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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
-Oh! -I just want to touch base. -..paired up with an expert... | 0:00:03 | 0:00:06 | |
-So... -Boo! | 0:00:06 | 0:00:08 | |
..and a classic car. | 0:00:08 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim - to make the biggest profit at auction, but it's no easy ride. | 0:00:15 | 0:00:19 | |
GEARS GRIND | 0:00:19 | 0:00:20 | |
Who will find a hidden gem? | 0:00:20 | 0:00:22 | |
-HONK -I like that. | 0:00:22 | 0:00:24 | |
Who will take the biggest risk? | 0:00:24 | 0:00:25 | |
This could end in disaster. | 0:00:25 | 0:00:27 | |
Will anybody follow expert advice? | 0:00:27 | 0:00:30 | |
-But I love this! -Why would you buy something you're not going to use? | 0:00:30 | 0:00:33 | |
There will be worthy winners and valiant losers. | 0:00:33 | 0:00:35 | |
No, I don't want to shake hands. | 0:00:35 | 0:00:37 | |
Put your pedal to the metal. | 0:00:37 | 0:00:39 | |
Let me get out of first gear. | 0:00:39 | 0:00:40 | |
This is... | 0:00:40 | 0:00:41 | |
Yeah! | 0:00:46 | 0:00:47 | |
Today, we're hotfooting it around the south of England | 0:00:51 | 0:00:54 | |
with Strictly Come Dancing Glitter Ball champions | 0:00:54 | 0:00:58 | |
Ore Oduba and dance partner Joanne Clifton. | 0:00:58 | 0:01:02 | |
How much do you know about antiques? | 0:01:02 | 0:01:03 | |
HE CHUCKLES | 0:01:03 | 0:01:05 | |
If we were to put it on a scale of one to ten, | 0:01:05 | 0:01:08 | |
is there a minus? | 0:01:08 | 0:01:10 | |
What TV presenter Ore doesn't know about antiques, | 0:01:11 | 0:01:14 | |
he certainly makes up for in sport. | 0:01:14 | 0:01:16 | |
A familiar face on our screens, | 0:01:16 | 0:01:18 | |
he started out on kids' telly before moving to BBC Sport, | 0:01:18 | 0:01:22 | |
where he's hosted everything from the Commonwealth Games | 0:01:22 | 0:01:25 | |
to the Rio Olympics. | 0:01:25 | 0:01:26 | |
And since waltzing his way to Strictly's glory, | 0:01:26 | 0:01:30 | |
he's shimmied onto The One Show sofa as well. | 0:01:30 | 0:01:33 | |
-Oh, yes! -Oh, that was good one. | 0:01:33 | 0:01:35 | |
We're not a team any more. | 0:01:35 | 0:01:37 | |
-That's a shame. -I've got my own team, and we're in it to win it. | 0:01:37 | 0:01:40 | |
Strictly pro Jo is a proper twinkle-toes | 0:01:40 | 0:01:43 | |
and has been ballroom dancing | 0:01:43 | 0:01:45 | |
since she was a tot. Boasting five British Championship titles, | 0:01:45 | 0:01:50 | |
Joanne joined the Come Dancing team in 2014, but she's now hung up her | 0:01:50 | 0:01:55 | |
Strictly shoes to appear on the West End stage. | 0:01:55 | 0:01:59 | |
So, how will the team tactics play out when these two winners | 0:01:59 | 0:02:02 | |
are pitted against each other? | 0:02:02 | 0:02:04 | |
There's a little tiger on there. | 0:02:04 | 0:02:06 | |
Yeah, it's called... Do you know what that is? | 0:02:06 | 0:02:08 | |
-A tiger. -It's not a tiger. | 0:02:08 | 0:02:10 | |
-What is it? -It's a jaguar. | 0:02:10 | 0:02:11 | |
Oh, is this a Jaguar? | 0:02:12 | 0:02:14 | |
-Yeah. -Oh! -This is a Jaguar. | 0:02:14 | 0:02:16 | |
A 1988 Jaguar XJS, to be precise. | 0:02:18 | 0:02:22 | |
I think I'm getting used to this car, though. Whoops! | 0:02:22 | 0:02:25 | |
-Are you?! -Oh! | 0:02:25 | 0:02:27 | |
THEY LAUGH | 0:02:27 | 0:02:29 | |
Let's hope their buying is better than Ore's driving. | 0:02:29 | 0:02:33 | |
Oh, hello. Who's this in a classic Alfa Romeo Spider? | 0:02:33 | 0:02:36 | |
Partnering up with our two Strictly celebrities are a pair of Road Trip | 0:02:37 | 0:02:41 | |
regulars - it's antiqueurs David Harper and Catherine Southon. | 0:02:41 | 0:02:45 | |
I love Strictly. | 0:02:46 | 0:02:47 | |
Oh, I'm such a big fan. | 0:02:47 | 0:02:49 | |
I bet you, even though they were partners and they won together, | 0:02:49 | 0:02:52 | |
I bet the competition between the two is absolutely immense. | 0:02:52 | 0:02:56 | |
I'm looking forward to this. | 0:02:56 | 0:02:58 | |
Oh, I can't stop dancing! | 0:02:58 | 0:03:00 | |
After starting out in Brighton, our teams will saunter around Sussex, | 0:03:01 | 0:03:06 | |
before heading into the Kent countryside | 0:03:06 | 0:03:08 | |
to eventually arrive in Essex and | 0:03:08 | 0:03:10 | |
Southend-on-Sea for an auction. | 0:03:10 | 0:03:12 | |
Oh, we have a Jaguar. Oh, here they are. Who's driving? | 0:03:14 | 0:03:17 | |
They're going to show us how to really drive. | 0:03:17 | 0:03:19 | |
They're going to show us how to move. | 0:03:19 | 0:03:20 | |
Let's get out before it's too late. | 0:03:20 | 0:03:22 | |
I'm going to be a gentleman, that's what I'm going to do. | 0:03:22 | 0:03:24 | |
-I nearly forgot. -Oh, gosh, they almost killed us... | 0:03:24 | 0:03:26 | |
-I'm meant to be a gentleman. -..before we'd begun. | 0:03:26 | 0:03:28 | |
-Hello. -Hello! -Lovely to meet you. | 0:03:28 | 0:03:29 | |
-Lovely to meet you, too. -Lovely to meet you. That's fantastic. | 0:03:29 | 0:03:32 | |
-Yes - outfit! -I really hope my driving... | 0:03:32 | 0:03:34 | |
-Hello. These are my dancing pants. -Amazing! | 0:03:34 | 0:03:37 | |
Take your partner by the hand, it's time to get this show on the road. | 0:03:37 | 0:03:41 | |
We've got to get going. Come on, let's get going. | 0:03:41 | 0:03:44 | |
-Jo, you're with me. -Yes, team! | 0:03:44 | 0:03:45 | |
-Can I drive? -Yeah, you drive, you drive. -OK. | 0:03:45 | 0:03:47 | |
-Am I driving again? -Yeah! -Well, that was a bad move. | 0:03:47 | 0:03:50 | |
Look, can they actually even start that car? | 0:03:52 | 0:03:55 | |
Bye, then. See you. | 0:03:55 | 0:03:57 | |
Each pair has £400 to spend, and best get cracking. | 0:03:57 | 0:04:01 | |
I know you're competitive, but I didn't think you'd be | 0:04:01 | 0:04:05 | |
that competitive in buying. | 0:04:05 | 0:04:08 | |
Well, here's the thing... | 0:04:08 | 0:04:09 | |
Jo Clifton is a world ballroom dance champion, | 0:04:10 | 0:04:13 | |
she is also a Strictly Come Dancing champion. | 0:04:13 | 0:04:15 | |
I only have one of those titles to my name, | 0:04:15 | 0:04:17 | |
so if I can add Antiques Road Trip Champion to my CV, | 0:04:17 | 0:04:22 | |
then we're on level pegging. | 0:04:22 | 0:04:24 | |
-The world's your oyster. -What's the mood in the Alfa? | 0:04:24 | 0:04:28 | |
-I'm so excited! -I love the energy. | 0:04:28 | 0:04:30 | |
You exude energy. | 0:04:30 | 0:04:32 | |
-It's fantastic. -I've had a lot of coffee. | 0:04:32 | 0:04:34 | |
I've thought of a team name. | 0:04:34 | 0:04:36 | |
-Go on, tell me. -Cos we're both Northern... | 0:04:36 | 0:04:38 | |
-Both Northern, yeah. -So we're Team Northern lights. | 0:04:38 | 0:04:40 | |
Oh, I love it already. | 0:04:40 | 0:04:42 | |
And I've thought of a team name for them, Team Runners Up. | 0:04:42 | 0:04:44 | |
Excellent, I love it! | 0:04:44 | 0:04:46 | |
Jo and David are starting their shopping | 0:04:46 | 0:04:48 | |
in the very fashionable Brighton. | 0:04:48 | 0:04:50 | |
This is pretty. | 0:04:52 | 0:04:53 | |
Isn't it gorgeous? | 0:04:53 | 0:04:55 | |
It's very hipster by the sea, isn't it? | 0:04:55 | 0:04:58 | |
-Yeah. -I think it suits us. -I think so. -Are you feeling comfortable? | 0:04:58 | 0:05:01 | |
-Yeah. I think we're cool. -I think we're cool. -We're very cool. | 0:05:01 | 0:05:04 | |
I mean, how would you walk to be cool? | 0:05:04 | 0:05:06 | |
-Oh, I love a bit of a swagger. -Yeah? | 0:05:06 | 0:05:08 | |
-Is it all in the hips? -Yeah. | 0:05:08 | 0:05:09 | |
I think I've got it. Mind you, my hips are giving up. | 0:05:09 | 0:05:12 | |
Careful, David, you've only just started. | 0:05:12 | 0:05:15 | |
Their first stop today is Oasis Antiques. | 0:05:15 | 0:05:18 | |
Have you ever been antique hunting before? | 0:05:18 | 0:05:20 | |
-Never. -Right. -Let's get in there. | 0:05:20 | 0:05:22 | |
Come on, then. | 0:05:22 | 0:05:23 | |
Proprietor Anne's shop is packed with curios. | 0:05:24 | 0:05:27 | |
-Hello. -Hi. -I thought there were two people there! | 0:05:28 | 0:05:31 | |
-I did, for a second! -We're twins. | 0:05:31 | 0:05:33 | |
Who will we get the best deal from? | 0:05:33 | 0:05:36 | |
Her. | 0:05:36 | 0:05:37 | |
THEY LAUGH | 0:05:37 | 0:05:39 | |
Fantastic. Well, can we have a mooch around? | 0:05:39 | 0:05:41 | |
-Of course, yes. -Thank you. | 0:05:41 | 0:05:43 | |
Let's get started. | 0:05:43 | 0:05:44 | |
Jo is used to winning. | 0:05:44 | 0:05:46 | |
Strategy is the name of the game, David. | 0:05:46 | 0:05:48 | |
-Something Chinese... -Something Chinese. | 0:05:49 | 0:05:52 | |
-Toys... -Toys are good. | 0:05:52 | 0:05:53 | |
And no paintings. | 0:05:53 | 0:05:54 | |
-No paintings. -But... | 0:05:54 | 0:05:56 | |
Why are you saying no paintings? Is that because I paint things? | 0:05:56 | 0:05:59 | |
No... No, I just thought, you know, paintings... | 0:05:59 | 0:06:02 | |
-Everyone goes for paintings. -OK, all right. | 0:06:02 | 0:06:04 | |
We want something quirky, don't we? | 0:06:04 | 0:06:06 | |
All right, OK. Have you ever been a collector? | 0:06:06 | 0:06:08 | |
I have. I have 77 dolls | 0:06:08 | 0:06:12 | |
and 101 trolls. | 0:06:12 | 0:06:14 | |
-Is that normal? -I think so. | 0:06:15 | 0:06:18 | |
I was a real girlie girl at home. | 0:06:18 | 0:06:19 | |
My bedroom was all pink and fluffy. | 0:06:19 | 0:06:22 | |
Do you know, I've heard David has a room like that, too. Ha-ha! | 0:06:22 | 0:06:25 | |
All right, come on, enough chat, let's get buying. | 0:06:25 | 0:06:28 | |
Right, I'm going to test you. | 0:06:28 | 0:06:29 | |
-OK. -You've been doing loads of research on the internet | 0:06:29 | 0:06:32 | |
-before you came on this show, haven't you? -Yeah... -Right. | 0:06:32 | 0:06:34 | |
And you've been looking at silver | 0:06:34 | 0:06:36 | |
things with hallmarks on, haven't you? | 0:06:36 | 0:06:38 | |
-Yeah... -You have to tell me, first of all, | 0:06:38 | 0:06:41 | |
is it silver, then, if it is, | 0:06:41 | 0:06:44 | |
when it was made, and then what it is. | 0:06:44 | 0:06:48 | |
-Right. There's the hallmark. -HE GASPS | 0:06:48 | 0:06:51 | |
You have amazing eyesight. | 0:06:51 | 0:06:53 | |
You're like a hawk. Date? | 0:06:53 | 0:06:55 | |
Well, by looking at it... | 0:06:55 | 0:06:57 | |
Let's put it up to the light a little bit. | 0:06:57 | 0:06:59 | |
I'll give you a clue, turn it over and have a look at the label. | 0:06:59 | 0:07:03 | |
Oh, 1899. | 0:07:03 | 0:07:05 | |
-You are absolutely brilliant. -Yes! | 0:07:05 | 0:07:07 | |
-So that's a real antique, baby. -Yes! | 0:07:07 | 0:07:10 | |
-And what do you put in it? -What do you think? | 0:07:10 | 0:07:12 | |
