Looking Good Flog It: Trade Secrets


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Over the years on Flog It, we've travelled the length

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and breadth of the British Isles,

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rummaging through thousands of bags and boxes along the way.

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You've brought in something rather special, haven't you?

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I think between £350-£500.

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We've seen everything from corkscrews to costume jewellery,

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and we've had some breathtaking results,

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as we put those items under the hammer.

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-Yes!

-Wow!

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Flog it has taught us to sort out our Treen from our Troika,

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and inspired thousands of collectors along the way.

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In this series we want to share that inside knowledge with you.

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Welcome to Flog It Trade Secrets.

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On today's show it's all about looking good, and when you want

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to dress to impress, the jewellery you wear is crucial,

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so today we're giving you the lowdown on antique accessories.

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That is a nice watch.

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-Is it a military watch?

-A military Air Force watch.

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We'll see some of the most stylish bling we've seen on Flog It over the years.

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This was pretty much nearly the best one I've ever seen.

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We'll be reliving some glittering successes at auction.

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Yes! What a turn of profit.

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And our experts will be imparting their nuggets of wisdom.

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Always buy the best.

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Never compromise.

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If it's a great big diamond ring,

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the diamond is always going to be valuable.

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Stick to the basics of quality, maker and style or design.

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Who doesn't like a bit of bling?

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On many occasions it's great to put on a brooch or a diamond necklace

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or maybe a tie pin and some cuff links to make a bit of a splash.

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Over the years on this show, you've brought us

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thousands of items of jewellery to our valuation days.

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More than likely it's because you don't like it any more and

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don't want to wear it, it doesn't suit you, it's gone out of fashion.

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After all, who would wear a ruby necklace in a supermarket?

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But how can you tell your diamonds from a bit of paste,

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and what should you look for when you go out buying?

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In 2008, Bob brought in an item which got Michael all aflutter.

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The dragonfly brooch was absolutely gorgeous.

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This was pretty much nearly the best one I've ever seen.

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The minute I saw it I thought, I'm having this.

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I think Thomas Plant was with me.

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I elbowed him out of the way discreetly. It was a wonderful thing.

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It's really a family heirloom.

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It belonged to my mother-in-law

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and eventually it was handed down to my wife.

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Was it something that was kept in a bank vault

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or was it worn on high days and holidays?

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I never saw my wife wear it, ever. It was kept in the safe.

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So often the way with these things.

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But it is a tremendously delicate brooch.

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Firstly, we've got the fantastic detail of the workmanship involved.

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This goes back to a period in Victorian jewellery,

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about 1870-1880, where there was a fad for insects.

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There was a whole vogue for these things.

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But there are a couple of features that are more unusual

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with your dragonfly brooch than many I see.

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The first thing is that normally the wings are either silver or enamel.

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It is most unusual to get, in this case aquamarines cut to fit in.

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We've got the body highlighted with little diamond chips

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and the tail running down.

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Sadly, a couple have fallen out

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but that's no big job to have those replaced.

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I see.

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I wasn't really disappointed that the diamonds were missing because

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I did very briefly used to work for a diamond merchant, and those

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diamonds to replace were only about £2 or £3 each.

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And someone to do the work, maybe £30-£40. It wasn't a big job.

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It's only when the stones start to become large that they become expensive,

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and they were just very small chips,

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Little rose cuts along the tail.

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We've got the edges of the wings highlighted in diamonds as well.

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Little eyes, they are rubies. But all of this work is mounted in silver.

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Really?

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But the body of the dragonfly and the base of it is all in gold.

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It's set on a trembleuse -

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a collection of springs

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that allow the jewel to move and shimmer and tremble.

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If you turn it over you can see the tremendous workmanship

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that's gone into this.

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It had a triple trembleuse.

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It's difficult to do, so to do it three times rather than once

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is just an indication of the quality of it.

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Sometimes these brooches do tremendously well at auction.

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I think we've got to bear in mind

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that this is probably the best one I've seen.

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So I think we should push the boat out

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and put £2,000-£2,500 as an estimate on it

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and put a fixed reserve of £2,000.

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For such a stunning piece,

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that presents good value to anyone at the auction.

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Who knows, two people might battle it away to well above that.

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Let's hope it's a lively auction.

