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The Percy family have owned their home for over 700 years.

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But this isn't just any old house.

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They've welcomed us into the grounds of Alnwick Castle in Northumberland.

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It doesn't get much grander than this. Welcome to Flog It!

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'It wasn't until the 18th Century that Alnwick Castle

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'was transformed from a derelict building

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'into a grand and comfortable home worthy of showing off to society.

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'I'll be going inside later on in the programme

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'to see what priceless treasures are on show in the state rooms.

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'But there's also plenty of people and activity

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'outside the castle walls.'

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Somebody here in this marvellous queue

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has got something that is worth a small fortune

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and they don't know it yet, but it's our job to find it.

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They've all turned up here today to ask our experts

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that all-important question which everybody wants to know, which is...

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ALL: What's it worth?

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-And what are you going to do when you've found out?

-ALL: Flog it!

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'The auction comes later in the show.

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'Our experts have to find the things they want to value first.

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'And heading up the team today are the dashing David Fletcher...'

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Right. Oh, yeah, yeah, yeah.

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'..and the one and only Anita Manning.'

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Let's see what we can catch.

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'You can't get a better setting than this.

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'And coming up on the show, we've got a whole host of fantastic items

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'and some really lovely owners.

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'And for all you Flog It! fans at home,

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'can you guess which item makes ten times its estimate?

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'Is it a shipyard visitors book?'

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I must say, I think it's the best thing I've ever seen on "Flog It!".

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'A collection of woven pictures?'

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They were woven with such accuracy.

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-'Or could it be a brass carriage clock?'

-Late 19th Century.

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-I should think about 1890.

-As old as that?

-Yep.

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'Well, you'll just have to wait and see.'

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Everybody's safely seated inside now,

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and as you can see, it is lights, camera, action.

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It's about time we pushed a few buttons and recorded some antiques.

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It looks like Anita Manning is our first expert

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to the Flog It! blue tablecloth.

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Let's take a closer look at what she's spotted.

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'And Anita's with Anne,

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'who is on a flying visit from her adopted home of Australia.'

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Thank you for bringing these crazy characters along.

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They are crazy!

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Give me the background. Where did you get them?

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Well, my friend bought them, I'm guessing 30 years ago.

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And when she died in May, she left me these

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with some little small ornaments which I'll take back,

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but they're too big and heavy to take to Australia

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and I would hate them to get broken after she had them so long.

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-They're better going to a collector.

-Yes.

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Um, they're wonderful Murano glass.

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Now, do you know anything about them?

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I didn't even know they were Murano glass, to be truthful.

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THEY LAUGH

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Murano is an island off Venice.

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And Venice was a famous centre

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for glass-making since Medieval times.

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But in the process of glass-making,

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you have great heat and great fire.

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And Venice, at that time, the buildings were made of wood,

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so they wanted to take the glass-making away from Venice,

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onto one of the islands.

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And this is where these came from.

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These are from the 1950s, or the '60s.

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But if you consider the workmanship or the craftsmanship

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that's involved in making all these intricate frills.

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And the Italians were master glass-blowers and glass-makers.

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And they've carried these traditions into today,

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although these ones are from the 1950s.

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Now, there is no marking on them.

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-What they would have had at one time was a paper label.

-Yes.

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But, obviously, no more.

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So, er, value on them, £50-80.

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Uh-huh.

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-Would you be happy to sell them at that price?

-Yeah.

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-Well, I just don't want to take them to Australia.

-You can't.

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-It would cost more than that for you to send them across.

-It would.

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-We'll put a reserve price, just in case.

-Yes.

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-A reserve price around £40.

-Mm-hm.

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-Would you be happy with that?

-Yes, I think so.

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-Can you come to the auction?

-No. I'll be back in Australia.

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I'll be cheering them along on the day.

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You should be trying to sell them.

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THEY LAUGH

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'Anita's not got her auctioneer's hat on today.

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'Out in the courtyard, a bit of pottery has caught my eye.'

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-Karen, I'm a big fan of Slipware.

-Right.

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This, to me, is proper country pottery and folk art.

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It's something you could still use today,

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but it is incredibly decorative.

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So, how did you come by these two pieces?

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I bought them at the market at Hexham on a Sunday morning.

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-How long ago?

-I would say about ten years ago.

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OK. And how much did you pay for them?

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It's a while. I can't remember.

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-I probably would've paid £20 or £30.

-For the two of them?

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-Something like that, yeah.

-Gosh! No! Really?

-Yes.

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-The pie dish could be worth that alone.

-Could it? Right.

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-That is a nice pie dish, isn't it?

-Yes, it is.

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This would have been made around

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the northern part of Staffordshire, in the potteries.

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Slipware like this dates back to the 17th Century.

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Thomas Toft, people like that, you know.

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Very, very collectable pieces.

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Also, you can get pieces that are dated in Slip, as well.

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And they are so desirable. Oh, they really are.

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This looks like a marriage piece.

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Two hearts joining, saying, "I love you. Here's the key to my heart."

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Yes. That's what I thought.

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Isn't that nice? I love this. You know what the Slip is, don't you?

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It's a coloured liquid clay which is trailed on afterwards.

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I'm pretty sure this is a one-off.

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It's just such a shame that it's not dated, it really is.

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-Because that would tell a whole story of social history.

-Yes.

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I like this pinchwork around the top.

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That tells you it's a proper pie dish.

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It reminds me of me mam.

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Me mam used to make plate pies for me dad

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and she used to crimp the pastry around the edge of the plate.

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And that reminded us a lot of that.

