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Over the last 11 years on Flog It! | 0:00:04 | 0:00:06 | |
we've helped you sell thousands of antiques and collectables | 0:00:06 | 0:00:10 | |
and, over the years, we've seen a variety of astonishing things. | 0:00:10 | 0:00:14 | |
It is the most amazing object. | 0:00:14 | 0:00:17 | |
You have made my day. | 0:00:17 | 0:00:19 | |
Are we all done? | 0:00:19 | 0:00:21 | |
Yes! | 0:00:21 | 0:00:22 | |
But, as you know, it's not easy to put a value on all of them, | 0:00:22 | 0:00:25 | |
but there are some things that are always guaranteed to find a market. | 0:00:25 | 0:00:29 | |
Welcome to Flog It! Trade Secrets. | 0:00:29 | 0:00:32 | |
Toy cars, train sets, Airfix models. | 0:01:07 | 0:01:10 | |
I can speak for the rest of the chaps on Flog It! | 0:01:10 | 0:01:12 | |
and say we're always delighted to see items like this being unwrapped | 0:01:12 | 0:01:16 | |
at a valuation day, something to do with bringing out the child in us. | 0:01:16 | 0:01:19 | |
They certainly put a smile on our faces. | 0:01:19 | 0:01:22 | |
But when do they stop being fun and start to be worth serious money? | 0:01:22 | 0:01:26 | |
Coming up in this programme, | 0:01:28 | 0:01:30 | |
we'll be finding out why boys' toys sell so well... | 0:01:30 | 0:01:34 | |
People collect what reminds them of their childhood. | 0:01:34 | 0:01:38 | |
Boys' toys, you know, grown-up men play with trains. | 0:01:38 | 0:01:41 | |
£800! | 0:01:41 | 0:01:44 | |
Yes! | 0:01:44 | 0:01:45 | |
Philip Serrell explains why he's never grown up. | 0:01:45 | 0:01:48 | |
On Christmas morning, 1961 or '62, | 0:01:48 | 0:01:51 | |
this appeared in my Father Christmas sack. | 0:01:51 | 0:01:55 | |
And I'll be having heaps of fun | 0:01:55 | 0:01:57 | |
with a fab collection of vintage cars. | 0:01:57 | 0:01:59 | |
We always get excited when people bring in die-cast toys to the valuation days. | 0:02:10 | 0:02:15 | |
Not only do they give everyone a warm glow of nostalgia, | 0:02:15 | 0:02:18 | |
but they also make excellent money, as Charlie Ross found out. | 0:02:18 | 0:02:21 | |
What a blaze of colour! | 0:02:21 | 0:02:25 | |
Seldom have I seen so many toys that haven't been played with! | 0:02:25 | 0:02:29 | |
It's a real treat. | 0:02:29 | 0:02:31 | |
You've got a boxful. | 0:02:31 | 0:02:33 | |
And although these are the better ones, | 0:02:33 | 0:02:35 | |
-we've got some others that we couldn't get on camera. -Yes, we have. | 0:02:35 | 0:02:39 | |
This fantastic collection of Dinky Toys was valued by Charlie | 0:02:39 | 0:02:42 | |
at £400 to £600. | 0:02:42 | 0:02:45 | |
It's one of the best Flog It! collections I've seen of Dinky Toys, | 0:02:45 | 0:02:49 | |
-particularly the condition. Marvellous! -Thank you. | 0:02:49 | 0:02:52 | |
A very large and a very good collection of Dinkies, some boxed. | 0:02:56 | 0:03:02 | |
There is loads of interest. | 0:03:02 | 0:03:04 | |
-£850... -But it sold at auction for a staggering sum. | 0:03:04 | 0:03:09 | |
-Yes! -The hammer's gone down, Daniel! £1,350. | 0:03:09 | 0:03:14 | |
How fantastic is that? | 0:03:14 | 0:03:16 | |
That was wonderful, wasn't it, Daniel? | 0:03:16 | 0:03:19 | |
Die-cast toys get their name | 0:03:21 | 0:03:23 | |
from the process of injecting molten metal | 0:03:23 | 0:03:26 | |
into reusable steel moulds called dies. | 0:03:26 | 0:03:30 | |
They started to be made in the early 20th century by companies like Meccano, | 0:03:30 | 0:03:35 | |
producers of Dinky Cars in the UK. | 0:03:35 | 0:03:37 | |
The first models were basic - | 0:03:37 | 0:03:39 | |
small cars or van bodies with no interior. | 0:03:39 | 0:03:43 | |
Matchbox toys were introduced in 1947, | 0:03:43 | 0:03:47 | |
with each vehicle packed into a small box | 0:03:47 | 0:03:50 | |
designed to look like those used for matches. | 0:03:50 | 0:03:53 | |
These toys became so popular | 0:03:53 | 0:03:55 | |
that Matchbox was widely used as a generic term for any die-cast toy, | 0:03:55 | 0:04:00 | |
regardless of who the actual manufacturer was. | 0:04:00 | 0:04:03 | |
The popularity of die-cast toys increased | 0:04:03 | 0:04:05 | |
and more companies entered the field, including the Corgi brand, | 0:04:05 | 0:04:09 | |
