Browse content similar to Hertfordshire. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Today we're in West Hertfordshire | 0:00:06 | 0:00:07 | |
and I'm 108 feet up in the air on top of the Bridgewater Monument, | 0:00:07 | 0:00:11 | |
which was built in 1832 as a tribute to Francis Egerton, | 0:00:11 | 0:00:15 | |
the man who was also known as the Canal Duke | 0:00:15 | 0:00:18 | |
for his pioneering work on the UK's inland waterways. | 0:00:18 | 0:00:22 | |
Now, they say from up here you can actually see seven counties at once. | 0:00:22 | 0:00:26 | |
I'm not sure about that today. | 0:00:26 | 0:00:28 | |
One thing I am sure about, though, you can see Ashridge House, | 0:00:28 | 0:00:31 | |
which was the Canal Duke's home during the 18th century. | 0:00:31 | 0:00:34 | |
And today, for one day only, it's home to our valuation tables. | 0:00:34 | 0:00:38 | |
Welcome to Flog It! | 0:00:38 | 0:00:39 | |
Ashridge House is a real seat of innovation and change. | 0:01:04 | 0:01:08 | |
During it's 700-year history this site has been a monastery, | 0:01:08 | 0:01:11 | |
a royal residence and a war hospital. | 0:01:11 | 0:01:14 | |
And it's not just the Canal Duke who achieve great feats here. | 0:01:14 | 0:01:17 | |
Edward I held parliament here in 1291. | 0:01:18 | 0:01:22 | |
But today it's inspiring and exciting antiques | 0:01:24 | 0:01:27 | |
we are looking for, and this lot cannot wait to get inside | 0:01:27 | 0:01:30 | |
so the fun can begin. | 0:01:30 | 0:01:32 | |
Someone in this queue today has got something that's worth | 0:01:32 | 0:01:35 | |
a great deal of money. It's our experts' job to find it. | 0:01:35 | 0:01:38 | |
Now, if our experts pick on one or two of your treasures and you're | 0:01:38 | 0:01:40 | |
happy with the valuations, what are you going to do? | 0:01:40 | 0:01:43 | |
ALL: Flog It! | 0:01:43 | 0:01:44 | |
And on the lookout for us today are a double act | 0:01:50 | 0:01:52 | |
destined for great things. | 0:01:52 | 0:01:54 | |
We've got pioneering Thomas Plant, | 0:01:54 | 0:01:57 | |
and roaming roving Claire Rawle. | 0:01:57 | 0:01:59 | |
Now let's catch up with Claire who's made a scientific discovery. | 0:02:01 | 0:02:04 | |
Well, hello, Florence. Hello. | 0:02:06 | 0:02:08 | |
Nice to meet you, and you've brought a really attractive polished | 0:02:08 | 0:02:11 | |
mahogany box here, haven't you? Yes. When it opens out - hey, presto. | 0:02:11 | 0:02:16 | |
A rather magnificent-looking microscope in there | 0:02:16 | 0:02:18 | |
with a huge collection of objectives. | 0:02:18 | 0:02:21 | |
So, quite a superior item. Nicely made. | 0:02:21 | 0:02:24 | |
Has a very specialised market, though, microscopes, | 0:02:24 | 0:02:27 | |
they can be a bit tricky to sell. Yes. | 0:02:27 | 0:02:29 | |
So sometimes the value isn't huge. | 0:02:29 | 0:02:32 | |
But you've also brought in a couple of rather nice boxes here of slides | 0:02:32 | 0:02:37 | |
to go with it. Botanical subjects, mainly, aren't they? Yes. | 0:02:37 | 0:02:41 | |
They've got all their little cards and things there. | 0:02:41 | 0:02:45 | |
Nice sort of late 19th century ones. So... | 0:02:45 | 0:02:48 | |
Quite an unusual object. You've lugged this quite a long way. | 0:02:48 | 0:02:51 | |
