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The wide open skies and the flat landscapes of East Anglia are perfect locations for airfields...

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and racecourses.

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So from the giants of the sky at Duxford's Imperial War Museum

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to one of the oldest salerooms in the country, they're all here. Welcome to "Flog It!"!

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Duxford displays some of the finest examples of historic aircraft in the country,

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including the iconic Spitfire, legendary Lancaster...

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..and the fastest ever - Concorde.

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All that and it's a working airfield,

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regularly hosting spectacular air shows.

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And it's no wonder the crowd are so excited because today's valuations are taking place

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right in the heart of the museum.

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Everyone has come laden with bags and boxes full of antiques, collectables and curios,

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-all wanting to know the answer to that very important question which is...

-What's it worth?

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Stay tuned and you'll find out.

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'Answering the question is our elite force, expert Christina Trevanion and auctioneer James Lewis.'

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-That is a candlestick.

-I realise that.

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'Christina gets to grips with some eccentric items.'

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-Where did that come from?

-A car boot.

-Did it?

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'Not everyone is content with James's valuations.'

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'And coming up in today's show, Christina has a moment of madness.'

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You've got this locket where you'd have a photograph.

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-In my case, my dog.

-Or your baby.

-Oh, yeah, my baby!

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'Appropriately, for horse-racing country, the bets are on.'

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Good. We'll hold it to you. Let's have a gentlemen's bet, shall we?

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-1,150.

-OK, I say 1,800. Here we go.

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'But which of these items gallops into first place at auction?

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-What's your name?

-Marian.

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My mum has a collection of women's magazines like this with knitting patterns in a great big box, OK?

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And that's the kind of thing my mum would knit me in the '70s.

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That, and probably that sort of orange colour as well!

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'While we're reminiscing, here's another vintage model.'

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Lesley, they say time flies.

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Well, it certainly does.

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-This is my late husband's watch.

-Right.

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It's amazing it survived because my Fred was a motorcycle racer

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and he did grass track, he did speedway,

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and then we did road-racing together.

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We've done 17 Isle of Man TT races. He was the driver.

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-No?

-And I was the sidecar passenger.

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And we've been off the bike, slid down the road, crashed into barriers.

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-My goodness! And he was wearing this watch?

-He's been wearing the watch all the time.

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What a life it's had! That's phenomenal. It's done 17 TT...

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-What have you got there?

-That was us in the Isle of Man

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at a place called Braddan Bridge.

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-That's Fred.

-That's me hanging out the side.

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A complete idiot! You can't see him wearing the watch, but he always had his watch on.

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-That's amazing!

-Yeah.

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-Look at you in the skin-tight leathers!

-Young and fit and stupid, yes.

-What year was this?

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About 1970, '71, something like that.

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So it's had such an exciting life. If only it could talk!

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-I wish it could write a book.

-Yes.

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-It would save me doing it.

-Yeah.

-We had a great time.

-Thank you so much for bringing that in.

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Longines is synonymous with quality.

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This particular model was introduced in the 1930s.

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-I think this is slightly later than that. I think it's probably end of the '30s, early '40s.

-Yes.

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It is wonderful. I love the fact that it's got the gold dial.

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It's got what looks to be the original bevelled glass

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and it's got an 18-carat gold case to it.

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We know all that because it's stamped with its original serial number on the back

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and it's just heaven to a Longines collector.

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-Value-wise, they do have a ceiling that we can't really cross.

-Right.

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Otherwise, it would be a waste of time.

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But I think at auction, we would be looking somewhere in the region of £300 to £500.

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I wouldn't like it to go for less than four.

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I don't want you to regret selling it as it's had so many wonderful memories attached to it.

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I think for that very reason, and in Fred's memory...

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-Yes.

-Let's say 400 to 600.

-The wheeler-dealer part comes in, yes.

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Let's hope he's watching us on the auction day

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-and getting people to put their cards up in the air.

-Absolutely.

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'Lesley certainly was a thrill-seeker in her day.