which appeared in the 1950s and pioneered the use of interiors. | 0:04:09 | 0:04:14 | |
It soon became apparent that many die-cast vehicles were being bought by adults as collectables, | 0:04:14 | 0:04:20 | |
not as toys for children. | 0:04:20 | 0:04:22 | |
But in the 1980s, Dinky, Matchbox and Corgi all struggled, | 0:04:24 | 0:04:29 | |
and production was either broken up or shifted overseas. | 0:04:29 | 0:04:34 | |
Today, a pre-war Dinky Toy bearing an advertising sign | 0:04:34 | 0:04:38 | |
can make £2,000 to £3,000. | 0:04:38 | 0:04:40 | |
If it has its original box, its value can double. | 0:04:40 | 0:04:43 | |
If, like me, you're a big fan of form and shape, | 0:04:49 | 0:04:52 | |
here's something that will set your heart racing... | 0:04:52 | 0:04:55 | |
MUSIC: "Sunny Afternoon" by The Kinks | 0:04:58 | 0:05:01 | |
The TD21, built from 1958 to 1963 in Coventry... | 0:05:06 | 0:05:11 | |
With 120 horsepower and 2,993CC engine capacity, | 0:05:11 | 0:05:15 | |
this is just one of thousands of cars | 0:05:15 | 0:05:18 | |
that put the city on the road map of motoring. | 0:05:18 | 0:05:22 | |
From Daimler to Hillman and Rover to Triumph, | 0:05:23 | 0:05:25 | |
from the very first £100 car, | 0:05:25 | 0:05:29 | |
and this beautifully hand-crafted Alvis TD21 Drophead Coupe, | 0:05:29 | 0:05:35 | |
Coventry built them all. | 0:05:35 | 0:05:37 | |
MUSIC: "Lust for Life" by Iggy Pop | 0:05:37 | 0:05:40 | |
Some engineers were sceptical of the future of the motor trade, | 0:05:43 | 0:05:46 | |
but when the first Coventry Daimler emerged from the Motor Mills factory in 1886 | 0:05:46 | 0:05:52 | |
Britain's motoring industry was born. | 0:05:52 | 0:05:54 | |
And what an industry it was, producing some of the first cars of the day. | 0:05:54 | 0:05:59 | |
Driven by a king, but at the cost of ten times that of a house, | 0:05:59 | 0:06:02 | |
not yet by country. | 0:06:02 | 0:06:04 | |
The early cars were made by master craftsmen, unique in their skills, | 0:06:04 | 0:06:08 | |
pushing boundaries of design. | 0:06:08 | 0:06:10 | |
One such company made my favourite car, | 0:06:10 | 0:06:13 | |
and you may be surprised to know they are still making them today. | 0:06:13 | 0:06:18 | |
This car's incredible, | 0:06:19 | 0:06:20 | |
I'd like to sell all my antiques to buy this! I really would! | 0:06:20 | 0:06:25 | |
And to tell me more about these beautiful vehicles, | 0:06:29 | 0:06:32 | |
owner of Alvis, Alan Stote. | 0:06:32 | 0:06:36 | |
How long would it have taken to make a car like this? | 0:06:38 | 0:06:41 | |
Well, a few thousand hours, because everything was handmade. | 0:06:41 | 0:06:45 | |
Alvis had to make patterns to make the castings, | 0:06:45 | 0:06:47 | |
they had to design everything, they had to hand-fettle everything, everything was put together by hand. | 0:06:47 | 0:06:53 | |
-The whole thing was crafted by hand. -I can see an ash work frame. | 0:06:53 | 0:06:56 | |
Well, that's the skeleton of the body skin. | 0:06:56 | 0:06:59 | |
All of that would've had to have been made by the coach builder. | 0:06:59 | 0:07:02 | |
We've got records showing that you could have exactly what you wanted on the car. | 0:07:02 | 0:07:06 | |
It was absolutely hand-crafted. | 0:07:06 | 0:07:08 | |
-What made you fall in love with the Alvis car? -I think it's the individuality. | 0:07:08 | 0:07:12 | |
They were made to order. Customers could have exactly what they wanted on the car. | 0:07:12 | 0:07:16 | |
The records we have, 22,000 of them, show what each car was, | 0:07:16 | 0:07:20 | |
and I think that there are no two the same. | 0:07:20 | 0:07:23 | |
Alvis cars were made by highly skilled craftsmen. | 0:07:23 | 0:07:27 | |
But as the middle classes took to motoring, demand grew | 0:07:27 | 0:07:31 | |
and mass-scale production was the only option. | 0:07:31 | 0:07:35 | |
Production lines started to replace the craft-based skilled workforce | 0:07:35 | 0:07:39 | |
and Coventry's motoring industry sped into a new age of mass production. | 0:07:39 | 0:07:46 | |
Throughout the '40s, '50s and '60s, | 0:07:46 | 0:07:49 | |
Coventry's factories provided 23% of the UK output. | 0:07:49 | 0:07:53 | |