Try and work it out. | 0:07:12 | 0:07:13 | |
-Erm... -The bottom is a striker. | 0:07:13 | 0:07:16 | |
-Oh, matches! -Matches. | 0:07:16 | 0:07:19 | |
It's a tiny little Vesta case. | 0:07:19 | 0:07:21 | |
Vesta, after the brand of match, | 0:07:21 | 0:07:23 | |
and that would attach to a chain, and I think it's lost... | 0:07:23 | 0:07:26 | |
It has... Typical! | 0:07:26 | 0:07:29 | |
It should have a little hook on there which would attach | 0:07:29 | 0:07:31 | |
to a chain which would hang from your waistcoat... | 0:07:31 | 0:07:34 | |
-Yeah. -Or your watch chain. | 0:07:34 | 0:07:36 | |
People, if they got it nowadays, | 0:07:36 | 0:07:38 | |
they could put in there some false nails. | 0:07:38 | 0:07:41 | |
Put them in there like that, get them out, | 0:07:41 | 0:07:43 | |
stick them on with a little tube of glue and then file them. | 0:07:43 | 0:07:46 | |
You've got a brilliant imagination. | 0:07:46 | 0:07:48 | |
So it's missing its hook, Anne. | 0:07:48 | 0:07:49 | |
-The little ring hook. -Jo's not convinced. | 0:07:51 | 0:07:54 | |
The little Vesta case goes back on the shelf. | 0:07:54 | 0:07:56 | |
We'll leave them to browse on. | 0:07:56 | 0:07:58 | |
Meanwhile, Ore and Catherine have made their way | 0:08:00 | 0:08:02 | |
to Brighton's suburban neighbour, Hove. | 0:08:02 | 0:08:05 | |
Let's pull in there, shall we? | 0:08:07 | 0:08:08 | |
Are you ready for the first challenge? | 0:08:08 | 0:08:10 | |
I hope so. | 0:08:10 | 0:08:11 | |
They're kicking off their shopping at Department, | 0:08:12 | 0:08:15 | |
with two floors of furniture and collectables. | 0:08:15 | 0:08:18 | |
Let's get some antiques, Catherine. | 0:08:18 | 0:08:20 | |
-Let's rock and roll. -Let's do it. | 0:08:20 | 0:08:22 | |
Sophia's in charge, so stand by. | 0:08:22 | 0:08:25 | |
-This looks good. Hello. -Hiya. Catherine, lovely to meet you. | 0:08:27 | 0:08:30 | |
-Lovely to meet you. -I'm Ore. -Hi. -Lovely to meet you. And who is this? | 0:08:30 | 0:08:33 | |
-This is Monkey. -Do you shake paws? | 0:08:33 | 0:08:35 | |
Oh, look! | 0:08:35 | 0:08:36 | |
CATHERINE LAUGHS | 0:08:36 | 0:08:37 | |
Ouch! Better move on. | 0:08:37 | 0:08:39 | |
Where do you want to start? | 0:08:39 | 0:08:40 | |
I want to start...everywhere! | 0:08:40 | 0:08:42 | |
OK. | 0:08:42 | 0:08:44 | |
We danced on a drum in the Strictly final, you know? | 0:08:47 | 0:08:50 | |
So, let's buy this one. That would be perfect, wouldn't it? | 0:08:50 | 0:08:55 | |
He's not hanging about. | 0:08:55 | 0:08:57 | |
This actually does look like something I might buy. | 0:08:57 | 0:09:01 | |
-Really? -Well, yeah, it looks really nice. | 0:09:01 | 0:09:03 | |
So, it's the Young People's Band, The Salvation Army. | 0:09:03 | 0:09:07 | |
In 1878, when Salvationists were confronted by an unruly mob, | 0:09:07 | 0:09:12 | |
the Frys, | 0:09:12 | 0:09:13 | |
a family of musicians, played to distract the crowds. | 0:09:13 | 0:09:16 | |
Soon afterwards, Salvation Army bands sprung up around the country. | 0:09:16 | 0:09:20 | |
I think this is a good start. Shall we have a word with the lady? | 0:09:22 | 0:09:25 | |
Yes, let's have a word with Sophia. | 0:09:25 | 0:09:27 | |
Sophia! | 0:09:27 | 0:09:28 | |
And Monkey. | 0:09:30 | 0:09:31 | |
The most expensive thing in the shop. | 0:09:31 | 0:09:33 | |
-Really? -Well done. | 0:09:33 | 0:09:35 | |
You really have an eye, don't you? | 0:09:35 | 0:09:36 | |
I've been hanging around with my wife for too long, that's why. | 0:09:36 | 0:09:40 | |
If we wanted this, would it be hard to prise it off your hands? | 0:09:40 | 0:09:44 | |
No, but it is going to be £395. | 0:09:45 | 0:09:48 | |
Oh! | 0:09:48 | 0:09:49 | |
That's almost all of your money, and it's only the first shop. | 0:09:51 | 0:09:55 | |
-This could be risky. -That would be heavy on someone's back, | 0:09:55 | 0:09:58 | |
carrying that around in a marching band, wouldn't it? | 0:09:58 | 0:10:00 | |
-I want to see... -Actually, it's quite light. | 0:10:00 | 0:10:02 | |
-Is it? -Yeah. -Do you give try-outs for people? | 0:10:02 | 0:10:05 | |
-You can try it out. -Can I? -Yeah. | 0:10:05 | 0:10:06 | |
It is actually quite light, you'll be surprised. | 0:10:06 | 0:10:09 | |
Excuse me, just coming in. | 0:10:09 | 0:10:11 | |
-Oh! -Do you see what I mean? | 0:10:12 | 0:10:14 | |
Yeah. | 0:10:14 | 0:10:15 | |
-There we go. -And it's... | 0:10:16 | 0:10:18 | |
-Have you got the beater? -No. -No. | 0:10:18 | 0:10:21 | |
That's enough. I really like this. | 0:10:28 | 0:10:29 | |
We should probably take another look, but... | 0:10:29 | 0:10:32 | |
Is there movement on it? | 0:10:32 | 0:10:34 | |
Allow me, Catherine. | 0:10:34 | 0:10:35 | |
All right. I'm going to let you lead this. | 0:10:35 | 0:10:37 | |
Sophia, have you ever danced | 0:10:37 | 0:10:39 | |
with a Strictly Come Dancing champion before? | 0:10:39 | 0:10:41 | |
I can't say I have. | 0:10:41 | 0:10:43 | |
Well, people pay big money for that. | 0:10:43 | 0:10:45 | |
So if I can throw that in the deal, | 0:10:45 | 0:10:47 | |
might you be willing to part with this magnificent drum for a little | 0:10:47 | 0:10:52 | |
-cheaper? -I think I can do 350. | 0:10:52 | 0:10:55 | |
HE CHOKES | 0:10:55 | 0:10:57 | |
-WHISPERS: -She's not budging. | 0:10:57 | 0:10:59 | |
The charm's not working, Ore. | 0:10:59 | 0:11:01 | |
-Move on. -Are you a Strictly fan? | 0:11:01 | 0:11:04 | |
Don't answer that question. | 0:11:04 | 0:11:05 | |
Let's...let's continue the journey. | 0:11:05 | 0:11:08 | |
You do that. | 0:11:08 | 0:11:09 | |
Back in Brighton, how are Jo and David faring? | 0:11:10 | 0:11:14 | |
OK, what about that ring? I mean, I'm not really into jewellery. | 0:11:14 | 0:11:16 | |
Is it silver? | 0:11:16 | 0:11:18 | |
Let me have a look. Is that silver? | 0:11:18 | 0:11:20 | |
It's got a hallmark on it. | 0:11:22 | 0:11:23 | |
-Has it? -It has. Look, there. | 0:11:23 | 0:11:26 | |
-Can you see it? -Yes, it has, yeah. | 0:11:26 | 0:11:28 | |
"ND", it says. | 0:11:28 | 0:11:30 | |
-ND. -ND, 925. | 0:11:30 | 0:11:34 | |
I've got the song in my head. | 0:11:34 | 0:11:36 | |
# I work "nine to five"... # | 0:11:36 | 0:11:37 | |
I know that's TILL five, but you know what I mean. | 0:11:37 | 0:11:39 | |
-What does that tell me? -Silver. | 0:11:39 | 0:11:41 | |
It sports a ticket price of £20. | 0:11:41 | 0:11:44 | |
-Do you like it, first of all? -Yeah, I do like it. | 0:11:44 | 0:11:47 | |
-It's what you call... -It's going to make money, is it? -At a tenner... | 0:11:47 | 0:11:49 | |
-At a tenner. -..I think it would make a bit of money. | 0:11:49 | 0:11:52 | |
-At a tenner. -Go on. | 0:11:52 | 0:11:54 | |
-Shall we do it? -I'm ready. -There you go. Do your first deal. | 0:11:54 | 0:11:58 | |
Shake, Jo, quickly. Thank you very much, Anne. | 0:11:58 | 0:12:00 | |
-Thank you. -Thank you very much. | 0:12:00 | 0:12:02 | |
Thank you, that's great. | 0:12:02 | 0:12:04 | |
Jo's playing it safe and spending low. | 0:12:04 | 0:12:07 | |
A kind discount and a deal of £10 | 0:12:07 | 0:12:09 | |
for the late-20th-century silver ring | 0:12:09 | 0:12:11 | |
means this team's first purchase of the trip is done. | 0:12:11 | 0:12:15 | |
While done the road in Hove, | 0:12:17 | 0:12:19 | |
they're sticking to a Strictly theme. | 0:12:19 | 0:12:21 | |
I think these are great. Jo would love these, wouldn't she? | 0:12:21 | 0:12:24 | |
Well, I think she aims a bit higher than seven. | 0:12:24 | 0:12:28 | |
-I know. -But if Len was in, he'd love them. | 0:12:28 | 0:12:30 | |
He would love them. You never got a seven, though, did you? | 0:12:30 | 0:12:33 | |
I got a couple of sevens. | 0:12:33 | 0:12:34 | |
-Oh, did you? -Of course, yeah, you've got to start somewhere. | 0:12:34 | 0:12:37 | |
You have. And Catherine's keen to start the buying. | 0:12:37 | 0:12:41 | |
There we are. There's a pile. | 0:12:41 | 0:12:43 | |
And, more importantly, we have a dot. | 0:12:44 | 0:12:46 | |
Decimal point. Everybody needs a decimal point. | 0:12:46 | 0:12:50 | |
We all need a dot. I mean, they're worth nothing, really, | 0:12:50 | 0:12:53 | |
but they're just... I just think... | 0:12:53 | 0:12:55 | |
-I think they're fun. -£20 for the lot. | 0:12:55 | 0:12:59 | |
If we can nab them off you for 12.50, | 0:12:59 | 0:13:01 | |
we will walk out of this shop... | 0:13:01 | 0:13:03 | |
Well, we won't, cos we might want to buy something else. | 0:13:03 | 0:13:05 | |
But we'll walk round the corner and out of this corner for £12.50. | 0:13:05 | 0:13:09 | |
-OK. -Yes! | 0:13:09 | 0:13:10 | |
Their first purchase in the old bag. | 0:13:10 | 0:13:13 | |
Well done. Let's just hope Len is at the auction. Ha-ha! | 0:13:13 | 0:13:18 | |
Come on, keep rummaging, Catherine. | 0:13:18 | 0:13:20 | |
There's a '60s leather coat, fully lined. | 0:13:20 | 0:13:23 | |
I know it's not the season. | 0:13:23 | 0:13:24 | |
It's in the sale with a price tag of £25. | 0:13:25 | 0:13:29 | |
I mean, normally if you're thinking about buying vintage clothes, | 0:13:29 | 0:13:32 | |
you're looking for labels - you're looking for Chanel, | 0:13:32 | 0:13:35 | |
you're looking for Hermes and, you know, really good, serious names. | 0:13:35 | 0:13:39 | |
And this obviously isn't a name, but I just thought... | 0:13:39 | 0:13:42 | |
-WHISPERS: -..at £25, that seems quite good. | 0:13:42 | 0:13:44 | |
Yeah, that's true. | 0:13:44 | 0:13:45 | |
-Shall we think? -Let's have a think about it. -We'll have a think. -OK. | 0:13:45 | 0:13:49 | |
I'll put it back. | 0:13:49 | 0:13:51 | |
I think several hundred pounds is burning a hole in Ore's pocket. | 0:13:51 | 0:13:55 | |
I really want to get the drum. | 0:13:55 | 0:13:57 | |
What would you really like to pay? | 0:13:57 | 0:14:01 | |
I think we're going to have to go big. | 0:14:01 | 0:14:02 | |
It's going to take out a lot of the budget, but it is a really... | 0:14:02 | 0:14:07 | |
It's awesome. | 0:14:07 | 0:14:09 | |
-Yeah. -It's really cool. -It is, but it would be a big gamble. | 0:14:09 | 0:14:13 | |
And I think... | 0:14:13 | 0:14:15 | |
..whatever we pay for it, it'll be much less than it should go for. | 0:14:15 | 0:14:20 | |
So, I think we've got a chance, if we spend big, | 0:14:20 | 0:14:23 | |
of making a big profit. | 0:14:23 | 0:14:24 | |
Catherine doesn't seem convinced. | 0:14:24 | 0:14:26 | |
Ore, time to crank up that charm. | 0:14:26 | 0:14:28 | |
We would love... | 0:14:28 | 0:14:30 | |
..your drum. You very generously did drop it down to 350. | 0:14:31 | 0:14:35 | |
If you give me that 300, I will love you forever, | 0:14:35 | 0:14:38 | |