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'And talking of thrill-seekers, while we're here at Duxford,

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'I slipped away to see some artefacts from the courageous World War II pilot Douglas Bader

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'who famously continued flying after losing both legs in a flying accident during the 1930s.

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'Martin Boswell, the curator of uniforms, is going to tell me more.'

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-Hello.

-I know you've got something rather iconic to show me and I'd like to start with this one

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-because during the Second World War some very famous RAF personnel were based here.

-That's absolutely true.

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-This one intrigues me.

-We've all heard of Douglas Bader, the pilot with the tin legs.

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This belonged to him.

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This was actually commissioned by him in 1939

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and worn throughout his Royal Air Force service, excluding the period when he was a POW in Colditz.

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-You can trace his career through this...?

-Very much so.

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If you look at the medal ribbons and the rank here, this is a veritable map of this man's personal career.

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We have the Distinguished Service Order awarded to him during the Second World War

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and the Distinguished Flying Cross, he was awarded two of those, indicating personal courage.

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And we've got Douglas Bader's service cap as well.

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-Who does this one belong to?

-This one belonged to Grumpy Unwin.

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I don't know that name.

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Grumpy Unwin famously was one of the very first Spitfire pilots stationed here at Duxford.

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He joined the Royal Air Force in 1929 as an apprentice

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and by the end of the Battle of Britain had got his first Distinguished Flying Medal.

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He was called Grumpy allegedly because Flight-Lieutenant Lane, his officer commanding,

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mentioned to the pilots under his command that they were about to go and cover the retreat at Dunkirk.

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There were not enough aircraft to go round and Sergeant Unwin was told to remain at Duxford.

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-He was rather deflated.

-So he was quite deflated.

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Lane is famous for saying, "You can cheer up, Grumpy."

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That nickname went with him for the rest of his days.

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-A lovely story and two very iconic uniforms.

-Oh, absolutely.

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'And from a hero of the skies to our hero of the tables.'

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-My friend over there, she thinks you're wonderful.

-Oh, that's kind.

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John, a dealer once told me that a bloke has a walking stick,

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a gentleman has a cane,

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so tell me, is this a walking stick or a cane?

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-It's a cane.

-Do you know very much about it? Is it a family thing?

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No, I used to run a drop-in centre for the mentally ill

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and we used to have jumble sales to raise cash and this came in a bundle of walking sticks.

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I fell in love with it and I said to the chairman, "How much?" He said, "Give me a fiver and it's yours."

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-A fiver?

-Yeah.

-Right.

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-And how long ago was that?

-20 years ago.

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It was a fair amount of money 20 years ago, I guess.

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Do you know anything about what it is?

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No, I was told it was ivory, but I don't think it is.

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No, it's not ivory. If you have a look down at this end,

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in fact, all the way through, you see lots of little black flecks.

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-Yeah.

-It's a blood vessel running all the way through. It's a bone.

-I see, yeah.

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Now, I think this is from a narwhal.

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-Do you know much about narwhals?

-Yeah, the unicorn of the sea.

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If you can imagine this great whale swimming around in the sea with that on their nose...

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It's a funny old thing. I always wanted to see a narwhal.

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-Here, on the end, we have what would have been four sections. We've got one missing.

-Yeah.

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We have three little, navette-shaped sections of tortoiseshell.

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-That's what it is?

-Yeah. The other thing so impressive about this

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is the different types of turning down its shaft.

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We've got a little draught turning at the end,

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then a long, spirally fluted section,

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another draught turning here,

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and then almost like a hobnail...

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-Yeah.

-..cut section,

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then this wonderful pommel on the end.

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So you're really seeing so many different skills of the craftsman in there.

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With current legislation, whaling for narwhal, I'm sure, is actually illegal, thank goodness!

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-But this is about 200 years old.

-Yeah.

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It was in the time when whaling was something that went on and was accepted. Today, it's not.

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But it's a really interesting thing.

