Browse content similar to Lincolnshire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today, we are in North Lincolnshire, | 0:00:07 | 0:00:09 | |
and that is the magnificent Humber Bridge. | 0:00:09 | 0:00:12 | |
I tell you, that's such a spectacle. | 0:00:12 | 0:00:14 | |
It separates Yorkshire from Lincolnshire. It's the sixth-largest | 0:00:14 | 0:00:17 | |
single-suspension bridge of its type in the world. | 0:00:17 | 0:00:20 | |
But, right now, off to the valuation day, | 0:00:20 | 0:00:22 | |
and let's hope people from both sides of the Humber join us. | 0:00:22 | 0:00:25 | |
Welcome to Flog It! | 0:00:25 | 0:00:26 | |
There's been a house on the Normanby Estate since the 16th century. | 0:00:50 | 0:00:53 | |
After captaining one of the 200 ships mobilised by the English Navy | 0:00:53 | 0:00:57 | |
against the Spanish Armada, | 0:00:57 | 0:00:59 | |
in 1588, | 0:00:59 | 0:01:00 | |
Edmund Sheffield chose Lincolnshire | 0:01:00 | 0:01:02 | |
as the place to build himself a country manor house. | 0:01:02 | 0:01:07 | |
But it's the gardens of Normanby Hall | 0:01:07 | 0:01:09 | |
that are all ship-shape and ready to welcome our crowds here today. | 0:01:09 | 0:01:12 | |
All laden with antiques and collectables, | 0:01:12 | 0:01:14 | |
hoping to make a fortune at auction. | 0:01:14 | 0:01:16 | |
Of course, there's one question they would like to ask our experts. | 0:01:16 | 0:01:19 | |
Which is...? | 0:01:19 | 0:01:20 | |
-ALL: -What's it worth?! | 0:01:20 | 0:01:23 | |
Our cameras and the Flog It! crew are setting up for a garden party | 0:01:23 | 0:01:27 | |
in the pretty grounds of this country house estate. | 0:01:27 | 0:01:29 | |
All we need now are the experts. | 0:01:29 | 0:01:32 | |
And keeping our new arrivals in line | 0:01:32 | 0:01:35 | |
is Michael Baggott. | 0:01:35 | 0:01:37 | |
Bag inspection. Who's next? | 0:01:37 | 0:01:39 | |
And Yorkshire lass Caroline Hawley has sailed across the border | 0:01:39 | 0:01:42 | |
to dig out some exotic treasures. | 0:01:42 | 0:01:44 | |
How have you come across these? | 0:01:44 | 0:01:46 | |
There aren't many tribes living around these parts! | 0:01:46 | 0:01:50 | |
Our experts will be using every single part | 0:01:51 | 0:01:53 | |
of this gorgeous location today, from the beautiful gardens | 0:01:53 | 0:01:56 | |
to the Regency splendour of the manor house. | 0:01:56 | 0:01:58 | |
But first up, we're going around to a quiet part of the gardens | 0:01:58 | 0:02:01 | |
where Michael Baggott is very excited | 0:02:01 | 0:02:04 | |
about what's in that box. | 0:02:04 | 0:02:07 | |
-John, this is a really lovely box that you brought in... -Thank you. | 0:02:07 | 0:02:10 | |
..because I'm familiar with these boxes | 0:02:10 | 0:02:13 | |
-and I know what should be inside them. -Yes. | 0:02:13 | 0:02:15 | |
So, with a measure of trepidation, | 0:02:15 | 0:02:18 | |
I shall open it. | 0:02:18 | 0:02:19 | |
-I'll keep the fingers crossed on that hand. -Right. | 0:02:19 | 0:02:22 | |
Oh, fantastic. Fantastic! | 0:02:25 | 0:02:27 | |
We've got a beautiful pair | 0:02:27 | 0:02:29 | |
of early pistols. | 0:02:29 | 0:02:32 | |
How did you come by these? | 0:02:32 | 0:02:34 | |
I bought them at an antiques fair | 0:02:34 | 0:02:37 | |
at Duxford Aerodrome, | 0:02:37 | 0:02:39 | |
approximately 15-17 years ago. | 0:02:39 | 0:02:42 | |
These are little works of art. | 0:02:42 | 0:02:45 | |
-They are target pistols... -Right. | 0:02:45 | 0:02:47 | |
..rather than duelling pistols. The question is, | 0:02:47 | 0:02:49 | |
-who would have commissioned them? Who would have owned them? -Right. | 0:02:49 | 0:02:52 | |
Really, every young gentleman of wealth | 0:02:52 | 0:02:55 | |
would have at least one pair of pistols. | 0:02:55 | 0:02:57 | |
I think, | 0:02:57 | 0:02:59 | |
specifically with this target grip on the sights, | 0:02:59 | 0:03:02 | |
-they might have been for a gentleman that competed in a shooting competition. -OK. | 0:03:02 | 0:03:05 | |
We've got this beautiful handle, which is walnut. | 0:03:05 | 0:03:08 | |
-And the maker's name "Kavanagh". -Kavanagh, yes. | 0:03:08 | 0:03:11 | |
And we've got "Dublin", there. | 0:03:11 | 0:03:13 | |
I think the firm of Kavanagh in Dublin | 0:03:13 | 0:03:14 | |
were established at the end of the 18th century, in the 1790s. | 0:03:14 | 0:03:19 | |
These pistols wouldn't be this early. | 0:03:19 | 0:03:21 | |
I would have placed them, probably, 1820s to 1830s. | 0:03:21 | 0:03:24 | |
So, John, dare I ask, at this antiques fair, | 0:03:24 | 0:03:26 | |
how much did you pay for them? | 0:03:26 | 0:03:29 | |
You dare ask. | 0:03:29 | 0:03:30 | |
I paid about 3,500 for them. | 0:03:30 | 0:03:32 | |
Really, at the time, | 0:03:32 | 0:03:34 | |
that was not a bad buy, and you didn't overpay at all. | 0:03:34 | 0:03:38 | |
-So you can relax. -That's a comforting thought. -HE LAUGHS | 0:03:38 | 0:03:41 | |
Let's be sensible and say £3,000 to £5,000, if you're happy with that? | 0:03:41 | 0:03:44 | |