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And when you pull it out of the oven, it's all crumbly on the edge.

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-They are the best bits, aren't they?

-Yes.

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Very, very nice.

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I'd say they're sort of circa 1880, late Victorian.

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-Right.

-So that kind of rules the purest collectors out.

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But there's still plenty of people at entry level

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and folk art collectors and country pottery collectors

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-that will just die for these.

-Right.

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Well, I think we'll put them in as one lot

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because they belong together. They shouldn't be separated.

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How about if I said, let's put them into auction

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with a price guide of £300-500?

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-That would be brilliant.

-Yeah?

-Yeah.

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'David is with Trevor and a piece of local maritime history.'

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This is more than just a visitors book. What can you tell me about it?

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I believe it's from the Swan Hunter's

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Wigham and Richardson shipyard on the Tyne.

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And it lists all the ships that were built

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during the period of that shipyard's life, I believe.

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At each launch, all the visitors, dignitaries,

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captains, admirals,

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both local and national,

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signed the book at the launching of the ship.

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It's amazing.

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These superbly illuminated pages.

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Each one with a flag or a spray of flags.

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HMS AS Natal.

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Presumably Her Majesty's South African ship, Natal.

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And there's a South African flag

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and some signatures beneath that,

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one of whom is the High Commissioner of South Africa.

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And then it's interesting to note that in the early days,

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we really just had signatures.

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And we go back to 1911, is the first entry.

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Um, it tells a tale of the splendour, really,

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that was British industry

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in the middle years of the 20th Century.

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And I must say,

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I think it's the best thing I've ever seen on "Flog It!".

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I'm very grateful to you for bringing it in.

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The social significance of this, I think, is enormous.

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How did you come by it?

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Well, I believe it was found in a skip

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down in the area where the shipyards were

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at a clearing-out of the shipyards.

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It was given to me a few years later by the person who found it.

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And I've had it for at least 15, 16, 17 years.

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I can't remember how long now.

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It's just staggering that things like this

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have somehow slipped through the net.

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-Um, I mean, you're obviously happy to sell it.

-Yes.

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It's lying on a bookcase, it has done for a lot of years.

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And I think now's the time

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perhaps somebody should have it who will appreciate it more than I will.

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-Someone must get their teeth into it.

-There's a lot of research.

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I'm sure the auctioneers will help us with that.

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It's practically impossible to value something like this.

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As I say, there's homework yet to be done,

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but I would be inclined to come up with an estimate

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in the region of £300-500.

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Um, and suggest a reserve of £300.

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But I must say, I hope it makes quite a bit more than that.

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And I'm confident that it will.

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-Um, is that OK by you?

-That's fine, yeah.

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Excellent.

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'As David said,

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'the book is a significant piece of ship-building history,

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'being one of North East England's key industries

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'over the last 150 years

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'and a source of employment and wealth to this area.

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'It's a great item.'

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# You were right, you were right You were right

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# I just came to say hello

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# I just came... #

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Well, how about that? We are halfway through our day now

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and everybody is still having so much fun.

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We're enjoying ourselves.

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But right now, it is time to up the tempo.

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We're going to put some pressure on

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and put those valuations to the test

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for the very first time in auction.

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While we head over there, here's a quick recap,

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just to jog your memory, of all the items we're taking with us.

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'Anita and Anne both loved the Murano glass figures

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'and they do have their collectors.

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'I absolutely loved Karen's Slipware plate and pie dish.

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'And she only paid £20 or £30 for the pair.

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'Trevor's important shipyard visitors book

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'was saved from being lost forever.

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'But will it stay in the local area?

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'Let's find out, as we go over to the auction.'

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This is where we're putting our valuations to the test -

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the Boldon Auction Galleries,

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on the North East coast, just outside Sunderland.

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The room is filling up full of bidders

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hopefully wanting to buy our lot.

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Will anything fly away? Fingers crossed. I hope so.

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'The standard seller's commission here is 17.5% plus VAT.

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'And our auctioneer is Giles Hodges.'

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Going under the hammer now, Italian Murano glass from the 1950s.

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It's stunning. Hopefully, we'll get the top end.

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It was brought in by Anne,

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-who has gone back to Australia.

-She's gone back.

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-But she stayed at your house while we were filming in Alnwick.

-Yes.

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-Right. OK. Do you like this piece of glass?

-Yes.

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We should get that top end, because glass is the flavour of the month.

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Well, it's retro, it's vintage,

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it's the type of thing that the young kids are buying at the moment.

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We could do £80, hopefully, on a good day, maybe a bit more.

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-We could.

-Let's find out what the bidders think. Here we go.

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We've got a pair of Murano Italian glass carnival figures

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with the amber and black white piping.

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And I'm bid £20 to start them. At £20. Straight in on commission.

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Good. There's someone else here in the room.

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£30, £35,

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£40, £45,

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£50, £55.

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£60. Gentleman's bid in the middle.

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-Come on, squeeze a bit more.

-At £60. Have I missed anybody?

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At £60. £65. Lady downstairs. £70 now.

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No, he's out. At £65, lady to the left.

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At £65 for the last time.

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Top end of the estimate. A bit over. Well done. Well done.

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-Anne will be pleased.

-You've got to phone her.

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-She's going to ring me later.

-You've got it sussed out!

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-She's going to ring you.

-To see how it's gone on.

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'Well, I'm sure that long-distance phone call will be a happy one.

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'My turn to be the expert now.'

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Good luck. It's the moment you've been waiting for.

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-Yes.

-The Slipware is going under the hammer.

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We've got two lovely items with a value of £300-£500.

