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Hello and welcome to "Flog It!" - | 0:00:31 | 0:00:33 | |
the show where you can turn your stash into hard cash! | 0:00:33 | 0:00:38 | |
Instead of leaving unwanted antiques lying around gathering dust, | 0:00:39 | 0:00:43 | |
let somebody else appreciate them. | 0:00:43 | 0:00:46 | |
On "Flog It!" our experts value your item. If they think it's worth it, you get to sell it at auction. | 0:00:46 | 0:00:53 | |
It's fun seeing your antique being bargained for and you could be in the money. | 0:00:53 | 0:00:59 | |
Sometimes our experts are right, sometimes they're off target. So you're both taking a chance. | 0:00:59 | 0:01:06 | |
Later, we'll see how our owners get on. | 0:01:06 | 0:01:09 | |
Exciting, isn't it? It is. I'm pleased you're excited. | 0:01:09 | 0:01:13 | |
25? | 0:01:13 | 0:01:15 | |
Wow! | 0:01:15 | 0:01:17 | |
Are you thinking of the money already, Terry? Yeah, pinch me. | 0:01:17 | 0:01:22 | |
How do you feel about that? Amazed! So am I. ..So are you, aren't you? | 0:01:25 | 0:01:31 | |
All done on ?12 now? | 0:01:31 | 0:01:33 | |
That's excellent. Brilliant! I'm so pleased. That's really good. | 0:01:33 | 0:01:38 | |
?300, then. Mr Ashby. | 0:01:38 | 0:01:41 | |
Doesn't this chap know his onions! | 0:01:41 | 0:01:43 | |
Our valuation day comes from the Winter Gardens in Weston-super-Mare. | 0:01:45 | 0:01:50 | |
People have travelled from miles around, having rooted out antiques | 0:01:50 | 0:01:56 | |
which they hope to sell at auction, but only a few will be chosen, depending on our experts' valuation. | 0:01:56 | 0:02:04 | |
Sheldon Cameron runs an auction house in Malborough and specialises in militaria. | 0:02:04 | 0:02:10 | |
Thomas Plant is an auctioneer in Bath and is keen on 20C decorative arts and jewellery. | 0:02:10 | 0:02:15 | |
There are some interesting items in today. Sheldon goes for the exotic. | 0:02:15 | 0:02:20 | |
How did you get these? They were part of Terry's mother's effects | 0:02:20 | 0:02:25 | |
and they've resided in our attic ever since. | 0:02:25 | 0:02:28 | |
My grandfather was in the Navy and travelled, obviously, around the world | 0:02:28 | 0:02:35 | |
and he may well have picked them up on his travels. | 0:02:35 | 0:02:39 | |
By the looks of them, I'd say they are Ceylonese. | 0:02:39 | 0:02:43 | |
Originated from Ceylon, which we now know as Sri Lanka. | 0:02:43 | 0:02:47 | |
They are candle holders, for want of a better word. | 0:02:47 | 0:02:52 | |
Date-wise, in our time, it would be late Victorian when they were made. | 0:02:52 | 0:02:57 | |
D'you know what they're made from? Spelter, isn't it? | 0:02:57 | 0:03:01 | |
I don't need to tell you anything. I've watched too many of your shows! | 0:03:01 | 0:03:06 | |
Unfortunately, it's seen healthier days. It's been knocked over. | 0:03:06 | 0:03:11 | |
On the back here is a slight crack. Oh, right, yes. | 0:03:11 | 0:03:15 | |
I wondered why it's on the tilt. It's been knocked. What you mustn't do | 0:03:15 | 0:03:21 | |
is try and bend it back or it will snap off. Spelter is very brittle. | 0:03:21 | 0:03:27 | |
Regarding value, it's not something that will pay for your next world cruise, I'm afraid. | 0:03:27 | 0:03:34 | |
They're not a high-tariff object. | 0:03:34 | 0:03:37 | |
At auction, you're looking at ?40-?60 for them. | 0:03:37 | 0:03:40 | |
That's more than collecting dust in the attic! | 0:03:40 | 0:03:45 | |
Moving along, you say you saw this on TV recently. On Bargain Hunt. | 0:03:45 | 0:03:51 | |
Yes, someone had one very similar. Oh, right. | 0:03:51 | 0:03:55 | |
It's a very decorative piece. If we unscrew it - squeaky too, like running fingers down a blackboard - | 0:03:55 | 0:04:02 | |
and take this off, we've got a little bottle inside. | 0:04:02 | 0:04:06 | |
There we are, complete with stopper. It's nice to see the original stopper. | 0:04:06 | 0:04:12 | |
Often, they fall out, break or the neck goes. This is all in one piece. | 0:04:12 | 0:04:18 | |
Now, what was it used for? It's self-explanatory, really. | 0:04:18 | 0:04:22 | |
Someone would have bought this, had their medicine, kept the bottle for safekeeping if they were travelling | 0:04:22 | 0:04:29 | |
on holiday or on a day out. That's what it was used for. | 0:04:29 | 0:04:33 | |
It's just a safety cell for it. OK? Now... | 0:04:33 | 0:04:38 | |
the acid test - how much did it fetch on Bargain Hunt? They bought one for ?55 and it sold for ?80. | 0:04:38 | 0:04:44 | |
I'm not saying that's worth ?80. You never know. Fingers crossed. | 0:04:44 | 0:04:49 | |
That's the point of auctions. Did the one on TV have any markings? On the top - "London and Paris". | 0:04:49 | 0:04:57 | |
So that would add to it. I think that was the thing in its favour. | 0:04:57 | 0:05:02 | |
This one has a trade label - | 0:05:02 | 0:05:05 | |
"Army Navy Co-operative Society", which is nice to see. At auction, | 0:05:05 | 0:05:10 | |
you'll be looking at ?50-?80 for it, so approaching the same territory. | 0:05:10 | 0:05:17 | |
I bought it for sixpence in a jumble sale years ago. What a great shopper you are! | 0:05:17 | 0:05:23 | |
Would you consider putting the articles into auction? | 0:05:23 | 0:05:27 | |
Well, as I've said, they're just gathering dust | 0:05:27 | 0:05:32 | |
and, to be appreciated, they should go somewhere that can be seen rather than hidden away. Excellent! | 0:05:32 | 0:05:39 | |
Do you agree, madam? Yes. I can tell who wears the trousers in this house. | 0:05:39 | 0:05:45 | |
If these do make a lot of money at auction, what would you do with the proceeds? | 0:05:45 | 0:05:51 | |
Well, being recently reduced to the rank of a pensioner, on retirement, | 0:05:51 | 0:05:57 | |
I've decided that speculate to accumulate and we'll keep the money. | 0:05:57 | 0:06:02 | |
Very wise idea. Thanks for bringing them in. Fingers crossed, we should do well at auction. Thank you. | 0:06:02 | 0:06:09 | |
This belonged to my husband's granddad's cousin. | 0:06:09 | 0:06:14 | |
Obviously, they're all from Scotland. | 0:06:14 | 0:06:16 | |
The name on top is Charles Stirling. This cousin was a pharmacist. | 0:06:16 | 0:06:21 | |
That's as much as I can tell you. | 0:06:21 | 0:06:24 | |
Well, it all seems to work. Probably mid to late nineteenth century. | 0:06:24 | 0:06:29 | |
It's a medicine cabinet, apothecary cabinet - whatever you want to call it - | 0:06:29 | 0:06:35 | |
where a pharmacist or doctor would keep their drugs. It's fantastic. | 0:06:35 | 0:06:41 | |
It's mahogany and brass. Good brasswork on top, very flush handle. | 0:06:41 | 0:06:46 | |
That's really appealing - nice flush handle - and as we open it, | 0:06:46 | 0:06:51 | |
we see it has a fitted interior where one's bottles would go. | 0:06:51 | 0:06:56 | |
There has been some damage. Yeah. | 0:06:56 | 0:06:58 | |
Here would be fitted areas for more bottles. Some items are missing. | 0:06:58 | 0:07:04 | |
These are very popular if they have their full contents | 0:07:04 | 0:07:08 | |
and there are collectors for medical wares. | 0:07:08 | 0:07:12 | |
