody. -That's... That's for you, right? -Ah. | 0:35:28 | 0:35:30 | |
That there, my friend... | 0:35:30 | 0:35:33 | |
-is 300 quid, it's a carpet. -It's a carpet, mate, it's a carpet. | 0:35:33 | 0:35:36 | |
-Right. -In readies, now. | 0:35:36 | 0:35:38 | |
Is there any way... | 0:35:38 | 0:35:40 | |
you could help us out and give us a chance at this auction? | 0:35:40 | 0:35:43 | |
I think we can make the carpet magic | 0:35:43 | 0:35:46 | |
-and make it work for you. -O-o-o-oh! | 0:35:46 | 0:35:48 | |
-It's a deal. -Make the carpet magic! | 0:35:48 | 0:35:50 | |
-Yeah. -Magic moment. -Good man, Drew. | 0:35:50 | 0:35:52 | |
-Do you know what? -You've blown everything. | 0:35:52 | 0:35:54 | |
-I'm welling up. I'm welling up, mate. -LAUGHTER | 0:35:54 | 0:35:57 | |
He's going to cry. That's the cast of the gorilla skull for £102.50, | 0:35:58 | 0:36:03 | |
and £200 for the Chinese silk drape, | 0:36:03 | 0:36:05 | |
making the drape Ricky's biggest spend of the trip. | 0:36:05 | 0:36:08 | |
That's, chaps, your lot. | 0:36:08 | 0:36:11 | |
-Who's driving? -You! | 0:36:11 | 0:36:13 | |
Let's check in now with Tim and James. | 0:36:15 | 0:36:17 | |
Ooh! Ooh! Hey. | 0:36:18 | 0:36:20 | |
What have we got here? | 0:36:20 | 0:36:22 | |
Well, this is, er, some sort of coronation coach. | 0:36:22 | 0:36:25 | |
-Quite heavy, that, isn't it? -Mmm. | 0:36:25 | 0:36:27 | |
Now, that's the Queen's coach, isn't it? | 0:36:27 | 0:36:29 | |
-That's that special coach. -Yes, exactly. | 0:36:29 | 0:36:31 | |
-She's in there. -Is she? | 0:36:31 | 0:36:33 | |
-Oh, there she is. -The Queen once came up to me, and she went... | 0:36:33 | 0:36:36 | |
# God save our gracious Queen. # | 0:36:36 | 0:36:39 | |
I said, "You've changed your tune." | 0:36:39 | 0:36:40 | |
LAUGHTER | 0:36:40 | 0:36:42 | |
-Ah! -So, you just push that in. | 0:36:44 | 0:36:46 | |
It's got all its chains, hasn't it? | 0:36:46 | 0:36:49 | |
And that just threads, and that goes, hooks onto that hook there. | 0:36:49 | 0:36:53 | |
Produced en masse, | 0:36:53 | 0:36:54 | |
commemorative coaches like these have little rarity. | 0:36:54 | 0:36:58 | |
However, the original box and overall good condition | 0:36:58 | 0:37:00 | |
should go a long way towards tempting collectors at the auction. | 0:37:00 | 0:37:03 | |
Priced at £100, let's see if they can do a deal with Campbell. | 0:37:03 | 0:37:07 | |
We are interested in this item, | 0:37:07 | 0:37:10 | |
the coronation coach. | 0:37:10 | 0:37:13 | |
When was that? 1952, was it? | 0:37:13 | 0:37:14 | |
-No, we're interested in it now, aren't we? -LAUGHTER | 0:37:14 | 0:37:17 | |
-Um, yeah. -Actually, the coronation was in 1953, James! | 0:37:17 | 0:37:20 | |
I'd give you £30 for that. | 0:37:20 | 0:37:22 | |
More like 70. | 0:37:24 | 0:37:25 | |
I'm going to say, erm, I'm going to say £45. | 0:37:27 | 0:37:30 | |
65. | 0:37:31 | 0:37:32 | |
-£46, then. -LAUGHTER | 0:37:39 | 0:37:40 | |
-No. £50? -I think we'll have a deal at £50. | 0:37:42 | 0:37:44 | |
-OK, wonderful. Thank you. -Wonderful. -Fantastic. -Excellent. Thank you so much. | 0:37:44 | 0:37:47 | |
-Thank you, Campbell. -All-in, | 0:37:47 | 0:37:49 | |
that's £120 for a bumper haul of three items. | 0:37:49 | 0:37:52 | |
-Campbell, it's been a delight, thank you so much. -Really fabulous, thank you very much indeed. | 0:37:53 | 0:37:57 | |
Meanwhile, Ricky and David are meandering their way through Leith. | 0:37:57 | 0:38:01 | |
Once upon a time, Leith was known for its port. | 0:38:01 | 0:38:04 | |
Today, it's the area's association with pugilism that's going to get | 0:38:04 | 0:38:08 | |
these boys excited. | 0:38:08 | 0:38:09 | |
Ricky, because you've been a great travel companion... | 0:38:09 | 0:38:12 | |
-Yes? -..I've got a super surprise for you. | 0:38:12 | 0:38:15 | |
-Brilliant. -I'm going to take you somewhere very special. | 0:38:15 | 0:38:18 | |
We're going to go and visit the oldest | 0:38:18 | 0:38:20 | |
amateur boxing club in Scotland. | 0:38:20 | 0:38:23 | |
Oh, that's brilliant! | 0:38:23 | 0:38:24 | |
