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I've got something pretty unusual. I don't know if you can do anything with it. Wow! | 0:00:02 | 0:00:06 | |
How do you make celebrity money for nothing? | 0:00:06 | 0:00:09 | |
I've got a house full of rubbish. | 0:00:09 | 0:00:11 | |
Entrepreneurs Sarah Moore and Jay Blades are searching | 0:00:11 | 0:00:15 | |
celebrities' houses... | 0:00:15 | 0:00:16 | |
I don't even know how we got in here. Let's get out of here. | 0:00:16 | 0:00:19 | |
..to find tip-bound items to transform... | 0:00:19 | 0:00:22 | |
Beautiful! I'd no idea they were even here. | 0:00:22 | 0:00:25 | |
..by having a really good look around some celebrity homes. | 0:00:25 | 0:00:29 | |
This is unbelievable! | 0:00:29 | 0:00:31 | |
With the help of some of Britain's best designers and makers... | 0:00:33 | 0:00:36 | |
..and celebrity faces, we're on a mission to turn celebrity trash... | 0:00:36 | 0:00:39 | |
..into hard cash. | 0:00:39 | 0:00:40 | |
But what will our celebrities think of the transformations? | 0:00:42 | 0:00:46 | |
Those are absolutely brilliant! | 0:00:46 | 0:00:48 | |
Oh, my goodness! | 0:00:48 | 0:00:51 | |
And how much money has been made for their charities? | 0:00:51 | 0:00:54 | |
?553. No! | 0:00:54 | 0:00:57 | |
No! | 0:00:57 | 0:00:58 | |
This lovely part of the world is Dartmoor, where Sarah's on her way | 0:01:08 | 0:01:12 | |
to the home of tough-talking, no-nonsense former politician | 0:01:12 | 0:01:16 | |
turned best-selling novelist, Ann Widdecombe. | 0:01:16 | 0:01:19 | |
Whoops! A little spelling mistake there, Ann! | 0:01:20 | 0:01:22 | |
That's better! | 0:01:22 | 0:01:24 | |
Sarah will scour Ann's home to see if she can uncover two items of | 0:01:26 | 0:01:31 | |
tip-bound trash that have the potential to become upcycled money makers. | 0:01:31 | 0:01:37 | |
I think it's wonderful that somebody can take rubbish and make it into | 0:01:37 | 0:01:40 | |
something, but life is far too short. | 0:01:40 | 0:01:42 | |
I'm never going to do that myself, ever. | 0:01:42 | 0:01:44 | |
I read these women's magazines and people have gone to such a length to | 0:01:44 | 0:01:48 | |
create a pretty box, you know, | 0:01:48 | 0:01:50 | |
they've stitched stuff around it and they've stuck beads on with glue | 0:01:50 | 0:01:53 | |
and they've done this and they've done that. | 0:01:53 | 0:01:55 | |
What have they got at the end of it? | 0:01:55 | 0:01:56 | |
A box. You might as well go out and buy one. | 0:01:56 | 0:01:58 | |
Can Sarah transform the items she finds...and Ann's opinion? | 0:01:58 | 0:02:03 | |
Hi, Ann. Hello. Hi there. | 0:02:03 | 0:02:05 | |
Hello. Come on in. Thank you very much. | 0:02:05 | 0:02:07 | |
After 23 years as an MP, | 0:02:09 | 0:02:12 | |
Ann sold her London and constituency homes and retired to Dartmoor. | 0:02:12 | 0:02:17 | |
In her new house, she's struggling | 0:02:17 | 0:02:19 | |
to find a place to display all of her | 0:02:19 | 0:02:21 | |
keepsakes and mementos. | 0:02:21 | 0:02:24 | |
When her great-nieces and nephews come to visit, | 0:02:24 | 0:02:27 | |
they must love to explore her treasure trove of an attic. | 0:02:27 | 0:02:31 | |
A-ha, the library. | 0:02:33 | 0:02:34 | |
Do you have any books that you've finished with that you're not reading again? | 0:02:34 | 0:02:37 | |
What on earth would you do with books? | 0:02:37 | 0:02:39 | |
Do you know something, there's lots of things to do with books. | 0:02:39 | 0:02:42 | |
There's all sort of projects that people do. Some people make decorative things out of them. | 0:02:42 | 0:02:46 | |
I think they all need to get a life, quite honestly. | 0:02:46 | 0:02:48 | |
Well, I'll think as to whether any of the books can go. | 0:02:48 | 0:02:52 | |
This former right honourable will brook no nonsense from Sarah. | 0:02:52 | 0:02:57 | |
She's a plain speaker, is Ann. | 0:02:57 | 0:02:59 | |
She's even won an award for it. | 0:02:59 | 0:03:01 | |
You have a reputation for straight talking, | 0:03:01 | 0:03:03 | |
so I expect you're going to tell me exactly what I can take away or... | 0:03:03 | 0:03:06 | |
I shall. I shall. I look forward to it. It's nice to know... | 0:03:06 | 0:03:08 | |
You can only take away rubbish. It's as simple as that. | 0:03:08 | 0:03:11 | |
That's exactly what we're here for, Ann. | 0:03:11 | 0:03:14 | |
Show us your rubbish. | 0:03:14 | 0:03:15 | |
Well, there's all sorts in here, Ann. | 0:03:16 | 0:03:18 | |
Yes, there certainly is. | 0:03:18 | 0:03:19 | |
A bit of a lampshade thing going on. | 0:03:19 | 0:03:22 | |
Yes, well, of course I've moved house when I came here. | 0:03:22 | 0:03:25 | |
And so not all the lampshades were appropriate to the new house. | 0:03:25 | 0:03:30 | |
I've always wanted to make hats, actually. I thought they'd make a really good hat. | 0:03:30 | 0:03:33 | |
Ann's not impressed by the hat concept. | 0:03:35 | 0:03:37 | |
And on second thoughts, neither is Sarah. | 0:03:37 | 0:03:40 | |
Thank you very much. | 0:03:40 | 0:03:42 | |
It's time to hit the veritable Aladdin's Cave that is Ann's attic. | 0:03:43 | 0:03:49 | |
What a fantastic place! | 0:03:49 | 0:03:51 | |
These items may not have pride of place in Ann's home any more, | 0:03:51 | 0:03:55 | |
but they're not all ready for the rubbish tip. | 0:03:55 | 0:03:58 | |
The memories attached to them are still cherished. | 0:03:58 | 0:04:01 | |
What's that at the back? | 0:04:01 | 0:04:03 | |
It's a sewing machine which belonged to my mother. Now, I don't sew. | 0:04:03 | 0:04:05 | |
And if I were to sew, I certainly couldn't cope with that thing. | 0:04:05 | 0:04:09 | |
But I keep it because I've got very happy memories of her. | 0:04:09 | 0:04:13 | |
So I don't ever think that will go. | 0:04:13 | 0:04:15 | |
I think that will always go with me. | 0:04:15 | 0:04:17 | |
Oh, now, this looks like a good box - eBay and jumble. | 0:04:18 | 0:04:21 | |
eBay and jumble, yes. That's got my name written all over it. | 0:04:21 | 0:04:23 | |
I think that's mainly material. | 0:04:23 | 0:04:26 | |
Material's good. Yeah? | 0:04:26 | 0:04:27 | |
There's a lot of people out there who like old material. | 0:04:27 | 0:04:31 | |
Where did that come from? | 0:04:31 | 0:04:32 | |
Well, they used to be curtains in my bedroom when I was a teenager. | 0:04:32 | 0:04:37 | |
Fantastic! If I asked you what date you think these are, that might give | 0:04:37 | 0:04:40 | |
away your age. But, yes. I don't at all mind giving away my age. | 0:04:40 | 0:04:43 | |
Those are from my bedroom when I was a teenager and I'm now 70. | 0:04:43 | 0:04:46 | |
Right, OK. So do you think you'll use these again? | 0:04:46 | 0:04:49 | |
Never. Really? No, never. | 0:04:49 | 0:04:51 | |
Well, I might be able to do something with those if you really | 0:04:51 | 0:04:53 | |
don't mind me having them. I don't mind at all. | 0:04:53 | 0:04:56 | |
Those have not been used, to the best of my recollection, | 0:04:56 | 0:04:58 | |
since I was a teenager. | 0:04:58 | 0:05:00 | |