Have you an idea of value? No idea at all. Not as much as it would be if it was complete. | 0:07:12 | 0:07:18 | |
If full, they are in the mid to high hundreds. Right. But in this condition, I'm afraid I'd go low | 0:07:18 | 0:07:26 | |
and it might be 150, 180 to 200, about that sort of value. | 0:07:26 | 0:07:31 | |
That's sensible because the box is so good. Yes, it is very solid. | 0:07:31 | 0:07:36 | |
Maybe somebody could get excited about it and do some restoration. | 0:07:36 | 0:07:41 | |
Yes. That's not over-egging it. I like the drawer. | 0:07:41 | 0:07:44 | |
You pull it out and the scales are there. We'll leave those and some bottles. | 0:07:44 | 0:07:50 | |
They'll add to the sort of mystique of the box. It's all a bit of fun. | 0:07:50 | 0:07:56 | |
Would you be happy to sell it? Yes. | 0:07:56 | 0:07:59 | |
If we got ?150-?200, what would you do with the money? Spend it on the new baby. Really? | 0:07:59 | 0:08:05 | |
How old is it? Eight weeks old. How wonderful! Well, let's hope we can do better than that. OK. Thank you. | 0:08:05 | 0:08:13 | |
It's a spoon warmer. What you did was, you filled this receptacle - | 0:08:16 | 0:08:22 | |
it's based on a conch shell - with water and put your spoons in them. | 0:08:22 | 0:08:28 | |
Oh. It kept the spoons warm because hot spoons go through food easier. | 0:08:28 | 0:08:33 | |
Date-wise, probably turn of the century. Silver plate, not silver. | 0:08:33 | 0:08:39 | |
No. Which is a pity. Yeah, I know. Any idea of its worth? No, my dear. | 0:08:39 | 0:08:44 | |
So if someone offered you ?20, you'd be happy? Oh, no! No, no, no! | 0:08:44 | 0:08:51 | |
No, no, no. Realistically, at auction, you're looking at ?50-?60. | 0:08:51 | 0:08:56 | |
On that basis, would you put it in to auction? No... You were just curious about it. | 0:08:56 | 0:09:03 | |
Definitely. It's got to go down. My son wants it. | 0:09:03 | 0:09:07 | |
It's been in the family all these years, so I won't part with it. | 0:09:07 | 0:09:11 | |
This looks interesting. Tell me about this. | 0:09:11 | 0:09:15 | |
I believe this is majolica. | 0:09:16 | 0:09:20 | |
Yes. | 0:09:20 | 0:09:21 | |
And possibly George Jones, 1871. | 0:09:21 | 0:09:26 | |
And I think it's referred to in a book I saw recently as Dog On A Cushion. | 0:09:26 | 0:09:32 | |
Yes. Tell me how you came by it. | 0:09:32 | 0:09:36 | |
The story is that my wife, who used to nurse, was nursing an old gentleman. | 0:09:36 | 0:09:43 | |
Unfortunately, he died | 0:09:43 | 0:09:46 | |
and she'd happened to refer to this piece as being unusual. | 0:09:46 | 0:09:52 | |
I don't think at that point she really liked it particularly. | 0:09:52 | 0:09:57 | |
And, um, we believe it's possibly worth something. | 0:09:57 | 0:10:02 | |
I think you're quite right, yes. | 0:10:02 | 0:10:04 | |
It's certainly a very attractive piece of majolica. | 0:10:04 | 0:10:09 | |
When did your wife decide she liked it? After doing a bit of work and knew it was collectable? | 0:10:09 | 0:10:15 | |
I'm not sure she does now. Really? | 0:10:15 | 0:10:18 | |
It seems a pity to have something that collectors would love to have... | 0:10:18 | 0:10:24 | |
Yes. ..tucked away, wrapped up in a cupboard. Yes, you're right. It is something which is... | 0:10:24 | 0:10:30 | |
appreciated by a lot of people. A universally collected item. | 0:10:30 | 0:10:36 | |
I'm just going to turn it over. Here we are, the kite mark. | 0:10:36 | 0:10:41 | |
If I look in my book... Here we are, registrations. | 0:10:41 | 0:10:46 | |
1870, it's got here for the year. Right. | 0:10:48 | 0:10:52 | |
So I think 1870-1871, I think that's correct, don't you? | 0:10:52 | 0:10:57 | |
Near enough. Near enough. | 0:10:57 | 0:11:00 | |
Tell me, have you an idea what the item was used for? | 0:11:00 | 0:11:05 | |
Sort of an inkwell, I believe. It could be a stand or an inkwell or used on a lady's dressing table. | 0:11:05 | 0:11:12 | |
It's certainly quite a feminine piece. Have you an idea of value? | 0:11:12 | 0:11:17 | |
Various figures have been suggested. | 0:11:17 | 0:11:21 | |
Um...possibly ?1,500 to ?2,000, maybe even more. | 0:11:21 | 0:11:26 | |
It could make more, for sure. | 0:11:26 | 0:11:29 | |
Something like this, I would guess, your estimate of ?1,500 to ?2,000 | 0:11:29 | 0:11:35 | |
to go for sale... Is it something you'd like to include in the sale? | 0:11:35 | 0:11:39 | |
Yes, I would. As I said, it seems a pity to keep it locked away. | 0:11:39 | 0:11:44 | |
It should be enjoyed, I think. | 0:11:44 | 0:11:47 | |
We've had a mixed bag with some unusual pieces. Let's see what's going for auction. | 0:11:49 | 0:11:55 | |
Michelle hopes her medicine chest will bring some cash for her baby. | 0:11:55 | 0:12:00 | |
Terry and Jenny have candle holders to sell | 0:12:00 | 0:12:04 | |
and a medicine bottle, just like the one featured on Bargain Hunt. | 0:12:04 | 0:12:09 | |
Hopefully, we can pip them to the post and get a higher price. | 0:12:09 | 0:12:13 | |
Will Terry's kitsch Dog On A Cushion find a new home at auction? | 0:12:13 | 0:12:18 | |
They've had it locked in a cupboard so it's good they're selling it. | 0:12:18 | 0:12:24 | |
Our owners are optimistic and our experts bright and breezy. | 0:12:34 | 0:12:39 | |
Were the valuations formed on solid ground or hot air? We'll see soon. | 0:12:39 | 0:12:45 | |
Clevedon in Somerset is the setting for our auction today. It's a fine art sale. | 0:12:45 | 0:12:50 | |
Hundreds of lots will go under the hammer, some belonging to our owners. | 0:12:50 | 0:12:56 | |
Even though our experts are careful with their valuations, you never know what the punters are after. | 0:12:56 | 0:13:02 | |
But one man who will definitely be there is auctioneer Mark Burridge. | 0:13:02 | 0:13:08 | |
Working in antiques since he was 8, he's very experienced. What does HE think of our experts' valuations? | 0:13:08 | 0:13:14 | |
Have they got their sums right? And are there sleepers hidden among our owners' items? | 0:13:14 | 0:13:21 | |
What have we here? It's a very unusual piece. Very kitsch. | 0:13:21 | 0:13:26 | |
It's known as Dog On The Cushion. I think it's a Maltese spaniel. Probably made... | 0:13:26 | 0:13:32 | |
probably made by George Jones. | 0:13:32 | 0:13:35 | |
Inside is a surprise. Ah! Where's the volume button? Turn it down. | 0:13:35 | 0:13:40 | |
No wonder Terry's wife doesn't want it. A gentleman wouldn't have it on his desk. It's more likely to be | 0:13:40 | 0:13:47 | |
a lady's dressing-table box, valued at ?1,500-?2,000, with a ?1,500 reserve. | 0:13:47 | 0:13:53 | |
That's a lot of money. It is. Will it get there? I think we'll get close to it, if not above. | 0:13:53 | 0:14:00 | |
It's quite amazing what some people's taste goes to. | 0:14:00 | 0:14:04 | |
It's popular with Americans, New York. Let's have one more look. | 0:14:04 | 0:14:09 | |
Oh! | 0:14:09 | 0:14:11 | |
What a wonderful pair of candlesticks, so decorative. | 0:14:13 | 0:14:17 | |
They're beautiful. What are they made of? They're made of spelter - an alloy, a white metal. | 0:14:17 | 0:14:24 | |
It's the poor man's bronze. Right. | 0:14:24 | 0:14:27 | |
