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antiques to the highest bidder. Ten people will discover the excitement | :00:37. | :00:46. | |
of selling at auction. Our experts value their antiques, they decide if | :00:47. | :00:50. | |
they'll sell them. You can never tell what'll happen. | :00:51. | :00:54. | |
You'll be feeling vulnerable, being nervous about selling this... Yes. | :00:55. | :01:01. | |
And you're admitting to owning THAT. ..Well, it's gone, Bob. That's | :01:02. | :01:04. | |
excellent! That's excellent! Well done, James! | :01:05. | :01:15. | |
(Arriba! Arriba!). ..Oh, dear. Brilliant. How d'you | :01:16. | :01:22. | |
feel? Great. Good man! What'll you spend it on? I WAS gonna spend it on | :01:23. | :01:28. | |
the Meissen. It's a lovely day in the | :01:29. | :01:30. | |
the Meissen. eager to delve into people's boxes | :01:31. | :01:53. | |
and bags. I love Bournemouth. I used to live | :01:54. | :01:59. | |
down here. Russell-Coates Museum is nearby -predominantly 19C in | :02:00. | :02:02. | |
concept. I hope we'll emulate some of the pieces from that museum. | :02:03. | :02:09. | |
Lovely objets d'art. I've realised my weakness is 20th-century | :02:10. | :02:12. | |
ceramics, so I'll be steering away from the Carlton ware today. | :02:13. | :02:21. | |
Judging by the number of people here, there's going to be plenty to | :02:22. | :02:33. | |
choose from. How long have you had these? About | :02:34. | :02:39. | |
ten years. Did you buy them as a complete | :02:40. | :02:40. | |
ten years. Did you buy them as a of great value. Probably about ?20, | :02:41. | :03:00. | |
?30 each. This is Wade? Yes, it is. That's | :03:01. | :03:06. | |
quite nice. Very sort of late-1930s, '40s, with this tapering rib shape. | :03:07. | :03:12. | |
Very typical of that period. Not of tremendous value. Wade now | :03:13. | :03:15. | |
collectable for the Wade Whimsies, not this type of pottery. BUT...the | :03:16. | :03:23. | |
prize piece today is this Dunhill lighter. I think this is superb! | :03:24. | :03:28. | |
What can you tell me about this? It belonged to my grandparents. My | :03:29. | :03:31. | |
grandmother gave it to me before she died. Remember it being used? Yes. | :03:32. | :03:43. | |
Were they great smokers? Yes. Really? Definitely. This is good. | :03:44. | :03:49. | |
Dunhill do collect their Really? Definitely. This is good. | :03:50. | :04:08. | |
eight years ago and they said ?250-?300. Take into account | :04:09. | :04:15. | |
inflation. Right. This is good and this is in better condition than the | :04:16. | :04:19. | |
one we had. This is a moulded plastic and they had to paint from | :04:20. | :04:24. | |
the inside. So all this design is painted from inside. And then they | :04:25. | :04:34. | |
would put this component in, secured by the screws underneath. I'd like | :04:35. | :04:38. | |
to see it with a reserve in the region of about ?480. Would you be | :04:39. | :04:43. | |
happy if we put it up for sale? Yes, I would. Excellent! | :04:44. | :04:48. | |
This is one of our busiest valuation days, with nearly 1,,000 people | :04:49. | :04:53. | |
waiting to see the experts. All sorts of things are revealed. | :04:54. | :04:54. | |
What have you got here? A carpet. sorts of things are revealed. | :04:55. | :05:18. | |
Something like that. See David Barby(!) Pretty, though. Yeah. Oh, | :05:19. | :05:28. | |
well, good luck. Thank you. This lovely mahogany table, which | :05:29. | :05:31. | |
uses the very best materials, with the best design, is often a hallmark | :05:32. | :05:45. | |
of Gillow of Lancaster. Started by Robert Gillow, in the late 17th | :05:46. | :05:48. | |
century, they moved their premises to London, in 1761. It's a very | :05:49. | :05:52. | |
well-designed piece -sort of Regency period. Sort of 1820, 1830. It | :05:53. | :05:58. | |
would've been lovely to have seen a stamp "Gillow" somewhere, with a | :05:59. | :06:02. | |
design number. Regrettably, we haven't found one. How did you come | :06:03. | :06:09. | |
by this? I bought it, two years ago, from an auction. | :06:10. | :06:27. | |
by this? I bought it, two years ago, We've got these mouldings here. | :06:28. | :06:28. | |
Cock-beading, with flame-figured capitals at the top of the legs. | :06:29. | :06:33. | |
Moving down, we've got this nice reeded column here, going down to | :06:34. | :06:39. | |