Really? Well, they'd definitely do with an airing, then. | 0:05:00 | 0:05:02 | |
I'd love to take them away and do something with those ones. OK, brilliant. Thank you. | 0:05:02 | 0:05:06 | |
Sarah's snaffled up two pairs of Ann's vintage curtains. | 0:05:06 | 0:05:11 | |
Check out these. They're so retro and there's enough material here to | 0:05:11 | 0:05:15 | |
have some really good potential projects. | 0:05:15 | 0:05:17 | |
So, Ann might be throwing them out, but I'm loving them. | 0:05:17 | 0:05:21 | |
Sarah still has plenty more boxes to rummage through in Ann's attic | 0:05:21 | 0:05:26 | |
in search of her second item. | 0:05:26 | 0:05:28 | |
Ah, the majestic hills of North Derbyshire, | 0:05:30 | 0:05:33 | |
where Jay is in a picturesque Peak District village on his way to the | 0:05:33 | 0:05:37 | |
home of ex-MP Edwina Currie. | 0:05:37 | 0:05:40 | |
Come on, let's head home. There's the gate. | 0:05:40 | 0:05:42 | |
During her 14 years in Parliament, | 0:05:42 | 0:05:44 | |
her outspoken opinions caused almost as much controversy as her recent | 0:05:44 | 0:05:50 | |
stay in the jungle on I'm A Celebrity - Get Me Out Of Here! | 0:05:50 | 0:05:53 | |
Edwina's home is in serious need of a declutter | 0:05:55 | 0:05:58 | |
and who better to lend a helping hand than Jay? | 0:05:58 | 0:06:02 | |
We have got a lot of junk in this house. | 0:06:02 | 0:06:04 | |
As you can see, we don't throw much away. | 0:06:04 | 0:06:07 | |
I think we've got some old bikes. | 0:06:07 | 0:06:08 | |
We stopped cycling because the hills are too steep here | 0:06:08 | 0:06:12 | |
and we've had some work done on the kitchen, | 0:06:12 | 0:06:15 | |
so maybe there'll be one or two items there that we can make use of. | 0:06:15 | 0:06:19 | |
Sounds like Jay will be spoiled for choice. | 0:06:19 | 0:06:22 | |
Ah, hi, Jay, come on in. | 0:06:23 | 0:06:24 | |
Hello, Edwina. Nice to see you. Likewise. Are you all right? | 0:06:24 | 0:06:27 | |
Edwina's home is a 17th-century farmer's cottage. | 0:06:30 | 0:06:33 | |
She shares it with her husband, John, and their two dogs, | 0:06:36 | 0:06:39 | |
chocolate lab George and German shepherd Honey. | 0:06:39 | 0:06:44 | |
The cottage was extended to add new bedrooms and a dining kitchen. | 0:06:45 | 0:06:49 | |
There's a large garden, with three sheds, | 0:06:52 | 0:06:54 | |
full to the brim with goodies galore. | 0:06:54 | 0:06:57 | |
This is nice, isn't it? | 0:07:00 | 0:07:02 | |
So, how long have you been here, then? | 0:07:02 | 0:07:05 | |
We've been here about five years now. | 0:07:05 | 0:07:07 | |
Five years? Yeah. | 0:07:07 | 0:07:09 | |
And this to me looks quite new. | 0:07:09 | 0:07:10 | |
Is this a new part of the house and that's an old bit? | 0:07:10 | 0:07:14 | |
That bit is 400-year-old cottage, with huge beams. | 0:07:14 | 0:07:16 | |
400 years old. Yes. Right. | 0:07:16 | 0:07:20 | |
This part was all brand-new when we bought it. | 0:07:20 | 0:07:23 | |
And it looks like, you're a bit like me, you're a bit of a collector, | 0:07:23 | 0:07:26 | |
aren't you? Hey? | 0:07:26 | 0:07:27 | |
Well, we've often enjoyed going to antique auctions and so on. | 0:07:27 | 0:07:32 | |
You get, you fall in love with something and nobody wants it, | 0:07:32 | 0:07:35 | |
so it becomes ours and it comes home and it likes living with us. | 0:07:35 | 0:07:39 | |
Don't worry, Edwina, we're not after your collectibles, | 0:07:40 | 0:07:43 | |
we're here for the junkables. | 0:07:43 | 0:07:46 | |
This is where the real rubbish is. | 0:07:46 | 0:07:47 | |
Oh, is it? Just about. | 0:07:47 | 0:07:50 | |
This is my domain now? I think so. | 0:07:50 | 0:07:53 | |
So, Jay, what we do have here is we've got some chunks of wood | 0:07:54 | 0:07:59 | |
and concrete lumps. | 0:07:59 | 0:08:01 | |
OK. Looks like you've got... If they are any use to you, you may have them. | 0:08:01 | 0:08:05 | |
All right, that's food for thought then. OK. Thank you. | 0:08:05 | 0:08:08 | |
It's food for thought, but Jay's not biting yet. | 0:08:08 | 0:08:11 | |
We've got two tatty bikes with only three wheels. | 0:08:11 | 0:08:15 | |
I'll keep that one kind of in mind, | 0:08:15 | 0:08:17 | |
because I haven't got an idea of what I could do with a bike. | 0:08:17 | 0:08:20 | |
Food for thought. | 0:08:20 | 0:08:22 | |
Jay's thought is being very well fed today. | 0:08:22 | 0:08:25 | |
But he needs to do a little less thinking and a lot more picking. | 0:08:25 | 0:08:29 | |
There's loads in here. | 0:08:31 | 0:08:33 | |
It's all fishing rods, isn't it? | 0:08:33 | 0:08:35 | |
Look at that! | 0:08:37 | 0:08:38 | |
OK, Jay, impress me. | 0:08:38 | 0:08:40 | |
What could you make out of that? | 0:08:40 | 0:08:42 | |
I know what you could do with this - you can turn this into a light. | 0:08:43 | 0:08:46 | |
Have the wire running through there. | 0:08:47 | 0:08:48 | |
Light dropping out. It's extendable. | 0:08:48 | 0:08:51 | |
There you go. Put it in the ground like that. | 0:08:51 | 0:08:55 | |
Oh, I like it! | 0:08:55 | 0:08:57 | |
Has Jay got his first item? | 0:08:57 | 0:08:59 | |
Food for thought in there. | 0:09:00 | 0:09:02 | |
Fish food! | 0:09:02 | 0:09:04 | |
Ah, I wish he'd picked 'em, just for the "halibut"! | 0:09:04 | 0:09:08 | |
Oh, dear! | 0:09:08 | 0:09:09 | |
Now this does look interesting in here. | 0:09:11 | 0:09:13 | |
Going to have to ask Edwina about this. | 0:09:13 | 0:09:15 | |
What on earth has struck his fancy in here? | 0:09:15 | 0:09:18 | |
Oh, my goodness! What have you got your eye on here? | 0:09:19 | 0:09:22 | |
I've got my eye on this, this rusty old, I don't know what it is. | 0:09:22 | 0:09:26 | |
Is it a prop? Is it holding this up, or...? | 0:09:26 | 0:09:28 | |
This is an old vine. | 0:09:28 | 0:09:29 | |
This was, we think is about 100 years old. | 0:09:29 | 0:09:33 | |
OK. And it gets very, very heavy with loads and loads of grapes. | 0:09:33 | 0:09:38 | |
And this props it up then because it becomes quite heavy? | 0:09:38 | 0:09:40 | |
My husband tried to throw that away and I thought, no, no, | 0:09:40 | 0:09:43 | |
that's actually serving a purpose, so I put it back. | 0:09:43 | 0:09:46 | |
Oh, you've put it back. He wants to throw it away and you put it back. | 0:09:46 | 0:09:49 | |
Yeah. It's not very pretty, especially when you look in from the other room. | 0:09:49 | 0:09:52 | |
So he's tied the vine up with rather elegant green twine there. | 0:09:52 | 0:09:58 | |
OK. Yeah. So that is redundant. | 0:09:58 | 0:10:01 | |
If you felt that you could make something more beautiful out of it, | 0:10:01 | 0:10:05 | |
I'd be delighted. Yes. | 0:10:05 | 0:10:06 | |
Take it. Thank you. | 0:10:06 | 0:10:07 | |
Jay's got his first item. | 0:10:09 | 0:10:12 | |
Well, this is a rusty old bit of metal, but it's nice. | 0:10:12 | 0:10:16 | |
It is nice. I like it. It's got a lot of character. | 0:10:17 | 0:10:20 | |
Well, he's got it, but I don't think he knows what to do with it yet. | 0:10:20 | 0:10:24 | |
