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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
-Oh! -Just want to touch BASS. | 0:00:03 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
-Boo! -Oh! | 0:00:06 | 0:00:08 | |
..and a classic car. | 0:00:08 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:10 | |
Their mission? To scour Britain for antiques. | 0:00:10 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim? To make the biggest profit at auction, but it's no easy ride. | 0:00:15 | 0:00:20 | |
-CAR RUMBLES -Oh! | 0:00:20 | 0:00:21 | |
Who will find a hidden gem? | 0:00:21 | 0:00:22 | |
-HORN HONKS -I like that. | 0:00:22 | 0:00:24 | |
Who will take the biggest risk? | 0:00:24 | 0:00:25 | |
This could end in disaster. | 0:00:25 | 0:00:27 | |
Will anybody follow expert advice? | 0:00:27 | 0:00:30 | |
But I love this! | 0:00:30 | 0:00:31 | |
Why would you buy something you're not going to use? | 0:00:31 | 0:00:33 | |
There will be worthy winners and valiant losers. | 0:00:33 | 0:00:35 | |
No, I don't want to shake hands. | 0:00:35 | 0:00:37 | |
Put your pedal to the metal. | 0:00:37 | 0:00:39 | |
Let me get out of first gear. | 0:00:39 | 0:00:40 | |
This is the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:43 | |
Yeah! | 0:00:46 | 0:00:47 | |
Today we'll be crossing the Cotswolds, not the Andes, | 0:00:53 | 0:00:57 | |
with two friends who happen to be very fine actresses. | 0:00:57 | 0:00:59 | |
How are you feeling in the passenger seat with me? | 0:01:00 | 0:01:02 | |
-Hanging onto this seat belt, Sharon. -I know! | 0:01:02 | 0:01:05 | |
Just acting, I think. | 0:01:05 | 0:01:07 | |
Yep, it's Sharon Maughan and Tina Hobley. How lovely. | 0:01:07 | 0:01:10 | |
We're in the country, antique shopping, | 0:01:10 | 0:01:13 | |
so you're going to be hanging out with antiques other than me today! | 0:01:13 | 0:01:17 | |
Oh, those two have been long-familiar faces | 0:01:17 | 0:01:20 | |
on our TV screens, with Tina pulling pints in the Rovers Return, | 0:01:20 | 0:01:24 | |
and Sharon appearing in commercial breaks. | 0:01:24 | 0:01:26 | |
I'm sorry to bother you, but I'm having a dinner party, | 0:01:26 | 0:01:29 | |
and I've run out of coffee. | 0:01:29 | 0:01:31 | |
I loved those adverts, they were fantastic. | 0:01:31 | 0:01:33 | |
I really do hope they bring them back one day. | 0:01:33 | 0:01:36 | |
Me too. They first met when they co-starred in top BBC medical drama | 0:01:36 | 0:01:40 | |
Holby City, Sharon playing a nurse, | 0:01:40 | 0:01:43 | |
and Tina as her ward-sister daughter. | 0:01:43 | 0:01:45 | |
-Mum? -I really thought you two were finished. | 0:01:45 | 0:01:49 | |
I ended up having an affair with your husband, I think, didn't I? | 0:01:49 | 0:01:51 | |
You did. We had a big cat fight, do you remember? | 0:01:51 | 0:01:54 | |
I quite liked having a cat fight with you. | 0:01:54 | 0:01:56 | |
You told me that Robert Powell wasn't my father, | 0:01:56 | 0:01:59 | |
after all those years. | 0:01:59 | 0:02:00 | |
Yeah, but Robert Powell was never your real father, darling. | 0:02:00 | 0:02:03 | |
-I know! -Not in real life! | 0:02:03 | 0:02:05 | |
TIM LAUGHS | 0:02:05 | 0:02:07 | |
Sure to be well acquainted with Holby goings-on will be our experts, | 0:02:11 | 0:02:14 | |
antiqueurs James Braxton and Raj Bisram. | 0:02:14 | 0:02:18 | |
Raj, you've never trained as a doctor, have you? | 0:02:18 | 0:02:20 | |
White coat and stethoscope - badge of office, aren't they? | 0:02:20 | 0:02:23 | |
Well, I think with my medical complaints, I should definitely... | 0:02:23 | 0:02:27 | |
I'm going to need a nurse with me! | 0:02:27 | 0:02:29 | |
All with plenty of cream, I hope. At least they know a bit | 0:02:29 | 0:02:32 | |
about vintage cars, like this 1965 Jag Mark 2. | 0:02:32 | 0:02:35 | |
When they finished the Mark 1, they said, | 0:02:35 | 0:02:37 | |
"We want to build another one, and we want to give it more space, | 0:02:37 | 0:02:42 | |
"more pace, and more grace." | 0:02:42 | 0:02:44 | |
Or even grace, pace and space. | 0:02:44 | 0:02:47 | |
It COULD have been that way around! | 0:02:47 | 0:02:48 | |
Mind you, that 1967 Volvo is pretty sprightly, too, | 0:02:48 | 0:02:52 | |
which should please car fan Tina. | 0:02:52 | 0:02:55 | |
I love speed. Speed, speed, speed. | 0:02:55 | 0:02:57 | |
-Second gear, bingo, I did it. -This is a little, uh... | 0:02:58 | 0:03:01 | |
Don't be funny about it! | 0:03:01 | 0:03:02 | |
-I did it, I'm very happy. -Well done, Sharon. | 0:03:02 | 0:03:05 | |
So, with £400 each plus a tiger in their tank, | 0:03:05 | 0:03:10 | |
let's get them teamed up and on the road. | 0:03:10 | 0:03:13 | |
-Hello. -Hello, hello, hello, hello. -How are you? | 0:03:13 | 0:03:16 | |
-James. -Sharon. Lovely to meet you. -Hello, Sharon. | 0:03:16 | 0:03:18 | |
-Tina, lovely to meet you. -Hi, Tina, I'm Raj. | 0:03:18 | 0:03:21 | |
Meet your competition. Sharon. | 0:03:21 | 0:03:23 | |
-Hello, Sharon. -How are you? Good to see you. | 0:03:23 | 0:03:26 | |
Hello, James. Nice to meet you. | 0:03:26 | 0:03:27 | |
Hi, James, you're looking at the winners. | 0:03:27 | 0:03:30 | |
-Oh, come on. -No, no, no. | 0:03:30 | 0:03:32 | |
The winners are the first there. | 0:03:32 | 0:03:34 | |
-Yes, off we go! -Bye-bye. | 0:03:34 | 0:03:36 | |
Let's get to the shops! | 0:03:36 | 0:03:39 | |
Those two don't hang about, do they? | 0:03:39 | 0:03:42 | |
Today's trip will end up beside the seaside at an auction in Brighton, | 0:03:42 | 0:03:46 | |
but there's an awful lot of shopping around Gloucestershire before then, | 0:03:46 | 0:03:49 | |
starting out in the county city. | 0:03:49 | 0:03:51 | |
What are you like at the haggle? | 0:03:55 | 0:03:57 | |
-The haggle? -Is there a bit of Marrakech in you? | 0:03:57 | 0:04:00 | |
In Marrakech, there is, | 0:04:00 | 0:04:02 | |
but do you think the English are any good at it? | 0:04:02 | 0:04:04 | |
-I think we should be. -I'll haggle today if you want me to haggle. | 0:04:04 | 0:04:07 | |
-Shall I haggle? -Yeah, I want you to haggle. | 0:04:07 | 0:04:09 | |
Sounds like our experts are taking their job very seriously. | 0:04:09 | 0:04:13 | |
For a collector, or someone who's passionate about antiques, | 0:04:13 | 0:04:16 | |
buying something that they can live with - that's the beauty. | 0:04:16 | 0:04:19 | |
Do you think that's what we should do today, then? | 0:04:19 | 0:04:21 | |
No, no. | 0:04:21 | 0:04:23 | |
Our first celebrity to dip toe into water is Tina, | 0:04:23 | 0:04:27 | |
in the port city of Gloucester, down by the docks. Oh, yes. | 0:04:27 | 0:04:31 | |
-This is good. -Upstairs, Downstairs. | 0:04:31 | 0:04:33 | |
-Yeah. -You go one way, I'll go the other. | 0:04:33 | 0:04:36 | |
-OK. -If you see anything you like, give me a shout. | 0:04:36 | 0:04:38 | |
-I will. -OK, see you in a second. | 0:04:38 | 0:04:40 | |
I wonder if Tina's experience in medical drama might pay off. | 0:04:40 | 0:04:44 | |
I like that one. | 0:04:44 | 0:04:46 | |
Always tense affairs, aren't they? | 0:04:46 | 0:04:48 | |
You're the coin man, aren't you? | 0:04:48 | 0:04:50 | |
-Medals. -Medals, medals, medals, not coins. | 0:04:50 | 0:04:52 | |
How's our unflappable consultant getting on? | 0:04:54 | 0:04:57 | |
I do like that. | 0:04:57 | 0:04:58 | |
The ticket price is £95. | 0:04:58 | 0:05:00 | |
I think I'm going to have to call Tina. | 0:05:00 | 0:05:02 | |
Tina? What poise, eh? | 0:05:02 | 0:05:04 | |
Oh, I like this. So, it's an antique desk stool. | 0:05:04 | 0:05:08 | |
Look at that, and it's all attached. | 0:05:08 | 0:05:10 | |
£40. If I could get it for 20, | 0:05:11 | 0:05:13 | |
-I'm sure we could sell it for more than that. -It suits you, | 0:05:13 | 0:05:16 | |
but you mustn't be buying anything without checking on me price-wise. | 0:05:16 | 0:05:20 | |
There's a lot of them around, | 0:05:20 | 0:05:22 | |
and I don't think they're great, great sellers. | 0:05:22 | 0:05:25 | |
Oh, OK. Fine, well, that's why you're here. We'll leave that. | 0:05:25 | 0:05:29 | |
Very stern, Raj. | 0:05:29 | 0:05:31 | |
His lamp's one on the wish list, and now Tina's grabbed dealer Vic. | 0:05:31 | 0:05:35 | |
A leather jewellery box. That's quite nice. | 0:05:35 | 0:05:37 | |
-It's pretty. -It's very pretty, isn't it? -Mm-hm. | 0:05:37 | 0:05:40 | |
It's only got a key as well. | 0:05:40 | 0:05:42 | |
-It gets better - it's 95 quid. -OK. -You can have it for 60 quid. | 0:05:42 | 0:05:46 | |
Really? OK, good. | 0:05:46 | 0:05:48 | |
-That, I'm sure... -..Is the right key? | 0:05:48 | 0:05:51 | |
Yep. | 0:05:51 | 0:05:52 | |
-I like that. -You've got a very old London maker lock. | 0:05:52 | 0:05:56 | |
-And I can have it for 60? -60 quid will do. -I like that! | 0:05:56 | 0:06:00 | |
Thank you. Now, I have to consult my expert, though. | 0:06:00 | 0:06:03 | |
Yes. | 0:06:03 | 0:06:04 | |
I'm not sure she wants to. | 0:06:04 | 0:06:06 | |
What about our other lean antiquing machine? | 0:06:06 | 0:06:10 | |
Oh, my gosh, we've got a little Cotswold moment. | 0:06:10 | 0:06:12 | |
Breathe in! | 0:06:13 | 0:06:15 | |
-Lovely. He's done that before. -He's obviously used to it, yeah. | 0:06:15 | 0:06:17 | |
Well, HE has. They seem to be navigating the hills rather nicely. | 0:06:17 | 0:06:21 | |
Motoring to their first shop in Winchcombe, | 0:06:23 | 0:06:26 | |
the Cotswold town on the River Isbourne. | 0:06:26 | 0:06:28 | |
Very nicely parked. Look at that. Aren't we lucky bunnies? | 0:06:28 | 0:06:32 | |
Yeah, it's a popular place all right. | 0:06:32 | 0:06:35 | |
First antique shop. Isn't this exciting? | 0:06:35 | 0:06:37 | |
Winchcombe Antiques. I am quite excited, actually. | 0:06:37 | 0:06:39 | |
-It's all about fate. -Yes. -Something will find us. | 0:06:39 | 0:06:43 | |
Well, let's first find the proprietor. | 0:06:43 | 0:06:45 | |
-Here's our man. -Hello there. | 0:06:45 | 0:06:47 | |
-Hello. -Richard. -I'm Sharon, lovely to meet you, Richard. | 0:06:47 | 0:06:49 | |
-Hello. James. -Hello, James. -Good to meet you. | 0:06:49 | 0:06:51 | |
Oh, that's very nice, I like to be surrounded by rosewood. | 0:06:51 | 0:06:54 | |
Yes, I like to be surrounded by men! | 0:06:54 | 0:06:56 | |
And I am. | 0:06:58 | 0:06:59 | |
Yeah, that's true. Now, antiques. | 0:06:59 | 0:07:02 | |
There's definitely enough here, I'd say. | 0:07:02 | 0:07:04 | |