the brass cappings and casters. They're gilded. All I can see going | :06:40. | :06:44. | |
against it is it's slightly bruised. There's a couple of bashes here. But | :06:45. | :06:49. | |
I'm a gambling man. I think if we put ?1,500-?2,000 on it, would that | :06:50. | :06:55. | |
be acceptable? It's about what you paid for it last time. ..Yes. Yes. | :06:56. | :07:02. | |
I'd be delighted if it made ?2,000, but I think we've... Two years is | :07:03. | :07:06. | |
not a long time since it was sold. What's prompting you to sell it? I | :07:07. | :07:12. | |
live in an old cottage. It's a little too big for the space I have. | :07:13. | :07:18. | |
It's funny, that, because it's quite a small Pembroke. So you'll | :07:19. | :07:39. | |
a table of this quality. OK. We don't get much furniture, so it's | :07:40. | :07:42. | |
a privilege to handle such a quality item. Shame there's no Gillow stamp. | :07:43. | :07:48. | |
Were you happy with the valuation? Yes. About what you paid. We hope to | :07:49. | :07:54. | |
get it back. You paid ?1,500. Yes, I did. How long ago? About two years. | :07:55. | :08:02. | |
Yeah. Not a lot of time for it to appreciate. Let's hope it makes | :08:03. | :08:05. | |
?1,800. It's quality. Gonna buy a smaller table with the money? | :08:06. | :08:08. | |
Definitely, yes. A bit more narrow would be better. | :08:09. | :08:15. | |
Did you use this, as a child? No. It was given to my wife when we | :08:16. | :08:19. | |
married. I was away at sea, and the lady opposite had it in a little | :08:20. | :08:23. | |
box. She said it was so ugly she didn't want it, did we like it? | :08:24. | :08:28. | |
Melba ware. It was produced, oh, from about 1925 to 1952. | :08:29. | :08:47. | |
Melba ware. It was produced, oh, carousel. For a nursery. I like the | :08:48. | :08:52. | |
cockerel. I can understand why people think it's ugly. Almost | :08:53. | :08:59. | |
frightening. Would they use this in the nursery? They would, yes. It was | :09:00. | :09:03. | |
a separate institution. The nursery was separate from the main | :09:04. | :09:08. | |
accommodation. Nanny served tea then brought the children to see the | :09:09. | :09:14. | |
adults, before bedtime. And what's so attractive -these sort of | :09:15. | :09:17. | |
tarpaulin-type covers, with all the designs on the top there. That's | :09:18. | :09:22. | |
very nice. Now, if it goes up to auction, we're not thinking in terms | :09:23. | :09:26. | |
of hundreds of pounds. Almost novelty. We're at a stage where this | :09:27. | :09:31. | |
type of pottery is just coming into the collector's field. I think we're | :09:32. | :09:35. | |
only looking at the lower end of the market. ?100, ?120. I think we must | :09:36. | :09:39. | |
tuck What a memory. The picture is | :09:40. | :09:58. | |
without the lid to the... That's the picture in there. The price | :09:59. | :10:05. | |
underneath it is ?320-?350. The retail figure. Retail. Well, I think | :10:06. | :10:10. | |
we're on board, then, if you consider the auction price is | :10:11. | :10:13. | |
normally a third of retail. So around ?100. I'd like to see the | :10:14. | :10:19. | |
reserve about ?90. Excellent. Thank you for bringing it. Thank you. | :10:20. | :10:25. | |
Good morning, sir! Good morning. What do we call you? I'm the Charlie | :10:26. | :10:29. | |
Chaplin of Bournemouth. Oh. I'm a fundraiser for children's charities. | :10:30. | :10:33. | |
Do a lot of fundraising. This is a part collection of my father's royal | :10:34. | :10:39. | |
collection. You brought all this in. My father was a royal artist. He | :10:40. | :10:44. | |
also was the one that painted Margaret Thatcher three times... Why | :10:45. | :10:48. | |
did she need painting three times? Didn't she sit down | :10:49. | :10:49. | |
did she need painting three times? We'll catch up with you later. God | :10:50. | :11:10. | |
bless you. Give us a funny walk. LAUGHTER. | :11:11. | :11:21. | |
APPLAUSE. HE STRUGGLES TO SPEAK. | :11:22. | :11:28. | |
Thanks very much, Charlie Chaplin! What can you tell me about this | :11:29. | :11:32. | |
Thanks very much, Charlie Chaplin! Very little. It was handed down by | :11:33. | :11:34. | |
an aunt, about eight years ago. We've had it around the House. We're | :11:35. | :11:38. | |
in the process of moving, so... It's not something you want to hang onto? | :11:39. | :11:44. | |
No. This brown, salt-glazed stoneware isn't one of the most | :11:45. | :11:52. | |
