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I've got something unusual in here. | 0:00:02 | 0:00:03 | |
-I don't know if you'll be able to do anything with it. -Wow! | 0:00:03 | 0:00:05 | |
How do you make celebrity money for nothing? | 0:00:05 | 0:00:08 | |
I've got a house full of rubbish! | 0:00:08 | 0:00:10 | |
Entrepreneurs Sarah Moore and Jay Blades | 0:00:10 | 0:00:13 | |
are searching celebrities' houses... | 0:00:13 | 0:00:15 | |
-I don't even know how we got in here. Let's get out of here. -OK. | 0:00:15 | 0:00:18 | |
..to find tip-bound items to transform... | 0:00:18 | 0:00:21 | |
-Beautiful! -I had no idea they were even here. | 0:00:21 | 0:00:24 | |
..by having a really good look around some celebrity homes. | 0:00:24 | 0:00:29 | |
This is unbelievable! | 0:00:29 | 0:00:31 | |
With the help of some of Britain's best designers and makers... | 0:00:31 | 0:00:34 | |
And celebrity faces, we're on a mission to turn celebrity trash... | 0:00:34 | 0:00:38 | |
Into hard cash. | 0:00:38 | 0:00:41 | |
But what will our celebrities think of the transformations... | 0:00:41 | 0:00:45 | |
They look beautiful, don't they? | 0:00:45 | 0:00:47 | |
Wow! What a... I want it back! | 0:00:47 | 0:00:50 | |
..and how much money has been made for their charities? | 0:00:50 | 0:00:53 | |
-I've got £606 here for your charity. -That's incredible! | 0:00:53 | 0:00:58 | |
To kick us off, Jay's in south-east London. | 0:01:07 | 0:01:11 | |
He's here to rifle the rubbish of professional garden designer | 0:01:11 | 0:01:15 | |
and landscaper Danny Clarke. | 0:01:15 | 0:01:18 | |
Danny is well-known for presenting his own series, | 0:01:18 | 0:01:22 | |
The Instant Gardener, | 0:01:22 | 0:01:24 | |
as well as hosting coverage of the iconic Chelsea Flower Show. | 0:01:24 | 0:01:29 | |
He lives in a top-floor flat | 0:01:29 | 0:01:31 | |
that's furnished with all manner of eclectic items, | 0:01:31 | 0:01:35 | |
but where does he keep his rubbish? | 0:01:35 | 0:01:37 | |
I've been really looking forward to Jay coming here | 0:01:37 | 0:01:39 | |
because I think we're going to have a lot in common, | 0:01:39 | 0:01:42 | |
cos I know that he's into upcycling and I'm the same. | 0:01:42 | 0:01:46 | |
I hope he does find a few little nuggets but, having said that, | 0:01:46 | 0:01:50 | |
I just hope his eye isn't that keen, if you know what I mean. | 0:01:50 | 0:01:54 | |
-Hello. -All right, Danny, it's Jay. | 0:01:54 | 0:01:56 | |
-All right, Jay, I'll let you in. -Cheers, mate. | 0:01:56 | 0:01:58 | |
Jay's here on the hunt for two items that he can transform | 0:01:58 | 0:02:02 | |
-and, hopefully, turn into a profit. -How you doing, Danny. | 0:02:02 | 0:02:05 | |
-Hi, Jay, how are you? Great to see you. -Likewise. | 0:02:05 | 0:02:07 | |
-Is that one of yours? -It is. That's my garden. | 0:02:07 | 0:02:10 | |
-But don't tell anyone, will you? -It's looking a bit bleak! | 0:02:10 | 0:02:14 | |
Mum's the word. Your secret's safe with us. | 0:02:14 | 0:02:17 | |
-Come in, come in. -Will do. | 0:02:17 | 0:02:19 | |
This is nice, what you've got in here. It's a bit eclectic, isn't it? | 0:02:20 | 0:02:23 | |
It is. That's why I was looking forward to you coming around. | 0:02:23 | 0:02:25 | |
One thing that sticks out to me is that. | 0:02:25 | 0:02:27 | |
I love bright neon colours and that... | 0:02:27 | 0:02:30 | |
You've got a plant there as well. Look at that! | 0:02:30 | 0:02:32 | |
Yeah, don't want to be looking at that | 0:02:32 | 0:02:33 | |
because that's looking a bit sad, so we don't want to be going into that. | 0:02:33 | 0:02:36 | |
I thought you were a gardener! | 0:02:36 | 0:02:38 | |
Let's talk about the neon light instead, shall we, | 0:02:38 | 0:02:40 | |
and how lovely that colour is? | 0:02:40 | 0:02:42 | |
THEY LAUGH | 0:02:42 | 0:02:44 | |
-How long have you been doing the gardening? -20 years. | 0:02:44 | 0:02:47 | |
-I started off maintaining gardens. -Right. | 0:02:47 | 0:02:50 | |
Then, from maintaining gardens, I always liked design, | 0:02:50 | 0:02:54 | |
so I enrolled at a college and did a design course | 0:02:54 | 0:02:57 | |
and that gave me the confidence to be a designer. | 0:02:57 | 0:02:59 | |
It's a bit like interior decorating. Someone wants their interior redone. | 0:02:59 | 0:03:04 | |
I go in and I redo people's gardens. | 0:03:04 | 0:03:06 | |
-So, you're an interior decorator outside. -Exactly. | 0:03:06 | 0:03:10 | |
Well, I hope YOU followed that. | 0:03:10 | 0:03:12 | |
Right, Jay, let's get the trash search started. | 0:03:12 | 0:03:16 | |
-Here we are, Jay. This is the spare room. -That's nice. | 0:03:16 | 0:03:19 | |
What's the story behind the trunk then? I've got my eye on that. | 0:03:19 | 0:03:22 | |
I thought you might have your eye on that, somehow! | 0:03:22 | 0:03:26 | |
-I've got to have a look, haven't I? -He was a client of mine. -Yeah. | 0:03:26 | 0:03:29 | |
-He basically didn't want it. -He was throwing that out? | 0:03:29 | 0:03:31 | |
He was throwing it out. | 0:03:31 | 0:03:33 | |
This was a few years ago and, yeah, just goes to show. | 0:03:33 | 0:03:37 | |
I could see a few things in here that I've got my eye on. | 0:03:37 | 0:03:40 | |
-I want to have a... -I tell you what. Let's go and look in the other room. | 0:03:40 | 0:03:43 | |
-I've got something else to show you. -OK, all right. | 0:03:43 | 0:03:46 | |
With the trunk staying put for now, | 0:03:48 | 0:03:50 | |
there's plenty more places for Jay to rummage. | 0:03:50 | 0:03:53 | |
I do like this. Leather suitcase. | 0:03:54 | 0:03:58 | |
Looks like he's hiding all the good stuff away from me. | 0:03:59 | 0:04:02 | |
There's a nice chest underneath there. | 0:04:02 | 0:04:04 | |
Maybe we should move away from the antiques | 0:04:04 | 0:04:07 | |
and look for something more up your street, Jay. | 0:04:07 | 0:04:10 | |
It's very nice. | 0:04:10 | 0:04:12 | |
-So, Danny, in this room... -Yeah. | 0:04:12 | 0:04:15 | |
I've had a good little look, but this is the baby. Not the suitcases. | 0:04:15 | 0:04:20 | |
-That one. -Not this? -No, no, not that. -Oh, THAT! -Yeah. -Yeah. | 0:04:20 | 0:04:24 | |
It's not getting used, is it? What's the story behind that? | 0:04:24 | 0:04:27 | |
That's my dad's old rocking chair. | 0:04:27 | 0:04:28 | |
-Seriously?! -Yeah, it's from the '70s. | 0:04:28 | 0:04:31 | |
Since Danny moved house, | 0:04:33 | 0:04:34 | |
he's struggled to find a place for his dad's old chair. | 0:04:34 | 0:04:38 | |
-You can have that with my blessings. -Thank you, sir. That's very kind. | 0:04:38 | 0:04:43 | |
Jay is in luck. | 0:04:43 | 0:04:45 | |
This rocking chair - it's a rocking chair that's not rocking any more. | 0:04:46 | 0:04:50 | |
It's just stuffed in the corner, but the potential it's got is amazing. | 0:04:50 | 0:04:53 | |
Little bit of effort, it's going to be a winner and rocking again. | 0:04:53 | 0:04:56 | |
Jay has his first item in the bag - Danny's dad's old rocker. | 0:04:56 | 0:05:02 | |
From smart suburbia to a rural retreat just outside Bristol. | 0:05:05 | 0:05:10 | |
