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Welcome to Flog It! Trade Secrets. | 0:00:03 | 0:00:05 | |
In this series, we share with you information honed over 11 years | 0:00:05 | 0:00:09 | |
of valuing your antiques and collectables. | 0:00:09 | 0:00:12 | |
-I reckon three to 500. -Brilliant. -I reckon it'll do really well. | 0:00:12 | 0:00:15 | |
With nearly 1,000 shows under our belt, | 0:00:17 | 0:00:19 | |
that's a great deal of knowledge to share. | 0:00:19 | 0:00:22 | |
I'm always saying that collecting antiques is the ultimate recycling. | 0:00:50 | 0:00:54 | |
They are, by definition, second-hand, third-hand and fourth-hand | 0:00:54 | 0:00:57 | |
and many are past their best. | 0:00:57 | 0:00:59 | |
Then they end up getting thrown away. | 0:00:59 | 0:01:01 | |
So today's show is all about those items and the lucky people who have found them | 0:01:01 | 0:01:05 | |
and brought them to one of our valuation days to discover their true worth. | 0:01:05 | 0:01:11 | |
On today's show, we've got some amazing stories | 0:01:12 | 0:01:15 | |
of the crazy money to be made out of the things you've found. | 0:01:15 | 0:01:19 | |
Yes! | 0:01:19 | 0:01:21 | |
Bond Street, here you go! | 0:01:21 | 0:01:24 | |
Our experts tell us when to let go | 0:01:24 | 0:01:26 | |
and when to hang on to things we find. | 0:01:26 | 0:01:28 | |
Throwing away a George III chair on a tip?! | 0:01:28 | 0:01:31 | |
What are people like? | 0:01:31 | 0:01:33 | |
And Anita shows us feminine charm can go a long way. | 0:01:33 | 0:01:36 | |
Occasionally, I have a wee flirt with the guys! | 0:01:36 | 0:01:41 | |
So keep watching to learn whether you have a valuable find. | 0:01:41 | 0:01:45 | |
So what are our experts' tips on buying things that other people may have overlooked? | 0:01:47 | 0:01:52 | |
Occasionally, you just have a feeling. | 0:01:52 | 0:01:56 | |
You open a box | 0:01:56 | 0:01:57 | |
or sometimes you go into a room, | 0:01:57 | 0:02:00 | |
and you just have a feeling that there's something somewhere. | 0:02:00 | 0:02:03 | |
You may see something about it, | 0:02:03 | 0:02:04 | |
the quality, the style, the shape. | 0:02:04 | 0:02:07 | |
I think if you get that tingle | 0:02:07 | 0:02:09 | |
and you pick an object up, | 0:02:09 | 0:02:12 | |
and the hairs on the back of your neck go up. | 0:02:12 | 0:02:16 | |
And you get excited. | 0:02:16 | 0:02:18 | |
I think that's when you know you've got something good. | 0:02:18 | 0:02:21 | |
You come along to our valuation days | 0:02:24 | 0:02:26 | |
with items that have made their way into your possession | 0:02:26 | 0:02:29 | |
by all manner of means. | 0:02:29 | 0:02:30 | |
You may have picked things up in an auction room, antiques shop, charity shop. | 0:02:30 | 0:02:34 | |
You've been given things or you've inherited things. | 0:02:34 | 0:02:37 | |
But it never ceases to amaze me | 0:02:37 | 0:02:39 | |
how many of you bring in things that you've found! | 0:02:39 | 0:02:42 | |
Here are some of the surprise pieces our experts have come across over the years, | 0:02:42 | 0:02:47 | |
including an item found in the most unlikely of places, | 0:02:47 | 0:02:50 | |
to Adam Partridge's astonishment. | 0:02:50 | 0:02:53 | |
"One man's rubbish is another man's treasure", still very much the case. | 0:02:54 | 0:02:58 | |
People are more informed nowadays because of programmes like Flog It, | 0:02:58 | 0:03:03 | |
but it's still possible to find things that have been discarded by some | 0:03:03 | 0:03:08 | |
and are hugely sought-after by others. | 0:03:08 | 0:03:12 | |
This is a wonderful oil painting you've brought in today, Ian. | 0:03:12 | 0:03:17 | |
Really very nice. Can you tell me where you found it? | 0:03:17 | 0:03:20 | |
I found it out dog-walking, | 0:03:20 | 0:03:22 | |
in the midst of a dump in an old wooden chest. | 0:03:22 | 0:03:26 | |
He found a trunk in a rubbish dump in Cornwall, I seem to remember. | 0:03:26 | 0:03:29 | |
I remember it being Cornwall, because Paul got excited, being a Cornishman. | 0:03:29 | 0:03:33 | |
And the chest, what's happened to that? | 0:03:33 | 0:03:35 | |
I renovated it and sold it. | 0:03:35 | 0:03:37 | |
-What did you get for it? -About 90 quid, I think it was. -Not bad. | 0:03:37 | 0:03:40 | |
Who would discard a trunk full of stuff at a rubbish dump? | 0:03:40 | 0:03:43 | |
I just don't understand that. | 0:03:43 | 0:03:46 | |
-This is as you found it? No frame or anything? -Exactly. No frame. | 0:03:46 | 0:03:49 | |
-It's not been cleaned or anything. -That's a good thing. | 0:03:49 | 0:03:52 | |
