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I've got something pretty unusual in here, I don't know if you're going to be able to do anything with it. | 0:00:02 | 0:00:05 | |
Wow! | 0:00:05 | 0:00:06 | |
How do you make celebrity money for nothing? | 0:00:06 | 0:00:08 | |
I've got a house full of rubbish! | 0:00:08 | 0:00:11 | |
Entrepreneurs Sarah Moore | 0:00:11 | 0:00:12 | |
and Jay Blades are searching celebrities' houses... | 0:00:12 | 0:00:16 | |
I don't know even how we got in here. Let's get out of here. | 0:00:16 | 0:00:18 | |
..to find tip-bound items to transform... | 0:00:18 | 0:00:21 | |
-Beautiful. -I had no idea they were even here. | 0:00:21 | 0:00:24 | |
..by having a really good look around some celebrity homes. | 0:00:24 | 0:00:28 | |
This is unbelievable. | 0:00:28 | 0:00:31 | |
With the help of some of Britain's best designers and makers... | 0:00:31 | 0:00:34 | |
And celebrity faces, we are on a mission to turn celebrity trash... | 0:00:34 | 0:00:38 | |
Into hard cash. | 0:00:38 | 0:00:41 | |
But what will our celebrities think of the transformations? | 0:00:41 | 0:00:45 | |
Those are absolutely brilliant! | 0:00:45 | 0:00:48 | |
Oh, my goodness! | 0:00:48 | 0:00:50 | |
And how much money has been made for their charities? | 0:00:50 | 0:00:53 | |
500... | 0:00:53 | 0:00:54 | |
-No! -..and £53. -No! | 0:00:54 | 0:00:57 | |
Jay is kicking things off in the gorgeous Oxfordshire countryside | 0:01:10 | 0:01:15 | |
where he is meeting a popular celebrity. | 0:01:15 | 0:01:17 | |
Come on. | 0:01:17 | 0:01:18 | |
And he is intent on rooting around in their rubbish. | 0:01:18 | 0:01:21 | |
Waiting for Jay is journalist, | 0:01:23 | 0:01:25 | |
broadcaster and all-round family man Chris Hollins. | 0:01:25 | 0:01:28 | |
You going to catch a bubble? | 0:01:28 | 0:01:30 | |
I am looking forward to meeting Jay, | 0:01:30 | 0:01:32 | |
I don't know what he's going to find in our house. | 0:01:32 | 0:01:34 | |
It looks all nice and tidy here | 0:01:34 | 0:01:36 | |
but there is so much rubbish tucked away, | 0:01:36 | 0:01:39 | |
so is there anything of any use? | 0:01:39 | 0:01:41 | |
I hope so. I really do. | 0:01:41 | 0:01:43 | |
Chris has travelled the world as a sports reporter and has presented | 0:01:43 | 0:01:47 | |
programmes including Watchdog and The One Show. | 0:01:47 | 0:01:50 | |
He lives with his wife, Sarah, and their two children. | 0:01:50 | 0:01:53 | |
But does Chris have any rubbish that Jay can get his hands on? | 0:01:53 | 0:01:57 | |
All right! | 0:01:57 | 0:01:59 | |
You are looking at probably the most impractical man in the world, | 0:01:59 | 0:02:03 | |
so if it doesn't work, if it needs fixing, if it needs updating, | 0:02:03 | 0:02:08 | |
if it needs painting, I am not the person to ask, so I'm really looking | 0:02:08 | 0:02:12 | |
forward to learning, possibly, | 0:02:12 | 0:02:13 | |
a little bit from Jay because we waste so much money, | 0:02:13 | 0:02:17 | |
because as soon as it is broken, got a scratch, it's got to go. | 0:02:17 | 0:02:21 | |
-Hello, Chris. How are we doing? -Nice to see you. | 0:02:26 | 0:02:29 | |
That's Winnie, by the way. | 0:02:29 | 0:02:31 | |
-Hello, Winnie. -She will follow you around all day. | 0:02:31 | 0:02:33 | |
-Come on in. -Let's go. | 0:02:33 | 0:02:35 | |
-Have a cup of tea. -Yes. -Before we start the rummage. | 0:02:35 | 0:02:38 | |
This beautiful period cottage in the Chiltern Hills | 0:02:40 | 0:02:44 | |
oozes countryside comfort. | 0:02:44 | 0:02:46 | |
It's spacious with a lovely homespun charm. | 0:02:49 | 0:02:53 | |
Chris and his family moved in less than a year ago and you can see why | 0:02:54 | 0:02:59 | |
they fell in love with their slice of country living. | 0:02:59 | 0:03:03 | |
So, Chris, where were you before? | 0:03:03 | 0:03:05 | |
We were in south-west London, Battersea, | 0:03:05 | 0:03:07 | |
and we had two little ones and it is such hard work in London. | 0:03:07 | 0:03:12 | |
So we came out here. | 0:03:12 | 0:03:13 | |
And I have to say I'm still getting used to life in the country. | 0:03:13 | 0:03:16 | |
-"What is that green stuff?" -This is a complete contrast. -Yeah. | 0:03:16 | 0:03:18 | |
But you only have to go into the garden with the two little ones and | 0:03:18 | 0:03:21 | |
lift up a rock and they are studying bugs and worms and you think, | 0:03:21 | 0:03:24 | |
"Yeah, we have made the right decision." | 0:03:24 | 0:03:27 | |
Speaking of right decisions, | 0:03:27 | 0:03:28 | |
Jay needs to make two of them. | 0:03:28 | 0:03:30 | |
So where does your rubbish live, Chris? | 0:03:30 | 0:03:33 | |
It's like a swan, on the surface it is all nice, | 0:03:33 | 0:03:35 | |
but if you open a cupboard it will just... | 0:03:35 | 0:03:38 | |
It will all fall through. We have a whole load of stuff in one of the | 0:03:38 | 0:03:41 | |
garages that we still haven't unpacked since we moved. | 0:03:41 | 0:03:44 | |
-Right. -And we've got a great garden and there are some mysteries there, | 0:03:44 | 0:03:48 | |
possibly. But I am open to persuasion. | 0:03:48 | 0:03:52 | |
Great stuff, Chris. | 0:03:52 | 0:03:54 | |
So this is a playroom. | 0:03:55 | 0:03:58 | |
Although getting Jay to help you | 0:03:58 | 0:03:59 | |
streamline your boys' toy collection... | 0:03:59 | 0:04:01 | |
-Do you like cars? -..is a little naughty. | 0:04:01 | 0:04:04 | |
Cheeky monkey. | 0:04:04 | 0:04:06 | |
He is obsessed with cars. Look at that. | 0:04:06 | 0:04:08 | |
You might as well take Winnie's toys well you're at it. | 0:04:08 | 0:04:12 | |
Sorry, Winnie. This is the sitting room. | 0:04:12 | 0:04:14 | |
We haven't done anything to it apart from | 0:04:14 | 0:04:17 | |
-Sarah is brilliant at dressing places. -Yeah. It is beautiful. | 0:04:17 | 0:04:21 | |
I think she has done a grand job. | 0:04:21 | 0:04:22 | |
Yeah, I agree. | 0:04:22 | 0:04:24 | |
And I want that officially on the record. | 0:04:24 | 0:04:26 | |
THEY LAUGH | 0:04:26 | 0:04:28 | |
Consider it officially on the record, Chris. | 0:04:28 | 0:04:30 | |
Now what about this great garden of mysteries? | 0:04:30 | 0:04:35 | |
Lead the way, Winnie. | 0:04:35 | 0:04:36 | |
And this is the playground, it is an old paddock that is now our garden. | 0:04:36 | 0:04:41 | |
It is a bit rough and ready. | 0:04:41 | 0:04:42 | |
Loads of wood and stuff that we have got to chop up for the fire, | 0:04:42 | 0:04:45 | |
but there is so much stuff that I have yet to discover, | 0:04:45 | 0:04:48 | |
so this is all over to you now! | 0:04:48 | 0:04:50 | |
I hand this to you! | 0:04:50 | 0:04:52 | |
Thank you. I'm off! | 0:04:52 | 0:04:53 | |
Luckily for Jay, Winnie has decided to lend a helping paw. | 0:04:55 | 0:04:59 | |
There is a lot of wood here. | 0:04:59 | 0:05:00 | |
WINNIE BARKS | 0:05:00 | 0:05:02 | |
Not that one, no? It is a nice bit of timber. | 0:05:02 | 0:05:04 | |
No? Move on? | 0:05:04 | 0:05:06 | |
That's nice. | 0:05:08 | 0:05:10 | |
I like that. What do you reckon? | 0:05:10 | 0:05:12 | |
Yeah? Yeah. I think I've got the seal of approval there. | 0:05:12 | 0:05:15 | |
-WINNIE BARKS -Are you sure? | 0:05:15 | 0:05:17 | |
I'll ask Chris about that, that's quite nice! | 0:05:17 | 0:05:21 | |
What do you reckon? Eh? | 0:05:21 | 0:05:23 | |
I am no expert in bark or whimper but that sounded like a yes to me. | 0:05:23 | 0:05:28 | |