Sarah is about to begin her rummage for rubbish | 0:05:10 | 0:05:14 | |
and eagerly awaiting her arrival | 0:05:14 | 0:05:16 | |
is wildlife TV presenter and author Miranda Krestovnikoff. | 0:05:16 | 0:05:21 | |
Miranda's one of the original presenters | 0:05:21 | 0:05:24 | |
of the BBC nature programme Coast. | 0:05:24 | 0:05:27 | |
Good girl! Come on then! | 0:05:27 | 0:05:29 | |
She's also a roving wildlife reporter on the One Show. | 0:05:29 | 0:05:34 | |
Bring it here. | 0:05:34 | 0:05:35 | |
A keen upcycler herself, she is very excited about Sarah's arrival. | 0:05:35 | 0:05:40 | |
Drop it. Good girl. | 0:05:40 | 0:05:42 | |
Sort of excited and slightly terrified. | 0:05:42 | 0:05:43 | |
We're having building work done at the moment, | 0:05:43 | 0:05:45 | |
so the place is an absolute tip, but I'm sure she'll find | 0:05:45 | 0:05:48 | |
something exciting and go, "Wow, that's going to be amazing!" | 0:05:48 | 0:05:51 | |
So, I think there's quite a lot of stuff lying around | 0:05:51 | 0:05:53 | |
that she'll probably quite like. | 0:05:53 | 0:05:55 | |
Two celebrities with a love of the great outdoors, | 0:05:55 | 0:05:59 | |
but will Sarah match Jay | 0:05:59 | 0:06:01 | |
in the search for two transformable trash items? | 0:06:01 | 0:06:05 | |
-Hi, there. -Hi, how are you doing? -Really well. Nice to see you. | 0:06:05 | 0:06:08 | |
-Come on in. -Thank you. | 0:06:08 | 0:06:10 | |
Your dog is so sweet. | 0:06:12 | 0:06:13 | |
Miranda's home was originally built in the 1930s | 0:06:15 | 0:06:18 | |
and was derelict when she and her husband, Nick, | 0:06:18 | 0:06:21 | |
bought the place 12 years ago. | 0:06:21 | 0:06:23 | |
It's now home to their two children, along with German shepherd Nanook. | 0:06:23 | 0:06:28 | |
Oh, sorry, we'll keep the noise down. | 0:06:28 | 0:06:31 | |
-So, sitting room. -Lovely room, isn't it? -Yeah, very light. -Beautiful. | 0:06:31 | 0:06:34 | |
-We're very lucky we face the sun. -I see you bring your work home. | 0:06:34 | 0:06:38 | |
I just love collecting weird stuff to do with animals | 0:06:38 | 0:06:41 | |
and also, if I do talks to children, it's really fun to say, | 0:06:41 | 0:06:45 | |
"And this is a mammoth bone and this is a deer antler", or something. | 0:06:45 | 0:06:48 | |
Yeah, that is a mammoth bone. And feel the weight of this. | 0:06:48 | 0:06:52 | |
That's a molar from a mammoth, and that's a small one, | 0:06:52 | 0:06:54 | |
so imagine a having a mouth full of teeth like that. | 0:06:54 | 0:06:57 | |
That's quite frightening. | 0:06:57 | 0:06:59 | |
You'd soon get sick to the back teeth with a mouth full of those. | 0:06:59 | 0:07:02 | |
This room is beautiful but, clearly, | 0:07:02 | 0:07:04 | |
there's not much in here that's going to be leaving, is there? | 0:07:04 | 0:07:06 | |
I'm really sorry. | 0:07:06 | 0:07:08 | |
Yeah, I do have a couple of tricks up my sleeve, so come this way. | 0:07:08 | 0:07:10 | |
Brilliant, thank you. | 0:07:10 | 0:07:12 | |
Heading outside, Miranda has a hideaway shipping container, | 0:07:12 | 0:07:16 | |
full of old cast-offs. | 0:07:16 | 0:07:18 | |
Though I'm not sure how you get THAT up your sleeve! | 0:07:18 | 0:07:21 | |
-Come on in. -Oh, the Aladdin's cave. -It really is, yeah. | 0:07:22 | 0:07:27 | |
This is ten years of junk and building materials. | 0:07:27 | 0:07:31 | |
It's going to go one day, | 0:07:31 | 0:07:33 | |
but you're welcome to pretty much anything you can find in here. | 0:07:33 | 0:07:37 | |
Sarah can't pass up an opportunity for a really good rummage. | 0:07:37 | 0:07:42 | |
No, don't sit down! | 0:07:43 | 0:07:45 | |
Could be good. | 0:07:46 | 0:07:47 | |
Lots to look at but nothing to be found. But all is not lost. | 0:07:47 | 0:07:52 | |
Miranda has an idea. | 0:07:52 | 0:07:55 | |
So, there's this beautiful old bench. | 0:07:55 | 0:07:58 | |
There's a bit of a story behind this one. | 0:07:58 | 0:08:00 | |
The last but one house that we bought, this was in the garden | 0:08:00 | 0:08:02 | |
when we bought the house, but it's just been sitting there. | 0:08:02 | 0:08:05 | |
It's actually a really beautiful thing. | 0:08:05 | 0:08:07 | |
The fact somebody took the time to design something so beautiful | 0:08:07 | 0:08:10 | |
that may have just been in a park or something, makes it really special. | 0:08:10 | 0:08:13 | |
And you can tell it's heavyweight | 0:08:13 | 0:08:14 | |
and it's definitely got some age to it. | 0:08:14 | 0:08:16 | |
If you can make something really special out of it, | 0:08:16 | 0:08:18 | |
-you're welcome to it. -That's thrown down the gauntlet, hasn't it? | 0:08:18 | 0:08:21 | |
-I love a challenge. -On the condition that you make something | 0:08:21 | 0:08:23 | |
really, really good, you can have it. No pressure. | 0:08:23 | 0:08:25 | |
To rescue that and revamp it, I'd love to. | 0:08:25 | 0:08:27 | |
-Could be exciting, couldn't it? -You can tell immediately, can't you? | 0:08:27 | 0:08:30 | |
-Give me your bench! -Well, you got excited about it, | 0:08:30 | 0:08:33 | |
so, that would be good. I'd like to see what you could do with that. | 0:08:33 | 0:08:36 | |
Sarah's first item is the wobbly garden seat. | 0:08:36 | 0:08:39 | |
Look at that. What a beautiful bench. | 0:08:39 | 0:08:42 | |
Miranda might not be keen on doing it up, | 0:08:42 | 0:08:44 | |
but I think it's a challenge I just can't wait to take on. | 0:08:44 | 0:08:47 | |
We're up and running. But what will she do with that old thing? | 0:08:49 | 0:08:54 | |
Back in south-east London, having thoroughly searched Danny's flat, | 0:08:59 | 0:09:04 | |
Jay still has one item to find and there's just one last place to look. | 0:09:04 | 0:09:10 | |
-You've got some goodies in here for me? -I have got some in here for you. | 0:09:10 | 0:09:13 | |
-I think you're going to be very impressed. -Oh! -Not a lot. | 0:09:13 | 0:09:16 | |
With limited storage space inside his flat, | 0:09:16 | 0:09:20 | |
Danny rents a storage unit a short distance away. | 0:09:20 | 0:09:24 | |
Cor blimey! I see something straightaway. | 0:09:24 | 0:09:27 | |
-Ooh! -What, that? -What's that? | 0:09:27 | 0:09:30 | |
-This is a headboard. -It's a headboard? | 0:09:30 | 0:09:32 | |
-Yeah, but you can't have that, I'm afraid. -Oh, is it? | 0:09:32 | 0:09:34 | |
-Yeah, so put your eyes away. -Oh, man! What about that? | 0:09:34 | 0:09:38 | |
-Is that part of the headboard as well? -What, this? -Yeah. -Yes. | 0:09:38 | 0:09:40 | |
-This is the end bit, that's the headboard. -OK. | 0:09:40 | 0:09:43 | |
Gardening stuff, you can't take, but there's a lawnmower there. | 0:09:43 | 0:09:46 | |
-You can take it. -A lawnmower. -You're very welcome to it, yeah. -OK. | 0:09:46 | 0:09:50 | |
Don't be too enthusiastic, Jay. Keep looking. | 0:09:50 | 0:09:54 | |
I'm sure you'll find something else. | 0:09:54 | 0:09:56 | |
-Is that a strimmer? -That's a strimmer. | 0:09:56 | 0:09:58 | |
-What's it sitting on? -It's sitting on a table. | 0:09:58 | 0:10:00 | |
-On a table. Is that what that is? -Yeah, sitting on a table. -Nice. | 0:10:00 | 0:10:04 | |