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When it comes to this, I think it will do very well at auction. Any ideas what your £5 is worth?

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-None at all.

-Well, I think it's worth 100 times that.

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I think it's worth £500.

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-Jeez...

-It's a great thing.

-I could always give some of the money to my son who's handicapped.

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It's always nice to know where the money ends up. Fantastic.

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'Any gentleman would be proud of John's cane and the money is going to a good cause.

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'Lesley's watch has done a few laps, but will it break the speed barrier in the saleroom?

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'And speaking of salerooms, I've travelled to historic Newmarket, home to the famous racecourse,

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'but today, we're dealing in antiques, not horses.

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'Before we head into the saleroom, I've sniffed out something fantastic in the grounds.'

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I expect you're wondering why there's a classical rotunda here with a fox as a centre piece.

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Well, I can tell you. This was originally at their site in London

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where Tattersalls made a name for auctioneering hunting horses and hounds.

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There we have it - the Fox in the Middle.

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I have a good feeling about today. We're in a cracking auction room.

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We've got some wonderful lots, all the ingredients of a superb sale.

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The sun is shining, I've got a smile on my face and hopefully the bidders have too.

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Let's hope we push some of those estimates through the roof here at Tattersalls in Newmarket.

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Let's go inside and catch up with our owners. They're really nervous. And hopefully get things under way.

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'Will Axon is our auctioneer today, but before the sale,

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'he's got some doubts about the origin of the gentleman's cane.'

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James has called it a narwhal tusk. I'm not so sure about that.

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A narwhal tusk, it's similar to an elephant, is just an extension of an incisor tooth.

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They're incisors that project from the top left-hand side of the jaw and they always spiral to the left.

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-And this doesn't spiral to the left.

-It spirals to the right. That should have set the alarm bells ringing.

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-And it spirals the whole length of the...

-From start to finish. You don't get this alternating pattern.

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-You would never re-work that.

-Narwhal tusks are generally left as they are.

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-And also these flecks, it's bone.

-It's bone.

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The marine ivory has more of that elephant ivory look about it.

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Hopefully, it will walk out the saleroom at £1,200. That's my gut feeling.

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Good. We'll hold it to you. Let's have a gentlemen's bet, shall we?

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'While the debate rages about its origin,

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'everyone's agreed it should do well.

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A bit of quality now going under the hammer - a gent's Longines, 18-carat gold watch.

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It belongs to Lesley. It was your late husband's. I know you're quite attached to this.

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We've got a value of £400 to £600. It is a great name in the watch-making world.

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Someone told me, if this sells, the money is going towards piano lessons.

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-I'm a singer and I'm learning the piano.

-You'll be a good piano player.

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-So I can...

-If you can sing well, you'll be a good piano player.

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-My left hand doesn't know what my right hand's doing at the moment.

-That is the tricky bit.

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-Yes, yes.

-Sometimes it helps!

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Here we go.

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The 18-carat gold-cased, Longines gentleman's automatic wrist watch.

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Always popular, these. Where do you start me?

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I'm bid 320, 350, I'm bid 380 with me.

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400 in the gods. At 400 now.

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In the gods at 400 now. 20 where?

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At £400 I'm bid. I shall sell it.

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-In the gods at £400...

-We've got £400 straight away.

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420 bid here. At 420. Are you sure?

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It's 420 on the phone. No? Shakes the head.

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At 420. All done on the telephone? At 420. Are you all done then?

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At 420. All done then at 420...

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-£420.

-Well done.

-Well done.

-That's good.

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You pushed me on that estimate and I was a bit reluctant

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-as to whether it would sell, so I'm really pleased.

-I didn't mind.

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-That's what it's worth to me which is what it's all about.

-Exactly.

-So that's fine.

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'That will pay for more than a few piano lessons. Are you in a gambling mood?'

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Going under the hammer now is John's walking cane. Sadly, John cannot be with us. His car's broken down.

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I had a chat to Will at the auction preview. He said it's not narwhal. It is in fact whalebone.