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Quality you judge by manufacture.

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You look at the object and think how difficult it is to make it.

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All of that gold work had to be pierced out by hand.

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Then the silver had to be laid on top,

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then the stones have to be selected and set.

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It's an enormous amount of work.

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A lot of the finest antiques, you couldn't make them

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today for the price you pay.

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That is where you recognise the quality of things.

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So, how did it do at auction?

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I had a chat to the auctioneer just before the sale started.

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He agrees with the valuation, but said brooches aren't fashionable.

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Let's find out what the bidders think in Cirencester.

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It's going under the hammer now.

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We are now onto Lot 365, the dragonfly brooch.

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I can start you here at 1,550, on the book at 1,550.

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He's got a commission bid.

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1,600. And 50.

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1,700. And 50.

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1,800. And 50.

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1,900. And 50.

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2,000.

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We've sold it.

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The book's out at 2,000, 2,100 now.

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At 2,000 on the left.

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At 2,000. 2,100 can I say now?

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At £2,000, are you sure now?

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It's on my left at 2,000. All done.

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BANGS GAVEL

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-Super result. Fantastic.

-Just hit the reserve. That's good.

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-Put it there.

-I'm pleased with that.

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This brooch was a particularly fine example of 19th-century jewellery,

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and it flew in the saleroom.

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However, there are still great finds to be made from this period.

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If you go back to 19th, late 18th century jewellery,

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that has fallen out of favour.

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And often that is gem set and beautiful quality.

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So I think stop looking at the 20th century and go back

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and look at the 18th and 19th century and you'll find some bargains.

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Quite right, Michael.

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Taste is always changing, so buy pieces which are out of vogue

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to see a hefty return when they are back in favour.

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And a great tip to remember is small gems can be replaced relatively cheaply.

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Repairing damage could help the value if you are selling.

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But bling isn't just for the ladies.

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If you're going to buy a watch, what name springs to mind? Rolex.

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And Harry, from Barnsley, he brought in a Rolex.

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But what I loved about it is that it was understated.

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That's a sign of real class, isn't it?

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You go and buy these watches today, they cost you thousands

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and thousands of pounds.

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Diamonds all around them, mother of pearl faces.

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-They're not very subtle, are they?

-No, they're not.

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I'm going to talk about it in a minute,

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but tell me the history of this little piece first.

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My father inherited it and it's come to me after his death.

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-I've never worn it.

-Came down through the family.

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-And you don't want it, you want to sell it?

-Yes.

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Henry, that would break my heart to sell that.

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With an item of luxury you don't always need a brand name,

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the quality will out.

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And in this instance, the quality just shouted at you.

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Then when the name Rolex is revealed, well, you can't go wrong, can you?

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-Do you know how old it is?

-I believe it's about 1930.

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Let's have a look.

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-There are import marks. You reckon it was 1930?

-I think so.

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I think you're probably three years out.

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There are import marks here for Glasgow 1927.

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-The bracelet...

-It's just a cheap one.

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..is clearly a cheap replacement.

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That, with a nice strap on it, nice, black strap,

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-I would love to own that.

-Oh, well, there we are.

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And if that were in my family there's no way I'd be selling it.

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-So, there's only one thing we haven't discussed.

-Yes. What do you reckon?

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I think this sort of retro look,

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vintage look is really popular at the moment.

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I think that we can put an auction estimate on that of £200-£400.

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-Oh, right.

-We'll put a reserve on it of £200.

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I'm sure it will do well.

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What are you going to spend the money on if it makes £200-300?

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The car needs a service.

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How can you trade a Rolex for a car service?!

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Did the watch's quality shine through at auction?

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Lot number 275, the gentleman's Rolex.

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Silver case wristwatch, import mark for 1927. Another beauty.

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-Lots of interest on the book.

-Good!

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Must start this one at £420.

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420. I'll take 440 elsewhere.

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440, I'm looking for.

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This one's going to sell.

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Anyone fancy 440?

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With me at 420.

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Hammer's dropping.

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BANGS GAVEL

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Brilliant, we've done it. Above top end, anyway. It's a good result.

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Get the car fixed. Thanks very much.

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£420 was a good result for a watch which wasn't rated by its owner.

