Browse content similar to York. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Flog It! is the show where you get the chance to empty your house of clutter and make some money. | 0:00:31 | 0:00:38 | |
Our experts will examine them and, if you want, you can flog them. | 0:00:38 | 0:00:43 | |
It's up to you to decide, but our experts will help. | 0:00:43 | 0:00:48 | |
If they get it right, you could be loaded. If they're wrong, you might be taking your antique back home. | 0:00:48 | 0:00:55 | |
Be warned - there's nothing as unpredictable as an auction. | 0:00:55 | 0:00:59 | |
£100 would make you happy? Yeah. | 0:00:59 | 0:01:03 | |
£190. | 0:01:03 | 0:01:04 | |
Fabulous! Well done! Brilliant! | 0:01:05 | 0:01:08 | |
Mine's a pint! | 0:01:08 | 0:01:10 | |
We can't all be wrong. Nigel is sometimes, but all of us can't be. | 0:01:11 | 0:01:17 | |
We're in York, an historic town. | 0:01:24 | 0:01:27 | |
Let's hope the locals have some interesting things. | 0:01:27 | 0:01:32 | |
Our experts are at the Hospitium in the Museum of Yorkshire Life | 0:01:32 | 0:01:37 | |
to help people decide whether to keep or sell their antiques. | 0:01:37 | 0:01:41 | |
Casting their expert eyes over our lots today are David Barby and Nigel Smith. | 0:01:41 | 0:01:48 | |
Mr and Mrs Medley begin with Nigel. | 0:01:48 | 0:01:51 | |
This figure looks most promising out of the items you've brought. | 0:01:51 | 0:01:56 | |
You know it's a Doulton figure, made by Royal Doulton. | 0:01:56 | 0:02:01 | |
Is it something you like? I do have a few. You've got a collection of them? I can't afford a collection! | 0:02:01 | 0:02:08 | |
Nice script mark and a printed mark - potted by Doulton. | 0:02:08 | 0:02:13 | |
Collectors look for the HN number. | 0:02:13 | 0:02:16 | |
The patent numbers. Doulton produced various models and still make these. | 0:02:16 | 0:02:21 | |
You'll see a date... an impressed date, there. | 0:02:21 | 0:02:25 | |
I can read "11, 33", which would be for 1933. It's a nice early one. | 0:02:25 | 0:02:30 | |
Condition's important. This one seems fine. | 0:02:30 | 0:02:35 | |
Is it something you'd want to sell? It's come through your family, so... | 0:02:35 | 0:02:39 | |
Do you put a reserve on it? We can suggest a reserve for you. Yeah. | 0:02:39 | 0:02:44 | |
I need to check that number, see how rare it is, and what sort of price... | 0:02:44 | 0:02:50 | |
The thing about Doulton is we have price guides. I'll look it up in my little book | 0:02:50 | 0:02:56 | |
and see what price we can put on it. | 0:02:56 | 0:02:59 | |
Who do they belong to? The family. They were given to my mother by neighbours about 30 years ago. | 0:02:59 | 0:03:05 | |
They've been in the drawer. And never used? No. Extraordinary! | 0:03:05 | 0:03:11 | |
The market for this is the Continental and US market. | 0:03:11 | 0:03:15 | |
What I so like about this service | 0:03:15 | 0:03:18 | |
is they reflect a design of the 19th century called the Aesthetic Period, | 0:03:18 | 0:03:23 | |
which had many influences, but one of the main ones was Japanese design. | 0:03:23 | 0:03:28 | |
The Japanese became popular - | 0:03:28 | 0:03:31 | |
think in terms of bamboo furniture, The Mikado - all prevalent then. | 0:03:31 | 0:03:37 | |
With this attractive pair of servers, | 0:03:37 | 0:03:40 | |
we have the influence of Japan in these grips. | 0:03:40 | 0:03:43 | |
Holding them, the style of the grips, | 0:03:43 | 0:03:47 | |
it's a comfortable feel to them, so take these as late 19th century. | 0:03:47 | 0:03:52 | |
This style of decoration - ferns - is typical of the period, as well. | 0:03:52 | 0:03:58 | |
Again, Japanese influence. | 0:03:58 | 0:04:00 | |
This one is in silver plate, not silver. | 0:04:00 | 0:04:04 | |
Pieces were made in silver, so if we put these in the range of £60 to £80, | 0:04:04 | 0:04:10 | |
silver ones would be three times as much. | 0:04:10 | 0:04:13 | |
Very nice. Can we sell them for you? Of course. Thank you very much. | 0:04:13 | 0:04:18 | |
Since you don't use them, what are you going to do with the money? I'll find something. I'm sure you will. | 0:04:18 | 0:04:25 | |
After some research, Nigel's found out the value of the Doulton figure. | 0:04:25 | 0:04:30 | |
HN1588. | 0:04:30 | 0:04:33 | |
Made between 1933 and 1952. | 0:04:33 | 0:04:35 | |
The book price here is £150 to £175. | 0:04:35 | 0:04:38 | |
They're quite generous, these prices. | 0:04:38 | 0:04:40 | |
We like to value on a conservative level...for pre-sale estimates. Yeah. | 0:04:40 | 0:04:46 | |
If we put it in at £120 to £180, that would be just about the right level. | 0:04:46 | 0:04:51 | |
It could make over £200. Brilliant. | 0:04:51 | 0:04:54 | |
Be nice, wouldn't it? Lovely. We could put £120 reserve on. That'd be sensible. Is that OK? Yes. | 0:04:54 | 0:05:01 | |
Lovely! Let's hope she does well, then. | 0:05:01 | 0:05:04 | |
Do you have a pair of these? No, it's not a pair. One on its own. | 0:05:04 | 0:05:10 | |
Yes. The other one has two arms and it's sort of a browny one. Right. | 0:05:10 | 0:05:15 | |
I like this tortoiseshell effect. It's nice. | 0:05:15 | 0:05:18 | |
This is part of their commercial range. I see. | 0:05:18 | 0:05:23 | |
Although it's been hand-potted and hand-decorated, this was done on a large number of items, | 0:05:23 | 0:05:30 | |
so they could replicate this many times. I see. | 0:05:30 | 0:05:34 | |
It's not done by one artist. No. Although at the bottom here, there's an initial... Yeah. | 0:05:34 | 0:05:41 | |
..which is for one of the assistants. They would've done the decoration. | 0:05:41 | 0:05:46 | |
You're not going to get more than about £50. I see. Oh, well, in that case, I wouldn't bother. Right, OK. | 0:05:46 | 0:05:53 | |
I'd probably give it as a present. | 0:05:53 | 0:05:56 | |
That, as I say, she must have had that, ooh, 80, 90 years ago because it was in the family. Right. | 0:05:56 | 0:06:04 | |
It's pretty. It's unusual - everybody admires it. | 0:06:04 | 0:06:07 | |
This is nice. It's a foreign piece of silver. I see. | 0:06:07 | 0:06:12 | |
It comes up to English standard. OK. | 0:06:12 | 0:06:15 | |
This stamp incorporates an "F", meaning it's foreign. | 0:06:15 | 0:06:19 | |
Right. It would qualify to be sold as silver. I see. We have regulations about silver. OK. | 0:06:19 | 0:06:26 | |
We can't sell anything unless it's stamped. | 0:06:26 | 0:06:30 | |
This is attractive. I think it'd be popular on the market. | 0:06:30 | 0:06:34 | |
At auction, we're going to get close on £100. That might be worth it. | 0:06:34 | 0:06:40 | |
In the auctioneer's catalogue, you might find a price of £80 to £120. Right. OK. | 0:06:40 | 0:06:46 | |
What would that be? This is a letter opener, a paper opener. Is it? | 0:06:46 | 0:06:51 | |
This is nice - it's a short blade. | 0:06:51 | 0:06:54 | |
Quite often they produced special books and not all the sides were cut through... I see. | 0:06:54 | 0:07:00 | |
That must be quite old because that was in Grandma's... | 0:07:00 | 0:07:05 | |
..Grandma's trunk when she died. It says "Birmingham" and dates from the tail end of the 19th century. | 0:07:06 | 0:07:13 | |
I would say somebody's going to pay £60, £80. | 0:07:13 | 0:07:17 | |
I didn't know if it was worth something. | 0:07:17 | 0:07:21 | |