The story behind that is that's a table | 0:10:04 | 0:10:06 | |
-I couldn't get in the flat cos the legs won't come off. -Oh. | 0:10:06 | 0:10:09 | |
-It's been made in one piece. -Right. -So, you're quite welcome to have it. | 0:10:09 | 0:10:15 | |
A solid pine table that, luckily for Jay, wouldn't fit in Danny's flat. | 0:10:15 | 0:10:20 | |
Time to dig it out. Shouldn't be a problem for a gardener. | 0:10:20 | 0:10:24 | |
-There's quite a bit here. -There is quite a bit. | 0:10:24 | 0:10:26 | |
Jay, it's just the table we're taking. Jay, come back! | 0:10:27 | 0:10:32 | |
You've got so much gardening stuff. It's unbelievable! | 0:10:35 | 0:10:38 | |
At last! | 0:10:38 | 0:10:40 | |
-That's a solid bit of table, isn't it? -It's lovely, isn't it? | 0:10:40 | 0:10:43 | |
-I must admit, I really like it. -Strong as well. | 0:10:43 | 0:10:46 | |
It's had all of that on top of there. | 0:10:46 | 0:10:48 | |
-Yeah, so you know it's going to last. -One consolation. | 0:10:48 | 0:10:51 | |
I'll take this off your hands, cos you said I can have it. | 0:10:51 | 0:10:54 | |
-You can have it. -That's very kind. -Yeah. | 0:10:54 | 0:10:55 | |
-And I'll move all this stuff back. -I'll see you later. -All right. | 0:10:55 | 0:10:58 | |
-I'll be down the pub. -THEY LAUGH | 0:10:58 | 0:11:01 | |
Jay's found his second item - a solid pine table. | 0:11:03 | 0:11:08 | |
Wow, what's not to love about a tried and tested table? | 0:11:08 | 0:11:11 | |
Solid as a rock. | 0:11:11 | 0:11:13 | |
All it needs now is a little bit of creativity | 0:11:13 | 0:11:15 | |
and then it's ready to go again. | 0:11:15 | 0:11:17 | |
I'm so happy with this one. | 0:11:17 | 0:11:19 | |
Bravo, Jay. | 0:11:20 | 0:11:22 | |
-Danny, nice one for having me. -Great meeting you. -Yeah. | 0:11:22 | 0:11:25 | |
And I'm sure you're going to make great use of the stuff | 0:11:25 | 0:11:28 | |
-that you've taken from me today! -Taken? You GAVE it to me! -Oh, did I? | 0:11:28 | 0:11:31 | |
-Yes, you did. -OK, I'm looking forward to seeing the end product. | 0:11:31 | 0:11:34 | |
-OK. -And you'll be back shortly, I take it. -Course I will. -Great. | 0:11:34 | 0:11:37 | |
-Take care. Take care, mate. -All right. Be lucky. | 0:11:37 | 0:11:40 | |
-Yeah, and you. -All right. | 0:11:40 | 0:11:41 | |
I'm really looking forward to seeing what he comes back with. | 0:11:41 | 0:11:45 | |
It makes my mind boggle cos I think the guy's very imaginative | 0:11:45 | 0:11:48 | |
and I'm sure he's going to put an interesting twist | 0:11:48 | 0:11:51 | |
on the items that he's taken away today. | 0:11:51 | 0:11:53 | |
Jay's hunt is over. | 0:11:54 | 0:11:56 | |
He's taken Danny's dad's rocking chair and the pine kitchen table. | 0:11:56 | 0:12:02 | |
What's he going to do with them? Who knows? | 0:12:02 | 0:12:05 | |
Back in Somerset, Sarah is still searching for a second item. | 0:12:07 | 0:12:12 | |
Can you do anything with a futon? | 0:12:12 | 0:12:13 | |
I'm sure things could be done with it | 0:12:13 | 0:12:15 | |
but I'm wondering if you've got stuff that's really broken. | 0:12:15 | 0:12:18 | |
-Not the futon then. -Not the futon. -I thought you'd go for the futon. | 0:12:18 | 0:12:22 | |
She's already laid claim to the wobbly seat, | 0:12:22 | 0:12:24 | |
so there's just one more item to find. | 0:12:24 | 0:12:27 | |
-Here's the kitchen... -Wow! -..where we spend all our time. | 0:12:27 | 0:12:31 | |
-Is this the heart of the home? -It is. | 0:12:31 | 0:12:33 | |
You look and see a room like this | 0:12:33 | 0:12:34 | |
and think you've got to be spending time... | 0:12:34 | 0:12:36 | |
Also, we sit around the table and you can look out onto the garden | 0:12:36 | 0:12:39 | |
and the pond and there's loads of wildlife out there. | 0:12:39 | 0:12:42 | |
I'm a very outdoor person as well. | 0:12:42 | 0:12:43 | |
I'd spend my life outdoors, if I could, | 0:12:43 | 0:12:45 | |
so we try and bring as much of that into the house as possible. | 0:12:45 | 0:12:48 | |
Miranda has one last thing that she thinks might be worth "chicken" out. | 0:12:48 | 0:12:54 | |
There's this. It's an old door. | 0:12:54 | 0:12:56 | |
There was a big workshop here when we moved in | 0:12:56 | 0:12:59 | |
and, obviously, we just took it off, | 0:12:59 | 0:13:01 | |
but it's just used to protect the wood underneath, keep it all dry. | 0:13:01 | 0:13:04 | |
-I don't know if it's rotten though. -Maybe some of it has gone. | 0:13:04 | 0:13:08 | |
That's probably gone but, certainly, | 0:13:08 | 0:13:10 | |
-a couple of the planks seem to be OK. -Shall we risk it? | 0:13:10 | 0:13:14 | |
Well, we could pick it up and see if it falls apart. | 0:13:14 | 0:13:16 | |
OK... Wow! That middle timber's gone, hasn't it? | 0:13:17 | 0:13:22 | |
The bits on it that are looking solid should be reusable. | 0:13:24 | 0:13:28 | |
The hinges are great. | 0:13:28 | 0:13:29 | |
The door furniture is beautiful so, if you're not going | 0:13:29 | 0:13:32 | |
to do anything with it, I'd love to try and save it. | 0:13:32 | 0:13:34 | |
-If you can lift it out of here in one piece, you can have it. -May I? | 0:13:34 | 0:13:38 | |
-If you want it, yeah. -I'd love it. Thank you. Pop it back down. | 0:13:38 | 0:13:41 | |
Oh, that's surely at death's door! What is she thinking? | 0:13:43 | 0:13:46 | |
SARAH TAPS ON THE WOOD | 0:13:46 | 0:13:48 | |
Is that profit knocking? | 0:13:48 | 0:13:50 | |
I'm not sure, because this door is in a terrible state, | 0:13:50 | 0:13:54 | |
but there are some elements about it that are absolutely beautiful, | 0:13:54 | 0:13:57 | |
so I'm going to take the best bits | 0:13:57 | 0:13:59 | |
and I'm going to give this just one last chance. | 0:13:59 | 0:14:01 | |
-Thank you for today. -It's been really fun! | 0:14:02 | 0:14:04 | |
I've had a really good time. | 0:14:04 | 0:14:06 | |
I never thought I'd end up in your laurel bush | 0:14:06 | 0:14:08 | |
but that was one of the best bits for me. | 0:14:08 | 0:14:10 | |
-Thanks so much. -Take care. -Bye. -Bye. | 0:14:10 | 0:14:12 | |
Are you coming with me? Come on then. | 0:14:14 | 0:14:16 | |
She completely surprised me with the things that she liked. | 0:14:16 | 0:14:19 | |
The things I thought she might take, she wasn't that interested in. | 0:14:19 | 0:14:22 | |
So, it's going to be quite exciting when she comes back. | 0:14:22 | 0:14:25 | |
Sarah's picked a rickety park bench and a discarded old door. | 0:14:25 | 0:14:30 | |
Will she be able to transform her chosen trash into treasure? | 0:14:30 | 0:14:35 | |
In a rainy Wolverhampton, Jay is about to start work | 0:14:38 | 0:14:41 | |
on Danny's old rocking chair. | 0:14:41 | 0:14:44 | |
So, what's the plan, Jay? | 0:14:44 | 0:14:45 | |
I got this rocking chair from Danny. | 0:14:48 | 0:14:50 | |
I love rocking chairs, but this one is brown. | 0:14:50 | 0:14:52 | |
There's nothing wrong with brown, but it's a bit dated. | 0:14:52 | 0:14:56 | |
What I'm intending to do with this is give it a zing and a pop, | 0:14:56 | 0:15:00 | |