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You know, we sold that watch in the dim and distant past,

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but I think there's a chance today that would make more money.

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These things are very, very fashionable.

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The thing about Rolex is it doesn't always say Rolex on the face.

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What you've got to do is open the back up

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and it will say Rolex stamped on the movement.

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So you might find a watch that's got nothing on the front

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but it's got Rolex on the back.

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Just bear that in mind when you're looking.

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Good-quality watches can be a sound investment.

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Other names to look out for include Breitling, Omega,

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Raymond Weil and Cartier.

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Men's jewellery can have dips in popularity.

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But if you stick to quality, you generally can't go wrong -

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as Thomas discovered in Dunstable back in 2007.

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Margaret, I think I've found something really quite delightful.

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I must admit, I'm quite attached to them, as you can see.

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What first attracted me to these cuff links were the size.

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They were really oversized for your cuff.

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They had this offset, beautiful pearl, this Baroque pearl.

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So the mixture of the very yellow gold

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and then the pure whiteness of the pearl worked brilliantly.

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I think if one was going to wear a pair of very glitzy

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and showy cuff links, I mean they're not everyday,

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they were sort of dress, those were the ones to have.

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They were a gift to my partner from his brother.

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-His brother actually made them.

-Where was he from?

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-They're both from Germany.

-And when do you think these were made?

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-Probably about 30 to 35 years ago.

-Looking at the mid-'70s.

-Yes.

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They look very '70s, don't they, very retro cool.

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I'd put it more sort of Art Deco style.

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Yes, I know what you're thinking, Art Deco,

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because they're geometric and they've got the offset of the pearl.

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But I think we're looking at the more modernist, retro style,

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the postmodern style.

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On Flog It we see a plethora of items from all different ages.

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And yet we are very used to looking at the 20th century.

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You're looking at big names.

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But when a piece is Artisan-made, it still has a value.

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Unfortunately, rules are rules and I can't bid for items at auction

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-when we take them in for Flog It.

-That's a shame.

-It's a huge shame.

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-I believe that £200-£300 is a sensible estimate.

-Yes.

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As regards to a reserve, which I believe it should have, don't you?

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-Oh, I think so.

-I think £200 with discretion would be very sensible.

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-Yes, I agree.

-You agree, brilliant.

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I'm now going to take them off.

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-We'll put them into the auction for you.

-Thank you very much.

-Thank you.

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When you're looking at the late 20th century designer items,

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anything retro or vintage, what one has to look out for

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from a collector's point of view is names.

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The exception to the rule were these cuff links.

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They were made by a member of the family.

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There are great artists out there

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but they had a good metal content in them.

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But my advice is to go for the big names,

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because you'll never go wrong.

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But without a designer name, did the cuff links struggle at auction?

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-We've got £200-£300 put on these, haven't we?

-We have.

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By our expert, Thomas, who would have loved to have worn them today.

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-Yes.

-They are smashing, aren't they?

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Now we have a pair of continental gold Baroque pearl-set cuff links.

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Where do we go, £200 for them?

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Do we go 200? Yes, we'll start then.

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100.

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110. I bid 20 for you, sir.

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And 30 and 40.

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150. 160.

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Yes, we're getting there.

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170. 180.

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190. Are you going to be 200?

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At 200, we're bid now.

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£200 for those.

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At £200. 10, is it?

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210. 220.

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You're out.

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At 220 the room is out.

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220, I'm selling.

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220, make no mistake, you're out.

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I sell them for £220.

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< Result!

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-That's good, that's good.

-Good estimate, Thomas.

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So remember, ideally look out for names, but a well-made,

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quality piece by an unknown maker

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can sometimes do the business.

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And precious metals and precious stones will always be attractive...

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even if you don't plan to wear them.

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Andrew, you're a big lad, what are you doing with a girl's bracelet?

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I found it at a boot sale last year.

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-Did you?

-And...

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I know it's going to be cheap then, when I hear that, how cheap?

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-It was a pound.

-A pound?!

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When I heard he paid a pound, it's a mixed emotion, actually.

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Part of it is a slight jealousy, not really.

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It was a bit mean to knock it down from £2 to £1, I thought.

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But there's a dealer in all of us, I think.

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I suppose at the time you didn't necessarily realise that

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it was a row of 39 diamonds?

