Somerset 27 Flog It!


Somerset 27

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Transcript


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I'm here in the control tower at HMS Heron,

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the Royal Navy's airbase in Somerset.

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It is the largest base in the country,

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with 4,000 personnel stationed here.

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And today, so are we. Welcome to "Flog It!".

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There is a real art to landing and taking off in naval aircraft.

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Nowadays, an aircraft can land horizontally onto their hangers,

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but in the early days, with planes like the Sopwith Pup,

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it was far trickier.

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The Navy have only been flying aircraft from ships since 1911.

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Although today's aircraft are much safer,

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their crews still face incredible challenges.

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Throughout the day,

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there will be aircraft taking off and landing just behind us.

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Today's valuations will be taking place inside

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the Fleet Air Arm Museum, which is

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situated on the base here at Yeovilton.

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We've deployed some of our top antique experts on a mission

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to value today's items - Admiral Thomas Plant

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and Commanding Officer Christina Trevanion.

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-How long does he go for? Oh.

-Well, the longer you wind it...

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How's that?

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Good luck.

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Somebody here in this queue is going home with a small fortune today,

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and they don't know it.

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It's our experts' job to find those treasures, put them

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through to the auction room, where we will be making somebody's day.

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And that's what this is all about.

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Today, our fleet of off-screen experts will be commandeering tables

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to bring you the very best insights from the frontline of antiques.

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Coming up in today's show,

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Christina gets nostalgic about the glory days of foreign travel.

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Can you imagine tripping up the steps

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with your crocodile-skin suitcase? Brilliant!

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And Thomas creates quite a stir in the sale room with a set

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of Fougasse propaganda posters.

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-Yes!

-Fantastic!

-Wow!

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We've got a huge team with us here today at the Fleet Air Arm Museum,

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many are positioned under that stunning Concorde.

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Today's valuations are taking place amongst some wonderful examples

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of aviation history.

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So, Joe, I am struggling to hold your attention a little bit here,

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you keep sort of longingly looking over my shoulder.

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Tell me, have you got a particular attraction to this plane?

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Well, yes indeed. My father, in fact, helped to build it.

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-It is an airplane that, as I believe, is called the Fairey Delta 2.

-Right.

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Which was designed for a world speed record.

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-Oh, I see.

-And he...

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I think they built two, so this may be one he worked on,

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but certainly he worked on one of them.

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-How exciting!

-It's nice to see one in the flesh.

-I bet. Wow.

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-Back to the antiques.

-Indeed.

-Sorry.

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Tell me about this rather gorgeous travelling trunk

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that you brought in.

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It was given to me by my mother, never been able to use it.

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It is so heavy, I can barely lift it.

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-Gosh, it is quite heavy, isn't it?

-It's heavy.

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-And do we know who RVM is?

-Sadly, not, no idea.

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The colour of it is like a rich toffee caramel, isn't it?

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It's beautiful.

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-Crocodile skin, which is slightly controversial now.

-Well, yes.

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But in the 1920s, when this was made, incredibly fashionable

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and suggested a sort of exoticism, really,

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that in that sort of glory days of travel.

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How appropriate that we are stood next to the 1960s version

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of exotic travel,

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with Concorde in the background, it's wonderful.

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Can you imagine tripping up the steps

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with your crocodile-skin suitcase?

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When we look inside, it's got all the...

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Lift that top up there.

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It's got all the fittings which would originally have

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included everything that you needed for travel -

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glass bottles with tops, with all your potions and lotions

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and powders and all sorts of things.

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-It would have been literally your travelling dressing table.

-Right.

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This fabulous watered silk purple interior dates it for us.

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-Oh, does it?

-Yes.

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The purple is slightly later, so we know that this was certainly

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-a 20th century one rather than a 19th century one.

-Right.

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Really, a piece of this calibre and this quality,

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we would expect to find a maker's name.

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And we have one, which is great, on this lock of furniture.

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Drew & Sons, Piccadilly, London. That doesn't surprise me at all.

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A really premium, quality maker.

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Beautiful, beautiful dressing case.

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Very sad that it hasn't got the bottles,

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however there is a market for these crocodile-skin cases.

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They are every sort of interior designer's dream, aren't they?

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They're just beautiful. And the colour and the pattern...

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And it's certainly helped in its value by the fact that it

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-is in such excellent condition.

-Good.

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And this is obviously helped by the fact that we've got

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the original protective dust cover.

