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I've got something pretty unusual in here. | 0:00:02 | 0:00:03 | |
-I don't know if you're going to be able to do anything with it. -Wow! | 0:00:03 | 0:00:06 | |
How do you make Celebrity Money For Nothing? | 0:00:06 | 0:00:08 | |
I've got a house full of rubbish! | 0:00:08 | 0:00:11 | |
Entrepreneurs Sarah Moore and Jay Blades are searching celebrities' houses... | 0:00:11 | 0:00:15 | |
-I don't even know how we got in here. Let's get out of here. -OK! | 0:00:15 | 0:00:18 | |
..to find tip-bound items to transform... | 0:00:18 | 0:00:21 | |
-Beautiful. -I had no idea they were even here. | 0:00:21 | 0:00:24 | |
..by having a really good look around some celebrity homes. | 0:00:24 | 0:00:29 | |
This is unbelievable! | 0:00:29 | 0:00:30 | |
With the help of some of Britain's best designers and makers... | 0:00:32 | 0:00:34 | |
and celebrity faces, we're on a mission to turn celebrity trash... | 0:00:34 | 0:00:39 | |
..into hard cash. | 0:00:39 | 0:00:40 | |
But what will our celebrities think of the transformations? | 0:00:42 | 0:00:45 | |
You are joking. | 0:00:45 | 0:00:48 | |
Oh, wow! | 0:00:48 | 0:00:50 | |
And how much money has been made for their charities? | 0:00:50 | 0:00:53 | |
£307 here for you. | 0:00:53 | 0:00:55 | |
Oh, my gosh. You're amazing, lady. | 0:00:55 | 0:00:58 | |
To get things started, Sarah has travelled to Worcestershire in the West Midlands. | 0:01:09 | 0:01:15 | |
She's got a spring in her step and has high expectations | 0:01:17 | 0:01:20 | |
because she gets to search in this place. | 0:01:20 | 0:01:23 | |
Waiting to show Sarah round is singer, | 0:01:25 | 0:01:27 | |
actress and TV personality Toyah Wilcox. | 0:01:27 | 0:01:31 | |
Toyah's career in show business has spanned over 40 years. | 0:01:34 | 0:01:38 | |
She's had 13 top 40 singles, | 0:01:38 | 0:01:41 | |
released over 20 albums, | 0:01:41 | 0:01:43 | |
and has written two books. | 0:01:43 | 0:01:45 | |
Toyah currently tours with her band | 0:01:45 | 0:01:48 | |
and appears in a variety of television programmes. | 0:01:48 | 0:01:52 | |
She lives with her husband, Robert, | 0:01:53 | 0:01:55 | |
the guitarist in the band King Crimson, | 0:01:55 | 0:01:58 | |
and she can't wait for Sarah to transform some trash. | 0:01:58 | 0:02:01 | |
The thought that something is going to go on and have a new purpose | 0:02:03 | 0:02:06 | |
in life I think is really a rewarding thing to do | 0:02:06 | 0:02:09 | |
and I'm excited to see what happens. | 0:02:09 | 0:02:12 | |
Well, let's get started. | 0:02:14 | 0:02:16 | |
-Hi, there! -Hello! Sarah, come on in. | 0:02:16 | 0:02:18 | |
-Nice to see you. -Really good to see you. | 0:02:18 | 0:02:20 | |
This modernised Georgian town house is a fitting abode for pop royalty - | 0:02:23 | 0:02:29 | |
or actual royalty. | 0:02:29 | 0:02:30 | |
Decked out in luxurious furnishings, | 0:02:33 | 0:02:36 | |
Sarah is here to sort the wheat from the chaff. | 0:02:36 | 0:02:39 | |
But at first glance, there doesn't seem to be much chaff. | 0:02:39 | 0:02:43 | |
What a beautiful Georgian house. I wasn't quite sure what to expect, | 0:02:45 | 0:02:48 | |
maybe something a bit more rock and roll, but it's very traditional. | 0:02:48 | 0:02:51 | |
-Have you been here long? -16 years, | 0:02:51 | 0:02:53 | |
but my mother first brought me here when I was three years old | 0:02:53 | 0:02:56 | |
and it was a tearoom called The Willow Tea Room, | 0:02:56 | 0:02:58 | |
so I've known this place all my life. | 0:02:58 | 0:03:01 | |
When it was for sale, my husband and I came to view it, just to be nosy, | 0:03:01 | 0:03:05 | |
and we bought it and we've never regretted it, it's lovely. | 0:03:05 | 0:03:09 | |
I'd love to have a little look around if that's all right? | 0:03:09 | 0:03:11 | |
-Yeah, come with me. -Brilliant, thank you. | 0:03:11 | 0:03:13 | |
So, this is one of the lounges in the house. | 0:03:13 | 0:03:17 | |
Right. Is this your design, your taste? Is this your feeling? | 0:03:17 | 0:03:20 | |
This is my husband's taste and I've grown into it. | 0:03:20 | 0:03:24 | |
I'm very minimalist, very modern and very quirky. | 0:03:24 | 0:03:28 | |
Well, I think that's really generous. | 0:03:28 | 0:03:30 | |
You can always slip in a bit of orange Perspex when he's not | 0:03:30 | 0:03:33 | |
-looking, see how he takes it. -Yeah, but he'd take it out, he'd bin it. | 0:03:33 | 0:03:36 | |
I tell you, I was not expecting this in the house of an '80s pop star. | 0:03:36 | 0:03:41 | |
Although I'm sure the shoulder pads and bum bags are around here somewhere. | 0:03:41 | 0:03:45 | |
Let's get searching. | 0:03:45 | 0:03:47 | |
Follow me. | 0:03:47 | 0:03:49 | |
Sarah's on the hunt for two items to take from Toyah which | 0:03:49 | 0:03:52 | |
have the potential to be transformed and sold on for a profit. | 0:03:52 | 0:03:57 | |
This might interest you up here. | 0:03:57 | 0:03:59 | |
And Toyah's got a few items in mind for Sarah, | 0:03:59 | 0:04:03 | |
hidden in the best rummage room in any house. | 0:04:03 | 0:04:05 | |
If this is where you put your junk, great junk. | 0:04:05 | 0:04:09 | |
Although it doesn't much look like my attic. | 0:04:09 | 0:04:11 | |
I mean, where are all the Christmas decorations and rusty rollerblades? | 0:04:11 | 0:04:15 | |
That's more like it. | 0:04:17 | 0:04:19 | |
I see these are all stacked up. | 0:04:19 | 0:04:20 | |
They're not the same era as the other stuff in the house, are they? | 0:04:20 | 0:04:23 | |
These are about 1930. They belonged to my Aunt Sheila, | 0:04:23 | 0:04:26 | |
and there was originally a dresser with these and we've already given | 0:04:26 | 0:04:30 | |
the dresser away, so we're not using these chairs. | 0:04:30 | 0:04:33 | |
Well, that's great cos they've got a strong look. | 0:04:33 | 0:04:36 | |
I don't think it's particularly in fashion at the moment. | 0:04:36 | 0:04:39 | |
It falls between retro and antique, and there's a tricky area there, but | 0:04:39 | 0:04:42 | |
they look like they are really well made and they're in good condition. | 0:04:42 | 0:04:46 | |
I mean, they've had a great life with me. | 0:04:46 | 0:04:48 | |
They've been loved, but they're not right for the house. | 0:04:48 | 0:04:50 | |
Brilliant. Well, that would be amazing. | 0:04:50 | 0:04:52 | |
If you're not using them, I will definitely try and do something with them. | 0:04:52 | 0:04:55 | |
Thanks, Toyah. Those will do nicely. | 0:04:55 | 0:04:58 | |
So, four chairs, out of fashion, | 0:04:59 | 0:05:02 | |
up in the attic and definitely up for grabs, | 0:05:02 | 0:05:04 | |
so I'm really pleased that Toyah has had enough of these. | 0:05:04 | 0:05:07 | |
Nice find, Sarah, but while you look for your second item, | 0:05:07 | 0:05:11 | |
there's another singer ready for a rummage. | 0:05:11 | 0:05:14 | |