Sarah is on the hunt for her second item at the home of Ann Widdecombe, | 0:10:29 | 0:10:34 | |
who swapped the cut and thrust of politics | 0:10:34 | 0:10:36 | |
for the cha-cha-cha on Strictly Come Dancing. | 0:10:36 | 0:10:41 | |
I'm noticing that fantastic picture. | 0:10:41 | 0:10:43 | |
What a kick! And I was 63 when I did it. | 0:10:43 | 0:10:45 | |
But I certainly couldn't do it now. | 0:10:45 | 0:10:47 | |
For her first item, | 0:10:50 | 0:10:52 | |
Sarah discovered a box full of vintage curtains in Ann's attic. | 0:10:52 | 0:10:56 | |
And she's spied a potential second pick up there, too. | 0:10:56 | 0:10:59 | |
So, Ann, how long have you had these shelves? | 0:10:59 | 0:11:02 | |
I found them when I was going through the cellar of the old constituency | 0:11:02 | 0:11:06 | |
office looking for storage space. | 0:11:06 | 0:11:07 | |
And I found these abandoned. | 0:11:07 | 0:11:09 | |
Right. And I think we used them while I was there a little bit, | 0:11:09 | 0:11:13 | |
but not much. Then at the end I said, | 0:11:13 | 0:11:15 | |
"Well, what's going to happen to these?" and the answer was | 0:11:15 | 0:11:18 | |
nothing, it was going back to the cellar. | 0:11:18 | 0:11:20 | |
So I said well I would take it because I didn't know then how the house would be organised. | 0:11:20 | 0:11:25 | |
I didn't know how the study would be organised. | 0:11:25 | 0:11:27 | |
I didn't really know, but I thought if I say no, | 0:11:27 | 0:11:30 | |
I'll then find that I really could have used them, | 0:11:30 | 0:11:33 | |
while, as it happened, when I sorted out the house, | 0:11:33 | 0:11:36 | |
I had no use for them. | 0:11:36 | 0:11:37 | |
You're not really making the most of them up here, are you? | 0:11:37 | 0:11:40 | |
No. I would be delighted if they could be used for a better purpose. | 0:11:40 | 0:11:43 | |
They are good and sturdy and have lots of potential for people to re-use them. | 0:11:43 | 0:11:48 | |
So they will be great. | 0:11:48 | 0:11:51 | |
Ann looks positively underwhelmed by Sarah's pick of the old office | 0:11:51 | 0:11:55 | |
shelves. Let's hope she's more enthusiastic once they're transformed. | 0:11:55 | 0:12:00 | |
Well, they're quite a sweet set of shelves, | 0:12:02 | 0:12:04 | |
but they have been languishing in Ann's loft. | 0:12:04 | 0:12:06 | |
I think they need repositioning, | 0:12:06 | 0:12:07 | |
brightening up and putting back in the heart of somebody's home. | 0:12:07 | 0:12:11 | |
Thank you so much for letting me see all of your home and I've had a great day. Well, thank you. | 0:12:13 | 0:12:18 | |
I'm intrigued, I don't know why you choose that old rot, but I shall be, | 0:12:18 | 0:12:21 | |
you know, really curious as to what you're going to make of it. | 0:12:21 | 0:12:24 | |
I will try my best to make something because I have to come back and show you. | 0:12:24 | 0:12:27 | |
So, I'll be in touch, but it's been great. | 0:12:27 | 0:12:29 | |
Thank you so much. Thank you. Bye-bye. | 0:12:29 | 0:12:31 | |
I've been amazed at Sarah's enthusiasm for all that old rot in the attic. | 0:12:33 | 0:12:37 | |
I mean, really amazed. | 0:12:37 | 0:12:39 | |
Delighted if she can do anything with it. | 0:12:39 | 0:12:41 | |
So, yeah, I'm looking forward with some anticipation | 0:12:41 | 0:12:45 | |
as to what on earth is going to come. | 0:12:45 | 0:12:47 | |
Ann's attic was a treasure trove for Sarah. | 0:12:47 | 0:12:50 | |
She's taking away two pairs of curtains | 0:12:50 | 0:12:53 | |
and an old shelving unit. | 0:12:53 | 0:12:55 | |
In the Peak District... | 0:12:59 | 0:13:00 | |
What is that? | 0:13:00 | 0:13:01 | |
..Jay has come face-to-face with one-time Member of Parliament | 0:13:01 | 0:13:05 | |
Edwina Currie. | 0:13:05 | 0:13:07 | |
Seriously creepy-looking. | 0:13:07 | 0:13:08 | |
Jay's first tip-bound treasure was this rusty bit of scaffolding. | 0:13:09 | 0:13:14 | |
He spied a possible second earlier on. | 0:13:14 | 0:13:17 | |
But is it destined for the dump? | 0:13:17 | 0:13:19 | |
So this one, I wanted to know what you're going to do with this, | 0:13:19 | 0:13:23 | |
or where's it from? This is a piece of the kitchen. | 0:13:23 | 0:13:28 | |
And it was on the wall and we've just had a new boiler put in. | 0:13:28 | 0:13:32 | |
OK. And it took up, the boiler takes the space where this went. | 0:13:32 | 0:13:37 | |
Oh, I see. So it's had to come off. | 0:13:37 | 0:13:39 | |
I have a feeling that that is ready for recycling. | 0:13:39 | 0:13:44 | |
So, you're going to throw this away? | 0:13:44 | 0:13:46 | |
I think I'll be quite pleased to see that go, actually. | 0:13:46 | 0:13:48 | |
It solves a problem. I'll have this, if that's all right with you? | 0:13:48 | 0:13:51 | |
Yes. Yeah? | 0:13:51 | 0:13:53 | |
Yeah, you can have that. Thank you. | 0:13:53 | 0:13:54 | |
That's good. Thank you. | 0:13:54 | 0:13:55 | |
Jay's got himself his second item - a kitchen shelving unit. | 0:13:57 | 0:14:02 | |
The good thing is it's solid. | 0:14:02 | 0:14:04 | |
It's in OK condition. | 0:14:04 | 0:14:06 | |
So we've got a head start on this one. | 0:14:06 | 0:14:08 | |
Thank you for having me in your wonderful home | 0:14:08 | 0:14:11 | |
and giving me all of your rubbish. That was brilliant. | 0:14:11 | 0:14:13 | |
I'm looking forward to see what you do with the rubbish. | 0:14:13 | 0:14:16 | |
You're not the only one. Take it and do magic. | 0:14:16 | 0:14:17 | |
I'll turn it into magic and once I've done that, | 0:14:17 | 0:14:20 | |
I'll come back and show you what I've done. | 0:14:20 | 0:14:22 | |
Is that all right? Lovely. Come here. Take care. OK. You too. | 0:14:22 | 0:14:25 | |
Bye now. Keep smiling. | 0:14:25 | 0:14:27 | |
It's so interesting to see our house and our stuff through somebody | 0:14:27 | 0:14:31 | |
else's eyes. What is rubbish to us, I hope is going to become something | 0:14:31 | 0:14:36 | |
useful or decorative to someone else. | 0:14:36 | 0:14:38 | |
Fascinating, and Jay is lovely. | 0:14:38 | 0:14:41 | |
Jay's not only made a new friend but also got himself the rusty old | 0:14:41 | 0:14:46 | |
scaffolding and the kitchen unit to upcycle | 0:14:46 | 0:14:49 | |
and to try and turn a profit from. | 0:14:49 | 0:14:53 | |
It may be the perfect day for frolicking in the sun, | 0:14:57 | 0:15:00 | |
but with four items found, it's time to get to work. | 0:15:00 | 0:15:04 | |
Sarah's at home in Sussex, raring to get going with her makeover | 0:15:06 | 0:15:10 | |
of the vintage curtains. | 0:15:10 | 0:15:12 | |
Ideal for her, as she's always been a material girl. | 0:15:12 | 0:15:15 | |
Well, who'd have thought that one day I would be making | 0:15:17 | 0:15:19 | |
Ann Widdecombe's 1960s curtains into handbags? | 0:15:19 | 0:15:24 | |
It's curtains for the curtains. | 0:15:26 | 0:15:28 | |
It was actually my grandmother's handbag that I was left that inspired me. | 0:15:30 | 0:15:34 | |
It's here somewhere. | 0:15:34 | 0:15:36 | |
It really is. | 0:15:36 | 0:15:36 | |
Look! | 0:15:37 | 0:15:39 | |
