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Welcome to Flog It! - where you could earn a tidy profit. | 0:00:02 | 0:00:05 | |
'The atmosphere here is electric, | 0:00:35 | 0:00:38 | |
'especially when you sell your own pieces, which we'll be doing today. | 0:00:38 | 0:00:43 | |
'People bring their antiques for valuation by our experts. | 0:00:43 | 0:00:48 | |
'A few then go to auction to hopefully make a fortune. | 0:00:48 | 0:00:52 | |
'Now, will our experts do well and will our owners make money?' | 0:00:52 | 0:00:57 | |
I'm nervous. I've just seen it, and it looks sad. Not as nervous as me. | 0:00:57 | 0:01:03 | |
- My knees have gone. - Oh, delighted! | 0:01:03 | 0:01:06 | |
It's scary. It is, isn't it? Yeah. | 0:01:06 | 0:01:09 | |
INAUDIBLE SPEECH | 0:01:09 | 0:01:12 | |
What do you think? Good gracious me! | 0:01:12 | 0:01:14 | |
We're in the Grand Hotel in Folkestone in Kent, | 0:01:16 | 0:01:20 | |
and people have turned up with bags and boxes | 0:01:20 | 0:01:24 | |
full of wonderful antiques. | 0:01:24 | 0:01:27 | |
Everybody wants to earn top money, | 0:01:28 | 0:01:31 | |
but, first, it's down to our experts to give some favourable valuations. | 0:01:31 | 0:01:36 | |
'Nigel Smith runs an auction house in Harrogate, | 0:01:38 | 0:01:41 | |
'and has lots of experience, having started in the business in his early 20s.' | 0:01:41 | 0:01:47 | |
Good turn out, big venue. If it gets quiet, we can play carpet bowls, but I don't think we'll get the chance. | 0:01:47 | 0:01:55 | |
'Philip Serrell's thrown off his trademark scarf, | 0:01:55 | 0:01:58 | |
'and he's ready to unearth anything offbeat. He likes the bizarre. You should see his auction room.' | 0:01:58 | 0:02:06 | |
It's like Christmas with bubble wrap and newspaper. | 0:02:06 | 0:02:10 | |
Those trolleys that people tow full of goodies. | 0:02:10 | 0:02:14 | |
'I know what Philip means. I can't wait to take a look myself.' | 0:02:14 | 0:02:19 | |
An old teddy bear. That's not his? No, it's not. It's mine. Is it? | 0:02:19 | 0:02:24 | |
Loads of china. What I've been collecting. | 0:02:24 | 0:02:28 | |
Junk that might be worth something? Yeah. You never know. No. Good luck. | 0:02:28 | 0:02:34 | |
'It's our experts who need the luck. | 0:02:34 | 0:02:37 | |
'They must be accurate and risk their reputations. | 0:02:37 | 0:02:41 | |
'Philip's gone for Anne and Kate's quirky wooden skittle game.' | 0:02:41 | 0:02:46 | |
Go down like ninepins. It's got a maker's stamp at the back here. | 0:02:46 | 0:02:50 | |
I don't think it's very old. Maybe the early part of the last century. | 0:02:50 | 0:02:55 | |
But I love it. It's what I'd buy. I'd play with it. I'm really sad. | 0:02:55 | 0:03:00 | |
You get this little top... Yeah? ..with the string. | 0:03:00 | 0:03:04 | |
You push it through there like that, and then you wind that back, and... | 0:03:04 | 0:03:09 | |
It's great, isn't it? Come on! That is the Arsenal defence(!) Where did you get it from? | 0:03:09 | 0:03:16 | |
My husband's aunt got it at a jumble sale 25 years ago. What did she pay? | 0:03:16 | 0:03:21 | |
Oh, probably 50p, knowing her. 50p? | 0:03:21 | 0:03:24 | |
Was she like that? A little careful. Will she be watching this? No. | 0:03:24 | 0:03:30 | |
Why did you like it? It's great fun. It'd occupy winter afternoons... | 0:03:30 | 0:03:35 | |
You got brothers? Er, no, a sister. We're competitive. Who was champion? | 0:03:35 | 0:03:41 | |
Even? Yes. My dad's competitive as well. | 0:03:41 | 0:03:44 | |
What was the record score? I don't know. | 0:03:44 | 0:03:47 | |
We did get 100. Yes. Really? If you got that, that's it. | 0:03:47 | 0:03:52 | |
It's like landing on Mayfair and Park Lane in Monopoly. Yeah. Get them, you're in business. | 0:03:52 | 0:03:58 | |
Did you ever get them all? No. No. Quite often, it'd get to a corner and then it wouldn't come out. | 0:03:58 | 0:04:05 | |
I'm a bit like that myself(!) | 0:04:05 | 0:04:07 | |
I spend hours in corners... Oh, shame. | 0:04:07 | 0:04:11 | |
I hope someone buys it, and it is a gamble, cos you need a fool like me. | 0:04:11 | 0:04:16 | |
But I think someone will buy it, cos it's great, isn't it? Yeah. | 0:04:16 | 0:04:21 | |
So ?30-50 estimate, with a reserve of ?25. OK. OK? Thank you. Yes. Thank you. | 0:04:21 | 0:04:27 | |
Just one more go! | 0:04:27 | 0:04:29 | |
LAUGHTER | 0:04:33 | 0:04:36 | |
Oh! Oh! Go on! | 0:04:36 | 0:04:39 | |
Go on! Get in there! Oh! LAUGHTER CONTINUES | 0:04:39 | 0:04:43 | |
Yeah! | 0:04:43 | 0:04:45 | |
Whoa! That's definitely the all-time champ, isn't it? You beat me. Right, that's it. Gold medallist. | 0:04:50 | 0:04:57 | |
What's your name? Kevin. What's this? That's cute. | 0:05:01 | 0:05:05 | |
Old pennies? Yes. Does it work? Yes. | 0:05:05 | 0:05:08 | |
It flicks the ball up? It goes into there. | 0:05:08 | 0:05:12 | |
Do you smoke? I do. Not Woodbines? No. LAUGHTER | 0:05:12 | 0:05:16 | |
'I see Anne and Kate won't let Philip get away that easily.' | 0:05:18 | 0:05:23 | |
So we've seen you with the game, which I'm now world champion of. This isn't as much fun, is it? No. | 0:05:23 | 0:05:30 | |
Tell me about it. It belonged to my husband's aunt... The same one? Yes. | 0:05:30 | 0:05:35 | |
Is this another 50p? No. It'll make ?2 - is that OK(?) I think that has been in the family. | 0:05:35 | 0:05:42 | |
She didn't get it from a jumble sale. So what is it? A sewing box? It is. | 0:05:42 | 0:05:48 | |
This tray lifts out and you've got the interior there. Right. | 0:05:48 | 0:05:52 | |
Do you know what wood it is? No. It's walnut. | 0:05:52 | 0:05:56 | |
Uh-huh? It's a parquetry design, where the wood is laid in geometrically. | 0:05:56 | 0:06:02 | |
These colours are stained. So this is boxwood that's stained. Right. | 0:06:02 | 0:06:08 | |
And you get lots of boxes like this where that staining has just faded. | 0:06:08 | 0:06:13 | |
So it's obviously been kept in the dark? Yeah. | 0:06:13 | 0:06:17 | |
It's got a lovely finish. That's the grease off your hands, it's the lines off your face. | 0:06:17 | 0:06:24 | |
Don't look at my lines. I didn't mean that. How rude(!) | 0:06:24 | 0:06:28 | |
The lines on MY face. | 0:06:28 | 0:06:31 | |
I'm going to go red on TV, and that's not good at all. We'll start again. | 0:06:31 | 0:06:36 | |
It's a functional, 19th-century, lady's walnut sewing box, and it'll make ?30-50. | 0:06:36 | 0:06:42 | |
I hope someone looks after it like you have. | 0:06:42 | 0:06:46 | |
Can you tell me about it? My father gave it to me when I was quite young. | 0:06:46 | 0:06:52 | |
He'd had it since quite a young boy in his home. Right. I know it's a biscuit tin. | 0:06:52 | 0:06:59 | |
I've seen them in magazines and always kept it. As a girl, my jewellery was in it. | 0:06:59 | 0:07:05 | |
Right. It's up in the library with the other books, er... It's a great jokey thing, isn't it? | 0:07:05 | 0:07:12 | |
Yes. Biscuit tins do have a keen collectors' market. | 0:07:12 | 0:07:16 | |
We sell all sorts of models, and shapes and sizes of biscuit tins. | 0:07:16 | 0:07:21 | |
This is a Huntley Palmer's one. | 0:07:21 | 0:07:24 | |
