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Over the years on Flog It, you've brought thousands of items to value | 0:00:02 | 0:00:05 | |
and together we've been to thousands of auction rooms | 0:00:05 | 0:00:08 | |
to put those valuations to the test. | 0:00:08 | 0:00:10 | |
In this series, we're pulling together all of that knowledge | 0:00:10 | 0:00:12 | |
to help you get in the know. | 0:00:12 | 0:00:14 | |
Welcome to Flog It! Trade Secrets. | 0:00:14 | 0:00:16 | |
Great world events provide the dramatic backdrop to today's programme, | 0:00:45 | 0:00:50 | |
as we take a look at items associated with war. | 0:00:50 | 0:00:53 | |
Now, all antiques tell a story, as we know. | 0:00:56 | 0:00:58 | |
It could be a joyous occasion, a time of national celebration, | 0:00:58 | 0:01:02 | |
or a time of great adversity. Like war. Or austerity. | 0:01:02 | 0:01:06 | |
We're going to be investigating why these items | 0:01:06 | 0:01:09 | |
that have been touched by such tragedy are so highly sought after. | 0:01:09 | 0:01:13 | |
On this show, our experts will be getting into the wartime spirit. | 0:01:14 | 0:01:19 | |
HE HUMS "The British Grenadiers" | 0:01:19 | 0:01:22 | |
And I'm off on a Boy's Own adventure. | 0:01:22 | 0:01:26 | |
If you've ever wondered | 0:01:26 | 0:01:28 | |
what a Rolls-Royce V12 Merlin engine sounds like, I've got a real treat for you. | 0:01:28 | 0:01:33 | |
It can feel slightly uncomfortable talking about market values | 0:01:39 | 0:01:43 | |
when it comes to talking of items that are so closely related | 0:01:43 | 0:01:46 | |
to stories of horror and tragedy. | 0:01:46 | 0:01:47 | |
But there are many collectors out there | 0:01:47 | 0:01:50 | |
who regard the history behind the object as being of great interest, | 0:01:50 | 0:01:54 | |
and that's worth preserving. | 0:01:54 | 0:01:57 | |
So what are our experts' tips on buying wartime memorabilia? | 0:01:57 | 0:02:02 | |
When we look at militaria, | 0:02:02 | 0:02:04 | |
what we really want is documentation with it. | 0:02:04 | 0:02:07 | |
We want to see the whole picture. | 0:02:07 | 0:02:10 | |
As far as militaria goes, the most interesting area is medals. | 0:02:10 | 0:02:14 | |
It's so easy to fake certain badges and the like, | 0:02:14 | 0:02:18 | |
so the important thing is to make sure | 0:02:18 | 0:02:20 | |
you have the provenance and the pedigree. | 0:02:20 | 0:02:22 | |
So you must really know what you're handling | 0:02:22 | 0:02:24 | |
if you're putting a lot of money into buying militaria. | 0:02:24 | 0:02:28 | |
My top tip, if you're collecting it, is pick a battle. Pick a war. | 0:02:28 | 0:02:33 | |
Don't scattergun - because it's massive. | 0:02:33 | 0:02:36 | |
Objects in storage can bring the past back to life so vividly. | 0:02:38 | 0:02:42 | |
And there can be few moments in our history that resonate so strongly today | 0:02:42 | 0:02:47 | |
as those dark days of when Britain was at war. | 0:02:47 | 0:02:51 | |
Here are some of the finest examples we've come across | 0:02:51 | 0:02:53 | |
over the years, and what we've learned from them. | 0:02:53 | 0:02:56 | |
There's a huge market for any militaria - medals, cap badges, | 0:02:59 | 0:03:04 | |
uniforms, helmets, ration books.,.. | 0:03:04 | 0:03:08 | |
The whole military area is a very collectible one. | 0:03:08 | 0:03:13 | |
I'm constantly surprised what you find in people's drawers. | 0:03:13 | 0:03:16 | |
As was the case at Eastbourne, when that lovely lady brought in the First World War | 0:03:16 | 0:03:22 | |
German pickelhaube helmet. | 0:03:22 | 0:03:24 | |
It belonged to my father's father. | 0:03:24 | 0:03:27 | |
-Did he serve in the First World War, do you think? -Yes, I think so. | 0:03:27 | 0:03:30 | |
Because it certainly dates from that Kaiser Wilhelm period, doesn't it? | 0:03:30 | 0:03:34 | |
The Great War - 1914 to 1918. | 0:03:34 | 0:03:37 | |
And, of course it's a German army officer's helmet, | 0:03:37 | 0:03:42 | |
with the Imperial German eagle on the front and then the regiment. | 0:03:42 | 0:03:46 | |
These helmets were worn right throughout the 19th century. | 0:03:46 | 0:03:48 | |
But in the early part of the 20th century particularly, | 0:03:48 | 0:03:52 | |
in the Great War, they proved to have a bit of a design defect. | 0:03:52 | 0:03:56 | |
The problem was, whenever you stuck your head | 0:03:56 | 0:03:59 | |
above the parapet, as it were - or the trenches - | 0:03:59 | 0:04:02 | |