People came from all over the world to work here | 0:07:53 | 0:07:57 | |
and the city benefitted, with a thriving economy. | 0:07:57 | 0:08:01 | |
And like most booms, a bust was soon to follow. | 0:08:04 | 0:08:07 | |
Companies like Alvis and Triumph were taken over by giants British Leyland, | 0:08:07 | 0:08:12 | |
and the 1970s saw relationships between trade unions and management breaking down. | 0:08:12 | 0:08:17 | |
There were many strikes and productions lines came to a halt. | 0:08:17 | 0:08:20 | |
Now, add that to the pressure of cheaper cars being imported from abroad | 0:08:20 | 0:08:24 | |
and you can see why time was running out | 0:08:24 | 0:08:27 | |
for the British car industry. | 0:08:27 | 0:08:30 | |
From the 1970s onwards, | 0:08:32 | 0:08:34 | |
the term "British car manufacturing" became a complicated combination of words. | 0:08:34 | 0:08:39 | |
Rolls-Royce was sold to BMW, Mini was made by British Leyland, | 0:08:39 | 0:08:44 | |
and when Jaguar and Land Rover were sold to Tata in 2008, | 0:08:44 | 0:08:48 | |
it seemed mass production of British cars had bitten the dust. | 0:08:48 | 0:08:52 | |
But what remains of the Halcyon days of car manufacturing | 0:08:52 | 0:08:56 | |
should not be resigned to the scrapheap. | 0:08:56 | 0:08:59 | |
You could buy a new sports car or a mass-produced car today, | 0:08:59 | 0:09:03 | |
and three years later it's depreciated by - let's say - 50% of its value. | 0:09:03 | 0:09:08 | |
Hopefully, in three or four years, these will go up a great deal. | 0:09:08 | 0:09:12 | |
As an example, that TD21 Drophead over there... | 0:09:12 | 0:09:15 | |
-The black one? -..that sold in 1994 for £22,500. | 0:09:15 | 0:09:19 | |
In 2007, we sold it for 40,000, | 0:09:19 | 0:09:24 | |
and it's now for sale, five years later, at 80,000. | 0:09:24 | 0:09:28 | |
It's doubled its money! Wow. | 0:09:28 | 0:09:31 | |
And the car I took out on the road earlier, | 0:09:31 | 0:09:34 | |
that is my favourite car, do you know that? | 0:09:34 | 0:09:36 | |
I'm ever so pleased I had the honour of driving one. | 0:09:36 | 0:09:41 | |
# Life in the fast lane... # | 0:09:41 | 0:09:44 | |
The British motorcar was born in Coventry, | 0:09:48 | 0:09:50 | |
it grew up in Coventry | 0:09:50 | 0:09:52 | |
and it lives on in Coventry. | 0:09:52 | 0:09:55 | |
Vintage cars have a keen following among collectors | 0:10:02 | 0:10:06 | |
and can sell for massive amounts of money. | 0:10:06 | 0:10:08 | |
But if you don't have the funds to buy a car, | 0:10:08 | 0:10:11 | |
what about buying part of one? | 0:10:11 | 0:10:14 | |
A Rolls-Royce "Spirit of Ecstasy" figure | 0:10:14 | 0:10:16 | |
can be bought for about £150 | 0:10:16 | 0:10:19 | |
and could be a good investment, | 0:10:19 | 0:10:21 | |
as there are plenty of collectors of car memorabilia out there. | 0:10:21 | 0:10:25 | |
And it's not just car memorabilia which is collectable. | 0:10:25 | 0:10:28 | |
Here's Catherine Southon's tip on what to buy today | 0:10:28 | 0:10:32 | |
which could make you money in the future. | 0:10:32 | 0:10:35 | |
One of the questions that I always get asked is, | 0:10:35 | 0:10:39 | |
"What's really going to make money in the future?" | 0:10:39 | 0:10:43 | |
It's actually a really hard question to answer | 0:10:43 | 0:10:46 | |
because we don't really know, we can't predict. | 0:10:46 | 0:10:49 | |
But my feeling is that people should go out | 0:10:49 | 0:10:53 | |
and start collecting Concorde memorabilia. | 0:10:53 | 0:10:56 | |
Because a bit like Titanic, | 0:10:56 | 0:10:59 | |
it's something that could, in years to come, | 0:10:59 | 0:11:02 | |
really be worth something. | 0:11:02 | 0:11:04 | |
But the most important thing is when you go out to buy something, | 0:11:04 | 0:11:08 | |
buy something because you love it, | 0:11:08 | 0:11:10 | |
not because you think it will be worth something in the future. | 0:11:10 | 0:11:13 | |
Buy it because you love it, and if it makes money in the future | 0:11:13 | 0:11:16 | |
that's a bonus. | 0:11:16 | 0:11:18 | |
Over the years, we've seen some fantastic boys' toys on Flog It! | 0:11:22 | 0:11:26 | |
and Philip has a theory about why they do so well. | 0:11:26 | 0:11:31 | |
