Alnwick Castle Flog It!


Alnwick Castle

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This is the magnificent Alnwick Castle in Northumberland,

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which has had rather a turbulent past -

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with links to rebels, gunpowder plots and Shakespearean knights.

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But today we are hoping for a slightly more serene experience,

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because this is the venue for our valuation day. Welcome to Flog It!

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The Castle has been home to the Percy family ever since 1766,

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many of whom were passionate collectors and furnished it with some incredible antiques.

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So with all these wonderful objects, it's a fitting location

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for one of our valuation days.

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We've got a marvellous crowd

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and they've had a rummage through their attics and cellars,

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looking for unwanted antiques and collectables

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to put through to auction.

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The lucky ones will be going home with a lot of money.

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So let's not waste any time.

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Let's get our experts stuck into all those bags and boxes.

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And our experts today are the feisty lady auctioneer Anita Manning

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and the debonair David Fletcher.

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And Anita is taking no prisoners in her search for the ultimate antique.

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What have you got? Show me your goodies!

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And if at first you don't succeed...

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Stand and deliver!

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David is shooting people down too!

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-I think, probably, thank you, but no thank you.

-No.

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Let's hope he finds something worth a hefty ransom later on in the show.

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Today's programme is packed full of drama

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and I'll tell you a historic tale of kidnap and terror,

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as I visit Gibside pleasure grounds.

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And we've got our share of deadly items on the show too,

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but which will make the most at auction? These Victorian pistols?

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Or these swashbuckling swords?

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Yes, there's a lot of people there,

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which means a lot of antiques to value.

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And it looks like Anita Manning is our first expert to spot a real gem.

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Let's take a closer look.

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Beryl, welcome to Flog It!

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You were the very first in the queue this morning

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and I thought that you might have something interesting.

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This is a lovely plate. Where did you get it?

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I was a home carer a lot of years in Alnwick

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and I was really attached to this old lady

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and she left it to me in her will.

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I used to clean it and look after it.

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-Right.

-She was always telling me to go on holidays.

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I never thought I would part with it but I have got grandchildren

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and I am frightened it'll get broken.

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Tell me what you liked about it, Beryl.

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The colours. It's pretty when it's up.

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Yes, well, the most obvious thing about this plate

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are these wonderful colours.

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It is called Imari and it comes from Japan,

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a little town in Japan called Arita,

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and it was made in the 1880s and 1890s

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for the export market.

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And it is characterised by these wonderful blues, rust reds,

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golds and whites, and the British people loved that type of thing.

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And I think it's very attractive. If we look at the front,

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we can see these colours in all their glory and it's so fresh!

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Obviously you haven't got into it

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with a Brillo pad or anything like that.

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And we see these segmented designs here, right round,

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and this lovely scalloped edge.

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We see the motifs of dragons

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and these almost mythical creatures.

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So we have a lot going on on the front of that plate.

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And they always looked absolutely wonderful on the wall.

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Am I turning you back onto this?

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Now, if we turn it around to the back,

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we see a more restrained colour palette here.

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The blues and whites

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with this typical blue circle round the inside here.

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It's absolutely lovely.

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If it had been selling 10 or 15 years ago, it would have been worth more.

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-Right.

-But this type of item has gone down a little bit in value.

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OK.

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I would like to put it into auction

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with an estimate of, say, £40 to £60 on it.

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-Right.

-Would that be OK with you?

-Um...

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It might go a little bit more than that, Beryl.

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-Right.

-It might go a bit more

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-but that's the correct estimate that it should go in with.

-Right.

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-We could put a reserve of £40 on it.

-Yes, yes.

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-If it doesn't get it, you'll know that it's to come back to you.

-Yes, I'm happy if it comes back.

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It has been an absolute pleasure

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-to have you here with this lovely plate.

-It's been lovely.

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I've enjoyed it.

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Who'd have thought that Japanese plate would end up in a castle in Northumberland!

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Flog It certainly attracts the exotic and the wonderful

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and some of our objects aren't what they seem at all.

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-Hello, Richard.

-Hello, David.

-Have you hurt your leg?

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-No, this is not really a walking stick.

-Is it not?

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No, it's a Sunday stick, as it was called.

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You could go walking, on a Sunday when golf was not able to be played,

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and you could use this to hit the occasional ball

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and people would think you were walking with your stick.

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-Do you know, I have never seen one of these.

-Oh, yeah?

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Tell me about golf. You weren't allowed to play on a Sunday?

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In certain places you weren't allowed to play on a Sunday.

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The Old Course at St Andrews is closed to let it rest.

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So out on a walk, you could take this as your walking stick

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and, when no one was looking, hit a few golf balls.

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So you would be in trouble if you saw the minister coming

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-on the opposite side of the road?

-Possibly, yes.

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So that is when you swung it around and used it as a walking stick.

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Yes, very good. Show us a swing, Richard. You're a golfer, I'm not.

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Very good! It's a lovely crafted object.

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And it has a little hardwood face here

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and a little leaded weight behind it,

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as a normal golf driver of that era would have.

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-And we have here what I assume must be the maker's name.

-Yes.

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"W Seelley". Might be Scully but I think it has to be the maker's name.

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I love the fact that it adds a bit of a risk

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to the experience of going out for a walk.

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-I mean, it makes it almost illicit to be playing golf.

-Yes.

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Whether it was banned, as such, I do not know.

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-I suppose you might have got into trouble for playing on Sunday.

-Yes.

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And what about St Andrew's these days?

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The Old Course is closed on a Sunday to allow the course to rest

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and a lot of people go walking on it.

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-Really?

-They just ask you to stay off the greens.

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-They do not check to see if you have these?

-I don't think so, not now.