you could see the spike before you could see the helmet. | 0:04:02 | 0:04:05 | |
There's been a lot of discussion with my colleagues about this - | 0:04:05 | 0:04:09 | |
there's all sorts of different estimates coming in. | 0:04:09 | 0:04:12 | |
But I guess we'll never know, really, what it's worth, | 0:04:12 | 0:04:14 | |
unless it goes into auction. | 0:04:14 | 0:04:16 | |
Some of them think it's worth at least £200 to £300. | 0:04:16 | 0:04:19 | |
I think it's worth £150 or so. | 0:04:19 | 0:04:22 | |
But I'm going to follow their advice with an estimate of £200-£300. | 0:04:22 | 0:04:26 | |
Was Mark right to listen to the advice of the other experts? | 0:04:29 | 0:04:33 | |
Prussian pickelhaube, | 0:04:33 | 0:04:34 | |
military helmet for the guardsmen. | 0:04:34 | 0:04:37 | |
And we can start this one here on commission at £220. | 0:04:37 | 0:04:40 | |
230, 240, 250. | 0:04:40 | 0:04:42 | |
260 on the telephones, 250 here. | 0:04:42 | 0:04:46 | |
260, 270, 280, 290, 300. | 0:04:46 | 0:04:48 | |
These items are notoriously difficult to value. | 0:04:48 | 0:04:52 | |
Particularly in the heat of battle, as it were. | 0:04:52 | 0:04:55 | |
-£600. £620. -(This is good.) | 0:04:55 | 0:04:58 | |
Hey-ho. We all got it wrong. | 0:04:58 | 0:05:00 | |
-£750. -£780. | 0:05:00 | 0:05:02 | |
£780 on the phone. £800. And 20. 820. 850? | 0:05:04 | 0:05:09 | |
820 on the telephone. Anybody else getting involved? | 0:05:09 | 0:05:12 | |
Are you all done at £820...? | 0:05:12 | 0:05:15 | |
Hammer's gone down on £820! | 0:05:15 | 0:05:18 | |
I can't believe it! | 0:05:18 | 0:05:20 | |
Phew! | 0:05:20 | 0:05:21 | |
I'm sure the fact the family who owned it | 0:05:21 | 0:05:24 | |
had never tried to restore or clean it or tamper with it... | 0:05:24 | 0:05:29 | |
So you had that original finish, colour, patina... | 0:05:29 | 0:05:32 | |
aging... created that wonderful item which the collectors wanted. | 0:05:32 | 0:05:38 | |
And therefore the price it achieved. | 0:05:38 | 0:05:40 | |
Mark learnt a good lesson there. And it's a tip for you, too. | 0:05:40 | 0:05:44 | |
If your item looks less than perfect, hold off on the scrubbing brush | 0:05:44 | 0:05:49 | |
until you've got advice from a specialist dealer. | 0:05:49 | 0:05:51 | |
As it may well be worth more in its original condition. | 0:05:51 | 0:05:55 | |
Anita knew that polish wasn't everything | 0:05:55 | 0:05:59 | |
when it came to valuing the next piece. | 0:05:59 | 0:06:01 | |
I suppose I'm always moved to some extent by what we call trench art. | 0:06:01 | 0:06:07 | |
Those items that are made by prisoners of war, | 0:06:07 | 0:06:12 | |
or soldiers during long periods of inactivity. | 0:06:12 | 0:06:17 | |
And there was one particular item which I thought was rather lovely. | 0:06:17 | 0:06:21 | |
And rather poignant. It was a little Stuka plane. | 0:06:21 | 0:06:27 | |
I believe it was made by a German prisoner of war in Sicily. | 0:06:27 | 0:06:32 | |
And it was brought back by an Irishman | 0:06:32 | 0:06:35 | |
who was an ordinary soldier there. | 0:06:35 | 0:06:38 | |
It was given to him by the prisoner who made it. | 0:06:38 | 0:06:41 | |
If you can imagine him - and he would be a very young man at that time - | 0:06:41 | 0:06:46 | |
incarcerated, a prisoner of war in a foreign country, | 0:06:46 | 0:06:51 | |
building this little plane, made out of aluminium. | 0:06:51 | 0:06:56 | |
And I found that very... | 0:06:56 | 0:06:59 | |
very touching. | 0:06:59 | 0:07:01 | |
And we have on the wings here, "Sicily" and "1944". | 0:07:01 | 0:07:06 | |
-So it was towards the end of the war. -Yes. | 0:07:06 | 0:07:11 | |
-It's telling us a wee story, Hilary. -Yeah. | 0:07:11 | 0:07:13 | |
There is a market for this type of items | 0:07:13 | 0:07:17 | |
that were made up by prisoners of war. | 0:07:17 | 0:07:21 | |
Value on it? I would say we could put it in at 20 to 25. | 0:07:21 | 0:07:29 | |
-It's really just a figure plucked out... -Yes, yes. | 0:07:29 | 0:07:33 | |
These items appeal to the collectors because of the story. | 0:07:33 | 0:07:36 | |
It's the story that they're thinking about. | 0:07:36 | 0:07:39 | |
Did they find a buyer intrigued by the story of the prisoner of war at the auction? | 0:07:39 | 0:07:45 | |
45. 7.50? 50. | 0:07:45 | 0:07:49 | |
At 50, here on my left. | 0:07:49 | 0:07:50 | |
At £50. Have you all done? At 50. We're selling. | 0:07:50 | 0:07:53 | |
