Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I've got something pretty unusual in here. | 0:00:02 | 0:00:03 | |
-I don't know if you're going to be able to do anything with it. -Wow! | 0:00:03 | 0:00:06 | |
How do you make celebrity money for nothing? | 0:00:06 | 0:00:08 | |
I've got a house full of rubbish! | 0:00:08 | 0:00:10 | |
Entrepreneurs Sarah Moore and Jay Blades | 0:00:10 | 0:00:13 | |
are searching celebrities' houses... | 0:00:13 | 0:00:15 | |
I don't even know how we got them here. Let's get out of here. | 0:00:15 | 0:00:18 | |
..to find tip-bound items to transform... | 0:00:18 | 0:00:21 | |
-Beautiful! -I had no idea they were even here! | 0:00:21 | 0:00:24 | |
..by having a really good look around some celebrity homes... | 0:00:24 | 0:00:28 | |
This is unbelievable! | 0:00:28 | 0:00:31 | |
With the help of some of Britain's best designers and makers... | 0:00:31 | 0:00:34 | |
And celebrity faces, we're on a mission to turn celebrity trash... | 0:00:34 | 0:00:38 | |
Into hard cash. | 0:00:38 | 0:00:39 | |
But what will our celebrities think of the transformations? | 0:00:41 | 0:00:45 | |
You are joking! | 0:00:45 | 0:00:48 | |
-Oh, wow! -And how much money has been made for their charities? | 0:00:48 | 0:00:53 | |
£307 here for you. | 0:00:53 | 0:00:55 | |
Oh, my gosh! You're an amazing lady! | 0:00:55 | 0:00:58 | |
First up is intrepid super salvager Sarah. | 0:01:08 | 0:01:11 | |
She's in Essex at the very lovely home of...Louie Spence. | 0:01:14 | 0:01:20 | |
Famed for his high kicks, backflips and boundless enthusiasm, | 0:01:20 | 0:01:24 | |
Louie first found success as a dancer in London's West End, | 0:01:24 | 0:01:28 | |
before he took centre stage in a docu-soap about his dance studio. | 0:01:28 | 0:01:33 | |
Sarah will have a right good rummage around his home to uncover two | 0:01:33 | 0:01:37 | |
unwanted items she can give a new lease of life to. | 0:01:37 | 0:01:41 | |
I love what she does and I'm quite crafty myself. | 0:01:41 | 0:01:44 | |
I don't think to her expertise, | 0:01:44 | 0:01:46 | |
but, you know, I do like making a cushion, | 0:01:46 | 0:01:48 | |
I like a bit of spray-paint. | 0:01:48 | 0:01:50 | |
I'm not afraid of colour. | 0:01:50 | 0:01:51 | |
I'll be interested to see what she thinks of some of my things | 0:01:51 | 0:01:54 | |
and maybe if she's got some ideas of other things I can do. | 0:01:54 | 0:01:57 | |
Hello, Sarah, darling. | 0:01:57 | 0:01:58 | |
-Hello. -How are you? | 0:01:58 | 0:02:00 | |
-Really well. How are you? -Come in. | 0:02:00 | 0:02:02 | |
Welcome to my home. | 0:02:02 | 0:02:03 | |
Louie's home is an extended 17th-century cottage, | 0:02:06 | 0:02:10 | |
full of original period features. | 0:02:10 | 0:02:12 | |
He and his husband have lived here for five years. | 0:02:13 | 0:02:16 | |
Louie's pirouettes are pinpoint and he also loves getting crafty with a | 0:02:18 | 0:02:23 | |
needle and thread, | 0:02:23 | 0:02:24 | |
so he's looking forward to showing off his handiwork to Sarah. | 0:02:24 | 0:02:29 | |
So, this is the sitting room. | 0:02:29 | 0:02:31 | |
Wow! What a great airy room for a property of this age. | 0:02:31 | 0:02:34 | |
-Yeah. -Oh, Sarah, | 0:02:34 | 0:02:35 | |
Louie's not after your opinion on the airiness of his room. | 0:02:35 | 0:02:40 | |
Check out the cushions. | 0:02:40 | 0:02:41 | |
I made that cushion. | 0:02:41 | 0:02:43 | |
-I'm really impressed. -And I made this one, as well, Miss Japan. | 0:02:43 | 0:02:48 | |
-Beautiful. -I made that one. | 0:02:48 | 0:02:49 | |
So, do you enjoy doing that? Do you enjoy making everything? | 0:02:49 | 0:02:52 | |
You know what? I really do now. | 0:02:52 | 0:02:55 | |
I mean, it's something I've done | 0:02:55 | 0:02:57 | |
because of owning the house and always wanting a change. | 0:02:57 | 0:03:01 | |
I'm not doing it to sell, I'm doing it for myself. | 0:03:01 | 0:03:04 | |
So, yeah, the cushion may not be exactly square, | 0:03:04 | 0:03:06 | |
it made dip a bit in the middle, but it's only going to be there a week, | 0:03:06 | 0:03:09 | |
cos I'm going to change it to another colour. | 0:03:09 | 0:03:11 | |
It's inspiring stuff. You just have to have a go, don't you? | 0:03:11 | 0:03:13 | |
I'm with you there. | 0:03:13 | 0:03:14 | |
Louie and Sarah are kindred spirits | 0:03:15 | 0:03:18 | |
when it comes to DIY home furnishings. | 0:03:18 | 0:03:21 | |
But there's precious little junk hidden about | 0:03:22 | 0:03:25 | |
Louie's immaculate home. | 0:03:25 | 0:03:26 | |
Beautifully tidy. | 0:03:26 | 0:03:28 | |
Nothing for me in there. | 0:03:28 | 0:03:30 | |
Everyone has somewhere to chuck the bits, the bobs, | 0:03:30 | 0:03:34 | |
the odds and sods that no longer serve a purpose. | 0:03:34 | 0:03:37 | |
But where are Louie's? | 0:03:37 | 0:03:39 | |
Jack, and may I add, pot! | 0:03:42 | 0:03:45 | |
I'll have a closer look at this. | 0:03:47 | 0:03:49 | |
That looks cool. It's looking really neglected. | 0:03:49 | 0:03:52 | |
It's very interesting. Right, let's go and see where Louie is. | 0:03:52 | 0:03:55 | |
So, I did have a quick look in the shed. | 0:03:57 | 0:03:59 | |
-OK. -Something really interesting. | 0:03:59 | 0:04:01 | |
-Really? -It's looking a bit neglected. | 0:04:01 | 0:04:04 | |
-What's that? -Well, this... | 0:04:04 | 0:04:06 | |
Darling, I'll take that. A little bit heavy for you. | 0:04:06 | 0:04:08 | |
Oh! Those gym workouts, thank goodness. | 0:04:09 | 0:04:12 | |
Right, when I first moved in, I was going for the country feel. | 0:04:12 | 0:04:16 | |
-Right. -Before I found colour in the house, | 0:04:16 | 0:04:20 | |
this is how I thought it should have looked. | 0:04:20 | 0:04:22 | |
I think like everyone else, I had that feeling of, | 0:04:22 | 0:04:24 | |
if it's a country house, it should have those old kind of things. | 0:04:24 | 0:04:28 | |
I went off it very quickly and it's been here ever since. | 0:04:28 | 0:04:31 | |
It's good to go. Get rid of it. | 0:04:31 | 0:04:32 | |
-I would love to take that away. -Take it. -Loads of potential there, | 0:04:32 | 0:04:35 | |
-and maybe something I could give a little Louie love to. -Yeah. | 0:04:35 | 0:04:40 | |
Sarah's got her first item, this Victorian style sofa. | 0:04:41 | 0:04:45 | |
It's a very sweet little two-seater sofa. | 0:04:45 | 0:04:48 | |
It's reproduction. It's got great lines, lots of potential. | 0:04:48 | 0:04:52 | |
Not quite sure which direction to go down, but as it's reproduction, | 0:04:52 | 0:04:55 | |
I can go anywhere I like. | 0:04:55 | 0:04:57 | |
Sarah's got free rein to unleash her creativity upon it. | 0:04:57 | 0:05:01 | |
In Cambridgeshire, Jay is on his way | 0:05:05 | 0:05:08 | |
to the home of one-time ballet dancer | 0:05:08 | 0:05:10 | |
turned Royal Marine turned actor Cassidy Little. | 0:05:10 | 0:05:14 | |
When he's not playing a tiny guitar, | 0:05:14 | 0:05:17 | |
Cassidy also works to raise awareness | 0:05:17 | 0:05:19 | |
of soldiers' experiences after injury. | 0:05:19 | 0:05:23 | |
In 2011, Cassidy lost his right leg while serving in Afghanistan. | 0:05:23 | 0:05:29 | |
Since then, he's appeared on Strictly Come Dancing | 0:05:29 | 0:05:32 | |
and carried the Olympic torch for the 2012 London Olympics. | 0:05:32 | 0:05:37 | |
Jay will scour Cassidy's home to seek out two items | 0:05:37 | 0:05:41 | |