add some modernisation to it, but also, adding that Danny twist to it. | 0:15:00 | 0:15:04 | |
Ah, that good old zing, pop, Danny twist! | 0:15:04 | 0:15:08 | |
First things first. | 0:15:10 | 0:15:12 | |
I'm planning to upholster the seat and also the back. | 0:15:12 | 0:15:15 | |
But what I need to do first is take the chair apart | 0:15:15 | 0:15:17 | |
to see what I'm working with. | 0:15:17 | 0:15:19 | |
Danny's rocking chair is actually a model | 0:15:19 | 0:15:22 | |
known as the bentwood rocker, | 0:15:22 | 0:15:24 | |
and it's claimed the style originated in Austria | 0:15:24 | 0:15:27 | |
in the mid-19th century. | 0:15:27 | 0:15:29 | |
For me, this is my favourite bit. It's picking the fabric. | 0:15:29 | 0:15:33 | |
So here, you've got brown against brown. Hmm, doesn't really work. | 0:15:33 | 0:15:37 | |
If I was to pick something that was lighter, that contrast just works. | 0:15:37 | 0:15:41 | |
Some lovely birds on there. Or lovely grey. That works sometimes. | 0:15:41 | 0:15:45 | |
Or even, look at that red. That's popping! | 0:15:45 | 0:15:49 | |
But, for me, and a link back to Danny, cos he's a gardener, | 0:15:49 | 0:15:54 | |
look at that. | 0:15:54 | 0:15:55 | |
That is so cool. | 0:15:55 | 0:15:57 | |
Definitely have to use flowers, cos he's a gardener. | 0:15:57 | 0:16:00 | |
Before Jay can re-cover the seat, the old material has to be removed. | 0:16:03 | 0:16:07 | |
To comply with fire safety regulations, | 0:16:09 | 0:16:12 | |
the old foam is replaced and a layer of Dacron is glued to the top. | 0:16:12 | 0:16:17 | |
Dacron gives you that extra bit of comfort, | 0:16:23 | 0:16:26 | |
that nice little layer, so when you sit down, ooh, it's nice and cosy. | 0:16:26 | 0:16:30 | |
When upholstering, tension is everything. | 0:16:31 | 0:16:34 | |
I don't mean being on edge. | 0:16:34 | 0:16:37 | |
I mean how taut the fabric is pulled across the surface of the seat. | 0:16:38 | 0:16:43 | |
That's all done now. | 0:16:44 | 0:16:46 | |
Normally, what I like to do | 0:16:46 | 0:16:47 | |
is have a bit of something different on the back, | 0:16:47 | 0:16:50 | |
so I'm obviously going to go for a contrast, | 0:16:50 | 0:16:52 | |
and I'm going for a yellow. | 0:16:52 | 0:16:54 | |
The yellow is in the same fabric but, against the brown... | 0:16:54 | 0:16:58 | |
..I think that's going to look awesome. | 0:16:59 | 0:17:01 | |
Yeah, that's the one. | 0:17:01 | 0:17:03 | |
And, in a moment of inspiration, Jay's spotted another opportunity. | 0:17:06 | 0:17:11 | |
I'm going to be spraying this, which is part of the chair, | 0:17:11 | 0:17:14 | |
and I'm going to be spraying it in a beautiful vibrant orange, | 0:17:14 | 0:17:17 | |
which is inspired by Danny's lamp in his flat. | 0:17:17 | 0:17:20 | |
Let's get going, eh? | 0:17:20 | 0:17:22 | |
For the piece de resistance, a splash of subtle neon orange. | 0:17:22 | 0:17:27 | |
I do hope you know what you're doing, Jay. | 0:17:27 | 0:17:30 | |
Jay's spent £42.07 on the fabric, foam and spray paint. | 0:17:30 | 0:17:36 | |
If his enthusiasm is anything to go by, | 0:17:36 | 0:17:39 | |
this chair will be rocking again in no time, | 0:17:39 | 0:17:43 | |
provided he can put it all back together again. | 0:17:43 | 0:17:45 | |
While Jay does what he does best, | 0:17:51 | 0:17:54 | |
Danny's table has made it to east London, | 0:17:54 | 0:17:57 | |
ready for its very own makeover. | 0:17:57 | 0:18:00 | |
And who better to take it on than Daniel Heath? | 0:18:01 | 0:18:05 | |
Daniel has a passion for all things salvaged and sustainable. | 0:18:08 | 0:18:12 | |
He's an award-winning wallpaper designer | 0:18:12 | 0:18:14 | |
who loves adding an artistic flair to bespoke furniture. | 0:18:14 | 0:18:18 | |
My style is quite illustrative. | 0:18:18 | 0:18:21 | |
There's always a lot of drawing in my work, whether it's going | 0:18:21 | 0:18:25 | |
onto textiles or wallpaper or onto surfaces or furniture. | 0:18:25 | 0:18:29 | |
Yeah, it's not really work. It is my passion, it is my life. | 0:18:29 | 0:18:33 | |
I think anyone who makes anything has to try and live it. | 0:18:33 | 0:18:37 | |
Yeah, I really enjoy it. | 0:18:37 | 0:18:38 | |
He's committed, | 0:18:39 | 0:18:41 | |
but I reckon this table's going to put him to the test. | 0:18:41 | 0:18:44 | |
PHONE RINGS | 0:18:45 | 0:18:48 | |
-Hello, Jay, how are you doing? -How you doing, Daniel? You all right? | 0:18:49 | 0:18:52 | |
I'm good, thanks, I'm good. | 0:18:52 | 0:18:54 | |
Jay's calling to agree a plan of action. | 0:18:54 | 0:18:57 | |
Yeah, OK. Yeah, right. | 0:18:57 | 0:19:01 | |
-I think it's going well. -OK, great. | 0:19:01 | 0:19:04 | |
Well, I'm glad that's sorted. So, what's the plan? | 0:19:04 | 0:19:08 | |
Jay had mentioned this idea about making it look different | 0:19:08 | 0:19:13 | |
when it's set than when it's unset, which I think is fun. | 0:19:13 | 0:19:17 | |
So, what I've got is just an enamel bowl | 0:19:17 | 0:19:21 | |
and I'm just going to lay these out, | 0:19:21 | 0:19:25 | |
just for a guide, and see if it works. | 0:19:25 | 0:19:28 | |
Jay's nifty idea is to screen print onto the table top. | 0:19:28 | 0:19:33 | |
He wants the pattern to include the place settings | 0:19:33 | 0:19:36 | |
as part of the design. | 0:19:36 | 0:19:37 | |
Daniel has already cleverly covered the top of the table | 0:19:37 | 0:19:40 | |
with plain brown paper, | 0:19:40 | 0:19:42 | |
which allows him to draw without damaging the surface. | 0:19:42 | 0:19:46 | |
Don't know whether I'm going to do something geometric on this | 0:19:46 | 0:19:49 | |
or do something nature-based. | 0:19:49 | 0:19:51 | |
I'm quite into natural things at the moment. | 0:19:51 | 0:19:54 | |
But obviously it's more complicated to do that with a stencil. | 0:19:54 | 0:19:57 | |
I'm just going to try drawing a few basic ideas. | 0:19:57 | 0:20:03 | |
Judging from these leaves, | 0:20:05 | 0:20:06 | |
I'd say we're starting with the nature-based idea. | 0:20:06 | 0:20:09 | |
I think I've got my mind set on doing some stencilling | 0:20:11 | 0:20:14 | |
instead of creating a dedicated silkscreen. | 0:20:14 | 0:20:17 | |
I'll still screen print the ink through | 0:20:17 | 0:20:20 | |
but the actual pattern will be hand-cut out of the stencil, | 0:20:20 | 0:20:24 | |
so it will e a complete one-off. | 0:20:24 | 0:20:26 | |
Nice floral design, but do you know what I think would finish it off? | 0:20:26 | 0:20:31 | |
A little bit of fruit. | 0:20:31 | 0:20:33 | |
I'm just drawing some lemons. | 0:20:33 | 0:20:35 | |
As always, a step ahead of me, Daniel. | 0:20:35 | 0:20:38 | |
But isn't that a lime? | 0:20:38 | 0:20:40 | |
They look like limes cos I'm using the green pen, | 0:20:40 | 0:20:42 | |
but that's just so that I can differentiate between the lemons | 0:20:42 | 0:20:46 | |
and all the foliage that I've drawn, | 0:20:46 | 0:20:48 | |
because the lemons are going to be a different colour. | 0:20:48 | 0:20:51 | |
They're going to be yellow. | 0:20:51 | 0:20:52 | |
Brilliant idea! | 0:20:52 | 0:20:54 | |
Jay and Daniel agreed a budget of £280 | 0:20:54 | 0:20:58 | |
