Dulwich Flog It!


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Today, we're south of the river at Dulwich College. Welcome to Flog It!.

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As well as the famous school, which was established in 1619,

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Dulwich is known for its beautiful Victorian park.

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Outside the splendid gates, you'll find Dulwich Village itself.

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It's so green around here, it still feels like a village,

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even though we're just a few miles from Central London.

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This is what I like to see.

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The sun is shining, everybody is happy, smiles everywhere.

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And we've got a whopping queue today.

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Everybody here at Dulwich College is eager to get inside.

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Our team is headed up by Michael Baggott and Kate Bateman,

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who are already starting to value items in the queue.

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Michael is an antiques consultant from Birmingham, who has a passion for silver.

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I'll tell you one thing, it's over 46 years old.

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Kate has been surrounded by the world of antiques all her life

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and works for the family auction house in Lincolnshire.

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Be still my beating heart. You get a sticker.

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You get two stickers, just in case I miss you.

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Somebody here today is going home with a lot of money.

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Stay tuned and you'll find out.

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I guess, as I'm the senior member of the team, I can be the headmaster.

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So let's get the doors open and get on with our lessons.

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Coming up on today's show -

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Kate has delusions of grandeur.

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..I might have a Kate Middleton moment. Is it going to go?

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-It suits you.

-I think so.

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Michael gets excited.

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I feel I should beat out a tune on this wonderful drum. Marvellous!

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And auction fever has us all in a spin.

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-I'm shaking.

-I am gobsmacked.

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Kate's at her table with a cheeky monkey and its owner, Patricia.

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-Patricia, welcome to Flog It!

-Thank you.

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You've brought a little person, a little monkey. Who is he?

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I don't know what his name is. He hasn't got one.

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We've had him for 15 years. He was my late husband's mother's

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that we found in the loft when she died.

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-So he wasn't yours?

-No. Where she got it from, I'm not sure.

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What intrigues me... I looked at his face and he looks familiar to me.

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He's got a little hole in his ear.

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I was looking for a button in his ear,

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which would mean he was Steiff.

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I think, just looking at him, I'm fairly sure he is a Steiff.

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Date wise, he's pre-war, certainly. Probably about the 1920s.

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He's had a bit of a hard life. He's straw filled. He's mohair.

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You can see he's obviously had some quite long bits here.

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He was obviously this fantastic, all-over brown colour.

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-Do you know anything about the Steiff factory?

-Not a lot, no.

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It's a fascinating story.

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Margarete Steiff, the lady who founded it in about the 1890s,

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when she was two, contracted polio and was confined to a wheelchair.

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When she was a young woman, her parents bought her a sewing machine,

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just to see if she could make her way as a seamstress.

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She made, out of a pattern, a tiny little, sewn elephant

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that she gave as a present to, I think, her sister-in-law.

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She liked it and somebody else wanted one

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and she started to produce them.

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And it went from there. It's a fantastic factory.

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Before that, toys weren't commercially produced.

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The Steiff factory is really the first to make them.

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-Any idea, price-wise, what you think he's worth?

-Haven't got a clue.

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Well, Steiff's one of the big names.

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-But he's not in good condition.

-I think he's probably £50-£80, something like that.

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Although he's missing his button, but he is recognisable as a Steiff.

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-Is that the kind of figure you'd go for?

-Yeah, that's fine.

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I look at him and I think, "I don't really like him."

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No? He's got a sweet little face!

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-He's just been sitting in the cupboard.

-Oh! Reserve?

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What would you think?

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It should be the least that you'd be happy to sell it for.

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So if you say, "I'd let him go for £20, I'd be happy with that,"

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I'd say put that reserve on him

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and let him find his own level at the auction.

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-OK, yeah.

-Fingers crossed.

-Fine.

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-Wave goodbye, monkey.

-Bye.

-Thank you for bringing him along.

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Michael didn't have to wait too long

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to get his hands on some silver, courtesy of Gillian.

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So we're in this wonderful setting today of Dulwich College Hall.

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But I believe you've been here recently.

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I have. It was my daughter's wedding on Saturday here.

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-And you're back for Flog It!

-I had to come back to Flog It!

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Of course, you did! Of course, you did!

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Look at this wonderful thing that you've brought me.

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I'm always delighted to see a piece of silver on Flog It!.

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Before I tell you anything about it, where did it come from?

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When I cleared out Mum's flat, when she died, I found it.

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I didn't know anything about it at all.

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-So you'd never seen it up until that point?

-No, never.

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Any idea where your mother got it from?

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No. It could have belonged to my father's side of the family.

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Silver's very helpful because it's usually marked.

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What we need to do is flip it over.

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And we've got those hallmarks there. Three little marks.

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Have you looked at them under a glass?

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I have. They didn't mean anything really.

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-Well, it's actually Russian.

-Oh!

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The first one is the assay master's initials.

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He's the man that would supervise the scraping of the silver

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and the testing to see that it was up to standard.

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Underneath that we've got a line, then the date when it was made,

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which is incredibly helpful.

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And we've got 1863.

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Next to that we've got an "84".

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It actually means "84 zolotniki",

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which is the Russian standard of silver.

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So we can tell from this it's Russian.

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If we move on,

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the last mark we've got is a figure of St George on horseback,

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which is for Moscow.

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-So we know that this was made in Moscow in 1863.

-Oh, my God!

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The mark underneath there is the maker's mark,

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but unfortunately I can't tell you who that is today.

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If we tilt it back up, that's the clue as to where it comes from.

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All of this lettering is from the Cyrillic alphabet,

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the Russian alphabet.

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No wonder I couldn't understand it!

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It's a typical drinking form.

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They had a lot of beakers. This flared foot is more unusual.

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Often they tend to end in just a cut foot.

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Then we've got all this surface decoration,

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which is fantastic detail, and it's engraved.

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And it's heightened in a substance called niello,

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which is basically an amalgam with a sulphur base

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and, when you apply it and fire it onto the body,

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you get these wonderful black lines, almost like a black enamel.

