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Welcome to Flog It! - where you learn and earn from antiques. | 0:00:30 | 0:00:36 | |
Auctions are exciting and give you a real buzz when selling your own items. That's when nerves creep in. | 0:00:36 | 0:00:43 | |
Hundreds of people will have their antiques valued by our experts and a few then go to auction | 0:00:43 | 0:00:50 | |
to make their owners a profit. But how much will they make? Will they stand the pace? | 0:00:50 | 0:00:57 | |
We'll find out how they do when their antiques go under the hammer. | 0:00:57 | 0:01:02 | |
I'm on edge at the moment. | 0:01:02 | 0:01:05 | |
How are you feeling? Positive? Yeah. | 0:01:05 | 0:01:08 | |
I don't believe this. | 0:01:09 | 0:01:12 | |
Dig deep. Yeah, dig deep, that's right. | 0:01:12 | 0:01:17 | |
Yes! | 0:01:17 | 0:01:18 | |
We need 190, don't we? At least. | 0:01:18 | 0:01:21 | |
That's so good. That really is the excitement of auction, isn't it? | 0:01:21 | 0:01:27 | |
First, let's find out what the public have brought to the Riviera Centre in Torquay. | 0:01:32 | 0:01:39 | |
Most of these people won't mind selling thir antiques for cash | 0:01:39 | 0:01:44 | |
and, as always, they have to face the scrutiny of our two experts. | 0:01:44 | 0:01:49 | |
David Barby puts 25 years' experience to the test at valuation day. | 0:01:49 | 0:01:54 | |
I love Torquay. It's by the coast, on the sea, but I haven't had a dip yet. | 0:01:54 | 0:02:00 | |
It's a very affluent area, it's almost tangible in the atmosphere, | 0:02:00 | 0:02:05 | |
so I think some good quality things will come up. | 0:02:05 | 0:02:08 | |
And young Thomas Plant will keep an eye open for decorative objects. | 0:02:10 | 0:02:16 | |
I'm hoping to see a bit of deco ware, maybe ceramics, the odd bronze-and-ivory figure. | 0:02:16 | 0:02:23 | |
Arriving today, I noticed a few deco buildings and a very nice cinema, so I've high hopes for that. | 0:02:23 | 0:02:30 | |
They're both chomping at the bit, so let's go inside and see what surprises we have in store. | 0:02:31 | 0:02:38 | |
Mary, I've always... It's been my desire to buy a seaside villa. | 0:02:39 | 0:02:45 | |
This is the epitome of a seaside villa, is it not? | 0:02:45 | 0:02:49 | |
Yes. Do you have an interest in doll's houses? Yes, for years. | 0:02:49 | 0:02:54 | |
This is the first art deco one I've had. This is what we call Modernist architecture, | 0:02:54 | 0:03:01 | |
probably dating from the latter part of the 1930s. | 0:03:01 | 0:03:05 | |
What I like is the shape of the bay windows and the balconies. Yes. | 0:03:05 | 0:03:10 | |
But I don't like those net curtains. No. | 0:03:10 | 0:03:14 | |
They're net curtains of the 1950s. Terrible things. Yes. | 0:03:14 | 0:03:18 | |
If we open it up, we can see the interior. | 0:03:18 | 0:03:22 | |
So we have a kitchen, dining, lounge there, one bedroom | 0:03:22 | 0:03:27 | |
and this would have been the stairwell. | 0:03:27 | 0:03:30 | |
A nice feature is a little doorway | 0:03:30 | 0:03:33 | |
that goes through onto this balcony here | 0:03:33 | 0:03:37 | |
and then another staircase that goes to this suntrap area. | 0:03:37 | 0:03:42 | |
Then you have a balcony for sunbathing. | 0:03:42 | 0:03:45 | |
This is a Triang design, | 0:03:45 | 0:03:48 | |
probably made in 1937-1939, that sort of period. | 0:03:48 | 0:03:53 | |
Value of this. I would think at auction, | 0:03:53 | 0:03:58 | |
I'd like to see it go for possibly 150, maybe more. | 0:03:58 | 0:04:03 | |
But we've got to put a price to attract would-be purchasers. Yes. | 0:04:03 | 0:04:07 | |
So if say 120-150. It's the sort of thing people say, "Ah! We can start collecting doll's house furniture." | 0:04:07 | 0:04:14 | |
Has it always been in your family? No, I bought it at a fair. | 0:04:14 | 0:04:20 | |
How much did you pay for it? ?50. | 0:04:20 | 0:04:23 | |
Some time ago? Two years ago. | 0:04:23 | 0:04:26 | |
I thought it was a very good price. I did. I'd have gone to 150 for it at the time. | 0:04:26 | 0:04:33 | |
It's super and there'll be a ready market for it. You'd be happy if I auctioned it? Yes. Excellent! | 0:04:33 | 0:04:40 | |
Have you pushed this from home? Yes. Really? No, I stuck it in the car. | 0:04:40 | 0:04:45 | |
It comes to pieces. It's incredible. How long have you had it? Oh, um... | 0:04:45 | 0:04:51 | |
I can't remember. Quite a few years. I collect prams. Do you? How many have you got? About 100-plus. | 0:04:51 | 0:04:58 | |
That's not collecting - it's bonkers on prams, obsessive. Yes. | 0:04:58 | 0:05:03 | |
This is one of your oldest ones, is it? No, I've got some older, about 1860. | 0:05:03 | 0:05:09 | |
This is about 1890. Wow! So you're a bit of an authority on prams. No, I'm always learning. | 0:05:09 | 0:05:15 | |
Do you live in Torquay? No, I live in Okehampton. So you couldn't have pushed it here, could you? | 0:05:15 | 0:05:22 | |
No. It's incredible. Lovely, isn't it? Yes. Craftsmanship. Look at the hubs. | 0:05:22 | 0:05:28 | |
What did you pay for this? We were trying to remember. | 0:05:28 | 0:05:32 | |
I think probably about 500. I can't quite remember. | 0:05:32 | 0:05:36 | |
How long have you been collecting? 20-odd years. | 0:05:36 | 0:05:41 | |
The first one I bought was when my son was born. Have you still got that one? Yes. | 0:05:41 | 0:05:47 | |
And that's a Victorian one. Well, I think it's absolutely divine, it really is. Yes. | 0:05:47 | 0:05:54 | |
Talk me through these. They were among Mother's things when she died. | 0:05:57 | 0:06:01 | |
Yes. She died about 6-8 years ago. | 0:06:01 | 0:06:04 | |
And she was a big collector of artefacts. | 0:06:04 | 0:06:08 | |
She'd go to auctions, charity shops, bring-and-buy sales. | 0:06:08 | 0:06:13 | |
She'd just collect bits and pieces and had an eye for things. Now... | 0:06:13 | 0:06:18 | |
which items do you like and which don't you? | 0:06:18 | 0:06:22 | |
Um, I used to collect frogs. Yes. And I don't any more. No? No. | 0:06:22 | 0:06:26 | |
Where have your frogs gone? Oh, just been given away. | 0:06:26 | 0:06:31 | |
Given away? But I love your frog. Tell me a bit more about it. | 0:06:31 | 0:06:36 | |
It was one of two that she used as a doorstop, but my father broke one, so I got the other one. Shame. It is. | 0:06:36 | 0:06:43 | |