I'd be very happy with that. | 0:03:44 | 0:03:46 | |
Let's put a fixed reserve of £3,000. | 0:03:46 | 0:03:49 | |
To be honest, I wouldn't be surprised | 0:03:49 | 0:03:51 | |
to see them touch the top end of that, you know, John. | 0:03:51 | 0:03:54 | |
-That would be excellent. -Thank you very much for bringing these in. | 0:03:54 | 0:03:57 | |
-It's a pleasure, and thank YOU, sir. -It's a pleasure, John. | 0:03:57 | 0:04:00 | |
That's a high estimate. Will it pay off? | 0:04:00 | 0:04:03 | |
Or will the guns miss their mark in the saleroom? | 0:04:03 | 0:04:06 | |
The back gardens are very busy with people clutching their antiques, | 0:04:06 | 0:04:09 | |
ready to be valued, and Caroline has found something | 0:04:09 | 0:04:12 | |
that's come along for a picnic. | 0:04:12 | 0:04:14 | |
Anne, what a lovely bear! | 0:04:14 | 0:04:16 | |
The sort of bear that would have graced a nursery | 0:04:16 | 0:04:19 | |
in a beautiful house like this. | 0:04:19 | 0:04:21 | |
-He would. -Tell me a little bit about him. | 0:04:21 | 0:04:24 | |
Have you had him a long time? | 0:04:24 | 0:04:25 | |
-50 years, that I know of. -50 years?! -Yeah. | 0:04:25 | 0:04:27 | |
He's resigned to living in the loft, in a black bag. | 0:04:27 | 0:04:31 | |
No! | 0:04:31 | 0:04:32 | |
You can't keep him... Why is he in a black bin bag?! | 0:04:32 | 0:04:36 | |
I have three grandchildren, two under five, | 0:04:36 | 0:04:38 | |
and he'd either end up headless or legless, | 0:04:38 | 0:04:40 | |
cos they'd grab each end and pull. | 0:04:40 | 0:04:43 | |
He's eyeless now. | 0:04:43 | 0:04:44 | |
-Well, he's got one eye. -That was before the grandchildren. | 0:04:44 | 0:04:47 | |
-Is he called Nelson? -No, he's called Billy. -Billy! | 0:04:47 | 0:04:49 | |
Can I have a cuddle? | 0:04:49 | 0:04:51 | |
Well, it's not cuddly. | 0:04:51 | 0:04:53 | |
No, it's not cuddly! | 0:04:53 | 0:04:55 | |
-He's solid. -He's solid - | 0:04:55 | 0:04:56 | |
because he's stuffed with straw. | 0:04:56 | 0:04:57 | |
Right. | 0:04:57 | 0:04:59 | |
And he's all original. | 0:04:59 | 0:05:01 | |
-A lot of these bears have had replacement pads. -Yeah? | 0:05:01 | 0:05:04 | |
He's not - he's completely original. | 0:05:04 | 0:05:06 | |
There's no maker's button or label in him at all. | 0:05:07 | 0:05:12 | |
I would say he dates from about 1920-1930. | 0:05:12 | 0:05:16 | |
-So, way before your childhood. -Yeah. | 0:05:16 | 0:05:19 | |
And he's really in remarkably good condition. | 0:05:19 | 0:05:22 | |
Have you any idea as to the sort of value, | 0:05:22 | 0:05:25 | |
-if we can talk about value in front of him? -No... | 0:05:25 | 0:05:27 | |
Shall we close his ears? Sorry, Billy! | 0:05:27 | 0:05:29 | |
-SHE LAUGHS -No, I haven't. | 0:05:29 | 0:05:31 | |
I haven't. It was just... We thought we'd come for a day out... | 0:05:31 | 0:05:35 | |
And bring Billy Bear? | 0:05:35 | 0:05:37 | |
I can imagine a lot of people liking him. | 0:05:37 | 0:05:39 | |
And I think, | 0:05:39 | 0:05:41 | |
at auction, I would put | 0:05:41 | 0:05:43 | |
an estimate on him of £50 to £80? | 0:05:43 | 0:05:47 | |
Yeah, that's fine. | 0:05:47 | 0:05:49 | |
And if we put a reserve of... | 0:05:49 | 0:05:51 | |
£40? Are you happy with that? | 0:05:51 | 0:05:53 | |
-Definitely. -What would you do with the money, if I can ask you? | 0:05:53 | 0:05:56 | |
Buy my grandchildren a teddy bear each! | 0:05:56 | 0:05:58 | |
-A cuddly teddy bear? A soft teddy bear? -A toy teddy bear! | 0:05:58 | 0:06:02 | |
-He's lovely. Thank you very much, Anne, for bring him in. -You're welcome. | 0:06:02 | 0:06:05 | |
Thank you, Billy Bear, for coming. | 0:06:05 | 0:06:07 | |
-BEAR VOICE: -That's all right. Bye-bye! | 0:06:07 | 0:06:09 | |
And with our crowd still enjoying the gardens, | 0:06:09 | 0:06:12 | |
our experts have moved inside the house. | 0:06:12 | 0:06:14 | |
And it's Michael who has the candlesticks in the drawing room. | 0:06:14 | 0:06:17 | |
Thank you very much for bringing these wonderful candlesticks in, Iversen. | 0:06:17 | 0:06:21 | |
Were these your father's at all? | 0:06:21 | 0:06:23 | |
No, my uncle's. | 0:06:23 | 0:06:25 | |
-Your uncle's? -Yes. | 0:06:25 | 0:06:26 | |
-Did he serve in the military? -In the First World War. | 0:06:26 | 0:06:28 | |
Right. | 0:06:28 | 0:06:30 | |
But he collected items. Guns, all sorts. | 0:06:30 | 0:06:34 | |
-So he had an interest...? -An interest in military, yes. | 0:06:34 | 0:06:37 | |
If you've served in the military, these will have an appeal. | 0:06:37 | 0:06:40 | |
-Mm. -What we have, quite obviously, are a pair of candlesticks. | 0:06:40 | 0:06:43 | |
-That's right. -You don't have to be a rocket scientist for this. | 0:06:43 | 0:06:46 | |
But what's very interesting is, we've got original, | 0:06:46 | 0:06:49 | |
Victorian, I think, cavalry officers' swords. | 0:06:49 | 0:06:52 | |
-Yeah. -And we can see these are original sword handles | 0:06:52 | 0:06:55 | |
because we've even got down to the shagreen fitments here, | 0:06:55 | 0:06:59 | |