Jay is on his way. | 0:05:14 | 0:05:16 | |
For his own celebrity search, Jay is in the busy south-west of London. | 0:05:21 | 0:05:25 | |
And waiting for him is pop music's own wonder woman, Sinitta. | 0:05:27 | 0:05:31 | |
Yay! You like that? | 0:05:33 | 0:05:35 | |
Sinitta was Simon Cowell's first recording artist, | 0:05:35 | 0:05:39 | |
rising to fame with songs So Macho and Toy Boy. | 0:05:39 | 0:05:43 | |
-Go and get it. -Sinitta | 0:05:43 | 0:05:45 | |
has acted as a mentor on The X Factor | 0:05:45 | 0:05:49 | |
and has appeared in a number of West End shows. | 0:05:49 | 0:05:52 | |
She lives with her children and dog Scarlet, | 0:05:54 | 0:05:57 | |
and I can't wait to see what she has to offer. | 0:05:57 | 0:06:00 | |
There's a couple of things that I really wouldn't mind him taking, | 0:06:00 | 0:06:04 | |
that actually I'd even like him to take, | 0:06:04 | 0:06:06 | |
and then there's a few things that I don't even want him to look at, | 0:06:06 | 0:06:09 | |
even think about taking! | 0:06:09 | 0:06:12 | |
Good luck, Jay. | 0:06:12 | 0:06:13 | |
And don't be pestering Sinitta for an autograph, you're here to work, remember? | 0:06:13 | 0:06:17 | |
But if you could get one for me? | 0:06:17 | 0:06:20 | |
-Hi, Jay! -Hello! | 0:06:20 | 0:06:21 | |
-How are you? -I'm very good. | 0:06:21 | 0:06:24 | |
-Come in. -Thank you. | 0:06:24 | 0:06:25 | |
-This is going to be fun. -Yeah. | 0:06:26 | 0:06:27 | |
This ultramodern apartment is something to behold. | 0:06:31 | 0:06:35 | |
Huge in its layout but minimalist in its design. | 0:06:35 | 0:06:39 | |
It even includes its own fully operational studio and recording space. | 0:06:39 | 0:06:44 | |
There's lots to get round, | 0:06:44 | 0:06:46 | |
but finding things to take away might be a challenge. | 0:06:46 | 0:06:49 | |
This is the living room. | 0:06:52 | 0:06:53 | |
-Living room. -Yeah. -This is more like a house. | 0:06:54 | 0:06:58 | |
-This is a house in a room. -It's a house in a room. | 0:06:58 | 0:07:00 | |
-Yeah. -So, how long have you been here then? | 0:07:00 | 0:07:03 | |
Just about a year and a half. | 0:07:03 | 0:07:04 | |
But it took a long time to kind of build and design. | 0:07:04 | 0:07:08 | |
That's actually going to be a living wall, | 0:07:08 | 0:07:10 | |
you know when you put grass and plants on the wall? | 0:07:10 | 0:07:13 | |
It was going to be a tree and I was advised that it probably wasn't a good idea to have trees... | 0:07:13 | 0:07:17 | |
-In the house. -Because people think I'm crazy. | 0:07:17 | 0:07:19 | |
It's like, I'm going to have a waterfall and two trees | 0:07:19 | 0:07:22 | |
-and they thought, "What?" -So, I can't take anything from here. | 0:07:22 | 0:07:24 | |
-No. -So, I'm a little bit sad about that, but I totally understand. | 0:07:24 | 0:07:28 | |
What would you have taken if I had let you take something? | 0:07:28 | 0:07:31 | |
-Definitely those. -Oh, my gosh, let's go. -OK. | 0:07:31 | 0:07:34 | |
Behave yourself, Jay, you're here for junk, remember? | 0:07:34 | 0:07:37 | |
Keep an eye on him, Scarlet, would you? | 0:07:37 | 0:07:39 | |
Good dog. | 0:07:41 | 0:07:42 | |
-The master bedroom. -Oh, this is nice, isn't it? | 0:07:42 | 0:07:45 | |
-Thank you. -I noticed there's a wardrobe in there. | 0:07:45 | 0:07:47 | |
-This is the closet, yes. -This is it. -Well, this is my closet. | 0:07:47 | 0:07:51 | |
Have you worn all of these shoes at some point? | 0:07:51 | 0:07:53 | |
At some point, at least once. | 0:07:53 | 0:07:55 | |
-Have you got any more shoes anywhere else? -Yes. -Oh, you have? | 0:07:55 | 0:07:58 | |
I was hoping you wouldn't ask me, because I'm not going to lie. | 0:07:58 | 0:08:01 | |
I can't take anything from here, can I? | 0:08:01 | 0:08:03 | |
Oh, no, no. I don't even know how we got in here. | 0:08:03 | 0:08:05 | |
-Let's get out of here. -OK. | 0:08:05 | 0:08:07 | |
Pity. You'd look great in those, Jay. | 0:08:08 | 0:08:10 | |
Sinitta's home is lovely, | 0:08:12 | 0:08:14 | |
but the one thing she does not have is clutter. | 0:08:14 | 0:08:17 | |
Jay is really up against it to find two things to take away. | 0:08:17 | 0:08:22 | |
But luckily Sinitta's thought of something that's back in the bedroom. | 0:08:22 | 0:08:25 | |
This fan, because I have now got a fan on the ceiling in here, | 0:08:27 | 0:08:30 | |
I don't need a fan, so that could be something. | 0:08:30 | 0:08:33 | |
OK. So, how long have you had this? | 0:08:33 | 0:08:36 | |
I've had it for about four or five years. | 0:08:36 | 0:08:39 | |
It was my boyfriend's before and he gave it to me one crazy, hot summer | 0:08:39 | 0:08:43 | |
and we carted it from room to room with us because it was just so hot. | 0:08:43 | 0:08:48 | |
Kind of unplugged and making its way to the door. | 0:08:48 | 0:08:50 | |
OK, right! Well, that's one item. | 0:08:50 | 0:08:54 | |
Yeah, I'll have that one. Thank you. | 0:08:54 | 0:08:56 | |
-Brilliant. Shoes are safe. -Yeah, your shoes are safe. | 0:08:56 | 0:08:58 | |
Safe for now. | 0:08:58 | 0:09:00 | |
Well, we do love a challenge and this is definitely one of those. | 0:09:02 | 0:09:06 | |
Going to have to get creative on this one. | 0:09:06 | 0:09:09 | |
You'll have to be very creative to make money out of that. | 0:09:09 | 0:09:12 | |
Good luck with the rest of the hunt. | 0:09:12 | 0:09:15 | |
Back in Worcestershire, | 0:09:18 | 0:09:20 | |
Sarah is still working hard to find a second item from Toyah Wilcox. | 0:09:20 | 0:09:25 | |
I mean, look at that on you. | 0:09:25 | 0:09:27 | |
Well, kind of hard. | 0:09:27 | 0:09:29 | |
She already has the set of four chairs squirreled away, | 0:09:29 | 0:09:33 | |
but before they get back to the search, Toyah's got something to show Sarah. | 0:09:33 | 0:09:38 | |
This is my first outfit on Top Of The Pops. | 0:09:38 | 0:09:41 | |
-Wow. -So it's a tunic, basic tunic. | 0:09:41 | 0:09:44 | |
And that's probably one of my most famous outfits. | 0:09:44 | 0:09:48 | |
It's like being in a museum of pop in here, isn't it? | 0:09:48 | 0:09:51 | |
All hand-painted. | 0:09:51 | 0:09:53 | |
What year were you wearing that? | 0:09:53 | 0:09:54 | |
-This is 1981. -And look at those shoulders. | 0:09:54 | 0:09:57 | |
Big shoulders, big hair, what were we thinking? | 0:09:59 | 0:10:03 | |
So, come and have a look up here, Sarah. | 0:10:05 | 0:10:08 | |
I knew we'd get to the '80s stuff eventually. | 0:10:08 | 0:10:11 | |
Could you use a headdress? | 0:10:11 | 0:10:12 | |
And Toyah has kept it all. | 0:10:12 | 0:10:15 | |
Oh, wow. | 0:10:15 | 0:10:17 | |
This was used on a video shoot. | 0:10:17 | 0:10:20 | |
I definitely know they're yours, look. | 0:10:20 | 0:10:21 | |
But enough of the trip down memory lane. | 0:10:21 | 0:10:25 | |
Try looking for something you can take away and transform. | 0:10:25 | 0:10:28 | |