of tip-bound trash | 0:05:41 | 0:05:42 | |
that he can transform and sell on for a profit. | 0:05:42 | 0:05:46 | |
I'm really excited about Jay coming. | 0:05:46 | 0:05:47 | |
Actually, I'm a little bit nervous, too, | 0:05:47 | 0:05:49 | |
cos I have no idea what he's going to want to take out of here and, | 0:05:49 | 0:05:53 | |
to be honest with you, I have no idea whether I'm going to be even | 0:05:53 | 0:05:56 | |
able to let it go. I kind of hold | 0:05:56 | 0:05:57 | |
on to things because I'm worried that they're going to be | 0:05:57 | 0:06:00 | |
emotionally sensitive to me in the future, | 0:06:00 | 0:06:02 | |
so even the kind of rotting things around the corner | 0:06:02 | 0:06:04 | |
I will still kind of look at and go, "Yeah, but... Yeah, but..." | 0:06:04 | 0:06:07 | |
-Cassidy. -How are you doing, man? -You all right? -Yeah, I'm good, | 0:06:10 | 0:06:13 | |
-buddy. Come on in. -Thank you. -Come on in. | 0:06:13 | 0:06:15 | |
Cassidy shares his home with his wife, Laura. | 0:06:17 | 0:06:21 | |
They married in 2012, | 0:06:21 | 0:06:22 | |
and three years later, welcomed their first child. | 0:06:22 | 0:06:27 | |
Like a lot of couples with a young family, | 0:06:27 | 0:06:29 | |
their home has been filled with baby stuff. | 0:06:29 | 0:06:32 | |
Straight away I see it. | 0:06:35 | 0:06:37 | |
-That's got to be you, isn't it? -Yeah, yeah. | 0:06:37 | 0:06:39 | |
That was a couple of years ago. | 0:06:39 | 0:06:40 | |
I was one of the poster boys for the Royal British Legion. | 0:06:40 | 0:06:43 | |
So, how did you lose your leg, then, | 0:06:43 | 0:06:44 | |
if you don't mind me asking? I'm all right to ask, am I? | 0:06:44 | 0:06:47 | |
Yeah, of course. Have you ever seen the film Jurassic Park? | 0:06:47 | 0:06:50 | |
-Jurassic Park? -Yeah, dinosaurs, man. | 0:06:50 | 0:06:52 | |
You're having me on! That's not dinosaurs! | 0:06:52 | 0:06:55 | |
-LAUGHS: -No dinosaurs. | 0:06:55 | 0:06:57 | |
I lost my leg in 2011 on Herrick 14, which was a tour of Afghanistan. | 0:06:59 | 0:07:04 | |
Wow. So your leg got blown up? | 0:07:04 | 0:07:06 | |
Literally. Yeah, just flying through the air. | 0:07:06 | 0:07:08 | |
Wow. | 0:07:08 | 0:07:10 | |
And then obviously the guys helped you, picked you up... | 0:07:10 | 0:07:13 | |
-Yeah, yeah. -..and put you into the ambulance? | 0:07:13 | 0:07:15 | |
I was a medic at the time, and I had trained a lot of guys in how to do | 0:07:15 | 0:07:20 | |
immediate life-saving drills and, luckily, | 0:07:20 | 0:07:22 | |
some of the guys that I'd taught first aid to saved my life. | 0:07:22 | 0:07:25 | |
Cassidy's tale is one of incredible bravery. | 0:07:25 | 0:07:29 | |
He's an inspirational man. | 0:07:29 | 0:07:31 | |
But today, Jay is here to rummage through his rubbish. | 0:07:33 | 0:07:37 | |
-This is where you've got it all hiding, eh? -Yeah, OK, | 0:07:37 | 0:07:40 | |
I'm a little embarrassed about this, but this is our tip, so... | 0:07:40 | 0:07:42 | |
This is exactly what I'm looking for. This is my kind of space. | 0:07:42 | 0:07:45 | |
-Well, that's good, cos... -There's no need to be embarrassed. | 0:07:45 | 0:07:47 | |
-This is perfect! -Errr... | 0:07:47 | 0:07:49 | |
-Anyway, if you can find something in there, it's all yours. -OK. | 0:07:49 | 0:07:51 | |
That sounds like a good deal. | 0:07:53 | 0:07:55 | |
This is a trash treasure trove. | 0:07:55 | 0:07:57 | |
-That's a wooden high chair back there, isn't it? -It is, yes. | 0:07:57 | 0:08:00 | |
Yes, the blue one. | 0:08:00 | 0:08:02 | |
-Yeah, the blue one. -I can't let you have the blue one. | 0:08:02 | 0:08:04 | |
Well, that deal didn't last long! | 0:08:04 | 0:08:06 | |
I know it looks like rotting wood, and it is rotting wood, | 0:08:06 | 0:08:09 | |
but the truth is that every one of my nieces and nephews | 0:08:09 | 0:08:13 | |
and my daughter have sat in that chair. | 0:08:13 | 0:08:16 | |
And although none of the family want it, my wife doesn't want it and, | 0:08:16 | 0:08:19 | |
truth be told, I don't even want it, | 0:08:19 | 0:08:20 | |
I cannot let it go cos I'm just... | 0:08:20 | 0:08:23 | |
I feel like I'm ditching that connection, so I can't do it. | 0:08:23 | 0:08:26 | |
He did warn us he's a sentimentalist. | 0:08:26 | 0:08:29 | |
Now, this... | 0:08:29 | 0:08:31 | |
Obviously timber. Nice. | 0:08:31 | 0:08:33 | |
It's part of a sandbox and it was bought for my daughter by a friend | 0:08:33 | 0:08:37 | |
of the family. The truth is that my sister was horribly ill from eating | 0:08:37 | 0:08:41 | |
something in a sandbox when she was around my daughter's age, | 0:08:41 | 0:08:44 | |
so I will never, ever own a sandbox, | 0:08:44 | 0:08:48 | |
so it's literally going to sit here or I will burn it. | 0:08:48 | 0:08:51 | |
No, don't burn that. This is a lovely bit of pine. | 0:08:51 | 0:08:53 | |
I'm sure I can do something with this. | 0:08:53 | 0:08:55 | |
-Jay... -Yeah? -You're a strange man. | 0:08:55 | 0:08:58 | |
-I am a strange man. -Strange, strange man. | 0:08:58 | 0:09:02 | |
Jay has got his first item and he's as happy as a kid in a sandbox, | 0:09:02 | 0:09:08 | |
with his kid's sandbox. | 0:09:08 | 0:09:10 | |
You can never go wrong with a bit of wood, but | 0:09:10 | 0:09:13 | |
this one's going to be a bit of a challenge, | 0:09:13 | 0:09:14 | |
so I'm going to have to get my creative hat on - | 0:09:14 | 0:09:17 | |
not this one, me other one - | 0:09:17 | 0:09:18 | |
cos I don't know what I'm going to do with it just yet. | 0:09:18 | 0:09:20 | |
Let me have a think. | 0:09:20 | 0:09:22 | |
It could be a...kid's sandbox? | 0:09:22 | 0:09:26 | |
Hm. | 0:09:26 | 0:09:27 | |
In Essex, Sarah's having a rummage | 0:09:30 | 0:09:33 | |
in the immaculate home of Louie Spence. | 0:09:33 | 0:09:35 | |
I don't know if you're the first | 0:09:35 | 0:09:37 | |
lady I've taken up to my bedroom, Sarah! | 0:09:37 | 0:09:40 | |
What a privilege! | 0:09:40 | 0:09:42 | |
She uncovered this two-seater sofa in the garden shed. | 0:09:42 | 0:09:45 | |
And, for the second item, | 0:09:45 | 0:09:46 | |
Louie thinks he's got just the thing for her in his bedroom. | 0:09:46 | 0:09:50 | |
What's in here, then? Come on. | 0:09:50 | 0:09:51 | |
OK. I've got a rug or two. | 0:09:51 | 0:09:53 | |
-Have you? -Yeah, I mean, it's the same with my cushions. | 0:09:53 | 0:09:56 | |
-You've got a rug habit? -I've got, like... Hold on. | 0:09:56 | 0:10:00 | |
So, got, like, all different types. | 0:10:00 | 0:10:02 | |
Happy days! This is just the sort of thing Sarah loves. | 0:10:03 | 0:10:07 | |
-So, are you using all of these? Are they all going back in...? -No. -Maybe not? | 0:10:09 | 0:10:13 | |
I mean, I don't... | 0:10:13 | 0:10:14 | |
I think some things, once they get put away, | 0:10:14 | 0:10:17 | |
and they get forgotten about, do you know what I mean? | 0:10:17 | 0:10:19 | |
-It's like... -Are you going to circulate those? | 0:10:19 | 0:10:22 | |
I really don't think so. | 0:10:22 | 0:10:23 | |
I think I might actually be over them. | 0:10:23 | 0:10:25 | |
Well, they're definitely food for thought for me. | 0:10:25 | 0:10:27 | |
Maybe come back to that later, if that's all right. | 0:10:27 | 0:10:29 | |
-Let me help you fold them up. -Shall I stay in or shall I come | 0:10:29 | 0:10:32 | |
-out of the closet? -Definitely out. | 0:10:32 | 0:10:33 | |
