Coventry Flog It!


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Coventry may be known for the 11th century exploits of Lady Godiva...

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who, according to legend, rode through the city streets naked on horseback.

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But it was a different type of horsepower

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that put Coventry on the map in the 20th century.

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I hope you enjoy the ride - welcome to Flog It!

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From the Triumph to the Jaguar,

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the Alvis to the Rover,

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Coventry raced ahead with motor production at the start of the 20th century

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and by the 1950s, it was a world leader.

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And so, fittingly, we're here at the Coventry Transport Museum.

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We can learn about the origins of vehicles

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from the earliest motorcycle through to the fastest car on the planet.

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Of course, all the local classic car enthusiasts have turned up for us today.

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Look at that! A big thank you for that lot over there.

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Today's show is not just about cars, it's about antiques and collectables

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and we have hundreds of people queueing up here in the rain,

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laden with bags and boxes full of them,

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all here to ask our experts a few questions about their items.

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But they have one question in common, which is...

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ALL: What's it worth?

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And when they've found out, they're going to Flog It!

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We already have a queue of traffic

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wanting to get a valuation from one of our experts,

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which includes today Charlie Ross, a Formula 1 auctioneer,

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classic car enthusiast and always a safe pair of hands.

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I've seen her, I've been close to her, yes.

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I think for the purposes of history, we should A,

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not drop them on the floor and B, sell them.

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And Claire Rawle, who is actually a closet train spotter.

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-I've found a violin, unless you've got a machinegun in there?

-No, it isn't!

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-Have you got a Rolls-Royce at home?

-Wouldn't want not to.

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-I've had enough of this, shall we go inside?

-Yeah.

-Come on!

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Well, we're all set up and ready to go

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here inside the Motorsports Gallery.

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Actually, I should say revved up and raring to go.

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I'm surrounded by classic cars and hundreds of people.

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Over there, there's a Jaguar 2003 Grand Prix car,

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which can reach speeds of up to 200mph.

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Charlie Ross certainly has to go at some speed to catch up with that,

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but he just might do it today.

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He's over there now, talking to two ladies who look quite similar.

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-Veronica and Madeline?

-That's right.

-Identical twins.

-Yes.

-Yes.

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Not quite identical - one of you must be older?

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-I'm ten minutes older, yes.

-Ten minutes older!

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-I'm very proud of the ten minutes.

-May I say, you don't look it.

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-And you obviously get on extremely well?

-Oh, we do.

-Very, very well.

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-Yes.

-Very well.

-Now, what have you brought along?

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Well, I know what you've brought along here.

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Well, my mother died last month

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and this is something that she was given when she was 21,

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that was in 1939.

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She told us before she died to each choose one or two things we particularly liked

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and this was one of the things that we chose.

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We always thought it was an inkwell,

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that's what my mother thought she'd been given.

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-Do you know how old it is?

-No.

-All we know she was given it in 1939.

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-Do you think it was made in 1939?

-No.

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-We've no idea, but it looks...

-I think it's older.

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It looks more like an antique that was bought.

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Yes, this is high quality. It's bronze.

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-It IS bronze? Oh, right.

-And it's ormolu coated.

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Ormolu, from the French, which was a crushed gold, if you like,

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-and the original process was made with mercury.

-Oh!

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And if you were an ormolu-er, if there is such a word,

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you didn't live very long because of the mercury fumes.

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I think we've got a good clue to the date of this

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by the application of these very stylised

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Art Nouveau mouldings on the outside.

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-Yes.

-Yes.

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Now I think that date's this to the late 19th century, so 1880-1890.

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-Oh.

-That is earlier than we thought.

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You've got classical figureheads here,

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you've got a winged putti on the top there

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-and I'm imagining the top comes off?

-Yes.

-It does indeed.

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And there was a glass insert, but it got broken when someone cleaned it.

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Right.

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If there was a glass insert, then I think you've made up my mind for me.

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I was torn slightly between it being an inkwell,

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because, by golly, it's a big inkwell!

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Yes! Someone who does a lot of writing, yes!