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You could try it. I think it is great.

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What a lovely story.

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This will appeal to collectors, both of walking sticks

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and people like yourself who are golfers.

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How did you come by this?

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It belonged to my mother. She had it for many years.

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Although she wasn't a golfer,

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she was very interested in golf and anything Scottish.

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Right. So why are you selling this?

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Well, I don't collect golf memorabilia

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and it's been in the cupboard by my golf bag for years.

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So I thought I would try and flog it to see what I get for it.

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Now, I would be inclined to estimate this in the region of £30-£50.

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-Yes.

-If it made 50 or 60, I wouldn't be surprised,

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but I can't see it making much more than that.

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I think, if we are going to sell it at that estimate,

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if we could sell it without reserve, it will find its level.

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There will be collectors all over the world for this sort of thing.

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Let us hope it comes up to par

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and we have a successful sale.

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-If we do, I will see you in the 19th.

-That would be great.

-OK!

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I can't bear all of these golfing puns!

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Now, Anita's about to tee off her next valuation.

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-Brenda, welcome to Flog It!

-Thank you.

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It's lovely to have you along in this wonderful setting.

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-It is lovely.

-I like this watch.

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Tell me, where did you get it?

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I bought it from a little antique shop in Berwick about 25 years ago.

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I paid about £30 for it then.

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Right, why did you buy it? What drew you to it?

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It was the face and it hadn't faded and I thought, "Yes, I like that."

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So where has it been for the last 25 years?

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-In a cupboard, in a drawer, in a plastic box.

-Oh, right!

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I have never had it out. Never had it out.

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-So it was just a casual buy at the time?

-I just liked the look of it.

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Well, I can understand that. I see a lot of this type of watch.

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It is a ladies fob watch.

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This one is particularly pretty.

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These watches often have damage on the porcelain face.

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This one is in perfect condition.

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And I particularly like the numerals.

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And I also like this lovely gilt decoration,

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which goes round the face.

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The hands are still there,

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and, again, the gilt decoration is repeated in the middle of the watch.

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Yes. Yes, it is.

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So it is very pretty and it's very feminine.

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That is what I thought at the time, actually.

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And then you put it in a drawer and forgot all about it.

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It is Victorian.

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It dates from the latter part of the 1800s, early 1900s.

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Now, it would have been attached to a long chain

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which she would have had around her neck,

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or she may have had it attached to a chatelaine,

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which was a device she'd wear on her belt to keep her little watch

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and the other little everyday things that she might need.

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-Right.

-This little chain here is, perhaps, not the original chain.

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-It is not anything of any great substance.

-No.

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We have looked at the front of it.

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If we turn it around and open it to look at the back,

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-we can see a mark, "935".

-Right.

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Now, this is a continental silver mark.

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It tells us that there are 935 parts of silver per thousand.

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So there is a little bit of base metal in there

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and that is just to harden the metal up.

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If we look at the back,

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we see this very nice chased and engraved decoration here.

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So, all in all, it is quite a nice little item.

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-Do we know if it's working or not, Brenda?

-No, I've never used it.

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You've never used it? Maybe you felt you deserved a wee treat?

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-Well, we all do, don't we, sometimes?

-I completely agree with you.

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Let's think about price. You paid £30 for it.

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-Yes, I am sure I did.

-And you bought it in a retail situation?

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Yes, just a little antique shop.

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I would put an estimate of £30-£40.

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So it will not have increased a great deal in value and, perhaps,

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-we would put a reserve of £25. How do you feel about that?

-That's fine.

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-That's fine.

-I think the pleasure that was got from it was when you bought it.

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-I think it was. I think it was!

-When you bought it!

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I look forward to seeing you at the auction

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-and we will have some more fun.

-Thank you very much.

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Well, let's hope Brenda gets a great price for that watch.

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Then maybe she can use the money to buy something fabulous

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and experience that buying buzz once more.

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Now, what's going on on David's table?

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-Hello, John.

-Hello.

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-You look as if you are challenging me to a duel.

-Yes.

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-We are in the right place for it.

-We are indeed.

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I don't think I'd be very good at it, really.

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I'd run a mile if anyone threatened me with a sword!

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Anyway, I can't claim to be an expert on swords, so I will be led by you.

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-You obviously collect them.

-Yes.

-So you must know a bit about them.

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A little. Just what I found online.

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Is this the extent of your collection, or have you got other ones at home?

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-No, I have a few more at home. Three more.

-Right.

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So let's start with this one, which is presumably an infantry sword?

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An infantry sword from about 1820, something like that.

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And how did you come by this one?

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I was working for a pub,

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doing a job, and these were in the cellar, these two,

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all covered in paint and rust and they were going to throw them out.

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I asked if I could have them and they said, "Take them."

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I cleaned them up and I found this one was a Percy Tenantry one

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and this is a light cavalry sword.

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-So this is a cavalry sword, not infantry?

-Well, I think so. I'm not so sure about that.

-OK.

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I am sure you are right. Tell me more about that one.

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The Percy Tenantry were from Alnwick Castle here.

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It was Lord Percy who had a sort of Dad's Army in the 1800s,

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in case Napoleon invaded Britain. That is all I know about that one.

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Thank heavens he didn't!

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-This one is the US Navy.

-Right. And who is this one by?

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-Horstmann and Sons, Philadelphia.

-Philadelphia. OK.

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So that was made in America.

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This looks to me as if it might be based on an earlier pattern

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-but I would expect that to have been made in the 20th century.

-Right.

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It has "USN" on the guard, doesn't it?

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I guess, really, the most interesting one, because of where we are...

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-Percy Tenantry.

-It has local interest, doesn't it?