Right, OK, fine. I just needed a bit of a push there. | 0:10:33 | 0:10:37 | |
Oh, don't worry about that, darling. We'll get someone else to do that. | 0:10:37 | 0:10:40 | |
The husband! | 0:10:40 | 0:10:42 | |
Sarah's saying a polite "thanks, but no thanks" | 0:10:42 | 0:10:45 | |
to the right-up-her-street rugs. | 0:10:45 | 0:10:47 | |
That can only mean she's got her upcycler's eye on another item. | 0:10:47 | 0:10:52 | |
-What are you doing with that, then? -Well, the thing is, | 0:10:52 | 0:10:55 | |
it's not normally here. | 0:10:55 | 0:10:56 | |
It's been put here for a reason, Sarah. | 0:10:56 | 0:10:58 | |
When I moved into the house, I bought it thinking | 0:10:58 | 0:11:01 | |
it would be a wonderful garden piece, not thinking about the dogs, | 0:11:01 | 0:11:04 | |
not thinking about my nieces and nephews when they come round. | 0:11:04 | 0:11:07 | |
If this was to fall... | 0:11:07 | 0:11:09 | |
-It's really heavy. -On one of the children or the dogs... | 0:11:09 | 0:11:12 | |
It really is quite dangerous, | 0:11:12 | 0:11:13 | |
and to tell you the truth, I don't mind if you wheel this out. | 0:11:13 | 0:11:16 | |
That has got "make me into something amazing" written all over it. | 0:11:16 | 0:11:20 | |
-So, shall I just wheel it away now? -You wheel it away. Like I say, | 0:11:20 | 0:11:22 | |
it's used to being pushed around everywhere. | 0:11:22 | 0:11:24 | |
It doesn't take offence. | 0:11:24 | 0:11:25 | |
Once the momentum goes, darling... | 0:11:25 | 0:11:27 | |
Once you get going with the momentum, look... | 0:11:27 | 0:11:29 | |
And you can get it down... Go on. | 0:11:29 | 0:11:31 | |
-Lovely. -There you go. -Well, I'll put it in the van. | 0:11:31 | 0:11:33 | |
Off you go. Put it in your bag, darling. | 0:11:33 | 0:11:34 | |
Put it in your handbag. No-one's going to know. | 0:11:34 | 0:11:37 | |
Well, this WHEELIE is my lucky day. | 0:11:39 | 0:11:40 | |
I love this wheel. | 0:11:40 | 0:11:42 | |
Heaps of age to it. | 0:11:42 | 0:11:44 | |
Lovely finish on it, great colour, and there's money in here. | 0:11:44 | 0:11:47 | |
I can just smell it. | 0:11:47 | 0:11:49 | |
Ugh! I'm not sure that's money! | 0:11:49 | 0:11:52 | |
Perhaps it's the dogs Louie mentioned earlier. | 0:11:52 | 0:11:54 | |
Louie, I have had the best day today. | 0:11:56 | 0:11:58 | |
I've really enjoyed it, and thank you for letting me see your home. | 0:11:58 | 0:12:01 | |
That's an absolute pleasure. I just hope you can work your magic | 0:12:01 | 0:12:04 | |
with some of the junk I've given you, so good luck and safe journey. | 0:12:04 | 0:12:07 | |
-I love the junk. I'll be back in touch. -OK. -Bye. | 0:12:08 | 0:12:11 | |
I've had a really, really nice time today, | 0:12:11 | 0:12:13 | |
and I'm so pleased that Sarah's found things that she believes | 0:12:13 | 0:12:16 | |
she can do something with, which I'm sure she can. | 0:12:16 | 0:12:19 | |
So it's been a successful day and it was just nice to meet Sarah, | 0:12:19 | 0:12:21 | |
actually, and have a chat about soft furnishing. | 0:12:21 | 0:12:24 | |
Sarah's got two items that she thinks | 0:12:24 | 0:12:27 | |
she can give a new lease of life and earn a bob or two on - | 0:12:27 | 0:12:31 | |
the Victorian-style two-seater and the rusty old cart wheel. | 0:12:31 | 0:12:36 | |
Jay's search continues at the home of Cassidy Little, | 0:12:39 | 0:12:43 | |
Strictly Come Dancing People's Champion. | 0:12:43 | 0:12:46 | |
Do a little cha-cha-cha. There we go. | 0:12:46 | 0:12:48 | |
Be careful, man. I'm pretty good at the old dancing! | 0:12:48 | 0:12:51 | |
Cassidy was happy to see the back of this kid's sandpit. | 0:12:51 | 0:12:54 | |
Now, Jay is having a root around in his garden shed. | 0:12:54 | 0:12:58 | |
Oh, wow, cool! | 0:12:58 | 0:13:00 | |
That's a cooler that we still use. | 0:13:00 | 0:13:01 | |
I've got a drill over there that I still use. | 0:13:01 | 0:13:03 | |
There's a vacuum cleaner over there that I'd like to get rid of, | 0:13:03 | 0:13:06 | |
but what are you going to do with a vacuum cleaner? | 0:13:06 | 0:13:08 | |
You never know! I could do something with a vacuum cleaner. | 0:13:08 | 0:13:11 | |
That's right, he could! | 0:13:11 | 0:13:13 | |
He could tidy up his workshop - it's a mess in there! | 0:13:13 | 0:13:16 | |
Woodchips everywhere. | 0:13:16 | 0:13:17 | |
Hold it. What about this, Cassidy? What about that? | 0:13:20 | 0:13:22 | |
That's... It's a wheelbarrow. | 0:13:22 | 0:13:25 | |
Yeah, but are you using it? | 0:13:25 | 0:13:27 | |
No, I'm not using it. It's flat. It's useless. | 0:13:27 | 0:13:29 | |
So, how long have you had this for? | 0:13:31 | 0:13:32 | |
It came with the house. | 0:13:32 | 0:13:33 | |
I'm looking for an excuse to buy a new one, so if you were to take | 0:13:33 | 0:13:36 | |
-this off my hands, I'd appreciate it. -You could get a new one. | 0:13:36 | 0:13:39 | |
-Oh, hell yeah. -I think I might have to take this, actually. | 0:13:39 | 0:13:41 | |
-Yeah, do it, man. -I do like that. | 0:13:41 | 0:13:43 | |
If it's something you think you can use, then it's yours. | 0:13:43 | 0:13:45 | |
Yeah. So, are you sure I can have this? | 0:13:45 | 0:13:47 | |
Yeah, yeah. It's yours if you want it. | 0:13:47 | 0:13:49 | |
-Yeah, I want it. -Well, then, dude, take it. | 0:13:49 | 0:13:53 | |
-OK. -Get it out of my yard. | 0:13:53 | 0:13:54 | |
-Well, that's in the bag. I'll have that one. -Good man. | 0:13:54 | 0:13:57 | |
Jay's got his second item. | 0:13:58 | 0:14:00 | |
What on earth is he going to do with this? | 0:14:00 | 0:14:03 | |
Well, you might be wondering what I'm going to do with a rusty old | 0:14:05 | 0:14:08 | |
-wheelbarrow. -Jay, you've read my mind! | 0:14:08 | 0:14:10 | |
You're just going to have to wait and see, aren't you? | 0:14:10 | 0:14:13 | |
That cheeky wink is fooling nobody. | 0:14:13 | 0:14:15 | |
He's got no idea, but I'm sure he'll get one. | 0:14:15 | 0:14:19 | |
-So, Cassidy, thank you for having me today. -Dude, it's my pleasure. | 0:14:19 | 0:14:21 | |
I'm really looking forward to seeing what you do | 0:14:21 | 0:14:23 | |
-with the stuff you've grabbed. -OK, well, once I've finished, | 0:14:23 | 0:14:26 | |
I'll bring it back and show you. | 0:14:26 | 0:14:27 | |
-That's a great idea. -All right? -Go on, get out of my house. | 0:14:27 | 0:14:29 | |
-THEY LAUGH -Take care. | 0:14:29 | 0:14:32 | |
I wasn't really sure what to expect when Jay rocked up because it feels | 0:14:34 | 0:14:38 | |
like I'm kind of parting with something that... | 0:14:38 | 0:14:42 | |
You know, I would be parting with things that I would miss or I would | 0:14:42 | 0:14:45 | |
regret parting with. But he's chosen things that I'm not connected to, | 0:14:45 | 0:14:48 | |
even remotely, and I'm really happy that he's taking away from my house. | 0:14:48 | 0:14:53 | |
Jay's picked two items that he thinks have the potential | 0:14:53 | 0:14:56 | |
to turn a profit - | 0:14:56 | 0:14:57 | |
the sandpit and the wheelbarrow. | 0:14:57 | 0:15:00 | |
With four items found, let the upcycling commence. | 0:15:05 | 0:15:09 | |
At Sarah's home in Sussex, she's in the workshop, | 0:15:11 | 0:15:15 | |
ready to begin work on the Victorian-style two-seater sofa. | 0:15:15 | 0:15:19 | |
I think it would be comfier sitting on a bag of spuds. | 0:15:20 | 0:15:25 | |
Well, at the moment, this bench looks a bit mean, | 0:15:25 | 0:15:27 | |