colourful things around, is it? No. It's an exercise in brown. But the | :11:53. | :11:56. | |
thing I love about it is it's a political memento. | :11:57. | :11:59. | |
thing I love about it is it's a Disraeli. And I love this quote | :12:00. | :12:21. | |
here. This is a quote when he was 33. "I will sit down now, but the | :12:22. | :12:28. | |
time will come when you will hear me." They heard him. He and | :12:29. | :12:37. | |
Gladstone, two of the leading politicians of the 19th century. The | :12:38. | :12:42. | |
sad thing I notice is there's a bit of restoration. D'you know when this | :12:43. | :12:48. | |
had the calamity? No. Haven't got a clue. Not since we've had it. No. | :12:49. | :12:55. | |
Unfortunately, the handle's come off and some damage to the lip here. | :12:56. | :13:02. | |
Um... It's terribly well done. The only reason you can tell -it's very | :13:03. | :13:06. | |
matt here, whereas, this orange peel salt glaze, here, gives off a | :13:07. | :13:07. | |
reflection. salt glaze, here, gives off a | :13:08. | :13:27. | |
would put ?70-?100 on it. We're much in politics at the moment, so who | :13:28. | :13:28. | |
knows? Well, the experts are working hard | :13:29. | :13:39. | |
and people seem very keen to sell. Let's see what we have for the sale. | :13:40. | :13:45. | |
Laura's Dunhill lighter is amazing. What have fish to do with smoking? | :13:46. | :13:53. | |
..Unless you're a kipper. Bob's nursery tea set is not his cup | :13:54. | :13:57. | |
of tea, and it isn't mine. Let's hope someone likes it. | :13:58. | :14:01. | |
Sharon's table cost ?1,500, two years ago. It'll be tough to make a | :14:02. | :14:08. | |
profit. But she hasn't got room for it. | :14:09. | :14:10. | |
Jim's Doulton jug has been mended so the collectors might be put off. | :14:11. | :14:12. | |
It's still a good character piece. Is there a market for this sort of | :14:13. | :14:39. | |
novelty tea set? There certainly is. Anything a bit unusual, and | :14:40. | :14:42. | |
particularly the teapot -that's the key thing. If we had an entire set, | :14:43. | :14:52. | |
but no teapot, we'd be struggling. There are teapot collectors. Big | :14:53. | :14:56. | |
ones. Yes, and anything unusual... I haven't seen this pattern before. | :14:57. | :14:59. | |
It's called Merry-Go-Round and it looks like a merry-go-round. A | :15:00. | :15:07. | |
carousel. And it's a raised pattern, a moulded pattern. Hand-painted. | :15:08. | :15:14. | |
Hand-painted. All the decoration on the lid here is hand-painted as | :15:15. | :15:18. | |
well. Does this do something to you? I wouldn't actually collect this | :15:19. | :15:24. | |
myself... Nor would I! ..but, of its sort, it's very good. When we first | :15:25. | :15:28. | |
saw it, we thought, "What on earth is this?" | :15:29. | :15:46. | |
saw it, we thought, "What on earth little Dunhill lighter. We have sold | :15:47. | :15:49. | |
an early lighter before, not a fish-tank-type one. Gorgeous. Real | :15:50. | :15:56. | |
Deco piece. With a faded quality, which is nice. Don't know whether | :15:57. | :16:02. | |
people will use them, I imagine not. Paperweight. Our experts have valued | :16:03. | :16:09. | |
this at ?500-?600. I think this will sell. It's an unusual example, and, | :16:10. | :16:15. | |
more to the point, in good condition. It's lost its silver | :16:16. | :16:18. | |
plate. We can see, more particularly underneath there, that is was | :16:19. | :16:25. | |
silver-plated right the way across. But it's honest. It would devalue | :16:26. | :16:30. | |
it, if anyone plated it again. Yes. And it looks fine, as it is. I'm | :16:31. | :16:34. | |
pretty happy that it will sell. Collectors come from a very long way | :16:35. | :16:36. | |
away to find things of this sort. So Collectors come from a very long way | :16:37. | :16:58. | |
your table. We can't buy them, otherwise, we would. But there's a | :16:59. | :17:04. | |
chap over my shoulder from the Cotswolds -he's a dealer. I know | :17:05. | :17:08. | |
he's here to buy. If it's the right price, he'll have it. Oh. | :17:09. | :17:15. | |
Lot 80, a Regency mahogany Pembroke table. And ?1,200 is bid. ?1,200. | :17:16. | :17:26. | |
(He's bid!). ?1,300... | :17:27. | :17:28. | |
?1,400. ?1,500. ?1,600. | :17:29. | :17:29. | |
?1,700. ?1,700. Beyond the arch, at ?1,700. | :17:30. | :17:34. | |
At ?1,700. Are | :17:35. | 0:10:39 |