to turn around Danny's old table. | 0:20:58 | 0:21:01 | |
But when they come to sell it, | 0:21:01 | 0:21:03 | |
will that leafy design prove that money really does grow on trees? | 0:21:03 | 0:21:08 | |
With Jay's items well under way, | 0:21:10 | 0:21:12 | |
in West Sussex, it's time for Sarah | 0:21:12 | 0:21:15 | |
to turn her attention to Miranda's old garden bench. | 0:21:15 | 0:21:19 | |
Well, it's a super chunky garden bench. | 0:21:21 | 0:21:24 | |
It's old and it's just not fit for purpose any more, | 0:21:24 | 0:21:26 | |
and I'd really like t give it an update that will bring it | 0:21:26 | 0:21:29 | |
in from the cold and make it into something you have inside | 0:21:29 | 0:21:31 | |
but is luxurious, welcoming and beautiful. | 0:21:31 | 0:21:35 | |
First job, take it apart. | 0:21:35 | 0:21:37 | |
What Sarah's actually hoping to make from this rotten old bench | 0:21:37 | 0:21:42 | |
is an upholstered seat, suitable for use inside. | 0:21:42 | 0:21:46 | |
Guess what - they're really tight. They are going to be all rusted on. | 0:21:47 | 0:21:50 | |
I can tell already. | 0:21:50 | 0:21:52 | |
Do we have a plan B? A saw, perhaps. | 0:21:52 | 0:21:55 | |
I don't think this is working. Oh, Bramble! | 0:21:57 | 0:22:01 | |
I don't think she's going to help. | 0:22:03 | 0:22:05 | |
Having eventually dismantled the bench, | 0:22:05 | 0:22:08 | |
it's time to reveal its old green paint. | 0:22:08 | 0:22:11 | |
It's going to be a fine line exposing | 0:22:11 | 0:22:14 | |
as much of that green as possible, | 0:22:14 | 0:22:16 | |
but leaving the lovely patina of the bench. | 0:22:16 | 0:22:18 | |
I certainly don't want to make it look new. | 0:22:18 | 0:22:20 | |
Ooh, no! That would be wrong! | 0:22:20 | 0:22:22 | |
Just want to check how it's going to look. | 0:22:23 | 0:22:25 | |
I've got a bit of clear wax on here. It's made it really bright. | 0:22:25 | 0:22:28 | |
The wax has sealed in all of that lovely colour. | 0:22:28 | 0:22:31 | |
It means, if it's in somebody's house, they can dust it. | 0:22:31 | 0:22:34 | |
It will be clean and nice to live with. | 0:22:34 | 0:22:37 | |
Not all of the original wood turned out to be rotten, | 0:22:37 | 0:22:40 | |
so some of it cam be reused once Sarah's cut it to size. | 0:22:40 | 0:22:44 | |
To put the bench back together, | 0:22:44 | 0:22:46 | |
all that's left to do is drill some new holes for the bolts. | 0:22:46 | 0:22:51 | |
And voila! | 0:22:51 | 0:22:52 | |
Ah, that looks really sweet! | 0:22:54 | 0:22:57 | |
It IS sweet, Sarah, but isn't that just like the bench | 0:22:57 | 0:23:00 | |
but a bit smaller? | 0:23:00 | 0:23:02 | |
Right, upholstery time. | 0:23:02 | 0:23:04 | |
Fireproof calico - very important. | 0:23:06 | 0:23:09 | |
As well as fireproof calico, Sarah's wrapping the salvaged slats | 0:23:10 | 0:23:14 | |
with upholstery foam filling, so at least it might be comfy. | 0:23:14 | 0:23:18 | |
Is this going to work? | 0:23:18 | 0:23:20 | |
No idea. | 0:23:22 | 0:23:23 | |
I'm actually going to upholster each slat individually | 0:23:23 | 0:23:26 | |
because I want it to look cool | 0:23:26 | 0:23:28 | |
but I also want it to look reminiscent of an old garden bench. | 0:23:28 | 0:23:31 | |
I don't think you've got any problems there, Sarah. | 0:23:32 | 0:23:35 | |
-I think it's going to work. -Well, let's hope so. | 0:23:40 | 0:23:42 | |
Sarah's spent £100 on materials to convert the bench | 0:23:42 | 0:23:46 | |
into an indoor mini bench, otherwise known as... | 0:23:46 | 0:23:51 | |
a chair, I suppose. | 0:23:51 | 0:23:52 | |
With Sarah taking care of the garden bench, | 0:23:55 | 0:23:58 | |
it's time for Miranda's other item, the large wooden door, | 0:23:58 | 0:24:02 | |
to receive some love and attention. | 0:24:02 | 0:24:04 | |
And who better to lavish that love | 0:24:04 | 0:24:07 | |
on a mouldy old door than EJ Osborne? | 0:24:07 | 0:24:11 | |
Woodworking warrior EJ uses simple tools | 0:24:12 | 0:24:15 | |
and traditional methods to create handmade utensils and furniture | 0:24:15 | 0:24:19 | |
that will stand the test of time and become more beautiful with age - | 0:24:19 | 0:24:24 | |
like myself. | 0:24:24 | 0:24:26 | |
So, what I do is mainly obsession, lots of love | 0:24:27 | 0:24:32 | |
and a little bit of a job, um, yeah. | 0:24:32 | 0:24:36 | |
And a lot of fun. | 0:24:36 | 0:24:37 | |
I don't know what I'd be doing if I wasn't doing this. | 0:24:38 | 0:24:41 | |
I think this is all I ever want to do | 0:24:41 | 0:24:45 | |
and I can't possibly imagine a life where I don't make stuff. | 0:24:45 | 0:24:50 | |
EJ loves a challenge, | 0:24:50 | 0:24:52 | |
but will the door that Sarah salvaged be a step too far? | 0:24:52 | 0:24:56 | |
Oh, my goodness! | 0:24:56 | 0:24:59 | |
Oh...what have we got here? | 0:24:59 | 0:25:02 | |
It's a really old... | 0:25:02 | 0:25:04 | |
..rather rotten...door. | 0:25:05 | 0:25:08 | |
PHONE RINGS | 0:25:08 | 0:25:11 | |
-Hello? -EJ, hi, it's Sarah. -Hi, Sarah, how are you? | 0:25:11 | 0:25:15 | |
-Really well, how are you doing? -I'm good. | 0:25:15 | 0:25:18 | |
I'm just standing here looking at the massive door! | 0:25:18 | 0:25:22 | |
-Sarah, what is this? -HE LAUGHS | 0:25:22 | 0:25:26 | |
You were right first time, EJ. | 0:25:26 | 0:25:28 | |
It's a massive rotten old door, but Sarah has a few ideas. | 0:25:28 | 0:25:33 | |
Um...well, that may not work. | 0:25:33 | 0:25:37 | |
Well, don't worry. | 0:25:37 | 0:25:39 | |
I'm sure EJ has something special up his sleeve. | 0:25:39 | 0:25:42 | |
I'd better get cracking, Sarah, cos there's a lot to be done. | 0:25:42 | 0:25:45 | |
-OK, we'll catch up soon. -All right, bye. -Bye. -Bye. | 0:25:45 | 0:25:49 | |
So, I'm going to make a dressing screen | 0:25:51 | 0:25:54 | |
and I'm going to chop all that wood up and I'm going to use it | 0:25:54 | 0:25:58 | |
as decorations in the style of shingles. | 0:25:58 | 0:26:02 | |
Wooden shingles are thin, tapered pieces of wood, | 0:26:02 | 0:26:06 | |
usually used to cover roofs and walls of buildings. | 0:26:06 | 0:26:09 | |
First things first. | 0:26:09 | 0:26:11 | |
All those rusty nails need to be removed, | 0:26:11 | 0:26:14 | |
as well as the metalwork, which is carefully taken off to be reused. | 0:26:14 | 0:26:19 | |
As these are bracket hinges, | 0:26:19 | 0:26:22 | |
they have these lovely readymade holes. | 0:26:22 | 0:26:28 | |
Somehow, I think I may make some kind of rack. | 0:26:28 | 0:26:33 | |
Something through here, going across, like a pole, maybe. | 0:26:33 | 0:26:38 | |
You can take your clothes off and hang them over. | 0:26:38 | 0:26:41 | |
These...I'm going to use if it kills me. | 0:26:41 | 0:26:46 | |
Having taken the door to pieces and discarded all the rotten bits, | 0:26:47 | 0:26:52 | |
EJ's left with a surprising amount of usable timber | 0:26:52 | 0:26:55 | |
which, given a light sanding and cut into manageable lengths, | 0:26:55 | 0:27:00 | |
is then sliced thinly, ready to make into the shingles. | 0:27:00 | 0:27:04 | |