At £50, then. | 0:07:53 | 0:07:56 | |
-£50! -Brilliant! -That's good, isn't it? | 0:07:56 | 0:07:59 | |
Not a huge price, | 0:08:00 | 0:08:01 | |
but that's not always what a piece like this is about. | 0:08:01 | 0:08:05 | |
As our expert Charlie Ross also found | 0:08:06 | 0:08:08 | |
when he came across an item discovered in a house clearance, | 0:08:08 | 0:08:11 | |
dating back even further - to the Crimean War. | 0:08:11 | 0:08:15 | |
I think this is the most interesting, | 0:08:15 | 0:08:17 | |
if not the most valuable thing | 0:08:17 | 0:08:19 | |
I've had today. | 0:08:19 | 0:08:21 | |
I'm absolutely astonished at the lack of | 0:08:21 | 0:08:24 | |
monetary value with something that I think | 0:08:24 | 0:08:29 | |
is as significant as this. | 0:08:29 | 0:08:30 | |
It's a parchment dated 1854. What happened in 1854? | 0:08:30 | 0:08:33 | |
Charge of the Light Brigade. | 0:08:33 | 0:08:35 | |
As written and sung by Corporal John Brown. | 0:08:35 | 0:08:38 | |
Well, I dare say if you look up the records we'll find who | 0:08:38 | 0:08:41 | |
Corporal John Brown is of Grenadier Guards. | 0:08:41 | 0:08:44 | |
And it's done to the tune of the British Grenadiers. | 0:08:44 | 0:08:46 | |
-Do you know how that goes? -No, but I'm sure you're going to show us. | 0:08:46 | 0:08:50 | |
Whether the words fit to it or not, I'll give it a try. | 0:08:50 | 0:08:54 | |
# Come all you gallant British hearts that love the red and blue | 0:08:54 | 0:08:58 | |
# And drink the health of those brave lads | 0:08:58 | 0:09:01 | |
# Who made the Russians rue... # | 0:09:01 | 0:09:02 | |
-It does fit! -It does! | 0:09:02 | 0:09:05 | |
How many letters are there from the Crimea War | 0:09:05 | 0:09:09 | |
that have survived intact, | 0:09:09 | 0:09:11 | |
given the huge percentage of deaths that there were there? | 0:09:11 | 0:09:15 | |
Um, there can't be that many of them. | 0:09:15 | 0:09:17 | |
Historians love things like this! | 0:09:17 | 0:09:20 | |
It's very interesting historically because it talks about fighting - | 0:09:20 | 0:09:23 | |
"The French, they had the right that day, | 0:09:23 | 0:09:25 | |
"and flanked the Russian line," | 0:09:25 | 0:09:27 | |
so it goes on and on and on | 0:09:27 | 0:09:29 | |
and it mentions commanding officers and what have you. | 0:09:29 | 0:09:31 | |
Isn't it more interesting | 0:09:31 | 0:09:33 | |
to know the thoughts of the rank and file soldier, | 0:09:33 | 0:09:36 | |
rather than the guy who's told them where to go? | 0:09:36 | 0:09:39 | |
It's not so much the value, | 0:09:39 | 0:09:41 | |
we're not going to get a wonderful surprise. | 0:09:41 | 0:09:43 | |
And I think it's probably worth less than £50. | 0:09:43 | 0:09:46 | |
-And I'm sorry for the singing! -That's all right! | 0:09:46 | 0:09:48 | |
-Been lovely to meet you. -We'll forgive you. | 0:09:48 | 0:09:51 | |
Did the auctioneer convince the crowd | 0:09:51 | 0:09:54 | |
of its historical significance when it came to the sale? | 0:09:54 | 0:09:57 | |
The handwritten letter from the Crimea War. | 0:09:57 | 0:10:00 | |
A lot of history connected with this. For a bit of British history. | 0:10:00 | 0:10:05 | |
Only £70. | 0:10:05 | 0:10:06 | |
And 5! £80! At £80 now. | 0:10:06 | 0:10:10 | |
At 80. Get passionate about this! | 0:10:10 | 0:10:13 | |
All done at 80, I'll take a £5 again. | 0:10:13 | 0:10:15 | |
Done then at £80. Nobody else? | 0:10:15 | 0:10:16 | |
You're out on the net? You're out at £80. | 0:10:16 | 0:10:19 | |
You're disappointing me. Have another go. | 0:10:19 | 0:10:21 | |
-Five! 90! -Ooh... | 0:10:21 | 0:10:25 | |
Five! 100? | 0:10:25 | 0:10:27 | |
I'll take your five again! | 0:10:27 | 0:10:29 | |
105? Yes? At £105. Nobody else? | 0:10:29 | 0:10:34 | |
All done at £105! | 0:10:34 | 0:10:38 | |
-You've got to be pleased with that. -Really pleased. -Very pleased. | 0:10:38 | 0:10:40 | |
Hopefully, it's gone to somebody that really wanted it. | 0:10:40 | 0:10:44 | |
Thank you for bringing in a wonderful piece of history. | 0:10:44 | 0:10:47 | |
Look at what you've got. This was on its way to a skip, I think. | 0:10:47 | 0:10:50 | |
As indeed so many things are, | 0:10:50 | 0:10:51 | |
and then somebody decided to have a look. | 0:10:51 | 0:10:54 | |
And he knew just enough to rescue it. | 0:10:54 | 0:10:57 | |
If you have items like this handwritten letter, | 0:10:57 | 0:11:00 | |