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Oh, I see.

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That throws up the contrast of all the decorations.

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This is a presentation inscription in Russian,

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which I can't translate for you.

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Those are the initials, in Cyrillic, of the owner.

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It would be fascinating to know how your mother really got it.

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Oh, I know. As I say, my grandfather used to...

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He was in the Royal Marines.

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-Travelled round the world.

-Travelled round the world.

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I think we may have our answer. Well, it's a lovely thing.

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-Why have you decided to part with it now?

-Well, it's in a cupboard.

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Nobody seems that interested in it.

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-You're not a big vodka drinker, are you?

-Not that big!

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You couldn't have that much on a regular basis!

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-The good news is that Russian silver is very collectable.

-Right.

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It's fallen back slightly from what it was three or four years ago

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when Russian oligarchs were spending millions of pounds.

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As a consequence I'd be remiss not to put a reserve on it

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of £200 at auction.

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Really?

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Absolutely. And we'll put an estimate of £200-£300 on it,

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-but we'll keep that reserve fixed.

-Oh, my goodness!

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-OK. Thank you.

-And we can hope maybe on the day for a phone bidder

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from Moscow or St Petersburg.

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-Might be hoping too much, but we'll see on the day.

-You never know.

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I think it will be keenly sought after whatever.

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Thank you so much for bringing it in.

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Let's hope all of Moscow get bidding, but in the meantime,

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magpie Kate has jewellery on her table, brought in by Elizabeth.

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-Liz, hello.

-Hi.

-You've brought some pretty rings.

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-Where did they come from?

-My husband gave them to me.

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-My late husband.

-Lucky you!

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They bring back very good memories, but there does come a time

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when you have to let go a bit.

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Are these all or...?

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No, I've got very many rings.

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Did you wear them? Presumably.

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Yes, I did. I wore them to many functions.

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-He took me out quite a lot as well.

-Showed you a night on the town!

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There's some really nice ones here.

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There are three on 18-carat gold, so he's obviously bought quality. You're a lucky woman!

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These front three here have all got diamonds in.

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This one is a sapphire and diamond one. That's just on 9-carat gold.

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Clusterings like this flowerhead-type cluster

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went out of fashion a little bit over the past few years,

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but because of the Royal marriage

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they've had a bit of a resurgence really in fashion.

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It just shows how the Royals are still setting the trends.

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Ten years ago, that would be quite hard to sell,

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but it's become a lot more easy to sell now.

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So I would say, maybe try these three.

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Individually, they don't have very large diamonds.

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There are a couple of solitaires,

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but the largest is about a third of a carat.

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This one has an illusion setting, which means it's a small diamond,

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but they've put a setting in platinum

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around the outside with little cuts in it.

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It sort of catches the light and tricks the eye

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into thinking the diamond in the middle is bigger than it is.

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It's quite cunning.

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Absolutely.

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I would say, probably put these three in as one lot together

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and then put the sapphire as a separate lot.

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For these three together, you're probably talking £120-£180.

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And maybe the same sort of thing, so 100-150, for the sapphire one.

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-Would you want a reserve on that?

-Yes, please, I would.

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OK. Your reserve needs to be a bit below your low estimate usually.

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So maybe put a reserve of £100 on the three, a firm reserve of £100,

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-and maybe an £80 reserve on the sapphire.

-Right.

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Would you be happy with that?

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-I'd like £100 on the bigger one, if you don't mind.

-OK.

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-They're your items.

-My husband paid quite a lot of money for it.

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-I know it's going back a bit, but he did pay quite a lot.

-They're your items.

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We can estimate them,

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but if you don't want to let it go below a certain point,

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that's the entire point of a reserve.

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-So 100 firm on this one and 100 on the three.

-That's lovely.

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And estimates a bit higher.

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-Brilliant. Thanks for bringing them in.

-That's lovely. That's OK.

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I might just have a Kate Middleton moment. Will it go?

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-Oh, it suits you.

-So glad I did my nails! I think so.

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-And it's the right size.

-My husband will be sweating. There we go.

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I'm not allowed to bid in the auction,

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but I'm sure lots of people like me will.

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Fingers crossed.

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We are now halfway through our day

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and we've found our first three items to take to auction.

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This is where the talking stops and the action begins.

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Here's a reminder from our experts of the items we've found so far.

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How can you resist that face?

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I think he's really sweet and collectors will love him at auction.

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I'm hoping he's going to make 50-80, but his condition's not great.

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I think somebody will fall in love with him like I have.

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Say goodbye, monkey.

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Everyone knows I love silver,

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so it was great to see this Russian beaker.

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I'm going to have some real fun looking up the maker's mark.

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Cluster rings like this have been out of fashion,

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but I think they will come back in,

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so I'm hoping these do really well at auction.

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Next to the Thames, we've headed to Greenwich to sell our items.

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As you can see, the building is bright red on the outside.

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It's bright red inside and it's filling up.

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It's a vast space, full of bidders,

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hopefully putting their hands up and buying our lots.

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The auction is about to start,

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but yesterday I caught up with the auctioneer,

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the man with the local knowledge, Robert Dodd.

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He was generally very enthusiastic about everything,

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but he was a little cautious about one of our lots.

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This is what he had to say.

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Four diamond rings belonging to Elizabeth,

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given to her by her late husband.

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These came in as two lots.

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This was the first lot.

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A separate lot by itself. Fixed reserve, £100.

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These three came in as one other lot.

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You've decided to split these three into separate lots.

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That's right.

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You can forget about the price of precious metals.

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Selling jewellery as an auctioneer,

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I look for someone who likes the ring.

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-OK. The style.

-It's the style.

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You've got three rings here.

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If I'd have put them in as one lot,

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-all day long it would make £100.

-OK.

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-But...

-That was their combined reserve.

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But you've got two different size of rings for a start.

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You've also got two clusters, which are nice,

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and I think they'll do quite well.