-We don't like things being overly cleaned. -I see. -It can ruin them. | 0:03:52 | 0:03:56 | |
Really. | 0:03:56 | 0:03:58 | |
The potential buyer of this would prefer the fact it's in relatively original condition | 0:03:58 | 0:04:02 | |
than the fact someone's had a go at stripping it off and cleaning it. | 0:04:02 | 0:04:05 | |
It's lovely. There's plenty going on here. | 0:04:05 | 0:04:07 | |
A good use of light. A boat here | 0:04:07 | 0:04:10 | |
and some figures on the beach. | 0:04:10 | 0:04:11 | |
-What looks like a shipwreck there, isn't there. -Yeah. | 0:04:11 | 0:04:14 | |
Perhaps some fishermen here. There's plenty going on. | 0:04:14 | 0:04:17 | |
-It's very nicely executed. -Good. | 0:04:17 | 0:04:19 | |
It looks to me like a Hulk, H-U-L-K. | 0:04:19 | 0:04:23 | |
-He's quite a well-known artist of this type of thing. -Right. | 0:04:23 | 0:04:27 | |
Abraham Hulk. A Dutch artist. | 0:04:27 | 0:04:29 | |
There was a Hulk Senior and a Hulk Junior. | 0:04:29 | 0:04:32 | |
I think this is the Senior one | 0:04:32 | 0:04:35 | |
because this looks like a mid-19th-century oil on panel, | 0:04:35 | 0:04:39 | |
on a board. | 0:04:39 | 0:04:41 | |
-1813 to 1897 was the dates of Abraham Hulk. -Really. | 0:04:41 | 0:04:44 | |
-They can sell quite well. -Really? | 0:04:44 | 0:04:47 | |
-I would suggest an estimate of three to 500. -Really? | 0:04:47 | 0:04:50 | |
Which is a conservative guide. | 0:04:50 | 0:04:52 | |
If it is by Hulk, it should make 500-plus. | 0:04:52 | 0:04:55 | |
-Maybe five to 800. -Not bad for something off the dump, then? | 0:04:55 | 0:04:58 | |
I take my dogs out quite often, but I've never found anything! | 0:04:58 | 0:05:02 | |
So, did the buyers believe this was an "incredible Hulk"? | 0:05:02 | 0:05:05 | |
Lot 180. A 19th-century oil on panel | 0:05:06 | 0:05:09 | |
depicting a sailing vessel. | 0:05:09 | 0:05:11 | |
Start me at 500. 550. 600. | 0:05:11 | 0:05:14 | |
650. 700. | 0:05:14 | 0:05:17 | |
750. | 0:05:17 | 0:05:18 | |
-800. 850. -This is brilliant. | 0:05:20 | 0:05:23 | |
900? 850. Selling at 850, now. | 0:05:23 | 0:05:26 | |
Yes! | 0:05:28 | 0:05:29 | |
-How about that? Are you happy? -Very much so! | 0:05:29 | 0:05:32 | |
It was a good price at 850. | 0:05:33 | 0:05:35 | |
Part of the reason it sold so well, I'm convinced, | 0:05:35 | 0:05:39 | |
is because it was completely unseen before. | 0:05:39 | 0:05:42 | |
It was without a frame, it needed a clean. | 0:05:42 | 0:05:45 | |
All these things. Don't get your stuff cleaned and tarted up for sale. | 0:05:45 | 0:05:50 | |
Leave them in their original condition. | 0:05:50 | 0:05:53 | |
So the buyers say, "It's never been in a gallery, or at an antique fair. | 0:05:53 | 0:05:58 | |
"It's never been seen by anyone and it's fresh goods to the market." | 0:05:58 | 0:06:02 | |
Great advice, Adam. | 0:06:02 | 0:06:04 | |
If you come across an unwanted painting that's signed, | 0:06:04 | 0:06:06 | |
you've got a great clue that's worth exploring. | 0:06:06 | 0:06:09 | |
Do some research, and you might find you've found something for nothing. | 0:06:09 | 0:06:15 | |
Now, would you walk down the street | 0:06:15 | 0:06:17 | |
and expect to find more than a lost coin? | 0:06:17 | 0:06:20 | |
Well, as Mark Stacey discovered a few years ago, some people ARE that lucky. | 0:06:20 | 0:06:25 | |
My father was walking down Bond Street in London | 0:06:25 | 0:06:28 | |
about 30 years ago, | 0:06:28 | 0:06:30 | |
and found it on the floor, on the pavement. | 0:06:30 | 0:06:33 | |
He took it to the police station, and after a period of time, | 0:06:33 | 0:06:37 | |
they let him have it. | 0:06:37 | 0:06:40 | |
-So nobody came forward to claim it? -No. | 0:06:40 | 0:06:41 | |
-And therefore it rightly went back to him as the person who found it. -Correct. | 0:06:41 | 0:06:45 | |
-Have you ever done any research on it? -None at all. -Done anything with it? | 0:06:45 | 0:06:49 | |
No, just put it in the safe and it's just stayed there. | 0:06:49 | 0:06:52 | |
It's quite a nice little item. | 0:06:52 | 0:06:54 | |
It's a regimental brooch. | 0:06:54 | 0:06:56 | |
We haven't, with our limited time here, been able to find out which regiment it is at the moment. | 0:06:56 | 0:07:01 | |
But it has got a Latin inscription on it. | 0:07:01 | 0:07:03 | |
It's obviously got the harp for Ireland. | 0:07:03 | 0:07:05 | |
And what looks like the English crown above. | 0:07:05 | 0:07:08 | |
So maybe we've got a link there with a Northern Irish regiment, | 0:07:08 | 0:07:12 | |