I will give you 17 dance lessons. | 0:14:38 | 0:14:42 | |
-With those eyes... -Oh! | 0:14:42 | 0:14:44 | |
What do you think, Monkey? | 0:14:44 | 0:14:47 | |
-OK. -BOTH: -Oh! | 0:14:47 | 0:14:49 | |
Wow! A very brave buy from Ore, but wasn't there something else? | 0:14:49 | 0:14:53 | |
There's a little coat back there that you want to chuck in | 0:14:53 | 0:14:56 | |
-while we're here. -I did like that. | 0:14:56 | 0:14:58 | |
I thought that was quite... | 0:14:58 | 0:14:59 | |
You've got a leather coat down there, a leather mac. | 0:14:59 | 0:15:02 | |
Can we have it for 15 quid? | 0:15:02 | 0:15:03 | |
How about... | 0:15:04 | 0:15:05 | |
..17? | 0:15:06 | 0:15:08 | |
£17 for a leather mac, we've already got the drum... | 0:15:08 | 0:15:11 | |
You don't care about anything any more. | 0:15:11 | 0:15:13 | |
Let's all shake hands. | 0:15:13 | 0:15:14 | |
-Are you happy? -Yeah! | 0:15:16 | 0:15:17 | |
-Oh, OK! -We've got three items out of this. | 0:15:17 | 0:15:19 | |
-I didn't know you desperately wanted that. -Well, I just think... | 0:15:19 | 0:15:22 | |
-Oh, hello. -Hello! | 0:15:22 | 0:15:24 | |
She's the one with the money. | 0:15:24 | 0:15:25 | |
I'd better pay for all this. | 0:15:25 | 0:15:27 | |
That's the number cards for £12.50, | 0:15:27 | 0:15:30 | |
the drum for 300 and the jacket for £17. | 0:15:30 | 0:15:34 | |
A total of £329.50 in their first shop! | 0:15:34 | 0:15:39 | |
Thank you so much. | 0:15:40 | 0:15:41 | |
It's been wonderful, but remind me never to go shopping | 0:15:41 | 0:15:44 | |
-with you again. -It's a deal! | 0:15:44 | 0:15:46 | |
Double deal. | 0:15:47 | 0:15:49 | |
-Bye. -Triple deal, actually. | 0:15:49 | 0:15:52 | |
They've just got over £70 left to spend. | 0:15:52 | 0:15:54 | |
-Gosh. -Just carrying a drum! | 0:15:54 | 0:15:56 | |
Over in the Alfa, is Jo touting for a new dance partner? | 0:15:57 | 0:16:02 | |
Would you do Strictly? | 0:16:02 | 0:16:03 | |
I would for the outfits. | 0:16:04 | 0:16:05 | |
-I love the outfits. -You love the sparkles? | 0:16:05 | 0:16:07 | |
I do love a bit of sparkle. | 0:16:07 | 0:16:09 | |
I'll bet. Well, | 0:16:09 | 0:16:10 | |
let's see what our sequinned starlet thinks of their next stop. | 0:16:10 | 0:16:16 | |
They're cruising along the coast to Shoreham-by-Sea and a 19th-century | 0:16:16 | 0:16:20 | |
fort that ended up being a 20th-century hotbed of movie-making. | 0:16:20 | 0:16:25 | |
Once a key coastal defence against Napoleon, | 0:16:25 | 0:16:27 | |
the dilapidated ruins of Shoreham's old fort were transformed | 0:16:27 | 0:16:31 | |
into one of the world's first film studios in the early 1900s. | 0:16:31 | 0:16:35 | |
Founder and chairman of Friends of the Fort | 0:16:36 | 0:16:39 | |
Gary Baines knows the story. | 0:16:39 | 0:16:42 | |
It's a fascinating area, Gary, | 0:16:42 | 0:16:43 | |
but I see nothing relating to the world of movies. | 0:16:43 | 0:16:46 | |
No, well, it's a bit different today. | 0:16:46 | 0:16:48 | |
We've got an industrial port next to us that's very, very busy. | 0:16:48 | 0:16:52 | |
-An airport! -And an airport just down the road as well. | 0:16:52 | 0:16:55 | |
So it's a very busy and very loud area. | 0:16:55 | 0:16:57 | |
It was nothing like that in the 1913s, | 0:16:57 | 0:17:00 | |
when they were here with the film | 0:17:00 | 0:17:02 | |
-studios. -So, who was it that brought film-making here? | 0:17:02 | 0:17:05 | |
Well, it was a collection of two people, really. | 0:17:05 | 0:17:08 | |
It was Will Evans, who was a theatrical artist | 0:17:08 | 0:17:11 | |
at the time, a comic, | 0:17:11 | 0:17:13 | |
and Francis Lyndhurst, who was actually... Nicholas Lyndhurst - | 0:17:13 | 0:17:17 | |
our famous British actor - | 0:17:17 | 0:17:18 | |
it was his grandfather that brought the film studio together. | 0:17:18 | 0:17:21 | |
Famous for the quality of his work, | 0:17:21 | 0:17:23 | |
Lyndhurst was a respected theatrical set designer who painted canvas | 0:17:23 | 0:17:28 | |
backdrops by hand. | 0:17:28 | 0:17:29 | |
This, combined with his love of movies | 0:17:29 | 0:17:31 | |
and the newly developing camera equipment, | 0:17:31 | 0:17:35 | |
inspired him to establish Sunny South Studios. | 0:17:35 | 0:17:38 | |
So, why did Francis Lyndhurst choose this location? | 0:17:38 | 0:17:41 | |
Well, being a fort, it was definitely secure, | 0:17:41 | 0:17:44 | |
as you can imagine, | 0:17:44 | 0:17:45 | |
which was a definite pro for the site. | 0:17:45 | 0:17:48 | |
But also, because of the open air, | 0:17:48 | 0:17:50 | |
you would have had the canvas backdrops that would have created | 0:17:50 | 0:17:53 | |
a ripple effect if it was out in the wind. | 0:17:53 | 0:17:55 | |
Now, with the high backdrop that you can see here behind me, with the | 0:17:55 | 0:17:58 | |
ramparts and what would have been | 0:17:58 | 0:18:00 | |
a barrack block behind us over there, | 0:18:00 | 0:18:02 | |
it would have created a draught for the wind to go up and over those | 0:18:02 | 0:18:06 | |
canvas backdrops, instead of across them, causing the ripple effect. | 0:18:06 | 0:18:09 | |
So very cleverly chosen. | 0:18:09 | 0:18:10 | |
-Yeah. -Oh, definitely, definitely. | 0:18:10 | 0:18:12 | |
And with the light that you can see today, | 0:18:12 | 0:18:14 | |
that's definitely what they needed for those old cameras, | 0:18:14 | 0:18:17 | |
-as you can imagine. -With the help of local artists, | 0:18:17 | 0:18:20 | |
the foundation has recreated the backdrop from the Showman's Dream - | 0:18:20 | 0:18:24 | |
the first film ever made here by Lyndhurst. | 0:18:24 | 0:18:27 | |
It's been painted in exactly the same way as Francis Lyndhurst | 0:18:27 | 0:18:30 | |
would have painted it back 100 years ago. | 0:18:30 | 0:18:33 | |
So it's as close as we can get it to an identical replica, and it's a | 0:18:33 | 0:18:37 | |
fantastic piece of art, I think. | 0:18:37 | 0:18:38 | |
Isn't it fascinating, the fact that it's painted in black and white? | 0:18:38 | 0:18:41 | |
Because, of course, it predates any thought of colour movies. | 0:18:41 | 0:18:45 | |
That's it, why go to the effort of painting all the colour in there if | 0:18:45 | 0:18:48 | |
you're going to be filming in black and white? | 0:18:48 | 0:18:50 | |
It keeps the costs down and, yeah. | 0:18:50 | 0:18:52 | |
So, how would the filming actually happen around here? | 0:18:52 | 0:18:55 | |
They would have just filmed up against these backdrops. | 0:18:55 | 0:18:58 | |
Back in the day when they were making the film, the archway | 0:18:58 | 0:19:01 | |
that you can see behind us as well, that was cut out. | 0:19:01 | 0:19:04 | |
As if by magic, the artists | 0:19:04 | 0:19:05 | |
could go out through and disappear off of set. | 0:19:05 | 0:19:08 | |
As the film industry took off, Lyndhurst expanded the business, | 0:19:08 | 0:19:12 | |
building a new and improved indoor glass studio further down the beach. | 0:19:12 | 0:19:16 | |
Instead of filming out in the open, | 0:19:17 | 0:19:19 | |
they filmed in what was like a massive greenhouse. | 0:19:19 | 0:19:22 | |
It was 70 foot long, 45 foot wide and 30 foot tall, | 0:19:22 | 0:19:25 | |
so a massive studio complex. | 0:19:25 | 0:19:27 | |
But what made it different was that we had everything on site, | 0:19:27 | 0:19:31 | |
as it were, for everybody to stay in. | 0:19:31 | 0:19:33 | |
Everyone that was needed to make the film would live on set, | 0:19:33 | 0:19:36 | |
including the stars. | 0:19:36 | 0:19:38 | |
The outbreak of World War I made film-making in Britain impossible, | 0:19:38 | 0:19:43 | |
just as the industry started to blossom in America. | 0:19:43 | 0:19:46 | |
Lyndhurst sold the studio and reverted back | 0:19:46 | 0:19:48 | |
to his former occupation as a scenic artist, | 0:19:48 | 0:19:52 | |
but tragedy was just around the corner. | 0:19:52 | 0:19:54 | |
Have you seen any of these original movies? | 0:19:54 | 0:19:56 | |
None of the original movies from here, | 0:19:56 | 0:19:58 | |
that were filmed at Shoreham fort exist, unfortunately. | 0:19:58 | 0:20:01 | |
Francis Lyndhurst, | 0:20:01 | 0:20:03 | |
he took all of his films back to his house in Strawberry Hill in London, | 0:20:03 | 0:20:07 | |
and then about came the Second World War, | 0:20:07 | 0:20:10 | |
and his house was no longer safe, | 0:20:10 | 0:20:12 | |
so he moved it all to West Wittering, | 0:20:12 | 0:20:13 | |
which is just down the road, where he had a holiday park, | 0:20:13 | 0:20:16 | |
and he put it all in a barn, and that barn was the only barn | 0:20:16 | 0:20:19 | |
to be hit by the Luftwaffe in World War II, so he lost the lot. | 0:20:19 | 0:20:23 | |
A very unfortunate man. | 0:20:23 | 0:20:24 | |
Yeah, if it wasn't for the Great War, | 0:20:24 | 0:20:27 | |
Shoreham-by-Sea rather than Hollywood | 0:20:27 | 0:20:29 | |
could have been at the centre | 0:20:29 | 0:20:30 | |
of the world's multi-million pound movie industry. | 0:20:30 | 0:20:33 | |
Back in the present day, | 0:20:38 | 0:20:39 | |
and Ore and Catherine are enjoying a lovely drive through the stunning | 0:20:39 | 0:20:43 | |
Sussex countryside. | 0:20:43 | 0:20:45 | |
-Can you...? Oh, gosh, it really smells here. -Oh, that smells nice! | 0:20:45 | 0:20:47 | |
-Oh, yes! -Oh, no! | 0:20:47 | 0:20:50 | |
-Fruity! -It smells so bad. | 0:20:50 | 0:20:52 | |
That now smells like somebody did it in the car. | 0:20:52 | 0:20:55 | |
Let's put the windows up. | 0:20:55 | 0:20:56 | |
Oh, no... | 0:20:56 | 0:20:57 | |
It'll keep it in. It'll keep it in, Catherine. | 0:20:57 | 0:21:00 | |
No, OK, we need to get rid of it. | 0:21:00 | 0:21:01 | |
Get rid of it! | 0:21:01 | 0:21:03 | |
Phew, stinky! They're travelling | 0:21:03 | 0:21:05 | |
west to Worthing, and Reginald Ballum, | 0:21:05 | 0:21:07 | |
a shop packed full of decorative antiques. | 0:21:07 | 0:21:10 | |
Remember, we have a smidge of money left. | 0:21:10 | 0:21:13 | |
We don't have the wodge any more, that's gone. | 0:21:13 | 0:21:15 | |
-Who needs money when you've got a massive drum? -Absolutely. | 0:21:15 | 0:21:19 | |
Ore's drum has nearly blown the budget. | 0:21:19 | 0:21:21 | |
It's time to count the pennies. | 0:21:21 | 0:21:23 | |
How much have we got left? | 0:21:24 | 0:21:26 | |
Well, you've got 50p. | 0:21:26 | 0:21:28 | |
-That could make all the difference. -We've got £70.50. | 0:21:28 | 0:21:31 | |
We've got £70 and a couple of items still to buy. | 0:21:31 | 0:21:34 | |
-I make that £35 per piece. -Mm. | 0:21:34 | 0:21:38 | |
How far are we going to get in here with that? | 0:21:39 | 0:21:41 | |