It says Huntley Palmer's Biscuits, Reading and London. | 0:07:24 | 0:07:28 | |
This'd be great on a book shelf... It was. ..as a jokey piece. Yes. | 0:07:28 | 0:07:34 | |
And you've looked after it well. | 0:07:34 | 0:07:37 | |
But you've done something. Yes. Can you tell me what you've done? | 0:07:37 | 0:07:42 | |
Under the felt, which I stuck on... Oh? Right. | 0:07:42 | 0:07:45 | |
..you'll probably find, "This belongs to Sheila. Hands off!" To keep my sisters away. | 0:07:45 | 0:07:52 | |
How old do you think it is? Er, 1910? Yeah, I would think so. | 0:07:52 | 0:07:58 | |
And a great thing... Mm-hm. ..to have biscuits in. What do you think it's worth? | 0:07:58 | 0:08:04 | |
Do you think you're going to get...? I would hope about ?100, maybe more. | 0:08:04 | 0:08:10 | |
I think we'd be all right at that. I wouldn't go to any more than that. | 0:08:10 | 0:08:15 | |
You see these in collectors' guides priced at more than that, | 0:08:15 | 0:08:20 | |
but, in terms of an auction, ?100 is OK. | 0:08:20 | 0:08:23 | |
Would you want a reserve on it if we flog it on for you, | 0:08:23 | 0:08:28 | |
or are you willing to let it find its level? I think at least 100. 100? Mm-hm. | 0:08:28 | 0:08:34 | |
We'll flog it on and put a reserve of 100 and HOPEFULLY make some more. | 0:08:34 | 0:08:39 | |
That'd be nice. Thanks for bringing it. Thanks. | 0:08:39 | 0:08:43 | |
Look at this. May, what have you brought in? | 0:08:46 | 0:08:50 | |
These aren't yours, are they? Let me have a look. No. | 0:08:50 | 0:08:55 | |
They're my spare ones(!) What are you doing with that?! | 0:08:55 | 0:08:59 | |
I found them in the garden. It was dug up about 20-odd years ago in the back garden. | 0:08:59 | 0:09:06 | |
You've kept this for 20 years?! Yes, for 20-odd years. By the side of the bed(?) | 0:09:06 | 0:09:12 | |
Well, that's disgusting! | 0:09:15 | 0:09:18 | |
I know! It's disgusting! It's still got half the garden in it. Look. Oh. | 0:09:18 | 0:09:23 | |
In those days, from what I gather, | 0:09:23 | 0:09:26 | |
they used to have gold palates. Hmm. So I'm told. | 0:09:26 | 0:09:31 | |
Do you live locally? Yes, along Trinity Road. That's OK. You didn't come on the bus with it? Oh, no! | 0:09:31 | 0:09:38 | |
It's even been to church with me this morning. | 0:09:38 | 0:09:43 | |
Yes, it's quite interesting. | 0:09:43 | 0:09:45 | |
Are you hoping to sell it or just get a valuation? Well, a valuation and, if it's worth anything, maybe. | 0:09:45 | 0:09:53 | |
I could go on holiday on the proceeds. You certainly could. | 0:09:53 | 0:09:57 | |
If it's enough. Thanks for the laugh. That's OK. It's going to be a hard, long day. | 0:09:57 | 0:10:03 | |
Now, you've got to tell me why you've brought this. To get rid of it. Get rid of it?! | 0:10:03 | 0:10:10 | |
That's what every auctioneer wants to hear. Good. Where did it come from? | 0:10:10 | 0:10:16 | |
It was left in a will from an uncle, and, um... To you personally? It's actually to my stepson. Right. | 0:10:16 | 0:10:23 | |
But, um, him being not capable of looking after things, | 0:10:23 | 0:10:28 | |
I've kind of looked after it. Right. It's been a pain in the butt to look after. | 0:10:28 | 0:10:34 | |
I can't believe you haven't broken the wings. It's absolutely perfect. | 0:10:34 | 0:10:39 | |
If we turn it over, it is marked Rosenthal, Germany. | 0:10:39 | 0:10:44 | |
Er, not strictly an antique, this. Can you put an age to it? No. | 0:10:44 | 0:10:49 | |
This is probably 40-50 years old, maybe a touch more, but, er... | 0:10:49 | 0:10:54 | |
But I think it might sell. What do you think it's worth? No idea. Have a guess. | 0:10:54 | 0:11:00 | |
Retail price, if you saw this in a china shop, an equivalent new item, it'd be ?1,000. | 0:11:00 | 0:11:07 | |
Er, don't get excited, cos it's not going to make that. Not at an auction. | 0:11:07 | 0:11:12 | |
I think we'd estimate ?200-300 and hopefully make a bit more. | 0:11:12 | 0:11:17 | |
OK. You'd be happy with that? Yeah. That's nice. Well done for keeping it, er... | 0:11:17 | 0:11:24 | |
So we can take it and dispose of it? Please do. And send you a big, fat cheque. Please. | 0:11:24 | 0:11:30 | |
If I can get more items I don't want, I can just bring them here? Yeah, we can take it and sell it. | 0:11:30 | 0:11:37 | |
Do you want a reserve? No. We'll put it into free fall and let it find its level. | 0:11:37 | 0:11:43 | |
Good. Thanks for bringing it. Thank you. Let's hope... We hope it will FLY in the sale. Right! | 0:11:43 | 0:11:51 | |
'Let's see what's going under the hammer so far. | 0:11:56 | 0:12:00 | |
'Anne and Kate hope to sell this game, | 0:12:01 | 0:12:05 | |
'but Philip can't buy it, cos that's against the rules.' | 0:12:05 | 0:12:09 | |
Speaking as the champion, it was terrific fun. | 0:12:09 | 0:12:13 | |
I don't see how anybody can fail to want one in their home. | 0:12:13 | 0:12:17 | |
Yeah! Whoa! That's definitely the all-time champ! | 0:12:17 | 0:12:22 | |
'They also hope to make a few bob from this sewing box. | 0:12:22 | 0:12:26 | |
'Sheila's losing her biscuit tin. | 0:12:26 | 0:12:29 | |
'Let's hope no-one looks under the lining. | 0:12:29 | 0:12:33 | |
'Stephen wants rid of his falcon, | 0:12:33 | 0:12:36 | |
'but will it make it to auction in one piece?' | 0:12:36 | 0:12:41 | |
It should be in a better home, not under a wardrobe... | 0:12:41 | 0:12:45 | |
There's no point in keeping items you don't like and don't display. | 0:12:45 | 0:12:50 | |
'We're moments away from finding out | 0:12:56 | 0:12:59 | |
'how much the first items will make at auction in Tunbridge Wells. | 0:12:59 | 0:13:04 | |
'Our auctioneer is one of our very own Flog It! boys - James Braxton. | 0:13:04 | 0:13:10 | |
'Now it's his turn to have a look at our items. | 0:13:10 | 0:13:14 | |
'I wonder if he'll agree with Philip and Nigel.' | 0:13:14 | 0:13:18 | |
INAUDIBLE SPEECH | 0:13:18 | 0:13:21 | |
Just take a look at this lot. It's the house of horrors. | 0:13:21 | 0:13:26 | |
We're going to start with this falcon. | 0:13:26 | 0:13:28 | |
Yes, it's quite a huge piece of porcelain, isn't it? | 0:13:28 | 0:13:32 | |
Yes. Yeah, and it's gross. Yeah. | 0:13:32 | 0:13:35 | |
It's a sculptural piece. A substantial piece of porcelain. I'm amazed it's undamaged. | 0:13:35 | 0:13:42 | |
It's been looked after well. That's why it's here, cos Stephen thought it's getting too precarious at home. | 0:13:42 | 0:13:49 | |
He doesn't like it. It's too dangerous and delicate. | 0:13:49 | 0:13:54 | |
If you have a problem with pigeons, it's ideal. | 0:13:54 | 0:13:58 | |
Put it on the roof - problem solved. Other than that, um... | 0:13:58 | 0:14:02 | |
Falcons are the fastest bird in the world when they're in full dive. So shall we try it? I don't... | 0:14:02 | 0:14:10 | |
I think this one, by sheer mass and weight, would fall pretty spectacularly. | 0:14:10 | 0:14:16 | |
200-300, Nigel's valued it at. 200-300. You've got to put an estimate somewhere. Yeah. | 0:14:16 | 0:14:23 | |
Hopefully, someone will love it. | 0:14:23 | 0:14:25 | |
Anne and Kate brought these items. First, we've got this skittle game, which Philip fell in love with. | 0:14:25 | 0:14:33 | |