it looks austere and it looks really uncomfortable. | 0:15:27 | 0:15:30 | |
And we just don't give house room to things like this any more unless | 0:15:30 | 0:15:33 | |
they're antiques. So this, I think, needs to be made plump, | 0:15:33 | 0:15:35 | |
generous and slapped on with a big dose of colour and pattern. | 0:15:35 | 0:15:40 | |
So, we've got plumpification, | 0:15:40 | 0:15:43 | |
followed by some slap-ifying of colour and pattern. | 0:15:43 | 0:15:46 | |
This will be a challenge of gargantuan proportions. | 0:15:46 | 0:15:50 | |
Reupholstering this seat will test Sarah's skills to the max. | 0:15:50 | 0:15:54 | |
The sofa's webbing is slack. | 0:15:56 | 0:15:58 | |
Webbing should be uniformly taut | 0:15:58 | 0:16:00 | |
to provide a little bounce for comfort. | 0:16:00 | 0:16:03 | |
No-one likes a saggy seat. | 0:16:03 | 0:16:06 | |
Well, the webbing is still fit for purpose but it really needs | 0:16:06 | 0:16:08 | |
tightening up, so I'm just going to use my electric staple gun | 0:16:08 | 0:16:11 | |
to make it really taut. Then it should be good as new. | 0:16:11 | 0:16:14 | |
Sarah will be padding out and upholstering the backrest, | 0:16:16 | 0:16:20 | |
but before doing that, she wants to modify the seat's outline. | 0:16:20 | 0:16:24 | |
I'm going to cut these bits off the top. | 0:16:24 | 0:16:26 | |
A bit of cosmetic surgery to make the shape a little sleeker. | 0:16:26 | 0:16:30 | |
I hope it doesn't affect the joints, though. | 0:16:30 | 0:16:32 | |
I hate power tools. | 0:16:35 | 0:16:37 | |
Come on, now, Sarah, what's to worry about? | 0:16:37 | 0:16:40 | |
You accidentally saw through a joint and the whole thing falls apart? | 0:16:40 | 0:16:44 | |
It could be worse! | 0:16:44 | 0:16:46 | |
Maybe not. | 0:16:46 | 0:16:48 | |
No going back now, then. | 0:16:48 | 0:16:49 | |
Do you know, I found this genuinely frightening. | 0:16:51 | 0:16:54 | |
The key to a smooth cut with a jigsaw | 0:16:54 | 0:16:57 | |
is maintaining a firm grip with a steady pace. | 0:16:57 | 0:17:00 | |
With the knobbly bits cut off, | 0:17:02 | 0:17:04 | |
are we on the road to a sleek and stylish new look? | 0:17:04 | 0:17:08 | |
I hope my design works, | 0:17:08 | 0:17:09 | |
cos I've completely ruined it now if it doesn't. | 0:17:09 | 0:17:12 | |
Oh, Sarah, don't be so down. | 0:17:12 | 0:17:14 | |
Perk yourself up! | 0:17:14 | 0:17:15 | |
This looks like fun, doesn't it? | 0:17:15 | 0:17:17 | |
That's more like it. | 0:17:17 | 0:17:19 | |
Sarah's preparing to add the foam cushioning to the backrest. | 0:17:19 | 0:17:22 | |
This project is a nightmare, do you know that? | 0:17:24 | 0:17:26 | |
It's a nightmare. Oh, dear. | 0:17:26 | 0:17:28 | |
Oh, I see - that's smiling on the outside, | 0:17:28 | 0:17:31 | |
crying tears of upcycling despair on the inside. | 0:17:31 | 0:17:35 | |
Sarah has spent £89 on materials. | 0:17:35 | 0:17:38 | |
For her, that's a hefty outlay. | 0:17:38 | 0:17:41 | |
Here's hoping it's money well spent. | 0:17:41 | 0:17:43 | |
It's a lovely day for a paddle in the Sussex village of Hellingly, | 0:17:48 | 0:17:54 | |
home to Norman Wilkinson, master craftsman for all things wood. | 0:17:54 | 0:17:59 | |
Just the fella, then, for the rusty old metal wheel. | 0:17:59 | 0:18:02 | |
Norman has 25 years of experience handcrafting one-of-a-kind furniture | 0:18:06 | 0:18:11 | |
pieces that will last a lifetime. | 0:18:11 | 0:18:14 | |
I'm self-taught. | 0:18:15 | 0:18:16 | |
Never been to college, never took woodwork at school. | 0:18:16 | 0:18:18 | |
So over the years, I've just taught myself. | 0:18:18 | 0:18:20 | |
I started making a few pieces and it just took off, | 0:18:20 | 0:18:23 | |
so it's the best thing I ever did. | 0:18:23 | 0:18:25 | |
So, yeah, happy-pappy person. | 0:18:25 | 0:18:27 | |
You're not looking so happy now, Norman. | 0:18:30 | 0:18:32 | |
Sarah's on the phone to discuss ideas. | 0:18:32 | 0:18:35 | |
I thought we could make it into a table using the wheel as the top and | 0:18:35 | 0:18:39 | |
maybe some reclaimed wood for the surface? | 0:18:39 | 0:18:41 | |
Norman likes the table idea, but has a suggestion of his own for the | 0:18:41 | 0:18:45 | |
surface - glass. | 0:18:45 | 0:18:48 | |
We would have to have a glass one made, a glass one cut with a hole, | 0:18:48 | 0:18:52 | |
and toughened, but it will look super-cool cos then you could | 0:18:52 | 0:18:55 | |
look down at the wheel and the column. | 0:18:55 | 0:18:57 | |
Sounds great, but getting glass made to order is expensive. | 0:18:57 | 0:19:00 | |
Yeah, well... No. Yes and no. | 0:19:00 | 0:19:02 | |
The whole project, all singing and dancing, | 0:19:02 | 0:19:05 | |
I reckon it's going to cost you about 575. | 0:19:05 | 0:19:08 | |
Well, all right, then. For that price, it's a deal. | 0:19:08 | 0:19:11 | |
Be good and I'll speak to you soon, yeah? | 0:19:11 | 0:19:14 | |
So, they've agreed on a cartwheel table with a glass top. | 0:19:14 | 0:19:18 | |
This is either going to go swimmingly well or we're going to | 0:19:18 | 0:19:22 | |
have serious problems with it. | 0:19:22 | 0:19:24 | |
Fingers crossed it works out all right. | 0:19:24 | 0:19:27 | |
Hm. He didn't mention any of that on the phone to Sarah. | 0:19:28 | 0:19:31 | |
Norman is using reclaimed ceiling joists | 0:19:36 | 0:19:38 | |
to make the base of the table. | 0:19:38 | 0:19:40 | |
He's ensured that all the old nails are removed, | 0:19:43 | 0:19:45 | |
as they damage the spinning teeth of his table saw. | 0:19:45 | 0:19:49 | |
And, wise man that he is, | 0:19:49 | 0:19:51 | |
Norman is wearing safety glasses to protect his eyes. | 0:19:51 | 0:19:55 | |
To support the iron wheel and glass table top, | 0:19:57 | 0:20:00 | |
Norman needs wider timber for his base. | 0:20:00 | 0:20:03 | |
So he's gluing the cut joists together to form a larger piece. | 0:20:03 | 0:20:07 | |
When we glue it up, if there's bumps and ridges in it, | 0:20:10 | 0:20:12 | |
it doesn't matter because we will be sanding it, | 0:20:12 | 0:20:15 | |
and sanding it nice and flat. | 0:20:15 | 0:20:17 | |
When the glue has dried, the bond will be as strong as fresh timber, | 0:20:17 | 0:20:21 | |
and Norman can then cut this large piece down to size. | 0:20:21 | 0:20:25 | |
It's better to have too much than not enough. | 0:20:27 | 0:20:30 | |
I think the same about biscuits. | 0:20:30 | 0:20:32 | |
Excellent. That's that one done. | 0:20:33 | 0:20:35 | |
It's time to get to work on this wagon wheel. | 0:20:35 | 0:20:39 | |
Norman wants to keep the well-worn and aged look of the iron | 0:20:39 | 0:20:43 | |
and the faded blues and reds of its paintwork, | 0:20:43 | 0:20:46 | |
so he's using a fine sandpaper to remove any loose flakes of rust. | 0:20:46 | 0:20:51 | |
That is looking beautiful. | 0:20:51 | 0:20:52 | |
I'm just going to put some wax on it and see... | 0:20:52 | 0:20:55 | |
..see how it looks, and then see... | 0:20:55 | 0:20:56 | |
If we're happy with it, then we can do the rest of the wheel. | 0:20:56 | 0:20:59 | |
Norman's using a clear wood wax to bring up the lustre | 0:20:59 | 0:21:02 | |
and add a little shine. | 0:21:02 | 0:21:04 | |
Look at that lovely red and the ageing, | 0:21:05 | 0:21:08 | |
where the wheel has obviously run on the rim. | 0:21:08 | 0:21:10 | |
Absolutely sensational. | 0:21:10 | 0:21:12 | |