rather than a southern Irish regiment. | 0:07:12 | 0:07:14 | |
The military have played a great part in British history | 0:07:14 | 0:07:17 | |
and I suspect that's where the collective habit formed. | 0:07:17 | 0:07:21 | |
There's such a wide variety. You can collect medals, | 0:07:21 | 0:07:24 | |
uniforms, ceremonial flag tips, | 0:07:24 | 0:07:28 | |
whatever you want to collect, there's something there in the militaria field. | 0:07:28 | 0:07:33 | |
If we have a look at the piece, | 0:07:33 | 0:07:34 | |
we can see it's enamelled there with the blue enamel. | 0:07:34 | 0:07:37 | |
It's 15-carat gold and platinum where the diamonds are set in. | 0:07:37 | 0:07:41 | |
Platinum or white gold is often used with diamonds | 0:07:41 | 0:07:45 | |
to show the light better. | 0:07:45 | 0:07:47 | |
It reflects better off a silver surface than it does from a yellow gold surface. | 0:07:47 | 0:07:52 | |
Often these types of brooches were made for wives of senior ranking officers. | 0:07:52 | 0:07:58 | |
All regiments have their crests and their mottos. | 0:07:58 | 0:08:00 | |
A good thing to do if you've just suddenly been made a major general | 0:08:00 | 0:08:05 | |
is to buy your wife a nice piece of jewellery with the crest | 0:08:05 | 0:08:08 | |
so that she can wear something blingy too. | 0:08:08 | 0:08:13 | |
Have you ever thought about the value before? | 0:08:13 | 0:08:15 | |
Never given it a thought at all. | 0:08:15 | 0:08:16 | |
We've had a little conflab, some of the other experts and myself today, | 0:08:16 | 0:08:19 | |
and we think it should go to auction with an estimate of £200 to £300. | 0:08:19 | 0:08:23 | |
With a 200 reserve. | 0:08:23 | 0:08:26 | |
I think it is worth reserving it at £200. | 0:08:26 | 0:08:29 | |
Obviously if we find it's an interesting regiment, | 0:08:29 | 0:08:32 | |
then that might encourage further bidding. | 0:08:32 | 0:08:35 | |
But at least it'll add to the interest of it. | 0:08:35 | 0:08:38 | |
Were the bidders also taken by the sparkling pin dropped in the street? | 0:08:39 | 0:08:43 | |
Now, ladies and gentlemen, lot three. | 0:08:43 | 0:08:45 | |
The Irish Guards brooch. | 0:08:45 | 0:08:47 | |
There are four commissioning bids on the book. | 0:08:47 | 0:08:50 | |
I'll save an awful lot of trouble - I'm bid £800... | 0:08:50 | 0:08:53 | |
At 825, now. | 0:08:54 | 0:08:56 | |
-At 825. -I'm shaking! | 0:08:56 | 0:08:58 | |
At 825. At £825. | 0:08:58 | 0:09:01 | |
At 825. | 0:09:01 | 0:09:03 | |
Hammer's gone down at £825. | 0:09:03 | 0:09:06 | |
I know I put a cheeky estimate on it, | 0:09:06 | 0:09:09 | |
and I thought it might make £400 or 500, | 0:09:09 | 0:09:11 | |
but 850, I think, really blew us all away. | 0:09:11 | 0:09:15 | |
Yes, it did, for something that might have had no more than a passing glance in the street. | 0:09:15 | 0:09:19 | |
So what do you do if something seems to drop into your lap? | 0:09:19 | 0:09:23 | |
The law says you need to take reasonable steps | 0:09:23 | 0:09:26 | |
to find the owner if something is lost. | 0:09:26 | 0:09:29 | |
But this varies from case to case. | 0:09:29 | 0:09:30 | |
So check with the police, as David did, | 0:09:30 | 0:09:33 | |
that no-one had lost an item. | 0:09:33 | 0:09:35 | |
If the rightful owner hasn't claimed it within 28 days, | 0:09:35 | 0:09:38 | |
it's yours, and you might have your hands on something valuable. | 0:09:38 | 0:09:42 | |
You've brought us unusual items from all around the country | 0:09:43 | 0:09:47 | |
and some that caught our expert Anita Manning's eye | 0:09:47 | 0:09:50 | |
were really a little bit different. | 0:09:50 | 0:09:52 | |
In Alnwick, I had two marvellous guys, a wonderful double act, Eric and Jimmy. | 0:09:52 | 0:09:58 | |
-I'm Eric from Berwick. -And I'm Jimmy, also from Berwick. | 0:09:58 | 0:10:02 | |
It's a pleasure to meet you, Anita. | 0:10:02 | 0:10:04 | |
It's a pleasure to meet you, too. You guys are Borderers. | 0:10:04 | 0:10:07 | |
I believe the men from the Borders are wild men! | 0:10:07 | 0:10:11 | |
-Do you think so? Get away! -He's a wild man! | 0:10:11 | 0:10:14 | |
Where did you get them? | 0:10:14 | 0:10:16 | |
In amongst the rubbish in a house we were working in. | 0:10:16 | 0:10:19 | |
Were these being thrown out? | 0:10:19 | 0:10:21 | |
Yes. | 0:10:21 | 0:10:22 | |
It's amazing what people discard. | 0:10:22 | 0:10:24 | |
These were in beautiful condition, | 0:10:24 | 0:10:26 | |
so it wasn't as if they, you know, they were like rubbish. | 0:10:26 | 0:10:31 | |
They're what are called Stevengraphs, | 0:10:31 | 0:10:34 | |