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This I like.

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It was originally bought in Australia in about 1960 something.

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I found out from the vendor.

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It's got diamonds and sapphire hearts on it.

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It had to go on its own.

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-We're confident with £100, £150 on that.

-A reserve of £100 is fine.

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And I think that you're probably looking

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at somewhere between maybe £120 and £150 for these.

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OK.

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I hope!

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Let's hope Robert's tactics of splitting the rings up works out.

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He's tweaked the estimates to give them the best chance of selling.

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Patricia's Steiff monkey's about to go under the hammer.

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This little monkey's come out of the loft

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and now it's in the auction room.

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-It belongs to Tricia. Hopefully, not for much longer.

-Hopefully!

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Why do you want to sell this?

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It wasn't mine. It was just in the loft.

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It's been sitting in the cupboard, so...

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-You found it in your loft?

-Yeah.

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-It was my late husband's mother's.

-Oh, right.

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-I was thinking maybe the previous owners left it there.

-No.

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Good luck, Kate. Good luck, Patricia. This is it.

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Two-tone brown. Lovely little chap.

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It's got to start with a bid with me of £22

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on this Steiff monkey.

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Looking for 25. I've got 22 on it.

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Looking for 25. 26. Eight, I'm out.

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£28. Looking for 30. I've got 28.

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Oh, phone bid!

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Looking for 32. 32. I'll take 34.

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I'll take 34 on the phone. 36 in the room. 38, I need.

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38, I want. 38. £40 there. Looking for 42.

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42 I need. On the phone at 42.

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44 in the room. 46, I'll take.

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-Room against phone, isn't it?

-48.

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50, I want.

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£50. I'll take 52. Four, I need.

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£54, I want. 54.

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Six, I want. 56 in the room.

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58, I need. 58.

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£60, in the room. I'll take 62.

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62, I want. 62. 64 in the room.

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Not monkeying about, is he?!

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66. No? Are we all done? Last time.

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On the monkey at £64, on the Steiff.

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-£64!

-That was good.

-That was good, wasn't it?

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You were worried to start with.

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I was. He was damaged and didn't have his Steiff button.

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But he had the look. The come-and-love-me look.

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Much better than expected. Someone loved that monkey.

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Gillian's silver goblet is ready to go.

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Gillian, good luck.

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OK? First auction. So many of our owners, it's their first auction.

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But first auction with a lovely Russian beaker. You can't beat that!

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What is it, Moscow, 1863 or something like that?

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We couldn't find the maker on the day, but I have looked it up.

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There are two makers using those initials.

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One is Ivan Alexeyev, but he's too late.

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And the other one, we don't know his name, so we're not much further on!

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Did you find out the writing on the top?

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-No, I don't think we translated it.

-We do know it's £200-£300

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It could go for more. This is it. It's going under the hammer now.

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Absolutely stunning piece of Russian silver

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and the bid's with me at £140. Looking for 150 on this.

0:17:150:17:20

I've got 140 on it. 150.

0:17:200:17:23

160 with me.

0:17:230:17:26

Looking for 170. I've got 160. I'm looking for 170.

0:17:260:17:29

-Are we all done?

-It's worth that.

0:17:290:17:31

At £160!

0:17:310:17:33

The hammer's gone down on 160. We had a fixed reserve at £200.

0:17:330:17:38

-So we didn't sell it.

-Oh!

0:17:380:17:40

Thank goodness there was a reserve.

0:17:400:17:42

-Disappointing for your first auction.

-Yes.

0:17:420:17:44

But it's a rare Russian beaker

0:17:440:17:46

and if you bought it in Bond Street, you might be paying £500.

0:17:460:17:50

Thank goodness we put that reserve on it.

0:17:500:17:53

Has it been a good experience?

0:17:530:17:55

-Have you enjoyed yourself?

-I thoroughly enjoyed it.

-Yes!

0:17:550:17:58

-It is a good day out on Flog It!

-I loved it.

0:17:580:18:00

If you'd like to take part in the show,

0:18:000:18:02

come to one of our valuation days.

0:18:020:18:04

You can pick up details on our BBC website.

0:18:040:18:06

Log on to bbc.co.uk/flog it...

0:18:060:18:10

Follow the links. All the information is there.

0:18:100:18:12

And, hopefully, we're coming to a town very near you soon.

0:18:120:18:16

Well, the goblet didn't sell.

0:18:180:18:20

But will Elizabeth's diamond ring stand a better chance?

0:18:200:18:25

Diamonds are a girl's best friend

0:18:250:18:26

and we have four coming up right now.

0:18:260:18:28

They belong to Elizabeth. Originally in two lots.

0:18:280:18:31

One really nice one

0:18:310:18:33

you valued separately, which is kept separate.

0:18:330:18:36

The other three, the auctioneer has decided to split up.

0:18:360:18:39

Yesterday, he said he thinks the others are quality as well.

0:18:390:18:43

They're all nice, yeah.

0:18:430:18:44

And we could fly through that estimate. Fingers crossed.

0:18:440:18:48

The jewellery buyers are here today, so hopefully they'll go.

0:18:480:18:51

It's going under the hammer right now. Good luck.

0:18:510:18:54

First, a vintage, 18-carat, white gold, lady's solitaire-style ring

0:18:550:19:00

with a diamond stone.

0:19:000:19:02

Absolutely stunning little lot.

0:19:020:19:04

The bid's with me straight away at £38 only on this ring.

0:19:040:19:08

Looking for 40. I've got 38 on it.

0:19:080:19:11

Looking for 40. 40 I've got. Looking for 42.

0:19:110:19:14

Are we all done? 42, it's at. Looking for 45.

0:19:140:19:17

I've got 42. Are we all done? Last time.

0:19:170:19:20

At £42!

0:19:200:19:23

42. The first one's gone.

0:19:230:19:24

Vintage, 18-carat gold, lady's solitaire-style ring

0:19:240:19:28

with a diamond stone.

0:19:280:19:31

Bid is with me on that at £30.