He actually knocked the 100 down, so I think he's going to buy this. Yeah. | 0:14:33 | 0:14:39 | |
The luck's with Philip. I got one point. Uno point(!) | 0:14:39 | 0:14:44 | |
He's valued this at 30-50, with a reserve of ?25. | 0:14:45 | 0:14:50 | |
Well, who knows? It's... I'm sure it'll sell. That's got to get ?40. Yeah. | 0:14:50 | 0:14:56 | |
And it's a lot of fun as well. Yeah. I've played it. So have I...with some success. | 0:14:56 | 0:15:03 | |
The walnut work box, which Anne and Kate inherited from the same aunt. | 0:15:03 | 0:15:08 | |
This has a value of ?30-50 estimate on it. | 0:15:08 | 0:15:12 | |
Yeah. Reserve of ?25. I think that's ridiculously cheap. | 0:15:12 | 0:15:17 | |
Yeah. I think it would easily do around about ?70. That's excellent. | 0:15:17 | 0:15:22 | |
But this is an affront to me. Is it? We're in Tunbridge Wells, home of Tunbridge ware. | 0:15:22 | 0:15:28 | |
This is cheap import that was put on all these boxes, supplied in strips. | 0:15:28 | 0:15:34 | |
This German bandwork, along with WWI, killed the industry. Bit of an omen for you? Yes. | 0:15:34 | 0:15:41 | |
Get thee hence(!) | 0:15:41 | 0:15:43 | |
It's a packed house, with a lot of tension. Let's see how our owners feel. | 0:15:47 | 0:15:53 | |
Well, definitely a bit nervous. I've just seen my little box, and it's looking sad over there. | 0:15:59 | 0:16:06 | |
You've had it since you were 12. I know. It'll be hard to part with. It is. I hope it gets a good home. | 0:16:06 | 0:16:14 | |
What did you keep in it? Odds and...bits and bobs. | 0:16:14 | 0:16:19 | |
An old garter from my youth, rosettes... | 0:16:19 | 0:16:22 | |
Where do you keep that now? Well, that's in ANOTHER biscuit barrel. | 0:16:22 | 0:16:27 | |
Are you happy with the valuation of ?100? No, I'm worried about that. | 0:16:27 | 0:16:32 | |
My father got a book. Miller's? Miller's Guide? Yeah. That's what our experts use. | 0:16:32 | 0:16:39 | |
It's down there as ?150. Yeah, well, I would say it's around 180. Yeah. | 0:16:39 | 0:16:44 | |
If you bought it from a shop, it'd be ?180-200. So... It's a real decorator's piece. | 0:16:44 | 0:16:50 | |
In Battersea Decorators' Fair, it'd easily fetch ?180-200. Oh, right. | 0:16:50 | 0:16:55 | |
Let's just hope it goes for 180... I hope so! | 0:16:55 | 0:16:58 | |
GAVEL BANGS Good morning, ladies and gentleman. | 0:16:58 | 0:17:02 | |
'The moment of truth has arrived. | 0:17:02 | 0:17:05 | |
'The auction is under way, and our first lot is Anne's skittles game. | 0:17:05 | 0:17:09 | |
'Philip thought this was too much fun to sell.' | 0:17:09 | 0:17:13 | |
This skittle game, Philip got... | 0:17:13 | 0:17:16 | |
You got the ?100 marker down. | 0:17:16 | 0:17:19 | |
It's worth ?1,000. You can keep your Playstations. | 0:17:19 | 0:17:22 | |
Keep your computer games. This'll give the kids hours of fun. | 0:17:22 | 0:17:27 | |
Start at ?20. It's a great game. | 0:17:27 | 0:17:30 | |
20, I bid. 20, thank you. Any advance? 22. 25. | 0:17:30 | 0:17:35 | |
Yeah, it's sold. Come on, bid! 25? 28, madam? | 0:17:35 | 0:17:39 | |
Take your time. 28, bid. 30. 32. Excellent. Go on, have another. | 0:17:39 | 0:17:45 | |
?30. We're at 30. Anybody else at 32? | 0:17:45 | 0:17:49 | |
It's good. Yeah. Thank you. BANG! | 0:17:49 | 0:17:52 | |
A result. It should've made more. It should've doubled that. Yeah. | 0:17:52 | 0:17:57 | |
That's all right. If it's a dealer, he'll... | 0:17:57 | 0:18:00 | |
I'm very disappointed. You should've stuck your hand out. Demonstrate it. | 0:18:00 | 0:18:05 | |
It shows you should never dwell. No. Yes, it's still a profit of ?31.50. | 0:18:05 | 0:18:10 | |
Brilliant. And a lot of whisky. Yes. | 0:18:10 | 0:18:16 | |
'Will Stephen's eagle fly, as Nigel predicted?' | 0:18:16 | 0:18:20 | |
You'll be pleased to see this go. I will. And me. It's illustrated in the catalogue. | 0:18:20 | 0:18:27 | |
I'll be impressed if the lady lifts it. I'd like to see who buys it. Yes. | 0:18:27 | 0:18:33 | |
It's quality, but not everyone's cup of tea. | 0:18:33 | 0:18:36 | |
It's only here you'll sell it. Here we go. She has problems... | 0:18:36 | 0:18:41 | |
Here we go. In perfect condition. She's not trying to lift it. | 0:18:41 | 0:18:45 | |
A remarkable piece of porcelain. No, she doesn't want to look stupid. | 0:18:45 | 0:18:51 | |
Start with 100, please. ?100. Anybody at 50? ?50? 50? Anyone? | 0:18:51 | 0:18:57 | |
Thank you. 50 on my left. We're in. We've done it. ?50. | 0:18:57 | 0:19:01 | |
50. Anybody at 5? ?50, on my left here, at 50. Can I bid on this(?) | 0:19:01 | 0:19:06 | |
55, thank you. That's desperate. 60. 65. | 0:19:06 | 0:19:10 | |
70. 75. 80. 85. We're on a run now. 90! | 0:19:10 | 0:19:15 | |
?90, on my left here, at ?90. | 0:19:15 | 0:19:18 | |
Here it is. ?90 to be sold. BANG! | 0:19:18 | 0:19:22 | |
I didn't think it'd get much. Disappointing. It is. | 0:19:22 | 0:19:26 | |
It's disappointing, but...what can you do with it? Where do you put it? | 0:19:26 | 0:19:31 | |
Back in the wardrobe. Yeah. It saves you loading it in the car. This is true. | 0:19:31 | 0:19:37 | |
INAUDIBLE SPEECH | 0:19:37 | 0:19:40 | |
The moment of reckoning is coming. I know, it's tense. Are you tense? A bit nervous. | 0:19:45 | 0:19:51 | |
A bit nervous. I think it should go. I'm sure it should go. ?100 is a bargain. | 0:19:51 | 0:19:57 | |
OK. Well, I'm not convinced. | 0:19:57 | 0:20:00 | |
There is profit in it. If someone gets it at ?100, it's a profit. | 0:20:00 | 0:20:05 | |
Yeah. I would've thought so. It's a rare tin. Here we go. This is it. | 0:20:05 | 0:20:10 | |
Rather a nice lot. Beginning at ?80. At 80. | 0:20:13 | 0:20:18 | |
85. 90? Ah. 95? 100? Brilliant. | 0:20:18 | 0:20:22 | |
110? Back at the room at 110. At 110. Anybody at 120? | 0:20:22 | 0:20:27 | |
110 at the very back. Fantastic. Any advance? | 0:20:27 | 0:20:30 | |
At ?110. | 0:20:30 | 0:20:32 | |
BANG! | 0:20:32 | 0:20:34 | |
Well, you made ?10 over the odds. I'm relieved. He's a relieved man. | 0:20:34 | 0:20:39 | |
He looks a biscuit-box sort of man as well. | 0:20:39 | 0:20:42 | |
Excellent. Oh, crumbs(!) Yeah. That takes the biscuit(!) | 0:20:43 | 0:20:48 | |
Will you be sorry to see the sewing box go? No. You didn't like it? No. | 0:20:54 | 0:21:00 | |
It never got used? No. I have a plastic box for my, um, sewing stuff. A plastic...?! | 0:21:00 | 0:21:07 | |
There's a reserve of ?25. Yeah. Hopefully, we can get double that. | 0:21:07 | 0:21:12 | |
Let's hope. That'd be great. Fingers crossed. | 0:21:12 | 0:21:15 | |
What'd you do with ?50? Meal out, bottle of whisky... We like that. Whisky first. | 0:21:15 | 0:21:21 | |
THEY LAUGH ..with a crimson silk divided interior... | 0:21:21 | 0:21:26 | |
Have you had a tipple? No, too early. | 0:21:26 | 0:21:29 | |
I have 30. At ?30. We're off. 35. 40. | 0:21:29 | 0:21:33 | |
45? 50? 55. | 0:21:33 | 0:21:37 | |
60. (Oh, great! Two bottles) 60. Still on commission at 60? 65? | 0:21:37 | 0:21:42 | |
?60 is here. BANG! | 0:21:42 | 0:21:45 | |
That's excellent. Great. We hoped for ?50 tops. Well done. Wonderful! | 0:21:45 | 0:21:50 | |