and they're little woven pictures. | 0:10:34 | 0:10:36 | |
They're not hand done, they're made by a machine. | 0:10:36 | 0:10:40 | |
And they were made by Thomas Stevens. | 0:10:40 | 0:10:44 | |
He was an inventor who invented this process | 0:10:44 | 0:10:48 | |
of woven pictures. | 0:10:48 | 0:10:50 | |
He lived in Coventry, and this was a centre of this type of thing. | 0:10:50 | 0:10:56 | |
These things were made late 19th, early 20th century. | 0:10:56 | 0:11:00 | |
People were putting visual images on their wall in Victorian times. | 0:11:00 | 0:11:04 | |
This was something that was a wee bit different. | 0:11:04 | 0:11:07 | |
So they were very... It was trendy to have a Stevengraph on your wall. | 0:11:07 | 0:11:11 | |
Eric from Berwick, | 0:11:11 | 0:11:13 | |
do you have a favourite? | 0:11:13 | 0:11:14 | |
Well, I quite like the one with the rescue. | 0:11:14 | 0:11:18 | |
The lifeboat. That's a lovely one. | 0:11:18 | 0:11:21 | |
-Jimmy, what about you? Is Lady Godiva your favourite? -Yes, indeed! | 0:11:21 | 0:11:25 | |
Lady Godiva. | 0:11:25 | 0:11:27 | |
-You look like a bit of a ladies' man! -Thank you so much! | 0:11:27 | 0:11:30 | |
I just love the people that bring their stuff in to Flog It. | 0:11:30 | 0:11:34 | |
And occasionally, | 0:11:34 | 0:11:36 | |
I have a wee flirt with the guys! | 0:11:36 | 0:11:39 | |
I hope that's allowed! | 0:11:39 | 0:11:41 | |
If we put a conservative estimate | 0:11:41 | 0:11:43 | |
of ten to 15, | 0:11:43 | 0:11:45 | |
so that will be... Say we put 120 to £180. | 0:11:45 | 0:11:50 | |
Yep. | 0:11:50 | 0:11:52 | |
What do you think, Jimmy? | 0:11:52 | 0:11:53 | |
Well, I just suggested before we sat here | 0:11:53 | 0:11:56 | |
that we should be looking for £10-plus. | 0:11:56 | 0:11:58 | |
-Yep. He's not bad. -No, he's... -Are you looking for a job! | 0:11:58 | 0:12:02 | |
'We'll have to see if we have room on our experts panel! | 0:12:05 | 0:12:09 | |
'So, did Anita, assisted by Jimmy, | 0:12:09 | 0:12:11 | |
'get their valuation of these unique Victorian curiosities right?' | 0:12:11 | 0:12:16 | |
Good luck, guys! | 0:12:16 | 0:12:18 | |
The pure silk woven by Thomas Stevens. | 0:12:18 | 0:12:21 | |
A variety of them. There's sporting ones. | 0:12:21 | 0:12:24 | |
I've got two commission bids. | 0:12:24 | 0:12:27 | |
And 400 starts me. | 0:12:27 | 0:12:29 | |
-At 400. -That's good. -450. | 0:12:29 | 0:12:31 | |
500. 550. | 0:12:31 | 0:12:34 | |
600. 650. | 0:12:34 | 0:12:36 | |
I loved the expression on Eric's face | 0:12:36 | 0:12:40 | |
when the price went up | 0:12:40 | 0:12:42 | |
and up and up! | 0:12:42 | 0:12:46 | |
And I could see his pal | 0:12:46 | 0:12:47 | |
trying to divide the sum in two! | 0:12:47 | 0:12:52 | |
I think they were going to divide it. | 0:12:52 | 0:12:55 | |
1,150. 1,200. | 0:12:55 | 0:12:57 | |
1,250. | 0:12:57 | 0:12:58 | |
In the room at 1,250. 1,300 now. | 0:12:58 | 0:13:02 | |
At 1,250. 1,300, anybody? | 0:13:02 | 0:13:05 | |
1,250. | 0:13:05 | 0:13:07 | |
-I didn't suspect that. -Absolutely delighted. | 0:13:09 | 0:13:11 | |
Those rare ones made the difference. | 0:13:11 | 0:13:13 | |
-Quality... -The rare ones made the difference. | 0:13:13 | 0:13:15 | |
Quality always sells. That's the main thing. | 0:13:15 | 0:13:17 | |
That had it in abundance. | 0:13:17 | 0:13:19 | |
Not bad for something discovered in a rubbish pile! | 0:13:19 | 0:13:23 | |
It shows how fashion has come full circle | 0:13:23 | 0:13:25 | |
since Victorian times. | 0:13:25 | 0:13:28 | |
After a certain amount of time, they would go out of fashion. | 0:13:28 | 0:13:31 | |
They would be taken off the wall, and perhaps, not thrown out, as these were, | 0:13:31 | 0:13:37 | |
but stuck up in the attic and forgotten about, really. | 0:13:37 | 0:13:40 | |
So there will be... There will be these items about. | 0:13:40 | 0:13:45 | |
And they might be up in your attic! | 0:13:45 | 0:13:48 | |
So here's what we've learned so far. | 0:13:48 | 0:13:51 | |
Don't throw away anything until you know it's worthless. | 0:13:51 | 0:13:55 | |
Look for tell-tale signs, like hallmarks or signatures | 0:13:55 | 0:13:59 | |
which show you something could need more research | 0:13:59 | 0:14:02 | |
and you ought to hang on to it. | 0:14:02 | 0:14:04 | |
Fashions change, so what went out of fashion a few years ago, | 0:14:04 | 0:14:07 | |
could be smack bang on trend today. | 0:14:07 | 0:14:11 | |
Look for craftsmanship that stands the test of time. | 0:14:11 | 0:14:14 | |