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Or alternatively, you quite often see something like that

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as an ornament, a pair of ornaments either side of a clock.

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-Now, I think this is French.

-Yes.

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This is French, without a shadow of a doubt.

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-This, indeed, would have been a very expensive thing in its day.

-Right.

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And probably would have been really quite expensive,

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-even in, when was it?

-1939.

-1939, the beginning of the war.

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Before I brought this morning and I opened it, there was a key inside

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-with 21 on it, which she'd obviously kept from her 21st birthday.

-Gosh!

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It makes you want to start writing with a fountain pen again, doesn't it?

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-It does, actually.

-It's an age of elegance that's gone.

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It is an age of elegance. I'm going to put you both on the spot.

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-What do you think it's worth?

-Oh, my heavens.

-Each.

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-You're not allowed to...

-I might have said 150, at the very most.

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Maybe 150-200, depending if two people want it.

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-Very good valuers, girls. You're very good valuers.

-Are we?

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I think you've hit the nail on the head there.

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I think I would like to see it make 150-200.

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-My safe saleroom estimate would probably be 100-150.

-Yeah.

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Under no circumstances would I let this sell for less than £100.

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-Right, fine.

-Not even £95.

-Right.

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Fixed reserve, £100.

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If it doesn't sell for £100, there's something wrong.

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-Right.

-Great.

-So, £100, and away we go.

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-Lovely, thank you very much.

-Thank you.

-That's very interesting.

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Charlie's confident the inkwell will make at least £100.

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Stay tuned to see if His Nibs is right.

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And for Claire Rawle's first valuation,

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and item which is at home in the car world.

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-Good morning, Elizabeth.

-Good morning.

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And you have brought a wonderful, wonderful automobilia item along.

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But before we talk about him,

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I couldn't help but noticing a rather wonderful MBE.

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-Thank you.

-Now, tell me a bit about that.

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Well, I'm a school crossing patrol for Warwickshire

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and I've done it for 17 years

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and last March, Prince Charles gave it to me.

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Oh, well done. That's a real achievement.

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I'm so glad you're wearing it, because you've been rewarded -

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for 17 years you've stood out in all weathers,

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in the teeth of motorists hurtling down a hill towards you.

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Right, we better turn our attention to this rather fine fellow here.

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He is a fine fellow, isn't he?

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He's beautiful. And very apt.

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Here we are, Coventry Motor Museum, car mascot.

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He's from a Singer Bantam,

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beautifully modelled,

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he's chrome, over possibly a nickel base,

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a base metal, anyway,

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and then mounted on this rather nice wooden stand,

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so he's making a very decorative ornament, isn't he?

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-He sure is.

-Yeah.

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And he will date from the late 1930s.

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-Wow.

-You can tell he's earlier because of the work on him,

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the wonderful detail in his feathers and his wings.

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Later castings lose quite a lot of that

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because they have been replicated over the years,

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but he is a genuine early one.

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From this period, a lot of cars had mascots on their bonnets,

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which denoted their make. Of course, the best-known

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-is probably the Spirit of Ecstasy on a Rolls-Royce.

-Yeah.

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It was all part of the finish to the motor car.

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Now, he's very collectable

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and I think he will appeal to not just automobilia collectors

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but to anyone who likes a decorative ornament.

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I would estimate him between 100 and 150.

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-Wow.

-That's all right.

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-Gosh!

-And I think, perhaps, pitch the reserve

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just below the lower estimate.

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I'd say about £90.

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-Is that all right with you?

-That's fine!

-That's good, is it?

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-Yeah. You've amazed me!

-Good. Oh, good.

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-Thank you.

-That's quite all right.

-Thank you very much.

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Our valuation day is packed to the gills

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with people waiting to see an expert - and here's one now.

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Charlie Ross has spotted a 200-year-old mahogany box

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in perfect condition. But what's inside it?

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You know, I saw you coming through the door over there with this

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and I almost ran towards it because it's my sort of thing.

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But every time I see one of these, you open it up

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and there's nothing inside because the contents have been broken

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but...