Oh, I love a box. | 0:07:04 | 0:07:06 | |
Look at this gorgeous oak stationery box. | 0:07:06 | 0:07:09 | |
Let's open it up and see what's inside. | 0:07:09 | 0:07:11 | |
Look how lovely that is! | 0:07:11 | 0:07:13 | |
All your filing, all your envelopes, all your letter-headed paper, | 0:07:13 | 0:07:16 | |
your ink, your inkwells, this is for your pens. | 0:07:16 | 0:07:18 | |
When I was at school, you had to write with pen and ink, | 0:07:18 | 0:07:21 | |
you couldn't write with biros, as they called it, | 0:07:21 | 0:07:23 | |
but I don't know if there is a market for it. | 0:07:23 | 0:07:24 | |
I have to keep reminding myself, not just what I like, | 0:07:24 | 0:07:27 | |
but how I can make money. | 0:07:27 | 0:07:29 | |
Ticket price, £78. | 0:07:29 | 0:07:31 | |
I absolutely love this. | 0:07:31 | 0:07:33 | |
It's described as a Victorian cylinder cupboard. | 0:07:33 | 0:07:37 | |
I don't know what the Victorians did with a cylinder cupboard, | 0:07:38 | 0:07:41 | |
-but what -I -would do with this, this is very Soho House. | 0:07:41 | 0:07:43 | |
That's a miniature drinks cupboard, isn't it? | 0:07:43 | 0:07:46 | |
It's so cool, and a beautiful decanter on top, perhaps. | 0:07:46 | 0:07:49 | |
But it's expensive, it's, er... £225! | 0:07:49 | 0:07:54 | |
Sharon's already up to speed. What's James got there? | 0:07:55 | 0:07:59 | |
Three early coloured engravings of Brighton scenes. | 0:07:59 | 0:08:04 | |
This first one here is known as Kings Road, Brighton, | 0:08:04 | 0:08:07 | |
but rather fun - on the beach, they've got the fish market, | 0:08:07 | 0:08:11 | |
and Brighton fish market used to be on the shingle, | 0:08:11 | 0:08:14 | |
and then we've got another one here. This is the Chain Pier. | 0:08:14 | 0:08:18 | |
This was built by a chap called Captain Samuel Brown, who built | 0:08:18 | 0:08:22 | |
early suspension bridges, and this predates Clifton Suspension Bridge. | 0:08:22 | 0:08:26 | |
And then this is the other one here, we've got here the | 0:08:26 | 0:08:30 | |
Victorian fountain, erected in 1846. | 0:08:30 | 0:08:35 | |
So it must be post-1846. | 0:08:35 | 0:08:37 | |
They're nice, they're rosewood. They have gilt slips, original frames. | 0:08:37 | 0:08:41 | |
What have we got? We've got £118. | 0:08:41 | 0:08:43 | |
Brighton scenes. We're selling in Brighton. | 0:08:43 | 0:08:46 | |
I think that has our name on them. | 0:08:46 | 0:08:49 | |
Could be a canny find. | 0:08:49 | 0:08:51 | |
Sewing machine. | 0:08:51 | 0:08:52 | |
I used to make all my own clothes when I was a young girl. | 0:08:52 | 0:08:55 | |
It was the only way I could get the clothes I wanted to buy | 0:08:55 | 0:08:57 | |
in the slums of Liverpool. | 0:08:57 | 0:08:59 | |
So I had a hand sewing machine, rather like that one. | 0:08:59 | 0:09:02 | |
Mine was a Singer. The thing is, | 0:09:02 | 0:09:03 | |
I don't know what is basically second-hand, and what is antique. | 0:09:03 | 0:09:09 | |
That is a very good question. | 0:09:10 | 0:09:12 | |
Over in Gloucester, things have taken a military turn. | 0:09:12 | 0:09:16 | |
This looks rather interesting. | 0:09:16 | 0:09:17 | |
It looks like an army kit, isn't it? | 0:09:17 | 0:09:19 | |
So, 1944, it says. | 0:09:19 | 0:09:21 | |
How wonderful. It's a grooming kit, isn't it? | 0:09:21 | 0:09:25 | |
And it's got the paperwork to go with it. Look! | 0:09:25 | 0:09:28 | |
Oh, I like this. And we're going to be selling in Brighton, | 0:09:28 | 0:09:32 | |
and I think this is quite trendy. | 0:09:32 | 0:09:35 | |
Ticket price, £55, though. | 0:09:35 | 0:09:37 | |
So, the whole kit is there, it's complete. | 0:09:37 | 0:09:40 | |
The brushes, the trimmers, the combs, and the scissors. | 0:09:40 | 0:09:45 | |
Well, let's see what Raj makes of it. | 0:09:45 | 0:09:47 | |
-If you could get him down to, say, 20... -Yes? | 0:09:47 | 0:09:49 | |
..then I think that would be quite saleable. | 0:09:49 | 0:09:52 | |
-Do you? -Yeah. -Right, let's go and see if I can do a deal, then. | 0:09:52 | 0:09:55 | |
-Shall we leave it for the moment? -All right. | 0:09:55 | 0:09:57 | |
Before we do a deal - and I know you want to do a deal - | 0:09:57 | 0:09:59 | |
-can I show you something? -Yes, of course. | 0:09:59 | 0:10:01 | |
OK, I've got a couple of things. Come this way. | 0:10:01 | 0:10:03 | |
Raj's list includes a tunic, like the one Tina admired earlier, | 0:10:03 | 0:10:08 | |
and that lamp. | 0:10:08 | 0:10:09 | |
What do you think? | 0:10:09 | 0:10:10 | |
Well, I think I've thrown something away like that, maybe last week! | 0:10:10 | 0:10:15 | |
What a reaction! | 0:10:15 | 0:10:16 | |
The Anglepoise lamp was invented in the early 1930s, and this one is by | 0:10:16 | 0:10:19 | |
Terry & Sons, who soon began manufacturing it under licence. | 0:10:19 | 0:10:24 | |
This kind of stuff is really in vogue at the moment. | 0:10:24 | 0:10:27 | |
-Yeah, yeah, yeah. -And this at auction could make £70 to £100, | 0:10:27 | 0:10:31 | |
no problem at all. Now, there's £95 on the ticket, but again, | 0:10:31 | 0:10:35 | |
if we could get this at £50, snap it off their hands. | 0:10:35 | 0:10:39 | |
-Absolutely, this would be a good deal. -Would it? | 0:10:39 | 0:10:42 | |
-And the other thing I found... -I love this. -Do you? -Yes! | 0:10:42 | 0:10:45 | |
-Well, I love it, too. -Yes! | 0:10:45 | 0:10:46 | |
It's a tunic of the glorious Glosters Regiment. | 0:10:46 | 0:10:49 | |
Ticket price, £120. | 0:10:49 | 0:10:51 | |
I'm going to give you a challenge, OK? | 0:10:51 | 0:10:53 | |
I want you to go in there and get these three items, OK, | 0:10:53 | 0:10:57 | |
-for £100. -Crikey, Raj! | 0:10:57 | 0:11:00 | |
-Let's see what we can do. -Absolutely. | 0:11:00 | 0:11:02 | |
Now, is Vic there? Vic! | 0:11:02 | 0:11:03 | |
Oh, yes, and Rob. | 0:11:03 | 0:11:05 | |
Hi, guys. Rob. | 0:11:05 | 0:11:07 | |
-And Vic. -And Vic. | 0:11:07 | 0:11:08 | |
OK. I'm very excited about the couple of items we've found. | 0:11:08 | 0:11:12 | |
So, the jacket, the beautiful Gloster... | 0:11:12 | 0:11:14 | |
Gloster Regiment bandsman's jacket. | 0:11:14 | 0:11:16 | |
Yes, we love it, but what's the best price you could do for me? | 0:11:16 | 0:11:19 | |
-We could probably come down to 60. -£60, thank you. | 0:11:19 | 0:11:22 | |
Now, we love the lamp. | 0:11:22 | 0:11:24 | |
-Yes. -It's an industrial lamp, it's very on trend at the moment. | 0:11:24 | 0:11:27 | |
-It is. -We could do a lot with that, but what's the best price on that? | 0:11:27 | 0:11:31 | |
We'll take 50 quid for this. | 0:11:31 | 0:11:33 | |
Thank you very much. Now, just one little thing that caught my eye. | 0:11:33 | 0:11:37 | |
It's the army barber's kit. | 0:11:37 | 0:11:39 | |
I think 20 would be great for me on that. | 0:11:39 | 0:11:42 | |
OK, then, we'll call it 25. | 0:11:42 | 0:11:44 | |
25, so what are we up to, Raj? | 0:11:44 | 0:11:46 | |
60, 50, that's 110, and 25, so 135. | 0:11:46 | 0:11:52 | |
If you can get another fiver off that and a fiver off the jacket, | 0:11:52 | 0:11:54 | |
I think, for the sake of a tenner, we're at 125, | 0:11:54 | 0:11:57 | |
I think that's a fair deal, see what they can do. | 0:11:57 | 0:11:59 | |
What do you think, gentlemen? | 0:11:59 | 0:12:01 | |
You know you said I had a nice smile? | 0:12:01 | 0:12:03 | |
Say it again! How about giving me it for 20, the barber's kit? | 0:12:05 | 0:12:09 | |
-We can do that. -I'll take it away. | 0:12:09 | 0:12:11 | |
-Really? -We can do that. -Thank you. | 0:12:11 | 0:12:13 | |
Can I make it 55 on the jacket? | 0:12:13 | 0:12:15 | |
And I'll tell you, we're going to win this. | 0:12:15 | 0:12:17 | |
I reckon you'll win anyway, because you got the best regiment | 0:12:17 | 0:12:20 | |
-in the British Army. -Ah! -You can even try the hat on, if you like. | 0:12:20 | 0:12:24 | |
Oh! Oh, I love it, I love it all. | 0:12:24 | 0:12:27 | |
-Does it suit me, Sir? -It definitely suits you. -Those eyes. | 0:12:27 | 0:12:30 | |
It definitely suits you! It definitely suits you. | 0:12:30 | 0:12:33 | |
Do you think you could come down another fiver for me? | 0:12:33 | 0:12:36 | |
-I could probably do that for you. -Gentlemen, you are fantastic. -Oh! | 0:12:36 | 0:12:38 | |
-Shake their hands. -Delighted. Thank you. | 0:12:38 | 0:12:41 | |
Good doing business with you. | 0:12:41 | 0:12:42 | |
That was quite a big deal! | 0:12:44 | 0:12:45 | |
-And one Lady Godiva. -Look at that, thank you. | 0:12:45 | 0:12:48 | |
Thank you very much. | 0:12:48 | 0:12:49 | |
Now, while those two stick the swag in the Jag... | 0:12:49 | 0:12:52 | |
So pleased with what we've got. | 0:12:52 | 0:12:54 | |
-Brilliant things. -Yes! -I mean, you did really well. | 0:12:54 | 0:12:56 | |
..where are we in Winchcombe? | 0:12:58 | 0:13:00 | |
Georgian, bird feeder. | 0:13:00 | 0:13:03 | |
Oh, it's for in a bird cage. | 0:13:03 | 0:13:06 | |
A little tiny bird feeder for in a bird cage, | 0:13:06 | 0:13:08 | |
when everyone had a little budgerigar. | 0:13:08 | 0:13:10 | |
I've never seen that before. Isn't that sweet? | 0:13:10 | 0:13:12 | |
Very cheap, it's £15, for anybody who has a budgie. | 0:13:12 | 0:13:17 | |
Cor, she's good. Time for a bit of show and tell, I reckon. | 0:13:17 | 0:13:20 | |
I spotted these pictures, and the dear old humble engraving, | 0:13:20 | 0:13:25 | |
and the first one is the Steine in Brighton. | 0:13:25 | 0:13:28 | |
-Oh, my goodness. -I love this one - this is the front at Brighton, | 0:13:28 | 0:13:32 | |
and then you've got bathing machines. Rather fun. | 0:13:32 | 0:13:35 | |
Bathing machine? | 0:13:35 | 0:13:37 | |
-Yeah, to preserve your modesty. -Oh, yes. -So you undressed in there, | 0:13:37 | 0:13:42 | |
and then the machine was taken into the water, and then you jumped out. | 0:13:42 | 0:13:46 | |
-Oh, wow. -So, you've got these three things here, | 0:13:46 | 0:13:48 | |
nicely framed in rosewood. They're a bit yesteryear. | 0:13:48 | 0:13:52 | |
So what do we think about them being a bit yesteryear? | 0:13:52 | 0:13:54 | |
Well, it's going to Brighton. | 0:13:54 | 0:13:56 | |
There will be some people harking back to the past, won't there? | 0:13:56 | 0:14:00 | |
You don't think it's a bit coal to Newcastle? | 0:14:00 | 0:14:02 | |
No, because actually I don't think they have much relevance up here, | 0:14:02 | 0:14:05 | |
I think they have more relevance in Brighton, don't they? | 0:14:05 | 0:14:07 | |