I don't think we're going to get very far. | 0:21:41 | 0:21:44 | |
Oh, dear. The last of the big spenders is going rogue. | 0:21:44 | 0:21:47 | |
This could spell trouble. | 0:21:47 | 0:21:49 | |
I have no idea how we're going to find anything at 30-odd quid. | 0:21:52 | 0:21:57 | |
Especially in here, it all looks so fancy. | 0:21:58 | 0:22:01 | |
Oops. | 0:22:01 | 0:22:02 | |
Oh, OK. | 0:22:05 | 0:22:06 | |
Ah-ha, he does have his eye on the ball, after all. | 0:22:06 | 0:22:10 | |
We have... | 0:22:10 | 0:22:12 | |
..a box of boules balls. | 0:22:12 | 0:22:15 | |
OK, do you know what? | 0:22:15 | 0:22:16 | |
This is exactly the kind of thing that I think could work quite well. | 0:22:16 | 0:22:20 | |
£48. | 0:22:20 | 0:22:22 | |
I think we can definitely get that down. | 0:22:22 | 0:22:24 | |
Let's see what our expert thinks. | 0:22:24 | 0:22:26 | |
Ore, Ore, Ore... | 0:22:26 | 0:22:29 | |
-Where are you? -Hiya. | 0:22:29 | 0:22:31 | |
-Oh! -I found something. -A game of bowls. | 0:22:31 | 0:22:35 | |
Yes, it does exactly what it says on the box, this! | 0:22:35 | 0:22:38 | |
Go on, then. | 0:22:38 | 0:22:39 | |
Nice. | 0:22:40 | 0:22:41 | |
So, I just thought it's the kind of item which is functional... | 0:22:41 | 0:22:47 | |
-Yes. -..popular... | 0:22:47 | 0:22:50 | |
-Yes... -..in certain parts of the world, and importantly for us... | 0:22:50 | 0:22:54 | |
-Cheap. -Yes, really cheap. | 0:22:56 | 0:23:00 | |
Do we think that these actually go together? Definitely? | 0:23:00 | 0:23:05 | |
Well, I mean, that's not French. | 0:23:05 | 0:23:08 | |
-No, I know that's not. -But these are French. | 0:23:08 | 0:23:10 | |
So, perhaps not. | 0:23:10 | 0:23:12 | |
Ore, if you want this, my love, we can have it. | 0:23:14 | 0:23:16 | |
I tell you what, I'm going to sit here. | 0:23:16 | 0:23:18 | |
You go and get Darren and I'm just going to sit and, sort of, nothing, | 0:23:18 | 0:23:22 | |
-really. -I'll put that there. | 0:23:22 | 0:23:24 | |
-You have a think about it and I'll go grab Darren. -OK. | 0:23:25 | 0:23:29 | |
What's the problem, Catherine? | 0:23:29 | 0:23:31 | |
We've got a complete mixture of French... | 0:23:31 | 0:23:34 | |
and we've got a mixture of an English box, | 0:23:34 | 0:23:37 | |
and it's just a marriage. | 0:23:37 | 0:23:39 | |
And I don't like a marriage, an unhappy marriage. | 0:23:39 | 0:23:42 | |
-He heard that. -Hello. -Hiya. | 0:23:42 | 0:23:44 | |
-I brought Darren. -Darren, I think we might need you. | 0:23:44 | 0:23:48 | |
Ore did pick this up, but I said we've got a mixture here | 0:23:48 | 0:23:51 | |
of some French and a mixture of an English box, | 0:23:51 | 0:23:53 | |
and I think it's just a bit of a... | 0:23:53 | 0:23:55 | |
OK. I've got a bag for the balls there, if you like. | 0:23:55 | 0:23:58 | |
Oh, there's the bag that it fits into? | 0:23:59 | 0:24:01 | |
It's a lovely French bag that I'd be prepared to let go with the boules | 0:24:01 | 0:24:05 | |
set, if that works for you guys? | 0:24:05 | 0:24:07 | |
-Oh, I'd love to have a look. -Shall we have a look at that, then? | 0:24:07 | 0:24:10 | |
-Certainly. Bear with me and I'll run and pick it up for you. -Oh! | 0:24:10 | 0:24:16 | |
You might have something here after all, then. | 0:24:16 | 0:24:18 | |
You've changed your tune. | 0:24:18 | 0:24:20 | |
-Oh. -Oh, hello. | 0:24:20 | 0:24:21 | |
So, there it is, all original. | 0:24:22 | 0:24:24 | |
-A lovely little bag. -And what would you do on this whole... | 0:24:24 | 0:24:27 | |
..thing? What is your...? | 0:24:28 | 0:24:29 | |
Well, that's labelled up, we've got 85 on the bag and boules set. | 0:24:29 | 0:24:34 | |
I could do the set for 50 quid, if that helps you out. | 0:24:34 | 0:24:37 | |
I think that's a bit too much for us. | 0:24:37 | 0:24:38 | |
What Catherine said. | 0:24:40 | 0:24:41 | |
If you do us this for 40, I'll kiss you. | 0:24:41 | 0:24:43 | |
-Will you? -I don't know if that's going to do the deal or not, | 0:24:43 | 0:24:46 | |
but I will kiss you if you do this to us for 40. | 0:24:46 | 0:24:49 | |
To get you out the door, | 0:24:49 | 0:24:50 | |
I'll have to stick you on a six-month ban so you can't come in | 0:24:50 | 0:24:53 | |
and haggle again, but you've got yourself a deal. | 0:24:53 | 0:24:56 | |
-Are we doing it? -Yeah, we're doing it. | 0:24:56 | 0:24:57 | |
-Oh, my goodness me. -We've got a bag of boules, | 0:24:57 | 0:24:59 | |
-and all of them are French! -There you go. -Come on, then. | 0:24:59 | 0:25:01 | |
And one for you. They do it twice on the Continent. | 0:25:03 | 0:25:06 | |
-Lovely, lovely. -Come on. | 0:25:06 | 0:25:08 | |
Oh-la-la. Tres bien, Ore. | 0:25:08 | 0:25:10 | |
That's one set of boules to go dans le sac for £40. | 0:25:10 | 0:25:14 | |
-Thank you, buddy. -Happy bowling. | 0:25:15 | 0:25:17 | |
-You take care. -I hope you do well with it, anyway. | 0:25:17 | 0:25:20 | |
-Thanks! Bye. -Thanks again. Bye-bye. Cheers. | 0:25:20 | 0:25:22 | |
They've shopped till they've dropped, | 0:25:22 | 0:25:24 | |
so it's time for our weary celebrities and experts | 0:25:24 | 0:25:27 | |
to have a well-earned rest. Nighty-night. | 0:25:27 | 0:25:30 | |
It's the next morning. | 0:25:36 | 0:25:37 | |
How are our celebrities feeling today? | 0:25:37 | 0:25:40 | |
How did you get on yesterday, then? | 0:25:41 | 0:25:43 | |
-Better than you. -Well, you don't know. | 0:25:43 | 0:25:46 | |
I only got one thing. | 0:25:46 | 0:25:48 | |
Maybe it's worth millions. | 0:25:48 | 0:25:50 | |
HE LAUGHS | 0:25:50 | 0:25:52 | |
For your sake, I hope it is. | 0:25:52 | 0:25:54 | |
Ore and Catherine have only £30.50 left to spend today because | 0:25:54 | 0:26:00 | |
they've already had four items bought - the Salvation Army drum, | 0:26:00 | 0:26:05 | |
a leather jacket, the scoring number cards | 0:26:05 | 0:26:08 | |
and a boules set with that bag... | 0:26:08 | 0:26:10 | |
-Thank you, buddy. You take care. -Happy bowling. | 0:26:10 | 0:26:13 | |
..while Joanne and David have only bought one item so far - | 0:26:13 | 0:26:16 | |
the late-20th-century silver ring... | 0:26:16 | 0:26:18 | |
Thank you. | 0:26:19 | 0:26:21 | |
Thank you, that's great. | 0:26:21 | 0:26:22 | |
..leaving them a whopping £390 to spend today. | 0:26:23 | 0:26:26 | |
Look at this. Look, she's raring to go. | 0:26:27 | 0:26:29 | |
She's giggling already. She's got so much energy. | 0:26:29 | 0:26:31 | |
She has, it's unbelievable. She was born excited, this one. | 0:26:31 | 0:26:34 | |
-Morning! -Good morning, come on in. | 0:26:34 | 0:26:37 | |
-I love your energy. -DAVID: -Are you excited? | 0:26:37 | 0:26:41 | |
Oh, well excited. | 0:26:41 | 0:26:42 | |
We're very relaxed today. | 0:26:42 | 0:26:44 | |
But we've got a strategy. | 0:26:44 | 0:26:45 | |
-What is our strategy? -We can't tell them that, can we? | 0:26:45 | 0:26:47 | |
Cos I can't remember. | 0:26:47 | 0:26:49 | |
I'm sure it will come into play someday soon. | 0:26:49 | 0:26:51 | |
Cor, the competition is heating up today. | 0:26:51 | 0:26:54 | |
Is that fighting talk? | 0:26:54 | 0:26:56 | |
The race is on to get to the first shop, | 0:26:56 | 0:26:58 | |
as both teams will start today's buying | 0:26:58 | 0:27:01 | |
in the Kent parish of Sevenoaks | 0:27:01 | 0:27:03 | |
and the historic town of Otford. | 0:27:03 | 0:27:05 | |
The best thing, though, about today | 0:27:05 | 0:27:08 | |
is they're shopping in the same shop as us... | 0:27:08 | 0:27:11 | |
-HE GASPS -Yes! -So we can give them some grief. | 0:27:11 | 0:27:14 | |
Head-to-head. | 0:27:14 | 0:27:17 | |
This is where the battle begins. | 0:27:17 | 0:27:19 | |
May the best pair win. | 0:27:20 | 0:27:22 | |
We've only just started. | 0:27:22 | 0:27:24 | |
So the other guys, I think they're a little bit overconfident today. | 0:27:24 | 0:27:28 | |
So they'll be going at it quite calmly, not really bothered. | 0:27:28 | 0:27:31 | |
-Yeah. -We need to go in for the kill. | 0:27:31 | 0:27:33 | |
Oh, God, that was shocking. Seriously. | 0:27:33 | 0:27:36 | |
We're off to the Otford Antiques and Collectors Centre. | 0:27:36 | 0:27:40 | |
Set within this oak panelled 18th-century building, | 0:27:40 | 0:27:43 | |
there are 25 dealers selling their wares. | 0:27:43 | 0:27:46 | |
First to dance through the doors, Joanne and David. | 0:27:46 | 0:27:49 | |
How do we enter an antique shop? | 0:27:51 | 0:27:52 | |
Right, one, two, three, kick. | 0:27:52 | 0:27:55 | |
One, two, three, kick. | 0:27:55 | 0:27:57 | |
-I can do this. -SHE HUMS | 0:27:57 | 0:27:59 | |
I'm not even trained, it's natural. | 0:27:59 | 0:28:02 | |
-Oh, hello. -Hi. -Sorry, we're dancing ourselves in. | 0:28:04 | 0:28:07 | |
Here come the competition. | 0:28:07 | 0:28:08 | |
-Oh, no! -Cheeky monkeys. | 0:28:08 | 0:28:11 | |
They have beaten us to it. | 0:28:11 | 0:28:13 | |
That is not what we wanted. | 0:28:13 | 0:28:15 | |
Do you know what? It doesn't matter, though, | 0:28:17 | 0:28:19 | |
cos they've got a lot of buying. | 0:28:19 | 0:28:22 | |
We don't. | 0:28:22 | 0:28:23 | |
I know you're going to find something immediately. | 0:28:26 | 0:28:30 | |
-Well, that's... -It's going to have the Ore stamp of | 0:28:30 | 0:28:33 | |
"I have to buy it, no matter what." | 0:28:33 | 0:28:36 | |
And then we'll discuss it like a team does. | 0:28:36 | 0:28:39 | |
But my concern is the fact that Jo and David have already been in here. | 0:28:39 | 0:28:43 | |
All the stuff that's in here... | 0:28:43 | 0:28:45 | |
-There they are. -Oh, hello. | 0:28:45 | 0:28:48 | |
How are you getting on over there? | 0:28:48 | 0:28:50 | |
Why have you got such a smirk on your face? | 0:28:50 | 0:28:52 | |
-Oh, I haven't, I'm just asking how you're getting on. -Yeah, fine. You? | 0:28:52 | 0:28:55 | |
-Very well. -Have you not seen how relaxed we are? | 0:28:55 | 0:28:57 | |
I mean, we're just... | 0:28:57 | 0:28:58 | |
-DAVID: -Catherine Southon, I know you too well. | 0:28:58 | 0:29:01 | |
You are not relaxed. | 0:29:01 | 0:29:02 | |
Do you know, underneath here, I'm like, "Oh, my God!" | 0:29:02 | 0:29:06 | |
And best get a shifty on because these two aren't hanging about. | 0:29:07 | 0:29:11 | |
Oh, look at that! Isn't that sweet? | 0:29:12 | 0:29:13 | |
-Isn't it pretty? -Isn't that sweet? | 0:29:13 | 0:29:16 | |
-A rocking chair. -OK, I'm going to ask you the same questions. | 0:29:16 | 0:29:18 | |
Well, I'm looking at the label straightaway. | 0:29:18 | 0:29:21 | |
-What does it say? -It says Bossloo. | 0:29:21 | 0:29:26 | |
Bosloo? | 0:29:26 | 0:29:28 | |
Bostock? Rocking chair. | 0:29:28 | 0:29:29 | |