It's very light, so its fate was sealed when it was a doorstop. Yes. | 0:06:43 | 0:06:48 | |
I think it's something like a spoon warmer of some kind. | 0:06:48 | 0:06:52 | |
These grotesque things could be to warm spoons or maybe just a vase. | 0:06:52 | 0:06:57 | |
But it certainly caught my eye. | 0:06:57 | 0:07:01 | |
It's not a well-known factory. It's just got Leeds Pottery. | 0:07:01 | 0:07:05 | |
This mark, 1344, is just the series number when it must have been made. | 0:07:05 | 0:07:10 | |
I'd put between ?50 and ?80 on it. I think you've a good chance. OK. | 0:07:10 | 0:07:15 | |
Would you be happy? Yes. | 0:07:15 | 0:07:18 | |
Thank goodness I had my breakfast two hours ago, because this is the most fascinating, intriguing, | 0:07:27 | 0:07:34 | |
but gruesome collection of photographs I've ever seen. | 0:07:34 | 0:07:38 | |
This all came about... Tell me the history of it. | 0:07:38 | 0:07:42 | |
Chas Belcher was a detective inspector for Scotland Yard at the turn of the century. Right. | 0:07:42 | 0:07:49 | |
This is a compilation of the crimes he was involved in. | 0:07:49 | 0:07:54 | |
It was given to my grandfather who was executor of his will in 1935. | 0:07:54 | 0:08:00 | |
What crimes was he involved in? The most famous was the Dr Crippen case. | 0:08:00 | 0:08:04 | |
Before that, there were a tremendous amount of murders involved - the Temple Gate murders. | 0:08:04 | 0:08:11 | |
What I find fascinating is that there are photographs in here | 0:08:11 | 0:08:15 | |
that were never released before because they are so gruesome. Yes. | 0:08:15 | 0:08:20 | |
This one here, of Sipido, I find interesting, because he attempted to assassinate Edward VII. | 0:08:20 | 0:08:28 | |
Yes, in 1901. He was Prince of Wales then and became Edward VII in 1902. | 0:08:28 | 0:08:33 | |
We also have photographs of the Black Museum which haven't been seen before. | 0:08:33 | 0:08:39 | |
There's so much detail in this, including a card, engraved by hand, | 0:08:39 | 0:08:44 | |
by John Syndey Cottam, a bank note forger. | 0:08:44 | 0:08:48 | |
That's right, he did it with a pin and a thimble full of ink and gave it to my grandfather and his friend. | 0:08:48 | 0:08:55 | |
Whilst he was in prison? Yes. Gosh! This is a wonderful record. | 0:08:55 | 0:09:00 | |
In fact, this Mr Belcher was almost like the John Morse of recent fame. Yes, when I was a child, | 0:09:00 | 0:09:08 | |
I always called him my famous detective. It is a wonderful, unique album. | 0:09:08 | 0:09:15 | |
As I said, there's photographs in here that have never been seen by the general public. | 0:09:15 | 0:09:21 | |
So if these go up for sale, somebody's going to get a record | 0:09:21 | 0:09:27 | |
that is going to be historical, at the same time, unique. | 0:09:27 | 0:09:32 | |
I keep using this word "unique", but it IS. There's no other copy in existence, so it's important. | 0:09:32 | 0:09:39 | |
If it goes up for sale, I would think in terms of a price, because of its nature and subject matter, | 0:09:39 | 0:09:46 | |
of probably around ?5,000. Fine. And you'd be happy if we put it up for sale at 5,000? Yes. | 0:09:46 | 0:09:53 | |
With the right publicity, we'll get that. Right. Thank you. Thank YOU! | 0:09:53 | 0:09:59 | |
What have you brought in there? I knew someone would ask me eventually. | 0:09:59 | 0:10:03 | |
A Crimean War musket. You're not going to shoot me, are you? No. | 0:10:03 | 0:10:08 | |
Stand back. | 0:10:08 | 0:10:11 | |
Wow! It's got a broken stick to go with it. | 0:10:14 | 0:10:18 | |
For an early weapon, you don't need an arms licence, do you? No. | 0:10:19 | 0:10:23 | |
It's some weight. Can you imagine firing that? You only get one go as well. Yeah. | 0:10:23 | 0:10:29 | |
Where did you get it? A friend from Birmingham had it and I bought it from him about seven years ago. | 0:10:29 | 0:10:37 | |
So I've come to check it out and get the full story on what it is. Great. | 0:10:37 | 0:10:43 | |
Good luck. Thank you. | 0:10:43 | 0:10:45 | |
My favourite item is the pram, and I'm not alone. David and Thomas are fighting over it. | 0:10:45 | 0:10:50 | |
Thomas, what do you think of this? I was pooh-poohing to begin with, but it's nice looking at it closer. | 0:10:50 | 0:10:57 | |
I think it's fabby. It's got so much style. | 0:10:57 | 0:11:01 | |
The canopy's really smart. Does that go back and forwards? Yes. | 0:11:01 | 0:11:07 | |
You adjust these nuts at the side here. Yeah. | 0:11:07 | 0:11:10 | |
To angle for sun. You can change the handles for the basket? Yes. | 0:11:10 | 0:11:16 | |
What I like is the cross-stretchers underneath. | 0:11:16 | 0:11:20 | |
Look at the springing - incredible! If you're going on cobbled streets, | 0:11:20 | 0:11:25 | |
the child would not be necessarily disturbed. It is really wonderful. | 0:11:25 | 0:11:30 | |
It would be the most expensive pram available on the market. | 0:11:30 | 0:11:35 | |
I'd say the date is about the time of the Exhibition, 1862. | 0:11:35 | 0:11:39 | |
I thought about 1890. Oh, it's not as late as that, no. | 0:11:39 | 0:11:45 | |
Not with this springing underneath. It reminds me very much of early-19th-century carriages. | 0:11:45 | 0:11:52 | |
This would have been made by a carriage maker, it is of that quality. Yeah. It's really good. | 0:11:52 | 0:11:59 | |
The other thing I like is this basketwork here. | 0:11:59 | 0:12:04 | |
It's in lovely condition. Yes. Is it English? Or is it French? | 0:12:04 | 0:12:09 | |
It's American. No? | 0:12:09 | 0:12:12 | |
It could well be American. | 0:12:12 | 0:12:14 | |
Could it be American from New Orleans? Because of the canopy. Pretty, isn't it? | 0:12:14 | 0:12:21 | |
I love this structure under here. It's very good. I like it immensely. | 0:12:21 | 0:12:26 | |
Is this something you're going to sell? Possibly. Tell me a price. | 0:12:26 | 0:12:31 | |
I think I'd stick my neck out and say ?500 to ?650, that sort of price range. | 0:12:31 | 0:12:38 | |
I mean, obviously, the condition, I've always been told, | 0:12:38 | 0:12:42 | |
is so important with collector's items. You say this condition is... | 0:12:42 | 0:12:47 | |
If the condition was better, it would be well over 1,000. | 0:12:47 | 0:12:51 | |