Those two items are worth selling. I'll take that back for a present. | 0:07:21 | 0:07:26 | |
That's all I have. We'd like to take those in for sale. Yes, you may. Thank you very much. OK, then. | 0:07:27 | 0:07:34 | |
Mr Medley has silver tongs he'd like Nigel to look at. | 0:07:35 | 0:07:40 | |
Problem is the hallmarks aren't clear, | 0:07:40 | 0:07:43 | |
but they're mid-18th century. Yeah? | 0:07:43 | 0:07:46 | |
Sugar nips - that's what they are, and they're all absolutely genuine. | 0:07:46 | 0:07:51 | |
There's a London hallmark, but I can't decipher the date or the make, | 0:07:51 | 0:07:56 | |
um, but I would think we could put those in at somewhere round about £80...with an estimate of £80, £120. | 0:07:56 | 0:08:03 | |
Yeah. And put a reserve around £80. Yeah. And they should sell at that. | 0:08:03 | 0:08:09 | |
Nice piece of Georgian silver. I think they'll shine. Give them a go, shall we? Please. Excellent. Good. | 0:08:09 | 0:08:15 | |
Now some owners have chosen to sell, let's see what going to auction. | 0:08:21 | 0:08:26 | |
David likes Mr Race's servers. Not solid silver, but nicely decorated. | 0:08:28 | 0:08:34 | |
You can still use them. There should be a market. | 0:08:36 | 0:08:40 | |
The Medleys are ready to let the Doulton lady go, | 0:08:40 | 0:08:43 | |
reassured by the price Nigel looked up. | 0:08:43 | 0:08:47 | |
I think that'll make its money. Over £200, probably. | 0:08:47 | 0:08:52 | |
Oh, yes! | 0:08:52 | 0:08:53 | |
Mr Medley is selling his sugar nips, a nice bit of 18th century silver. | 0:08:53 | 0:08:58 | |
£80 to £120 for a good piece of Georgian silver. | 0:08:58 | 0:09:02 | |
Mrs Wood is sending two things to the sale. First, a Continental vase. | 0:09:02 | 0:09:08 | |
The correct marks, including the foreign silver mark. That'll do well. | 0:09:08 | 0:09:14 | |
She also has high hopes for this paper knife. | 0:09:14 | 0:09:18 | |
It has a nice embossed handle | 0:09:18 | 0:09:20 | |
with a vacant cartouche, | 0:09:20 | 0:09:23 | |
so anybody could put their own initials on. | 0:09:23 | 0:09:26 | |
For today's sale, we've travelled a bit further up from York to the North Yorkshire town of Malton. | 0:09:32 | 0:09:39 | |
It's an affluent area. I hope we're in for a busy and profitable day. | 0:09:39 | 0:09:44 | |
Our owners are here to see how much money they might make. | 0:09:46 | 0:09:51 | |
Calling the shots today, auctioneer Andrew Macmillan. | 0:09:51 | 0:09:56 | |
Does his opinion differ from our experts and what does he think of our items? | 0:09:56 | 0:10:02 | |
Mrs Medley's Doulton figure has been out of production for a bit. | 0:10:02 | 0:10:07 | |
Yes, this is one of the things that confers value on these figures - | 0:10:07 | 0:10:12 | |
how long they were produced for. | 0:10:12 | 0:10:15 | |
I think we stand a chance of getting it away. Nigel reckoned £120 to £180. | 0:10:15 | 0:10:21 | |
I think that's over the top. It stands a fair chance at £120 or so. | 0:10:21 | 0:10:27 | |
We'll find out later who's right. Absolutely. | 0:10:27 | 0:10:30 | |
These are superfluous to modern living. Do people still buy these? | 0:10:30 | 0:10:35 | |
They still buy them, but only at a low price. | 0:10:35 | 0:10:39 | |
These were David's choice. He reckoned £60 to £80. No chance? Not much. | 0:10:39 | 0:10:45 | |
They have some things going for them - the handles, the blades - | 0:10:45 | 0:10:50 | |
but I think we might be struggling. | 0:10:50 | 0:10:53 | |
The owner tells me they've been in a drawer for 30 years. Going back there? | 0:10:53 | 0:10:59 | |
Somebody else's or his, yeah. | 0:10:59 | 0:11:02 | |
You've got a fabulous selection of silver today. We've got Mr Medley's sugar tongs. | 0:11:02 | 0:11:08 | |
These are surely a collector's item. What would you do with them? | 0:11:08 | 0:11:12 | |
Somebody might buy them to put them in a cabinet. | 0:11:12 | 0:11:16 | |
It's not the sort of thing that Fred Bloggs is going to buy. They're strictly collector's items. | 0:11:16 | 0:11:24 | |
Very dainty. A good age about them? Yes, they're nice 18th-century ones, and a good scissor action, | 0:11:24 | 0:11:32 | |
but these days, silver is a bit low, a bit un-sought-after. | 0:11:32 | 0:11:36 | |
Silver's not doing well? No. | 0:11:36 | 0:11:38 | |
Right. Nigel reckons £80 to £100 - are we close there? | 0:11:38 | 0:11:43 | |
In the right area. Might struggle a bit. Might get there? Might do. Yeah? We'll do our best. | 0:11:43 | 0:11:50 | |
Mrs Wood had two items chosen. The first is this letter opener. Yeah. | 0:11:50 | 0:11:55 | |
Nice decoration on the handle. You can actually use it, if you had that on your desk - | 0:11:55 | 0:12:01 | |
open mail with a nice silver-handled letter opener. Jolly nice! | 0:12:01 | 0:12:06 | |
Impress the clients. Absolutely. Good. David chose these ones. £50 to £60 for the letter opener? | 0:12:06 | 0:12:13 | |
Mmm, yes, I think so. I think David's good with his silver. Is he? Let's hope so. Yes. | 0:12:13 | 0:12:20 | |
The second item was this unusual, what, triple-headed stem vase. | 0:12:20 | 0:12:25 | |
Yes. It's Continental. Dutch. Mmm. | 0:12:25 | 0:12:28 | |
Got the English silver import marks on it, but it's not exactly a thing of beauty. It's very...unusual. | 0:12:28 | 0:12:35 | |
I think I was right! | 0:12:35 | 0:12:37 | |
David chose it. £80 to £120. Continental silver not as popular as English. No, absolutely not. | 0:12:39 | 0:12:47 | |
That'll be difficult. £80 to £120's too much. Yeah. What do you think? | 0:12:47 | 0:12:52 | |
I would've thought £50 or £60 will be as much as we'll get. Really? | 0:12:52 | 0:12:57 | |
As the auction approaches, I want a word with David and Nigel to make sure they're confident. | 0:12:57 | 0:13:04 | |
How confident are we? I'm quietly confident. I'm not normally, but I'm happy with the selection I've got. | 0:13:06 | 0:13:14 | |
Apparently, silver's not doing too well. What about the fish servers? | 0:13:14 | 0:13:20 | |
A multiplicity of uses, either for fish... At home, we have a pair, we use it for serving pizza. | 0:13:20 | 0:13:27 | |
You must be the only person that's using a pair. Oh, I don't know. | 0:13:27 | 0:13:32 | |
It's a good German market and they actually use them. We've got a good crowd in. You're making me nervous! | 0:13:32 | 0:13:39 | |
I hope so! | 0:13:39 | 0:13:42 | |
This is a popular auction with the locals. We've a full house with lots of buyers. | 0:13:42 | 0:13:48 | |
Mr Race's dated cooking utensils are up first. | 0:13:48 | 0:13:52 | |
It's the fish servers that I wasn't keen on myself. | 0:13:53 | 0:13:57 | |
Peter, they've been in a drawer for 30 years. Happy to see them go? Yes. | 0:13:57 | 0:14:03 | |
It's pointless being in the bottom drawer. Hopefully, we'll make you... £100 you'd be happy with. | 0:14:03 | 0:14:10 | |
That'd be nice. | 0:14:10 | 0:14:12 | |
567. Fish servers. Bamboo handles. There we are. £50. | 0:14:12 | 0:14:16 | |
£20. £25. £30. | 0:14:16 | 0:14:19 | |
£35. £40. | 0:14:19 | 0:14:21 | |
£45. £50. £55. £60? | 0:14:21 | 0:14:24 | |
£55. Almost at the low estimate! | 0:14:24 | 0:14:27 | |
Anyone else? All done, then, at £55. | 0:14:27 | 0:14:30 | |
£55. That's a sale. | 0:14:30 | 0:14:32 | |