I'm a great believer that men collect toys from their boyhood. | 0:11:31 | 0:11:36 | |
And I think that people, it's a little bit now like... | 0:11:36 | 0:11:39 | |
..perhaps men of 70 or 80 might collect Hornby train sets, | 0:11:39 | 0:11:44 | |
perhaps people who are 30 or 40 might collect Star Wars figures. | 0:11:44 | 0:11:47 | |
And I really do believe that people collect | 0:11:47 | 0:11:52 | |
what reminds them of their childhood. | 0:11:52 | 0:11:55 | |
Wow! Look at that! Isn't that absolutely stunning? | 0:11:55 | 0:12:00 | |
It's a Hornby train set. | 0:12:00 | 0:12:03 | |
It's quite simple, really. Hornby is Rolls-Royce. | 0:12:03 | 0:12:06 | |
Princess Elizabeth... | 0:12:06 | 0:12:07 | |
-When did she come to the throne? About 1951, wasn't it? -Something like that. | 0:12:07 | 0:12:11 | |
So I think this is possibly late '40s, early '50s. | 0:12:11 | 0:12:14 | |
It belonged to my father-in-law. | 0:12:14 | 0:12:16 | |
It is the iconic model. | 0:12:16 | 0:12:18 | |
It would've been massively expensive in its day. | 0:12:18 | 0:12:21 | |
I seem to remember, around the time of the auction of the one that we sold, | 0:12:21 | 0:12:26 | |
the original was being restored. | 0:12:26 | 0:12:28 | |
So all of those things add to the value. | 0:12:28 | 0:12:30 | |
How much are we going to get for it, do you think? | 0:12:30 | 0:12:33 | |
-I was thinking about 100, 150 maybe. -Yes. Right. | 0:12:33 | 0:12:36 | |
-Well, I'm thinking more like £300 to £500. -Bloody hell! | 0:12:36 | 0:12:40 | |
Easy! This is a family programme, John. | 0:12:40 | 0:12:43 | |
You can't use that sort of language! | 0:12:43 | 0:12:45 | |
Let's watch it go loco! | 0:12:47 | 0:12:50 | |
The Hornby Train - Princess Elizabeth. | 0:12:50 | 0:12:54 | |
400. 420. | 0:12:54 | 0:12:56 | |
450. 480. | 0:12:56 | 0:12:58 | |
500. 520. 550. | 0:12:58 | 0:13:00 | |
580. 600. 620. | 0:13:00 | 0:13:03 | |
650. 680. | 0:13:03 | 0:13:05 | |
700. 720. 740 on the phone. | 0:13:05 | 0:13:09 | |
760. 800. | 0:13:09 | 0:13:10 | |
840. 860. | 0:13:10 | 0:13:13 | |
880. 900. | 0:13:13 | 0:13:15 | |
920. 940. | 0:13:15 | 0:13:17 | |
940 bid. 960. 960 bid. 960. | 0:13:17 | 0:13:21 | |
-980. 980. -Flipping hell! -Stopped short of the four figures. | 0:13:21 | 0:13:25 | |
On the phone at 980. | 0:13:25 | 0:13:27 | |
-GAVEL BANGS -Yes! £980! | 0:13:27 | 0:13:31 | |
-Delighted. -Oh, gosh! -Well done! | 0:13:31 | 0:13:34 | |
£980 - not bad for an old toy! | 0:13:34 | 0:13:39 | |
The value was clearly boosted by nostalgia. | 0:13:39 | 0:13:42 | |
You get these almost obsessive collectors of toys. | 0:13:42 | 0:13:45 | |
And I'm pretty sure it is that connection with their childhood. | 0:13:45 | 0:13:48 | |
Boys' toys, you know? Grown-up men playing with trains. | 0:13:48 | 0:13:51 | |
What have you brought in for us today to have a look at? | 0:13:51 | 0:13:54 | |
-I've got two Battle of Britain Dinky Toys... -Yes. | 0:13:54 | 0:13:58 | |
..and two Schuco motorcars. | 0:13:58 | 0:14:00 | |
Michael's mum had sent him in. | 0:14:00 | 0:14:02 | |
As is the case with a lot of these old vintage toys, | 0:14:02 | 0:14:05 | |
they end up in Mum or Dad's loft. | 0:14:05 | 0:14:08 | |
And then, of course, they've got to downsize, | 0:14:08 | 0:14:10 | |
they come across this box and they tell the kids - | 0:14:10 | 0:14:13 | |
and this is kids who are probably 40-50 years old - | 0:14:13 | 0:14:16 | |
"What am I doing with your old toys in my loft?" | 0:14:16 | 0:14:18 | |
My mother's had them for ages and she more or less ordered me to sell them! | 0:14:18 | 0:14:24 | |
We've got two Dinky aeroplanes here, | 0:14:24 | 0:14:27 | |
obviously - by the box - Battle of Britain. | 0:14:27 | 0:14:29 | |
These were produced in 1969, | 0:14:29 | 0:14:32 | |
erm, shortly before Dinky were taken over by Airfix | 0:14:32 | 0:14:36 | |
and the quality somewhat slumped. | 0:14:36 | 0:14:38 | |
So these are still nice quality. | 0:14:38 | 0:14:40 | |
You've got some nice crisp moulding and some good colours. | 0:14:40 | 0:14:44 | |
And we've got the English Spitfire, obviously for the Battle of Britain, | 0:14:44 | 0:14:49 | |
the most important plane that we had involved. | 0:14:49 | 0:14:51 | |