0:19:310:19:34

Looking for 32 on that one. I've got 30 on it.

0:19:340:19:37

Two, four, five, eight. 40, I'm out. Looking for 42.

0:19:370:19:42

42 there. Looking for 45. I've got 42 here.

0:19:420:19:45

Are we all done? Last time. At £42!

0:19:450:19:49

Two down, two more to go.

0:19:490:19:52

Mid-20th-century, 18-carat gold, diamond ring

0:19:520:19:57

with a sapphire, heart-shaped stone and platinum shank.

0:19:570:20:00

Size "K". Absolutely sweet little ring this.

0:20:000:20:03

And the bid's with me at only £38 on it.

0:20:030:20:06

40. Two. Five. Eight. 50. I'm out. Looking for 52?

0:20:060:20:10

I've got £50. Are we all done?

0:20:100:20:12

52 there. 55.

0:20:120:20:14

58. £60, I want.

0:20:140:20:17

£60, I've got. 62.

0:20:180:20:20

Looking for 65. Are we all done? Last time.

0:20:200:20:23

-It's a good result.

-At £62!

0:20:230:20:25

Three down. One more to go.

0:20:250:20:27

Good, stunning, vintage,

0:20:270:20:30

lady's, diamond cluster ring with a beautiful sapphire stone.

0:20:300:20:35

I like this one. The Kate Middleton ring.

0:20:350:20:37

OK, the bid is with me at £85 only on this ring. Looking for 90.

0:20:370:20:42

Five with me.

0:20:420:20:43

Looking for 100 on this ring. I've got 95.

0:20:430:20:47

100, I'm out. Looking for 105. I've got 100.

0:20:470:20:50

Looking for 105. Are we all done? Last time.

0:20:500:20:53

At £100!

0:20:530:20:55

-£100. Well done, Elizabeth.

-Thank you very much.

-Well done, Kate.

0:20:550:20:59

-That was good. It was the right decision.

-Good result.

0:20:590:21:03

-That makes a grand total of £246.

-Wow!

0:21:030:21:07

-I'm very happy with that.

-You are, aren't you?

0:21:070:21:09

-I am, yes.

-Oh, wonderful!

0:21:090:21:10

And I'm very glad to have been here. It's been a wonderful experience.

0:21:100:21:15

-It's been a pleasure meeting you.

-Thank you.

0:21:150:21:17

Splitting the rings up separately paid off.

0:21:180:21:21

Now I want to take you on a journey around one of London's most famous landmarks.

0:21:210:21:26

St Paul's Cathedral -

0:21:420:21:43

there's no denying that is a beautiful building,

0:21:430:21:47

especially when you view it from the Millennium Bridge.

0:21:470:21:50

You get an uninterrupted view.

0:21:500:21:53

The only one left between those two modern pieces of architecture.

0:21:530:21:57

This is my favourite building in London. I can't wait to explore it.

0:21:570:22:01

To do that, we need to get to the heart of the building.

0:22:010:22:03

I know today we can barely scratch the surface of its history,

0:22:030:22:08

but let's make a start somewhere.

0:22:080:22:10

There's been a place of worship devoted to St Paul

0:22:130:22:15

on this site, north of the River Thames, ever since the year 604.

0:22:150:22:19

This is, in fact, the fourth cathedral to be built on the site.

0:22:190:22:24

It's just celebrated its 300-year anniversary.

0:22:240:22:27

As part of the festivities and essential maintenance,

0:22:270:22:30

it's had a thorough clean inside and outside.

0:22:300:22:33

So come with me. Let's take a closer look inside.

0:22:330:22:36

This panel of stonework

0:22:430:22:44

is an example that's been left to show you

0:22:440:22:47

how dirty the building has got over the last 300 years.

0:22:470:22:51

It's not surprising with the pollution in London.

0:22:510:22:54

It would have been particularly bad

0:22:540:22:56

during the Industrial Revolution and shortly afterwards

0:22:560:22:59

with the smog and soot in the air,

0:22:590:23:01

penetrating the very fabric of the stone.

0:23:010:23:03

And this is what it looks like years later.

0:23:030:23:07

The stone has now been cleaned up

0:23:070:23:09

at a cost of around £40 million, but it's been given a new lease of life.

0:23:090:23:14

The building is starting to breathe again,

0:23:140:23:16

so we can appreciate the original vision

0:23:160:23:18

of the cathedral's architect, Sir Christopher Wren.

0:23:180:23:21

# Gloria, gloria! #

0:23:210:23:23

Wren was a clever man, an achiever.

0:23:230:23:26

His early projects as an architect included

0:23:260:23:29

the Sheldonian Theatre in Oxford

0:23:290:23:32

and the Royal Greenwich Observatory.

0:23:320:23:35

Both feature a domed design - a trademark element, some might say.

0:23:350:23:39

# Gloria, gloria... #

0:23:420:23:44

He was commissioned to design a new St Paul's Cathedral in 1668,

0:23:440:23:49

two years after the Great Fire of London had destroyed its predecessor.

0:23:490:23:53

The process of getting the designs approved took a long time.

0:23:530:23:58

This magnificent scale model, which is constructed of oak,

0:23:590:24:03

is an incredible six metres in length.

0:24:030:24:06

It shows us what Wren had in mind

0:24:060:24:08

for the architectural outline of the cathedral

0:24:080:24:11

when it was still in its planning stages.

0:24:110:24:13

An earlier design was rejected

0:24:130:24:15

for featuring a Greek cross as the footprint of the cathedral.

0:24:150:24:18

This is another representation of one of his designs.

0:24:180:24:21

It really is truly incredible!

0:24:210:24:23

He commissioned two joiners to make this. It took them a year.

0:24:230:24:27

It cost £650.

0:24:270:24:29

Now that is a staggering amount of money back then.

0:24:290:24:33

Equivalent of a very smart London townhouse.

0:24:330:24:36

And quite fittingly, this model is known as the "Great Model".