Just a fiver under the estimate. Excited? I'm quite happy. It's what was expected. Good. | 0:14:32 | 0:14:39 | |
£55. Are you going to replace it with something else? | 0:14:39 | 0:14:43 | |
Um, I'll probably replace it with something else. Good. | 0:14:43 | 0:14:48 | |
David, you were just about on the button. That's the name of the game. | 0:14:48 | 0:14:53 | |
That's a pretty good estimate. | 0:14:53 | 0:14:56 | |
Let's hope there are some Doulton collectors chasing after Mrs Medley's porcelain. | 0:14:59 | 0:15:05 | |
Mrs Medley here and Nigel, who's responsible for getting her here. | 0:15:06 | 0:15:11 | |
Nervous at all? Very. I'm excited more than nerves. | 0:15:11 | 0:15:15 | |
Are you familiar with auctions? No, never before. Never? No. | 0:15:15 | 0:15:20 | |
What do you think? Is it exciting? Very. Especially for you, cos you're selling something. Yeah. | 0:15:20 | 0:15:26 | |
Nigel, the Royal Doultons have been doing great so far. It's a nice figure - I'm sure it'll do well. | 0:15:26 | 0:15:33 | |
We should do well. This has been in your family for 70 years? Yes. | 0:15:33 | 0:15:38 | |
What makes you sell it? Just doing out the house. No room for her. | 0:15:38 | 0:15:43 | |
She wasn't the children's thing, so she had to go. | 0:15:43 | 0:15:48 | |
We're going to get you, hopefully, £150 today. | 0:15:48 | 0:15:52 | |
What'll you spend it on? Replace it with something else? Put it towards a holiday, something extra special. | 0:15:52 | 0:15:59 | |
146. Doulton figure. | 0:15:59 | 0:16:02 | |
Here we go! £50? | 0:16:02 | 0:16:05 | |
£50. | 0:16:05 | 0:16:06 | |
£55. £60. | 0:16:06 | 0:16:09 | |
£65. £70. | 0:16:09 | 0:16:11 | |
It's going well. £85. £90. £95. £100. | 0:16:11 | 0:16:16 | |
£100 already! ..£130? | 0:16:16 | 0:16:19 | |
£120 in the second row. £130. £140? £130 over there. Do I hear £140? | 0:16:19 | 0:16:24 | |
£130. £140. £150. | 0:16:24 | 0:16:27 | |
£160. £170. Excellent! £180. £190? | 0:16:27 | 0:16:31 | |
£190. £200. £210. £220. | 0:16:31 | 0:16:34 | |
Fantastic! In the corner at £210. £220? £210. | 0:16:34 | 0:16:38 | |
Anyone else? All done at £210. | 0:16:38 | 0:16:41 | |
Yes! Brilliant! Well done! Congratulations, that's great! | 0:16:41 | 0:16:47 | |
£210! Brilliant! Thank you. Marvellous! We're off to the pub now? Let's go! | 0:16:47 | 0:16:53 | |
Mrs Wood is under the weather, so we're taking charge of her silver. | 0:16:53 | 0:16:58 | |
We've got two lots belonging to Mrs Wood. She can't be with us - she's feeling poorly - | 0:16:58 | 0:17:05 | |
let's hope we can bring her some good news. Kind regards. Absolutely. | 0:17:05 | 0:17:10 | |
You've picked two lots from her - both silver. Yes. How will we do? | 0:17:10 | 0:17:15 | |
I think the paper knife will be good. Very functional. | 0:17:15 | 0:17:19 | |
Yes - opening letters or newspapers. You could put it on any desk. Mmm. | 0:17:19 | 0:17:25 | |
The triple-headed vase - Dutch... Dutch silver. | 0:17:25 | 0:17:29 | |
Import marks - it comes up to the standard of English silver. I like that piece. Very decorative. | 0:17:29 | 0:17:36 | |
Ideal for a lady's boudoir. Yes. Doesn't that sound old-fashioned, if I say, "boudoir"? Boudoir! | 0:17:36 | 0:17:42 | |
Silver has been going pretty well, so we might be doing well. | 0:17:42 | 0:17:47 | |
The auction's been a great success so far. He's a good auctioneer. He is. Very quick and precise. | 0:17:47 | 0:17:54 | |
617. Paper knife, letter opener - whatever you want to use it for. | 0:17:54 | 0:17:59 | |
£50? £30 I'm bid. Do I hear five? | 0:17:59 | 0:18:02 | |
Right in at £30. Estimated £50 to £60. Right. | 0:18:02 | 0:18:06 | |
£50. £55. £60. £65. £70. £75. That's fine. It's going very well. | 0:18:06 | 0:18:11 | |
£85 bid. £90? £85 with Charlie. Anyone £90 now? £85. Any more? | 0:18:11 | 0:18:16 | |
All done at £85. | 0:18:16 | 0:18:18 | |
Excellent! Well done. Thanks. Nice one. Appreciated! | 0:18:18 | 0:18:23 | |
Here's the next one right away. | 0:18:23 | 0:18:25 | |
618. Continental vase, year 50. £30. | 0:18:25 | 0:18:31 | |
In your own time. £20 I'm bid. £25. £30. £35. £40? | 0:18:31 | 0:18:37 | |
Bidding at £35. Anyone £40 now? Stuck at £35. | 0:18:37 | 0:18:42 | |
Selling at £35. Mr Wood. Thank you. | 0:18:42 | 0:18:44 | |
That's not even the reserve price. | 0:18:44 | 0:18:47 | |
That's disappointing! Andrew didn't think that would do it. He's turned out to be right and you're wrong. | 0:18:47 | 0:18:54 | |
Thanks for pointing that out. You did well with the letter opener. | 0:18:54 | 0:18:59 | |
That's the consolation? Some you win... | 0:18:59 | 0:19:02 | |
It just shows valuing antiques is an inexact science. | 0:19:02 | 0:19:07 | |
Following his wife, it's now MR Medley's turn to sweat. | 0:19:07 | 0:19:11 | |
We're joined by Mr Medley, husband of the fortunate Mrs Medley. She was chuffed. She was! | 0:19:11 | 0:19:17 | |
Now it's your turn! Georgian sugar nips. Correct. | 0:19:17 | 0:19:21 | |
What made you take them along? Well, we were just interested. | 0:19:21 | 0:19:26 | |
Did you know they were good ones in silver? | 0:19:26 | 0:19:30 | |
No. Really? Wow! That must've come as a shock! It did. Yeah. | 0:19:30 | 0:19:35 | |
£80 to £100 doesn't sound too bad. If you got another £100, you'll go home rich! I am! | 0:19:35 | 0:19:41 | |
593. | 0:19:41 | 0:19:42 | |
The sugar nips. £50? | 0:19:42 | 0:19:44 | |
£30 I'm bid. Do I hear £35? £30. £35. £40. £45. | 0:19:44 | 0:19:48 | |
£50. £55? £55. | 0:19:48 | 0:19:50 | |
£60. £65? £60 for Charlie. They're doing OK. £60 - a wee bit lower. | 0:19:50 | 0:19:56 | |
£70. With Charlie. Anyone £75? £70. Anyone else? All done at £70. | 0:19:56 | 0:20:01 | |
£70. Well... You were a tenner short. A bit short. | 0:20:01 | 0:20:05 | |
£70 all the same. Definitely. | 0:20:05 | 0:20:08 | |
The butterflies didn't get too bad. No. £70 is a fair result. It is. | 0:20:08 | 0:20:14 | |
The auctioneer wasn't convinced, but you were right. Absolutely. | 0:20:14 | 0:20:19 | |
We have to class that as a winner. Thanks. Thank you. Well done. | 0:20:19 | 0:20:24 | |
'While our experts carry on sifting through the boxes and carrier bags, | 0:20:29 | 0:20:34 | |
'I've got detective work of my own to do.' | 0:20:34 | 0:20:38 | |
I'm like a boy caught with his finger in the pudding. This is a very feminine room. It is. | 0:20:46 | 0:20:53 | |
Where did you get started? Well, my husband was made redundant in 1986. | 0:20:53 | 0:20:58 | |
We decided to start publishing greetings cards | 0:20:58 | 0:21:02 | |
with the people dressed up in old clothes. Where do you find all this? | 0:21:02 | 0:21:07 | |
All over, really. You can still find things in car boots, junk shops - it's very accessible, | 0:21:07 | 0:21:15 | |
especially costume jewellery, it's so affordable. You can have glam in your life, | 0:21:15 | 0:21:21 | |
which everybody needs. Definitely. | 0:21:21 | 0:21:23 | |
Once we've got everything together, what does it look like when it's on? We've got a surprise for you! | 0:21:23 | 0:21:30 | |
We've dressed Liz up and here she is in her 1930s afternoon dress. | 0:21:30 | 0:21:37 | |
Wow! Fantastic! Isn't it lovely? Crepe de Chine cut on the bias. Those colours are right for that era. | 0:21:37 | 0:21:44 | |
She's wearing the little crochet gloves | 0:21:44 | 0:21:48 | |