-What do you think of my shed? Nice, isn't it? -It's very nice, yes. | 0:05:28 | 0:05:32 | |
But I was wondering, what's the story behind these two? | 0:05:32 | 0:05:34 | |
They came with the house when we bought it, | 0:05:34 | 0:05:36 | |
so I have no idea where they are from. | 0:05:36 | 0:05:38 | |
What wood is it, do you know? | 0:05:38 | 0:05:40 | |
I think it is oak. | 0:05:40 | 0:05:41 | |
-Solid. -You can have those two pieces of wood. -Brilliant. | 0:05:41 | 0:05:45 | |
It never ceases to amaze me that junk can make Jay so happy. | 0:05:45 | 0:05:50 | |
I think Sarah would have liked these ones. | 0:05:51 | 0:05:53 | |
That's too bad, they are all mine. | 0:05:53 | 0:05:55 | |
Solid bits of oak. | 0:05:56 | 0:05:58 | |
All I've got to do is get these back to the workshop, | 0:05:58 | 0:06:00 | |
clean them up, and the ideas are going to keep on flowing. | 0:06:00 | 0:06:04 | |
-Nice one, Chris. -Indeed. | 0:06:04 | 0:06:06 | |
While Jay rummages around for a second item, | 0:06:08 | 0:06:11 | |
Sarah is in charming Cheshire | 0:06:11 | 0:06:13 | |
to meet her own popular personality. | 0:06:13 | 0:06:16 | |
And waiting to greet her is journalist, | 0:06:17 | 0:06:20 | |
broadcaster and TV presenter Louise Minchin. | 0:06:20 | 0:06:24 | |
She moved to Cheshire five years ago with her husband, David, | 0:06:24 | 0:06:28 | |
and her two children. | 0:06:28 | 0:06:30 | |
Known for anchoring flagship BBC programme Breakfast, | 0:06:30 | 0:06:34 | |
Louise has also presented programmes including Missing Live | 0:06:34 | 0:06:37 | |
and Real Rescues. | 0:06:37 | 0:06:40 | |
And according to their dog, Waffle, | 0:06:40 | 0:06:42 | |
her throwing skills are of a high standard. | 0:06:42 | 0:06:45 | |
Louise is a passionate triathlete | 0:06:46 | 0:06:49 | |
and has even competed as part of Team GB. | 0:06:49 | 0:06:52 | |
But will Sarah's search for tired old trash | 0:06:52 | 0:06:55 | |
be the ultimate endurance test? | 0:06:55 | 0:06:58 | |
We do hold on to things in this house, | 0:06:58 | 0:07:00 | |
so there is quite a lot of potential, I think, | 0:07:00 | 0:07:03 | |
that things can be made much more beautiful than they are now | 0:07:03 | 0:07:06 | |
and maybe put to, I don't know, | 0:07:06 | 0:07:08 | |
go on to a happier life elsewhere, not in my house. | 0:07:08 | 0:07:11 | |
-Hi, Sarah! Come in! Lovely to see you! -And you. | 0:07:14 | 0:07:18 | |
I am so excited. I think we've got work to do. | 0:07:18 | 0:07:20 | |
-Brilliant. -Come in. | 0:07:20 | 0:07:22 | |
This gorgeous Georgian home will have Sarah jumping for joy. | 0:07:24 | 0:07:29 | |
With a jungle of outbuildings and a large basement, | 0:07:31 | 0:07:34 | |
who knows what junk treasures will be hiding | 0:07:34 | 0:07:37 | |
in those nooks and crannies? | 0:07:37 | 0:07:39 | |
Louise, this is a beautiful house, isn't it? | 0:07:40 | 0:07:42 | |
It is fun, we have been here about five years or so, | 0:07:42 | 0:07:45 | |
since we moved to the north-west with BBC breakfast. | 0:07:45 | 0:07:48 | |
It feels quite new to me still, actually. | 0:07:48 | 0:07:50 | |
I think it is amazing. Is there more to see? | 0:07:50 | 0:07:52 | |
-Do you mind me looking? -There is more to see, of course. | 0:07:52 | 0:07:54 | |
Come through. | 0:07:54 | 0:07:55 | |
More to see? Just you wait, Sarah. | 0:07:55 | 0:07:58 | |
This is a lovely room, but can you see what I've done with it? | 0:07:58 | 0:08:01 | |
You have made it your own, haven't you? | 0:08:01 | 0:08:03 | |
I have made it into a triathlete's dream place. | 0:08:03 | 0:08:06 | |
-A recreation place. -Exactly. | 0:08:06 | 0:08:08 | |
And so this looks like an instrument of torture to me. | 0:08:08 | 0:08:12 | |
It kind of is, this is my bike, | 0:08:12 | 0:08:14 | |
so I sit on this and play an online game, if you would believe it, | 0:08:14 | 0:08:17 | |
on my bike, so I cycle against other people | 0:08:17 | 0:08:19 | |
all the way around the world playing this amazing game, | 0:08:19 | 0:08:22 | |
and it is a brilliant way to train in winter. | 0:08:22 | 0:08:24 | |
It is a big theme in my life, it is really important to me. | 0:08:24 | 0:08:28 | |
Nice one, Louise. | 0:08:28 | 0:08:30 | |
But do you know what's important to me? | 0:08:30 | 0:08:33 | |
Finding rubbish that can be transformed. | 0:08:33 | 0:08:35 | |
So on your bike, if you please. | 0:08:35 | 0:08:38 | |
We've got lots of things I'm really excited to show you, actually. | 0:08:38 | 0:08:41 | |
Louise has planned ahead and has a few things earmarked for a makeover. | 0:08:41 | 0:08:46 | |
Do you know something? They look too new for me. | 0:08:46 | 0:08:49 | |
Picky, picky. | 0:08:49 | 0:08:51 | |
You want rubbish, I can find your rubbish. | 0:08:51 | 0:08:53 | |
I just want rubbish! | 0:08:53 | 0:08:55 | |
We will go out here. | 0:08:55 | 0:08:58 | |
-This is where it gets exciting for me! -Are you excited? -This is huge! | 0:08:58 | 0:09:01 | |
I've got something pretty unusual in here. | 0:09:01 | 0:09:03 | |
I don't go if you're going to be able to do anything with it, | 0:09:03 | 0:09:05 | |
but it's had a happy life in our house and it can now move on. | 0:09:05 | 0:09:09 | |
-Come on, show me what it is. -It's big! | 0:09:09 | 0:09:11 | |
And here it is. It is a boat! | 0:09:11 | 0:09:14 | |
Fantastic! | 0:09:14 | 0:09:15 | |
But you can clearly see it is a boat that can't float. | 0:09:15 | 0:09:19 | |
Talk me through it. It looks like a sweet boat. | 0:09:19 | 0:09:20 | |
It has been much-loved, this boat. | 0:09:20 | 0:09:22 | |
But, as you can see, it has a puncture in it. | 0:09:22 | 0:09:24 | |
It is not a happy boat any more. | 0:09:24 | 0:09:26 | |
So you're definitely not going to repair it? | 0:09:26 | 0:09:28 | |
I love the idea that I'd get it repaired but I just can't see myself | 0:09:28 | 0:09:32 | |
-getting round to it. -It's like a little gem! | 0:09:32 | 0:09:34 | |
Do you think so? | 0:09:34 | 0:09:36 | |
-Yes, actually. -Do you really? | 0:09:36 | 0:09:37 | |
I like it, not because I immediately know what I will do with it, | 0:09:37 | 0:09:40 | |
but because it's big, | 0:09:40 | 0:09:42 | |
it's got lots of interesting-looking materials on it | 0:09:42 | 0:09:44 | |
and if you have definitely finished with it then I love a challenge. | 0:09:44 | 0:09:47 | |
If you want it, honestly, | 0:09:47 | 0:09:49 | |
I would absolutely love you to have it and I would love to see what you | 0:09:49 | 0:09:52 | |
can do with it, but I cannot see its potential! | 0:09:52 | 0:09:55 | |
You're not alone there, Louise. | 0:09:55 | 0:09:56 | |
There is a long list of things that I think I might be able to find | 0:09:56 | 0:10:00 | |
when I come to people's houses. I just didn't have "boat" on the list. | 0:10:00 | 0:10:03 | |
But I'm so pleased with this, there is lots of material here. | 0:10:03 | 0:10:06 | |
It may have a puncture but it has definitely got potential. | 0:10:06 | 0:10:08 | |
Fantastic. | 0:10:10 | 0:10:12 | |
An interesting one for Sarah, | 0:10:12 | 0:10:14 | |
and while she continues her search for item number two... | 0:10:14 | 0:10:17 | |
There's a couple of things you might find interesting. | 0:10:17 | 0:10:20 | |
..back in Oxfordshire Jay is searching high and low | 0:10:20 | 0:10:23 | |
for that second hidden gem from Chris. | 0:10:23 | 0:10:26 | |
