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The nation's favourite celebrities... | 0:00:02 | 0:00:03 | |
Just want to touch base. | 0:00:03 | 0:00:04 | |
..paired up with an expert... | 0:00:04 | 0:00:06 | |
-Boo! -Whoo! | 0:00:06 | 0:00:08 | |
..and a classic car. | 0:00:08 | 0:00:09 | |
No hands! | 0:00:09 | 0:00:10 | |
Their mission - to scour Britain for antiques. | 0:00:10 | 0:00:13 | |
My office, now! | 0:00:13 | 0:00:15 | |
The aim - to make the biggest profit at auction. | 0:00:15 | 0:00:18 | |
But it's no easy ride. | 0:00:18 | 0:00:19 | |
-GEARS GRIND -Oh! -Who will find a hidden gem? | 0:00:19 | 0:00:22 | |
HONK | 0:00:22 | 0:00:23 | |
-Like that. -Who will take the biggest risk? | 0:00:23 | 0:00:25 | |
This could end in disaster. | 0:00:25 | 0:00:27 | |
Will anybody follow expert advice? | 0:00:27 | 0:00:30 | |
-But I love this. -Why would you buy something you're not going to use? | 0:00:30 | 0:00:32 | |
There will be worthy winners and valiant losers. | 0:00:32 | 0:00:35 | |
No, I don't want to shake hands. | 0:00:35 | 0:00:37 | |
Put your pedal to the metal. | 0:00:37 | 0:00:39 | |
Let me get out of first gear. | 0:00:39 | 0:00:40 | |
This is the Celebrity Antiques Road Trip. | 0:00:40 | 0:00:43 | |
Yeah. | 0:00:46 | 0:00:47 | |
Today, we are giving birth to a brand-new road trip... | 0:00:50 | 0:00:53 | |
Push, push. | 0:00:53 | 0:00:55 | |
..in the southeast of England, | 0:00:55 | 0:00:56 | |
with Call The Midwife stars | 0:00:56 | 0:00:58 | |
Cliff Parisi and Judy Parfitt. | 0:00:58 | 0:01:01 | |
THEY LAUGH | 0:01:01 | 0:01:02 | |
What are your clever things that you are going to buy? | 0:01:02 | 0:01:06 | |
What are you interested in? | 0:01:06 | 0:01:07 | |
You're asking me to talk to the enemy now. | 0:01:07 | 0:01:09 | |
You, my friend, today, although we're friends right now, | 0:01:09 | 0:01:13 | |
as soon as you get out of this car, friend finished, my friend. | 0:01:13 | 0:01:16 | |
We'll always be friends, but I'll be the most successful friend. | 0:01:16 | 0:01:19 | |
Oh! | 0:01:19 | 0:01:21 | |
Fighting talk, I like it. | 0:01:21 | 0:01:24 | |
Well-known as handyman Fred Buckle on the hit series | 0:01:24 | 0:01:27 | |
Call The Midwife, Cliff is also famed | 0:01:27 | 0:01:30 | |
for his portrayal of long-suffering mechanic | 0:01:30 | 0:01:33 | |
Minty in EastEnders. | 0:01:33 | 0:01:34 | |
Hopefully, he won't need to call on his character's car-fixing skills | 0:01:34 | 0:01:39 | |
today, as they are motoring around in this 1965 Ford Zodiac. | 0:01:39 | 0:01:43 | |
Built before seat belts became mandatory means they aren't fitted, | 0:01:43 | 0:01:47 | |
which is why they are not wearing any. Ha! | 0:01:47 | 0:01:50 | |
Did you know my dad had one of these when I was a small boy? | 0:01:50 | 0:01:54 | |
I used to sit in the back of it and we used to go see my grandfather. | 0:01:54 | 0:01:57 | |
And I've got a photograph somewhere of my little sister | 0:01:57 | 0:02:00 | |
when she was just born, and we are all in the car. | 0:02:00 | 0:02:03 | |
-Really? -Yeah. One of these, exactly. | 0:02:03 | 0:02:06 | |
So this is quite nice, this is quite an event for me. | 0:02:06 | 0:02:08 | |
Accompanying Cliff on his trip down memory lane is TV pal Judy, | 0:02:09 | 0:02:14 | |
a seasoned British actress of both stage and screen. | 0:02:14 | 0:02:18 | |
Judy has been wowing audiences with her polished performances | 0:02:18 | 0:02:22 | |
for almost six decades, | 0:02:22 | 0:02:24 | |
and is well-loved for her role as eccentric nun Sister Monica Joan | 0:02:24 | 0:02:29 | |
in Call The Midwife. | 0:02:29 | 0:02:30 | |
Are we expecting a visitor of excessive proportions? | 0:02:30 | 0:02:34 | |
I'm measuring up. | 0:02:34 | 0:02:36 | |
Need to know how many sand bags it will take to block up | 0:02:36 | 0:02:39 | |
this doorway and keep us safe in the event that they press the button. | 0:02:39 | 0:02:43 | |
All this energy on sheltering would be put to better use in talks of | 0:02:43 | 0:02:47 | |
-peace. -Oh, very good. | 0:02:47 | 0:02:49 | |
I'm on the lookout for something unusual. | 0:02:49 | 0:02:53 | |
Rather like you. | 0:02:54 | 0:02:55 | |
THEY LAUGH | 0:02:55 | 0:02:58 | |
What are you going to look for? | 0:02:58 | 0:03:00 | |
I think I'm just going to do a collection of bedpans. | 0:03:01 | 0:03:04 | |
I wouldn't let your experts hear that, Cliff! | 0:03:09 | 0:03:12 | |
Road trip regulars, antique gurus Philip Serrell | 0:03:13 | 0:03:16 | |
and Catherine Southon will be guiding our celebrities | 0:03:16 | 0:03:18 | |
on their journey. | 0:03:18 | 0:03:20 | |
They are in this rather smart 1965 Jaguar Mark 2. | 0:03:20 | 0:03:23 | |
Well, isn't this a car? | 0:03:25 | 0:03:26 | |
Well, it would be better if you could drive it properly! | 0:03:27 | 0:03:30 | |
Cheeky devil. Coming from you, that is rich. | 0:03:30 | 0:03:32 | |
I'm so excited about today. | 0:03:33 | 0:03:35 | |
-Really? -Because... | 0:03:35 | 0:03:37 | |
-Are you a fan? -Oh, my goodness. | 0:03:37 | 0:03:38 | |
Call The Midwife has to be my ultimate favourite programme. | 0:03:38 | 0:03:43 | |
It just makes me happy. | 0:03:43 | 0:03:44 | |
The programme leaves me warm inside. | 0:03:44 | 0:03:47 | |
Oh! Isn't that nice? | 0:03:47 | 0:03:49 | |
Bit like this show, then! Ha-ha! | 0:03:49 | 0:03:51 | |
Starting with £400 in their pockets, | 0:03:51 | 0:03:53 | |
our group will be touring Kent. | 0:03:53 | 0:03:54 | |
Affectionately known as the Garden of England, | 0:03:54 | 0:03:57 | |
they'll make various shopping pit stops all over this glorious county | 0:03:57 | 0:04:00 | |
before heading to Diss, in Norfolk, for auction. | 0:04:00 | 0:04:03 | |
Diss is going to be amazing! | 0:04:03 | 0:04:05 | |
-Here they come! -Here we go, here we go. | 0:04:06 | 0:04:08 | |
-Get the hot towels. -Come on, then. | 0:04:08 | 0:04:10 | |
I'm so excited. | 0:04:11 | 0:04:13 | |
Hi, lovely. How are you? | 0:04:13 | 0:04:15 | |
-Lovely to meet you. -Hello. | 0:04:15 | 0:04:17 | |
Lovely to meet you. | 0:04:17 | 0:04:18 | |
We are both great fans of the show. | 0:04:18 | 0:04:20 | |
We love this show. | 0:04:20 | 0:04:21 | |
-Really? -BOTH: -Yes. | 0:04:21 | 0:04:23 | |
We'll soon change that. | 0:04:23 | 0:04:25 | |
No, you won't, Phil! | 0:04:25 | 0:04:26 | |
TIM LAUGHS | 0:04:26 | 0:04:27 | |
Judy is pairing up with joker Serrell, | 0:04:27 | 0:04:29 | |
which leads Cliff and Catherine to join forces. | 0:04:29 | 0:04:33 | |
-Bye! -OK, Catherine. | 0:04:33 | 0:04:35 | |
Right. | 0:04:35 | 0:04:37 | |
Show me what this thing does. | 0:04:37 | 0:04:38 | |
This is much better. | 0:04:40 | 0:04:41 | |
Woohoo! | 0:04:46 | 0:04:48 | |
The world is our oyster. | 0:04:52 | 0:04:54 | |
We can buy whatever we want. I think you're going to spend it all. | 0:04:54 | 0:04:58 | |
No, I love antique shops. My wife has to drag me out of them. | 0:04:58 | 0:05:01 | |
I'm constantly bringing home bits of... | 0:05:01 | 0:05:03 | |
I went out to get some milk the other week, | 0:05:03 | 0:05:05 | |
I came back with a piano, | 0:05:05 | 0:05:06 | |
so who knows what's going to happen today. | 0:05:06 | 0:05:08 | |
Do you like driving this car? | 0:05:11 | 0:05:13 | |
-I love cars. -Do you? | 0:05:13 | 0:05:14 | |
Yeah, this is a lovely car to drive as well. | 0:05:14 | 0:05:17 | |
Yeah, I love old cars. I think if you do my job, you just love old | 0:05:17 | 0:05:20 | |
-things generally, you know? -Oh, you'll be all right with me, then. | 0:05:20 | 0:05:23 | |
Shut up! | 0:05:23 | 0:05:25 | |
I have to ask you about Midwife because I am the biggest fan | 0:05:25 | 0:05:29 | |
-in the country. -Oh, that's so kind. -It's fabulous. | 0:05:29 | 0:05:33 | |
It's a great programme, isn't it? You must enjoy it. | 0:05:33 | 0:05:35 | |
It is a great programme and we love it, we love making it. | 0:05:35 | 0:05:38 | |
We are all incredibly protective and very proud of the show, | 0:05:38 | 0:05:41 | |
like a family, and it's great. | 0:05:41 | 0:05:44 | |
I think, initially, it was six episodes | 0:05:44 | 0:05:46 | |
and then this extraordinary reaction. | 0:05:46 | 0:05:50 | |
I mean, we're now working on the seventh series, | 0:05:50 | 0:05:53 | |
and we have 11.5 million viewers. | 0:05:53 | 0:05:56 | |
-That's not too shabby. -Which is incredible. -Yeah. | 0:05:56 | 0:05:59 | |
So, with Sister Monica Joan, our Judy, | 0:05:59 | 0:06:02 | |
I get the impression she's going to want to win. | 0:06:02 | 0:06:04 | |
Oh, yeah, she wants to win. | 0:06:04 | 0:06:05 | |
Oh, no, we both want to win. | 0:06:05 | 0:06:07 | |
We've got a little side bet going on. | 0:06:07 | 0:06:08 | |
She's got to make me tea for the next six months if she doesn't win. | 0:06:08 | 0:06:13 | |
Judy and Phil's first shop of the day is Barham, in the Kent Downs. | 0:06:13 | 0:06:18 | |
-I just want something quirky and unusual... -I'm sat here. | 0:06:19 | 0:06:23 | |
..and that's worth a lot of money. | 0:06:23 | 0:06:25 | |
PHILIP LAUGHS | 0:06:25 | 0:06:27 | |
They've arrived at Stablegate Antiques. | 0:06:29 | 0:06:31 | |
A family run business, | 0:06:31 | 0:06:33 | |
this shop is packed with delights for Judy and Phil to pore over. | 0:06:33 | 0:06:38 | |
Oh, boy, this looks promising. | 0:06:38 | 0:06:40 | |
There are some jolly good things in here, aren't there? | 0:06:40 | 0:06:42 | |
Yeah. I like the look of that, Phil. | 0:06:42 | 0:06:44 | |
-That telescope? -Yeah. | 0:06:44 | 0:06:46 | |
Catherine is an expert in these, you know. | 0:06:46 | 0:06:48 | |
Oh, I came with the wrong person. | 0:06:48 | 0:06:49 | |
-You're absolutely right, yeah. -There is many who have said that. | 0:06:49 | 0:06:52 | |
Oh, you don't want to believe that. | 0:06:52 | 0:06:55 | |
-Oh! I like the pug, Phil. -Oh, he's gorgeous. | 0:06:55 | 0:06:59 | |
-He's lovely. -He's gorgeous. | 0:06:59 | 0:07:01 | |
No, he doesn't look like he's got much age. | 0:07:01 | 0:07:03 | |
-No. -I think you'd need to buy that for between 60-80 | 0:07:03 | 0:07:06 | |
to do any good with that. | 0:07:06 | 0:07:08 | |
-Oh, well, it's 195, so we're not going to be... -Start saving. | 0:07:08 | 0:07:12 | |
..doing that. | 0:07:12 | 0:07:14 | |
I think the furniture is beyond our purse. | 0:07:14 | 0:07:18 | |
-This is pretty. -It is beyond our budget a little bit. | 0:07:18 | 0:07:20 | |
-Yeah. -We are about 3,050 quid shy of that. | 0:07:20 | 0:07:24 | |
LAUGHS: Step away from the pricey pieces. | 0:07:25 | 0:07:29 | |
That leather-covered telescope is cheaper. | 0:07:29 | 0:07:31 | |