Over the years, | 0:38:24 | 0:38:25 | |
the Leith Victoria Amateur Athletics Club has trained many triumphant | 0:38:25 | 0:38:29 | |
fighters. The club was created in hard times by even harder men | 0:38:29 | 0:38:33 | |
and against the odds, still survives to this day. | 0:38:33 | 0:38:37 | |
Now, this is your world now, Ricky. | 0:38:37 | 0:38:39 | |
Over to you, this one. | 0:38:39 | 0:38:41 | |
This looks like a proper boxing gym. | 0:38:41 | 0:38:43 | |
I'm liking it already. | 0:38:43 | 0:38:45 | |
Here to tell the lads more about the club's history is current club | 0:38:45 | 0:38:49 | |
secretary Douglas Fraser, a member himself for over 60 years. | 0:38:49 | 0:38:53 | |
I love it, Dougie. | 0:38:54 | 0:38:55 | |
It's proper old school. | 0:38:55 | 0:38:56 | |
How long have you been going? | 0:38:56 | 0:38:58 | |
We've been going as a boxing club since 1919. | 0:38:58 | 0:39:02 | |
We're Scotland's oldest boxing club. | 0:39:02 | 0:39:04 | |
So, you're talking about nearly 100 years ago, | 0:39:04 | 0:39:06 | |
when it was a tough place, right? | 0:39:06 | 0:39:08 | |
The area of Leith was a very, very deprived area. | 0:39:08 | 0:39:11 | |
The kids that that used to play in the street, this was... | 0:39:11 | 0:39:15 | |
The Leith Victoria was one of the clubs that they could go to, | 0:39:15 | 0:39:18 | |
to get off the street and, you know, behave themselves. | 0:39:18 | 0:39:21 | |
-Sort themselves out. -And we had many, many kids that used to come in | 0:39:21 | 0:39:24 | |
here that was bad kids from schools | 0:39:24 | 0:39:27 | |
and, you know, used to be in trouble, | 0:39:27 | 0:39:29 | |
and we'd turn them into proper men. | 0:39:29 | 0:39:32 | |
The end of the Great War left Leith with high rates of crime and | 0:39:32 | 0:39:36 | |
unemployment, and shipbuilding presented one of the few employment | 0:39:36 | 0:39:39 | |
opportunities. | 0:39:39 | 0:39:41 | |
So, who was it that got this club off the ground? | 0:39:41 | 0:39:44 | |
It was basically one shipbuilder by the name of Tancy Lee, | 0:39:44 | 0:39:48 | |
who at the time was a professional boxer. | 0:39:48 | 0:39:51 | |
He was also the first man to win a Lonsdale belt outright. | 0:39:51 | 0:39:55 | |
And although we are still known as an amateur athletic club, | 0:39:55 | 0:39:59 | |
he started the actual boxing section. | 0:39:59 | 0:40:01 | |
Under the stewardship of Tancy Lee, who was also an experienced coach, | 0:40:01 | 0:40:06 | |
boxing quickly became the focus. | 0:40:06 | 0:40:08 | |
He brought in two other coaches - Curly Paterson and Nasher Ness. | 0:40:08 | 0:40:13 | |
Nasher Ness! Tancy Lee! | 0:40:13 | 0:40:15 | |
I mean, what else could you be, other than a fighter, | 0:40:15 | 0:40:17 | |
-with a name like that? -Yeah, yep. -Did you have a name, Ricky, when you were fighting? | 0:40:17 | 0:40:21 | |
My, my boxing name was Ricky "Goodnight" Grover. | 0:40:21 | 0:40:24 | |
-LAUGHTER -Why the "Goodnight", Ricky? | 0:40:24 | 0:40:27 | |
Well, what I used to do, I used to cue them up, | 0:40:27 | 0:40:29 | |
and as I see them wobble a little bit, | 0:40:29 | 0:40:30 | |
I used to go, crack! "Goodnight!" | 0:40:30 | 0:40:32 | |
-You know? Didn't always work, but... -LAUGHTER | 0:40:32 | 0:40:35 | |
Tancy's most successful protege was Johnny Hill. | 0:40:35 | 0:40:39 | |
Born in Leith in 1905, | 0:40:39 | 0:40:40 | |
Johnny was only 19 years old when he exploded onto the boxing scene. | 0:40:40 | 0:40:45 | |
In 1928, he went to Clapton Orient's football ground, | 0:40:45 | 0:40:49 | |
boxed an American called Newsboy Brown... | 0:40:49 | 0:40:51 | |
-Ah. -..and after 15 rounds, | 0:40:51 | 0:40:53 | |
-he won on points and brought the title back to Scotland. -Yeah. | 0:40:53 | 0:40:56 | |
That victory meant that Johnny Hill became Scotland's first | 0:40:56 | 0:41:00 | |
World Champion. The success stories continue to this day, | 0:41:00 | 0:41:04 | |
with the club boasting two World Champions, | 0:41:04 | 0:41:06 | |