which is a shark or a ray-skin. | 0:06:59 | 0:07:02 | |
And you've got these little silver twists of wire, | 0:07:02 | 0:07:04 | |
-that's a bit of extra grip. -Yes. | 0:07:04 | 0:07:07 | |
You wouldn't expect to see that | 0:07:07 | 0:07:08 | |
-on just something that's purely decorative. -No. | 0:07:08 | 0:07:11 | |
We've got, on the top of the fitting, here, | 0:07:11 | 0:07:14 | |
-a registration number. -Yes. | 0:07:14 | 0:07:16 | |
This, number 2-7-8-7-8-8, | 0:07:16 | 0:07:20 | |
-is around the turn of the century. -Mm. | 0:07:20 | 0:07:22 | |
Value. I think these are very good-looking. | 0:07:22 | 0:07:25 | |
and I think we could... | 0:07:25 | 0:07:27 | |
say £150 to £250 for them... | 0:07:27 | 0:07:29 | |
Yeah. | 0:07:29 | 0:07:30 | |
..and put a fixed reserve of 150. | 0:07:30 | 0:07:33 | |
They might even go on from that, cos they're very quirky. | 0:07:33 | 0:07:37 | |
-You're quite happy to see them go? -Yes. | 0:07:37 | 0:07:39 | |
-Hopefully they'll find another home at the auction. -Yeah. | 0:07:39 | 0:07:42 | |
Thank you very much for bringing them along. | 0:07:42 | 0:07:43 | |
-Nice speaking to you. Bye. -Thank you. | 0:07:43 | 0:07:45 | |
Well, we are now halfway through our day. | 0:07:53 | 0:07:55 | |
Our experts have made their first choices of items | 0:07:55 | 0:07:58 | |
to take off to auction. | 0:07:58 | 0:07:59 | |
I've already got my favourites. You've probably got yours. | 0:07:59 | 0:08:02 | |
In case you've forgotten, here's a quick recap | 0:08:02 | 0:08:04 | |
on what we're taking with us to the auction room in Lincolnshire. | 0:08:04 | 0:08:08 | |
They were an expensive purchase, | 0:08:10 | 0:08:11 | |
so John hopes his pistols hit the target in the auction room | 0:08:11 | 0:08:14 | |
and make him a hefty profit. | 0:08:14 | 0:08:16 | |
Anne doesn't think it's cuddly, | 0:08:18 | 0:08:20 | |
but will someone fall in love with this teddy bear? | 0:08:20 | 0:08:22 | |
And will Iversen's candlesticks set the saleroom on fire? | 0:08:25 | 0:08:29 | |
Let's find out. | 0:08:29 | 0:08:30 | |
We've journeyed south to Lincoln, a city with an impressive history. | 0:08:34 | 0:08:37 | |
Sellers pay 15% commission here, so it's always worth doing your sums | 0:08:40 | 0:08:44 | |
and checking for any extra charges. | 0:08:44 | 0:08:46 | |
Conducting our auction is Colin Young, | 0:08:46 | 0:08:49 | |
and it's the pistols up first. | 0:08:49 | 0:08:51 | |
-The collectors know what they're looking for. -Yup. | 0:08:51 | 0:08:54 | |
If somebody wanted to start to collect pistols, | 0:08:54 | 0:08:56 | |
what are the legislations? | 0:08:56 | 0:08:58 | |
Do you need an arms licence? | 0:08:58 | 0:09:00 | |
Certainly, for something that's muzzle-loading, such as this, | 0:09:00 | 0:09:03 | |
and of period, then, you don't. | 0:09:03 | 0:09:05 | |
If they were actually reproductions made today, | 0:09:05 | 0:09:09 | |
but still of that same manufacture, | 0:09:09 | 0:09:14 | |
then you would need a licence. | 0:09:14 | 0:09:15 | |
Because they are made and they are fireable, | 0:09:15 | 0:09:18 | |
and they are a weapon. | 0:09:18 | 0:09:20 | |
If you're thinking of investing in vintage firearms, | 0:09:20 | 0:09:23 | |
please do your homework | 0:09:23 | 0:09:25 | |
because you can get caught out. | 0:09:25 | 0:09:26 | |
If you're unsure about it, just get it into the auction rooms, | 0:09:26 | 0:09:29 | |
because we would always go to the Firearms Department for advice | 0:09:29 | 0:09:33 | |
before ever offering anything for sale. | 0:09:33 | 0:09:35 | |
-Hello, John. Good to see you again. -Thank you. | 0:09:41 | 0:09:43 | |
And Michael, our expert. I know they caught your eye. | 0:09:43 | 0:09:46 | |
It's a niche market. | 0:09:46 | 0:09:48 | |
They're the people that know what to look for, | 0:09:48 | 0:09:50 | |
and these guns are right, aren't they? | 0:09:50 | 0:09:53 | |
There's not one bit wrong with them. | 0:09:53 | 0:09:55 | |
-Excellent. -We're selling quality here. | 0:09:55 | 0:09:57 | |
I appreciate that. | 0:09:57 | 0:09:58 | |
Question is, will we get that three to five? | 0:09:58 | 0:10:00 | |
Will we get the top end? We'll find out now. | 0:10:00 | 0:10:02 | |
They're going under the hammer. Let's hand over to Colin Young. | 0:10:02 | 0:10:06 | |
An original case. What shall we say for this lot? Who will start me? | 0:10:06 | 0:10:09 | |
£3,000? | 0:10:09 | 0:10:11 | |
2,500, anyone? 2,5? | 0:10:11 | 0:10:13 | |
It's a bit low. | 0:10:13 | 0:10:15 | |
2,000 bid. | 0:10:15 | 0:10:17 | |
At 2,200 now? | 0:10:17 | 0:10:18 | |
At 2,000 bid. | 0:10:18 | 0:10:19 | |
We are too far off now. | 0:10:19 | 0:10:21 | |
2,200 bid. 2,400, do I see now? | 0:10:21 | 0:10:24 | |
2,600 bid, now? At 2,400 - at 2,600, surely. | 0:10:24 | 0:10:29 | |
I'm afraid at that price, I do have to withdrawn them. | 0:10:29 | 0:10:31 | |
Really, they should have made the top end of that, | 0:10:31 | 0:10:34 | |
so, in a way, it's good | 0:10:34 | 0:10:36 | |
they didn't scrape away at 3,000. | 0:10:36 | 0:10:37 | |