It's an interesting thing, isn't it? | 0:07:31 | 0:07:33 | |
Yeah. It's old, too, and this beautiful leather. | 0:07:33 | 0:07:36 | |
-And look at the stitching down there. -It has a great colour, | 0:07:36 | 0:07:38 | |
-hasn't it? -Yes. It's lovely. -And how much is that? | 0:07:38 | 0:07:40 | |
It's 120. | 0:07:40 | 0:07:42 | |
"ED Gannon" there. | 0:07:42 | 0:07:44 | |
-Is that good? -Well, I guess that might be the person who owned it. | 0:07:44 | 0:07:47 | |
-Right. -I'm guessing. | 0:07:47 | 0:07:49 | |
And then around | 0:07:49 | 0:07:51 | |
here, look. J Coombes of Devonport. | 0:07:51 | 0:07:54 | |
So you kind of think this might be naval. | 0:07:54 | 0:07:57 | |
Circa 1870? | 0:07:57 | 0:07:59 | |
-I think it's probably a little bit later than that, actually. -Do you? | 0:07:59 | 0:08:02 | |
Yeah, I do, but I think it's just quite a nice thing. | 0:08:02 | 0:08:04 | |
And one other reason why I think it's later is just by the way, | 0:08:04 | 0:08:07 | |
this sort of script here. | 0:08:07 | 0:08:08 | |
-Right. -But I think it's a nice thing. | 0:08:08 | 0:08:10 | |
While Judy and Phil consider the telescope, | 0:08:11 | 0:08:14 | |
Cliff and Catherine are busy making their way to Bagham Cross, | 0:08:14 | 0:08:17 | |
near Canterbury. | 0:08:17 | 0:08:19 | |
So, what will we find in Kent that we won't find anywhere else? | 0:08:19 | 0:08:23 | |
Who knows? I think we've just got to go with the flow. | 0:08:24 | 0:08:27 | |
I'm quite happy just to look at and buy anything, really, | 0:08:27 | 0:08:31 | |
-as long as I like the look of it. -Yeah. That sounds good to me. | 0:08:31 | 0:08:34 | |
I'm going to kind of need you to police me, though, | 0:08:34 | 0:08:37 | |
because, you know, I'll probably give them twice as much | 0:08:37 | 0:08:39 | |
as what it's worth, | 0:08:39 | 0:08:41 | |
so you're going to need to watch out to make sure that I'm not paying | 0:08:41 | 0:08:43 | |
-too much for stuff. -Right, OK. | 0:08:43 | 0:08:45 | |
-Is that a deal? -That is a deal. | 0:08:45 | 0:08:47 | |
They have arrived at their first shop and are raring to go. | 0:08:47 | 0:08:50 | |
-Pretty. -Can't get out of the car. | 0:08:52 | 0:08:54 | |
-You're going to have to get me out. -Lift that round button. | 0:08:54 | 0:08:57 | |
There. Squeeze it. | 0:08:57 | 0:08:59 | |
You need a bit of oomph, I'm not strong enough. | 0:08:59 | 0:09:02 | |
-Let's go look see. -Yes. | 0:09:04 | 0:09:07 | |
Situated in a beautifully restored 17th-century barn, | 0:09:08 | 0:09:12 | |
there's plenty of antiques here. | 0:09:12 | 0:09:14 | |
Look at this. Lovely. | 0:09:14 | 0:09:17 | |
-Welcome to Bagham Barn. I'm Peggy. -Oh, get out of my antiques shop. | 0:09:17 | 0:09:21 | |
-Hello, Peggy. -Peggy! Lovely to meet you. | 0:09:23 | 0:09:25 | |
LAUGHS: Good one, Cliff. | 0:09:25 | 0:09:26 | |
Right, introductions over, time to get browsing. | 0:09:26 | 0:09:29 | |
Look at that. Look. It turns into a table and a toilet. | 0:09:30 | 0:09:33 | |
-WHISPERS: -And a toilet! | 0:09:33 | 0:09:34 | |
Don't wind me up. | 0:09:36 | 0:09:37 | |
I think that is absolutely Dinky. | 0:09:40 | 0:09:43 | |
I can imagine the children playing with this in Call The Midwife, | 0:09:43 | 0:09:46 | |
-actually. -Yeah. Maybe we could sell it to them. | 0:09:46 | 0:09:49 | |
Let me take my glasses off. | 0:09:50 | 0:09:52 | |
Scramble! | 0:09:52 | 0:09:54 | |
I'm never going to get in that plane! | 0:09:57 | 0:09:59 | |
THEY LAUGH | 0:09:59 | 0:10:00 | |
I can't get in the cockpit. | 0:10:00 | 0:10:02 | |
That's a bit tight. | 0:10:03 | 0:10:04 | |
Oh, Lordy. After a good old rummage, | 0:10:04 | 0:10:06 | |
it looks like Cliff's inner child has found something to play with. | 0:10:06 | 0:10:10 | |
It's a Mark I Ford Escort. | 0:10:12 | 0:10:16 | |
It's made by Dinky. | 0:10:17 | 0:10:18 | |
I've never seen one before. | 0:10:18 | 0:10:20 | |
And it's in really good condition. | 0:10:20 | 0:10:22 | |
35 quid. | 0:10:22 | 0:10:23 | |
We could get a sort of collection of them, or do you just want that one? | 0:10:24 | 0:10:27 | |
Shall we do a little lot? | 0:10:27 | 0:10:29 | |
-Yeah. -If we could get that one. | 0:10:29 | 0:10:31 | |
This is quite good. Look at this. | 0:10:31 | 0:10:33 | |
And it's got an ambulance. | 0:10:33 | 0:10:34 | |
Aw, a little ambulance! | 0:10:34 | 0:10:36 | |
-It's got an ambulance driver. -Aw, with a little driver. | 0:10:36 | 0:10:38 | |
Aw, he's nice. | 0:10:38 | 0:10:40 | |
It's got a patient! It's got a patient! | 0:10:40 | 0:10:43 | |
She's having a baby. Call the midwife! | 0:10:43 | 0:10:46 | |
-Shove her in. -Come on, get back on the bed. | 0:10:46 | 0:10:48 | |
-There you go. -There you are. -Oh, I think it's a him, actually. | 0:10:48 | 0:10:52 | |
It's pregnant, whoever it is. | 0:10:52 | 0:10:53 | |
-It's pregnant. -We'll soon have you in the hospital. | 0:10:53 | 0:10:56 | |
-There you are. Nee-naw, nee-naw! -Isn't that wonderful? | 0:10:56 | 0:10:58 | |
-Shall we get that as well? -Yeah. How much is that? 22. | 0:10:58 | 0:11:00 | |
Oh, let's get that. | 0:11:00 | 0:11:01 | |
The combined ticket price for the three - £82. | 0:11:03 | 0:11:07 | |
Time to talk to dealer Paul. | 0:11:07 | 0:11:08 | |
Paul! | 0:11:08 | 0:11:10 | |
Is there anything we can do on these? | 0:11:10 | 0:11:11 | |
What, are you looking at the three together? | 0:11:11 | 0:11:13 | |
Yeah. What about... | 0:11:13 | 0:11:15 | |
-..50? -I can do 50 for you, if that helps. | 0:11:17 | 0:11:21 | |
-Happy with that? -Yeah, I'm happy with that. | 0:11:21 | 0:11:23 | |
-Thank you. -You're welcome. | 0:11:23 | 0:11:24 | |
I'd better... Gosh, you've got a firm shake. | 0:11:24 | 0:11:26 | |
He almost broke my hand! | 0:11:26 | 0:11:28 | |
I'll be the next patient in there. | 0:11:28 | 0:11:30 | |
-I'd better pay you. -While Cliff and Catherine are busy buying cars, | 0:11:30 | 0:11:35 | |
back in Barham, | 0:11:35 | 0:11:37 | |
Judy and Phil have cornered dealer Gay to enquire about the telescope | 0:11:37 | 0:11:40 | |
they fancy. | 0:11:40 | 0:11:42 | |
What's your very best | 0:11:43 | 0:11:45 | |
-on that? -It's up at one... | 0:11:45 | 0:11:49 | |
-120. -120. -Am I going to tell you what I think it's worth, | 0:11:49 | 0:11:52 | |
-or do you want to tell us? -Yeah, no. You tell me. | 0:11:52 | 0:11:54 | |
Well, I think we've got to try and buy it for around £50, | 0:11:54 | 0:11:56 | |
£55. That's where I would see it. | 0:11:56 | 0:11:58 | |
But while you're thinking about that, | 0:11:59 | 0:12:03 | |
I know that with all your beautiful things in here... | 0:12:03 | 0:12:06 | |
-Yes. -..you must have a workshop or a store somewhere that might have | 0:12:06 | 0:12:09 | |
some hidden little gems in it. | 0:12:09 | 0:12:10 | |
We have a little next-door nook. | 0:12:10 | 0:12:14 | |
Oh, wow! | 0:12:16 | 0:12:17 | |
Aha! Time for a good nosey in the nook, eh? | 0:12:17 | 0:12:20 | |
I like that. It's just an old wastepaper bin. | 0:12:20 | 0:12:23 | |
-That's quite cool, isn't it? -Yeah. | 0:12:23 | 0:12:25 | |
I bet that's no money at all, is it? | 0:12:25 | 0:12:27 | |
No. I like it. | 0:12:27 | 0:12:29 | |
-Five or ten quid. -Yeah. | 0:12:29 | 0:12:30 | |
-Would you take £5 for that? -I'd take ten. | 0:12:30 | 0:12:33 | |
-Ten. Can we afford ten? -We can save up, can't we? | 0:12:34 | 0:12:36 | |
-Is there anything else in here? -I don't know. | 0:12:37 | 0:12:39 | |
What have you seen? | 0:12:39 | 0:12:41 | |
-I quite like that table. -That's a nice table. | 0:12:41 | 0:12:43 | |
-How much is the table? -The asking price for that... | 0:12:43 | 0:12:47 | |
Oh, no, no, no. Not the asking price. | 0:12:47 | 0:12:49 | |
She's lovely, isn't she? | 0:12:49 | 0:12:51 | |
-Not the asking price. -Well... | 0:12:51 | 0:12:52 | |
The price you're going to be kind enough to give us! | 0:12:52 | 0:12:55 | |
The asking price was 120, | 0:12:55 | 0:12:58 | |
but we could drop to... | 0:12:58 | 0:13:01 | |
-60 quid. -I was just going to say 70. | 0:13:01 | 0:13:04 | |
-Shall we have a look at that? -Let's have a look at it. | 0:13:04 | 0:13:07 | |
That looks weighty. Mind you don't do yourself a mischief, Philip. | 0:13:08 | 0:13:12 | |
I think it's Indian. So you lift that up. | 0:13:12 | 0:13:14 | |
That is so heavy. This is made out of paduak. | 0:13:14 | 0:13:18 | |
What's that? | 0:13:18 | 0:13:19 | |
It's a really heavy... | 0:13:19 | 0:13:21 | |
..sort of equatorial hardwood | 0:13:23 | 0:13:25 | |
that you can't sort of even drive nails into it. | 0:13:25 | 0:13:27 | |
It is rock, rock hard. | 0:13:27 | 0:13:29 | |
-Really?! -The problem with it is, and it is a problem, | 0:13:29 | 0:13:32 | |
somebody has just cleaned this top off. | 0:13:32 | 0:13:35 | |
This has had Botox and a face-lift. | 0:13:35 | 0:13:38 | |
OK. It doesn't look natural. | 0:13:39 | 0:13:41 | |
No, and this looks as though it's varnish, to me. | 0:13:41 | 0:13:44 | |
Yeah, it's been treacled up to the nines. | 0:13:44 | 0:13:46 | |
I don't think I want to buy it. | 0:13:46 | 0:13:48 | |
I think it's not a bad example of what it is, actually. | 0:13:48 | 0:13:51 | |
I think if you could get the two for 70 quid, I think you'd be right. | 0:13:51 | 0:13:54 | |
-Whatever you say. -Well, no, you're the boss, boss. | 0:13:55 | 0:13:58 | |
-No, you're the expert. -Don't you call me that! | 0:13:58 | 0:14:00 | |
What did you just say? | 0:14:00 | 0:14:02 | |
It's down to you, Judy. | 0:14:02 | 0:14:04 | |
Please can I have the two for 70 quid? | 0:14:04 | 0:14:06 | |
How about 75? | 0:14:08 | 0:14:10 | |
There we are. I can't... | 0:14:10 | 0:14:11 | |
-I mean, that is a good price for... -Shall we leave the telescope? | 0:14:11 | 0:14:15 | |
Well, I don't know what price you were thinking of the telescope. | 0:14:15 | 0:14:18 | |
£30 for the telescope. | 0:14:18 | 0:14:19 | |
No. No, I can't do 30. | 0:14:19 | 0:14:21 | |
-Can't you? -Could you do all three for 110 quid? | 0:14:21 | 0:14:24 | |
-Yes. All right. -Thank you. -Really? Well, yeah, you've done remarkably. | 0:14:24 | 0:14:27 | |
-Well, there you go. -You're an angel. Do you know what? -I know. | 0:14:27 | 0:14:29 | |
You've done us really, really well. | 0:14:29 | 0:14:30 | |
I've got one other favour as well. | 0:14:30 | 0:14:32 | |
Have you got a damp cloth I could borrow, please? | 0:14:32 | 0:14:34 | |
-Yes. -Thank you. -For you or the table? | 0:14:34 | 0:14:36 | |
Ha! There's a thought. Now, | 0:14:36 | 0:14:39 | |
some very kind discounts mean Judy and Phil have bought the paduak | 0:14:39 | 0:14:42 | |