three Olympic medallists and five Commonwealth Games winners. | 0:41:06 | 0:41:10 | |
Despite its success, the club has remained true to its roots | 0:41:10 | 0:41:14 | |
and to this day, still strives to serve the local community. | 0:41:14 | 0:41:18 | |
In 1919, our constitution was written up | 0:41:18 | 0:41:21 | |
and it's still the same one today. | 0:41:21 | 0:41:23 | |
From day one, if you have a boy or girl coming through the door that | 0:41:23 | 0:41:26 | |
doesn't have any money, we will still take them through the door. | 0:41:26 | 0:41:30 | |
That's brilliant. | 0:41:30 | 0:41:32 | |
-And funnily enough, I have not got a shilling left, right? -That's true! -LAUGHTER | 0:41:32 | 0:41:36 | |
But I'm here, and I'm going to show my Davey, | 0:41:36 | 0:41:38 | |
-I promised him. -Yeah. -I'm going to show him how to put a little combo together. | 0:41:38 | 0:41:42 | |
-Yeah. -A little spiteful one up the ribs. | 0:41:42 | 0:41:44 | |
-Yeah. -You know what I'm talking about, Doug, don't ya? -Yeah, | 0:41:44 | 0:41:46 | |
-definitely, yeah. -Is that all right, mate? Can I do a bit? | 0:41:46 | 0:41:48 | |
-Let's go, guys. We'll get you ready. -Oh, I'm ready! | 0:41:48 | 0:41:50 | |
MUSIC: Eye Of The Tiger by Survivor | 0:41:52 | 0:41:55 | |
Ay, ay! Ay, ay! | 0:42:09 | 0:42:10 | |
In the red corner, Ricky "Goodnight" Grover! CHEERING | 0:42:12 | 0:42:16 | |
And in the blue corner, David "The Haggler" Harper! | 0:42:17 | 0:42:21 | |
What are you going to teach me, Ricky? | 0:42:24 | 0:42:26 | |
-The shot I've been talking about. -Yeah. -Hit them up the ribs, right? | 0:42:26 | 0:42:28 | |
-Yeah. -So, that was a metaphor. | 0:42:28 | 0:42:30 | |
-Now I'm going to show you how to do it. -All right, do it. | 0:42:30 | 0:42:31 | |
-A little bit square on, Davey. -OK. -A little bit square on. | 0:42:31 | 0:42:34 | |
That's nice. Show me your shoulder. | 0:42:34 | 0:42:35 | |
-I'll get you some gloves. -Like that? | 0:42:35 | 0:42:37 | |
I don't need gloves. | 0:42:37 | 0:42:38 | |
Argh! | 0:42:40 | 0:42:41 | |
Yeah, that was it. | 0:42:42 | 0:42:44 | |
Right. Back to the job in hand. | 0:42:49 | 0:42:52 | |
There's antiques to buy. Let's catch up with Tim and James, | 0:42:52 | 0:42:56 | |
who are heading to nearby Newington. | 0:42:56 | 0:42:58 | |
Do you have to be funny to get... | 0:42:58 | 0:43:00 | |
To have a voice within the family dynamics? | 0:43:00 | 0:43:03 | |
Oh, in the family? Well, I'm the middle child, so, you know... | 0:43:03 | 0:43:06 | |
-Oh, I see. -The middle child's always sort of... | 0:43:06 | 0:43:07 | |
-Seeking affection. -Yeah, exactly, yeah. | 0:43:07 | 0:43:10 | |
When did they winkle you out of the house, then? | 0:43:10 | 0:43:12 | |
Well, I was shoehorned out in the... | 0:43:12 | 0:43:15 | |
-Well, it was the middle of last year. -LAUGHTER | 0:43:15 | 0:43:17 | |
My mum would like me to take the washing round to... | 0:43:19 | 0:43:22 | |
I draw the line at that. I say, "Look, Mum, you know..." | 0:43:22 | 0:43:25 | |
-Could you pick it up? -"I can't start bringing... -LAUGHTER | 0:43:25 | 0:43:28 | |
No, not you as well, James! | 0:43:28 | 0:43:30 | |
Their next port of call is Alan KL Jackson Antiques and Curios. | 0:43:31 | 0:43:36 | |
Shopkeeper Ricky is on hand to help. | 0:43:36 | 0:43:38 | |
-James. -I'm Ricky. -Ricky. -Nice to meet you. | 0:43:38 | 0:43:41 | |
I wonder where Alan is? | 0:43:41 | 0:43:43 | |
Lurking. | 0:43:43 | 0:43:44 | |
Just got a job in a bowling alley. | 0:43:48 | 0:43:49 | |
He said, "Ten pin?" I said, "No, it's a permanent job." | 0:43:49 | 0:43:52 | |
I didn't tell you that I've recently got a job as a spout for a teapot. | 0:43:52 | 0:43:57 | |
-Have you? -Yeah. I'm the pourer for it. | 0:43:57 | 0:43:59 | |
LAUGHTER | 0:43:59 | 0:44:01 | |
It's just drip-feeding. | 0:44:01 | 0:44:02 | |
What about paintings? | 0:44:03 | 0:44:05 | |
Is there anything that your eye is drawn to? | 0:44:05 | 0:44:07 | |
What about...? | 0:44:08 | 0:44:10 | |
It's not a Fox, is it, that one? | 0:44:10 | 0:44:12 | |
It IS a Fox! | 0:44:12 | 0:44:14 | |