or the metal plane, they might not fetch the largest sums at auction, | 0:11:00 | 0:11:04 | |
but they could be invaluable to the right buyer | 0:11:04 | 0:11:08 | |
as a slice of history. | 0:11:08 | 0:11:10 | |
There's one kind of militaria that really gets Will Axon | 0:11:10 | 0:11:13 | |
and our experts excited. | 0:11:13 | 0:11:15 | |
A lot of the time | 0:11:15 | 0:11:18 | |
when you're dealing with items that are war related, | 0:11:18 | 0:11:20 | |
it's usually sort of printed matter. | 0:11:20 | 0:11:22 | |
Ephemera. Say, a ration book or a discharge sheet. | 0:11:22 | 0:11:25 | |
But what really excites the team on Flog It | 0:11:25 | 0:11:28 | |
is when, say, a medal comes in, or a group of medals. | 0:11:28 | 0:11:31 | |
Then you've got real physical evidence of what someone has done. | 0:11:31 | 0:11:35 | |
Now, what can you tell me about this medal? | 0:11:35 | 0:11:37 | |
How's it come to be in your family? | 0:11:37 | 0:11:40 | |
A friend of the family gave it to me about 20, 25 years ago. | 0:11:40 | 0:11:45 | |
It belonged to his brother, | 0:11:45 | 0:11:47 | |
so he gave it to me because he knew I would look after it. | 0:11:47 | 0:11:49 | |
I think I said at the time, | 0:11:49 | 0:11:51 | |
it's that all important word "courage" on the medal. | 0:11:51 | 0:11:54 | |
And people who are buying medals, that's what they're buying into. | 0:11:54 | 0:11:57 | |
They're buying into the history of this one person - what did they do? Where were they? | 0:11:57 | 0:12:01 | |
What happened to them later in the war? Did they survive the war? | 0:12:01 | 0:12:04 | |
It's a medal that was first issued in 1918. | 0:12:04 | 0:12:08 | |
It's for dedication or bravery or devotion in duty. | 0:12:08 | 0:12:12 | |
-And it was awarded to the RAF. -To pilots, yes. | 0:12:14 | 0:12:17 | |
To pilots. Because I understand he was a pilot? | 0:12:17 | 0:12:20 | |
He was a Spitfire pilot, yes. | 0:12:20 | 0:12:22 | |
Really? And did he survive the war? | 0:12:22 | 0:12:24 | |
No, no, he was shot down over Germany, I think about 1941. | 0:12:24 | 0:12:28 | |
Right, because I see you've also brought in | 0:12:28 | 0:12:31 | |
-some interesting paperwork. -Yes. -Commonwealth War Graves Commission. | 0:12:31 | 0:12:36 | |
-Mm-hm. -Who have provided you with a photograph of his grave. -Yes. | 0:12:36 | 0:12:41 | |
So we've got Squadron Leader Farmery. | 0:12:41 | 0:12:44 | |
And there's the DFM after his name, | 0:12:44 | 0:12:49 | |
which is the Distinguished Flying Medal that we've seen here. | 0:12:49 | 0:12:53 | |
So that's really what medal buyers are after. | 0:12:53 | 0:12:55 | |
They're after the historical context of these medals | 0:12:55 | 0:12:59 | |
and who they were awarded to and how did he fit in | 0:12:59 | 0:13:02 | |
to the whole war story? | 0:13:02 | 0:13:04 | |
-We don't know why he was awarded this. -No. | 0:13:04 | 0:13:07 | |
But somewhere, that's going to be recorded. | 0:13:07 | 0:13:09 | |
That, I suspect, is probably what the buyer is going to be doing after this. | 0:13:09 | 0:13:13 | |
He's going to be looking into the history and the research of it. | 0:13:13 | 0:13:17 | |
I would say, that at auction, a sensible estimate for a medal | 0:13:17 | 0:13:21 | |
-of this type, put it in with an estimate of 400-600. -Gosh! | 0:13:21 | 0:13:25 | |
£400-£600. | 0:13:25 | 0:13:27 | |
I'm quietly confident that it's going to make more than that. | 0:13:27 | 0:13:30 | |
Then, I think, Olive, between then and the auction, | 0:13:30 | 0:13:33 | |
had found the more standard service medals. | 0:13:33 | 0:13:35 | |
Having found a clutch of medals, the auctioneer, Adam Partridge, | 0:13:35 | 0:13:39 | |
went for broke and upped the reserve. | 0:13:39 | 0:13:42 | |
I think even he was surprised at what they finally sold for. | 0:13:42 | 0:13:46 | |
470 is the medal group to Sergeant, later | 0:13:46 | 0:13:48 | |
Squadron Leader Clifford John Farmery of the RAF, | 0:13:48 | 0:13:52 | |
including his courage medal, a lovely medal group indeed. | 0:13:52 | 0:13:55 | |
I can start straight in at £1,050. | 0:13:55 | 0:13:59 | |
Crikey! | 0:13:59 | 0:14:02 | |
1,100, 50, 1,200, 1,250, 1,300, | 0:14:02 | 0:14:06 | |
1,350, 1,400, 1,450, 1,500, | 0:14:06 | 0:14:10 | |
1,550, 1,600... | 0:14:10 | 0:14:12 | |
I think there's still two phone bidders waiting to come in. | 0:14:12 | 0:14:15 | |
2,000... | 0:14:15 | 0:14:17 | |
2,100, | 0:14:17 | 0:14:19 | |
2,200, 2,300... | 0:14:19 | 0:14:22 | |
