Glasgow Flog It!


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Docks once busy with Glasgow's ship-building industry

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are now home to a thrilling and thriving art scene.

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The city's home to the Scottish Opera, Ballet,

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the National Orchestra and, of course, HQ of BBC Scotland.

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Glasgow's cultural excellence was first recognised in 1990,

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when it was named Britain's first City of Culture.

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And today's venue couldn't be more fitting.

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Purpose built as a museum and art gallery, the magnificent Kelvingrove

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is literally a palace of the arts.

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This magnificent setting has really drawn the crowds.

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And on hand to help spot any potential masterpieces

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are our very own double act, James Lewis...

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Underwear that she put away for getting married,

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-but she never did.

-Your aunt's underwear?

-Great aunt.

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I've got to see this!

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..and Will Axon.

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Done well not to drink it. I bet there's been a few late nights

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when the shops are shut and you thought, "Shall we?"

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Will?

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Kelvingrove has witnessed many events in the past 100 years,

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but I don't think anything can match the excitement of our Flog It crowd.

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If I could bottle this atmosphere, I'd be a rich man!

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Let's dive into our first valuation

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and catch up with James Lewis to see what he's spotted.

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Lesley, whenever I see a box like this,

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the first thing is I know it's got silver in it.

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Yes.

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But it's either going to have a three-piece tea service,

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a bachelor's one, a dressing table set

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or silver-mounted coffee cans.

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But when you see that box, it's got to be one of them.

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And what a fantastic set!

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Just so, sort of, modern and fresh.

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And considering that this was made in the 1920s...

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-Right.

-..I think it is remarkably current and remarkably now.

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The spoons are solid silver.

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In a way, they tell you instantly what the cups were used for.

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We have these little coffee bean terminals. They look mint.

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-Have they just stayed in here?

-No. Far from it.

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I think they were very well used in their time.

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-They've been in the family since the '30s.

-OK.

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I think they were probably a wedding present to my mother's cousin,

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who was married in the '30s.

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They were very hospitable jolly people who entertained a lot.

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And then he passed them to my mother at one time and she used them a lot.

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-Did she?

-And I've used them.

-Really?

-But not recently.

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The porcelain itself is made by Cauldon of Stoke-on-Trent.

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-If you hold it up to the light, it's almost transparent.

-Yes.

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Very, very thin, fine quality porcelain.

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And the silver mounts are made...

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-That one's Chester.

-Oh!

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-The spoons are Birmingham.

-Really?

-Well, it's not where they were made.

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It's where they were assayed.

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As a retailer and a manufacturer of porcelain,

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you would commission the cheapest silver that you could

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so you would increase your profit margins.

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The silver smith that makes these

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might be more expensive to buy the spoons from.

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They'd shop around and get a maker for these

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-and a different maker for the spoons.

-Right.

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These are dated 1927.

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-So just before the '30s when you know your family had them.

-Yes.

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-If we put £70 to £100 on them...

-Mm-hm.

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-..is that all right?

-Yeah. Absolutely.

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Let's hope we can celebrate with something stronger than coffee!

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That would be very much appreciated.

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That's a gorgeous little set, and up on the balcony,

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Will has also got his hands on a mystery box.

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But what will be in this one?

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June, whose dressing table have you been raiding to come to Flog It?

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-Where's this box come from?

-My late mother-in-law's house.

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She passed away last year.

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During clearing, we came across a lot of things. This is one of them.

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Let's have a look inside, shall we?

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Well, you've got a real mix in here.

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Let's get a few pieces out.

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We've got a little gold-framed cameo brooch.

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And we've got this interesting

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gold and enamel naturalistic frame,

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which must have had something in the centre at some stage.

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At some point, probably.

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Then another little brooch. Again, rather sweet.

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Little split seed pearl

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and gold in black enamelling.

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And then we've got...

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We always like to see a fitted box on this show.

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Look at that! That's very pretty, isn't it?

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Let's put that down there.

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You've got a little split seed pearl brooch and a pendant brooch,

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which could have been worn as either a necklace or a brooch.

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We've got another box, a right Aladdin's trove here!

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There's a little selection of brooches.

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Some portrait brooches. We've got another mourning brooch.

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Typical one with the plaited hair. So it's mounting up.

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We've got one more box. Let's have a look what we can see in here.

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I see, we've got a little suite

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of typical Victorian nine-carat gold, I'd have thought, jewellery.

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There seems to be a theme running through the jewellery here.