-Yeah, they do. Yeah, yeah. -Have you found anything? | 0:14:07 | 0:14:09 | |
You bet she has. | 0:14:09 | 0:14:11 | |
Oh, isn't that lovely? | 0:14:11 | 0:14:13 | |
So, a stationery... All your envelopes. | 0:14:13 | 0:14:16 | |
All your envelopes, your letter-headed paper, your ink. | 0:14:16 | 0:14:18 | |
Look at this beautiful little inkwell, and your pens here. | 0:14:18 | 0:14:21 | |
And the lid - does it open? | 0:14:21 | 0:14:24 | |
-I didn't know it had the lid! -And then THIS may open. | 0:14:24 | 0:14:26 | |
-Does that open? -Oh, no, I didn't have the courage you had. | 0:14:26 | 0:14:29 | |
-Secret drawer. How much have they got on it? -70 something. | 0:14:29 | 0:14:32 | |
That sounds a bit cheap. I think that's good value. | 0:14:32 | 0:14:35 | |
-You're very good, Sharon. -This extraordinary little thing here. | 0:14:35 | 0:14:38 | |
-Cylindrical washstand. -Cylinder cupboard. -It was a cylinder washtub? | 0:14:38 | 0:14:42 | |
-A washstand, yeah. -A washstand, that's what it was. | 0:14:42 | 0:14:46 | |
-Washstand. But that's why it was marble. -Ah. | 0:14:46 | 0:14:48 | |
So you would have had your wash basin there, | 0:14:48 | 0:14:50 | |
and then you could have poured it on, and you would wash. | 0:14:50 | 0:14:53 | |
It's quite a plain one, because this is made of pine. | 0:14:53 | 0:14:57 | |
-Do you like that? -I like cylindrical things, because it has novelty. | 0:14:57 | 0:15:01 | |
It's different. | 0:15:01 | 0:15:02 | |
Bend ze knees, and off to see Richard. | 0:15:02 | 0:15:05 | |
We need to get these things as cheaply as we can. | 0:15:05 | 0:15:07 | |
Is there a deal to be done? | 0:15:07 | 0:15:09 | |
What's the lowest you could do on that? | 0:15:09 | 0:15:11 | |
Yeah, well, that, I haven't got much room for manoeuvre. | 0:15:12 | 0:15:15 | |
-So it's 78 at present. And the best... -55? | 0:15:15 | 0:15:18 | |
..literally just 70 I can do. | 0:15:18 | 0:15:20 | |
Now, the ticket price on this was £225, remember. | 0:15:20 | 0:15:24 | |
This very expensive, very expensive drinks cabinet. | 0:15:24 | 0:15:28 | |
What's your best price on this? | 0:15:28 | 0:15:30 | |
I'd probably have to give the chap a call. | 0:15:30 | 0:15:32 | |
-What's it got on it? -A lot of money. | 0:15:32 | 0:15:33 | |
-It's got a lot of money. It's pine. -The best I can do is 200 | 0:15:33 | 0:15:36 | |
without speaking to him, so I would need to give him a shout. | 0:15:36 | 0:15:38 | |
-Could you give him a shout? -Yeah, no worries. | 0:15:38 | 0:15:41 | |
No, but really, he'd need to literally know | 0:15:41 | 0:15:43 | |
-it would need to be half that. -I'll try. | 0:15:43 | 0:15:45 | |
What about these mid-19th-century pictures? | 0:15:45 | 0:15:48 | |
Well, they are Brighton, aren't they? | 0:15:48 | 0:15:50 | |
So that's ideal for you, but the best I can do on that is 90. | 0:15:50 | 0:15:52 | |
-90? -Yeah, £30 apiece. | 0:15:52 | 0:15:54 | |
Doesn't sound too bad, but while Richard gets on the phone, | 0:15:54 | 0:15:58 | |
Sharon has one more little suggestion. | 0:15:58 | 0:16:00 | |
-Do you know what that is? -I don't know what that is. | 0:16:00 | 0:16:02 | |
This is a Georgian bird feeder. | 0:16:02 | 0:16:07 | |
-I love it. -For a cage, for the bird cage, | 0:16:07 | 0:16:09 | |
for your little beloved budgie. | 0:16:09 | 0:16:11 | |
-Isn't that lovely? -Isn't it lovely, and you know what? | 0:16:11 | 0:16:13 | |
It's Georgian. I've never seen anything like it before. | 0:16:13 | 0:16:16 | |
-Nor have I. -Do you like it? -I REALLY like it. -Oh, I'm so excited. | 0:16:16 | 0:16:19 | |
-Really like it. -I found it! | 0:16:19 | 0:16:21 | |
But with the other dealer out of reach, let's focus here. | 0:16:21 | 0:16:25 | |
-So, definitely having that. -Good. | 0:16:25 | 0:16:28 | |
I think it's a choice between that or that. | 0:16:28 | 0:16:31 | |
Well, obviously, in Brighton... | 0:16:31 | 0:16:33 | |
I think we should take a punt. | 0:16:33 | 0:16:35 | |
We've got two proper antiques. | 0:16:35 | 0:16:37 | |
-You like that, don't you? -I love it. -So happy about that. -Very clever. | 0:16:37 | 0:16:40 | |
I'm with an expert! | 0:16:41 | 0:16:43 | |
I learn fast. | 0:16:44 | 0:16:45 | |
Come on, you learn very fast. | 0:16:45 | 0:16:47 | |
-We're going to have those two, Richard. -No problem at all. | 0:16:47 | 0:16:50 | |
Nicely done. One each. £105 to pay. | 0:16:50 | 0:16:54 | |
That's it, Sharon, milk it! | 0:16:54 | 0:16:55 | |
..80, 90, 100. | 0:16:55 | 0:16:57 | |
I believe you might owe me a £5 note. | 0:16:57 | 0:17:00 | |
Oh, she's such a performer, as is her friend and rival. | 0:17:00 | 0:17:04 | |
I have known Sharon for about 12 years. | 0:17:05 | 0:17:09 | |
She came on Holby to play my mother, and whenever I can get that in, | 0:17:09 | 0:17:15 | |
particularly on television... | 0:17:15 | 0:17:16 | |
Crikey, no wonder that fight was so convincing. | 0:17:16 | 0:17:19 | |
And then we became dearest, dearest friends. | 0:17:19 | 0:17:21 | |
If I took one thing away from Holby, it was meeting Sharon. | 0:17:21 | 0:17:25 | |
These days, Tina has yet another string to her bow - radio. | 0:17:25 | 0:17:29 | |
I don't know how I got into this world, but I do a weekday show, | 0:17:29 | 0:17:34 | |
drive-time show, so it's Monday to Friday, and then I do a Sunday show, | 0:17:34 | 0:17:37 | |
which I've been doing for the last three years. | 0:17:37 | 0:17:40 | |
And I absolutely love it. | 0:17:40 | 0:17:42 | |
What do you think would be the ideal music for us to be playing? | 0:17:42 | 0:17:45 | |
Oh, now, what would I play to go with this beauty? | 0:17:45 | 0:17:49 | |
I think she deserves a bit of Nina Simone. | 0:17:49 | 0:17:52 | |
-Would you like to hear that? -Yeah. -She's very smooth. | 0:17:52 | 0:17:55 | |
-You're very smooth! -Oh! | 0:17:55 | 0:17:57 | |
There's another reason Tina is a hit on drive-time - | 0:17:58 | 0:18:01 | |
she's also a keen motor-racing fan, with a licence, | 0:18:01 | 0:18:05 | |
which explains why they're currently heading deep into the Cotswolds | 0:18:05 | 0:18:09 | |
towards Prescott Hill, to learn about one of the very oldest forms | 0:18:09 | 0:18:13 | |
of motorsport - speed hill climbing. | 0:18:13 | 0:18:16 | |
This course, a throwback to the more rudimentary early days, | 0:18:16 | 0:18:19 | |
is basically the drive to an old manor house, | 0:18:19 | 0:18:22 | |
as well as being the home of the Bugatti Owners Club. Lovely! | 0:18:22 | 0:18:27 | |
Oh, Stuart, look at that! | 0:18:27 | 0:18:30 | |
Yeah, we're very lucky to have this car. | 0:18:30 | 0:18:32 | |
Stuart Webster is the general manager. | 0:18:32 | 0:18:34 | |
So, are Bugattis from the '20s and '30s, | 0:18:34 | 0:18:37 | |
are they actually raced here still today? | 0:18:37 | 0:18:39 | |
Yes, we're the Bugatti Owners Club, and we like to show very much | 0:18:39 | 0:18:42 | |
the history of the car, so, yes, we still have cars which were born | 0:18:42 | 0:18:46 | |
90 years ago which are still raced here today. | 0:18:46 | 0:18:48 | |
Do you have the own a Bugatti to be a member of the club? | 0:18:48 | 0:18:51 | |
Absolutely not. We have 2,200 members today, and of our members, | 0:18:51 | 0:18:54 | |
there's about 200 of them that own a Bugatti, but then we have the person | 0:18:54 | 0:18:58 | |
who likes to come to Prescott to watch the motor racing as well. | 0:18:58 | 0:19:01 | |
Racing at Prescott Hill goes back almost 80 years, | 0:19:02 | 0:19:05 | |
although the sport itself is even older, dating from time around | 0:19:05 | 0:19:09 | |
the turn-of-the-century, when racers were first encouraged | 0:19:09 | 0:19:13 | |
to keep off public roads. It's a short and very fast time trial. | 0:19:13 | 0:19:18 | |
Circuit racing, the start point and finish point are exactly the | 0:19:18 | 0:19:21 | |
same place. On a hill climb, you go from one point, and you finish | 0:19:21 | 0:19:23 | |
at a completely different point, and that was part of the challenge, | 0:19:23 | 0:19:27 | |
I guess - taking something which looked like an easy thing to do, | 0:19:27 | 0:19:30 | |
but turns into something which is really quite technical, | 0:19:30 | 0:19:33 | |
-and quite difficult to do. -How long is the actual course itself? | 0:19:33 | 0:19:36 | |
It's 1,127 yards, and of course as we're old, we don't work in metres, | 0:19:36 | 0:19:41 | |
we work in yards, so 1,127 yards. | 0:19:41 | 0:19:43 | |
All right, easy on the "old"! | 0:19:43 | 0:19:45 | |
I think he was referring to me, not you! | 0:19:45 | 0:19:47 | |
Without doubt! | 0:19:47 | 0:19:48 | |
So, the course record is 35.51 seconds. 1,127 yards, two hairpins, | 0:19:48 | 0:19:54 | |
and a near hairpin at the finish line as well, | 0:19:54 | 0:19:57 | |
which I think will catch your breath when you go round it, | 0:19:57 | 0:20:00 | |
because it looks like you're going off the end of the world. | 0:20:00 | 0:20:03 | |
I can't wait! When can we get going? | 0:20:03 | 0:20:05 | |
How about right now? | 0:20:05 | 0:20:06 | |
With youthful Bugatti driver Piers at the wheel. | 0:20:06 | 0:20:09 | |
So, what do you want me to do? | 0:20:09 | 0:20:11 | |
If you pump that lever, | 0:20:11 | 0:20:13 | |
it will pump air into the fuel tank which will force fuel through to the | 0:20:13 | 0:20:16 | |
carburettor, so you want to pump away as hard as you possibly can. | 0:20:16 | 0:20:19 | |
-That'll be absolutely fine. -Yeah. | 0:20:20 | 0:20:22 | |
We'll switch the Magneto on, and press the starter. | 0:20:22 | 0:20:25 | |
Right, let's go for it. | 0:20:28 | 0:20:30 | |
Stirling Moss competed in his very first trial here in 1948. | 0:20:30 | 0:20:35 | |
He came fourth. | 0:20:37 | 0:20:39 | |
It's quite a tricky car to drive, because it's a clutch gearbox, | 0:20:39 | 0:20:42 | |
which means you have to match your revs to your road speed, | 0:20:42 | 0:20:46 | |
so if I change gear, and you get a slight crunch, | 0:20:46 | 0:20:50 | |
it means you haven't quite got it absolutely right. | 0:20:50 | 0:20:53 | |
That was a good one. | 0:20:55 | 0:20:56 | |
You can see how some of the greats honed their skills up here. CRUNCH | 0:20:56 | 0:21:00 | |
-I think it's the best noise in the world. -It is. | 0:21:00 | 0:21:04 | |
Every time it starts, it really does get the blood flowing. | 0:21:04 | 0:21:09 | |