You'll have to pick me up off the floor in a minute! | 0:14:22 | 0:14:24 | |
2,300 on Mark's phone there. | 0:14:24 | 0:14:27 | |
2,300, are you all done now? | 0:14:27 | 0:14:28 | |
At £2,300, we sell at 2,300. | 0:14:28 | 0:14:32 | |
-Crumbs! -Goodness! | 0:14:32 | 0:14:35 | |
-Wow! -Gosh! | 0:14:35 | 0:14:36 | |
An incredible result. | 0:14:36 | 0:14:38 | |
I think the important facts that brought the medals | 0:14:40 | 0:14:44 | |
up to that sort of level was he was a squadron leader. | 0:14:44 | 0:14:47 | |
You had the medal itself presented for courage | 0:14:47 | 0:14:51 | |
and also you had a bit of paperwork there, as well. | 0:14:51 | 0:14:53 | |
You had the picture of the grave | 0:14:53 | 0:14:55 | |
as well as some paperwork from the War Commission. | 0:14:55 | 0:14:58 | |
Now, I've got a little tip for you - | 0:14:58 | 0:15:00 | |
provenance is key to valuing any antique. | 0:15:00 | 0:15:03 | |
If you have the paperwork accompanying an item | 0:15:03 | 0:15:06 | |
that can prove ownership of somebody of note, it will definitely put the value up. | 0:15:06 | 0:15:09 | |
But sometimes an item just speaks to you directly from the past, | 0:15:09 | 0:15:13 | |
as James Lewis found out. | 0:15:13 | 0:15:15 | |
There are certain pieces | 0:15:15 | 0:15:17 | |
when you pick them up and look at them | 0:15:17 | 0:15:20 | |
that immediately take you back to an earlier time. | 0:15:20 | 0:15:25 | |
One of the most incredible was an aviator's watch. | 0:15:25 | 0:15:29 | |
-Do you know much about it? -No, I know nothing. -OK. | 0:15:32 | 0:15:36 | |
Well, let's go back 60 years | 0:15:36 | 0:15:40 | |
into the middle of the Second World War. | 0:15:40 | 0:15:44 | |
At night, squadrons of bombers are coming over from Dresden | 0:15:44 | 0:15:50 | |
and if you were in one of those dark, | 0:15:50 | 0:15:52 | |
noisy planes, looking at your watch wouldn't be easy, | 0:15:52 | 0:15:57 | |
especially not if it was underneath your flying suit. | 0:15:57 | 0:16:00 | |
So, if you were an observer in one of the planes, | 0:16:00 | 0:16:04 | |
you would need a watch that would go over your flight suit | 0:16:04 | 0:16:07 | |
and this is what you would have worn. | 0:16:07 | 0:16:11 | |
You can imagine the fear | 0:16:12 | 0:16:15 | |
of the people in those very small, confined planes, | 0:16:15 | 0:16:18 | |
be it Germans coming over here, or us going over there. | 0:16:18 | 0:16:22 | |
Why it would have to be so big, why they would need a timepiece | 0:16:22 | 0:16:26 | |
to work out where they are and where to bomb. | 0:16:26 | 0:16:29 | |
It's incredibly rare. | 0:16:29 | 0:16:31 | |
-I've seen them in books, I've never handled one. -No. | 0:16:31 | 0:16:35 | |
This is a first for me. | 0:16:35 | 0:16:37 | |
-What do you think it's worth? -I've no idea. | 0:16:37 | 0:16:41 | |
What do you think? | 0:16:41 | 0:16:43 | |
Couple of hundred? | 0:16:43 | 0:16:44 | |
-It's probably worth a couple of thousand pounds. -You're joking! | 0:16:46 | 0:16:50 | |
SHE LAUGHS | 0:16:50 | 0:16:52 | |
-I didn't expect that. -It's a fantastic watch. -Oh... | 0:16:52 | 0:16:57 | |
A bold valuation, but as so many men were shot down | 0:16:57 | 0:17:00 | |
in those air battles and few watches survived, | 0:17:00 | 0:17:03 | |
did the buyers value such a rare and poignant piece? | 0:17:03 | 0:17:07 | |
A rare, oversized, stainless steel navigator's watch, | 0:17:07 | 0:17:10 | |
in reasonable condition. We've had a lot of interest presale. | 0:17:10 | 0:17:14 | |
-I'm going to come straight in flat at £1,000. -Oh! | 0:17:14 | 0:17:18 | |
£1,000. I have a £1,000 bid with me. | 0:17:18 | 0:17:21 | |
And 50, 1,100. | 0:17:21 | 0:17:23 | |
It's straight in at 1,000. | 0:17:23 | 0:17:24 | |
The bid's online at £1,200, 1,250, | 0:17:24 | 0:17:27 | |
1,300, 1,350, | 0:17:27 | 0:17:29 | |
1,400, and 50. | 0:17:29 | 0:17:31 | |
And the price went up and up. | 0:17:31 | 0:17:34 | |
2,250 online. | 0:17:34 | 0:17:36 | |
I've got 2,300. I've got 2,300 on the phone. | 0:17:36 | 0:17:39 | |
April, do you need a seat? | 0:17:39 | 0:17:41 | |
I've got 2,300, are you going to go 2,400? | 0:17:41 | 0:17:43 | |
-2,300. -Blimey! | 0:17:43 | 0:17:45 | |
One more won't hurt you. I've got 2,300, bid it up. | 0:17:45 | 0:17:47 | |
We've got 2,300 on the phone. 2,400. | 0:17:47 | 0:17:50 | |
They are loving this, aren't they? | 0:17:50 | 0:17:52 | |
2,600. | 0:17:52 | 0:17:53 | |