Well done. Oh, delighted. That's two bottles of whisky. Right. | 0:21:50 | 0:21:55 | |
Well, one good bottle of malt. Yeah! | 0:21:55 | 0:21:58 | |
'Some good results so far from the auction. | 0:21:58 | 0:22:02 | |
'We've certainly made Anne happy, and ?92 the richer. | 0:22:02 | 0:22:06 | |
'And there's time for Philip and Nigel to find a winner | 0:22:06 | 0:22:10 | |
'when we return to the valuation room. | 0:22:10 | 0:22:13 | |
'Before we see more valuations, I'm meeting a man who needs no help in valuing or selling his antiques. | 0:22:18 | 0:22:25 | |
'It's Tony Stevenson, who restores rocking horses in a barn in deepest Kent.' | 0:22:25 | 0:22:31 | |
This is oak, but it's not 17th-century furniture. Look at the craftsmanship. | 0:22:31 | 0:22:37 | |
Look at that texture and grain in the muscle tone. It's beautiful. | 0:22:37 | 0:22:42 | |
We're in the horse hospital section. Yeah. Dave's scraping away. Yes. | 0:22:50 | 0:22:55 | |
How long will this take him? This obviously is modern paintwork. This will take about a day. Right. | 0:22:55 | 0:23:02 | |
We're peeling off the new paint and old varnish to reveal the original dappling, | 0:23:02 | 0:23:08 | |
which was probably put there in about 1880, 1890 or 1900. Right. | 0:23:08 | 0:23:13 | |
As this used high-content lead, it scrapes off easier cos it's thicker. Yeah. | 0:23:13 | 0:23:19 | |
It breaks down the original varnish that was put on. | 0:23:19 | 0:23:24 | |
That's why Dave's using a scraping dry process. Yeah. | 0:23:24 | 0:23:28 | |
This reveals stress fractures and cracks, then you look at the joints and repair the mortise and tenons. | 0:23:28 | 0:23:36 | |
On this particular horse, these legs are loose. They're very vulnerable. Yeah. | 0:23:36 | 0:23:42 | |
With the weight of the children and parents... They take years of abuse. | 0:23:42 | 0:23:48 | |
Yeah, they do, which is great. That's what they're for. And ears. | 0:23:48 | 0:23:53 | |
Ears normally go, but, on this one, they're perfect. They are, actually. | 0:23:53 | 0:23:58 | |
Shall we leave Dave? Why not? He's got another couple of days on this. No doubt. | 0:23:58 | 0:24:04 | |
It should only last a day, Dave(!) All right. | 0:24:04 | 0:24:08 | |
OK? Not a week. | 0:24:08 | 0:24:10 | |
What's this called? Is it a bow? | 0:24:20 | 0:24:22 | |
This is the bow, yes, as opposed to the glider, | 0:24:22 | 0:24:26 | |
which was invented in America, in Cincinnati in 1880, by a guy called Philip Marqua. | 0:24:26 | 0:24:33 | |
Americans think that's traditional, which it is, and this is the English, but it's the other way round. | 0:24:33 | 0:24:40 | |
How many owners would they have? | 0:24:40 | 0:24:43 | |
With most customers, the horse has been in the family right from the first. | 0:24:43 | 0:24:49 | |
So these were handed down? They can be hundreds of years old and being with that family. | 0:24:49 | 0:24:56 | |
Grandparents have said, "Can I have this restored for my grandchild? It was mine." They've played on it. | 0:24:56 | 0:25:03 | |
That's... And it had been restored as well for THEM, so how old was it? | 0:25:03 | 0:25:08 | |
These horses cost quite a lot, don't they? They do. | 0:25:08 | 0:25:12 | |
If you go into an auction, you can pay up to ?700-800. | 0:25:12 | 0:25:17 | |
And if people know what it is, and they're bidding, you'll pay thousands for them. | 0:25:17 | 0:25:24 | |
If you find one in an antique shop for ?200-300, pay ?500 to restore it, you've got a cheap horse. | 0:25:24 | 0:25:30 | |
And a great investment. And an original one as well. | 0:25:30 | 0:25:34 | |
Who would like one of these at home? ALL: Me! | 0:25:42 | 0:25:46 | |
'After the calm of the workshop, we return to the hurly-burly of the valuation room. | 0:25:50 | 0:25:57 | |
'Our experts have just one last chance to find a real corker.' | 0:25:57 | 0:26:02 | |
Which nook and cranny are they from? They're my late father-in-law's. OK. | 0:26:02 | 0:26:07 | |
They're family pieces. Did they grace the table? Always. | 0:26:07 | 0:26:12 | |
Were they used every day? No, they were on the sideboard looking nice. | 0:26:12 | 0:26:18 | |
I think they're a lovely little lot. This is hallmark silver. We've got the Sheffield mark. They're 1915-20. | 0:26:18 | 0:26:25 | |
This little caddy spoon, that's got a Birmingham anchor, and the Lion Passant again. | 0:26:25 | 0:26:32 | |
These aren't silver, but it doesn't matter. | 0:26:32 | 0:26:36 | |
I don't think they actually have great value, you know. | 0:26:36 | 0:26:41 | |
Well, we don't want to have them in the house. Why? | 0:26:41 | 0:26:45 | |
We had to clean them and they're unnecessary. | 0:26:45 | 0:26:49 | |
That'll make between ?40-60 and will appeal to both collector and dealer, | 0:26:49 | 0:26:54 | |
but you aren't interested in them. No. What will you do with the money? | 0:26:54 | 0:27:00 | |
I think I will get the 1891 census, which is on CD-Rom. That's come out. | 0:27:00 | 0:27:05 | |
Oh? I research my family... Really? ..and my ancestors. | 0:27:05 | 0:27:09 | |
Do you just research YOUR family? All our families. How far have you gone back? | 0:27:09 | 0:27:16 | |
On one, I've gone back to 1300, but, on other families, you get a dead end at 1850s. | 0:27:16 | 0:27:23 | |
So, you just sort of literally go back for... | 0:27:23 | 0:27:26 | |
If you go back 100 years, how many families might you be researching? | 0:27:26 | 0:27:32 | |
Well, you go four, eight, 16, 32, 64. Right, so... I suppose, would three generations take 100 years? | 0:27:32 | 0:27:39 | |
Yes, about. So, if for every 100 years, you're looking at...16 families? | 0:27:39 | 0:27:46 | |
At least. Any black sheep? A few. Really? Everybody finds them. Oh, dear. | 0:27:46 | 0:27:52 | |
What's the worst bit of black sheep in your family? Can you tell us? They're the interesting bits. Go on. | 0:27:52 | 0:27:59 | |
My great-grandparents didn't marry. That was the black sheepness. Yeah? My grandfather wouldn't tell me. | 0:27:59 | 0:28:07 | |
I think that's sad. That people feel the need to do that. Yes. | 0:28:07 | 0:28:11 | |
Was anybody deported to Australia? No. Went there, but not deported. | 0:28:12 | 0:28:17 | |
I'd better not trace my history. I might have too many black sheep. More, more interesting. | 0:28:17 | 0:28:24 | |
Thanks for coming along. Thank you. | 0:28:24 | 0:28:26 | |
I've never seen one of these. Can you tell me anything about it? | 0:28:26 | 0:28:31 | |
Nothing at all. Relation died, and, of course, you clear the house. It came through the family? Yeah. | 0:28:31 | 0:28:39 | |
It says "Cox's patent", and it's a gold sovereign and half-sovereign changer. | 0:28:39 | 0:28:45 | |
So you put your sovereigns in there, and it comes out of these drawers, | 0:28:45 | 0:28:50 | |
if we can open it, with a little brass pot with your change in. | 0:28:50 | 0:28:56 | |
That's it? And off you go. It's a great piece of machinery, isn't it? Yeah. | 0:28:56 | 0:29:02 | |
A curio, really. It is. I can imagine someone paying 100-200 for that. Right. | 0:29:02 | 0:29:08 | |