So, Sarah, just put your hand in there and pull stuff out. | 0:10:28 | 0:10:32 | |
The parasols. | 0:10:34 | 0:10:35 | |
They're about 35 years old and they are typical things | 0:10:35 | 0:10:40 | |
that you used to get in furniture shops back then, | 0:10:40 | 0:10:43 | |
that people just hung in corners of the room. | 0:10:43 | 0:10:47 | |
But if you could do anything with them, you're very welcome to have them. | 0:10:47 | 0:10:51 | |
I've got a few ideas of what we might be able to do with them, so if you're sure... | 0:10:51 | 0:10:55 | |
Absolutely, there's absolutely no way I'd ever use these again. | 0:10:55 | 0:10:58 | |
That's brilliant. | 0:10:58 | 0:11:00 | |
Lovely. Thank you. | 0:11:00 | 0:11:01 | |
Thanks, Toyah. | 0:11:03 | 0:11:04 | |
They will do nicely. | 0:11:04 | 0:11:06 | |
The parasols are a real blast from the past, | 0:11:07 | 0:11:09 | |
because everybody had one of these. | 0:11:09 | 0:11:11 | |
I mean, there's loads of material to use here, | 0:11:11 | 0:11:13 | |
but they're going to be quite tricky to re-purpose. | 0:11:13 | 0:11:16 | |
I'm definitely going to give it a go. | 0:11:16 | 0:11:18 | |
-Thank you. -It's a pleasure. -Fantastic day. | 0:11:20 | 0:11:23 | |
I can't believe how lovely your house is and the things that I'm taking away, | 0:11:23 | 0:11:27 | |
-I'm going to work so hard to do my best with them. -I'm so excited. | 0:11:27 | 0:11:30 | |
I know you're going to come up with something utterly unique, | 0:11:30 | 0:11:33 | |
-so thank you. -Pleasure. It was a great day. | 0:11:33 | 0:11:35 | |
Utterly unique is just about right. | 0:11:35 | 0:11:38 | |
I'm very intrigued to see what Sarah's going to do with what she's taking away from my home. | 0:11:38 | 0:11:43 | |
I just find it wildly exciting that she's going to be unpredictable with things. | 0:11:43 | 0:11:47 | |
Just you wait, Toyah. | 0:11:47 | 0:11:49 | |
Sarah is taking away the set of four chairs and the parasols. | 0:11:50 | 0:11:54 | |
She's hoping to make big money from that lot, | 0:11:54 | 0:11:57 | |
so she'd better have some big ideas. | 0:11:57 | 0:12:00 | |
Back in London... | 0:12:02 | 0:12:04 | |
Is that from a video or something? | 0:12:04 | 0:12:06 | |
..Jay is currently admiring Sinitta's holiday snaps. | 0:12:06 | 0:12:10 | |
Keep your mind on the job, big man. | 0:12:10 | 0:12:13 | |
He already has her rickety fan to renovate. | 0:12:14 | 0:12:17 | |
Just one more item to go. | 0:12:17 | 0:12:19 | |
-You hold the baby. -OK. -I'll be right back. | 0:12:19 | 0:12:22 | |
And it looks as if Sinitta's thought of something. | 0:12:22 | 0:12:26 | |
-Ta-da! -There we go. -See this? -Yeah. | 0:12:26 | 0:12:28 | |
So, this beautiful thing... | 0:12:28 | 0:12:30 | |
Oh, that looks heavy. Hold on, I'll take that. | 0:12:30 | 0:12:32 | |
-You take Scarlet. -This beautiful thing is a dish holder. -Right? | 0:12:32 | 0:12:37 | |
You put it inside drawers or something and it holds all your plates. | 0:12:37 | 0:12:40 | |
But my new cutlery and glass are too wide for it. | 0:12:40 | 0:12:43 | |
-It's a solid bit of timber. -Yeah. It's lovely, right? | 0:12:43 | 0:12:45 | |
Yeah. This is perfect. So, how long have you had this then? | 0:12:45 | 0:12:48 | |
Oh, gosh, for years, it's gone from home to home. | 0:12:48 | 0:12:51 | |
-Finally it doesn't fit. -I think I can do something with this. | 0:12:51 | 0:12:54 | |
As a matter of fact, I know I can do something with this. | 0:12:54 | 0:12:56 | |
-And I can definitely have it? -You can definitely have it. | 0:12:56 | 0:12:59 | |
Can he have it? He can have it? She said you can have it. | 0:12:59 | 0:13:01 | |
Oh, thank you, both. Thank you. | 0:13:01 | 0:13:03 | |
Thanks, Scarlet. But what's the plan for that then, Jay? | 0:13:03 | 0:13:07 | |
It's a bit of a challenge. | 0:13:08 | 0:13:10 | |
Just had a little bit of an idea of what I could do with that. | 0:13:10 | 0:13:12 | |
I can hardly wait. | 0:13:14 | 0:13:15 | |
Sinitta, thank you for having me in your wonderful home. | 0:13:17 | 0:13:19 | |
-Pleasure. -And for giving me those two items. | 0:13:19 | 0:13:21 | |
I'm going to hopefully get my creative juices working. | 0:13:21 | 0:13:24 | |
Amazing. I can't wait to see what you're going to do. | 0:13:24 | 0:13:26 | |
-Well, I'm going to bring it back and show you anyway. -Amazing. | 0:13:26 | 0:13:28 | |
-I can't wait. Good luck with it. -OK, thank you. | 0:13:28 | 0:13:31 | |
Can't believe Jay took the fan, | 0:13:32 | 0:13:34 | |
but I'm really excited he took the plate holder, | 0:13:34 | 0:13:37 | |
because I think he can do something amazing with it. | 0:13:37 | 0:13:41 | |
Jay is taking away the wobbly fan and the dish rack. | 0:13:43 | 0:13:47 | |
It's been good fun rummaging around celebrities' houses, | 0:13:47 | 0:13:51 | |
but now it's time to get to work. | 0:13:51 | 0:13:53 | |
Our celebrities have given Sarah and Jay plenty to be getting on with, | 0:13:56 | 0:14:01 | |
and in West Sussex... | 0:14:01 | 0:14:03 | |
..Sarah is back home and about to start work | 0:14:05 | 0:14:08 | |
on Toyah's oriental-inspired parasols. | 0:14:08 | 0:14:12 | |
Now, Sarah, we don't want any bad luck with this project, | 0:14:12 | 0:14:16 | |
so whatever you do, don't open one of them indoors. | 0:14:16 | 0:14:20 | |
Oh, why does no-one ever listen to me? | 0:14:20 | 0:14:24 | |
Aren't they lovely parasols? | 0:14:24 | 0:14:25 | |
And don't worry, they're fine to go up inside, they're not umbrellas. | 0:14:25 | 0:14:28 | |
I've got six of these and they are decorative, | 0:14:28 | 0:14:30 | |
but I want to make them useful as well. I want to make them into lampshades. | 0:14:30 | 0:14:34 | |
They're quite tricky to work with though, | 0:14:34 | 0:14:36 | |
because they've got a really intricate structure, | 0:14:36 | 0:14:38 | |
but what I'd like to do is take a couple apart, | 0:14:38 | 0:14:40 | |
have a really good look at them and then make some proper plans. | 0:14:40 | 0:14:43 | |
Lampshades, that sounds all right. | 0:14:43 | 0:14:46 | |
That one's OK. | 0:14:46 | 0:14:47 | |
But if you just stuck them in six massive pina coladas, I'd buy them. | 0:14:47 | 0:14:52 | |
So, flatten this out a bit, make the structure of a lampshade. | 0:14:53 | 0:14:57 | |
Sarah begins to unpick the intricate bamboo structure holding the parasol shape. | 0:14:57 | 0:15:03 | |
Well, that's that done. Just got to cut these bits off. | 0:15:03 | 0:15:05 | |
Next, off comes the paper. | 0:15:06 | 0:15:09 | |
So eventually what we are left with is... | 0:15:09 | 0:15:11 | |
..that. | 0:15:13 | 0:15:15 | |
It looks... | 0:15:15 | 0:15:16 | |
Don't really want to say. | 0:15:17 | 0:15:19 | |
Yeah, I'm thinking what you're thinking. | 0:15:19 | 0:15:21 | |
I'm in big trouble. | 0:15:21 | 0:15:23 | |
Yeah, well, I didn't want to say. | 0:15:23 | 0:15:25 | |