That says Boston. | 0:29:29 | 0:29:31 | |
-Oh, does it?! -Yeah! -God knows what I was... | 0:29:31 | 0:29:33 | |
No, but that's very specific. | 0:29:33 | 0:29:36 | |
They're often... Well, they're always referred | 0:29:36 | 0:29:38 | |
-to as American rockers. -Right. | 0:29:38 | 0:29:40 | |
Cos it's a chair made by the Americans, | 0:29:40 | 0:29:41 | |
designed by the Americans, but shipped all around the world. | 0:29:41 | 0:29:45 | |
This spindle form of turning on the chair | 0:29:45 | 0:29:47 | |
is typical of American rockers of the late 19th century. | 0:29:47 | 0:29:51 | |
Look at the fabric. Now, the fabric has been on for a very long time. | 0:29:51 | 0:29:55 | |
I think, genuinely speaking, as a historic little chair, | 0:29:55 | 0:29:58 | |
I think that's fantastic. | 0:29:58 | 0:30:00 | |
I think it's fantastic. | 0:30:00 | 0:30:02 | |
Ticket price is £66. | 0:30:02 | 0:30:04 | |
Time to call in dealer Kim. | 0:30:04 | 0:30:06 | |
What's the big question, Jo? | 0:30:06 | 0:30:09 | |
Can we get the price down a little bit? | 0:30:09 | 0:30:11 | |
-How much is it? -It says... | 0:30:11 | 0:30:13 | |
Well, if you don't know, how much do you think? | 0:30:13 | 0:30:16 | |
How much were you thinking to give us it for? | 0:30:16 | 0:30:18 | |
Well, they're saying on here they would give you a trade of six, | 0:30:18 | 0:30:22 | |
so 60 would be the best for what's on the label. | 0:30:22 | 0:30:26 | |
But we can always phone up and ask the dealer if you want me to. | 0:30:26 | 0:30:30 | |
Would you give the owner a call? | 0:30:30 | 0:30:31 | |
Yes, I will give her a call. | 0:30:31 | 0:30:33 | |
-Go on, then. -OK. -Thank you. | 0:30:33 | 0:30:35 | |
-Thanks again. -While Kim tries to get Jo and David | 0:30:35 | 0:30:38 | |
the deal of the century, | 0:30:38 | 0:30:39 | |
what's Catherine found? | 0:30:39 | 0:30:41 | |
-Oh, hello, pail! -We have a well bucket. | 0:30:41 | 0:30:45 | |
-We have a pail. -That's... | 0:30:45 | 0:30:47 | |
That is... I mean, that is big. | 0:30:47 | 0:30:49 | |
-It is. -That is a big, wooden pail. | 0:30:49 | 0:30:52 | |
OK? I'm just thinking... Obviously, we've got age to this, | 0:30:52 | 0:30:55 | |
and I'm thinking this would look fantastic | 0:30:55 | 0:30:57 | |
with a load of flowers outside your house. | 0:30:57 | 0:30:59 | |
Yes, that is a good point, actually. | 0:30:59 | 0:31:00 | |
Do you think? I was attracted to the price | 0:31:00 | 0:31:03 | |
cos I thought we could possibly | 0:31:03 | 0:31:05 | |
get that down, even to our pathetic level. | 0:31:05 | 0:31:09 | |
Do you think we've got the final piece of our puzzle? | 0:31:09 | 0:31:11 | |
If we can get it for what we want to get it for. Feeling confident? | 0:31:11 | 0:31:15 | |
I'm always confident. | 0:31:15 | 0:31:17 | |
You are really confident. | 0:31:17 | 0:31:18 | |
I've never met anything like you. | 0:31:18 | 0:31:20 | |
Shall we see what Kim thinks? | 0:31:20 | 0:31:21 | |
-I think we have to. -OK. | 0:31:21 | 0:31:23 | |
While Ore is off to find one Kim, | 0:31:23 | 0:31:26 | |
the other Kim is back with news on the rocker. | 0:31:26 | 0:31:29 | |
The very, very best that they will do is £50. | 0:31:29 | 0:31:31 | |
50? | 0:31:31 | 0:31:33 | |
-It's no money. -Let's take a risk on this, then no more risks. | 0:31:33 | 0:31:36 | |
I... I think we should, because I think you love the chair. | 0:31:36 | 0:31:39 | |
-I do. -Buy it because you love it, let's just... | 0:31:39 | 0:31:42 | |
And darn the consequences! | 0:31:42 | 0:31:45 | |
-How's that? -Let's have it. | 0:31:45 | 0:31:46 | |
-Sounds good. Yeah. -Thank you. -Thank you. | 0:31:46 | 0:31:48 | |
-Thanks, Kim. -Thank you. | 0:31:48 | 0:31:50 | |
Jo has her purchase sorted, but can Ore steal his deal, too? | 0:31:50 | 0:31:55 | |
-This is nice. -It is. | 0:31:55 | 0:31:56 | |
-Beautiful. -It was brought to my attention by the lovely Catherine. | 0:31:57 | 0:32:02 | |
We haven't got much money left, but we want to give you a good price. | 0:32:02 | 0:32:07 | |
-OK. -And I feel like - I don't know what you think - that for £30.50... | 0:32:07 | 0:32:12 | |
That's all our money. | 0:32:12 | 0:32:13 | |
That's all your money? | 0:32:13 | 0:32:14 | |
And the 50 really counts. | 0:32:14 | 0:32:16 | |
..that we might take this pail off your hands. | 0:32:16 | 0:32:20 | |
I will have a word with the dealer and see what she says. | 0:32:20 | 0:32:23 | |
Make that call, Kim. | 0:32:23 | 0:32:25 | |
Fingers crossed. | 0:32:25 | 0:32:26 | |
Kim. | 0:32:30 | 0:32:32 | |
Well, I negotiated very hard on your behalf. | 0:32:33 | 0:32:36 | |
-Thank you. -And as long as there is the 50p as well, £30.50. | 0:32:36 | 0:32:42 | |
Oh! | 0:32:42 | 0:32:43 | |
-That is tremendous news. -Well done. -Thank you. | 0:32:43 | 0:32:47 | |
£30.50 for the well bucket means Ore and Catherine are all | 0:32:47 | 0:32:52 | |
bought up, with not a penny left. | 0:32:52 | 0:32:54 | |
-Shall we? -I think we shall. -We've got to get this to auction. | 0:32:54 | 0:32:57 | |
-Come on. -Come on, then. Let's go. -Come on. -Let's go! | 0:32:57 | 0:32:59 | |
But how are the other two getting on? | 0:33:01 | 0:33:02 | |
What in the world is that? | 0:33:02 | 0:33:04 | |
-Do you like that? -What is it? | 0:33:04 | 0:33:06 | |
Well, that's a very interesting little object. | 0:33:06 | 0:33:09 | |
-It's like a shoe. -Well, it is a bit like a shoe. | 0:33:09 | 0:33:12 | |
But it has a distinct purpose. | 0:33:12 | 0:33:14 | |
Any ideas what it is? | 0:33:14 | 0:33:16 | |
Well, as you taught me... | 0:33:16 | 0:33:17 | |
-Look at the label! -Yeah, top-secret trick! | 0:33:17 | 0:33:20 | |
-Go on. -It's an ale warmer. | 0:33:20 | 0:33:22 | |
An ale warmer, it is. Shall I show you how it works? | 0:33:22 | 0:33:25 | |
-Yes, please. -OK, so you've now got to transport yourself back in time | 0:33:25 | 0:33:29 | |
to, let's say, George III period, 1780. | 0:33:29 | 0:33:33 | |
-Yeah. -Right? We're at home. | 0:33:33 | 0:33:35 | |
It's evening. There's no television. | 0:33:35 | 0:33:38 | |
What on earth are you going to do? | 0:33:38 | 0:33:40 | |
You're going to drink ale, aren't you? Right? Or wine. | 0:33:40 | 0:33:43 | |
But you want to drink it warm, so you use what you've already got, | 0:33:43 | 0:33:47 | |
which is the fire, so when the embers drop down through the grate, | 0:33:47 | 0:33:51 | |
they're still hot. You fill your jug here, | 0:33:51 | 0:33:55 | |
and you shove that shoe foot into the hot ash and embers. | 0:33:55 | 0:33:59 | |
Warm or mulled ale was once a popular winter drink. | 0:33:59 | 0:34:02 | |
Many thought beer was healthier when drunk warm, too. | 0:34:02 | 0:34:05 | |
-That's brilliant! -It's fantastic. | 0:34:05 | 0:34:08 | |
£12. Let's get it down to 8 or 9. | 0:34:08 | 0:34:11 | |
What would we say in the North of England? | 0:34:11 | 0:34:13 | |
-It's 12 quid? -12 quid. | 0:34:13 | 0:34:15 | |
-It's nowt. -It's nowt, is it? | 0:34:15 | 0:34:17 | |
-Exactly, it's nowt. Shall we have it? -Let's do it. | 0:34:17 | 0:34:19 | |
-We're going to have to have it. -Yeah! -Let's go and have it. | 0:34:19 | 0:34:22 | |
-Come on, then. -Let's go and see Kims. | 0:34:22 | 0:34:24 | |
Kim, we found another one. | 0:34:25 | 0:34:28 | |
That's lovely. Excellent. | 0:34:28 | 0:34:30 | |
It says £12. | 0:34:30 | 0:34:33 | |
I can't do anything on that. | 0:34:33 | 0:34:35 | |
The dealer has said no trade on that one, I'm afraid, | 0:34:35 | 0:34:38 | |
so it would be £12. | 0:34:38 | 0:34:39 | |
-Oh, right, OK. -That's just... | 0:34:39 | 0:34:41 | |
-OK, then. -I think we're going to have to have it. | 0:34:41 | 0:34:44 | |
Yeah, so that £62, then, please. | 0:34:44 | 0:34:46 | |
That's the late 19th-century American child's rocking chair | 0:34:47 | 0:34:51 | |
for £50 and the copper ale warmer for 12. | 0:34:51 | 0:34:54 | |
But these two still have shopping to do, so best get back on the road. | 0:34:56 | 0:34:59 | |
-Oh, perfect fit. -Perfect fit. | 0:35:00 | 0:35:03 | |
With nothing left to spend, | 0:35:05 | 0:35:06 | |
Catherine has a treat in store for Ore at their next stop. | 0:35:06 | 0:35:10 | |
Do you think you have covered, in your Olympic experience, | 0:35:11 | 0:35:14 | |
pretty much all sports? | 0:35:14 | 0:35:16 | |
Erm... | 0:35:16 | 0:35:18 | |
Yeah, I would say I've got a pretty good grip of most sports, yeah. | 0:35:18 | 0:35:23 | |
OK, well, I may have one today that you've never heard of. | 0:35:23 | 0:35:26 | |
Go on, I'm intrigued. | 0:35:27 | 0:35:29 | |
Stool ball. | 0:35:29 | 0:35:32 | |
Stool ball? As in a stool? | 0:35:32 | 0:35:34 | |
-As in a stool... -And a ball. -..that you sit on. | 0:35:34 | 0:35:37 | |
Erm... Yeah, that would be a new one. | 0:35:37 | 0:35:39 | |
They're heading south in the Jag to Stonewall Park Cricket Club. | 0:35:40 | 0:35:45 | |
Not for a game of cricket, | 0:35:45 | 0:35:46 | |
but to find out about the rich history of a ball game | 0:35:46 | 0:35:49 | |
that began in Sussex over 600 years ago. | 0:35:49 | 0:35:52 | |
Anita Broad from Stool Ball England is here to give these two a lesson | 0:35:53 | 0:35:59 | |
in this historic game that was the forerunner to modern cricket. | 0:35:59 | 0:36:03 | |
Now, I know a few sports. | 0:36:03 | 0:36:05 | |
Stool ball is one that I've never come across. | 0:36:05 | 0:36:07 | |
Tell us what this game is all about. | 0:36:07 | 0:36:10 | |
Its roots go back to farm workers and field workers and villagers | 0:36:10 | 0:36:15 | |
playing a game with things that they just had around to play with. | 0:36:15 | 0:36:18 | |
So they played with a three-legged or four-legged stool, | 0:36:18 | 0:36:22 | |
hence the name - stool ball. | 0:36:22 | 0:36:24 | |
They would throw something at it, might not have been a ball, | 0:36:24 | 0:36:28 | |
could have been a... | 0:36:28 | 0:36:29 | |
..turnip or an apple or something. | 0:36:29 | 0:36:32 | |
We have the earliest reference to it, literary reference, | 0:36:32 | 0:36:36 | |
is in 1450, and that was advice | 0:36:36 | 0:36:38 | |
to parish priests not to allow people to | 0:36:38 | 0:36:41 | |
play stool ball and other sports in their churchyards because, | 0:36:41 | 0:36:45 | |
of course, they should have been in church, not playing, not having fun. | 0:36:45 | 0:36:49 | |
Stool ball was predominantly played by women. | 0:36:49 | 0:36:53 | |
The story goes that milkmaids would use their milking stools as wickets. | 0:36:53 | 0:36:57 | |
The sport evolved through the centuries, | 0:36:57 | 0:37:00 | |