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Let's pop that down there. So...

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-Value wise...

-Yes.

-What are we thinking?

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I don't know, 150, 200, something like that.

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Oh, my goodness, you don't need me here at all!

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For a more comfortable estimate, I would say 100-200.

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-OK.

-Because we do see quite a lot of them.

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-We don't see them in such good condition.

-No.

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-But we do see them with bottles still.

-Ah, yes.

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-What are your thoughts about that?

-That's absolutely fine.

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-Are you sure?

-Yes.

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-And if we were to put a reserve of 100.

-Yes.

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-So we wouldn't let it go for any less than 100.

-No.

-Is that OK?

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-That's absolutely fine.

-And why are you selling it?

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-I can't even lift it!

-Oh, really?

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If I was going away for the weekend,

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I wouldn't have anything inside it.

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-You'd have good muscles when you came back.

-Absolutely.

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Yes.

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Imagine how heavy it would've been with all those bottles.

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-Yes, yes.

-Good Lord, it would have been... Yeah.

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I'd have a nice young man to carry it for me.

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Oh, gosh, wouldn't that be nice?

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-And Joe, obviously.

-Or Joe.

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Brilliant. Well, let's see if we can find a good new home for it.

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-Thank you very much, Christina.

-Thanks so much for bringing this in.

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Wonderfully evocative, that suitcase,

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as is the imposing Concorde.

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While our experts are working flat out at a supersonic pace,

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I thought I'd take a moment to wander down the fuselage

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of this incredible aircraft.

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Now, even though it is just a prototype,

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there are sections which really do evoke the glamour days of flying

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on Concorde, the ultimate luxury for those who could afford it.

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The Concorde jet set.

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Our next classic item also has a timeless glamour.

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-Angie, is that right?

-Yes, yes.

-And Jerry.

-Hello, Tom.

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You've brought along a very nice, I think, bangle.

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-It's a bangle, not a bracelet. Bracelets are loose.

-Yes.

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Like a tennis bracelet, which is chain-linked

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and hangs from the wrist.

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Bangles are fixed and they are hard

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and they don't have a movement to them, so it is a bangle.

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Very pretty.

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With aquas, rose quartz, aquas.

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And then in between it are these little naive-cut diamonds.

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So it has got a fantastic... And a great use of stones here.

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It dates from the Edwardian Period, so 1900 to 1920.

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It has got a real boldness to it.

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A real sort of showiness.

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Normally Edwardian bangles are quite thin, with stones

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and diamonds on either side, but this has real showmanship,

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real pizzazz, real chutzpah.

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It has got something going for it.

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It is a good-looking object.

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There are a few things which are wrong with it,

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but that is an old piece of jewellery.

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But otherwise, it's a general repair job and shouldn't cost much.

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But extremely wearable today. Is it something you've worn?

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-No, I never have, but my mother wore it all the time.

-Why haven't you?

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Is it not your colour?

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Well... I don't know, it just wasn't me.

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And because it moved around my wrist

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and I thought, "It's going to come off and I'm going to lose it."

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Do you have much idea about value?

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Well, I would hope the reserve will be around the 500 mark.

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I would want to say between 400 and 600, and fix it at 400.

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I think you've got a better chance then.

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If one is too strong, you tend to kill the sale immediately.

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-Right.

-But like all things in life, it is that risk at £400.

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What are your thoughts?

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Well, I'm trying to raise some funds

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cos my granddaughter in America has been diagnosed with leukaemia.

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-Mm, yes.

-So I was trying to raise a bit of money to help the family.

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Absolutely.

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-So that is why it's being sold?

-Mm.

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We've put it at 500 to 700 and with a fixed reserve at 400.

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-What do you think about that?

-450?

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-Five to 700, 450 reserve, shall we do that?

-Yes, let's do that.

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Well done, Jerry. Interjected in well. I think it should make that.

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It is a good-looking item, and I hope it makes a lot more.

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I look forward to seeing you at the auction.

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BOTH: Thank you very much.

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A lot of sparkle there.

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The building is full of wonderful treasures here today.

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So, I thought... I love it that you brought me a nice local piece in.

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Thank you. Local? That's a surprise.

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-Definitely not very local.

-No, no.

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In fact, this bowl has certainly travelled quite a long way.

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-Tell me about how you came about it.

-Well, it was left to me from

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my parents when they passed on. I loved the depth of it.