That's a guess-timate. You any ideas? None. | 0:29:08 | 0:29:12 | |
I'd think it's a very collectable thing. You quite keen to sell that? | 0:29:12 | 0:29:17 | |
Yeah. It's just in me shed. It's not doing any good there, so we'll move it on for you. | 0:29:17 | 0:29:24 | |
What's your name? Alex. Alex? Is this your mum and dad? | 0:29:35 | 0:29:39 | |
Mum, but not... Mum. We just met here. Oh, right. | 0:29:39 | 0:29:43 | |
Do you like this? Do you like all the little frogs and lizards? Hmm? Yeah. | 0:29:43 | 0:29:50 | |
It's grotesque ware. Yes, it is. | 0:29:50 | 0:29:53 | |
That's cute. Look, there's a maggot and a butterfly. | 0:29:54 | 0:29:58 | |
This is quite sought after, this grotesque stuff. Is it? | 0:29:58 | 0:30:04 | |
What's this? A pilot's scarf in the war, so if they crash land, it's a map. | 0:30:04 | 0:30:11 | |
They can read it? How did you find that out? | 0:30:11 | 0:30:15 | |
We checked the Internet, didn't we? Yeah. | 0:30:15 | 0:30:18 | |
Looked to see what it was. It's in amazing condition. | 0:30:18 | 0:30:23 | |
I bet you dare not wash it. No. | 0:30:23 | 0:30:26 | |
Can you imagine the pilot falling in the sea? With all the ink running. | 0:30:26 | 0:30:31 | |
'Frank's had a good clear-out. Along with his changer, he brought another curio from his shed.' | 0:30:31 | 0:30:38 | |
These are called magic lanterns. | 0:30:38 | 0:30:41 | |
That's right. This shows how entertainment | 0:30:41 | 0:30:45 | |
has become more sophisticated, cos these are very simple things. Yeah. | 0:30:45 | 0:30:51 | |
I suspect the lantern is... It's an ordinary one. | 0:30:51 | 0:30:55 | |
You see very ornate mahogany and brass magic lanterns that make quite a bit of money. | 0:30:55 | 0:31:02 | |
This is a very simple model. The slides are more interesting. | 0:31:02 | 0:31:07 | |
These articulated slides, movable slides, are quite collectable. | 0:31:07 | 0:31:12 | |
These individually would be worth about ?10-20 apiece, at least, I would've thought. | 0:31:12 | 0:31:18 | |
These are collectable. My favourite is this one. Complete psychedelia. | 0:31:18 | 0:31:23 | |
It's like a kaleidoscope I had when I was a child. | 0:31:23 | 0:31:27 | |
It's wonderful. It's a nice collection. | 0:31:27 | 0:31:30 | |
You're probably looking at a value of maybe 200-300 there. Nice. Happy with that? | 0:31:30 | 0:31:37 | |
Yeah. You sure? Well, I've got no idea. You're the expert. | 0:31:37 | 0:31:43 | |
Shall we flog them off for you? OK. Yeah. And come up with some readies. Magic. | 0:31:43 | 0:31:50 | |
Have you come far to our valuation? From Medway Towns, Chatham. Not far. No, only up the motorway. Yeah. | 0:31:50 | 0:31:57 | |
Did you ever find gold in your coin dispenser? No, I wish I had, but no. | 0:31:57 | 0:32:02 | |
You did use the lantern? Yes. We've shown that to the children, | 0:32:02 | 0:32:07 | |
to show it working, and how that was their entertainment instead of TV. | 0:32:07 | 0:32:12 | |
Were you happy with the valuation? Er... The gold changers, ?100 plus. | 0:32:12 | 0:32:18 | |
The magic lantern, ?100-200 plus. Cos they're collectable. That's right. | 0:32:18 | 0:32:23 | |
The gold changer's useless. Nobody's ever seen one, so who knows what it's worth? | 0:32:23 | 0:32:29 | |
Talking about money, what will you do with the money? A holiday. A holiday? A nice holiday. | 0:32:29 | 0:32:36 | |
That's it, yeah. What was the total collection worth? Two items. Er, ?300-400. | 0:32:36 | 0:32:43 | |
What's that going to get you? A caravan in Skegness? Yeah. | 0:32:43 | 0:32:48 | |
Down here at Folkestone. Yeah. | 0:32:48 | 0:32:50 | |
Liz, are you a Sylvac bunny lady? Not really, no. Have long have you had them? | 0:33:02 | 0:33:09 | |
I remember them when I were seven or eight. And when did you inherit them? | 0:33:09 | 0:33:14 | |
About three weeks ago. You've given it a great deal of thought(!) Yeah. | 0:33:14 | 0:33:19 | |
It's emotional. It's not hard to sell them? No. | 0:33:19 | 0:33:23 | |
What's the money going to be spent on? Probably doing the house up. Yeah. | 0:33:23 | 0:33:28 | |
They're horrible, but collectable. Yeah. I mean, Sylvac's collectable. | 0:33:29 | 0:33:35 | |
I think, er... I don't think this is strictly a pair. | 0:33:35 | 0:33:39 | |
I don't think you'd have Sylvac bunny book ends, | 0:33:39 | 0:33:43 | |
or Sylvac either side of a Sylvac clock in the middle of a mantel. | 0:33:43 | 0:33:49 | |
They're not speaking to one another. LAUGHTER | 0:33:49 | 0:33:52 | |
That's the best angle for them. They are Sylvac rabbits. You can't argue with that. | 0:33:52 | 0:33:58 | |
I think... I don't know why people collect these things, but people do. | 0:33:58 | 0:34:03 | |
Everybody's got to collect something. | 0:34:03 | 0:34:06 | |
I think they're worth... I'd sell them probably as one lot, | 0:34:06 | 0:34:12 | |
and I think they're worth sort of between... Around the ?30 mark apiece. | 0:34:12 | 0:34:18 | |
I'd probably recommend you put a ?25 each reserve on them. | 0:34:18 | 0:34:23 | |
So ?50 reserve, and estimate them at ?60-90. | 0:34:23 | 0:34:27 | |
Lovely. And, um, yeah... | 0:34:27 | 0:34:29 | |
They're not my cup of tea. They're a bit drab, aren't they? Yeah. Yeah. | 0:34:31 | 0:34:36 | |
Glad to see the back of them? Yep. They haven't bred(?) No. That's all right. | 0:34:36 | 0:34:42 | |
Let's see what we can do for you. | 0:34:42 | 0:34:45 | |
They're so collectible. I'm not that fond of them. Really? No, I don't know why. | 0:34:45 | 0:34:51 | |
I make teddies. You make them? Yes. Do you collect them? Yes. | 0:34:51 | 0:34:56 | |
How many have you got? Oh, dear. Lots. What's lots? Oh... 30? About 50, probably. 50? Yeah. God! | 0:34:56 | 0:35:03 | |
They've taken over from the dolls. I made dolls. Teddies are more fun. More tactile. They're softer. | 0:35:03 | 0:35:11 | |
I think dolls are quite spooky, if you've lots of dolls. Yes, all those eyes... Yeah. | 0:35:11 | 0:35:17 | |
This is lovely. What is it? It's a lady's vanity case. Let's have a look. | 0:35:17 | 0:35:23 | |
Isn't that absolutely beautiful? Tortoiseshell silver, cut silver inlay, and this lifts out... Yes. | 0:35:23 | 0:35:30 | |
..to a further fitted casing, but I won't do that, so I don't clatter everything. | 0:35:30 | 0:35:36 | |
How did you come by it? Is it inherited? No. We bought it at an antiques fair. | 0:35:36 | 0:35:43 | |
Yeah? We thought it looked lovely. How long ago was that? Oh, probably 15 years ago. | 0:35:43 | 0:35:49 | |
What did you pay for it? I can't remember. What appealed to you about it? | 0:35:49 | 0:35:55 | |
The fact that it was sort of all there, and... Yeah? I thought it was beautiful. | 0:35:55 | 0:36:01 | |
It's lovely quality. It is. How did you display it, or did you store it? | 0:36:01 | 0:36:06 | |
That was the problem. Not knowing what to do with it. So we thought of selling it. | 0:36:06 | 0:36:13 | |
The trouble with boxes like this is that things get taken apart, or other boxes get put in, | 0:36:13 | 0:36:20 | |
or you get different silver, but it's like... | 0:36:20 | 0:36:24 | |
If we look here and here and here, it all seems to match up. | 0:36:24 | 0:36:29 | |