Will you take it, Thomas? Or will it be a joint responsibility? | 0:12:51 | 0:12:55 | |
If Madam would like us to take it at that sort of value of between 500 and 600. | 0:12:55 | 0:13:02 | |
Right. It's going to have to be six rather than the five. I think we should take it in, Thomas. | 0:13:02 | 0:13:08 | |
I'll sign the paper and then it'll be joint at the day of the auction. | 0:13:08 | 0:13:13 | |
Have I got to wheel it all the way? No, we'll take it for you. | 0:13:13 | 0:13:19 | |
I shall take a bet on this. That'll be interesting. Thank you. | 0:13:19 | 0:13:23 | |
Let's see what our owners have decided to sell at auction so far. | 0:13:31 | 0:13:36 | |
Mary hopes her 1920s doll's house will find a new home... | 0:13:37 | 0:13:42 | |
and new curtains! | 0:13:42 | 0:13:44 | |
Angela's spoon warmer is the last in the line. | 0:13:44 | 0:13:48 | |
Definitely time to "Flog It!" | 0:13:48 | 0:13:51 | |
David's collection of gruesome photographs is unique, | 0:13:51 | 0:13:55 | |
but is it worth ?5,000? | 0:13:55 | 0:13:57 | |
We all loved Jan's pram, but she bought it for 500 quid. | 0:13:57 | 0:14:02 | |
So can she possibly make a profit? | 0:14:02 | 0:14:05 | |
Soon the hammer comes down on our items and we'll find out how much they'll make. | 0:14:10 | 0:14:16 | |
But first, let's hear what auctioneer Nick has to say. | 0:14:16 | 0:14:21 | |
His opinion counts, as he'll be doing the selling. | 0:14:21 | 0:14:24 | |
Mary's doll's house - how do you value something like this? It's such a hard job. We said ?150. | 0:14:26 | 0:14:35 | |
It's a difficult thing. | 0:14:35 | 0:14:37 | |
It's not your standard doll's house. It's far more stylish than most. | 0:14:37 | 0:14:41 | |
But, I think the builders have got a case to answer. Jerry-built. Yes. | 0:14:41 | 0:14:47 | |
They've left windows out here. It's in need of restoration and maintenance as well. | 0:14:47 | 0:14:54 | |
You can't enhance it by overpainting it. But the paint is a classic deco colour. Exactly. | 0:14:54 | 0:15:01 | |
They're difficult to predict and emotional, people that buy toys, dolls and that sort of thing. | 0:15:01 | 0:15:07 | |
As you can guess, I'm not a doll kinda guy, so part of me says it's not going to make it. Right, OK. | 0:15:07 | 0:15:14 | |
We've got a doll's pram here. Same sort of market again, I suppose. | 0:15:14 | 0:15:20 | |
Again, emotive market. It'll be a doll buyer that collects this, | 0:15:20 | 0:15:25 | |
rather than someone interested in Victoriana. French doll's pram? | 0:15:25 | 0:15:30 | |
I can't think of many people who'd want one apart from doll collectors. Janet paid ?500 and wants ?600-800. | 0:15:30 | 0:15:37 | |
I think she probably paid the market price. She should know if she's collected them. | 0:15:37 | 0:15:43 | |
To make a profit at auction in such a short period of time... | 0:15:43 | 0:15:48 | |
I'd like to be upbeat, but I think it's another failure. Falling short of reserve? | 0:15:48 | 0:15:54 | |
I think ?100 short, maybe even more. | 0:15:54 | 0:15:57 | |
Oh, well, it looks like she'll be wheeling it back home. | 0:15:57 | 0:16:03 | |
OK, I think this is a bit macabre - a New Scotland Yard archive album. | 0:16:03 | 0:16:09 | |
And it's Dr Crippen's book. Yes. This is going to be a difficult one. | 0:16:09 | 0:16:14 | |
Um, we've seen this one before. Here at this auction room? Yes. | 0:16:14 | 0:16:18 | |
We saw it some 18 months ago, where we put a provisional value on it. | 0:16:18 | 0:16:24 | |
OK, our expert David valued this at ?5,000, anything up to ?10,000. | 0:16:24 | 0:16:30 | |
Well, we certainly valued it considerably less than that. | 0:16:30 | 0:16:34 | |
What was that? ?1,000 to ?1,500. | 0:16:34 | 0:16:37 | |
We also know it has been offered previously in a London auction room and failed to sell at ?1,500. | 0:16:37 | 0:16:44 | |
So whilst it's macabre and interesting, it obviously doesn't have enough backup literature | 0:16:44 | 0:16:51 | |
or letters to really personalise it. So, macabre photographs alone... | 0:16:51 | 0:16:57 | |
and not being a new thing to the market, I think it will struggle. | 0:16:57 | 0:17:02 | |
The saleroom's packed, you can feel the nerves. The auction's about to start and our owners have arrived. | 0:17:10 | 0:17:17 | |
Let's see how they feel. | 0:17:17 | 0:17:19 | |
How are you feeling right now, Mary? It's exciting, being in an auction room again. | 0:17:22 | 0:17:29 | |
You look like you're up for it. Yes, I love it. It's so thrilling. | 0:17:29 | 0:17:33 | |
It's not a lot, but hopefully we'll get you ?100 to ?150. Hope so. | 0:17:33 | 0:17:38 | |
What will you do with that money? I was going to contribute towards a boat my son-in-law's buying. Is he? | 0:17:38 | 0:17:45 | |
Every little helps, because they're expensive. A motor launch? | 0:17:45 | 0:17:50 | |
Yes, not sailing cos we don't have any experience, but we live just yards from a tidal river. | 0:17:50 | 0:17:56 | |
A mooring at the end of the garden? Just about. A stone's throw. | 0:17:56 | 0:18:01 | |
A lot of money, but hopefully you'll get it. Yes. What will you do with it? Invest it for my girl. | 0:18:01 | 0:18:08 | |
I've a five-year-old girl and it would mean a lot to her in years to come, so I'll invest it for her. | 0:18:08 | 0:18:15 | |
Sensible, actually. | 0:18:15 | 0:18:17 | |
We'll see how they do shortly as the hammer comes down on their lots. | 0:18:17 | 0:18:22 | |
First, Angela and Aubrey's frog spoon warmer. | 0:18:22 | 0:18:26 | |
How are you feeling - positive? Positive. Oh, definitely. Ready? | 0:18:26 | 0:18:31 | |
I've seen a few people looking at it. Oh, right. Oh, have they? | 0:18:31 | 0:18:36 | |
Either they've been thinking, "What is this?" Or, "I know what that is. Wow!" | 0:18:36 | 0:18:42 | |
"It's a toothbrush holder!" There aren't any others here, are there? | 0:18:42 | 0:18:47 | |
No, it's unique. Nothing else quite like it, is there? | 0:18:47 | 0:18:52 | |
Lot 282, a Leeds Pottery spoon warmer of slip-cast construction. | 0:18:52 | 0:18:57 | |
Interest here, and that's with me at ?22. | 0:18:57 | 0:19:02 | |
25. Yes. And 30, doorway bidder. Do I hear 35? ..38. | 0:19:02 | 0:19:07 | |
And 40. ..42. ..45. ..48? | 0:19:07 | 0:19:10 | |
No. Doorway bidder, then, at ?45. ..Below at 8. | 0:19:10 | 0:19:14 | |