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-Yes, quite unusual. It's more of a basin...

-That's right.

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..I would say, rather than a bowl or a plate. It is very much a basin.

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But if we turn it over, look at this wonderful back here.

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This is very much a Chinese porcelain.

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This sort of pitted gray porcelain is typical of Chinese porcelain,

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and this is absolutely what we here in Great Britain were trying

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to replicate in our porcelain and couldn't do.

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With the addition of China clay, in the early 19th century, we did.

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But up until that point, this was like the Holy Grail.

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The Chinese knew that and they started exporting it to this

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-country in very much this style.

-Right.

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This however is slightly later.

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-This is actually a late 19th, early 20th century example.

-Is it?

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This beautiful porcelain - there's a white,

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almost translucency to it. And very much hand-painted.

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We can see all the individual brushstrokes, it's really beautiful.

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-Do you like it?

-Oh, I like it.

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The only trouble is, it has been in the cupboard for a long time.

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Right, OK.

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Mainly for safekeeping, I do have a dog that runs about a bit.

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Your dog, I think, has got to it before you've noticed it though,

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-hasn't it?

-I have no idea, I hope he hasn't.

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Well, we have got a very, very fine hairline crack

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just on the rim there.

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Collectors will not like that, sadly.

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But I think at auction we are going to be looking at a slightly

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conservative estimate of maybe £100 to £200.

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What are your thoughts about that?

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Well, I would like to see more £200 than I would 100.

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-Wouldn't we all!

-Exactly.

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Um...

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150 to 200, with a reserve of 150 would be a...

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Oh, my goodness, you drive a hard bargain.

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-Well, we've got to try.

-We've got to try.

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I think that is on the cusp of having a no sale,

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but as long as you are prepared for that...

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An estimate of 150 to 200, and a firm reserve of 150.

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And we'll just hope that somebody really likes it.

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Really, really likes it.

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Well, I must say, everything is turning up here

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today in the world of fine arts and antiques.

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I should say, it's flying in.

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But right now it is going to be flying out -

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straight to the auction room.

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We are ready with our first set of valuations to put to the test

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in the sale room.

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And here is a quick recap of what is going under the auctioneer's hammer.

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For those with wanderlust, this Drew & Sons suitcase

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might just be the ticket.

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Diamonds, rose topaz, aquamarine, gold.

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If bling is your thing, this exquisite bangle is a must-have.

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And will Arthur's blue-and-white,

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late 19th century bowl bring the Chinese collectors in?

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We've travelled 22 miles to Bridgwater,

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the historic market town divided by the River Parrett.

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In the past, these riverbanks were a rich source

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of clay for the local brick and tile manufacturers.

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Later in the show, I'll be meeting some potters who continue to

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work with local materials.

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But right now, it is time to get on with our auction.

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And on the rostrum today, it's Claire Rawle,

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a familiar face on "Flog It!".

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Well, it is the moment of truth for Arthur.

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Was he right to stick to his guns with that top-end fixed reserve?

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Well, I've got my fingers crossed for both of you.

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We've got this large, 19th century Chinese bowl going under the hammer.

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I love this, absolutely love it.

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-How long have you had this?

-Been handed down to me from the family.

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Right, so it means a lot to you.

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I can understand why you want to protect it, you know, with £150.

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If you don't get that, it is going home.

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Chinese is incredibly popular at the moment,

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but it is 19th century and we have got some damage there,

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just worries me we are not going to get to that reserve.

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There was a damaged piece just a minute ago,

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and that made very good money as well.

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I think this will sell. Do you know, I have got high hopes for this.

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I really do. I do.

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Don't worry, don't worry, don't worry.

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-Let's put it to the test.

-Yeah, the bidders will decide.

-They will.

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The large, Chinese, blue-and-white bowl. Nice one there. Lot 252.

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-And I have to start away at £100.

-I knew that.

-At 100.

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At 100. Do I see 110 anywhere?

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At 110. 120. 130. 140.

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-Don't worry.

-150.

-Yes!

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At 150. Now 160 anywhere? At £150, it is a room bid.

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The Internet is not out. At £150, then. You're all done.

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The bid is in the room. Selling then.

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I knew that would sell.

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-Well done. Well done, you.

-Thank goodness!

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Panicking at the last moment.

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You were confident on the day. Well done as well.

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-You stuck to your guns, £150. It's gone.