I'm happy they didn't sell at that. | 0:10:37 | 0:10:40 | |
-That's why you protect it with a reserve. -Absolutely. | 0:10:40 | 0:10:42 | |
Michael was so right to put that reserve on. | 0:10:42 | 0:10:44 | |
Good luck with whatever you want to do with them. | 0:10:44 | 0:10:46 | |
Do appreciate it. Thank you both. | 0:10:46 | 0:10:48 | |
That was a surprise, | 0:10:48 | 0:10:49 | |
but luckily, since the auction, | 0:10:49 | 0:10:51 | |
John has had interest from a dealer who couldn't make it on the sale day, | 0:10:51 | 0:10:54 | |
so he's still hopeful for a good result. | 0:10:54 | 0:10:57 | |
Surely the teddy bear is a safe bet. | 0:10:58 | 0:11:01 | |
Will someone in the auction room fall in love with him? | 0:11:01 | 0:11:04 | |
Anne, it's good to see you again. Who's this? | 0:11:04 | 0:11:06 | |
-This is Leah, my granddaughter. -Hello! School holidays, now! | 0:11:06 | 0:11:09 | |
That's right, so we thought we'd bring her along. | 0:11:09 | 0:11:12 | |
-What do you think of the auction? -Scary. | 0:11:12 | 0:11:14 | |
It is a bit intimidating, isn't it? | 0:11:14 | 0:11:16 | |
Let's find out what the bidders think. | 0:11:16 | 0:11:19 | |
Who will start me at 30? | 0:11:19 | 0:11:21 | |
£30, anybody? 20 to go, then, surely. | 0:11:21 | 0:11:24 | |
£20 bid. | 0:11:24 | 0:11:25 | |
We're in at 20. | 0:11:25 | 0:11:27 | |
We got £20. | 0:11:27 | 0:11:29 | |
I've got 32. | 0:11:29 | 0:11:30 | |
35. 38, I've got. | 0:11:30 | 0:11:31 | |
£40 bid. | 0:11:31 | 0:11:33 | |
£40 bid. 42, now? | 0:11:33 | 0:11:36 | |
At £40 bid. | 0:11:36 | 0:11:37 | |
Are we all done and finished? | 0:11:37 | 0:11:39 | |
Going then at £40... | 0:11:39 | 0:11:42 | |
Well done, Colin. | 0:11:42 | 0:11:43 | |
Colin worked some magic there. | 0:11:43 | 0:11:45 | |
Everybody loves a bear, don't they? | 0:11:45 | 0:11:47 | |
They do, they do. | 0:11:47 | 0:11:48 | |
Billy Bear has found a new home, | 0:11:48 | 0:11:50 | |
and that's our first sale of the day. | 0:11:50 | 0:11:52 | |
Onwards, and upwards, from now on. | 0:11:52 | 0:11:55 | |
Next up, the candlesticks. | 0:11:55 | 0:11:58 | |
Their shagreen handles are shark or stingray skin. | 0:11:58 | 0:12:00 | |
Because some species of these creatures appear on endangered species lists, | 0:12:00 | 0:12:04 | |
rules dictate you can't buy or sell any items made with shagreen | 0:12:04 | 0:12:08 | |
after 1947. | 0:12:08 | 0:12:10 | |
These ones are fine, because they're made more than 100 years ago. | 0:12:10 | 0:12:14 | |
These would suit someone into militaria who throws dinner parties. | 0:12:14 | 0:12:17 | |
Absolutely. | 0:12:17 | 0:12:18 | |
A talking point. | 0:12:18 | 0:12:19 | |
Let's find out if the bidders here will buy these, | 0:12:19 | 0:12:22 | |
and use them. They're going under the hammer now. | 0:12:22 | 0:12:24 | |
£100, anybody? | 0:12:24 | 0:12:27 | |
110, 120... 120. 130. Let's get on. | 0:12:27 | 0:12:30 | |
130, 140. | 0:12:30 | 0:12:32 | |
150, 160. | 0:12:32 | 0:12:34 | |
-We've sold them. -Yes. | 0:12:34 | 0:12:35 | |
160, 170. | 0:12:35 | 0:12:37 | |
160, 170... | 0:12:37 | 0:12:38 | |
There must be someone | 0:12:38 | 0:12:39 | |
with a tethered horse outside - | 0:12:39 | 0:12:41 | |
cavalry officer! | 0:12:41 | 0:12:43 | |
200 bid. 220, do I see? | 0:12:43 | 0:12:45 | |
No. Are we all done, then? On my left, then, selling. | 0:12:45 | 0:12:47 | |
All done at £200. | 0:12:47 | 0:12:49 | |
£200. Yes! | 0:12:49 | 0:12:51 | |
That's good. I'm very happy with that. | 0:12:51 | 0:12:53 | |
-They'll be worth every penny. -Yes. | 0:12:53 | 0:12:55 | |
Nice meeting you two. | 0:12:55 | 0:12:57 | |
Thank you very much, Ivan. | 0:12:57 | 0:12:59 | |
-Bye-bye. -It's a pleasure. | 0:12:59 | 0:13:00 | |
That's two sales out of three. Not bad. | 0:13:00 | 0:13:04 | |
But it just goes to prove | 0:13:04 | 0:13:05 | |
you cannot predict an auction. | 0:13:05 | 0:13:07 | |
That's half the fun. | 0:13:07 | 0:13:09 | |
Back inland, the valuations are in full swing. | 0:13:13 | 0:13:16 | |
Normanby Hall is enjoyed by over 150,000 people each year, | 0:13:16 | 0:13:21 | |
and was home to Samantha Cameron, wife of the Prime Minister, | 0:13:21 | 0:13:24 | |
in her early childhood. | 0:13:24 | 0:13:25 | |
It's a real local treasure, | 0:13:25 | 0:13:28 | |
and Michael has got his hands on some treasure of his own! | 0:13:28 | 0:13:32 | |
Jan, Joe...thank you. What can I say? | 0:13:32 | 0:13:36 | |
These are lovely things. | 0:13:36 | 0:13:38 | |
-They smack of being family pieces. Is that right? -Yes. | 0:13:38 | 0:13:41 | |
Where did they come from in the family? | 0:13:41 | 0:13:44 | |
My grandad. | 0:13:44 | 0:13:45 | |
He was an undertaker, | 0:13:45 | 0:13:47 | |
when he was a young man. | 0:13:47 | 0:13:48 | |
So I can imagine him wearing it on his waistcoat | 0:13:48 | 0:13:51 | |
as he's walking in front of the... | 0:13:51 | 0:13:53 | |
Yes, of course, you had to be turned out immaculately. | 0:13:53 | 0:13:56 | |