And 50. Excellent. 5. ..And 60? | 0:19:14 | 0:19:17 | |
No, it's below at 55. ..60, do I see? | 0:19:17 | 0:19:21 | |
60, thank you. ..5. | 0:19:21 | 0:19:23 | |
70? ..No. Seated below still at ?65, ideally on a lemon-covered sofa. | 0:19:23 | 0:19:29 | |
Angela, how do you feel? That was your valuation. 50 to 70. Bang on. | 0:19:30 | 0:19:36 | |
Are you pleased? Yeah, jolly good. I hope you're pleased. Yes. | 0:19:36 | 0:19:40 | |
It's the end of the era for you. It's probably gone to someone who collects frogs, just like you did. | 0:19:40 | 0:19:47 | |
What will you do with the money? Goodness only knows. You've got to celebrate. I have, haven't I? | 0:19:47 | 0:19:54 | |
We'll have to think about that frog. Put the money towards a good cause. | 0:19:54 | 0:19:59 | |
Yes. Thanks for coming. It's been lovely. | 0:19:59 | 0:20:02 | |
The next lot is David's album of crime. | 0:20:02 | 0:20:06 | |
Now, which expert has got it right? | 0:20:06 | 0:20:09 | |
I'm getting excited. My knees are a bit, er... This is quite a big thing. We need five grand. | 0:20:09 | 0:20:15 | |
We're up now. A rather interesting album, rather macabre. | 0:20:15 | 0:20:20 | |
A Dr Crippen case containing photographs, cuttings and other topographical and safari material. | 0:20:20 | 0:20:27 | |
Thank you, Steven. | 0:20:27 | 0:20:30 | |
And we start here at ?1,500. It's with me at ?1,500. | 0:20:30 | 0:20:35 | |
50, do I see? It's here at ?1,500. | 0:20:35 | 0:20:38 | |
And 50, do I see? It's here at ?1,500. And 50, do I see? | 0:20:38 | 0:20:43 | |
No? If you're all done, it's with me. | 0:20:43 | 0:20:46 | |
Unusual thing, it's a shame to miss it. If you're all done, it's with me and stays then at ?1,500. | 0:20:46 | 0:20:53 | |
Disappointing. That is, isn't it? It is. That's a downer. Never mind. | 0:20:55 | 0:21:00 | |
It's, er... | 0:21:00 | 0:21:03 | |
one of those things. | 0:21:03 | 0:21:05 | |
Shame. Well, I hope it's plain sailing for Mary. | 0:21:05 | 0:21:09 | |
Mary, are the nerves creeping in? Yes, I'm quite excited about it. | 0:21:09 | 0:21:15 | |
So are we. You didn't take the curtains down. Oh, the net curtains. | 0:21:15 | 0:21:20 | |
No, scruffy house, I'm afraid. She's never washed them anyway. Ideal for renovation. | 0:21:20 | 0:21:27 | |
Interest here, we start this at ?50. | 0:21:27 | 0:21:30 | |
It's here at ?50. And five, will you? | 0:21:30 | 0:21:35 | |
We need a reserve of 120, don't we? That's what I thought. | 0:21:35 | 0:21:41 | |
I'm asking 55. ..Thank you, 55. ..60. ..And five. ..70. And five? | 0:21:41 | 0:21:46 | |
80. And five? ..90. And five? | 0:21:46 | 0:21:50 | |
100. ..And 10, madam? Great. It's with me at ?120. Shame to miss it. | 0:21:50 | 0:21:56 | |
The book is out, it's yours, in the doorway, at ?110, | 0:21:56 | 0:22:01 | |
unless I see 20. All done, then, and selling in the doorway at ?110. | 0:22:01 | 0:22:07 | |
He'll sell it just below reserve, but probably waive the commission. | 0:22:07 | 0:22:12 | |
You'll get the same money as if it went at 120. Right. Just crept in. | 0:22:12 | 0:22:17 | |
That's good news anyway. Yes. That lady walked in just as it came up. | 0:22:17 | 0:22:22 | |
We couldn't have been closer. Incredible. Very exciting. Thank you very much. It's my pleasure. | 0:22:22 | 0:22:29 | |
The auctioneer has to make a living, so there are a few charges built in when buying at auction. | 0:22:34 | 0:22:41 | |
Firstly, commission - this varies from 10% to 17?%. There's also VAT to be paid on the commission, | 0:22:41 | 0:22:48 | |
insurance, storage and sometimes photography for cataloguing. | 0:22:48 | 0:22:53 | |
So remember, when buying at auction, build those costs into the price. | 0:22:53 | 0:22:58 | |
Janet should be arriving soon or she'll miss her lot. | 0:23:04 | 0:23:09 | |
Thomas valued the pram. It was a shared responsibility, this one. | 0:23:09 | 0:23:13 | |
I put my innings in too. Yes, and Mr Barby came in as well. | 0:23:13 | 0:23:18 | |
Thomas put the price on it. Here we are, the Three Musketeers. | 0:23:18 | 0:23:22 | |
Things haven't gone too well, so maybe we're the Three Amigos. Talk for yourself! | 0:23:22 | 0:23:29 | |
Here we go. | 0:23:29 | 0:23:31 | |
ALL TALK AT ONCE | 0:23:31 | 0:23:34 | |
There's interest here. The commission bid is with me... | 0:23:34 | 0:23:38 | |
..at ?650. Yes! | 0:23:39 | 0:23:43 | |
The commission bid is with me at ?650. | 0:23:43 | 0:23:46 | |
And 60 anywhere? At 60, will you? | 0:23:46 | 0:23:49 | |
It's here at ?650. And 60? | 0:23:49 | 0:23:52 | |
If you're all done, I'm selling by commission bidder... That's ideal. | 0:23:52 | 0:23:57 | |
Oh, ye of little faith. Yes, I take it all back. | 0:23:57 | 0:24:01 | |
I've never valued a pram before, I'll be honest. | 0:24:01 | 0:24:05 | |
That was good. And your starting pitch was 200? | 0:24:05 | 0:24:09 | |
I started at two, and David came in and rescued me. Yeah. | 0:24:09 | 0:24:14 | |
And said, "Thomas, it's a quality item." At 650, it's pretty cheap. | 0:24:14 | 0:24:19 | |
It needs some restoration. It needs to be done by some doll collector. | 0:24:19 | 0:24:26 | |
I've never seen one like it. We'd sold late-Victorian ones for ?250 and ?300. | 0:24:26 | 0:24:33 | |
Using the maximum of the ones we sold, it's got to be worth double. | 0:24:33 | 0:24:38 | |
As a sort of base to work upon. It goes to show that in our jobs, I've never seen one sell before. | 0:24:38 | 0:24:44 | |
It's partly decorative as well and you can't arbitrate over that. In the King's Road, it'd be ?1,200. | 0:24:44 | 0:24:51 | |
As a window display. But this is auction. That is a museum piece. | 0:24:51 | 0:24:56 | |
Exactly. Indiana Jones said that. "That belongs in a museum." | 0:24:56 | 0:25:01 | |
'There you go. Valuing antiques is a subjective art. | 0:25:02 | 0:25:07 | |
'I can't wait for the auction to see how the rest of our owners do.' | 0:25:07 | 0:25:12 | |
There are hundreds of people here in Torquay and I'm going to dive outside for a quick beaver. | 0:25:21 | 0:25:29 | |
What have you brought in? A day bed? Yes, and I've also brought some art deco light fittings. | 0:25:29 | 0:25:34 | |
Those cushions go on this. Yeah. | 0:25:34 | 0:25:38 | |