There's a slight variance | 0:36:29 | 0:36:31 | |
between the tortoiseshell inlay and the decoration around the borders. | 0:36:31 | 0:36:37 | |
With regard to the date, let's have a look at this. Familiar with hallmarks? Hmm. | 0:36:37 | 0:36:43 | |
We have those three marks in a row. The Lion Passant shows it's silver. | 0:36:43 | 0:36:49 | |
A Leopard's Head says it was assayed in London. | 0:36:49 | 0:36:53 | |
This R-mark tells us the date code, | 0:36:53 | 0:36:55 | |
so if I get the trusty silver book here, and... | 0:36:55 | 0:36:59 | |
We can see the R there. | 0:36:59 | 0:37:02 | |
Now that looks suspiciously, on this particular piece, | 0:37:02 | 0:37:06 | |
like that's hallmarked in 1912. | 0:37:06 | 0:37:09 | |
It's wonderful. Let's just think in terms of value. | 0:37:09 | 0:37:13 | |
You would estimate at ?300-500, and put a reserve on it of ?300. I think it'll do very well. | 0:37:13 | 0:37:20 | |
If two collectors are keen, it could well fly through our top estimate. | 0:37:20 | 0:37:25 | |
Who knows? It might make 600-700. It's lovely. Great. | 0:37:25 | 0:37:30 | |
So you've brought this nice caddy. Can you tell me a bit about it? | 0:37:30 | 0:37:35 | |
Well, I wondered whether it was given to my grandparents on their wedding day in 1875. | 0:37:35 | 0:37:42 | |
Right. But I think it is older than that. It's a possibility. | 0:37:42 | 0:37:47 | |
From its style, it's more at the middle of the 19th century. Oh? Yes. | 0:37:47 | 0:37:52 | |
If we turn it over, it's stamped Jennens Bettridge, | 0:37:52 | 0:37:57 | |
and they are THE makers of papier-mache, and everybody likes that mark. | 0:37:57 | 0:38:03 | |
It's unusual to get a caddy, more than, say, a flat tray. | 0:38:03 | 0:38:08 | |
I'm just looking on the inside. We've some damage on the hinges. | 0:38:08 | 0:38:12 | |
That's obviously been broken off. I think my grandmother was awfully good at mending things. Right. | 0:38:12 | 0:38:20 | |
She might even have done it herself. Yeah. | 0:38:20 | 0:38:24 | |
It could hold it back a bit in terms of the price. Do you still use it? No, I haven't. | 0:38:24 | 0:38:30 | |
But when I inherited it, which was at least 40 years ago when it came from my mother, | 0:38:30 | 0:38:37 | |
it already had tea in it. Really? It was in regular use? I think it had been. Good. | 0:38:37 | 0:38:43 | |
Few people blend their own tea. No. We're all on tea bags. | 0:38:43 | 0:38:48 | |
What value were you hoping for? Something over ?200. | 0:38:48 | 0:38:52 | |
In better condition, I wouldn't hesitate to say 200-300. It might well do 200. | 0:38:52 | 0:38:59 | |
Do you want to sell it on? Yes, please. We can do that for you. | 0:38:59 | 0:39:03 | |
That'd be nice. Rather a shame to get rid of it, but, um... | 0:39:03 | 0:39:08 | |
Well, yes, but it's quite a good sellable object. Yes. | 0:39:08 | 0:39:13 | |
If you put a reserve of ?180, it gives us a chance, and get you some money for it...hopefully. Thank you. | 0:39:13 | 0:39:21 | |
'Not far from Folkestone is Leeds Castle. | 0:39:27 | 0:39:31 | |
'Behind its imposing exterior is a collection that Bluebell wants to get her paws on.' | 0:39:31 | 0:39:37 | |
What does she wear around her neck? She has a good selection of scarves. | 0:39:37 | 0:39:42 | |
She has blue to support Chelsea. For Newcastle United, she wears black-and-white. | 0:39:42 | 0:39:49 | |
And she's also got a dog collar. | 0:39:49 | 0:39:51 | |
What a wonderful idea - a dog collar museum. Is it unique in this country? Yes. | 0:40:03 | 0:40:09 | |
We're the only dog collar museum in the United Kingdom. There are others in Europe. | 0:40:09 | 0:40:16 | |
There's a vast selection, ranging from the 16th to the 20th century. Can you show me some of them? | 0:40:16 | 0:40:23 | |
Yes, indeed. I think probably the earlier ones were used for hunting and sporting purposes. | 0:40:23 | 0:40:30 | |
When you mean hunting, it's purely for the dog's protection? Indeed, | 0:40:30 | 0:40:36 | |
because the place that a bear or a wolf would go for was the dog's neck. | 0:40:36 | 0:40:41 | |
The neck is most vulnerable, and needs protection. | 0:40:41 | 0:40:45 | |
What sort of price would you put on that? On this one, possibly about 2,500. | 0:40:45 | 0:40:53 | |
That's quite a lot of money. It is. | 0:40:53 | 0:40:55 | |
Here's another... That's very decorative. Yes. Again, a German collar. | 0:40:55 | 0:41:02 | |
A well-off owner, I would imagine. I imagine so. | 0:41:02 | 0:41:06 | |
It's decorated with oak leaves, and looks like it was plated at one stage. | 0:41:06 | 0:41:12 | |
The initials JH elude us. The owner? I wish we knew who it was. | 0:41:12 | 0:41:17 | |
It would suit a dog like yours, I think. Hmm. | 0:41:17 | 0:41:21 | |
This is a slightly fearsome collar. | 0:41:21 | 0:41:23 | |
These spiked collars went on up to the end of the 19th century in all countries. | 0:41:23 | 0:41:30 | |
This is a popular English design. It's pressed metal bent over, isn't it? Yes. | 0:41:30 | 0:41:36 | |
Which one have you got your eye on? We couldn't bring you without trying one on. Girls like to accessorise. | 0:41:36 | 0:41:43 | |
There you are. You look very dashing. Very pretty. | 0:41:46 | 0:41:51 | |
'Back in the valuation room, it's been packed-out today.' | 0:41:58 | 0:42:03 | |
Philip and Nigel are exhausted. They've had their work cut out. | 0:42:06 | 0:42:11 | |
They've seen antiques, and met some characters. | 0:42:11 | 0:42:15 | |
'We've seen how some of our pieces have done at auction. I wonder if there's a sleeper amongst this lot. | 0:42:15 | 0:42:23 | |
'Liz wants to off-load her bunnies. | 0:42:23 | 0:42:26 | |
'This is one lot Philip won't put his hand up for.' | 0:42:26 | 0:42:30 | |
My mum was going to throw them out, and I took them. | 0:42:30 | 0:42:34 | |
I'm on your mum's side, but people do collect them and they make money. | 0:42:34 | 0:42:40 | |
'Eileen was disappointed, but the repairs affected the caddy's value.' | 0:42:40 | 0:42:45 | |
It'll struggle. I'll be pleased if it makes over 200, but I doubt it will. | 0:42:45 | 0:42:51 | |
'Mr and Mrs Adams hope somebody falls for this, | 0:42:51 | 0:42:55 | |
'just as they did 15 years ago.' | 0:42:55 | 0:42:58 | |
Wow! Isn't that absolutely beautiful? | 0:42:58 | 0:43:01 | |
I think that'll do quite well, but the buyer will probably split it up. | 0:43:01 | 0:43:07 | |
'Frank needs more space in his shed. | 0:43:07 | 0:43:09 | |
'You can't garden with a gold changer or a magic lantern. | 0:43:09 | 0:43:14 | |
'They've just got to go.' | 0:43:14 | 0:43:16 | |
I could watch that for hours. Yeah. There's more at home. | 0:43:16 | 0:43:21 | |
The kaleidoscope brought back happy memories. | 0:43:21 | 0:43:24 | |
'Barbara's looking forward to buying the 1891 census | 0:43:24 | 0:43:28 | |
'with profits from her caddy, spoon and cruet set.' | 0:43:28 | 0:43:33 | |
Well... I don't want to clean them. | 0:43:33 | 0:43:35 | |
'Things are hotting up at the sale. | 0:43:44 | 0:43:47 | |
'The first time you sell at auction is always nerve-racking, | 0:43:47 | 0:43:50 | |