That was my grandmother's from the '30s. | 0:15:40 | 0:15:42 | |
It's too battered to use. | 0:15:44 | 0:15:46 | |
I just use it for inspiration now. | 0:15:46 | 0:15:49 | |
Sarah has purchased seven metal clasps from the internet. | 0:15:50 | 0:15:54 | |
She could also have brought a fabric template for under a tenner, | 0:15:54 | 0:15:57 | |
but in order to save some cash, she's going to make her own. | 0:15:57 | 0:16:02 | |
And I'm confident Sarah's got the skills to do it. | 0:16:02 | 0:16:06 | |
I've made the odd handbag before, | 0:16:06 | 0:16:08 | |
but these need to be really neat and really sharp if they're going to be | 0:16:08 | 0:16:11 | |
saleable. | 0:16:11 | 0:16:13 | |
Got to pay attention. | 0:16:13 | 0:16:14 | |
Not so confident now. | 0:16:14 | 0:16:16 | |
Oh, I don't think that's right. | 0:16:16 | 0:16:18 | |
No, no confidence whatsoever. | 0:16:18 | 0:16:20 | |
Never mind, let's just go for it. I'm sure it will be fine. | 0:16:22 | 0:16:24 | |
Yeah, what could possibly go wrong, Sarah? | 0:16:24 | 0:16:27 | |
You cut it all wrong, waste all the material | 0:16:27 | 0:16:29 | |
and turn up at Ann's door with nothing to show. | 0:16:29 | 0:16:33 | |
Hmm. | 0:16:33 | 0:16:34 | |
I've got some tailor's chalk here. | 0:16:34 | 0:16:35 | |
Looks like I know what I'm doing. | 0:16:37 | 0:16:39 | |
I wouldn't count on it. | 0:16:39 | 0:16:40 | |
This material is commonly referred to as bark cloth | 0:16:42 | 0:16:46 | |
because it has a rough texture like the bark of a tree. | 0:16:46 | 0:16:49 | |
It was fashionable in the '50s and '60s, | 0:16:49 | 0:16:52 | |
which should help give Sarah the retro look she's after. | 0:16:52 | 0:16:56 | |
I've got my two basic shapes there. | 0:16:56 | 0:16:57 | |
So I'm just going to cut them out, | 0:16:57 | 0:16:59 | |
sew them together and find out if those will make a good bag shape. | 0:16:59 | 0:17:02 | |
There's no going back now the scissors are in action. | 0:17:04 | 0:17:07 | |
When working with fabric and especially old material like this, | 0:17:07 | 0:17:11 | |
it's important to cut and sew with the grain. | 0:17:11 | 0:17:14 | |
Cotton cloth, like wood, | 0:17:14 | 0:17:16 | |
has a grain direction | 0:17:16 | 0:17:18 | |
and for the material to hold its shape, | 0:17:18 | 0:17:21 | |
it's best to try and work in line with it. | 0:17:21 | 0:17:23 | |
Looking quite retro. | 0:17:23 | 0:17:25 | |
It may have the retro look, | 0:17:25 | 0:17:28 | |
but does it have the neat lines | 0:17:28 | 0:17:29 | |
and sharp style that Sarah was hoping to achieve? | 0:17:29 | 0:17:32 | |
What d'you think? | 0:17:34 | 0:17:36 | |
Well, I guess it kind of... | 0:17:36 | 0:17:37 | |
Working? | 0:17:38 | 0:17:40 | |
Mmm, I suppose. | 0:17:40 | 0:17:41 | |
It might be back to the drawing board. | 0:17:41 | 0:17:44 | |
Yes, I think that's for the best! | 0:17:44 | 0:17:46 | |
Sarah has spent just under ?40 so far. | 0:17:48 | 0:17:51 | |
If she does have to buy a template, | 0:17:51 | 0:17:53 | |
that will put a dent in her potential profit. | 0:17:53 | 0:17:56 | |
In sunny India... | 0:17:59 | 0:18:01 | |
Wait, what, where? | 0:18:01 | 0:18:03 | |
No, that's Brighton Pavilion. | 0:18:03 | 0:18:05 | |
We're in Brighton. Sorry! | 0:18:05 | 0:18:07 | |
Upcycler extraordinaire Emma Walker | 0:18:08 | 0:18:10 | |
has taken delivery of the shelving unit. | 0:18:10 | 0:18:14 | |
Quite basic, quite boring. | 0:18:14 | 0:18:16 | |
They could do with brightening up. | 0:18:16 | 0:18:18 | |
Sarah's in complete agreement with that, | 0:18:18 | 0:18:21 | |
so she's sent along some vintage wallpaper, too. | 0:18:21 | 0:18:24 | |
I think this is really pretty. | 0:18:24 | 0:18:26 | |
And there's nothing Emma loves more than wallpaper. | 0:18:27 | 0:18:30 | |
Emma is a self-taught furniture restyler. | 0:18:32 | 0:18:36 | |
She restores items under the watchful eye of her pooch, Badger, | 0:18:36 | 0:18:40 | |
and restyles them with wallpaper and other materials | 0:18:40 | 0:18:44 | |
to give them a bold new look. | 0:18:44 | 0:18:47 | |
I love using the wallpaper because it does transform | 0:18:47 | 0:18:50 | |
a piece of furniture. It makes it sing. | 0:18:50 | 0:18:52 | |
It breathes new life into it. | 0:18:52 | 0:18:54 | |
Really the furniture and the wallpaper need to be happy together, | 0:18:54 | 0:18:58 | |
otherwise they don't go near each other. | 0:18:58 | 0:19:00 | |
Hello there, Sarah. | 0:19:03 | 0:19:05 | |
Emma, hi. | 0:19:05 | 0:19:06 | |
Sarah's on the dog and bone. | 0:19:06 | 0:19:08 | |
Oops, sorry Badger, no bone! | 0:19:08 | 0:19:10 | |
Sarah's on the blower to discuss ideas for the transformation. | 0:19:10 | 0:19:14 | |
I did think it would make a really good coffee table. | 0:19:14 | 0:19:17 | |
It's quite big for a coffee table. | 0:19:17 | 0:19:21 | |
What did you think? | 0:19:21 | 0:19:22 | |
I was thinking we could make it into some sort of storage unit, | 0:19:22 | 0:19:27 | |
maybe with little legs. | 0:19:27 | 0:19:28 | |
Really, amazing. That sounds great. | 0:19:28 | 0:19:31 | |
Emma's idea is to make a tallboy-style cabinet | 0:19:31 | 0:19:34 | |
using the wallpaper to create a patchwork effect. | 0:19:34 | 0:19:37 | |
OK, cheerio, bye. | 0:19:37 | 0:19:40 | |
I have to think where to put some other shelves. | 0:19:41 | 0:19:44 | |
And a couple of doors. | 0:19:44 | 0:19:46 | |
So, there's a little bit of carpentry to do. | 0:19:46 | 0:19:48 | |
A little! | 0:19:49 | 0:19:50 | |
Transforming these shelves into a cabinet looks like a whole lot | 0:19:50 | 0:19:54 | |
of carpentry to me. | 0:19:54 | 0:19:55 | |
Carpentry isn't my first skill, | 0:19:56 | 0:20:00 | |
or my second or third, but | 0:20:00 | 0:20:03 | |
I think I should be able to manage this one. | 0:20:03 | 0:20:06 | |
It will just take a little bit of trial and error, maybe. | 0:20:06 | 0:20:09 | |
A bit more time than a proper professional carpenter. | 0:20:09 | 0:20:14 | |
That's the can-do attitude we love and I'm sure you're not that bad. | 0:20:15 | 0:20:19 | |
Whoops! OK, I take that back. | 0:20:19 | 0:20:21 | |
Flying wood. I'll probably use that for something. | 0:20:21 | 0:20:23 | |
I shall be keeping this. | 0:20:23 | 0:20:25 | |
To begin, Emma is taking apart the shelves | 0:20:26 | 0:20:29 | |
and will re-use the timber to make her cabinet. | 0:20:29 | 0:20:32 | |
When using a chisel, | 0:20:32 | 0:20:34 | |
it's important to maintain a firm grip on the handle | 0:20:34 | 0:20:37 | |
in order to guide the force of the hammer impact. | 0:20:37 | 0:20:41 | |
Pretty much the opposite of that. | 0:20:41 | 0:20:43 | |
Also ensure the hammer head strikes the chisel smack bang in the centre | 0:20:45 | 0:20:50 | |
to avoid finger injuries. | 0:20:50 | 0:20:52 | |
Oh, yes, like that! | 0:20:52 | 0:20:54 | |
I might not use that bit. | 0:20:57 | 0:20:59 | |
Emma's getting her groove on with the hand saw. | 0:20:59 | 0:21:02 | |
Just making the groove. | 0:21:02 | 0:21:04 | |