Chances are, your instinct for quality could be spot-on! | 0:14:14 | 0:14:18 | |
And, like Eric from Berwick, keep your eyes peeled. | 0:14:20 | 0:14:23 | |
You never know what you'll find in the most unusual of places! | 0:14:23 | 0:14:27 | |
It's not just you who can stumble across amazingly interesting items. | 0:14:35 | 0:14:39 | |
Our experts have also found things | 0:14:39 | 0:14:42 | |
that have got their hearts racing! | 0:14:42 | 0:14:44 | |
We came across a penny farthing. | 0:14:46 | 0:14:49 | |
Bicycle. | 0:14:49 | 0:14:51 | |
In an outhouse at my grandfather's house after he died. | 0:14:51 | 0:14:55 | |
It was made by a blacksmith. | 0:14:55 | 0:14:56 | |
I remember in 1971, I think it made £750. | 0:14:56 | 0:14:59 | |
I've done a bit of homework on that, | 0:15:01 | 0:15:03 | |
and I think £750 in 1971, | 0:15:03 | 0:15:05 | |
would be worth about 19 or £20,000 today. | 0:15:05 | 0:15:08 | |
So that was quite exciting, really. | 0:15:08 | 0:15:11 | |
And we didn't know it was there. | 0:15:11 | 0:15:14 | |
I found the most wonderful quirky metal base on a beach once, | 0:15:14 | 0:15:20 | |
which I dragged up to our holiday cottage. | 0:15:20 | 0:15:22 | |
It's now sitting on our patio as a patio table! | 0:15:22 | 0:15:25 | |
I did go to my tidy tip after Christmas, a couple of years ago, | 0:15:25 | 0:15:30 | |
and whilst I was chucking out my old Christmas tree | 0:15:30 | 0:15:33 | |
and decorations that I didn't want any more, | 0:15:33 | 0:15:37 | |
what did I find? | 0:15:37 | 0:15:38 | |
A George III mahogany dining chair. | 0:15:38 | 0:15:42 | |
It's not worth more than 30 or £40, | 0:15:42 | 0:15:45 | |
but throwing away a George III chair on a tip?! | 0:15:45 | 0:15:48 | |
What are people like? | 0:15:48 | 0:15:50 | |
On Flog It, you love to bring us items you've found in strange places. | 0:15:55 | 0:15:59 | |
But what about discoveries you've dug out of the ground? | 0:15:59 | 0:16:02 | |
Could they be treasure? | 0:16:02 | 0:16:04 | |
There is a whole legal definition of what constitutes treasure. | 0:16:04 | 0:16:08 | |
So we'll show you how you can tell if you have a real treasure trove. | 0:16:08 | 0:16:12 | |
Take this very old coin Ernie brought in to show Michael Baggott. | 0:16:12 | 0:16:16 | |
This is a fantastic condition gold coin. Where on earth did you get this from? | 0:16:16 | 0:16:23 | |
Me and two mates were working in Chesterfield, | 0:16:23 | 0:16:26 | |
putting a new water main in. | 0:16:26 | 0:16:28 | |
We took some muck out of the ground and it dropped in the trench we were in. | 0:16:28 | 0:16:32 | |
-Good grief. -I thought it was a bottle top | 0:16:32 | 0:16:34 | |
until I rubbed it and saw the head on it. | 0:16:34 | 0:16:36 | |
What a fantastic find. | 0:16:36 | 0:16:38 | |
As a single coin, it isn't treasure trove, | 0:16:38 | 0:16:41 | |
but you did take it to the museum? | 0:16:41 | 0:16:44 | |
-Chesterfield Museum. -What did they tell you about it? | 0:16:44 | 0:16:47 | |
1603 to 1619 and it's 22-carat gold. | 0:16:47 | 0:16:51 | |
It's 400 years old. | 0:16:51 | 0:16:53 | |
We've got the head there of King James I. | 0:16:53 | 0:16:56 | |
He was the son of Mary, Queen of Scots. | 0:16:56 | 0:16:59 | |
He reigned from 1603 to 1625. | 0:16:59 | 0:17:04 | |
The denomination of this is actually a laurel. | 0:17:04 | 0:17:07 | |
It's a wonderful name for a coin. | 0:17:07 | 0:17:10 | |
We're used to guineas and sovereigns, | 0:17:10 | 0:17:12 | |
but go back a bit and you get angels, half angels | 0:17:12 | 0:17:15 | |
and laurels. | 0:17:15 | 0:17:16 | |
We've got the denomination struck here, which is XX. | 0:17:16 | 0:17:20 | |
That's the number of shillings that it represents. | 0:17:20 | 0:17:23 | |
So it's a 20-shilling piece. | 0:17:23 | 0:17:25 | |
We've got the figure of James in profile, | 0:17:25 | 0:17:27 | |
looking terribly imperial and powerful | 0:17:27 | 0:17:30 | |
with that Roman style wreath through his head. | 0:17:30 | 0:17:33 | |
If we read the inscription, | 0:17:33 | 0:17:35 | |
we've got "Jacobus" - James - | 0:17:35 | 0:17:38 | |
"DG" - by the grace of God. | 0:17:38 | 0:17:40 | |
"Majesty of Britain, France and Ireland." | 0:17:40 | 0:17:44 | |
And if we flip it over, we've got the royal coat of arms | 0:17:44 | 0:17:47 | |
surmounted by a crown. | 0:17:47 | 0:17:50 | |
It's in absolutely wonderful condition. | 0:17:50 | 0:17:53 | |
This represented an awful lot of money at the time to someone who lost it. | 0:17:53 | 0:17:57 | |
If you lost a coin like this, | 0:17:57 | 0:17:59 | |