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Brooches and mourning jewellery, such as with the plaited hair.

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And here, with the black enamelling and seed pearls.

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A classic combination of mourning jewellery.

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We've got a couple of photographic portrait brooches here.

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Recognise them at all? They're all in the same box.

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He wondered if maybe one of them was possibly his great-gran,

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-who he never knew.

-Right, OK, yeah.

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-Then we've got a gentleman here.

-Possibly the same family.

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She's got a good Victorian look.

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He looks maybe a little bit later, maybe late Victorian, Edwardian.

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At some stage along the line,

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this is nice quality jewellery, so someone has taken a bit of effort

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-and bought some nice pieces.

-Yes.

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Most of them are going to be nine-carat gold.

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-We'll let Anita go through it and catalogue for her sale.

-Yeah.

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-And we'll give her a guide price of 100 to 150.

-OK, excellent.

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So, June, we'll pack it off to Anita

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and see how her jewellery buyers respond.

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-Hopefully, by waving their paddles in the air wildly at her.

-Yes.

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-I look forward to seeing you at the sale.

-Thank you very much.

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Wearing mourning jewellery has been in practice since the 1600s,

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but it became particularly popular in the 19th century,

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mainly because of Queen Victoria and her lengthy period of mourning.

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Widows were expected to dress in black,

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only adorned with discreet pieces of jewellery

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with items made from jet being especially popular.

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Over the years, we've seen some exceptional pieces

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go under the hammer.

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Excellent!

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I wish they could have been here!

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So, let's see how this collection goes for June.

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There's plenty of items flooding in of all shapes and sizes.

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-Gosh! This is quite large to struggle in with, isn't it?

-Yes.

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Got some other things at home.

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I think that's quite cute.

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I'd put that at about, um...

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-1830, 1840.

-Right.

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I'd say it's Scandinavian. Boxes like this have their virtue.

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You can always keep something in them, you really can.

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It's really hard to put a value on traditional things like this,

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which are quite naive pieces of folk art.

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We're showing it at a disadvantage.

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It's just straight out the loft into this place.

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-It wasn't cleaned up.

-Needs a bit of TLC.

-Oh, aye.

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It needs a bit of beeswax, treating and feeding.

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If I did this...

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You can just get to see, you know?

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It would look like that and you'd fall in love with this little box.

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-I never thought of polishing it.

-If you spent a few hours waxing it,

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and feeding and treating it, you'd turn it into £80 to £120.

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-Would you?

-Yes. It's got a lot of charm to it, it really has.

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For our sale today, we're in the West End of Glasgow

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at the Great Western Auction rooms.

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It's an antique and general sale so

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we're in good company and there should be a lot of interest.

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Let's go inside and soak up the auction atmosphere. Come on.

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Hopefully, it's a packed house.

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It certainly is, and Anita Manning is on the rostrum and raring to go.

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First up, it's Lesley's silver and china coffee set.

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1920s, but it looks like it could have been made yesterday.

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-It's so contemporary.

-Everything going for it.

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-I hope so.

-Do you like your espressos?

-Yes, I do.

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-But you don't really use these?

-Not any longer.

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Let's find out what the bidders think.

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It's going under the hammer now.

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A cased set of six Cauldon china coffee cans and saucers

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in original fitted box.

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A bonnie little set.

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Can we say 200? 150?

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Will you start me at £100? Start me at 100.

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50, then. 50 bid.

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50 with you, sir. Any advance on 50?

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-60. 70. 80. 90.

-Three people, look.

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£90. 100 fresh bidder. 110. 120.

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120 with Pat. Any advance on £120? Any advance on 120? 120...

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-Sold.

-Gone.

-Fine.

-Easy, wasn't it?

-Yeah.

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Easy when it's quality and looks great.

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Going under the hammer now, a jewellery box full of treasure!

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-It belongs to June. Hello, June. Who's with you?

-My husband, Jim.

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-Jim, hello. This was your mother's jewellery?

-Yes, indeed.

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I see, now, why you brought him along.

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-Right, OK. We need to sell this. We're looking for £100, £150.

-Yes.

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-It's mourning jewellery, something you didn't wear.

-No.

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I think we've priced it at the right level.

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-There's a lot there for the money.

-Exactly, yeah.

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Fingers crossed we're going to find a buyer for it now. Here we go.

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It's a superb lot of Victorian jewellery. A lovely lot.

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Will you start me at £100? 100 bid.