The secret to a successful sawing action | 0:21:04 | 0:21:07 | |
is to use long strokes so that each tooth does its job. | 0:21:07 | 0:21:11 | |
Don't force it. This will cause the teeth to jam | 0:21:11 | 0:21:14 | |
and will dull their edge. | 0:21:14 | 0:21:16 | |
Nearly there. It's supposed to be "draw, don't saw", | 0:21:17 | 0:21:20 | |
but it rarely is with me. | 0:21:20 | 0:21:22 | |
I'm a big fan of Emma's work, but this is slow progress. | 0:21:22 | 0:21:26 | |
I think the cabinet idea might be a bit ambitious. | 0:21:26 | 0:21:29 | |
Emma agreed a budget of ?120 for the cabinet, | 0:21:31 | 0:21:35 | |
but the way this is going, Sarah might have a long wait for it. | 0:21:35 | 0:21:39 | |
It's an all-action upcycling odyssey | 0:21:42 | 0:21:45 | |
into the unknown for Sarah and Emma. | 0:21:45 | 0:21:48 | |
Strutting his stuff in the back alleys of Wolverhampton | 0:21:51 | 0:21:54 | |
is Jay with the kitchen shelves. | 0:21:54 | 0:21:57 | |
I wonder what magical makeover he's planned for them? | 0:21:57 | 0:22:02 | |
I've got this very heavy kitchen shelving unit | 0:22:02 | 0:22:05 | |
and what I'm going to turn it into, wait for it... | 0:22:05 | 0:22:08 | |
is another shelving unit. | 0:22:08 | 0:22:10 | |
Oh, that's not so magical. | 0:22:11 | 0:22:14 | |
Jay's just pulling our leg. | 0:22:14 | 0:22:15 | |
His shelves will have a rather more radical design. | 0:22:15 | 0:22:19 | |
So that's the shape that I'm thinking of doing. | 0:22:19 | 0:22:21 | |
Cutting my shelves into that. | 0:22:21 | 0:22:23 | |
It looks like a mountain | 0:22:23 | 0:22:24 | |
but it's going to be a shelf, I'm telling you. | 0:22:24 | 0:22:27 | |
It will be and you can stack books in it and everything. | 0:22:27 | 0:22:29 | |
Hm, what type of books would go in there? | 0:22:32 | 0:22:34 | |
Squinty books? | 0:22:34 | 0:22:36 | |
My shelving unit's going to be something that's got style, | 0:22:37 | 0:22:40 | |
a little bit of charisma. | 0:22:40 | 0:22:41 | |
This is going to really look, um... | 0:22:41 | 0:22:43 | |
Squinty? | 0:22:43 | 0:22:45 | |
The bee's knees. | 0:22:45 | 0:22:46 | |
Sorry, bee's knees, bee's knees. Sorry, Jay! | 0:22:46 | 0:22:48 | |
To maximise his profit, Jay wants his stylish and charismatic shelving | 0:22:50 | 0:22:54 | |
unit to be a fully upcycled project. | 0:22:54 | 0:22:57 | |
He's taking care not to damage any of the pine panels. | 0:22:57 | 0:23:00 | |
He's even going to re-use the screws. | 0:23:00 | 0:23:03 | |
So all the screws are out. | 0:23:03 | 0:23:05 | |
Just got to bang that up. | 0:23:05 | 0:23:07 | |
Hopefully it will come apart. | 0:23:07 | 0:23:09 | |
Famous last words! | 0:23:12 | 0:23:13 | |
There we go! Done. | 0:23:17 | 0:23:18 | |
Real smooth, Jay! | 0:23:18 | 0:23:19 | |
Speaking of which, he's using an electric sander | 0:23:21 | 0:23:24 | |
to remove the paint from the pine and expose the grain. | 0:23:24 | 0:23:28 | |
He has chosen light pastel shades to repaint the timber, | 0:23:28 | 0:23:31 | |
which, when dry, will leave the natural wood grain visible. | 0:23:31 | 0:23:36 | |
Because this timber is quite thick | 0:23:36 | 0:23:38 | |
you don't want something that's dark - | 0:23:38 | 0:23:40 | |
that's going to make the shelf look quite heavy. | 0:23:40 | 0:23:42 | |
So I've gone for two beautiful colours. | 0:23:42 | 0:23:45 | |
Look at that. | 0:23:45 | 0:23:47 | |
Nice and light. Once they're on the timber, gonna look gorgeous. | 0:23:47 | 0:23:50 | |
Jay hopes his bold colour choice | 0:23:53 | 0:23:56 | |
will give the shelf the charisma he's after. | 0:23:56 | 0:23:59 | |
He's using a non-toxic mineral-based paint, | 0:23:59 | 0:24:01 | |
which will give a vibrant finish. | 0:24:01 | 0:24:04 | |
But the most important thing, it's better for the environment. | 0:24:04 | 0:24:07 | |
When it comes to colour choices, Jay is in his comfort zone, | 0:24:07 | 0:24:10 | |
but to construct his design, | 0:24:10 | 0:24:13 | |
he's got to make sure he gets his angles spot on. | 0:24:13 | 0:24:16 | |
Now, this is a lovely bit of kit. | 0:24:16 | 0:24:18 | |
What it does is it cuts the angles in exactly the way that I need them. | 0:24:18 | 0:24:22 | |
But, I've only got a little bit of this timber, | 0:24:22 | 0:24:24 | |
so I've got to be really careful as to the angles I cut. | 0:24:24 | 0:24:28 | |
Let's get to it. | 0:24:28 | 0:24:29 | |
One wrong cut, and Jay may have to buy some new pine, | 0:24:30 | 0:24:34 | |
and that would hit his profit margin hard. | 0:24:34 | 0:24:36 | |
Jay's using leftover paint, so his only expense is ?5 on sanding pads. | 0:24:38 | 0:24:44 | |
Here's hoping he's got his angles right. | 0:24:44 | 0:24:46 | |
Edinburgh. The city's skyline is dominated by the ancient fortress | 0:24:49 | 0:24:53 | |
where the Scottish kings and queens of old sat upon their throne. | 0:24:53 | 0:24:58 | |
Working in its shadow is Kev Paxton, | 0:24:58 | 0:25:01 | |
the man Jay has chosen to transform this old bit of scaffy. | 0:25:01 | 0:25:06 | |
Kev worked as an industrial blacksmith for over 20 years | 0:25:08 | 0:25:12 | |
before giving it up to pursue his passion, | 0:25:12 | 0:25:15 | |
forging reclaimed metal into works of art, | 0:25:15 | 0:25:18 | |
inspired by the rugged beauty of the Scottish countryside | 0:25:18 | 0:25:22 | |
and its wildlife. | 0:25:22 | 0:25:23 | |
My job has now become an obsession. | 0:25:24 | 0:25:27 | |
I'm one of these people who need to be doing something full-on. | 0:25:27 | 0:25:30 | |
It's not half measures, it's got to be full-on. | 0:25:30 | 0:25:33 | |
So you take a cold, hard piece of metal, | 0:25:33 | 0:25:35 | |
you heat it up and if you've got a bit of imagination, | 0:25:35 | 0:25:38 | |
you can do whatever you want with that. | 0:25:38 | 0:25:40 | |
You walk out the workshop at night. | 0:25:40 | 0:25:41 | |
You close the doors, you can look back and you go, "I like that." | 0:25:41 | 0:25:45 | |
Has this hunk of junk fired up Kev's artistic inspiration? | 0:25:48 | 0:25:52 | |
All right, Kev. How are you doing? Are you all right? | 0:25:52 | 0:25:55 | |
I'm good, thanks. Good. | 0:25:55 | 0:25:56 | |
Jay's on the phone to find out his ideas for it. | 0:25:56 | 0:25:59 | |
On my commute to work today, I noticed like millions of daffodils | 0:26:00 | 0:26:03 | |
on the roadside | 0:26:03 | 0:26:05 | |
and I think we should maybe just make sort of wee happy daffodils, | 0:26:05 | 0:26:08 | |
a wee daffodil sculpture or something like that. | 0:26:08 | 0:26:10 | |
So daffodils. That's quite cool! | 0:26:10 | 0:26:12 | |
Jay's given the go-ahead to Kev's iron flowers | 0:26:14 | 0:26:16 | |
with the idea that he can sell them as garden ornaments. | 0:26:16 | 0:26:21 | |
But Kev has his concerns that there's more rust here | 0:26:21 | 0:26:24 | |
than actual metal. | 0:26:24 | 0:26:25 | |
When we open up the metal, | 0:26:28 | 0:26:29 | |
it's possibly going to be rusty inside and it may be quite poor quality. | 0:26:29 | 0:26:33 | |