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What have you been up to since I last saw you?

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-Nothing as exciting as seeing you the other week.

-Oh, bless!

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-Nothing as exciting as this!

-I've been looking forward to today.

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I might ruin the moment now with my valuation, if it doesn't sell.

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You're happy if it doesn't sell, aren't you?

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I'll be happy. I'm happy just to be here, really.

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Lot number 30.

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We've got the 19th-Century Slipware

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and earthenware oval platter

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and the matching dish.

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And I'm bid £100 to start it.

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At £100. £110, anybody now?

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At £100. £110.

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£120, £130, £140, £150.

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At £150. £160 now.

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This is going to struggle.

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All done at £150?

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Not sold.

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-That's all right.

-I'm pleased in a way we put a reserve on it.

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Each item should have been worth £150.

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And that's what we were hoping for, £300 for the two.

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I'll just have to hang onto them.

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-I like them, so I'll take them home.

-Are you sure?

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-Still been a good experience?

-Lovely, yes.

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-Not annoyed with me?

-No.

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I'll get it right next time.

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'On the preview day, I asked auctioneer Giles

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'what he thought of the shipyard visitors' book, with its local connections.'

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This belongs to Trevor. It was found in a skip, so it was chucked out.

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I think it's very poignant. As you said, lovely bit of social history.

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It shows at that time when they were clearing out the shipyards

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that they didn't value these things.

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There were so many items just literally tossed out, disposed of, put into skips.

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The canny people pulled them out of the skip.

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The condition is pretty much immaculate.

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We've got £300-500 on this.

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It's as good as you're going to get, condition-wise.

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-It's a nice bit of local history.

-Especially if

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maybe your father, your grandfather,

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had worked on one of these boats, one of these ships.

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-Then there's a nice tie-in as well.

-Definitely.

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'Well, let's see how it goes, shall we?'

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Trevor, why are you selling this?

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I've had it in my possession for some time now and I've enjoyed it

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and I just think it's time it should move on to somebody else

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who enjoys maritime history or social history of the area.

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It is maritime heritage at its very best.

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It's an important thing, Paul, isn't it? It speaks of a bygone age.

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Sadly, you go to the docks these days,

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and the shipbuilding yards in Newcastle,

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and nothing much is happening.

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Let's find out what the bidders think, shall we? It's going under the hammer.

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Lot 110. One of my favourite lots.

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The leather-bound visitors' book from the Swan Hunter

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and Wigham and Richardsons of Wallsend shipyards.

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I have one commission bid. I start at £300.

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-It's sold.

-Ten, anybody now? At 300. 310.

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To my right in the room at 310.

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320, anybody?

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At £310. 20, yes or no?

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At £310. Are we all done?

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-At the lower end, unfortunately. It's gone.

-It's fine.

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I had hoped it would make more.

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Hopefully, it has gone to a museum, where it can be put on display so people can appreciate it.

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Thank you so much for bringing that in. That's a lovely bit of heritage.

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Thank you very much.

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'And I am delighted to say

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'Trevor's shipyard book was bought by Tyne and Wear Archives and Museums

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'to join their maritime history archives.

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'What a great result for all concerned!'

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All the antiques we're selling here today

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we found in the grounds of Alnwick Castle.

0:17:410:17:43

While I was up here filming,

0:17:430:17:45

I had the opportunity to go inside the castle

0:17:450:17:47

to discover what antiques were on display there

0:17:470:17:49

and see the changing tastes of the dukes and duchesses of Northumberland.

0:17:490:17:54

Take a look at this.

0:17:540:17:56

I'm here to explore how the generations of one family

0:18:040:18:07

have filled this magnificent architectural delight

0:18:070:18:10

with the most exquisite fine art and antiques.

0:18:100:18:14

'The Percy family's connection with the castle began in 1309,

0:18:150:18:21

'when the first Lord Percy of Alnwick bought it.

0:18:210:18:23

'Wars and reversals of fortune over the years led to the castle falling into disrepair,

0:18:230:18:28

'so let's start our story with its reinvention

0:18:280:18:31

'in 1750 with the arrival of the first Duke and Duchess of Northumberland.'

0:18:310:18:37

Elizabeth Seymour, a Percy by blood, inherited the castle

0:18:390:18:42

and set about transforming this sorry-looking building

0:18:420:18:46

into a home worthy of entertaining society.

0:18:460:18:49

Along with her husband,

0:18:490:18:50

Sir Hugh Smithson,

0:18:500:18:52

they slowly rose up the aristocratic ladder,

0:18:520:18:54

receiving the title of Duke and Duchess

0:18:540:18:56

and enjoying those social privileges you might expect,

0:18:560:19:00

like the Grand Tour, entertaining royalty.

0:19:000:19:03

The Duchess had great delight in collecting fine art and antiques

0:19:030:19:06

and, of course, novelties, including one of her purchases,

0:19:060:19:10

those stone figures up there on the top of the tower.

0:19:100:19:13

They are quite amusing, aren't they?

0:19:130:19:15

The couple clearly enjoyed living in the castle

0:19:190:19:21

and furnishing it was one of the Duchess's main passions.

0:19:210:19:24

She had an incredible eye and she sourced many items

0:19:240:19:27

from renowned dealers and auction rooms all over the country.

0:19:270:19:31

To give you a good example of her exquisite taste and sense of humour,

0:19:310:19:35

take a look at these ivories.

0:19:350:19:36

They're tavern scenes and hunting scenes, people having fun.

0:19:360:19:41

Enjoying themselves.

0:19:410:19:43

Clearly, they are meant to entertain you and are a good talking point.

