Cardiff Flog It!


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Today's show is full of drama, intrigue and bloodthirsty battles.

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We're in South Wales, and you're watching Flog It!

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We've pitched up our valuation day in Cardiff.

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It may be Europe's youngest capital city,

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but its history can be traced back 2,000 years.

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So let's hope we find some ancient antiques and relics

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on today's programme.

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The thing I love about a Flog It! valuation day

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is hundreds of people turn up.

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And I do mean hundreds,

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because the queue goes all around this magnificent building.

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People have come from far and wide,

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laden with bags and boxes full of unwanted antiques,

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and every item here in this queue will have a story to tell

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about its master, or its maker, or its social history.

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Just like our magnificent venue today,

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the National Museum Cardiff, which is steeped in history.

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Well, I can't wait to get this lot inside,

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because they want to find out...

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ALL: What's it worth?

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HE LAUGHS

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Today's experts are Catherine Southon and Mark Stacey,

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and they're always keen to find an item full of history.

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Aaargh!

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LAUGHTER

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Do you know, actually, Catherine, I have to be honest with you,

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YOU'RE more terrifying than this!

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LAUGHTER Thank you!

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So what are we waiting for? Let's get this magnificent queue

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inside this wonderful building,

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all settled into the Grand Hall,

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where hopefully, it's going to be a perfect day.

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Are you ready to go in?

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ALL: Yes!

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Come on, then, follow me.

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Now, this is what I like to see - rows and rows of happy people.

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Which means hundreds of antiques to value -

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we really do have our work cut out today.

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But somebody here in this massive crowd

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has got something that's worth a small fortune,

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and the beautiful thing is, you don't know it yet.

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You don't know it, but our experts are going to find it

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and put it through to auction, and hopefully make a lot of money, OK?

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And it looks like Catherine Southon has made a very, very good start.

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Let's take a closer look at what she's spotted. She's over there.

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Christine, it's lovely to see you. Thank you for coming along.

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As soon as I saw the Teddy Bears Picnic Set,

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-I knew that we were going to have a bit of fun.

-Yes.

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Tell me about this, where does it come from?

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It was obviously a present, from my aunt, when I was very little.

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I haven't played with it an awful lot,

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-cos I wasn't so much into toys and little girly things.

-Right.

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-It's just as it was.

-Just as it was.

-Yes.

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Let's just have a look on the top, because I can just about make it out, in pen, we've got,

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"To Christine, from Paul, Aunty Beryl and Uncle Tom."

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That's my mum's sister, her husband and my cousin.

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-Oh, isn't that lovely?

-It's lovely, isn't it!

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-So they gave it to you as a...

-As a present. Christmas or birthday.

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-Do you remember being given it?

-No.

-Not at all?

-Not at all.

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-So you were probably quite young.

-I must have been.

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Three or four, something like that, I would think, yes.

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Because, looking at the box,

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I'm thinking it probably dates from the 1950s, early 1950s.

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Right, yes. That does make sense.

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I don't want to be rude and ask when you were born!

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-SHE LAUGHS

-But I'm thinking around that sort of date, would that be right?

-Yes.

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Let's have a look inside.

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Cos it's that wonderful baby blue colour.

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-Isn't it lovely?

-It is.

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-Lovely, isn't it?

-And each piece has got the little teddy bear on it.

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Are you sure you want to sell this,

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-CHRISTINE CHUCKLES

-cos I'm getting sentimentally attached to this!

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Yes, it's been in the cupboard for a long time,

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so there's...you know, might as well sell it.

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Value-wise, it's not going to be a huge amount of money.

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-But I would suggest putting an estimate on of about £30-£40.

-Right.

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With a reserve of £25. How does that sound to you?

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-That's fair enough.

-Are you happy to let it go at that?

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-Yes, that's fine.

-Well, you've never played with it!

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-I've never played with it, no!

-OK, shall we flog it, then?

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Yes, flog it.

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That's a great little set of items to start with.

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And by the look of it, our team of experts

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are finding even more valuable objects by the minute.

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Trixie, you haven't come on your own, have you?

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No, I've come with a friend.

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-You've brought two gentlemen with you.

-Yes.

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You've got two friends, I think.

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Well, one I like, one I don't like.

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Oh, which one do you like?

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I don't mind this one, but this one, when he's on the wall,

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-he's watching you wherever you go, so I'm not...

-He's scary.

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-I'm scared of him, I don't like him.

-Where did they come from?