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-100 bid. Any advance on 100?

-Yes, we're in.

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-We're on the phone, look.

-120, 130.

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140. 150. 160. 170.

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You're in the money!

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180. Anyone else from the floor? 180.

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190 with me. 200. 210. 220. 225.

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230. I'm out. £230 for all the jewellery. 230.

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240 on the phone. 250. 260.

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-They like this a lot.

-270.

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280. 290.

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-Maybe something really shines.

-The star brooch is nice quality.

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-£310. Any advance on 310?

-Fresh to the market.

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All done at 310? 310...

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Yes! That's a sold sound! 310, well done.

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-Well done.

-Good work.

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Welcome back to Kelvingrove Museum and Art Gallery.

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This is a portrait by Vincent Van Gogh,

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one of the greatest ever impressionists.

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It's a portrait of a young Glaswegian art dealer,

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Alexander Reid, painted in 1887.

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He shared a flat with Van Gogh in Paris.

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It's all about the company you keep to get a portrait painted like that.

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I love the use of the greens and the red, not only in the background

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but also all over the face.

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It's absolutely stunning. Something to remember.

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Right now, I think it's time we join up with our experts, don't you?

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See if they paint a pretty picture

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about their next item and give us something to remember.

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Ian, let me take you back to the 18th century.

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-Right.

-And you were a pipe smoker.

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You would, without doubt, be smoking a very long-stemmed clay pipe.

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-OK.

-I don't know if you've ever handled these clay pipes,

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but a bang on the side,

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a knock from a branch or a trip,

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-and the pipe stem would snap.

-OK.

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So this is your 18th-century equivalent of a mobile phone case.

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-BOTH LAUGH I see.

-The thing everybody had

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to protect their most treasured possession.

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So the pipe would go inside.

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That answers an awful lot of questions.

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It was probably made in Holland,

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although they were made in northern Europe and in the UK.

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The shape of the bowl is quite a tall one.

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Normally, the larger the bowl on the clay pipe,

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-the later the clay pipe is.

-Oh, right.

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The earlier you go back, the more expensive tobacco was.

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-Right, OK.

-As tobacco became cheaper, the bowls became bigger.

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You look at this, it's a nice big bowl,

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so you can say with pretty much confidence

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-that would date to about 1780 to 1800.

-I had no idea it was that old.

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Then you look here. Do you know what that emblem's meant to be?

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I didn't know it was an emblem!

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It's an anthemion

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and it's meant, in Greek antiquity,

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to be a stylised honeysuckle.

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It was very fashionable.

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Josiah Wedgwood used it in his pottery.

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Robert Adam used it in his architecture and plaster mouldings.

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And here we have a country pipe case maker

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using it as decoration on there.

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-It's a lovely little object.

-Thank you.

-Where did you find it?

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It's been in the house and before that my parents' house

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for as long as I can remember, 50 years-plus.

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Neither of them knew where it had come from.

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I guess the fact that it's on the Flog It table

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means you want to sell it?

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Well, it's been there doing nothing for all these years.

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Somebody will love it!

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It is a bit of a classic.

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£80 to £120. It's worth about 100.

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I certainly wouldn't want to see it less than 80.

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If it made more than the 120, it's done very well.

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-On that basis, shall we take it to auction?

-Definitely.

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Over in the natural history section,

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Will has a case that does have something inside.

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Susan, thanks for coming along.

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You've brought in the smallest thing today and behind us

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is the biggest thing I've seen today.

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Let's see what's inside this rather nice small fitted box.

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Let's open her up. Look at this!

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A thimble! Not any old thimble.

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We see a lot of thimbles. They're usually in silver.

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This is in solid gold.

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Is this something that you've inherited or do you use it?

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I don't use it and I didn't inherit it.

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-It was bought for me by my husband as a present.

-Nice gift!

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-Yeah. He does know what I like.

-Anything small.

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Bijouterie, isn't it?

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The fact that it's gold makes it Premier League in the thimble scene.

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And it's in its fitted case, which must be original.

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We've got a retailer for Dundee.

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I've had a look at the marks.

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-You wanted an idea of how old it was.

-Yeah. The age.

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The marks have been pretty well rubbed, probably through use.

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But referring back to Sir Roger behind us

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who's been here since 1901,

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your thimble's probably not much younger than him, actually.

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Edwardian period. It's got a bit of age to it.

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Yeah. It's older than I thought.

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A gift from your husband.