you spent some time looking for it, if you'd known you'd lost it. | 0:17:59 | 0:18:03 | |
I think this was lost probably within a few years of it being struck. | 0:18:03 | 0:18:07 | |
It's just lain there undiscovered until, 400 years later, | 0:18:07 | 0:18:11 | |
down comes the bucket of the digger, | 0:18:11 | 0:18:15 | |
up and we see it. | 0:18:15 | 0:18:17 | |
It's a fantastic thing. | 0:18:17 | 0:18:19 | |
Value. Now, most of these coins | 0:18:19 | 0:18:22 | |
are about £400 to £600. | 0:18:22 | 0:18:25 | |
When you get something that's in lovely condition, | 0:18:25 | 0:18:28 | |
that's the one everybody wants to buy. | 0:18:28 | 0:18:31 | |
So I think we would be safe | 0:18:31 | 0:18:33 | |
in putting £800 to £1,200 on it. | 0:18:33 | 0:18:36 | |
-Yeah. -And a fixed reserve of £800. | 0:18:36 | 0:18:39 | |
It's just as well that you found it now. | 0:18:39 | 0:18:42 | |
In the 18th century, if they found anything like this, | 0:18:42 | 0:18:44 | |
and it was between a group of workmen, | 0:18:44 | 0:18:46 | |
they would cut it up to however many people there were! | 0:18:46 | 0:18:50 | |
-Wouldn't be worth anything cut up. -No. Not any more. | 0:18:50 | 0:18:52 | |
So, did the coin fetch top dollar? | 0:18:54 | 0:18:56 | |
At 700. And 50. | 0:18:57 | 0:18:59 | |
At 750. At £800. | 0:18:59 | 0:19:02 | |
£800 bid. | 0:19:02 | 0:19:04 | |
At £800. And behind you at 850. | 0:19:04 | 0:19:07 | |
That's good. | 0:19:07 | 0:19:09 | |
£900. | 0:19:09 | 0:19:11 | |
950, the gentleman behind you. | 0:19:11 | 0:19:13 | |
-950. -Ernie's "Come on!" | 0:19:13 | 0:19:16 | |
1,050. | 0:19:17 | 0:19:19 | |
1,100. | 0:19:19 | 0:19:21 | |
And 50. | 0:19:21 | 0:19:22 | |
No. Shake of the head. It's 1,150 for the gentleman behind you. | 0:19:22 | 0:19:26 | |
At 1,150. Any further bidders? | 0:19:26 | 0:19:29 | |
Condition, condition. | 0:19:29 | 0:19:30 | |
1,150, then. | 0:19:30 | 0:19:32 | |
Good price. £1,150. | 0:19:32 | 0:19:34 | |
-Spot on, Michael. -When are you next putting a water main down? | 0:19:34 | 0:19:37 | |
Yeah, we'd like to come along. We'll be your spotters! | 0:19:37 | 0:19:40 | |
I wish I'd found that coin. | 0:19:43 | 0:19:45 | |
Yet this wasn't officially treasure. | 0:19:45 | 0:19:47 | |
So what does make a bona fide treasure trove? | 0:19:47 | 0:19:50 | |
In 2009, Terry Herbert was scouring the fields near Lichfield | 0:19:54 | 0:19:58 | |
with his metal detector | 0:19:58 | 0:20:00 | |
when he literally struck gold. | 0:20:00 | 0:20:02 | |
One expert who came on the scene couldn't believe his eyes. | 0:20:03 | 0:20:06 | |
We'd seen the odd piece like this in some of the books, | 0:20:06 | 0:20:11 | |
but to have row upon row of these things was incredible. | 0:20:11 | 0:20:16 | |
The final tally was over 3,500 gold and silver items | 0:20:16 | 0:20:21 | |
dating to the time of the kingdom of Mercia in the seventh or eighth centuries. | 0:20:21 | 0:20:26 | |
Mainly the paraphernalia of warfare, | 0:20:27 | 0:20:30 | |
it became known as The Staffordshire Hoard. | 0:20:30 | 0:20:32 | |
It's an amazing collection | 0:20:35 | 0:20:36 | |
you can now see at the Birmingham Museum and Art Gallery. | 0:20:36 | 0:20:39 | |
So Terry was a happy man. | 0:20:43 | 0:20:45 | |
But would he be a rich one, too? | 0:20:45 | 0:20:47 | |
And was it real treasure? | 0:20:47 | 0:20:49 | |
That all came down to the law on treasure established in the Treasure Act of 1996. | 0:20:49 | 0:20:55 | |
So here are some of the things to keep in mind | 0:20:55 | 0:20:59 | |
in an area where finders doesn't necessarily mean keepers. | 0:20:59 | 0:21:03 | |
First, always get permission from the landowner | 0:21:06 | 0:21:08 | |
before you start searching on any land | 0:21:08 | 0:21:10 | |
because, along with you, | 0:21:10 | 0:21:12 | |
they could have the rights over any treasure found. | 0:21:12 | 0:21:15 | |
What defines treasure is quite complicated. | 0:21:17 | 0:21:20 | |
But simply put, treasure means an object or group of objects | 0:21:20 | 0:21:24 | |
more than 300 years old | 0:21:24 | 0:21:26 | |
with more than 10% gold or silver in it. | 0:21:26 | 0:21:29 | |
The law says that if you find treasure and are in possession of it, | 0:21:29 | 0:21:34 | |
you must report it to the coroner in the area where the finds were made. | 0:21:34 | 0:21:38 | |
He or she will then decide if it constitutes treasure. | 0:21:38 | 0:21:42 | |
If it is the real thing, it's offered to museums | 0:21:42 | 0:21:45 | |
and you and the landowner get the reward, the value of the treasure. | 0:21:45 | 0:21:49 | |