and a hat with a Moroccan trim. | 0:21:48 | 0:21:51 | |
She's even got the jewellery on. She's just got the right look. She looks fantastic. Yeah. | 0:21:51 | 0:21:58 | |
I think so. So if Liz is wearing 1930s afternoon wear, what's Clara here at our dressing table? | 0:21:58 | 0:22:05 | |
She's ready for an evening at the Kit Kat Club. | 0:22:05 | 0:22:09 | |
She's wearing a beaded evening dress. It's got the gloves to match with the lovely marabou round them. | 0:22:09 | 0:22:16 | |
It's attention to detail - you've got everything from that era. Yes. | 0:22:16 | 0:22:21 | |
She's wearing the right underwear, too. Really? We'll not go into that! | 0:22:21 | 0:22:26 | |
What about the dressing table? That's all period stuff. Yes, from the 1920s. | 0:22:26 | 0:22:33 | |
Very affordable. I see it around my auction room quite often, | 0:22:33 | 0:22:38 | |
so it's accessible. Yes, and easy to find. | 0:22:38 | 0:22:41 | |
We have to leave the ladies behind. There are people who want to know if their objects are worth selling. | 0:22:41 | 0:22:49 | |
This is a meerschaum pipe. How did you acquire it? A lady gave it to me about 70 years ago. | 0:22:49 | 0:22:55 | |
Right. She didn't smoke. | 0:22:55 | 0:22:58 | |
What I find interesting about this is that it's got "Exhibited at Vienna in 1873". | 0:22:58 | 0:23:05 | |
It's unusual to have a documented piece. Nice to have the original box. | 0:23:05 | 0:23:10 | |
Oh! Isn't that beautiful? | 0:23:10 | 0:23:12 | |
Isn't that superb?! | 0:23:12 | 0:23:14 | |
If I could take it out of its box. | 0:23:16 | 0:23:18 | |
Oh, this is one of the most sought-after variety of pipes, | 0:23:18 | 0:23:23 | |
particularly this sort of salacious girl. Very nice. | 0:23:23 | 0:23:27 | |
Look at this wonderful carved head, which is of, possibly, Dionysus, | 0:23:27 | 0:23:32 | |
or maybe just a Satyr. | 0:23:32 | 0:23:35 | |
It's a symbol of sort of lewdness, sexuality, | 0:23:35 | 0:23:39 | |
this would've been smoked in private with a group of other gentlemen that probably had similar pipes. | 0:23:39 | 0:23:46 | |
This is lovely. Meerschaum is a soft stone that was easily carved. | 0:23:47 | 0:23:52 | |
The more you used it, the harder the stone would get through the heat. | 0:23:52 | 0:23:57 | |
The only problem being this amber mouthpiece has become detached. | 0:23:57 | 0:24:02 | |
Inside here there's a small bone scroll, which you could replace, if you wanted, | 0:24:02 | 0:24:08 | |
so anybody buying this would be able to replace it. | 0:24:08 | 0:24:12 | |
Now, it's fixing a value with this damage. | 0:24:13 | 0:24:17 | |
If this came up for auction, allowing for this carving here, | 0:24:17 | 0:24:22 | |
we're looking at something in the region of about £150, £200 - that sort of price range. | 0:24:22 | 0:24:28 | |
I had a rough idea. You should've told me before we began. | 0:24:28 | 0:24:33 | |
Right, you'd like us to sell this? Yeah, fine. OK, we'll go for it. | 0:24:33 | 0:24:39 | |
We'll Flog It! Good idea! | 0:24:39 | 0:24:43 | |
It actually belongs to my cousin... Right. ..who bought it 17 years ago. | 0:24:43 | 0:24:48 | |
1984. Mmm-hmm. He paid quite a considerable amount of money for it, in terms of the 1980s. | 0:24:48 | 0:24:55 | |
Right. And I believe that it is Continental. Yup. And end of the 19th century... Mmm-hmm. | 0:24:55 | 0:25:03 | |
..Perhaps. Mmm-hmm. How much did he pay for it in 1984? £850. Right, right. | 0:25:03 | 0:25:09 | |
It's quite a marketable bronze. It's a good size, a good substantial size, good decorative piece. | 0:25:09 | 0:25:16 | |
It's reasonable quality - it's not the best quality, but reasonable. And the patination is attractive. | 0:25:16 | 0:25:23 | |
Always helps to handle bronze all the time. Why? | 0:25:23 | 0:25:28 | |
The acids in your hand help keep that colour. | 0:25:28 | 0:25:32 | |
It's late 19th century and almost certainly French. | 0:25:32 | 0:25:36 | |
£500 to £700 is what we would be wanting to estimate it at the moment. | 0:25:36 | 0:25:42 | |
There is a difference between retail prices and auction prices. | 0:25:42 | 0:25:48 | |
We estimate conservatively prior to the auction. | 0:25:48 | 0:25:53 | |
In the heady days of the '80s, prices were high. | 0:25:53 | 0:25:57 | |
You may be lucky and get that sort of money back, but to put it in at £850 would be far too high at the moment. | 0:25:57 | 0:26:04 | |
Yeah. How do you feel about that? That's fair comment - | 0:26:04 | 0:26:08 | |
he had surplus cash washing around in the '80s. | 0:26:08 | 0:26:12 | |
Now there's been a dip in the market in recent years in bronzes from what I've read. Mmm-hmm. | 0:26:12 | 0:26:19 | |
Whether that's the case or not... | 0:26:19 | 0:26:21 | |
Quality things are selling well and prices are strong, but the middle to bottom end of the market is falling. | 0:26:21 | 0:26:29 | |
We stand a chance of getting £500 to £700. I'd be happy with that. Absolutely. Great. | 0:26:29 | 0:26:35 | |
We'll give it a go. Excellent. | 0:26:35 | 0:26:38 | |
This is super. Did it belong to you? | 0:26:39 | 0:26:42 | |
Got it at a jumble sale 25 years ago for my son, who was three. | 0:26:42 | 0:26:47 | |
How much did you pay for it? A tenner. Quite expensive for me! | 0:26:47 | 0:26:52 | |
At that time, £10 was a lot. He desperately wanted it. | 0:26:52 | 0:26:56 | |
This dates from sort of mid-1950s to about 1962, that sort of period, | 0:26:56 | 0:27:02 | |
but this is the king of toys... Yeah. ..at that particular time. | 0:27:02 | 0:27:08 | |
It's still in working order. | 0:27:08 | 0:27:11 | |
If a child put his two legs on there, the whole thing goes along - it's wonderful! | 0:27:11 | 0:27:17 | |
So do we have a go at selling this? | 0:27:17 | 0:27:19 | |
Um...I'm quite tempted to keep it for my grandson. | 0:27:19 | 0:27:24 | |
Not everyone's here to sell. This horse is going back. | 0:27:24 | 0:27:28 | |
This is quite attractive to various collectors. How did you acquire it? | 0:27:28 | 0:27:32 | |
I inherited it from my mother. It was a gift from my grandfather. | 0:27:32 | 0:27:37 | |
I think he bought it just either at the end of the war | 0:27:39 | 0:27:44 | |
or just before it ended. | 0:27:44 | 0:27:46 | |
We were staying in London at the time. It's a nice object - first, from the sulphide jewel in the top. | 0:27:46 | 0:27:54 | |
They included these cameo portraits in paperweights. Baccarat did this in France. | 0:27:54 | 0:28:00 | |
The whole idea of this developed in France in the 18th century. This one is English, | 0:28:00 | 0:28:06 | |
and it was perfected by a person called Apsley Pellatt. | 0:28:06 | 0:28:12 | |
He made small jewels, paperweights, scent bottles, | 0:28:12 | 0:28:17 | |
incorporating these ceramic heads. | 0:28:17 | 0:28:21 | |
This has been put into a gilt metal mount with a protective glass on top. | 0:28:21 | 0:28:26 | |
Also, it's turned wood - or treen - | 0:28:26 | 0:28:29 | |
so a collector of treen or sulphide would be interested in this box. | 0:28:29 | 0:28:33 | |
Yes. It's a good piece of Georgian, dressing table furnishing. Yes. | 0:28:33 | 0:28:39 | |
There are traces inside of a metal foil lining. Can you see? Yes. | 0:28:39 | 0:28:45 | |