I'm going to get the wire out. | 0:15:25 | 0:15:28 | |
But all is not lost. | 0:15:28 | 0:15:29 | |
Sarah starts to join the inner spokes back together with steel | 0:15:32 | 0:15:36 | |
wire, which will hopefully give the parasol back its shape. | 0:15:36 | 0:15:39 | |
If you see one going in my eye, will you tell me? | 0:15:39 | 0:15:42 | |
These types of parasols, or oil-papered umbrellas, | 0:15:42 | 0:15:46 | |
originate from China where they are a traditional wedding present. | 0:15:46 | 0:15:50 | |
They are said to ward off evil spirits, with the round shapes | 0:15:50 | 0:15:54 | |
symbolising a happy and complete life. | 0:15:54 | 0:15:56 | |
But Sarah is far from happy. | 0:15:58 | 0:16:00 | |
They're just not coming together. | 0:16:00 | 0:16:02 | |
They really don't work as lampshades. | 0:16:02 | 0:16:04 | |
I'm really trying to force them into something. | 0:16:04 | 0:16:06 | |
But just putting it down here, it's a real moment of inspiration, | 0:16:06 | 0:16:09 | |
because these would make fantastic sunburst mirrors. | 0:16:09 | 0:16:12 | |
That's it, I'm going to U-turn, I'm going to stop making lighting | 0:16:12 | 0:16:15 | |
and I'm going to make fantastic sunburst mirrors. | 0:16:15 | 0:16:19 | |
What a relief. | 0:16:19 | 0:16:20 | |
Sunburst mirrors. Now that is a U-turn. | 0:16:20 | 0:16:23 | |
This is a much better idea. | 0:16:23 | 0:16:25 | |
Sunburst is a design pattern consisting of rays or beams | 0:16:25 | 0:16:31 | |
radiating out from a central disc. | 0:16:31 | 0:16:33 | |
I love a bit of sunburst. | 0:16:34 | 0:16:36 | |
And the last time they were fashionable was about after the war, | 0:16:36 | 0:16:38 | |
and that lovely uplifting, beautiful shape was on all the walls, | 0:16:38 | 0:16:42 | |
so there's nothing new going on here. | 0:16:42 | 0:16:45 | |
Sarah has ordered her new mirrors | 0:16:45 | 0:16:48 | |
and other materials and spent £27.46. | 0:16:48 | 0:16:53 | |
I hope she is right about this U-turn, | 0:16:53 | 0:16:55 | |
because it might just lead to a dead-end. | 0:16:55 | 0:16:58 | |
Over in East Sussex, | 0:17:01 | 0:17:03 | |
things are good to go for another Toyah transformation. | 0:17:03 | 0:17:07 | |
Sarah has sent the four dated brown chairs to our very own | 0:17:07 | 0:17:11 | |
woodworking wonder hunk Norman Wilkinson. | 0:17:11 | 0:17:15 | |
What Norman doesn't know about wood ain't worth knowing. | 0:17:17 | 0:17:21 | |
He uses his 25 years of experience to create handmade, | 0:17:21 | 0:17:26 | |
one-of-a-kind furniture that will last a lifetime. | 0:17:26 | 0:17:30 | |
Every morning before I go to work, I've done it for the last however long, | 0:17:30 | 0:17:34 | |
paper and a coffee and I can get going. | 0:17:34 | 0:17:37 | |
That's what I do. I'm self-taught, never been to college, | 0:17:37 | 0:17:39 | |
never took woodwork at school. It's worked for me | 0:17:39 | 0:17:42 | |
for all these years, so, yeah, really happy with it. | 0:17:42 | 0:17:45 | |
Norman certainly knows his onions, | 0:17:45 | 0:17:47 | |
but hasn't yet started on these old things. | 0:17:47 | 0:17:50 | |
Norman, hi, it's Sarah. | 0:17:52 | 0:17:54 | |
The boss is on the dog and bone to find out what new ideas | 0:17:54 | 0:17:57 | |
Norman can bring to these old chairs. | 0:17:57 | 0:18:00 | |
We could take them to the sandblasters and get them sandblasted. | 0:18:00 | 0:18:03 | |
That sounds amazing. | 0:18:03 | 0:18:05 | |
Norman's got a few tricks up his sleeve, so let's hear it. | 0:18:05 | 0:18:09 | |
Going to throw the seats away, | 0:18:11 | 0:18:13 | |
and we are going to take them to have them sandblasted so it gives it | 0:18:13 | 0:18:16 | |
a completely different look and feel | 0:18:16 | 0:18:18 | |
and hopefully it'll work really well. | 0:18:18 | 0:18:20 | |
It's an old-fashioned spruce up. | 0:18:20 | 0:18:22 | |
Norman will replace the seats and backs, | 0:18:22 | 0:18:25 | |
and the wood will be sandblasted down to its natural grain. | 0:18:25 | 0:18:28 | |
What could be simpler? | 0:18:28 | 0:18:30 | |
Well, we'll wait and see. | 0:18:30 | 0:18:32 | |
Trusted hammer. | 0:18:32 | 0:18:34 | |
To start, Norman removes the seats and backs so he can send one of the | 0:18:37 | 0:18:42 | |
chairs to the sandblasters as a test, to see what it looks like. | 0:18:42 | 0:18:46 | |
Sandblasting is... | 0:18:46 | 0:18:47 | |
Well, why don't you tell us, Norman? | 0:18:47 | 0:18:50 | |
Sandblasting, it's, um... | 0:18:51 | 0:18:53 | |
They use, um, well, sand, to be perfectly honest. | 0:18:53 | 0:18:56 | |
Fascinating. Tell me more. | 0:18:56 | 0:18:58 | |
The idea is that they clean it up, | 0:18:58 | 0:19:01 | |
but don't go too hard into it so it brings out the grain. | 0:19:01 | 0:19:04 | |
With the test chair sent off, | 0:19:06 | 0:19:08 | |
Norman moves on to making the brand-new seat bases, | 0:19:08 | 0:19:12 | |
and for this he is using old dusty floorboards? | 0:19:12 | 0:19:16 | |
The floorboards, I mean, we're not just going to chuck them on and | 0:19:17 | 0:19:20 | |
everything. I mean, we'll strip them and then we'll polish them. | 0:19:20 | 0:19:23 | |
It will give it a really, really nice finish. | 0:19:23 | 0:19:25 | |
Nothing screams luxury like the feeling you're sitting on the floor. | 0:19:25 | 0:19:30 | |
Depending on their condition, old floorboards are actually ideal | 0:19:30 | 0:19:33 | |
for reusing in furniture as they are traditionally made from hardwoods | 0:19:33 | 0:19:39 | |
such as elm or oak. | 0:19:39 | 0:19:41 | |
There's our floorboards that we've cut. | 0:19:44 | 0:19:46 | |
Obviously once we've stripped them and then we've stained them | 0:19:46 | 0:19:49 | |
and then polish them, they will look really, really lovely. | 0:19:49 | 0:19:52 | |
Well, we'll have to take your word for that, Norman. | 0:19:52 | 0:19:55 | |
In the meantime, Norman's test chair is back from the sandblasters, | 0:19:56 | 0:20:01 | |
so how's it looking? | 0:20:01 | 0:20:02 | |
It's a lot, lot lighter. | 0:20:02 | 0:20:04 | |
We're going to run with it now cos it is lighter. | 0:20:04 | 0:20:06 | |
So, yeah, we're rocking and rolling. | 0:20:06 | 0:20:08 | |
It does look lighter, yes, | 0:20:08 | 0:20:10 | |
but it also looks like 100 cats have been scratching at it. | 0:20:10 | 0:20:14 | |
Norman and Sarah agreed on a budget of £400 | 0:20:16 | 0:20:19 | |
to transform all four chairs. | 0:20:19 | 0:20:21 | |
Norman better make them gorgeous soon, because | 0:20:21 | 0:20:24 | |
scratchy wood and dusty floorboards don't sound very saleable. | 0:20:24 | 0:20:28 | |
With Sarah's items starting to take shape, in Wolverhampton, Jay's | 0:20:34 | 0:20:39 | |
hoping that he can rack up a profit with Sinitta's old crockery stand. | 0:20:39 | 0:20:45 | |
He did say he had something in mind for it. | 0:20:45 | 0:20:48 | |