Anglo-Indian table for £65, | 0:14:42 | 0:14:45 | |
the leather telescope for 35 and the 19th-century wastepaper bin for a | 0:14:45 | 0:14:49 | |
tenner, all in their first shop. | 0:14:49 | 0:14:52 | |
That's marvellous. | 0:14:52 | 0:14:53 | |
-Gosh. -No, don't worry, Judy. | 0:14:54 | 0:14:56 | |
I'm fine, honestly! | 0:14:56 | 0:14:57 | |
You can manage. | 0:14:57 | 0:14:59 | |
-Lord above! -Manage? | 0:14:59 | 0:15:01 | |
The poor old boy's had it! | 0:15:01 | 0:15:02 | |
Back in Bagham Cross, Cliff's hunt continues. | 0:15:02 | 0:15:05 | |
You know, my grandad used to have this case with lots of little | 0:15:07 | 0:15:10 | |
knick-knacks in it and things like this, and all that kind of stuff, | 0:15:10 | 0:15:14 | |
little curios, and I really like those. | 0:15:14 | 0:15:16 | |
Look. | 0:15:16 | 0:15:18 | |
A cake plate for very tiny cakes. | 0:15:19 | 0:15:23 | |
No time for a tea break just yet, Cliff. | 0:15:23 | 0:15:26 | |
Catherine's found something she thinks you'll like. | 0:15:26 | 0:15:28 | |
When I saw this... | 0:15:28 | 0:15:30 | |
I can't actually lift this. | 0:15:30 | 0:15:31 | |
I need a big strong man like you to lift this. | 0:15:31 | 0:15:34 | |
-Oh, here you go. He's like, "This is so light." -Uy! | 0:15:34 | 0:15:38 | |
-Cast-iron. -Yeah. | 0:15:38 | 0:15:40 | |
"Beware of trains." | 0:15:40 | 0:15:42 | |
-So, that's Scottish. -God, that's really heavy. | 0:15:42 | 0:15:45 | |
-SCOTTISH ACCENT: -Scottish. -Is it? How do you know? -CR. | 0:15:45 | 0:15:47 | |
-Caledonian Railways. -Oh, OK. | 0:15:49 | 0:15:52 | |
-There should be "ach". -Ach! | 0:15:52 | 0:15:54 | |
-SCOTTISH ACCENT: -Ach, beware of the trains! | 0:15:54 | 0:15:57 | |
Oh, dear! | 0:15:57 | 0:15:59 | |
Accents aren't her strong suit. | 0:15:59 | 0:16:00 | |
Anyway, she's found a nice-looking vintage railway lamp. | 0:16:00 | 0:16:05 | |
Look at that. | 0:16:05 | 0:16:07 | |
-OK. Right. -But... OK, OK. | 0:16:07 | 0:16:11 | |
So this is going to go across to two different people, isn't it? | 0:16:11 | 0:16:14 | |
This is going to go across to your people who are interested in it for | 0:16:14 | 0:16:17 | |
a railwayana type-of-thing. | 0:16:17 | 0:16:19 | |
And also your people who are interested in it as a sort of | 0:16:19 | 0:16:22 | |
decorative thing to have in the garden. | 0:16:22 | 0:16:24 | |
Choo-choo! The railway lamp is priced at £65. | 0:16:25 | 0:16:29 | |
The railway sign is £140. | 0:16:29 | 0:16:31 | |
What's your best, then, Paul? | 0:16:31 | 0:16:33 | |
The two together, the cast-iron and the lamp, | 0:16:33 | 0:16:35 | |
bottom price would be a straight £100. | 0:16:35 | 0:16:37 | |
-WHISPERS: -What about £90? | 0:16:37 | 0:16:40 | |
-Shh! 90. -As we bought your lovely cars. -You'd be doing us a... | 0:16:40 | 0:16:43 | |
All right, as you bought the Dinky toys as well, deal. | 0:16:43 | 0:16:46 | |
-Lovely. -Are you happy with that? -Yeah. | 0:16:46 | 0:16:48 | |
A nice bit of bargaining from Cliff bags them the 1940s railway sign for | 0:16:50 | 0:16:55 | |
£65 and vintage railway lamp for 25. | 0:16:55 | 0:16:59 | |
Top notch, I'd say. | 0:16:59 | 0:17:01 | |
Judy and Phil are taking a detour | 0:17:05 | 0:17:07 | |
from shopping and heading to Dover. | 0:17:07 | 0:17:09 | |
Somebody once told me there's a massive difference | 0:17:11 | 0:17:13 | |
between being Kent and Kentish. | 0:17:13 | 0:17:15 | |
Kentish is sort of almost like... | 0:17:15 | 0:17:17 | |
..the London side of Kent. | 0:17:19 | 0:17:21 | |
Oh, right, right, right. | 0:17:21 | 0:17:22 | |
And a man of Kent is more of the hop fields and Darling Buds of May and | 0:17:22 | 0:17:26 | |
-all that sort of stuff. -Yes, yes, yes. | 0:17:26 | 0:17:28 | |
Before the Royal Navy was formed in the 16th century, | 0:17:29 | 0:17:33 | |
local mariners were once this country's first line of defence. | 0:17:33 | 0:17:38 | |
Five ports on the southeast coast maintained a fleet of ships that the | 0:17:38 | 0:17:42 | |
monarch could call upon at any time to defend England from attack. | 0:17:42 | 0:17:47 | |
Known as the Cinque Ports, or "sank" ports, | 0:17:47 | 0:17:51 | |
Hastings, Romney, Hythe, | 0:17:51 | 0:17:52 | |
Dover and Sandwich played a key role | 0:17:52 | 0:17:54 | |
in the development of Great Britain | 0:17:54 | 0:17:56 | |
as a naval superpower. | 0:17:56 | 0:17:57 | |
It's here, at Dover Castle, | 0:18:00 | 0:18:01 | |
that Len Howell from English Heritage has the story. | 0:18:01 | 0:18:05 | |
Hello, I'm Judy. | 0:18:05 | 0:18:06 | |
Hello. Hello. I'm Len. | 0:18:06 | 0:18:08 | |
Welcome to Dover Castle, in Dover, one of the Cinque Ports. | 0:18:08 | 0:18:11 | |
Why is it called Cinque Ports? | 0:18:11 | 0:18:13 | |
Because there were five of them, basically. | 0:18:13 | 0:18:15 | |
It goes back to the French word cinque, Cinque. | 0:18:15 | 0:18:18 | |
One of the visitors to the castle actually said that that is Norman | 0:18:18 | 0:18:21 | |
French, rather than high French. | 0:18:21 | 0:18:23 | |
So "sink" rather than "sank". | 0:18:23 | 0:18:24 | |
In 1066, | 0:18:25 | 0:18:27 | |
William Duke of Normandy sailed across the Channel with his army and | 0:18:27 | 0:18:31 | |
invaded. England offers little naval resistance and the vulnerability of | 0:18:31 | 0:18:35 | |
the coast was clear. | 0:18:35 | 0:18:37 | |
So, when William the Conqueror took to the throne, | 0:18:37 | 0:18:40 | |
he prioritised the creation of coastal defences | 0:18:40 | 0:18:44 | |
at five key points along | 0:18:44 | 0:18:45 | |
the southeast of England, naming them Cinque Ports. | 0:18:45 | 0:18:49 | |
The purpose of the Cinque Ports was to provide protection for royalty. | 0:18:49 | 0:18:53 | |
-Doing what, why? -It was providing ships is the prime function here. | 0:18:54 | 0:18:58 | |
There was no Royal Navy then. | 0:18:58 | 0:19:00 | |
If you were involved in fighting at sea, | 0:19:00 | 0:19:03 | |
you needed experienced mariners to be able to do that. | 0:19:03 | 0:19:07 | |
Before they started, you'd have hired mercenaries. | 0:19:07 | 0:19:10 | |
But it became an established idea that it was probably cheaper | 0:19:10 | 0:19:14 | |
and more convenient to have a range of ports that were obliged | 0:19:14 | 0:19:19 | |
to give you service | 0:19:19 | 0:19:21 | |
in return for certain privileges | 0:19:21 | 0:19:23 | |
-that those ports then gained from the Crown. -What did they get back? | 0:19:23 | 0:19:27 | |
A lot. They had many tax benefits. | 0:19:27 | 0:19:31 | |
And they had the right to control their own laws. | 0:19:31 | 0:19:33 | |
There were financial benefits and kudos benefits that came | 0:19:33 | 0:19:36 | |
-to the Cinque portsmen. -How long were the Cinque Ports in operation? | 0:19:36 | 0:19:40 | |
They were very active during the 11th century. | 0:19:40 | 0:19:45 | |
The 12th century was coming to their heyday, and the early 13th century, | 0:19:45 | 0:19:49 | |
but after the 13th started to go on, | 0:19:49 | 0:19:53 | |
they began to decline in their influence and their importance, | 0:19:53 | 0:19:57 | |
especially as the provision of ships for the monarch. | 0:19:57 | 0:20:00 | |
But certainly, by the time we get to the end of the 15th century, | 0:20:00 | 0:20:04 | |
when Henry VII comes to the throne, | 0:20:04 | 0:20:06 | |
he's actually building purpose-built warships. | 0:20:06 | 0:20:10 | |
Cinque Ports proved effective and successful. | 0:20:10 | 0:20:13 | |
The Battle of Sandwich in 1217 was one of the most important naval | 0:20:13 | 0:20:17 | |
engagements of the time. | 0:20:17 | 0:20:18 | |
Cinque Ports ships destroyed a much larger French fleet intent | 0:20:18 | 0:20:22 | |
on invading England. | 0:20:22 | 0:20:24 | |
The Cinque Ports were last called upon in 1588, | 0:20:24 | 0:20:27 | |
to provide defence against the Spanish Armada. | 0:20:27 | 0:20:30 | |
And who is in charge? | 0:20:30 | 0:20:33 | |
The most important person within the Cinque Ports | 0:20:33 | 0:20:36 | |
was generally considered to be the Lord Warden, | 0:20:36 | 0:20:38 | |
which was the monarch's representative | 0:20:38 | 0:20:41 | |
within the Cinque Ports Federation themselves. | 0:20:41 | 0:20:44 | |
The Lord Warden and Admiral of the Cinque Ports | 0:20:47 | 0:20:50 | |
and Constable of Dover Castle | 0:20:50 | 0:20:52 | |
was once one of the most powerful officials in the kingdom. | 0:20:52 | 0:20:56 | |
So, these are the arms of almost 1,000 years' worth of wardens. | 0:20:56 | 0:20:59 | |
-Yeah, exactly, yeah. -How many is there? | 0:20:59 | 0:21:02 | |
Some lasted not very long, but a lot were Lords Warden for ten, 20, | 0:21:02 | 0:21:06 | |
-30 years. -And what did they have to do? | 0:21:06 | 0:21:09 | |
Basically, they are the monarch's representative. | 0:21:09 | 0:21:12 | |
These days, they represent the Cinque Ports at certain functions. | 0:21:12 | 0:21:16 | |
If you go back, they were taking control of a lot of the courts of | 0:21:16 | 0:21:20 | |
the Cinque Ports, | 0:21:20 | 0:21:21 | |
dealing with different matters, mostly maritime matters. | 0:21:21 | 0:21:24 | |
But these days, it is just a figurehead | 0:21:24 | 0:21:26 | |
for the Cinque Ports Association | 0:21:26 | 0:21:28 | |
-themselves. -Very roughly, | 0:21:28 | 0:21:30 | |
what date did this change from becoming operative to titular? | 0:21:30 | 0:21:34 | |
Well, certainly by the time we get to the beginning of the 15th century, | 0:21:34 | 0:21:37 | |
it definitely was then, | 0:21:37 | 0:21:38 | |
because the importance of the fleet as a fighting force is recognised as | 0:21:38 | 0:21:43 | |
being slipping away. | 0:21:43 | 0:21:44 | |
Over the centuries, the office has been bestowed upon prime ministers | 0:21:46 | 0:21:50 | |
and distinguished wartime leaders, | 0:21:50 | 0:21:52 | |
like the Duke of Wellington and Sir Winston Churchill. | 0:21:52 | 0:21:55 | |
The only woman to have ever held the office is the Queen Mother. | 0:21:55 | 0:21:59 | |
Although few of their ancient privileges survive today, | 0:21:59 | 0:22:02 | |
Cinque Ports played an important and often violent role in developing the | 0:22:02 | 0:22:07 | |
nation's seafaring and naval traditions. | 0:22:07 | 0:22:09 | |
-Thank you very much. -It's been a pleasure. | 0:22:09 | 0:22:11 | |
-It's been absolutely fascinating. -Thank you very much. | 0:22:11 | 0:22:13 | |
-Lovely, thank you very much. -Your enthusiasm is very catching. | 0:22:13 | 0:22:16 | |
Thank you very much indeed. Shall we head out? | 0:22:16 | 0:22:18 | |