-How much have you got on that picture? -£70. | 0:44:14 | 0:44:16 | |
Where's the fox, in the right-hand corner? | 0:44:22 | 0:44:24 | |
-No, it's the name of the artist. -Oh, I see, I've been looking for a fox. | 0:44:24 | 0:44:26 | |
-So, it's Fox. -Oh, right. -But it's also got foxy, which is damp, | 0:44:26 | 0:44:30 | |
-on the thing. -Yeah. -Do you like it, or does it leave you cold? | 0:44:30 | 0:44:34 | |
Well, it's a... | 0:44:34 | 0:44:36 | |
I wouldn't say leaving me cold. It leaves me... | 0:44:36 | 0:44:41 | |
old. It leaves me old. | 0:44:41 | 0:44:43 | |
OK. How about cold? | 0:44:43 | 0:44:45 | |
-So... Ooh. -That's quite nice. | 0:44:46 | 0:44:48 | |
-That's a nice chair. -It's a lovely chair. | 0:44:48 | 0:44:50 | |
-It's priced... -What? How much? | 0:44:50 | 0:44:53 | |
-..expensively. -How much? | 0:44:53 | 0:44:55 | |
£1,740. | 0:44:55 | 0:44:57 | |
No, no, no, no. That's circa 1740. | 0:44:57 | 0:45:01 | |
-Oh, is it? -George II. -LAUGHTER | 0:45:01 | 0:45:03 | |
-A genuine mistake. -Yeah. -A genuine antique | 0:45:03 | 0:45:06 | |
from the 18th-century. | 0:45:06 | 0:45:07 | |
The ticket price is £240. | 0:45:07 | 0:45:09 | |
Folding. | 0:45:09 | 0:45:11 | |
So, George II was about 1727 to about 1760. | 0:45:11 | 0:45:14 | |
Was it? Yeah. | 0:45:18 | 0:45:19 | |
240, Ricky. Whoa! | 0:45:22 | 0:45:24 | |
150 would buy it. | 0:45:24 | 0:45:25 | |
That's already £90 off. | 0:45:25 | 0:45:28 | |
I tell you what, it's got a nice wide seat. | 0:45:28 | 0:45:30 | |
People used to have larger bottoms years ago. | 0:45:30 | 0:45:32 | |
The other day, someone said, "Can I have three chairs for my patio?" | 0:45:32 | 0:45:35 | |
I said, "Well, what's so good about it?" | 0:45:35 | 0:45:37 | |
LAUGHTER | 0:45:37 | 0:45:39 | |
But for that reason, I feel like this... | 0:45:41 | 0:45:43 | |
I'd like, I'd quite like this chair, but I do feel as though... | 0:45:43 | 0:45:46 | |
And don't get me wrong, the 100 was... | 0:45:46 | 0:45:48 | |
-I feel as though... -LAUGHTER | 0:45:48 | 0:45:51 | |
100 is a teeny bit overpriced, because when you brought... | 0:45:51 | 0:45:54 | |
-It was 150. -Well, it... It was 150, was it? | 0:45:54 | 0:45:58 | |
-Good, good... -That's not so bad, weirdly. | 0:45:58 | 0:46:00 | |
LAUGHTER | 0:46:00 | 0:46:02 | |
Remember the total we paid at the last place we went? | 0:46:02 | 0:46:05 | |
Yes. I do. | 0:46:06 | 0:46:08 | |
We can certainly put it to him. | 0:46:08 | 0:46:10 | |
I think we should put it to him. | 0:46:10 | 0:46:11 | |
-I think he might... -£120... | 0:46:11 | 0:46:12 | |
Might be well a handshake out of it. | 0:46:12 | 0:46:15 | |
..and you've got a deal. £120, we hand you the hard cash. | 0:46:15 | 0:46:18 | |
I'll tell you what, 130 and it gives me a small profit, | 0:46:18 | 0:46:21 | |
then it works. | 0:46:21 | 0:46:22 | |
Let's shake the man's hand at 130. | 0:46:24 | 0:46:25 | |
-Come on, let's do it. -Shall we do that? -I think we do it. | 0:46:25 | 0:46:28 | |
-I think he's... -Extend the hand of friendship. | 0:46:28 | 0:46:30 | |
-I think we should. -Extend the hand. | 0:46:30 | 0:46:32 | |
-Thank you, sir. -Well done, Ricky. | 0:46:32 | 0:46:34 | |
That's the mahogany chair bought for £130. | 0:46:34 | 0:46:37 | |
A big purchase, but let's hope it pays off. | 0:46:37 | 0:46:40 | |
So, that's the shopping complete for this trip. | 0:46:40 | 0:46:42 | |
Now, let's see if we can guess what one another have bought, shall we? | 0:46:42 | 0:46:46 | |
See that thing over there, shaped like a chair? | 0:46:46 | 0:46:48 | |
-Yeah. -I can't tell you what that is. -LAUGHTER | 0:46:48 | 0:46:51 | |
-What do you think it is, Ricky? -Shall we reveal? | 0:46:52 | 0:46:54 | |
Go on, you do it, you go first. | 0:46:54 | 0:46:55 | |
-Here we go. -Ooh! | 0:46:55 | 0:46:57 | |
-Ooh! -Oh! -There we are. | 0:46:57 | 0:46:58 | |
-I'm feeling better now. -I'm feeling great! | 0:46:58 | 0:47:00 | |
-I'm feeling better now! -LAUGHTER | 0:47:00 | 0:47:02 | |
That's a, er... | 0:47:05 | 0:47:06 | |