When you find that, it was always intended to keep something moist or in its original state - | 0:28:45 | 0:28:52 | |
wig powder, but I doubt that, or tobacco or maybe stamps or something. | 0:28:52 | 0:28:58 | |
It has a multiplicity of uses. | 0:28:58 | 0:28:59 | |
These were not cheap. No. This would've been for a middle class household, | 0:28:59 | 0:29:05 | |
maybe in London. Yes. Right. | 0:29:05 | 0:29:08 | |
Now, value of it... I think £80 to £120... Yes. ..at auction. | 0:29:08 | 0:29:14 | |
Could do more - I hope it could do more. Would you like us to sell it? Yes, please. Excellent. Thank you. | 0:29:14 | 0:29:21 | |
We'll do our very best. Thank you. Bearing in mind my estimate. | 0:29:21 | 0:29:26 | |
Yes. Splendid! Thank you. Thank you. | 0:29:26 | 0:29:30 | |
What do you know about it? It belongs to a friend who had an eye operation yesterday. | 0:29:30 | 0:29:36 | |
It belonged to her father and was passed down to her. He worked at York Carriageworks, which I think... | 0:29:36 | 0:29:43 | |
It's got this nice inscription. It's handy it's got the date on - 1901. | 0:29:43 | 0:29:48 | |
That gives an indication of its age. The clock may be slightly earlier. | 0:29:48 | 0:29:54 | |
It would appeal to a furnishing buyer, rather than a horologist. | 0:29:54 | 0:29:59 | |
These were mass-produced movements. If we look at the back of it... | 0:29:59 | 0:30:05 | |
and open the back up, it's got the original paper label here - | 0:30:05 | 0:30:09 | |
"Made in Wurttemberg". Striking on a single, blue steel gong. | 0:30:09 | 0:30:15 | |
It's nice of its type. Somebody had it cleaned in 1953. They've written "September, 1953 - had a good clean". | 0:30:15 | 0:30:22 | |
It's all there and it's all original and it's not in bad condition. It still works? It still works. Yeah? | 0:30:22 | 0:30:30 | |
I'd think, in a nice walnut case - it's nicely made - I think the link with North Eastern Railway company | 0:30:30 | 0:30:37 | |
will probably add, rather than detract from its value, so it's nice to have something like that. | 0:30:37 | 0:30:43 | |
I'd value it in the region of £100, £150, but it should do a bit better. | 0:30:43 | 0:30:48 | |
Would you be happy to sell at that? She said she'd be happy to sell it. We put it in with a reserve of £100. | 0:30:48 | 0:30:55 | |
It doesn't go with current antiques at all. It doesn't fit in. No. | 0:30:55 | 0:31:00 | |
I'm sure somebody would like it. Have you a key for it? | 0:31:00 | 0:31:05 | |
I've a selection of keys you can choose from. A selection. Good. | 0:31:05 | 0:31:10 | |
This is extraordinary. This is the second one we've had in today and this is just as beautiful. | 0:31:10 | 0:31:17 | |
Mother gave me it years ago. | 0:31:17 | 0:31:19 | |
I don't know where it came from. She lived in Cornwall, so... Really? | 0:31:19 | 0:31:24 | |
The date of this is round about 1870, 1880. | 0:31:24 | 0:31:28 | |
These were produced in Germany, in Bavaria - throughout the Eastern European countries, | 0:31:28 | 0:31:33 | |
and they were exported to England, America, and were quite collectable. | 0:31:33 | 0:31:40 | |
This one here is quite erotic because it shows a nude female. | 0:31:40 | 0:31:45 | |
I'll call her "Venus, Goddess of Love", with the little putto at the side holding a mirror to her face. | 0:31:45 | 0:31:53 | |
Beautifully carved. | 0:31:53 | 0:31:55 | |
All this undercutting of a sort of entwining branch with all the leaves is beautiful, | 0:31:55 | 0:32:01 | |
and she's putting garlands into her hair, which you can see at the side. | 0:32:01 | 0:32:06 | |
It's carved completely in the round. | 0:32:06 | 0:32:09 | |
Look at her flowing locks. It is a beautifully produced pipe. Yeah. | 0:32:09 | 0:32:14 | |
The pipe is not too heavy, it's fairly lightweight, | 0:32:14 | 0:32:19 | |
but it's heavy enough, unfortunately, to fracture the joint there | 0:32:19 | 0:32:24 | |
and also this other section. | 0:32:24 | 0:32:26 | |
Mmm. Nothing to worry about. For a collector, it's not a problem. | 0:32:26 | 0:32:31 | |
Have you had this on display? No, it's been in a drawer. In a drawer? | 0:32:31 | 0:32:37 | |
Mother gave me it many years ago, | 0:32:37 | 0:32:39 | |
but I was coming along here today and I talked to my daughter-in-law last night | 0:32:39 | 0:32:45 | |
and said I was bringing this willow bowl. OK. She said, "What about the pipe?" You've got a bowl in there. | 0:32:45 | 0:32:53 | |
It's still in its original box. | 0:32:53 | 0:32:55 | |
You've got some actual burning just here and some little bit of wear | 0:32:55 | 0:33:00 | |
either where it's been knocked or used, where it's wearing away through the actual colour tones. | 0:33:00 | 0:33:07 | |
Overall, it's very good. I'd like to see this in auction, I'd like to see it go somewhere between £170 to £200. | 0:33:07 | 0:33:14 | |
Less than the other one - that's slightly erotic, whereas here we have a playful female. | 0:33:14 | 0:33:20 | |
Can we sell this? Yes. Excellent. Thank you. Thank you. | 0:33:20 | 0:33:25 | |
This is your furniture? Yes. What do you call it? A chest. | 0:33:25 | 0:33:31 | |
That's what it is - it's a storage chest for linen, | 0:33:31 | 0:33:34 | |
often called coffers or kists. | 0:33:34 | 0:33:37 | |
It's a nice piece of furniture. Do you know how old it is? It belonged to my husband's grandmother. Right. | 0:33:37 | 0:33:43 | |
It goes back a long way before that. I'd think this is late 17th century. Oh. | 0:33:43 | 0:33:49 | |
Difficult to date, these - they're a standard piece of furniture that occurred in most provincial houses | 0:33:49 | 0:33:57 | |
as storage chests and they go well into the 18th century. | 0:33:57 | 0:34:01 | |
In the 19th century, you get similar ones made in mahogany and pine. | 0:34:01 | 0:34:06 | |
It's got one or two things wrong with it. That I appreciate. Yeah. | 0:34:06 | 0:34:12 | |
The first thing, if we open the lid, the obvious thing are the hinges. | 0:34:12 | 0:34:17 | |
These have been later cut in. What we would've had are wire loop hinges. You can see here, | 0:34:17 | 0:34:24 | |
those have been broken off. | 0:34:24 | 0:34:26 | |
Wire loop hinges are two pieces of wire that cross like that and they always break, | 0:34:26 | 0:34:32 | |
so often the hinges are replaced. | 0:34:32 | 0:34:34 | |
These originally stood on stone flag floors. | 0:34:34 | 0:34:39 | |
The feet have been cut down. As the flag floors were washed down, these feet rotted. | 0:34:39 | 0:34:45 | |
They get shorter, then they're replaced, | 0:34:45 | 0:34:49 | |
When we look at the back, you'll see it's had new feet put on. | 0:34:49 | 0:34:54 | |
That's one thing that would affect the price. | 0:34:54 | 0:34:57 | |
It's had one or two pieces let in, | 0:34:57 | 0:35:00 | |
then if we look at this side, it's had major worm damage and somebody's let a piece of wood into there. | 0:35:00 | 0:35:07 | |
Can we find anything else wrong? It's bowed... It's bowed at the top. | 0:35:07 | 0:35:13 | |
You've just wax polished this? Yeah. It's got... | 0:35:13 | 0:35:16 | |
From the outset, it looks quite a nice colour, looks quite attractive. | 0:35:16 | 0:35:22 | |
You're wanting to sell this piece? Yes. What do you think it might be worth? I don't know. You tell me. | 0:35:22 | 0:35:29 | |