It may just fall to bits when we start heating it. | 0:26:34 | 0:26:37 | |
Hopefully sticks together. If not, there's always | 0:26:37 | 0:26:40 | |
a Plan B, C, D, Z maybe! | 0:26:40 | 0:26:44 | |
Now you tell us! | 0:26:44 | 0:26:46 | |
Can we get Jay back on the phone? | 0:26:46 | 0:26:47 | |
Oh, look at those sparks fly! | 0:26:52 | 0:26:54 | |
Kev is using an angle grinder to cut away the worst of the rusty bits. | 0:26:55 | 0:27:00 | |
He's hoping to create six flowers. | 0:27:00 | 0:27:03 | |
Each will be made up of a stem, six leaves and the flower head. | 0:27:03 | 0:27:07 | |
Kev is beginning with the leaves. | 0:27:07 | 0:27:10 | |
I do them all different. | 0:27:12 | 0:27:13 | |
If we look at a daffodil in real life, you know, they're not all identical. | 0:27:13 | 0:27:18 | |
Mother Nature doesn't do that. | 0:27:18 | 0:27:19 | |
So we'll do them so they're all slightly different. | 0:27:19 | 0:27:22 | |
For cutting out fine shapes like the leaves, | 0:27:22 | 0:27:25 | |
Kev uses a plasma torch. | 0:27:25 | 0:27:28 | |
It's similar to a blowtorch, but it has a finer tip, | 0:27:28 | 0:27:32 | |
which makes it better for intricate jobs. | 0:27:32 | 0:27:35 | |
Now that he's started working with the iron, | 0:27:35 | 0:27:38 | |
is Kev happy that it won't simply crumble into rust dust? | 0:27:38 | 0:27:42 | |
We don't know if it's going to work, so the challenge is there. | 0:27:42 | 0:27:46 | |
May I be so bold as to say perhaps a little bit more delicate | 0:27:48 | 0:27:51 | |
with the hammer? | 0:27:51 | 0:27:53 | |
Jay and Kev agreed a fee of ?350 | 0:27:53 | 0:27:56 | |
for the iron daffodil garden ornaments. | 0:27:56 | 0:28:00 | |
I have no idea how much plans B, C, D or Z will cost, though! | 0:28:00 | 0:28:04 | |
Back at Sarah's workshop, she's ready to reveal her handiwork. | 0:28:10 | 0:28:14 | |
Every handbag you buy is always stuffed with something | 0:28:16 | 0:28:19 | |
to make it look plump, so I'm going to stuff mine. | 0:28:19 | 0:28:22 | |
Sarah's plan was to transform these vintage curtains | 0:28:24 | 0:28:28 | |
into retro handbags. | 0:28:28 | 0:28:30 | |
So, without further ado, it's time to raise the curtain. | 0:28:30 | 0:28:34 | |
Well, aren't these delightful? | 0:28:37 | 0:28:39 | |
Sarah has used the orange curtain with its woven floral design | 0:28:41 | 0:28:45 | |
as the inlay and the bold bark cloth fabric for the outside, | 0:28:45 | 0:28:49 | |
finished with a retro metal clasp. | 0:28:49 | 0:28:52 | |
Sarah was inspired by her grandmother's handbag | 0:28:53 | 0:28:56 | |
which she kept as a memento | 0:28:56 | 0:28:58 | |
and they certainly have a touch of granny chic about them. | 0:28:58 | 0:29:01 | |
I'd say they have a rather elegant look. | 0:29:04 | 0:29:07 | |
Perfect for anyone looking for a little yesteryear style. | 0:29:07 | 0:29:11 | |
After a bit of hard work, | 0:29:12 | 0:29:14 | |
I've managed to make seven handbags and they actually look, | 0:29:14 | 0:29:17 | |
well, quite like handbags. | 0:29:17 | 0:29:19 | |
They look quite retro and that will make them saleable, hopefully. | 0:29:19 | 0:29:22 | |
Sarah wasn't hoping for long. | 0:29:22 | 0:29:25 | |
Her home-made handbags were snapped up by Kate, | 0:29:25 | 0:29:28 | |
the owner of a vintage shop in Brighton. | 0:29:28 | 0:29:31 | |
Delighted with the bags. | 0:29:31 | 0:29:33 | |
They're brilliant. They're exactly what we like here in Flock. | 0:29:33 | 0:29:36 | |
Fingers crossed for an equally happy ending in Brighton, | 0:29:40 | 0:29:45 | |
where Emma and Badger are awaiting Sarah's imminent arrival | 0:29:45 | 0:29:49 | |
to give the thumbs up or down to the cabinet. | 0:29:49 | 0:29:52 | |
This makeover has been a cheerful learning process for Emma. | 0:29:53 | 0:29:57 | |
I've thoroughly enjoyed this project. | 0:29:57 | 0:29:59 | |
Taught myself a few... Used a few pieces of machinery | 0:29:59 | 0:30:03 | |
I haven't used before - chop saw, edge trimmer. | 0:30:03 | 0:30:07 | |
Erm, I did a bit of soft carpentry for this | 0:30:07 | 0:30:10 | |
that needed to be done. | 0:30:10 | 0:30:11 | |
Emma's idea was to transform the shelving unit into a cabinet. | 0:30:13 | 0:30:17 | |
Let's see what she's created with her new set of skills. | 0:30:17 | 0:30:21 | |
I know one thing, she hasn't made a cabinet. | 0:30:27 | 0:30:30 | |
But I also know they look rather lovely. | 0:30:30 | 0:30:34 | |
Emma has created seven individual coat racks and shelves | 0:30:36 | 0:30:40 | |
from the timber reclaimed from the shelving unit, | 0:30:40 | 0:30:43 | |
while the shelves were austere and ominously large, | 0:30:43 | 0:30:47 | |
these are quaint and charming. | 0:30:47 | 0:30:49 | |
They have a homely warmth accentuated by Emma's | 0:30:49 | 0:30:52 | |
use of vintage wallpaper. | 0:30:52 | 0:30:54 | |
I love their home-spun charm. | 0:30:58 | 0:31:00 | |
However, Sarah is expecting a cabinet, | 0:31:02 | 0:31:05 | |
which these most certainly are not. | 0:31:05 | 0:31:06 | |
Like I said, keep your fingers and paws crossed that Sarah likes them. | 0:31:10 | 0:31:15 | |
Emma. Hello. | 0:31:15 | 0:31:17 | |
Hi, how are you doing? I'm fine. | 0:31:17 | 0:31:19 | |
Is that them? Yes. | 0:31:19 | 0:31:22 | |
Well, tell me what you think. I had to smash them up. | 0:31:22 | 0:31:24 | |
Are they my shelves? | 0:31:24 | 0:31:27 | |
I had to smash them up. | 0:31:27 | 0:31:28 | |
I have got a little bit left. | 0:31:28 | 0:31:31 | |
It is so far away from what I was expecting, | 0:31:31 | 0:31:33 | |
but in the best possible way. | 0:31:33 | 0:31:34 | |
I'm really pleased about that. | 0:31:34 | 0:31:36 | |
The shelves really needed an update, but you've created something lovely, | 0:31:36 | 0:31:39 | |
completely different, | 0:31:39 | 0:31:41 | |
using what you were given. | 0:31:41 | 0:31:42 | |
Really cool. Well, I learnt a bit of what I call soft carpentry as well. | 0:31:42 | 0:31:47 | |
It's really screw and glue. | 0:31:47 | 0:31:49 | |
And I used the chop saw for the first time and an edge trimmer. | 0:31:49 | 0:31:54 | |
I've used one of those to get the nice rounded edges there. | 0:31:54 | 0:31:57 | |
And other different... | 0:31:57 | 0:31:59 | |
It does make a big difference. | 0:31:59 | 0:32:01 | |
You've done a great job. Are you pleased with them? | 0:32:01 | 0:32:03 | |
I'm pleased with them. I think they're quite pretty. | 0:32:03 | 0:32:05 | |
They took some time because I was... | 0:32:05 | 0:32:09 | |
I don't really do a lot of carpentry. | 0:32:09 | 0:32:12 | |
That took a bit of time, but I thoroughly enjoyed it. | 0:32:12 | 0:32:14 | |
It was like I made my own workshop | 0:32:14 | 0:32:16 | |
instead of going to a Saturday workshop I... | 0:32:16 | 0:32:19 | |
You made it up as you went along. | 0:32:19 | 0:32:20 | |
Brilliant! That's what I do. | 0:32:20 | 0:32:22 | |
Budget - ?120 is what we discussed. | 0:32:22 | 0:32:25 | |
I'm just going to stick at that because of, | 0:32:25 | 0:32:28 | |
I could have paid that to go to a workshop. | 0:32:28 | 0:32:30 | |