It's been shut away for the last couple of years. | 0:25:38 | 0:25:43 | |
You haven't been using it, then? No. | 0:25:43 | 0:25:46 | |
I've no room for it. This would look stunning in the garden in summer. | 0:25:46 | 0:25:50 | |
It would, wouldn't it? Yeah. If it was galvanised. That's that. | 0:25:50 | 0:25:54 | |
It's very pretty. I've got four of these. | 0:25:54 | 0:25:57 | |
I've got four of these. Light fittings? Yes. | 0:25:57 | 0:26:01 | |
And the thingy that goes on the back. The brackets. Yes. | 0:26:01 | 0:26:06 | |
I really love this. It's great. Oh, thank you. | 0:26:06 | 0:26:10 | |
Hello. Hello. Oh, that's quite nice. | 0:26:12 | 0:26:14 | |
Do you want to sell that? Yes. Why? Frightened we'll chip it. | 0:26:14 | 0:26:20 | |
That's a good reason. Is it a family heirloom? Oh, no. I bought it from a car boot sale. | 0:26:20 | 0:26:26 | |
How much? It was a pound. I don't believe it! It's true. | 0:26:26 | 0:26:30 | |
I can't believe anybody could be so stupid! Don't you feel guilty that you did the person? | 0:26:30 | 0:26:36 | |
I didn't know it was valuable until I looked in the Doulton book and I thought it might be. So I came here. | 0:26:36 | 0:26:44 | |
He was happy with the pound anyway. Was he really? Dear, oh, dear! | 0:26:44 | 0:26:48 | |
This is a lovely piece of Doulton. What's fascinating is that you've got... | 0:26:48 | 0:26:54 | |
two interesting aspects for sale. You've got the golfing subject - and I love the motto. | 0:26:54 | 0:27:00 | |
"Every dog has his day and every man his hour." That's wonderful. | 0:27:00 | 0:27:06 | |
So you have the golfing interest, and there's a great interest in golfing ephemera and objects. | 0:27:06 | 0:27:12 | |
It will interest people of that ilk. Then you've got Doulton collectors. | 0:27:12 | 0:27:17 | |
This piece has a nice silver-plate rim all the way around. | 0:27:17 | 0:27:22 | |
And at the end of the day, forgetting the pound you paid, | 0:27:22 | 0:27:27 | |
we've got to project a price that's going to interest golfing and Doulton collectors. | 0:27:27 | 0:27:33 | |
I would think that we could put a figure in the region of about... | 0:27:33 | 0:27:38 | |
?250 to ?350. Oh, very nice. | 0:27:38 | 0:27:41 | |
Because of the golfing interest. Yes. Yes. I hope it might make more. | 0:27:41 | 0:27:47 | |
That'd be nice. Are you interested in selling? Yes, we are. Yes. | 0:27:47 | 0:27:52 | |
We'd be interested in selling it for you. Thank you. | 0:27:52 | 0:27:56 | |
Tell me about what you've brought here. Right, I bought these at a local auction 16 years ago. | 0:28:01 | 0:28:08 | |
One of the local hotels was being demolished to make way for flats and they were selling off the contents. | 0:28:08 | 0:28:15 | |
We were doing up an old house and I thought they'd look really good in the dining room. So I bid on them. | 0:28:15 | 0:28:22 | |
Where were they in the hotel? They were still on the walls, so we had to use screwdrivers. | 0:28:22 | 0:28:28 | |
How much did you pay for them? ?5. ?5? ?5. That's pretty good. | 0:28:28 | 0:28:34 | |
Pretty good. I was quite chuffed. I bet you were! All excited. | 0:28:34 | 0:28:38 | |
Briony, do you like them? No. No? Not really. Not really. | 0:28:38 | 0:28:42 | |
When we moved house, they went on her bedroom walls but she wasn't impressed. | 0:28:42 | 0:28:48 | |
That's mean of your mum to put them there, isn't it? Inconsiderate. | 0:28:48 | 0:28:54 | |
Well, I think you'll get a profit from your ?5. Lovely. Yes. | 0:28:54 | 0:28:58 | |
I think we can put them in quite easily at ?200 to ?300. They're great. That would be jolly nice. | 0:28:58 | 0:29:06 | |
I'm pleased you say that, because I think they're wonderful things, and when lit, they'd look fantastic. | 0:29:06 | 0:29:13 | |
They look wonderful, but I haven't got the setting for them now. | 0:29:13 | 0:29:17 | |
It'd be nice if they were somewhere where they could really be shown off. | 0:29:17 | 0:29:22 | |
What else have you brought? The other thing I brought was this, just a novelty thing stuck in a corner. | 0:29:22 | 0:29:30 | |
It's a Victorian garden day bed, I think. | 0:29:30 | 0:29:34 | |
Mm-hm. I think that's what we should call it. Something like that. | 0:29:34 | 0:29:39 | |
It's quite a nice wide size. | 0:29:39 | 0:29:42 | |
Good brass legs and nice original casters. Mm-hm. | 0:29:42 | 0:29:47 | |
How much did you pay for this? I paid ?13 for that. | 0:29:47 | 0:29:51 | |
?13? Yes, again 16 years ago. | 0:29:51 | 0:29:54 | |
I think that's reasonable. How much do you reckon it's increased? I'll put you on the spot. | 0:29:54 | 0:30:00 | |
20 quid? I think a bit more, actually. Up to about ?80 to ?100, but it might do a lot better. | 0:30:00 | 0:30:07 | |
Mm-hm. When we sell these things for you, | 0:30:07 | 0:30:11 | |
what will you do with the money? Will you split it with Briony? Yeah. | 0:30:11 | 0:30:16 | |
Well...I get disowned regularly by my daughter cos I love car boot sales and jumble sales and skips. | 0:30:16 | 0:30:23 | |
So it depends how much she sweet-talks me, really. | 0:30:23 | 0:30:28 | |
D'you want to sell this? Yes. You're definite in that? Yes. | 0:30:30 | 0:30:34 | |
Yet your husband bought it. For himself. For himself? Yeah. OK. | 0:30:34 | 0:30:38 | |
What about you, sir? Do you want to sell this? Well...in a way, yes. I think we've had it long enough. | 0:30:38 | 0:30:45 | |
Where did you get this from? In an antique shop. | 0:30:45 | 0:30:50 | |
For how much? ?20. ?20. | 0:30:50 | 0:30:53 | |
That was a good buy. How many years ago? 22 years ago. | 0:30:53 | 0:30:57 | |
22 years ago, right. This is a very nice piece. You know it's Belleek? | 0:30:57 | 0:31:02 | |
Yes. The mark on the bottom, which is that black mark there, is pre-1900, | 0:31:02 | 0:31:09 | |
but after after 1891. | 0:31:09 | 0:31:11 | |
So it's latter part of the 19th century. Very good porcelain. | 0:31:11 | 0:31:16 | |
We've some other pieces. You know, the one with a fretwork bowl. We daren't touch it. | 0:31:16 | 0:31:22 | |
This is extraordinary. Belleek normally comes in ornamental wares, rarely for use, cabinet display, | 0:31:22 | 0:31:29 | |
but this piece was made to hold a pot. Yeah. | 0:31:29 | 0:31:33 | |
What I find extraordinary is all the detail round the rim, | 0:31:33 | 0:31:39 | |