0:19:430:19:47

I like this one in particular.

0:19:470:19:50

There's a chap relieving himself in the corner of the tavern.

0:19:500:19:53

'Everywhere you look, there are magnificent pieces,

0:19:570:20:01

'with some items coming from inheritances and stately residences.

0:20:010:20:05

'Each generation like to make their mark

0:20:060:20:09

'and it wasn't just through auctions and antique dealers that this couple acquired fine things.'

0:20:090:20:14

It's believed that in 1756, the first Duke entered a porcelain lottery,

0:20:140:20:18

something like a high-class raffle, and won this incredible collection of Meissen I'm surrounded by, here.

0:20:180:20:25

Now, if that's true, back in the 18th century,

0:20:250:20:27

then that is an incredible thing.

0:20:270:20:30

There are over 100 pieces of Meissen here,

0:20:300:20:33

all dating from 1746 to 1751.

0:20:330:20:36

What's incredible is there aren't that many other known pieces

0:20:360:20:39

in the world outside of this collection.

0:20:390:20:42

Back in the 18th century, this hard-paste porcelain

0:20:420:20:46

was known as white gold because it was so expensive

0:20:460:20:49

and it was only really given, sets like this, to people that moved in diplomatic circles.

0:20:490:20:54

The Duke was rubbing shoulders with the right people,

0:20:540:20:57

because a service of this size would have normally been reserved for ruling monarchy.

0:20:570:21:02

The current Duke has managed to track down in auction

0:21:030:21:06

two further examples to add

0:21:060:21:08

to this incredible ensemble and, any day now, they're going to be put out on display for all of us to enjoy.

0:21:080:21:15

You see, once antiques are in the blood,

0:21:150:21:17

you never lose that passion for collecting.

0:21:170:21:19

'The first Duke clearly had an appreciation for talent.

0:21:230:21:27

'He was a patron of Canaletto, owning eight paintings in total,

0:21:270:21:31

'including one of Alnwick Castle and one of

0:21:310:21:33

'their past London residences, Northumberland House.

0:21:330:21:36

'The third Duke also had an eye for quality,

0:21:380:21:41

'and bought two grand Cucci cabinets from a dealer

0:21:410:21:43

'which were originally made for Louis XIV of France,

0:21:430:21:47

'for the Palace of Versailles.'

0:21:470:21:49

Moving on to the fourth Duke, Algernon.

0:21:560:21:58

By the time he came to live in the castle,

0:21:580:22:00

he had mature and confident views on how he wanted to use his inheritance.

0:22:000:22:04

He set about remodelling the complete interior of the castle

0:22:040:22:08

and was extremely passionate about the Italianate style.

0:22:080:22:11

So he set about ripping out all of the earlier 18th century

0:22:110:22:14

Robert Adam restoration from the first Duke and Duchess's time.

0:22:140:22:18

As well as adding towers, enlarging the size of the castle,

0:22:220:22:25

Algernon the Good, as he became known,

0:22:250:22:27

was responsible for the beautiful and intricate carving throughout the state rooms.

0:22:270:22:31

He brought over skilled craftsmen from Italy

0:22:310:22:35

and they taught the local carpenters and joiners how to carve this beautiful Italianate style,

0:22:350:22:40

and it became known as the Alnwick School of Carving,

0:22:400:22:43

and it kept skilled labour employed for a good 11 years.

0:22:430:22:47

There is a lot of it. We are surrounded by it.

0:22:470:22:51

'Examples of their work are in most of the state rooms, from floor to ceiling,

0:22:550:23:00

'and in the library, you can see what sort of man the fourth Duke was.

0:23:000:23:04

'All of his interests are displayed in carvings on the ceiling,

0:23:040:23:09

'from art, music and science to his principal passions,

0:23:090:23:12

'archaeology and the Navy.'

0:23:120:23:14

But his ultimate show-off piece has to be this incredible

0:23:220:23:25

marquetry inlaid centre table, known as the Five Senses table,

0:23:250:23:29

depicting the senses in the form of faces looking up at you.

0:23:290:23:33

There's an incredible amount of work gone into this.

0:23:330:23:36

It was specially commissioned and made by Blake's of London.

0:23:360:23:39

Work started on this in 1854 and it took 11 years to complete.

0:23:390:23:46

I'm not surprised, really, if all this marquetry inlay is done by the same hand,

0:23:460:23:49

and it would have to be, you would notice it otherwise.

0:23:490:23:52

It is just incredible, and it also reads like a who's who

0:23:520:23:56

of the exotic woods that were available at the time,

0:23:560:23:59

imported from all over the world.

0:23:590:24:01

You've got wonderful things like snakewood, ebonies, mahoganies,

0:24:010:24:07

bits of satinwood that have been stained, burnt in hot sand,

0:24:070:24:10

so you've got these wonderful colours grinning through.

0:24:100:24:13

It's faded over a period of time but, boy, is it delicious!

0:24:130:24:18

Bordered by this wonderful foliate work.

0:24:180:24:22

I'd be exceptionally proud of this piece as well.

0:24:240:24:27

'There's so much more to mention, but sadly, not enough time today.'

0:24:280:24:32

This place was in a sorry state back in the 18th century

0:24:360:24:40

when the first Duke and Duchess took it on,

0:24:400:24:43

but over the years, with each generation,

0:24:430:24:45

they've put love and passion and splendour back into this magnificent building.

0:24:450:24:49

The exquisite taste of the Percy family is evident

0:24:490:24:53

in every corner of this magnificent building,

0:24:530:24:56

and for those of us who love antiques, it's a joy to see.