They still have their original paintwork. Nice and distressed. This is a decorator's dream. Yes. | 0:14:27 | 0:14:35 | |
It's the sort of thing people would love to be able to fake because they're like hot cakes now. | 0:14:35 | 0:14:41 | |
Terry will be so happy. He hasn't asked for a reserve. | 0:14:41 | 0:14:45 | |
It's a nice way to sell them. Sheldon says they're from Sri Lanka. We know they're not. No, France. | 0:14:45 | 0:14:52 | |
They're French and date from about 1870. | 0:14:52 | 0:14:55 | |
Probably ?150-?180 in the auction. | 0:14:55 | 0:14:59 | |
We might be bidding against each other. We might. | 0:14:59 | 0:15:03 | |
Michelle's brought this medicine chest in and she'll spend the money on the baby she's just had. | 0:15:03 | 0:15:10 | |
This is a mid-19C medicine chest. | 0:15:10 | 0:15:13 | |
Let's open the door. Gorgeous fitted interior. Sadly, someone's ripped it out, but not all the way through. | 0:15:13 | 0:15:20 | |
You can't smell this at home, but there's a wonderful aroma of eucalyptus oil. ..Oh! | 0:15:20 | 0:15:27 | |
It's lovely, isn't it? Yes. This was really designed to sit on a desk or to be transported. | 0:15:27 | 0:15:34 | |
There is the original key, so you'd lock it and off you go. | 0:15:34 | 0:15:38 | |
In very nice condition, these are worth ?700-?800. | 0:15:38 | 0:15:42 | |
Our experts have valued this at ?150-?200. | 0:15:42 | 0:15:46 | |
?150-?200. | 0:15:46 | 0:15:49 | |
There's always an air of uncertainty at auction, because you never know if your lot is going to sell. | 0:15:53 | 0:16:00 | |
Soon, our owners' antiques will be paraded in front of the buyers. | 0:16:00 | 0:16:05 | |
For Terry and Jenny, the wait is nearly over. | 0:16:05 | 0:16:09 | |
In the right place and time, they could make ?400-?500. Goodness! | 0:16:09 | 0:16:14 | |
You're not going to withdraw them? No. That extra nought will do. | 0:16:14 | 0:16:18 | |
What will you spend the money on? Ah. Well, Terry's just retired | 0:16:18 | 0:16:23 | |
and I hope to give up work in October, so funds will come in handy. | 0:16:23 | 0:16:29 | |
22. And five somewhere else? | 0:16:29 | 0:16:31 | |
25? 25? 25? ..42. 45... | 0:16:31 | 0:16:35 | |
First up are Terry and Jenny's candle holders. | 0:16:35 | 0:16:40 | |
This pair of candlesticks have been up in the attic for years. | 0:16:40 | 0:16:45 | |
And you've never even used them as candlesticks, have you? | 0:16:45 | 0:16:50 | |
No, they were always on the mantelpiece in my mother's house, but never used as candlesticks. | 0:16:50 | 0:16:56 | |
You inherited them, thought, "Don't like them. Stick them in the attic." Yes, they didn't go with the decor. | 0:16:56 | 0:17:03 | |
We think they're very decorative, a decorator's dream. In the right hands, they could go to ?300-?400. | 0:17:03 | 0:17:11 | |
We'll be sad to see these candlesticks go. | 0:17:11 | 0:17:15 | |
We've never had any preconceived ideas about them, but realising they were in the family so long... | 0:17:15 | 0:17:22 | |
Like sentimental regret? Well, they are, really, yes. Not irreplaceable. | 0:17:22 | 0:17:28 | |
But it would be sad to see them go. | 0:17:28 | 0:17:30 | |
Lot 415, the French spelter candlesticks. | 0:17:30 | 0:17:35 | |
Half a dozen bids on the book. | 0:17:35 | 0:17:38 | |
Great! Which is a good sign. | 0:17:38 | 0:17:40 | |
I have ?200. I have ?220. | 0:17:40 | 0:17:43 | |
240. 260. 280. | 0:17:43 | 0:17:46 | |
300 with me. ..320? | 0:17:46 | 0:17:49 | |
320? 320? | 0:17:49 | 0:17:51 | |
320? At ?300 with me. 320, anyone else? | 0:17:51 | 0:17:56 | |
All done. Selling at ?300, then. | 0:17:56 | 0:18:00 | |
Brilliant! That's good, isn't it? That surprised you both. Yes. Yes. | 0:18:00 | 0:18:05 | |
Sheldon put a value of ?40-?50 on it. | 0:18:05 | 0:18:09 | |
Yes, because they were such individual things. | 0:18:09 | 0:18:12 | |
We took them to Devizes Corn Exchange to sell | 0:18:12 | 0:18:17 | |
and were only offered ?10-?15 for them. A derisory sum. | 0:18:17 | 0:18:21 | |
They didn't know what they were on about. They wouldn't listen to us. | 0:18:21 | 0:18:26 | |
Terry and Jenny have to wait for their medicine pot to go through. | 0:18:26 | 0:18:31 | |
Meanwhile, something to put it in. | 0:18:31 | 0:18:34 | |
Michelle, you brought in a medicine cabinet. How long have you had it? It's been in the family, | 0:18:34 | 0:18:41 | |
inherited from my father-in-law. They passed it on to us. | 0:18:41 | 0:18:45 | |
It seemed a good item of interest to find out if it's worth anything. | 0:18:45 | 0:18:50 | |
And you got persuaded to auction it? Yes. The money's going to baby Hannah? Yes. Who's outside now. | 0:18:50 | 0:18:57 | |
Yes. You should have brought her in for an auction baptism! She might have bid for something! | 0:18:57 | 0:19:04 | |
Yeah, wave her rattle. What will the money go for - clothes and things? | 0:19:04 | 0:19:09 | |
Yeah, I had a boy before, so new things for a girl. Aw! | 0:19:09 | 0:19:13 | |
The auctioneer's put a ?100 reserve on. Did he agree it beforehand? Yes. | 0:19:13 | 0:19:18 | |
But I hope someone's in the room today... That'll exceed it. | 0:19:18 | 0:19:23 | |
Things are picking up now after a slow start. It's quite exciting. | 0:19:23 | 0:19:27 | |
It is. I'm pleased you're excited. | 0:19:27 | 0:19:30 | |
Attracted a deal of interest, lot 290. | 0:19:30 | 0:19:35 | |
I have one, two, three, four, five bids with me. Five bids already. | 0:19:35 | 0:19:39 | |
We'll start at 200. ..220. ..240. | 0:19:39 | 0:19:43 | |
Oh, wonderful! Oh, that's fantastic! | 0:19:43 | 0:19:47 | |
320 with me. ..340, will you? | 0:19:47 | 0:19:52 | |
Oh, excellent! | 0:19:52 | 0:19:54 | |
I'm selling on ?320 now. | 0:19:54 | 0:19:58 | |
Excellent! I'm so pleased! That's really good. Well done! | 0:19:58 | 0:20:03 | |
Well, low estimate, conservative, tempts them in and they leap bids. | 0:20:03 | 0:20:08 | |
Yes. So they get excited. But that really ran away. Yes. | 0:20:08 | 0:20:13 | |
It exceeded all our expectations. Yes. I was hoping for the 200 mark. | 0:20:13 | 0:20:19 | |
I thought about that. Excellent! Think what it would have made in perfect condition. With the bottles. | 0:20:19 | 0:20:26 | |
Yeah. That's what you said. And the lining on the doors. I'm so happy for you. So am I! | 0:20:26 | 0:20:33 | |
You can buy loads. Yes, thank you very much! Hannah will be excited. She'll be very pleased with that. | 0:20:33 | 0:20:41 | |
Just what the doctor ordered. | 0:20:41 | 0:20:43 | |
Next up is Terry and Jenny's second lot. | 0:20:43 | 0:20:47 | |
Jenny, you brought the medicine pot in because you saw one like it on Bargain Hunt. Yes, almost the same. | 0:20:47 | 0:20:54 | |
The one on Bargain Hunt was bigger. You didn't buy it especially? You've had it in the house. A long time. | 0:20:54 | 0:21:01 | |
I bought it in a jumble sale. How much did you pay? Well, I say 6d, but I probably mean 5p - a shilling. | 0:21:01 | 0:21:08 | |
You're brave putting no reserve on it. Will you be sad to sell it? Not really, cos it's been in a cupboard. | 0:21:08 | 0:21:16 | |