-I'm pleased.

-Brilliant.

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Job done, we are all happy.

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If you have got anything like that, we would love to sell it for you.

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Bring it along to one of our valuation days.

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Details of up and coming dates and venues you can find

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on our BBC website. Log on to...

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Or follow the links, all the information will be there.

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If you don't have a computer, check the details in your local press.

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We'd love to see you.

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Angie and Jerry, fingers crossed, it's good to see you again.

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We've got a packed sale room.

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Thomas, totally agree with the valuation - £500 to £700.

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We are talking about that wonderful bangle.

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Lots of detail and lots of gold. It is quality, Thomas.

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It is superb quality.

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It is lovely and the colours work so well on the bangle.

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I think it should do quite well.

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All the money is going towards...? Tell us, remind us again.

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Well, Kendall, my granddaughter, has been diagnosed with leukaemia.

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And that is quite costly in the States.

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-It will go towards the medical costs.

-Yeah, well, good luck with that.

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Good luck to her as well. Right, let's put it to the test.

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It's going under the hammer right now.

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Let's hand the proceedings over to Claire Rawle.

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Coming on to Lot 12. This is pretty. Nice little gold bangle here at 380.

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At 380, do I see 400 anywhere?

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At 380. At 380. Now 400?

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At 380 it's going to be, then.

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400 on the Internet. 420 with me.

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At 420. Now 450 out there? At 420.

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450 it is. Net bid now.

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Internet now.

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Slows things down a bit, but frankly it's valuable, isn't it?

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You all done in the room? Selling then at £450...

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-Just got it away. Just got it away.

-Good.

-But it is gone. It's gone.

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You're happy, aren't you, really? We need the money.

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-Yes.

-That is what it is all about, isn't it?

-It is.

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-Well, good luck in Florida.

-Thank you very much.

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Have case, will travel. Going under the hammer right now,

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Jacqueline and Joe's crocodile case. It is absolutely exquisite.

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It is not complete, though, but it has got all its compartments.

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Where did the contents go, do you know? You never had them?

0:16:200:16:23

-It was given to me like that.

-And what did you do with it?

0:16:230:16:25

-It was in the bottom of our wardrobe.

-And that's it. That's its life.

0:16:250:16:28

That's where it's been, but that's why it's in pristine condition.

0:16:280:16:31

-What have we got, £100 to £200?

-Yeah.

0:16:310:16:33

-The leather case alone is worth that.

-You'd hope so.

0:16:330:16:36

And the work involved.

0:16:360:16:37

If you asked somebody to make that today, they'd charge you £500.

0:16:370:16:40

Anyway, it's going under the hammer right now. This is it.

0:16:400:16:43

342.

0:16:430:16:44

Very nice case indeed. I've got to start away at £85. At £85. At 85.

0:16:440:16:49

Do I see 90 anywhere? At £85.

0:16:490:16:51

90. Five. 100.

0:16:510:16:54

In the alcove at 100. 110 on the net. 120 on the net.

0:16:540:16:56

130. Off it goes.

0:16:560:16:58

At 130. 140. 150.

0:16:580:17:00

At 150.

0:17:000:17:01

At 150. 160. 170.

0:17:010:17:03

-At 170. 180.

-There's a lot of people that collect these kind of things.

0:17:030:17:07

Do you want to come back in...? No, it's going again.

0:17:070:17:10

200 we're up to. 220.

0:17:100:17:11

At 220.

0:17:110:17:13

-220.

-Quality always sells, and it just oozes it, doesn't it?

0:17:130:17:17

-It's beautiful.

-Anyone want to come back in? No?

0:17:170:17:19

At 220, then. The bid's on the Internet at 220.

0:17:190:17:22

You all sure? Selling then at 220...

0:17:220:17:26

Well done, £220. Well spotted. Spot on as well, top end of the estimate.

0:17:260:17:31

Sheer quality, that's what got that sold.

0:17:310:17:34

-Well, well done.

-Thank you.

0:17:340:17:35

-Hope you enjoyed the "Flog It!" experience.

-We have.

0:17:350:17:37

-Yes, we have.

-We can die now totally happy.

0:17:370:17:40

THEY LAUGH

0:17:400:17:42

Well, we are literally surrounded by craftsmanship from the past here,

0:17:500:17:54

in the saleroom in Bridgwater, as you've just seen with

0:17:540:17:56

those items that have just gone under the hammer.