0:24:560:25:00

'There's more valuations to get under way

0:25:110:25:13

'and Anita's in the outer bailey of the castle, getting the full story on her next lot.'

0:25:130:25:19

I'm Anita. What are your names?

0:25:190:25:22

I'm Eric from Berwick.

0:25:220:25:23

-And I'm Jimmy, also from Berwick.

-It's a pleasure to meet you, Anita.

0:25:230:25:28

It's a pleasure to meet you, too.

0:25:280:25:30

You guys are Borderers.

0:25:300:25:32

I believe the men from the Borders are wild men.

0:25:320:25:35

-Do you think so?

-He's a wild man.

-LAUGHTER

0:25:350:25:39

You've brought us through a lovely wee lot here.

0:25:390:25:43

These little woven pictures.

0:25:430:25:45

Can you tell me, where did you get them?

0:25:450:25:48

In amongst the rubbish in a house we were working on.

0:25:480:25:51

-Were these being thrown out?

-Yes.

0:25:510:25:54

What attracted you to them?

0:25:540:25:56

It's the colours.

0:25:560:25:57

I think they're brilliant.

0:25:570:25:59

I mean, I've had them for about 30-odd years now.

0:25:590:26:05

They've just been hidden away in a cupboard.

0:26:060:26:09

Jimmy, do you like them?

0:26:090:26:11

I like them. If we weren't coming here, I would have bought them.

0:26:110:26:14

Would you have made him a good offer?

0:26:140:26:17

I would have made him an excellent offer, but he thinks you're going to do better here.

0:26:170:26:21

Let's hope I do.

0:26:210:26:23

We've got ten or 11 here.

0:26:230:26:26

11.

0:26:260:26:28

They're what are called Stevengraphs.

0:26:280:26:31

They're little woven pictures.

0:26:310:26:33

-They're not hand-done, they're made by a machine.

-Ah, right.

0:26:330:26:37

And they were made by Thomas Stevens.

0:26:370:26:41

He was an inventor who invented this process of woven pictures.

0:26:410:26:46

He lived in Coventry and this was a centre of this type of thing.

0:26:480:26:53

These things were made late 19th, early 20th century.

0:26:530:26:56

If we look at the subjects here, we have quite a wide variety.

0:26:560:27:01

I find these two on the little easels especially interesting.

0:27:010:27:06

Here we have Lady Godiva.

0:27:080:27:10

Lady Godiva is associated with Coventry,

0:27:100:27:14

so we have a tale of that town.

0:27:140:27:18

And we have dear old Dick Turpin

0:27:180:27:20

in his last ride on his bonny Black Bess.

0:27:200:27:23

They're all coloured and everything about them is nice and fresh.

0:27:240:27:29

Eric, from Berwick, do you have a favourite?

0:27:290:27:33

-I quite like the one with the rescue.

-The lifeboat. That's a lovely one.

0:27:340:27:39

Jimmy, what about you? Is Lady Godiva your favourite?

0:27:390:27:43

Yes, indeed, Lady Godiva.

0:27:430:27:45

You look like a bit of a ladies' man.

0:27:450:27:47

There is another one there, Anita, with the fire brigade.

0:27:470:27:51

You see the flames coming from the building.

0:27:510:27:53

That's right.

0:27:530:27:55

The thing about these was that they were woven with such accuracy.

0:27:550:27:59

Now, you've got 11 of them here.

0:28:010:28:03

They are in good condition.

0:28:030:28:06

They generally are framed and if they were framed,

0:28:060:28:09

that would make a wee bit of a difference.

0:28:090:28:12

We sell them as one lot.

0:28:120:28:14

If we put a conservative estimate of £10-15.

0:28:140:28:18

So that will be... Say we put £120-180.

0:28:180:28:23

Would you be satisfied with that?

0:28:230:28:27

I mean, we would hope that they would go further,

0:28:270:28:30

but we have to take into consideration that they're unframed.

0:28:300:28:33

-120 to 180.

-Yeah.

-What do you think, Jimmy?

0:28:330:28:38

I suggested, before we sat here, we should be looking at £10 plus each.

0:28:380:28:42

Yep. He's not bad.

0:28:420:28:44

-He's quite good.

-Are you looking for a job?

0:28:440:28:47

LAUGHTER

0:28:470:28:49

So, say we put a reserve price of £110,

0:28:490:28:53

which means you are getting at least a tenner apiece.

0:28:530:28:56

It's inviting the bidding,

0:28:560:28:58

a wee bit of auction psychology, guys.

0:28:580:29:02

-I'll be there to hold your hand.

-Good!

0:29:020:29:04

And to cheer them on.

0:29:040:29:06

Right. Thank you.

0:29:060:29:07

'The Northumberland sunshine is proving elusive on valuation day,

0:29:090:29:12

'so we've headed inside to escape the rain,

0:29:120:29:16

'where David and Lance are talking timepieces.'

0:29:160:29:19

A late-19th century French carriage clock.

0:29:190:29:23

They were used by people who were going on journeys in a carriage,

0:29:230:29:28

and the reason why a clock like this was able to carry on

0:29:280:29:33

working as you trotted along in your carriage

0:29:330:29:35

was because the escapement is moved...in this design,

0:29:350:29:39

to the top of the clock,

0:29:390:29:41

and the designer was able to do away with the pendulum itself.

0:29:410:29:46

Made in France in the late 19th century, I should think about 1890.

0:29:480:29:52

As old as that?

0:29:520:29:54

It might possibly be a little bit later, about 1900.