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My husband's godmother

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gave them to us as a wedding present 27 years ago.

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Gosh, it's an odd wedding present, isn't it, for a young couple?

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-Very odd.

-Cos they're very traditional, in a way, aren't they?

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-Yeah. They...

-The frames and the subject matter.

-Very old-fashioned.

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And have you looked the artist up, have you done any research?

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No, I can't even work out, is that an S, I don't quite know...

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No, it's actually W-O-LT-L-E.

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-Wol... Woltle.

-Woltle.

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Or something like that. I think it's going to be Austrian or German.

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Now, these were very popular at the end of the 19th century.

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-Right.

-And they're often old geezers, old gentlemen.

-Yeah.

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And they're exquisitely painted, I mean, the detail...

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-The detail's amazing.

-Almost like a photograph.

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-You can see the eyelashes.

-Yeah, and you can see little bits of stubble

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on this chap's chin here.

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And they often are in pairs in these rather exotic frames.

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They're really nicely carved, gilt-wood frames.

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Erm...

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And they come up for auction quite regularly.

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I haven't been able to find this, I found some examples,

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-but not in his date, so we can't pin it...

-What's the date?

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Well, I would say late 19th century,

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-but I haven't found his actual date.

-Right.

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Have you ever sort of thought of the value of them?

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No idea. They've been on the toilet wall...

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Erm...and then we moved house five years ago,

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-and we built and ultra-modern house, and they don't suit at all now.

-No.

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-You know, they're really out of place.

-I thought you said they were going to be IN the toilet!

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-THEY LAUGH

-In the toilet bowl!

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-I mean, I adore them, I think there's...

-Yeah?

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..a sort of cheeky charm to the faces.

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I would suggest maybe an estimate of £200-£300 for the pair,

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-with a reserve of £200.

-I think that's fine.

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-Is that all right?

-Yeah, that's absolutely fine.

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And we'll put a discretion reserve, it it's OK with you.

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-Yes.

-So, within 10%. Thanks very much for bringing them.

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Craig and Anne, welcome to Flog It!,

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and thank you very much indeed for bringing along this wonderful piece.

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Now, as soon as I saw this, I thought, "Fantastic."

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We've got a conductor's baton.

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But it's not a baton that would have been used on a daily basis,

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it's actually a presentation piece.

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Now, do we know who that conductor was?

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Do we know who owned this?

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That would have been my great-grandfather.

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-They were in a choir in the Rhondda Valley.

-Right.

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All the different areas of the Rhondda Valley,

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with the mining going on in those days,

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-and possibly competing against other choirs in the Rhondda.

-Right.

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And if his choir turned out the best,

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he would possibly have been given that.

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-He would have been given this as a prize?

-That's right.

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So your great-grandfather was quite a prestigious conductor of his time, I should imagine?

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-Yes, yeah.

-I looked in a book this morning relating to this,

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and there was, er...

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dating back to... what was the date on it, now?

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-1876.

-1876, the book.

-So a bit of provenance behind it?

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With... Yeah, the great-grandfather's book

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-with musical hymns in it.

-Oh, how lovely!

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So that could be related to it as well.

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This is quite a special piece and it's really quite nicely made.

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At the bottom here, and at the top,

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we can see that it's been made from ivory.

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It's quite a sensitive subject, but this is pre-1947,

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so we know that this ivory is OK.

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Now, this piece here is made from ebony,

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and it's been inlaid

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with these lovely little dots of mother-of-pearl,

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and at the bottom, we've got the pot,

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and then the flowers have been engraved,

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right the way around the top. It's a really lovely pattern, actually.

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Now, these do, surprisingly, fetch quite good money at auction,

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and I would say one like this

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would probably fetch in the region of £120 to £180.

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How does that sound to you?

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Well, if it was up the top end, near the 180...

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-You'd be happy to sell?

-Yeah.

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If it went to a good musical home that would appreciate it.

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-It would be lovely, wouldn't it?

-Yeah.

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Well, shall we put it in

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with a pre-sale estimate on of £120 to £180,

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and fix the reserve at 120,

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and not let it go for any less than that?

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Are you happy to sell with that estimate?

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Well, can we go a bit higher than 120?

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-You want to go a bit higher? How about 150?

-Erm...start for 150.

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Is that better? OK. Let's do £150-£200,

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-with a fixed reserve at £150.

-That's fine.

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And let's hope that the bands play and we make music,

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and this makes the top end.