This 37A Bugatti is one of only three left in the world. | 0:21:09 | 0:21:13 | |
82 years old, and it's still as good as the day it ever left the factory, | 0:21:15 | 0:21:19 | |
so they certainly made them to last. | 0:21:19 | 0:21:21 | |
Right. Now, what does Murray Walker say whenever they cross the line? | 0:21:21 | 0:21:26 | |
Woo! | 0:21:26 | 0:21:27 | |
But while Tina has being chasing that course record, | 0:21:29 | 0:21:33 | |
our other pair have been urging the Volvo to new heights. | 0:21:33 | 0:21:37 | |
-Birdlip Hill is one of the steepest hills. -You're joking? | 0:21:37 | 0:21:41 | |
Relax! You're heading the other way, taking our route down to the | 0:21:41 | 0:21:44 | |
valleys of Stroud, and another chance to strike a shopping blow. | 0:21:44 | 0:21:48 | |
Is Tina very competitive, Sharon? | 0:21:48 | 0:21:50 | |
Oh, she's so competitive! | 0:21:50 | 0:21:52 | |
She will want to win. | 0:21:52 | 0:21:53 | |
-Do you think we'll win? -Of course we'll win! | 0:21:53 | 0:21:55 | |
Is the right answer. | 0:21:57 | 0:21:58 | |
Malt House! Yay! | 0:21:58 | 0:22:00 | |
There used to be a brewery here. | 0:22:00 | 0:22:03 | |
Now an antiques centre with over 100 dealers, but it's getting late. | 0:22:03 | 0:22:07 | |
There's a lovely guitar here, rock star-owned electric guitar. | 0:22:08 | 0:22:12 | |
I have been expecting you, Mr Bond. | 0:22:14 | 0:22:17 | |
Sharon seems the more urgent, I think. | 0:22:18 | 0:22:21 | |
I think they're the coolest, beautiful Art Deco shape, | 0:22:21 | 0:22:25 | |
and if they can work, what cool soap dispensers they would be, | 0:22:25 | 0:22:29 | |
-and body cream in the bathroom. -But on the other hand, | 0:22:29 | 0:22:32 | |
I think barber shops are having a real renaissance, aren't they? | 0:22:32 | 0:22:35 | |
But that would mean a barber would have to buy them. | 0:22:35 | 0:22:37 | |
-I don't see why not. -And it's still in there. | 0:22:37 | 0:22:40 | |
Look at that. This is completely what you would call authentic. | 0:22:40 | 0:22:43 | |
It looks too good to be true, doesn't it? | 0:22:43 | 0:22:45 | |
What is on the price tag? | 0:22:45 | 0:22:47 | |
The price tag says £145, which is a lot of money from a barber's shop, | 0:22:47 | 0:22:51 | |
circa 1940. | 0:22:51 | 0:22:53 | |
Great item, aren't they? And the fact that it works. | 0:22:54 | 0:22:56 | |
Look at that, look at the resistance. | 0:22:56 | 0:22:58 | |
-Very nice action! -Oh, let's have a word, then. | 0:22:58 | 0:23:01 | |
-Hello, James. -Mark. -Mark, hello. -Hello, Mark, Sharon. | 0:23:01 | 0:23:03 | |
-Pleased to meet you. -Nice to meet you, too. | 0:23:03 | 0:23:05 | |
Very good. We like these. | 0:23:05 | 0:23:07 | |
They're a lovely, unique pair. | 0:23:07 | 0:23:10 | |
The only thing we hate about them is the price. | 0:23:10 | 0:23:12 | |
Well, there's a little movement within there. | 0:23:12 | 0:23:15 | |
-How little is a little? -I can give you 10% off the price. | 0:23:15 | 0:23:19 | |
14 quid. | 0:23:19 | 0:23:20 | |
That's not immediately attractive, Mark. | 0:23:20 | 0:23:23 | |
Would it be worth ringing the trader? | 0:23:23 | 0:23:25 | |
Do you think he might do 100? I would peel off 100 if you... | 0:23:25 | 0:23:30 | |
Do you want to see if he would allow us to peel off 100? | 0:23:30 | 0:23:32 | |
Yeah, I can try. You'll have to give me a few moments. | 0:23:32 | 0:23:35 | |
They do seem rather set on those, whatever the outcome of the call. | 0:23:35 | 0:23:38 | |
I've spoken with the dealer, and the best price is 120. | 0:23:38 | 0:23:42 | |
Do you think he might go nearer the 100? | 0:23:42 | 0:23:44 | |
-I don't think he will, no. -You don't? | 0:23:44 | 0:23:46 | |
I also know they were in one barber shop, | 0:23:46 | 0:23:48 | |
-and that's in the Forest of Dean, all their life. -Really? | 0:23:48 | 0:23:52 | |
Yeah, they obviously had clientele that still use Brylcreem. | 0:23:52 | 0:23:55 | |
-Yes. -You don't, do you? | 0:23:56 | 0:23:58 | |
I haven't got any hair! | 0:23:58 | 0:23:59 | |
-Fair enough. -What's the word for when you get the whole history | 0:24:01 | 0:24:03 | |
-of a piece of art? -The provenance. -The provenance. | 0:24:03 | 0:24:07 | |
Maybe that would enrich the sale. | 0:24:07 | 0:24:09 | |
It would. And I think Brighton is a good place for it. | 0:24:09 | 0:24:11 | |
-Shall we do it? -I would shake the man's hand. | 0:24:11 | 0:24:14 | |
That's a knuckle duster. I don't know... | 0:24:14 | 0:24:16 | |
Blimey O'Reilly, watch out! | 0:24:16 | 0:24:18 | |
So, what are you going to do with these? | 0:24:18 | 0:24:20 | |
-Is this a hand to shake, or...? -It IS a hand to shake! | 0:24:20 | 0:24:22 | |
So, with £120 dispensed, | 0:24:23 | 0:24:27 | |
it's time for our couples to head for the hills. | 0:24:27 | 0:24:31 | |
Chug-a-chug-a-chug. We're getting there. Push, push! | 0:24:31 | 0:24:33 | |
Nighty night, then. | 0:24:35 | 0:24:36 | |
Next day, the local former's looking a lot more familiar. | 0:24:40 | 0:24:44 | |
-Pigs! -Pigs! -Look at them. | 0:24:44 | 0:24:46 | |
It's a Gloucester old spot! | 0:24:46 | 0:24:47 | |
And a donkey. It's the biggest Gloucester old spot I've ever seen. | 0:24:47 | 0:24:51 | |
Yesterday, Tina managed to bag a military barber's kit, | 0:24:51 | 0:24:55 | |
a balanced arm lamp, and a Gloucestershire Regiment tunic. | 0:24:55 | 0:25:00 | |
-You got the best regiment in the British Army. -Ah! | 0:25:00 | 0:25:04 | |
So, she still has £275 for today's buys, | 0:25:04 | 0:25:08 | |
whilst Sharon picked up two hair cream dispensers, | 0:25:08 | 0:25:11 | |
three Brighton engravings, and a Georgian bird feeder. | 0:25:11 | 0:25:14 | |
-I really like that. -Oh, I'm so excited! -Really like that. | 0:25:14 | 0:25:17 | |
I found it! | 0:25:17 | 0:25:18 | |
I should tweet it(!) | 0:25:18 | 0:25:20 | |
Leaving 175 for whatever she might wish yet to acquire. | 0:25:20 | 0:25:23 | |
How was your bargaining skills? | 0:25:23 | 0:25:25 | |
Terrible. Terrible. | 0:25:25 | 0:25:27 | |
Mine were fabulous. | 0:25:27 | 0:25:28 | |
So you've got loads and loads and loads of money left. | 0:25:28 | 0:25:31 | |
Not telling you. | 0:25:31 | 0:25:32 | |
What's the expert opinion, then? | 0:25:34 | 0:25:36 | |
Lovely Sharon's got a good eye for design. | 0:25:36 | 0:25:39 | |
She found two fabulous things yesterday. | 0:25:39 | 0:25:42 | |
-Tina, too. -Really? -And as far as the haggling goes, | 0:25:42 | 0:25:45 | |
-boy, oh, boy. -Mustard, is she? | 0:25:45 | 0:25:48 | |
Which begs the question - do we need these two? | 0:25:48 | 0:25:51 | |
With your good eye and my amazing bargaining skills, | 0:25:51 | 0:25:56 | |
we've got a whole new career ahead of us. | 0:25:56 | 0:25:59 | |
Whole new career! You and me on the road, Thelma and Louise. | 0:25:59 | 0:26:02 | |
I'd be Susan Sarandon. You'd be Geena Davis. | 0:26:02 | 0:26:04 | |
Whichever was the one that had sex with Brad Pitt. | 0:26:04 | 0:26:07 | |
I say! | 0:26:07 | 0:26:08 | |
Well, that's all sorted, then. First... | 0:26:08 | 0:26:10 | |
-Here we go. -Here they are. They're very race-y, aren't they? | 0:26:10 | 0:26:13 | |
Look at these ladies! | 0:26:13 | 0:26:14 | |
Race you, quick! It's all about speed. | 0:26:14 | 0:26:17 | |
-Is it? -Stay in the car! | 0:26:17 | 0:26:18 | |
-Morning. Stay in the car? OK. -It's all about speed. -I'm staying! | 0:26:18 | 0:26:21 | |
-Thank you. -Good morning to you. -Good morning. | 0:26:21 | 0:26:22 | |
-While they're chatting, let's go. -Let's get on the road. | 0:26:22 | 0:26:25 | |
-Let's go, let's go. -Quick, quick, first to the shop. -Indeed! | 0:26:25 | 0:26:28 | |
Later, they'll be haring off to an auction in Brighton, but today's | 0:26:35 | 0:26:38 | |
first whistle-stop is in the Gloucestershire town of Cirencester. | 0:26:38 | 0:26:43 | |
Bit of a shared shop. Sounds friendly enough, doesn't it? | 0:26:46 | 0:26:49 | |
I'm over the moon, I'm very confident, | 0:26:49 | 0:26:51 | |
-I love the things we bought. -You know what I need, don't you? | 0:26:51 | 0:26:53 | |
-I need to win. -I know you need to win! | 0:26:53 | 0:26:56 | |
Oh, yeah. There's no second-place here, Raj. | 0:26:56 | 0:26:59 | |
Crikey. What about the others? | 0:26:59 | 0:27:00 | |
-Let's do haggling today. -Haggling. | 0:27:00 | 0:27:03 | |
The whole of North Africa will be weeping at our lack of haggling. | 0:27:03 | 0:27:07 | |
The whole of Liverpool will be weeping at mine, because I'm | 0:27:07 | 0:27:10 | |
from the mentality of everything comes off the back of a lorry. | 0:27:10 | 0:27:12 | |
Well, they've been buying and selling in this market town | 0:27:12 | 0:27:15 | |
since Roman times, so I'm sure our lot can be accommodated. | 0:27:15 | 0:27:19 | |
-Look at... -Is this it? -Yes. -Good. | 0:27:19 | 0:27:22 | |
But who got there first? | 0:27:22 | 0:27:24 | |
-It's just through here... -Oh, I recognise those voices. | 0:27:24 | 0:27:27 | |
-Don't tell them, quick! -Oh, dear! | 0:27:27 | 0:27:28 | |
-Avoiding you. -Have you found something? | 0:27:28 | 0:27:30 | |
-Have you found anything yet? -Of course we have. | 0:27:30 | 0:27:32 | |
-OK. -On the way now. -Many choices. | 0:27:32 | 0:27:34 | |
-We're off. -Bye, then. | 0:27:34 | 0:27:36 | |
Was there enough bluster on show there, do you think? | 0:27:36 | 0:27:39 | |
West German vases. | 0:27:39 | 0:27:41 | |
They're very good, aren't they? Nice colours. | 0:27:41 | 0:27:43 | |
Very unusual, a vase with a handle. | 0:27:43 | 0:27:45 | |
-It is. -Have you seen that before? | 0:27:45 | 0:27:47 | |
Vase with a handle might also be known | 0:27:47 | 0:27:49 | |
-as a jug. -A jug! | 0:27:49 | 0:27:51 | |
Ha! Brackers knows his stuff. | 0:27:51 | 0:27:52 | |
Quality wooden box with silver cartouche. | 0:27:52 | 0:27:56 | |
-1937. -That's actually a really lovely present, | 0:27:56 | 0:27:59 | |
-because if you want it engraved... -It is, isn't it? -Yeah. -Yeah. | 0:27:59 | 0:28:01 | |
Cigarette box. But it's just all ready to go, isn't it? | 0:28:01 | 0:28:04 | |
-Ready to go, yeah. -That could be bought for 15 quid. | 0:28:04 | 0:28:07 | |
That might be a fellow, mightn't it? | 0:28:07 | 0:28:09 | |
That smells like a gentleman from Piccadilly, doesn't it? | 0:28:10 | 0:28:13 | |
How do YOU know? | 0:28:13 | 0:28:15 | |
How is our other couple? | 0:28:15 | 0:28:17 | |
-Aha, Tina. -Have you found something? -I know you like glass... -Yes. | 0:28:17 | 0:28:20 | |