So let's hear it. | 0:20:48 | 0:20:50 | |
I do love a challenge and Sinitta has definitely handed me one here. | 0:20:52 | 0:20:56 | |
I'm going to turn it into a music light box. | 0:20:56 | 0:20:59 | |
This is what's going to give me the light - the LEDs. | 0:21:00 | 0:21:02 | |
And this is what's going to give me the music, | 0:21:02 | 0:21:04 | |
this is a Bluetooth speaker. | 0:21:04 | 0:21:06 | |
To make the box itself, Jay is first cutting the plate rack into three. | 0:21:08 | 0:21:13 | |
One down, two more to go. | 0:21:14 | 0:21:16 | |
The lights and speaker Jay is installing are readily available | 0:21:19 | 0:21:22 | |
consumer units that don't require any additional wiring. | 0:21:22 | 0:21:26 | |
Just plug 'em in and party. | 0:21:26 | 0:21:28 | |
Yes! Now, that is perfect. I thought it would fit, anyway. | 0:21:30 | 0:21:34 | |
But the colour is not good for showing off light, | 0:21:34 | 0:21:37 | |
so I'm going to give this an overall coat of paint, | 0:21:37 | 0:21:40 | |
probably going to spray it black. | 0:21:40 | 0:21:42 | |
Jay's using a water-based paint and is spraying the plate rack | 0:21:45 | 0:21:49 | |
in a well-ventilated area. | 0:21:49 | 0:21:52 | |
Compared with traditional solvent-based paints, | 0:21:53 | 0:21:56 | |
water-based paints are not only safer to use for humans, | 0:21:56 | 0:22:00 | |
but are better for the environment too. | 0:22:00 | 0:22:03 | |
So now I've got it all sprayed up, | 0:22:05 | 0:22:07 | |
all I've got to do is put everything back together again. | 0:22:07 | 0:22:10 | |
Jay is racing through this one. | 0:22:12 | 0:22:14 | |
I wonder what music will be played through a dish rack music box! | 0:22:14 | 0:22:18 | |
Rack and roll? | 0:22:18 | 0:22:20 | |
Dishco? | 0:22:20 | 0:22:22 | |
That's all I've got. | 0:22:22 | 0:22:23 | |
Jay's attaching a custom top he made from scrap wood to two sides of the box, | 0:22:24 | 0:22:30 | |
leaving the back off for now so he can fit in all his goodies. | 0:22:30 | 0:22:34 | |
So far, Jay's spent £44.98 on all the bits and bobs for the light box. | 0:22:37 | 0:22:44 | |
He'll no doubt make it look smart, | 0:22:44 | 0:22:46 | |
but it will all be for nothing if it doesn't sound good too. | 0:22:46 | 0:22:49 | |
For the next stop in our junk journey, we're in Manchester. | 0:22:54 | 0:22:59 | |
Jay has sent Sinitta's failing fan to the man who can - Mark Haig. | 0:23:00 | 0:23:05 | |
Bright spark Mark uses his decades of engineering experience | 0:23:07 | 0:23:12 | |
to create one-of-a-kind sculptures from second-hand materials. | 0:23:12 | 0:23:16 | |
Although his true passion is robots. | 0:23:16 | 0:23:19 | |
The thing I love about robots, | 0:23:19 | 0:23:21 | |
I've just always been a fan of science fiction, | 0:23:21 | 0:23:24 | |
and all those B-movies when I was a kid. | 0:23:24 | 0:23:27 | |
It just took me to a different place. | 0:23:27 | 0:23:28 | |
There's always a challenge, every sculpture that I build has got | 0:23:29 | 0:23:32 | |
a different challenge to it. | 0:23:32 | 0:23:34 | |
So taking something that is broken and then making it into | 0:23:34 | 0:23:37 | |
something that's desirable, that works for me. | 0:23:37 | 0:23:40 | |
You like a challenge, Mark? | 0:23:41 | 0:23:43 | |
Well, you've got one! | 0:23:43 | 0:23:44 | |
Hi, Mark, how are you doing? | 0:23:46 | 0:23:48 | |
Jay's on the phone to find out what kind of robot Mark has in mind. | 0:23:48 | 0:23:52 | |
Talking robot? | 0:23:52 | 0:23:54 | |
Dancing robot? | 0:23:54 | 0:23:55 | |
Japanese fighting Ninja robot? | 0:23:55 | 0:23:58 | |
I can't see it being a robot, I'm afraid. | 0:23:58 | 0:24:01 | |
Oh, I was looking forward to that. | 0:24:01 | 0:24:03 | |
Any other ideas, then? | 0:24:03 | 0:24:05 | |
Have you seen those kind of steampunk lights? | 0:24:05 | 0:24:08 | |
Imagine, like, having a pole and then making sort of a kebab | 0:24:08 | 0:24:11 | |
out of lots of interesting bits as it rises up. | 0:24:11 | 0:24:15 | |
Are you with me? | 0:24:17 | 0:24:18 | |
No! | 0:24:18 | 0:24:19 | |
But if Jay's on board, kebab light it is! | 0:24:19 | 0:24:23 | |
All right. Bye-bye now, bye. | 0:24:23 | 0:24:25 | |
It's going to be kind of a steampunk-themed light. | 0:24:27 | 0:24:30 | |
Some interesting things to come down the base. | 0:24:30 | 0:24:33 | |
What, like onions, peppers? | 0:24:34 | 0:24:36 | |
Hopefully it will be an interesting and nice piece. | 0:24:36 | 0:24:40 | |
This is making me hungry! When do we stop for lunch? | 0:24:40 | 0:24:44 | |
Let's get started. | 0:24:45 | 0:24:47 | |
Mark begins to strip the fan of any plastic, so he's left with | 0:24:47 | 0:24:51 | |
just the metal bits that he can incorporate back into his light. | 0:24:51 | 0:24:56 | |
One thing that's nice about what I'm working on here | 0:24:56 | 0:24:59 | |
is that it's got standard screws. | 0:24:59 | 0:25:01 | |
Some manufacturers actually make them so they're extremely | 0:25:03 | 0:25:06 | |
difficult to get into and actually repair. | 0:25:06 | 0:25:08 | |
So I'm happy that this is more or less dismantled now. | 0:25:11 | 0:25:14 | |
And I said to Jay that I was going to do this sort of kebab thing with the base. | 0:25:14 | 0:25:19 | |
So let's have a rummage. | 0:25:19 | 0:25:22 | |
Mark is... | 0:25:22 | 0:25:24 | |
Let's call him a collector of junk. | 0:25:24 | 0:25:26 | |
He can't pass a skip or car-boot sale without picking something up | 0:25:26 | 0:25:31 | |
he might one day find a use for. | 0:25:31 | 0:25:33 | |
Yeah, happy with that. | 0:25:33 | 0:25:35 | |
Most of his finds feel at home around the artistic subculture of steampunk. | 0:25:35 | 0:25:40 | |
It's got some weight to it, so I might not need a base. | 0:25:40 | 0:25:43 | |
Steampunk is inspired by 19th century industrial machinery | 0:25:43 | 0:25:48 | |
which is incorporated into art, clothing, furniture... | 0:25:48 | 0:25:52 | |
and robots. | 0:25:52 | 0:25:54 | |
So, if you imagine you've got this sort of steampunk-type thing | 0:25:54 | 0:26:00 | |
going on with these different elements. | 0:26:00 | 0:26:02 | |
And then, piece de resistance, | 0:26:02 | 0:26:05 | |
is somehow that is going to go on the front there, | 0:26:05 | 0:26:09 | |
then that is the kind of structure I was talking about. | 0:26:09 | 0:26:14 | |
Of course. A kebab windmill. | 0:26:14 | 0:26:16 | |
Just what everybody needs! | 0:26:16 | 0:26:18 | |
This looks like it could take a while. | 0:26:19 | 0:26:22 | |
Let's leave him to it. | 0:26:22 | 0:26:24 | |
Mark and Jay have agreed on a budget of £200 for the light. | 0:26:25 | 0:26:29 | |
He'd better produce something nice soon because at the moment, | 0:26:29 | 0:26:33 | |
it's less steampunk and more steam junk. | 0:26:33 | 0:26:37 | |
Back in West Sussex... | 0:26:40 | 0:26:43 | |
..Sarah is hammering in the last bits and bobs | 0:26:44 | 0:26:47 | |