'but you don't usually know beforehand is what the auctioneer thinks of your lot.' | 0:43:50 | 0:43:55 | |
We like this. Yeah, it's a great shape. | 0:43:55 | 0:43:59 | |
Nigel valued that at 180, which I think Eileen was a bit sad about. | 0:43:59 | 0:44:04 | |
She'd like to have had 200-220. Yeah. | 0:44:04 | 0:44:08 | |
Well, let's hope it... It's quite a dark... | 0:44:08 | 0:44:11 | |
Papier-mache was generally black, but it's got nice abalone streaks. | 0:44:11 | 0:44:16 | |
Who knows? It's got a lot going for it. So, how much? | 0:44:16 | 0:44:21 | |
I hope 200-250, something like that. 250, there you go. ..Eileen, 250. | 0:44:21 | 0:44:26 | |
Barbara's three-piece cruet. Quite pretty. Yes. | 0:44:26 | 0:44:30 | |
Nice oval section body. I think it'll do all right. | 0:44:30 | 0:44:35 | |
This has been valued at 40-60 by Philip, and... | 0:44:35 | 0:44:38 | |
For the caddy spoon? Not the cruet? No, that's for the collection. | 0:44:38 | 0:44:43 | |
Well, this caddy spoon is nice. | 0:44:43 | 0:44:46 | |
It's a nice George IV caddy spoon. I must tell you, when Barbara had these valued, | 0:44:46 | 0:44:52 | |
she hoped for a lot more money, cos she wants to put it towards a house. | 0:44:52 | 0:44:57 | |
But, unfortunately, it's not a 600,000, it was ?40-60. | 0:44:57 | 0:45:02 | |
She won't get a house, but she'll do better than 40-60. Brilliant. So what do you reckon? | 0:45:02 | 0:45:09 | |
Well, I think that should be 50-70. | 0:45:09 | 0:45:12 | |
The cruet should be 50, so it's 100 plus, hopefully. | 0:45:12 | 0:45:16 | |
So Philip's got egg on his face? | 0:45:16 | 0:45:19 | |
This is one of Philip's items. | 0:45:19 | 0:45:22 | |
He's valued it at three to five, and Alan has owned this for 15 years, | 0:45:22 | 0:45:27 | |
forgotten what he paid for it, reluctant to sell it, really. Will he sell it? I hope so. | 0:45:27 | 0:45:34 | |
It's got some nice elements in it. There's items we sell individually, which would make quite a good price. | 0:45:34 | 0:45:41 | |
These cut glass scent bottles with the silver pique tops. This one's damaged, but they sell for 100-150. | 0:45:41 | 0:45:49 | |
Something like that, ?50, and something like that, ?50. | 0:45:49 | 0:45:53 | |
So the individual elements add up. | 0:45:53 | 0:45:56 | |
But the interesting thing is you can take the vanity case out of the main case. | 0:45:56 | 0:46:03 | |
So, head on the block, James. Do you like it? | 0:46:03 | 0:46:07 | |
I think it's all right. All right? | 0:46:07 | 0:46:10 | |
I'm with you. It is a bit drab. Yeah. It's unloved. | 0:46:10 | 0:46:14 | |
It'll struggle. Yeah. Hopefully, around 300-400. Fingers crossed. | 0:46:14 | 0:46:19 | |
'I wonder who's right, | 0:46:19 | 0:46:22 | |
'and if any owners will leave with a bulging wallet. Fingers crossed for Frank. | 0:46:22 | 0:46:28 | |
'Maybe he should forget that holiday and buy a bigger shed.' | 0:46:28 | 0:46:32 | |
Frank and Val, how are you? Nervous or...? Nervous. | 0:46:32 | 0:46:37 | |
Apprehensive. Yeah? Excited. Been to many auctions? No. This is your first? Yeah. | 0:46:37 | 0:46:43 | |
Wow. You're trembling. I am! Val, you're looking together. I'm all right today. | 0:46:43 | 0:46:49 | |
When I saw this, I fell in love. I liked the colour and the patina. | 0:46:57 | 0:47:03 | |
It's a 17th-century low dresser with a geometric front, but on a closer inspection, look at these dowels. | 0:47:03 | 0:47:10 | |
They shouldn't be finished off dead flush, but be like these originals. | 0:47:10 | 0:47:15 | |
You see they're finished from the surface. | 0:47:15 | 0:47:19 | |
It's been reduced in length, hence the catalogue price of about 1,200. | 0:47:19 | 0:47:24 | |
Is this was bang-on and 100%, it'd be ?4,000. It has some redeeming features. | 0:47:24 | 0:47:30 | |
This worn look is consistent with 17th-century furniture. It does show its age. | 0:47:30 | 0:47:37 | |
As it's reduced, the drawers have been, and it's cut too close to the geometric shape. | 0:47:37 | 0:47:44 | |
The wear on the inside is nonexistent. | 0:47:44 | 0:47:47 | |
Someone's made a smaller version to fit a hole somewhere, but it's sad. | 0:47:47 | 0:47:52 | |
The top's been shortened as well. You can tell, cos this moulded edge is sharp, which has been recreated | 0:47:52 | 0:48:00 | |
matching this front moulded edge, which runs into this lovely, smooth, weathered look. | 0:48:00 | 0:48:07 | |
So, when buying country furniture, have a closer inspection. | 0:48:07 | 0:48:12 | |
'The gold changer is up next. | 0:48:12 | 0:48:15 | |
'I wonder if any lots will bring in the big bucks for our owners.' | 0:48:15 | 0:48:20 | |
How are you feeling now? Nervous. You are? Yeah, I am. That's it. | 0:48:22 | 0:48:27 | |
Not as nervous as me. He's quaking in his boots. My knees... Oh, Frank. | 0:48:27 | 0:48:32 | |
My knees've gone. A quality machine exchanging gold... Fingers crossed. | 0:48:32 | 0:48:37 | |
Something is! LAUGHTER | 0:48:37 | 0:48:41 | |
Lot 101 is the mechanical change machine. | 0:48:41 | 0:48:45 | |
I have commission bid on reserve of 120. Yes. There you go. 120. | 0:48:45 | 0:48:50 | |
Anybody? 130. 140. Oh. 150. 160. Great. | 0:48:50 | 0:48:55 | |
160, in the middle. Any advance? I'm pleased for you, Frank. 170. | 0:48:55 | 0:49:01 | |
Lovely. You're not shaking now. 180's bid. 180? | 0:49:01 | 0:49:05 | |
Against you. 180's in the seating. BANG! | 0:49:05 | 0:49:09 | |
Well done. Brilliant. That's nice. A good price. I'm pleased with that. | 0:49:09 | 0:49:14 | |
That'll encourage you to clear the shed. It will now. | 0:49:14 | 0:49:19 | |
We'll see you later. Yeah. Yeah. | 0:49:19 | 0:49:22 | |
'..I have 500 on reserve. 500. ?500. 550...' | 0:49:22 | 0:49:27 | |
What will you use the money for? Well, I want to buy the 1891 census of London. | 0:49:27 | 0:49:34 | |
To research your family? Yes. You have an interesting ancestor, haven't you? Yes. | 0:49:34 | 0:49:40 | |
A direct ancestor was Robert Gillow of Lancaster. The furniture maker? Yes. Wonderful. | 0:49:40 | 0:49:47 | |
Pity he wasn't a silversmith. | 0:49:47 | 0:49:49 | |
A three-piece cruet... Here we go. This is it. This is it. Yeah. | 0:49:50 | 0:49:55 | |
..plus the caddy spoon. | 0:49:55 | 0:49:57 | |
A rather nice little lot. My double at 75. ?75. | 0:49:57 | 0:50:01 | |
Oh! Straight in. That's fantastic. 85. | 0:50:01 | 0:50:04 | |
90? 95. Bid left on the books. 100. 110. | 0:50:04 | 0:50:08 | |
It's amazing. The auctioneer carries it like an unstoppable train. 130? | 0:50:08 | 0:50:13 | |
Oh, goodness. 120? 130. Fantastic. 135. Oh, we like this. | 0:50:13 | 0:50:18 | |
There. At 135, it's gone quiet. BANG! | 0:50:18 | 0:50:22 | |
Brilliant. Pleased? Yes. I can't believe how things are going! | 0:50:22 | 0:50:28 | |
'Frank's back for his second lot, and he's still all of a fluster.' | 0:50:28 | 0:50:33 | |
Have you stopped shaking? A little. I'll ask the cameraman to pan down to his legs, cos they're shaking. | 0:50:33 | 0:50:40 | |
Knees've gone straight away. Honestly, they have. He is shaking. | 0:50:40 | 0:50:45 | |
I'll be very disappointed if this doesn't sell well. | 0:50:45 | 0:50:50 | |