-It would have been de rigueur to have a watch and chain. -Yeah. | 0:13:56 | 0:14:00 | |
What do you think's the most interesting one? | 0:14:00 | 0:14:02 | |
That's lovely. | 0:14:02 | 0:14:04 | |
That's lovely, and that one? | 0:14:04 | 0:14:06 | |
That's a scruffy, old one I thought I might throw away! | 0:14:06 | 0:14:09 | |
SHE LAUGHS | 0:14:09 | 0:14:10 | |
This is actually the oldest thing on the table. | 0:14:10 | 0:14:13 | |
-Oh, is it? -Right. What date's that? | 0:14:13 | 0:14:15 | |
It's a pair-cased silver watch. | 0:14:15 | 0:14:17 | |
Pair-cased, cos it's got a pair, P-AIR, of cases. | 0:14:17 | 0:14:22 | |
The outer case for protection... | 0:14:22 | 0:14:24 | |
Oh, and that's lovely. | 0:14:24 | 0:14:26 | |
When you would have a watch serviced, | 0:14:26 | 0:14:28 | |
by a jeweller, | 0:14:28 | 0:14:30 | |
they would do a little bit of advertising | 0:14:30 | 0:14:32 | |
and they would sometimes put in a watch paper. | 0:14:32 | 0:14:35 | |
There are several in there, I think. | 0:14:35 | 0:14:37 | |
"J Farrer, Watch and Clock Maker, Doncaster." | 0:14:37 | 0:14:40 | |
We will have the date | 0:14:40 | 0:14:42 | |
when it was done. | 0:14:42 | 0:14:43 | |
1840. | 0:14:43 | 0:14:46 | |
Oh, really? | 0:14:46 | 0:14:47 | |
So we know it's at least as old as 1840 | 0:14:47 | 0:14:50 | |
but, if we open this case up... | 0:14:50 | 0:14:52 | |
-Have you ever had it open? -No. -There you go. -Oh, wow! | 0:14:52 | 0:14:55 | |
That's beautiful. | 0:14:55 | 0:14:57 | |
Daft, really. | 0:14:57 | 0:14:58 | |
They're miniature masterpieces, | 0:14:58 | 0:15:00 | |
-and you'd never see it unless you opened it to look at the movement. -No! | 0:15:00 | 0:15:04 | |
It defeats me, cos look at the outer case. | 0:15:04 | 0:15:06 | |
-Yeah! -Plain as a pipe staff. -Precisely! | 0:15:06 | 0:15:08 | |
Then we have this gold one. | 0:15:08 | 0:15:10 | |
This is 18-carat gold. | 0:15:10 | 0:15:12 | |
We have the date letter there for 1829. | 0:15:12 | 0:15:16 | |
So it's still a George IV watch. | 0:15:16 | 0:15:19 | |
-Yes. -There are certain things about this movement | 0:15:19 | 0:15:23 | |
-that I can readily see are unusual. -Right. | 0:15:23 | 0:15:26 | |
The way this is driven - | 0:15:26 | 0:15:29 | |
we have this subsidiary little wheel here, and this bracing. | 0:15:29 | 0:15:32 | |
It's not a typical movement. | 0:15:32 | 0:15:35 | |
Which, to my mind, is a little bit special. | 0:15:35 | 0:15:38 | |
Then, lastly, we've got a bit of gold! | 0:15:38 | 0:15:41 | |
-Yeah! -Nine-carat gold... | 0:15:41 | 0:15:42 | |
Albert watch chain. | 0:15:42 | 0:15:44 | |
This is, sadly, down to its gold weight, these days. | 0:15:44 | 0:15:48 | |
There's a reasonable sum of money on the table. | 0:15:48 | 0:15:51 | |
What do you think the values are? | 0:15:51 | 0:15:53 | |
-Oh, no idea. -Have a wild stab in the dark. | 0:15:53 | 0:15:56 | |
-Oh... -150. | 0:15:56 | 0:15:58 | |
150, the lot? | 0:15:58 | 0:16:00 | |
No, maybe... | 0:16:00 | 0:16:02 | |
a little bit more. | 0:16:02 | 0:16:03 | |
SHE LAUGHS | 0:16:03 | 0:16:05 | |
-My wallet is coming out. -150 for that one. -There are condition issues with that, | 0:16:05 | 0:16:08 | |
but it's lovely. | 0:16:08 | 0:16:09 | |
Let's put £100 to £200 on it, with a fixed reserve of £100. | 0:16:09 | 0:16:12 | |
-Wow! -Which is better than the bin. | 0:16:12 | 0:16:14 | |
Watch chain - | 0:16:14 | 0:16:16 | |
that's going to be about £300 to £500... | 0:16:16 | 0:16:18 | |
-Ooh! -It will probably make the thick end of the 500 on that. -Wow! | 0:16:18 | 0:16:22 | |
-Put a reserve of 300 on that. -Oh, crumbs! | 0:16:22 | 0:16:24 | |
Watch... | 0:16:24 | 0:16:26 | |
glass-less, boring, plain-movement watch. | 0:16:26 | 0:16:29 | |
Let's put... | 0:16:29 | 0:16:32 | |
£500 to £800 on it. | 0:16:32 | 0:16:34 | |
We'll put a fixed reserve of £500, | 0:16:34 | 0:16:36 | |
-and we'll see where it goes. -Wow! | 0:16:36 | 0:16:39 | |
-Never! -Crumbs! -Happy? | 0:16:39 | 0:16:41 | |
-Definitely. -Happy you came? | 0:16:41 | 0:16:43 | |
Oh, yeah! | 0:16:43 | 0:16:44 | |
I'm happy you came! I'm delighted! | 0:16:44 | 0:16:46 | |
It's fantastic - it's made my day, really. Wonderful things. | 0:16:46 | 0:16:49 | |
And that proves you should never throw things away. | 0:16:50 | 0:16:54 | |
Or at least, bring them to a Flog It! valuation day first. | 0:16:54 | 0:16:57 | |
In the garden, Caroline is also saving something | 0:16:57 | 0:16:59 | |
from the rubbish tip and it is a Flog It! favourite. | 0:16:59 | 0:17:01 | |
John, I am shocked to hear what you were just about to do | 0:17:01 | 0:17:07 | |
with this magnificent piece of Cornish studio pottery. | 0:17:07 | 0:17:11 | |
-Tell me. -Well, it was destined for the bin. -No! | 0:17:11 | 0:17:16 | |
Yes, that is where it was going | 0:17:16 | 0:17:18 | |
until someone said to me it was worth a little bit of money. | 0:17:18 | 0:17:22 | |
Well, it is, John. How did you come by it for a start? | 0:17:22 | 0:17:27 | |
At a car-boot sale at Emswell. | 0:17:27 | 0:17:30 | |