So what was the Staffordshire Hoard? | 0:21:49 | 0:21:52 | |
Of course, it was deemed to be treasure. | 0:21:52 | 0:21:55 | |
But if one coin was worth over £1,000 | 0:21:55 | 0:21:58 | |
what did Terry Herbert make from his astonishing hoard? | 0:21:58 | 0:22:02 | |
-How much did you get altogether? -£1,642,500. | 0:22:02 | 0:22:07 | |
So if you go treasure hunting and find gold or silver, | 0:22:08 | 0:22:11 | |
err on the side of caution. | 0:22:11 | 0:22:13 | |
Report it and you may just hit the jackpot! | 0:22:13 | 0:22:17 | |
At most auctions, there's often one sale which takes everybody's breath away. | 0:22:25 | 0:22:29 | |
Like you, I want to find out more about how one object can change life for its owner. | 0:22:29 | 0:22:35 | |
Meet Katherine Hurcombe, | 0:22:37 | 0:22:38 | |
a woman who knows all about buried treasure. | 0:22:38 | 0:22:41 | |
Nice to see you coming along with this great big plate in several pieces! | 0:22:41 | 0:22:45 | |
-I know. -You're spoiling us here! | 0:22:45 | 0:22:47 | |
I am! | 0:22:47 | 0:22:48 | |
It turned out to be a 19th-century Italian charger. | 0:22:48 | 0:22:52 | |
I didn't know that before I went there. | 0:22:52 | 0:22:54 | |
But Adam informed me of that. | 0:22:54 | 0:22:55 | |
A type of Majolica, tin-glazed earthenware | 0:22:55 | 0:22:58 | |
or Delftware to some. | 0:22:58 | 0:23:00 | |
We've got a signature. M. Rodriguez. | 0:23:00 | 0:23:03 | |
And we've got this baroque style of an earlier period. | 0:23:03 | 0:23:08 | |
It would have been amazing, I should think, when it was new. | 0:23:08 | 0:23:11 | |
But it was broken into eight pieces and all stuck up with animal glue. | 0:23:11 | 0:23:17 | |
-Where did you get it from? -It was given to my husband. | 0:23:17 | 0:23:20 | |
There was a pub opposite us that was being demolished. | 0:23:20 | 0:23:23 | |
-Where's that? -This was in Gloucester. -Yep. | 0:23:23 | 0:23:25 | |
This was actually going to go in the skip. | 0:23:25 | 0:23:27 | |
So my husband said, "I'll take that." | 0:23:27 | 0:23:30 | |
He just liked the look of it. So it's been on top of our wardrobe ever since. | 0:23:30 | 0:23:34 | |
-It is in a bit of a state! -I know. Yes. | 0:23:34 | 0:23:36 | |
Was it like that when your husband got it? | 0:23:36 | 0:23:38 | |
-It was. -Which is why I guess he was heading for the skip with it. | 0:23:38 | 0:23:42 | |
-I think so. -So your husband decided to keep it? | 0:23:42 | 0:23:45 | |
-He did. -What attracted him to it? | 0:23:45 | 0:23:48 | |
I don't know. He just thought it was old, that's why. | 0:23:48 | 0:23:50 | |
-Would anyone be able to do anything with it? -Yes. -They would? OK. | 0:23:50 | 0:23:55 | |
There are a few restorers, wonderful restorers, | 0:23:55 | 0:23:58 | |
who could turn that into something and you'd never know. | 0:23:58 | 0:24:00 | |
That could be made good again. | 0:24:00 | 0:24:02 | |
-Right. Down to the value. -Right. | 0:24:02 | 0:24:04 | |
It's a tricky thing to value. Most people would say if it's damaged, it's worth nothing. | 0:24:04 | 0:24:08 | |
I would say. | 0:24:08 | 0:24:10 | |
-Estimate wise, I would put 100 to 200 on it. -Oh, that's surprising. | 0:24:12 | 0:24:15 | |
-Well, it's a wide guide, isn't it? -Yeah, it is really. | 0:24:15 | 0:24:19 | |
Do you want to put a reserve on it? | 0:24:19 | 0:24:20 | |
-Would you rather have it back if it didn't make... -I don't want it back. | 0:24:20 | 0:24:23 | |
I was going to say let's have a gamble here and put it in, no reserve. | 0:24:23 | 0:24:27 | |
-That's right. -What would you put that money towards? | 0:24:27 | 0:24:30 | |
I'm a metal detectorist and I really need a new probe, | 0:24:30 | 0:24:33 | |
which is like a mini detector | 0:24:33 | 0:24:35 | |
which you can get in the hole with if you can't find the article. | 0:24:35 | 0:24:38 | |
They're about £80. | 0:24:38 | 0:24:40 | |
-Well, this might just get you your new probe. -It might do. | 0:24:40 | 0:24:45 | |
So, did the charger fetch her the sum she was looking for | 0:24:46 | 0:24:50 | |
to put towards a new metal detector? | 0:24:50 | 0:24:52 | |
This north Italian charger. | 0:24:55 | 0:24:57 | |
19th century. | 0:24:57 | 0:24:59 | |
There we go. Bid me for that lot. | 0:25:00 | 0:25:02 | |
Start me off. £100 to start me. | 0:25:02 | 0:25:04 | |
Bid me 100. | 0:25:05 | 0:25:06 | |
Bid me 50. | 0:25:06 | 0:25:08 | |
My instructions are to sell. | 0:25:08 | 0:25:10 | |
I've got £50 bid. At 50. | 0:25:10 | 0:25:12 | |
Who's got five? At £50 only. | 0:25:12 | 0:25:15 | |