It's very heavy. Tell me a bit about it. Where did it come from? | 0:02:51 | 0:02:55 | |
Well, my husband bought it about 54 years ago, | 0:02:55 | 0:02:59 | |
and he bought it off a very old gentleman then | 0:02:59 | 0:03:02 | |
who was quite happy to sell it to him because he knew he was interested | 0:03:02 | 0:03:06 | |
in it and he'd look after it. Yeah. | 0:03:06 | 0:03:08 | |
So my husband bought it | 0:03:08 | 0:03:11 | |
and he's had many, many years of happiness on it. | 0:03:11 | 0:03:14 | |
So he used it? Yeah, he did use it. Oh, right. | 0:03:14 | 0:03:16 | |
Yes, he used to go past puddles, do a few puddles. Yeah? | 0:03:16 | 0:03:20 | |
Pick a little jar up... Take it home and look at it? | 0:03:20 | 0:03:23 | |
And then he'd come home and then he'd drop the water on the slide | 0:03:23 | 0:03:26 | |
and look through it, and say to me, "Come and have a look at this," | 0:03:26 | 0:03:29 | |
and he was so thrilled. Oh, that's nice, cos very often | 0:03:29 | 0:03:31 | |
these things are bought and people don't really know | 0:03:31 | 0:03:33 | |
what to do with them. So the fact that it was used. | 0:03:33 | 0:03:35 | |
But it's fascinating, and lovely to be able to look at | 0:03:35 | 0:03:38 | |
all the sort of little creepy crawlies and things... | 0:03:38 | 0:03:40 | |
It was, once you looked through it and see these things moving, | 0:03:40 | 0:03:42 | |
it was wonderful. Gives you a different perspective | 0:03:42 | 0:03:45 | |
on what's going on in a puddle, doesn't it, really? Oh, yes. | 0:03:45 | 0:03:47 | |
And obviously it's a 19th century scope and 19th century slides, | 0:03:47 | 0:03:52 | |
so obviously he was using a collectable item then, really. Yes. | 0:03:52 | 0:03:55 | |
It already had age when he bought it. | 0:03:55 | 0:03:57 | |
Yes, a very elderly gentleman who had it. | 0:03:57 | 0:03:59 | |
It is more than just a student's instrument, | 0:03:59 | 0:04:01 | |
I mean, this is quite a specialised instrument. Yes. | 0:04:01 | 0:04:03 | |
With all these different objectives in here you can look at | 0:04:03 | 0:04:05 | |
a whole range of things. | 0:04:05 | 0:04:07 | |
It's a nice item, and I think especially | 0:04:07 | 0:04:09 | |
because you've got the slides with it, | 0:04:09 | 0:04:11 | |
because there are really keen collectors purely for the slides. | 0:04:11 | 0:04:14 | |
Really? Especially if they've got little insects and bugs in them, | 0:04:14 | 0:04:18 | |
cos some of them they're not even sure they're in existence now, | 0:04:18 | 0:04:21 | |
so it's a sort of historical interest. Yes. | 0:04:21 | 0:04:23 | |
So, I guess we have to talk money. I think an estimate of 3-500. Yes. | 0:04:23 | 0:04:27 | |
Nice broad estimate there. Yeah. Does that sound good to you? | 0:04:27 | 0:04:29 | |
I'm quite happy, yes. Would you be happy with a ?300 reserve on that? | 0:04:29 | 0:04:33 | |
Yes. Happy with that? Yeah. Sure? Just about. | 0:04:33 | 0:04:38 | |
Well, the thing is not to overcook it. No. Keep it sensible. | 0:04:38 | 0:04:41 | |
Make sure it's a price you're happy with. Yes. | 0:04:41 | 0:04:43 | |
And then hopefully you get them all there | 0:04:43 | 0:04:45 | |