-Nepalese tent pole. No, what is it again? -Didgeridoo. | 0:47:06 | 0:47:08 | |
-Didgeridoo, yeah. -That's not even a didgeridoo. | 0:47:08 | 0:47:11 | |
It has to look more like a baseball bat, isn't it? | 0:47:11 | 0:47:13 | |
-Well, we didn't clarify that, but... -That's like a Babe Ruth, | 0:47:13 | 0:47:16 | |
-isn't it? -LAUGHTER | 0:47:16 | 0:47:19 | |
You can put a flame in it as well and it doubles up as a... | 0:47:19 | 0:47:21 | |
-As one of those Olympic torch things. -LAUGHTER | 0:47:21 | 0:47:23 | |
So, it's got... | 0:47:23 | 0:47:25 | |
-It's multipurpose. But there we are. There's that. -It's lovely. | 0:47:25 | 0:47:27 | |
We've got this, which... This is very exciting. | 0:47:27 | 0:47:29 | |
It's actually a lemon squeezer. | 0:47:29 | 0:47:31 | |
-Oh, right. -Victorian. Is it Victorian? | 0:47:31 | 0:47:33 | |
-Yeah. -Yeah. Victoria lemon squeezer. | 0:47:33 | 0:47:36 | |
-That's the, that's the Queen's. -Yeah, yeah. | 0:47:36 | 0:47:39 | |
And this is something that's used by people for when they want to see | 0:47:39 | 0:47:43 | |
-something really close. -LAUGHTER | 0:47:43 | 0:47:45 | |
How do I look? | 0:47:45 | 0:47:47 | |
-Stay over there and say that. -LAUGHTER | 0:47:47 | 0:47:50 | |
-Very, very interesting. -And we've got a chair. | 0:47:50 | 0:47:52 | |
-And a chair. -But we want to see what stuff is on the losing table. | 0:47:52 | 0:47:55 | |
Are you going to play us in, Tim? | 0:47:55 | 0:47:56 | |
-Right, oh, good idea, yeah, here we go. -HE VOICES FANFARE | 0:47:56 | 0:47:59 | |
LAUGHTER | 0:47:59 | 0:48:01 | |
Right, Ricky. | 0:48:01 | 0:48:02 | |
-Wow! There we are! -There you go. Knock yourselves out. | 0:48:02 | 0:48:05 | |
-What in Heaven's name...? -LAUGHTER | 0:48:05 | 0:48:07 | |
What's this here? What's that? | 0:48:07 | 0:48:09 | |
-We loved that, Ricky, didn't we? -Oh, we loved that. | 0:48:09 | 0:48:11 | |
Yeah. It's a shell duck. | 0:48:11 | 0:48:12 | |
-Shell duck? -It's a shell duck, yeah. | 0:48:12 | 0:48:13 | |
Have you never seen a shell duck before? | 0:48:13 | 0:48:15 | |
-No. -No? I wonder why. -LAUGHTER | 0:48:15 | 0:48:18 | |
-What is that? -It's a pottery model of a gorilla skull. | 0:48:18 | 0:48:22 | |
-It's not an actual skull? -No, no. | 0:48:22 | 0:48:24 | |
-You see, that is an actual lemon squeezer, it's not a model of one. -LAUGHTER | 0:48:24 | 0:48:28 | |
-And what's that thing there? -It's like a... -It's a fountain. -Yeah, it's a... | 0:48:31 | 0:48:34 | |
-It's lovely, isn't it? -I like that, actually. -Yeah. | 0:48:34 | 0:48:37 | |
And I've got a big Chinese thing that you hang on the wall, | 0:48:37 | 0:48:39 | |
but cos it's very delicate, cos it's worth a lot of money... | 0:48:39 | 0:48:41 | |
-Yeah. -..we've had to, that's got to go straight to the auction. | 0:48:41 | 0:48:44 | |
They've got an incense burner as well. | 0:48:44 | 0:48:45 | |
-Yeah, we've got an incense burner. -Oh, we've got the lot. | 0:48:45 | 0:48:47 | |
-Very well done. -Well, I think we should meet at the auction, then, | 0:48:47 | 0:48:50 | |
-shouldn't we? -Yeah. -We'll see you there. | 0:48:50 | 0:48:52 | |
-Game on! -Indeed! | 0:48:52 | 0:48:53 | |
Come on, now - time to spill the beans. | 0:48:55 | 0:48:58 | |
I think we're going to absolutely massacre them. | 0:48:58 | 0:49:00 | |
I can't believe what they've bought. | 0:49:00 | 0:49:02 | |
That's the sort of thing I would buy, is that duck. | 0:49:02 | 0:49:05 | |
-Would you? -Well, yeah, but I mean, not a lot of people... | 0:49:05 | 0:49:08 | |
are like me, with the taste of the rubbish that I want to buy. | 0:49:08 | 0:49:10 | |
-I mean... -That's chair is unbelievable, isn't it?! | 0:49:10 | 0:49:13 | |
Tim, I mean, he's posh, he stayed on at school and everything. | 0:49:13 | 0:49:16 | |
-Yeah. -But I think we've got this one. | 0:49:16 | 0:49:17 | |
I feel confident. | 0:49:17 | 0:49:19 | |
-Great, OK. -After the auction, we can reappraise, can't we? | 0:49:19 | 0:49:22 | |
Yeah, we can. Well, you can carry on doing the job you're doing | 0:49:22 | 0:49:24 | |