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-That's it.

-Thank you very much indeed for coming along to Flog It!

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-Thank you.

-OK, thank you.

-Thank you.

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That's definitely lights, camera, action going on down there.

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We've now found our first items to take off to auction,

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so let's see some auction action, shall we?

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And here's a quick recap of all the items that are coming with us,

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just to jog your memory.

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Let's hope the auction is a picnic for this cute child's tea set.

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Not to everyone's taste, but Mark really rates these old gents.

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And will this conductor's baton

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capture the imagination of our bidders?

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Well, it is now sale day, and time to find out

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if those Internet bidders are as keen as they sound.

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The day of reckoning, this is where we put those valuations to the test,

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and just look at that sight.

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A packed auction room, full of bidders,

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hopefully all eager to buy our lots.

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It doesn't get any more exciting than this.

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I'm going to catch up with our owners right now,

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cos I know they're feeling really nervous.

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So let's get cracking with our first lot.

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It's that super little tea set that Catherine picked out.

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-Christine.

-Hi.

-This is a terrific little lot,

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and everybody was looking at this at the viewing day yesterday.

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-Picking it up, putting it down. It's from the '50s.

-Yes.

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-You had it when you were about two.

-Something like that.

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-And it's in mint condition.

-Yes.

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These days, we just...

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You've got children and I've got children,

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-you just have those horrible plastic ones.

-Yeah.

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-These are just so lovely, in wonderful condition.

-Something to treasure, isn't it?

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-I can see the mum coming out!

-I know, I got all sentimental!

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-You've gone all mumsy!

-She has!

-Yeah. You have, yeah.

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-No, it's a great thing.

-It's a lovely thing.

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-Yeah, lots of memories as well.

-Nice christening present, isn't it?

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-Mmm!

-It would be for somebody, yes.

-Well, good luck.

-Thank you!

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Let's hope we get the top end of the estimate.

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Come on, these are going to do well.

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Lot number 312, English pottery Teddy Bears Picnic Set.

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Child's tea set here, in its original printed box.

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£12 I've got to start, £12 I have. 15.

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18, 20, 22, 25...

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Takes me out at £25, at 25 now.

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At £25, the gentleman seated, at 25 now.

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28.

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30.

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32, 35, 38.

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40, 42...

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-Good gracious!

-Yeah, you love it!

-Good buyer over there.

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At £48, have you got your teddy bears?

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At £48.

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48 I have, at 48 now.

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50, back in at 50.

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-Very good!

-At £50, he's going to miss out...

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At £50, 55, thank you, 55...

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60.

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55 I have, at 55. With the gentleman at 55 now.

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55, are we all done at 55?

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BANGS GAVEL

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-Fantastic.

-That was brilliant.

-55, well done!

-£55.

-I'm stunned!

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-Well done.

-Absolutely stunned.

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-I think there's a lot of 50-year-olds buying in to that, their nostalgia.

-Sure.

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-Look, thank you so much for coming in.

-Thank you, thanks very much.

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Are you going to split the money between the girls?

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Probably, yes. Thanks very much.

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What a great start.

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Now let's see if we can make some music with our next item.

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Going under the hammer right now, we have that wonderful...

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conductor's baton, the ivory conductor's baton.

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Craig and Anne, whose is it, is it yours?

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-Great grandparents'.

-So it's been in the family all that time.

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Yes, five generations.

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-And me the end of the line.

-Are you musical?

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Not at all, no.

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-Then it's got to go.

-THEY LAUGH

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Well, let's find out who's musical in the room, shall we?

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This is bound to find a new home.

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Lot number 638, an ebony and ivory baton here, lot number 638,

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inlaid with mother-of-pearl jewelling here, lot 638.

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£100 I have to start.

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£100. At £100, and 10 do I see now?

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-Come on.

-(Come on.)

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At £100, the ivory baton here, at 100, at £110,

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is there no-one?

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At £100, with me at 100, and 10, 120...

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130, 140...

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One more bid will clear the reserve, sir.

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140, with me at 140, at £140, with me at 140...

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-At £140...

-Why not bid? He was wasting time.

-I know.

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All done at 140...

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-BANGS GAVEL

-Oh, dear!

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It's that close when you're in an auction, isn't it,

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-it really is, it's...

-One bid away.

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You built us up there!

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-Ohh...

-We built it up, didn't we?

-Yes.

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Look, you know it's worth around that sort of figure, don't you?

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-Yes.