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It was very dirty when I first bought it and it didn't look expensive.

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I knew it was gold but I didn't think the gems would be diamonds.

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Was it mixed up with a load of rubbish?

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It was with costume jewellery, bits missing out of them and all sorts.

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So I threw it in the door pocket of my car when I left,

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and it stayed there for about three months.

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Then one day you decided to have it looked at?

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I was cleaning the car out and found it again.

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I thought, "The stones look a bit sparkly in it."

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But didn't think they'd be diamonds.

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They do look a bit sparkly, don't they?

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They do now, it was cleaned up very well.

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Generally speaking, if it's mounted in gold,

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nine, 18 carat or higher, then it's almost always going to be a diamond,

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because you wouldn't put a paste into an expensive gold mount.

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There is 39 diamonds which means a total carat weight

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of about 3.9 carats.

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-Yeah, it's on the clasp.

-Is it marked on there as well?

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-On the end of the clasp, that bit just there.

-Oh, I see, 3.93.

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And it's 18-carat gold, import marks for 1997.

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So it's modern, but very wearable, isn't it? I would have thought, anyway.

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It doesn't necessarily have to be old to be valuable in all cases.

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But especially in jewellery, old-cut diamonds often had carbon

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inclusions and flaws, it's all to do with the clarity of the diamond.

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And how wearable it's considered and how fashionable.

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If we pitch it at 600 to 800, it shows the buyers it's on the market,

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it's here to sell and hopefully that'll get a few people in after it.

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So, if we put a £600 reserve, if it doesn't make that,

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you can have it back, because it's got to be worth that.

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But being modern, did it tempt the buyers at auction?

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The diamond bracelet, a lot of diamonds in here at £600 bid.

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At £600 I have.

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Nice bid. it's in, you've done it.

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Where's 20, at 620, 640, 660...

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..660, 680. 700, 720.

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At £720 now, where is 40?

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< Get in there!

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At 720 now, and 40 do you like?

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At 720, a lot of diamonds in this lot at £720.

0:17:040:17:09

It is going at 720...

0:17:090:17:11

Yes! What a turn of profit.

0:17:110:17:14

£1 into 720.

0:17:140:17:16

What an incredible result!

0:17:170:17:19

It just goes to show there are still gems to be found

0:17:190:17:22

if you rummage in the right bags and boxes.

0:17:220:17:24

Here's what we've learned so far.

0:17:250:17:28

Give things a good clean to see what you've got.

0:17:280:17:30

Have them checked over by a jeweller,

0:17:300:17:32

and choose things which are wearable.

0:17:320:17:35

If you think it's stylish, others probably will too.

0:17:350:17:39

If you're buying a diamond, always buy over a carat

0:17:390:17:41

if your pocket can afford it.

0:17:410:17:43

Because if you buy over a carat, the single stone, it will always

0:17:430:17:47

retain its value throughout the whole of its life it's with you.

0:17:470:17:50

Diamonds may be for ever, but what do our experts think is

0:17:500:17:53

a good investment if you can't stretch to precious stones?

0:17:530:17:57

I think at the moment going to an auction and buying a big job lot of

0:17:570:18:01

costume jewellery, you can pick them up for just a few pounds and then

0:18:010:18:05

go out and sell them and you'll make yourself some serious money.

0:18:050:18:09

Costume jewellery has risen loads recently in the last few years.

0:18:090:18:13

There is value in costume jewellery that maybe

0:18:130:18:16

we used to discard in the past.

0:18:160:18:18

So, the consensus is be on the lookout for costume jewellery.

0:18:180:18:22

Andrew certainly got lucky with his boot sale bargain,

0:18:280:18:32

but how do you recognise a precious stone

0:18:320:18:35

in a bag of costume jewellery?

0:18:350:18:38

A few years back, I learnt the trade secrets you need to know.

0:18:380:18:42

They say diamonds are a girl's best friend and I'd love to buy

0:18:420:18:45

this one for my girlfriend, but how can I tell it's a quality piece?

0:18:450:18:49

And what should I be paying?

0:18:490:18:50

There's an expert in this saleroom who's hot on his rocks.

0:18:540:18:58

He's a specialist in valuing precious stones

0:18:580:19:01

and his name is Jethro Marles.