There is a lot of stuff in here, but there is nothing really for me. | 0:10:26 | 0:10:30 | |
It's back to the outdoors to see what is hidden in the bushes. | 0:10:31 | 0:10:36 | |
Obviously. | 0:10:36 | 0:10:37 | |
There is something I dumped in here months ago and I've just about | 0:10:37 | 0:10:41 | |
-remembered it. -OK. -I don't know whether you fancy the look of this. | 0:10:41 | 0:10:45 | |
Is that of any interest whatsoever? | 0:10:45 | 0:10:47 | |
-It's an old gate. -This is amazing! | 0:10:47 | 0:10:49 | |
A big old gate. That's been hidden behind here for months. | 0:10:49 | 0:10:52 | |
So I can have this, or potentially...? | 0:10:52 | 0:10:54 | |
-No, you can definitely have this, because.. -Yes! | 0:10:54 | 0:10:57 | |
..the truth is we have not dumped it because it is too heavy and we would | 0:10:57 | 0:11:01 | |
have just left this here. But is it of any use? | 0:11:01 | 0:11:03 | |
I can see a lot of things being made out of this. | 0:11:03 | 0:11:06 | |
I have to say, we are going to do nothing with this. | 0:11:06 | 0:11:09 | |
This would have rotted away, you can have it. With bells on. | 0:11:09 | 0:11:12 | |
-Yes! I am excited about this one. -Really? -Yeah, thank you. | 0:11:12 | 0:11:15 | |
If you are excited, Jay, then we are excited. | 0:11:15 | 0:11:19 | |
I am so glad Chris has pointed this out to me, | 0:11:19 | 0:11:21 | |
this is a gate that has true potential. | 0:11:21 | 0:11:24 | |
Will it still be a gate or will it not be a gate? | 0:11:24 | 0:11:26 | |
Now that is the question. | 0:11:26 | 0:11:27 | |
But all I know, this is a winner. | 0:11:27 | 0:11:30 | |
Getting a little bit ahead of yourself, Jay. | 0:11:30 | 0:11:33 | |
But ten out of ten for enthusiasm. | 0:11:33 | 0:11:35 | |
Chris, it has been a pleasure. | 0:11:35 | 0:11:37 | |
My pleasure, too. I have really enjoyed that. | 0:11:37 | 0:11:38 | |
-Hope you have found enough. -I have found loads. | 0:11:38 | 0:11:41 | |
Now I have got to get into a workshop and get cracking on. | 0:11:41 | 0:11:43 | |
-I wish you the best of luck. -Thank you, sir. -See you soon. | 0:11:43 | 0:11:45 | |
-Take care now. -It better be good! -It will be. | 0:11:45 | 0:11:49 | |
THEY LAUGH | 0:11:49 | 0:11:50 | |
As far as I'm concerned he has taken away two pieces of rubbish, | 0:11:50 | 0:11:54 | |
couple of planks of wood and an old gate | 0:11:54 | 0:11:57 | |
that I was willing to throw away. | 0:11:57 | 0:11:59 | |
And now he promises me something really good. | 0:11:59 | 0:12:02 | |
And I can't wait to see it. | 0:12:02 | 0:12:03 | |
Jay has his two items, | 0:12:03 | 0:12:05 | |
let's hope doesn't draw a blank with the planks | 0:12:05 | 0:12:08 | |
and can create a new great fate for the gate that's in a state. | 0:12:08 | 0:12:13 | |
Can't wait. Oh, dear... | 0:12:13 | 0:12:15 | |
Back in Cheshire, | 0:12:18 | 0:12:19 | |
Sarah is still looking for a second item to take from Louise Minchin. | 0:12:19 | 0:12:23 | |
So these... This was a shelter, wasn't it? | 0:12:23 | 0:12:26 | |
-It's like a bomb shelter. -Oh, yeah. | 0:12:26 | 0:12:28 | |
Louise has taken Sarah to her bomb shelter, | 0:12:28 | 0:12:31 | |
which looks like it's not been cleared out since the Blitz. | 0:12:31 | 0:12:34 | |
That's got to be good for Sarah! | 0:12:34 | 0:12:36 | |
These are very old, aren't they? | 0:12:36 | 0:12:38 | |
They might be on the potential list. They're very interesting. | 0:12:38 | 0:12:41 | |
Sarah has already secured the old inflatable boat. | 0:12:41 | 0:12:45 | |
And the hunt continues. | 0:12:45 | 0:12:47 | |
I was sort of thinking about these because these are shortly, | 0:12:47 | 0:12:50 | |
unless you want them, going to be made into wood. | 0:12:50 | 0:12:52 | |
-My dad gave them to me when we first moved into the house. -Right. | 0:12:52 | 0:12:55 | |
And he didn't want them any more and they are literally as you can see | 0:12:55 | 0:12:58 | |
dangerous, falling apart. | 0:12:58 | 0:13:01 | |
Bits missing. | 0:13:01 | 0:13:02 | |
You can't sit on them. | 0:13:02 | 0:13:03 | |
-SARAH LAUGHS -OK, I can see why | 0:13:03 | 0:13:05 | |
-they've ended up... -Can you see why they're in the wood shed? | 0:13:05 | 0:13:08 | |
They were a beautiful set of chairs, they look French to me. | 0:13:08 | 0:13:11 | |
-They look country. -Do you think they are? | 0:13:11 | 0:13:13 | |
-Well, I think they're quite old. -Oh, do you? Oh, dear. | 0:13:13 | 0:13:16 | |
I mean, look. Look, you can't... You definitely... | 0:13:16 | 0:13:18 | |
-No, no. -They're not for sitting on, are they, at the moment? | 0:13:18 | 0:13:20 | |
-I understand why they might be here. -Right. | 0:13:20 | 0:13:22 | |
-Without being rude about them. -Yes. | 0:13:22 | 0:13:24 | |
But I think they're absolutely beautiful. | 0:13:24 | 0:13:26 | |
So you will make them so that people can sit on them, | 0:13:26 | 0:13:29 | |
use them and look... | 0:13:29 | 0:13:30 | |
-They're going to look lovely, are they? -Well, I don't know | 0:13:30 | 0:13:32 | |
-but I'd really love to give it a go. Just let me have them. -You can... | 0:13:32 | 0:13:35 | |
You can take all four. Yeah. | 0:13:35 | 0:13:37 | |
-Lovely. -Four chairs. -Thank you. | 0:13:37 | 0:13:39 | |
Hmm. We have our second item but defining them as chairs is a bit | 0:13:40 | 0:13:45 | |
of a stretch at the moment. | 0:13:45 | 0:13:47 | |
I'm not sure I should be taking these, | 0:13:47 | 0:13:49 | |
they're very rickety and there are bits missing, but they are so close | 0:13:49 | 0:13:53 | |
to that woodpile, I just can't leave them here, | 0:13:53 | 0:13:55 | |
so I'm going to take a chance on these. | 0:13:55 | 0:13:57 | |
And the very best of luck with that one, Sarah. | 0:13:57 | 0:13:59 | |
Aw. Thank you, Sarah, thank you very much. | 0:13:59 | 0:14:02 | |
Oh, thank you and, hey, thanks for the boat. | 0:14:02 | 0:14:05 | |
Happy sailing. | 0:14:05 | 0:14:06 | |
It's going to be happy something, but I think that is just a really | 0:14:06 | 0:14:10 | |
interesting thing to be taking away, so... | 0:14:10 | 0:14:12 | |
I didn't imagine it but it's been fantastic. | 0:14:12 | 0:14:14 | |
I'm utterly delighted that you're going to take that. | 0:14:14 | 0:14:18 | |
-Good luck with that. -Thank you. | 0:14:18 | 0:14:19 | |
-Brilliant. Goodbye. -Bye. | 0:14:19 | 0:14:21 | |
I'm absolutely made up with what she's taken away today because that | 0:14:23 | 0:14:26 | |
boat has had happy days in this house, so absolutely made up that | 0:14:26 | 0:14:30 | |
she's taking that. Also those chairs, | 0:14:30 | 0:14:32 | |
they were just one short stop from being fire lighters so she's | 0:14:32 | 0:14:36 | |
rescued things that really, really needed rescuing. | 0:14:36 | 0:14:39 | |
Sarah's set sail with Louise's inflatable boat | 0:14:40 | 0:14:44 | |
and the well-used chairs. | 0:14:44 | 0:14:46 | |
She clearly enjoyed her rummage with Louise, | 0:14:47 | 0:14:50 | |
but now it's all aboard for a trip of hard work and creativity. | 0:14:50 | 0:14:55 | |
Bon voyage, captain! | 0:14:55 | 0:14:56 | |
So, we are under starter's orders for our transformations. | 0:15:03 | 0:15:07 | |
And what better place to begin than wonderful Wolverhampton, | 0:15:07 | 0:15:11 | |
where Jay is about to start work on Chris' oak planks, | 0:15:11 | 0:15:15 | |
and it's fair to say he's looking forward to it. | 0:15:15 | 0:15:18 | |