Further along the coast, | 0:22:23 | 0:22:24 | |
Cliff and Catherine are about to invade another of the Cinque Ports, | 0:22:24 | 0:22:28 | |
the small coastal town of Hythe. | 0:22:28 | 0:22:31 | |
With £260 still to spend, they've arrived at the Malthouse, | 0:22:31 | 0:22:36 | |
an antiques centre with 25 dealers under one roof. | 0:22:36 | 0:22:39 | |
-WHISPERS: -There are some really nice books here. | 0:22:42 | 0:22:44 | |
-Look at that. -They're a bit specialist. -A bit specialist. | 0:22:44 | 0:22:47 | |
Toys! I can't bear any more toy cars. | 0:22:48 | 0:22:51 | |
That's a proper Call The Midwife dress. | 0:22:55 | 0:22:58 | |
That's tiny. | 0:22:58 | 0:22:59 | |
We've bought boys' things. | 0:22:59 | 0:23:00 | |
Yeah, let's get some something girlie. | 0:23:00 | 0:23:03 | |
So maybe silver, maybe jewellery. | 0:23:03 | 0:23:05 | |
-Something a bit posh. -A bit posh. | 0:23:05 | 0:23:07 | |
With a bit of age to it but quality. | 0:23:07 | 0:23:09 | |
-Top-notch. -Right, like that top, top-notch. | 0:23:09 | 0:23:12 | |
-Like us. -Like us! | 0:23:12 | 0:23:15 | |
There you go. | 0:23:15 | 0:23:16 | |
-Sparkly. Come and look. -Sparkly, sparkly. | 0:23:16 | 0:23:19 | |
-What do you think of that lot, then? -What do YOU think of that lot, then? | 0:23:19 | 0:23:22 | |
How much is that lot? | 0:23:22 | 0:23:23 | |
Oh, wow! | 0:23:24 | 0:23:26 | |
Don't worry, Ali. He's just pulling your leg. | 0:23:27 | 0:23:30 | |
-That's nice. -Arts & Crafts. -Arts & Crafts, little bowl. | 0:23:30 | 0:23:34 | |
-Bonbon dish. It's quite stylish. -Yeah. -And it's quite weighty. | 0:23:34 | 0:23:41 | |
But how much is on that? | 0:23:43 | 0:23:44 | |
£98. That's not £98 for us. | 0:23:44 | 0:23:47 | |
I can come down. | 0:23:49 | 0:23:50 | |
We like people that come down. | 0:23:51 | 0:23:53 | |
What about this pair of trumpet vases? | 0:23:53 | 0:23:56 | |
I think I've got... | 0:23:56 | 0:23:57 | |
What have I got on them? | 0:23:58 | 0:24:00 | |
These are sort of 1930s, aren't they? | 0:24:01 | 0:24:03 | |
They're older than that. | 0:24:03 | 0:24:04 | |
That one looks very... | 0:24:04 | 0:24:06 | |
Can you see that? That's a little bit worn on the top. | 0:24:06 | 0:24:08 | |
What I like is that they're quite simple in their design. | 0:24:08 | 0:24:11 | |
That's why I thought they were '30s. | 0:24:11 | 0:24:12 | |
Are they really much earlier? | 0:24:12 | 0:24:14 | |
-There are about 1919. -1919... -I could do them for 60. | 0:24:14 | 0:24:18 | |
They have got kind of a look of Deco, haven't they? | 0:24:18 | 0:24:21 | |
Exactly. Which is why I think... | 0:24:21 | 0:24:22 | |
-Yeah. -..they're more sort of late '20s, early '30s. | 0:24:22 | 0:24:25 | |
I like them. I think they're really nice. | 0:24:25 | 0:24:26 | |
That's two possibles. | 0:24:26 | 0:24:28 | |
But is there a third piece of silver in the offing to? | 0:24:28 | 0:24:32 | |
This is quite nice, isn't it? | 0:24:32 | 0:24:34 | |
-Little pin tray. -William Cummins. | 0:24:34 | 0:24:36 | |
William Cummings. | 0:24:36 | 0:24:37 | |
-Oh, William Cummings. -You know him? | 0:24:37 | 0:24:39 | |
Good friend of yours? | 0:24:39 | 0:24:40 | |
-Sorry. -Well, I mean, in the name of... | 0:24:40 | 0:24:42 | |
In the name of smalls, silver smalls, he's a pretty good name. | 0:24:42 | 0:24:47 | |
He's up there. But what's lovely about this being heart-shaped, | 0:24:47 | 0:24:50 | |
a little pin tray, it's all repousse. | 0:24:50 | 0:24:52 | |
It's all been sort of hammered from the back | 0:24:52 | 0:24:54 | |
to create this lovely little | 0:24:54 | 0:24:56 | |
pattern, and you've got little love birds and little swags and... | 0:24:56 | 0:25:00 | |
It would look lovely on a dressing table. | 0:25:00 | 0:25:02 | |
-Yeah. -There. And it's actually got quite a nice clear hallmark there. | 0:25:02 | 0:25:05 | |
So that is B, so that's about 1901, 1902. | 0:25:05 | 0:25:09 | |
-Yeah. -And what's... | 0:25:09 | 0:25:11 | |
What have you got on that? | 0:25:11 | 0:25:12 | |
I can do... The best I can do on that is 40. | 0:25:12 | 0:25:15 | |
-What do you think? -Looks to me like, I haven't got my glasses on, | 0:25:15 | 0:25:18 | |
but it looks like someone's been hitting that with a hammer, | 0:25:18 | 0:25:21 | |
-but I'll take your word for it. -This is quality silversmithing! | 0:25:21 | 0:25:24 | |
So what's the best deal you can give us for all three? | 0:25:24 | 0:25:31 | |
I could do 110 for the three pieces. | 0:25:31 | 0:25:35 | |
I think we should buy it. | 0:25:35 | 0:25:37 | |
-What? -All of them. -All of it? -All of it. | 0:25:37 | 0:25:39 | |
-Do you? -Let's take the lot. | 0:25:39 | 0:25:41 | |
You're a bit of a gambler, aren't you? | 0:25:41 | 0:25:43 | |
-OK. So we're going to buy the trumpet vases... -Yeah. | 0:25:43 | 0:25:47 | |
..the Arts & Crafts... | 0:25:49 | 0:25:50 | |
-Bowl. -..bonbon dish. -Yeah. | 0:25:50 | 0:25:53 | |
And the William Cummings pin tray, | 0:25:53 | 0:25:55 | |
which you didn't like. | 0:25:55 | 0:25:56 | |
-Yes, it's lovely. -You hate it, don't you? | 0:25:56 | 0:25:59 | |
No, no. It's nice, it's nice. | 0:25:59 | 0:26:01 | |
It's nice, isn't it? | 0:26:01 | 0:26:02 | |
It is lovely. | 0:26:02 | 0:26:03 | |
Cliff may not be completely sold, but they're going for it anyway. | 0:26:04 | 0:26:08 | |
-Thank you. -That's a bargain - £30 for the pin dish, | 0:26:08 | 0:26:11 | |
£40 for the trumpet vases and another 40 for the bonbon dish. | 0:26:11 | 0:26:15 | |
-Thank you. -Thank you very much. | 0:26:17 | 0:26:19 | |
After a busy day of buying, | 0:26:21 | 0:26:23 | |
it's time for our weary celebrities and experts to have a well-earned | 0:26:23 | 0:26:27 | |
rest, so nighty-night. | 0:26:27 | 0:26:29 | |
It's the next morning. | 0:26:31 | 0:26:33 | |
Cliff and Judy are back together and making their way to Cliffsend, | 0:26:33 | 0:26:37 | |
to meet their experts. | 0:26:37 | 0:26:39 | |
Bill was wonderful and very helpful to me. | 0:26:39 | 0:26:41 | |
-Was he? -Yes, he was. | 0:26:41 | 0:26:43 | |
He was absolutely lovely. | 0:26:43 | 0:26:44 | |
Because, you know, he did exactly what I wanted him to do. | 0:26:45 | 0:26:49 | |
HE CHUCKLES | 0:26:49 | 0:26:50 | |
Everybody does what you want them to do, Judy. | 0:26:50 | 0:26:53 | |
Otherwise, there's trouble. | 0:26:53 | 0:26:55 | |
Judy is a buying machine. | 0:26:55 | 0:26:58 | |
I would not want to play cards with her, | 0:26:58 | 0:27:00 | |
cos there's just this completely... | 0:27:00 | 0:27:02 | |
..expressionless face. | 0:27:03 | 0:27:05 | |
"That's what I'll offer you for it." | 0:27:05 | 0:27:07 | |
Catherine thought I was marvellous. | 0:27:07 | 0:27:09 | |
She thought I had a brilliant eye and... | 0:27:09 | 0:27:12 | |
And I was instinctive. | 0:27:14 | 0:27:15 | |
Possibly... | 0:27:16 | 0:27:18 | |
a touch too instinctive! | 0:27:18 | 0:27:20 | |
He's a good chap, but buying, shopping... | 0:27:22 | 0:27:25 | |
..it's a big no-no for him. | 0:27:26 | 0:27:27 | |
-Really? -Because he just goes in and he says, "Yeah, we'll have that. | 0:27:27 | 0:27:32 | |
"Shall we have that as well and that?" | 0:27:32 | 0:27:34 | |
If I'd have let him, we would have bought everything. | 0:27:34 | 0:27:37 | |
So, Cliff and Catherine have already bought five lots | 0:27:39 | 0:27:42 | |
to take to auction - | 0:27:42 | 0:27:43 | |
the vintage Dinky cars, the 1940s railway sign, | 0:27:43 | 0:27:46 | |
the vintage railway lamp, | 0:27:46 | 0:27:48 | |
the heart-shaped pin dish | 0:27:48 | 0:27:50 | |
and the pair of trumpet vases and bonbon dish, | 0:27:50 | 0:27:53 | |
leaving them a £150 purse. | 0:27:53 | 0:27:57 | |
Don't wind me up. | 0:27:57 | 0:27:58 | |
Meanwhile, Judy and Phil have bought three things - | 0:28:00 | 0:28:03 | |
the leather telescope, the 19th-century wastepaper bin | 0:28:03 | 0:28:06 | |
-and the paduak table. -Can we afford ten? | 0:28:06 | 0:28:09 | |
We can save up, can't we? | 0:28:09 | 0:28:10 | |
Which means they still have £290 available to spend. | 0:28:10 | 0:28:15 | |
Do you know what I'm going to be looking for today? | 0:28:15 | 0:28:17 | |
-No. -I'm going to give you a little tip. -All right. | 0:28:17 | 0:28:19 | |
Orange '70s plastic. | 0:28:19 | 0:28:21 | |
Orange '70s... | 0:28:22 | 0:28:24 | |
My idea of hell. | 0:28:24 | 0:28:26 | |
HE LAUGHS | 0:28:26 | 0:28:27 | |
Absolutely. I mean, orange is not my favourite colour. | 0:28:27 | 0:28:32 | |
It's very '70s. | 0:28:32 | 0:28:33 | |
-Orange, purple. -I lived through it, I don't have to go back there. | 0:28:33 | 0:28:37 | |
I remember you in the '70s, Judy. | 0:28:37 | 0:28:38 | |
Yes, I was amazing. | 0:28:38 | 0:28:40 | |
You still are! | 0:28:40 | 0:28:42 | |
Look what happened. | 0:28:42 | 0:28:44 | |
You are still just as wonderful as you were, Judy. | 0:28:44 | 0:28:47 | |
Here they are, look. | 0:28:47 | 0:28:49 | |
They are raring to go again. | 0:28:50 | 0:28:51 | |
-Hello! -Good morning. | 0:28:55 | 0:28:57 | |
Good morning. Lovely to see you. | 0:28:57 | 0:28:59 | |
Are you ready? | 0:28:59 | 0:29:01 | |
Yeah. Good luck today, Judy. | 0:29:01 | 0:29:03 | |
Not too much luck to you. | 0:29:03 | 0:29:05 | |
-Yeah. -Enjoy yourself. -We will. | 0:29:05 | 0:29:07 | |
Yeah, it's a wonderful day. | 0:29:07 | 0:29:08 | |
I know, it is a good day. You are in that one. | 0:29:08 | 0:29:10 | |
Oh, I'm in that one! | 0:29:10 | 0:29:11 | |
See you. | 0:29:14 | 0:29:16 | |
Bye! Good luck - no. | 0:29:16 | 0:29:18 | |
-Thank you! -Early birds and worms! | 0:29:18 | 0:29:20 | |
Absolutely. | 0:29:20 | 0:29:21 | |
-Onwards. -CATHERINE: -Fabulous. | 0:29:21 | 0:29:24 | |
Come on, Phil, get a shift on. | 0:29:24 | 0:29:25 | |
The other two are getting away! | 0:29:25 | 0:29:27 | |
# Get your motor running | 0:29:30 | 0:29:33 | |
# Get out on the highway | 0:29:33 | 0:29:35 | |
# Looking for adventure | 0:29:36 | 0:29:38 | |
# And whatever comes my way! # | 0:29:38 | 0:29:41 | |
Oi, mate... | 0:29:43 | 0:29:44 | |
You're such a friendly guy, you are, aren't you? | 0:29:47 | 0:29:50 | |
-You've got this massive... -Oi, mate. | 0:29:50 | 0:29:52 | |
You've got this massive cheeky smile. | 0:29:52 | 0:29:54 | |
And that is just how you are, that is who you play | 0:29:54 | 0:29:57 | |
-in Call The Midwife. -Hiya, mate. | 0:29:57 | 0:29:58 | |
Hiya, mate! Ice cream? | 0:30:00 | 0:30:02 | |
While Cliff's busy making friends with the locals, | 0:30:05 | 0:30:08 | |
Judy and Phil are making their way | 0:30:08 | 0:30:10 | |
to the seaside town of Ramsgate. | 0:30:10 | 0:30:13 | |