these heavily embossed and raised flowers. | 0:31:39 | 0:31:43 | |
They are incredible! How do you keep this clean? | 0:31:43 | 0:31:48 | |
Soapy water, toothbrush and a hairdryer. | 0:31:48 | 0:31:52 | |
No wonder you want to sell it. Did you offer to help? I won't touch it. | 0:31:52 | 0:31:56 | |
I think you were very brave, madam. I'd leave it. | 0:31:56 | 0:32:00 | |
My only reservation with this - if it were perfect, we'd be looking at well over ?1,000. | 0:32:00 | 0:32:06 | |
But it's not. There's a crack inside that you can see. | 0:32:06 | 0:32:12 | |
You can see a star crack on the bottom. This will affect its value. | 0:32:12 | 0:32:17 | |
We do not normally take in cracked items. | 0:32:17 | 0:32:21 | |
Mmm. But it's such a beautiful piece of Belleek | 0:32:21 | 0:32:26 | |
that a collector might say, "I'll never afford a perfect one, but I can afford this." | 0:32:26 | 0:32:32 | |
So it's a collector's piece. And you only need two people in the auction room. Mm-hm. | 0:32:32 | 0:32:39 | |
I would project a price of about 150 to 250 and hope that it goes for more. | 0:32:39 | 0:32:46 | |
We've got to put a reasonable price to attract buyers. If you put ?500 on it... Won't sell. No. | 0:32:46 | 0:32:52 | |
So if we take it in for sale, you'd be happy at that figure? It's got to have a reserve on it. | 0:32:52 | 0:32:59 | |
It will. We wouldn't take anything in without a reserve. | 0:32:59 | 0:33:04 | |
You've brought something which I particularly like, because I could still use it on the breakfast table. | 0:33:06 | 0:33:13 | |
It's a honey pot, designed, as you know, by Clarice Cliff. Yes. | 0:33:13 | 0:33:18 | |
Instantly recognisable because of these crocuses. | 0:33:18 | 0:33:22 | |
Thankfully, no yellow and green, but orange, purple and blue. | 0:33:22 | 0:33:26 | |
That makes it more appealing. You have designs like fantasy landscapes, cottage designs, | 0:33:26 | 0:33:33 | |
chrysanthemums, all applied to this basic shape, and all hand painted. | 0:33:33 | 0:33:38 | |
She had ladies who decorated these pieces. I like the fact | 0:33:38 | 0:33:43 | |
that the finial on the lid is still complete. | 0:33:43 | 0:33:48 | |
Is it the first bit to go normally? Yes, it's easily knocked off. | 0:33:48 | 0:33:52 | |
I've got to look very carefully to see if there's any damage, and there's not. | 0:33:52 | 0:33:59 | |
No chips, no breaks, it's in remarkably good condition. | 0:33:59 | 0:34:03 | |
It looks so fresh. It's never been used, has it? No. | 0:34:03 | 0:34:07 | |
It's been in a sideboard, and that's where it stayed. How long? I don't know. Quite a long time. | 0:34:07 | 0:34:13 | |
Where did it come from? My mother. She's 84 now. How did she get it? | 0:34:13 | 0:34:19 | |
Um, I think my uncle gave it to her as a wedding present. That's super! | 0:34:19 | 0:34:24 | |
Will she mind you selling it? No, I'll give her the money. A lovely thought! | 0:34:24 | 0:34:30 | |
It's quite a valuable bit of pottery. The mark's on the bottom for the Newport Company. | 0:34:30 | 0:34:36 | |
So it's fairly late in the 1930s. | 0:34:36 | 0:34:39 | |
Price range, I'd like to see it go for between 80 and 150. | 0:34:39 | 0:34:43 | |
Mm-hm. Probably hovering around 120. | 0:34:43 | 0:34:46 | |
So I'd be comfortable if we put a reserve of ?100 on it. Ooh! | 0:34:46 | 0:34:51 | |
Would you be happy? Yes. Right, let's hope it goes for about ?100. | 0:34:51 | 0:34:55 | |
We'll put this up for sale at Bearne's at Exeter. | 0:34:55 | 0:34:59 | |
I'm sure they'll get a good price for us. | 0:34:59 | 0:35:03 | |
While David and Thomas have seen a myriad of antiques in Torquay and met some wonderful characters, | 0:35:05 | 0:35:12 | |
let's see what the rest of the owners have decided to sell. | 0:35:12 | 0:35:16 | |
Peter and Joyce will make a profit on the biscuit barrel bought for ?1. | 0:35:19 | 0:35:25 | |
But the question is - how much? | 0:35:25 | 0:35:27 | |
Hazel's mum never used her honey pot. | 0:35:27 | 0:35:30 | |
Let's hope it causes a buzz at auction. | 0:35:30 | 0:35:34 | |
I hope someone rescues Marian and buys the Belleek jardiniere, | 0:35:34 | 0:35:39 | |
although Derek won't be too happy. | 0:35:39 | 0:35:42 | |
Karen loves her wall lights and day bed, | 0:35:42 | 0:35:45 | |
but Briony never wants to see them again, | 0:35:45 | 0:35:48 | |
so let's hope they sell for the sake of the family. | 0:35:48 | 0:35:52 | |
We're about to see the last few lots go under the hammer. | 0:35:57 | 0:36:02 | |
But they'll only do well if our auctioneer is behind them. Let's see what he thinks. | 0:36:02 | 0:36:08 | |
We've got four art deco uplighters which Karen and Briony brought in. | 0:36:08 | 0:36:13 | |
Our valuation experts put ?200-?300 on the lot. | 0:36:13 | 0:36:17 | |
I think that's a fairly safe estimate. 50 quid a light, really. | 0:36:17 | 0:36:22 | |
They're a standard example of a period light fitting. Nothing to write home about. No. | 0:36:22 | 0:36:30 | |
Diffused frosted lighting. But in a narrow hallway, they'd look good, four in a row, petrol-blue wall, | 0:36:30 | 0:36:37 | |
a bit of gold there. Just doing my Laurence bit. You need the cuffs. | 0:36:37 | 0:36:42 | |
Get a light bulb in them and they'll look different. | 0:36:42 | 0:36:47 | |
They look lifeless on the table. So we're nearly... Yeah. | 0:36:47 | 0:36:51 | |
Karen also brought in this day bed. Whoever buys it has got to get rid of those, cos they stink. | 0:36:51 | 0:36:59 | |
I think it's cheaper than buying a teak one. And it adds a touch of class to your conservatory. | 0:36:59 | 0:37:06 | |
What you could buy for brand new... It is good value. We're looking for ?80 to ?100. | 0:37:06 | 0:37:12 | |
It should get there. OK. | 0:37:12 | 0:37:15 | |
Lastly, Joyce's biscuit barrel. Again, Doulton, easy seller. | 0:37:15 | 0:37:20 | |
People like the golfing cartoons. Plenty of people in the market for that. Should make 200, maybe more. | 0:37:20 | 0:37:28 | |
It'll walk it, then. She paid a quid in a car boot. | 0:37:28 | 0:37:32 | |
Makes you sick. I should go to more car boot sales. | 0:37:32 | 0:37:35 | |
Some of our owners can't wait to get going, but others are less optimistic. | 0:37:35 | 0:37:42 | |