I've got these two lovely bits of oak from Chris and I can't wait to | 0:15:18 | 0:15:22 | |
get started on them. First of all, I treated them for woodworm | 0:15:22 | 0:15:25 | |
and now I'm going to make a table out of it. | 0:15:25 | 0:15:27 | |
I've got these beautiful legs, that were given to me, | 0:15:27 | 0:15:30 | |
and now I've just got to get sanding, | 0:15:30 | 0:15:32 | |
and even though I've got a sander that gathers all of the dust up, | 0:15:32 | 0:15:36 | |
I still recommend wearing a dust mask, because you never know. | 0:15:36 | 0:15:40 | |
So let's get on with it. | 0:15:40 | 0:15:41 | |
There are several types of woodworm beetle in the UK | 0:15:43 | 0:15:46 | |
and the products used to treat them vary. | 0:15:46 | 0:15:49 | |
Whatever treatment you decide upon, | 0:15:49 | 0:15:51 | |
make sure you always wear a mask and gloves | 0:15:51 | 0:15:54 | |
during all stages of the application. | 0:15:54 | 0:15:58 | |
That's nice. | 0:15:58 | 0:16:00 | |
So, as you can see, the timber is coming up beautifully. | 0:16:00 | 0:16:04 | |
And you can notice along the side as well there's loads of little holes. | 0:16:04 | 0:16:07 | |
Those are where the woodworm have been eating the wood and the holes | 0:16:07 | 0:16:11 | |
are always going to be there unless I trim it down a bit, | 0:16:11 | 0:16:14 | |
and I might have to do that. | 0:16:14 | 0:16:15 | |
Mmm. There certainly seems to be | 0:16:17 | 0:16:19 | |
a lot of damage left over from this woodworm, Jay. | 0:16:19 | 0:16:22 | |
So that's one down and one more to go. | 0:16:24 | 0:16:26 | |
But you can see already the timber is looking beautiful. | 0:16:26 | 0:16:30 | |
All right, enough admiring, on to the next one. | 0:16:30 | 0:16:32 | |
Nothing wrong with that, Jay, | 0:16:33 | 0:16:35 | |
but as the process goes on, the damage to these great bits of timber | 0:16:35 | 0:16:40 | |
becomes more and more apparent. | 0:16:40 | 0:16:42 | |
So what I'm deciding to do now is cut it all down, | 0:16:44 | 0:16:48 | |
the sanding's done and I'm just going to cut off this bit here | 0:16:48 | 0:16:51 | |
which has got a bit of dry rot. | 0:16:51 | 0:16:53 | |
Great, let's throw some dry rot into the mix. | 0:16:53 | 0:16:57 | |
This timber is disappearing fast. | 0:16:57 | 0:16:59 | |
So, going to have to do some manual work now, | 0:17:05 | 0:17:07 | |
which I don't mind, actually. | 0:17:07 | 0:17:09 | |
My triceps need a bit of work! | 0:17:09 | 0:17:11 | |
You can say that again, Jay. | 0:17:11 | 0:17:12 | |
It's like watching a matchstick man building the table. | 0:17:12 | 0:17:16 | |
But between woodworm, dry rot and Jay getting a little saw-happy, | 0:17:17 | 0:17:22 | |
the question is whether there'll be any wood left to create a table. | 0:17:22 | 0:17:26 | |
And with Jay's costs at £50, | 0:17:27 | 0:17:30 | |
could disappearing timber equal disappearing profit? | 0:17:30 | 0:17:34 | |
With Jay sawing away, | 0:17:40 | 0:17:42 | |
Chris Hollins' old gate has landed in Surrey, | 0:17:42 | 0:17:45 | |
with an Artisan who can turn rust into pure gold - | 0:17:45 | 0:17:50 | |
Bex Simon. | 0:17:50 | 0:17:51 | |
Artist-blacksmith Bex is a master in manipulating metal | 0:17:53 | 0:17:57 | |
into high-end furniture and bespoke metalwork commissions. | 0:17:57 | 0:18:02 | |
Together with husband Dave, | 0:18:02 | 0:18:04 | |
this dynamic duo relish each new challenge, | 0:18:04 | 0:18:07 | |
then go at it hammer and tongs. | 0:18:07 | 0:18:09 | |
It doesn't feel like work, | 0:18:11 | 0:18:13 | |
it's not like you wake up on a Monday and think, | 0:18:13 | 0:18:15 | |
"Oh, I've got to go to work", | 0:18:15 | 0:18:16 | |
because it is what you do and what you enjoy doing and it's creative | 0:18:16 | 0:18:21 | |
and you're building and every day is different. | 0:18:21 | 0:18:23 | |
It is a love, and it is definitely YOUR obsession. | 0:18:23 | 0:18:25 | |
Oh, it's my obsession. Without that, | 0:18:25 | 0:18:27 | |
I'd...just fall into a | 0:18:27 | 0:18:31 | |
hole. | 0:18:31 | 0:18:33 | |
I just dug it over there. | 0:18:33 | 0:18:34 | |
Thanks, love. Just in case. | 0:18:35 | 0:18:37 | |
Yeah, there, ooh! | 0:18:37 | 0:18:40 | |
Here's hoping that this task contains no pitfalls whatsoever. | 0:18:40 | 0:18:44 | |
Good luck, guys. | 0:18:44 | 0:18:46 | |
So what would you like to make from this? | 0:18:48 | 0:18:50 | |
What would I like to make from a gate? | 0:18:50 | 0:18:51 | |
-Yes. -A gate? | 0:18:51 | 0:18:53 | |
Yeah, that is exactly what I was going to say! | 0:18:53 | 0:18:55 | |
Makes sense to me. | 0:18:56 | 0:18:58 | |
But what do I know? What do you think, Jay? | 0:18:58 | 0:19:00 | |
-Hello? -Hello, Bex, it's Jay. | 0:19:00 | 0:19:03 | |
Hello, Jay, how are you? | 0:19:03 | 0:19:05 | |
I'm very good. | 0:19:05 | 0:19:06 | |
Jay has a few ideas about where to go on this project. | 0:19:06 | 0:19:10 | |
But he's obviously keen to hear what Bex and Dave are thinking. | 0:19:10 | 0:19:13 | |
Cos it's an amazingly big gate and | 0:19:13 | 0:19:17 | |
one thing that we are really good at making is gates. | 0:19:17 | 0:19:21 | |
-Aw, that sounds cool! -Fantastic, | 0:19:21 | 0:19:23 | |
time to break out the chalk and begin designing. | 0:19:23 | 0:19:27 | |
Then we'll use solid section. That bit there, | 0:19:27 | 0:19:30 | |
put a join in there, and I think we should taper it sort of round | 0:19:30 | 0:19:34 | |
like that. | 0:19:34 | 0:19:35 | |
So far I like the look of this, Bex. | 0:19:35 | 0:19:37 | |
Forge that bar to there, that would join on to that one | 0:19:39 | 0:19:41 | |
to add a nice little detail, then cut up the tubes and sort of | 0:19:41 | 0:19:46 | |
twist them, bend them, shape them. | 0:19:46 | 0:19:48 | |
# Any way you want them! # | 0:19:48 | 0:19:51 | |
Well, not quite any way, we do have to sell the thing. | 0:19:51 | 0:19:55 | |
I think that's a really nice design. | 0:19:55 | 0:19:57 | |
HE LAUGHS | 0:19:57 | 0:19:59 | |
-Ooh! Love gates. -Well done! | 0:19:59 | 0:20:00 | |
Me too, Bex, I love gates. | 0:20:02 | 0:20:05 | |
First up, Dave's removing the cross rails. | 0:20:10 | 0:20:14 | |
There's lots of material on this huge gate, | 0:20:14 | 0:20:16 | |
so plenty of spares to get creative with. | 0:20:16 | 0:20:20 | |
You know all those cross rails? | 0:20:20 | 0:20:22 | |
We could cut them up and just rivet them all together. | 0:20:22 | 0:20:25 | |
Yep. They're quite narrow. | 0:20:25 | 0:20:28 | |
Narrow, schmarrow, Dave. | 0:20:28 | 0:20:30 | |
The heat rises on this job, | 0:20:32 | 0:20:33 | |
as Bex hits the forge to begin shaping some metal. | 0:20:33 | 0:20:37 | |
What I'm going to do is stick this in the fire. | 0:20:37 | 0:20:41 | |
But first of all, we're going to weld on this here, | 0:20:41 | 0:20:46 | |
so it's like a twisting tool. | 0:20:46 | 0:20:48 | |
So when we clamp it in the vice and we've got the heat, | 0:20:48 | 0:20:50 | |
just twist it up, | 0:20:50 | 0:20:52 | |
and it should collapse in on itself and just do some things like that. | 0:20:52 | 0:20:57 | |
In other words, give it a very cool design. | 0:20:57 | 0:21:00 | |
Nice! | 0:21:00 | 0:21:01 | |
OK, now to go in the fire. | 0:21:05 | 0:21:07 | |
When building a gate, Bex has a list of top tips. | 0:21:07 | 0:21:11 | |
Chief amongst them is measure everything. | 0:21:11 | 0:21:13 | |
Whoa! | 0:21:14 | 0:21:16 | |