That's what we like to hear - shoved in a cupboard, brought out and sold on "Flog It!" Yes, indeed. | 0:21:16 | 0:21:23 | |
Will you treat yourself to a night out? | 0:21:23 | 0:21:27 | |
We're going on holiday, so it'll go towards spending money. Where to? | 0:21:27 | 0:21:31 | |
Madeira. Oh, lovely! | 0:21:31 | 0:21:34 | |
Lot 227 is the nineteenth-century glass medicine bottle | 0:21:34 | 0:21:38 | |
with a stopper in a treen case. | 0:21:38 | 0:21:41 | |
?20 to start me? ?20 to start me? | 0:21:41 | 0:21:45 | |
?20 to start me? | 0:21:45 | 0:21:47 | |
Start me off, ?10? It's here to be sold. That's gone low, hasn't it? | 0:21:47 | 0:21:52 | |
?10? | 0:21:52 | 0:21:54 | |
I don't believe nobody wants it. ..10, I'm bid. .. Now 12. ..15? | 0:21:54 | 0:22:00 | |
15? 15? 15? 15? 15? Anyone else? | 0:22:00 | 0:22:04 | |
12? ..15. ..18? 18. | 0:22:04 | 0:22:06 | |
20, I'm bid. ..22? | 0:22:06 | 0:22:09 | |
?22 against you in the hat. | 0:22:09 | 0:22:12 | |
25, anyone else? All done, selling on... ..Yes? | 0:22:12 | 0:22:16 | |
No. All done, selling on 22. | 0:22:16 | 0:22:18 | |
Do you regret not putting a reserve on now? No, because, um... | 0:22:18 | 0:22:23 | |
if you put a reserve on, it wouldn't sell at all. You're just happy with something. Yes. | 0:22:23 | 0:22:30 | |
A great philosophy to have. At least with ?25, you can buy a nice bottle of Madeira on holiday. Yes. | 0:22:30 | 0:22:37 | |
Look at it that way. And a cream cake. Yeah. Spoil yourself. | 0:22:37 | 0:22:43 | |
You'll either love Terry's dog on a cushion, or you loathe it. I just hope someone gives it a new home. | 0:22:45 | 0:22:53 | |
The majolica dog that you don't like, you said, if it sells, you'll like it. That's about it, yeah. | 0:22:53 | 0:23:00 | |
It's very loud, isn't it? Yes. What do you think of it, Thomas? | 0:23:00 | 0:23:05 | |
It's a very decorative item. Majolica ware is very collectable. | 0:23:05 | 0:23:10 | |
People quite like it. And we've a high reserve on it. I think it's a realistic estimate. | 0:23:10 | 0:23:16 | |
We don't want to sell it for nothing. HE does! | 0:23:16 | 0:23:21 | |
Lot 395. | 0:23:21 | 0:23:22 | |
An unusual English majolica cushion-shaped box and cover. | 0:23:22 | 0:23:28 | |
We have had a lot of interest here. | 0:23:28 | 0:23:31 | |
I can start on 1,000. ..1,100. | 0:23:31 | 0:23:34 | |
1,200. ..1,300. | 0:23:34 | 0:23:36 | |
1,400. ..1,500, will you? | 0:23:36 | 0:23:39 | |
1,500, will you? 1,500 on the phone. | 0:23:39 | 0:23:43 | |
Thank you. ..1,600. ..1,700? | 0:23:43 | 0:23:46 | |
That's put a smile on your face. 1,700? | 0:23:46 | 0:23:51 | |
1,700. ..1,800. | 0:23:51 | 0:23:53 | |
1,900? | 0:23:53 | 0:23:55 | |
1,900. ..2,000. | 0:23:55 | 0:23:57 | |
2,100. ..2,200...? | 0:23:57 | 0:24:01 | |
Wow! Thinking of the money already, Terry? | 0:24:01 | 0:24:06 | |
Will you pinch me? Yeah, all right. | 0:24:06 | 0:24:09 | |
2,300. ..2,400? | 0:24:09 | 0:24:12 | |
?2,300. And selling at ?2,300. | 0:24:13 | 0:24:17 | |
2,400? | 0:24:17 | 0:24:19 | |
Well, well, well. Congratulations. You're happy with that, aren't you? | 0:24:19 | 0:24:24 | |
Yeah, very. Thomas, you were bang on. Yeah. | 0:24:24 | 0:24:28 | |
You said it would get to... Quietly confident. I was. It's so popular. | 0:24:28 | 0:24:33 | |
It was almost perfect, just that little chip on the side. | 0:24:33 | 0:24:38 | |
But a fantastic thing. You should be happy. Delighted. Doesn't this chap know his onions! | 0:24:38 | 0:24:44 | |
So most of our items sold well. | 0:24:49 | 0:24:52 | |
I'm sure our experts will find a few more treasures when we return to the valuation room shortly. | 0:24:52 | 0:24:59 | |
Seeing these antiques has given me the urge to go shopping. | 0:24:59 | 0:25:03 | |
In this job, I travel all over the country checking out antique shops. | 0:25:03 | 0:25:08 | |
There's always something I can buy. We're in Clevedon. Let's have a snoop around. | 0:25:08 | 0:25:14 | |
This place is full of wonderful ceramics and china. | 0:25:22 | 0:25:26 | |
Help! I'm an oak dealer and I can't find any 18th-century oak or base metal at all. Are you hiding any? | 0:25:26 | 0:25:33 | |
Not a chance. Tell me about this. This is a bit of Clevedon history. | 0:25:33 | 0:25:38 | |
It's Elton ware, made by Lord Elton, who lived at Clevedon Court | 0:25:38 | 0:25:43 | |
He was producing pottery from 1880 to 1920. | 0:25:43 | 0:25:48 | |
This is an early piece. Yes, it's a dated piece to commemorate Queen Victoria's Diamond Jubilee in 1897. | 0:25:48 | 0:25:56 | |
That's pretty. After Elton came William Fishley Holland who was employed to run the pottery | 0:25:56 | 0:26:03 | |
after Lord Elton died. This has a wonderful glaze, a burnt finish on it. It's in perfect condition. | 0:26:03 | 0:26:10 | |
What value would this be? About ?200. | 0:26:10 | 0:26:14 | |
I love this kind of thing because it's really retro and a bit more me than the contemporary stuff. | 0:26:19 | 0:26:25 | |
I'm a big fan of Rothko and Jackson Pollock and that whole movement. Tell me about this. It's stunning. | 0:26:25 | 0:26:32 | |
This is Whitefriars glass, from about the 1950s. | 0:26:32 | 0:26:37 | |
It was designed by a man called Geoffrey Baxter. | 0:26:37 | 0:26:41 | |
His work is very collectable. Do you sell much of it? Yes, we do. | 0:26:41 | 0:26:46 | |
How much would that be? Probably about ?60-?70. That's good value. | 0:26:46 | 0:26:50 | |
Back in the valuation room, is Sheldon being taken for a ride? | 0:26:56 | 0:27:01 | |
What can you tell me about it? Well, I had it in 1963. Yeah. | 0:27:01 | 0:27:06 | |
The lady wanted to sell it. It was given to her as a present and so she said ?12. She wanted ?12. | 0:27:06 | 0:27:14 | |
?12 was a lot in 1963. There's a saying that it'll bring you wealth or you'll lose the love of your life. | 0:27:14 | 0:27:22 | |
She lost the love of her life. We didn't have any wealth then, but it brought us some. | 0:27:22 | 0:27:28 | |
We had it valued in Weston-super-Mare and he said it was jade. It is machine-made, not hand-carved. | 0:27:28 | 0:27:36 | |
You can tell by the angular cuts on this. And if you look on the top of the plinth here, | 0:27:36 | 0:27:43 | |
it's been ground by machine, not by hand. That's a giveaway and it makes life easier for me. | 0:27:43 | 0:27:50 | |
It's older than us, probably made around 1870-1880, there or thereabouts. | 0:27:50 | 0:27:56 | |
It's well fed, so I can see you look after it well. Very thick body and legs, very large hooves. | 0:27:56 | 0:28:03 | |
Very small ears. The rest of the body is in proportion, but the ears are a little on the small side. | 0:28:03 | 0:28:11 | |
It would have been one of a pair. Oh. Unfortunately, it's only 50% of the original object. Yes. | 0:28:11 | 0:28:18 | |
At auction, you're looking at ?80-?120. | 0:28:18 | 0:28:21 | |
Yes. So your money has gone up. That's it. How does that sound? Fine. Excellent. | 0:28:21 | 0:28:27 | |
Do you want to sell it? Yes, I'd like to pass it on to someone else. Very good. Fine. | 0:28:27 | 0:28:33 | |
It says, "Awarded to Robert Roberts for his integrity and upright conduct, Liverpool." A relation? | 0:28:33 | 0:28:41 | |