and they get really excited and they spend a lot of money on it. Good. | 0:04:45 | 0:04:48 | |
So, what are you going to put it towards? Central heating. | 0:04:48 | 0:04:50 | |
Central heating? Yes, it's packed up. Oh, no! | 0:04:50 | 0:04:53 | |
So you really want to get on with that. Yeah. Yes, yeah. | 0:04:53 | 0:04:56 | |
Well, I shall look forward to seeing you at the auction. Thank you. | 0:04:56 | 0:04:58 | |
And we shall do our very best to get you a radiator or two fixed. | 0:04:58 | 0:05:02 | |
Yes, that's what it'll buy. | 0:05:02 | 0:05:04 | |
That was a well-preserved example of 19th century science. | 0:05:05 | 0:05:08 | |
Let's hope it entices the botanists in the sale room | 0:05:08 | 0:05:11 | |
so we can get Florence's heating fixed. | 0:05:11 | 0:05:13 | |
So, here we are, this palatial mansion, huge, | 0:05:15 | 0:05:20 | |
would've had many fireplaces. | 0:05:20 | 0:05:22 | |
The tiles backing those fireplaces... | 0:05:22 | 0:05:26 | |
would have no relationship to these ones here. | 0:05:26 | 0:05:28 | |
These would be in far more modest accommodation. | 0:05:28 | 0:05:31 | |
However, there's an interesting relation between the two. | 0:05:31 | 0:05:35 | |
How did you come by them? | 0:05:35 | 0:05:37 | |
Demolishing the fireplace that they were inserted inside. | 0:05:37 | 0:05:40 | |
And where was that? Two fireplaces. In the last house I had. Oh, really? | 0:05:40 | 0:05:44 | |
Built about 1860. Yeah. These would be 1860s, 1870s, absolutely. | 0:05:44 | 0:05:51 | |
The reason why I say there's a sort of relationship between | 0:05:51 | 0:05:55 | |
the two things is that the house | 0:05:55 | 0:05:58 | |
we see behind us is medieval, | 0:05:58 | 0:06:00 | |
it has 19th century additions to it. | 0:06:00 | 0:06:03 | |
These hark back to that medieval period. | 0:06:03 | 0:06:06 | |
They hark back to that romantic time. | 0:06:06 | 0:06:08 | |
They're by Minton, but more importantly these designs | 0:06:08 | 0:06:12 | |
are by a person by John Moyr Smith. | 0:06:12 | 0:06:15 | |
John Moyr Smith was a designer from that late 19th century period | 0:06:15 | 0:06:19 | |
when it was terribly fashionable to look upon the allegorical stories | 0:06:19 | 0:06:26 | |
of the past and design scenes around them. | 0:06:26 | 0:06:29 | |
And here we have the seasons. | 0:06:29 | 0:06:31 | |
So we have summer here with Celadon and Amelia, | 0:06:31 | 0:06:34 | |
and this is a representation of a poem from the 18th century. | 0:06:34 | 0:06:38 | |
I don't think Amelia was in love with Celadon, | 0:06:38 | 0:06:40 | |
but Celadon got swept away in a storm, hence the lightning. | 0:06:40 | 0:06:44 | |
But that's rather fun, isn't it? | 0:06:44 | 0:06:46 | |
And then we've got autumn - Comes Jovial On. | 0:06:46 | 0:06:49 | |
I don't know the story behind this one, but he is here with his scythe | 0:06:49 | 0:06:52 | |
here, and he's sort of reaping the rewards of his harvest. | 0:06:52 | 0:06:57 | |
Winter - looks like a Scottish gentleman in his tartan here | 0:06:57 | 0:07:01 | |
and almost like a Tam o'Shanter hat. Yes, and the ginger hair. | 0:07:01 | 0:07:06 | |
The Snow Storm. I think that's a rather attractive one. | 0:07:06 | 0:07:10 | |