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So, obviously, you didn't have to ask him how much he paid for it.

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No, but it wouldn't have been very much at all!

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LAUGHING: Sounds terrible, doesn't it?

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I'm sure a lot of thought went into it. A lot of thought went into it.

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The market for all things gold is good at the moment.

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Let's see if we can make him a profit.

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At auction, I think you're going to be looking at around the £100 mark.

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-OK.

-Is that a nice surprise?

-Yes.

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-You thought it was worth a bit less than that?

-About...20!

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Hang on! I think I've got a 20 in me pocket!

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No, let's put it in at 80-120. Straddle that £100 mark.

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The old Flog It favourite, 80 to 120.

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The only thing left to say is see you at the saleroom.

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Finally, James is delivering a colourful history lesson.

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-Gary, let me take you back 50 years.

-OK.

-To mainland China.

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Being run by Chairman Mao,

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a communist, a hater of the Imperial past.

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If you were an art lover,

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you would not be able to own this 40 or 50 years ago.

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There was a complete rejection of the past,

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but also a denial of the past by the communist regime.

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So you can imagine now that China has opened to the west,

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each businessman that is now in charge

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of a very wealthy successful business,

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is wanting to buy back pieces of Chinese history.

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That's why you have timed this absolutely to perfection.

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Good. JAMES LAUGHS

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I can see it's slightly tarnished. It's not polished, which is perfect.

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-What's its history?

-It was my late father's.

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He bought it, I think, at an antique fair

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and gave it to me to find out a bit about it.

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I was quite interested in it,

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simply because how beautiful I thought it was.

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To find out, first of all,

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whether or not it was Chinese or maybe even Japanese.

0:18:470:18:50

That's one of the questions that I thought as well.

0:18:500:18:53

The Japanese symbolism is almost identical to the Chinese.

0:18:530:18:59

I don't read Chinese or Japanese scripts so, for me,

0:18:590:19:03

looking at the signature underneath was a bit of a problem.

0:19:030:19:06

But the guys here, we've got six off-screen valuers,

0:19:060:19:10

and six out of six said, "We think it's Chinese."

0:19:100:19:13

So, fingers crossed it is.

0:19:130:19:16

The decoration is the three-toed dragon.

0:19:160:19:20

The three-toed dragon is often a Japanese dragon, as well as Chinese.

0:19:200:19:25

The Chinese five-toed Imperial Dragon,

0:19:250:19:28

representative of the emperor.

0:19:280:19:30

Here we have chrysanthemums and other emblems that, for me,

0:19:300:19:35

would indicate Japanese, not Chinese.

0:19:350:19:39

But I've gone along with the overall view that it's Chinese,

0:19:390:19:44

so we'll see.

0:19:440:19:46

Well, I said you'd timed it to perfection.

0:19:460:19:48

-Ten years ago, this would have been worth £100, that's all.

-OK.

0:19:480:19:52

At the moment, I think, even if it's Japanese,

0:19:520:19:56

it's going to be worth £400 to £600, something like that.

0:19:560:20:00

And if it's definitely Chinese,

0:20:000:20:02

it might even double its money and make £1,000.

0:20:020:20:05

That's a real surprise, I can assure you of that.

0:20:050:20:08

-Yeah? Is that all right?

-Very definitely.

-Good.

0:20:080:20:11

Let's take it to Anita, get her to translate that mark on the bottom,

0:20:110:20:16

and fingers crossed she comes back with some good results.

0:20:160:20:20

-Fingers crossed, indeed. Thanks very much.

-Thank you.

0:20:200:20:24

Back at the auction rooms, I caught up with Anita Manning,

0:20:240:20:26

who's done some further research into the vase.

0:20:260:20:30

Is it Chinese? Is it Japanese? James thinks it's Chinese.

0:20:300:20:34

This little vase is Japanese.

0:20:340:20:36

-How could you tell?

-There are several things that we look at.

0:20:360:20:40

If we first look at the little band that encircles the neck of the vase,

0:20:400:20:45

we see a band of chrysanthemums.

0:20:450:20:47

This is a very common motif used in Japan.

0:20:470:20:52

It was a sign of prosperity and wealth and good fortune.

0:20:520:20:58

-We often see it on Japanese objects.

-That's the first clue.

-First thing.

0:20:580:21:02

Second clue - Japanese dragons, three claws.

0:21:020:21:06

Chinese dragons, five claws.