The bid's at 2,600. It's against you online at £2,600. | 0:17:53 | 0:17:59 | |
I've got 2,700, 2,800, still climbing. | 0:17:59 | 0:18:02 | |
At 2,800. | 0:18:02 | 0:18:03 | |
James, this is unbelievable. | 0:18:03 | 0:18:06 | |
At £2,800, 2,900. | 0:18:06 | 0:18:09 | |
At 2,900, come on, round it up. 3,000. | 0:18:09 | 0:18:11 | |
I knew you liked this lot. | 0:18:11 | 0:18:13 | |
At £3,000, going once. At 3,000, going twice. | 0:18:13 | 0:18:17 | |
Last and final call, at £3,000 online, I sell... | 0:18:17 | 0:18:21 | |
GAVEL BANGS | 0:18:21 | 0:18:22 | |
£3,000! | 0:18:22 | 0:18:24 | |
It's the story and the feeling and the emotion | 0:18:28 | 0:18:31 | |
that comes with the object that is so much more important than its value. | 0:18:31 | 0:18:37 | |
It's those circumstances where you want it to go to the right home | 0:18:37 | 0:18:40 | |
and that watch made £3,000. | 0:18:40 | 0:18:42 | |
So, whoever wanted it, wanted it badly, so I hope it has. | 0:18:42 | 0:18:45 | |
This is an emotive market so look out for rare items | 0:18:45 | 0:18:49 | |
which embody a dramatic moment in history and you'll be on to a winner. | 0:18:49 | 0:18:54 | |
If you're lucky enough to find war memorabilia | 0:18:54 | 0:18:57 | |
you're holding a little piece of history | 0:18:57 | 0:19:01 | |
and the value is in the story it's telling. | 0:19:01 | 0:19:03 | |
Don't clean things up - the more it conjures up the past, the better. | 0:19:03 | 0:19:08 | |
Keep hold of anything that enriches the story of your item, | 0:19:08 | 0:19:11 | |
like photos, or letters. | 0:19:11 | 0:19:14 | |
You might decide the value is in having | 0:19:14 | 0:19:16 | |
a piece of heritage in your hands. | 0:19:16 | 0:19:18 | |
In which case, find out more about your item | 0:19:18 | 0:19:20 | |
and enjoy something which gives you a connection with a wartime past. | 0:19:20 | 0:19:25 | |
I've always loved wartime stories of derring-do, | 0:19:29 | 0:19:32 | |
but none compares to the stories surrounding the Battle of Britain | 0:19:32 | 0:19:35 | |
and one of our greatest weapons of war, the Spitfire. | 0:19:35 | 0:19:39 | |
But as I found out a few years ago, its story doesn't end there. | 0:19:39 | 0:19:43 | |
This is Manston Airfield in Kent. | 0:19:46 | 0:19:48 | |
As you can see, there are planes behind me here. | 0:19:48 | 0:19:50 | |
They take off daily carrying passengers and cargo, | 0:19:50 | 0:19:52 | |
across Europe and onwards to Africa. | 0:19:52 | 0:19:55 | |
But during the years of the Second World War, | 0:19:55 | 0:19:57 | |
there was only one destination and that was a short ten-minute hop | 0:19:57 | 0:20:00 | |
across the English Channel to France. | 0:20:00 | 0:20:02 | |
This airstrip played a vital role in Britain's air defences. | 0:20:02 | 0:20:06 | |
BELL RINGS | 0:20:06 | 0:20:08 | |
In 1940, the threat of German invasion hung over the country | 0:20:09 | 0:20:13 | |
and airfields across the south-east were put into service | 0:20:13 | 0:20:17 | |
as urgently needed RAF bases. | 0:20:17 | 0:20:19 | |
The Battle of Britain had begun, | 0:20:21 | 0:20:23 | |
and much of it was fought in the skies above Kent. | 0:20:23 | 0:20:26 | |
Manston was home to hundreds of Spitfires. | 0:20:27 | 0:20:29 | |
The young pilots were on constant alert to intercept bombers. | 0:20:29 | 0:20:33 | |
And the people of Kent even raised enough money to sponsor their own squadron. | 0:20:33 | 0:20:39 | |
Unfortunately, none of those Kent planes survived, | 0:20:39 | 0:20:42 | |
but you can still see a real Spitfire here at Manston Airfield | 0:20:42 | 0:20:46 | |
in the Spitfire and Hurricane Memorial Museum. | 0:20:46 | 0:20:49 | |
This one saw active service at home | 0:20:49 | 0:20:51 | |
and across northern Holland and Germany. | 0:20:51 | 0:20:53 | |
Although it'll never fly again, it's been faithfully restored. | 0:20:53 | 0:20:57 | |
Imagine sitting in there as a young pilot chasing | 0:20:57 | 0:20:59 | |
the Messerschmitt 109s through the clouds. | 0:20:59 | 0:21:02 | |
When I say young, the pilots were young, | 0:21:02 | 0:21:05 | |
20 years was about the average age. | 0:21:05 | 0:21:07 | |
Skilful, brave men. And if you've ever wondered | 0:21:07 | 0:21:11 | |
what a Rolls-Royce V12 Merlin engine sounds like, | 0:21:11 | 0:21:15 | |
I've got a real treat for you. | 0:21:15 | 0:21:16 | |
I've come to meet the pilot of one of the few Spitfires still flying, | 0:21:20 | 0:21:24 | |