The oak market has been reasonably strong over the last couple of years. | 0:35:29 | 0:35:34 | |
Buyers like good, original condition. | 0:35:34 | 0:35:37 | |
They don't like alterations - the feet being cut down, worm damage, | 0:35:37 | 0:35:41 | |
and they don't like later carving. | 0:35:41 | 0:35:45 | |
This carving's probably OK, so that may save the day. | 0:35:45 | 0:35:49 | |
I'd think an estimate of £250 to £350 is probably realistic, although conservative. | 0:35:49 | 0:35:56 | |
Does that horrify you? Yes. You thought it was worth more. About twice that. Twice. | 0:35:56 | 0:36:02 | |
You'd have to be realistic. Yeah. We could probably put the reserve slightly higher at £250, but... | 0:36:02 | 0:36:09 | |
I want to sell it. You're happy to put it in at that figure? Yeah. | 0:36:09 | 0:36:14 | |
Somebody should buy it at that price. Thank you. Good. | 0:36:14 | 0:36:18 | |
I'm off in search of a good book. | 0:36:23 | 0:36:26 | |
Not the latest best seller - I'm after something older and this is the right place. | 0:36:26 | 0:36:31 | |
Yorkshire Tour by Ella Pontefract and Marie Hartley. I'm meeting Tony Fothergill, co-owner of Spelman's. | 0:36:37 | 0:36:44 | |
He has a couple of old manuscripts for me to look at. | 0:36:44 | 0:36:49 | |
This is all handwritten, so it's not just the printed word you have. | 0:36:49 | 0:36:54 | |
No, we do a lot with manuscripts. They're the sort of small change of history. Few survive. What's this? | 0:36:54 | 0:37:01 | |
This covers three years of the house expenses | 0:37:01 | 0:37:04 | |
of a chap in Essex. Would this have been kept by the man of the house or would this be the butler's job? | 0:37:04 | 0:37:11 | |
The man. It's too personal to be done by a butler. | 0:37:11 | 0:37:16 | |
A particular fascination... He had a brother in Ripon. | 0:37:16 | 0:37:20 | |
He seems to have sent many oysters up to his brother. Oysters? Yeah. | 0:37:20 | 0:37:25 | |
Oysters here, and again and again you can pick these out. I must ask - what sort of value? | 0:37:25 | 0:37:32 | |
This we're selling for £850. It's a fair bit of money for what is, essentially, a shopping list. It is, | 0:37:32 | 0:37:40 | |
but what's so fascinating, it's a chart of all the wages of that time. | 0:37:40 | 0:37:45 | |
You know - how much did you pay the boy to scare the crows? | 0:37:45 | 0:37:50 | |
These things are used by historical researchers. It's a snippet of history. Yeah. | 0:37:50 | 0:37:56 | |
What else have you got? Well, down here... Slightly different scale, although not so different in date. | 0:37:56 | 0:38:03 | |
A pamphlet printed in Edinburgh, 1760. My home town. | 0:38:03 | 0:38:07 | |
This is a proposal to clean the city up. It's described as a place where "dung rains from the sky". | 0:38:07 | 0:38:14 | |
Yes, the phrase "gardyloo" came from that. Exactly. | 0:38:14 | 0:38:19 | |
Is this the top end of the book market or is this average prices? | 0:38:19 | 0:38:24 | |
We have some that are more expensive. This, again, is an 18th-century book, | 0:38:24 | 0:38:29 | |
designed for the use of artists - a pattern book of animals - | 0:38:29 | 0:38:33 | |
at a time when people may not have known what an ostrich looked like. He's laying out good examples. | 0:38:33 | 0:38:41 | |
OK, so you've told us it's a bit more expensive. How much is it? | 0:38:42 | 0:38:47 | |
This one's on sale for £6,500. | 0:38:47 | 0:38:50 | |
£6,500? Yeah. That's a lot of money for a book. It is, but there's only five copies known to have survived. | 0:38:50 | 0:38:57 | |
The rest are in...? Institutions. This is rare? Very. There's no record of it turning up at auction. | 0:38:57 | 0:39:04 | |
Our owners have chosen to sell. Let's see what's going to auction. | 0:39:12 | 0:39:17 | |
Mrs Roberts is selling her coffer, but didn't like Nigel's opinion. | 0:39:17 | 0:39:22 | |
The lady was disappointed with the valuation. | 0:39:22 | 0:39:26 | |
Does that horrify you? | 0:39:26 | 0:39:27 | |
Yes. It might exceed that. | 0:39:27 | 0:39:30 | |
The owners of the meerschaum pipes were keen to sell. | 0:39:30 | 0:39:35 | |
One has risque carving, the other is more intricate. | 0:39:35 | 0:39:39 | |
Unique, hand-carved, and there's only one example of each, | 0:39:39 | 0:39:43 | |
so those are very good. | 0:39:43 | 0:39:46 | |
Glen's cousin hopes to cut his losses after buying this for £850. | 0:39:46 | 0:39:51 | |
If it doesn't make £500 to £700, I'll be surprised. | 0:39:51 | 0:39:55 | |
And Helen Lennox is ready to pass the treen box on to a collector. | 0:39:55 | 0:40:01 | |
Sulphide jewel, a gentleman's portrait, classical features, contained within a gold mount. | 0:40:01 | 0:40:08 | |
That was very nice. I think that'll do well. | 0:40:08 | 0:40:11 | |
The walnut clock was brought in by a friend of the owner. | 0:40:11 | 0:40:16 | |
It's in a walnut case, it's a good decorator's piece - | 0:40:16 | 0:40:20 | |
it'll make over £100. | 0:40:20 | 0:40:22 | |
The auction house is packed with people hoping to pick up a bargain. | 0:40:28 | 0:40:32 | |
Amongst the lots are our owners' pieces. Auctioneer Andrew Macmillan is going to tell me what he thinks. | 0:40:32 | 0:40:40 | |
Have David and Nigel got it right? | 0:40:40 | 0:40:43 | |
Helen told us about her treen box. | 0:40:43 | 0:40:46 | |
It was bought by her grandfather for her mother and she inherited it. | 0:40:46 | 0:40:51 | |
Andrew, what exactly is treen? | 0:40:51 | 0:40:54 | |
Treen is a catch-all word meaning turned wood. | 0:40:54 | 0:40:58 | |
Ideal for us - when you don't know what it is, you can call it treen. It gets you out of some fixes. Yes. | 0:40:58 | 0:41:05 | |
This one has a cameo panel on top. A bit like a Roman head. | 0:41:05 | 0:41:10 | |
Roman or Greek - hard to say, because it's small, but the box is shallow. What would it be for? | 0:41:10 | 0:41:16 | |
I suppose just small valuable items, jewellery. Could be anything? Yeah. | 0:41:16 | 0:41:22 | |
David thought £80 to £120. Looks awful plain for that. | 0:41:22 | 0:41:26 | |
It's quite an early one, probably late Georgian. That's a fair age. | 0:41:26 | 0:41:31 | |
It might get to £80. As much as that? Yeah. Great. | 0:41:31 | 0:41:37 | |
A meerschaum pipe - explain that to us. | 0:41:37 | 0:41:40 | |
These are probably cheroot holders. | 0:41:40 | 0:41:43 | |
They have a detachable top. If you think about it, you wouldn't get much tobacco in one of those pipes. | 0:41:43 | 0:41:50 | |
They are very small. They'd just be to fix a cheroot in. They're ornate. | 0:41:50 | 0:41:55 | |
This one is almost risque. Almost. There's a nude figure on the front. | 0:41:55 | 0:42:00 | |
I can see the smoker fondling that. | 0:42:00 | 0:42:04 | |
Some are even more risque than this. Really? | 0:42:04 | 0:42:07 | |
Very often carved with rather Rubenesque ladies and that sort of thing, but these are quite tame. | 0:42:07 | 0:42:14 | |
A bit of damage. Will that affect the price? A little, but damage to the mouthpiece isn't a big problem. | 0:42:14 | 0:42:22 | |
It's a question of re-affixing it. David put a value of £150 to £200 on this one. Are we close there? | 0:42:22 | 0:42:28 | |
We're in the right area. Are they collectable? Yes. The problem is a lot of them have been faked, | 0:42:28 | 0:42:35 | |