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And I daresay they are not uncommon but have you ever seen one before?

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-Never. No.

-I think that will generate some interest.

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Any idea what the market value is?

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-I bought this one at auction for £80.

-And these two you acquired,

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so they don't stand you in at anything.

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As far as you're concerned, are you looking to get money back?

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-I would like to get my money back on them, yes.

-OK.

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I have a figure of £200 plus in mind

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for the three of them.

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I think they should be sold in one lot but the auctioneer may decide to split them up

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and sell them individually.

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-We will be guided by them on that.

-Yes.

-OK.

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So let's go for an estimate of £200-£300

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-and a reserve of £200.

-Right, very good.

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Fingers crossed there are some bidders on the day

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determined to battle it out for those swords.

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So let's get our items over to the auction house in Tyne and Wear sharpish!

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And just to refresh your memory,

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here's a quick recap of what we're taking with us.

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Beryl's Imari plate has travelled all the way from Japan.

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But will it be flying out of the saleroom,

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or flying back into Beryl's arms?

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Richard's Sunday stick might have once been illicit

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but I think David's given it a perfectly respectable valuation.

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You'll have to watch this space to see if Brenda's little timepiece makes Anita's estimate.

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And we're about to find out if David has been cavalier

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in his valuation of John's sword collection.

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This is where it gets exciting. It's auction time.

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Today's sale is taking place at the Boldon Auction Galleries.

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Hopefully it's going to be jam-packed inside.

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Well, our luck is in. We've got a great turnout.

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But will the bidders be putting their money where their mouth is?

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And as Giles Hodges takes to the rostrum,

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there's no time to waste because our first sale is coming up right now.

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This is classic auction fodder, really. Imari plates.

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Japanese. Lovely. £40-£60. Should do that any day of the week.

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-Why are you selling this?

-It is big and cumbersome.

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Where has it been for the last few years?

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In a drawer. It is too heavy to put on the wall.

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It is a shame, really, cos it is pretty.

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You should have things like that on the wall!

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-My mum would have that on the wall.

-I have too many pictures of grandchildren and what have you.

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Good luck. Going under the hammer now.

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We have the Japanese octagonal Imari wall plaque.

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I am bid 20 to start it. At 25.

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-Come on!

-30. 35. 40. Five? At £45?

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-On my left at £45. 50 anybody?

-Come on!

-£45.

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-50. I have got the hand at 50.

-50.

-That is good.

-55.

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-60. Five. 65.

-Someone else is bidding now.

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-It is at £65.

-Come on!

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At £65 for the last time. At 65.

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That's a good price!

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-That's a very good price.

-Good, good.

-Yes.

-Happy?

-You said 40-60.

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-Yes, I am thrilled.

-Very good. Well done, Anita.

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It hovered about 40 for a wee while and then a fresh bidder.

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A fresh bidder came in. That is what auctions are all about.

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-This was your first auction, wasn't it?

-Yes. Yes.

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Well, what a great start!

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Next up, Richard's Sunday stick.

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I wonder if this will find its way back to Scotland.

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Have you done more research?

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Yes, well, I found it was the church that banned golf on a Sunday.

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-They disapproved of it strongly.

-Yes.

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So the Sunday sticks were invented at the turn of the century.

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-A nice thing, though, a nice thing.

-Yes, unusual.

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I have a mate who plays golf every Sunday. If he was prevented, he'd be furious.

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-His world would fall apart, would it?

-It would.

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I think this will go back to Scotland.

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There is a lot of golf memorabilia in Scotland. Good luck. Here we go.

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We have the Sunday stick in the form of a golf club.

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And I am bid 40 to start it.

0:17:480:17:50

-At £40. 45. 50. Five.

-That was good.

-60.

0:17:500:17:54

At £60. Anybody else left? 65. 70.

0:17:540:17:58

-Five.

-Someone on the phone.

-80. At £80. Are you all done?

0:17:580:18:02

At £80 and we are away. At 80.

0:18:020:18:06

85. Just in time on the net.

0:18:060:18:10

At £85. All done, ladies and gents? On the internet.

0:18:100:18:14

The room is out too. At £85.

0:18:140:18:17

-Yes, that is more like it, isn't it?

-That is good.

-That is a good price.

0:18:170:18:21

Someone was serious. That is going in a collection.

0:18:210:18:24

-I hope so, yes.

-Thank you for bringing it in.

0:18:240:18:27

-We've learned something.

-Absolutely.

0:18:270:18:29

Well, it is fast and furious today

0:18:340:18:36

but up next we have a ladies fob watch belonging to Brenda.

0:18:360:18:39

Unfortunately, she can't be here

0:18:390:18:41

but we do have Anita and we are looking for that top end.

0:18:410:18:44

Yes. These little fob watches are quite common

0:18:440:18:48

but this is a particularly pretty one.

0:18:480:18:51

The porcelain face is in wonderful condition

0:18:510:18:54

and it has lovely gilt and silver decoration.

0:18:540:18:57

So I like this one.

0:18:570:18:59

Something a little different to catch attention.

0:18:590:19:01

Here we go. It's going under the hammer right now. Good luck.

0:19:010:19:04

We have the ladies fob watch with the decorative dial

0:19:040:19:09

and the little silver chain.

0:19:090:19:11

And I am bid 10 to start it. At 10.

0:19:110:19:13

15. 20. 25. Back of the hall.

0:19:130:19:17

We are hoping for around £20-£25.

0:19:170:19:19

30. 35. 40. Five. 50.

0:19:190:19:21

£50 on the front row.

0:19:210:19:25

At £50. Anybody else left?

0:19:250:19:27

-That is good.

-At £50. We are away at 50.