..so I've got a little question for you. Here's a little tester, OK? | 0:28:20 | 0:28:22 | |
-Right. -What does it remind you of? | 0:28:22 | 0:28:25 | |
A scarf. | 0:28:26 | 0:28:28 | |
Very good. It's actually a handkerchief vase. | 0:28:28 | 0:28:30 | |
-Handkerchief. -And in the 1920s, 1930s, | 0:28:30 | 0:28:33 | |
these were made, and they're called... | 0:28:33 | 0:28:35 | |
-Oh, there we go. -Large... | 0:28:35 | 0:28:37 | |
-Handkerchief vase. -..handkerchief vase. | 0:28:37 | 0:28:38 | |
-It's a handkerchief vase, yeah. -Oh, wow. | 0:28:38 | 0:28:40 | |
And they did them in all different colours. | 0:28:40 | 0:28:42 | |
-It's not the value of it... -No? -..it's just the unusual shape. | 0:28:42 | 0:28:45 | |
I mean, that at £28? Nothing, is it? | 0:28:45 | 0:28:48 | |
Not to be sniffed at, but Tina's thinking big. | 0:28:48 | 0:28:51 | |
I've got £275 in my back pocket. | 0:28:51 | 0:28:53 | |
I'm desperate to spend it. | 0:28:53 | 0:28:55 | |
I've just got to make sure it's the right object. | 0:28:55 | 0:28:58 | |
Quite. Meanwhile... | 0:28:58 | 0:29:00 | |
That is an Ashanti stool. | 0:29:00 | 0:29:04 | |
So the Ashanti tribe used to carve these stools. | 0:29:04 | 0:29:07 | |
It's a very... That sort of shape. | 0:29:07 | 0:29:10 | |
The Ashanti come from central Ghana. | 0:29:10 | 0:29:12 | |
-Oh, yes. It's lovely, isn't it? -It is sweet, isn't it? | 0:29:12 | 0:29:15 | |
Quite stylised. It's quite an elegant elephant. | 0:29:15 | 0:29:18 | |
It's very good, you've got extended legs... | 0:29:18 | 0:29:21 | |
-Very lean and long, yeah. -Sort of model-y legs. | 0:29:21 | 0:29:23 | |
-Yeah, yeah. -That, at £50, would be good. | 0:29:23 | 0:29:27 | |
We can make a profit on that. | 0:29:27 | 0:29:29 | |
Currently almost twice that, however. | 0:29:29 | 0:29:31 | |
Ooh! | 0:29:31 | 0:29:32 | |
Steady! | 0:29:32 | 0:29:34 | |
Nothing to see here. | 0:29:34 | 0:29:36 | |
I think the price of that might be going up! | 0:29:36 | 0:29:38 | |
Now, what's in here? | 0:29:38 | 0:29:40 | |
Ah. That's quite nice. | 0:29:40 | 0:29:42 | |
Yeah, that's not bad, not bad. | 0:29:42 | 0:29:44 | |
That frame is Art Nouveau. Art Nouveau is really in at the moment. | 0:29:44 | 0:29:49 | |
Yes, yeah. | 0:29:49 | 0:29:50 | |
Ticket price is £78. | 0:29:50 | 0:29:52 | |
-I think that's lovely. -So do I. | 0:29:52 | 0:29:53 | |
Maybe we should hide it and we'll come back to it later, | 0:29:53 | 0:29:56 | |
-what do you think? -Oh, OK. | 0:29:56 | 0:29:57 | |
I don't want them to see it, so I really want to hide it. | 0:29:57 | 0:30:00 | |
-I like it. That lovely mirror. -Let's put that up there, on top. | 0:30:00 | 0:30:03 | |
I wonder if they've got a blanket we could throw over it as well. | 0:30:03 | 0:30:06 | |
No. I think that's enough. | 0:30:06 | 0:30:08 | |
Sneaky tactics, I like it. | 0:30:08 | 0:30:10 | |
-James? -Yep? -What do you think of this bowl? | 0:30:10 | 0:30:13 | |
You're drawn to these deco shapes, aren't you? | 0:30:13 | 0:30:15 | |
-Well, it's chic, isn't it? -It's very chic. -It's very chic, very clean. | 0:30:15 | 0:30:18 | |
Ah, Orrefors. Sweden. | 0:30:18 | 0:30:22 | |
Orrefors Sweden? Is that...? | 0:30:22 | 0:30:23 | |
Yeah, they're a big sort of very smart design house, of glass. | 0:30:23 | 0:30:27 | |
-But is it modern, then? -I think it's quite modern. | 0:30:27 | 0:30:31 | |
Still got quite a modern label. | 0:30:31 | 0:30:33 | |
But it's a luxury good. | 0:30:33 | 0:30:35 | |
To make glass, you have to melt sand to 1,600 degrees centigrade. | 0:30:35 | 0:30:39 | |
Through my hand there, I can see where it's signed. | 0:30:39 | 0:30:42 | |
-Look. -Yep, it's signed. | 0:30:42 | 0:30:44 | |
It's got a nice label, it's got everything going for it. | 0:30:44 | 0:30:46 | |
The price is... | 0:30:46 | 0:30:48 | |
-£65. -Ow. Ow, ow, ow. | 0:30:48 | 0:30:50 | |
-Hurts. -It does, doesn't it? But also, I want the elephant. | 0:30:50 | 0:30:54 | |
Well, let's see what Will can do. | 0:30:54 | 0:30:56 | |
-Hi, hello, young man. How are you? -Lovely to meet you. | 0:30:56 | 0:30:58 | |
-We like the bowl. -Mm-hm. -But we don't like the price tag. | 0:30:58 | 0:31:02 | |
Do you know what that could be done for? | 0:31:02 | 0:31:03 | |
How does £50 sound to you guys? | 0:31:03 | 0:31:05 | |
-Too much. -Too much. -Too much still? | 0:31:05 | 0:31:08 | |
-35? -35. | 0:31:08 | 0:31:10 | |
-Oh, I'd go lower. -Absolute best, 35. | 0:31:10 | 0:31:13 | |
35. | 0:31:13 | 0:31:14 | |
I'd shake the man's hand. | 0:31:14 | 0:31:16 | |
-Would you? -Maybe 30. -You told me to go for 30. -Sorry. | 0:31:16 | 0:31:19 | |
My friend, my rival, is a really good haggler, | 0:31:19 | 0:31:22 | |
and I have failed miserably. You can save my life. | 0:31:22 | 0:31:25 | |
-Your inner haggle. -Yeah, go on, then. Do it for 30. | 0:31:25 | 0:31:28 | |
I l... | 0:31:28 | 0:31:29 | |
-You've made my day! -Where there's a Will, eh? | 0:31:31 | 0:31:33 | |
Am I allowed to buy the elephant stool? | 0:31:33 | 0:31:35 | |
Well, depending on how well you negotiate. | 0:31:35 | 0:31:38 | |
-Under 50. It's got to be... 40, I would have thought. -Right. | 0:31:38 | 0:31:41 | |
Remember the ticket price? | 0:31:41 | 0:31:43 | |
99. Do it at 45, that's the best I can do. | 0:31:43 | 0:31:46 | |
45. Go on, Will. Put it there, chief. Well done. | 0:31:46 | 0:31:49 | |
Do you want me to hug him for you? | 0:31:49 | 0:31:51 | |
Yeah, kiss him. Kiss the young man. | 0:31:51 | 0:31:53 | |
Oh, haggling and hugging. | 0:31:53 | 0:31:55 | |
-A little plastic fiver. -Oh, that's perfect. | 0:31:55 | 0:31:58 | |
Now, any danger of Tina splashing out? | 0:31:58 | 0:32:01 | |
This is a lovely cabinet, I like this. | 0:32:01 | 0:32:03 | |
Isn't it? You've got some vesta cases, haven't you? | 0:32:03 | 0:32:05 | |
-From your dad. -Yes, I have. -I mean, look at that lovely cigarette... | 0:32:05 | 0:32:08 | |
-Cigar box. -That's a cigar one. | 0:32:08 | 0:32:10 | |
And that one of there is a little cheroot case. | 0:32:10 | 0:32:12 | |
-Cheroot, what would they...? -Little cigars. | 0:32:12 | 0:32:14 | |
Oh, look down here, Tina. | 0:32:14 | 0:32:16 | |
There's a lovely set of Art Nouveau silver buttons. | 0:32:16 | 0:32:20 | |
-Oh, yes. -They are lovely. | 0:32:20 | 0:32:22 | |
-And you know when you were talking about the frame earlier? -Yes? | 0:32:22 | 0:32:25 | |
-Could go together? -Yeah, the frame and those could go together. | 0:32:25 | 0:32:28 | |
-95. -95. Shall we have a look at them? | 0:32:28 | 0:32:31 | |
-Yes, yes. -OK. | 0:32:31 | 0:32:32 | |
I think those are gorgeous. | 0:32:32 | 0:32:34 | |
These look like they're in their original box. | 0:32:34 | 0:32:37 | |
-Mm. -They're dated 1903. I think that these are a classic piece. | 0:32:37 | 0:32:42 | |
So do I. Let's go and negotiate. | 0:32:42 | 0:32:45 | |
Definitely. | 0:32:45 | 0:32:46 | |
OK. First, we need to retrieve that frame. | 0:32:46 | 0:32:49 | |
Still there. Next, manager Brian. | 0:32:49 | 0:32:51 | |
We really need your help here, because... | 0:32:51 | 0:32:53 | |
I'm sure we can do something. | 0:32:53 | 0:32:55 | |
-We love this. -We could do those for 80 for you. | 0:32:55 | 0:32:58 | |
Right, and what about my lovely frame? | 0:32:58 | 0:33:00 | |
And your frame is 78. Erm... | 0:33:00 | 0:33:02 | |
Could do that for 65 for you. | 0:33:03 | 0:33:05 | |
-Brian, ideally... -Yeah? -We're looking around £100. | 0:33:05 | 0:33:09 | |
Oh, gosh. How about 120? | 0:33:09 | 0:33:13 | |
-Why don't we split the difference? -That's a good idea. | 0:33:13 | 0:33:16 | |
-Yes? -Yeah. -Are you happy with 110? -Yeah. -Thank you, Brian. | 0:33:16 | 0:33:19 | |
-It's a pleasure. -Thank you very much. | 0:33:19 | 0:33:21 | |
Well, that was fruitful. | 0:33:21 | 0:33:22 | |
-Money? -Money! -We've got to pay him, we've got to pay the man! | 0:33:22 | 0:33:25 | |
Thought I could get away with a smile. | 0:33:25 | 0:33:27 | |
Nice try, Tina. | 0:33:27 | 0:33:28 | |
But what about Sharon and James? | 0:33:30 | 0:33:32 | |
What's the pathway to acting? | 0:33:32 | 0:33:34 | |
Well, the only way through for me was to apply for drama schools. | 0:33:34 | 0:33:37 | |
So I applied for the Royal Academy Of Dramatic Art, Rada. | 0:33:37 | 0:33:39 | |
30 shillings, you paid, for an audition. | 0:33:39 | 0:33:42 | |
Two speeches, one Shakespeare, one modern. | 0:33:42 | 0:33:44 | |
But I'm crying down the side of the chair, going | 0:33:44 | 0:33:47 | |
"Nothing, nothing, nothing. Not even my own soul." | 0:33:47 | 0:33:50 | |
Two weeks later got a letter saying, "You've been accepted at Rada," | 0:33:50 | 0:33:53 | |
and poverty was a massive advantage, because I got a full grant. | 0:33:53 | 0:33:57 | |
Currently resting from their shopping duties, those two | 0:33:57 | 0:34:01 | |
are crossing into Oxfordshire, and the village of Kelmscott. | 0:34:01 | 0:34:04 | |
Have you ever worked with your husband, Trevor Eve? | 0:34:04 | 0:34:07 | |
Only once, recently, we were asked to appear in | 0:34:07 | 0:34:10 | |
a version of Pygmalion at Buckingham Palace in front of the Queen. | 0:34:10 | 0:34:14 | |
I did not play Eliza, I played the housekeeper, | 0:34:14 | 0:34:17 | |
and he played Professor Higgins. | 0:34:17 | 0:34:18 | |
It was in the Investiture Room, and it was like doing it in somebody's | 0:34:18 | 0:34:21 | |
-front parlour. -Fabulous. -It was very funny, and a real privilege. | 0:34:21 | 0:34:24 | |
It was very exciting. | 0:34:24 | 0:34:25 | |
This is Kelmscott Manor, where they're about to learn the story | 0:34:25 | 0:34:30 | |
of the fair lady who some believe was the inspiration | 0:34:30 | 0:34:33 | |
for Pygmalion's Eliza Doolittle... | 0:34:33 | 0:34:35 | |
Quiet little nook. | 0:34:37 | 0:34:38 | |
..in the company of Victorian art expert, Jan Marsh. | 0:34:38 | 0:34:41 | |
-Hello. I'm Jan. -I'm Sharon. | 0:34:41 | 0:34:44 | |
-Nice to meet you. -James. -James, nice to meet you. | 0:34:44 | 0:34:47 | |
-And welcome to Kelmscott Manor. -Thank you. -Thank you. | 0:34:47 | 0:34:49 | |
This Elizabethan home was leased as a country retreat by the | 0:34:49 | 0:34:53 | |
great artist and designer William Morris, and his friend, | 0:34:53 | 0:34:56 | |
the painter and poet Dante Gabriele Rossetti. | 0:34:56 | 0:34:59 | |
So, is this all original...? | 0:35:00 | 0:35:02 | |