0:17:560:17:59

But what about the craftsmanship of today?

0:17:590:18:01

Well, I travelled south across the border to Dorset to meet

0:18:010:18:04

a family of potters. Take a look at this.

0:18:040:18:07

It's incredible what you can find tucked away in remote

0:18:140:18:17

parts of the British countryside.

0:18:170:18:19

Nestled in the village of Mosterton

0:18:190:18:22

is a small family ceramics business.

0:18:220:18:24

The oldest and founding member is David Eeles.

0:18:240:18:27

And after 50 years...

0:18:270:18:30

Three generations of the Eeles family are still

0:18:300:18:33

here in the village of Mosterton, in Dorset, throwing pots

0:18:330:18:36

and earning a living from their wares.

0:18:360:18:38

David, now 79, focuses on decoration.

0:18:440:18:47

He uses fine oriental brushes and his style is very much

0:18:470:18:51

influenced by early Chinese and Japanese ceramics.

0:18:510:18:55

-Hello, David. Pleasure to meet you.

-And you.

0:18:550:18:58

Thank you for taking time out to talk to me today. Sit down, please.

0:18:580:19:02

-Thank you.

-Nearly 80 years old, and like a true artisan,

0:19:020:19:06

still working with your hands.

0:19:060:19:09

Why was clay your medium in the first place? What drew you to clay?

0:19:090:19:12

In art school, initially,

0:19:120:19:14

they gave you all these wonderful crafts to try.

0:19:140:19:17

One that came along at the age of about 15 was ceramics,

0:19:170:19:20

and I just got hooked by it.

0:19:200:19:22

I mean, it is such a plastic medium, you can make anything with it.

0:19:220:19:27

-It's very versatile.

-Very versatile.

0:19:270:19:29

I've developed a technique of glazes

0:19:290:19:33

and colours over the past 60 years,

0:19:330:19:35

which are mainly based on Chinese work,

0:19:350:19:39

but it means that when you find one that really works, you hang onto it.

0:19:390:19:44

One of the greatest crafts in the world, without any

0:19:440:19:46

shadow of a doubt. I love it.

0:19:460:19:48

I'm still doing it and I shall be doing it till my dying day.

0:19:480:19:51

Well, I hope you do,

0:19:510:19:52

-and I hope there are many more years to come as well.

-I hope so.

0:19:520:19:55

David hasn't always lived in Dorset.

0:19:550:19:58

His formative years were spent in London.

0:19:580:20:01

Like many aspiring artists of his generation,

0:20:010:20:03

he attended Willesden College of Arts and Crafts,

0:20:030:20:06

in North West London. It was a thought-provoking

0:20:060:20:09

and inspirational time for the young David,

0:20:090:20:12

who shortly after graduating, married Patricia,

0:20:120:20:15

a fellow student, and set up shop in Hampstead's artist quarters.

0:20:150:20:20

Ceramics was their specialism and their pottery soon became

0:20:200:20:23

a thriving part of London's arts and crafts scene -

0:20:230:20:27

their traditional slip pots being sold in some of London's most

0:20:270:20:30

fashionable shops.

0:20:300:20:32

By now, the Eeles family was expanding,

0:20:320:20:35

and so they decided to leave London behind,

0:20:350:20:38

choosing instead a 17th century coaching inn

0:20:380:20:41

for the family-run business.

0:20:410:20:43

What is so unique about the Eeles' ceramic business

0:20:440:20:47

is that it has been, and continues to be, a truly family affair.

0:20:470:20:53

Patricia is less hands-on these days, but sons Simon

0:20:530:20:57

and Ben have worked alongside their father since their teens.

0:20:570:21:01

Well, your father was inspired by potters from the Far East,

0:21:040:21:07

so I guess you are carrying on the tradition here.

0:21:070:21:09

Yeah. All these glazes you see here are all Oriental-type glazes.

0:21:090:21:13

We've got a Shino glaze there. We've got Chun glazes here.

0:21:130:21:16

It's sort of an off-white, nice blue colour.

0:21:160:21:18

That's made up with English materials,

0:21:180:21:21

granites and feldspars from Cornwall.

0:21:210:21:23

We've got a molecular formula that we work to, which is

0:21:230:21:26

the molecular formula of a Chinese glaze.

0:21:260:21:28

-Gosh, you are almost chemists, aren't you?

-We have to be, yeah.