-And on another day, that guy would have paid the extra £10.

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Hang on to it for six months, and put it back into another sale.

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Try again.

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-I'm sorry.

-OK?

-Thank you very much, thank you.

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-All right.

-Thanks very much.

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I'm sure Craig and Anne will have better luck next time.

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Let's just hope those bidders perk up for Patrizia's paintings.

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Going under the hammer right now,

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we've got two oil paintings of Tyrolean gentlemen,

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and I think that's a posh word, really, for Austrian, isn't it?

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-Nice word.

-It's a good word.

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Wonderful detail.

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-Beautifully painted.

-Signed as well, great frames.

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Everything going for it, ready to go on the wall.

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The Tyrolean gentlemen here...

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Commission bid starts me in at £200, straight in at 200.

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-AUCTIONEER DROWNS THEIR SPEECH

-200 I have, and 10 I'll take at 200.

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At £200, at 210, 220, 230, 240, 250, 260...

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At £260, with me at 260 now, at £260.

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At £260, commission bidder at 260 now.

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At £260, are we all done?

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-At £260...

-BANGS GAVEL

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Good auctioneering there - straight in, straight out.

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-Very good.

-Tell you what, they were lovely.

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They were, but I'll tell you something,

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at £260, plus a buyer's premium, don't forget,

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which takes them over £300,

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they're definitely not going on the wall in the loo, are they?

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From a magnificent fortress designed to protect ancient lands,

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to a very different kind of battle, the one that's going on down there

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at the National Museum here in Cardiff -

0:14:540:14:56

getting through all those bags and boxes,

0:14:560:14:59

looking for more antiques to take off to auction.

0:14:590:15:01

Let's join up with Mark Stacey now and see what else he's found.

0:15:010:15:04

Pamela, whenever you come to Wales,

0:15:060:15:09

you want to see, of course,

0:15:090:15:11

something from Swansea Porcelain Factory.

0:15:110:15:13

And you've brought in these cracking examples.

0:15:130:15:16

-Thanks.

-Maybe the wrong word to use.

-Yeah, not cracking.

0:15:160:15:20

But tell us the history of them.

0:15:200:15:22

They were given to me by a neighbour of my mother's.

0:15:220:15:24

She was quite elderly. First, she gave me the two with the single design.

0:15:240:15:28

-The plainer two.

-The plainer ones.

0:15:280:15:29

And when she passed away, she left me the other two in her will.

0:15:290:15:32

-I believe they were painted by William Pollard.

-Excellent name.

0:15:320:15:35

-Circa 1850, I believe.

-18...?

-1850?

0:15:350:15:39

-Oh, a little bit earlier, I would've thought. 1815.

-All right.

0:15:390:15:42

So a little bit earlier. I think the quality of them is breathtaking.

0:15:420:15:46

I mean, the richness of the gilding.

0:15:460:15:49

Some could argue, Swansea at its height

0:15:490:15:53

was one of the best factories in the United Kingdom.

0:15:530:15:56

If we look on this particular plate,

0:15:560:15:58

-we've got a very faded Swansea mark here, in red.

-Yes.

0:15:580:16:03

These are real botanical studies.

0:16:030:16:06

You know, these are not just flowers - tulips, roses.

0:16:060:16:10

And the colours are so bright and delicate.

0:16:100:16:14

-They're wonderful, aren't they?

-Yes, they are.

-Absolutely wonderful.

0:16:140:16:18

-Very pretty.

-But very fragile.

0:16:180:16:19

-Yes.

-And the condition of these is excellent.

0:16:190:16:22

-They've lived at home, have they?

-Yes.

0:16:220:16:24

But they've been packed up and on top of my wardrobe.

0:16:240:16:26

Unless, you are a collector and have got cabinets,

0:16:260:16:29

-you don't want to break them.

-That's true.

0:16:290:16:30

-I have two young children, as well.

-Two young children,

0:16:300:16:33

-that's not a good thing with fine porcelain in the house, is it?

-No.

0:16:330:16:37

On these lovely pair of exuberantly decorated ones,

0:16:370:16:40

I think we should put an estimate of 800 to 1200,

0:16:400:16:43

-with an £800 reserve.

-OK, yeah.

0:16:430:16:46

And on the two slightly lesser-decorated pieces,

0:16:460:16:50

maybe around 400 to 600 for the pair,

0:16:500:16:53

-with a 400 reserve.

-That's fine.