Yes, this house has hardly changed since the Morrises were here. | 0:35:02 | 0:35:05 | |
But the other person closely associated with Kelmscott | 0:35:05 | 0:35:08 | |
is the Pre-Raphaelite model Jane Burden. | 0:35:08 | 0:35:12 | |
She grew up in Oxford. | 0:35:12 | 0:35:13 | |
She came from a very impoverished and ill-educated family, | 0:35:13 | 0:35:17 | |
so when she met Pre-Raphaelite artists at the age of 17, | 0:35:17 | 0:35:21 | |
she fell absolutely head over heels, not just with them, | 0:35:21 | 0:35:25 | |
but with the whole atmosphere of art and culture. | 0:35:25 | 0:35:29 | |
In the little room by the side, | 0:35:29 | 0:35:32 | |
there is the first drawing that Rossetti ever did of Jane, aged 17. | 0:35:32 | 0:35:37 | |
And you can see how he has made probably a very plain lass | 0:35:37 | 0:35:41 | |
into an absolutely beautiful young woman. | 0:35:41 | 0:35:44 | |
It was Rossetti who first discovered Jane, but Morris who married her, | 0:35:44 | 0:35:48 | |
in 1859. | 0:35:48 | 0:35:50 | |
She was obviously one of those very bright working-class lasses, | 0:35:50 | 0:35:54 | |
who, when she sees an opportunity, she absolutely seized it. | 0:35:54 | 0:35:57 | |
Grab it. They don't come twice. | 0:35:57 | 0:35:58 | |
Yes. It was like a Cinderella, it was like Pygmalion... | 0:35:58 | 0:36:01 | |
Pygmalion! | 0:36:01 | 0:36:03 | |
Absolutely. It totally changed her life. | 0:36:03 | 0:36:06 | |
Is there a truth in the fact that Eliza Doolittle might loosely | 0:36:06 | 0:36:09 | |
have been based on Jane, do you think? | 0:36:09 | 0:36:11 | |
Well, it's quite possible, because Bernard Shaw, who wrote Pygmalion... | 0:36:11 | 0:36:14 | |
-Yes. He came here, did he? -He knew the Morrises, came here, | 0:36:14 | 0:36:17 | |
and so he knew the story about how Janey had been | 0:36:17 | 0:36:20 | |
plucked from obscurity, and she was reinvented as a lady, | 0:36:20 | 0:36:24 | |
as Mrs William Morris. | 0:36:24 | 0:36:26 | |
Where real-life differs, however, is in the complicated relationship | 0:36:26 | 0:36:30 | |
between husband, wife and their friend, Rossetti. | 0:36:30 | 0:36:33 | |
On the wall here is his first oil portrait of Jane, | 0:36:33 | 0:36:38 | |
and it says along the top, "Famed for her poet husband, | 0:36:38 | 0:36:42 | |
"famed for her beauty, and now let her be famed for my painting." | 0:36:42 | 0:36:46 | |
He was never very modest, Rossetti. | 0:36:47 | 0:36:49 | |
And he painted and drew that face over and over again | 0:36:50 | 0:36:53 | |
in different guises. It was his ideal. | 0:36:53 | 0:36:55 | |
It's a bit wistful, isn't it? | 0:36:55 | 0:36:57 | |
Rossetti's painting the wife of his friend and making her look | 0:36:57 | 0:37:01 | |
rather melancholy, and then within a few months, | 0:37:01 | 0:37:05 | |
you're declaring your love for her? Don't you think he's made her | 0:37:05 | 0:37:09 | |
look sad because their affections can never blossom? | 0:37:09 | 0:37:12 | |
When the attachment between the two became obvious, | 0:37:12 | 0:37:15 | |
Morris and Rossetti acquired Kelmscott in 1871. | 0:37:15 | 0:37:19 | |
Up this wonderful Jacobean staircase... | 0:37:19 | 0:37:21 | |
But while William took himself to Iceland for the summer, | 0:37:21 | 0:37:25 | |
Jane and Gabriele furnished the house together. | 0:37:25 | 0:37:28 | |
So this is the room that Rossetti took for his painting studio, | 0:37:28 | 0:37:32 | |
and Morris's bedroom is next door, | 0:37:32 | 0:37:36 | |
and Jane's bedroom is just beyond that. | 0:37:36 | 0:37:39 | |
It was an arrangement for propriety's sake. | 0:37:39 | 0:37:43 | |
What an understanding husband. | 0:37:43 | 0:37:45 | |
Yes. He loved the house. It was also a perfect house | 0:37:45 | 0:37:48 | |
for a hideaway for Jane and Gabriel to be together. | 0:37:48 | 0:37:52 | |
-It's got a walled garden. -No prying eyes. | 0:37:52 | 0:37:55 | |
Very sophisticated crowd. | 0:37:55 | 0:37:57 | |
Was this a lifelong relationship? | 0:37:57 | 0:37:59 | |
Not really. Didn't last all that long. Two or three years, | 0:37:59 | 0:38:02 | |
and then Rossetti had a breakdown, and he eventually went | 0:38:02 | 0:38:05 | |
back to London, and then the Morrises took on the house. | 0:38:05 | 0:38:08 | |
Was Jane involved in Morris and Co, in the business? | 0:38:08 | 0:38:11 | |
Oh, very actively, from the very beginning. | 0:38:11 | 0:38:13 | |
She actually ran and organised the embroidery side of the business | 0:38:13 | 0:38:17 | |
and she became an absolutely renowned embroiderer, | 0:38:17 | 0:38:20 | |
and there are quite a lot of examples of her work still here, | 0:38:20 | 0:38:23 | |
so she really had quite an active career. | 0:38:23 | 0:38:25 | |
Rossetti died in 1882, and Morris himself 14 years later, | 0:38:25 | 0:38:30 | |
but Jane and her daughters kept Kelmscott. | 0:38:30 | 0:38:34 | |
This iconic house, which features on the cover | 0:38:34 | 0:38:37 | |
of Morris' News From Nowhere, and is glimpsed in Rossetti's | 0:38:37 | 0:38:40 | |
1871 painting of Jane, remains a finely preserved memorial. | 0:38:40 | 0:38:45 | |
Meanwhile, back in Gloucestershire, | 0:38:49 | 0:38:51 | |
Tina and Raj are on their way to their final shop. | 0:38:51 | 0:38:54 | |
And of course, we do have a slight advantage, | 0:38:54 | 0:38:57 | |
because this is your home patch. | 0:38:57 | 0:38:59 | |
That's right, yes. We're off to Tetbury, | 0:38:59 | 0:39:02 | |
and I actually got married in Tetbury ten years ago. | 0:39:02 | 0:39:05 | |
-Oh, really? -There was one shop where I have bought a lot of antiques | 0:39:05 | 0:39:10 | |
in the past, so I'm hoping he might be there today, | 0:39:10 | 0:39:13 | |
and I might be able to use some sort of charm. | 0:39:13 | 0:39:16 | |
Works both ways, mind you. | 0:39:16 | 0:39:19 | |
A bit like the road to Tetbury. | 0:39:19 | 0:39:21 | |
That's the church where Tina was wed all right. | 0:39:21 | 0:39:24 | |
-Because you know this place. -I do, that's George's shop. | 0:39:24 | 0:39:27 | |
Definitely not your usual antique shop. | 0:39:32 | 0:39:35 | |
Hello, George. Nice to see you again. | 0:39:36 | 0:39:38 | |
-Nice to see you. How are you? -Great, thank you. | 0:39:38 | 0:39:40 | |
-Hello, George. Raj. -Nice to meet you. | 0:39:40 | 0:39:42 | |
What a lovely shop you have here. | 0:39:42 | 0:39:44 | |
He does. And Tina has £165 left, remember. | 0:39:44 | 0:39:49 | |
Very interior design-y pieces, aren't they? | 0:39:49 | 0:39:51 | |
I mean, George has obviously got a connection with India. | 0:39:51 | 0:39:54 | |
And these are quite nice, aren't they? | 0:39:54 | 0:39:56 | |
Yeah, yeah. These are nice, old, painted brackets. | 0:39:56 | 0:39:58 | |
-Very nice. Oh! And heavy. -Heavy. -Super heavy. | 0:39:58 | 0:40:02 | |
-Go on. -Pertique brackets. | 0:40:02 | 0:40:05 | |
-Anglo Indian. -£600 for the set. | 0:40:05 | 0:40:08 | |
They're nice, but you'd want the set, wouldn't you? | 0:40:08 | 0:40:11 | |
-And 600 is a bit steep. -Yeah. Yeah, yeah. | 0:40:11 | 0:40:13 | |
Well, there's plenty more. | 0:40:13 | 0:40:15 | |
These are lovely old patterns. | 0:40:15 | 0:40:17 | |
-Yeah. -Do you know what these are for? -They were for paint, printing? | 0:40:17 | 0:40:21 | |
Absolutely. You would have a sari, for example, | 0:40:21 | 0:40:24 | |
they would take that piece, put it into the paint... | 0:40:24 | 0:40:27 | |
-Yeah. -..and then decorate the bottom of the sari. | 0:40:27 | 0:40:29 | |
But that's an interesting one. That's an old roti stone. | 0:40:29 | 0:40:32 | |
That would've been heated, and you'd make the chapatti, | 0:40:32 | 0:40:34 | |
slap it on the stone, cook it on the stone, and then ready to go. | 0:40:34 | 0:40:38 | |
Yummy. | 0:40:38 | 0:40:39 | |
Now, HE looks tasty. | 0:40:39 | 0:40:41 | |
-Oh, Tina, look at this. -Yeah, look at him! | 0:40:41 | 0:40:44 | |
Isn't that a nice lump? | 0:40:44 | 0:40:47 | |
It's so heavy! | 0:40:47 | 0:40:48 | |
Is it? It looks to me like... I think it's pronounced Surya. | 0:40:48 | 0:40:51 | |
-Is it? -That's the sun god. | 0:40:51 | 0:40:54 | |
-The sun god! -The sun god. -I like that. | 0:40:54 | 0:40:58 | |
-So do I. -That is so different. | 0:40:58 | 0:41:00 | |
I wonder what price is on it. | 0:41:00 | 0:41:03 | |
-400? -Do you know? It could be. It could be 250, 200. | 0:41:03 | 0:41:06 | |
But we've got £165 left. | 0:41:06 | 0:41:09 | |
-Yeah. -I mean, I'd pay... | 0:41:09 | 0:41:11 | |
..150? | 0:41:13 | 0:41:15 | |
-Would you? -I mean, how old it is, I wouldn't like to bet on it, | 0:41:15 | 0:41:18 | |
-but it does look old to me. -Does it? -Let's ask him. George? | 0:41:18 | 0:41:21 | |
-Hi, George. -Hi, Tina. -We love the look of that. | 0:41:21 | 0:41:24 | |
Well, it's a big, brass, bronze Surya, and it's a sun god, | 0:41:24 | 0:41:30 | |
an interpretation of a sun god. | 0:41:30 | 0:41:31 | |
-Mm. -Obviously they're the creator of the universe. | 0:41:31 | 0:41:34 | |
19th-20th century. | 0:41:34 | 0:41:37 | |
Not ancient, but a nice old piece. | 0:41:37 | 0:41:39 | |
But it's very decorative, it's a nice big lump, as they say. | 0:41:39 | 0:41:42 | |
-Solid. Yeah. -Now the million-dollar question - how much is it? | 0:41:42 | 0:41:46 | |
220, I've got on it. | 0:41:46 | 0:41:49 | |
Ah. 220. | 0:41:49 | 0:41:50 | |
It's a little bit more than we were hoping to pay. | 0:41:50 | 0:41:54 | |
Cut to the chase, what's available? | 0:41:54 | 0:41:57 | |
Our offer, we've discussed it - would you take £150? | 0:41:57 | 0:42:01 | |
-Cash. -We have a deal. -Thank you very much indeed. | 0:42:03 | 0:42:06 | |
By George, they've got it! | 0:42:06 | 0:42:08 | |
-So, here we go. -Thank you very much indeed. | 0:42:08 | 0:42:11 | |
Great. I hope you do well with it. | 0:42:11 | 0:42:13 | |
I second that. | 0:42:13 | 0:42:14 | |
-Come on. -I'm coming. This is heavy! | 0:42:14 | 0:42:16 | |
-Come on! Where did you park the car? -Oh, it's down there. Blimey! | 0:42:16 | 0:42:19 | |
So, with shopping done, | 0:42:19 | 0:42:21 | |
let's make an appointment for a full and frank disclosure. | 0:42:21 | 0:42:25 | |
Ooh, I love this bit! | 0:42:25 | 0:42:27 | |
On the count of one, two, three. | 0:42:27 | 0:42:29 | |
One, two, three. | 0:42:29 | 0:42:31 | |
-Ah. -Aha! | 0:42:31 | 0:42:33 | |
Glass is well represented. | 0:42:33 | 0:42:34 | |
They're very cool, I like that. | 0:42:34 | 0:42:36 | |