And then we've got the German aeroplane, | 0:14:51 | 0:14:53 | |
which I think a nice little touch is the addition... | 0:14:53 | 0:14:57 | |
of the dropping bomb, which I think is a nice touch. | 0:14:57 | 0:15:00 | |
I think the main draw was the German aeroplane, which still had its bomb. Now, that's important. | 0:15:00 | 0:15:05 | |
Any of these toys which have detachable pieces or accessories, | 0:15:05 | 0:15:09 | |
as soon as they get lost it's incomplete, so the value drops considerably. | 0:15:09 | 0:15:13 | |
And then at the front here, | 0:15:13 | 0:15:15 | |
we've got the die-cast Schuco Micro racer, | 0:15:15 | 0:15:18 | |
probably dating from the 1960s when Schuco were producing. | 0:15:18 | 0:15:22 | |
And then we've got the late '50s Schuco car | 0:15:22 | 0:15:25 | |
with a rather nice touch, I think, with the... | 0:15:25 | 0:15:27 | |
HORN BEEPS ..little horn! | 0:15:27 | 0:15:30 | |
There are certain little details | 0:15:30 | 0:15:32 | |
that can make one Dinky Toy worth ten times what another one is worth. | 0:15:32 | 0:15:35 | |
And it can be down to the colour of the windscreen, | 0:15:35 | 0:15:38 | |
the colour of the hubcaps, the colour of the tyres. | 0:15:38 | 0:15:42 | |
Similar to porcelain, where you have things made in different colours, people want to collect them all. | 0:15:42 | 0:15:47 | |
In the present market, if you were going to sell them as a combined lot, | 0:15:47 | 0:15:52 | |
you should be putting a figure of £60 to £80 on them at auction. | 0:15:52 | 0:15:56 | |
Obviously, with collectable toys, | 0:15:56 | 0:15:58 | |
condition is of primary importance. | 0:15:58 | 0:16:01 | |
These are in reasonable condition, but I wouldn't say they were mint. | 0:16:01 | 0:16:05 | |
At the end of the day, these were produced to be toys for children. | 0:16:05 | 0:16:09 | |
The best advice I can give to people is if you want to collect toys, | 0:16:09 | 0:16:12 | |
buy two. Buy one to keep in the box and tuck away, | 0:16:12 | 0:16:16 | |
and play with the other one. | 0:16:16 | 0:16:18 | |
Did the damage put the bidders off? | 0:16:18 | 0:16:21 | |
They've been played with. The boxes are a little bit worn. | 0:16:21 | 0:16:24 | |
Mint and boxed, this is about £150, £200. | 0:16:24 | 0:16:28 | |
But, you know, we're talking 60 to 80. | 0:16:28 | 0:16:30 | |
-It's a bit sad you have them and not play with them. -Exactly. | 0:16:30 | 0:16:34 | |
463 now, the Dinky Battle of Britain Spitfire | 0:16:34 | 0:16:37 | |
and various other toys. | 0:16:37 | 0:16:39 | |
50, I have down there now. | 0:16:39 | 0:16:40 | |
Straight in. He's a bidding man. He wants them. | 0:16:40 | 0:16:43 | |
-£60 I have down here. -60 bid. | 0:16:43 | 0:16:45 | |
65. 70. | 0:16:45 | 0:16:47 | |
75. 80. | 0:16:47 | 0:16:49 | |
85. 90. 95. | 0:16:49 | 0:16:52 | |
At £95, I'm bid. | 0:16:52 | 0:16:54 | |
-All done at 95. -That's good. -I'm pleased. -100. -Oh! -110. | 0:16:54 | 0:16:58 | |
120. 130. | 0:16:58 | 0:17:00 | |
130. In front of me now at 130. Are you all done? | 0:17:00 | 0:17:04 | |
£130. That was a surprise. | 0:17:04 | 0:17:07 | |
-And how confident were you they were going to sell? -Not very! -No! | 0:17:07 | 0:17:11 | |
The fact that the bomb had not been lost, I think, added to the value | 0:17:11 | 0:17:15 | |
and I think that's why they sold better than I thought. | 0:17:15 | 0:17:19 | |
But it's not just big-name model cars which can make big money. | 0:17:20 | 0:17:24 | |
All I can tell you is that this is a super piece, | 0:17:24 | 0:17:27 | |
something I would certainly love to own. | 0:17:27 | 0:17:29 | |
A lovely tin plate model of an Alfa Romeo. | 0:17:29 | 0:17:33 | |
I think it's a stunning piece. | 0:17:33 | 0:17:35 | |
I remember this toy car particularly well | 0:17:35 | 0:17:39 | |
and I remember the owner really well. | 0:17:39 | 0:17:41 | |
It was my father's and I suspect he got it new. | 0:17:41 | 0:17:45 | |
-He was born in 1913 and this is a 1924-25 car. -Right. | 0:17:45 | 0:17:50 | |
So I suspect as a young teenager or 11, 12 year old, | 0:17:50 | 0:17:53 | |
-he was given it by my grandfather. -Right. | 0:17:53 | 0:17:56 | |