The drainpipes, the rendered plinths, | 0:21:16 | 0:21:18 | |
how the wall slopes in and out - everything. | 0:21:18 | 0:21:22 | |
Also write down measurements in one way - millimetres. | 0:21:22 | 0:21:26 | |
It's the industry standard and will help when other people get involved. | 0:21:26 | 0:21:32 | |
That's it. | 0:21:32 | 0:21:33 | |
Ah! | 0:21:33 | 0:21:34 | |
So, it's looking good so far. | 0:21:34 | 0:21:36 | |
We've got a couple of twists in it. | 0:21:36 | 0:21:39 | |
But it's quite thin, box sections. | 0:21:39 | 0:21:42 | |
So it is quite easy to burn. | 0:21:42 | 0:21:44 | |
So you really have to keep your eye on it. | 0:21:44 | 0:21:46 | |
Dave, keep an eye on it! | 0:21:47 | 0:21:48 | |
Yeah, Dave. Come on, make an effort. | 0:21:50 | 0:21:53 | |
It's hard to get the staff nowadays, eh, Bex? | 0:21:53 | 0:21:56 | |
Jay and Bex have agreed a whopping £600 budget to go from gate to | 0:21:57 | 0:22:02 | |
ornate garden gate. | 0:22:02 | 0:22:05 | |
Let's hope it'll open up a great profit. | 0:22:05 | 0:22:07 | |
Sarah's at her workshop in Sussex, with Louise's old rush chairs. | 0:22:13 | 0:22:18 | |
How you feeling about this one, Sarah? | 0:22:18 | 0:22:20 | |
Four chairs - not a single one of them fit for sitting on. | 0:22:20 | 0:22:24 | |
But they just couldn't just be chopped up and burnt, could they? | 0:22:24 | 0:22:28 | |
But how I'm going to make a set out of something out of this lot, | 0:22:28 | 0:22:31 | |
something I could even sell, | 0:22:31 | 0:22:34 | |
I just don't know, it's really ambitious. | 0:22:34 | 0:22:36 | |
Maybe two would be good. | 0:22:36 | 0:22:37 | |
Hmm, I think making one chair would be a success. | 0:22:38 | 0:22:42 | |
Good luck, Sarah. | 0:22:42 | 0:22:43 | |
This is a bit like a chair jigsaw. | 0:22:44 | 0:22:46 | |
So what I've got to do is find the good bits on each chair to combine | 0:22:46 | 0:22:50 | |
to make a couple of good chairs. | 0:22:50 | 0:22:53 | |
And which good bits might you be referring to, Sarah? | 0:22:53 | 0:22:57 | |
SHE SIGHS | 0:22:57 | 0:22:59 | |
Exactly. | 0:22:59 | 0:23:00 | |
That needs a new stretcher. | 0:23:02 | 0:23:04 | |
That's got two stretchers. | 0:23:04 | 0:23:05 | |
That one hasn't got a seat. | 0:23:05 | 0:23:07 | |
Great. This one needs... | 0:23:08 | 0:23:12 | |
The Vicar of Dibley to pop over and give it the last rites, maybe? | 0:23:12 | 0:23:16 | |
Well, a lovely, sympathetic restoration takes ages. | 0:23:18 | 0:23:22 | |
There are hundreds of little metal pins | 0:23:22 | 0:23:24 | |
holding all these pieces together. | 0:23:24 | 0:23:26 | |
And there is varnish over the surface that just looks dirty. | 0:23:26 | 0:23:30 | |
So literally every piece of this is going to have to be sanded. | 0:23:30 | 0:23:34 | |
Good on you, Sarah. | 0:23:34 | 0:23:35 | |
But with that much sanding, | 0:23:35 | 0:23:38 | |
it might be time to break out the power tools. | 0:23:38 | 0:23:40 | |
It's coming up beautifully. | 0:23:46 | 0:23:48 | |
With all the sanding done, | 0:23:48 | 0:23:50 | |
Sarah can now refocus her attention on all the mending still to do. | 0:23:50 | 0:23:54 | |
Well, so far I've cleaned out all the joints, | 0:24:00 | 0:24:02 | |
I've found all the pieces that need to make up each chair | 0:24:02 | 0:24:05 | |
and I've given it a really good sanding. | 0:24:05 | 0:24:08 | |
But I now need to glue it all back together, | 0:24:08 | 0:24:10 | |
make sure the joints are really tight and well stuck. | 0:24:10 | 0:24:13 | |
Pinned, as well, with some metal tacks. | 0:24:13 | 0:24:15 | |
And then hopefully this is going to look great. | 0:24:15 | 0:24:18 | |
Indeed. | 0:24:18 | 0:24:19 | |
Sarah has only spent £3, but she's down to just two chairs | 0:24:19 | 0:24:24 | |
and she's still not sure if she can rescue those. | 0:24:24 | 0:24:27 | |
Whilst Sarah cracks on with the chairs, | 0:24:34 | 0:24:36 | |
Louise's old rubber boat is in Marlow, | 0:24:36 | 0:24:39 | |
in the hands of a man with the ability to bag any job, Neil Wragg. | 0:24:39 | 0:24:44 | |
From scraps into satchels and rags into bags, Neil is your man. | 0:24:46 | 0:24:51 | |
Neil utilises tough and rugged materials destined for the dump | 0:24:52 | 0:24:56 | |
and transforms them into one-of-a-kind carry-alls | 0:24:56 | 0:25:00 | |
that will last a lifetime. | 0:25:00 | 0:25:02 | |
Pretty much everything I use is salvaged or reclaimed or upcycled, | 0:25:02 | 0:25:06 | |
so it's giving a new lease of life to something that somebody | 0:25:06 | 0:25:09 | |
doesn't want any more. I'm not entirely sure why I focused on bags, | 0:25:09 | 0:25:12 | |
it might just be because it's something that I enjoy making. | 0:25:12 | 0:25:15 | |
And there's never one bag that does everything, anyway. | 0:25:15 | 0:25:18 | |
So, it's a bag for the festival or a bag for the commute | 0:25:18 | 0:25:21 | |
or a bag for exploring the jungle. | 0:25:21 | 0:25:24 | |
Could be anything. | 0:25:24 | 0:25:25 | |
Being prepared for anything will certainly help you today, Neil. | 0:25:26 | 0:25:32 | |
I've a feeling Sarah thinks I'm not being challenged enough | 0:25:32 | 0:25:34 | |
because she's brought me a rubber boat. | 0:25:34 | 0:25:37 | |
And Sarah's on the blower... | 0:25:37 | 0:25:39 | |
-Hi, Sarah! -..to chat through her thoughts for the big old boat. | 0:25:39 | 0:25:42 | |
It's really rugged, tough. | 0:25:42 | 0:25:44 | |
Obviously, very waterproof, so a wet-weather kind of duffle bag, | 0:25:44 | 0:25:47 | |
you know, chucking in your kit after your, I don't know, after | 0:25:47 | 0:25:50 | |
your open-water swim or your day on the beach or something like that? | 0:25:50 | 0:25:54 | |
Thank you very much, bye-bye. | 0:25:54 | 0:25:55 | |
We're going to stick with the outdoors stuff. | 0:25:56 | 0:25:58 | |
We're going to make some sort of duffle bags, keep it simple, | 0:25:58 | 0:26:03 | |
but keep it so that it's very usable. | 0:26:03 | 0:26:05 | |
It's good for the triathlete, good for the beach. | 0:26:05 | 0:26:08 | |
How many bags will depend on how much material will be salvaged, | 0:26:08 | 0:26:13 | |
so it's anchors aweigh. | 0:26:13 | 0:26:15 | |
But where does Neil begin? | 0:26:15 | 0:26:17 | |
I'm thinking I'll just cut some patches off that I think I'm going | 0:26:17 | 0:26:20 | |
to be able to turn into bags, | 0:26:20 | 0:26:21 | |
and see if I can get those particular bits clean first. | 0:26:21 | 0:26:24 | |
This is a rubberised, synthetic fabric with a vinyl plastic coating. | 0:26:27 | 0:26:32 | |
And if that sounds like a difficult material to work with, well, it is. | 0:26:32 | 0:26:37 | |
When you get to it, it's several layers thick. | 0:26:37 | 0:26:39 | |
That's really quite tough. | 0:26:39 | 0:26:41 | |
So getting a needle through that is going to be quite a challenge. | 0:26:41 | 0:26:44 | |
Right, well, I've managed to cut myself some bits of fabric from this | 0:26:47 | 0:26:50 | |
mucky old boat. A lot of it is a bit grotty, though. | 0:26:50 | 0:26:53 | |
So I've got myself some new PVC cleaner. | 0:26:53 | 0:26:56 | |
And I'm going to hope that it comes up OK. | 0:26:56 | 0:26:59 | |
Yeah, that's coming up all right. | 0:27:03 | 0:27:05 | |
It's getting the muck off. | 0:27:05 | 0:27:07 | |
So far, the voyage of discovery is staying on course. | 0:27:07 | 0:27:11 | |
But some tricky waters are still to be navigated. | 0:27:11 | 0:27:14 | |