even travelling across the Atlantic with the American pilgrims. | 0:37:00 | 0:37:03 | |
The stools would have become bases, so around in a circle, let's say, | 0:37:04 | 0:37:10 | |
which then becomes baseball in America. | 0:37:10 | 0:37:13 | |
Back here in the UK, it then becomes baseball, cricket, | 0:37:13 | 0:37:17 | |
everything comes out of this original game. | 0:37:17 | 0:37:20 | |
By the 18th century, | 0:37:20 | 0:37:21 | |
stool ball rules were formalised and competitive games were being played. | 0:37:21 | 0:37:27 | |
We can see the ladies playing today, | 0:37:27 | 0:37:29 | |
but when did the mixed teams sort of evolve? | 0:37:29 | 0:37:31 | |
It's difficult to say exactly, | 0:37:31 | 0:37:33 | |
but it may have come out of a time | 0:37:33 | 0:37:35 | |
just around World War I, when the sport was used | 0:37:35 | 0:37:38 | |
as a rehabilitation sport for World War I soldiers | 0:37:38 | 0:37:42 | |
who'd come back, needed to be in hospital because they'd lost | 0:37:42 | 0:37:45 | |
an arm or a leg or were injured somehow else, | 0:37:45 | 0:37:48 | |
and it was a really easy game for them to play. | 0:37:48 | 0:37:50 | |
Gentle exercise was vital to the soldiers' rehabilitation. | 0:37:50 | 0:37:55 | |
More strenuous games like rugby and football would aggravate their | 0:37:55 | 0:37:58 | |
injuries, so stool ball was the perfect remedy. | 0:37:58 | 0:38:02 | |
Stool ball remains a relatively niche sport, | 0:38:02 | 0:38:05 | |
but here in Kent, it's definitely the ladies' game of choice. | 0:38:05 | 0:38:09 | |
You have a wicket at each end, | 0:38:09 | 0:38:10 | |
you have a batting side and a fielding side, | 0:38:10 | 0:38:13 | |
you run between the two wickets to make runs, | 0:38:13 | 0:38:16 | |
so the bat is held to the wicket. | 0:38:16 | 0:38:18 | |
We bowl underarm to it, hit the ball, | 0:38:18 | 0:38:21 | |
fours, sixes, just like in cricket, | 0:38:21 | 0:38:24 | |
and we have overs, as they do in cricket. | 0:38:24 | 0:38:27 | |
Right, shall we have a go, then? | 0:38:27 | 0:38:28 | |
-Are you ready for this? -Let's have a go, let's do it. | 0:38:28 | 0:38:31 | |
Stool ball in the rain, we're going to remember this forever. | 0:38:31 | 0:38:34 | |
-Here we go! -Oh, a wonderful applause! | 0:38:34 | 0:38:36 | |
-Thank you, thank you. -Catherine, | 0:38:36 | 0:38:37 | |
-would you like to go to the other end? -Yes, I would. -And take that. | 0:38:37 | 0:38:40 | |
Ore, if you take that end. | 0:38:40 | 0:38:42 | |
The finest stuff. | 0:38:42 | 0:38:44 | |
This is an old bat. It's a beautiful bat. | 0:38:44 | 0:38:46 | |
So if you give yourself an open stance like this. | 0:38:46 | 0:38:48 | |
An open stance... I've seen the girls, they've been doing this. | 0:38:48 | 0:38:52 | |
So, Ore, when you hit this, we both run, yeah? | 0:38:52 | 0:38:54 | |
-Is that right? -On it. | 0:38:54 | 0:38:55 | |
-Run! -Run! | 0:38:58 | 0:39:00 | |
I'm going to get out. | 0:39:00 | 0:39:02 | |
Oh! | 0:39:02 | 0:39:03 | |
Could we have done that again? | 0:39:04 | 0:39:05 | |
We need a video referee. | 0:39:05 | 0:39:07 | |
Is it me now? | 0:39:07 | 0:39:08 | |
God, I feel really nervous! | 0:39:08 | 0:39:10 | |
Don't be nervous. You've got this, Catherine. | 0:39:10 | 0:39:12 | |
Yes! Great shot! | 0:39:15 | 0:39:18 | |
-High five. -Very well done. | 0:39:18 | 0:39:19 | |
While they play on in the drizzle, Jo and David are in the Alfa, | 0:39:23 | 0:39:26 | |
headed to their final shop. | 0:39:26 | 0:39:28 | |
I wonder who they're chatting about. | 0:39:28 | 0:39:30 | |
I think Ore is a very good shopper, by all accounts. | 0:39:30 | 0:39:33 | |
Yeah, but he'll just go in and go, "I'll have that." | 0:39:33 | 0:39:35 | |
-Exactly. -He doesn't think about it. -Yeah, that's right. | 0:39:35 | 0:39:38 | |
He was going to buy this jacket which made him look like a tomato. | 0:39:38 | 0:39:41 | |
It was red. I had to stop him. | 0:39:41 | 0:39:42 | |
He just picked it up and I was like, "No, don't do that." | 0:39:42 | 0:39:45 | |
I bet they haven't got anything with a hallmark on it. | 0:39:45 | 0:39:47 | |
-I bet they haven't. -No, we won't lose, there is no chance of that. | 0:39:47 | 0:39:51 | |
I love your confidence. | 0:39:51 | 0:39:52 | |
Their next stop is the village of Godstone. | 0:39:53 | 0:39:57 | |
With £320 still to spend, | 0:39:57 | 0:40:00 | |
they're sure to find something in the Godstone Emporium, | 0:40:00 | 0:40:04 | |
a co-operative with 16 dealers selling everything | 0:40:04 | 0:40:07 | |
from small collectables to big bits of furniture. | 0:40:07 | 0:40:10 | |
Let's hope there's some hallmarks in here. | 0:40:10 | 0:40:13 | |
Shimmy, two, three, four, roll, two, three, four, and shimmy sideways, | 0:40:13 | 0:40:18 | |
shimmy sideways. | 0:40:18 | 0:40:20 | |
-I'm in! -Lordy! | 0:40:20 | 0:40:23 | |
Gloria is on hand to help our antique hunters | 0:40:23 | 0:40:25 | |
spend the last of their money, so let's get down to business. | 0:40:25 | 0:40:29 | |
-What are these? -It's like a kitchen... | 0:40:29 | 0:40:32 | |
Grab one of those. | 0:40:32 | 0:40:33 | |
Would you use... They're measures... | 0:40:34 | 0:40:37 | |
-..for... -Is that a hallmark there? | 0:40:38 | 0:40:40 | |
Rather than a hallmark, that's a maker's mark. | 0:40:40 | 0:40:42 | |
This is pewter. | 0:40:42 | 0:40:43 | |
These are your hallmarks, right along the top edge. | 0:40:43 | 0:40:46 | |
-Oh, yeah. -They are pewter hallmarks. | 0:40:46 | 0:40:49 | |
-OK. -But you know what they are for, measuring liquids. | 0:40:49 | 0:40:52 | |
-Yeah. -And for a kitchen, probably a big kitchen, I would say, | 0:40:52 | 0:40:56 | |
maybe even a commercial kitchen, | 0:40:56 | 0:40:58 | |
and they are there to be displayed as a graduating set, | 0:40:58 | 0:41:02 | |
so a set of seven right down to... | 0:41:02 | 0:41:04 | |
-You've got the biggie. -I'm interested in the price, me. | 0:41:04 | 0:41:08 | |
-Oh, go on. -Oh! | 0:41:08 | 0:41:09 | |
-£22! -That's cheap. They're cheap. | 0:41:09 | 0:41:12 | |
Time to call Gloria. | 0:41:12 | 0:41:14 | |
-Gloria... -What do you want to have a look at? | 0:41:14 | 0:41:16 | |
It's these measures. I'm more of an imperial kind of guy. | 0:41:16 | 0:41:19 | |
-Oh, right. -I'm assuming they're continental? | 0:41:19 | 0:41:22 | |
They are, yeah. I think they are... | 0:41:22 | 0:41:24 | |
Let's have a quick look. | 0:41:24 | 0:41:26 | |
So, glasses off. Decilitre. | 0:41:26 | 0:41:28 | |
-What's a decilitre? -That's going to be a tenth of a litre. | 0:41:28 | 0:41:30 | |
Date-wise, I think they're 20th century, probably. | 0:41:30 | 0:41:35 | |
-They are, yeah. -I don't know, '30s, '40s, '50s. | 0:41:35 | 0:41:38 | |
Yeah, I was thinking '30s, maybe late '30s. | 0:41:38 | 0:41:41 | |
That sort of period, yeah. They're 22 quid, Gloria. | 0:41:41 | 0:41:43 | |
What sort of money can they be? Can they be 15, for example? | 0:41:43 | 0:41:46 | |
Well, I'll be honest, they can't be 15. | 0:41:46 | 0:41:48 | |
22 is a good price. | 0:41:48 | 0:41:50 | |
-Oh, right. -As you are such pretty faces coming into our shop... | 0:41:50 | 0:41:55 | |
Gloria, honestly, please! | 0:41:55 | 0:41:57 | |
The price is going up. I'm going to give you 30 quid in a minute! | 0:41:57 | 0:42:00 | |
Oh, stop it! | 0:42:00 | 0:42:01 | |
We could certainly do them for 20. | 0:42:01 | 0:42:03 | |
-20? -20? -They're no money. | 0:42:03 | 0:42:05 | |
-Yeah. -They're no money. | 0:42:05 | 0:42:06 | |
-Let's have 'em. -Gloria, thank you, that's the first sale done. | 0:42:06 | 0:42:09 | |
-Sale done. -Marvellous. Keep them there and we'll keep on looking. | 0:42:09 | 0:42:12 | |
That's a set of seven touch-marked pewter measuring jugs for £20. | 0:42:12 | 0:42:17 | |
What else will tickle Jo's fancy? | 0:42:17 | 0:42:19 | |
Look at you, now you're learning. | 0:42:20 | 0:42:22 | |
You go straight for the label. | 0:42:22 | 0:42:24 | |
Victorian or Edwardian. | 0:42:24 | 0:42:26 | |
Oh. So what it would that make it, then? | 0:42:26 | 0:42:29 | |
I don't know, don't ask me that! | 0:42:29 | 0:42:31 | |
More than 100 years old. | 0:42:31 | 0:42:33 | |
-Yeah. -No? -Yeah, yeah, absolutely. | 0:42:34 | 0:42:37 | |
-Aww! -Oh, so it's a little purse, isn't it? | 0:42:37 | 0:42:39 | |
-Yeah. -That's a sweet thing. | 0:42:39 | 0:42:41 | |
So, Victorian, Edwardian, so they're dating circa 1900 thereabouts, 1910, | 0:42:41 | 0:42:46 | |
maybe, which is about right, so what's it made from? | 0:42:46 | 0:42:49 | |
Let's have a look. | 0:42:49 | 0:42:51 | |
No hallmarks on there, is there? | 0:42:51 | 0:42:52 | |
No, there isn't. So it's just steel, a white metal. | 0:42:52 | 0:42:56 | |
If you were in 1905, that would be the perfect... | 0:42:56 | 0:42:59 | |
-..companion. -Just hold it on the wrist like that. -Exactly. Isn't that great? | 0:42:59 | 0:43:02 | |
Yeah. | 0:43:02 | 0:43:04 | |
-OK. -Isn't that good? -That's nice. | 0:43:04 | 0:43:05 | |
There you go, that's you. | 0:43:05 | 0:43:07 | |
As an Edwardian lady. | 0:43:07 | 0:43:09 | |
That's going to make, in auction, £10 or £20. | 0:43:09 | 0:43:11 | |
-25. -25 quid. It might make 30. | 0:43:13 | 0:43:16 | |
-But... -But? Oh, what? | 0:43:16 | 0:43:18 | |
Well, this is our final buy, isn't it? | 0:43:18 | 0:43:20 | |
So put it there, but that's a potential. | 0:43:20 | 0:43:22 | |
If we can't find anything, there might be a few pounds' profit in it. | 0:43:22 | 0:43:25 | |
Yeah, we'll think about it. | 0:43:25 | 0:43:27 | |
Righty-ho, righty-ho, cabinets, cabinets, cabinets... | 0:43:31 | 0:43:33 | |
A bit of... They're quite interesting. Let me show you these. | 0:43:33 | 0:43:36 | |
-It's a snuffbox. -Right! | 0:43:36 | 0:43:39 | |
As in sniffing up your nostrils. | 0:43:39 | 0:43:41 | |
-Yeah. -Because in the 19th century and before, | 0:43:41 | 0:43:44 | |
it was very popular to take snuff. | 0:43:44 | 0:43:46 | |
-Quite sweet, isn't it? -Yeah. | 0:43:46 | 0:43:47 | |
It is quite sweet. I quite like that. | 0:43:47 | 0:43:49 | |
Date, 1880, 1900. | 0:43:49 | 0:43:52 | |
-Then this one. -It's pretty, isn't it? | 0:43:52 | 0:43:54 | |
-Do you like that? -Yeah, I do like that. | 0:43:54 | 0:43:56 | |
-What's that for? -That is just like a little trinket. | 0:43:56 | 0:43:59 | |
See the base, it's metal, | 0:43:59 | 0:44:01 | |
and then it is lacquered and inlaid with bits of mother-of-pearl. | 0:44:01 | 0:44:06 | |
It's Japanese more than Chinese. | 0:44:06 | 0:44:09 | |
-It's really pretty. -It's really sweet. | 0:44:09 | 0:44:11 | |
It's 12 quid, for no money... | 0:44:11 | 0:44:13 | |
How much is this? That's ten. | 0:44:13 | 0:44:14 | |