I wish! I was born in Liverpool and my mother was living near when she found it in an antique shop. | 0:28:41 | 0:28:48 | |
Right. Well, I think it was a junk shop cos she didn't have much money. | 0:28:48 | 0:28:53 | |
It's dated 1836. Yes. So no need to look up the hallmark. | 0:28:53 | 0:28:57 | |
It will be genuine, will it? If you look at the hallmark, it does - the letter A for 1837. | 0:28:57 | 0:29:04 | |
So it's about a William IV melon-shaped silver teapot. | 0:29:04 | 0:29:10 | |
Your mother bought it in a junk shop, gave it to you... | 0:29:10 | 0:29:14 | |
Yes. Do you use it? I did, but I found it so intricate that cleaning it was such a problem. | 0:29:14 | 0:29:21 | |
I used it for special occasions and between times, it went black. | 0:29:21 | 0:29:26 | |
I wonder if the fact that we had to have...the handles put... cos it burns your hand. | 0:29:26 | 0:29:32 | |
These heat resistors have been replaced. | 0:29:32 | 0:29:36 | |
Looking at them, I can see that they look like Bakelite or plastic. | 0:29:36 | 0:29:41 | |
I think they were supposed to be bone instead of ivory. Oh. | 0:29:41 | 0:29:46 | |
This would be in, um... So they have been replaced. ..in the 1980s. | 0:29:46 | 0:29:51 | |
That's interesting. Thanks for telling us. It won't affect its value too much. | 0:29:51 | 0:29:58 | |
What do you think it's worth? Well, the last time I thought about it, | 0:29:58 | 0:30:03 | |
when I lived in the Midlands, a local antique shop said I should insure it for ?360. | 0:30:03 | 0:30:10 | |
That's insurance. That was about ten years ago. | 0:30:10 | 0:30:13 | |
At auction, if I was to put this in for sale, I'd expect it to go for between ?300 and ?400. | 0:30:13 | 0:30:21 | |
So it's appreciated over the ten years. It has appreciated, yes. | 0:30:21 | 0:30:26 | |
Are you happy with that valuation? Um, yes. You put a reserve on it, do you? We could do, yes, for sure. | 0:30:26 | 0:30:33 | |
You've brought something else too. Yes. This was given to me by my mother-in-law in the early '60s. | 0:30:33 | 0:30:40 | |
It was one of her wedding presents. She liked doing teas, but said she didn't have the courage to use it. | 0:30:40 | 0:30:48 | |
You can't get the forks out till the knives are out. It's very pretty. | 0:30:48 | 0:30:53 | |
She thought I'd use it, you see. Have you? I used it once. At least you used it once. | 0:30:53 | 0:30:59 | |
I realised you couldn't put it in the dishwasher. | 0:30:59 | 0:31:03 | |
No, because these blades are plated. The only silver is the tines here. You've got mother-of-pearl handles. | 0:31:03 | 0:31:10 | |
What do you think it is? I thought it was for eating in the dainty days when you had a piece of cake | 0:31:10 | 0:31:17 | |
and you ate it with a fork. No? Actually, it's fruit knives and forks for when you have your fruit. | 0:31:17 | 0:31:24 | |
The blades were quite sharp. When was your mother-in-law married? | 0:31:24 | 0:31:29 | |
Late '20s. That's when I think it would be dated from, late '20s. | 0:31:29 | 0:31:34 | |
Here we've Brook Son, the retailer from Edinburgh. Was she from there? | 0:31:34 | 0:31:39 | |
No. It must have been a friend or relative who was local to Edinburgh. | 0:31:39 | 0:31:46 | |
So it's come from quite a long way. | 0:31:46 | 0:31:48 | |
As you don't use it, you're wanting to sell it? Yes. | 0:31:48 | 0:31:53 | |
We've got to the stage where, soon, we've got to think what will our sons and my daughter-in-law do with them. | 0:31:53 | 0:32:02 | |
They're not liable to use things like this. I think people don't use these. | 0:32:02 | 0:32:07 | |
So I think it's reflected in its value. Yes. It won't be tremendous. | 0:32:07 | 0:32:13 | |
It'll be between ?80 and ?100. Yes. I'd suggest that at auction. How do you feel about that? | 0:32:13 | 0:32:20 | |
I thought it might be a bit more, but I can see why if it's plated. | 0:32:20 | 0:32:25 | |
The blades are plated. If it was silver, it'd be worth more. But it's a very attractive set. | 0:32:25 | 0:32:32 | |
You don't use it, your sons or daughter-in-law won't, | 0:32:32 | 0:32:36 | |
so that's why the value's so low for something like this. | 0:32:36 | 0:32:41 | |
Can you attend the auction? Yes. So we can see your item sell in Clevedon. I'd like to. Brilliant! | 0:32:41 | 0:32:48 | |
Can you tell me about the clock? It's a bracket clock by John Garth in London. | 0:32:48 | 0:32:54 | |
It was left to my mother in 1994. | 0:32:54 | 0:32:58 | |
An old lady she used to look after... there were two carers. | 0:32:58 | 0:33:03 | |
Yeah. They had a choice of clocks when she died. My mother chose that. | 0:33:03 | 0:33:08 | |
Your mother had good taste. It's a wonderful-looking piece indeed. | 0:33:08 | 0:33:13 | |
It's unfortunate to see the damage here. | 0:33:13 | 0:33:18 | |
But I wouldn't worry. If you want to keep the clock, I'd advocate having it restored, | 0:33:18 | 0:33:25 | |
but if you're thinking of selling it, leave it as it is for the next person to sort out. | 0:33:25 | 0:33:31 | |
You've got a lovely arched dial here, a subsidiary dial there, | 0:33:31 | 0:33:37 | |
with the strike and silent. Then, going onto the main face, a silver chapter ring. A decorative object. | 0:33:37 | 0:33:44 | |
If we turn it round to the side... | 0:33:44 | 0:33:46 | |
and just look at this, | 0:33:46 | 0:33:49 | |
do you see this sort of tapering wheel here? | 0:33:49 | 0:33:54 | |
Yes. That's what they call a fusee movement. And you have a double fusee movement, two of them. | 0:33:54 | 0:34:00 | |
In clock terminology, it's a fantastic thing to see. It increases the value somewhat. | 0:34:00 | 0:34:07 | |
Turning to the back, if we turn it round one more time, | 0:34:07 | 0:34:12 | |
the backplate is engraved, very nice indeed, with foliage and scrolls. In a lot of them you see, | 0:34:12 | 0:34:19 | |
they don't go to that much effort because the back is against the wall and no-one will see it. | 0:34:19 | 0:34:25 | |
It's a sign of craftsmanship. Have you had it valued for insurance? | 0:34:25 | 0:34:30 | |
The last time was on probate and they put ?1,500 on it at that time. | 0:34:30 | 0:34:36 | |
How long ago was that? '97. | 0:34:36 | 0:34:39 | |
You'll be pleased to hear things have gone up since then. At auction, you're looking at ?2,000-?2,500. | 0:34:39 | 0:34:46 | |
Yes. Would you be prepared to put it into auction? Yes. | 0:34:46 | 0:34:50 | |
It should make more than that. What would you do with the proceeds? | 0:34:50 | 0:34:55 | |
Divide it amongst the four children on my mother's side. Wonderful gesture. | 0:34:55 | 0:35:01 | |
Let's hope it does well at auction. Yes, that's fine. | 0:35:01 | 0:35:05 | |
Who is William Chester? He's my husband's stepfather's uncle. | 0:35:05 | 0:35:10 | |
So a tenuous family relationship, but family nevertheless. Yes. | 0:35:10 | 0:35:15 | |
"Acton. July 2nd 1860." Tell me what you think it is. | 0:35:15 | 0:35:20 | |
All I know is, they used to own an inn at Twyning, near Tewkesbury, Gloucestershire. | 0:35:20 | 0:35:27 | |