0:19:010:19:03

Jethro, this one's not a diamond, this one's a huge, great big rock.

0:19:030:19:06

I think if I bought something like that,

0:19:060:19:08

I'd be paying it off on HP for the rest of my life.

0:19:080:19:11

You and me both, actually, Paul.

0:19:110:19:13

But, first of all, if you were thinking of buying this stone,

0:19:130:19:16

you are doing the wrong thing right away

0:19:160:19:18

because you're looking at it in totally the wrong conditions.

0:19:180:19:21

One of the first things you have to do is to judge

0:19:210:19:23

the colour of a stone and you don't do that in conditions like this.

0:19:230:19:26

-You need to get to daylight.

-Right.

0:19:260:19:28

Either go to a window or, if you're in a good auction house,

0:19:280:19:30

-an auction house that has got a daylight lamp.

-Yeah.

0:19:300:19:33

And you look at your stone in daylight conditions.

0:19:330:19:35

The other thing to make sure is that you put it on a white background.

0:19:350:19:39

So, if you look at this stone now,

0:19:390:19:41

whereas in the ordinary light it looked quite colourful

0:19:410:19:45

and you wouldn't notice,

0:19:450:19:46

can you see now that it's got a slight yellowish tint?

0:19:460:19:49

Yes, it has gone yellow.

0:19:490:19:50

The first thing you have got to do is compare the colour of this stone

0:19:500:19:53

with the colour-graded cubic zirconia that we've got over there.

0:19:530:19:56

You can see the difference straight away, can't you?

0:19:560:20:00

Absolutely! But, of course, colour is only one of the things

0:20:000:20:03

-we have to consider.

-What's the next, then?

0:20:030:20:06

The next thing we have to consider is the clarity of the stone.

0:20:060:20:09

-We need something like that.

-We need to go out and buy...

0:20:090:20:13

We need to go out and buy a little magnifying glass, a ten times loop,

0:20:130:20:17

which is what they're referred to.

0:20:170:20:19

Get a good quality one and then practise using it.

0:20:190:20:22

What you want to do is to hold your hand up to your eye

0:20:220:20:25

so that the lens is right in front of your eye

0:20:250:20:27

and as close to your eye as possible and then you can magnify,

0:20:270:20:31

go in and out, so that you can see all aspects of the stone

0:20:310:20:33

you're looking at.

0:20:330:20:35

What other things might you need to consider about the cut and the proportion?

0:20:350:20:38

The only other thing you need to think about is

0:20:380:20:41

the cut of the stone, not just the proportion

0:20:410:20:43

and the way the stone has been cut, but the shape of it.

0:20:430:20:46

So the cut does really mean the shape, does it?

0:20:460:20:48

If you like. So here we are looking at a circular brilliant-cut stone

0:20:480:20:51

and this particular stone is worth about £2,000 a carat.

0:20:510:20:55

If this had been a rectangular stone, of the same colour

0:20:550:20:57

and same clarity grading, it would have been worth about £1,800 a carat

0:20:570:21:02

Unlike gold, where the carat is a measure of the metal's purity,

0:21:020:21:05

with diamonds, a carat refers to the stone's weight.

0:21:050:21:09

So the heavier the diamond, the bigger the carat.

0:21:090:21:11

Do these same rules apply to valuing coloured gemstones?

0:21:140:21:17

To a large extent, they do.

0:21:170:21:19

But with coloured gemstones,

0:21:190:21:20

whether it's emerald earrings like this which are a nice modern pair

0:21:200:21:23

worth perhaps 1,500 to £2,000, this large, impressive green

0:21:230:21:27

tourmaline with diamonds around, that's worth about £500 at auction.

0:21:270:21:30

Ruby and diamond cluster down there, pretty rubies,

0:21:300:21:33

that's going to make perhaps £1,500 to £2,000

0:21:330:21:35

and then this stunning Ceylonese blue sapphire with two diamonds

0:21:350:21:39

on either side, that's going to make in the auction up to £10,000.

0:21:390:21:42

It's the colour, it's the brightness and the intensity of the colour.

0:21:420:21:46

They don't have to be dark, they don't have to be light,

0:21:460:21:49

strong and bright is the answer.