The fabric's clean but Neil still has to get a needle through it. | 0:27:16 | 0:27:20 | |
We've got some horrible ridges on this rubber. | 0:27:22 | 0:27:25 | |
So what I've done is shaved them off. | 0:27:25 | 0:27:26 | |
I'm going to see if I can get a needle through it, | 0:27:26 | 0:27:30 | |
so that I can get this zip attached. | 0:27:30 | 0:27:31 | |
Right, we're coming to the thick rubber bit. | 0:27:34 | 0:27:36 | |
So either the needle's going to break, | 0:27:36 | 0:27:39 | |
or it's not going to go through. | 0:27:39 | 0:27:41 | |
Or, worst of all, it's going to look a complete mess. | 0:27:41 | 0:27:45 | |
Having agreed a budget of £100 with Sarah, | 0:27:45 | 0:27:49 | |
will the boat's tough material end up sinking | 0:27:49 | 0:27:52 | |
Neil's plans for the duffle bags? | 0:27:52 | 0:27:55 | |
In his Wolverhampton workshop, | 0:27:58 | 0:28:00 | |
Jay has the cloth out to give a final rub down | 0:28:00 | 0:28:04 | |
to his finished table. | 0:28:04 | 0:28:06 | |
They started off as two lonely and unloved chunks of timber | 0:28:06 | 0:28:10 | |
with very few prospects. | 0:28:10 | 0:28:12 | |
But now... | 0:28:12 | 0:28:14 | |
The sky's the limit for this sleek, oak table. | 0:28:18 | 0:28:21 | |
The timber has come up as good as new after treatment for woodworm and | 0:28:23 | 0:28:27 | |
chopping away the rotten ends. | 0:28:27 | 0:28:29 | |
The classic quality of the dark wood has been enhanced | 0:28:31 | 0:28:34 | |
with six coats of oil, and contrasted with a bright, modern, | 0:28:34 | 0:28:38 | |
metal channel running the length of the table. | 0:28:38 | 0:28:40 | |
The recycled, retro legs give the chunky oak top | 0:28:42 | 0:28:45 | |
a light, elegant look. | 0:28:45 | 0:28:48 | |
So, this table has been a labour of love. | 0:28:48 | 0:28:50 | |
It's tested me, taking me completely out of my comfort zone. | 0:28:50 | 0:28:53 | |
And it's been hard. | 0:28:53 | 0:28:55 | |
To tell you the truth, when I look at it, it's all been worth it. | 0:28:55 | 0:28:59 | |
It most certainly has, Jay. | 0:28:59 | 0:29:01 | |
But there's no time to rest on your laurels. | 0:29:03 | 0:29:06 | |
Back in Surrey, | 0:29:06 | 0:29:08 | |
Bex and Dave are itching to unveil their gate-into-gate transformation. | 0:29:08 | 0:29:13 | |
I'm here in Surrey to meet Bex and Dave. | 0:29:13 | 0:29:15 | |
And I can't wait to see what they've done with that garden gate. | 0:29:15 | 0:29:18 | |
Discarded and out of sight behind Chris' shed, | 0:29:20 | 0:29:24 | |
this old, metal gate was destined to a life of rust and ruin. | 0:29:24 | 0:29:29 | |
But now... | 0:29:32 | 0:29:34 | |
reducing the size of the original, | 0:29:34 | 0:29:37 | |
our new spring gate has been forged in the fire | 0:29:37 | 0:29:40 | |
to allow it to be shaped and twisted to give it an organic feel. | 0:29:40 | 0:29:45 | |
Spare metal from the workshop has been welded across the frame. | 0:29:46 | 0:29:51 | |
And then hammered to make the leaves, | 0:29:51 | 0:29:53 | |
which were finished with car spray paint to add colour. | 0:29:53 | 0:29:56 | |
The main body of the gate was galvanised | 0:29:59 | 0:30:01 | |
and coated in graphite black paint, | 0:30:01 | 0:30:03 | |
the best method for rust protection. | 0:30:03 | 0:30:06 | |
Bex wanted this gate to represent spring, | 0:30:09 | 0:30:12 | |
but what will Jay think? | 0:30:12 | 0:30:14 | |
Is that it?! | 0:30:14 | 0:30:15 | |
Guys, this is why you do what you do. | 0:30:17 | 0:30:20 | |
Look at that. That is a gate, man! | 0:30:20 | 0:30:22 | |
It's a gate to make you smile. | 0:30:22 | 0:30:24 | |
It does more than that. | 0:30:24 | 0:30:26 | |
Because when you guys said, like, "We're going to make a gate." | 0:30:26 | 0:30:29 | |
I'm like, "A gate out of a gate, very original." | 0:30:29 | 0:30:32 | |
But look at that! | 0:30:32 | 0:30:34 | |
It's a work of art. That's beautiful. | 0:30:34 | 0:30:36 | |
You can't even call it a gate. | 0:30:36 | 0:30:37 | |
It's like an adventure to somewhere else. | 0:30:37 | 0:30:39 | |
It's like it's going to take me to Never Never Land or something. | 0:30:39 | 0:30:42 | |
I love making gates. | 0:30:42 | 0:30:44 | |
And I think gates that make you smile, as well, | 0:30:44 | 0:30:47 | |
they're welcoming you in. | 0:30:47 | 0:30:49 | |
You know, it's playful, it's nice. | 0:30:49 | 0:30:51 | |
And then the bit of colour, as well. | 0:30:51 | 0:30:53 | |
So, yeah, it's a gate to make you smile. | 0:30:53 | 0:30:56 | |
It's just beautiful. | 0:30:56 | 0:30:57 | |
Well, Jay's clearly won over, but how did the budget go? | 0:30:58 | 0:31:03 | |
With the extra time we put in, it was probably | 0:31:03 | 0:31:05 | |
nearer to £800 in the end. | 0:31:05 | 0:31:07 | |
I'm absolutely happy with £800, because that is beautiful. | 0:31:07 | 0:31:12 | |
So, £800, I'm absolutely fine with it. | 0:31:12 | 0:31:14 | |
-My work is done. -I bid you good day. | 0:31:14 | 0:31:16 | |
-See you later. -Cheers. Bye! | 0:31:16 | 0:31:18 | |
A very happy Jay heads off, | 0:31:18 | 0:31:21 | |
but will the spring-inspired gate to be making its way to a new home? | 0:31:21 | 0:31:25 | |
Jay is back in Oxfordshire to give Chris a sneak peak | 0:31:29 | 0:31:32 | |
at what happened to his old junk. | 0:31:32 | 0:31:35 | |
I'm going to be really interested to see what Jay has done. | 0:31:35 | 0:31:38 | |
Because as far as I was concerned, | 0:31:38 | 0:31:40 | |
it was an old gate and a couple of planks of wood. | 0:31:40 | 0:31:43 | |
I mean, he was getting really excited about it. | 0:31:43 | 0:31:45 | |
I thought he was going a bit doolally, | 0:31:45 | 0:31:47 | |
but he was excited and promised me great things. | 0:31:47 | 0:31:49 | |
Well, Chris, a promise is a promise. | 0:31:49 | 0:31:52 | |
-Hello, mate. -How are we doing, Chris? | 0:31:56 | 0:31:57 | |
-I'm really well, nice to see you. -Likewise. -Come on in. | 0:31:57 | 0:32:00 | |
So, I won't keep you in suspense any longer. | 0:32:02 | 0:32:04 | |
Winnie sounds excited, anyway. | 0:32:04 | 0:32:06 | |
Well, she knows what I'm doing. | 0:32:06 | 0:32:08 | |
Here we go. | 0:32:08 | 0:32:10 | |
Oh, beautiful! | 0:32:10 | 0:32:11 | |
I tell you what, it's a lovely bit of wood. | 0:32:11 | 0:32:13 | |
-It's gorgeous. Look at this. -Lovely grain, isn't it? | 0:32:13 | 0:32:15 | |
Beautiful. Because it's oak, this is. | 0:32:15 | 0:32:17 | |
What's the red bit? | 0:32:17 | 0:32:19 | |
That's a bit of metal that I've got, | 0:32:19 | 0:32:21 | |
and I sprayed it up, just to put it in the middle. | 0:32:21 | 0:32:24 | |
I am sad to say that this one hasn't sold. | 0:32:24 | 0:32:26 | |
-Right. -And I don't think it's not because it isn't nice, | 0:32:26 | 0:32:29 | |
I just think it hasn't gone to the right person yet. | 0:32:29 | 0:32:31 | |
As soon as it does, I'm going to bring you the money. | 0:32:31 | 0:32:34 | |
-Do you know what? My wife would like that. -I know she would. | 0:32:34 | 0:32:36 | |
-But she can't have this one. -All right. Good job, mate. | 0:32:36 | 0:32:39 | |
-Really good job, lovely. -Thank you, sir. | 0:32:39 | 0:32:41 | |
And with your metal gate, | 0:32:41 | 0:32:42 | |
I took it down to a lady in Guildford called Bex. | 0:32:42 | 0:32:44 | |
And she turned it into... | 0:32:44 | 0:32:47 | |
a gate. | 0:32:47 | 0:32:48 | |
-Oh, wow! -This is your gate. -That is not my gate. | 0:32:48 | 0:32:51 | |