0:24:360:24:41

I'm admiring the level of craftsmanship

0:24:450:24:48

that has gone into this.

0:24:480:24:49

Take a closer look.

0:24:490:24:51

In there, you can just see the incredible amount of work.

0:24:510:24:56

I'm surprised it only took a year for two men.

0:24:560:24:59

These guys have created a work of art

0:24:590:25:02

that historians and architects are still marvelling at centuries later.

0:25:020:25:07

This model's design was turned down by the dean and chapter.

0:25:100:25:15

So it wasn't until 1675 that a new warrant design was given the Royal seal of approval.

0:25:150:25:20

If it took seven years to get the plans approved,

0:25:200:25:23

how long do you think it took to build it?

0:25:230:25:26

This building project took 35 years from start to finish.

0:25:300:25:35

Although the cathedral was open to the public halfway through, in 1697,

0:25:350:25:40

there were tweaks and changes made to the design

0:25:400:25:43

until its completion in 1710.

0:25:430:25:45

Wren by then was an old man,

0:25:450:25:48

but was still heavily involved.

0:25:480:25:50

He was even winched up to the higher floors,

0:25:500:25:53

so he could inspect the latter stages of construction.

0:25:530:25:56

I've been wanting to show you this.

0:25:570:25:59

Up here in the Whispering Gallery,

0:25:590:26:01

you can appreciate the complexity and skill

0:26:010:26:03

of Wren's design for the dome.

0:26:030:26:06

When you look up there, towards the windows,

0:26:060:26:08

or should I say the heavens?

0:26:080:26:11

You just gravitate upwards and look up there in amazement

0:26:110:26:15

and wonder how these craftsmen managed to construct

0:26:150:26:18

such a huge architectural feature.

0:26:180:26:21

The inner height of the dome is 225 feet.

0:26:210:26:24

There are three tiers to this construction.

0:26:240:26:27

The inner one, which we're looking at now.

0:26:270:26:30

Then there's a middle one, a supporting brick skin,

0:26:300:26:33

and the outer layer,

0:26:330:26:34

which is a construction of wood covered in lead.

0:26:340:26:36

That's what's visible from the London skyline.

0:26:360:26:39

Add all that together

0:26:390:26:40

and it's an incredible 64,000 tonnes in weight.

0:26:400:26:44

There's a more quirky feature to this mezzanine balcony.

0:26:480:26:52

It's called the Whispering Gallery.

0:26:520:26:53

Because if you sit here and whisper something facing the wall,

0:26:530:26:58

your voice will travel all around there.

0:26:580:27:02

Somebody over the other side there,

0:27:020:27:05

which is a distance of 100 feet, will be able to hear it.

0:27:050:27:08

And I know it works,

0:27:080:27:09

because as a young lad I came here on a school trip and tried it out.

0:27:090:27:13

Once the fabric of the building had been agreed,

0:27:200:27:23

the pressure was on to make the interior as impressive.

0:27:230:27:26

Hidden from public view is this mind-boggling geometric staircase,

0:27:260:27:30

used by the dean of the cathedral.

0:27:300:27:32

In the heart of the building is the choir,

0:27:320:27:36

which features an impressive organ with over 7,000 pipes,

0:27:360:27:40

as well as exquisite decorations

0:27:400:27:42

by respected woodcarver to the Royals, Grinling Gibbons.

0:27:420:27:47

There have been many modifications to the cathedral

0:27:470:27:49

over the last 300 years since it was finished.

0:27:490:27:52

That's mainly due to national events,

0:27:520:27:54

like the funeral of Lord Nelson

0:27:540:27:56

and the marriage of Prince Charles to Lady Diana.

0:27:560:27:59

Other leading monarchs have wished to leave their mark on this incredible building.

0:27:590:28:04

So what we see today here, looking in the nave,

0:28:040:28:06

isn't exactly how Wren's work would have been when he finished it.

0:28:060:28:11

A century later,

0:28:110:28:13

when Queen Victoria came to visit,

0:28:130:28:15

she was said to be not too impressed with the interior decor.

0:28:150:28:19

It was rather dreary.

0:28:190:28:22

As a result of that visit, this is what you see today -

0:28:220:28:26

wonderful, brightly-coloured mosaics in the inner dome

0:28:260:28:29

and along the surfaces of the nave,

0:28:290:28:31

drawing your eye right down there into that perspective.

0:28:310:28:36

Mosaics depicting prophets and saints and gilding everywhere.

0:28:360:28:39

Not just on the images, but on all the architectural details.

0:28:390:28:43

Highlighting it, picking it out,

0:28:430:28:45

making it dazzle, making it sparkle.

0:28:450:28:47

Above all else,

0:28:560:28:58

St Paul's Cathedral remains a place of worship

0:28:580:29:01

with prayers every hour, several services a day.

0:29:010:29:03

It's become a refuge for many people, not just from this country,

0:29:030:29:07

but from all over the world.

0:29:070:29:08

Sir Christopher Wren paid tribute to the significance of this site

0:29:080:29:12

by building this incredible cathedral

0:29:120:29:14

and, in turn, the people who come to visit the cathedral can enjoy

0:29:140:29:18

his achievements in architecture

0:29:180:29:20

and marvel at that ever-familiar dome on the London skyline.

0:29:200:29:25

Dulwich College is our learned host for today's programme

0:29:360:29:40

and there are plenty of items for our valuers to choose from.

0:29:400:29:44

Michael has drummed up a treat from James.

0:29:440:29:46

I feel I should beat out a tune on this wonderful drum.

0:29:460:29:50

A marvellous thing. Can you tell me where it came from?

0:29:500:29:53

Well, it came from the home of one of my wife's aunts.

0:29:530:29:58

When she died, we helped to clear the house.

0:29:580:30:01

You know what it is, don't you?

0:30:010:30:04

I've no idea. To us, we've called it a biscuit barrel.

0:30:040:30:08

But it's not really very airtight.