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What he told me was that narwhal naturally curls and twists to the left.

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-It does.

-This has been fashioned and carved and it twists to the right.

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-But that's hand-carved.

-Yeah.

-It's nothing to do with the natural turning of the narwhal tusk.

-No.

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The original tusk would have been sectioned and four sections made from one, then that's hand-carved.

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The fact that it turns the other way is totally irrelevant to the turning of a narwhal tusk.

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-He thinks it's a whale backbone.

-I won't argue because we don't know.

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This is really good, a difference of opinion, one expert against another.

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-But I have a feeling this should be £1,000 to £2,000.

-Yes.

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-I'd like to see it do two grand. Let's find out what happens.

-1,150.

-I say 1,800. Here we go.

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The 19th century, spiral-carved, whalebone walking stick.

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A heap of bids on this, ladies and gentlemen.

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We'll start where? £300 I'm bid. At 300, 400, 500.

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600, 700, 800, 900 I'm bid with me. 1,000.

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1,100. 12. 13.

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14. 15.

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1,500. My bidder still at 1,500.

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Join me again, at 1,500.

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1,600. 1,700.

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-You're closer.

-Yeah.

-Yes? At 1,700, my bidder.

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At 1,700. 1,800. And 50.

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I'll come to you. At 1,850. It's my bidder.

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1,900? Bid. At 1,900.

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Shout at me now. 1,900 I'm bid.

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With Roddy. I'm out by 50. At 1,900.

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2,000 bid, fresh blood. At £2,000. I'm bid at 2,000.

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You can't lose it now. At £2,000. Shake it the other way, Roddy.

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-It's £2,000 in the room.

-Will is fabulous. He's like lightning.

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-2,100, thank you. At 2,100.

-Teasing and tempting the bidders.

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Shakes the head at 2,100. Steals it at 2,100.

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You've been with it all this way. All done then...

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£2,100...

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Smack! John, where are you?

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That was fabulous, absolutely fabulous.

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-Well spotted, James. I was very jealous when I saw you walking around with that.

-Sorry.

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'I can't wait to come back, but first, we're travelling back in time to a golden age of style.'

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As you'd expect from a house that's nearly 400 years old,

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the interiors at Audley End are the result of many years of rebuilding and remodelling,

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reflecting the styles and the tastes of succeeding generations.

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At one end of the Great Hall, you've got this heavy, carved oak screen.

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It's wonderfully fanciful. It's typical Jacobean fantasy.

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And at the other end, you've got a stone screen,

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reflecting a 17th century style

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of the classical arches of the Baroque period.

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But tucked away in this enormous house are a suite of rooms that are pure 18th century.

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This room is pure theatre. I feel like I'm on stage here.

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Originally, these Corinthian columns here, these fluted columns, were closer together,

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but Lady Griffin had them moved apart because she couldn't get on and off there in her ball gown.

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That's why they're that far apart.

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There is the most wonderful barrelled ceiling in there. Beautifully decorated.

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It's absolutely stunning, as is the whole room. This is a perfect cube.

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Architecturally, it's been broken up with the most wonderful gilded framing all around the room,

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depicting Greek mythology.

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A visit here not only gives you a masterclass in miniature on the genius of Robert Adam,

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but it also gives you a unique glimpse into the rarefied lifestyles of the aristocracy

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in Georgian society and how their tastes and fashions have changed.

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It's well worth a visit. It's a fun day out and you can gather a lot of inspiration.

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We're back at our valuation day at Duxford

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Christina's in her element.

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Thank you so much for bringing these in today. I love jewellery, so tell me about them.

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-Where have they come from?

-From my mother and her mother.

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-That's probably my favourite piece.

-Is it? And do you think that was Mum's maybe?

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-She was quite stylish.

-Yes, she was. It may have been. I don't really know how old they are.

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I don't know any history, except that they are family pieces.

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-OK.

-We don't wear them.

-Why not?

-I don't go anywhere to wear something like that.