-They are cool, aren't they? -Very cool. -They completely took my eye. | 0:42:36 | 0:42:39 | |
Tell me about the glass bowl. Is that...? | 0:42:39 | 0:42:41 | |
-That looks rather modern. -New. | 0:42:41 | 0:42:42 | |
It's quite new. Orrefors, Swedish. | 0:42:42 | 0:42:45 | |
-Signed. -Signed. That's why we've bought it. | 0:42:45 | 0:42:48 | |
Bit Brighton, we thought. | 0:42:48 | 0:42:49 | |
Yeah, it's close to Stockholm, yeah. | 0:42:49 | 0:42:51 | |
Cheeky Raj! | 0:42:51 | 0:42:53 | |
You'll never guess what that is. | 0:42:53 | 0:42:54 | |
What is it? It's for vinegar? | 0:42:54 | 0:42:56 | |
-Oil. -Oil? Oil or vinegar? | 0:42:56 | 0:42:57 | |
-No. -He's never seen one before. | 0:42:57 | 0:42:59 | |
-And obviously neither have you. -Go on. Take them out of... | 0:42:59 | 0:43:02 | |
It's Georgian. It's a bird feeder for a bird cage. | 0:43:02 | 0:43:06 | |
A little lady with a little budgerigar... | 0:43:06 | 0:43:08 | |
You're right, I have never seen one before. | 0:43:08 | 0:43:10 | |
-Do you like it, though, Raj? -It's a good story. | 0:43:10 | 0:43:12 | |
What have you got here? What are these? | 0:43:12 | 0:43:14 | |
-These prints? Three prints of Brighton. -They're Brighton? Ah! | 0:43:14 | 0:43:17 | |
-So we've got... -Has anyone told you? The auction's been changed! | 0:43:17 | 0:43:21 | |
-No, has it? -Norwich. -Glasgow. | 0:43:21 | 0:43:24 | |
You are in trouble! | 0:43:24 | 0:43:26 | |
-That's very good. -That is very, very good. | 0:43:27 | 0:43:30 | |
Why's no-one talking about HIM, then? | 0:43:30 | 0:43:32 | |
-Elephant seat. -That's Ashanti tribe, I think. | 0:43:32 | 0:43:35 | |
It's a refined elephant, with very long, lean... | 0:43:35 | 0:43:37 | |
It's got beautiful legs. Back legs. I like an elephant with long legs. | 0:43:37 | 0:43:41 | |
-Right. Is it our turn? -Here we go, hang on a second. -Go on. | 0:43:41 | 0:43:44 | |
Look at that. There's some stuff going on there! | 0:43:44 | 0:43:48 | |
-Here we go. -Who is that rather strange fellow in the middle? | 0:43:48 | 0:43:52 | |
This is the Indian Sun God, Surya. | 0:43:52 | 0:43:55 | |
-OK. -Yes. Nice. | 0:43:55 | 0:43:57 | |
It's got some age to it. | 0:43:57 | 0:43:58 | |
-Yeah. -It's very, very decorative and unusual. | 0:43:58 | 0:44:01 | |
-Is it heavy? -Very. -It's very heavy. | 0:44:01 | 0:44:03 | |
Well, it's very lovely, and in the right situation, | 0:44:03 | 0:44:05 | |
if somebody can carry it out, if somebody is strong enough | 0:44:05 | 0:44:07 | |
to carry it out, I think it'll do fine! | 0:44:07 | 0:44:10 | |
And you've got a barbershop quartet... | 0:44:10 | 0:44:12 | |
We could open a barbershop here, couldn't we?! | 0:44:12 | 0:44:14 | |
That's what we said, it would go very well! | 0:44:14 | 0:44:16 | |
That's an Army... 1944... It's all engraved. | 0:44:16 | 0:44:18 | |
-That's lovely. -A World War II one. | 0:44:18 | 0:44:20 | |
It's really nice, and I love the lamp. | 0:44:20 | 0:44:22 | |
-They're very, very trendy at the moment. -Yeah. -And it's original. | 0:44:22 | 0:44:26 | |
-Look at this. -That's lovely. -I know, they're lovely. Now, what are these? | 0:44:26 | 0:44:29 | |
-Art Nouveau buttons. -Silver buttons. | 0:44:29 | 0:44:31 | |
-Lovely. -Really, really nice. -Very pretty, aren't they? -Very pretty. | 0:44:31 | 0:44:35 | |
-And that comes with a copper frame. -That's going to go as one lot. | 0:44:35 | 0:44:39 | |
Oh, it's one lot? | 0:44:39 | 0:44:41 | |
And more militaria. | 0:44:41 | 0:44:43 | |
-Very special. -This is our very special... | 0:44:43 | 0:44:45 | |
You went for a piece of clothing. | 0:44:45 | 0:44:47 | |
-Yes. -It's actually the Royal Glosters. -Oh, Gloucester. | 0:44:47 | 0:44:50 | |
-Nice jacket. Tunic. -They are very trendy, especially in Brighton, | 0:44:50 | 0:44:53 | |
the youngsters like wearing them when they go out. | 0:44:53 | 0:44:56 | |
Who told you that? | 0:44:56 | 0:44:58 | |
She's got a point! | 0:44:58 | 0:45:01 | |
I feel rally happy having seen yours now. | 0:45:01 | 0:45:04 | |
What does that mean?! | 0:45:04 | 0:45:05 | |
No, no, I mean it is now going to be a pleasure. | 0:45:05 | 0:45:07 | |
It'll be lovely. | 0:45:07 | 0:45:09 | |
The hard work's done. Come on, we'll see you at the auction. | 0:45:09 | 0:45:12 | |
We will see you at the auction. | 0:45:12 | 0:45:13 | |
See you there. | 0:45:13 | 0:45:15 | |
As they were revealed, I was very impressed, were you? | 0:45:16 | 0:45:19 | |
-Yeah. -It looked like a great collection. | 0:45:19 | 0:45:21 | |
I think you've surprise them with your fabulous little bird feeder. | 0:45:21 | 0:45:25 | |
Their dud buy might be the elephant seat. | 0:45:25 | 0:45:29 | |
-Any swaps? -I can't say I would, actually. | 0:45:29 | 0:45:31 | |
-Right answer. -Would you? | 0:45:31 | 0:45:33 | |
If I could keep any of our objects that would be most useful | 0:45:33 | 0:45:36 | |
in my house, they would definitely be the barber's kit. | 0:45:36 | 0:45:38 | |
After getting started in Gloucester, and thoroughly exploring the county, | 0:45:42 | 0:45:46 | |
our celebrities and experts are now in Brighton. | 0:45:46 | 0:45:49 | |
Let's just hope it lives up to expectations. | 0:45:49 | 0:45:52 | |
Love being by the sea. | 0:45:52 | 0:45:55 | |
-You can smell it, can't you? -You can. | 0:45:55 | 0:45:58 | |
Unfortunately, the Volvo wasn't at all well this morning, | 0:45:58 | 0:46:02 | |
so with a sherbet dab taking the strain, | 0:46:02 | 0:46:05 | |
these two can concentrate on more important matters. | 0:46:05 | 0:46:08 | |
So who would you say is the most competitive, Sharon? | 0:46:08 | 0:46:10 | |
Fancy you asking me that question! | 0:46:10 | 0:46:13 | |
The thing about you, Tina, is you say you're really competitive, | 0:46:13 | 0:46:16 | |
but what don't know about me is that I am quietly very competitive. | 0:46:16 | 0:46:21 | |
Actually I think I'm going to win. I really do, because let's face it, | 0:46:21 | 0:46:24 | |
mine is much more tasteful than yours, let's be honest. | 0:46:24 | 0:46:29 | |
I'm blaming Raj for that! | 0:46:29 | 0:46:31 | |
Welcome to Brighton General. | 0:46:31 | 0:46:33 | |
Sounds a bit like a hospital, so they may well feel at home. | 0:46:33 | 0:46:36 | |
-How are you? Nice to see you. -Lovely to see you, too. | 0:46:36 | 0:46:39 | |
There's internet bidding here, too. | 0:46:39 | 0:46:42 | |
Come on. Let's go and see what's going to happen, then. | 0:46:42 | 0:46:46 | |
James and Sharon picked up five auction lots, | 0:46:46 | 0:46:49 | |
and Tina and Raj did exactly the same. | 0:46:49 | 0:46:53 | |
Now, I wonder what our auctioneer, Andrew Potter, makes of them. | 0:46:53 | 0:46:57 | |
Is he completely potty about them or not? | 0:46:57 | 0:47:00 | |
The 1940s hair cream dispenser, that should be the star item today. | 0:47:00 | 0:47:05 | |
There's lots of barber's shops opening up around the place, | 0:47:05 | 0:47:08 | |
a lot of interest on the internet on that so I am expecting that to sell | 0:47:08 | 0:47:12 | |
very well today. The Gloucestershire Regiment jacket, it's a bit | 0:47:12 | 0:47:16 | |
steam punk-ish, so you can see people around Brighton | 0:47:16 | 0:47:19 | |
walking around the streets wearing that sort of thing. | 0:47:19 | 0:47:22 | |
Yeah, I see what you mean. Raj did have a point. | 0:47:22 | 0:47:25 | |
Very good. Very excited. | 0:47:25 | 0:47:27 | |
First on parade is Tina and Raj's military barber's kit. | 0:47:29 | 0:47:33 | |
-Here we go! -This is the one we want to do well. | 0:47:33 | 0:47:37 | |
I've got interest on this. I can start this at 26, 28. | 0:47:37 | 0:47:40 | |
£30 now. Looking for 32. I've got £30 with me. | 0:47:42 | 0:47:47 | |
Is there 32 anywhere? | 0:47:47 | 0:47:49 | |
All done at £30. | 0:47:49 | 0:47:52 | |
Started with a profit! Congratulations! | 0:47:52 | 0:47:56 | |
Good start there, and a tidy reward. | 0:47:56 | 0:47:59 | |
-Tenner. -Tenner's a tenner. | 0:47:59 | 0:48:01 | |
That's 50% of what we paid for it, that's not bad. | 0:48:01 | 0:48:04 | |
No, it's very good. | 0:48:04 | 0:48:06 | |
-We'll be all right, James. -Yeah. | 0:48:06 | 0:48:08 | |
Pachyderm profit or trunk junk? It's James's favourite. | 0:48:08 | 0:48:12 | |
And what did you pay for it, James? | 0:48:12 | 0:48:13 | |
-£45. -£45, cheap at the price, darling. Cheap at the price. | 0:48:13 | 0:48:18 | |
I can start on the net at £44. | 0:48:18 | 0:48:22 | |
Looking for 46 now. | 0:48:22 | 0:48:24 | |
Oh! Sorry! | 0:48:24 | 0:48:25 | |
Got 48, got 50. | 0:48:25 | 0:48:28 | |
-Got 55. -THEY CRY OUT | 0:48:28 | 0:48:32 | |
Is it going mad in here or what? | 0:48:32 | 0:48:34 | |
I've got 55 on the net, looking for 60 now. | 0:48:34 | 0:48:37 | |
I've got 55 on the net. Is there 60 anywhere? | 0:48:37 | 0:48:40 | |
-Come on! -You can't bid yourself, or you will get into trouble. | 0:48:40 | 0:48:44 | |
So illegal. Did it! | 0:48:44 | 0:48:47 | |
-Maughan, you have been warned. -He'll hit me on the head! | 0:48:47 | 0:48:51 | |
All done at 55... | 0:48:51 | 0:48:53 | |
-Got 60, 65. I've got 65 on the net. -Oh! | 0:48:53 | 0:48:56 | |
Oh, dear! Got 65 on the net, looking for 70 now. | 0:48:56 | 0:49:00 | |
I've got 65. Is there 70 anywhere? | 0:49:00 | 0:49:03 | |
70 on the net. | 0:49:03 | 0:49:04 | |
We're going to have a riot in here! I've got 70 on the net. | 0:49:06 | 0:49:10 | |
Is there a 75? All done at £70.... | 0:49:10 | 0:49:13 | |
Well done. | 0:49:16 | 0:49:18 | |
Well done, James! | 0:49:18 | 0:49:20 | |
Yeah, nicely spotted. | 0:49:20 | 0:49:22 | |
What a good start! | 0:49:22 | 0:49:24 | |
For us. | 0:49:24 | 0:49:26 | |
It's all right for you. | 0:49:26 | 0:49:27 | |
We start off slower, and build up. | 0:49:27 | 0:49:30 | |
Well, let's see if their buttons and frame can do the same. | 0:49:30 | 0:49:34 | |
You've spent a lot of money on these. | 0:49:34 | 0:49:35 | |
We did, we spent a lot of money. | 0:49:35 | 0:49:37 | |
£110. That's good. | 0:49:37 | 0:49:40 | |
I can start the book at £40. | 0:49:40 | 0:49:42 | |
-I've got 42 on the net. -It is gorgeous. | 0:49:42 | 0:49:43 | |
44. 46. 46. 48. | 0:49:43 | 0:49:46 | |
I've got 48. I'll come to the room shortly. | 0:49:46 | 0:49:49 | |
-Keep going. It's all right. -I've got 55 on the net. | 0:49:49 | 0:49:51 | |
-Keep going. -You be quiet, James! | 0:49:52 | 0:49:55 | |
£70 in the room, looking for 75 anywhere. | 0:49:55 | 0:49:58 | |