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Look at that!

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Do know when this was made?

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About 1820...

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I think it was made a bit earlier.

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-Yeah?

-I think this is of the Sheraton period.

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I think we can go back to 1800 for this box.

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This in about 1800 would have been bought by a very well-to-do family.

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-Yes.

-This wouldn't have been any old Tom, Dick and Harry owning this.

-No.

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It would have held six different sorts of drink, really.

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And of course, a lock - very important in those days,

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not that you'd have people coming into the house, but the servants.

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-Servants.

-The old servant could just turn the key, have a quick nip.

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It's a real Upstairs Downstairs.

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Fantastic lot. It's made of mahogany.

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-Yes.

-Fine quality mahogany.

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It is strung here with boxwood...

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..and beautifully strung.

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I'm going to pull one of these out

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and examine it carefully,

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because here is the key.

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What is the damage?

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The gilt decoration, for that still to be intact

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after 200-plus years

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is quite remarkable.

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Beautiful blown decanters,

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blown-glass decanters.

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-Have you pulled all of them out?

-Yes, I've inspected all of them.

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-No damage?

-No damage at all.

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So have you inherited this?

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-No, I bought it a few weeks ago.

-You bought it?

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-Yes.

-Crumbs, you must have gone into a jolly nice shop to buy that.

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-No. Charity shop.

-A charity shop?

-Charity shop, yes.

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Go on, tell me what you paid for it.

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£15.

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-Fif-TEEN pounds?

-Pounds.

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-Well, I'll give you 20 quid for it.

-No.

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THEY LAUGH

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I think a come-and-get-me saleroom estimate

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-is probably 200-300.

-Yes.

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Which is a super return on your £15.

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-Yes, I'm happy with that.

-We'll put a fixed reserve at 200,

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so we will not sell it for a penny less.

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-I think we'll be up at the top estimate there.

-Right.

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-And £15 well spent.

-Yes.

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This French inkwell has a crushed gold coating

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and Charlie is convinced it is worth at least £100,

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but anything can happen at an auction.

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Our lovely lollipop lady is hoping

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her car mascot has got a new bonnet to sit on.

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And from a charity shop to an auction house.

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This beautiful box and decanter is sure to be a winner.

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Just 20 miles down the A46,

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our auction today is in Stratford-upon-Avon.

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The market town attracts hundreds of thousands of visitors a year

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to see the birthplace of Shakespeare

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and perhaps take a boat ride down the River Avon.

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And this is where we're putting all our items under the hammer today,

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so let's make our way across town to Bigwood auctioneers.

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Right, that bronze inkwell, the Victorian one

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in the style of a Regency design belonging to the twins.

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-That's right.

-Veronica and Madeline.

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-Veronica. Madeline.

-I see, I got them mixed up.

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Identical twins, you see! It's easy to do, isn't it?

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-Do you live close by each other still?

-Round the corner.

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So you've never really been apart, have you?

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No, we went to university together. We've done everything together.

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-I think that so special, don't you?

-It's wonderful.

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-We get on well.

-Quite rare, identical twins.

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-We married friends.

-Did you as well?

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-Yes, my husband introduced Madeline to her husband.

-Yes.

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-So this was Mum's, wasn't it?

-Yes, it was.

-It was Mum's.

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-She died in February.

-I'm sorry to hear that. It's a nice thing.

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Well, let's find out what the bidders think, shall we?

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-It's got that Regency look.

-Oh, it's there!

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Very attractively decorated, this,

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and who's got, say, £100 for it?

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-It's a good thing, isn't it?

-It's a nice thing.

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-Good weight, good shape, lovely style.

-Yes.

-Good casting.

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Got to tempt you somehow. 60, then?

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60 I'm bid. 60, the bid's there at 60 and five, do I hear?

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-At 60, and five.

-Struggling.

-And 70.

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Not going to make it, is it?

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Am I going to let the twins down?

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We've got a fixed reserve at £100.

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£75, is it 80, and five?

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£80, are we finished?

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We're all done at £80. Are we sure?

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-Do you know something?