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-You could wear that to the supermarket.

-Not where I live!

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OK, so you've got quite a good spread of ages here.

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And they're quite representative of very different periods.

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Starting with this one over here, which is split seed pearls, set in gold.

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-Right.

-Date-wise, this is probably late Victorian, maybe 1880, 1890.

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-Oh, right, OK.

-Unfortunately, if we turn it over, it's not marked.

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-Somebody at some point has acid-tested it, which involves scratching the metal.

-Right.

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And putting acid onto the gold so it turns a different colour depending on what carat it is.

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-But it is a destructive test and it takes off the patina of the gold.

-Is there another way to test it?

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Sadly not. Not that I'm aware of.

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To be perfectly honest, this sort of era and this sort of colour,

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I would expect this to be 15 carat and I wouldn't have to test it.

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-Any experienced jeweller should be able to tell that.

-Right.

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Moving on to these two pieces, this is nice. A bit mass-produced.

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-Very much Art Nouveau. You see these wonderful sinuous lines.

-Yes.

0:19:590:20:04

Set with amethyst coloured stones. I'm not sure if they're genuine.

0:20:040:20:08

And again you've got some pearls. This would have been a fairly standard, nine-carat-gold,

0:20:080:20:15

readily-available pendant in the early 20th century.

0:20:150:20:19

-Not as much care and attention as has gone into that.

-And later?

0:20:190:20:24

Exactly. And then we move on to this beauty,

0:20:240:20:29

which I love. Absolutely beautiful.

0:20:290:20:31

A very Belle Epoque, French influence.

0:20:310:20:35

Almost transitional Art Deco.

0:20:350:20:38

The use of platinum here, which was a new substance at that time.

0:20:380:20:43

We've got this wonderful what we call guilloche enamel, on the back here.

0:20:430:20:50

And then set with some little rose-cut diamonds in a little floral design there.

0:20:500:20:56

And if we turn it over,

0:20:560:21:00

again beautifully enamelled on the back.

0:21:000:21:02

-We have got some slight damage, just there.

-Yes.

-But you've this little locket,

0:21:020:21:08

-where you'd either have a piece of your loved one's hair or a photo, which would be put in now.

-Yes.

0:21:080:21:14

-In my case, my dog.

-Or your baby.

-Oh, yes, my baby!

0:21:140:21:18

I should remember that!

0:21:180:21:21

-So I would suggest that we sell them in two lots.

-Yes, OK.

0:21:210:21:26

And I think, at auction, we're probably looking somewhere in the region of maybe £150 for this one.

0:21:260:21:32

-Right.

-I think I'll hedge my bets, but something similar for these two, the main value in this one.

0:21:320:21:39

-So I think, again, £150-£200.

-I'm quite surprised, actually.

0:21:390:21:44

I don't know why. It just seems like old junk you've had in the cupboard forever. That's what I think of it.

0:21:440:21:51

-Have you got any more old junk?

-There was another piece I couldn't find.

0:21:510:21:56

-It'll turn up.

-Thanks for bringing them in and we'll keep our fingers crossed for the auction.

-Excellent.

0:21:560:22:03

'There are so many people here today and I'm hoping to dig out a real treasure. Eureka!'

0:22:030:22:10

We're surrounded by metal and flying machines,

0:22:100:22:14

yet in front of us we have the most beautiful piece of tactile wood.

0:22:140:22:17

Do you know much about this at all?

0:22:170:22:19

Yes, yes. Myself, I'm a wood specialist.

0:22:190:22:22

-I've worked with wood for over 30 years. I did a PhD in wood.

-You can tell me a few things, then!

0:22:220:22:28

-Why do you want to sell this?

-It was given to me by a work colleague 30 years ago

0:22:280:22:34

-when I was doing that PhD research.

-He must have thought highly of you.

0:22:340:22:39

-Yes, he actually told me he found it in the garden shed when they moved into his house.

-No!

0:22:390:22:45

-He didn't realise its value! Have you done much research on this?