0:30:080:30:11

It isn't very airtight, but you're spot on.

0:30:110:30:14

It is, strictly speaking,

0:30:140:30:16

a novelty biscuit tin.

0:30:160:30:18

Simply because it's modelled, very cleverly, as a drum.

0:30:180:30:22

It actually doesn't take a lot of work

0:30:220:30:24

to turn a standard cylindrical form into a novelty

0:30:240:30:29

when you just add this very naive, surface engraving of the tensioners.

0:30:290:30:34

You've got this engine-turned...

0:30:340:30:36

Actually, a honeycomb, engine-turned ground

0:30:360:30:40

to simulate the fabric and, of course,

0:30:400:30:42

a little bit of cast cleverness

0:30:420:30:45

to have the two strikes as the thumb piece.

0:30:450:30:49

If we turn it over, we always have marks. Oh, that's nice.

0:30:490:30:53

What we've got are...

0:30:530:30:55

-Because it's not solid silver, it's electroplate.

-Right.

0:30:550:31:00

We've got the electroplate marks for GR Collis.

0:31:000:31:03

These other marks are simply fake punches.

0:31:030:31:06

So, to the untrained eye, if you were being a nosy visitor,

0:31:060:31:11

and you turned it upside down,

0:31:110:31:14

you might think it was hallmarked and solid silver.

0:31:140:31:17

We've got the retailer's address there, Regent Street, London,

0:31:170:31:21

but there are manufacturers in Birmingham as well.

0:31:210:31:24

So this was probably made in Birmingham for their London shop.

0:31:240:31:29

Any idea of date?

0:31:290:31:31

-No idea at all.

-I think we can go back to late Victorian.

0:31:310:31:36

Really?

0:31:360:31:38

This is certainly going to be anywhere from 1890 up to 1910.

0:31:380:31:41

It would be the sort of thing that at the end of the Boer War,

0:31:410:31:46

if you saw our troops marching back...

0:31:460:31:49

With a military theme, 1900, I think this for a recently returned military gentleman

0:31:490:31:55

would be the de rigueur biscuit tin.

0:31:550:31:57

Right.

0:31:570:31:59

Now the thorny question of value. We know it's not solid silver, sadly.

0:31:590:32:03

Any idea what a drum-form biscuit tin is worth?

0:32:030:32:08

No idea. 60?

0:32:080:32:11

60. I think I'm with you there.

0:32:110:32:13

I think £60-£100

0:32:130:32:15

is a reasonable figure.

0:32:150:32:17

I would put a fixed reserve of £50 on it.

0:32:170:32:20

-Right.

-And that protects it.

0:32:200:32:24

But it is an unusual thing

0:32:240:32:27

and the one thing we learn about auctions today

0:32:270:32:31

is it's the unusual things that tend to sell well.

0:32:310:32:33

Right.

0:32:330:32:34

-What about a reserve at 60?

-We could do that.

0:32:340:32:36

I don't see £10 either way breaking anybody's heart.

0:32:360:32:40

Let's give it a go and we'll let the market decide what it's worth.

0:32:400:32:45

-Thank you very much for bringing it in.

-You're welcome.

-Thank you.

0:32:450:32:48

It's my turn to value now.

0:32:480:32:51

I found Ken and Pat with their lovely watercolour.

0:32:510:32:54

This looks interesting. Can you tell me anything about it?

0:32:540:32:57

How long have you had it?

0:32:570:32:59

I've had it for about ten years. It belonged to my father.

0:32:590:33:03

He loved collecting 1930s, 1940s paintings.

0:33:030:33:07

I thought it was painted by a man.

0:33:070:33:09

I knew he was something to do with the art school.

0:33:090:33:12

That's about all I knew about it.

0:33:120:33:14

The reason you can't find much about him if you tried looking

0:33:140:33:17

is because HE is a SHE.

0:33:170:33:19

It's Pegaret Anthony!

0:33:190:33:20

It had me going for a minute.

0:33:200:33:22

You think Anthony is the Christian name and it's just in reverse order,

0:33:220:33:26

like you sometimes see a man's name printed.

0:33:260:33:28

But, no, definitely a lady.

0:33:280:33:30

Taught at the Central College of Arts and Crafts in London,

0:33:300:33:33

where she was a pupil.

0:33:330:33:34

She ended up staying and teaching there for 40 years.

0:33:340:33:37

She fell in love with the history of costume.

0:33:370:33:40

And I think that's coming out here

0:33:400:33:44

in this lovely, faded, watercolour, pencil sketch.

0:33:440:33:47

Look at all the faces hard at work, concentrating.

0:33:470:33:52

They've all got, more or less, the same shaped nose.

0:33:520:33:55

Probably gossiping away!

0:33:550:33:56

She died in the year 2000,

0:33:560:33:58

but funnily enough there are two of her pictures

0:33:580:34:00

in the Imperial War Museum.

0:34:000:34:03

And upon her death in 2000,

0:34:030:34:05

I know that they went and spent a lot of money on more of her work.

0:34:050:34:10

Oh, right.

0:34:100:34:12

Value wise,

0:34:120:34:15

I did a search online of something that sold recently,

0:34:150:34:19

about the same size, again with wonderful use of costume,

0:34:190:34:24

that whole sort of 1930s period, and that sold for £150 in auction.

0:34:240:34:29

So that's a good price guide for this.

0:34:290:34:33

I'd be happy with that.

0:34:330:34:35

It's not a lot of money for such a nice image.

0:34:350:34:38

No, it's not. I do like it very much actually.

0:34:380:34:40

I know you won't let it go for anything less

0:34:400:34:43

and I don't blame you really.

0:34:430:34:45

-So put a fixed reserve on at £150?

-Yeah.

0:34:450:34:48

-All right.

-Thank you very much.

0:34:480:34:51

For our final item, Kate's got a flash of red at her table,

0:34:520:34:56

brought in by Paul.

0:34:560:34:58

-You've brought in a nice vase. What do you know about it?