0:21:490:21:50

-Right, that's the key factor for those?

-Absolutely.

0:21:500:21:54

So when looking at precious stones, remember the four Cs,

0:21:540:21:57

colour, clarity, cut and carat

0:21:570:22:00

and, if in doubt, seek the advice of an expert.

0:22:000:22:04

Flog It regular Christina Trevanion is the first to admit

0:22:070:22:10

she has a thing for sparkly gems and jewels.

0:22:100:22:13

But as we know, fashions change,

0:22:130:22:15

and the things your granny wouldn't leave home without,

0:22:150:22:18

you may not want to wear today.

0:22:180:22:19

So if you want to sell your jewellery or

0:22:190:22:22

if you want to keep it, there are some very clever but simple

0:22:220:22:25

ways of making it look better, as Christina has been finding out.

0:22:250:22:29

The thing I love about jewellery is that the stones

0:22:310:22:34

we see today have been formed over millions of years in some

0:22:340:22:37

of the most hostile environments on Earth.

0:22:370:22:39

Think volcanoes, deserts and icecaps.

0:22:390:22:42

That's where gemstones are formed,

0:22:420:22:44

yet we get the privilege of being able to wear them today.

0:22:440:22:47

Gemstones, by their very nature are unique,

0:22:470:22:49

but the jewellery they're set into is dictated by fashion,

0:22:490:22:52

and fashions change.

0:22:520:22:54

But if you inherit granny's jewellery and it's not to your taste,

0:22:540:22:58

there's no point it sitting in a drawer, so what do we do with it?

0:22:580:23:01

I'm on my way to meet Nigel, a local jeweller from Shrewsbury.

0:23:010:23:04

-Hi, Nigel.

-Morning, Christina.

-Hello, how are you?

0:23:040:23:07

-I'm very well, and yourself?

-Good, very well, thank you.

0:23:070:23:10

Tell me about modern and antique jewellery.

0:23:100:23:12

Have you noticed modern jewellery isn't selling so much any more?

0:23:120:23:16

-Have you started selling more antique?

-Certainly, yes.

0:23:160:23:19

Specific things. Unfortunately, the jewellery trade is very

0:23:190:23:23

fashion-orientated and grandma's old jewellery isn't terribly

0:23:230:23:27

fashionable, the brooches and grandma's engagement ring.

0:23:270:23:30

So, we're basically looking for old jewellery

0:23:300:23:33

we can convert into new jewellery.

0:23:330:23:35

-Obviously there's still sentimental attachment to that jewellery?

-Absolutely.

0:23:350:23:40

Jewellery they've inherited and they don't really want to wear it any more,

0:23:400:23:44

and they want it made into something modern and contemporary,

0:23:440:23:47

and something they can wear and then maybe pass down to their children.

0:23:470:23:52

-OK.

-I've got some ideas I can show you. Would you like to see?

-Yeah!

0:23:520:23:57

-Here we are.

-OK.

-These are items that we acquired at an auction.

-Right.

0:23:570:24:03

Specifically for the idea of converting them

0:24:030:24:06

into something modern and contemporary.

0:24:060:24:09

So, we've got a wedding ring, an engagement ring. And then...

0:24:090:24:13

-a beautiful little brooch.

-Sweet little brooch.

0:24:130:24:16

So can I come and have a look?

0:24:160:24:18

Of course, you're very welcome, we'll show you everything from start to finish.

0:24:180:24:22

Oh, fantastic.

0:24:220:24:23

-In here, Christina.

-Wow!

0:24:270:24:30

Welcome to our little workshop, very traditional.

0:24:300:24:33

What are we going to make?

0:24:330:24:35

-We're going to make a bracelet.

-Using...these pieces?

0:24:350:24:37

-Hello.

-Hello there.

-I believe these are for you?

0:24:420:24:45

So what are we going to do?

0:24:450:24:47

I'm going to un-set your diamonds.

0:24:470:24:49

This is the first time I've been in a workshop,

0:24:490:24:52

so it's amazing to see this.

0:24:520:24:54

To see this end of it, it's brilliant.

0:24:540:24:56

Oh, my goodness!

0:24:590:25:00

This is a really simple tip which hopefully will help you

0:25:010:25:05

distinguish between diamond and another very effective diamond simulant, cubic zirconia.