Karen, how are you feeling? A bit nervous, but excited too. | 0:37:42 | 0:37:47 | |
I don't think you should be nervous because your two quality items should hopefully sell well. Good. | 0:37:47 | 0:37:53 | |
Briony, what do you think of this? A day off school? Boring. Boring?! | 0:37:53 | 0:37:59 | |
You don't like antiques? No. | 0:37:59 | 0:38:02 | |
I'd love to take home that day bed, but I'm not allowed to. | 0:38:02 | 0:38:07 | |
I want to find something I like. | 0:38:07 | 0:38:10 | |
This has caught my eye. It's only a general sale and it's two sales a month, so we won't get much quality. | 0:38:10 | 0:38:17 | |
But this is a nice piece of country furniture. It's catalogued as a butcher's cutting block. | 0:38:17 | 0:38:23 | |
Looking at it, I don't think it is. It's got a lovely slab on top, but the feet are tenon through the top. | 0:38:23 | 0:38:30 | |
That's not right for a butcher's block - too hard to clean blood off. | 0:38:30 | 0:38:35 | |
There's no evidence it's been chopped. I don't know what it's made for, but I'm going to bid. | 0:38:35 | 0:38:41 | |
There's no reserve, so it's worth going for. | 0:38:41 | 0:38:45 | |
My lot is later, but first, Hazel's honey pot goes under the hammer. | 0:38:45 | 0:38:51 | |
How are you feeling, Hazel? Fine. Nervous. Are you really? I am. | 0:38:52 | 0:38:58 | |
This is a surprise for your mum, isn't it? Yes, she won't know until it goes on the telly. | 0:38:58 | 0:39:04 | |
What comes out of today, she'll get. You're going to spend the money? | 0:39:04 | 0:39:09 | |
Yeah, I'll let her have a day out down the coast. Aw! That's nice! | 0:39:09 | 0:39:14 | |
Now she can't travel much, it'll be a surprise. How old's Mum? 84. | 0:39:14 | 0:39:19 | |
That's a great age, isn't it? It's a lovely honey pot, isn't it? | 0:39:19 | 0:39:25 | |
I like the way the bee finial's tucked on the side of the lid. Yes. | 0:39:25 | 0:39:30 | |
It's bold colouring and not just the conventional crocus pattern, but purple and blue as well. Yes. | 0:39:30 | 0:39:36 | |
It's nice to see Clarice Cliff that's not yellow or green. Yes. And it's in perfect condition. | 0:39:36 | 0:39:43 | |
I love the aperture for the bees to go through. Yes. Did you use it? No, not as far as I know. | 0:39:43 | 0:39:49 | |
It was always in a cabinet? Yes, in a sideboard. It'll probably end up in a cabinet as well. Probably! | 0:39:49 | 0:39:56 | |
Number of commission bids very close together. With me at ?100. | 0:39:58 | 0:40:02 | |
And 10, anywhere? It's here at ?100. | 0:40:02 | 0:40:06 | |
There's a fight going on. Yeah. The book is out. ?110 in the doorway. | 0:40:06 | 0:40:11 | |
And 20 anywhere? It's in the doorway, 110. And 20, will you? | 0:40:11 | 0:40:16 | |
Dig deep. Yeah, dig deep, that's right. 120. ..130. ..140. ..150? | 0:40:16 | 0:40:20 | |
160? No, it's in the doorway still at ?150. | 0:40:20 | 0:40:24 | |
If you're all finished, we sell at ?150. | 0:40:24 | 0:40:28 | |
There! Lovely! Excellent! You were bang on. Yes, you were good. | 0:40:29 | 0:40:35 | |
Congratulations. Thank you, madam. | 0:40:35 | 0:40:37 | |
He's been like that today so far. Got one dead right. I'm so pleased for you. Thank you very much. | 0:40:37 | 0:40:45 | |
Have a great day out in Worthing. | 0:40:45 | 0:40:47 | |
Karen, coming close to the lot number now, how are you feeling? | 0:40:50 | 0:40:55 | |
Very sort of on edge at the moment. | 0:40:55 | 0:40:58 | |
Briony's taken you off shopping. Yes. Have you bought anything nice? | 0:40:58 | 0:41:03 | |
Listen. Oh, this is our day bed. Oh. | 0:41:03 | 0:41:07 | |
At ?60. ?60, and five, will you? | 0:41:07 | 0:41:11 | |
Doorway bidder at 65. And 70, do I see? | 0:41:11 | 0:41:14 | |
In the doorway at 65. And 70, do I see? | 0:41:14 | 0:41:19 | |
If you're all done, we're selling, make no mistake, at ?65. | 0:41:19 | 0:41:24 | |
Yeah, brilliant. He's waived the commission. You get the same anyway. | 0:41:24 | 0:41:29 | |
Right, OK. That was quick. Short and sweet. | 0:41:29 | 0:41:33 | |
Big smile from Briony? Shopping now. Has she still got a strop on? | 0:41:33 | 0:41:38 | |
We bought a record, didn't we? Yeah. | 0:41:39 | 0:41:42 | |
When you buy at auction, first you register at reception. Fill in your details and you get a bidding card | 0:41:48 | 0:41:56 | |
or a paddle, like this. You hold it up and wave when you want to bid. | 0:41:56 | 0:42:00 | |
This ensures you get the bid and no-one can go home with it. | 0:42:00 | 0:42:05 | |
I'm going to bid soon for that oak "chopping block". So I'm going to use my paddle. | 0:42:05 | 0:42:11 | |
Lot 1001, an oak butcher's block on splay legs. | 0:42:11 | 0:42:16 | |
Thank you very much. Someone start me 20. | 0:42:16 | 0:42:19 | |
20, I have. And two anywhere? 20, I have. And two, will you? | 0:42:19 | 0:42:25 | |
I'm looking for two. ..22, thank you. And five, madam. ..28. ..30. | 0:42:25 | 0:42:29 | |
32. ..35? Gentleman's bid, then, at ?32. | 0:42:29 | 0:42:34 | |
If you're all done, we're selling at ?32. | 0:42:34 | 0:42:38 | |
?32 - a bargain! So it pays to go to general auctions sometimes, not specialist auctions. | 0:42:38 | 0:42:45 | |
At an oak auction, it would have cost ?80. So I'm pleased. | 0:42:45 | 0:42:49 | |
I did well. Let's hope my luck rubs off on Karen for her wall lights. | 0:42:49 | 0:42:54 | |
I love these, they're great... I do as well. | 0:42:56 | 0:43:00 | |
If you had a rich, deep-hued colour on the wall, like petrol blue, with those on it in a long line... | 0:43:00 | 0:43:07 | |
Yes, just on one wall. Not convinced, Briony? | 0:43:07 | 0:43:11 | |
No. Smile to the camera. I bet your smile could light the world up. | 0:43:11 | 0:43:16 | |
Completely wrong! Briony, ignore him. He's been like this all day. | 0:43:16 | 0:43:22 | |
You're lovely, Briony. She's up for adoption if anyone's interested. | 0:43:23 | 0:43:29 | |
Right, here we go. Right. We need to get some money back. Yeah. | 0:43:29 | 0:43:35 | |
Interest here. Commission bid with me at ?130. Nice decorative items. | 0:43:35 | 0:43:40 | |
It's here at ?130. And 40, will you? | 0:43:40 | 0:43:43 | |
Come on, we need 190. It's here at 130. And 140, will you? | 0:43:43 | 0:43:47 | |
If you're all done, it's with me and it stays at ?130. | 0:43:47 | 0:43:53 | |
Aw! Gutted(!) Gutted? | 0:43:53 | 0:43:56 | |