100? 100's bid, thank you. 100. 110. (We've sold it.) 120. | 0:50:50 | 0:50:56 | |
130. 140. 150. Brilliant. 160. | 0:50:56 | 0:51:00 | |
There should be a lot more left in this... 170. 180. | 0:51:00 | 0:51:04 | |
You're adding the money quickly. No, I'm... 200? | 0:51:04 | 0:51:08 | |
200. 220. (Come on, James.) 250. Gobsmacked? It's unbelievable. 250. | 0:51:08 | 0:51:14 | |
300, I have. 300. 300. Come on. 320, will you? | 0:51:14 | 0:51:18 | |
He's got a bid left... 320. | 0:51:18 | 0:51:21 | |
340. He's pushing it. Go on. 340. That's a good price. | 0:51:21 | 0:51:25 | |
On commission at 340. BANG! | 0:51:25 | 0:51:28 | |
Excellent. 340. That's fantastic. Above my top estimate. Very nice. | 0:51:28 | 0:51:34 | |
340... Very nice. He wriggles out of that. | 0:51:34 | 0:51:37 | |
Oh. No. I'm amazed at that. Very nice. Very nice. | 0:51:37 | 0:51:41 | |
'Liz's nervous. She's worried she'll have to take her bunnies back home.' | 0:51:41 | 0:51:47 | |
You have your husband Liam propping you up, cos you're feeling wobbly. | 0:51:47 | 0:51:52 | |
Philip and I cannot stand your Sylvac bunnies. | 0:51:52 | 0:51:56 | |
We're unanimous. Yeah. But you'll find a buyer. | 0:51:56 | 0:52:00 | |
Bye-bye, bunnies. It's exciting. | 0:52:00 | 0:52:03 | |
Someone will rescue them. Start the bids at ?40. | 0:52:03 | 0:52:07 | |
Please! At 40. Come on, come on. ?40? At ?40... | 0:52:07 | 0:52:12 | |
?40, anybody? | 0:52:12 | 0:52:14 | |
20, then? At 20? At ?20? 20, I have. 25. 30. | 0:52:14 | 0:52:19 | |
35. We're in. 40. 45. 50. That's better. 55. Brilliant. | 0:52:19 | 0:52:24 | |
60. 65. Oh! | 0:52:24 | 0:52:27 | |
65. At 65. Very back at ?65. BANG! | 0:52:27 | 0:52:32 | |
Brilliant! Not too bad. Are you pleased? | 0:52:32 | 0:52:35 | |
Yeah. You can use that to do up the house. Yeah, more decorating. | 0:52:35 | 0:52:40 | |
You won't see them any more. No. | 0:52:40 | 0:52:43 | |
'Great news for Liz, but she must pay her seller's commission on her ?65 before she leaves the auction.' | 0:52:43 | 0:52:51 | |
Anybody buying and selling has to pay a premium. | 0:52:51 | 0:52:55 | |
This can be 10-17%, plus there's VAT to be added to the commission price. | 0:52:55 | 0:53:00 | |
This is printed in the catalogue, | 0:53:00 | 0:53:02 | |
so remember, if you're buying, to build those costs into the price you want to bid up to. | 0:53:02 | 0:53:09 | |
What will you do with the money? Pay my tax bill. I know the feeling. | 0:53:18 | 0:53:23 | |
We don't earn enough. No. What do you do for a living? I'm a vet. Oh, right. | 0:53:23 | 0:53:29 | |
Great job. Have you got many pets? Two dogs, yeah. | 0:53:29 | 0:53:33 | |
The silver and tortoiseshell... Here we go. This is our lot. | 0:53:33 | 0:53:38 | |
13 items in all. It's a good lot. Let's see it go. 300 on reserve. | 0:53:38 | 0:53:43 | |
At 300? It's sold. 320. 350. 380. 400? That's great. 420. | 0:53:43 | 0:53:48 | |
420. There it is at 420. | 0:53:48 | 0:53:51 | |
Any advance on ?420? | 0:53:51 | 0:53:54 | |
BANG! | 0:53:54 | 0:53:55 | |
That was quick. Yes. Brilliant. Happy? I'm pleased it's sold. Yeah. | 0:53:55 | 0:54:00 | |
It's above the reserve, so I'm pleased. Great, thanks. | 0:54:00 | 0:54:04 | |
Thank you very much. Take care. | 0:54:04 | 0:54:07 | |
'Last up is Eileen's tea caddy. | 0:54:07 | 0:54:10 | |
'She was disappointed with her valuation, but we hope it exceeds expectations.' | 0:54:10 | 0:54:16 | |
Eileen? Yes? Are you excited? Yes, I am. | 0:54:16 | 0:54:20 | |
What will you do with the money? I'll give it to my family. Oh, nice. | 0:54:20 | 0:54:25 | |
Hopefully, it'll get a lot of money. You think so? I think so. I hope so. | 0:54:25 | 0:54:30 | |
Well, I was very sorry that it was only, um, at 180. | 0:54:30 | 0:54:35 | |
A miserable estimate. It's miserable. I had wanted it at 200, at least. Hmm. | 0:54:35 | 0:54:41 | |
A 200-300 valuation on it. Yes. Let's hope that can move and fly from there. | 0:54:41 | 0:54:48 | |
Right, here we go. Thank you. | 0:54:48 | 0:54:50 | |
It's getting quite scary. It is, isn't it? Yeah. | 0:54:50 | 0:54:54 | |
A rather splendid papier-mache tea caddy by Jennens and Bettridge. | 0:54:54 | 0:54:59 | |
Who'll start me at 250? At 250? | 0:54:59 | 0:55:01 | |
Oh, good. 250? 250's bid. We're in. Yes. It's sold. | 0:55:01 | 0:55:06 | |
At ?300? 350. | 0:55:06 | 0:55:08 | |
?400 now. 400 in the seating. Fantastic. 450. It's going on. | 0:55:08 | 0:55:13 | |
Doubled the estimate. Yes. 500. 500. 550. Book the cruise! | 0:55:13 | 0:55:18 | |
550? 600. | 0:55:18 | 0:55:21 | |
650? Let's see it get to 1,000. We've got 600. 650 I have. | 0:55:21 | 0:55:25 | |
700. 750. 800. 850. 950. Someone's phoning. It's a battle. | 0:55:25 | 0:55:31 | |
Yes. 1,000 is bid. We've done it! We've done 1,000! Excellent! | 0:55:31 | 0:55:36 | |
It's not sold yet. 1,100. 12? It's good to see this illustrated. | 0:55:36 | 0:55:40 | |
1,200's bid. 1,200. I have 1,300. What do you think? Good gracious me! | 0:55:40 | 0:55:46 | |
Well... 1,300. 1,300. Good job I'm holding you up. | 0:55:46 | 0:55:51 | |
With me, on commission, at ?1,300. I'll do ?1,350 for anybody... | 0:55:51 | 0:55:56 | |
Fantastic. At 1,300, it's with me. | 0:55:56 | 0:55:59 | |
1,350. 1,400. 1,400! 1,400. Yes! | 0:55:59 | 0:56:02 | |
1,400? I don't believe it. At 1,400? 1,400. 1,400. | 0:56:02 | 0:56:07 | |
Great. Yes. 1,400, once, twice... BANG! | 0:56:07 | 0:56:11 | |
Well done! Oh! Excellent! I'm really pleased! | 0:56:11 | 0:56:14 | |
I was one of the Folkestone people. My home town is Folkestone. Really? | 0:56:14 | 0:56:20 | |
It is how we knew about the Grand Hotel...mostly. | 0:56:20 | 0:56:24 | |
Pleased you brought it? Yes. A good day's work. Another good result on Flog It! | 0:56:24 | 0:56:31 | |
'We couldn't have ended the auction on a better note. | 0:56:31 | 0:56:37 | |
'Frank's knees stopped shaking when he collected a profit of ?520. | 0:56:37 | 0:56:42 | |
'He'll have to pay a seller's premium of 10%, but it's still a tidy sum.' | 0:56:42 | 0:56:47 | |
No idea what they would make. First time at an auction, so it's completely new. Lovely. | 0:56:47 | 0:56:53 | |
'Liz will never have to see those Sylvac bunnies again.' Yes, it's quite exciting. | 0:56:53 | 0:57:01 | |
'And Stephen's china falcon has flown far away. | 0:57:01 | 0:57:05 | |
'He doesn't care that it didn't make a lot. He's glad that it's gone.' It's not mine. It's my stepson's. | 0:57:05 | 0:57:12 | |
So... He's better off than he was, | 0:57:12 | 0:57:15 | |
and I got rid of something I didn't want, so I think, all-in-all, happy. | 0:57:15 | 0:57:21 | |
'And Eileen might need a strong brew | 0:57:21 | 0:57:24 | |
'after she flogged her tea caddy for an astonishing ?1,400.' | 0:57:24 | 0:57:29 | |
We were going to give it to our son, but we'll have to think about it now. Now that it's come to so much. | 0:57:29 | 0:57:37 | |
It's absolutely wonderful, considering they made us only do it for 180. Incredible. | 0:57:37 | 0:57:44 | |
Again, every auction room is full of surprises. | 0:57:44 | 0:57:48 | |
I hope it surprised you. See you next time on Flog It! | 0:57:48 | 0:57:52 |