-Do they go together? -Yeah, of course they do. | 0:44:14 | 0:44:16 | |
-Let's go and see if we can do a deal with them. -OK. | 0:44:16 | 0:44:18 | |
So, with a whopping £308 left, they're playing it safe. | 0:44:18 | 0:44:22 | |
We need a double deal. | 0:44:24 | 0:44:25 | |
-Yeah. -A double deal. | 0:44:25 | 0:44:27 | |
-Yeah. -OK. | 0:44:27 | 0:44:29 | |
I would think we can do you a deal of 20. | 0:44:29 | 0:44:30 | |
-I think that's fine. -I think you'll do really well with this. | 0:44:30 | 0:44:33 | |
I think there's profit in those, for certain. | 0:44:33 | 0:44:36 | |
For a total of £40, | 0:44:36 | 0:44:37 | |
they've bought the set of pewter measuring jugs and the combined lot | 0:44:37 | 0:44:41 | |
of snuff box and lacquer bowl. | 0:44:41 | 0:44:42 | |
Little sweeties, aren't they? They're very good. | 0:44:45 | 0:44:48 | |
-It's raining! -That's us done! -Oh! | 0:44:48 | 0:44:50 | |
But what will their big spending opponents make of their frugal buys? | 0:44:50 | 0:44:54 | |
-OK, OK. -Who's going to go first? | 0:44:54 | 0:44:57 | |
-Shall we? -Team Runners Up. | 0:44:57 | 0:44:58 | |
-OK. -Runners Up, go on. -OK, OK, we're happy, we're happy to do that. | 0:44:58 | 0:45:01 | |
Much better than you. | 0:45:01 | 0:45:02 | |
-And we're going to go... -We have... | 0:45:02 | 0:45:04 | |
A drum! | 0:45:04 | 0:45:05 | |
-Like this. -A drum! | 0:45:05 | 0:45:07 | |
It gets more and more interesting. | 0:45:07 | 0:45:09 | |
A bucket, a jacket... | 0:45:09 | 0:45:10 | |
..and a game of bowls. | 0:45:12 | 0:45:13 | |
-I'm good at that. -Are you? | 0:45:14 | 0:45:15 | |
-I won a prize. -French boules. | 0:45:15 | 0:45:17 | |
OK. | 0:45:17 | 0:45:19 | |
With a French bag. | 0:45:19 | 0:45:20 | |
- Nice. - Yep, that's all one. | 0:45:20 | 0:45:22 | |
I'm loving the drum, I've got to tell you, I'm loving the drum. | 0:45:22 | 0:45:25 | |
-Yeah, I do like drum. -The drum... | 0:45:25 | 0:45:27 | |
-..was... -Your idea? | 0:45:27 | 0:45:31 | |
Maybe. The drum was also very expensive. | 0:45:31 | 0:45:34 | |
Come on, Mrs, value the drum. | 0:45:34 | 0:45:35 | |
That was more than £200. | 0:45:35 | 0:45:37 | |
150. | 0:45:37 | 0:45:39 | |
She, the expert, is right on. | 0:45:39 | 0:45:42 | |
Oh! My training. | 0:45:42 | 0:45:45 | |
- As in, it was more than £200. - Oh. | 0:45:45 | 0:45:48 | |
-We bought it for £300. -DAVID GASPS | 0:45:48 | 0:45:50 | |
That's more than we've spent in total by a mile. | 0:45:53 | 0:45:56 | |
Good, because we went brave... | 0:45:56 | 0:45:57 | |
Well done for winning the show. | 0:45:57 | 0:45:59 | |
I think, you know, congratulations, yeah. | 0:45:59 | 0:46:01 | |
Don't get too cocky, Mr Harper, you're up next. | 0:46:02 | 0:46:05 | |
Oooh. | 0:46:05 | 0:46:07 | |
Right. | 0:46:07 | 0:46:09 | |
Oh, I love the presentation. | 0:46:09 | 0:46:12 | |
-Hello! -Oh, sorry, and yours, yours is good. | 0:46:12 | 0:46:14 | |
Good dismount - wonderfully done. | 0:46:14 | 0:46:16 | |
I would never put you two together. | 0:46:16 | 0:46:18 | |
-What us two or the chair? -What, this? | 0:46:18 | 0:46:20 | |
No, not you two, these two. | 0:46:20 | 0:46:21 | |
-You wouldn't? -No! | 0:46:21 | 0:46:23 | |
I've got 77 dolls at home. | 0:46:23 | 0:46:26 | |
-Have you? -I was a real doll girl, so I thought it was really cute. | 0:46:26 | 0:46:28 | |
So they're all going to go on there? | 0:46:28 | 0:46:30 | |
-Yeah. -Oh, that's nice. | 0:46:30 | 0:46:31 | |
-Are you buying it, then? -Well, | 0:46:31 | 0:46:33 | |
that's what I wanted to do, but he said I can't. | 0:46:33 | 0:46:35 | |
-No, she's not allowed, yeah. -And that was £50. | 0:46:35 | 0:46:38 | |
That's not a bad purchase. | 0:46:38 | 0:46:39 | |
I think really it's down now to the auction buyers. | 0:46:39 | 0:46:42 | |
So good luck, you two. | 0:46:43 | 0:46:44 | |
-I think we really need it. -We need it, we need it. | 0:46:44 | 0:46:47 | |
-Good luck, you two, though. -Thank you. -Thank you. -See you there. | 0:46:47 | 0:46:50 | |
Don't sit on the chair. | 0:46:50 | 0:46:51 | |
-See you... -Get off of me! -See you...there. | 0:46:51 | 0:46:54 | |
How do they really feel about each other's buys? | 0:46:56 | 0:46:59 | |
Jo, you've seen the wares of the other team. | 0:46:59 | 0:47:03 | |
THEY LAUGH | 0:47:03 | 0:47:06 | |
I think they've bought well, if very conservatively. | 0:47:07 | 0:47:12 | |
And the numbers, what's all that about? | 0:47:12 | 0:47:14 | |
It's about the seven, isn't it? | 0:47:14 | 0:47:16 | |
But that's only one number - there's nine of them. | 0:47:16 | 0:47:18 | |
THEY LAUGH | 0:47:18 | 0:47:21 | |
When you said to me first off, | 0:47:21 | 0:47:23 | |
you said, "I want you to find something that catches your eye | 0:47:23 | 0:47:26 | |
"and makes you go, 'Wow!' " | 0:47:26 | 0:47:27 | |
-I think we've got more wow items than they have. -Oh, yes. | 0:47:27 | 0:47:30 | |
-I think overall, they're going to lose quite a lot of money. -Yeah. | 0:47:30 | 0:47:35 | |
Whatever happens... | 0:47:35 | 0:47:36 | |
-It's been fun. -Brilliant time, come on. | 0:47:36 | 0:47:38 | |
They set off from Brighton | 0:47:42 | 0:47:43 | |
and shopped their way around Sussex and Kent, | 0:47:43 | 0:47:45 | |
now ballroom buddies Ore and Joanne | 0:47:45 | 0:47:48 | |
are motoring towards Southend-on-Sea | 0:47:48 | 0:47:51 | |
for the big auction. | 0:47:51 | 0:47:52 | |
What we should have done is just do this whole road trip just together, | 0:47:53 | 0:47:56 | |
because we're obviously the experts. | 0:47:56 | 0:47:58 | |
That would have been a disaster, darling! | 0:47:58 | 0:48:01 | |
-All right, Craig! -We wouldn't know what to pick. | 0:48:01 | 0:48:04 | |
If you lose... | 0:48:04 | 0:48:06 | |
-Yeah. -Are you going to blame it on David? | 0:48:06 | 0:48:10 | |
Probably, yeah. | 0:48:10 | 0:48:12 | |
I'm not a good loser. | 0:48:12 | 0:48:14 | |
You're telling me! | 0:48:15 | 0:48:16 | |
On this trip, Ore and Catherine spent every last penny | 0:48:18 | 0:48:22 | |
of their £400 on five lots for auction. | 0:48:22 | 0:48:25 | |
They do it twice on the Continent. | 0:48:25 | 0:48:27 | |
-Lovely. -Come on! | 0:48:27 | 0:48:29 | |
Joanne and David also bought five lots, but spent just £112. | 0:48:29 | 0:48:35 | |
-Thank you. -Brilliant. | 0:48:35 | 0:48:36 | |
-Thanks, Kim. -Hosting today's sale are Chalkwell Auctions, | 0:48:36 | 0:48:40 | |
who've been selling in Southend for nearly 30 years. | 0:48:40 | 0:48:42 | |
-Oh! -Let them in, let them in. | 0:48:42 | 0:48:44 | |
Are you ready for this, are you ready? | 0:48:44 | 0:48:46 | |
So ready! | 0:48:46 | 0:48:48 | |
-Be lucky. -Yes, be lucky. | 0:48:48 | 0:48:50 | |
Look at you! | 0:48:50 | 0:48:51 | |
- Are you feeling lucky? - You look great. | 0:48:51 | 0:48:53 | |
-I'm feeling lucky. -BOTH: -Are you? | 0:48:53 | 0:48:55 | |
I'm not feeling lucky, are you? | 0:48:55 | 0:48:57 | |
-Well, not now! -Come on. | 0:48:57 | 0:49:00 | |
I know she's got no confidence. | 0:49:00 | 0:49:01 | |
-Let's go. -Come on, then. -Come on. -I'm feeling lucky. | 0:49:01 | 0:49:04 | |
The man with the gavel is Trevor Cornforth. | 0:49:05 | 0:49:08 | |
What does he make of our teams' lots? | 0:49:08 | 0:49:11 | |
The Salvation Army drum is brilliant - I love it. | 0:49:11 | 0:49:13 | |
It's vibrant, it's colourful, it's big, it's architectural. | 0:49:13 | 0:49:17 | |
The American child's rocking chair is a lovely item. | 0:49:17 | 0:49:20 | |
The problem is that the buyers for it are going to be in America, | 0:49:21 | 0:49:24 | |
almost certainly, the best buyers, | 0:49:24 | 0:49:26 | |
and it would cost quite a lot to ship it, | 0:49:26 | 0:49:28 | |
but it should sell for doll collectors | 0:49:28 | 0:49:30 | |
or some rich person with a child | 0:49:30 | 0:49:32 | |
that they want to pamper. | 0:49:32 | 0:49:34 | |
Take your seats, please. | 0:49:34 | 0:49:36 | |
Today's auction has buyers online, on the phone and in the room. | 0:49:36 | 0:49:40 | |
-Exciting times. -I'm really excited. | 0:49:40 | 0:49:43 | |
First up is Jo's late-20th-century silver ring - with hallmarks, ha! | 0:49:45 | 0:49:49 | |
Start me at £20 on it. | 0:49:50 | 0:49:52 | |
20 surely anywhere. | 0:49:52 | 0:49:53 | |
Is that a bid? £20. | 0:49:53 | 0:49:54 | |
Yes! | 0:49:54 | 0:49:56 | |
At £20 to start, any advance on £20? | 0:49:56 | 0:49:58 | |
- I love that guy. - A room bid at the moment at £20. | 0:49:58 | 0:50:00 | |
-Come on. -Looking for 25 on it. | 0:50:00 | 0:50:02 | |
The room bid at 20... | 0:50:02 | 0:50:03 | |
Are you being coaxed, ladies and gentlemen? | 0:50:03 | 0:50:05 | |
Don't be miserable! | 0:50:05 | 0:50:06 | |
At £20, I have in the room, is that going to be it at £20? | 0:50:06 | 0:50:09 | |
-No! -All done at 20? | 0:50:09 | 0:50:11 | |
I'm squeezing as long as I can... | 0:50:11 | 0:50:12 | |
£20. | 0:50:12 | 0:50:14 | |
Great start, Jo. | 0:50:14 | 0:50:15 | |
Must be down to that hallmark. | 0:50:15 | 0:50:17 | |
You are £10 up on us. | 0:50:17 | 0:50:19 | |
Next up, Ore's well bucket. | 0:50:20 | 0:50:22 | |
Start me at £20 on it. | 0:50:22 | 0:50:24 | |
20 I've got straightaway. | 0:50:24 | 0:50:25 | |
Front row here, at £20. | 0:50:25 | 0:50:27 | |
At 20, any advance on £20? | 0:50:27 | 0:50:30 | |
OK, it's with me at 25, personally, I'm bidding at 25. | 0:50:30 | 0:50:34 | |
Are you 30? 35 with me. | 0:50:34 | 0:50:36 | |
Are you 40? 40 with the lady on the front row, | 0:50:36 | 0:50:39 | |
I'll let her have it at £40. | 0:50:39 | 0:50:41 | |
I'm not going against it at £40. | 0:50:41 | 0:50:43 | |
I've got £40 on the front row, and I'm selling... | 0:50:43 | 0:50:46 | |
Well done, Ore! | 0:50:48 | 0:50:49 | |
-Made some money! -Well done. | 0:50:50 | 0:50:52 | |
Something. Yes, no, we have! | 0:50:52 | 0:50:54 | |
Jo's 19th-century American child's rocking chair is up next. | 0:50:55 | 0:50:58 | |
Start me at £50 on this one, surely. | 0:51:00 | 0:51:02 | |
- Original... - Any interest at £50? | 0:51:02 | 0:51:05 | |
-Nice, little, original American rocking chair. -It is. American? | 0:51:05 | 0:51:08 | |
-Yep. -Anybody with grandchildren, dolls...? | 0:51:08 | 0:51:11 | |
£50 to start? | 0:51:11 | 0:51:13 | |
£50 I've got on the front row, lady's bid here at £50. | 0:51:14 | 0:51:17 | |
-Ooh, she's got it. -Any advance on £50? -Come on. | 0:51:17 | 0:51:19 | |
We've got a room bid here of 50, I'm looking for 60. | 0:51:19 | 0:51:22 | |
-Go on! -A room bid of 50, are we all done at £50? | 0:51:22 | 0:51:26 | |
Are you girls going to bid against each other again? | 0:51:26 | 0:51:29 | |