0:16:530:16:54

We are selling them in Cardiff,

0:16:540:16:56

which is very close to Swansea.

0:16:560:16:58

-I'm originally from Neath.

-All right.

0:16:580:17:00

-Which is even closer to Swansea.

-I didn't know that.

0:17:000:17:03

If they make a lot of money, would you put it towards another form of antique or something brand new?

0:17:030:17:07

No, I'd probably have my gardens done.

0:17:070:17:09

I bought the house off the neighbour after she passed away

0:17:090:17:11

and I decorated all the inside of the house

0:17:110:17:14

and I would like to do the gardens.

0:17:140:17:15

So, what we're hoping to do then,

0:17:150:17:17

is to turn two pairs of very highly decorative Swansea plates

0:17:170:17:21

-into a highly decorative garden.

-Yes.

0:17:210:17:23

Back in the hall, Catherine is with Aled,

0:17:260:17:28

who's brought in a silver curiosity.

0:17:280:17:30

When I saw this in the queue,

0:17:330:17:35

I saw this, I opened it up

0:17:350:17:39

and I looked at the initials - NM.

0:17:390:17:42

NM is like music to my ears.

0:17:420:17:46

NM in the maker, stands for Nathaniel Mills,

0:17:460:17:49

who was a wonderful silversmith.

0:17:490:17:51

Now, you probably know what it is.

0:17:510:17:53

-It's a vinaigrette.

-Yes.

0:17:530:17:54

But do you know what a vinaigrette is, or what it was used for?

0:17:540:17:57

Not exactly, no.

0:17:570:18:00

Well, a vinaigrette is actually where you would have

0:18:000:18:03

a sponge soaked in vinegar and put inside here.

0:18:030:18:08

Then you'd close this little compartment here,

0:18:080:18:11

so that you could smell something nice -

0:18:110:18:14

not that vinegar smells particularly nice.

0:18:140:18:16

But something nice, rather than all the horrible other rotting smells

0:18:160:18:19

that you might have smelled in the early 19th century.

0:18:190:18:22

So, it's really a 19th-century equivalent

0:18:220:18:25

of 18th century smelling salts.

0:18:250:18:28

-Right.

-Where did you get this from?

0:18:280:18:30

Well, it's not mine, it's my son's. He bought it in an antiques fair.

0:18:300:18:34

I think he paid about £150 for it.

0:18:340:18:36

So, he got his eye on that and he asked me for the cash, basically.

0:18:360:18:41

-Right. Oh, right, he asked you for the cash?

-Yes.

0:18:410:18:44

Looking inside here, next to the initials,

0:18:440:18:46

we've got the anchor mark to say that it's assayed in Birmingham

0:18:460:18:50

and we've got the initial there, the U, which dates it to 1843.

0:18:500:18:57

-So it's a nice mid-19th century piece.

-Right.

0:18:570:19:00

How much did he pay for this?

0:19:000:19:02

-About 150.

-About £150.

0:19:020:19:04

I would say, auction estimate on this would be about 250 to 350.

0:19:040:19:10

-Right.

-How does that sound to you?

-That sounds good to me.

0:19:100:19:13

So, has your son, has he just got into antiques,

0:19:130:19:15

or has he been doing this for a while?

0:19:150:19:17

-He started when he was about 12. He's got an interest in silver.

-Right.

0:19:170:19:20

And he'd like to be a dealer or possibly an auctioneer.

0:19:200:19:23

-So how old is he now?

-He's 15 now.

-Wow, he has got a brilliant eye.

0:19:230:19:28

-Oh, yeah.

-He got this for 150?

-Yes, he did.

0:19:280:19:31

I think it should make around £300, possibly even more.

0:19:310:19:33

-But let's put an estimate of 250-350, with a 250 reserve.

-Right.

0:19:330:19:39

And I hope that it does make him £300, then he's doubled his money.

0:19:390:19:42

-And he can pay me back the money he owes me!

-He can pay you back.

0:19:420:19:45

Well, thank you very much indeed for bringing it along to Flog It!

0:19:450:19:48

-Thank you very much.

-Thank you.

0:19:480:19:50

Time to squeeze in just one more item,

0:19:500:19:53

and it's certainly got Mark going.

0:19:530:19:55

-Denise, Peter.

-Hi.

-What a wonderful sculpture you have brought in.

0:19:580:20:03

Tell me all about it.

0:20:030:20:04

Well, it's something that we bought when we lived in France.