0:29:540:29:57

The face is enamelled and the secondary dial beneath

0:29:570:30:03

is a dial which you would set at the time you wished to wake up.

0:30:030:30:10

You would move the hand and by winding it at the back,

0:30:100:30:13

the mechanism would strike a little beater on this bell.

0:30:130:30:18

There's the beater and there's the bell, which would wake you up.

0:30:180:30:24

I mean, is it something you like, or something you particularly treasure?

0:30:240:30:27

Well, my father died, so it was passed on to me.

0:30:270:30:32

Did he collect clocks himself?

0:30:320:30:34

He liked carriage clocks, but he only had two,

0:30:340:30:36

and this one was still on the mantelpiece and didn't work and the other one did.

0:30:360:30:41

OK, right. So he collected them, but it wasn't a big collection.

0:30:410:30:47

He just had a thing about carriage clocks.

0:30:470:30:49

-A punctual man, your dad?

-Very.

0:30:490:30:51

He was ready half-an-hour before he was due for anything.

0:30:510:30:54

-And are you punctual yourself?

-I'm afraid not!

-OK, right!

0:30:540:30:58

We need to discuss what I think it might be worth.

0:30:580:31:03

In the auction market, we can expect this to make between 120 and 150.

0:31:040:31:08

-As much as that?

-Yeah. It's quite a saleable thing.

0:31:080:31:13

If you're happy with that, I think we should put it to auction with a reserve of £120 on it.

0:31:140:31:19

-Seems good.

-And hope that it makes 160.

0:31:190:31:23

-You are happy with that?

-Yes, very happy.

0:31:230:31:25

I'll see you at the sale. Make sure you're on time.

0:31:250:31:28

-OK, promise!

-I'll look forward to that.

0:31:280:31:31

Susan, Gill, welcome to 'Flog It!'.

0:31:360:31:39

It's lovely to have you along and thank you so much for bringing this lovely vase.

0:31:390:31:43

Tell me, who does it belong to and tell me where you got it?

0:31:430:31:47

Originally, it belonged to my nana

0:31:470:31:50

and it always used to stand at the top of the stairs on the windowsill.

0:31:500:31:53

I don't know where it came from,

0:31:530:31:55

it has just been in the family for years.

0:31:550:31:58

You've got it now. You don't look very enthusiastic about it.

0:31:580:32:01

It's not a piece that I can say I've really been keen on.

0:32:020:32:06

It's just been there. What about you? What do you think about it?

0:32:060:32:10

I've never been struck on it.

0:32:100:32:12

I used to look at it at the top of the stairs and think, "Hmm."

0:32:120:32:15

-"It's that old vase."

-Yeah. It was just a bit odd.

0:32:150:32:19

When I look at it now, it is quite nice, you know,

0:32:190:32:21

but it's not something that I would, I couldn't place it anywhere.

0:32:210:32:25

It's not your own taste.

0:32:250:32:27

Probably sell it on and let somebody who does like it have the pleasure of it.

0:32:270:32:32

Well, this vase was made in Hungary.

0:32:320:32:35

It's called Zsolnay Pecs and it was made in the factory of Nikos Zsolnay.

0:32:350:32:41

That factory started in about the 1850s, on to 1920s and 1930s.

0:32:420:32:48

Now, their wares were always a wee bit exotic

0:32:510:32:56

and they'd look to the Middle East for inspiration, often Persia,

0:32:560:33:01

and often in the decoration in their vases,

0:33:010:33:04

you had wonderful pierced work.

0:33:040:33:06

They were masters of making these pierced vases.

0:33:060:33:11

It was an art at that time.

0:33:110:33:14

This one doesn't have any piercings in it,

0:33:140:33:17

but the decoration makes us think that it has.

0:33:170:33:22

Very pretty. It has that exotic shape, almost Persian.

0:33:230:33:29

Value on it?

0:33:290:33:31

No idea!

0:33:310:33:33

-What do you want me to say?

-Something nice!

-Something nice.

0:33:330:33:37

Something nice.

0:33:370:33:39

These were not rare. They weren't rare.

0:33:390:33:42

If it was coming into auction, I would say £40 to £60.

0:33:420:33:47

Would you be happy to sell it at that?

0:33:470:33:51

Yes, I wouldn't mind selling it at that.

0:33:510:33:53

It wasn't your favourite thing, anyway.

0:33:530:33:56

We could put it in with a reserve price of £40, if you wish?

0:33:560:34:00

-Are you happy with that?

-That's fine.

0:34:000:34:02

-Let's hope we get a wee surprise.

-Thank you.

0:34:020:34:05

'The rain hasn't dampened any spirits.

0:34:050:34:08

'David is with Marie and Michelle,

0:34:080:34:10

'who are in Alnwick shopping for Michelle's 40th birthday.'

0:34:100:34:14

-Where have you come from?

-Newcastle.

-OK.

0:34:140:34:18

That's interesting because

0:34:180:34:20

one of these jewellery boxes is marked Newcastle.

0:34:200:34:22

It has the name of a jeweller.

0:34:220:34:25

The Northern Goldsmiths, they called themselves.

0:34:250:34:28

Two lovely brooches.

0:34:280:34:30

Really pretty. Each in their own different way.

0:34:300:34:34

-Are they family pieces?

-No.

0:34:350:34:38

My son saw a rocking chair in a skip

0:34:390:34:42

and he decided he was going to get this.

0:34:420:34:45

While he was in there, he saw the two boxes and brought them home,

0:34:450:34:49

and it wasn't until he came home, we had a look,

0:34:490:34:51

and the brooches were in there.