This is definitely your gate. | 0:32:51 | 0:32:53 | |
-That's unrecognisable, isn't it? -It is. | 0:32:53 | 0:32:55 | |
-Oh, that is beautiful, isn't it? -Look at that. | 0:32:56 | 0:32:59 | |
From my old, really modern, ugly-looking gate? | 0:32:59 | 0:33:02 | |
Yeah, she's created that. | 0:33:02 | 0:33:04 | |
-I'm please tell you... -Yeah. | 0:33:04 | 0:33:06 | |
..that we sold that one for £1,000 profit. | 0:33:06 | 0:33:09 | |
You are kidding me? | 0:33:09 | 0:33:11 | |
No, I'm not kidding you. So there's £1,000 for you, sir. | 0:33:11 | 0:33:14 | |
Or for your charity, I should say. | 0:33:14 | 0:33:16 | |
-Are you all right? -Yeah! | 0:33:16 | 0:33:18 | |
-£1,000? -Yeah. | 0:33:18 | 0:33:20 | |
Mate, thank you so much. | 0:33:20 | 0:33:21 | |
-No, you're more than welcome. -£1,000 for my charity. | 0:33:21 | 0:33:24 | |
-So where's it's going to? -It's a charity called CLIC Sargent. | 0:33:24 | 0:33:26 | |
-CLIC Sargent? -Yeah, so, it's for... | 0:33:26 | 0:33:29 | |
I mean, it's the most horrendous moment in anybody's life, | 0:33:29 | 0:33:32 | |
if you can imagine that your child is diagnosed with cancer. | 0:33:32 | 0:33:35 | |
-Whoa. -Leukaemia and cancer. | 0:33:35 | 0:33:37 | |
And you can imagine your world just falls apart and this charity, | 0:33:37 | 0:33:41 | |
CLIC Sargent, just helps you through this horrendous process. | 0:33:41 | 0:33:44 | |
So they find out where you can get your nearest treatment, | 0:33:44 | 0:33:47 | |
what sort of treatment, help your children through the treatment. | 0:33:47 | 0:33:51 | |
Help the parents find accommodation near hospital. | 0:33:51 | 0:33:53 | |
So they do absolutely everything so that you can concentrate on looking | 0:33:53 | 0:33:57 | |
-after your child. -That's a brilliant cause. -So that is brilliant. | 0:33:57 | 0:34:00 | |
-Thank you very much. -That's a brilliant cause, thank you. | 0:34:00 | 0:34:02 | |
Thank you. That is brilliant. | 0:34:02 | 0:34:04 | |
I'll be off before your wife comes back and sees this table. | 0:34:04 | 0:34:06 | |
If you don't find a buyer... | 0:34:06 | 0:34:09 | |
-I know where to come! -Yeah. | 0:34:09 | 0:34:11 | |
-Mate, thank you so much. -Thank you. | 0:34:11 | 0:34:13 | |
The gate that turns into £1,000, brilliant. | 0:34:13 | 0:34:17 | |
What an amazing result. | 0:34:17 | 0:34:19 | |
Jay's done an incredible job. | 0:34:19 | 0:34:21 | |
We've only sold one item out of two, | 0:34:21 | 0:34:22 | |
but we've made £1,000 for my charity. | 0:34:22 | 0:34:25 | |
I am so shocked. | 0:34:25 | 0:34:27 | |
I'm over the moon, to coin a football phrase. | 0:34:27 | 0:34:30 | |
And there could still be more money to come. | 0:34:30 | 0:34:32 | |
Jay's table is still up for sale. | 0:34:32 | 0:34:35 | |
But with Bex's gate selling at £1,800, | 0:34:35 | 0:34:38 | |
making a whopping £1,000 profit, | 0:34:38 | 0:34:42 | |
Chris is delighted the money is heading to a charity | 0:34:42 | 0:34:45 | |
that supports young cancer sufferers. | 0:34:45 | 0:34:47 | |
Back in her workshop, | 0:34:49 | 0:34:50 | |
Sarah is snapping some pics of the newly restored rush chairs. | 0:34:50 | 0:34:55 | |
They look much better than they did when they arrived. | 0:34:55 | 0:34:58 | |
When discovered at Louise's home, | 0:34:58 | 0:34:59 | |
they had a one-way ticket to Bonfireville. | 0:34:59 | 0:35:02 | |
To transform these chairs was an incredibly labour-intensive process | 0:35:08 | 0:35:13 | |
that required Sarah to first make sure she had all the elements needed | 0:35:13 | 0:35:18 | |
for two complete chairs. | 0:35:18 | 0:35:19 | |
Then there was the sanding, clearing out of every joint, | 0:35:21 | 0:35:25 | |
de-pinning and re-pinning, | 0:35:25 | 0:35:27 | |
the spindles around the edges had to be replaced, | 0:35:27 | 0:35:30 | |
old glue had to be removed | 0:35:30 | 0:35:32 | |
and then replaced with new glue and clamped. | 0:35:32 | 0:35:34 | |
And finally, the rush seats came up as good as new | 0:35:36 | 0:35:40 | |
after a good old scrub. | 0:35:40 | 0:35:43 | |
Well, that's what you call a sympathetic restoration. | 0:35:43 | 0:35:45 | |
They have been lovingly restored in every possible way. | 0:35:45 | 0:35:49 | |
And now, hopefully, I've revealed their true charm | 0:35:49 | 0:35:52 | |
and their potential sale value. | 0:35:52 | 0:35:54 | |
You certainly have, Sarah. | 0:35:54 | 0:35:56 | |
The Village Trading Store in Acton took quite a shine to them. | 0:35:57 | 0:36:02 | |
Company director Laura was more than pleased. | 0:36:02 | 0:36:05 | |
Yeah, I think they're a pretty pair, are these two. | 0:36:05 | 0:36:07 | |
I love the grain on the back of the chairs. | 0:36:07 | 0:36:09 | |
I think they'll make a nice addition to somebody's home. | 0:36:09 | 0:36:13 | |
Sarah's back in Marlowe to drop in on our Neil. | 0:36:13 | 0:36:17 | |
I did break a boatload of needles on this project. | 0:36:17 | 0:36:21 | |
And half the time was spent trying to get your head round | 0:36:21 | 0:36:24 | |
what you can't do with this fabric. | 0:36:24 | 0:36:25 | |
But I hope she's going to be pleased with what I did | 0:36:25 | 0:36:28 | |
manage to eek out of this rubber boat. | 0:36:28 | 0:36:31 | |
Louise's old boat had given her and her family many years of happy | 0:36:31 | 0:36:36 | |
memories. But its time had come to an end, and it was all washed up. | 0:36:36 | 0:36:41 | |
Now, using the material to create five amazing, | 0:36:46 | 0:36:50 | |
water-resistant duffle bags, | 0:36:50 | 0:36:53 | |
Neil is sending the old boat on a new and exciting journey. | 0:36:53 | 0:36:57 | |
Three of the bags form a traditional cylinder shape, | 0:36:59 | 0:37:02 | |
using the boat's rigging as the drawstring. | 0:37:02 | 0:37:05 | |
Neil has very cleverly used the large end caps of the boat | 0:37:05 | 0:37:09 | |
for the other two bags, | 0:37:09 | 0:37:11 | |
retaining some of the original features, like the grab handles. | 0:37:11 | 0:37:15 | |
You clever man! | 0:37:15 | 0:37:16 | |
So, it's anchors aweigh, me hearties, | 0:37:16 | 0:37:19 | |
these bags have many adventures ahead of them. | 0:37:19 | 0:37:23 | |
Oh, my word! | 0:37:23 | 0:37:25 | |
Here's your boat. | 0:37:25 | 0:37:26 | |
You really are the bag genius, aren't you? | 0:37:26 | 0:37:31 | |
-Oh, Neil! -This was a boat. | 0:37:31 | 0:37:33 | |
It's a few bags now. It wasn't easy. | 0:37:33 | 0:37:35 | |
-How many have you done? -You've got five bags. | 0:37:35 | 0:37:38 | |
-Five fantastic bags! -Once I decided to keep it simple. | 0:37:38 | 0:37:41 | |
Simple, but really good. | 0:37:41 | 0:37:42 | |
This is just hilarious, isn't it? | 0:37:42 | 0:37:45 | |
There's various bits and pieces from the boat that are still there. | 0:37:45 | 0:37:48 | |
-They look good. -They look different. | 0:37:48 | 0:37:50 | |
No, they look good. They're not just different, they're great. | 0:37:50 | 0:37:53 | |
I mean, I can sense that you've had some struggles with them. | 0:37:53 | 0:37:56 | |
They look like a boat, but they don't. | 0:37:56 | 0:37:58 | |
And that's what makes it funny. | 0:37:58 | 0:38:00 | |
Funny, practical, beautiful and totally unique. | 0:38:01 | 0:38:06 | |
But enough about me. | 0:38:06 | 0:38:07 | |
How's our budget? | 0:38:08 | 0:38:10 | |
I left you a minute budget, not expecting this much bag, | 0:38:10 | 0:38:16 | |