0:20:040:20:08

We lived there for a few years

0:20:080:20:09

and whilst we were there, in this little village,

0:20:090:20:12

there was a lady that lived not too far away,

0:20:120:20:14

used to live in Paris, and this was something

0:20:140:20:17

she came along with one day in her shopping trolley

0:20:170:20:20

and said, "Would you like to buy this, Peter?"

0:20:200:20:22

And we sort of said, "Hmm..." But she was a wonderful saleswoman

0:20:220:20:26

and we ended up buying it.

0:20:260:20:27

Did you pay a lot of money for it?

0:20:270:20:30

We're not really sure.

0:20:300:20:31

We think it might have been about 150, possibly 200 euros.

0:20:310:20:33

That doesn't sound a lot of money. The euro was probably better then.

0:20:330:20:36

It was.

0:20:360:20:38

So it would have been a lot cheaper.

0:20:380:20:40

It's very, very French, I have to say.

0:20:400:20:42

It looks and feels very Art Deco,

0:20:420:20:46

the swinging '20s and '30s.

0:20:460:20:48

-Yeah, that was the appeal of it to me.

-Exactly. I mean,

0:20:480:20:50

you've got, obviously, the seagull riding the crest of a wave.

0:20:500:20:53

Great size, a real statement piece on a sideboard in an Art Deco home.

0:20:530:20:58

And it did look lovely in the French house, but no good.

0:20:580:21:01

-No good here.

-No good here.

0:21:010:21:03

Well, we change over the years, we change properties,

0:21:030:21:06

and what looks good in some houses doesn't look good in others.

0:21:060:21:09

-Yes, yes.

-I mean, it looks very 1930s.

0:21:090:21:12

It could have been made as late as the early '50s,

0:21:120:21:16

because the designs went on a bit.

0:21:160:21:18

You often see a lot of these Art Deco clock garnitures

0:21:180:21:20

with seagulls or animals on the top,

0:21:200:21:23

and actually they were made in the late '40s, early '50s.

0:21:230:21:26

But it is a good-looking object. I mean, that's what's going to sell.

0:21:260:21:30

-You're looking doubtful there, Denise.

-She doesn't like it.

0:21:300:21:34

You don't like it?

0:21:340:21:36

-I hate it.

-Did you hate it when he bought it?

-Yeah.

0:21:360:21:39

-Was there the odd row about this piece?

-Not really a row, no.

0:21:390:21:44

A discussion.

0:21:440:21:45

Monique, our friend who sold it to us, was very persuasive.

0:21:450:21:50

Well, I love it. This would fit in my Brighton home,

0:21:500:21:54

because these fly squawking past my window on a regular basis.

0:21:540:21:57

-Every day, yes!

-So, I could lift it and throw the thing at them.

0:21:570:22:00

In terms of value, I think it will not necessarily fly away,

0:22:000:22:05

but I would suggest maybe around £300 to £400,

0:22:050:22:09

with a 300 discretionary reserve.

0:22:090:22:11

-Would you be happy with that?

-Absolutely.

-Fine.

0:22:110:22:13

If you do get a lot of money, are you going to spend it this time?

0:22:130:22:16

-Oh, yes.

-Yes.

0:22:160:22:18

-You're out, Peter, I am afraid.

-I'm sure I am.

0:22:190:22:21

But it won't be a bronze, I don't think.

0:22:210:22:23

No, I don't think so. No, it won't.

0:22:230:22:25

We are heading back over to the auction

0:22:290:22:31

to sell our final three items

0:22:310:22:32

and we've got a full house,

0:22:320:22:34

as well as phone and Internet bidders lined up.

0:22:340:22:37

So, let's crack on.

0:22:370:22:38

First up, it's that bronze seagull that belongs to Peter and Denise.

0:22:380:22:42

-There is a big market for this kind of thing.

-Very big.

0:22:420:22:45

It is a very big, decorative lump, you know?

0:22:450:22:47

And if you've got an Art Deco house,

0:22:470:22:50

you've got a nice Art Deco hall table or a sideboard,

0:22:500:22:53

you should our fingers crossed and I think this will fly.

0:22:530:22:57

-OK. Good luck, both of you.

-Thank you very much, indeed.

0:22:570:22:59

The crest of a wave,

0:23:010:23:03

the patinated and cold-painted bronze seagull here.

0:23:030:23:07

£240 I have to start.

0:23:070:23:09

£240.

0:23:090:23:11

At £240. 250. It's at 250. 260.