which can devalue the good ones, | 0:42:35 | 0:42:37 | |
but this is genuine - I think it'll make the money. I'm sure Mr Hyman will be pleased if he gets £200. | 0:42:37 | 0:42:45 | |
Margaret Nolan gave us the second one. That is fabulously ornate. That is just over the top. | 0:42:45 | 0:42:52 | |
It is, and the carving goes right the way round the cheroot holder. | 0:42:52 | 0:42:57 | |
Although it looks more ornate, this isn't as desirable as Bacchus and the naked lady. | 0:42:57 | 0:43:04 | |
Because it's too much? Yes, so this will be less money than the first one. | 0:43:04 | 0:43:09 | |
David thought the same. He put it at £130 to £200. £130 again? | 0:43:09 | 0:43:15 | |
I think about in the right area. We might just struggle a little bit. | 0:43:15 | 0:43:20 | |
Pretty close. Interesting items. Lovely. | 0:43:20 | 0:43:24 | |
The owner of this bronze boy was really flush in the heady days of the '80s - | 0:43:24 | 0:43:30 | |
he paid £850 for it, 20 years ago. Will he take much of a loss today? | 0:43:30 | 0:43:36 | |
It'll be £200 or so. Really? £500 to £700 is probably about the mark. | 0:43:36 | 0:43:41 | |
Nigel agreed, so it should fetch in that region. Yes. | 0:43:41 | 0:43:45 | |
It's very nice - nicely modelled, good colour. It's got character. | 0:43:45 | 0:43:50 | |
He's a busy boy, filing away. Absolutely, but I think he'd be struggling to get his money back. | 0:43:50 | 0:43:57 | |
But Nigel's on the mark? I think so. Great stuff. | 0:43:57 | 0:44:01 | |
Oak is one of my very favourite materials. Mrs Robertson's oak coffer is a beautiful example. | 0:44:01 | 0:44:08 | |
17th-century, dark oak - the shine on it is absolutely irreplaceable. | 0:44:08 | 0:44:14 | |
What about this? £250 to £300, Nigel thought. In with a shout, surely? In with a good chance. | 0:44:14 | 0:44:20 | |
I'd expect it to make £300 to £400. | 0:44:20 | 0:44:22 | |
Interestingly, 15 or 20 years ago it would've made about the same. | 0:44:22 | 0:44:28 | |
It's not budged. Hardly, but it's a nice example. It's a beauty! | 0:44:28 | 0:44:33 | |
Inside, there's a box in the corner where you would've kept some private papers. | 0:44:33 | 0:44:38 | |
All original, apart from the odd bit of timber, but it's lovely. It's certainly a beautiful coffer. | 0:44:38 | 0:44:46 | |
I think we're on a winner. I'd hope so. Great stuff. | 0:44:46 | 0:44:49 | |
Our owners are here to watch the buyers bid, but will the bidders find our lots worth bargaining for? | 0:44:49 | 0:44:56 | |
First up is the treen box. | 0:44:56 | 0:44:59 | |
I've got Helen Lennox here, owner of the lovely Georgian treen box. Helen, what makes you want to sell? | 0:44:59 | 0:45:06 | |
I'm not a treen collector and it has been purely an ornament in our family for so many years. | 0:45:06 | 0:45:13 | |
I thought I'd let it go and perhaps somebody else would appreciate it for its intrinsic value. | 0:45:13 | 0:45:21 | |
Lovely, lovely. | 0:45:21 | 0:45:23 | |
Are you sorry to see it go? Yes, a little nostalgia. Of course. You're a bit attached to it? Yes. | 0:45:23 | 0:45:30 | |
£80 to £120 - in with a shout? You're nervous about selling, I'm nervous about being right. | 0:45:30 | 0:45:38 | |
After all, £100 - quite a good selection of stuff here for £100. Have you been tempted? Um, a little. | 0:45:38 | 0:45:45 | |
But you haven't yet? No, not yet. | 0:45:45 | 0:45:48 | |
666a is the little treen box. £50 for it? £50 I'm bid. | 0:45:48 | 0:45:53 | |
I'm bid £55. £60. £65. £70. £75. | 0:45:53 | 0:45:56 | |
£80. £85. We're in your estimate. Good. | 0:45:56 | 0:46:00 | |
£100. £110. £100 at the back. We're at your £100. | 0:46:00 | 0:46:04 | |
£110 - a new bid. Do I hear £120? £110. Anyone else? | 0:46:04 | 0:46:08 | |
It's going at £110. Mr P Clark, thank you. | 0:46:08 | 0:46:12 | |
Another one. Very good. That's the name of the game. | 0:46:12 | 0:46:16 | |
I'm very impressed. Didn't you think it was going to reach that? | 0:46:16 | 0:46:21 | |
I wasn't so sure about it, nor was the auctioneer. Yes. It's a very unusual item, a specialist market, | 0:46:21 | 0:46:28 | |
but clearly the people are here for it. It was that little jewel on top. | 0:46:28 | 0:46:33 | |
The jewel that you educated me on. Yes. Thank you. You learn something new every day! | 0:46:33 | 0:46:40 | |
Mrs Roberts wasn't impressed with Nigel's valuation of her oak coffer, but what will the buyers think? | 0:46:41 | 0:46:48 | |
Unfortunately, she's on holiday. Lucky her. Let's hope she doesn't spend too much money, just in case. | 0:46:48 | 0:46:56 | |
A cracking oak coffer, £250 to £350. Shouldn't be a problem, but the furniture's not going well. | 0:46:56 | 0:47:02 | |
Furniture's not going well today. It's been pretty groggy. Yeah. | 0:47:02 | 0:47:07 | |
It's a good, small, period piece, attractive, a nice size - they normally sell. | 0:47:07 | 0:47:13 | |
877. | 0:47:13 | 0:47:15 | |
Oak coffer, down in the corner. A couple of hundred to start me. | 0:47:15 | 0:47:20 | |
£150. £160. £180? | 0:47:20 | 0:47:23 | |
£180. £200. £220? | 0:47:23 | 0:47:26 | |
We're going well. Mmm. £200 it's stuck at. Still going! | 0:47:26 | 0:47:30 | |
£260. £280? £300? | 0:47:30 | 0:47:33 | |
£280 over there. Looking good for Mrs Roberts! | 0:47:33 | 0:47:37 | |
Anyone else? £300. £320? | 0:47:37 | 0:47:39 | |
£320. £340? £340. £360? | 0:47:39 | 0:47:42 | |
£360. £380? £360, still over there at £360. Anyone else now? | 0:47:42 | 0:47:47 | |
£360, it's going. £360, then. | 0:47:47 | 0:47:50 | |
And £360! I'm very pleased with that! | 0:47:50 | 0:47:53 | |
Another good one! A good price on a slow day. £10 above your top estimate. That's good. | 0:47:53 | 0:48:00 | |
£180. £200. £220? £220. £240. £260? | 0:48:00 | 0:48:03 | |
£260. £280. £300? £300. £320. £340? £340. £360. £380? | 0:48:03 | 0:48:09 | |
Will Mr Hyman's meerschaum smoking paraphernalia do as well as expected or is that a pipe dream? | 0:48:09 | 0:48:15 | |
I've got Mr Hyman here. It's the first of David's meerschaum pipes. You've had this for about 70 years? | 0:48:16 | 0:48:24 | |
60 years. 60 years already. | 0:48:24 | 0:48:26 | |
What brings you to sell it? | 0:48:26 | 0:48:28 | |
It's something that comes to an end. Move on. I've no-one to give it to. | 0:48:28 | 0:48:34 | |
David reckons it's going to do £150 to £200. £200 - what'll you spend that on? | 0:48:34 | 0:48:39 | |
I'm a pipe smoker, so maybe some tobacco. | 0:48:39 | 0:48:43 | |
It's a specialist subject. I hope the dealers are here. | 0:48:43 | 0:48:47 | |
681, meerschaum pipe. | 0:48:47 | 0:48:49 | |
681. £100 for it? £80 I'm bid. | 0:48:49 | 0:48:53 | |
£85. £90? £90. £95. £100? | 0:48:53 | 0:48:55 | |
£105. £110. It's going very fast already. | 0:48:55 | 0:48:59 | |
£140. £150. £160? £150 with Charlie. Do I hear £160? | 0:48:59 | 0:49:04 | |
£160. £170. £180. Wow, it's whizzing up! | 0:49:04 | 0:49:08 | |
£180. Do I hear £190? £180. | 0:49:08 | 0:49:10 | |
Anyone else quickly? £180, then. All done at £180. | 0:49:10 | 0:49:14 | |
£180. Excellent! What are you drinking? | 0:49:14 | 0:49:18 | |
Mine's a nice big pint later on. Well done, I'm so pleased for you. | 0:49:18 | 0:49:23 | |
Thanks very much. I hope you're not too sad seeing it go. Not really, it just lies there. Gathering dust? | 0:49:23 | 0:49:31 | |