And then I remember it as a child, being in the house. | 0:17:56 | 0:17:59 | |
The owner had so many tales to tell about this toy car. | 0:17:59 | 0:18:04 | |
He played with it extensively when he was a child | 0:18:04 | 0:18:07 | |
and that's really why it was in such a bad condition. | 0:18:07 | 0:18:11 | |
It is in a very poor state, that's quite clear, | 0:18:11 | 0:18:14 | |
but I actually quite like that. | 0:18:14 | 0:18:16 | |
It shows that somebody's loved this and really had a great time with it. | 0:18:16 | 0:18:21 | |
What I really like, as well, is some of this detail. | 0:18:21 | 0:18:24 | |
-I love this simulated leather seat with... -A crinkle effect. | 0:18:24 | 0:18:27 | |
Exactly. That lovely crinkled, crackled finish. | 0:18:27 | 0:18:30 | |
In perfect condition with its original box, | 0:18:30 | 0:18:33 | |
-we'd probably be looking at a couple of thousand pounds. -Mm. | 0:18:33 | 0:18:37 | |
Collectors always want these to be in perfect order. | 0:18:37 | 0:18:41 | |
But if we move away from toy collectors | 0:18:41 | 0:18:43 | |
and think about people who might be interested in it as a charming piece, as indeed I would be, | 0:18:43 | 0:18:48 | |
-I think we're probably looking at about £300 to £500. -OK. | 0:18:48 | 0:18:52 | |
Catherine played down the car because of the condition. Was she right? | 0:18:52 | 0:18:56 | |
All of a sudden, when the item came up for sale, | 0:18:56 | 0:18:59 | |
all these men in their 40s suddenly came towards the rostrum | 0:18:59 | 0:19:04 | |
and you could see, "Yep! This is a real boys' toy | 0:19:04 | 0:19:08 | |
"and it's really getting the guys going." | 0:19:08 | 0:19:11 | |
There wasn't a lady in sight, that's for sure! | 0:19:11 | 0:19:14 | |
Lot 660. | 0:19:14 | 0:19:17 | |
I'll start the commission bids at £800. | 0:19:17 | 0:19:20 | |
Is there 50 in the room? | 0:19:20 | 0:19:22 | |
It's one of those moments where your jaw just drops | 0:19:22 | 0:19:26 | |
and you think, "Oh..." | 0:19:26 | 0:19:28 | |
And I remember this one was also on the front of a catalogue, | 0:19:28 | 0:19:31 | |
so when an item's on the front of a catalogue you always think, | 0:19:31 | 0:19:34 | |
"OK, I've got the valuation a little bit wrong here, | 0:19:34 | 0:19:38 | |
"but it's going to do extremely well." | 0:19:38 | 0:19:41 | |
At £1,100... | 0:19:41 | 0:19:42 | |
And 50. Commission bidder's out. | 0:19:42 | 0:19:44 | |
1,200. | 0:19:44 | 0:19:47 | |
And 50. | 0:19:47 | 0:19:49 | |
1,300. And 50. | 0:19:49 | 0:19:51 | |
1,400. And 50. 1,500. | 0:19:51 | 0:19:55 | |
And 60. 1,600. And 50. 1,700. | 0:19:55 | 0:19:59 | |
And 50. 1,800. | 0:19:59 | 0:20:01 | |
And 50. 1,900. And 50. | 0:20:01 | 0:20:05 | |
-Yes! -2,000. -Duncan! -2,100. | 0:20:05 | 0:20:09 | |
-2-2. 2-3. -Wow! | 0:20:09 | 0:20:13 | |
2-4. | 0:20:13 | 0:20:15 | |
2-5. | 0:20:15 | 0:20:17 | |
2-6. | 0:20:17 | 0:20:19 | |
-£2,500. To the telephone at £2,500... -Wow! | 0:20:19 | 0:20:24 | |
-Sold. -Wow! -£2,500! | 0:20:24 | 0:20:28 | |
-I'm pleased for you. -Thank you for bringing an item like that in. | 0:20:28 | 0:20:32 | |
It shows the condition doesn't count for everything in something like this. | 0:20:32 | 0:20:37 | |
That car did brilliantly because of its rarity and age | 0:20:37 | 0:20:40 | |
and because it was made to celebrate the launch of the Alfa Romeo P2, | 0:20:40 | 0:20:44 | |
a supercar. | 0:20:44 | 0:20:46 | |
There's so much to think about when buying boys' toys. | 0:20:47 | 0:20:52 | |
Here are my top tips... | 0:20:52 | 0:20:54 | |
Collectors of old toy transport are still willing to pay good prices for the right pieces. | 0:20:54 | 0:20:59 | |
This could be a great time to sell. | 0:20:59 | 0:21:02 | |
If you don't want something, someone else might. | 0:21:02 | 0:21:05 | |
Have your old toys valued at your local auction house | 0:21:05 | 0:21:08 | |
or at a Flog It! valuation day. | 0:21:08 | 0:21:10 | |
Poor condition doesn't have to mean a low price at auction, | 0:21:10 | 0:21:14 | |
as we've seen. | 0:21:14 | 0:21:15 | |
And if you have the original box, even better. | 0:21:15 | 0:21:19 | |
We know lots of you Flog It! viewers are youngsters at heart, | 0:21:24 | 0:21:28 | |