-Oh, yes, yes! -75. Got £80. | 0:49:58 | 0:50:01 | |
85. 90. 95. | 0:50:01 | 0:50:05 | |
OK, stop joking now. | 0:50:05 | 0:50:07 | |
Back of the room. | 0:50:07 | 0:50:09 | |
Is that a 95 anywhere? | 0:50:09 | 0:50:11 | |
Would you like 100? 100 in the room. Looking for 110 now. | 0:50:13 | 0:50:17 | |
-All done at £100. -Aw! That's not bad, though. | 0:50:17 | 0:50:22 | |
That's very good. I thought it was going to sell for 50. | 0:50:22 | 0:50:25 | |
Cheeky. This is shaping up to be quite a contest. | 0:50:25 | 0:50:29 | |
Not bad for a load of rubbish. | 0:50:29 | 0:50:32 | |
It's not! | 0:50:32 | 0:50:33 | |
As a team, we do not like making losses. | 0:50:33 | 0:50:35 | |
Next we have Sharon's Swedish bowl. | 0:50:37 | 0:50:39 | |
It's not terribly old. | 0:50:39 | 0:50:41 | |
But very beautiful. | 0:50:41 | 0:50:42 | |
Very Art Deco. | 0:50:43 | 0:50:45 | |
Nice, heavy crystal piece here. | 0:50:48 | 0:50:50 | |
I can start on the book, I've got 26, 28. | 0:50:50 | 0:50:53 | |
I've got 30 now. | 0:50:53 | 0:50:55 | |
-OK. -Looking for 32 now. | 0:50:55 | 0:50:58 | |
I've got £30. Is there a 32 anywhere? | 0:50:58 | 0:51:02 | |
I've got 32 now on the net. | 0:51:02 | 0:51:05 | |
Internet bid. | 0:51:05 | 0:51:07 | |
I've got 32 on the net, is there 34 anywhere? | 0:51:07 | 0:51:10 | |
I will sell it at £32. | 0:51:10 | 0:51:12 | |
Sold to the net for £32. | 0:51:12 | 0:51:14 | |
A profit. Two quid. | 0:51:14 | 0:51:16 | |
Every little bit helps. | 0:51:16 | 0:51:19 | |
Quite. Nothing to be ashamed of. | 0:51:19 | 0:51:21 | |
I'm proud. We haven't lost yet. | 0:51:21 | 0:51:23 | |
No crying in the audience, please. | 0:51:23 | 0:51:25 | |
Can the Glorious Glosters come to Tina and Raj's assistance? | 0:51:27 | 0:51:31 | |
I really like this and I think this is where | 0:51:31 | 0:51:34 | |
-we're going to come marching back. -Do you want to buy it? | 0:51:34 | 0:51:36 | |
Yes! | 0:51:36 | 0:51:38 | |
I've got 26, 28 on the net. | 0:51:40 | 0:51:41 | |
Looking for 30. I've got 28 on the net. | 0:51:42 | 0:51:45 | |
Is there a 30 anywhere? | 0:51:45 | 0:51:47 | |
-Yes. -We've got 30 now on the net. | 0:51:47 | 0:51:50 | |
Is there 32 anywhere? | 0:51:50 | 0:51:52 | |
I've got 30 on the net. | 0:51:52 | 0:51:53 | |
I think he's struggling. | 0:51:53 | 0:51:55 | |
I've got 34 now. | 0:51:55 | 0:51:56 | |
34. 36 anywhere? I've got 34 now. | 0:51:56 | 0:52:00 | |
Looking for 36. 36 on the net. | 0:52:00 | 0:52:02 | |
38. 38. | 0:52:02 | 0:52:04 | |
Come on, come on. | 0:52:04 | 0:52:07 | |
It's gorgeous. | 0:52:07 | 0:52:08 | |
Looking for 40 now. I will sell it. | 0:52:08 | 0:52:12 | |
-No! -I will sell it at £38. | 0:52:12 | 0:52:14 | |
It's sold to the net. | 0:52:14 | 0:52:16 | |
It's all right, Raj. Your reputation won't die on this. | 0:52:16 | 0:52:22 | |
Yes, come on, Raj, chin up. | 0:52:22 | 0:52:24 | |
She's going to go around saying, "I got an idiot!" | 0:52:24 | 0:52:27 | |
"That idiot Raj Bisram doesn't know anything!" | 0:52:27 | 0:52:30 | |
A big test for James next - his Brighton engravings. | 0:52:30 | 0:52:35 | |
If they don't do well here, they won't do well anywhere. | 0:52:35 | 0:52:38 | |
I know. To be honest. | 0:52:38 | 0:52:39 | |
-They have got to do well. -Let's hope you just make a small loss. | 0:52:39 | 0:52:43 | |
Very nice pieces there, we've got 22, 24 on the net. | 0:52:43 | 0:52:48 | |
26, looking for 28. | 0:52:48 | 0:52:50 | |
Keep going, keep going. | 0:52:50 | 0:52:52 | |
I've got 28, I've | 0:52:52 | 0:52:54 | |
got 30, 32. 34. 36, 38, 40. I've got £40 at the front, | 0:52:54 | 0:53:01 | |
-looking for 42. 42, 44, 46. -This is live, it's happening here. | 0:53:01 | 0:53:06 | |
-55, 60. 65, now got £60. -Nice. | 0:53:06 | 0:53:10 | |
£60 to my left, is there 65 anywhere? | 0:53:10 | 0:53:14 | |
I will sell them at £60. | 0:53:14 | 0:53:18 | |
-No. -Oh! -Oh! | 0:53:18 | 0:53:21 | |
-Did you gloat? -Sorry. -No, no. | 0:53:21 | 0:53:24 | |
I think they definitely did, Sharon. | 0:53:24 | 0:53:26 | |
Yes, right, the gloves are off. | 0:53:26 | 0:53:29 | |
If you gloated, the gloves are off. | 0:53:29 | 0:53:32 | |
Were you gloating? I don't think you were gloating. | 0:53:32 | 0:53:34 | |
I couldn't hold my excitement. | 0:53:34 | 0:53:36 | |
Well, it's your sun god next, Tina. | 0:53:36 | 0:53:39 | |
Are those two related, by the way? | 0:53:39 | 0:53:41 | |
Fingers crossed. The sun is shining. | 0:53:41 | 0:53:42 | |
Actually, it's not, it's cloudy. | 0:53:42 | 0:53:45 | |
The lady behind me fancies it for her garden. | 0:53:45 | 0:53:48 | |
How much? | 0:53:48 | 0:53:49 | |
I've got bids up to 85, 90. 95 with me. | 0:53:49 | 0:53:56 | |
Looking for 100. | 0:53:56 | 0:53:57 | |
I've got 95 with me. | 0:53:57 | 0:53:59 | |
-Gorgeous. -Rather heavy and large plaque. | 0:53:59 | 0:54:02 | |
I've got 95 with me. | 0:54:02 | 0:54:04 | |
I can see the internet hovering. | 0:54:04 | 0:54:06 | |
I've got 100 at the back of the room. | 0:54:06 | 0:54:08 | |
I've got 110 with me. | 0:54:08 | 0:54:09 | |
Looking for 120. | 0:54:09 | 0:54:11 | |
110. Is there 120 anywhere? | 0:54:11 | 0:54:14 | |
-I will sell it at £110. -Sell it. | 0:54:14 | 0:54:19 | |
-No, don't sell it! -Sorry to gloat! | 0:54:19 | 0:54:22 | |
It's like Holby City all over again. | 0:54:23 | 0:54:27 | |
That lamp better come through. | 0:54:27 | 0:54:28 | |
That dodgy lamp. | 0:54:28 | 0:54:30 | |
You're in trouble. | 0:54:30 | 0:54:32 | |
You don't know this woman's wrath. | 0:54:32 | 0:54:34 | |
Before that we have Sharon's big buy, | 0:54:34 | 0:54:37 | |
the hair cream dispensers with provenance. | 0:54:37 | 0:54:40 | |
It's my pride and joy. | 0:54:40 | 0:54:42 | |
I'm very proud of my dispensers. | 0:54:42 | 0:54:44 | |
Would you like me to get some tissues? | 0:54:44 | 0:54:46 | |
No, you cannot touch me. | 0:54:46 | 0:54:48 | |
I have the faith. | 0:54:48 | 0:54:50 | |
Keep them, because you will be weeping. | 0:54:50 | 0:54:53 | |
I've got 65, I've got 70 on the net. | 0:54:53 | 0:54:57 | |
Looking for 75. Got 80. | 0:54:57 | 0:54:58 | |
Got 85. | 0:54:58 | 0:54:59 | |
Got 90. Got 95, 100. | 0:55:01 | 0:55:03 | |
-Do you want 110? -120. -120 on the net. | 0:55:03 | 0:55:06 | |
The internet has taken over, 130. | 0:55:07 | 0:55:09 | |
140. 150. 160? | 0:55:09 | 0:55:12 | |
You don't see these very often. | 0:55:12 | 0:55:15 | |
-No, never. -It's a pair. -No, never. | 0:55:15 | 0:55:17 | |
Got 160 on the net, looking for 170 now. | 0:55:17 | 0:55:20 | |
Come on, come on. | 0:55:20 | 0:55:22 | |
170 on the net. | 0:55:22 | 0:55:24 | |
I've got 170 on the net. | 0:55:24 | 0:55:26 | |
It's all those hipsters. | 0:55:26 | 0:55:29 | |
I will sell it at £170. | 0:55:29 | 0:55:30 | |
-No, linger longer. -Linger. | 0:55:30 | 0:55:34 | |
Well done. | 0:55:34 | 0:55:36 | |
-It's a profit. -Well done. | 0:55:36 | 0:55:38 | |
Yes, slick work there, Sharon. | 0:55:38 | 0:55:41 | |
Good buy, well done. | 0:55:41 | 0:55:42 | |
That's a good price. That's a really good profit. | 0:55:42 | 0:55:45 | |
Thank you. | 0:55:45 | 0:55:47 | |
Don't let them get to you, Tina. | 0:55:47 | 0:55:50 | |
-Confidence. -It's an uphill struggle now, Raj. | 0:55:50 | 0:55:53 | |
It will take one heck of a profit for Raj's lamp to swing it. | 0:55:53 | 0:55:56 | |
Here we go. | 0:55:56 | 0:55:58 | |
Here we are. | 0:55:58 | 0:55:59 | |
That's nice. | 0:56:00 | 0:56:02 | |
I've got 20, I've got 22 now on the net. | 0:56:02 | 0:56:05 | |
Looking for 24. I've got 24, 26, 28. | 0:56:05 | 0:56:10 | |
-30, 32. 34. -It's happening. | 0:56:10 | 0:56:15 | |
34 on the net. looking for 36. I've got 34 on the net. I've got 34. | 0:56:15 | 0:56:19 | |
Moving beyond 34. | 0:56:19 | 0:56:22 | |
I will sell it at £34. | 0:56:22 | 0:56:25 | |
ALL: No! | 0:56:25 | 0:56:27 | |
-I'm going home. -Head bowed, it seems. | 0:56:27 | 0:56:32 | |
So sorry. So sorry. | 0:56:32 | 0:56:35 | |
Hello, James! | 0:56:36 | 0:56:38 | |
Finally, Sharon's bird feeder. | 0:56:38 | 0:56:40 | |
Can I say she got it CHEEP? | 0:56:40 | 0:56:42 | |
You've never seen one before, you've never seen one before... | 0:56:42 | 0:56:45 | |
I'VE never seen one before. | 0:56:45 | 0:56:47 | |
I've got £10 with me, looking for 12. | 0:56:47 | 0:56:50 | |
These usually break, so they are rare. | 0:56:50 | 0:56:53 | |
I've got 12 at the back of the room. | 0:56:53 | 0:56:55 | |
14. I've got 12 at the back of the room, is there 14 anywhere? | 0:56:55 | 0:56:59 | |
-I don't get it. -I will sell it at £12. | 0:56:59 | 0:57:03 | |
-Easy, easy. -No! | 0:57:03 | 0:57:05 | |
I am very disappointed in this audience. | 0:57:05 | 0:57:08 | |
Ah, well, a minor blip. | 0:57:08 | 0:57:10 | |
Some big profits there. | 0:57:10 | 0:57:12 | |
Highs and lows, isn't it? | 0:57:12 | 0:57:13 | |
Up and down. Let's find out how it worked out, what do you think? | 0:57:13 | 0:57:17 | |
Do you have any idea, Raj? | 0:57:17 | 0:57:18 | |
No. | 0:57:18 | 0:57:20 | |
-Not really, no. -I think he does. | 0:57:20 | 0:57:22 | |
OK, let's get down to business. | 0:57:22 | 0:57:24 | |
Tina and Raj started out with £400 and, after auction costs, | 0:57:26 | 0:57:31 | |
they made a loss of £129.16. | 0:57:31 | 0:57:35 | |
So they end up with £270.84. | 0:57:35 | 0:57:38 | |
Sharon and James, who began with the same sum, | 0:57:39 | 0:57:42 | |
made a much smaller loss after costs of £17.92. | 0:57:42 | 0:57:46 | |
So they are our victors, with a final total of 382.08. | 0:57:46 | 0:57:50 | |
-They've become close. -That was fun. | 0:57:50 | 0:57:53 | |
That was fun. I'm sorry. | 0:57:53 | 0:57:55 | |
I feel like I have let you down. But we had fun. | 0:57:55 | 0:57:58 | |
-It was great fun. -I can't help but be happy. | 0:57:58 | 0:58:02 | |
-Well done, you. -Thank you, my darling. | 0:58:02 | 0:58:05 | |
-Thank you. -Are you all right, Raj? | 0:58:05 | 0:58:07 | |
-I am absolutely fine. -Are you really happy for me? | 0:58:07 | 0:58:09 | |
Of course I'm happy for you. | 0:58:09 | 0:58:11 | |
Come on, we've got to wave them off. | 0:58:13 | 0:58:15 | |
Bye-bye, thank you. | 0:58:15 | 0:58:16 | |
Let's go and hail a taxi. | 0:58:18 | 0:58:19 | |
-Taxi! -I don't want to finish. | 0:58:19 | 0:58:21 | |
I've had such a good time. | 0:58:21 | 0:58:24 | |
Is this one of the most exhausting jobs you've ever done? | 0:58:24 | 0:58:27 |