You've been a career actress, haven't you? | 0:30:13 | 0:30:15 | |
-Well, I think so! -Which was the role that got away? | 0:30:15 | 0:30:18 | |
-Ah... -That you wished you'd played? | 0:30:18 | 0:30:21 | |
I played Mary, Queen of Scots, in Vivat! Vivat Regina! in London. | 0:30:21 | 0:30:24 | |
-Yeah. -Which was wonderful, she was an amazing woman, I loved doing it. | 0:30:24 | 0:30:28 | |
But basically my heart's always been Elizabeth I. | 0:30:28 | 0:30:32 | |
And I've done it on radio, | 0:30:32 | 0:30:34 | |
but I've never played her, and I've always wanted to play Elizabeth I. | 0:30:34 | 0:30:38 | |
And the parts that got away... | 0:30:38 | 0:30:39 | |
are endless, cos Judi Dench plays all the parts I want to play! | 0:30:39 | 0:30:44 | |
-So you could have been M? -I could have. -You could. | 0:30:44 | 0:30:47 | |
And I could have been Bond! Well, there's no need to laugh, Judy! | 0:30:47 | 0:30:50 | |
There's no need to laugh. | 0:30:50 | 0:30:52 | |
I can see it now. "The name's Serrell. | 0:30:52 | 0:30:55 | |
"Phil Serrell." | 0:30:55 | 0:30:57 | |
Secret Agent Serrell and J have arrived at Petticoat Lane Emporium. | 0:30:57 | 0:31:02 | |
Shall we go and tear the place apart? | 0:31:02 | 0:31:05 | |
Let's go and find treasure. | 0:31:05 | 0:31:06 | |
With loads of dealers' stalls | 0:31:08 | 0:31:11 | |
packed to the gunwales with antiques and vintage goods, | 0:31:11 | 0:31:14 | |
they're sure to find something. | 0:31:14 | 0:31:15 | |
-Aren't they? -Judy... -Yes? -Do you think this is my colour? | 0:31:15 | 0:31:18 | |
I think it's wonderful, but have you got the arms for it? | 0:31:20 | 0:31:23 | |
I don't think I've got anything for it! | 0:31:23 | 0:31:25 | |
-Look. Judy... -That's in case I forget my name. -Judy... | 0:31:27 | 0:31:32 | |
-Judy and Cliff! -Oh, Judy and Cliff. -It's got a ring to it, hasn't it? | 0:31:33 | 0:31:38 | |
-It has. -Yeah. -But not one I would like to wear. | 0:31:38 | 0:31:40 | |
-Put it down. -What is it? | 0:31:43 | 0:31:46 | |
SHE LAUGHS | 0:31:46 | 0:31:48 | |
Judy, what is this? | 0:31:50 | 0:31:51 | |
I don't know, what is it? | 0:31:51 | 0:31:53 | |
It looks like a straitjacket. | 0:31:53 | 0:31:55 | |
-For a very tall person. -That rules me out. | 0:31:55 | 0:31:58 | |
TIM LAUGHS | 0:31:58 | 0:31:59 | |
I think you'll find it's a canvas and wood mountain rescue stretcher, | 0:31:59 | 0:32:03 | |
from the '50s. | 0:32:03 | 0:32:04 | |
That's just what it is, it's a stretcher, isn't it? | 0:32:04 | 0:32:06 | |
Yeah, it's a stretcher. | 0:32:08 | 0:32:09 | |
-Told you so. -Probably for very thin ill people, as well! | 0:32:09 | 0:32:13 | |
You wouldn't get fat ill people on there, would you? | 0:32:13 | 0:32:16 | |
But I think that unfolds... | 0:32:16 | 0:32:18 | |
They unfurl there, don't they? | 0:32:18 | 0:32:20 | |
Is there a label that gives us a bit of a clue? | 0:32:20 | 0:32:22 | |
It says, "Vintage mountain rescue stretcher. | 0:32:22 | 0:32:27 | |
-"Rare." You can't argue with that, can you? -No, you can't. | 0:32:27 | 0:32:30 | |
CLANG! | 0:32:30 | 0:32:31 | |
I think somebody might need that now. | 0:32:31 | 0:32:33 | |
Hello! | 0:32:34 | 0:32:36 | |
Oh, I think we should have a go at that, I think that's... | 0:32:38 | 0:32:40 | |
-Do you really? -With the right price. | 0:32:40 | 0:32:41 | |
The stretcher is a possibility. | 0:32:41 | 0:32:44 | |
No mountains round here, though. | 0:32:44 | 0:32:46 | |
Time to split up. | 0:32:46 | 0:32:48 | |
I don't know why I always seem to gravitate towards trunks. | 0:32:48 | 0:32:51 | |
Looks like Judy likes them, too. | 0:32:54 | 0:32:56 | |
It's a silver chest, rather than a trunk. | 0:32:58 | 0:33:00 | |
So in the 18th and 19th centuries, you would keep the family silver... | 0:33:00 | 0:33:05 | |
..in a large trunk or chest like this. | 0:33:06 | 0:33:09 | |
With some glass over the top, it would make a nice coffee table. | 0:33:09 | 0:33:13 | |
Or a storage thing. | 0:33:13 | 0:33:15 | |
I think that's a good thing. | 0:33:15 | 0:33:16 | |
But you could turn that into a really cool coffee table. | 0:33:18 | 0:33:21 | |
Make a great kids' dressing up box or toy box. | 0:33:22 | 0:33:25 | |
I wonder if she'd like that. | 0:33:26 | 0:33:29 | |
I reckon so, mate. | 0:33:29 | 0:33:31 | |
But there's only one way to find out for sure. | 0:33:31 | 0:33:34 | |
I just like this old trunk, you know? | 0:33:34 | 0:33:36 | |
Erm... Or silver chest. | 0:33:36 | 0:33:38 | |
The thing is it's 195 quid, which is a bit punchy. | 0:33:40 | 0:33:44 | |
How old do you think that is? | 0:33:44 | 0:33:45 | |
I would think that's probably about 1850, 1860. | 0:33:45 | 0:33:49 | |
-Can I show you what I've just seen? -Yeah, yeah. -OK. | 0:33:49 | 0:33:52 | |
-What do you think of this? -A trunk! | 0:33:52 | 0:33:55 | |
I love that, that's quite cool! | 0:33:55 | 0:33:57 | |
So which do you think is the better one? | 0:33:57 | 0:33:59 | |
-How much is that one? -110. | 0:33:59 | 0:34:01 | |
Well, I'm already drawn to that one | 0:34:03 | 0:34:05 | |
-cos it's, like, half the money almost. -Really? -Yes. | 0:34:05 | 0:34:07 | |
It says "Southampton, 11th of July '63. AA Blackman." | 0:34:07 | 0:34:11 | |
They settle on Judy's trunk | 0:34:14 | 0:34:17 | |
and that £45 mountain rescue thingamajig. | 0:34:17 | 0:34:20 | |
Let's talk money with dealer Zack. Zack? | 0:34:20 | 0:34:22 | |
I'd like to have a look at this and the mountain rescue thing at | 0:34:22 | 0:34:25 | |
sort of... | 0:34:25 | 0:34:27 | |
-65 quid, really. That's where I... -For the lot. -For both? -Yeah, both. | 0:34:27 | 0:34:32 | |
-80...on the...on the two. -70 quid, we'll shake your hand. | 0:34:32 | 0:34:35 | |
-75. -Toss a coin? | 0:34:35 | 0:34:37 | |
-Yes. -OK, and what's it between? | 0:34:37 | 0:34:39 | |
-70, or...? -70 and 75. | 0:34:39 | 0:34:41 | |
-OK, all right. -Yeah. | 0:34:41 | 0:34:42 | |
-Tails. -So, if it's tails, it's 75. | 0:34:43 | 0:34:46 | |
-No, heads. -Heads it's 75 and tails it's 70, yeah? | 0:34:46 | 0:34:49 | |
Yeah. | 0:34:49 | 0:34:51 | |
-It's a tail. -Oh. | 0:34:51 | 0:34:52 | |
-Never change your mind. -There you go, you see. -There you go. | 0:34:52 | 0:34:55 | |
-You're a star, mate. -All right. -Thank you very much. | 0:34:55 | 0:34:57 | |
No worries. It's been a pleasure. | 0:34:57 | 0:34:58 | |
-Thank you. -Thank you very much, thank you. | 0:34:58 | 0:35:00 | |
-No worries. -That toss of the coin secures them the late Victorian | 0:35:00 | 0:35:03 | |
trunk for £50 and the vintage stretcher for 20. | 0:35:03 | 0:35:07 | |
Meanwhile, our other duo | 0:35:11 | 0:35:12 | |
are making their way to Manston, | 0:35:12 | 0:35:14 | |
where Catherine has a treat in store for aviation fanatic Cliff. | 0:35:14 | 0:35:18 | |
So, you are an amateur pilot? | 0:35:19 | 0:35:21 | |
-I am. -What can you fly - rockets, commercial airlines, two by two, | 0:35:21 | 0:35:25 | |
-little two...one-seater? -Four-seater. -Four-seater! | 0:35:25 | 0:35:29 | |
-Four-seater. -That is impressive. -But I'm not fully qualified yet, | 0:35:29 | 0:35:33 | |
so I'm not allowed to take you up without another pilot being with me. | 0:35:33 | 0:35:36 | |
-Right. -But I can go up solo on my own. | 0:35:36 | 0:35:40 | |
-Oh, yes. -So, you've not got your licence yet? | 0:35:40 | 0:35:43 | |
-Or you...? -No. -Not quite. | 0:35:43 | 0:35:44 | |
-No. -I'm really impressed with you being a pilot. | 0:35:44 | 0:35:48 | |
-Sorry? -Cap'n! Captain Cliff. | 0:35:48 | 0:35:50 | |
-Commander, please. -Commander. Oh, Commander Cliff! | 0:35:50 | 0:35:53 | |
-Commander of my own aircraft. -Ah! -I should say so! -Cap'n. | 0:35:53 | 0:35:57 | |
With Wing Commander Cliff's passion for aviation in mind, | 0:35:57 | 0:36:01 | |
Catherine's taking him on a detour to find out about an unsung hero | 0:36:01 | 0:36:05 | |
of the Battle of Britain. | 0:36:05 | 0:36:06 | |
They've come to the Manston Spitfire and Hurricane Memorial Museum | 0:36:06 | 0:36:10 | |
to hear all about the aircraft's history | 0:36:10 | 0:36:12 | |
from trust manager Matt Demedts. | 0:36:12 | 0:36:15 | |
-Hi, there. -Hello, guys. -Hi, Catherine. | 0:36:15 | 0:36:17 | |
-Thanks for having us here! -Nice to meet you, I'm Matt. | 0:36:17 | 0:36:19 | |
-Wow! -Hi, I'm Cliff, how are you? -Hello, Cliff. -Look at that. | 0:36:19 | 0:36:21 | |
A major air campaign fought over southern England in the summer | 0:36:23 | 0:36:26 | |
and autumn of 1940, | 0:36:26 | 0:36:27 | |
the Battle of Britain was one of the most important victories of the | 0:36:27 | 0:36:31 | |
Second World War. | 0:36:31 | 0:36:32 | |
When people think of this crucial campaign, | 0:36:32 | 0:36:34 | |
it's the Supermarine Spitfire that normally springs to mind. | 0:36:34 | 0:36:38 | |
But the Hawker Hurricane was, in fact, the principal fighter | 0:36:38 | 0:36:42 | |
of the Battle of Britain, with 19 squadrons of Spitfires, | 0:36:42 | 0:36:46 | |
compared to 32 with Hurricanes. | 0:36:46 | 0:36:49 | |
For, as Michael Caine used to say, not a lot of people know that. | 0:36:49 | 0:36:52 | |
Now, the reason it's less known is because, for lack of a better word, | 0:36:52 | 0:36:56 | |
it's not as sexy, as they say in aircraft terminology. | 0:36:56 | 0:36:59 | |
The Spitfire would be a racehorse, | 0:36:59 | 0:37:01 | |
this aircraft is really a draft horse, | 0:37:01 | 0:37:04 | |
this is doing the majority of the work. | 0:37:04 | 0:37:05 | |
The advantage of the Hurricane - | 0:37:05 | 0:37:07 | |
first of all, there being far more of them. | 0:37:07 | 0:37:08 | |
But also it's a far more reliable gun platform, very steady aircraft. | 0:37:08 | 0:37:11 | |
So, what they used to do is, | 0:37:11 | 0:37:13 | |
Hurricane pilots would attack bombers, | 0:37:13 | 0:37:15 | |
German bomber formations, | 0:37:15 | 0:37:16 | |
with the aim of dispersing or shooting down | 0:37:16 | 0:37:19 | |
as many German aircraft before | 0:37:19 | 0:37:21 | |
they reached their targets. | 0:37:21 | 0:37:22 | |
Even though the Hurricane shot down more aircraft than all other air and | 0:37:22 | 0:37:27 | |
ground defences put together, | 0:37:27 | 0:37:29 | |
its achievements are eclipsed by the Spitfire's speed, | 0:37:29 | 0:37:32 | |
graceful silhouette and romantic legend. | 0:37:32 | 0:37:35 | |
So, what was the main difference in construction | 0:37:35 | 0:37:37 | |
between the Hurricane and the Spitfire? | 0:37:37 | 0:37:39 | |
The Hurricane is made of a mixture of materials. | 0:37:39 | 0:37:41 | |