like Philip Serrell, who is no doubt about one of his most prized possessions. | 0:21:28 | 0:21:33 | |
Without going into all the gory details about when I was born, | 0:21:33 | 0:21:38 | |
in the early 1960s Corgi Toys produced this, | 0:21:38 | 0:21:43 | |
which was an Ecurie Ecosse Car Transporter. | 0:21:43 | 0:21:46 | |
The Ecurie Ecosse was a Scottish motor racing team that raced at Le Mans. | 0:21:46 | 0:21:50 | |
This is a coach-built racing car transporter. | 0:21:50 | 0:21:55 | |
It was used for transporting racing cars around the world | 0:21:55 | 0:21:59 | |
and you used to drive the cars up there. | 0:21:59 | 0:22:01 | |
This was something I absolutely coveted as a kid | 0:22:01 | 0:22:04 | |
and, lo and behold, on Christmas morning, | 0:22:04 | 0:22:07 | |
and I can't remember when, but I guess it would've been 1961 or '62, | 0:22:07 | 0:22:11 | |
this appeared in my Father Christmas sack. | 0:22:11 | 0:22:14 | |
I was so pleased with it and I loved it and I played with it. | 0:22:14 | 0:22:17 | |
It's something that I've always kept. | 0:22:17 | 0:22:19 | |
And the thing that makes it a little bit special for me, and this is down to doing TV, | 0:22:19 | 0:22:25 | |
if you look very closely at this, | 0:22:25 | 0:22:31 | |
you can just see there the motor racing transporter, | 0:22:31 | 0:22:35 | |
and through doing television, I got to go and sit in and see the real thing | 0:22:35 | 0:22:40 | |
about three years ago. | 0:22:40 | 0:22:42 | |
I mean, this is really, really sad but it was a real magic moment for me | 0:22:42 | 0:22:46 | |
because it was like so many boyhood, childhood memories, | 0:22:46 | 0:22:49 | |
because I really wanted to be a racing driver. | 0:22:49 | 0:22:51 | |
Jimmy Clarke, Phil Hill and Stirling Moss, | 0:22:51 | 0:22:54 | |
all these great names of that period, that was what I wanted to do. | 0:22:54 | 0:22:58 | |
And to be able to go and see this, | 0:22:58 | 0:23:01 | |
it was really special. | 0:23:01 | 0:23:02 | |
And it all started with that. | 0:23:02 | 0:23:06 | |
At most auctions, there's often one sale which takes everybody's breath away. | 0:23:13 | 0:23:18 | |
Like you, I want to find out more | 0:23:18 | 0:23:20 | |
about how one object can change life for its owner. | 0:23:20 | 0:23:24 | |
Here's one that really stands out for me. | 0:23:24 | 0:23:27 | |
Sometimes, people who turn up on Flog It! have rather unexpected passions. | 0:23:27 | 0:23:32 | |
-Hi. -Hello! -Now, what can I say? -Well... | 0:23:32 | 0:23:35 | |
Take Kenneth, for example, what would you expect him to collect? | 0:23:35 | 0:23:39 | |
I'd have thought maybe motorbikes. | 0:23:39 | 0:23:42 | |
# God save the queen... # | 0:23:42 | 0:23:44 | |
I've got a bit of a mix - | 0:23:44 | 0:23:46 | |
the Sex Pistols, | 0:23:46 | 0:23:50 | |
Dennis the Menace | 0:23:50 | 0:23:52 | |
and Poole Pottery - | 0:23:52 | 0:23:53 | |
but I like it. | 0:23:53 | 0:23:55 | |
Poole Pottery? It's a bit, well, unblokey! | 0:23:57 | 0:24:01 | |
We first met him in 2006, | 0:24:02 | 0:24:04 | |
when he brought a really weird item into a valuation day. | 0:24:04 | 0:24:08 | |
My father won it in a cribbage game many moons ago. | 0:24:08 | 0:24:11 | |
-I inherited it when he died some years ago. -Right. | 0:24:11 | 0:24:14 | |
It's a lobster claw, as you can see, | 0:24:14 | 0:24:17 | |
and it's been made into a brandy flask. | 0:24:17 | 0:24:20 | |
And I think it's a charming, quirky object. | 0:24:20 | 0:24:23 | |
That's what I was thinking. I thought you'd like it. | 0:24:23 | 0:24:26 | |
It's really bitten me, excuse the pun! | 0:24:26 | 0:24:28 | |
But it's just great fun. | 0:24:28 | 0:24:30 | |
-Somebody's taken what was obviously a massive lobster... -It must've been huge. | 0:24:30 | 0:24:35 | |
-Much wider than the table. -Oh, yes, much bigger. | 0:24:35 | 0:24:38 | |
It would've made a lovely meal! | 0:24:38 | 0:24:39 | |
It would've done, although I'm not a great lover of seafood. | 0:24:39 | 0:24:43 | |
But I think there will be people who would find it | 0:24:43 | 0:24:47 | |
a unique object, which it is. | 0:24:47 | 0:24:49 | |
My dad told me years ago that it was worth a lot of money, | 0:24:49 | 0:24:53 | |