-Oh, well.

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A fixed reserve of £100. It's worth every penny of that.

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-I'm so pleased it didn't sell at £100.

-Yes.

-I don't mind.

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We've had such fun, to be honest.

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-Hang onto it.

-Yes.

-Mum wants you to hang onto that.

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Perhaps that's what's meant to be.

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Everyone has agreed the inkwell should sell for at least £100 -

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perhaps just not today, though.

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Next up, MBE Elizabeth.

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-You drive a car, obviously.

-Of course.

-Now, how do you fancy

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on your car a 19...what is it, 36 Singer car mascot?

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-Have you thought about that?

-No!

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-Bit ostentatious.

-I don't think it would go very well with my Punto!

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Hey, fingers crossed, here we go, we're going under the hammer now.

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-Let's find out if there's any car enthusiasts here.

-Please! Please!

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Lot 355 in your catalogue.

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It's in the form of a bantam cast with outstretched wings.

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It's got the registration number on it

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and who's going to give me, I don't know, £80 to get me going?

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70 I'm bid, £80, £80, £90,

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-100 is it?

-Come on.

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90 at the front of the room, I'm going to sell it at 90,

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the bid's here at £90.

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Is it 100 now?

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-Please, please!

-At £90, I'll take five if it helps you.

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At £90, are we done?

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-£90, it's gone!

-Yes!

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It looked really pretty up there on that picture.

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It did, didn't it?

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-He did us proud.

-He did, didn't he? Aw, bless Mum.

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There are hundreds of car mascot collectors in the country

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so they often sell well at auction.

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A great result for Elizabeth.

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We've got a cracking lot going under the hammer right now,

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possibly my favourite of the day

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and Charlie, our expert, beat me to it, the devil!

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You were straight in there, weren't you?

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It's that gorgeous mahogany decanter box

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and Andrew, I've got to say, quality, quality, quality,

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and what a good find as well. Why do you want to sell this?

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-I bought it to sell.

-You bought it to sell.

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-It would be nice to keep it.

-Be nice to keep it?

-For the three kids.

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-OK, and you brought one of them along with you today?

-Yes.

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-What's her name?

-Susan.

-Susan, hello!

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Charlie, we had one like this sold recently,

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2007 on the show for around £400.

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This is just as good, so hopefully it's up there with that.

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It's rare to have all the bottles

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-and all the stoppers.

-Yes, and the gilding's really good.

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Stoppers don't rattle as well.

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Glasses are wrong, but we can excuse that. Very, very good quality.

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We're putting it to the test now here in this packed salesroom.

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Good luck, both of you. This is it.

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Who'll give me a couple of hundred for it, decanter box?

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150, 150 I'm bid.

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160, 170, sir,

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180, 190, 200,

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210? 200 by the table,

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at 200, 210, 220, 230,

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230, 240, 250, 260,

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270, 280, 290?

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280, still by the table, at £280.

0:16:030:16:06

290 on the phone,

0:16:060:16:07

-290, 300.

-Good, phone's cut in out.

0:16:070:16:10

320?

0:16:100:16:11

-320. 340, 360.

-The interest has gone out of the room.

0:16:110:16:15

-It's now on the phone lines.

-380?

0:16:150:16:17

360 on that telephone, at 360, are you sure you're finished?

0:16:170:16:20

380's come back. 380, 400.

0:16:200:16:22

400, 420? 400 it is, on that phone at £400.

0:16:230:16:27

Are we all finished? Are we sure?

0:16:270:16:29

We've matched it. £400. There you go.

0:16:290:16:33

What was I saying?

0:16:330:16:34

You can never predict what's going to happen in an auction.

0:16:340:16:37

-That's a massive great big profit on £15.

-Yes, fantastic.

0:16:370:16:40

Yeah, good for you. Pleasure to meet you.

0:16:400:16:43

I've said it before and I'll say it again - quality always sells.

0:16:430:16:47

-..at £1,200.

-Well, there you are, that concludes

0:16:470:16:50

our first visit to the auction room today and what a nice lot to end on.