£180. That's fantastic! What's so interesting, it's slap bang between the lower and the upper estimate. | 0:49:31 | 0:49:38 | |
Stop showing off, David! Brilliant! We know you did well. | 0:49:38 | 0:49:42 | |
Will the second pipe do as well? Glen's bronze boy is up next. | 0:49:42 | 0:49:48 | |
Glen is the cousin of the owner of the bronze boy. | 0:49:48 | 0:49:52 | |
Glen, your cousin was flush in the '80s? He was in the merchant navy, came out, had a bit of surplus cash | 0:49:52 | 0:50:00 | |
and decided to buy the bronze boy. Spent quite a lot on it, to be fair. | 0:50:00 | 0:50:05 | |
How is he feeling? Is he nervous? A bit. He feels he's not going to get a return on his cash, | 0:50:05 | 0:50:12 | |
which he understands, because he bought it at a dealer. OK. | 0:50:12 | 0:50:18 | |
Are you a regular of the auction? I've been here a number of times. | 0:50:18 | 0:50:23 | |
I've bought some furniture over the years. Here's the bronze boy now. | 0:50:23 | 0:50:28 | |
709. | 0:50:28 | 0:50:30 | |
The big French bronze. £300? Yes. | 0:50:30 | 0:50:33 | |
Thank you. £300. Do I hear £320? | 0:50:33 | 0:50:37 | |
£320. £350? £350. £380. £400? £400. | 0:50:37 | 0:50:40 | |
£420. £450? Bidding at £420. £420 it's stuck at! | 0:50:40 | 0:50:44 | |
£420. Do I hear £450? £420. Anyone else quickly? £420, then. | 0:50:44 | 0:50:50 | |
It's stuck - it's not going anywhere! £420. Mr Wilson. | 0:50:50 | 0:50:55 | |
That's a disappointment. Yes. It is. | 0:50:55 | 0:50:57 | |
Bad luck, Glen. Not to worry. Nigel... | 0:50:57 | 0:51:01 | |
You WERE short. I always say, let's try the lot and it'll bomb. | 0:51:01 | 0:51:05 | |
Ah! In this case! We had a lovely picture in the catalogue and didn't do any business. I'm very surprised. | 0:51:05 | 0:51:12 | |
I thought it would've done more, too. Glen, how do you feel? Gutted! | 0:51:12 | 0:51:17 | |
That bad? Not as bad as my cousin will. You make the call, not me! | 0:51:17 | 0:51:23 | |
Just one of those things. We'll try again another day. Yes. You cannae win them all! | 0:51:23 | 0:51:29 | |
Where's Mrs Nolan? Her pipe's next. | 0:51:32 | 0:51:36 | |
The excitement's too much for Mrs Nolan - she saw the last pipe sell for £180 and she's off to the shops! | 0:51:36 | 0:51:44 | |
I hope she's not spending in advance. I hope not! | 0:51:44 | 0:51:48 | |
Her one is even more ornate. But it hasn't got that eroticism, which I think sold the other one. Mmm-hmm. | 0:51:48 | 0:51:55 | |
But there's clearly meerschaum buyers here. Yes, and both were beautifully carved. Yes. | 0:51:55 | 0:52:01 | |
It'll be interesting how much this makes. Meerschaum pipe. | 0:52:01 | 0:52:07 | |
696. £100 for it? | 0:52:07 | 0:52:09 | |
£100 bid. £100 bid already - right in at £100. | 0:52:09 | 0:52:13 | |
£120. £130? £130. £140? £140. £150? | 0:52:13 | 0:52:15 | |
£150. £160. £170. Wow! £190. | 0:52:15 | 0:52:20 | |
£200. £210? £200. Told you this was more ornate! | 0:52:20 | 0:52:23 | |
£230. £240. £250? £250. £260? | 0:52:23 | 0:52:26 | |
£250 on my right. Do I hear £260? Where is Mrs Nolan? | 0:52:26 | 0:52:31 | |
£250. Selling at £250. Mr Josh. | 0:52:31 | 0:52:34 | |
£250! Ooh! That's the top end of the estimate! | 0:52:34 | 0:52:38 | |
Absolutely. That's terrific. It is. What can I say - I'm so impressed! | 0:52:38 | 0:52:42 | |
This guy knows what he's on about! I'm down on one. That's not bad. | 0:52:42 | 0:52:48 | |
We've reached our final lot. Mrs Lodge has made it to auction to see if the clock will sell. | 0:52:52 | 0:52:59 | |
Danny brought it in. Yes. You were having an operation - all OK now? Fine. Glad to hear it. | 0:52:59 | 0:53:05 | |
Are you nervous about selling it or pleased to see it go? Very happy. | 0:53:05 | 0:53:11 | |
Found it in the attic. Did you? So I thought we'd have a go. Hopefully, we're going to make you over £150. | 0:53:11 | 0:53:18 | |
Hopefully. Nervous about that? Excited? Excited. Yes! Wonderful! | 0:53:18 | 0:53:23 | |
Are you a regular at auctions? I like auctions. | 0:53:23 | 0:53:27 | |
It's a smart thing. I think it'll do well for you, | 0:53:27 | 0:53:31 | |
but every sale's different - until it's over, we don't know. We'll see. | 0:53:31 | 0:53:35 | |
Our auctioneer was also confident. Me, too. | 0:53:35 | 0:53:39 | |
We can't all be wrong. Nigel is sometimes, but all of us can't be. | 0:53:39 | 0:53:44 | |
777. | 0:53:44 | 0:53:47 | |
Mantel clock. There we are. £100 for it? "£80," he says. | 0:53:47 | 0:53:50 | |
£90? £90. £100? £100. £110? £100. | 0:53:50 | 0:53:54 | |
£110. £120? £120. £130. £140? £140. £150? | 0:53:54 | 0:53:57 | |
£140! We're at £140. | 0:53:57 | 0:54:00 | |
£140. £150? £160? £150 on the phone. £150! Do I hear £160? | 0:54:00 | 0:54:06 | |
£150. Any more? Selling at £150. | 0:54:06 | 0:54:10 | |
Mrs Lodge, £150! Wonderful! Fantastic! Great! | 0:54:10 | 0:54:13 | |
I saw you getting excited! Yes! | 0:54:13 | 0:54:16 | |
£150. Top end of the estimate. Yeah, Nigel did well for you. Very good. Yeah. | 0:54:16 | 0:54:22 | |
£150 in the bank or you'll spend it tonight? Oh, probably spend it tonight. Excellent! Be reckless! | 0:54:22 | 0:54:29 | |
Tell us which pub you're going to. Yes, OK! | 0:54:29 | 0:54:33 | |
What an exhausting day! Everything sold, just about, and, by and large, our owners are going away happy. | 0:54:33 | 0:54:40 | |
Helen Lennox's treen box sold for £110. She's sad to see it go, but knows it will be loved. | 0:54:40 | 0:54:48 | |
It was that jewel on top. The jewel you educated me on. Yes. Thank you. You learn something new every day! | 0:54:48 | 0:54:55 | |
The bronze boy didn't reach its reserve. He'll have to come back. | 0:54:55 | 0:55:01 | |
£420. | 0:55:01 | 0:55:03 | |
Gutted! Gutted. That bad? I don't feel as gutted as my cousin will be. You make the call, not me, thanks! | 0:55:03 | 0:55:10 | |
Mrs Nolan missed the sale of her pipe. It was the best of the two. | 0:55:10 | 0:55:15 | |
£250! Anyone else? Where is Mrs Nolan? | 0:55:15 | 0:55:18 | |
£250. Selling at £250. Mr Josh. Thank you. | 0:55:18 | 0:55:22 | |
We've tracked down Mrs Nolan - we dragged her out of a shop. Mrs Nolan, where did you get to? | 0:55:22 | 0:55:30 | |
I was trying to put time in. | 0:55:30 | 0:55:32 | |
Fantastic news - your meerschaum pipe that David estimated at £130 to £200... | 0:55:32 | 0:55:38 | |
sold for £260! Lovely! That was good, wasn't it? Great. That's great. How does that make you feel? | 0:55:38 | 0:55:45 | |
It was gathering dust in a drawer. It had been in the drawer for years. £260 - what'll you spend that on? | 0:55:45 | 0:55:52 | |
I'll put it in the bank for now and think about it. Wise Scottish move! | 0:55:52 | 0:55:57 | |
Savour the moment - spend it later. | 0:55:57 | 0:56:00 | |
The Medleys have joined us for a drink to celebrate their sales. | 0:56:00 | 0:56:06 | |
All done at £210! | 0:56:06 | 0:56:08 | |
You must be delighted. I'm really, really thrilled. | 0:56:08 | 0:56:12 | |
Then your husband joined in. He did. £70 for your nips. Marvellous! | 0:56:12 | 0:56:17 | |
Absolutely! So between you, you're going home with nearly £300. Yes. Not bad for a day out at an auction. | 0:56:17 | 0:56:25 | |
Subtitles by Red Bee Media Ltd | 0:57:00 | 0:57:03 |