Look at that! Oh, my goodness! | 0:27:07 | 0:27:11 | |
-You see, I thought... -HE BRUSHES THE WOOD | 0:27:11 | 0:27:15 | |
..that the inside was going to be less interesting | 0:27:15 | 0:27:18 | |
than the outside but, actually, | 0:27:18 | 0:27:20 | |
not only is it fresh and clean, but it's a woodworker's dream. | 0:27:20 | 0:27:24 | |
If you say so, EJ. | 0:27:24 | 0:27:27 | |
Sarah has agreed a budget of £150 | 0:27:27 | 0:27:30 | |
for EJ to create his glamorous dressing screen, | 0:27:30 | 0:27:34 | |
but with lots still to do, | 0:27:34 | 0:27:36 | |
will he be able to bring it in on budget? | 0:27:36 | 0:27:39 | |
In Wolverhampton, it's time to catch up with Jay | 0:27:40 | 0:27:43 | |
and discover what's become of Danny's dad's old rocking chair. | 0:27:43 | 0:27:47 | |
What I had was an old brown rocking chair that wasn't being used, | 0:27:47 | 0:27:51 | |
and what I've done is I've added a hint of me | 0:27:51 | 0:27:54 | |
with a touch of Danny and a splash of colour. | 0:27:54 | 0:27:57 | |
When Jay found the chair, its rocking days were over. But now... | 0:27:57 | 0:28:04 | |
..Jay's bold design has brought this old rocker centre stage. | 0:28:06 | 0:28:10 | |
The modern floral fabric compliments the original wood | 0:28:10 | 0:28:14 | |
which, after a buff and polish, has given it a sophisticate update. | 0:28:14 | 0:28:19 | |
A splash of neon orange accentuates the curvaceous design | 0:28:20 | 0:28:25 | |
and a hint of yellow on the back brings real personality. | 0:28:25 | 0:28:29 | |
But will it have buyers flocking to snap it up? | 0:28:29 | 0:28:32 | |
It's looking beautiful. | 0:28:34 | 0:28:36 | |
Well, I'm glad you think so, Jay. | 0:28:36 | 0:28:38 | |
You've just got to find somebody else who thinks so, too. | 0:28:38 | 0:28:41 | |
And that someone is the owner | 0:28:43 | 0:28:45 | |
of Complete Lighting & Living in Essex, Amanda. | 0:28:45 | 0:28:48 | |
I really love Jay's rocking chair | 0:28:48 | 0:28:51 | |
and I think we'll sell it really quickly. | 0:28:51 | 0:28:53 | |
That's great news. | 0:28:53 | 0:28:55 | |
Jay's first item is sold, but how much profit has he made? | 0:28:55 | 0:28:59 | |
In the East End of London, Jay's second item, | 0:29:04 | 0:29:07 | |
Danny's redundant dining table, was left with Daniel. | 0:29:07 | 0:29:11 | |
Well, at least we know it's been dusted down. | 0:29:12 | 0:29:14 | |
I'm here to pick up Danny's table from Daniel. | 0:29:15 | 0:29:18 | |
I had a few out-there ideas but I wonder if he's done them | 0:29:18 | 0:29:20 | |
or if he's come up with his own. | 0:29:20 | 0:29:22 | |
I had fun with this table. | 0:29:22 | 0:29:23 | |
It came to me and there wasn't really a lot we could do | 0:29:23 | 0:29:26 | |
to take it away from being what it was, | 0:29:26 | 0:29:28 | |
but we could add some fun and some colour. | 0:29:28 | 0:29:30 | |
I don't think it's going to be what he expected, | 0:29:30 | 0:29:32 | |
but we'll see his reaction when he arrives. | 0:29:32 | 0:29:35 | |
Danny's table was a solid but dull piece of furniture | 0:29:37 | 0:29:41 | |
when Jay rescued it from storage. | 0:29:41 | 0:29:43 | |
Take a look at that though! | 0:29:45 | 0:29:47 | |
It's certainly anything but dull. | 0:29:47 | 0:29:49 | |
Daniel has sanded down the original surfaces, | 0:29:49 | 0:29:53 | |
pained on a geometric design in pastel shades | 0:29:53 | 0:29:56 | |
and given the table a light, bright, energetic vibe. | 0:29:56 | 0:30:00 | |
-Woohoo! Now, that...that's a party. How you doing, sir? -Good. | 0:30:02 | 0:30:07 | |
-You've had fun with this one, haven't you? -Yeah. | 0:30:07 | 0:30:09 | |
-It's an ice cream. -What kind of ice cream is that? | 0:30:09 | 0:30:12 | |
-You know, you're on holiday in Mexico. -OK, cool. | 0:30:12 | 0:30:15 | |
Having a good time. | 0:30:15 | 0:30:17 | |
Never mind the dancing, Daniel. | 0:30:17 | 0:30:18 | |
What happened to the floral design you promised? | 0:30:18 | 0:30:21 | |
Yeah, we had a bit of a disaster. | 0:30:21 | 0:30:23 | |
I had sort of an organic vine pattern | 0:30:23 | 0:30:26 | |
that I was drawing on it and we cut it all out the stencil, | 0:30:26 | 0:30:29 | |
-printed it and it just didn't look right. -OK. | 0:30:29 | 0:30:33 | |
It just looked too...boring. | 0:30:33 | 0:30:36 | |
What it does is it makes me smile, and that's good. | 0:30:36 | 0:30:39 | |
-I think furniture's supposed to do that. -Yes. And unapologetically fun. | 0:30:39 | 0:30:44 | |
-The other thing is, have we come in on budget? -We have, yeah. | 0:30:44 | 0:30:48 | |
The budget was £280 and it was just a lot of sanding, but it was fine. | 0:30:48 | 0:30:53 | |
-We had to buy the paints and things but, yeah, good. -Cool. -OK. | 0:30:53 | 0:30:59 | |
-I'm sorted. All right. -Great. | 0:30:59 | 0:31:01 | |
-I'm going to see you soon. -Yeah, see you soon. | 0:31:01 | 0:31:03 | |
I'm glad Jay found the fun in that piece | 0:31:04 | 0:31:07 | |
and knew that we were just trying to do something that was fun | 0:31:07 | 0:31:11 | |
and I hope it brings someone some joy anyway. | 0:31:11 | 0:31:15 | |
So, it's good. | 0:31:15 | 0:31:17 | |
See, that's what it's all about - having fun. | 0:31:17 | 0:31:19 | |
If you're not having fun, there's something wrong, | 0:31:19 | 0:31:22 | |
and Daniel definitely achieved that with that table. | 0:31:22 | 0:31:25 | |
Wasn't what I was expecting but it's everything what I wanted. | 0:31:25 | 0:31:28 | |
Jay was quick to get the fun Mexican-themed table online. | 0:31:29 | 0:31:33 | |
As soon as the pictures were posted, he had a buyer all lined up. | 0:31:33 | 0:31:38 | |
And where else would a Mexican-themed table be more at home | 0:31:38 | 0:31:43 | |
than a Mexican-themed restaurant | 0:31:43 | 0:31:45 | |
in Mexican-sounding Guildford? | 0:31:45 | 0:31:47 | |
Owner Miguel couldn't be more pleased. | 0:31:49 | 0:31:52 | |
Absolutely love the table. | 0:31:52 | 0:31:53 | |
I think it's really nice - the fact that it's colourful, big, | 0:31:53 | 0:31:56 | |
it fits up to six people - | 0:31:56 | 0:31:58 | |
so I think it's going to bring a lot of people in to sit down together. | 0:31:58 | 0:32:01 | |
I do like a happy ending. | 0:32:01 | 0:32:04 | |
Jay's done his sums and it's time to let Danny know | 0:32:07 | 0:32:10 | |
how he got on with his rocking chair and table. | 0:32:10 | 0:32:13 | |
I wasn't surprised by the items he took away | 0:32:13 | 0:32:17 | |
because he's got beady eyes | 0:32:17 | 0:32:19 | |
and I think he wanted to take away everything. | 0:32:19 | 0:32:21 | |
I was happy for him to take the rocking chair | 0:32:21 | 0:32:25 | |
and I was happy for him to take the table | 0:32:25 | 0:32:27 | |
and I'm really looking forward to seeing | 0:32:27 | 0:32:29 | |
what he's going to do with them. | 0:32:29 | 0:32:31 | |
I hope Danny's partial to Mexican influences, | 0:32:31 | 0:32:33 | |
otherwise this could be a bit awkward. | 0:32:33 | 0:32:35 | |
-Hi, Jay. -How you doing, Danny? -I'm doing very well. How are you? | 0:32:35 | 0:32:38 | |
-I'm very good. -Come on in. -All right, mate. | 0:32:38 | 0:32:40 | |