And you've learnt on the job? Yeah. | 0:32:30 | 0:32:31 | |
Brilliant! That's great for me and as transformations go, | 0:32:31 | 0:32:36 | |
you've nailed that one. Excellent! | 0:32:36 | 0:32:38 | |
They may not be what Sarah expected, | 0:32:40 | 0:32:43 | |
but she's more than happy with what she's got. | 0:32:43 | 0:32:46 | |
I'm happy Sarah's happy. | 0:32:47 | 0:32:48 | |
I'm happy that I broke those shelves up and turned them into | 0:32:48 | 0:32:52 | |
seven different items. | 0:32:52 | 0:32:55 | |
I know someone else who's happy - | 0:32:55 | 0:32:57 | |
Lynn, who brought the items to sell | 0:32:57 | 0:32:59 | |
at a unique home furnishing shop in Surrey. | 0:32:59 | 0:33:02 | |
These are the sort of things Packhouse really do like because | 0:33:04 | 0:33:07 | |
they're very vintage and it's very much in mode at the moment. | 0:33:07 | 0:33:09 | |
Now Sarah's on her way to upcycling cynic Ann's house | 0:33:13 | 0:33:18 | |
with a pocket full of profit. | 0:33:18 | 0:33:20 | |
I can't believe that anybody could make anything out of all that old tat. | 0:33:20 | 0:33:24 | |
I'm curious, very curious to see what she's done with them. | 0:33:24 | 0:33:27 | |
Hello, Sarah. Hi there. Lovely to see you again. | 0:33:32 | 0:33:34 | |
Hi. Come on in. Thank you very much. | 0:33:34 | 0:33:36 | |
I'm dying to see what you've got there. | 0:33:36 | 0:33:38 | |
And your wait is over. | 0:33:38 | 0:33:40 | |
Now the shelves that we took away, | 0:33:41 | 0:33:43 | |
they were sent to Brighton to a lovely lady named Emma, | 0:33:43 | 0:33:46 | |
who specialises in using wallpaper to update things. | 0:33:46 | 0:33:48 | |
So your shelf now looks like a set of shelving. | 0:33:48 | 0:33:53 | |
She's managed to make seven pieces of shelving | 0:33:53 | 0:33:56 | |
from all of those bits of wood that were in your shelves. | 0:33:56 | 0:33:59 | |
Heavens! So she has had a really good go at it. | 0:33:59 | 0:34:03 | |
Good heavens. Made some little ones. What do you think of that? | 0:34:03 | 0:34:05 | |
I think the constituency would be very pleased that their cast-offs | 0:34:09 | 0:34:13 | |
actually had such a life. So I've got some money here for that. | 0:34:13 | 0:34:17 | |
It was ?50. Oh! | 0:34:17 | 0:34:19 | |
Not bad at all. A good start, I think. | 0:34:19 | 0:34:22 | |
And then the curtains that I took from you. | 0:34:22 | 0:34:25 | |
I worked on the curtains | 0:34:25 | 0:34:27 | |
and so I thought they had a really lovely retro look | 0:34:27 | 0:34:31 | |
that translated very well into handbags. | 0:34:31 | 0:34:34 | |
Do you recognise that material? | 0:34:34 | 0:34:36 | |
Gracious me! | 0:34:36 | 0:34:38 | |
Absolutely amazing. | 0:34:38 | 0:34:40 | |
Well done, Sarah, that's incredible. | 0:34:40 | 0:34:43 | |
That's really incredible. | 0:34:43 | 0:34:44 | |
There was ?145.65 worth of profit from those. | 0:34:44 | 0:34:48 | |
So all together here, I have a total for you | 0:34:48 | 0:34:51 | |
for your shelves and for your curtains of ?195 there. | 0:34:51 | 0:34:58 | |
Gracious me. And 65p there. | 0:34:58 | 0:35:01 | |
That is fantastic! | 0:35:02 | 0:35:04 | |
You've no idea how appreciated that will be because that little goat | 0:35:04 | 0:35:08 | |
sanctuary, to them, that's gold. | 0:35:08 | 0:35:11 | |
That's gold. That's where it's going, is it? | 0:35:11 | 0:35:13 | |
That's where it's going. It's going to the Buttercups goats' sanctuary, | 0:35:13 | 0:35:17 | |
in my old constituency of Maidstone, Kent. | 0:35:17 | 0:35:19 | |
Thank you so much for letting me come back. Thank you. | 0:35:19 | 0:35:21 | |
I'm pleased that's going to such a lovely place. That's marvellous. Thank you very much. Thank you. | 0:35:21 | 0:35:25 | |
Any time you want to raid my attic! | 0:35:25 | 0:35:27 | |
Well, I did like quite a few things up there, actually. | 0:35:27 | 0:35:29 | |
Here we go again! | 0:35:29 | 0:35:30 | |
I think that's a great result for the charity. | 0:35:32 | 0:35:34 | |
As I say, it's a very tiny one. | 0:35:34 | 0:35:36 | |
It doesn't get a lot of money and every pound counts. | 0:35:36 | 0:35:39 | |
So nearly ?200 out of the blue for a load of old rubbish. | 0:35:39 | 0:35:44 | |
Yes, wonderful! | 0:35:44 | 0:35:46 | |
Sarah sold the shelves for ?170. | 0:35:46 | 0:35:50 | |
Minus Emma's costs, | 0:35:50 | 0:35:52 | |
Sarah was left with a profit of ?50. | 0:35:52 | 0:35:55 | |
The handbags sold for ?185. | 0:35:55 | 0:35:58 | |
Take away Sarah's spend, | 0:35:58 | 0:36:02 | |
that left her with a profit | 0:36:02 | 0:36:03 | |
of ?145.65. | 0:36:03 | 0:36:06 | |
Added together, Ann has ?195.65 | 0:36:06 | 0:36:10 | |
to donate to Buttercups goat sanctuary in Maidstone. | 0:36:10 | 0:36:15 | |
Jay's in his Wolverhampton workshop | 0:36:19 | 0:36:21 | |
getting ready to reveal the fruits of his labour. | 0:36:21 | 0:36:25 | |
Oh! Brilliant! | 0:36:27 | 0:36:29 | |
Jay's plan was to transform the kitchen unit into, | 0:36:31 | 0:36:35 | |
and I'm quoting the man himself here, | 0:36:35 | 0:36:37 | |
"a stylish and charismatic book shelf." | 0:36:37 | 0:36:40 | |
It's certainly got a style of its own. | 0:36:43 | 0:36:46 | |
And as for charisma, once seen, it will never be forgotten. | 0:36:46 | 0:36:50 | |
Jay has removed the cream-coloured paint and exposed the natural grain | 0:36:52 | 0:36:56 | |
of the pine wood, | 0:36:56 | 0:36:57 | |
adding a little pop with the pastel colours painted on | 0:36:57 | 0:37:00 | |
the underside of the pyramid-shaped shelves. | 0:37:00 | 0:37:04 | |
Now, I just need to figure out where the actual books go. | 0:37:04 | 0:37:07 | |
Now this is finally done and I'm even impressed with this one. | 0:37:11 | 0:37:14 | |
I didn't think it would come out as good as it has. | 0:37:14 | 0:37:16 | |
This is the perfect place. | 0:37:16 | 0:37:18 | |
Look at this, | 0:37:18 | 0:37:20 | |
to house your books. I know these are not books. | 0:37:20 | 0:37:23 | |
I can hear you. These are just offcuts. | 0:37:23 | 0:37:26 | |
So on there. | 0:37:26 | 0:37:27 | |
Look at that! | 0:37:29 | 0:37:30 | |
All I've got to do now is get selling this one. | 0:37:30 | 0:37:32 | |
The shelves weren't on the shelf for long. | 0:37:35 | 0:37:37 | |
They were bought by Kevin, who owns a lifestyle boutique in Shropshire. | 0:37:37 | 0:37:42 | |
This is a great modern piece | 0:37:44 | 0:37:45 | |
and someone will snap this up in next to no time. | 0:37:45 | 0:37:48 | |
In Edinburgh, Kev is smoothing out the edges to his daffodil | 0:37:53 | 0:37:58 | |
garden ornaments before the boss man arrives. | 0:37:58 | 0:38:01 | |
I'm looking forward to Jay turning up today. | 0:38:01 | 0:38:04 | |
I'm just hoping Jay likes it as much as we do. | 0:38:04 | 0:38:06 | |
We think it's rather cool. | 0:38:06 | 0:38:08 | |
Kev's happy with his handy work. | 0:38:09 | 0:38:12 | |
Let's see how he's transformed this rusty hunk of junk. | 0:38:12 | 0:38:15 | |
These are blooming brilliant! | 0:38:21 | 0:38:23 | |