0:34:510:34:54

What happened to the rocking chair?

0:34:540:34:56

-He left it in the skip?

-No! Sold it!

0:34:560:34:59

LAUGHTER

0:34:590:35:00

He had a jolly good little foray into that skip, didn't he?

0:35:000:35:04

That was a very profitable half-hour or so.

0:35:040:35:07

Anyway, the first of these, let's talk about the top one first.

0:35:070:35:11

It is gold. I will just check that.

0:35:110:35:13

My eyesight isn't very good.

0:35:130:35:16

It's actually marked 15 carat.

0:35:160:35:20

And it's set with turquoise stones and seed pearls.

0:35:200:35:25

It's in the form of a floral spray.

0:35:250:35:29

Very popular at the time this brooch was made, in about 1900.

0:35:290:35:34

So that's a really pretty, very saleable little item, really.

0:35:350:35:39

I must say, it is nice to see it in its original box,

0:35:390:35:44

and it does add a bit to the value.

0:35:440:35:46

Probably made in Birmingham.

0:35:470:35:49

The second brooch dates from about the same period

0:35:490:35:52

and it's a little sweetheart brooch.

0:35:520:35:54

It would have been a Valentine's Day present, I suppose,

0:35:540:35:58

from a suitor to his girlfriend, or possibly a wife.

0:35:580:36:01

As I say, it's also Edwardian,

0:36:010:36:04

early 20th century.

0:36:040:36:06

-And you've no desire to keep them?

-No.

0:36:070:36:11

How long have you had them?

0:36:110:36:14

-For about seven years now.

-Right.

0:36:140:36:17

They are very commercial. By commercial, I mean saleable.

0:36:170:36:20

I reckon they are worth between £60 and £80 each.

0:36:200:36:25

I'd be inclined to put an estimate of 100 to 150 on them.

0:36:250:36:30

And a reserve of £100, if you're happy with that?

0:36:300:36:34

-That's fine.

-Have a great 40th, won't you?

0:36:340:36:37

-I will.

-Life begins at 40. And make sure you behave yourself.

0:36:370:36:40

Not sure about that!

0:36:400:36:43

-And make sure your mum behaves herself, too.

-No way!

0:36:430:36:47

'What a smoothie you are, David!

0:36:470:36:48

'Those brooches were the third treasure today rescued from a skip.

0:36:480:36:53

'Sadly, it's goodbye to Alnwick Castle and time for a reminder

0:36:560:37:00

'of the final four items chosen to go off to auction.

0:37:000:37:04

'Lance's French carriage clock is older than it looks,

0:37:050:37:08

'as David thinks it's from the late 19th century.

0:37:080:37:11

'Susan's Hungarian vase isn't valued very highly,

0:37:110:37:15

'but hopefully, it will find a new home with the auction crowd.

0:37:150:37:18

'Marie and Michelle were charmed by David,

0:37:200:37:22

'but will their two gold brooches charm the bidders?

0:37:220:37:25

'And finally, Eric's collection of 11 woven silk pictures

0:37:270:37:31

'gave Anita a giggle,

0:37:310:37:33

'but they are an interesting lot.

0:37:330:37:34

'What's going to happen when they all go under the hammer?

0:37:350:37:38

'In Boldon, South Tyneside, we have high hopes the packed saleroom

0:37:440:37:48

'will mean good results for our owners,

0:37:480:37:50

'and auctioneer Giles' gavel has already been put to good use.

0:37:500:37:55

'Lance and his carriage clock are waiting in the wings.'

0:37:550:37:59

Why are you selling the clock?

0:37:590:38:01

Just one of those knick-knacks that should go to a better home.

0:38:010:38:05

-And it's not working at all, is it?

-Apparently not.

0:38:050:38:09

The buyer will soon get it working, that's not a problem.

0:38:090:38:12

It's one of these timelessly elegant pieces.

0:38:120:38:16

A good carriage clock looks good in any environment.

0:38:160:38:18

It will look great on anyone's mantelpiece.

0:38:180:38:21

Let's find out what the bidders think. Good luck, Lance.

0:38:210:38:23

Carriage clock. Reserve price of 100 starting.

0:38:260:38:30

100. 120. 140. 160.

0:38:300:38:33

180.

0:38:330:38:34

190. 200. 210.

0:38:340:38:37

Bid is with Caroline at £210.

0:38:370:38:41

All done? 210.

0:38:410:38:44

The hammer's gone down. Quick competition.

0:38:460:38:48

-It got there quickly.

-It certainly did.

0:38:480:38:50

-I'm happy with 210. Are you?

-Very happy, yes.

-Good.

0:38:500:38:53

It's a good thing.

0:38:530:38:55

-Paul talks about quality and that had quality.

-It did.

0:38:550:38:58

-I'm really pleased.

-Good.

-Good.

0:38:580:39:01

Going under the hammer, we've got a Hungarian Zsolnay vase that belongs to Susan,

0:39:050:39:09

who is right next to me. Hello.

0:39:090:39:11

-Is this your first auction?

-Yes, it is. I've never been to one before.

0:39:110:39:14

-Have you registered? Have you picked up a bidding card?

-No.

0:39:140:39:17

I thought I'd go and have a look.

0:39:170:39:19

You've got to do that, if you want to buy something.

0:39:190:39:22

You're not allowed to just go like that.

0:39:220:39:24

Good luck.

0:39:240:39:26

Hopefully, this is going to be a good day and we should sell this.

0:39:260:39:29

£40 to £60. I think we will.

0:39:290:39:31

We've got the Zsolnay Hungarian vase.