It's all looking good at the moment, but there's a long road ahead for | 0:21:12 | 0:21:16 | |
this wheel. | 0:21:16 | 0:21:17 | |
Norman's still got a hefty chunk of change to spend on toughened glass | 0:21:18 | 0:21:22 | |
within his budget of £575. | 0:21:22 | 0:21:26 | |
It's a radical revamping extravaganza for Sarah and Norman. | 0:21:32 | 0:21:36 | |
Now we are in Jay's stomping ground, Wolverhampton. | 0:21:39 | 0:21:42 | |
The man himself is taking the kid's sandpit to his workshop. | 0:21:44 | 0:21:48 | |
I've got this sandpit - I know, minus the sand - | 0:21:51 | 0:21:55 | |
from Cassidy and basically what I'm intending to make with this is a | 0:21:55 | 0:21:58 | |
mirror - mirror with storage and place where you can hang | 0:21:58 | 0:22:02 | |
all your bits and bobs. | 0:22:02 | 0:22:04 | |
Not just one mirror with storage for bits and bobs - | 0:22:04 | 0:22:07 | |
Jay's measured up the sandpit and he thinks there's enough timber | 0:22:07 | 0:22:11 | |
to make three. | 0:22:11 | 0:22:13 | |
He's already had three pieces of mirrored glass cut to his exact | 0:22:13 | 0:22:17 | |
-measurements. -I'll just have to have a look, | 0:22:17 | 0:22:21 | |
cos I don't think I've got enough timber, actually. | 0:22:21 | 0:22:24 | |
Oops. Perhaps those measurements weren't so exact after all. | 0:22:24 | 0:22:27 | |
So, Jay, what's the best thing to do? | 0:22:29 | 0:22:31 | |
The best thing to do is take it all apart | 0:22:31 | 0:22:33 | |
and then see if I've got enough. | 0:22:33 | 0:22:35 | |
Jay wants to give his mirror a stylish new colour scheme | 0:22:36 | 0:22:39 | |
with a distressed finish. | 0:22:39 | 0:22:41 | |
Simply painting over the top is a no-no. | 0:22:42 | 0:22:45 | |
The key to a long-lasting professional paint job is prep. | 0:22:45 | 0:22:49 | |
Jay is sanding the timber to remove the current colours, | 0:22:50 | 0:22:54 | |
which will open up the grain, | 0:22:54 | 0:22:56 | |
allowing his colour choice to seep deep into the timber, | 0:22:56 | 0:23:00 | |
giving a vivid finish. | 0:23:00 | 0:23:01 | |
Even though the wood's been outside, it's not in bad condition, actually, | 0:23:02 | 0:23:06 | |
so I'm quite happy about that. | 0:23:06 | 0:23:08 | |
We're happy about that, | 0:23:08 | 0:23:10 | |
but are we happy we've got enough wood for the three frames, Jay? | 0:23:10 | 0:23:15 | |
Jay? Oh, he's doing his sums. | 0:23:15 | 0:23:18 | |
I can see the cogs are turning slowly - very slowly. | 0:23:18 | 0:23:24 | |
Don't worry. I'm just working it out. | 0:23:24 | 0:23:26 | |
I've not lost the plot. | 0:23:26 | 0:23:27 | |
I'm not sure you had it to begin with, to be honest, Jay. | 0:23:27 | 0:23:30 | |
I don't think I've got enough. | 0:23:30 | 0:23:32 | |
When unsure, it's best to remember the age-old adage of the master | 0:23:32 | 0:23:36 | |
craftsman - measure twice, cut once. | 0:23:36 | 0:23:40 | |
Or we could just carry on regardless and hope for the best. | 0:23:40 | 0:23:43 | |
Jay's cutting the timber down to what he thinks is the right size for | 0:23:48 | 0:23:52 | |
three frames, and if it's not, then, well, I don't know. | 0:23:52 | 0:23:57 | |
I've got more cut now, and I was correct. | 0:23:58 | 0:24:01 | |
I don't have enough for three. | 0:24:01 | 0:24:03 | |
I only have enough for two, | 0:24:03 | 0:24:04 | |
but two is better than one, and one is better than none. | 0:24:04 | 0:24:08 | |
Yeah, great. Wait, how many are we making? | 0:24:08 | 0:24:11 | |
He's bamboozled me with his positive attitude. | 0:24:11 | 0:24:14 | |
Ugh. Jay has spent £19 on his mirrors. | 0:24:14 | 0:24:18 | |
I can't wait to see them, no matter how many we're getting. | 0:24:18 | 0:24:22 | |
Margate, the day-trippers' kiss-me-quick Mecca, | 0:24:25 | 0:24:29 | |
is now the retro hotspot for all things vintage. | 0:24:29 | 0:24:32 | |
It's home to upcycler extraordinaire Rupert Blanchard, | 0:24:33 | 0:24:37 | |
one of the most imaginative artisans working in Britain today, | 0:24:37 | 0:24:41 | |
which is why Jay has chosen him to work on his worn-out wheelbarrow. | 0:24:41 | 0:24:46 | |
Rupert's got skills to pay the bills. | 0:24:49 | 0:24:52 | |
He's a master of his craft with a flair for the unexpected, | 0:24:52 | 0:24:56 | |
but his designs are no flights of fancy. | 0:24:56 | 0:24:59 | |
They are functional and in high demand. | 0:24:59 | 0:25:02 | |
I try to develop my own style so my personality comes through | 0:25:03 | 0:25:06 | |
in my work. | 0:25:06 | 0:25:08 | |
I'm most proud of a piece when I've got a piece of furniture back in | 0:25:08 | 0:25:12 | |
someone's home that they wouldn't even give space in their shed for. | 0:25:12 | 0:25:16 | |
I just... Yeah, I want to make the unloved loved again. | 0:25:16 | 0:25:20 | |
I'm super excited to hear Rupert's ideas for this. | 0:25:21 | 0:25:25 | |
I just... I just don't know what to do with it. | 0:25:25 | 0:25:27 | |
Uh, Rupert, that's not helpful. | 0:25:29 | 0:25:31 | |
Don't worry, Rupert, my old mate. | 0:25:33 | 0:25:35 | |
Jay'll have an idea, I'm sure. PHONE RINGS | 0:25:35 | 0:25:37 | |
-Hello, Jay. -All right, Rupert, how are you doing, mate? | 0:25:37 | 0:25:40 | |
-Are you all right? -No, Jay, he's not. He's flummoxed. | 0:25:40 | 0:25:42 | |
The idea that I had was basically put some water in it | 0:25:45 | 0:25:48 | |
-and turn it into a pond. -A garden pond? | 0:25:48 | 0:25:51 | |
But I know you've got a better idea. | 0:25:51 | 0:25:52 | |
-He doesn't. -The light bulb moment hasn't just happened, so... | 0:25:52 | 0:25:56 | |
You're the only brain that I believe in Britain that will | 0:25:56 | 0:25:59 | |
be able to handle such an item. | 0:25:59 | 0:26:01 | |
Oh, blimey, Jay... | 0:26:01 | 0:26:03 | |
I'll try to make you a couple of really great sculptural items, | 0:26:03 | 0:26:07 | |
but something with function, and I reckon if you just trust me, | 0:26:07 | 0:26:13 | |
you leave me with £200, I will return you things to be proud of. | 0:26:13 | 0:26:17 | |
Jay's agreed to Rupert's suggestion, | 0:26:18 | 0:26:21 | |
but the pressure's on to have that light bulb moment he mentioned. | 0:26:21 | 0:26:26 | |
I've really got to...got to think hard about this one, | 0:26:26 | 0:26:29 | |
pull something out of the bag and turn this from essentially | 0:26:29 | 0:26:32 | |
scrap metal to something that Jay... | 0:26:32 | 0:26:34 | |
Jay can sell, Jay can find a new home for. | 0:26:34 | 0:26:38 | |
This is the oddest one yet. | 0:26:38 | 0:26:39 | |
Rupert may not have an upcycling idea, | 0:26:39 | 0:26:42 | |
but he does have a plan of attack... | 0:26:42 | 0:26:45 | |
..which is to attack the wheelbarrow with his angle grinder. | 0:26:46 | 0:26:50 | |
I find when I'm not quite sure what to do with an item that I've been | 0:26:51 | 0:26:55 | |
given, I like to learn how it was put together, | 0:26:55 | 0:26:59 | |
and the only way you do that is by taking it apart. | 0:26:59 | 0:27:02 | |
Hopefully, by then, I would have had that light bulb moment and hopefully | 0:27:02 | 0:27:06 | |
that's going to happen this time. | 0:27:06 | 0:27:08 | |
Why did I agree to do this? | 0:27:08 | 0:27:10 | |
Oh, Rupert, fret not a single strand of your lustrous hair. | 0:27:12 | 0:27:16 | |
I've had a bit of an idea now. | 0:27:20 | 0:27:22 | |
-Brilliant. -It's a bit unusual. | 0:27:22 | 0:27:24 | |