-At 50. Bids, I want. -Come on. | 0:25:15 | 0:25:17 | |
At £50 and it's done and sold, then. | 0:25:17 | 0:25:20 | |
At £50 and away. | 0:25:20 | 0:25:22 | |
-No reserve. -No reserve. That's fine. | 0:25:22 | 0:25:26 | |
-50 quid from nowhere, though. -£50 from nowhere. | 0:25:26 | 0:25:28 | |
That's classic recycling. | 0:25:28 | 0:25:29 | |
-Someone's going to enjoy that. -They are. | 0:25:29 | 0:25:31 | |
And you've done well, as well. Let's not take the credit away. | 0:25:31 | 0:25:34 | |
Something for nothing. | 0:25:34 | 0:25:36 | |
-And, as everybody says, the fun of the day. -Yes. | 0:25:36 | 0:25:38 | |
Not a huge sum, but this didn't perturb Katherine | 0:25:39 | 0:25:42 | |
because she had a plan of how to transform her £50 into much, much more. | 0:25:42 | 0:25:47 | |
I've been detecting now for about ten years. | 0:25:47 | 0:25:51 | |
I really love it. | 0:25:51 | 0:25:53 | |
I can't wait to get out. This weather is not very good, | 0:25:53 | 0:25:56 | |
but I went out last Saturday and found six Roman coins. | 0:25:56 | 0:25:59 | |
This is just a selection of things you might find if you went metal detecting. | 0:25:59 | 0:26:04 | |
Just ordinary things. | 0:26:04 | 0:26:06 | |
We've got Roman brooches, | 0:26:06 | 0:26:09 | |
thimbles, | 0:26:09 | 0:26:10 | |
buckles, | 0:26:10 | 0:26:12 | |
Roman coins. | 0:26:12 | 0:26:14 | |
This here is a Japanese coin. | 0:26:14 | 0:26:17 | |
Would you think you would find that in an English field? | 0:26:17 | 0:26:20 | |
Just a selection of things. | 0:26:20 | 0:26:21 | |
So what does this special piece of metal detecting equipment | 0:26:24 | 0:26:27 | |
she so wanted, actually do? | 0:26:27 | 0:26:29 | |
PROBE BLEEPS | 0:26:29 | 0:26:31 | |
It's called a probe and it's for finding things | 0:26:31 | 0:26:34 | |
that you wouldn't normally find with the ordinary detector | 0:26:34 | 0:26:37 | |
if the ground's a bit muddy and it gets stuck in a clod of earth, | 0:26:37 | 0:26:40 | |
this will detect it. | 0:26:40 | 0:26:42 | |
The metal detecting probe is really, really handy. | 0:26:45 | 0:26:49 | |
It's really ideal to have one of those. | 0:26:49 | 0:26:52 | |
It pinpoints it straightaway. | 0:26:52 | 0:26:54 | |
It's a coin! | 0:26:56 | 0:26:58 | |
It will help her with her ever expanding collection of finds, | 0:26:59 | 0:27:03 | |
some of which have been very special. | 0:27:03 | 0:27:06 | |
I think the most special thing I've found | 0:27:07 | 0:27:09 | |
is a Georgian seal | 0:27:09 | 0:27:12 | |
which had a pelican on the bottom | 0:27:12 | 0:27:15 | |
and was called "The pelican in her piety". | 0:27:15 | 0:27:17 | |
She was pecking her breast to feed her young. | 0:27:17 | 0:27:19 | |
That was deemed treasure | 0:27:19 | 0:27:22 | |
and that is now in Gloucester Museum. | 0:27:22 | 0:27:24 | |
And that made her £150. | 0:27:24 | 0:27:26 | |
Quite a coup. | 0:27:26 | 0:27:28 | |
But is it all about hitting gold for Katherine? | 0:27:28 | 0:27:31 | |
This one here is Hadrian, | 0:27:31 | 0:27:34 | |
who, you all know, built the wall. | 0:27:34 | 0:27:36 | |
That's a very fine coin, that. | 0:27:36 | 0:27:38 | |
That's the best one I've got. | 0:27:38 | 0:27:39 | |
Very clear and sharp. | 0:27:39 | 0:27:41 | |
All these coins are really special to me. | 0:27:41 | 0:27:43 | |
I wouldn't sell any of them on Flog It. | 0:27:43 | 0:27:45 | |
I don't know how much they're worth, but I'm not really interested. | 0:27:45 | 0:27:48 | |
The monetary value doesn't count. | 0:27:48 | 0:27:50 | |
They're special to me. | 0:27:50 | 0:27:52 | |
If you went out detecting a found a coin on your first visit, | 0:27:52 | 0:27:56 | |
you'd be hooked for life. It's absolutely amazing. | 0:27:56 | 0:28:00 | |
We go for miles, and go to rallies | 0:28:00 | 0:28:03 | |
and we don't find anything and yet we still go | 0:28:03 | 0:28:06 | |
because there's always that chance that you'll find something special. | 0:28:06 | 0:28:10 | |
Which just goes to show, | 0:28:10 | 0:28:12 | |
where there's muck, there's brass. | 0:28:12 | 0:28:14 | |
With a bit of nous and an adventurous spirit like Katherine, | 0:28:14 | 0:28:18 | |
you could discover a Staffordshire hoard of your own! | 0:28:18 | 0:28:21 | |
Sadly, we're running out of time. | 0:28:25 | 0:28:27 | |
But the real secret on today's show is stay alert | 0:28:27 | 0:28:29 | |
and don't be afraid to get your hands dirty. | 0:28:29 | 0:28:32 | |
And don't assume if something's been thrown away that it's rubbish. | 0:28:32 | 0:28:35 | |
See you next time! | 0:28:35 | 0:28:37 |