0:19:270:19:31

That's a good result and they liked it because of the decoration.

0:19:310:19:35

-It was very, very pretty and the watch was very fresh.

-Good.

0:19:350:19:38

I'm sure Brenda will be chuffed with that result.

0:19:380:19:42

They do say in the trade that the auction room is the cutting edge,

0:19:420:19:46

so it's the perfect place to sell three swords belonging to John.

0:19:460:19:49

We have a value of £200-£300 on these.

0:19:490:19:52

I like the naval sword. Why are you selling?

0:19:520:19:55

I just have one or two spare swords. I came to value them.

0:19:550:19:59

Hopefully we'll get the top end. There's three of them.

0:19:590:20:03

John's a knowledgeable chap. He knows more about these than I do. He helped me through this one.

0:20:030:20:09

-Thanks for saying that.

-You do. It's a nice little lot.

0:20:090:20:12

The US naval sword and two others. I have 200 bid.

0:20:120:20:16

220. 250. At 250.

0:20:160:20:20

280 now? At 250. 280.

0:20:200:20:24

300. 320.

0:20:240:20:27

It's on the phone at £320.

0:20:270:20:29

To the phone.

0:20:290:20:31

This is good. This is good. 340 now.

0:20:310:20:34

360. 380.

0:20:340:20:38

They are thinking about it.

0:20:380:20:40

400.

0:20:400:20:42

420. 440.

0:20:420:20:45

At 440. It is on the phone.

0:20:450:20:49

-460, it is on the net.

-The suspense is killing me.

-460.

0:20:490:20:53

480.

0:20:530:20:56

-Still on the telephone.

-It has all gone very quiet.

-£480.

0:20:560:21:01

Are we all done, do you think? At £480. And we're...

0:21:010:21:05

-500.

-Oh!

0:21:050:21:08

520 on the phone.

0:21:080:21:11

At 520.

0:21:110:21:14

-Somebody really wants them. Somebody on the phone.

-At £520.

0:21:140:21:17

Are we all done on the internet? The bid is on the phone.

0:21:170:21:21

At £520.

0:21:210:21:24

Yes, we will take that. 520. Well done. Well done.

0:21:240:21:29

-I am very pleased.

-I bet you had an idea it was worth that.

0:21:290:21:32

-About that, I thought. 400-500.

-I said he knows his stuff.

0:21:320:21:36

It's all going swimmingly here and we'll be back later on

0:21:370:21:40

with three more lots to go under the hammer.

0:21:400:21:43

Auctions attract all manner of historical items,

0:21:430:21:46

including diaries and personal letters.

0:21:460:21:49

It's amazing how much they fetch. This letter sold for £550

0:21:490:21:54

at an auction house in 2010

0:21:540:21:56

and I want to explore the shocking history surrounding it.

0:21:560:22:00

It describes a dramatic eight-year ordeal

0:22:030:22:05

and it was written by the Countess of Strathmore in 1785.

0:22:050:22:10

This is Gibside, a splendid 18th-century estate,

0:22:110:22:16

nestling in the countryside ten miles outside Newcastle city centre,

0:22:160:22:20

and it was built to display its owners' opulence

0:22:200:22:23

but its history reads like a tragedy.

0:22:230:22:26

OK, it looks like a fine house. It looks enchanting and inviting

0:22:260:22:30

but for one woman it must have felt like a prison.

0:22:300:22:36

In the beginning,

0:22:400:22:41

it was simply a case of owner George Bowes showing off.

0:22:410:22:45

He created these luxurious stables to rival his contemporaries' houses,

0:22:450:22:51

designed an exquisite Palladian chapel for his own burial

0:22:510:22:54

and became renowned as having

0:22:540:22:55

one of the most impressive estates in the land.

0:22:550:22:58

All this worked well for him

0:22:580:23:00

but it was when Gibside was passed down to his daughter,

0:23:000:23:03

Mary Eleanor, that things took a dark turn.

0:23:030:23:07

Mary Eleanor was just 11 when her father died.

0:23:120:23:16

Overnight, she instantly became the richest heiress in the country,

0:23:160:23:20

with an estimated worth of around £150 million in today's money.

0:23:200:23:26

That's a staggering amount.

0:23:260:23:28

It instantly made Mary Eleanor a very desirable young lady

0:23:280:23:31

but it was also the recipe for disaster.

0:23:310:23:34

As the years passed, she eventually settled on a suitor, a chap called John Lyon.

0:23:370:23:42

They were in love and they married.

0:23:420:23:44

But, sadly, the Countess was left widowed at the age of 28.

0:23:440:23:49

Newly single, she lived in London enjoying the high life,

0:23:490:23:53

where she met a man who would dramatically change her life.

0:23:530:23:58

Andrew Robinson Stoney was an adventurer,

0:24:000:24:03

conman and despicable rogue.

0:24:030:24:06

He had his sights on Gibside

0:24:060:24:07

and would do ANYTHING he could to snare Mary Eleanor.

0:24:070:24:12

Anonymous letters started appearing in a London newspaper

0:24:120:24:16

blackening her name.

0:24:160:24:18

Stoney, apparently aghast at these accusations,

0:24:180:24:22

penned replies in her defence, which were also published.

0:24:220:24:25

When the letters continued,

0:24:250:24:28

Stoney challenged the newspaper editor to a duel.

0:24:280:24:31

He lost and was seemingly fatally wounded.

0:24:310:24:34

Stoney asked to see Mary Eleanor.

0:24:340:24:37

He had one final request -

0:24:370:24:39

to marry the woman he was prepared to die for.

0:24:390:24:42

Moved by this act of kindness, Mary agreed.

0:24:420:24:45

They hurriedly made arrangements to wed before Stoney slipped away.