0:23:110:23:14

270. Takes me out at 270.

0:23:140:23:16

At £270. On my right at 270 now.

0:23:160:23:19

At £270, with the gentleman at 270.

0:23:200:23:23

-Come on, come on.

-Are we all done?

0:23:230:23:25

At 270.

0:23:270:23:29

Sell it. Yes, he sold it! The hammer's gone down. £270.

0:23:290:23:33

We had a discretionary reserve, just got in there.

0:23:330:23:36

That was a bargain. That was a bargain for somebody at 270.

0:23:360:23:40

-But, look, it's gone, OK?

-I hope somebody loves it.

0:23:400:23:42

-Somebody will love it.

-Yes.

-Somebody will love it.

0:23:420:23:46

-And you didn't, did you?

-No, not at all. I didn't, Mark, no.

0:23:460:23:49

Not at all, not at all.

0:23:490:23:52

Well, discretionary reserve is always a tough call,

0:23:520:23:56

but I think that was the right decision to sell that bronze.

0:23:560:24:01

We have some real quality on the show right now

0:24:010:24:03

and a great maker's name - Nathaniel Mills.

0:24:030:24:05

We've seen it many, many times.

0:24:050:24:07

A wonderful, wonderful vinaigrette. Gorgeous.

0:24:070:24:10

Good to see you again, Aled. Who've you brought along with you?

0:24:100:24:12

-Is that your son?

-Yeah, this is my son, Pryce.

0:24:120:24:15

-Pleased to meet you.

-He found the item.

0:24:150:24:17

Oh, right. So, you... He's got it in the blood?

0:24:170:24:20

-Yes.

-Did you know what you found straight away?

-Yep, straight away.

0:24:200:24:25

Nathaniel Mills? That's incredible.

0:24:250:24:27

He's pretty good. 15 years of age. He knows his stuff.

0:24:270:24:30

He just took off when he was about 12 years old.

0:24:300:24:33

-Fantastic.

-And we haven't looked back since.

0:24:330:24:35

Gosh. So, you're actually testing the market now?

0:24:350:24:38

-How much did you pay for this?

-150.

0:24:380:24:41

150. Well, we've got a valuation of 250 to 350, which we should get.

0:24:410:24:46

Somewhere in there, we should get that.

0:24:460:24:49

-He's very good.

-That kid's got talent.

0:24:490:24:51

He is going to be doing our job soon.

0:24:510:24:54

I think so, yeah!

0:24:540:24:55

The Victorian silver vinaigrette, Nathaniel Mills here, 1843.

0:24:560:25:01

£160 I have to start. £160.

0:25:020:25:06

At £160. 170 now? £160.

0:25:060:25:09

At 170, 180, 190,

0:25:090:25:12

200, 210, 220.

0:25:120:25:14

230, 240.

0:25:140:25:16

250. Clears the reserve at 250.

0:25:160:25:18

At £250 at the corner now.

0:25:180:25:20

At £250 at the corner now. At 250.

0:25:200:25:22

Now at £250.

0:25:220:25:24

Are we all done? At £250.

0:25:240:25:27

Well done. Don't forget, there's commission to pay.

0:25:270:25:30

-Have you sold in auctions before?

-Yeah.

-You have.

0:25:300:25:33

17.5% plus VAT.

0:25:330:25:35

-Here...

-Old hat.

-I don't need to do...

0:25:350:25:40

-Well, look, great to meet you again as well. Take care.

-Well done.

0:25:400:25:44

Well, it's a good profit margin there

0:25:450:25:47

and great to see someone so young with such a passion - for antiques.

0:25:470:25:51

Just one more set of items to go, and it is Pamela's Swansea plates.

0:25:510:25:57

Well, all very encouraging, but as you know,

0:25:590:26:01

anything can happen in the sale room, so let's see how they get on.

0:26:010:26:04

Mark has split them into two lots.

0:26:060:26:08

We've got 400 to 600 and 800 to 1,200.

0:26:080:26:10

So, we've got a good entry level. 400 to 600,

0:26:100:26:13

somebody can buy into this at the lower end

0:26:130:26:15

and we've got the top end, as good as it gets.

0:26:150:26:17

And that artwork is actually exceptional.

0:26:170:26:20

They really are what we call botanical subjects,

0:26:200:26:22

rather than flower painting,

0:26:220:26:24

these are botanical subjects.

0:26:240:26:25

They are wonderful.