-How you been, Danny? -I've been keeping very well. -Yeah? | 0:32:41 | 0:32:44 | |
-How about you? -I've been as busy as a bumblebee in the summer, mate. | 0:32:44 | 0:32:47 | |
-I like that. I like that. -I thought you might. -Pleased to hear it. | 0:32:47 | 0:32:50 | |
-So, do you remember your rocking chair? -Oh, wow! Yes. | 0:32:50 | 0:32:53 | |
This used to be your father's rocking chair, if I'm not mistaken. | 0:32:53 | 0:32:55 | |
Used to be my father's rocking chair. I really like that. | 0:32:55 | 0:32:58 | |
You've done a great job. I like it. | 0:32:58 | 0:33:01 | |
So, I'm pleased to tell you that I've sold this one | 0:33:01 | 0:33:03 | |
and I got a profit of £182.93 for you. | 0:33:03 | 0:33:08 | |
-Wow! Brilliant. -Just for the rocking chair. | 0:33:08 | 0:33:11 | |
-The other item you gave us was the table. -Oh, wow! | 0:33:11 | 0:33:14 | |
-Do you know what I like about that? -What? -Cos you've been adventurous. | 0:33:14 | 0:33:18 | |
Yeah. The colours are just, ooh. | 0:33:18 | 0:33:21 | |
I'm pleased to tell you that we've sold this table as well. | 0:33:21 | 0:33:23 | |
So, with the two together, you've got a combined profit of £252.93. | 0:33:23 | 0:33:30 | |
Brilliant, absolutely brilliant. | 0:33:30 | 0:33:32 | |
I've got to get it out of my pocket before I walk away with it | 0:33:32 | 0:33:35 | |
because you won't get your furniture back, but you'll get the money. | 0:33:35 | 0:33:38 | |
-And I'll give you the shrapnel. -Give me the shrapnel as well. | 0:33:38 | 0:33:42 | |
What you going to do with the money? What charity is it going to? | 0:33:42 | 0:33:45 | |
-The money's going to the Brain Tumour Charity. -Oh, right. | 0:33:45 | 0:33:48 | |
Yeah, well, basically, I had a sister | 0:33:48 | 0:33:50 | |
-who died from a brain tumour a few years ago. -Oh, mate. | 0:33:50 | 0:33:54 | |
So, I thought it would be a nice gesture to give it to there. | 0:33:54 | 0:33:57 | |
-Now, sir, it's been a pleasure working with you. -Yeah? | 0:33:57 | 0:33:59 | |
It's been a pleasure seeing you again, and you've done a grand job. | 0:33:59 | 0:34:02 | |
-You take care and I'll see you soon. -See you again. -All right. | 0:34:02 | 0:34:05 | |
Take care. Bye. | 0:34:05 | 0:34:07 | |
I tell you what - he's done a fantastic job. | 0:34:07 | 0:34:10 | |
I'm really impressed and I'm a bit envious, actually, | 0:34:10 | 0:34:13 | |
cos I wish I could have thought of those ideas myself. | 0:34:13 | 0:34:15 | |
Jay was able to sell the dining table for £350. | 0:34:17 | 0:34:22 | |
With Daniel's costs taken off, | 0:34:22 | 0:34:24 | |
it left a profit of £70. | 0:34:24 | 0:34:26 | |
The rocking chair sold for £225. | 0:34:27 | 0:34:30 | |
Minus Jay's spend, | 0:34:30 | 0:34:32 | |
it gave him a profit of £182.93. | 0:34:32 | 0:34:36 | |
Added together, Danny has a total | 0:34:36 | 0:34:39 | |
of £252.93 to donate | 0:34:39 | 0:34:43 | |
to the Brain Tumour Charity in memory of his sister. | 0:34:43 | 0:34:47 | |
With Jay having successfully raised money for a great cause, | 0:34:49 | 0:34:54 | |
it's Sarah's turn to impress. | 0:34:54 | 0:34:56 | |
Has she managed to turn Miranda's old rickety garden bench | 0:34:56 | 0:35:00 | |
into an upholstered beauty? | 0:35:00 | 0:35:02 | |
I think it looks lovely but I really like pink and green. | 0:35:02 | 0:35:05 | |
I'll have to see what you think. | 0:35:05 | 0:35:07 | |
When Sarah claimed the old garden bench, it was rickety, | 0:35:09 | 0:35:13 | |
rusty and ready for the dump. | 0:35:13 | 0:35:15 | |
But now... | 0:35:15 | 0:35:17 | |
..it's a cut-down and compact beauty. | 0:35:18 | 0:35:22 | |
By shortening the salvageable wooden slats, Sarah's created | 0:35:22 | 0:35:27 | |
a single seater that's a perfect fit for a space indoors. | 0:35:27 | 0:35:31 | |
The rough aesthetic of the original metalwork | 0:35:31 | 0:35:34 | |
contrasts with Sarah's selection of fabrics. | 0:35:34 | 0:35:37 | |
The graduating shades of pink and fetching florals give a softer, | 0:35:37 | 0:35:42 | |
homely edge, and a layer of wax has sealed in the patina | 0:35:42 | 0:35:46 | |
and original paintwork. | 0:35:46 | 0:35:48 | |
It's unique, but will the buyers love it? | 0:35:48 | 0:35:51 | |
There aren't many of these around, are there? | 0:35:51 | 0:35:54 | |
And I'm not sure that's a good thing because I think there might be | 0:35:54 | 0:35:57 | |
a bit of a trend here - the lovely padded bench. | 0:35:57 | 0:36:00 | |
It's got some lovely floral fabric. It's got a bit of charm and I hope | 0:36:00 | 0:36:03 | |
somebody else is going to really like it and give it a proper home. | 0:36:03 | 0:36:06 | |
Time to take a few snaps to advertise it online. | 0:36:06 | 0:36:11 | |
Having achieved a new benchmark in garden furniture upholstery, | 0:36:13 | 0:36:17 | |
will it be snapped up? | 0:36:17 | 0:36:19 | |
And will there be any profit to return to Miranda? | 0:36:19 | 0:36:22 | |
With work on the garden bench complete, | 0:36:26 | 0:36:30 | |
Sarah's in Frome to catch up with EJ | 0:36:30 | 0:36:33 | |
and see how he got on with the big old rotten door. | 0:36:33 | 0:36:37 | |
Really excited for Sarah to arrive. | 0:36:39 | 0:36:42 | |
I really hope she's going to like this. | 0:36:42 | 0:36:44 | |
Spent quite a lot of time on making something that was completely rotten | 0:36:45 | 0:36:50 | |
and riddled with nails into something that's really lovely | 0:36:50 | 0:36:54 | |
and usable so, hopefully, she'll like it. | 0:36:54 | 0:36:57 | |
I'm here to see EJ and to find out about that big old door. | 0:36:58 | 0:37:02 | |
I'm really excited cos it had some potential | 0:37:02 | 0:37:05 | |
but I reckon EJ's had a real task. | 0:37:05 | 0:37:07 | |
A rotten old door, full of nails and found in undergrowth, | 0:37:08 | 0:37:12 | |
may not be everyone's idea of raw material. | 0:37:12 | 0:37:15 | |
But for EJ... | 0:37:15 | 0:37:17 | |
..it's a match made in heaven. | 0:37:19 | 0:37:21 | |
Somehow he's managed to use every bit of salvageable timber | 0:37:21 | 0:37:25 | |
to create this classy dressing screen, | 0:37:25 | 0:37:28 | |
sanding, sawing and slicing each plank | 0:37:28 | 0:37:31 | |
to reveal a unique woodgrain pattern | 0:37:31 | 0:37:34 | |
that he could arrange in a shingle mosaic. | 0:37:34 | 0:37:37 | |
The original hand-forged metalwork was rescued and put to good use, | 0:37:37 | 0:37:42 | |
finishing the whole thing off with a creative hanging rail. | 0:37:42 | 0:37:46 | |
-EJ. -SARAH GASPS | 0:37:47 | 0:37:50 | |
-Is that it? -That is it. -Oh, my God, that is amazing. -Hi, how are you? | 0:37:51 | 0:37:56 | |
I'm a lot better now! Talk me through it. | 0:37:56 | 0:37:59 | |
How much of it is door and how much of it have you added to it? | 0:37:59 | 0:38:03 | |
So, my theory - when in doubt, when it's really bad, | 0:38:03 | 0:38:06 | |
just slice it all up. So, that's exactly what I did. | 0:38:06 | 0:38:10 | |
I didn't expect such a contemporary lovely-looking thing. | 0:38:10 | 0:38:13 | |