-and I can realise it's not my strength. -LAUGHTER | 0:49:24 | 0:49:26 | |
After starting out in Inverkeithing, | 0:49:27 | 0:49:30 | |
our celebrities and experts have travelled south across the border | 0:49:30 | 0:49:33 | |
-for an auction in Wooler. -Your bottle's going, isn't it? | 0:49:33 | 0:49:35 | |
-Tell the truth. -Well, I have a slight fever about the chair, | 0:49:35 | 0:49:39 | |
-that's true. -LAUGHTER | 0:49:39 | 0:49:41 | |
If your bottle IS going, if you want me to try and help you out, | 0:49:41 | 0:49:43 | |
cos I feel a bit embarrassed for you, I'll give you the shell duck. | 0:49:43 | 0:49:47 | |
My bottle is perfectly intact, thank you very much. | 0:49:47 | 0:49:50 | |
We may not make a lot of money, we may even lose money, | 0:49:50 | 0:49:52 | |
but I think we'll do a little bit better than you. | 0:49:52 | 0:49:54 | |
RICKY LAUGHS | 0:49:54 | 0:49:56 | |
Confidence all round, then? | 0:49:57 | 0:49:59 | |
Now, do I hear the limping sound of an exhaust? | 0:49:59 | 0:50:02 | |
I can hear a triumph TR6. | 0:50:02 | 0:50:04 | |
-I can see it! -Here they come, look at that! | 0:50:04 | 0:50:07 | |
-Oh! -What a pair of thumping studs. Don't they look fantastic? | 0:50:07 | 0:50:11 | |
-Go on, Ricky, get out! -LAUGHTER | 0:50:11 | 0:50:13 | |
-It's the auction! -LAUGHTER | 0:50:14 | 0:50:17 | |
-Yes! -He's a trick... -Let's get inside! | 0:50:18 | 0:50:21 | |
Get in there! | 0:50:21 | 0:50:23 | |
I didn't think you were going to make it. | 0:50:23 | 0:50:25 | |
Ricky and David went all-out, | 0:50:26 | 0:50:28 | |
spending their full £400 on six - yes, six - auction lots. | 0:50:28 | 0:50:32 | |
While Tim and James were a little more conservative, | 0:50:34 | 0:50:37 | |
spending £265 on five auction lots. | 0:50:37 | 0:50:40 | |
Jim Railton is the man in charge today. | 0:50:42 | 0:50:45 | |
What does he make of our purchases? | 0:50:45 | 0:50:46 | |
£110... | 0:50:46 | 0:50:48 | |
The Chinese hanging is very distressed, alas. | 0:50:48 | 0:50:51 | |
If it wasn't so distressed, it would almost be a museum piece, | 0:50:51 | 0:50:54 | |
but it's a good thing, and hanging on someone's wall, | 0:50:54 | 0:50:57 | |
it's a bit of history. The mahogany chair is a period chair, | 0:50:57 | 0:51:00 | |
lovely dense, heavy mahogany. | 0:51:00 | 0:51:02 | |
Proper period piece, it's a real antique. | 0:51:02 | 0:51:04 | |
-So, that should make £100. -Oh, yeah? | 0:51:04 | 0:51:06 | |
As well as buyers in the room, today's auction is also online. | 0:51:06 | 0:51:10 | |
Time to take a seat, gents. | 0:51:10 | 0:51:12 | |
-Very excited. -Are you excited? | 0:51:12 | 0:51:13 | |
Yeah, very, yeah. | 0:51:13 | 0:51:15 | |
First up, we have Ricky's Benares bell, | 0:51:15 | 0:51:17 | |
and the Japanese incense burner. | 0:51:17 | 0:51:20 | |
Start me at £30 anywhere? | 0:51:20 | 0:51:21 | |
Go on. | 0:51:21 | 0:51:23 | |
-£10 anywhere? -He's doing it deliberately. | 0:51:23 | 0:51:25 | |
-£10 I'm bid. 12... -Oh, well done. -14. | 0:51:25 | 0:51:27 | |
16. 18. | 0:51:27 | 0:51:30 | |
-You're at 20. -OK, keep it going. -Do you want to go 22? 24? | 0:51:30 | 0:51:33 | |
-24, 26. 28. -Go on. -Go on. | 0:51:33 | 0:51:37 | |
Do you want to go 30, sir? | 0:51:37 | 0:51:38 | |
-Go on. -£30. 35. -Yes! -35, here we go! | 0:51:38 | 0:51:41 | |
-40. -Here we go. | 0:51:41 | 0:51:42 | |
45? | 0:51:42 | 0:51:44 | |
Close the lid on your computer! | 0:51:44 | 0:51:45 | |
£40, I'm going to close it. | 0:51:46 | 0:51:48 | |
At £40. | 0:51:48 | 0:51:50 | |
Not bad. That's a £15 profit. | 0:51:50 | 0:51:53 | |
That's all right, isn't it, Ricky? | 0:51:53 | 0:51:54 | |
-Yeah. -Good start, good start. | 0:51:54 | 0:51:56 | |
Tim's didgeridoo is next. | 0:51:56 | 0:51:58 | |
I'd like to start the bidding at £26. | 0:51:58 | 0:52:01 | |
-Oh! -28 anywhere in the room? | 0:52:01 | 0:52:03 | |
26, 28, 30. | 0:52:03 | 0:52:05 | |
For a rubbish didgeridoo?! | 0:52:05 | 0:52:08 | |
We knew it, we just knew. | 0:52:08 | 0:52:10 | |