of her new sunburst mirrors. | 0:26:47 | 0:26:50 | |
But was changing her mind halfway through the right decision? | 0:26:50 | 0:26:54 | |
Well, there's no turning back now! | 0:26:54 | 0:26:56 | |
Well, that's the mirror on. | 0:26:56 | 0:26:58 | |
Stuck really fast. | 0:26:58 | 0:27:00 | |
Looks quite good. A few finishing touches. | 0:27:00 | 0:27:03 | |
Quite good? That's the spirit. | 0:27:03 | 0:27:06 | |
Before, Toyah's parasols were hidden away in the dark. | 0:27:06 | 0:27:11 | |
But now... | 0:27:11 | 0:27:12 | |
..they have been lit up as a set of shimmering sunburst mirrors. | 0:27:16 | 0:27:20 | |
Sarah spray-painted the bamboo glimmering metallic colours | 0:27:23 | 0:27:27 | |
which shine like the sun itself. | 0:27:27 | 0:27:30 | |
All finished off with empty bullet cartridges Sarah sourced from | 0:27:32 | 0:27:36 | |
a local shooting range, placed on the tips of the beams. | 0:27:36 | 0:27:40 | |
Sarah's a smart cookie for spotting the sunshine in those umbrellas. | 0:27:42 | 0:27:47 | |
What a transformation. | 0:27:47 | 0:27:49 | |
That was one fiddly project. | 0:27:50 | 0:27:52 | |
But it's unusual, it's striking, and I hope it's something | 0:27:52 | 0:27:55 | |
that people are going to want to have in their homes. | 0:27:55 | 0:27:57 | |
And I've got four made, so that's fantastic. | 0:27:57 | 0:28:00 | |
Well, let's get them sold. | 0:28:00 | 0:28:02 | |
Sarah fired off pictures of the mirrors to every nook and cranny of the internet. | 0:28:04 | 0:28:09 | |
And...she sold them! | 0:28:09 | 0:28:12 | |
To a vintage homewares shop in Southwold. | 0:28:13 | 0:28:16 | |
And owner Andy couldn't wait to hang them on the wall. | 0:28:16 | 0:28:20 | |
Great addition to our retro room. | 0:28:21 | 0:28:23 | |
This is an unusual piece, a one-off. It'll fly out. | 0:28:23 | 0:28:26 | |
I'm glad you're happy, Andy. | 0:28:27 | 0:28:29 | |
They really are cool. | 0:28:29 | 0:28:31 | |
But how much profit did they make? | 0:28:31 | 0:28:33 | |
That's our first sale in the bag. | 0:28:40 | 0:28:42 | |
Good job. | 0:28:42 | 0:28:44 | |
Sarah's in East Sussex to check on Norman | 0:28:44 | 0:28:48 | |
and Toyah's four brown chairs. | 0:28:48 | 0:28:50 | |
When we left him, Norman was about to start. | 0:28:50 | 0:28:53 | |
Sorry, am I boring you, Norman? | 0:28:53 | 0:28:56 | |
Sorry! | 0:28:57 | 0:28:58 | |
I think it might have been a late night. | 0:28:58 | 0:29:01 | |
It went wrong in places, | 0:29:02 | 0:29:04 | |
but we've rectified it and I think the end result has worked well, | 0:29:04 | 0:29:08 | |
so let's just wait and see what the boss thinks. | 0:29:08 | 0:29:11 | |
Ah, there's been problems. Come to think of it, | 0:29:11 | 0:29:14 | |
I don't remember him saying he was going to paint them white. | 0:29:14 | 0:29:18 | |
Well, I'm here in Sussex to see my woodworking wonder man, Norman. | 0:29:20 | 0:29:24 | |
He's got Toyah's chairs, £100 each to spend on them. | 0:29:24 | 0:29:27 | |
I hope he's done something fabulous! | 0:29:27 | 0:29:29 | |
Fingers crossed. | 0:29:29 | 0:29:31 | |
Before Norman got to work on them, Toyah's chairs | 0:29:33 | 0:29:36 | |
were dark, dated and firmly stuck in the past. | 0:29:36 | 0:29:40 | |
But now... | 0:29:40 | 0:29:42 | |
..they're light, bright, and bursting with character. | 0:29:46 | 0:29:50 | |
Norman's brand-new floorboard seats and backrests have | 0:29:51 | 0:29:55 | |
scrubbed up beautifully, turning these chairs from old and bleak | 0:29:55 | 0:29:59 | |
into country cottage chic. | 0:29:59 | 0:30:02 | |
The sandblasting has really brought out the natural grain of the wood, | 0:30:03 | 0:30:07 | |
which contrasts nicely with the smooth, polished seat bases. | 0:30:07 | 0:30:11 | |
And as for the last minute white paint job, | 0:30:13 | 0:30:16 | |
I'll let Norman tell you. | 0:30:16 | 0:30:18 | |
-Norman! -Are they the same ones? | 0:30:20 | 0:30:22 | |
No, no, different set. | 0:30:22 | 0:30:24 | |
-What do you think of them then? -They've come up well, haven't they? | 0:30:25 | 0:30:28 | |
Yes, they have come up well. | 0:30:28 | 0:30:29 | |
We had a little disaster along the way. | 0:30:29 | 0:30:32 | |
Why, what happened, what happened? | 0:30:32 | 0:30:33 | |
We sealed them to try and keep them light, | 0:30:33 | 0:30:36 | |
and when we sealed them, we turned them a bit orange. | 0:30:36 | 0:30:39 | |
-Orange! -So... Orange, yeah. -We don't like orange, we don't like orange. | 0:30:39 | 0:30:42 | |
It should have stayed clear and it didn't, so we ended up liming them | 0:30:42 | 0:30:45 | |
but I think it actually works really well. | 0:30:45 | 0:30:47 | |
The lime is really bringing out all of that texture that you've brought up in the oak. | 0:30:47 | 0:30:50 | |
Yes, it's been in the sandblaster, so it's got a lovely texture and feel to it. | 0:30:50 | 0:30:53 | |
Are they comfortable? Have you sat on them? | 0:30:53 | 0:30:56 | |
-They sit perfectly. -Have you sat on them? -Of course I have. | 0:30:56 | 0:30:58 | |
-Go on, then, take a pew. -You take one, I'll take one. | 0:30:58 | 0:31:00 | |
It looks like they have passed the comfy bum test. | 0:31:02 | 0:31:05 | |
Now down to business. | 0:31:05 | 0:31:06 | |
Norman had a budget of £100 per chair for this project. | 0:31:06 | 0:31:10 | |
But how did he get on? | 0:31:10 | 0:31:12 | |
Talk me through the money, how did you get on? | 0:31:12 | 0:31:15 | |
We came in on budget, but we're actually going to do them £10 less each. | 0:31:15 | 0:31:18 | |
-90 quid each? -90 quid each, yeah. -90 quid each, you are a little | 0:31:18 | 0:31:21 | |
-cupcake, thank you, they are lovely, thank you. -Cupcake. | 0:31:21 | 0:31:24 | |
Cupcake?! | 0:31:25 | 0:31:27 | |
I'm happy. I mean, yes, they didn't quite go as we wanted, | 0:31:27 | 0:31:30 | |
we had a bit more work on them than we thought, but I'm glad | 0:31:30 | 0:31:33 | |
Sarah's pleased, I'm pleased, so we are all a winner. | 0:31:33 | 0:31:36 | |
Well, the woodworking wonder man has swooped in and saved yet more furniture. | 0:31:36 | 0:31:40 | |
He's overachieved and he's under budget. | 0:31:40 | 0:31:43 | |
Can't get better than that! | 0:31:43 | 0:31:45 | |
So excited was Sarah about selling those chairs | 0:31:49 | 0:31:52 | |
that she skipped all the way home. | 0:31:52 | 0:31:54 | |
Seriously, she should have just taken the car. | 0:31:56 | 0:31:58 | |
But as soon as the pictures of the chairs were shared online, they were snapped up... | 0:32:00 | 0:32:04 | |
..by a vintage home furnishings shop in Kent, | 0:32:06 | 0:32:09 | |
and owner Maria couldn't be happier. | 0:32:09 | 0:32:12 | |
They look even better than they did in the photograph, I love them. | 0:32:12 | 0:32:15 | |
I love the carving and I love what the limed effect has done to them. | 0:32:15 | 0:32:19 | |