It's a bit abstract. | 0:27:24 | 0:27:26 | |
Sounds interesting. | 0:27:26 | 0:27:28 | |
I'm... I'm going to... | 0:27:30 | 0:27:32 | |
I'm going to see you in a bit. I'm going to go. | 0:27:32 | 0:27:35 | |
Here you are. | 0:27:35 | 0:27:37 | |
Hold on a second, where are you off to, my friend? | 0:27:37 | 0:27:39 | |
Now, that I do not like the look of. | 0:27:42 | 0:27:45 | |
Rupert, I've changed my mind - | 0:27:51 | 0:27:53 | |
I would start fretting your whole head of hair when Jay sees this. | 0:27:53 | 0:27:57 | |
Rupert, you'd better have a plan, and it'd better be a good one. | 0:28:04 | 0:28:07 | |
Rupert agreed to a fee of £200 for two items that Jay would be proud to | 0:28:09 | 0:28:15 | |
sell on. | 0:28:15 | 0:28:17 | |
I think he'd be embarrassed to take that to the skip at the moment. | 0:28:17 | 0:28:20 | |
Last we saw of Sarah, | 0:28:23 | 0:28:25 | |
her skills were being tested to the max with her redesign | 0:28:25 | 0:28:29 | |
of the Victorian-style sofa. | 0:28:29 | 0:28:32 | |
Well, I'm nearly done, and it has been a labour of love. | 0:28:32 | 0:28:35 | |
I'm really pleased with it. | 0:28:35 | 0:28:37 | |
I think it would be fair to say there'd be nobody fighting | 0:28:39 | 0:28:42 | |
over this in a battle for the comfy seat. | 0:28:42 | 0:28:45 | |
But Sarah's plumpified it to perfection. | 0:28:49 | 0:28:52 | |
The austere-looking old sofa now has a super-soft seat | 0:28:53 | 0:28:58 | |
with a vintage floral fabric, giving it an inviting, homely look. | 0:28:58 | 0:29:02 | |
Sarah painted the remaining woodwork in a soft shade of green to | 0:29:05 | 0:29:09 | |
complement the botanical design of the material. | 0:29:09 | 0:29:12 | |
This transformation tested Sarah's skills in woodwork and upholstery to | 0:29:15 | 0:29:20 | |
the limit. But I think she's done an amazing job. | 0:29:20 | 0:29:23 | |
In the beginning, it wasn't loved. | 0:29:25 | 0:29:27 | |
It just didn't have commercial appeal. | 0:29:27 | 0:29:29 | |
Now I'm hoping it's soft, it's generous and it's beautiful. | 0:29:29 | 0:29:33 | |
So I'm going to take some pictures of it, share it around, | 0:29:33 | 0:29:35 | |
and hopefully find it a lovely new home. | 0:29:35 | 0:29:38 | |
In Sussex, Sarah is on her way to see Norman's cartwheel table, | 0:29:45 | 0:29:50 | |
and he's cock-a-hoop with it. | 0:29:50 | 0:29:52 | |
Beautiful. With what we were given, I think it's turned out really well, | 0:29:52 | 0:29:57 | |
and, yeah, I am really pleased with it, and I hope Sarah will be | 0:29:57 | 0:29:59 | |
as well, but, yeah, it's one of my favourites so, yeah, happy days. | 0:29:59 | 0:30:03 | |
Will Sarah be turning cartwheels when she sees what's happened to her | 0:30:03 | 0:30:07 | |
cartwheel? | 0:30:07 | 0:30:08 | |
Yee-haw! HE COUGHS | 0:30:12 | 0:30:15 | |
Sorry about that. I was overcome | 0:30:15 | 0:30:17 | |
with the magnificent country stylings of this table. | 0:30:17 | 0:30:20 | |
Norman had toughened safety glass cut to size for the table top. | 0:30:24 | 0:30:28 | |
He added a rubber trim to allow it to sit perfectly on the wheel. | 0:30:28 | 0:30:33 | |
The glass and wheel are a hefty weight, | 0:30:33 | 0:30:36 | |
but Norman has constructed a secure and steady base, | 0:30:36 | 0:30:39 | |
which he has given a distressed finish to match the wear and tear | 0:30:39 | 0:30:43 | |
of the cartwheel, | 0:30:43 | 0:30:45 | |
and he's bolted it all together with this chunky piece of | 0:30:45 | 0:30:49 | |
ironmongery. Norman's tickled pink with his handiwork, | 0:30:49 | 0:30:53 | |
but what about the boss? | 0:30:53 | 0:30:55 | |
Oh, look at that! | 0:30:56 | 0:30:58 | |
Hey, how are you? | 0:31:00 | 0:31:01 | |
-Hiya. Yeah, great. And you? -You've nailed it. | 0:31:01 | 0:31:04 | |
-Well done. -Do you like it? -It's really good. | 0:31:04 | 0:31:06 | |
I really didn't know what I was going to be picking up, | 0:31:06 | 0:31:09 | |
cos it was very heavy to use. | 0:31:09 | 0:31:11 | |
Once we... Obviously, once we got the wheel, | 0:31:11 | 0:31:13 | |
we had to start thinking about the weight, the weight of the glass, | 0:31:13 | 0:31:16 | |
and we had to get it supported so it wouldn't topple or anything, | 0:31:16 | 0:31:18 | |
so we've tested it all. | 0:31:18 | 0:31:20 | |
But we've got a whopping great big nut and bolt that goes all the way | 0:31:20 | 0:31:22 | |
through, so it clamps it and holds it all together. | 0:31:22 | 0:31:25 | |
And then we came up with the base. | 0:31:25 | 0:31:26 | |
But we came up with the base with the angles going up | 0:31:26 | 0:31:29 | |
cos it obviously supports it, but... | 0:31:29 | 0:31:31 | |
And we did it in a nice cream colour cos I think it | 0:31:31 | 0:31:33 | |
complements the blue and the red, so it all, sort of, ties in. | 0:31:33 | 0:31:37 | |
So a fair bit of work in that, then, wasn't there? | 0:31:37 | 0:31:39 | |
-Yeah, but once we... -Are you pleased with it? | 0:31:39 | 0:31:41 | |
I think it's fantastic, to be honest. | 0:31:41 | 0:31:43 | |
I just... It's... It's one of my favourites. | 0:31:43 | 0:31:45 | |
I think this bit here that you've done to expose that | 0:31:45 | 0:31:48 | |
and make that stick out, you've honoured that wheel, | 0:31:48 | 0:31:51 | |
-because you can see it all. -Yeah. | 0:31:51 | 0:31:53 | |
And there are a lot of things that could have been done with it, | 0:31:53 | 0:31:55 | |
like cutting it up, but that is looking good. | 0:31:55 | 0:31:58 | |
Norman's done a bang-on job, bang-on his budget of £575. | 0:31:58 | 0:32:04 | |
Great stuff. | 0:32:04 | 0:32:05 | |
Happy days all the way round. | 0:32:07 | 0:32:09 | |
Great project to do, loved doing it, fantastic. | 0:32:09 | 0:32:11 | |
Norman thinks it's fantastic, and in complete agreement is Maria, | 0:32:13 | 0:32:18 | |
owner of a furniture shop in Kent. | 0:32:18 | 0:32:22 | |
There is something really lovely about aged metal | 0:32:22 | 0:32:25 | |
that has a really nice contemporary feel to it. | 0:32:25 | 0:32:28 | |
Now Sarah's in Essex to show Louie what became of his junk, | 0:32:28 | 0:32:33 | |
and she's got a pocket full of profit for his chosen charity. | 0:32:33 | 0:32:37 | |
I'm really looking forward to seeing what Sarah's done with the junk that | 0:32:37 | 0:32:40 | |
I gave her, really. It was things that I didn't use, | 0:32:40 | 0:32:43 | |
so I want to see what her creative mind has come up with, along with | 0:32:43 | 0:32:47 | |
her fabulous friends. | 0:32:47 | 0:32:49 | |
-Hi, Sarah. -Hiya. How are you doing? -Good. How are you? | 0:32:49 | 0:32:51 | |
-Mmm. -Mwah. -Very well. -Mwah. | 0:32:51 | 0:32:53 | |
I said I'd be back. I've got things to show you. | 0:32:53 | 0:32:55 | |
Oh, fantastic. I'm really excited. | 0:32:55 | 0:32:57 | |
Well, it's looking fantastic in here. | 0:32:59 | 0:33:00 | |
It looks like you've changed stuff again. | 0:33:00 | 0:33:02 | |
Oh, it's just a bit more colour and a few new cushions. | 0:33:02 | 0:33:04 | |
You know me, I can't help myself. | 0:33:04 | 0:33:05 | |
But I'm very excited to see what you've been doing, so... | 0:33:05 | 0:33:08 | |
The first thing is that cartwheel. | 0:33:08 | 0:33:10 | |
I actually took it to somebody called Norman | 0:33:10 | 0:33:12 | |
who normally specialises in woodwork, | 0:33:12 | 0:33:14 | |