0:24:450:24:49

But what would you know?

0:24:490:24:50

Shortly after the wedding, Stoney made a miraculous recovery.

0:24:500:24:54

The duel was a set-up and Stoney had written all the letters himself.

0:24:540:24:59

Unbeknown to Stoney,

0:25:030:25:04

Mary Eleanor had entered into a legal agreement

0:25:040:25:07

with her first husband's family,

0:25:070:25:09

ensuring that the estate be protected, in its entirety,

0:25:090:25:12

for her eldest son to inherit.

0:25:120:25:15

When Stoney discovered this, he went absolutely berserk.

0:25:150:25:19

But, having married into wealth,

0:25:190:25:21

he was determined to live the life of a millionaire.

0:25:210:25:24

Mary Eleanor afforded him this life of luxury

0:25:240:25:27

because she had a rather generous monthly allowance.

0:25:270:25:31

But Stoney ran up huge gambling debts

0:25:320:25:35

and, much worse, he treated his wife despicably.

0:25:350:25:39

The statue you can see behind me was built by her father.

0:25:390:25:42

It's a representation of Liberty

0:25:420:25:45

but, ironically, Mary Eleanor was held prisoner for eight years

0:25:450:25:48

at the hands of this evil man.

0:25:480:25:51

Eventually, after unspeakable torture at Stoney's hands,

0:25:510:25:56

Mary Eleanor managed to escape.

0:25:560:25:58

She wasted no time in starting divorce proceedings.

0:25:580:26:02

But Stoney was not giving up that easily.

0:26:040:26:07

He knew that if Mary Eleanor was successful, he would be arrested for bankruptcy.

0:26:070:26:12

As a child, Mary Eleanor would have seen teems of horse-drawn coaches

0:26:160:26:20

coming in and out of these stables,

0:26:200:26:22

delivering her father's rich guests.

0:26:220:26:25

Never would she have imagined how one such journey

0:26:250:26:28

would be so terrible for her in later life.

0:26:280:26:31

The year after her escape, Stoney employed four thugs

0:26:310:26:35

to kidnap her while she was out shopping in London.

0:26:350:26:38

They forced the terrified countess into a horse-drawn coach

0:26:380:26:43

and raced up the country with her friends chasing in hot pursuit,

0:26:430:26:47

ending up in Streatlam castle, the Bowes' ancestral home.

0:26:470:26:50

Here, Stoney puts a pistol to Mary Eleanor's head

0:26:500:26:53

and demands she stops the divorce proceedings at once but she refuses.

0:26:530:26:58

She'd rather die than live a life of hell at Gibside.

0:26:580:27:01

With her friends in hot pursuit, Stoney forces her onto a horse.

0:27:010:27:04

They gallop off to Newcastle and from there over the Pennines.

0:27:040:27:09

After 11 days of pursuit, they reach Darlington where,

0:27:090:27:12

thankfully, a local blacksmith recognises Mary Eleanor,

0:27:120:27:15

knocks Stoney out, and helps her escape.

0:27:150:27:18

Divorce proceedings are resumed.

0:27:220:27:23

The trial lasts two bitter years,

0:27:230:27:26

where Stoney does everything in his powers

0:27:260:27:29

to tarnish Mary Eleanor's reputation.

0:27:290:27:32

He even feigns illness to try and win public sympathy.

0:27:320:27:36

But at last, the countess gets her divorce.

0:27:360:27:40

Their high-profile case was groundbreaking.

0:27:400:27:43

Back then, divorce was very rare

0:27:430:27:45

and it was even rarer for a woman to instigate it.

0:27:450:27:48

Stoney was arrested for bankruptcy and put in debtor's jail.

0:27:480:27:53

Finally, Mary Eleanor was free of Stoney.

0:27:530:27:56

She retreated to Hampshire to live a quiet life,

0:27:560:27:59

where she made peace with her estranged children.

0:27:590:28:02

Mary Eleanor died in 1800, aged 51.

0:28:020:28:05

Stoney died in jail.

0:28:050:28:08

The estate carried down Mary Eleanor's family tree.

0:28:090:28:13

The best-known of the Bowes-Lyons is the Queen Mother,

0:28:130:28:16

who would have visited Gibside in her youth.

0:28:160:28:20

But increasingly the family were not interested in living here

0:28:200:28:24

and the estate slipped into ruin.

0:28:240:28:25

But in 1966, parts of Gibside were taken over by the National Trust,

0:28:250:28:30

who have brought the estate back to life.

0:28:300:28:33

Mary Eleanor's life was far from a fairytale story

0:28:330:28:37

but undoubtedly this is a house with a story to tell.

0:28:370:28:41

These days, the grounds are open to the public

0:28:410:28:43

but, sadly, the house is a little too rundown to explore.

0:28:430:28:46

The grounds are a wonderful place for families to visit.

0:28:460:28:50

All the time and money George Bowes lavished

0:28:500:28:53

on this estate all those years ago

0:28:530:28:55

can now finally be enjoyed and appreciated,

0:28:550:28:57

in a way that, sadly, Mary Eleanor was unable to do.

0:28:570:29:01

Well, after that dramatic tale, it's fitting we are back at our valuation day venue, Alnwick Castle.

0:29:080:29:14

And the weather has taken a bit of a dramatic turn too.

0:29:140:29:18

So I am escaping inside

0:29:180:29:20

to have a closer look at what Suzie has brought along.

0:29:200:29:22

Hello, Suzie. At least we didn't get wet! Everybody ran for cover.

0:29:260:29:30

Right, let's get these out of the box. What can you tell me of them?

0:29:300:29:33

Well, they belonged to a very dear friend's father.