-It's flambe ware.

0:34:580:35:02

Yeah.

0:35:020:35:03

-Royal Doulton.

-Yup.

-And by Charles Noke.

-Right, OK.

0:35:030:35:08

So are you a collector of Doulton?

0:35:080:35:10

-I have collected Doulton, yes.

-OK.

0:35:100:35:14

Where did you get this one from - antiques fair, market?

0:35:140:35:17

No, I got it from a charity shop.

0:35:170:35:19

-Charity shop!

-Yes!

-Tell me how much you paid for it.

0:35:190:35:23

-I paid £6 for it.

-Recently?!

0:35:230:35:25

-Recently, yes.

-You've got a good eye.

0:35:250:35:28

So it just caught your eye and you went for it?

0:35:280:35:31

-Yes, I did, yeah.

-Wow!

0:35:310:35:34

You, presumably, know as much as I do about it. It is Charles Noke.

0:35:340:35:37

If we look on the bottom,

0:35:370:35:38

we can see he signs his items "Noke"

0:35:380:35:41

and, usefully, it says the word "flambe" on the bottom.

0:35:410:35:45

It's exactly that - flambe ware.

0:35:450:35:46

Charles Noke was a real pioneer.

0:35:460:35:50

He joined and he was actually head designer in 1899 at Doulton

0:35:500:35:56

and brought these fantastic flambe wares, copying the oriental.

0:35:560:35:59

The "sang de boeuf", which is sort of bull's blood,

0:35:590:36:02

this very deep red colour.

0:36:020:36:04

Basically, he threw everything at this one.

0:36:040:36:06

I mean, it's a really interesting piece.

0:36:060:36:09

He's got, not just the red, but all these different colours.

0:36:090:36:12

There's mossy browny-green here.

0:36:120:36:14

There's some yellow, sort of mustard colour.

0:36:140:36:17

I'm not sure it entirely works.

0:36:170:36:19

Do you like it?

0:36:190:36:20

Yeah, I think it's beautiful.

0:36:200:36:23

-You think it's great?

-Really great, yeah.

0:36:230:36:25

It's unusual though.

0:36:250:36:27

It only cost you £6. What do you think it's worth?

0:36:270:36:30

Do you have any idea?

0:36:300:36:32

I've got a fair idea of what it's worth.

0:36:320:36:35

Price wise, I think at auction you're probably between £80 and £120. Maybe £100.

0:36:350:36:41

Is that the kind of figure you were thinking of?

0:36:410:36:44

Yeah. I'd be well pleased to get that.

0:36:440:36:48

-That's quite a return on your money for £6.

-It is, yeah.

0:36:480:36:51

A few words about condition.

0:36:510:36:53

Obviously, that does affect the price.

0:36:530:36:55

There is a tiny little chip that I've noticed on the top, on the rim,

0:36:550:36:59

and also a little chip here,

0:36:590:37:02

just there on the body,

0:37:020:37:03

but nothing that's going to really deter a bidder.

0:37:030:37:06

-Would you want a reserve on it?

-Oh, I would, yeah.

-Yeah?

0:37:060:37:11

-What do you suggest?

-70 reserve?

0:37:110:37:13

Just below your low estimate.

0:37:130:37:15

-Oh, that's a bit low. I thought...

-80?

-80.

0:37:150:37:18

OK. You can have a reserve firm at 80

0:37:180:37:20

and that's the same as your low estimate.

0:37:200:37:23

Reserve at 80.

0:37:230:37:24

80-120 guide price.

0:37:240:37:26

Brilliant. Thank you for bringing it in.

0:37:260:37:29

Right, three more items ready to sell, but why were they chosen?

0:37:310:37:36

This deserves a place in the sale.

0:37:360:37:38

It deserves to sell for the top end of my estimate.

0:37:380:37:42

Absolutely love it.

0:37:420:37:43

Let's hope this biscuit barrel

0:37:430:37:45

drums up some bidding at the auction.

0:37:450:37:48

This is a really nice piece of Doulton flambe ware

0:37:480:37:51

and it's by Charles Noke, one of the best designers.

0:37:510:37:54

I'm hoping it will do well. Maybe top end of the estimate?

0:37:540:37:57

Up the road to Greenwich to sell our final items

0:37:570:38:00

and Paul's flambe vase is ready to go.

0:38:000:38:04

It's a great name in ceramics, Royal Doulton.

0:38:040:38:06

A flambe vase belonging to Paul here.

0:38:060:38:08

Not for much longer, at £80-£120, Kate.

0:38:080:38:11

-I hope so.

-It's got to fly away.

0:38:110:38:13

Why are you selling this? You're looking very, very nervous.

0:38:130:38:17

-I am, yeah.

-Are you changing your mind?

-No.

0:38:170:38:19

You got it from a charity shop.

0:38:190:38:21

Good for you. It cost you next to nothing.

0:38:210:38:23

Let's see if we can get you a fabulous profit. Here we go.

0:38:230:38:27

It's the early 20th-century, Royal Doulton,

0:38:270:38:30

classic design, waist-neck spill vase,

0:38:300:38:34

in a flambe ware design with artist mark.

0:38:340:38:38

Paul looks so worried.

0:38:380:38:39

Looking for 80 on the flambe ware. I've got 75.

0:38:390:38:43

-It's your first auction, isn't it?

-It is.

0:38:430:38:45

Yes, I can tell. It's the nerves.

0:38:450:38:47

Where's 80. I've got 70... £80. I am out.

0:38:470:38:49

-Right, it's sold.

-It's sold, yeah.

0:38:490:38:51

I've got £80 seated. Looking for 85. Are we all done?

0:38:510:38:55

Last time. 85.

0:38:550:38:57

Look, I'll take 88 if I have to.

0:38:570:39:00

I've got 85. Looking for 88.

0:39:000:39:02

Are we all done? Last time standing.

0:39:020:39:05

Are you sure? At £85!

0:39:050:39:08

-Sold.

-It's gone.