but he will turn his hand to anything, | 0:33:14 | 0:33:16 | |
and this is what he's done with it. | 0:33:16 | 0:33:19 | |
-Here it is. -Oh, wow. | 0:33:19 | 0:33:21 | |
It's amazing! | 0:33:21 | 0:33:23 | |
I love it. Oh, that is stunning. | 0:33:23 | 0:33:25 | |
He's put a glass top on it. | 0:33:25 | 0:33:27 | |
It is absolutely beautiful. | 0:33:27 | 0:33:28 | |
-So, do you like it? -Absolutely. | 0:33:28 | 0:33:30 | |
Well, it's actually sold to a shop. | 0:33:30 | 0:33:31 | |
-Oh, right, OK. -And after all our costs, | 0:33:31 | 0:33:33 | |
I managed to make £120 on it. | 0:33:33 | 0:33:35 | |
-Well, that's good. -Yeah, so there's... | 0:33:35 | 0:33:36 | |
There's some profit from that. | 0:33:36 | 0:33:38 | |
And then that left the little two-seater bench... | 0:33:38 | 0:33:40 | |
-Yeah. -So I worked on that... | 0:33:40 | 0:33:41 | |
-OK. -And did some upholstery on it, so your bench now looks like... | 0:33:41 | 0:33:46 | |
Oh, it's beautiful. | 0:33:46 | 0:33:48 | |
So I padded all of the seats, so it's comfortable... | 0:33:48 | 0:33:52 | |
That would look beautiful back in my hallway. | 0:33:52 | 0:33:54 | |
Can I have it back, please, as it is now? | 0:33:54 | 0:33:57 | |
Unfortunately, you can't. I put it on to social media, | 0:33:57 | 0:34:00 | |
put some pictures up, and I've sold it at a profit, so, | 0:34:00 | 0:34:03 | |
with the money from the cartwheel and a £486 profit from the bench... | 0:34:03 | 0:34:09 | |
-No way. -I've got 6... | 0:34:09 | 0:34:11 | |
£486 profit from the bench? | 0:34:11 | 0:34:14 | |
I've got £606 here for your charity. | 0:34:14 | 0:34:16 | |
That's incredible! Oh, thank you very much. | 0:34:16 | 0:34:18 | |
The charity's going to really love this. | 0:34:18 | 0:34:20 | |
-Fantastic. -Right, you're going to have to leave now, | 0:34:20 | 0:34:22 | |
cos people are going to be worried about me having women in my house. | 0:34:22 | 0:34:25 | |
-OK. -Right, thanks for coming, Sarah. | 0:34:25 | 0:34:26 | |
I've got to get rid of Sarah out of my house now, | 0:34:26 | 0:34:29 | |
cos people are starting to talk in the village. | 0:34:29 | 0:34:33 | |
I've got women visiting and giving me money - not a good look. | 0:34:33 | 0:34:36 | |
The amount of money, I mean, you know, that's fantastic. | 0:34:37 | 0:34:41 | |
It's going to Crohn's and Colitis, | 0:34:41 | 0:34:43 | |
so the charity which this will be going to, | 0:34:43 | 0:34:45 | |
I'm sure they will be very pleased with it, to help with their research | 0:34:45 | 0:34:48 | |
or whatever else they want to do with it, | 0:34:48 | 0:34:49 | |
so thank you very much for whoever bought it, | 0:34:49 | 0:34:52 | |
and thanks very much for Sarah. | 0:34:52 | 0:34:54 | |
Sarah sold the table for £695. | 0:34:54 | 0:34:58 | |
Minus Norman's costs, Sarah was left | 0:34:58 | 0:35:01 | |
with a profit of £120. | 0:35:01 | 0:35:03 | |
Sarah sold the sofa | 0:35:03 | 0:35:05 | |
to a private buyer for 575 quid. | 0:35:05 | 0:35:09 | |
Take away her spend, that gave her | 0:35:09 | 0:35:11 | |
a profit of £486. | 0:35:11 | 0:35:14 | |
Added together, Louie has £606 to | 0:35:14 | 0:35:18 | |
donate to Crohn's and Colitis UK. | 0:35:18 | 0:35:21 | |
In his Wolverhampton workshop, | 0:35:24 | 0:35:26 | |
Jay is doing what Jay loves best - | 0:35:26 | 0:35:29 | |
looking at himself in the mirror. | 0:35:29 | 0:35:31 | |
Man, that's good. I do like that. | 0:35:32 | 0:35:35 | |
Just to be clear, he's talking about the mirror. Possibly. | 0:35:35 | 0:35:39 | |
This sandpit was heading for the scrapheap. | 0:35:39 | 0:35:43 | |
Now Jay has given it a new lease of life as a pair of stylish-looking | 0:35:44 | 0:35:50 | |
mirrors. He chose a neutral white finish with a distressed look to add | 0:35:50 | 0:35:55 | |
character. | 0:35:55 | 0:35:57 | |
And no Jay makeover is complete without a little pop of colour, | 0:35:57 | 0:36:01 | |
so he's gone for a pink wall mount. | 0:36:01 | 0:36:03 | |
They're looking good. | 0:36:05 | 0:36:06 | |
Now, I do love these. | 0:36:08 | 0:36:10 | |
The simple ideas are normally the ones that work the best | 0:36:10 | 0:36:12 | |
and they look the most striking, and on this, | 0:36:12 | 0:36:15 | |
you couldn't have gone more basic than this. | 0:36:15 | 0:36:17 | |
You've just got a frame with some string and they look beautiful. | 0:36:17 | 0:36:21 | |
And what better place for them than a beauty salon? | 0:36:21 | 0:36:25 | |
NAF in Glasgow. | 0:36:25 | 0:36:27 | |
Tammy is a big fan of Jay's work. | 0:36:27 | 0:36:30 | |
I absolutely love this. | 0:36:30 | 0:36:32 | |
We are always looking for something unique and different | 0:36:32 | 0:36:35 | |
to put on the walls in the salon, | 0:36:35 | 0:36:36 | |
and it just fits in so perfectly with everything we've got. | 0:36:36 | 0:36:39 | |
Oh, look, I've got the same sign up in my living room. | 0:36:39 | 0:36:43 | |
In Margate, it's the moment of truth for Rupert. | 0:36:46 | 0:36:50 | |
What on earth has he made for Jay? | 0:36:50 | 0:36:52 | |
I'm really happy with the outcome of this one. | 0:36:54 | 0:36:56 | |
I'm not sure Jay will be, cos I know he likes really bright stuff, | 0:36:56 | 0:36:59 | |
and they're not bright | 0:36:59 | 0:37:00 | |
and they're fairly unusual, so, yeah, I don't know. | 0:37:00 | 0:37:04 | |
This wheelbarrow had Rupert flummoxed. | 0:37:05 | 0:37:08 | |
He was in need of what he called a light bulb moment. | 0:37:08 | 0:37:12 | |
Well, he got one. | 0:37:15 | 0:37:17 | |
In fact, he got two. | 0:37:17 | 0:37:19 | |
Rupert has created lamps from that rusty hunk of junk. | 0:37:21 | 0:37:25 | |
Rather than try to hide the rust, he's brought it to the fore, | 0:37:25 | 0:37:29 | |
glazing the scrunched and crunched metal to bring out the dark browns | 0:37:29 | 0:37:33 | |
and oranges. | 0:37:33 | 0:37:35 | |
It's got what I'm calling scrap yard chic to it. | 0:37:35 | 0:37:39 | |
The bases and light rods were made from salvaged steel and brass, | 0:37:40 | 0:37:44 | |
and welded to the chunks of wheelbarrow. | 0:37:44 | 0:37:47 | |
Rupert was aiming to create a sculptural piece of work. | 0:37:47 | 0:37:51 | |
It's a little bit arty, a little bit industrial, | 0:37:51 | 0:37:55 | |
but what will Jay make of it? | 0:37:55 | 0:37:56 | |
Rupert. Oh, wow, look at that. | 0:37:59 | 0:38:01 | |
-That's good, man. I like that. -Thank you, Jay. You're welcome. | 0:38:01 | 0:38:04 | |
That's my wheelbarrow, isn't it? | 0:38:04 | 0:38:05 | |
Yeah, it is. | 0:38:05 | 0:38:07 | |
It was. I mean, as you can see, in the end, | 0:38:07 | 0:38:09 | |
I made a pair of lamps with it. | 0:38:09 | 0:38:11 | |
-Yeah. -I wasn't sure what I was going to do for you, but there you go. | 0:38:11 | 0:38:15 | |
So, how did you do... You're not that strong, are you? | 0:38:15 | 0:38:18 | |
You didn't crush it with your bare hands? | 0:38:18 | 0:38:19 | |
I did have some help from an incredibly powerful | 0:38:19 | 0:38:24 | |
scrap-crushing machine, | 0:38:24 | 0:38:26 | |
and, yeah, it was a fun process. | 0:38:26 | 0:38:27 | |
Hold on, oh, whoa, whoa, whoa, slow down a minute. | 0:38:27 | 0:38:29 | |
You took this, you know, where they crush the cars? | 0:38:29 | 0:38:32 | |
-Is that what you're saying? -Yeah, exactly. | 0:38:32 | 0:38:34 | |
-You took it to one of those? -Yeah. Yeah, it was a lot of fun. | 0:38:34 | 0:38:37 | |