We all are. I'm really surprised at that. So am I. | 0:43:56 | 0:44:01 | |
Wrong sort of auction for them. It is. End of story. | 0:44:01 | 0:44:06 | |
Just have to find an auction with specialist deco or lighting sales. | 0:44:06 | 0:44:11 | |
It's just taste and discrimination. | 0:44:11 | 0:44:14 | |
It's arbitrary. No-one here wanted those lights, but they're worth ?50 of anybody's money. I think so. | 0:44:14 | 0:44:21 | |
Briony's got a big smile on her face. It's like, "Told you so!" | 0:44:21 | 0:44:26 | |
Now, you do not like your jardiniere you're selling. I don't like it, he likes it. | 0:44:37 | 0:44:43 | |
But you have to clean it. Yes. | 0:44:43 | 0:44:46 | |
It's an interesting piece. Yes. | 0:44:46 | 0:44:49 | |
It's the sort a collector on modest means will buy because it's a nice example. | 0:44:49 | 0:44:55 | |
It's cracked. I advise collectors not to buy anything cracked, but this is so attractive | 0:44:55 | 0:45:01 | |
that I think it'll find a good home. | 0:45:01 | 0:45:04 | |
Lot 204, a Belleek porcelain jardiniere with peaked rim. | 0:45:04 | 0:45:10 | |
It's had a few knocks unfortunately. Nonetheless, some interest. ?75. | 0:45:10 | 0:45:16 | |
85. ..95. | 0:45:16 | 0:45:18 | |
100. And ten? ..120. | 0:45:18 | 0:45:21 | |
130. ..140. Seated bidder at 140. And 50? ..160. | 0:45:21 | 0:45:26 | |
170. ..180. ..190. | 0:45:26 | 0:45:29 | |
200. ..210? | 0:45:29 | 0:45:31 | |
No? Seated left at ?200. 210, do I see? | 0:45:31 | 0:45:35 | |
All done, then? We're selling at ?200. | 0:45:35 | 0:45:39 | |
Brilliant! Great! Excellent, isn't it? 200, that's wonderful. | 0:45:39 | 0:45:45 | |
I'm pleased for you. If it didn't have the crack, what would it have realised? Probably as much as 800. | 0:45:45 | 0:45:52 | |
?800. Yeah. Did you put the crack in it? No. | 0:45:52 | 0:45:56 | |
It was like that? It was bought like that. It's late 19th century, early 20th century, an early example, | 0:45:56 | 0:46:03 | |
but a beautiful piece. If you like that sort of thing. The epitome of that period, all the rich detail. | 0:46:03 | 0:46:10 | |
Thanks very much. Thank you. Congratulations. Thank you. | 0:46:10 | 0:46:14 | |
No more cleaning! Regardless of what he said, go and spend it. YOU wanted us to sell it! | 0:46:14 | 0:46:20 | |
Take her for a meal. Definitely. We'll have to find somewhere to have a sandwich, then. Oh! | 0:46:20 | 0:46:27 | |
It's a shame Joyce can't be here. She's stuck in traffic. | 0:46:31 | 0:46:35 | |
It's just coming up for sale as well. Yeah. Here we go. | 0:46:35 | 0:46:40 | |
Pretty piece, this. And the bid's with me at ?85. 90 anywhere? | 0:46:40 | 0:46:45 | |
95. ..100. And 10? ..120. | 0:46:45 | 0:46:48 | |
130. ..140. ..150. | 0:46:48 | 0:46:51 | |
And 60, sir. The book's out. Yours at 160. ..170. ..180. ..190. ..200. | 0:46:51 | 0:46:56 | |
We've sold this. 210. ..220. ..230. | 0:46:56 | 0:46:59 | |
240. ..250. ..260. ..270. | 0:46:59 | 0:47:03 | |
280. ..290. ..300. | 0:47:03 | 0:47:06 | |
320. ..340. ..360? ..No, in the corner at ?340. | 0:47:06 | 0:47:10 | |
It's immaculate. 360. There's someone else. 380. ..400. ..420. | 0:47:10 | 0:47:15 | |
440? ..No, it's in the corner still at ?420. | 0:47:15 | 0:47:19 | |
And 40, new place. ..460. | 0:47:19 | 0:47:21 | |
480? ..Against you, then. | 0:47:21 | 0:47:24 | |
It's in the corner at ?460. | 0:47:24 | 0:47:28 | |
It's brilliant! Wonderful! | 0:47:28 | 0:47:30 | |
New place at 480. ..500. | 0:47:30 | 0:47:34 | |
I don't believe it. 520. | 0:47:34 | 0:47:37 | |
540. ..560... | 0:47:37 | 0:47:40 | |
I wish she could be here to see it. Yes. She bought this for ?1. At...? | 0:47:40 | 0:47:44 | |
A car boot. Car boot sale. A pound! And only a few weeks ago. 660. | 0:47:44 | 0:47:50 | |
680. I don't believe this. | 0:47:50 | 0:47:53 | |
700. It's mental money, isn't it? | 0:47:53 | 0:47:56 | |
I suppose it's the golfers. 740. ..760. | 0:47:56 | 0:48:01 | |
760! 780. ..800. | 0:48:01 | 0:48:04 | |
And 20. ..840. | 0:48:04 | 0:48:07 | |
860. | 0:48:07 | 0:48:09 | |
880. It's a marvellous price. It almost sets a record. | 0:48:09 | 0:48:14 | |
900. ..920. ..940. | 0:48:14 | 0:48:17 | |
960. | 0:48:17 | 0:48:19 | |
980. ..1,000. | 0:48:21 | 0:48:23 | |
Oh, this is so good! This is the excitement of auction, isn't it? | 0:48:25 | 0:48:31 | |
And 50. It's against you, sir. It's in the doorway at ?1,100. ..And 50? | 0:48:31 | 0:48:36 | |
You can feel the tension. It's selling in the doorway at ?1,100. | 0:48:36 | 0:48:43 | |
BANG! Sold, ?1,100! Well done! | 0:48:43 | 0:48:46 | |
That was brilliant! We must ring her up. We've got to celebrate! | 0:48:48 | 0:48:53 | |
That is brilliant. Dear, oh, dear! | 0:48:54 | 0:48:57 | |
Well, another roller-coaster ride at the auction. | 0:48:58 | 0:49:02 | |
Family conflict when Derek and Marian sold a Belleek jardiniere. | 0:49:02 | 0:49:06 | |
I'm absolutely delighted that it's gone. It doesn't bother me. | 0:49:06 | 0:49:11 | |
It doesn't bother me one bit. That's it. | 0:49:11 | 0:49:16 | |
I don't think Karen and Briony felt the same way about their fortunes. | 0:49:16 | 0:49:20 | |
I don't really care. But it'd be nice to get more money to go out...shopping. Shopping. | 0:49:20 | 0:49:27 | |
David's album of crime didn't sell, but he's looking on the bright side. | 0:49:29 | 0:49:35 | |
I'm a bit down, but still pleased it's with the family, and who knows what'll happen in the future? | 0:49:35 | 0:49:41 | |
But the big surprise of the day was Joyce's biscuit barrel. She only paid ?1 for it at a car boot sale, | 0:49:41 | 0:49:49 | |
but it made over ?1,000. I couldn't wait to tell her. | 0:49:49 | 0:49:52 | |
It did sell. Yeah. Your Doulton biscuit barrel, what do you think it sold for? What would you...? | 0:49:52 | 0:49:59 | |
About a couple of hundred. That's what David valued it at. | 0:49:59 | 0:50:03 | |
Yeah, about two to three. It went for 1,100. You're joking! | 0:50:03 | 0:50:08 | |
No, I'm not. It was ?1,100. I don't believe you. I'm not winding you up. | 0:50:08 | 0:50:14 | |
I don't believe you. And we're filming this conversation. Are you? | 0:50:14 | 0:50:19 | |
SHE LAUGHS | 0:50:19 | 0:50:21 | |
It's been a great day in Exeter. See you next time on Flog It! | 0:50:24 | 0:50:29 |