Sarah's tallied up her sales and is back in Worcestershire | 0:32:21 | 0:32:25 | |
to show Toyah what's been made and hand over the profit. | 0:32:25 | 0:32:28 | |
I'm so excited to see Sarah again, | 0:32:29 | 0:32:32 | |
I can't wait to see what she's done with the items I gave her. | 0:32:32 | 0:32:35 | |
The craftsmen she chooses are always fantastic, so I'm hoping | 0:32:35 | 0:32:39 | |
to see something very contemporary and very bright. | 0:32:39 | 0:32:43 | |
Just wait until you see those mirrors. | 0:32:43 | 0:32:46 | |
-Hello! -Hello, come on in. | 0:32:48 | 0:32:50 | |
-Thank you. -It's really good to see you again. -And you. | 0:32:50 | 0:32:53 | |
So the set of chairs, I took them to a guy called Norman. | 0:32:53 | 0:32:58 | |
So he had a good look at them and he actually sandblasted them | 0:32:58 | 0:33:02 | |
-and gave them a bit of a new look. -I can't wait to see! | 0:33:02 | 0:33:04 | |
I've got some pictures here to show you. | 0:33:04 | 0:33:07 | |
Do you know, I wouldn't in a million years have thought of | 0:33:08 | 0:33:11 | |
doing anything like that. I think they're fantastic. | 0:33:11 | 0:33:14 | |
-I'd have them here. -They've actually sold for a profit. | 0:33:14 | 0:33:17 | |
-So there's £125. -Oh, well done! | 0:33:17 | 0:33:21 | |
That's amazing. | 0:33:21 | 0:33:23 | |
Next, the parasols. | 0:33:23 | 0:33:24 | |
There was one that wasn't in great condition, so I stripped it down | 0:33:24 | 0:33:27 | |
and when I came to look at it, | 0:33:27 | 0:33:30 | |
it suddenly reminded me of a sunburst mirror. | 0:33:30 | 0:33:33 | |
So I took them and I made them into these. | 0:33:33 | 0:33:36 | |
They now look like that. | 0:33:36 | 0:33:38 | |
That is just... | 0:33:38 | 0:33:40 | |
Those are absolutely brilliant, Sarah, they're brilliant. | 0:33:40 | 0:33:44 | |
They have sold, in fact, | 0:33:44 | 0:33:45 | |
and gone off to a shop so there is profit from those. | 0:33:45 | 0:33:48 | |
They managed to make £157.54 on those, so I have got the total here. | 0:33:48 | 0:33:53 | |
There is £282.54 there for you. | 0:33:53 | 0:33:58 | |
That is so brilliant. | 0:33:59 | 0:34:01 | |
And thank you so much for saving them from the tip. | 0:34:01 | 0:34:04 | |
Have you got a charity in mind? | 0:34:04 | 0:34:06 | |
Yes, my Aunt Sheila's hospice was the Shakespeare Hospice | 0:34:06 | 0:34:10 | |
in Stratford-upon-Avon and that's where this is going. | 0:34:10 | 0:34:13 | |
And thank you on her behalf. | 0:34:13 | 0:34:15 | |
It's an absolute pleasure, thank you so much. | 0:34:15 | 0:34:17 | |
You're going to get more off me, | 0:34:17 | 0:34:19 | |
I'm going to go around the house and give you everything! | 0:34:19 | 0:34:22 | |
Don't joke, Toyah, she'll clear you out. | 0:34:23 | 0:34:26 | |
I'm so impressed, and I really like what's happened. | 0:34:27 | 0:34:31 | |
It's given everything a new lease of life and it's given it more time, | 0:34:31 | 0:34:35 | |
which means a young couple will own something and it will be around | 0:34:35 | 0:34:39 | |
for another 100 years. That's lovely. | 0:34:39 | 0:34:42 | |
Sarah sold the chairs for £485. | 0:34:42 | 0:34:46 | |
Taking off Norman's labour and materials left a profit of £125. | 0:34:46 | 0:34:52 | |
Sarah's mirrors all sold for a total of £185. | 0:34:52 | 0:34:57 | |
And, after her material costs were taken off, | 0:34:57 | 0:35:01 | |
it left her a profit of £157.54. | 0:35:01 | 0:35:04 | |
Altogether, Toyah has £282.54 to donate to the Shakespeare Hospice, | 0:35:04 | 0:35:11 | |
which cared for her aunt. | 0:35:11 | 0:35:13 | |
Well done, Sarah. And back in Wolverhampton, | 0:35:18 | 0:35:22 | |
has Jay managed to turn Sinitta's old dish rack | 0:35:22 | 0:35:26 | |
into an all-singing all-dancing music light box? | 0:35:26 | 0:35:29 | |
I hope so, because I'm in the mood for a boogie. | 0:35:29 | 0:35:33 | |
Now, here's the big test, the box is all together, | 0:35:34 | 0:35:38 | |
the lights and speaker, are they going to work? Wish me luck. | 0:35:38 | 0:35:43 | |
Jay's worked hard to make the old dish rack functional again, | 0:35:43 | 0:35:48 | |
but has he succeeded? It's time to face the music. | 0:35:48 | 0:35:51 | |
Yes, he has! | 0:35:56 | 0:35:58 | |
Jay's disco box looks the business, with his remote-controlled | 0:35:58 | 0:36:02 | |
LED lights flashing out from the sleek black base. | 0:36:02 | 0:36:07 | |
The music box is portable, so the party can follow you wherever you go. | 0:36:07 | 0:36:12 | |
Just not on the bus, please. | 0:36:12 | 0:36:15 | |
It certainly looks the part, but how does it sound? | 0:36:15 | 0:36:18 | |
Now, for the speaker, here we go. | 0:36:20 | 0:36:23 | |
MUSIC PLAYS | 0:36:23 | 0:36:25 | |
Come on! | 0:36:25 | 0:36:26 | |
Sounding good, Jay. | 0:36:28 | 0:36:30 | |
Come on, show us some moves. | 0:36:30 | 0:36:32 | |
Jay? Jay? | 0:36:32 | 0:36:34 | |
Oh, he's mesmerised by the lights. | 0:36:34 | 0:36:36 | |
Although, they are quite hypnotic... | 0:36:36 | 0:36:39 | |
Snap out of it! | 0:36:40 | 0:36:42 | |
Time to get selling. | 0:36:43 | 0:36:45 | |
Jay's uploading pics onto social media to try and drum up | 0:36:45 | 0:36:48 | |
some interest, and drum it up he did. | 0:36:48 | 0:36:51 | |
Jay's light box was bought by Microtek Repair Solutions in Wolverhampton. | 0:36:53 | 0:36:59 | |
And manager Aaron thinks it's quite... What's the word? | 0:36:59 | 0:37:03 | |
I think it's quite snazzy - the flashing lights, you can put it on | 0:37:03 | 0:37:07 | |
in a dark room and listen to some music and chill out, wind down. | 0:37:07 | 0:37:11 | |
Whatever floats your boat, Aaron. | 0:37:11 | 0:37:13 | |
Jay managed to sell it, but how much profit has been made? | 0:37:13 | 0:37:18 | |
In Manchester, Jay is all boogied out from finishing the music box, | 0:37:27 | 0:37:31 | |
and what do you do after you've been dancing? | 0:37:31 | 0:37:34 | |
Get a kebab. | 0:37:34 | 0:37:36 | |
Mark is putting the finishing touches to Sinitta's steampunk kebab light. | 0:37:38 | 0:37:42 | |
Jay is hoping it looks proper tasty. | 0:37:44 | 0:37:47 | |
Interesting project, difficult project. | 0:37:47 | 0:37:50 | |
Lots of techniques that I'd not used before, really. | 0:37:51 | 0:37:54 | |
But I'm hoping that he likes what I've come up with. | 0:37:54 | 0:37:57 | |
I'm here in Manchester to see Mark, and hopefully he's risen | 0:37:57 | 0:37:59 | |
to that challenge on what to do with that fan. | 0:37:59 | 0:38:02 | |
I know I couldn't do it, so let's go take a look. | 0:38:02 | 0:38:05 | |
Transforming that rickety old plastic fan was never going to be a breeze. | 0:38:06 | 0:38:11 | |
But now, fanfare, please... | 0:38:11 | 0:38:14 | |
It's a big and bright magic lamp. | 0:38:17 | 0:38:20 | |
Mark has built up his kebab base | 0:38:21 | 0:38:23 | |
with everything from plant pots to an old ashtray, which has | 0:38:23 | 0:38:28 | |