Oh, what? I like them. | 0:38:37 | 0:38:38 | |
I like them both a lot. | 0:38:38 | 0:38:40 | |
And now I like them even more, because I know you've crushed them. | 0:38:40 | 0:38:43 | |
No, that's... That's brilliant. | 0:38:43 | 0:38:45 | |
-Yeah. -So the next thing I want to ask is budget. | 0:38:45 | 0:38:47 | |
I've gone slightly over budget. | 0:38:47 | 0:38:49 | |
I know you left me with 200. | 0:38:49 | 0:38:51 | |
Yeah, you've gone a fiver over budget? | 0:38:51 | 0:38:53 | |
-Yeah? -I've gone a little more over budget. | 0:38:53 | 0:38:56 | |
-I've gone to 260. -260? | 0:38:56 | 0:38:58 | |
-All right. -Which, in the end, things just added up and, yeah. | 0:38:58 | 0:39:01 | |
So it's 260 for both of them? | 0:39:01 | 0:39:03 | |
-For the pair. -I can manage that. | 0:39:03 | 0:39:04 | |
-No, that's cool. -OK. -260, so that's 130 each. | 0:39:04 | 0:39:06 | |
Cool. I'm happy with that. | 0:39:06 | 0:39:08 | |
And I get the lampshades? They're mine, yeah? | 0:39:08 | 0:39:10 | |
Yeah, that's part of the deal. | 0:39:10 | 0:39:11 | |
-You've got a deal, then, sir. -Excellent, thank you. | 0:39:11 | 0:39:14 | |
-Thank you. Cheers for that, Rupert. -All right. -Take care. | 0:39:14 | 0:39:16 | |
Oh, that was... That was pretty good. | 0:39:18 | 0:39:20 | |
I think Jay was happy with that. So if Jay's happy, I'm happy. | 0:39:20 | 0:39:23 | |
And another happy chappie is Tom. | 0:39:23 | 0:39:27 | |
Jay sold him both lamps. | 0:39:27 | 0:39:29 | |
He's giving them pride of place in his bar - | 0:39:29 | 0:39:32 | |
the Hermitage Road in Hertfordshire. | 0:39:32 | 0:39:35 | |
They are very cool, very original, very different. | 0:39:35 | 0:39:38 | |
That's what we're about here, so, yeah, great pieces. | 0:39:38 | 0:39:40 | |
Now Jay's on his way to Cassidy's home to tell him what became of his | 0:39:42 | 0:39:46 | |
hunks of junk. | 0:39:46 | 0:39:47 | |
Jay and I really hit it off, so I look forward to having a little bit more banter with him, | 0:39:49 | 0:39:53 | |
and actually I kind of look forward to seeing what he's managed to do | 0:39:53 | 0:39:56 | |
with the junk that he's taken from my back yard. | 0:39:56 | 0:40:00 | |
Hey. | 0:40:01 | 0:40:03 | |
-Hey, bud. -How are we doing? Are you all right? -I'm great, man. | 0:40:03 | 0:40:05 | |
-Come in. Welcome back. -Thank you. -Come on in. | 0:40:05 | 0:40:08 | |
OK, I'm not going to keep you in suspense any longer. | 0:40:08 | 0:40:11 | |
-Good. -I took on the sandpit, and this is what I turned it into. | 0:40:11 | 0:40:16 | |
-It's a sandpit... -Oh, wow, that's actually really nice! | 0:40:16 | 0:40:19 | |
-I don't mean to sound so surprised. -You do sound a bit surprised. | 0:40:19 | 0:40:21 | |
Well, wait, you did take a sandpit out of my back yard, right? | 0:40:21 | 0:40:24 | |
It's... That would actually go really well in my bathroom. | 0:40:24 | 0:40:27 | |
That's exactly what I made it for. | 0:40:27 | 0:40:29 | |
Yeah, it's gorgeous. And it's got a shabby-chic look to it. | 0:40:29 | 0:40:31 | |
-That's it. -Yeah, it's gorgeous. | 0:40:31 | 0:40:33 | |
Well, you'll be pleased to know that I've sold this as well. | 0:40:33 | 0:40:35 | |
-Oh, you've already sold it? -This one's already sold, | 0:40:35 | 0:40:38 | |
and I make £36 profit on this. | 0:40:38 | 0:40:40 | |
-That's excellent. -After all my costs and everything, | 0:40:40 | 0:40:43 | |
paying for the mirrors and what have you. | 0:40:43 | 0:40:44 | |
-Well, that's brilliant. -And then for your wheelbarrow, | 0:40:44 | 0:40:48 | |
I took it to a guy called Rupert, | 0:40:48 | 0:40:50 | |
and what he does with stuff is quite amazing, | 0:40:50 | 0:40:52 | |
and he turned your wheelbarrow into two lamps. | 0:40:52 | 0:40:56 | |
That doesn't... That doesn't count. | 0:40:59 | 0:41:02 | |
That doesn't count. It looks like he's just put it in a car crusher | 0:41:02 | 0:41:05 | |
and it just went... I mean, it's gorgeous. It's creative. | 0:41:05 | 0:41:08 | |
Very gorgeous. I just... To be honest, I'm surprised. | 0:41:08 | 0:41:11 | |
-Yeah? -I'm surprised because if you were to tell me that he was going to | 0:41:11 | 0:41:14 | |
make a lamp out of a wheelbarrow, I would say, "OK, he'd take that bit | 0:41:14 | 0:41:16 | |
"and that bit and cut that, put a bulb on that, a shade on there." | 0:41:16 | 0:41:19 | |
I wouldn't expect him to bend the entire wheelbarrow into | 0:41:19 | 0:41:22 | |
-the shape of a square. -I entirely agree with you. | 0:41:22 | 0:41:24 | |
And we've sold this as well. | 0:41:24 | 0:41:25 | |
-Yeah, so? -I've got an £85 profit we've made on that. | 0:41:25 | 0:41:28 | |
-That's great. -So, in total, I have for you £121... | 0:41:28 | 0:41:33 | |
-..for your charity. -That's amazing! -Yeah, cool? -That is awesome. | 0:41:35 | 0:41:39 | |
So, who is it going to? What charity is that going to? | 0:41:39 | 0:41:42 | |
I've chosen the Royal British Legion. | 0:41:42 | 0:41:44 | |
I chose them because they... | 0:41:44 | 0:41:46 | |
Since coming out of my coma, and since really kind of | 0:41:46 | 0:41:50 | |
starting to get a grip...to grips with what my body is capable and not | 0:41:50 | 0:41:54 | |
capable of doing, they've kind of been with me | 0:41:54 | 0:41:56 | |
the whole step of the way. | 0:41:56 | 0:41:57 | |
You know, that right there, they'll be grateful for that, | 0:41:57 | 0:41:59 | |
so this is good. You've done a good thing. | 0:41:59 | 0:42:01 | |
-No, you've done a good thing, sir. -They'll be happy about this. -No, thank you. -Yeah, dude. | 0:42:01 | 0:42:05 | |
-Any time. Come on over. -OK. -Come and take my junk any day. | 0:42:05 | 0:42:07 | |
-I will do! -Do. | 0:42:07 | 0:42:09 | |
The stuff Jay did with the old sandbox, that stuff's gorgeous. | 0:42:09 | 0:42:13 | |
I mean, that's... That's the kind of stuff you could... | 0:42:13 | 0:42:15 | |
You could go into any modern furniture shop to buy that, | 0:42:15 | 0:42:18 | |
and so I'm a little impressed by that. | 0:42:18 | 0:42:20 | |
And a little bit, erm... | 0:42:20 | 0:42:21 | |
A little envious, cos if I'd known I could have done that myself, | 0:42:21 | 0:42:24 | |
then we'd have two lovely shelves with mirrors hanging | 0:42:24 | 0:42:26 | |
in our living room or bathroom right now. | 0:42:26 | 0:42:28 | |
Jay sold the mirrors for £55. | 0:42:30 | 0:42:33 | |
Minus his costs, he was left with a profit of 36 quid. | 0:42:33 | 0:42:38 | |
The lamps sold for £345. | 0:42:38 | 0:42:41 | |
Take away Rupert's spend, | 0:42:41 | 0:42:43 | |
that gave Jay a profit of £85. | 0:42:43 | 0:42:46 | |
Added together, Cassidy has £121 to | 0:42:46 | 0:42:50 | |
donate to the Royal British Legion. | 0:42:50 | 0:42:52 | |
Sarah and Jay have rejuvenated four pieces of celebrity junk. | 0:42:55 | 0:43:00 | |
Once-cherished items that were ready to be chucked have been given a new | 0:43:02 | 0:43:06 | |
lease of life. | 0:43:06 | 0:43:07 | |
Hidden gems have been discovered and transformed, | 0:43:08 | 0:43:11 | |
to take pride of place in new homes. | 0:43:11 | 0:43:14 | |
Well, with the help of the brilliant Norman and Rupert... | 0:43:16 | 0:43:19 | |
We've crushed a profit | 0:43:19 | 0:43:20 | |
out of four items that were destined for the tip. | 0:43:20 | 0:43:22 | |
And handed over some Money For Nothing | 0:43:22 | 0:43:25 | |
to two great charities. | 0:43:25 | 0:43:26 |