0:21:280:21:31

To get good quality glazes all the time, the recipes are all kept,

0:21:310:21:34

all written down, so we get exactly the same recipe each time.

0:21:340:21:37

Yep. That's how we do it.

0:21:370:21:39

The Oriental-inspired Eeles family pottery has been making

0:21:400:21:43

Japanese raku-style pots for ten years.

0:21:430:21:47

It is a look that is achieved at the glazing stage,

0:21:470:21:49

and they have kindly agreed to let me have a go.

0:21:490:21:52

-Right, the glazing.

-OK, Paul, what we are going to do is

0:21:520:21:55

we're going to dip it in the slip and then the glaze.

0:21:550:21:57

So if I do one to show you what to do...

0:21:570:22:00

-So we dip it in here. Just down to the top.

-Just to the neck.

0:22:000:22:03

-Just to the neck.

-Very gently.

-Lift it up and let it drip.

0:22:030:22:06

-Stop it dripping and then you just put it down there.

-OK.

0:22:060:22:09

-If you do yours, and then that one can be drying.

-OK.

0:22:090:22:13

It is exceptionally porous.

0:22:130:22:15

It is, yeah, it's very porous, so the actual moisture gets sucked out

0:22:150:22:18

-very quickly.

-Oh, look, there's a little, tiny bit missing there.

0:22:180:22:22

That's all right, you can go back in again.

0:22:220:22:24

There you go, that's fine. And just drop that down there.

0:22:240:22:26

What we are going to do now, Paul, is we've got to put the glaze on.

0:22:260:22:29

You have a go. Don't do the same mark as you did before.

0:22:290:22:31

That's right. And just hold it there, it will all just drip off.

0:22:340:22:36

-That is quite satisfying, isn't it?

-Yeah, it is.

0:22:360:22:39

-That will be the bit that will go hard glasslike in the firing...

-Sure.

0:22:390:22:42

-..and chip off the pot later.

-There would go.

0:22:420:22:45

And then it becomes a waterproof vessel - you can

0:22:450:22:48

-fill it up with water, put some flowers in it.

-That's right.

0:22:480:22:51

Hopefully it all fires well and doesn't blow up in the firing.

0:22:510:22:54

No, it won't.

0:22:540:22:55

While the glaze dries out a bit, there is an opportunity for me to

0:22:550:22:59

catch up with older son Ben by the Chinese-inspired, triple-tier kiln.

0:22:590:23:03

Basically, that's an oven for finishing pots,

0:23:030:23:06

and this one takes 5,000 pieces.

0:23:060:23:09

Ben, this is incredible.

0:23:090:23:10

A three-chamber kiln, and you helped build this with your dad.

0:23:100:23:13

I did, yes. I was 16, I had just left school.

0:23:130:23:16

It was one of the first jobs I had with Father.

0:23:160:23:18

We built it over the winter and it took us

0:23:180:23:21

about three months to build it.

0:23:210:23:23

It's like a giant bonfire,

0:23:230:23:24

but it takes us 35 hours to fire and it uses

0:23:240:23:27

about six tonnes of wood altogether to fire it up all the way through.

0:23:270:23:31

And even after that, it takes four days to cool down,

0:23:310:23:34

and it is still hot enough inside to bake a potato.

0:23:340:23:37

You have got a lot of work in there. Is that a year's work?

0:23:370:23:41

Yes, it is. We fire it up once a year.

0:23:410:23:43

We used to do it about twice a year,

0:23:430:23:45

but we do the raku a lot now, so that has sort of taken over.

0:23:450:23:48

But shall we go off and see the raku kiln now?

0:23:480:23:50

-Yeah, cos that's fired up, isn't it?

-It is.

0:23:500:23:53

So they are ready to go in now.

0:23:570:23:58

They have been warmed up in the electric kiln

0:23:580:24:01

and they are ready to go in.

0:24:010:24:03

So what we'll do is we're going to pop these in here

0:24:030:24:06

using tongs, because that is pretty hot in there.

0:24:060:24:08

That is about 800 degrees in there. That is the one you did, Paul.

0:24:080:24:11

-You can see the bit that you missed the glaze on the top there.

-Sure.

0:24:110:24:14

So that is yours. That goes in there.

0:24:140:24:16

So, say, they will be in there for about a half an hour

0:24:160:24:18

and then we'll lift them all out again.