come together to create a truly unique piece of steampunk lighting. | 0:38:28 | 0:38:32 | |
Topped off with Edison light bulbs, it's been PAT tested | 0:38:33 | 0:38:37 | |
and complies with all UK electrical safety standards. | 0:38:37 | 0:38:40 | |
It's a bold design, all right, | 0:38:40 | 0:38:43 | |
but will Jay be blown away with the transformation? | 0:38:43 | 0:38:46 | |
Oh, come on! Mark, look at that. | 0:38:48 | 0:38:50 | |
-How are we doing? -I'm all right, fella, how are you? -I'm very good now! | 0:38:51 | 0:38:55 | |
Look at this, man, you've done it again, haven't you? | 0:38:55 | 0:38:57 | |
These are all found objects that I've found. | 0:38:57 | 0:38:59 | |
-I tried to use as much of the fan as possible. -It's cool, mate, it's cool. | 0:38:59 | 0:39:03 | |
There is the blades of the fan. | 0:39:03 | 0:39:04 | |
-Right. -There's some of the mechanism back there. | 0:39:04 | 0:39:07 | |
-And this is the base of the fan. -You've definitely done me proud, | 0:39:07 | 0:39:10 | |
it is just amazing. | 0:39:10 | 0:39:12 | |
-I'm just amazed by it all. -Thank you. | 0:39:12 | 0:39:15 | |
I think it's safe to say Jay is a big fan of the fan. | 0:39:15 | 0:39:19 | |
But what about the budget? | 0:39:19 | 0:39:20 | |
-Now then... -Right. -We said 200 on the phone. | 0:39:20 | 0:39:23 | |
-Yes, we did, sir. -We did, but I forgot about the price of the bulbs. | 0:39:23 | 0:39:26 | |
-The price of the bulbs, oh, they're free, aren't they? -No. | 0:39:26 | 0:39:28 | |
They are about six quid a bulb. | 0:39:28 | 0:39:31 | |
-All right, so we're talking about £224? -225. | 0:39:31 | 0:39:36 | |
-Thank you, sir. -Absolute pleasure. | 0:39:36 | 0:39:38 | |
Job done. | 0:39:38 | 0:39:40 | |
I think it's a really nice piece and I hope somebody likes it | 0:39:40 | 0:39:43 | |
and I hope they buy it. | 0:39:43 | 0:39:45 | |
Mark has definitely smashed it. | 0:39:45 | 0:39:48 | |
He's given me a steampunk lamp. | 0:39:48 | 0:39:50 | |
It just looks beautiful. | 0:39:50 | 0:39:51 | |
Now all I've got to do is sell it. | 0:39:51 | 0:39:53 | |
I know it's not going to be hard. | 0:39:53 | 0:39:56 | |
It was full steam ahead to get the light sold. | 0:40:00 | 0:40:03 | |
Jay knew there was a fan of steampunk out there | 0:40:03 | 0:40:07 | |
just itching for a big, brassy light, and... | 0:40:07 | 0:40:10 | |
Great, I found a buyer. | 0:40:10 | 0:40:12 | |
..he found them. | 0:40:12 | 0:40:14 | |
The Steam Barber Shop in Truro, Cornwall, loved the light, | 0:40:15 | 0:40:19 | |
and owner Dan couldn't be happier. | 0:40:19 | 0:40:21 | |
It suits the theme of our shop, it's industrial, it's steampunk. | 0:40:21 | 0:40:25 | |
The bulbs look awesome and it makes the shop come to life. | 0:40:25 | 0:40:29 | |
With the profits from the light box and the lamp added up, | 0:40:31 | 0:40:35 | |
Jay is back in south-west London to show Sinitta the transformations, | 0:40:35 | 0:40:40 | |
and hand over some cash. | 0:40:40 | 0:40:42 | |
I think I've given him quite challenging things to work with, | 0:40:42 | 0:40:46 | |
and it's either going to be amazing or a disaster, right? | 0:40:46 | 0:40:51 | |
No pressure there, Jay. | 0:40:53 | 0:40:55 | |
Yay! How are you? | 0:40:56 | 0:40:58 | |
-How are you doing? -Really good, thanks. | 0:40:58 | 0:41:00 | |
-That's good. -So excited. -Are you? -I can't wait. | 0:41:00 | 0:41:03 | |
Right. | 0:41:03 | 0:41:04 | |
So do you remember the two items I got from you, then? | 0:41:04 | 0:41:07 | |
Yes, you had my funny fan, rickety old fan. | 0:41:07 | 0:41:10 | |
-That's right, the fan. -And then my plate tray. | 0:41:10 | 0:41:13 | |
-So would you like to see what I've done with them then? -I can't wait. Yes. | 0:41:13 | 0:41:16 | |
Here is what used to be your plate rack. | 0:41:16 | 0:41:20 | |
Now it's turned into a music light box. | 0:41:20 | 0:41:22 | |
-Wow! -Inside you've got lights and also inside there you've got | 0:41:24 | 0:41:28 | |
a Bluetooth speaker which allows you to play music. | 0:41:28 | 0:41:31 | |
-That's going to look amazing in my room! -You can't have this one! | 0:41:31 | 0:41:34 | |
This one's been sold. | 0:41:34 | 0:41:36 | |
I am glad to tell you we've made £70.02 profit on this one. | 0:41:36 | 0:41:40 | |
-Wow! -And then your fan, do you want to see your fan? | 0:41:40 | 0:41:43 | |
-Yes, well, not really! -Well, what used to be your fan. | 0:41:43 | 0:41:45 | |
Yes. Wow, but what is that now? | 0:41:45 | 0:41:47 | |
-It is a light. -It's a lamp. -That's incredible! | 0:41:47 | 0:41:50 | |
So there are the propellers at the back as well. | 0:41:50 | 0:41:53 | |
I love it, will you make me another if I buy another horrible fan? | 0:41:53 | 0:41:56 | |
I'll speak to Mark and see if he can make you another one! | 0:41:56 | 0:41:59 | |
It's so clever, it's stunning. | 0:41:59 | 0:42:01 | |
In total you'll be glad to know that we've made £190 for the two items. | 0:42:01 | 0:42:06 | |
-And 2p. -And 2p! | 0:42:06 | 0:42:08 | |
-Amazing. -So here is your 190. | 0:42:08 | 0:42:11 | |
-Thank you so much. -And I'm not going to forget your 2p. -And the 2p. | 0:42:11 | 0:42:14 | |
-Wow, amazing. -What are you going to do with it? | 0:42:14 | 0:42:16 | |
I'm going to give it to the Diana Awards. | 0:42:16 | 0:42:18 | |
The Diana Awards basically equip and reward kids who are doing | 0:42:18 | 0:42:22 | |
great things in their communities, | 0:42:22 | 0:42:24 | |
so this is going to be very much appreciated. | 0:42:24 | 0:42:26 | |
That's a good cause as well. | 0:42:26 | 0:42:28 | |
-Thank you. -Thank you. | 0:42:28 | 0:42:30 | |
You take care now. | 0:42:30 | 0:42:32 | |
Good job, Jay. | 0:42:32 | 0:42:33 | |
I mean, who would have thought that two things that you were | 0:42:33 | 0:42:36 | |
basically going to just throw away could raise so much? | 0:42:36 | 0:42:39 | |
Jay sold his light box for £115 | 0:42:39 | 0:42:43 | |
and, taking off materials, it left a profit of £70.02. | 0:42:43 | 0:42:49 | |
Mark's fan light sold for an impressive £345. | 0:42:49 | 0:42:53 | |
Minus his labour and material costs, it left a profit of £120. | 0:42:53 | 0:42:59 | |
Together, Sinitta has a profit of £190.02 | 0:42:59 | 0:43:04 | |
to donate to her chosen children's charity. | 0:43:04 | 0:43:07 | |
Fantastic. | 0:43:07 | 0:43:09 | |
Sarah and Jay saved four bits of celebrity junk. | 0:43:11 | 0:43:14 | |
And with the help of some of the country's best | 0:43:16 | 0:43:18 | |
and brightest designers, they've all been given a new start | 0:43:18 | 0:43:22 | |
and a chance to be loved again. | 0:43:22 | 0:43:25 | |
We loved saving Toyah and Sinitta's trash. | 0:43:26 | 0:43:29 | |
And turning it into saleable items and making money for nothing. | 0:43:29 | 0:43:32 | |
For two very worthy causes. | 0:43:32 | 0:43:35 |