I was just looking around for something to stand some flowers in. | 0:17:30 | 0:17:34 | |
And what did you pay for it at the time? | 0:17:34 | 0:17:36 | |
About £10-£15, I can't exactly remember. It was no more than £15. | 0:17:36 | 0:17:40 | |
That is a very, very good buy. | 0:17:40 | 0:17:43 | |
-Do you know anything about Troika pottery? -Not really. | 0:17:43 | 0:17:47 | |
It was a company set up in the late '60s, in St Ives in Cornwall, | 0:17:47 | 0:17:52 | |
and it is still in existence today, the factory, | 0:17:52 | 0:17:55 | |
although it is making less pieces than it did ten years ago. | 0:17:55 | 0:17:59 | |
-I can imagine. -You really don't like this, do you? | 0:17:59 | 0:18:02 | |
You really do not like it. So really you are keen to sell it. | 0:18:02 | 0:18:08 | |
Well, it is a wheel vase. | 0:18:08 | 0:18:10 | |
It is a 15 inch one which is good. | 0:18:10 | 0:18:12 | |
It is much bigger than the run of the mill | 0:18:12 | 0:18:15 | |
which are considerably smaller than this. | 0:18:15 | 0:18:18 | |
It's covered in very stylised symbolic features. | 0:18:18 | 0:18:25 | |
If you look at it, there are parts of anatomy. | 0:18:25 | 0:18:29 | |
Various places on the front, | 0:18:29 | 0:18:32 | |
you can see the shape of almost a face and a body. | 0:18:32 | 0:18:36 | |
And they are very often in muted colours, | 0:18:36 | 0:18:39 | |
as this is, the sort of browns, greens, blues and greys. | 0:18:39 | 0:18:43 | |
This is in very good condition. | 0:18:43 | 0:18:45 | |
If we turn it around, | 0:18:45 | 0:18:47 | |
this is beautifully marked | 0:18:47 | 0:18:49 | |
on the bottom, as you can see, Troika, | 0:18:49 | 0:18:51 | |
Cornwall, and the monogram here, | 0:18:51 | 0:18:53 | |
very clearly written AB, which stands for Alison Brigden. | 0:18:53 | 0:18:59 | |
-That's the maker? -Yes, the designer of this piece. | 0:18:59 | 0:19:02 | |
You might be surprised to know that it does have a pretty good value. | 0:19:02 | 0:19:07 | |
Is it still going to the bin or not? | 0:19:07 | 0:19:10 | |
Not now. | 0:19:10 | 0:19:12 | |
Well, I would suggest that this, because of its size, | 0:19:12 | 0:19:16 | |
I would suggest it has a value of between £200-£300. | 0:19:16 | 0:19:19 | |
-Oh, right. -Are you happy with that? -Very good. | 0:19:19 | 0:19:22 | |
And if we put a reserve of 200, | 0:19:22 | 0:19:26 | |
perhaps a discretionary reserve, are you OK with that? | 0:19:26 | 0:19:30 | |
-Yes, absolutely. -So we shall go ahead and sell it for you. | 0:19:30 | 0:19:33 | |
Yeah, that's absolutely fine. | 0:19:33 | 0:19:34 | |
Michael Baggott is joined by Linda in the back gardens. | 0:19:37 | 0:19:42 | |
-May I open this up? -Yes, certainly. | 0:19:42 | 0:19:44 | |
We have got, that is marvellous, a drawing set. Look at that. | 0:19:44 | 0:19:49 | |
Beautiful ivory rule, | 0:19:49 | 0:19:51 | |
wonderful scales on it, | 0:19:51 | 0:19:53 | |
and we have the maker on it, E Halse & Son of London. | 0:19:53 | 0:19:57 | |
It is very contentious now to sell ivory that was made after 1947. | 0:19:57 | 0:20:00 | |
It is illegal, so we need proof that it's earlier than that. | 0:20:00 | 0:20:03 | |
This is very much the case. We have got the maker's name | 0:20:03 | 0:20:06 | |
that can date it and so this is perfectly legal for us to sell. | 0:20:06 | 0:20:10 | |
This little ebony parallel rule, I don't think is original to this set. | 0:20:10 | 0:20:16 | |
What we would hope to see there is a protractor. | 0:20:16 | 0:20:18 | |
-Oh, I see, yes. -So that's not there, | 0:20:18 | 0:20:20 | |
but we have most of the other little fittings. | 0:20:20 | 0:20:23 | |
-Are you a collector of scientific instruments, Linda? -Not really. | 0:20:23 | 0:20:26 | |
I am a collector of older things and about 25 years ago, | 0:20:26 | 0:20:32 | |
an old gentleman gave me this, who knew that I was collecting things | 0:20:32 | 0:20:36 | |
to go in a cottage which I had purchased, | 0:20:36 | 0:20:39 | |
which was built in about 1845. | 0:20:39 | 0:20:42 | |
It's actually not...1845 in date. | 0:20:42 | 0:20:47 | |
-Oh, OK. -That's a bit of a blow, isn't it? | 0:20:47 | 0:20:49 | |
It's a bit earlier, so that is all right! But they can be dated | 0:20:49 | 0:20:54 | |
from the middle of the 18th century up to about 1820, 1830. | 0:20:54 | 0:20:58 | |
Really, yes? | 0:20:58 | 0:20:59 | |
I think this one, from the style of the instruments, | 0:20:59 | 0:21:02 | |
probably falls in at about 1790 to about 1800. | 0:21:02 | 0:21:05 | |
Oh, gosh, that's interesting. Thank you. | 0:21:05 | 0:21:07 | |
It is a lovely set. | 0:21:07 | 0:21:09 | |
It is incomplete and there is slight damage to the box. | 0:21:09 | 0:21:13 | |
In these instances we can't really value it as a complete set. | 0:21:13 | 0:21:17 | |
We have to look at the individual items | 0:21:17 | 0:21:19 | |
-and assess a value that way. -I see. | 0:21:19 | 0:21:21 | |
-I think we would put this at £100-£150. -I see. | 0:21:21 | 0:21:25 | |