0:29:330:29:38

His father gave them to me as a present seven or eight years ago.

0:29:380:29:42

OK. Well, these are fascinating.

0:29:420:29:44

These are little muff pistols, designed to be in the muff,

0:29:440:29:47

concealed in a hand muff, but generally they weren't used by women.

0:29:470:29:51

They're more pocket pistols for gentlemen.

0:29:510:29:54

Tiny little things. I think a lot of people considered

0:29:540:29:58

being shot by these was more of a hindrance rather than an injury.

0:29:580:30:02

-Aren't they lovely?

-Yes.

-As you can see, the trigger is concealed,

0:30:020:30:05

so it did not catch any fabric from the pocket or hand muff.

0:30:050:30:08

If you pull the hammer, that enables the trigger to drop down there.

0:30:080:30:13

And look at that lovely walnut stock. All crosshatched.

0:30:130:30:18

So there is a nice bit of grip.

0:30:180:30:20

You can see, look, there is a V with a crown.

0:30:200:30:22

So we do know we can date these to the Victorian period.

0:30:220:30:25

And I would say, circa sort of 1850-1870.

0:30:250:30:28

-And there's a name. Can you see that? "AF Girding".

-Girding, yes.

0:30:280:30:32

-Do you think these were made for him?

-I haven't a clue.

0:30:320:30:35

The auctioneer may not know either but he will have people

0:30:350:30:38

that collect arms and militaria. So we'll talk to him before the sale

0:30:380:30:43

and we'll get a better picture.

0:30:430:30:45

These unscrew and you can see where you put the black powder, just there.

0:30:450:30:50

Not much at all. Not much at all.

0:30:500:30:52

You load your bullet in there as well.

0:30:520:30:54

A little bit of round lead. Screw the barrel back on.

0:30:540:30:58

And there you are.

0:31:010:31:03

POP!

0:31:030:31:04

-And they are both working.

-Mmm-hmm.

0:31:040:31:07

-There has been a bit of damage to this one. Can you see that?

-Yes.

0:31:070:31:10

-Have you any idea of the value?

-No, not really.

0:31:100:31:14

If they were in immaculate condition, you may be looking at £500-£700.

0:31:140:31:18

I think, because of the condition, I'd feel happy

0:31:180:31:21

-if we put them into auction with a value of £300-£400.

-Yes.

0:31:210:31:24

-Would you be happy with that?

-Yes.

-Yes, happy?

-Yes.

0:31:240:31:27

Fixed reserve at £300. See what happens.

0:31:270:31:30

-Yes.

-They are marvellous. The nicest thing I've seen today.

0:31:300:31:33

Proper history. You see real antiques turning up,

0:31:330:31:36

and, for me, that's what the programme is all about.

0:31:360:31:39

Now, David is in the great hall with Heather,

0:31:390:31:42

who has brought in a collection of picture postcards.

0:31:420:31:46

One of your friends went on a lot of holidays if they sent all these!

0:31:460:31:50

-It belonged to my aunt.

-Oh, they're not yours?

-It belonged to an aunt.

0:31:500:31:54

And were you aware your aunt had this collection?

0:31:540:31:57

-Oh, yes, as small children we used to look at them.

-And is she still about?

0:31:570:32:00

-Yes, she is.

-She won't mind you selling them?

-Not at all. Not at all.

0:32:000:32:05

-So not too much of a surprise when she sees them on television?

-No, no.

0:32:050:32:09

Good. OK. We will have a look at them, page by page. Right.

0:32:090:32:14

So far, I must say, a bit boring.

0:32:140:32:17

Although there is one of Alnwick Castle,

0:32:170:32:20

where we are at the moment, of course.

0:32:200:32:23

Oh, the Prince of Wales and his wife Queen Alexandra. They are a bit more interesting.

0:32:230:32:28

But, generally speaking,

0:32:280:32:31

they are postcards of views.

0:32:310:32:35

And although they are saleable,

0:32:350:32:37

they are probably among the least saleable of all postcards, really.

0:32:370:32:43

Why are you getting rid of them?

0:32:430:32:45

They have been in the loft,

0:32:450:32:46

so it is pointless keeping them if someone was interested in them.

0:32:460:32:50

There certainly will be people who will be very interested in them.

0:32:500:32:54

And, of course, in the days before mobile telephones and texts

0:32:540:32:57

and e-mails and things, people did communicate.

0:32:570:33:00

You sent one postcard, posted it after you got home, and everything was fine!

0:33:000:33:05

-That's right.

-No problems at all.

0:33:050:33:07

I wish it were like that now! That's why there are so many postcards.

0:33:070:33:11

You did draw my attention to this loose pile. And these are humorous.

0:33:110:33:16

Whether you think they are funny or not is another matter but these are far more saleable.

0:33:160:33:21

-Right.

-I like this one. He is buying get well cards

0:33:210:33:24

and he is a Scotsman, of course.

0:33:240:33:27

And he says, "Have ye no one aboot saxpence?

0:33:270:33:30

"It's for somebody no verra seek!"

0:33:300:33:33

Terrible stereotype, isn't it, really?

0:33:330:33:36

They are going to be worth a few pounds each.

0:33:360:33:40

-You will not miss those ones either?

-Definitely not, no.

-Especially not those!

0:33:400:33:44

So you want to sell them.

0:33:440:33:47

-Have you any idea what they might be worth?

-No.

-OK.

0:33:470:33:51

-I think we have got between £50 and £80 worth.

-Right.

0:33:510:33:56

-And I'd be inclined to put a covering reserve on of £30.

-Right.

0:33:560:34:00

-OK, I will see you at the sale.

-And I am sure we will be fine.