-Yes. I didn't think it was valuable.

0:22:450:22:52

-You know it's Norwegian.

-I do, yes.

0:22:520:22:54

-And it's made of birch, burr wood.

-It's a burr, yeah.

0:22:540:22:59

-And that it's a Norwegian ale bowl.

-A drinking vessel, really.

-Yes.

0:22:590:23:05

You can have smaller versions which are cups to drink from.

0:23:050:23:09

-This is a bowl, but it's made from one great big lump of burr.

-Yes.

0:23:090:23:14

This is highly desirable because a burr is a freak of nature or an accident that happened to the tree.

0:23:140:23:21

During its life, a 200-year-old tree, a mature tree, a branch would be struck by lightning.

0:23:210:23:26

And the branch end would gnarl over. It would have all this fungus on it and gradually that would get harder.

0:23:260:23:33

And this burr would grow out in a stunted growth. Here's the burr.

0:23:330:23:38

And that's the trunk of the tree coming down there.

0:23:380:23:42

So that would be sawn off like that and then hollowed out,

0:23:420:23:46

fashioned out from one great, big lump of burr. So all of this is made in one piece.

0:23:460:23:52

Always had two handles because of the weight of the liquid. You couldn't pick it up with one

0:23:520:23:56

it would break. So you even the weight with two handles.

0:23:560:24:02

To buy one of those burrs today would cost around £150,

0:24:020:24:05

-if you can find one large enough.

-Yes.

-I'd say this is in the first quarter of the 19th century.

-Yes.

0:24:050:24:12

It's beautiful. It's got its original paint, not been repainted.

0:24:120:24:17

Wonderful detail, incredibly tactile and a lovely piece of folk art.

0:24:170:24:21

I'd like to see that do, in auction, around £800.

0:24:210:24:25

-That's my gut feeling because I'm really passionate about this.

-Me, too.

-We need two collectors

0:24:250:24:30

to bid each other for that particular piece.

0:24:300:24:32

-In order to get £800, we need to pitch it at, let's say, £500-£800.

-Yes.

-If that's OK.

-That's fine.

0:24:320:24:38

-Yeah? And we'll put a discretion on the reserve of 10%.

-OK. What reserve are we having?

0:24:380:24:44

-Well, I think we'll go for a 10% discretion on £500.

-OK.

0:24:440:24:49

-That's fine.

-If that's all right.

-Yeah.

-So it could go for 10% less than £500.

0:24:490:24:55

-And if it doesn't go, I'll take it home and love it some more.

-Thank you for bringing that in.

0:24:550:25:01

-It's made my day.

-Thank you.

-I'm having a fabulous time here.

0:25:010:25:05

Aircraft all around me and my passion in front of me. Bits of wood. Isn't that lovely?

0:25:050:25:11

What a marvellous day we've had here at Duxford. Everybody's thoroughly enjoyed it.

0:25:150:25:20

If you want to take part in "Flog It!", you have to attend a valuation day.

0:25:200:25:25

Details of up and coming dates and venues are on our BBC website.

0:25:250:25:29

If you don't have a computer, check your local press. Come on - dust down those unwanted antiques.

0:25:290:25:36

But right now it's time to say farewell to this magnificent venue as we head off to auction.

0:25:360:25:43

Here's what we're taking with us.

0:25:430:25:45

Christina's eyes lit up with these glittering jewels.

0:25:450:25:49

I was pretty excited by this exquisite Norwegian drinking bowl.

0:25:510:25:55

There's no time to waste. Will is on the rostrum, waiting to start.

0:25:550:26:00

Going under the hammer right now are some wonderful pendants in two lots. They belong to Cathy,

0:26:000:26:06

but we don't have Sarah with us. Where is she? At school, I bet?

0:26:060:26:10

-No, she's at work.

-Is she? I thought she was at school.

0:26:100:26:14

-No.

-She's working?

-I'm older than I look, obviously!

0:26:140:26:19

-That's a compliment.