-It's fantastic! Can I look round the back? -Yeah, come and see this. -OK. | 0:38:13 | 0:38:17 | |
-This is the extra ta-da! -Oh, wow! | 0:38:17 | 0:38:21 | |
So, a little branch hanging rack for a towel | 0:38:21 | 0:38:25 | |
or some clothes or something like that. | 0:38:25 | 0:38:27 | |
It's absolutely beautiful, isn't it? Was it a nightmare? | 0:38:27 | 0:38:31 | |
Well, mainly, I spent most of my time plucking out nails | 0:38:31 | 0:38:36 | |
and here's a very few of very many that I plucked out. | 0:38:36 | 0:38:40 | |
Because they're so corroded, | 0:38:40 | 0:38:42 | |
they look like they'd have been a nightmare to get out of this. | 0:38:42 | 0:38:44 | |
They're so old that... These are good ones. | 0:38:44 | 0:38:47 | |
But when you pluck them out, they kind of, they're very corroded. | 0:38:47 | 0:38:50 | |
-Yeah, they're all snapping off. -Yeah. | 0:38:50 | 0:38:52 | |
Well, I'm going to hand these back to you. | 0:38:52 | 0:38:53 | |
If you want to recycle those, that's great. | 0:38:53 | 0:38:55 | |
It looks like EJ's nailed it this time. | 0:38:55 | 0:38:59 | |
But with only £150 to play with, has he nailed the budget too? | 0:38:59 | 0:39:04 | |
Luckily, I like plucking out nails. | 0:39:04 | 0:39:07 | |
I find it very relaxing, so that's what I spent most of my time doing. | 0:39:07 | 0:39:11 | |
-OK. -But, yes, budget, bang-on. | 0:39:11 | 0:39:14 | |
I think that that is a very special piece of furniture for that budget, | 0:39:14 | 0:39:18 | |
so I really appreciate you doing that. | 0:39:18 | 0:39:20 | |
Cannot wait to see where it ends up. | 0:39:20 | 0:39:22 | |
Don't you just love it when a plan comes together? | 0:39:22 | 0:39:26 | |
I'm really, really happy that Sarah's happy. | 0:39:26 | 0:39:29 | |
It was really, really challenging but it was really fun as well | 0:39:29 | 0:39:32 | |
and I'm absolutely over the moon that she loves it, | 0:39:32 | 0:39:36 | |
so, yeah, really happy. | 0:39:36 | 0:39:38 | |
Well, that is a fantastic thing to pick up. | 0:39:41 | 0:39:43 | |
I literally couldn't imagine anything better | 0:39:43 | 0:39:46 | |
happening to that old oak door. EJ has totally nailed it. | 0:39:46 | 0:39:50 | |
I've already done that gag. | 0:39:50 | 0:39:52 | |
Not only has EJ created the screen, | 0:39:52 | 0:39:55 | |
but he's only gone and sold it as well to a regular client of his. | 0:39:55 | 0:40:00 | |
With a pocket full of cash, Sarah's back, just outside Bristol, | 0:40:00 | 0:40:05 | |
to show Miranda what became of the garbage from her garden. | 0:40:05 | 0:40:09 | |
I'm so excited to see what she's done with these items. | 0:40:10 | 0:40:13 | |
Ever since she left, actually, I've been really poring over | 0:40:13 | 0:40:17 | |
in my mind about what she's transformed them into. | 0:40:17 | 0:40:20 | |
I bet she's done something really amazing and creative, | 0:40:20 | 0:40:23 | |
so very, very excited. | 0:40:23 | 0:40:25 | |
Amazing and creative - you could say that! | 0:40:25 | 0:40:28 | |
I've got everything crossed for you, Sarah. | 0:40:30 | 0:40:32 | |
-Hi. -Hello again, how are you? | 0:40:32 | 0:40:35 | |
-Great to see you. -I'm really well. How you doing? -Come on in. | 0:40:35 | 0:40:38 | |
-Show me what you've got. -I'm a bit nervous. | 0:40:38 | 0:40:40 | |
Right, moment of truth. | 0:40:42 | 0:40:44 | |
Well, you certainly get the prize for having the heaviest rubbish! | 0:40:44 | 0:40:48 | |
Oh, I'm so pleased! Is that the only prize? | 0:40:48 | 0:40:51 | |
I think it might be a game of two halves, actually. | 0:40:51 | 0:40:53 | |
I've got pictures of both of them to show you | 0:40:53 | 0:40:55 | |
but, first of all, the bench. | 0:40:55 | 0:40:57 | |
-I thought it might be a nice idea to bring it in from the cold. -Wow! | 0:40:57 | 0:41:02 | |
-Oh, my goodness me! -It's been turned into... | 0:41:02 | 0:41:06 | |
You know I hate pink, don't you? | 0:41:06 | 0:41:08 | |
When I walked in here, I thought, "No pink anywhere, is there?" | 0:41:08 | 0:41:11 | |
-No. -You're either a lover or a hater. | 0:41:11 | 0:41:13 | |
I really hate pink and I hate flowery things, but it's fabulous! | 0:41:13 | 0:41:16 | |
So, that's actually been sold to a lady who owns a boat | 0:41:16 | 0:41:19 | |
-and it's made £125 profit. -Really? -Yeah. -Oh, brilliant! | 0:41:19 | 0:41:23 | |
I didn't think that would be up your street, | 0:41:23 | 0:41:25 | |
but what I'm going to show you next is a beautiful dressing screen. | 0:41:25 | 0:41:29 | |
-It's reused all the iron work that's on it. -Oh, that's incredible! -And... | 0:41:29 | 0:41:32 | |
-Oh! -Yeah. -That is stunning! | 0:41:32 | 0:41:35 | |
I would definitely, definitely have that in our house. | 0:41:35 | 0:41:38 | |
Can I pay for you it or have you sold it already? | 0:41:38 | 0:41:40 | |
EJ actually shared pictures of it when he'd made it | 0:41:40 | 0:41:43 | |
and it sold on his social media with a £250 profit, so I have got... | 0:41:43 | 0:41:48 | |
-Wow! -..£375 here for you. | 0:41:48 | 0:41:51 | |
That's amazing! Thank you so much! And I'm so delighted | 0:41:51 | 0:41:55 | |
that they've both become really beautiful pieces as well. | 0:41:55 | 0:41:58 | |
I don't even have to ask, where's that going to then? | 0:41:58 | 0:42:01 | |
Well, this is going to Marine Conservation Society | 0:42:01 | 0:42:03 | |
and they're doing amazing work, so many different things - | 0:42:03 | 0:42:06 | |
protecting the waters around our coastline. Thank you so, so much. | 0:42:06 | 0:42:10 | |
Brilliant. I'm so pleased you like the results, one way or the other, | 0:42:10 | 0:42:13 | |
-and it was lovely to catch up. -Yeah. | 0:42:13 | 0:42:15 | |
-I think I got away with the bench. -You did. Bye. | 0:42:15 | 0:42:18 | |
Both of the items have become really, really beautiful things, | 0:42:18 | 0:42:23 | |
and I'm very excited, actually, | 0:42:23 | 0:42:27 | |
very, very excited. The screen is utterly beautiful | 0:42:27 | 0:42:31 | |
and something I would dearly love to have in my own house. | 0:42:31 | 0:42:34 | |
It's amazing. They've done such a great job. | 0:42:34 | 0:42:37 | |
Sarah sold the revamped garden bench for £225. | 0:42:37 | 0:42:42 | |
Taking off the cost of materials, | 0:42:42 | 0:42:45 | |
that left a profit of £125. | 0:42:45 | 0:42:48 | |
EJ's wooden dressing screen sold for an impressive £400. | 0:42:48 | 0:42:53 | |
Minus his costs gives a profit of £250. | 0:42:53 | 0:42:57 | |
Altogether, Miranda has £375 | 0:42:57 | 0:43:01 | |
to hand over to the Marine Conservation Society. | 0:43:01 | 0:43:05 | |
Sarah and Jay saved four bits of celebrity junk. | 0:43:07 | 0:43:12 | |
With the help of some of the best and brightest designers | 0:43:14 | 0:43:17 | |
in the country, they've all been provided with a new lease of life. | 0:43:17 | 0:43:21 | |
With the superb help of EJ and Daniel... | 0:43:22 | 0:43:25 | |
We've managed to salvage four unwanted items | 0:43:25 | 0:43:27 | |
and give them a new lease of life. | 0:43:27 | 0:43:29 | |
And send some much needed money to two very worthy charities. | 0:43:29 | 0:43:33 |