They had a lot of possessions in the public house, you see, and they came down to my husband. Right. | 0:35:27 | 0:35:33 | |
This is a loving cup. It may have been given to your relation | 0:35:33 | 0:35:39 | |
if he was marrying somebody or coming of age, 21. | 0:35:39 | 0:35:43 | |
Pretty, hand-painted, floral scene. I'd have thought Staffordshire. | 0:35:43 | 0:35:48 | |
You've got the date - 1860. Do you like it? | 0:35:48 | 0:35:53 | |
Yes, I like it very much. What's great are these dots. Yes, they are. | 0:35:53 | 0:35:58 | |
I think the dots are great and make the piece. They're wonderful. | 0:35:58 | 0:36:04 | |
Would you think about selling it? Yes, I would. Brilliant. I'd say between ?150-?200. | 0:36:04 | 0:36:10 | |
If we got that, what would you do with the money? Put it to good use. Put it to good use? Yes. | 0:36:10 | 0:36:17 | |
We don't need to ask any more questions. Thanks for coming. See you at the auction. Thank you. | 0:36:17 | 0:36:24 | |
I bought them in a house sale. Mm-hm. | 0:36:24 | 0:36:28 | |
About 15 years ago. They were ?60. | 0:36:28 | 0:36:31 | |
They are two very nice articles indeed. They're made by Royal Doulton. They are a pair. | 0:36:31 | 0:36:37 | |
The variance in colour is usual because they are hand-made. | 0:36:37 | 0:36:41 | |
They're very decorative indeed. It's called a baluster-shaped vase. | 0:36:41 | 0:36:47 | |
Nice applied bead decoration going all around, little flowers, a decorative border. | 0:36:47 | 0:36:53 | |
They're wonderful things, in classic Doulton colours, with the glaze here | 0:36:53 | 0:36:58 | |
matching the foot. Wonderful pieces. | 0:36:58 | 0:37:01 | |
Made around the turn of the century, anywhere between 1895 to 1902, 1903. | 0:37:01 | 0:37:08 | |
You can tell by the shape and the colours of the glaze the factory used then. | 0:37:08 | 0:37:14 | |
What do you think they're worth? I haven't a clue, really, | 0:37:14 | 0:37:18 | |
but I've been offered ?300 to ?350 for them within the last six months. | 0:37:18 | 0:37:25 | |
Congratulations for not taking it, because that's a derisory sum. | 0:37:25 | 0:37:30 | |
The person was obviously trying to make a quick buck. Yeah. | 0:37:30 | 0:37:35 | |
At auction, you'd be looking at between ?600 and ?700 at this moment in time. That's the auction value. | 0:37:35 | 0:37:42 | |
For insurance valuation, if I were to break them - hopefully I won't - | 0:37:42 | 0:37:47 | |
you're talking about ?1,200-?1,400. OK. On the basis of that valuation, | 0:37:47 | 0:37:53 | |
will you put them into auction? With a reserve. We can certainly do that. | 0:37:53 | 0:37:58 | |
With what we realise for you, what will you spend the money on? | 0:37:58 | 0:38:03 | |
My son's 21st birthday in two years' time, in which case, | 0:38:03 | 0:38:08 | |
I would pay to have his eyes done, because he hates wearing glasses. | 0:38:08 | 0:38:14 | |
A kind thought from a kind mother. Thanks for bringing them in. | 0:38:14 | 0:38:19 | |
Normally, in the summer, Weston is heaving with people seeking sun, sand and sea. | 0:38:24 | 0:38:30 | |
Off-season, it's deserted, | 0:38:30 | 0:38:33 | |
but I'm meeting someone at the centre of Weston's heyday 40 years ago. | 0:38:33 | 0:38:39 | |
It's Joan - Miss Modern Venus 1960. | 0:38:39 | 0:38:42 | |
I was just 17. This is a photograph of when I won the heats. Is this on the pier? | 0:38:42 | 0:38:48 | |
No, that's at the Tropicana. That's a lido, then? That's right. | 0:38:48 | 0:38:53 | |
You've something interesting to say about this one. Yes. This is Michael Aspel. | 0:38:53 | 0:38:59 | |
He was the judge. Doesn't he look young? Yes. And you inherited the title - Miss Modern Venus 1960? Yes. | 0:38:59 | 0:39:06 | |
Venus, the goddess of love. Yes, and I held it for a year. Right. It was a lot of fun. | 0:39:06 | 0:39:12 | |
What was it like then? From early morning, people came down, chose their deck chairs, whole families - | 0:39:16 | 0:39:23 | |
grandmothers, grandfathers and children. They'd come onto the pier, have candyfloss and ice creams. | 0:39:23 | 0:39:29 | |
The girls would walk up and down along the beach and the prom, and the boys sat on the wall and admired. | 0:39:29 | 0:39:36 | |
You'd choose your partners that way. Sounds like it's reawakening lots of nostalgic memories. | 0:39:36 | 0:39:43 | |
Yes, it is. It was great fun. You couldn't get over how many people were here, actually on the beach. | 0:39:43 | 0:39:50 | |
Has Weston changed much? Yes, it's changed lots. The innocence has gone. | 0:39:52 | 0:39:57 | |
We've lost the cinema and we've lost the Punch and Judy show. | 0:39:57 | 0:40:02 | |
There's a lot of these places now. More amusements. The family part has gone. | 0:40:02 | 0:40:07 | |
It's more individual youngsters and I do miss the innocent ways of coming down, finding an ice cream, | 0:40:07 | 0:40:15 | |
walking along the beach and looking for a gentleman. | 0:40:15 | 0:40:19 | |
SAILOR LAUGHS What a noise! This is the original drunken sailor. | 0:40:21 | 0:40:26 | |
Mothers would go mad with them. "Oh, peace!" | 0:40:26 | 0:40:29 | |
I think it's about time we started this diet, don't you? Yes. | 0:40:29 | 0:40:34 | |
After our valuation day, our owners and experts head for the auction. Let's see what they're taking along. | 0:40:41 | 0:40:48 | |
Whoever buys Sheila's jade horse could inherit a blessing. | 0:40:48 | 0:40:54 | |
Maybe the next person will be lucky. | 0:40:54 | 0:40:56 | |
Kelly has two lots - fruit knives and forks and her mother's teapot. | 0:40:56 | 0:41:01 | |
She was lovely. I loved her story of buying it for ?5 in a junk shop | 0:41:01 | 0:41:06 | |
all those years ago in the '60s. What a find! | 0:41:06 | 0:41:10 | |
Time will tell if Frank's honest bracket clock will make a profit. | 0:41:10 | 0:41:15 | |
Will someone fall for Joan's loving cup? | 0:41:15 | 0:41:18 | |
Veronica's Doulton vases will please her son if they fetch a good price. | 0:41:18 | 0:41:24 | |
The sale in Clevedon is full of people hoping to bid for a bargain. | 0:41:31 | 0:41:36 | |
Amongst the browsers are our owners. | 0:41:36 | 0:41:39 | |
Soon, their items will be up in front of the buyers. | 0:41:39 | 0:41:44 | |
Lots of bids are being placed in auctioneer Mark's book. | 0:41:44 | 0:41:49 | |
He examines our antiques to assess our experts' valuations. | 0:41:49 | 0:41:53 | |
With 30 years' experience, he should know. | 0:41:53 | 0:41:57 | |
Here we have a horse. It's Chinese, I don't think it's terribly old. | 0:41:57 | 0:42:03 | |
It's a greenstone. Yes. This was Sheila's. I don't like it, do you? | 0:42:03 | 0:42:08 | |
It's not my favourite piece. | 0:42:08 | 0:42:10 | |
Sheldon's put a value of ?80-?120 on it, which I think is very... | 0:42:10 | 0:42:16 | |
Very ambitious. I think we'll struggle to get the ?40 reserve. | 0:42:16 | 0:42:20 | |
I think so as well. | 0:42:20 | 0:42:23 | |
Here we have a lovely silver teapot, probably as nice as you can get. | 0:42:23 | 0:42:28 | |
Very ornate, isn't it? It's London, with the leopard's head. | 0:42:28 | 0:42:32 | |