And we'll put a fixed reserve of £100 on it. | 0:21:25 | 0:21:28 | |
If it does well, what do you plan to spend the money on? | 0:21:28 | 0:21:31 | |
Well, I am quite a keen walker | 0:21:31 | 0:21:34 | |
so I think I will put that towards some walking in the Lake District. | 0:21:34 | 0:21:38 | |
That is marvellous. | 0:21:38 | 0:21:40 | |
-I'm set to go trekking to Everest base camp in October. -Good grief! | 0:21:40 | 0:21:44 | |
So I need to get some practice in. | 0:21:44 | 0:21:47 | |
So we will be sending you up and round the mountain. | 0:21:47 | 0:21:49 | |
-Hopefully! -When she comes! Thank you very, indeed, Linda. | 0:21:49 | 0:21:52 | |
And let's hope we can get Linda enough money to take to the hills. | 0:21:53 | 0:21:58 | |
Right now it's time to say goodbye to Normandy Hall, | 0:21:58 | 0:22:00 | |
our magnificent host location, | 0:22:00 | 0:22:02 | |
as we head off to auction for the very last time. | 0:22:02 | 0:22:05 | |
And here's a quick recap of what's going under the hammer. | 0:22:05 | 0:22:08 | |
There is a high estimate on Jan and Joe's pocket watches and chain. | 0:22:08 | 0:22:12 | |
Only time will tell if the saleroom agrees. | 0:22:12 | 0:22:14 | |
Will the Troika that was heading for the bin make John a tidy profit? | 0:22:16 | 0:22:21 | |
And will the scientific instruments help get Linda to Everest base camp? | 0:22:22 | 0:22:26 | |
Let's find out. | 0:22:26 | 0:22:27 | |
Well, the auction room in Lincoln is still bustling, | 0:22:32 | 0:22:35 | |
which is always a good sign for our items, | 0:22:35 | 0:22:37 | |
and my favourite item is up first, the scientific instruments. | 0:22:37 | 0:22:41 | |
We should get this away. We keep saying on the show, | 0:22:41 | 0:22:43 | |
quality always sells, we'll put it to the test right now, | 0:22:43 | 0:22:45 | |
it is going under the hammer here in Lincoln. Good luck. | 0:22:45 | 0:22:48 | |
Start me at £100. 100, 100? 80 to go then. 80? 50 if you like. | 0:22:50 | 0:22:53 | |
50 if you like, anybody. £50 bid. At 50, bid five. 55. 65, 70. | 0:22:53 | 0:22:58 | |
A bid from France. At 75 bid. | 0:22:58 | 0:23:00 | |
At 75, at 80... | 0:23:00 | 0:23:02 | |
-That's interesting, wasn't it, a bid from France on the internet. -Yes! | 0:23:02 | 0:23:06 | |
Surely you are going to come back. | 0:23:06 | 0:23:07 | |
At 75 bid, at 80 now do I see? At 80 now. | 0:23:07 | 0:23:11 | |
85, 90, 95, 100. | 0:23:11 | 0:23:12 | |
100 surely, sir? At 95 bid. At 95 bid. | 0:23:12 | 0:23:16 | |
-He's hoping for some more. -98 if it'll help you. At 95 bid. | 0:23:16 | 0:23:20 | |
98 now, do I see? | 0:23:20 | 0:23:22 | |
At 95 bid, are we all done? So near, yet so far. | 0:23:22 | 0:23:26 | |
At 95 bid, are we all done? 95, last call, then. 98 bid, do I see? | 0:23:26 | 0:23:30 | |
98, and £100 bid. At 100, 110 now, do I see? At 100. | 0:23:30 | 0:23:37 | |
-I would have been amazed if it hadn't sold. -At £100, any more bids? | 0:23:37 | 0:23:43 | |
The hammer's gone down. Did it! | 0:23:43 | 0:23:44 | |
Just, though, wasn't it? | 0:23:44 | 0:23:47 | |
Excellent, really pleased about that. | 0:23:47 | 0:23:49 | |
-A bit of money towards the trip. -Thank you, Michael. -It's a pleasure. | 0:23:49 | 0:23:52 | |
A great result for Linda, that was a quality item. | 0:23:54 | 0:23:56 | |
Let's hope someone likes John's Troika vase | 0:23:56 | 0:23:59 | |
a little bit more than he does. | 0:23:59 | 0:24:01 | |
A wonderful wheel vase. | 0:24:01 | 0:24:02 | |
And I know you do not like Troika, you do not like this vase. | 0:24:02 | 0:24:07 | |
A lot of people out there don't like it. I love it. I come from Troika. | 0:24:07 | 0:24:11 | |
I've been flagging it up for years and years and years. | 0:24:11 | 0:24:13 | |
And I have had the pleasure of meeting Benny Sirota, | 0:24:13 | 0:24:16 | |
-one of the original three designers who formed Troika. -Oh, right, yeah. | 0:24:16 | 0:24:20 | |
I'm a very privileged young man. | 0:24:20 | 0:24:21 | |
I like this kind of thing, I really do. | 0:24:21 | 0:24:24 | |
It sums up the texture of Cornwall. | 0:24:24 | 0:24:25 | |
-Let's hope it does well for you, John! -Yeah, hopefully. | 0:24:25 | 0:24:28 | |
-It's a good size. -It is. -Let's put it to the test. | 0:24:28 | 0:24:30 | |
Here we go, it's going under the hammer now. | 0:24:30 | 0:24:32 | |
Good luck, everyone, this is it. | 0:24:32 | 0:24:34 | |
Always very popular when it comes under the hammer. | 0:24:34 | 0:24:36 | |
Who is going to start at 300? £300. | 0:24:36 | 0:24:38 | |
2 to go then, surely, 200, do you have for me now? 200 straight in. | 0:24:38 | 0:24:42 | |
£200 bid. 220, 240, 260, | 0:24:42 | 0:24:44 | |
280, 280, 300, 320, 340. | 0:24:44 | 0:24:48 | |
At 320, 340 anywhere else? Surely 40? At 320 the bid is nearby. | 0:24:48 | 0:24:53 | |
At 320 bid, at 40 for my last call. No? At £320 then. | 0:24:53 | 0:24:57 | |
-340, is that a bid? -Gosh. -No. I thought I'd better ask. | 0:24:57 | 0:25:01 | |
Selling then at £320. | 0:25:01 | 0:25:04 | |