0:16:500:16:55

Back at the valuation day,

0:17:010:17:02

hundreds of people are still queueing to be seen by our experts.

0:17:020:17:06

Well, hello, June and Phil, it's lovely to see you and thank you

0:17:070:17:10

for coming along today and bringing this magnificent fellow with you.

0:17:100:17:15

So, tell me, why have you brought him to us?

0:17:150:17:18

He came out of the garage of a relative who passed away

0:17:180:17:22

this time last year.

0:17:220:17:24

-Basically, we don't like him very much.

-Oh, poor fellow.

0:17:240:17:27

So, you don't want to sit and look at him any longer?

0:17:270:17:29

-No, and I don't want to see him looking at me.

-Oh, right, right.

0:17:290:17:33

I must admit, I can't say I've ever seen one quite like this before.

0:17:330:17:36

-Of course, what it's depicting is your samurai warrior.

-Yes.

0:17:360:17:40

On his charger, his horse.

0:17:400:17:42

Of course, they were ponies really, not like the sort of chargers we had here.

0:17:420:17:45

All the bone is worked in panels - as you can see, obviously,

0:17:450:17:48

there's lines between it - over a base

0:17:480:17:51

which could be anything from wood.

0:17:510:17:54

-He is quite heavy, I guess.

-Yeah.

0:17:540:17:55

And then these pieces are all engraved

0:17:550:17:59

and then inked over to give them...

0:17:590:18:00

So, they're sort of carved and inked to give it the colour

0:18:000:18:03

and depth and, of course, it's outlining his wonderful armour

0:18:030:18:06

because being a samurai, he is a warrior, he is the top, top soldier

0:18:060:18:10

and they were absolute experts in the martial arts.

0:18:100:18:14

I don't know if you've noticed down here but there is actually a mark.

0:18:140:18:18

-Yes.

-A signature. Well, it could be a signature.

0:18:180:18:20

I have noticed it but I couldn't decipher it.

0:18:200:18:23

Well, that makes two of us.

0:18:230:18:25

But the thing is, it's nice to have a mark on it.

0:18:250:18:28

Now, the other item, which I have to say I prefer,

0:18:280:18:31

is a brush pot holder and earlier.

0:18:310:18:34

Whereas this is 20th century,

0:18:340:18:36

-this will date from the late 19th century.

-OK.

0:18:360:18:39

And it's elephant's tusk. You do have to be careful selling it.

0:18:390:18:43

As long as it is pre-1947 and worked ivory, then it's OK, legally, to sell it.

0:18:430:18:49

-This is all right. It complies.

-Yes.

0:18:490:18:52

Now, because they are such different types of items,

0:18:520:18:55

I would suggest that they were sold as separate lots...

0:18:550:18:58

-OK. That would be fine.

-..with separate prices cos I think whoever buys the brush pot

0:18:580:19:02

is not necessarily going to buy the samurai and vice versa.

0:19:020:19:05

Now, with him, he's a bit of an unknown quantity.

0:19:050:19:09

-I think we're looking at 3-400.

-Yeah.

-OK.

0:19:090:19:11

I would suggest putting a reserve of just under 300 at 280.

0:19:110:19:15

The brush pot, I think, about 100 to 150.

0:19:150:19:18

And again, if we perhaps pitch the reserve at just under

0:19:180:19:21

the lower estimate at £90 and again perhaps use a bit of discretion.

0:19:210:19:24

-Yes, fine.

-So, hopefully they will do very well.

-Somebody will like it.

0:19:240:19:28

Absolutely. Oh, yeah, there is somebody for everything.

0:19:280:19:31

-Don't need to worry.

-Thank you very much.

0:19:310:19:33

Thank you for bringing them. We look forward to selling them.

0:19:330:19:36

From a symbol of war to one of peace, and of local importance.

0:19:360:19:40

Well, this brings back lots of memories for me -

0:19:400:19:43

filming in Coventry Cathedral about six years ago.

0:19:430:19:46

I'm a big fan of John Piper.

0:19:460:19:48

I know it's not Piper but it's John Hutton and he's very collectable as well.