So, wood and canvas for the rear section, | 0:37:41 | 0:37:43 | |
and then aluminium for the front section. | 0:37:43 | 0:37:45 | |
The Spitfire, being a later aircraft, | 0:37:45 | 0:37:47 | |
was designed entirely and built entirely out of aluminium. | 0:37:47 | 0:37:50 | |
But what they found with the Hurricane is, | 0:37:50 | 0:37:52 | |
because of its simpler design, | 0:37:52 | 0:37:54 | |
it was easier to repair and fix during combat situations. | 0:37:54 | 0:37:58 | |
So, indeed if you... If a German round went through the Hurricane, | 0:37:58 | 0:38:01 | |
it was simply a matter of patching up, | 0:38:01 | 0:38:02 | |
as you would do almost with a bit of clothing, really. | 0:38:02 | 0:38:04 | |
Whereas, if there's any damage to a Spitfire, | 0:38:04 | 0:38:06 | |
it's a whole panel that has to come off, | 0:38:06 | 0:38:08 | |
specialised tools and all that sort of thing. | 0:38:08 | 0:38:10 | |
What was the ratio during the Battle of Britain | 0:38:10 | 0:38:13 | |
between Allied planes and enemy aircraft? | 0:38:13 | 0:38:15 | |
There's roughly 800 aircraft ready for action on the RAF side. | 0:38:15 | 0:38:19 | |
The German Luftwaffe is attacking the RAF with well over 1,400 - | 0:38:19 | 0:38:23 | |
so, 1,400 - aircraft of different types. | 0:38:23 | 0:38:27 | |
That said, the main advantage that the RAF has is that all 800 are | 0:38:27 | 0:38:31 | |
fighters. Obviously, a great majority of the German aircraft | 0:38:31 | 0:38:34 | |
are bombers. | 0:38:34 | 0:38:36 | |
During the Battle of Britain, | 0:38:39 | 0:38:40 | |
the Luftwaffe was dealt an almost lethal blow | 0:38:40 | 0:38:43 | |
from which it never fully recovered. | 0:38:43 | 0:38:45 | |
Much of this success was thanks to the Hurricane | 0:38:45 | 0:38:48 | |
and, of course, their brave pilots. | 0:38:48 | 0:38:49 | |
BELL RINGS | 0:38:51 | 0:38:52 | |
When Britain faced attack, the pilots would be ordered to scramble. | 0:38:52 | 0:38:57 | |
Every second counted | 0:38:57 | 0:38:58 | |
and they had less than five minutes to kit up and get into their planes. | 0:38:58 | 0:39:02 | |
It was no mean feat | 0:39:02 | 0:39:03 | |
and flying fan Cliff reckons he's up for the challenge. | 0:39:03 | 0:39:07 | |
-Are you ready? -I'm ready. | 0:39:07 | 0:39:09 | |
Three, two, one... | 0:39:09 | 0:39:11 | |
-BOTH: -Scramble! | 0:39:11 | 0:39:12 | |
Come on, come on! | 0:39:13 | 0:39:14 | |
Come on, come on! Scramble! A bit quicker! | 0:39:18 | 0:39:21 | |
-Quicker! -You're already past 15 seconds there. | 0:39:21 | 0:39:24 | |
-Oh! -Oh! -That's quite all right, keep going! | 0:39:24 | 0:39:27 | |
It's going to be too small for you? | 0:39:27 | 0:39:29 | |
-Quick, quick, quick. -Where's my Mae West! | 0:39:29 | 0:39:31 | |
Quick! Me Mae West! | 0:39:31 | 0:39:32 | |
-We might fall in the drink! -Scramble, scramble, come on! | 0:39:32 | 0:39:35 | |
-Quick, quick, quick! -Fire that plane up! | 0:39:35 | 0:39:37 | |
We can hear... I can already hear them arriving! | 0:39:37 | 0:39:39 | |
-There we go. -Come on! Give me it! | 0:39:39 | 0:39:41 | |
Give me it! Right, I'm gone. | 0:39:41 | 0:39:43 | |
-And he's gone! -You've left your boots! | 0:39:43 | 0:39:46 | |
They went without me! | 0:39:47 | 0:39:49 | |
Victory at the Battle of Britain was key to the overall outcome of the | 0:39:52 | 0:39:57 | |
war, in which the mighty Hawker Hurricane | 0:39:57 | 0:40:00 | |
played a crucial role. | 0:40:00 | 0:40:02 | |
Listen, thank you so much, it's been... | 0:40:02 | 0:40:04 | |
-Thank you. -..brilliant and educational, fabulous. | 0:40:04 | 0:40:06 | |
So, thank you for bringing me here, I've had a lovely time. | 0:40:06 | 0:40:09 | |
-Thank you. -Thank you. | 0:40:09 | 0:40:10 | |
-I think you missed the boat. -I missed the plane, certainly! -Yeah! | 0:40:10 | 0:40:14 | |
For their last spot of shopping | 0:40:20 | 0:40:22 | |
before heading to auction, | 0:40:22 | 0:40:23 | |
both teams are making their way | 0:40:23 | 0:40:25 | |
to Faversham. | 0:40:25 | 0:40:26 | |
Judy and Phil are first to arrive at Aladdin's Loft, | 0:40:26 | 0:40:30 | |
with £220 in their pocket. | 0:40:30 | 0:40:33 | |
Based in a 17th-century monk's granary, | 0:40:33 | 0:40:36 | |
there are a huge range of antiques here. | 0:40:36 | 0:40:39 | |
We're in a very, very lucky position, you know, really. | 0:40:39 | 0:40:42 | |
-We... Yeah? -Cos we've bought five things. | 0:40:42 | 0:40:44 | |
-Yeah. -We didn't really want to buy anything else. | 0:40:44 | 0:40:46 | |
But if we could, if we could add something to our lot... | 0:40:46 | 0:40:48 | |
-Yeah, right. -..we could buy it. But if we don't see it, we won't. | 0:40:48 | 0:40:51 | |
I'm more concerned about where the other lot are. | 0:40:51 | 0:40:53 | |
-Where do you think they are? -Right, mind your head. | 0:40:53 | 0:40:55 | |
Fret not, old bean, | 0:40:55 | 0:40:56 | |
they're bringing up the rear. | 0:40:56 | 0:40:58 | |
With six items already bought, | 0:40:58 | 0:41:00 | |
they have £150 available to spend. | 0:41:00 | 0:41:03 | |
Here we go. | 0:41:03 | 0:41:05 | |
Oh, that's pretty. | 0:41:07 | 0:41:08 | |
-Nice little pearl necklace, isn't it? -We don't need it, do we? | 0:41:08 | 0:41:11 | |
Bracelet, rather. | 0:41:11 | 0:41:12 | |
Ideally, | 0:41:12 | 0:41:14 | |
what would be wonderful would be to find a little car or a little | 0:41:14 | 0:41:18 | |
transporter, | 0:41:18 | 0:41:20 | |
or something to go with our weaker lot, | 0:41:20 | 0:41:23 | |
-which I think is probably the ca... -What?! -Sorry, not weaker. | 0:41:23 | 0:41:26 | |
-The best lot. -Our fabulous lot. | 0:41:26 | 0:41:28 | |
The problem is, we could do more harm than good. | 0:41:28 | 0:41:32 | |
We could be buying some things just for the sake of buying them, | 0:41:32 | 0:41:34 | |
and then adding them to our stuff, and then it kind of ruins them. | 0:41:34 | 0:41:38 | |
-PHIL: -This is cool, isn't it? Look. Travel bar. -Yeah. | 0:41:38 | 0:41:41 | |
-£95. -95... -Bit too much. -But it doesn't go | 0:41:41 | 0:41:44 | |
-with anything we've bought, does it? -No. Very cool thing. | 0:41:44 | 0:41:46 | |
-SHE LAUGHS -Do you like that? | 0:41:46 | 0:41:49 | |
And then you put your shoes, your platform shoes, at the end. | 0:41:49 | 0:41:51 | |
-What are you doing? -IMITATES PUNCH: -That's the way to do it! | 0:41:53 | 0:41:57 | |
-Oh, you've got your Judy, now you've got your Punch! -Yes. | 0:42:01 | 0:42:03 | |
-You found something? -Buses! | 0:42:03 | 0:42:06 | |
What, real buses? | 0:42:06 | 0:42:08 | |
-All aboard! -Oh, I like them. | 0:42:08 | 0:42:10 | |
There are a couple of trams there. | 0:42:10 | 0:42:12 | |
Little tram. Like the trams. | 0:42:12 | 0:42:14 | |
That looks quite new to me. | 0:42:14 | 0:42:16 | |
Yeah, we'll reject that one. Don't want that one. | 0:42:16 | 0:42:19 | |
David D... Gosh. Oh, aren't they wonderful, the old trams? | 0:42:19 | 0:42:23 | |
That's wonderful. Really bashed, though, isn't it? | 0:42:23 | 0:42:26 | |
-Yeah. -Seriously bashed. | 0:42:26 | 0:42:27 | |
I don't think they're up to much, to be honest with you. | 0:42:27 | 0:42:30 | |
-Oh, look out, here's trouble. -CLIFF: -There they are. | 0:42:30 | 0:42:32 | |
Here comes the enemy. | 0:42:32 | 0:42:33 | |
-Yes. -Did you find anything lovely? | 0:42:33 | 0:42:35 | |
-Of course. -Yeah. Actually, we've been bombed out | 0:42:35 | 0:42:37 | |
-with really, really good things. -Really, have you? -Yeah. | 0:42:37 | 0:42:40 | |
-We've been very lucky. -We were done yesterday. | 0:42:40 | 0:42:42 | |
We really wrapped up yesterday, | 0:42:42 | 0:42:44 | |
we've just come to find you to see if you fancy going for some | 0:42:44 | 0:42:47 | |
-refreshments. -Drinkey-poos. -Ooh, I think so. | 0:42:47 | 0:42:50 | |
-Yeah, come on. -You see, I never realised there were two versions | 0:42:50 | 0:42:52 | |
-of the Mona Lisa till we bought that one, did you? -No! | 0:42:52 | 0:42:55 | |
Oh, Philip! | 0:42:58 | 0:42:59 | |
So, it looks like neither team fancied a flutter in the final shop. | 0:42:59 | 0:43:03 | |
Thank you very much for being such good... | 0:43:03 | 0:43:05 | |
-Actually, I'll drink to that. -Aw! We've had such a good time. | 0:43:05 | 0:43:08 | |
Such a wonderful pair. | 0:43:08 | 0:43:09 | |
-Come on. -Cheers. Cheers. | 0:43:09 | 0:43:10 | |
So, here's to lots of money. | 0:43:10 | 0:43:12 | |
This is what this show should be all about, | 0:43:12 | 0:43:14 | |
just sitting here with a bit of water in the background, | 0:43:14 | 0:43:17 | |
beautiful Kent. | 0:43:17 | 0:43:18 | |
-Sun's shining. -A conveyor belt with sort of antiques being... | 0:43:18 | 0:43:21 | |
Moving in front of us and we could just go... | 0:43:21 | 0:43:23 | |
-No, no... -Pick out the one. | 0:43:23 | 0:43:25 | |
No, I'll have that one! Ooh, that one! | 0:43:25 | 0:43:26 | |
If you remembered them, | 0:43:26 | 0:43:28 | |
you could have every one that you remembered as it went round. | 0:43:28 | 0:43:30 | |
And then you could call it The Generation Game, | 0:43:30 | 0:43:33 | |
-or something novel, like that. -That's clever! -Yeah, yeah, yeah! | 0:43:33 | 0:43:36 | |
And on that note, finish your drinks. | 0:43:36 | 0:43:38 | |
It's time for a spot of show and tell. | 0:43:38 | 0:43:41 | |
Ta-da! | 0:43:41 | 0:43:42 | |
Ooh! Cricket. | 0:43:42 | 0:43:44 | |
-No. What is that? -It's a hell of a set of cricket pads, that is! | 0:43:44 | 0:43:47 | |
-No, well, I...! -Bearing in mind, | 0:43:47 | 0:43:48 | |
the auction is probably in the flattest part of England... | 0:43:48 | 0:43:52 | |
-Ah! Got it. -..this is a mountain rescue stretcher! -Got it! | 0:43:52 | 0:43:55 | |
THEY LAUGH | 0:43:55 | 0:43:56 | |
So, we think there's going to be a big demand for that in East Anglia. | 0:43:56 | 0:43:59 | |
-Yes! -I like it. -I think that's really interesting. | 0:43:59 | 0:44:02 | |
I don't think you'd fit on it! | 0:44:02 | 0:44:05 | |
-This was £20. -Yes. | 0:44:05 | 0:44:06 | |
I thought you were going to say £200, then. | 0:44:06 | 0:44:08 | |
-No, no, that was 20. -I was almost on that stretcher. | 0:44:08 | 0:44:10 | |
-And then... -Oh, this. | 0:44:10 | 0:44:12 | |
-Catherine... -That's nice. -Very nice, yes. | 0:44:12 | 0:44:14 | |
..trunk which Judy found, and did a fantastic deal. | 0:44:14 | 0:44:16 | |
-Lovely. -That's good. -Very good. -Our wastepaper bin was a tenner. | 0:44:16 | 0:44:19 | |
-I really like that. -That's, yeah... | 0:44:19 | 0:44:21 | |
I actually really like that, I think that's lovely. | 0:44:21 | 0:44:23 | |
It's so cool. | 0:44:23 | 0:44:24 | |