but what's a lot of money? You don't know. | 0:24:53 | 0:24:56 | |
I thought maybe £100, somebody would give me that. | 0:24:56 | 0:24:59 | |
I don't think it's a huge value. | 0:24:59 | 0:25:01 | |
-No. -I would've put maybe 70 to 100 on it. | 0:25:01 | 0:25:05 | |
-That's not bad! -Not bad, is it? | 0:25:05 | 0:25:07 | |
Maybe we'll keep the reserve a little bit lower than that | 0:25:07 | 0:25:12 | |
to give it a fighting chance. | 0:25:12 | 0:25:14 | |
50 or 60? | 0:25:14 | 0:25:16 | |
-Yes, 50 quid. That's a deal. -All right, then. | 0:25:16 | 0:25:18 | |
-We'll put a reserve of 50 and let's see what happens. -Right. | 0:25:18 | 0:25:23 | |
So, what did happen? | 0:25:23 | 0:25:25 | |
-I love it. -I do, as well. -A bit of folk art. | 0:25:25 | 0:25:27 | |
-I mean, it was a huge lobster, wasn't it? -Massive lobster! | 0:25:27 | 0:25:32 | |
-I hope it claws in the money! -Ahh! | 0:25:32 | 0:25:34 | |
Boom-boom! This is it. Good luck, Kenneth. | 0:25:34 | 0:25:37 | |
Lot 37, which is an amusing lot. | 0:25:37 | 0:25:40 | |
One of the highlights of the sale, this lobster-claw brandy flask. | 0:25:40 | 0:25:44 | |
30. Five. | 0:25:44 | 0:25:46 | |
40. Five. | 0:25:46 | 0:25:48 | |
50. Five. 60. Five. | 0:25:48 | 0:25:51 | |
70. No? | 0:25:51 | 0:25:54 | |
Add 65, but thank you. 70. Five... | 0:25:54 | 0:25:58 | |
-It's still going. -Fresh legs. Or should we say claws?! -Claws! | 0:25:58 | 0:26:01 | |
..100. And ten? | 0:26:01 | 0:26:04 | |
120. 130. 140. 150. | 0:26:04 | 0:26:06 | |
160. 170. | 0:26:06 | 0:26:09 | |
170, sir? 180. | 0:26:09 | 0:26:11 | |
190. 190? | 0:26:11 | 0:26:13 | |
200. And 20. | 0:26:13 | 0:26:16 | |
220. 240. 260. | 0:26:16 | 0:26:19 | |
260. 280? 280. | 0:26:19 | 0:26:21 | |
300? 300. And 20. Fresh bidder. | 0:26:21 | 0:26:24 | |
320. 340. | 0:26:24 | 0:26:26 | |
340, sir? | 0:26:26 | 0:26:27 | |
At £320 on the back row, going... | 0:26:27 | 0:26:31 | |
-The hammer's gone down. -£320! -£320! | 0:26:31 | 0:26:35 | |
Pfft! Who'd have thought it, eh? | 0:26:35 | 0:26:39 | |
-Kenneth, what are you going to put that towards? -I might get a Poole pot or something. | 0:26:39 | 0:26:44 | |
Sometimes it's not how much an item makes, but how you reinvest. | 0:26:44 | 0:26:49 | |
Pretty much every spare penny Kenneth has, he puts into Poole. | 0:26:49 | 0:26:53 | |
I have quite an addiction to collecting Poole. | 0:26:53 | 0:26:56 | |
I probably need help! | 0:26:56 | 0:26:59 | |
Help packing it up! | 0:26:59 | 0:27:01 | |
The record at auction for one piece is £13,000, | 0:27:01 | 0:27:05 | |
and for a collection, 250,000. | 0:27:05 | 0:27:09 | |
I think there's about 300 pieces downstairs in this room, | 0:27:09 | 0:27:13 | |
there's a further 50 or 60 pieces in the bedroom | 0:27:13 | 0:27:17 | |
and in the attic, the last count was 50 boxes full, | 0:27:17 | 0:27:21 | |
and each box has got... | 0:27:21 | 0:27:24 | |
..at least nine or ten items in it. | 0:27:24 | 0:27:27 | |
Erm... One day, maybe the attic will fall down. | 0:27:27 | 0:27:30 | |
The Poole Pottery Factory was established in 1873 | 0:27:32 | 0:27:36 | |
and is still open and making ceramic-wares today. | 0:27:36 | 0:27:39 | |
Over the decades, it's become known for its bright colours and bold designs. | 0:27:39 | 0:27:45 | |
They did a lot of tableware and cups, saucers, eggcups, blah, blah, blah... | 0:27:45 | 0:27:50 | |
How many teapots, I don't know. | 0:27:50 | 0:27:52 | |
I must have at least 12 teapots and I don't even drink tea! | 0:27:52 | 0:27:56 | |
I thought I'd get a logo tattooed on my leg. | 0:27:58 | 0:28:02 | |
I had to get that done, really. | 0:28:02 | 0:28:06 | |
That goes to show, you shouldn't always judge the collector by his cover. | 0:28:06 | 0:28:11 | |
So, go on, search your home. You could be sitting on a treasure and now even know it. | 0:28:14 | 0:28:19 | |
Well, that's it for today's show. I hope you've been inspired. | 0:28:19 | 0:28:23 | |
And remember, never underestimate the frivolous, | 0:28:23 | 0:28:26 | |
the naughty and the childish. | 0:28:26 | 0:28:28 | |
If it makes you smile, it's a fair bet somebody else will want it. | 0:28:28 | 0:28:32 | |
See you next time for more trade secrets. | 0:28:32 | 0:28:36 |