0:19:480:19:51

I went first of all to the cathedral 50 years ago when it opened,

0:19:510:19:56

and it meant such a lot to me and changed my life so much that

0:19:560:20:02

when they offered these for sale,

0:20:020:20:04

I was happy to buy one to support the...

0:20:040:20:06

-Can I take a look?

-..work of the cathedral.

0:20:060:20:08

This is one of the angels from the west screen, isn't it?

0:20:080:20:11

I mean, when you go in there and your eyes just gravitate to heaven.

0:20:110:20:15

You look upwards and there it is. It's huge.

0:20:150:20:18

It's glass there so that in your mind's eye you link

0:20:180:20:21

-the new and the old.

-Of course you do.

0:20:210:20:23

Because it is one building and you join them in your head.

0:20:230:20:27

That's the clever thing about John Hutton.

0:20:270:20:29

He was born in New Zealand in 1907.

0:20:290:20:32

He sadly passed away in the late '70s. But he is collectable.

0:20:320:20:35

His work is sought after.

0:20:350:20:37

That's lovely.

0:20:380:20:40

I'm going to be cautious to start with,

0:20:400:20:43

and I'm going to put £2-400 on that, if that's all right with you.

0:20:430:20:48

-That's fine.

-Is that OK?

-I'm quite happy for the market to find a level.

0:20:480:20:52

Yeah.

0:20:520:20:54

So, let's see what the market does on the day.

0:20:540:20:57

I've always thought Charlie was a child at heart

0:20:570:21:00

and this just proves it.

0:21:000:21:02

Well, this is just the object I was hoping to see today.

0:21:020:21:05

-Right.

-Coming here to the motor museum in Coventry.

0:21:050:21:09

What's the story behind it?

0:21:090:21:10

-It's Ed and Trish, isn't is? Is it yours. Trish?

-No, it's not mine.

0:21:100:21:13

No, it's mine.

0:21:130:21:15

-I was given it by two uncles as a birthday present...

-Yeah?

0:21:150:21:19

..before the war.

0:21:190:21:21

-Before the war?

-About 1939.

-Interesting.

0:21:210:21:24

I was trying to work out whether it was just pre-war or just post-war. That answers the question.

0:21:240:21:29

-British made, which I like.

-Yes.

0:21:290:21:32

And this is Tri-ang, which later bought out Hornby and Meccano.

0:21:320:21:38

One huge, great conglomerate. And I'm dying to see if it works.

0:21:380:21:42

It is a bit like starting a lawnmower, isn't it?

0:21:420:21:44

-It is, isn't it?

-Tell you what, you hold it and I'll pull it.

0:21:440:21:50

Marvellous!

0:21:500:21:52

Absolutely magnificent. Silky smooth riding.

0:21:520:21:56

It's like speedway, isn't it? Brilliant.

0:21:560:21:59

-So, you're happy to sell it?

-Yes.

-What do you think it is worth?

0:21:590:22:02

-I haven't a clue. That's why I brought it down here.

-Take a fiver?

0:22:020:22:06

-Oh, no.

-A bit more than that.

-I think it is worth £50-100.

-Really?

0:22:060:22:10

Yeah, yeah.

0:22:100:22:11

I would like to see it go to the sort of top end of that,

0:22:110:22:14

to be honest. But I think if we put it into auction,

0:22:140:22:17

it'll be well advertised, toy collectors will love it.

0:22:170:22:20

A reserve of £50 so that we don't take any less.

0:22:200:22:24

-Are you happy with that?

-Yes.

-What are we going to do with it, Trish?

0:22:240:22:27

-I think we'll go to London and see a show.

-See a show.

0:22:270:22:30

You'd probably much rather see a show than have this sitting in a cupboard, wouldn't you?

0:22:300:22:34

-Yes.

-Thank you very much indeed for bringing it along.

0:22:340:22:37

-It's a pleasure.

-Thank you.

-Thank you.

0:22:370:22:39

That bike wouldn't be out of place in Model World.