And then we've got spring with the ploughing of the land | 0:07:10 | 0:07:12 | |
and the planting. Doesn't look like he's putting much effort in | 0:07:12 | 0:07:15 | |
cos ploughing takes a bit more effort than that | 0:07:15 | 0:07:17 | |
to drag that plough down. | 0:07:17 | 0:07:18 | |
You don't just hold it one hand and the oxen in the other. | 0:07:18 | 0:07:21 | |
This is the problem with Victorians, | 0:07:21 | 0:07:22 | |
they had this romantic view of things. | 0:07:22 | 0:07:24 | |
And here's one typically romantic. | 0:07:24 | 0:07:26 | |
Well, luckily for you there are tile collectors out there. | 0:07:26 | 0:07:29 | |
So, I would value them at 120... Yes. ..to ?180. Yes. | 0:07:29 | 0:07:35 | |
I'd put a reserve at ?100. Yeah. | 0:07:35 | 0:07:37 | |
I don't think there's any point giving them away. Oh, no. No. | 0:07:37 | 0:07:40 | |
I'd rather keep them and use them. Too nice to leave in the cupboard. | 0:07:40 | 0:07:44 | |
Absolutely. Well, see you at the auction. OK. Thanks a lot. | 0:07:44 | 0:07:48 | |
We're back at the Tring Market Auctions, | 0:07:54 | 0:07:57 | |
and like all auction houses sellers have to pay commission. | 0:07:57 | 0:08:00 | |
Here it's 15% plus VAT on the hammer price. | 0:08:00 | 0:08:05 | |
Introducing Kenneth, a man for all seasons. | 0:08:12 | 0:08:14 | |
That's exactly what's going under the hammer right now. | 0:08:14 | 0:08:16 | |
Four Minton tiles, the four seasons. Quality, quality, quality. | 0:08:16 | 0:08:20 | |
Great ceramics. Why are you selling these? | 0:08:20 | 0:08:23 | |
They've just been lying in my cupboard for over 20 years. | 0:08:23 | 0:08:26 | |
I never found a use for them. | 0:08:27 | 0:08:29 | |
I mean, they make good kettle stands and things like that. | 0:08:29 | 0:08:31 | |
Good coasters and... A coaster on the dining table. | 0:08:31 | 0:08:35 | |
We've seen these sets before sell on "Flog It!" | 0:08:35 | 0:08:37 | |
and we've seen them separately as well. | 0:08:37 | 0:08:38 | |
Thank goodness you've got all four. | 0:08:38 | 0:08:40 | |
They sell well and they make great coasters. | 0:08:40 | 0:08:42 | |
They do, and these are Minton John Moyr Smith, | 0:08:42 | 0:08:45 | |
great Arts and Crafts designer. | 0:08:45 | 0:08:48 | |
So if you love Arts and Crafts, you'll love these. | 0:08:48 | 0:08:51 | |
They're going under the hammer right now. | 0:08:51 | 0:08:53 | |
Number four - 104, now. | 0:08:53 | 0:08:55 | |
We have some Art Nouveau Minton's pottery tiles. | 0:08:57 | 0:09:00 | |
They're in jolly good order. Yeah, I love these. | 0:09:00 | 0:09:03 | |
80 for them? 70 for them? 70. Five. 80. Five. 90. | 0:09:03 | 0:09:06 | |
Are you going to be the five? | 0:09:06 | 0:09:07 | |
100, thank you. ?100. | 0:09:07 | 0:09:10 | |
Come on, that's a good opener. | 0:09:10 | 0:09:11 | |
Lady over there. There you go. | 0:09:11 | 0:09:13 | |
130. 40? 140. | 0:09:13 | 0:09:16 | |
150? 150. 160. | 0:09:16 | 0:09:18 | |
No more? | 0:09:18 | 0:09:20 | |
At 150, then, they're going. ?150. Thank you. | 0:09:20 | 0:09:24 | |
That's quite good. | 0:09:25 | 0:09:27 | |
Gosh, that lady moved in, bidding, bidding, bidding, | 0:09:27 | 0:09:30 | |