0:24:180:24:20

We have a little digital read around here

0:24:200:24:22

so we can tell what the temperature is in the kiln.

0:24:220:24:24

So that is 633 degrees centigrade.

0:24:240:24:27

So as we've just stoked, you'll see that will start to rise.

0:24:270:24:30

I tell you what, it is so cold. It really is cold.

0:24:300:24:33

There is a bitter wind blowing. We are in the middle of February.

0:24:330:24:36

But this is the kind of job, I guess,

0:24:360:24:37

you look forward to doing if you are a potter.

0:24:370:24:40

-In all weathers.

-We are all pyromaniacs at heart.

0:24:400:24:44

-We love a bit of flame.

-What is the temperature, Paul?

0:24:440:24:47

-Yeah, that is 1,000 degrees now.

-Thank you.

-That's hot.

0:24:470:24:50

A quick look in here, Paul.

0:24:500:24:51

See, that's the temperature it is in there. You can see.

0:24:510:24:53

Cool, what a white heat. That has got a shiny look to it now.

0:24:530:24:56

I think that is ready to go.

0:24:560:24:57

Get them out with these tongs cos it is very hot in there.

0:24:570:25:00

Just lift it out and then drop straight in the sawdust.

0:25:000:25:04

And that will catch fire, and then Ben has to put the sawdust on.

0:25:040:25:08

That has gone in the sawdust and, if you see, there is a lot of smoke.

0:25:080:25:11

-I can.

-And what that is doing is penetrating through

0:25:110:25:14

the cracked glaze into the pot.

0:25:140:25:17

So when the pot is cold, you chip the glaze off

0:25:170:25:19

and you've got that ghosted pattern of smoke into the pot.

0:25:190:25:22

Sure, I understand that.

0:25:220:25:23

And because that sawdust is so uneven and the air gets

0:25:230:25:25

through it, that's how you create those lines, isn't it?

0:25:250:25:28

Yeah, it sort of goes just through the glaze,

0:25:280:25:30

so just as much smoke as you can get.

0:25:300:25:32

I can see the appeal of using the raku technique.

0:25:340:25:37

There is something incredibly immediate and gratifying

0:25:370:25:40

about the whole process, and the results are fabulous.

0:25:400:25:43

Well, they have cooled down.

0:25:430:25:44

We have given it ten minutes and now for the moment of truth.

0:25:440:25:48

-There we go. Tip it out.

-Tip it out.

0:25:480:25:52

There it comes.

0:25:520:25:53

-Looking rather black at the moment.

-It does, doesn't it?

0:25:530:25:56

Looking sorry for itself.

0:25:560:25:58

So you can see now where all the smoke has gone through all the little

0:26:010:26:04

pinholes, into the pot behind and created that smoke pattern.

0:26:040:26:08

There is a little bit of clay here that needs to be washed off later.

0:26:080:26:12

So that will all be washed off. It's beautiful, isn't it?

0:26:120:26:15

That is really clever.

0:26:150:26:16

Look at that lovely, strong line through there, Paul, it's beautiful.

0:26:160:26:19

That lovely black contrast.

0:26:190:26:21

And you know this one is yours, Paul,

0:26:210:26:22

cos you got that black bit,

0:26:220:26:23

where you didn't quite get the glaze quite to the top.

0:26:230:26:26

-Yeah.

-I think that is the nicest one of the lot.

0:26:260:26:28

-Oh, you're just being kind.

-No.

0:26:280:26:29

Beginner's luck in that dip, I think.

0:26:290:26:31

You've got a job. When are you going to come back and do it again for us?

0:26:310:26:34

Maybe in the summer.

0:26:340:26:36

It has been wonderful finding out about such a long-lasting

0:26:360:26:39

and successful family business.

0:26:390:26:42

Here is to many more years of Eeles pot-making.

0:26:420:26:46

Welcome back to our valuation day venue here -

0:26:550:26:58

situated at the military naval aviation base.

0:26:580:27:01

I am stepping inside the Fleet Air Arm Museum now,

0:27:010:27:04

where it is lights, camera, action.

0:27:040:27:05

Let's catch up with our experts

0:27:050:27:07

and see what else we can find to take off to auction.

0:27:070:27:10

You've brought along a cotton handkerchief that has

0:27:100:27:14

a name on it, synonymous with nursing. Very important.

0:27:140:27:18

But tell me, how did you come by this?