0:21:060:21:09

Are you serious about that? I've never heard that before.

0:21:090:21:12

No-one's ever said that to me in my life. I've learned something.

0:21:120:21:15

I hope you're listening and learning.

0:21:150:21:17

We all know that Chinese artefacts,

0:21:170:21:20

the market for them is a lot stronger than the Japanese market.

0:21:200:21:23

Uh-huh. I've kept it at four to six and I'm hoping there's interest

0:21:230:21:27

because there is quality there

0:21:270:21:29

and we have identified the maker's mark, which is on the base.

0:21:290:21:33

That helps as well. Provenance is key, really.

0:21:330:21:36

Watch this space. Let's put those values to the test right here.

0:21:360:21:40

And with an auctioneer like Anita, who knows what it could fetch?

0:21:400:21:44

Something I have never seen on this show before in 11 years of Flog It.

0:21:460:21:52

It's a walnut pipe case made in the 18th century to protect clay pipes.

0:21:520:21:55

I think it's rather clever.

0:21:550:21:56

-It belongs to Ian. Thank you very much for bringing it in.

-Thank you.

0:21:560:22:01

I'm rather jealous that James had the enjoyment of handling this

0:22:010:22:04

and talking about it.

0:22:040:22:06

This is absolutely wonderful!

0:22:060:22:08

£80 to £120, I think that's no money for something so rare.

0:22:080:22:14

I've seen a few, but a long, long time ago.

0:22:140:22:17

And I have to say, if that was in an antiques fair

0:22:170:22:20

I wouldn't be valuing it, I'd be buying it. Wouldn't you?

0:22:200:22:24

Yeah. And it would be possibly £200 to £300 at an antiques fair.

0:22:240:22:27

Good on you for bringing it in.

0:22:270:22:29

-We love to see something, well,

-I

-haven't seen before in my life.

0:22:290:22:34

It's a first for me. It's going under the hammer now.

0:22:340:22:37

Wish we could buy it, but we can't. Good luck.

0:22:370:22:40

An 18th-century walnut clay pipe case

0:22:400:22:44

with brass onlaid and inlaid wire work.

0:22:440:22:48

This is an early pipe case, ladies and gentlemen.

0:22:480:22:52

It's a rare, rare wee item.

0:22:520:22:55

Can we say £150?

0:22:550:22:58

150? 100?

0:22:580:23:01

Will you start me at £50? Start me at £50.

0:23:010:23:06

50 bid. 50 bid. With you, sir, at £50.

0:23:060:23:10

I want to put my arm up!

0:23:100:23:13

Any advance on 50? 60. 70...

0:23:130:23:17

This is definitely one for the purists.

0:23:170:23:20

..£90. Any advance on £90? All done at £90?

0:23:200:23:25

£90...

0:23:250:23:26

Sold at 90. Well, it's gone, OK? It's gone.

0:23:260:23:30

Well, I would have thought it would have been estimated 20 or 30.

0:23:300:23:35

James was spot-on with his valuation,

0:23:350:23:38

but I really had hoped that the bidders would have fought

0:23:380:23:40

for something so rare and unusual.

0:23:400:23:43

Under the hammer right now, a gold thimble hallmarked Chester 1900.

0:23:430:23:47

It's very late Victorian. Belongs to Susan.

0:23:470:23:50

-Possibly, for not much longer. Boxed as well.

-Yeah.

0:23:500:23:53

-This was a 30th wedding anniversary present.

-Yes.

0:23:530:23:57

You don't really mind selling it, do you?

0:23:570:24:00

-No, not at all.

-Joint decision?

-Yes.

0:24:000:24:02

-Looking forward to this?

-Yes.

0:24:020:24:05

Let's put it under the hammer and see what this lot here think.

0:24:050:24:08

It's going under the hammer now.

0:24:080:24:11

A nine-carat gold thimble, ladies and gentlemen.

0:24:110:24:14

What else do you need? It's a lovely, lovely wee thing.

0:24:140:24:18

And it's in its fitted case from Dundee.

0:24:180:24:21

Can we say £150?

0:24:210:24:25

150.

0:24:250:24:27

100?

0:24:270:24:28

Start me at £50.

0:24:280:24:32

-50 bid.

-Hold me back, Paul!

0:24:320:24:34

50 is bid. Any advance on 50 for the thimble?

0:24:340:24:37

60. 70. 80...

0:24:370:24:40

As long as it's not Susan's husband buying it back, we don't mind.