made sure she had them, didn't put her paddle down and walked out. | 0:09:30 | 0:09:33 | |
Literally, did you see that? Just here for the tiles. | 0:09:33 | 0:09:35 | |
If someone pushed her she'd've kept going. | 0:09:35 | 0:09:37 | |
She was that determined and that's the beauty of auctions. | 0:09:37 | 0:09:39 | |
That's a good result. Yes. That's a very good result. | 0:09:39 | 0:09:41 | |
Well, it's the microscope up next | 0:09:50 | 0:09:52 | |
and I think there will be a real enthusiasm for this. | 0:09:52 | 0:09:55 | |
Remember, Tring has strong zoological connections, | 0:09:55 | 0:09:58 | |
so fingers crossed for a botanic bidding battle. | 0:09:58 | 0:10:01 | |
Good luck, Florence. Thank you. | 0:10:02 | 0:10:04 | |
I have been waiting for this moment ever since the valuation day | 0:10:04 | 0:10:07 | |
cos I saw this and I said to you, | 0:10:07 | 0:10:09 | |
"Oh, I like that, I like that," and I know you spotted it as well. Yeah. | 0:10:09 | 0:10:13 | |
You did the valuation. I just think the cases of slides | 0:10:13 | 0:10:16 | |
that go with this are so well documented. | 0:10:16 | 0:10:20 | |
It's a lovely piece of history here, and I had a chat to Steven, | 0:10:20 | 0:10:22 | |
the auctioneer, yesterday. He's happy with the valuation. | 0:10:22 | 0:10:25 | |
He knows it's going to sell at what you said, | 0:10:25 | 0:10:27 | |
but he's upped it a little bit. Oh, right, excellent. | 0:10:27 | 0:10:30 | |
So we're now looking at ?500-?700. Yeah, it's a nice lot. | 0:10:30 | 0:10:33 | |
The slides are so decorative, apart from anything else. | 0:10:33 | 0:10:36 | |
They're beautifully presented. | 0:10:36 | 0:10:37 | |
I hadn't seen it for 20 years because it was put in the cupboard, | 0:10:37 | 0:10:40 | |
and then I opened it a couple of days before I came to | 0:10:40 | 0:10:43 | |
"Flog It!" and when I looked at it I thought, "Wow!" You know, | 0:10:43 | 0:10:46 | |
so it even surprised me after 20 years. | 0:10:46 | 0:10:48 | |
It's going under the hammer right now. | 0:10:48 | 0:10:49 | |
Let's find out if there's any interest online or on the phones. | 0:10:49 | 0:10:52 | |
Right, now lot number 106. | 0:10:54 | 0:10:57 | |
There we are, a very fine microscope | 0:10:57 | 0:10:59 | |
and also the two boxes of prepared slides with it. | 0:10:59 | 0:11:04 | |
500 I'm bid for it now. | 0:11:04 | 0:11:06 | |
520, I have it. And 50, 80, 600. | 0:11:06 | 0:11:09 | |
And 20 and 50 and 80. | 0:11:09 | 0:11:12 | |
700 we're bid. 720 and 50 and 80. | 0:11:12 | 0:11:15 | |
Yes, 780. | 0:11:15 | 0:11:17 | |
800 we're bid. 820, 850, 880. | 0:11:17 | 0:11:19 | |
This is very good. ?900. ?900. | 0:11:19 | 0:11:22 | |
At ?900 and we're bid for it. | 0:11:22 | 0:11:23 | |
920, 950. And there's more to come. | 0:11:23 | 0:11:26 | |
980. ?1,000. | 0:11:26 | 0:11:30 | |
?1,050. ?1,100 we're bid. And 50. | 0:11:30 | 0:11:33 | |
1,200. And 50. 1,300. And 50. | 0:11:33 | 0:11:38 | |
1,400. And 50. 1,500. And 50. | 0:11:38 | 0:11:42 | |
This is what it's all about. This is a proper auction. | 0:11:42 | 0:11:45 | |
?1,650. ?1,650. | 0:11:45 | 0:11:49 | |
I'm going to get you a chair in a minute. | 0:11:49 | 0:11:51 | |
1,800, perhaps? | 0:11:51 | 0:11:53 | |
No, but 1,800 in the room. | 0:11:53 | 0:11:56 | |