0:25:050:25:10

So we'll have a look at these two stones.

0:25:100:25:13

This stone here, which you might be able to see some of this newspaper text through it.

0:25:130:25:18

And so this one should look a solid, grey-ish, black colour,

0:25:180:25:21

you shouldn't be able to see a huge amount through it at all.

0:25:210:25:24

This one is the diamond.

0:25:240:25:26

That is singular refractive and therefore the light doesn't

0:25:260:25:30

travel through the stone in the same way and you can't read the text.

0:25:300:25:34

So there we go, all for the price of a newspaper.

0:25:340:25:36

I'm drawing the gold down to make the right size for the links.

0:25:400:25:44

So working with nine carat gold today,

0:25:450:25:48

which has a slightly higher alloy content.

0:25:480:25:50

It would be difficult to work it in its raw state,

0:25:500:25:53

so heating it makes it slightly more malleable.

0:25:530:25:56

MACHINE GRINDS

0:25:560:25:57

-Those are going to form the basis of our links?

-That's right.

0:25:590:26:02

OK, so how do we make those into links now?

0:26:020:26:04

We wait for them to cool down and then we saw.

0:26:040:26:08

It's so great to see this process actually happening.

0:26:120:26:15

I hadn't actually appreciated how every single link is handmade. Amazing.

0:26:150:26:19

At auction we're finding men's jewellery is becoming

0:26:210:26:24

increasingly popular, therefore prices are rising sky-high.

0:26:240:26:27

So here's a top tip for all you gents out there.

0:26:270:26:30

What about if you inherit granny's engagement ring,

0:26:300:26:33

taking the stones and having them set into a beautiful pair of cuff links.

0:26:330:26:37

That way, you get to keep granny's jewellery and it hasn't broken the bank.

0:26:370:26:41

Back in the workshop, Adrian continues to work on the new bracelet.

0:26:410:26:45

-Hi, Adrian.

-Hello.

-How are you getting on?

0:26:450:26:47

-OK, that's what I've done while you've been away.

-Wow!

0:26:470:26:50

So those stones from the ring we saw downstairs and those will be going into those?

0:26:500:26:54

-That's right.

-Fantastic.

0:26:540:26:57

I'm amazed at how quick the process has been.

0:26:570:27:00

I really thought it was going to take a long, long time.

0:27:000:27:03

I just wonder whether you've managed to have a look at our bracelet?

0:27:070:27:11

It's all done, ready for you to have a little look at.

0:27:110:27:14

-Ooh, brilliant! Can I see it?

-You certainly can.

-Brilliant.

0:27:140:27:17

The moment of truth.

0:27:180:27:20

Oh! Oh, wow!

0:27:200:27:22

Oh, that's beautiful.

0:27:220:27:23

-Gosh, are those the diamonds from the brooch and the ring?

-Yeah.

0:27:250:27:28

-Is that the wedding band?

-That's the wedding ring, yeah.

0:27:280:27:31

That's the 22 carat wedding ring.

0:27:310:27:33

-You can see the beautiful contrast in the gold.

-That's a brilliant idea.

0:27:330:27:37

It's worked really well.

0:27:370:27:39

And all handmade.

0:27:410:27:43

Beautiful, fantastic.

0:27:430:27:45

Jewellery was made to be worn.

0:27:490:27:50

It was made to be enjoyed.

0:27:500:27:52

Why not, if you've got jewellery that you're not wearing

0:27:520:27:54

and that you don't want to sell, why not think about having it remodelled,

0:27:540:27:58

so you can wear it and enjoy it for years to come.

0:27:580:28:01

There's nothing quite like owning beautiful jewellery,

0:28:050:28:08

but of course beauty is in the eye of the beholder.

0:28:080:28:11

So if you've got a piece that you don't like,

0:28:110:28:13

why not consider selling it,

0:28:130:28:15

or having it remodelled?

0:28:150:28:18

Whatever you do, always remember that although fashion changes,

0:28:190:28:23

quality will always be in vogue.

0:28:230:28:26

I hope you've enjoyed today's show.

0:28:260:28:28

Join me again soon for more Flog It Trade Secrets.

0:28:280:28:32

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