which is named in honour of the men and their aircraft who once flew out of Manston. | 0:21:24 | 0:21:30 | |
Some guys go fishing for a hobby, | 0:21:32 | 0:21:33 | |
or they've got classic cars, but Peter here flies Spitfires. | 0:21:33 | 0:21:36 | |
-Hello. -Hello. -Pleased to meet you. | 0:21:36 | 0:21:38 | |
What a beauty, what a design icon. | 0:21:38 | 0:21:41 | |
I envy you. What's it like to fly? | 0:21:41 | 0:21:43 | |
-It's an absolute delight to fly, it really is. -Is it? | 0:21:43 | 0:21:46 | |
It's an absolute privilege to be able to, you know, | 0:21:46 | 0:21:48 | |
have access to a Spitfire to fly. | 0:21:48 | 0:21:50 | |
-Even as a schoolboy, you made Airfix models, I guess? I did. -Yes. | 0:21:50 | 0:21:53 | |
-I loved them, I loved making them. I've still got some! -That's right. | 0:21:53 | 0:21:57 | |
This is the real thing, how did you come across this? | 0:21:57 | 0:22:00 | |
Well, I did a little bit of research and found that there were | 0:22:00 | 0:22:03 | |
a few that had been recovered from South Africa in a scrapyard. | 0:22:03 | 0:22:07 | |
-Really? -In a very dilapidated state, to say the least, | 0:22:07 | 0:22:10 | |
but it was a starting point. | 0:22:10 | 0:22:12 | |
How did they end up there - do you know, did you find out? | 0:22:12 | 0:22:14 | |
Yes, at the end of the war, a number of Spitfires were sold | 0:22:14 | 0:22:18 | |
to the South African Air Force in about 1946, 1947. | 0:22:18 | 0:22:23 | |
I believe they operated them right up until the late '50s | 0:22:23 | 0:22:26 | |
and they were scrapped from there. | 0:22:26 | 0:22:28 | |
Was this a complete rustbucket then? | 0:22:28 | 0:22:30 | |
Erm, I suppose that's one way of describing them, to be honest. | 0:22:30 | 0:22:34 | |
-How many years did it take to restore? -Eight years. -Did it? | 0:22:34 | 0:22:37 | |
Eight years, and eight years of scouring the world, | 0:22:37 | 0:22:41 | |
looking for spare parts. | 0:22:41 | 0:22:42 | |
What was the hardest thing you had to find for this? | 0:22:42 | 0:22:45 | |
To be honest, the airframe parts, the bits you can actually see. | 0:22:45 | 0:22:49 | |
-The fuselage. -The fuselage and wing components. | 0:22:49 | 0:22:51 | |
Engines are still not too much of problem, and propeller blades, | 0:22:51 | 0:22:56 | |
ironically, are made, and they are made in Germany. | 0:22:56 | 0:22:59 | |
-Are they, really? -Yes, they are. | 0:22:59 | 0:23:01 | |
Spitfires were not just fighters - many were equipped with bombs | 0:23:03 | 0:23:07 | |
and used as ground attack aircraft against road and rail targets. | 0:23:07 | 0:23:11 | |
Some were based on board aircraft carriers | 0:23:11 | 0:23:13 | |
and others were used for photo reconnaissance. | 0:23:13 | 0:23:16 | |
In all, 22,500 were built | 0:23:16 | 0:23:19 | |
and they became the iconic image of Britain's victory in the war. | 0:23:19 | 0:23:23 | |
But by the late 1940s, with the war over, | 0:23:24 | 0:23:26 | |
most were quickly taken out of service and scrapped. | 0:23:26 | 0:23:30 | |
In the early 1950s, the RAF retired its last Spitfire. | 0:23:30 | 0:23:33 | |
Within a few short years, only a handful were still flying. | 0:23:33 | 0:23:38 | |
But thanks to enthusiasts around the world, | 0:23:38 | 0:23:41 | |
70 years after their greatest hour, there are believed to be | 0:23:41 | 0:23:43 | |
around 50 flying today. 20 of them are here in the UK. | 0:23:43 | 0:23:48 | |
You've done a terrific job. | 0:23:48 | 0:23:51 | |
Wonderful job. | 0:23:51 | 0:23:52 | |
-It just looks right, doesn't it? As an aeroplane. -Yeah. | 0:23:52 | 0:23:55 | |
There's just something about it. They always say, if it looks right, it flies right | 0:23:55 | 0:23:58 | |
and I think it's definitely the case with the Spitfire. | 0:23:58 | 0:24:01 | |
-It's capable of speeds of up to 350 miles an hour? -Yes, yes. | 0:24:01 | 0:24:05 | |
It's not particularly comfortable at high speeds, | 0:24:05 | 0:24:07 | |
there's very few comforts in the cockpit. | 0:24:07 | 0:24:10 | |
You need fly it for pleasure and the preservation of the aircraft. | 0:24:10 | 0:24:15 | |
Oh, thank you so much for letting me look around this, | 0:24:15 | 0:24:17 | |
and I'm going to watch you take off and enjoy the moment. | 0:24:17 | 0:24:21 | |
ENGINE STARTS | 0:24:21 | 0:24:23 | |
Just look at that. The Spirit of Kent, that's nostalgia in the sky. | 0:24:40 | 0:24:45 | |