The date letter A is for 1836. There's the head of William IV. Also, it's got an inscription. | 0:42:32 | 0:42:39 | |
People sometimes say an inscription detracts from it, but in this case, | 0:42:39 | 0:42:45 | |
engraved inscription of the date, 1836... Which puts a bit of value on it. It doesn't take it off, no. | 0:42:45 | 0:42:53 | |
Valued ?300-?400. I couldn't agree more. Nor could I. I hope it fetches a bit more. | 0:42:53 | 0:42:59 | |
It's a grand set, isn't it? It is, yeah. | 0:42:59 | 0:43:03 | |
The age of elegance, it screams to me. Very small. What were they used for? Fruit knives with forks. | 0:43:03 | 0:43:09 | |
They date from about 1890. They're not silver, but silver plate. | 0:43:09 | 0:43:13 | |
Handles are carved mother-of-pearl. They don't fit modern life well. | 0:43:13 | 0:43:19 | |
Which is why Kelly's selling them. Yeah. Value? They sound cheap at ?100. | 0:43:19 | 0:43:25 | |
It is cheap. But the demand is... Zero. ..fairly limited. | 0:43:25 | 0:43:30 | |
Little call in this country. No. | 0:43:30 | 0:43:33 | |
Here's a handsome piece. A loving cup - quart size, I think. Two pints? Two pints. | 0:43:33 | 0:43:39 | |
Turn it round, there's a surprise - a nice inscription there. | 0:43:39 | 0:43:44 | |
William Chester, presumably of Acton. West London. July 2nd 1860. | 0:43:44 | 0:43:49 | |
What date would you say? I'd say the date of the mug. It was probably given to him on his birthday. | 0:43:49 | 0:43:56 | |
It's done well to survive from 1860. What are we expecting on this? | 0:43:56 | 0:44:02 | |
I think around ?150. And the reserve is? ?130. | 0:44:02 | 0:44:07 | |
About right, isn't it? Yes, it's a nice piece. | 0:44:07 | 0:44:10 | |
Frank's fusee mantel clock. Very nice. It is, isn't it? Georgian, | 0:44:10 | 0:44:15 | |
mahogany-cased bracket clock. It's beautiful. Frank inherited it. | 0:44:15 | 0:44:20 | |
He's going to divide the proceeds between his brothers and sisters. | 0:44:20 | 0:44:24 | |
The maker is on the front - John Garth of London. That's important, | 0:44:24 | 0:44:29 | |
a London maker fetches top money. Very good. And he's in the book at around 1760-1765. | 0:44:29 | 0:44:37 | |
Our experts have valued this at ?2,000-?2,500. | 0:44:37 | 0:44:43 | |
That's a very sensible valuation to start with. There's been great interest in it. | 0:44:43 | 0:44:50 | |
You've put no reserve on it, because... I think it'll make ?2,500-?3,000. | 0:44:50 | 0:44:56 | |
It's a beautiful clock. I hope it does well. | 0:44:56 | 0:44:59 | |
Our owners' items are a real mixed bag, so let's hope the buyers have real catholic tastes. | 0:44:59 | 0:45:06 | |
There's a good crowd. Kelly hopes someone will snap up her silverware. | 0:45:06 | 0:45:10 | |
Your mother had a very astute eye, because she found that silver teapot in a Liverpool junk shop. She did. | 0:45:10 | 0:45:17 | |
It can't have cost much - not much more than a fiver. | 0:45:17 | 0:45:21 | |
That will fetch a tidy sum. What will you spend it on? | 0:45:21 | 0:45:25 | |
I have got three antique clocks that need attention. And I have a grandmother clock that I was given. | 0:45:25 | 0:45:32 | |
My son, when learning to crawl, crawled into it and knocked it over. | 0:45:32 | 0:45:37 | |
PAUL LAUGHS It would be nice to get those going and all chiming at once. | 0:45:37 | 0:45:43 | |
First under the hammer is Joan's loving cup. Will someone fall for it? | 0:45:43 | 0:45:50 | |
You brought in the loving cup. How long have you had it? I've had it about...30 years all told. | 0:45:50 | 0:45:56 | |
My mother-in-law lived with us and brought it with her. | 0:45:56 | 0:46:01 | |
Did it have pride of place in the house or was it in a cupboard? It's been in a cupboard, a glass cabinet. | 0:46:01 | 0:46:07 | |
So you can see it? Yes. It's a beautiful cup, isn't it? Yes. | 0:46:07 | 0:46:13 | |
When the cup sells today, what will you spend the money on? | 0:46:13 | 0:46:19 | |
I'd like to replace it with something to, um... More porcelain? Here we go. We're up now. | 0:46:19 | 0:46:25 | |
It's dated 1860 and it's in very nice condition for its age. | 0:46:25 | 0:46:31 | |
Lot 473, a nice piece of pottery. | 0:46:31 | 0:46:34 | |
?70 here, 80 here. ..90, will you? | 0:46:34 | 0:46:37 | |
90? 90? 90? ..100. 110? | 0:46:37 | 0:46:42 | |
We've a reserve of 130 on this. ..140? We've done it, it's sold. | 0:46:42 | 0:46:46 | |
At ?130 in the room. 140 now? | 0:46:46 | 0:46:50 | |
All done, are you? All done on ?130, then. | 0:46:50 | 0:46:54 | |
There we are. 130? Bang on the reserve. Happy with that? Quite. | 0:46:54 | 0:47:00 | |
Are you sad to see this go now? In a way. | 0:47:00 | 0:47:04 | |
But I couldn't leave it where it was because I couldn't enjoy it. | 0:47:04 | 0:47:09 | |
We live in a small house and it needs to be in a big glass cabinet and a proper environment. | 0:47:09 | 0:47:16 | |
So you'll let someone else enjoy it and get some use out of it. Yes. | 0:47:16 | 0:47:22 | |
Let's hope, for Sheldon's sake, bets are riding on Sheila's jade horse. | 0:47:24 | 0:47:29 | |
Sheila's horse isn't bringing her much luck - she can't be here because her husband's quite ill. | 0:47:29 | 0:47:36 | |
That's unfortunate. Yes. I think she'll be glad to see the horse go. There's been lots of interest in it. | 0:47:36 | 0:47:43 | |
It's the old cliche, but I'm quietly confident again. I hope so for you. | 0:47:43 | 0:47:49 | |
Lot 186 is the carved hardstone figure of a horse... | 0:47:49 | 0:47:53 | |
I've got to remind you, you said ?80-?120. | 0:47:53 | 0:47:57 | |
What can we say? ?20 only, I am bid. | 0:47:57 | 0:48:00 | |
And 2, now 5? 25? It's a bit slow at the moment. | 0:48:00 | 0:48:04 | |
?25, will you? ?25, will you? | 0:48:04 | 0:48:08 | |
It's ?22 only. Is there ?25, anyone else? Yes or no? | 0:48:08 | 0:48:12 | |
I'm sorry, it's not sold. Dear, oh, dear! What can I say? | 0:48:12 | 0:48:16 | |
I'll leave it to you to ring Sheila. I'll phone the Samaritans first! | 0:48:16 | 0:48:21 | |
I mean, it's a nice-looking thing. Initially, it would have been one of a pair. Yeah. | 0:48:21 | 0:48:28 | |
When it was made, there were two, so you're really looking at 50% of the article here. | 0:48:28 | 0:48:35 | |
In that respect, I can see why it didn't go. On the other hand... He's wriggled out of it, hasn't he? | 0:48:35 | 0:48:41 | |
Up next is Kelly's first lot of silver. | 0:48:41 | 0:48:45 | |
Kelly, this is one of two lots for you. Were you surprised to find out they were fruit knives? | 0:48:45 | 0:48:52 | |
I was, yes. My mother-in-law gave them to me and she said, "You do a lot of baking and afternoon teas." | 0:48:52 | 0:48:59 | |
As if it was a cake knife and fork? Which I thought it was. They're much broader. I still don't know. | 0:48:59 | 0:49:06 | |
I suppose, in more elegant times, people held a piece of fruit with a fork and peeled it? | 0:49:06 | 0:49:12 | |
It's such an impractical thing, isn't it? We eat the skins now. | 0:49:12 | 0:49:17 | |
What do you think of them, Thomas? You valued them at ?80-?100. | 0:49:17 | 0:49:22 | |
Yes, they were very pretty and they were all there. Yes. Hardly used. Well boxed, well presented. | 0:49:22 | 0:49:29 | |