-That is lovely. Thank you very much.

0:34:000:34:06

David may not have been taken by those postcards

0:34:060:34:09

but on the other side of the hall,

0:34:090:34:12

Anita is getting very excited about something.

0:34:120:34:15

Pat, welcome to Flog It!

0:34:150:34:17

I absolutely love this wonderful, big pot.

0:34:170:34:23

Oh, that makes two of us!

0:34:230:34:25

-Where did you get it?

-It was a gift from my grandmother when she died.

0:34:250:34:29

-It was left for me.

-Can you remember it as a wee girl, Pat?

-Yes.

0:34:290:34:34

Towards the end of the war, I stayed with my grandmother in York

0:34:340:34:38

and she used to always have this full of Victorian pennies

0:34:380:34:42

and I was allowed to tip them out

0:34:420:34:45

and drop them into this lovely vase.

0:34:450:34:48

Did you count them before you put them back in?

0:34:480:34:50

Not always. I preferred the noise it made as they went in!

0:34:500:34:54

Well, let us look at the item itself.

0:34:540:34:58

I think it is absolutely beautiful. It is a big studio pot.

0:34:580:35:02

That means that it wasn't factory made or mass produced.

0:35:020:35:06

It was produced in a small studio or workshop.

0:35:060:35:10

And every pot that they put out was an individual piece.

0:35:100:35:13

-Right.

-When we look at the decoration here,

0:35:130:35:16

we see these almost stylised fish.

0:35:160:35:19

Now, what has happened here,

0:35:190:35:23

they have made this pattern, or this image,

0:35:230:35:27

by scraping out the clay while it was still wet

0:35:270:35:31

to make the lines which form up the pattern.

0:35:310:35:35

And I love that.

0:35:350:35:37

I like the fish motif.

0:35:370:35:39

And this was very typical of this studio or workshop.

0:35:390:35:43

It is the studio of Charles Brannam. And this was a Devon factory.

0:35:430:35:48

Now, this studio started in the late 1880s

0:35:480:35:52

and continued until the 1920s.

0:35:520:35:56

And if we look at the base here,

0:35:560:36:00

we can see the signature here for Charles Brannam.

0:36:000:36:05

And this word here, "Barum", is a place in Devon.

0:36:050:36:11

It also has a date on it and the date is 1892.

0:36:110:36:17

So it's quite an old pot.

0:36:170:36:19

-That's fascinating!

-What did you like about it?

0:36:190:36:24

First of all, the feel and the colours.

0:36:240:36:26

And as a child, I don't know, it was just so different.

0:36:260:36:30

As a child, can you remember it?

0:36:300:36:33

Yes, the fish, and sometimes they would scowl at me.

0:36:330:36:37

This one looks like a glowering fish! Where do you keep it?

0:36:370:36:41

-Up in the attic!

-Well, no wonder that fish is glowering!

0:36:420:36:46

Well, I would put a value of between £100 and £200.

0:36:490:36:54

It is fairly low and fairly wide.

0:36:540:36:58

But I think that a collector would be prepared to pay £100 for that.

0:36:580:37:03

I think it is certainly worth that. Shall we put it to auction?

0:37:030:37:07

-Yes, please.

-Wonderful.

0:37:070:37:08

We will put it in with, perhaps,

0:37:080:37:10

a reserve price of £80, just to protect it.

0:37:100:37:14

But I am sure we'll get it away at that

0:37:140:37:16

-and we might even get a wee surprise.

-We might!

0:37:160:37:20

Well, that is it. We have found our final three items to take to auction.

0:37:240:37:27

You've seen them. You've heard what our experts had to say

0:37:270:37:30

and you've probably got your own opinions but don't go away

0:37:300:37:33

because there could be one or two big surprises.

0:37:330:37:36

While we make our way to the auction room,

0:37:360:37:39

it's time we said farewell to our host location,

0:37:390:37:41

the magnificent Alnwick Castle.

0:37:410:37:45

And here is what we are taking with us.

0:37:450:37:48

I absolutely love Suzie's pistols

0:37:480:37:51

and I hope they will make a real bang at the auction house.

0:37:510:37:55

They might not be David's cup of tea but he is confident someone

0:37:580:38:01

will have their head turned by this postcard collection.

0:38:010:38:05

Whereas Anita has fallen for this Charles Brannam studio pot.

0:38:080:38:13

But will the bidders agree and match her estimate?

0:38:130:38:15

We are back at the Boldon Auction Galleries in Tyne and Wear.

0:38:230:38:27

Giles Hodges is overseeing proceedings

0:38:270:38:29

and he is about to kick off our next lot.

0:38:290:38:32

Good luck, Pat. That is all I can say.

0:38:320:38:34

A bit of West Country pottery going under the hammer right now.

0:38:340:38:38

I like Brannam pottery. Were you searching, thinking, "It's Flog It! What can I bring along?"

0:38:380:38:44

No, no. I went along just to enjoy the day

0:38:440:38:46

and I thought, "Oh, I'll take the blue vase."

0:38:460:38:49

OK. And you got talked into handing it over to Anita here.

0:38:490:38:53

I love this vase! I love the decoration on it

0:38:530:38:56

with these big, stylised fishes. It's lovely.

0:38:560:39:00

Let's find out what the bidders think.

0:39:000:39:02

We can talk until we're blue in the face but it is down to this lot. Here we go.

0:39:020:39:06

The lovely, large stoneware vase by Charles Brannam

0:39:060:39:10

with the swirled handles and fish decoration.

0:39:100:39:13

-I've got two commission bids. 100 starts me straight in.

-Yes!

0:39:130:39:18

At £100. 10 will go. At 100.