-Sold at £320. Well done! -Brilliant! | 0:25:04 | 0:25:06 | |
Just over the top end of the estimate. How about that? | 0:25:06 | 0:25:09 | |
-What are you going to do with that? -Put it towards a holiday. | 0:25:09 | 0:25:12 | |
Put it towards a holiday, treat yourself. | 0:25:12 | 0:25:16 | |
-When are we going? -Oh, John! -There we go! | 0:25:16 | 0:25:18 | |
LAUGHTER | 0:25:18 | 0:25:19 | |
£320, that's not bad for a £15 investment, | 0:25:19 | 0:25:24 | |
and it just proves how subjective art is. | 0:25:24 | 0:25:26 | |
One man's trash is another man's treasure. | 0:25:26 | 0:25:29 | |
And speaking of treasure, | 0:25:29 | 0:25:30 | |
it's the gold and silver watches and chain, up next. | 0:25:30 | 0:25:33 | |
We've got the gold watch. We have the gold chain | 0:25:33 | 0:25:36 | |
and the silver watch. | 0:25:36 | 0:25:39 | |
Played around with the 18 carat gold watch after we saw it, | 0:25:39 | 0:25:43 | |
because initially I thought I had dated it incorrectly, | 0:25:43 | 0:25:46 | |
but I found that I had actually been right in the first place. | 0:25:46 | 0:25:49 | |
But what we have done is just put the reserve down a little bit | 0:25:49 | 0:25:51 | |
to £400 which I know you have spoken to the auctioneer about | 0:25:51 | 0:25:54 | |
-and you are happy with. -Yes. | 0:25:54 | 0:25:56 | |
But I still think it'll make what it's going to make on the day. | 0:25:56 | 0:25:58 | |
Here's the first lot going under the hammer. | 0:25:58 | 0:26:00 | |
We are looking at £500-£800 for the gold watch. | 0:26:00 | 0:26:03 | |
Who is going to start me at 500? | 0:26:03 | 0:26:06 | |
Start me at 4 to go then, surely. | 0:26:06 | 0:26:09 | |
£400. 300 if we have to. 300 anybody? | 0:26:09 | 0:26:12 | |
300 bid, thank you. | 0:26:12 | 0:26:14 | |
-He's going cautiously. -320 now, surely, 320, | 0:26:14 | 0:26:18 | |
340, I've got. 340, 360, 380. | 0:26:18 | 0:26:22 | |
-Oh, the penny has dropped. -Here we go. | 0:26:22 | 0:26:25 | |
At 400 bid, 420 surely, 420 if you like, sir? | 0:26:25 | 0:26:28 | |
No, at 400, my bid is at the door. At £400 we are on the market. | 0:26:28 | 0:26:32 | |
At 400, is anybody else going to join in? | 0:26:32 | 0:26:34 | |
-Last call, done and finished then, selling at £400. -Sold. | 0:26:34 | 0:26:39 | |
-That's brilliant. -Well, it's £400, sold on the reserve. | 0:26:39 | 0:26:41 | |
OK, we are looking at 3 to 5 for the gold chain. | 0:26:41 | 0:26:44 | |
Who is going to start me at 300 for this? £300 bid. 320, surely? | 0:26:44 | 0:26:48 | |
At £300 bid, 320 anywhere else now? At 320, I make it. 320, 340. | 0:26:48 | 0:26:54 | |
-Straight in there. -380, 400, and 20 now. 420? | 0:26:54 | 0:26:59 | |
They will have all worked it out with a calculator, the price today. | 0:26:59 | 0:27:03 | |
-480, 500. At 500. -I didn't expect it to go for so much though. | 0:27:03 | 0:27:08 | |
520, 540, 560, 570. | 0:27:08 | 0:27:12 | |
580. No? At 570 bid. | 0:27:12 | 0:27:16 | |
At 570, on the market and selling at £570. | 0:27:16 | 0:27:21 | |
-Bang, the hammer's gone down. -Lovely! | 0:27:21 | 0:27:22 | |
-That is brilliant. -Brilliant. | 0:27:22 | 0:27:24 | |
Just the silver watch to go now. | 0:27:24 | 0:27:26 | |
Here we are, good luck, this is our last lot. | 0:27:26 | 0:27:28 | |
The Verge pocket watch, this time, start me at 100, 80? | 0:27:28 | 0:27:31 | |
At £80 bid, at 85, at 85 bid, at 90, do I see now? At 90, £90 bid. | 0:27:31 | 0:27:35 | |
Five then surely? Going, all done and finished at 95. | 0:27:35 | 0:27:39 | |
Surely a fraction more, 100, £100 bid. At 100 and 110 now. | 0:27:39 | 0:27:42 | |
There's always a watch collector in a sale. | 0:27:42 | 0:27:45 | |
Always someone who likes to tinker with the movement. | 0:27:45 | 0:27:48 | |
Are you going to come again now? | 0:27:48 | 0:27:50 | |
At £100, it is your last chance, it is going to sell. | 0:27:50 | 0:27:52 | |
Time is up. | 0:27:52 | 0:27:54 | |
Yes, the hammer's gone down, £100! | 0:27:54 | 0:27:57 | |
You've done really well, haven't you? I think that's £1,070 in total. | 0:27:57 | 0:28:01 | |
-Are you saving up? -Yes, indeed. | 0:28:01 | 0:28:03 | |
We are going on a cruise, hopefully. | 0:28:03 | 0:28:06 | |
And then we are making a donation as well to Blind Veterans UK. | 0:28:06 | 0:28:11 | |
Our son lost his sight some time ago | 0:28:11 | 0:28:13 | |
and because he was an ex-service man, | 0:28:13 | 0:28:15 | |
they have done an awful lot to help him live independently. | 0:28:15 | 0:28:20 | |
-It is brilliant. -Good, a very good cause. | 0:28:20 | 0:28:22 | |
Well, all the better then, all the better. | 0:28:22 | 0:28:25 | |
A brilliant result for Jan and Joe and that's it for today's show. | 0:28:25 | 0:28:31 | |
And as our experts have found out, | 0:28:31 | 0:28:33 | |
it is not easy putting a value on an antique. | 0:28:33 | 0:28:35 | |
That's why these places are such good fun, so join us next time. | 0:28:35 | 0:28:39 | |
But for now, from Lincoln, it is goodbye. | 0:28:39 | 0:28:41 |