It's such a shame that it's just a short range, single-seater fighter plane | 0:24:45 | 0:24:49 | |
because if it had two seats, | 0:24:49 | 0:24:51 | |
I'd be hitching a lift and it'd be fly away Peter, fly away Paul. | 0:24:51 | 0:24:55 | |
There is often an explosion of literary expression in wartime, | 0:25:05 | 0:25:08 | |
and nowhere was this more evident than during World War I. | 0:25:08 | 0:25:12 | |
The early years of one of England's most famous 20th-century poets | 0:25:12 | 0:25:16 | |
was spent here at Rugby. | 0:25:16 | 0:25:19 | |
Rupert Brooke died of septicaemia on his way to fight in Gallipoli, | 0:25:21 | 0:25:25 | |
so he saw no action during the war. | 0:25:25 | 0:25:28 | |
And as a result, his poetry is full of a clear-eyed optimism | 0:25:28 | 0:25:32 | |
that is absent in the work of other First World War poets. | 0:25:32 | 0:25:35 | |
The idealism of the young Brooke is crystallised | 0:25:38 | 0:25:41 | |
in his most famous poem, The Soldier. | 0:25:41 | 0:25:43 | |
If I should die, think only this of me | 0:25:45 | 0:25:49 | |
That there's some corner of a foreign field | 0:25:49 | 0:25:51 | |
That is for ever England. | 0:25:51 | 0:25:53 | |
There shall be in that rich earth a richer dust concealed | 0:25:53 | 0:25:57 | |
A dust whom England bore, shaped and made aware | 0:25:57 | 0:26:01 | |
Gave once her flowers to love, her ways to roam | 0:26:01 | 0:26:05 | |
A body of England's, breathing English air | 0:26:05 | 0:26:08 | |
Washed by the rivers, blest by suns of home. | 0:26:08 | 0:26:12 | |
One of the war poets who actually went to the front line | 0:26:12 | 0:26:15 | |
and described its horrors was fellow poet, Siegfried Sassoon. | 0:26:15 | 0:26:19 | |
Sassoon's poetry sought to betray the ugly truths of the trenches | 0:26:20 | 0:26:25 | |
to an audience lulled by patriotic propaganda. | 0:26:25 | 0:26:28 | |
He was very scathing about those who stayed at home. | 0:26:28 | 0:26:32 | |
You smug-faced crowds with kindling eye | 0:26:32 | 0:26:35 | |
Who cheer when soldier lads march by | 0:26:35 | 0:26:39 | |
Sneak home and pray you'll never know | 0:26:39 | 0:26:41 | |
The hell where youth and laughter go. | 0:26:41 | 0:26:45 | |
His poems also mocked the military top brass. | 0:26:45 | 0:26:47 | |
No-one is sure who coined the phrase "lions led by donkeys" | 0:26:47 | 0:26:52 | |
to describe the way the ordinary soldiers of the First World War | 0:26:52 | 0:26:55 | |
were let down by inept commanders. | 0:26:55 | 0:26:58 | |
But Sassoon certainly agreed with that point of view. | 0:26:58 | 0:27:01 | |
"Good-morning, good-morning!" the General said | 0:27:01 | 0:27:05 | |
When we met him last week on our way to the line | 0:27:05 | 0:27:08 | |
Now the soldiers he smiled at are most of 'em dead | 0:27:08 | 0:27:11 | |
And we're cursing his staff for incompetent swine. | 0:27:11 | 0:27:15 | |
Sassoon did survive the war, | 0:27:21 | 0:27:23 | |
but others, like fellow poet Wilfred Owen, died on the battlefield. | 0:27:23 | 0:27:27 | |
What they gave us was an insight into war | 0:27:27 | 0:27:30 | |
and also an incredible bounty of writing, | 0:27:30 | 0:27:34 | |
now highly collectable as first editions. | 0:27:34 | 0:27:36 | |
This first edition copy of writer Robert Graves' book | 0:27:38 | 0:27:41 | |
Goodbye To All That, annotated in the margins by his friend | 0:27:41 | 0:27:45 | |
Siegfried Sassoon, astonishingly made over £31,000 | 0:27:45 | 0:27:50 | |
at auction in 2007. | 0:27:50 | 0:27:52 | |
If you have a 20th-century first edition, | 0:27:52 | 0:27:55 | |
look for a signature, as the price skyrockets. | 0:27:55 | 0:27:58 | |
And don't get rid of the dust jacket! | 0:27:58 | 0:28:00 | |
It can drive up the value if you have a mint condition copy. | 0:28:00 | 0:28:04 | |
But most of all, enjoy a good read. | 0:28:04 | 0:28:07 | |
A literary adventure can be as rewarding as a lucrative one. | 0:28:07 | 0:28:11 | |
Many of us have got family war memorabilia sitting in cupboards | 0:28:11 | 0:28:15 | |
and drawers at home. | 0:28:15 | 0:28:16 | |
Of course, you may not want to sell it, but do get it out | 0:28:16 | 0:28:19 | |
and do some research, because you'll probably find the story | 0:28:19 | 0:28:22 | |
behind it is absolutely priceless. | 0:28:22 | 0:28:25 | |
I hope you've enjoyed the show. | 0:28:25 | 0:28:26 | |
Join me again soon for many more trade secrets. | 0:28:26 | 0:28:30 |