The only thing I'd say is that they're not very functional any more. No. Just decorative. | 0:49:29 | 0:49:36 | |
275, a set of 12 late-19th-century fruit knives and forks. | 0:49:36 | 0:49:42 | |
Very nice they are too. | 0:49:42 | 0:49:44 | |
I'll start the bidding at ?100. Who's got 10? 110? | 0:49:44 | 0:49:48 | |
That's excellent. It's already sold. | 0:49:48 | 0:49:52 | |
I'm quite pleased, actually. Yeah, relieved! | 0:49:52 | 0:49:56 | |
170? 170? It's against you in the room on... | 0:49:56 | 0:50:00 | |
170. ..180. ..190? | 0:50:00 | 0:50:03 | |
190. ..200. ..210? ?200. The bid's here. 210, will you? | 0:50:03 | 0:50:08 | |
All done at ?200? | 0:50:08 | 0:50:12 | |
How do you feel about that? Amazed! So are you, aren't you, Thomas? | 0:50:12 | 0:50:17 | |
?200! Yes. That's exceeded all our expectations. Yes. | 0:50:17 | 0:50:22 | |
You'd have been happy with ?70, wouldn't you? I'd have been happier with ?110. | 0:50:22 | 0:50:28 | |
What are you going to spend the money on? Well, again, either repairing my clocks. Yes. | 0:50:28 | 0:50:34 | |
Divide it between my clocks and a donation to the hospice. | 0:50:34 | 0:50:39 | |
It's good to see some of Kelly's money going to a charitable cause. | 0:50:39 | 0:50:43 | |
Veronica's vases are here, but she couldn't make it. | 0:50:43 | 0:50:48 | |
Again, owner's on holiday. We aren't doing well with yours. I don't mind. Probably living it up abroad. Yes. | 0:50:48 | 0:50:55 | |
Pair of Doulton vases. Yes, Doulton, as we all know, highly collectable. | 0:50:55 | 0:51:00 | |
Should do quite well. They're in very good condition. | 0:51:00 | 0:51:05 | |
Lot 357, a pair of Royal Doulton stoneware pottery vases. | 0:51:05 | 0:51:10 | |
Very nice condition they are as well. I've got bids on the book | 0:51:10 | 0:51:15 | |
at 380, 400, 420. | 0:51:15 | 0:51:19 | |
440, will you? 440, will you? 440, will you? | 0:51:19 | 0:51:23 | |
You've got a reserve of 550, haven't you? I have. ..520? | 0:51:23 | 0:51:28 | |
520? | 0:51:28 | 0:51:30 | |
?500. And 20? 520? | 0:51:30 | 0:51:34 | |
Against you all at ?500. | 0:51:34 | 0:51:36 | |
Just below by one bid. Maybe you can have words with the auctioneers. | 0:51:36 | 0:51:43 | |
I'll have to. Get the commission reduced to get that through. Yeah, it's worth a go. It was so close. | 0:51:43 | 0:51:49 | |
Very unfortunate, but we'll see what we can do. Better luck next time. | 0:51:49 | 0:51:55 | |
It just goes to show - our experts aren't always right. | 0:51:55 | 0:51:59 | |
Now, can Kelly make more money to give to that charity and get those clocks repaired? | 0:51:59 | 0:52:06 | |
This is the first auction you've ever been to. It is, yes. Are you excited? Or scared? | 0:52:06 | 0:52:12 | |
I was scared of looking up, in case I bought something. Accidentally? | 0:52:12 | 0:52:17 | |
Yes. You look like a dealer, with a magnifying glass round your neck. | 0:52:17 | 0:52:22 | |
That's cos I can't see very well. I was noting what things raised. | 0:52:22 | 0:52:27 | |
I have bids on the book at 280, 290... | 0:52:27 | 0:52:31 | |
We're up to the teapot now. It started at 310, 320. | 0:52:31 | 0:52:35 | |
340. ..350? Anyone else? | 0:52:35 | 0:52:38 | |
?340 on the book. 350, anywhere else? | 0:52:38 | 0:52:43 | |
Wed a reserve of 300. You're fine. | 0:52:43 | 0:52:46 | |
360 now? At ?350. ..360, anyone else? | 0:52:46 | 0:52:50 | |
Yes or no? | 0:52:50 | 0:52:52 | |
A quality piece. Are you pleased with that? Was that 360? 350. Yes. | 0:52:52 | 0:52:58 | |
It's amazing it was bought for so little and how it's accumulated. | 0:52:58 | 0:53:03 | |
I wish my mother knew, because she never really won anything or got anything | 0:53:03 | 0:53:09 | |
and she deserved it. Yeah. That's why it'd be nice to give a donation to the hospice. | 0:53:09 | 0:53:15 | |
I don't think we had them when she died, or not enough. That's a real feel-good factor, isn't it? Yes. | 0:53:15 | 0:53:22 | |
Our final lot is Frank's bracket clock. ..Frank, are you excited? | 0:53:22 | 0:53:28 | |
Yes, fairly excited. You should be because things are flying out today. | 0:53:28 | 0:53:33 | |
And this fusee movement in this clock is stunning. | 0:53:33 | 0:53:38 | |
It's got a London maker on the dial as well. Two good things going for it. How long have you had it? | 0:53:38 | 0:53:44 | |
Since 1994. Will you be sad to see it go? Yes, I will be. | 0:53:44 | 0:53:49 | |
You're dividing the money up four ways, aren't you? Yes, amongst the four children. | 0:53:49 | 0:53:55 | |
What will you spend your share on? 10% will go on a radio-controlled clock that keeps accurate time. | 0:53:55 | 0:54:02 | |
The rest will be invested in the garden. Did that one keep good time? Yes, but where I keep it, | 0:54:02 | 0:54:09 | |
it's in a room with a wood burner and the humidity would ruin it if I kept it there for any period. | 0:54:09 | 0:54:16 | |
It's beautiful. Better let it go. | 0:54:16 | 0:54:19 | |
439, the star of the show here. | 0:54:19 | 0:54:22 | |
Lot 439 is this nice bracket clock by John Garth of London. | 0:54:22 | 0:54:27 | |
There's no reserve. | 0:54:27 | 0:54:29 | |
And I have one, two, three, four, five bids left with me on the book. | 0:54:29 | 0:54:34 | |
That's encouraging. Interesting. Good start. | 0:54:34 | 0:54:38 | |
There's ?2,800 bid three times. There you are. | 0:54:38 | 0:54:41 | |
2,800. ..2,900? And the bid's 2,900, your bid, sir. | 0:54:41 | 0:54:45 | |
2,900. 3,000? 3,000, will you? | 0:54:45 | 0:54:49 | |
3,000, will you? | 0:54:49 | 0:54:51 | |
At 2,900. Are we going 3,000? | 0:54:51 | 0:54:55 | |
3,000? At ?2,900 in the room. | 0:54:55 | 0:55:00 | |
Selling on 2,900. Mr Hogan. | 0:55:00 | 0:55:03 | |
?2,900. Very good. I'm pleased with that. I bet you are. Excellent news. | 0:55:03 | 0:55:08 | |
It's a good clock, it was a quality piece. Quality always counts. | 0:55:08 | 0:55:14 | |
It does. So divide that by four, that's what? ?740-odd. | 0:55:14 | 0:55:20 | |
Something like that. There you are. We'll take your word for it. | 0:55:20 | 0:55:25 | |
Don't quote me on that one. | 0:55:25 | 0:55:27 | |
Most of our owners were happy with their sales. Michelle never expected her medicine chest to do so well. | 0:55:27 | 0:55:35 | |
I expected about 200 at a push, but exceeding 300 is brilliant news. | 0:55:35 | 0:55:40 | |
Terry and Jenny's medicine bottle didn't live up to expectations, but the candle holders made up for it. | 0:55:40 | 0:55:48 | |
Pleased? Yes. We didn't even realise they were French. | 0:55:48 | 0:55:52 | |
Frank's brothers and sisters will be pleased with their windfall. | 0:55:52 | 0:55:56 | |
I've kept it for three years. It's gone up in price. We'll all be happy. | 0:55:56 | 0:56:02 | |
Kelly did her mother proud with the sale of her teapot, and her fruit knife set did well too. | 0:56:02 | 0:56:09 | |
I didn't think it would go much above its reserve. I'm pleased. | 0:56:09 | 0:56:13 | |
We've had some wonderful sales today. It's been superb. | 0:56:17 | 0:56:22 | |
See what happens next time on "Flog It!" | 0:56:22 | 0:56:25 |