0:26:250:26:27

First lot going under the hammer.

0:26:280:26:31

Pair of Swansea porcelain dessert plates here, lot 326.

0:26:310:26:34

£290 I have to start.

0:26:370:26:39

£290.

0:26:390:26:41

At £290. 300 is there.

0:26:410:26:43

At 300. 310.

0:26:430:26:45

-He's got a commission bid. Bid on the books.

-Oh, I see.

0:26:450:26:48

330 now.

0:26:480:26:49

340. 350. At 350 with me.

0:26:490:26:52

360. 370 with me. 380?

0:26:520:26:55

At 370 with me. At 370.

0:26:550:26:58

390. At 390. 400 on the net. £400 on the Internet.

0:26:580:27:01

Clears it at £400.

0:27:010:27:04

At £400, clears the reserve on the Internet. At 410 on the net.

0:27:040:27:08

Oh, it's going on on the net.

0:27:080:27:10

On the Internet at 410, are we all done?

0:27:100:27:13

At £410...

0:27:130:27:16

Sold, first lot.

0:27:160:27:17

See, he had a commission bid of 400,

0:27:170:27:19

so he was working the Internet to that

0:27:190:27:20

and he took one bid higher, 410, on the Internet.

0:27:200:27:23

-That's not bad, we sold, which is good.

-That's good.

0:27:230:27:25

Now we need £800 to £1,200.

0:27:250:27:28

Probably painted by Pollard here.

0:27:280:27:30

Nice provenance with the Sherman labels on the back.

0:27:300:27:34

Commission bids here start me straight in at...

0:27:340:27:39

..£900.

0:27:410:27:42

They are by Pollard, it's as simple as that.

0:27:420:27:45

-Definitely.

-I'll take £900.

0:27:450:27:47

At £900. 900.

0:27:470:27:49

920. 950 with me.

0:27:490:27:50

-This is better, isn't it?

-Yes, much more exciting.

0:27:500:27:53

Better plate.

0:27:530:27:55

1,000 with me. And 50. 1,100 with me.

0:27:550:27:57

At £1,100 with me, at 1,100.

0:27:570:27:59

1,150 on the net takes me out.

0:27:590:28:01

At £1,150 on the Internet. At 1,150 on the net now.

0:28:010:28:04

1,150 on the net. Phones, 1,200?

0:28:040:28:06

-Yes.

-£1,200 on the telephone. At £1,200.

0:28:060:28:09

-Top end of the estimate now, Pamela.

-1,250 on the net.

0:28:090:28:12

1,300 I have on the telephone.

0:28:120:28:13

At 1,300.

0:28:130:28:14

At 1,300 on the telephone. 1,350 on the net.

0:28:140:28:17

1,400 on the telephone.

0:28:170:28:19

1,400 on the telephone. 1,450 on the net.

0:28:190:28:21

1,500 on the telephone.

0:28:210:28:22

-At 1,500 on the telephone. 1,550 on the net.

-Oh!

0:28:220:28:26

1,600 on the telephone. 1,650 on the net.

0:28:260:28:29

1,750 there. 1,800?

0:28:310:28:33

1,800. 1,850?

0:28:350:28:37

At 1,850 on my right.

0:28:370:28:39

1,900? 1,850 on my right.

0:28:390:28:41

In the room at 1,850.

0:28:410:28:44

At 1,850.

0:28:440:28:46

-£1,000 over, we'll take that. Well done.

-Very nice, thank you.

0:28:460:28:50

That was wonderful, wasn't it?

0:28:500:28:52

1,850, brilliant! Thank you for bringing them in.

0:28:520:28:54

They are the kind of things we love to see,

0:28:540:28:56

giving us a regional identity. That's what it is all about.

0:28:560:28:59

-Absolutely. What do you always say, Paul?

-Quality always counts.

0:28:590:29:02

-Sells! It always sells.

-It does. Quality always sells.

0:29:020:29:06

Yes, and counts!

0:29:060:29:07

You can't go wrong when you buy quality.

0:29:070:29:10

-No.

-Yeah, thank you so much for bringing those in.

0:29:100:29:13

We've had the most fabulous day here.

0:29:130:29:15

We've sadly run out of time from Cardiff,

0:29:150:29:17

but I hope you've enjoyed the show.

0:29:170:29:19

We knew we'd finish with one big surprise, and that was it.

0:29:190:29:22

And that's all thanks to Pamela. See you next time.

0:29:220:29:24

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