Kev has created two iron sculptures which are graceful and elegant, | 0:38:24 | 0:38:29 | |
yet strong and sturdy. | 0:38:29 | 0:38:31 | |
His skilful forging of the iron to create the delicate leaves | 0:38:32 | 0:38:37 | |
shows a master at work. | 0:38:37 | 0:38:38 | |
Each sculpture has a different finish. | 0:38:42 | 0:38:44 | |
One is galvanised, which means it will remain rust-free, | 0:38:44 | 0:38:49 | |
while the weather will form a dark aged look on the other. | 0:38:49 | 0:38:52 | |
I'm impressed by Kev's artistry, | 0:38:56 | 0:38:58 | |
but it's time to find out what Jay thinks. | 0:38:58 | 0:39:01 | |
Kev. Look at this, man. | 0:39:02 | 0:39:04 | |
How are you doing? I'm very good. Now I'm even better. | 0:39:04 | 0:39:07 | |
Hold on a minute, let me just take it in. | 0:39:08 | 0:39:10 | |
When you said to me, I'm going to make you daffodils, I'm like "daffodils". | 0:39:11 | 0:39:15 | |
You didn't say they was going to look as good as this, did you? Yes, they're pretty. | 0:39:15 | 0:39:18 | |
Come on, man, you're being modest there! Yeah. They're OK. | 0:39:18 | 0:39:21 | |
What I gave you was a rusty old stand that was propping up an old tree and what have you. | 0:39:21 | 0:39:25 | |
But you've turned it into something beautiful. Some things turn out OK. | 0:39:25 | 0:39:29 | |
We've got a big scrap skip outside though, so sometimes it doesn't. | 0:39:29 | 0:39:32 | |
So what have you done here, then? | 0:39:33 | 0:39:35 | |
These three are the galvanised ones so they'll never, well, | 0:39:35 | 0:39:38 | |
25 years they'll never rust. | 0:39:38 | 0:39:40 | |
If you put it outside, because it's galvanised it won't get rusty? No. | 0:39:40 | 0:39:43 | |
And this one will... It will weather. It will weather, or age. | 0:39:43 | 0:39:47 | |
Rustic. The budget was ?350. | 0:39:47 | 0:39:49 | |
Was we able to stick to that? We bettered it. | 0:39:49 | 0:39:52 | |
We're under. ?300. | 0:39:52 | 0:39:54 | |
Seriously? Yeah. Yeah. | 0:39:54 | 0:39:56 | |
You've done me so proud, son. Nice one! I'm liking that. | 0:39:56 | 0:39:59 | |
No worries. So you've come under budget. | 0:39:59 | 0:40:00 | |
Why? I've worked on a wee bit. | 0:40:00 | 0:40:03 | |
I've got peace at night when everybody goes home, | 0:40:03 | 0:40:06 | |
I get a wee bit of peace, things happen a wee bit quicker. | 0:40:06 | 0:40:08 | |
Right. So I locked the door and done it quicker than I thought I could. | 0:40:08 | 0:40:12 | |
Oh, cool! | 0:40:12 | 0:40:13 | |
Coming in under budget means there's a potential for a healthy profit, | 0:40:13 | 0:40:17 | |
with Kev's fantastic transformation. | 0:40:17 | 0:40:20 | |
It will be sad to see them go. We kind of like them. | 0:40:20 | 0:40:22 | |
I'll maybe have to make some for my own garden now. | 0:40:24 | 0:40:26 | |
Jay's on his way to Edwina's home to tell her what became of her two | 0:40:30 | 0:40:34 | |
pieces of rubbish. | 0:40:34 | 0:40:36 | |
I don't really mind at all what he's done with them. | 0:40:36 | 0:40:39 | |
I'm just burning with curiosity to see. | 0:40:39 | 0:40:42 | |
That sounds like an unpleasant sensation. | 0:40:42 | 0:40:45 | |
Hello. Hello Jay, nice to see you. Likewise. Are you OK? | 0:40:45 | 0:40:49 | |
I'm fine. Come on in. OK. | 0:40:49 | 0:40:51 | |
Jay knows how to douse Edwina's flaming inquisitiveness. | 0:40:51 | 0:40:56 | |
I'm not going to keep you in any more suspense. | 0:40:56 | 0:40:57 | |
I'm going to let you know what I've done with the items. | 0:40:57 | 0:41:00 | |
So that is your shelf unit. | 0:41:00 | 0:41:03 | |
That's lovely! Into a different kind of shelf. | 0:41:03 | 0:41:06 | |
These are part of the unit, so I've cut 'em. | 0:41:06 | 0:41:10 | |
Brilliant. At a 45-degree angle. And I've painted inside. | 0:41:10 | 0:41:13 | |
Yeah. So it looks like it's... That's handsome. | 0:41:13 | 0:41:15 | |
So I'm pleased to tell you, on this one, we made ?60 profit. | 0:41:15 | 0:41:19 | |
Oh, brilliant! That's excellent. Excellent. | 0:41:19 | 0:41:22 | |
Well done. And for your prop that was propping up the tree outside, | 0:41:22 | 0:41:26 | |
we've made metal daffodils. | 0:41:26 | 0:41:28 | |
Oh, they're gorgeous! | 0:41:31 | 0:41:34 | |
DOG BARKS Yes, well, the dog agrees entirely. | 0:41:34 | 0:41:37 | |
And look, it's surrounded by all the bluebells. | 0:41:37 | 0:41:39 | |
How beautiful is that! | 0:41:39 | 0:41:41 | |
That has been sold as well. | 0:41:41 | 0:41:43 | |
Go on, tell me how much. | 0:41:43 | 0:41:44 | |
This one we got ?150 profit. | 0:41:44 | 0:41:47 | |
Wow! And you've got two of them. | 0:41:47 | 0:41:49 | |
We've got, the two of them were sold together, so ?150 in total. | 0:41:49 | 0:41:53 | |
Brilliant! And I have... | 0:41:53 | 0:41:54 | |
?210 for you. | 0:41:55 | 0:41:57 | |
Brilliant! Is that OK? That's going to go to our charity. | 0:41:58 | 0:42:02 | |
It's a local one here called Blythe House Hospice. | 0:42:02 | 0:42:05 | |
What do they do? They look after people with terminal illnesses | 0:42:05 | 0:42:09 | |
but also they help people going through chemotherapy or been | 0:42:09 | 0:42:11 | |
diagnosed with cancer and their families. Brilliant! | 0:42:11 | 0:42:14 | |
Absolutely brilliant. | 0:42:14 | 0:42:15 | |
I want to say to you, this has been a pleasure... | 0:42:15 | 0:42:18 | |
Has it? ..from start to finish. | 0:42:18 | 0:42:20 | |
Every single minute. | 0:42:20 | 0:42:21 | |
Great! Thank you. You take care now. | 0:42:21 | 0:42:24 | |
There's something heart-warming about being able to take two bits of | 0:42:24 | 0:42:27 | |
rubbish which were heading to the tip and turning them into something | 0:42:27 | 0:42:31 | |
attractive and useful | 0:42:31 | 0:42:32 | |
and really rather beautiful. | 0:42:32 | 0:42:35 | |
Jay sold the shelves for ?65. | 0:42:35 | 0:42:39 | |
Minus his costs, he was left with a profit of ?60. | 0:42:39 | 0:42:43 | |
The daffodil garden ornaments | 0:42:43 | 0:42:46 | |
sold to a private buyer for ?450. | 0:42:46 | 0:42:48 | |
Take away Kev's spend | 0:42:48 | 0:42:50 | |
that gave Jay a profit of ?150. | 0:42:50 | 0:42:53 | |
Added together, Edwina has ?210 | 0:42:53 | 0:42:56 | |
to donate to local charity the Blythe House Hospice. | 0:42:56 | 0:43:00 | |
Sarah and Jay have rejuvenated four pieces of celebrity junk. | 0:43:04 | 0:43:08 | |
Tip-bound trash has been transformed into little treasures. | 0:43:09 | 0:43:13 | |
Unwanted items that could have ended up in landfill | 0:43:15 | 0:43:19 | |
have been given a new lease of life. | 0:43:19 | 0:43:22 | |
Well, four things that were living under a cloud | 0:43:22 | 0:43:25 | |
of going into a skip... | 0:43:25 | 0:43:26 | |
Have had the creative light shone upon them. | 0:43:26 | 0:43:29 | |
And there really was a pot of gold at the end of the rainbow | 0:43:29 | 0:43:31 | |
and that has gone off to two fantastic charities. | 0:43:31 | 0:43:33 | |
With some answers that may surprise you. | 0:44:08 | 0:44:09 | |
BUZZER David Hasselhoffal. | 0:44:09 | 0:44:09 |