But our table, which is in padauk wood and is Anglo-Indian, | 0:44:24 | 0:44:28 | |
and I think that was really... | 0:44:28 | 0:44:30 | |
That's a really... Oh, we're in trouble. | 0:44:30 | 0:44:31 | |
How much...? Shh! That is very... | 0:44:31 | 0:44:34 | |
He was wonderful. He insisted on that because... | 0:44:34 | 0:44:37 | |
Yeah. Do you like it? | 0:44:37 | 0:44:39 | |
-No. -LAUGHTER | 0:44:39 | 0:44:41 | |
But it's... Er, I see exactly what he's saying. | 0:44:41 | 0:44:44 | |
I think you've done brilliantly. | 0:44:44 | 0:44:46 | |
-Mm. -Come on. | 0:44:46 | 0:44:47 | |
We, on the other hand... | 0:44:47 | 0:44:48 | |
Da-da, da-da! | 0:44:48 | 0:44:51 | |
I love the lantern! Oh, and I love the train sign! | 0:44:51 | 0:44:54 | |
Oh, you've got great things! | 0:44:54 | 0:44:56 | |
We did spend quite a bit, didn't we? | 0:44:56 | 0:44:58 | |
-Yeah, we did spend quite a bit. -So, how much was that? | 0:44:58 | 0:45:00 | |
Cos I know those go for a lot of money. | 0:45:00 | 0:45:02 | |
£200? | 0:45:02 | 0:45:03 | |
No, it wasn't. I think we worked it out, | 0:45:03 | 0:45:06 | |
cos we got this in a little deal... | 0:45:06 | 0:45:07 | |
-Right. -CATHERINE: -So, we've split that to 65. | 0:45:07 | 0:45:09 | |
-That's... You'll make money on that. -That's incredible. | 0:45:09 | 0:45:12 | |
-And that to 25. -You'll make money on both those. | 0:45:12 | 0:45:14 | |
- Do you think? - Yeah. | 0:45:14 | 0:45:15 | |
But what we really love is our little cars. | 0:45:15 | 0:45:18 | |
Yeah, and look at this, look. | 0:45:18 | 0:45:20 | |
This one - talking about your stretcher - | 0:45:20 | 0:45:23 | |
if you open the back here... | 0:45:23 | 0:45:25 | |
We could put it in there. | 0:45:25 | 0:45:26 | |
No. It's got a little stretcher and little... | 0:45:26 | 0:45:28 | |
-Oh, look. -Little pregnant lady, look. | 0:45:28 | 0:45:31 | |
-How do you know she's pregnant? -Well, it's not, it's a man, | 0:45:31 | 0:45:34 | |
-but you know... -Well, he could have been pregnant. | 0:45:34 | 0:45:36 | |
Just going with the theme! | 0:45:36 | 0:45:38 | |
-Sorry. -And you put him in the back there, and he goes, | 0:45:38 | 0:45:41 | |
"Take me to Nonnatus House, I'm having a baby!" | 0:45:41 | 0:45:44 | |
There you go! | 0:45:44 | 0:45:45 | |
We're going to just wander off, and we'll catch you at the auction. | 0:45:45 | 0:45:48 | |
-Yes. -OK. -See you at the auction! | 0:45:48 | 0:45:51 | |
-Come on, you. -Come on. | 0:45:51 | 0:45:54 | |
Right, out of earshot - what do they really make of each other's lots? | 0:45:54 | 0:45:58 | |
-What do you think to Cliff's toys? -Well, they're boys toys, | 0:45:58 | 0:46:00 | |
-aren't they? -Yeah. -Those will always sell, won't they? | 0:46:00 | 0:46:03 | |
-I don't know how much money... -It's how much, isn't it? -Yeah. | 0:46:03 | 0:46:05 | |
We've got one silly lot, which I love. | 0:46:05 | 0:46:08 | |
-I love our silly lot. -Which is the cars. | 0:46:08 | 0:46:09 | |
-Yeah. -And they've got a really silly lot, which is that stretcher. | 0:46:09 | 0:46:13 | |
So... | 0:46:13 | 0:46:14 | |
-Are you still... Got that confidence? -Yes. | 0:46:14 | 0:46:17 | |
-Yes, I have. -Would you swap any of our bits for theirs? -No. | 0:46:17 | 0:46:22 | |
It'll be interesting to see how we do at the auction now, won't it? | 0:46:22 | 0:46:24 | |
-Put in there, son. Put it there. -Thank you. | 0:46:24 | 0:46:27 | |
After starting in Chartham Hatch, | 0:46:32 | 0:46:35 | |
our teams have shopped up around Kent, | 0:46:35 | 0:46:37 | |
and Judy and Cliff are now motoring | 0:46:37 | 0:46:39 | |
towards Diss, in Norfolk, for the big finale. | 0:46:39 | 0:46:42 | |
Is that your lucky hat? | 0:46:44 | 0:46:45 | |
-I haven't seen that hat before. -This is my lucky hat. | 0:46:45 | 0:46:47 | |
I always wear this at auctions. | 0:46:47 | 0:46:50 | |
Oh, how many have you been to? | 0:46:50 | 0:46:52 | |
-None. -Haven't you? | 0:46:52 | 0:46:53 | |
-Yeah. -I've been to lots of auctions. | 0:46:53 | 0:46:55 | |
-I love auctions. -Oh, you're very experienced, are you? | 0:46:55 | 0:46:58 | |
Are you feeling confident? | 0:46:58 | 0:46:59 | |
I'm feeling excited, but I'm certainly not confident, | 0:46:59 | 0:47:03 | |
cos I suspect that you might win. | 0:47:03 | 0:47:05 | |
-Really? -I think you've got probably more saleable things. | 0:47:05 | 0:47:09 | |
Possibly, because they're silver, | 0:47:09 | 0:47:11 | |
people like silver, but we did pay a lot for some stuff, you know. | 0:47:11 | 0:47:15 | |
Anyway, but you do realise, Judy, | 0:47:15 | 0:47:17 | |
you are not allowed to bid on this stuff? | 0:47:17 | 0:47:19 | |
So don't start going like that, going... | 0:47:22 | 0:47:25 | |
I was going to bid for my own stuff! | 0:47:25 | 0:47:27 | |
Where I can't see you, put | 0:47:27 | 0:47:29 | |
your little finger up, cos I'll be watching you! | 0:47:29 | 0:47:32 | |
Ditto. We'll be having none of that. | 0:47:32 | 0:47:35 | |
Catherine and Phil have already arrived at TW Gaze auction rooms | 0:47:35 | 0:47:39 | |
and are waiting patiently for their celebrity partners. | 0:47:39 | 0:47:43 | |
-PHIL: -Here they are, look, here they are. | 0:47:43 | 0:47:45 | |
-CATHERINE: -Do you think they're as excited as we are? | 0:47:45 | 0:47:47 | |
-Do you know, I reckon they will be. -They look happy. -Yeah. | 0:47:47 | 0:47:50 | |
Hello, hello, hello. | 0:47:53 | 0:47:55 | |
-Hi! -Here we are. -Hello, lovely, how are you? -Love the hat! | 0:47:55 | 0:47:58 | |
-Great hat. -Here we are. How are you? -Welcome. | 0:47:58 | 0:48:00 | |
- Good to see you. - And you. | 0:48:00 | 0:48:02 | |
- Lovely to see you. - You too. | 0:48:02 | 0:48:04 | |
So we'd better go and see what we're going to make, hadn't we? | 0:48:04 | 0:48:06 | |
Come on, then. | 0:48:06 | 0:48:07 | |
On this road trip, Cliff and Catherine spent £250. | 0:48:08 | 0:48:12 | |
They are combining the trumpet vases and bonbon dish into one lot, | 0:48:12 | 0:48:16 | |
giving them five lots for auction. | 0:48:16 | 0:48:17 | |
Nice and cosy. | 0:48:19 | 0:48:21 | |
What you call snug. | 0:48:21 | 0:48:22 | |
Judy and Phil spent less, | 0:48:22 | 0:48:24 | |
forking out £180 on their five lots. | 0:48:24 | 0:48:27 | |
The lovely Elizabeth Tolbert will be wielding the gavel today, | 0:48:29 | 0:48:32 | |
so what does she make of our celebrities' lots? | 0:48:32 | 0:48:34 | |
"Beware of trains" sign, that's a great item. | 0:48:34 | 0:48:37 | |
It's good for two things, partly because of the fact it's railwayana | 0:48:37 | 0:48:40 | |
and partly because it's been brought for sale in East Anglia, | 0:48:40 | 0:48:43 | |
and East Anglians love their railway items. | 0:48:43 | 0:48:46 | |
The paduak table, when I saw this... It's very eye-catching. | 0:48:46 | 0:48:48 | |
I do like it, but we've still got a problem with furniture. | 0:48:48 | 0:48:51 | |
The market is very erratic still, at the moment, | 0:48:51 | 0:48:53 | |
so if people like it but have no use for it, they won't buy it. | 0:48:53 | 0:48:57 | |
And if they don't like it, they certainly won't bid for it, | 0:48:57 | 0:48:59 | |
so my verdict's out on that one. | 0:48:59 | 0:49:01 | |
Right, it's the moment of truth. | 0:49:01 | 0:49:03 | |
Time for the auction, which has buyers online and in the room. | 0:49:03 | 0:49:06 | |
Well, good luck, cos this is your first... | 0:49:07 | 0:49:09 | |
-PHIL: -We might need it. | 0:49:09 | 0:49:10 | |
First up, it's Judy's late Victorian trunk. | 0:49:11 | 0:49:15 | |
And I start here at £22. | 0:49:15 | 0:49:17 | |
-DISAPPOINTED: -Oh. -No, no. You'll be fine. -And it's five. | 0:49:17 | 0:49:20 | |
28. And 30. | 0:49:20 | 0:49:22 | |
-I have two. -Surely, a bit more. | 0:49:22 | 0:49:24 | |
It's with me at 32. I've lost you in the room. | 0:49:24 | 0:49:26 | |
Any advance? | 0:49:26 | 0:49:27 | |
32 takes that one. | 0:49:28 | 0:49:30 | |
I'm really surprised at that. | 0:49:30 | 0:49:31 | |
I thought that would make more. | 0:49:31 | 0:49:33 | |
A disappointing start for Judy. | 0:49:33 | 0:49:35 | |
-Bad luck. -Are you gutted? | 0:49:35 | 0:49:36 | |
Well, I thought it would get much more than that. | 0:49:38 | 0:49:40 | |
-Yeah, I did. -Yeah. | 0:49:40 | 0:49:41 | |
Let's see if Cliff can fare any better with his Dinky cars. | 0:49:43 | 0:49:46 | |
He loved them, but has Catherine warmed? | 0:49:46 | 0:49:49 | |
They look great! | 0:49:50 | 0:49:52 | |
Start me at 20. | 0:49:52 | 0:49:54 | |
JUDY MUFFLES LAUGHTER | 0:49:54 | 0:49:55 | |
Anything from China? | 0:49:55 | 0:49:57 | |
Oh, no! They've got... They're at ten. I'm so embarrassed. | 0:49:57 | 0:49:59 | |
£10 for three of them. | 0:49:59 | 0:50:01 | |
And 12. I have 15. | 0:50:01 | 0:50:02 | |
18 is the front bid, at 18, I'm out. | 0:50:02 | 0:50:04 | |
You've got 18. | 0:50:04 | 0:50:06 | |
£18 on the three vehicles there, at 18. | 0:50:06 | 0:50:08 | |
Any advance? | 0:50:08 | 0:50:09 | |
CATHERINE LAUGHS | 0:50:09 | 0:50:11 | |
Oh, we don't mind. | 0:50:11 | 0:50:13 | |
Do you know? Our trunk's beginning to look quite good! | 0:50:13 | 0:50:15 | |
Clearly, there are no Dinky lovers in Diss! | 0:50:17 | 0:50:21 | |
I feel quite affect... | 0:50:21 | 0:50:23 | |
I can understand your pain. | 0:50:23 | 0:50:24 | |
-Yes. -Oh, Cliff. | 0:50:24 | 0:50:26 | |
You've taken this badly. | 0:50:26 | 0:50:28 | |
I have to deal with this for six months every year. | 0:50:28 | 0:50:30 | |
I'm going. | 0:50:30 | 0:50:31 | |
Chin up, Cliff. | 0:50:34 | 0:50:36 | |
There's still plenty of time to make a profit. | 0:50:36 | 0:50:38 | |
Next up, it's Judy's '50s mountain rescue stretcher. | 0:50:38 | 0:50:42 | |
Look at the state of that. | 0:50:42 | 0:50:43 | |
The only one... The only one I've ever seen. | 0:50:43 | 0:50:46 | |
Good low start - £20. | 0:50:46 | 0:50:47 | |
Oh, come on. Someone. | 0:50:47 | 0:50:49 | |
I have bids at £12, looking for 15. | 0:50:49 | 0:50:52 | |
15 is bid. Thank you in the room at 15. | 0:50:52 | 0:50:55 | |
-Any advance? -Come on! -It will sell. | 0:50:55 | 0:50:56 | |
All done. | 0:50:56 | 0:50:58 | |
-Well, that's good. -It's a bargain. | 0:50:58 | 0:51:00 | |
What do you mean, that's good? | 0:51:00 | 0:51:01 | |
Have you seen this programme? | 0:51:01 | 0:51:03 | |
The idea is you try to make money. | 0:51:03 | 0:51:05 | |
And that certainly isn't happening so far. | 0:51:05 | 0:51:07 | |
Another loss. | 0:51:07 | 0:51:09 | |
The only way is up now. | 0:51:10 | 0:51:11 | |
Yes. | 0:51:11 | 0:51:12 | |