0:22:390:22:41

This room is full of toys from a bygone era.

0:22:410:22:44

These mini cars are not the only Minis in the museum.

0:22:440:22:47

So, that's it. It's time to say goodbye to Coventry

0:22:490:22:51

as we drive over to the auction room in Stratford-upon-Avon

0:22:510:22:55

and here's a quick reminder of what we're taking with us.

0:22:550:22:57

He is a master of martial arts but will he win the fight at auction?

0:22:580:23:03

And how much can a little brush pot bring in?

0:23:050:23:08

A John Hutton angel, etched with incredible precision.

0:23:100:23:13

And a toy bike in this condition

0:23:160:23:18

could ride away with the top end of the estimate.

0:23:180:23:20

Back to the auction room now, but whose lot will steal the show today?

0:23:240:23:29

First, manufactured in the 1930s,

0:23:290:23:32

the Tri-ang Gyro Cycle belonging to Ed and Trish.

0:23:320:23:35

-We had fun working it, didn't we?

-I bet. Do you know what I say?

0:23:350:23:38

-"On your bike, Charlie, on your bike."

-Even when it went backwards.

0:23:380:23:41

Right, let's find out what the bidders think, shall we?

0:23:410:23:44

It's going under the hammer. This is it, look.

0:23:440:23:46

And I can open the bidding at £50.

0:23:470:23:49

Straight off at 50 and five do I hear? At 50 and five.

0:23:490:23:53

And 60. And five? 60 with me on the book at 60. Is it five now?

0:23:530:23:57

At £60. It's going to be sold at £60.

0:23:570:23:59

Last chance and done. £60.

0:23:590:24:02

And he's put the hammer down, straight in and straight out. £60.

0:24:020:24:06

Yeah. Well, well, well. One bid on the book.

0:24:060:24:10

And that's it. Not a lot of competition but it went.

0:24:100:24:12

Have you got anything like that from the age of three?

0:24:120:24:15

No. All my old Dinky toys, I played with, smashed into each other.

0:24:150:24:18

-All the paint's off.

-Threw the boxes.

0:24:180:24:20

-Great thing about this, it was in its original box.

-Yeah.

0:24:200:24:22

Like me, I haven't got anything...

0:24:220:24:24

Nor has he now.

0:24:270:24:28

Well, so far, so good.

0:24:360:24:37

It's my turn to be the expert now and coming up for you,

0:24:370:24:40

we have that angel in flight. It's the engraving by John Hutton.

0:24:400:24:43

It belongs to Martin and, hopefully,

0:24:430:24:45

-a lot of local interest as we said back at the valuation.

-Yes.

0:24:450:24:48

And a limited edition like this, what is it, eight of 25?

0:24:480:24:51

-It is pretty rare.

-Yes.

-So, fingers crossed. Good luck, Martin.

0:24:510:24:55

Here we go.

0:24:550:24:57

295 is the John Hutton etching on glass.

0:24:580:25:02

I've been looking forward to this moment cos this is lovely, isn't it?

0:25:020:25:07

Framed. I can open the bidding straight off with this at £200.

0:25:070:25:09

On the book at 200. Is it 220 now? 220, 240, 260, 280, 300, sir.

0:25:090:25:15

320, 340, 360. 380?

0:25:150:25:19

Come on, let's get that top end.

0:25:190:25:21

380, 400. 420? 400 with me and a commission bid at 400. 420?

0:25:210:25:25

-420, 440. 460?

-There's a phone bid. Look up there.

0:25:250:25:28

460. I'm going to go 500. 520?

0:25:280:25:32

INAUDIBLE

0:25:320:25:34

-I'm clear. With you at 520.

-That's more like it.

-Yes.

0:25:340:25:36

..on that telephone at 520.

0:25:360:25:37

Do I hear 540 now? At £520 on the telephone. Last chance.

0:25:370:25:42

It's going to be sold.

0:25:420:25:44

Brilliant. The hammer's gone down. Worth every penny as well.

0:25:440:25:47

-You won't miss it cos you can still see...

-The original.

-..the original.