this much detail. | 0:38:16 | 0:38:17 | |
I just worked up to that budget, to be honest. | 0:38:17 | 0:38:19 | |
So 100 quid for all of this? | 0:38:19 | 0:38:21 | |
-Yeah. -Really? | 0:38:21 | 0:38:23 | |
-Yeah, why not? -I think that's excellent value. | 0:38:23 | 0:38:25 | |
I mean, I think... | 0:38:25 | 0:38:27 | |
You've done it again. Unique, unique luggage. | 0:38:27 | 0:38:30 | |
You can't do wrong. think they're going to fly. | 0:38:30 | 0:38:33 | |
No, Sarah, they're going to sail out of the door. | 0:38:33 | 0:38:36 | |
Bless these bags and all who use them. | 0:38:36 | 0:38:40 | |
Who'd have thought an old boat could be made into that much fun? | 0:38:40 | 0:38:43 | |
He's done a cracking job. | 0:38:43 | 0:38:45 | |
He certainly did. | 0:38:45 | 0:38:46 | |
And now it's Sarah's job to throw the sales net | 0:38:46 | 0:38:50 | |
out far and wide online. | 0:38:50 | 0:38:51 | |
Sarah is back in Cheshire to let Louise Minchin know what became of | 0:38:57 | 0:39:01 | |
her old junk and how much money was made. | 0:39:01 | 0:39:05 | |
Number one, I really hope that she's done something with the boat, | 0:39:05 | 0:39:07 | |
but I know that's a really tough task. | 0:39:07 | 0:39:09 | |
Number two, the chairs - again, broken, | 0:39:09 | 0:39:12 | |
about to be put on the bonfire. | 0:39:12 | 0:39:13 | |
So I am really hoping | 0:39:13 | 0:39:15 | |
that they've made a little bit of money for charity, | 0:39:15 | 0:39:17 | |
and I can't wait to see what she's done with them. | 0:39:17 | 0:39:20 | |
Well, Louise, that time has come. | 0:39:20 | 0:39:22 | |
-Hello. -Aw, how lovely to see you. | 0:39:25 | 0:39:28 | |
How are you? | 0:39:28 | 0:39:29 | |
How have you done? I can't wait to see it. | 0:39:29 | 0:39:31 | |
Come on, Waffle, let's see what she's done. | 0:39:31 | 0:39:33 | |
I've got things to show you. | 0:39:33 | 0:39:35 | |
Nice to see you again. I always get a bit nervous at this point. | 0:39:35 | 0:39:37 | |
Do you know, I'm nervous too - what have you done? | 0:39:37 | 0:39:40 | |
Well, I'm going to start off by saying, | 0:39:40 | 0:39:42 | |
you definitely were finished with everything we took away, hadn't you? | 0:39:42 | 0:39:45 | |
Because, starting with your chairs, I had to smash up two of them. | 0:39:45 | 0:39:48 | |
-You smashed them up? -In order to make two perfect ones. | 0:39:48 | 0:39:52 | |
OK. That's good, they were going to be smashed here, so that's fine, | 0:39:52 | 0:39:56 | |
-that's good. -Yeah, I thought it was better to make two really good ones | 0:39:56 | 0:39:58 | |
-and make something that was saleable. -How exciting! | 0:39:58 | 0:40:01 | |
I went for a sympathetic restoration of the chairs. | 0:40:01 | 0:40:03 | |
Oh, look at them, they look beautiful! Don't they? | 0:40:03 | 0:40:05 | |
Well, they were lovely chairs. | 0:40:05 | 0:40:07 | |
I polished them all, waxed them all | 0:40:07 | 0:40:09 | |
and sent them off to a new home and made £107 on them. | 0:40:09 | 0:40:12 | |
£107, really?! Well done! | 0:40:12 | 0:40:14 | |
Well, thank you. OK, so, the boat. | 0:40:14 | 0:40:16 | |
-Do you want to see what they look like? -Yeah, I really do! | 0:40:16 | 0:40:18 | |
-So boat bags end up... -Boat bags?! | 0:40:18 | 0:40:21 | |
-..looking like this. -Oh, my gosh! | 0:40:21 | 0:40:24 | |
-Wow! -Recognise it? | 0:40:24 | 0:40:26 | |
I mean, hardly, they look really cool. | 0:40:26 | 0:40:29 | |
They are really cool. These are Minchin boat bags, | 0:40:29 | 0:40:32 | |
and he managed to make five really useful bags. | 0:40:32 | 0:40:36 | |
They're waterproof, they are practical, they are good-looking, | 0:40:36 | 0:40:40 | |
rustic things. What do you reckon? | 0:40:40 | 0:40:43 | |
I mean, I'm literally staggered by how they look. | 0:40:43 | 0:40:46 | |
They look absolutely fantastic. | 0:40:46 | 0:40:48 | |
And for all my triathlon gear, I would love one of those bags. | 0:40:48 | 0:40:51 | |
But I can't buy one? | 0:40:51 | 0:40:53 | |
-They're gone? -No, they are gone. | 0:40:53 | 0:40:54 | |
They were popped up on social media and sold in minutes. | 0:40:54 | 0:40:59 | |
-Really? -So, 200 quid profit from those means altogether... | 0:40:59 | 0:41:02 | |
200? Oh, my God! | 0:41:02 | 0:41:04 | |
I'm absolutely... | 0:41:04 | 0:41:06 | |
You are an amazing lady. | 0:41:06 | 0:41:07 | |
I have got £307 here for you. | 0:41:07 | 0:41:10 | |
From your boat and your chairs. | 0:41:10 | 0:41:13 | |
Oh, my gosh, you are an amazing lady. | 0:41:13 | 0:41:16 | |
You really are. | 0:41:16 | 0:41:17 | |
That's just... I'm really quite emotional, actually, | 0:41:17 | 0:41:20 | |
because that's a staggering amount of money, | 0:41:20 | 0:41:22 | |
and that's going to go straight to charity from something that... | 0:41:22 | 0:41:26 | |
You know, we were just only going to take to the tip, or burn. | 0:41:26 | 0:41:28 | |
So thank you so much. | 0:41:28 | 0:41:30 | |
-It's real pleasure. -Well done. | 0:41:30 | 0:41:31 | |
We had a good time working on this stuff. | 0:41:31 | 0:41:34 | |
It's lovely to make a bit of money. | 0:41:34 | 0:41:35 | |
Have you a charity in mind that you are sending that to? | 0:41:35 | 0:41:38 | |
I have, and that's why I'm emotional, | 0:41:38 | 0:41:40 | |
because I am going to give it to the Manchester Emergency Fund. | 0:41:40 | 0:41:42 | |
We've lived here in the North West for the last five years, | 0:41:42 | 0:41:45 | |
we feel so much part of this whole community. | 0:41:45 | 0:41:47 | |
And £307, I'm really emotional, proud and thankful. | 0:41:47 | 0:41:53 | |
-Thank you so much. -Aw, well, that is just fantastic. | 0:41:53 | 0:41:56 | |
It's lovely to know where things are going, and what a worthy cause. | 0:41:56 | 0:41:59 | |
Seriously. | 0:41:59 | 0:42:01 | |
We're going to both end up in tears. | 0:42:02 | 0:42:04 | |
I'm going to make you cry! Thank you so much. | 0:42:04 | 0:42:06 | |
-Well, it was great, thank you. -Well done. | 0:42:06 | 0:42:08 | |
Indeed. | 0:42:08 | 0:42:10 | |
I am so impressed by what Sarah's achieved. | 0:42:10 | 0:42:12 | |
I'm impressed, I'm inspired, | 0:42:12 | 0:42:14 | |
I'm excited because she turned things that were just rubbish, | 0:42:14 | 0:42:18 | |
really impressed by what she's done. | 0:42:18 | 0:42:20 | |
She's made money! Fantastic. | 0:42:20 | 0:42:22 | |
Sarah sold the bags for £300, minus Neil's costs, | 0:42:25 | 0:42:29 | |
that leaves a profit of £200 for Louise. | 0:42:29 | 0:42:32 | |
The rush chairs were sold for £110. | 0:42:34 | 0:42:37 | |
And, after Sarah's costs, the profit came to 107 quid. | 0:42:37 | 0:42:42 | |
So, in total, Louise can donate | 0:42:43 | 0:42:46 | |
£307 to the Manchester Emergency Fund. | 0:42:46 | 0:42:50 | |
Sarah and Jay saved four bits of celebrity junk. | 0:42:55 | 0:42:59 | |
Instead of ending up in landfill, | 0:42:59 | 0:43:02 | |
they've all been given a new lease of life, | 0:43:02 | 0:43:05 | |
a new look | 0:43:05 | 0:43:08 | |
and a chance to be loved again. | 0:43:08 | 0:43:10 | |
Well, we loved meeting up with Chris and Louise. | 0:43:10 | 0:43:13 | |
And with the help of two amazing artisans, | 0:43:13 | 0:43:15 | |
we were able to save four things from destruction. | 0:43:15 | 0:43:18 | |
And we opened the gate on a great profit, | 0:43:18 | 0:43:20 | |
which is going to a couple of amazing charities. | 0:43:20 | 0:43:23 |