1,850. New bidder. | 0:11:56 | 0:11:58 | |
Fresh legs. 1,900. | 0:11:58 | 0:12:00 | |
And 50. 2,000. And 50. | 0:12:00 | 0:12:05 | |
2,100. And 50. | 0:12:05 | 0:12:07 | |
2,200. And 50. | 0:12:07 | 0:12:10 | |
2,300. And 50. | 0:12:10 | 0:12:12 | |
Slightly underestimated this item. | 0:12:12 | 0:12:14 | |
2,400. Yeah. It was. | 0:12:14 | 0:12:17 | |
Yeah, it was, wasn't it? | 0:12:17 | 0:12:19 | |
2,500, sir. 2,500. And 50 now. | 0:12:19 | 0:12:23 | |
At 2,500 I'm selling. 550. | 0:12:23 | 0:12:27 | |
2,600. ?2,600. | 0:12:27 | 0:12:32 | |
I can't believe it. Gosh. | 0:12:32 | 0:12:35 | |
2,800. And 50. 2,900. | 0:12:35 | 0:12:38 | |
This is incredible. | 0:12:38 | 0:12:40 | |
It's mad. | 0:12:40 | 0:12:41 | |
3,100. 3,200. 3,300. | 0:12:41 | 0:12:44 | |
3,400. 3,500. 3,600. No? | 0:12:44 | 0:12:49 | |
At 3,600 in the room. | 0:12:49 | 0:12:51 | |
I'm selling, then. It's going down at ?3,600. | 0:12:51 | 0:12:56 | |
Thank you, sir. | 0:12:56 | 0:12:57 | |
That's a sold sound, isn't it? | 0:12:57 | 0:13:01 | |
Florence, ?3,600. | 0:13:01 | 0:13:04 | |
Everybody is giving you a round of applause in the auction room. | 0:13:04 | 0:13:07 | |
Wow. Wow. | 0:13:08 | 0:13:10 | |
It exceeded all our expectations. It did, it really did. | 0:13:10 | 0:13:13 | |
That is a great result. Oh, look, enjoy it, won't you? | 0:13:13 | 0:13:17 | |
Well done, Claire. And thank you, Claire. Oh, thank you. | 0:13:17 | 0:13:20 | |
It's been an absolute pleasure. I'm so pleased for you. | 0:13:20 | 0:13:24 | |
Thank you very much. | 0:13:24 | 0:13:25 | |
Wow! We had two bidders going head-to-head, neither one wanting | 0:13:27 | 0:13:31 | |
to lose the microscope | 0:13:31 | 0:13:32 | |
which sold for over six times its reserve price. | 0:13:32 | 0:13:36 | |
Let's see what they had to say about the final outcome. | 0:13:36 | 0:13:40 | |
I feel I've paid a lot of money for them, but that's auctions for you. | 0:13:40 | 0:13:45 | |
Sometimes you win, sometimes you lose, | 0:13:45 | 0:13:47 | |
but I was obviously prepared to pay that amount. | 0:13:47 | 0:13:50 | |
I'd calculated how much I wanted to pay, got a bit carried away | 0:13:50 | 0:13:54 | |
and probably bid more than I intended to. | 0:13:54 | 0:13:58 | |
Obviously I was disappointed, but the other bidder looked as if | 0:13:58 | 0:14:02 | |
he was fairly determined and was going to carry on bidding. | 0:14:02 | 0:14:06 | |
They're a good collection of quality microscope slides. | 0:14:06 | 0:14:10 | |
Unusual to have such a good collection all in one go. | 0:14:10 | 0:14:14 | |
I will probably save and collect some of them | 0:14:14 | 0:14:16 | |
and trade a few of them, as well. | 0:14:16 | 0:14:18 | |
What a wonderful way to end the show. | 0:14:22 | 0:14:24 | |
We've had such a marvellous time here in Tring, | 0:14:24 | 0:14:26 | |
and I know you have, haven't you? We've made your year, haven't we? | 0:14:26 | 0:14:29 | |
You certainly have. | 0:14:29 | 0:14:31 | |
If you've got something like that we want to see it, but until then | 0:14:31 | 0:14:33 | |
join us for many more surprises. Well done, you, Florence. | 0:14:33 | 0:14:36 | |
Thank you very much, Paul. | 0:14:36 | 0:14:37 |