-Lovely things. Why have you decided to sell these?

0:26:210:26:25

They've been in a box for as long as I can remember. We'll invest in something we WILL wear.

0:26:250:26:31

-Good luck, anyway.

-Thank you.

-Here we go.

0:26:310:26:35

The Edwardian 9-carat gold Art Nouveau pendant together with the enamelled piece also.

0:26:350:26:41

Nice little lot here for you.

0:26:410:26:43

Interest accordingly. 120. 130. 140.

0:26:430:26:47

At 140 bid. 150, will you?

0:26:470:26:49

At £140. Looking round. At £140.

0:26:490:26:54

Are you bidding? At £140. 50. See you now. Right in the gods.

0:26:540:26:59

-Do you want 160?

-We've done it. We're looking at £150-£200.

0:26:590:27:03

190. It's quite hard to see you.

0:27:030:27:06

Gentleman's bid at the back is 190. At £190, right in the gods.

0:27:060:27:11

Selling this time at £190.

0:27:110:27:13

-Well, that was good. I was happy.

-Absolutely.

-£190.

-Well done.

0:27:130:27:17

OK, describe the next one.

0:27:170:27:20

-It's much more of a traditional form. Quite Victorian. Yellow gold, seed pearls.

-Right.

0:27:200:27:26

Hope we have traditional ladies in!

0:27:260:27:28

The Edwardian seed pearl set, yellow metal, flower head pendant.

0:27:280:27:32

Nicely presented, isn't it? A good-looking lot.

0:27:320:27:37

I have bids at 120. 140. 160. 180.

0:27:370:27:41

-I'm bid 180 here with me.

-Good!

0:27:410:27:43

-£180. 200. 220. 240.

-Here we go.

-In the room at 240.

0:27:430:27:48

260? Bidding? No. At 240 I have.

0:27:480:27:51

260? No, thank you, anyway. At 260.

0:27:510:27:54

280. Fresh blood. 300?

0:27:540:27:57

Shakes the head at 300. Right in the gods at 300.

0:27:570:28:01

-Are you sure?

-You had your fingers crossed.

-£300!

0:28:010:28:04

£300. Now that's more like it. That's the auction reaction we want.

0:28:040:28:09

-Are you OK?

-Yes! I'm all right.

0:28:090:28:12

I'm with you on that one. That was a surprise for me as well.

0:28:120:28:17

-I'm amazed.

-Ah, that's good.

-Congratulations.

-Thank you.

0:28:170:28:21

-£490.

-Grand total of.

-Brilliant.

-Wow.

-Now you can go shopping!

0:28:210:28:25

-I can, can't I? WE can!

-Yes, exactly. A joint decision.

0:28:250:28:30

-That's it, yes.

-Well done.

-Thank you very much.

0:28:300:28:35

From tears to fears. I'm up next with Carol's Norwegian kasa.

0:28:350:28:40

-This is the moment of truth.

-Yes!

-Your kasa. We're looking at £500 as a reserve, which you wanted.

0:28:400:28:47

An early-19th century Norwegian kasa there.

0:28:470:28:51

Typical one, horse-head handles.

0:28:510:28:53

Rather nice lot. Where do you start me? Interest here. 300. 350.

0:28:530:28:58

400. 450. 500 I'm bid here.

0:28:580:29:00

-At 500 bid now.

-On the reserve.

0:29:000:29:03

Are you bidding? 550. 600. No?

0:29:030:29:06

Still my bidder. At £600 with me.

0:29:060:29:09

Last chance. All done at 600?

0:29:090:29:11

-I'm happy.

-Excellent.

-I think you're happy as well.

-Yes.

0:29:110:29:15

I'm rather relieved as well.

0:29:150:29:18

Thank you for bringing that in. It's so tactile and special.

0:29:180:29:22

'Great result for a great item.'

0:29:220:29:25

So until the next time with many, many more surprises,

0:29:250:29:28

it's goodbye from Newmarket.

0:29:280:29:30

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