0:39:310:39:35

Middle Eastern in design.

0:39:350:39:37

And starting at £40 straight in on commission.

0:39:370:39:40

That's good. Straight in, it's sold.

0:39:400:39:43

Right at the back at 45. 50.

0:39:430:39:46

£50 your bid.

0:39:460:39:49

Can you see Giles is looking

0:39:490:39:50

really hard to find bidders,

0:39:500:39:51

because the room is so packed?

0:39:510:39:53

65, 70.

0:39:530:39:55

At 75.

0:39:570:39:59

-This is very good.

-On the internet, 75.

0:39:590:40:03

80. Fresh place. 95.

0:40:030:40:05

100.

0:40:050:40:07

110. 120.

0:40:070:40:09

At 120. It's in the room.

0:40:100:40:13

130. 140. Still in the room at 140.

0:40:130:40:18

150. It is on the net at £150. Are you all done, ladies and gents?

0:40:190:40:24

For the last time, at 150.

0:40:240:40:27

And it's gone! What a great result!

0:40:280:40:30

Still amazed she's still at the top of the stairs!

0:40:300:40:34

'More than three times the bottom estimate! Well done, Sue.

0:40:360:40:40

'Marie and Michelle are next for the nervous wait.'

0:40:400:40:43

Two boxed brooches going under the hammer, belonging to Marie and Michelle.

0:40:430:40:47

Lovely to see you. I know these were found in a skip by your son.

0:40:470:40:50

Two really pretty little items.

0:40:500:40:53

The market is there for things like this.

0:40:530:40:56

-Did you wear these?

-Once. One of them.

0:40:560:40:59

-The heart one.

-Did you like them?

-I didn't.

0:40:590:41:02

I've looked at it on the internet and I'm beginning to like it!

0:41:020:41:06

If they don't sell, we know where it's going.

0:41:060:41:08

Good luck. They're going under the hammer right now.

0:41:080:41:11

The Victorian 15-carat gold heart-shaped seed pearl brooch

0:41:120:41:16

and another set with turquoise and seed pearls.

0:41:160:41:20

I'm bid 80 to start it.

0:41:200:41:23

90. 100.

0:41:230:41:24

At £100. 110.

0:41:240:41:27

120.

0:41:270:41:29

125, 130.

0:41:290:41:31

135. The bid is upstairs at £135.

0:41:310:41:35

140, now. At £135.

0:41:350:41:37

And we're away at 135.

0:41:390:41:42

Yes! The hammer's gone down. £135.

0:41:420:41:44

-That's really good.

-That's OK, isn't it? For a skip find?

0:41:440:41:48

-Excellent.

-Anything's a bonus.

0:41:480:41:51

'Our 'Flog It!' finds are doing so well today.

0:41:510:41:54

'Will our final owner, Eric,

0:41:540:41:56

'be as lucky as everyone else with his pictures?'

0:41:560:41:59

I've been waiting for this one right now.

0:42:000:42:03

We've got those 11 silk Stevengraphs from Coventry.

0:42:030:42:06

They belong to Eric and his next-door neighbour, Jimmy, who's your mate as well.

0:42:060:42:10

You're going to get all the money, aren't you, Eric?

0:42:100:42:13

Jimmy will be all right. Jimmy's going to be all right.

0:42:130:42:16

I think we could be in for a lot of money, you know that?

0:42:160:42:20

-Do you know something we don't?

-Not really.

0:42:200:42:22

Had a chat with the auctioneer?

0:42:220:42:23

I had a chat with the auctioneer.

0:42:230:42:25

He was quite excited about these because the content is so right.

0:42:250:42:28

There's a lot of sporting things.

0:42:280:42:30

I love the rowers, particularly the rowers.

0:42:300:42:33

Let's find out what the bidders think.

0:42:330:42:35

Good luck, guys.

0:42:350:42:37

The pure silk work by Thomas Stevens.

0:42:370:42:40

A variety of them, the sporting ones.

0:42:400:42:43

I've got two commission bids, and 400 starts me. At 400.

0:42:430:42:47

-That's good!

-450, 500, 550.

0:42:480:42:51

600, 650, 700.

0:42:520:42:55

750, 800, 850,

0:42:570:42:59

900, 950, 1,000,

0:42:590:43:03

1,050, 1,100.

0:43:030:43:05

1,150. 1,200,

0:43:050:43:07

1,250.

0:43:070:43:08

In the room at 1,250.

0:43:080:43:11

1,300, now.

0:43:110:43:14

At 1,250. 1,300, anybody?

0:43:140:43:16

At £1,250 for the first time.

0:43:170:43:20

£1,250 for the second time.

0:43:200:43:23

The final time at 1,250.

0:43:230:43:26

-Absolutely delighted.

-Those rare ones made the difference.

0:43:260:43:31

Those rare ones made the difference.

0:43:310:43:34

Quality always sells. That's the main thing.

0:43:340:43:37

That had it in abundance. It really did.

0:43:370:43:39

Thank you so much for bringing that in today.

0:43:390:43:41

You've really made our day.

0:43:410:43:42

And what a wonderful way to end today's show.

0:43:420:43:44

-I hope you've enjoyed it.

-It's lovely!

0:43:440:43:46

Join us again for many more surprises to come,

0:43:460:43:49

but for now, from the Boldon Auction Galleries,

0:43:490:43:51

it's goodbye from all of us.

0:43:510:43:52

Two very happy men!

0:43:520:43:55

Subtitles by Red Bee Media Ltd

0:44:050:44:08

E-mail [email protected]

0:44:080:44:12

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