Let's hope so, it's the turn of Cliff's 1940s railway sign | 0:51:12 | 0:51:15 | |
that our auctioneer fancied. | 0:51:15 | 0:51:18 | |
And I start at £32. | 0:51:18 | 0:51:21 | |
35, 38. | 0:51:21 | 0:51:22 | |
And 40, two. 45, 48. | 0:51:22 | 0:51:26 | |
And 50. Five. | 0:51:26 | 0:51:27 | |
-Come on, Cliff. -Come on! | 0:51:27 | 0:51:29 | |
60, five. | 0:51:29 | 0:51:30 | |
Come on, internet. | 0:51:30 | 0:51:32 | |
70, five. | 0:51:32 | 0:51:33 | |
Oh, it's chugging on. | 0:51:33 | 0:51:36 | |
75 only. | 0:51:36 | 0:51:37 | |
80, new bidder. And five. | 0:51:37 | 0:51:39 | |
90, I have five. | 0:51:39 | 0:51:40 | |
Through the station, out the other side. | 0:51:42 | 0:51:44 | |
It's 110 with me. | 0:51:44 | 0:51:45 | |
The net is out as well. | 0:51:45 | 0:51:47 | |
At £110, all quiet ahead. | 0:51:47 | 0:51:50 | |
-£110! -£110... | 0:51:50 | 0:51:52 | |
-Judy, don't be pleased. -Well, I'm sort of acting pleased. | 0:51:52 | 0:51:54 | |
No, no, no, don't. Don't be bitter. | 0:51:54 | 0:51:57 | |
Don't be bitter. | 0:51:57 | 0:51:58 | |
Now, that's a bit more like it. | 0:51:58 | 0:52:00 | |
A fabulous profit there for Cliff. | 0:52:00 | 0:52:03 | |
-Well done. We clawed it back with that one. -We did. | 0:52:03 | 0:52:06 | |
Right, come on, Judy. | 0:52:06 | 0:52:07 | |
You're playing catch-up with your 19th-century wastepaper bin now. | 0:52:07 | 0:52:11 | |
£18, £18 is bid. | 0:52:11 | 0:52:14 | |
It's going to do really well. | 0:52:14 | 0:52:15 | |
And 20, two. | 0:52:15 | 0:52:16 | |
25, 28. 30, two. | 0:52:16 | 0:52:19 | |
35, 38. | 0:52:19 | 0:52:20 | |
It's £40 bid. | 0:52:20 | 0:52:22 | |
Any advance? | 0:52:22 | 0:52:23 | |
-Happy with that, Phil? -Yeah. | 0:52:24 | 0:52:26 | |
It's just helped us a little bit, hasn't it? | 0:52:26 | 0:52:28 | |
Fantastic return on the bin. | 0:52:28 | 0:52:30 | |
Top marks. | 0:52:30 | 0:52:32 | |
-I really, really rated that. I think that's... -It looked lovely up there. | 0:52:32 | 0:52:35 | |
It did look really nice. I would have liked to have taken it home. | 0:52:35 | 0:52:37 | |
Yeah. | 0:52:37 | 0:52:39 | |
Well, let's hope someone wants to take home | 0:52:40 | 0:52:43 | |
Cliff's vintage railway lamp. | 0:52:43 | 0:52:45 | |
A good lamp is there for £50. Look at that. | 0:52:45 | 0:52:47 | |
-Stands well. £50 bid. Thank you. -50?! | 0:52:47 | 0:52:50 | |
Gosh, you're a star on this, aren't you? | 0:52:50 | 0:52:53 | |
For only £50, it's the maiden bid. | 0:52:53 | 0:52:56 | |
-Done. -You've doubled your money on that. | 0:52:56 | 0:52:58 | |
Well, that's a good little profit, isn't it? | 0:52:58 | 0:53:01 | |
That's all right. | 0:53:01 | 0:53:02 | |
Well done, you. | 0:53:02 | 0:53:03 | |
The auctioneer was right. | 0:53:03 | 0:53:04 | |
This Norfolk lot like their railway memorabilia. | 0:53:04 | 0:53:08 | |
Have you been out practising? | 0:53:08 | 0:53:10 | |
You know, are you sort of, you know, | 0:53:10 | 0:53:12 | |
round the markets and the fairs every weekend? | 0:53:12 | 0:53:15 | |
What do you like? What do you fancy? Two for five. £3 each. | 0:53:15 | 0:53:18 | |
Can't pay now? Tuppence down. | 0:53:18 | 0:53:20 | |
Look at that, lady. | 0:53:20 | 0:53:21 | |
Your old man'll chase you around the bedroom all day in that. | 0:53:21 | 0:53:24 | |
You were wasted as a mechanic on EastEnders, I tell you. | 0:53:24 | 0:53:28 | |
They should have stuck you on a stall on Bridge Street. | 0:53:28 | 0:53:31 | |
Judy's up again now, with her leather telescope this time. | 0:53:31 | 0:53:34 | |
I have 30, 32, 35. | 0:53:34 | 0:53:36 | |
38, I have 40. | 0:53:36 | 0:53:38 | |
There you go. | 0:53:38 | 0:53:39 | |
42, the gentleman ahead of me at 42, I'm out. | 0:53:39 | 0:53:41 | |
42, I'll take five. | 0:53:41 | 0:53:42 | |
-He's bidding. -£42, 45 standing. | 0:53:42 | 0:53:45 | |
-48. -Go on, guvnor. | 0:53:45 | 0:53:48 | |
-Go on, it's got to do a bit more. -You know you want it. | 0:53:48 | 0:53:51 | |
50, new bidder in the gallery. 50. | 0:53:51 | 0:53:53 | |
-More like it. -50 is more like it. | 0:53:53 | 0:53:55 | |
It's £50 with the lady. | 0:53:55 | 0:53:57 | |
Any advance? | 0:53:57 | 0:53:58 | |
It's a nice example. | 0:54:00 | 0:54:01 | |
There was nothing wrong with it. It was good, it was clean, | 0:54:01 | 0:54:04 | |
-it was fresh. -It might not have made as much as they'd hoped, | 0:54:04 | 0:54:07 | |
but a profit's a profit. | 0:54:07 | 0:54:08 | |
Well, at least we didn't lose money. | 0:54:08 | 0:54:10 | |
No, no, no, no. No, which is a result. | 0:54:10 | 0:54:12 | |
- What did you pay? - 35 quid. | 0:54:12 | 0:54:14 | |
The first of Cliff's silver lots now - | 0:54:15 | 0:54:17 | |
the trumpet-shaped vases and bonbon dish. | 0:54:17 | 0:54:20 | |
£60 for all the silver. | 0:54:21 | 0:54:23 | |
Come on, surely. | 0:54:23 | 0:54:24 | |
£40, surely, for what you have there. | 0:54:24 | 0:54:26 | |
40 bid. Gallery is 40, I'll take two. | 0:54:26 | 0:54:29 | |
At £40, 42. 45. | 0:54:29 | 0:54:31 | |
48 and 50. | 0:54:31 | 0:54:33 | |
Five and 60. | 0:54:33 | 0:54:34 | |
60 at the front gallery. | 0:54:34 | 0:54:36 | |
We only need a bit more than that. | 0:54:36 | 0:54:38 | |
Good items for £60. | 0:54:38 | 0:54:40 | |
They will sell. | 0:54:40 | 0:54:41 | |
That's really disappointing, actually. | 0:54:42 | 0:54:45 | |
Lost 40 quid. How much for that? | 0:54:45 | 0:54:47 | |
20. | 0:54:47 | 0:54:48 | |
Oh, that's a shame. | 0:54:48 | 0:54:50 | |
Hard luck, Cliff. | 0:54:50 | 0:54:52 | |
Sorry, that was my idea to buy those. | 0:54:52 | 0:54:54 | |
Well, they were very pretty. | 0:54:54 | 0:54:56 | |
Judy's last lot is up next. | 0:54:56 | 0:54:58 | |
The paduak table picked up by Phil. | 0:54:58 | 0:55:01 | |
Start me at 100. | 0:55:01 | 0:55:03 | |
Oh, it's all gone quiet. | 0:55:03 | 0:55:05 | |
The room's gone quiet. No-one knows what to make of it. | 0:55:05 | 0:55:08 | |
-No, they don't know. -70 on the net. | 0:55:08 | 0:55:10 | |
Oh, good. | 0:55:10 | 0:55:11 | |
It's on for 70. | 0:55:11 | 0:55:13 | |
At 75, sir. | 0:55:13 | 0:55:15 | |
80 bid. 85. | 0:55:15 | 0:55:18 | |
All of a sudden, there is someone that recognises it. | 0:55:18 | 0:55:21 | |
85 in the room. 90. | 0:55:21 | 0:55:22 | |
Five. In the room at 95. | 0:55:22 | 0:55:24 | |
Any advance on £95? | 0:55:24 | 0:55:26 | |
100 is the bid on the table. | 0:55:26 | 0:55:27 | |
-Oh, well done. -110, in the room at 110. -He knows. | 0:55:27 | 0:55:30 | |
Any advance? £110. | 0:55:30 | 0:55:32 | |
It will sell, 110. | 0:55:32 | 0:55:33 | |
-That's good. -That's good. | 0:55:35 | 0:55:36 | |
-That's more than doubled your money. -Really good. | 0:55:36 | 0:55:38 | |
Judy finishes with a fabulous profit. | 0:55:40 | 0:55:43 | |
I have absolutely no idea where we are, | 0:55:43 | 0:55:46 | |
who's winning this or who's losing it. | 0:55:46 | 0:55:48 | |
I've no idea. | 0:55:48 | 0:55:49 | |
We were ahead, and now I think you've just jumped ahead. | 0:55:49 | 0:55:53 | |
So it does all hang on this, and you hate this, so it doesn't look good. | 0:55:53 | 0:55:56 | |
Here we go. The deciding lot. | 0:55:59 | 0:56:01 | |
Can Cliff trump Judy with his heart-shaped silver pin dish? | 0:56:01 | 0:56:06 | |
Where am I, say, for this one? | 0:56:06 | 0:56:07 | |
Start me at 50. | 0:56:07 | 0:56:09 | |
-Come on, 50. -£50, a charming piece. | 0:56:09 | 0:56:11 | |
-Oh, come on. -£50. | 0:56:11 | 0:56:13 | |
40, if you will. | 0:56:13 | 0:56:14 | |
Oh, come on. | 0:56:14 | 0:56:16 | |
I started here at 28. | 0:56:16 | 0:56:17 | |
28, which is a low start at 28. | 0:56:17 | 0:56:19 | |
30 bid. | 0:56:19 | 0:56:20 | |
32. 35 and I'm out. | 0:56:20 | 0:56:22 | |
38, the gallery. 40 bid. 42. 45. | 0:56:22 | 0:56:25 | |
48, 50. | 0:56:25 | 0:56:27 | |
No, stop it! | 0:56:27 | 0:56:29 | |
Commissions are 50. I have £50 bid. | 0:56:29 | 0:56:31 | |
I think you're just coming up to an open ditch. | 0:56:31 | 0:56:34 | |
Any advance on £50? | 0:56:35 | 0:56:36 | |
It will sell. | 0:56:36 | 0:56:37 | |
How much profit did it make? | 0:56:39 | 0:56:41 | |
-£10. -20. -20. -20? | 0:56:41 | 0:56:43 | |
That did better than my cars. | 0:56:43 | 0:56:45 | |
Cliff ends on a profit, but was it enough to win the trip? | 0:56:45 | 0:56:49 | |
It's been like that. Really. | 0:56:49 | 0:56:51 | |
Really exciting. Absolutely riveting all the way through. | 0:56:51 | 0:56:54 | |
-We're sitting on the seat. -Oh, this is selling now. | 0:56:54 | 0:56:56 | |
-Oh, oh. -We'd better go. -We're up for sale! | 0:56:56 | 0:56:58 | |
-We're for sale. -It's all right. | 0:56:58 | 0:57:00 | |
-It doesn't come with us. -No. | 0:57:00 | 0:57:02 | |
We're not in the lot. | 0:57:02 | 0:57:03 | |
While our teams do a runner before they're sold off, | 0:57:03 | 0:57:07 | |
let's find out who actually won. | 0:57:07 | 0:57:08 | |
Cliff and Catherine started with £400. | 0:57:09 | 0:57:12 | |
After paying auction costs, | 0:57:12 | 0:57:14 | |
they suddenly made a small loss of £13.84, | 0:57:14 | 0:57:18 | |
ending their trip with £386.16. | 0:57:18 | 0:57:22 | |
Judy and Phil also kicked off with £400, but they pulled in a profit of | 0:57:24 | 0:57:29 | |
£22.55, meaning that they are crowned today's winners, | 0:57:29 | 0:57:34 | |
finishing with £422.54. | 0:57:34 | 0:57:37 | |
All profits go to Children In Need. | 0:57:37 | 0:57:39 | |
-Well done. -Yeah! | 0:57:39 | 0:57:41 | |
Sorry, sorry, sorry. | 0:57:42 | 0:57:43 | |
No, I mean, it's not important. It's just about taking part. | 0:57:43 | 0:57:46 | |
Exactly. That's what we think. It's for fun. | 0:57:46 | 0:57:48 | |
-But... Just one more? -Yeah. -BOTH: -Yes! | 0:57:48 | 0:57:51 | |
You've got to make tea now, haven't you? | 0:57:51 | 0:57:53 | |
I've got to make tea for six months. | 0:57:53 | 0:57:54 | |
-Yeah. -Bad luck, old chap. | 0:57:54 | 0:57:56 | |
And on that note, | 0:57:56 | 0:57:57 | |
it's time for our celebrities to bid a fond farewell. | 0:57:57 | 0:58:01 | |
-CATHERINE: -Bye! | 0:58:01 | 0:58:02 | |
Toodle-oo. God bless. Bye. | 0:58:02 | 0:58:05 | |
Sorry to see them go. | 0:58:07 | 0:58:08 | |
It's just been wonderful. | 0:58:09 | 0:58:11 | |
Yeah, an excuse to have a nice drive in the country in an old car. | 0:58:11 | 0:58:14 | |
-Yeah. Should we do it again? -I'd love to do it again. | 0:58:14 | 0:58:17 | |
We could do it next week. | 0:58:17 | 0:58:18 | |
It's been enormous fun, though, hasn't it? | 0:58:20 | 0:58:22 | |
It's been fabulous. I've really enjoyed it. | 0:58:22 | 0:58:24 | |
Safe travels, celebrity road trippers! | 0:58:24 | 0:58:27 |