0:39:180:39:21

110. 120. 130.

0:39:210:39:24

140. 150.

0:39:240:39:27

160. 170.

0:39:270:39:30

-180. At 180. It's with me.

-Come on!

0:39:300:39:33

-190. 200.

-Yes, we've done it!

-220.

0:39:330:39:38

240. Still with me at 240. Anybody left?

0:39:380:39:44

-At £240, anybody on the net?

-We'll take that.

-At £240.

0:39:440:39:48

For the last time at 240.

0:39:480:39:54

-Yes!

-£240.

0:39:540:39:56

Somebody out there really wanted that. It's gone! It's gone!

0:39:560:40:00

-But what a cracking price!

-I'm so pleased.

-Thank you.

0:40:000:40:04

-Quality always sells, doesn't it?

-Yes.

-Quality always sells.

0:40:040:40:08

And thank you for bringing in such quality.

0:40:080:40:10

-Thank you for having me.

-Have you enjoyed yourself?

0:40:100:40:12

-I thoroughly enjoyed it.

-Good.

0:40:120:40:14

Well, that certainly made Pat one happy lady.

0:40:140:40:18

Going under the hammer right now, we've got a collection of postcards belonging to Heather,

0:40:180:40:23

-who is right next to me. Hello.

-Hi.

-Is this your first auction?

-It is.

0:40:230:40:27

-What do you think?

-Good. Good, I'm enjoying it.

-A big atmosphere here.

0:40:270:40:32

It's electric, actually.

0:40:320:40:34

Look, great little collection. We've had surprises before with postcard collections,

0:40:340:40:38

-so fingers crossed there might be one or two valuable ones in there to push the price up.

-Hopefully.

0:40:380:40:43

But it's only the postcard collectors who really know that.

0:40:430:40:46

Yes, they know their market well.

0:40:460:40:48

Let's find out what the bidders think.

0:40:480:40:50

Going under the hammer right now.

0:40:500:40:52

Large album of various postcards.

0:40:520:40:56

I've got, again, three commission bids. I will start at £100.

0:40:560:41:01

-We'll go in tens.

-There you go!

-110. 120.

0:41:010:41:03

130. 140.

0:41:030:41:05

150. 160.

0:41:050:41:08

170. 180.

0:41:080:41:10

180 with me.

0:41:100:41:12

-Have I missed anybody?

-That's a nice little surprise!

-Very surprising!

0:41:120:41:16

190. 200. Still with me.

0:41:160:41:19

You're both out.

0:41:190:41:21

At £200 for the first and the last. At 200.

0:41:210:41:25

-That's more like it!

-Well, the bidders weren't mean, were they?

0:41:250:41:28

-Very surprising.

-There was something in there!

-Must have been!

0:41:280:41:31

There always is in a collection. What a first experience of auction!

0:41:310:41:35

-Definitely. Good.

-Got the bug?

-Oh, I'll have to come back, yes.

0:41:350:41:39

-Do more decluttering.

-Find more things to sell!

0:41:390:41:42

Despite David not being enthusiastic about those postcards,

0:41:420:41:46

they've certainly gone down well in this saleroom.

0:41:460:41:49

Well, I've certainly been looking forward to having a chat to Suzie. It's great to see you.

0:41:490:41:55

We're about to put the percussion cap pistols under the hammer, the ones signed "Girding".

0:41:550:41:59

-The jury's still out on whether they were made for him or not.

-Hmm.

0:41:590:42:02

Giles has done some work.

0:42:020:42:05

He couldn't find anything else that you and I didn't know.

0:42:050:42:08

So it's all down to the bidders. I'm quite excited about this.

0:42:080:42:12

-Are you?

-I'm nervous and I'm very excited.

0:42:120:42:16

Here goes! This is it!

0:42:160:42:18

Lovely lot.

0:42:180:42:20

The pair of percussion turn-off barrel pistols, "AF Girding".

0:42:200:42:25

Lovely quality. Unfortunately, no boxes for them.

0:42:250:42:30

I have...one, two, three, four, five, six, seven,

0:42:300:42:33

eight, nine, ten, 11 bids.

0:42:330:42:35

We have phone bids as well.

0:42:350:42:37

-Wow!

-I can start them off at 850.

0:42:370:42:42

-Weren't expecting that as a starting point, were you?

-900.

0:42:450:42:49

It is on Caroline's phone at £900.

0:42:490:42:53

900. 950. 1,000.

0:42:530:42:57

1,100. That is 1,100. It is on Lucy's phone. Anybody else?

0:42:580:43:04

-At £1,100.

-Short and sweet, isn't it?

-The internet is quiet too.

0:43:040:43:09

At £1,100 for the last time.

0:43:090:43:14

-At £1,100.

-Susie, Suzie...

0:43:140:43:17

£1,100. Bang! Straight in at £900.

0:43:170:43:19

Oh, you have got some tears. Oh!

0:43:190:43:22

Thank you for bringing those in. That is a lots of money, isn't it?

0:43:220:43:25

Whoever has bought them, enjoy them and look after them.

0:43:250:43:29

Aw! And I am sure they have gone to a good home.

0:43:290:43:31

What a wonderful way to end a show.

0:43:310:43:33

-OK? Are you all right?

-I am absolutely fine.

0:43:330:43:36

-We'll look after you, don't worry.

-First aid, please!

0:43:360:43:39

We have tears here in Boldon, but, whatever you do,

0:43:390:43:42

join us again soon because there are going to be more surprises to come.

0:43:420:43:45

-But until then, it is goodbye from us two.

-Wonderful.

0:43:450:43:48

Yes, thank you so much.

0:43:480:43:50

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0:44:080:44:11

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0:44:110:44:14

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