-Yeah.

0:39:080:39:10

-That's a good profit for you as well.

-It is!

-Yeah!

0:39:100:39:13

Now he's smiling, look. Yeah!

0:39:130:39:16

From flambe to my find.

0:39:180:39:21

Let's watch the Pegaret Anthony painting go under the hammer.

0:39:210:39:25

-Pat and Ken, it's good to catch up with you. Are you OK?

-Very well.

0:39:250:39:28

We're about to sell this wonderful Pegaret Anthony work of art.

0:39:280:39:33

And it is quality, isn't it?. Let's find out what the bidders think.

0:39:330:39:37

Ladies working in a clothes factory.

0:39:370:39:40

Dated 1943. Signed by the artist.

0:39:400:39:43

It's a lovely, lovely lot this.

0:39:430:39:45

And the bid's with me at £130.

0:39:450:39:49

Looking for 140. It's worth all of this. 145.

0:39:490:39:53

£150, I'm out.

0:39:530:39:56

-Looking for 160.

-It's selling.

0:39:560:39:58

I've got 150 on this. Are we all done on this watercolour?

0:39:580:40:02

Last time. I'll sell it at £150.

0:40:020:40:05

It's gone. It went on the reserve.

0:40:050:40:07

Yeah, yeah.

0:40:070:40:09

I'd like to have seen the top end and so would you have done.

0:40:090:40:13

Yes, I would have because I did like it that painting.

0:40:130:40:16

We tried our hardest.

0:40:160:40:17

I am a bit disappointed with that, but it was still within estimate.

0:40:170:40:22

Just how will James' drum biscuit tin fare?

0:40:220:40:26

The auctioneer's certainly banging them out today,

0:40:260:40:29

which brings us nicely to our next lot.

0:40:290:40:31

I'm standing next to James and next up is that silver-plate drum,

0:40:310:40:34

the biscuit tin.

0:40:340:40:36

-Why are you selling this?

-It's not really used.

0:40:360:40:38

It's just been wrapped up in a black cloth, keeping it out of daylight.

0:40:380:40:43

-Have you given up the biscuits as well?

-Oh, not a chance!

0:40:430:40:47

You've got to have a few custard creams with your cup of tea!

0:40:470:40:51

You can't give up the biscuits, Paul.

0:40:510:40:53

I speak as a man who has tried on many occasions.

0:40:530:40:57

It's a mid-19th-century silver-plate biscuit tin in the form of...

0:40:570:41:02

Biscuit tin, ice bucket, in the form of a drum

0:41:020:41:06

with the engine-turned relief marks.

0:41:060:41:08

GR Collis & Co, 130 Regent Street, London.

0:41:080:41:12

Absolutely stunning lot this.

0:41:120:41:14

It's got to start with a bid with me of £60.

0:41:140:41:18

-£60.

-Oh, just in!

0:41:180:41:20

Looking for 65 on this drum.

0:41:200:41:23

Where's 65? £70. 75. 80.

0:41:230:41:26

Five. 90 here. 95.

0:41:260:41:29

100. And 10.

0:41:290:41:31

And 20. And 30.

0:41:310:41:33

140. 150.

0:41:330:41:35

160 here.

0:41:350:41:37

170. 180.

0:41:370:41:39

-They love it, don't they?

-That is good.

0:41:390:41:41

200 here. Looking for 210.

0:41:410:41:44

210, I need. On the phone at 210.

0:41:440:41:46

Phone bids. Excellent.

0:41:460:41:48

230, I want. 230 on the phone. 240 here.

0:41:480:41:51

Looking for 250.

0:41:510:41:53

-260 here. Looking for 270.

-Gosh!

0:41:530:41:57

270. 280 here. Looking for 290. 300.

0:41:570:42:01

They think it's silver, do they, Michael?

0:42:010:42:04

The market for electroplate has obviously recovered.

0:42:040:42:07

Looking for 350. 360 here...

0:42:070:42:10

It's flying away. 370.

0:42:100:42:13

380.

0:42:130:42:14

400 here in the room.

0:42:140:42:18

Looking for 410. 410, I need. 420 here.

0:42:180:42:21

Looking for 430.

0:42:210:42:22

I wonder if it's going into some sort of military collection.

0:42:220:42:26

-We're in Greenwich, aren't we?

-450 on the telephone.

0:42:260:42:30

-450 - what have we missed?

-470.

0:42:300:42:33

480 in the room.

0:42:330:42:35

Looking for 490.

0:42:350:42:37

500 here in the room.

0:42:370:42:39

I'm shaking. I'm shivering.

0:42:390:42:41

-It's beyond any...

-Comprehension!

-I am gobsmacked.

0:42:410:42:45

540 in the room. Looking for 550.

0:42:460:42:48

540!

0:42:480:42:50

560...

0:42:500:42:51

Bless, Michael, he's normally so rhetorical

0:42:510:42:54

and he's so reticent right now.

0:42:540:42:56

-The words aren't flowing, are they?

-I'm stunned.

0:42:560:42:59

600 here in the room. Looking for 610.

0:42:590:43:02

£610!

0:43:040:43:05

Are we all done? Last time.

0:43:050:43:07

At £600 on the drum!

0:43:070:43:10

Bang!

0:43:100:43:12

£600.

0:43:120:43:13

-That is...

-Crumbs!

-..absolutely amazing.

0:43:130:43:16

We're just going to see biscuit tins on Flog It! from now on.

0:43:160:43:19

We'll see every biscuit tin in the country.

0:43:190:43:22

Are you happy with that, James?

0:43:220:43:24

That's amazing.

0:43:240:43:25

What wonderful result

0:43:250:43:27

and a perfect end to a wonderful day here in Greenwich.

0:43:270:43:30

I hope you've enjoyed the show. I told you there was a surprise.

0:43:300:43:33

Join us again soon for many more. But for now, it's cheerio!

0:43:330:43:36

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0:43:540:43:57

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0:43:570:44:01

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