34 anywhere? Gentlemen with the cap on at 32. | 0:52:10 | 0:52:12 | |
Going at 32. | 0:52:12 | 0:52:13 | |
Strong profit there. Both off to good starts. | 0:52:14 | 0:52:17 | |
-I'll say this, I never doubted it. -LAUGHTER | 0:52:17 | 0:52:19 | |
Lot number 510 is the... | 0:52:19 | 0:52:21 | |
Hopefully, for Ricky, | 0:52:21 | 0:52:22 | |
there's someone in the room that likes shell-decorated boxes, | 0:52:22 | 0:52:25 | |
shaped like ducks. | 0:52:25 | 0:52:26 | |
Got three commission bids, but I'll have to start the bidding at £25. | 0:52:26 | 0:52:29 | |
-25. -Oh! -28 anywhere? | 0:52:29 | 0:52:31 | |
-Go on. -28, 30. | 0:52:31 | 0:52:32 | |
-32. -Go on. | 0:52:32 | 0:52:33 | |
32. And nothing on the internet? | 0:52:35 | 0:52:36 | |
-Didn't stick around long, did he? -Come on. -All done at 32? | 0:52:36 | 0:52:40 | |
-Agh! -There you go, | 0:52:40 | 0:52:42 | |
first loss. I told you it was quackers! | 0:52:42 | 0:52:44 | |
The only thing that's making me feel all right is knowing you've got that | 0:52:45 | 0:52:48 | |
-chair. That's what's getting me through this. -LAUGHTER | 0:52:48 | 0:52:50 | |
Excuse me, listen. | 0:52:50 | 0:52:51 | |
If you're going to make a noise, you can go out. | 0:52:51 | 0:52:54 | |
If you're going to talk, out. | 0:52:54 | 0:52:56 | |
OK. I'd take the hint. | 0:52:56 | 0:52:58 | |
Leave the room, chaps. | 0:52:58 | 0:52:59 | |
Up next are those magnification goggles. | 0:53:01 | 0:53:04 | |
I'd like to start £12. 14 anywhere? | 0:53:04 | 0:53:06 | |
14 in the back of the room. 16. 18? | 0:53:06 | 0:53:09 | |
16, the bid's with me. 18, new bidder. | 0:53:09 | 0:53:11 | |
20 on the internet. | 0:53:11 | 0:53:12 | |
22. 24? | 0:53:12 | 0:53:14 | |
At 22, I'm going to sell at 22. | 0:53:15 | 0:53:17 | |
Not a great performance. | 0:53:18 | 0:53:19 | |
And the chaps have relocated to an area just off the saleroom. | 0:53:19 | 0:53:23 | |
-I used to get this at school all the time! -Did you? -LAUGHTER | 0:53:23 | 0:53:26 | |
Next up, Ricky's cast of a gorilla skull. | 0:53:26 | 0:53:29 | |
I've got one commission bid and I'm starting... | 0:53:29 | 0:53:31 | |
-Stay there. -Selling at 18. 20 anywhere? | 0:53:31 | 0:53:34 | |
-£18. -All done. Going at 18. | 0:53:35 | 0:53:37 | |
18 quid is good, if you bought it for ten. | 0:53:38 | 0:53:41 | |
I'm pretty sure that they were selling the teeth individually. | 0:53:41 | 0:53:44 | |
-Let's see how the rest go. -LAUGHTER | 0:53:44 | 0:53:47 | |
It's Tim's Coronation coach and box up next. | 0:53:47 | 0:53:50 | |
Two commission bids and I can start at £25. | 0:53:50 | 0:53:53 | |
28, 30. 32? 34, new bidder. | 0:53:53 | 0:53:56 | |
38, 40. | 0:53:56 | 0:53:58 | |
-Go on. Well done. -Want to go 44? | 0:53:58 | 0:54:01 | |
Yes. 44. 46? 48? | 0:54:02 | 0:54:05 | |
-No? -Told you. | 0:54:05 | 0:54:07 | |
-46, then. -50! | 0:54:07 | 0:54:10 | |
-I said I liked it! -Going to sell at 46. | 0:54:10 | 0:54:12 | |
-All done? -Yeah, we made a loss! -LAUGHTER | 0:54:12 | 0:54:15 | |
But... But... Well, there's no but. | 0:54:15 | 0:54:19 | |
-We made a loss! -LAUGHTER | 0:54:19 | 0:54:21 | |
Shhhh! | 0:54:21 | 0:54:24 | |
Hurry back, Tim! It's Ricky's pair of early 20th-century pewter | 0:54:24 | 0:54:27 | |
-candlesticks. -I've got one small commission bid, I can start at £10. | 0:54:27 | 0:54:30 | |
Ten. 12 anywhere? | 0:54:30 | 0:54:32 | |
-Ten. -Selling at £10. -Come on, come on. | 0:54:32 | 0:54:35 | |
14. 16. Are you bidding, sir? | 0:54:35 | 0:54:37 | |
-16. £16. 18 anywhere? -Wait there. | 0:54:37 | 0:54:41 | |
£16. 18 anywhere? £16, I'm going to sell. | 0:54:41 | 0:54:44 | |
-16? -A profit! | 0:54:44 | 0:54:48 | |
Excellent work! | 0:54:48 | 0:54:50 | |
-16. -16. | 0:54:50 | 0:54:51 | |
-We're making money! -You're making money! | 0:54:51 | 0:54:53 | |
Right, time for Tim's lemon press. | 0:54:54 | 0:54:57 | |
Bids against the room at £30. | 0:54:57 | 0:54:59 | |
-30. -£30. -Anyone want to go 35 anywhere? | 0:54:59 | 0:55:02 | |
I'm going to go and check on it, hang on a sec. | 0:55:02 | 0:55:04 | |