0:24:400:24:44

£100. 100.

0:24:440:24:46

110, fresh bidder. 110.

0:24:460:24:48

It's with you, sir, at £110.

0:24:480:24:52

For the golden thimble. 120, fresh bidder again.

0:24:520:24:56

We've got the top end of the estimate.

0:24:560:24:59

£120. It's the poshest thimble you could get!

0:24:590:25:04

Any advance on £120?

0:25:040:25:07

-One more over there.

-Any advance on 120?

0:25:070:25:10

All done at 120? 120...

0:25:100:25:13

Yes! That's a sold sound! Top end of the estimate. Well done, Will.

0:25:130:25:17

And well done, Susan. A bit of money towards what you want to buy.

0:25:170:25:21

Brilliant! That's £100 more than Susan expected.

0:25:210:25:26

A touch of the Orient goes under the hammer now here in Glasgow.

0:25:260:25:29

Is it a Chinese vase or Japanese vase? Anita has done her homework.

0:25:290:25:33

-It is Japanese and it belongs to Gary.

-Yes.

0:25:330:25:36

And you knew that a few days ago.

0:25:360:25:38

You'd done a bit of research online, once the catalogues were printed.

0:25:380:25:42

£400 to £600, that's what we're after.

0:25:420:25:45

Will we get that, James?

0:25:450:25:47

We should still get that. The Chinese market is buoyant.

0:25:470:25:51

-Stronger.

-Much stronger, but it's pulling the Japanese market with it.

0:25:510:25:55

Because almost all the Japanese styles were inspired by the Chinese.

0:25:550:25:59

-They're linked quite strongly.

-Fingers crossed, everyone.

0:25:590:26:02

Let's put it to the test.

0:26:020:26:04

Lot 170, ladies and gentlemen,

0:26:040:26:07

is this rare Japanese silver baluster vase in high relief.

0:26:070:26:13

It has the signed mark for Mitsuhiro,

0:26:130:26:18

one of the most prestigious Japanese silversmiths.

0:26:180:26:21

She's researched the maker, which is great!

0:26:210:26:24

£600? 600?

0:26:240:26:26

500?

0:26:280:26:29

Hopefully, we've got a telephone line booked.

0:26:290:26:32

-£300? 300 bid.

-In the room, there.

0:26:320:26:35

300 bid. Any adva... 320.

0:26:350:26:39

350. 380. 400.

0:26:390:26:42

-420. 450. 480. 500.

-Gary, you are in the money.

0:26:420:26:47

£500. Any ad... 520, fresh bidder. 520.

0:26:490:26:53

550. 580...

0:26:530:26:57

-Anita's weaving her magic.

-She's very good.

0:26:570:27:00

..650. 680. 700.

0:27:000:27:05

700 at the arch. £700.

0:27:060:27:10

-MAN:

-Here!

-Great. Fresh legs.

0:27:100:27:14

-Well called.

-720, fresh bidder.

0:27:140:27:17

720. 750. 780...

0:27:170:27:21

It's a fight between two people in the room.

0:27:210:27:24

..900. 950.

0:27:240:27:28

1,000. 1,050.

0:27:280:27:32

1,100...

0:27:320:27:34

Gary, you are definitely in the money now.

0:27:340:27:37

-This is your first auction.

-Any advance on £1,100?

0:27:370:27:41

Doesn't get any better than that.

0:27:410:27:43

Any advance on 1,100?

0:27:430:27:46

All done at 1,100? 1,100...

0:27:460:27:49

-Yes! The Japanese market is strong!

-APPLAUSE

0:27:490:27:52

£1,100.

0:27:520:27:54

Put it there! You did the right thing there.

0:27:540:27:57

I would have sold that for £1,100. So would you.

0:27:570:28:01

-Well done.

-I'm tingling for you!

0:28:010:28:03

It'll be getting split with my mum.

0:28:030:28:06

-It's what my dad would have wanted.

-Aw, bless her. Look after her.

0:28:060:28:10

That's what mums are all about.

0:28:100:28:12

Wow! What a wonderful way to end today's show.

0:28:120:28:15

-Thank you for bringing that in.

-Thank you very much.

0:28:150:28:18

Whoo! We enjoyed that. I told you there was going to be a surprise.

0:28:180:28:21

Join us again for many more.

0:28:210:28:24

From Glasgow and the wonderful work of Anita Manning, it's bye-bye.

0:28:240:28:27

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