0:25:470:25:50

That would look marvellous on someone's windowsill.

0:25:520:25:57

And finally...

0:25:570:25:59

The first lot going under the hammer will be the ivory brush pot

0:25:590:26:02

followed by the samurai figure. Unfortunately we don't have June.

0:26:020:26:07

-Where is she?

-June's in the Canary Islands, in the sun.

0:26:070:26:10

But you're supposed to be with her, aren't you? Or did you flip a coin?

0:26:100:26:13

No, I'm decorating the lounge.

0:26:130:26:15

-That's a good deal from June's point of view.

-I like this.

0:26:150:26:17

-This is a good thing.

-Yes, it's a nice thing, isn't it?

0:26:170:26:20

Beautifully decorative.

0:26:200:26:22

And the little brush holders, these brush pots

0:26:220:26:24

are very, very collectable - the Japanese ones and the Chinese ones.

0:26:240:26:27

-It's a healthy market at the moment, it's boiling.

-Good.

0:26:270:26:29

Let's find out what they think of it in Stratford-upon-Avon, shall we?

0:26:290:26:32

Here we go. Good luck.

0:26:320:26:34

I've got multiple bids on this and I'm going to start it at £160.

0:26:340:26:39

On the book at 160. Is it 170 now? Got a phone bid, I know. 170 here.

0:26:390:26:44

Going to go 180. 190. That clears me 190. 200?

0:26:440:26:49

200, 220. 240?

0:26:490:26:53

240, 260. 280...?

0:26:530:26:55

260 down here. At 260. By the door at 260. Are we all finished?

0:26:570:27:01

Finished at 260.

0:27:010:27:03

-Amazing.

-That's good.

-Excellent.

-Brilliant. I'm really pleased.

0:27:030:27:06

-Get on the phone and tell her.

-I will indeed.

0:27:060:27:09

And here's the second lot, the figure.

0:27:090:27:12

So, who's going to start me off with a couple of hundred for it?

0:27:120:27:15

One down, one to go. This is it.

0:27:150:27:16

Very handsome figure. 200, 220 over there.

0:27:160:27:19

240, sir? 240. 260, 280.

0:27:190:27:21

300, is it? 280.

0:27:210:27:23

It's going to be sold at 280. Do you want three? 300.

0:27:230:27:26

-Phone line, look, up there now.

-320, 340.

0:27:260:27:30

340, 360. 380?

0:27:300:27:33

380, 400. 420?

0:27:330:27:35

420, 440. 440. 460?

0:27:390:27:43

-They like it.

-480. 500.

0:27:430:27:47

500, 520, 540.

0:27:480:27:51

A lot of interest in the room.

0:27:510:27:54

560, 580.

0:27:540:27:57

No? 560 in the room, it is. At 560.

0:28:010:28:03

560 - in the room, Philip.

0:28:030:28:06

Is there any further advance on 560?

0:28:060:28:09

Well, I think we'll call that a success, don't you?

0:28:090:28:12

-I'm very pleased.

-Well done, Claire.

0:28:120:28:13

-Yeah, well done.

-Very, very pleased.

0:28:130:28:15

-Thank you.

-You've got to get on the phone and tell her now.

0:28:150:28:18

I will indeed now. Yes. Thank you. Thank you very, very much.

0:28:180:28:21

-And don't spend it all on paint.

-I won't.

0:28:210:28:25

Well, there you are - another day in another saleroom for Flog It!

0:28:260:28:30

I hope you've enjoyed the show.

0:28:300:28:31

I know all of our owners have gone home happy.

0:28:310:28:34

Some got what they want, some didn't. But that's auctions for you.

0:28:340:28:38

If you've never been to a saleroom before, get down to your local one.

0:28:380:28:41

It's great fun. Or, better still, come to one of our valuation days and a Flog It! auction.

0:28:410:28:45

Log on to bbc.co.uk/flogit,

0:28:450:28:48

follow the links or check the details in your local press.

0:28:480:28:51

But until then, from Stratford-upon-Avon, it's goodbye.

0:28:510:28:54

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