A good thing to have on your sideboard? | 0:55:04 | 0:55:06 | |
£30, then, I'm selling at 30. | 0:55:06 | 0:55:08 | |
-Internet, internet... -All done at £30? | 0:55:08 | 0:55:11 | |
Mmm! That's a £10 loss. | 0:55:11 | 0:55:15 | |
-We squeezed what we could out of it! -LAUGHTER | 0:55:15 | 0:55:18 | |
Now, will Ricky's water fountain spout a profit? | 0:55:20 | 0:55:24 | |
I'm going in! | 0:55:24 | 0:55:26 | |
I've got five commission bids. So, £40, I'm going to sell. | 0:55:26 | 0:55:29 | |
-Who wants to go 45? -Nearly got a bull's-eye. | 0:55:29 | 0:55:33 | |
£40, I'm going to sell at 40. | 0:55:33 | 0:55:35 | |
Just shy of a bull's-eye. | 0:55:37 | 0:55:39 | |
-Ricky, a great profit. -That's good, you've made £15. | 0:55:39 | 0:55:42 | |
-Yeah, very good. -Yeah, but I was expecting... | 0:55:42 | 0:55:45 | |
-More! -I was expecting a lot. | 0:55:45 | 0:55:46 | |
It's Tim's last lot of the day - the George II side chair. | 0:55:46 | 0:55:51 | |
-How much did you pay? -Here we go! -Lovely mahogany chair, this. | 0:55:51 | 0:55:55 | |
And I've got a small commission bid. I can start at £25. | 0:55:55 | 0:55:57 | |
-26! -Selling at £25. | 0:55:57 | 0:56:00 | |
28 anywhere? | 0:56:00 | 0:56:02 | |
Jumped up to 40, then, on the internet. | 0:56:02 | 0:56:05 | |
Two people bidding on the internet, nobody in the room. | 0:56:05 | 0:56:08 | |
What's happening? | 0:56:08 | 0:56:10 | |
-It's a disaster. -Why? | 0:56:10 | 0:56:12 | |
All done? Everybody finished, at £40? | 0:56:12 | 0:56:16 | |
Ouch! That's the biggest loss so far. | 0:56:16 | 0:56:19 | |
-You might as well run the credits. -LAUGHTER | 0:56:19 | 0:56:22 | |
Just one more lot, Tim - it's Ricky's Chinese silk drape. | 0:56:22 | 0:56:26 | |
This rather special banner, hanging here. | 0:56:26 | 0:56:29 | |
A Chinese banner. | 0:56:29 | 0:56:31 | |
And again, a lot of interest in this... | 0:56:31 | 0:56:33 | |
-Lots of interest. -We'll have to start the bidding at 120. | 0:56:33 | 0:56:36 | |
120, wow! | 0:56:36 | 0:56:37 | |
-What did you buy it at? -120. -Who wants to go 130? | 0:56:37 | 0:56:41 | |
120 and then I'm going to sell... | 0:56:41 | 0:56:43 | |
Quick, get in there! | 0:56:44 | 0:56:46 | |
150, 160. 170. I'm out at 160. | 0:56:48 | 0:56:50 | |
-Come on. -Are we all done at 170? | 0:56:50 | 0:56:53 | |
All done? | 0:56:54 | 0:56:56 | |
Ah! Another loss! I think this could be really, really close. | 0:56:56 | 0:57:00 | |
-Who's good at adding up? -He's good at adding up, | 0:57:00 | 0:57:02 | |
-and I'm good at adding up, so that makes three of us. -LAUGHTER | 0:57:02 | 0:57:06 | |
-Shhh! Cup of tea. -Cup of tea, cup of tea. | 0:57:06 | 0:57:08 | |
Come on, cup of tea. | 0:57:08 | 0:57:10 | |
Tim and James started out with £400 and after auction costs, | 0:57:10 | 0:57:14 | |
they made a loss of £125.60. | 0:57:14 | 0:57:17 | |
So, they end up with a total of £274.40. | 0:57:17 | 0:57:21 | |
Ricky and David also started out with £400 and after auction costs, | 0:57:22 | 0:57:26 | |
they made a slightly smaller loss of £124.48, | 0:57:26 | 0:57:31 | |
meaning that they finish with £275.52, making them our winners, | 0:57:31 | 0:57:36 | |
by only £1.12! | 0:57:36 | 0:57:40 | |
-Yes! -No! -How did it happen?! -Yes! -LAUGHTER | 0:57:40 | 0:57:45 | |
-All right, don't overdo it! -Unlucky. -Manly handshake. | 0:57:45 | 0:57:49 | |
-Only £1 in it. -Do you know what? It's the first time in my life I've gained a pound and I | 0:57:49 | 0:57:54 | |
-feel happy about it! -LAUGHTER | 0:57:54 | 0:57:58 | |
-Come on, Tim, let's go, mate. -Great to see you. | 0:57:58 | 0:58:02 | |
-Lovely to see you! Timothy, take me to the East End! -LAUGHTER | 0:58:02 | 0:58:05 | |
Hurray! | 0:58:09 | 0:58:11 | |
I'm going to give you five hours of stick, mate, all the way home! | 0:58:11 | 0:58:15 | |
Off they go, then. | 0:58:15 | 0:58:17 | |
I think it's only fair we let those two have the last laugh. | 0:58:17 | 0:58:21 | |
Driving along in the middle of nowhere, this little motor! | 0:58:21 | 0:58:23 | |
LAUGHTER | 0:58:23 | 0:58:26 |