-Go on, girls! -Shame on you! | 0:51:29 | 0:51:31 | |
I've got £50 on my right, then, in the room at £50. | 0:51:31 | 0:51:34 | |
-You're done. -Oh! | 0:51:34 | 0:51:36 | |
What a shame, someone's got a bargain. | 0:51:36 | 0:51:38 | |
Do you think that's a good price? | 0:51:40 | 0:51:41 | |
I think that was a really good price there. | 0:51:41 | 0:51:43 | |
Ore's French boules set is next to go. | 0:51:43 | 0:51:46 | |
£20, I'm bid. And 25, and 30. | 0:51:46 | 0:51:49 | |
25 with the gentlemen here. | 0:51:49 | 0:51:51 | |
We're at £25. | 0:51:51 | 0:51:54 | |
Come on, people. Come on. | 0:51:54 | 0:51:55 | |
-Let's play the boules! -I've got £25 in the room. | 0:51:55 | 0:51:57 | |
-35 on the net. -Oh! | 0:51:57 | 0:51:59 | |
These French boules in a bowls box, £35... | 0:51:59 | 0:52:03 | |
Sacre bleu, Ore! | 0:52:05 | 0:52:07 | |
They are loving this, aren't they? | 0:52:07 | 0:52:09 | |
-Yeah. -There's some serious gloating going on here. | 0:52:09 | 0:52:12 | |
We won't be kind to you any more now. | 0:52:14 | 0:52:16 | |
Play nicely, Catherine. | 0:52:17 | 0:52:18 | |
Joanne's set of touch-marked pewter measuring jugs next. | 0:52:19 | 0:52:23 | |
And I have to tell you, | 0:52:23 | 0:52:25 | |
I've got a starting bid on the app at the moment of | 0:52:25 | 0:52:28 | |
-£5. -What?! | 0:52:28 | 0:52:29 | |
5?! | 0:52:29 | 0:52:30 | |
I've got a bid of 10 now. | 0:52:31 | 0:52:32 | |
Here, on the app, at 10. | 0:52:32 | 0:52:34 | |
It's on the app at 10. | 0:52:34 | 0:52:35 | |
15, surely in the room? | 0:52:35 | 0:52:37 | |
I've got a bid of 10 on the app at the moment. | 0:52:37 | 0:52:40 | |
It must be worth 15, surely. | 0:52:40 | 0:52:41 | |
-Go on. -Goodness me, there are seven of them. | 0:52:41 | 0:52:43 | |
15 standing on my left. | 0:52:43 | 0:52:45 | |
That's the first time he's bid 15 in his life! | 0:52:45 | 0:52:48 | |
I've got 20 on the net. | 0:52:48 | 0:52:51 | |
-At 20 on the net. -Go on. | 0:52:51 | 0:52:52 | |
Looking for 25. I've got 20 on the net at the moment. | 0:52:52 | 0:52:55 | |
Any advance on £20? | 0:52:55 | 0:52:56 | |
-Go on. Go on, Graham. -No? | 0:52:56 | 0:52:57 | |
Go on, Graham. | 0:52:57 | 0:52:58 | |
At £20 on the net, for the final squeeze to time. | 0:52:58 | 0:53:01 | |
-Well done. -What a shame. | 0:53:01 | 0:53:04 | |
But a bargain for the buyer! | 0:53:04 | 0:53:06 | |
That's a shame. Actually, after we take all the commission off - | 0:53:06 | 0:53:09 | |
don't panic - we're not quite 700. | 0:53:09 | 0:53:11 | |
-We've a little bit... -Eek! -..after we pay the commission. I know. | 0:53:11 | 0:53:15 | |
I know. The world of auctions. | 0:53:15 | 0:53:18 | |
-The best is yet to come. -I'm sorry, I've got to leave. | 0:53:18 | 0:53:20 | |
I've got to leave. | 0:53:20 | 0:53:22 | |
She's given up! Does that mean we win? | 0:53:22 | 0:53:24 | |
Wishful thinking, Ore. | 0:53:24 | 0:53:25 | |
Can Catherine's vintage leather jacket turn things round? | 0:53:25 | 0:53:29 | |
Oh, put it on! Put it on! | 0:53:29 | 0:53:31 | |
-Shall I get it on? -As modelled. | 0:53:31 | 0:53:34 | |
Oh, hold on. It might be a while. | 0:53:34 | 0:53:36 | |
-Oh, give us a twirl. -And it fits. | 0:53:36 | 0:53:38 | |
Any interest at £30? | 0:53:38 | 0:53:40 | |
£20? | 0:53:40 | 0:53:43 | |
-Come on. -Now she's off! -NOW she's off, yes! | 0:53:43 | 0:53:45 | |
-Oh, I say! -Give us a twirl. | 0:53:45 | 0:53:47 | |
She's going home. | 0:53:47 | 0:53:49 | |
Someone, anybody. | 0:53:49 | 0:53:50 | |
-We've got a bid at the back. -Yes! -Yay! | 0:53:50 | 0:53:53 | |
I've got a bid at the back. £10 to the gentlemen at the back | 0:53:53 | 0:53:56 | |
of the room now. Are we finished at £10? | 0:53:56 | 0:53:57 | |
You've got daughter that would fit it? Then buy it! | 0:53:57 | 0:54:00 | |
-I think we've squeezed it long enough, don't you?! -Well, buy it, then! | 0:54:00 | 0:54:03 | |
It's not going well for Team Ore today. | 0:54:03 | 0:54:06 | |
You worked really hard. | 0:54:06 | 0:54:07 | |
-Give up! -Somebody owns that! | 0:54:07 | 0:54:11 | |
She's a bit grumpy, but I like it. | 0:54:11 | 0:54:14 | |
Do you know what, the thing is, | 0:54:14 | 0:54:15 | |
had you not got up there and strutted down the catwalk, | 0:54:15 | 0:54:17 | |
-we might not have even got anything for that, so actually... -I know. | 0:54:17 | 0:54:21 | |
Or you might have got £30. | 0:54:21 | 0:54:23 | |
Cheeky. | 0:54:23 | 0:54:24 | |
Joe and David's copper ale warmer is next to go. | 0:54:25 | 0:54:28 | |
Start me at £30. | 0:54:28 | 0:54:31 | |
- Very rare. Very rare. - 30 anywhere? | 0:54:31 | 0:54:33 | |
Really? | 0:54:33 | 0:54:35 | |
Start me at £20, then. | 0:54:35 | 0:54:37 | |
20, I'm bid at the back of the room. | 0:54:37 | 0:54:39 | |
Gentlemen there at £20. | 0:54:39 | 0:54:41 | |
I need a bid of 25, surely, on it. | 0:54:41 | 0:54:43 | |
-Come on! -Any interest at £25? | 0:54:43 | 0:54:45 | |
I've got 20 bid in the room. | 0:54:45 | 0:54:47 | |
Is that going to be it? | 0:54:47 | 0:54:48 | |
She's on a roll. | 0:54:49 | 0:54:52 | |
Well done! | 0:54:52 | 0:54:53 | |
Ore's piece de resistance, his big, bold gamble. | 0:54:53 | 0:54:58 | |
£50, I'm bid. | 0:54:58 | 0:55:00 | |
60 behind. 70, 80. | 0:55:00 | 0:55:02 | |
-Oh! -90. 100. | 0:55:02 | 0:55:04 | |
-Keep going. -110, 120. | 0:55:04 | 0:55:07 | |
-Keep going. -130. | 0:55:07 | 0:55:09 | |
-Keep going a lot. -I've got £120 bid at the back of the room. | 0:55:09 | 0:55:12 | |
Any advance on £120? | 0:55:12 | 0:55:14 | |
We need to start dancing. | 0:55:14 | 0:55:15 | |
It's in the room at the moment at £120. | 0:55:15 | 0:55:17 | |
-Do we need to start singing? -Is that it, at £120? -Come on. | 0:55:17 | 0:55:20 | |
Any more than £120? | 0:55:20 | 0:55:23 | |
We're trying to coax you. | 0:55:23 | 0:55:25 | |
-Come on. -120 at the back of the room. | 0:55:25 | 0:55:27 | |
Are we all finished? | 0:55:27 | 0:55:28 | |
-Yes, we are. -Don't end it there. | 0:55:28 | 0:55:30 | |
-Ouch, ouch, ouch! -Oh, dear. | 0:55:30 | 0:55:33 | |
Brave buy, but bad luck. | 0:55:33 | 0:55:36 | |
It's OK. It's the taking part! | 0:55:37 | 0:55:39 | |
Oh-oh, oh-oh. | 0:55:39 | 0:55:41 | |
Is that the drum or is that my beating breaking heart?! | 0:55:41 | 0:55:45 | |
Now for Joanne's 19th-century snuff box and lacquer bowl. | 0:55:45 | 0:55:49 | |
Start me at £30 to get them going. | 0:55:49 | 0:55:51 | |
So, two people straightaway with a bid here at 30. | 0:55:51 | 0:55:53 | |
35. 40. | 0:55:53 | 0:55:55 | |
-Excellent. -45. 50. 60. | 0:55:55 | 0:55:57 | |
-Loving this. -Come on. | 0:55:57 | 0:55:58 | |
£50 in the room at the moment, any advance on £50? | 0:55:58 | 0:56:00 | |
-Go on, go on. -I've got £50 as a room bid at the moment, anybody outside? | 0:56:00 | 0:56:03 | |
-Well done. -Anybody in the ether? -Go on, ether. -Anybody on the internet? | 0:56:03 | 0:56:08 | |
-Look how excited she is. -I've got £50 in the room at the moment, | 0:56:08 | 0:56:10 | |
-and I am selling. Make no mistake. -Go on. | 0:56:10 | 0:56:13 | |
-I'm scared of what she's going to do. -Another win | 0:56:13 | 0:56:15 | |
for our dancing champ. | 0:56:15 | 0:56:17 | |
How did that happen?! | 0:56:17 | 0:56:19 | |
DAVID LAUGHS | 0:56:19 | 0:56:20 | |
It's a very generous room. | 0:56:20 | 0:56:22 | |
Now, for the final lot of the day, | 0:56:22 | 0:56:24 | |
can Ore up his game with the scoring number cards? | 0:56:24 | 0:56:28 | |
I did notice, guys, there are no tens? | 0:56:28 | 0:56:30 | |
-ALL: -No. -There aren't. | 0:56:30 | 0:56:31 | |
-But we have got a nine. -But it can't have been a very good performance, | 0:56:31 | 0:56:35 | |
-then? -That's OK. | 0:56:35 | 0:56:36 | |
Start me at £20 on them. | 0:56:36 | 0:56:38 | |
They must be worth that much. | 0:56:38 | 0:56:40 | |
-Go on. -You can play your own Strictly game at home. | 0:56:40 | 0:56:42 | |
-BOTH: -Yes, you can! | 0:56:42 | 0:56:43 | |
£20 anywhere? | 0:56:44 | 0:56:46 | |
-Is that a bid? -Yes! -£20 with the gentlemen at the back. | 0:56:46 | 0:56:49 | |
Any advance on £20 with the gentlemen? | 0:56:49 | 0:56:51 | |
Are you finished at 20? | 0:56:51 | 0:56:53 | |
No ten from Len, but it's still a profit. | 0:56:53 | 0:56:57 | |
-Loser! -Oh! | 0:56:57 | 0:57:00 | |
You can have that, I think. | 0:57:00 | 0:57:02 | |
-There you go. -No, we'll keep the L at the front. | 0:57:02 | 0:57:04 | |
Thanks for your help, guys. | 0:57:04 | 0:57:06 | |
Do you know what, we're going to give these | 0:57:06 | 0:57:08 | |
to a very deserving person, | 0:57:08 | 0:57:10 | |
and never see you again, so... | 0:57:10 | 0:57:12 | |
-Let's go and do that! -Shall we? | 0:57:12 | 0:57:15 | |
So where does that leave them on the scoreboard? | 0:57:15 | 0:57:17 | |
After paying auction costs, | 0:57:18 | 0:57:20 | |
Ore and Catherine made a loss of £215.50, | 0:57:20 | 0:57:24 | |
leaving them with £184.50. | 0:57:24 | 0:57:28 | |
Joanne and David made a profit after saleroom fees of £19.20, | 0:57:28 | 0:57:34 | |
leaving them with £419.20. | 0:57:34 | 0:57:37 | |
They're today's winners. | 0:57:37 | 0:57:39 | |
All profits go to Children In Need. | 0:57:39 | 0:57:41 | |
-Oh, thank you! -It was good fun. | 0:57:41 | 0:57:43 | |
-We had a great time. -And you were very brave with the drum, | 0:57:43 | 0:57:45 | |
-very brave. -It's the taking part... | 0:57:45 | 0:57:47 | |
-Yes. -..that counts. -Well done. -Taking part. | 0:57:47 | 0:57:50 | |
What's funny is now everybody knows who really did the winning out of | 0:57:50 | 0:57:54 | |
this pair... Clifton! | 0:57:54 | 0:57:56 | |
-Fantastic seeing you both. -Thank you, guys. | 0:57:56 | 0:57:58 | |
Is it time for us to leave? | 0:57:58 | 0:57:59 | |
-Go on. -Go on, then. -Safe journey. | 0:57:59 | 0:58:01 | |
Get back in the car for one last ride. | 0:58:01 | 0:58:03 | |
Bye, guys. Bye. | 0:58:06 | 0:58:08 | |
We have inherited all this knowledge from Catherine and David. | 0:58:11 | 0:58:14 | |
Oh, do you know what, I know all about hallmark... | 0:58:14 | 0:58:19 | |
What did I learn from Catherine? | 0:58:19 | 0:58:21 | |
She said to me, at the very start, she said, | 0:58:21 | 0:58:23 | |
"Find something that catches your eye and makes you think, 'Wow!' | 0:58:23 | 0:58:26 | |
"As soon as you've found that, | 0:58:26 | 0:58:28 | |
"then look at the price, and if it's too expensive, | 0:58:28 | 0:58:31 | |
"leave it where you found it." | 0:58:31 | 0:58:32 | |
That's probably the lesson for me after this whole road trip. | 0:58:32 | 0:58:35 | |
Until next time, toodle-pip, road trippers! | 0:58:35 | 0:58:39 |