0:27:180:27:21

Well, it was given to me by a lady called Miss Willit.

0:27:210:27:25

And I was going off to do my nursing training

0:27:250:27:28

and she just thought it would be a nice present for me to have.

0:27:280:27:32

And how long did you nurse for?

0:27:320:27:33

-Over 30 years.

-Do you miss it?

-Yes, I do.

-What kind of nurse were you?

0:27:330:27:38

General nurse in general practice.

0:27:380:27:41

You must have seen all types.

0:27:410:27:42

You get your favourites.

0:27:420:27:45

But then you get really fond of them.

0:27:450:27:47

This matron at the school, she was a descendent?

0:27:470:27:50

Yes, she was a great niece of Florence Nightingale's.

0:27:500:27:53

-Great niece of Florence Nightingale.

-Just in the forefront, wasn't she?

0:27:530:27:58

A bit of a firebrand, a bit of a leader.

0:27:580:28:00

I think she was a great innovator in nursing methods

0:28:010:28:04

and she set up a nursing school in St Thomas's.

0:28:040:28:08

She was one of these celebrities we all knew about.

0:28:080:28:11

-And we still talk about her today.

-Yes.

0:28:110:28:13

So we've got Nightingale, 1865, on this silk handkerchief.

0:28:130:28:19

It is quite big for a lady's handkerchief, isn't it?

0:28:190:28:22

-It could have been a table centrepiece as well.

-Mm.

0:28:220:28:25

If you think about it, it doesn't have to be a hanky

0:28:250:28:27

cos of this very pretty Honiton lace border around it.

0:28:270:28:31

Where has it been in your house?

0:28:310:28:33

Just in a drawer, wrapped up in tissue paper.

0:28:330:28:36

I think it has got a bit of value.

0:28:360:28:39

-Right.

-You know, she's a bit of a cult figure, isn't she?

-Yes.

0:28:390:28:43

And if you have got the right people and the Internet

0:28:430:28:47

and the right collectors, I think this could go for hundreds.

0:28:470:28:50

And obviously, the provenance is the important factor in all of this.

0:28:500:28:54

In my eyes, I would have thought this is worth at least £200.

0:28:540:28:57

200 and 300, and we could put a discretionary reserve at the 200.

0:28:570:29:01

-Is that all right?

-Yes, that's fine.

0:29:010:29:03

-I like it.

-That's more than I expected.

0:29:030:29:06

I think you've got to find the right people. I think it is quite special.

0:29:060:29:10

-Thank you very much.

-Thank you.

0:29:100:29:14

Finding the right buyer is key to any piece going to auction,

0:29:140:29:17

and some will have a wider appeal than others.

0:29:170:29:20

Take a look at Christina's next find.

0:29:200:29:23

It might not be everyone's cup of tea.

0:29:230:29:25

So, I hope you are not afraid of heights.

0:29:250:29:27

I'm clutching your teapot here because we are perched up here.

0:29:270:29:30

There's a wonderful view with everything behind us.

0:29:300:29:32

Tell me where it has come from.

0:29:320:29:34

It was my mother's, and she may have got it from my gram, I don't know.

0:29:340:29:37

Do you know if there were originally any other pieces with it?

0:29:370:29:40

-No, I only know that piece.

-It certainly tells us what it is.

0:29:400:29:43

I mean, I think even without having to look at its bottom, I think

0:29:430:29:47

a good guess is this particular style,

0:29:470:29:49

-especially these palmetto leaves, tell us that it is Doulton.

-Mm-hm.

0:29:490:29:53

And we have got the nice mark on the bottom here which proves

0:29:530:29:56

it for us, which is quite an early Doulton mark.

0:29:560:29:58

We've got artists' marks ER and HHH.

0:29:580:30:02

We've looked up a few of those,

0:30:020:30:03

they don't seem to be any of the big names.

0:30:030:30:05

When you have got Barlows, you can add a few notes onto the end of it,

0:30:050:30:08

but sadly, nothing we can attribute to any of the famous artists.

0:30:080:30:11

Doulton actually originally started by producing sewer

0:30:110:30:14

pipes in the late 19th century.

0:30:140:30:16

-Which is what this material was...

-Made of.

-Exactly.

0:30:160:30:20

So often people think they have got items made from sewer pipes,

0:30:200:30:23

which isn't necessarily the case. Don't worry,

0:30:230:30:25

you haven't got a sewer-pipe teapot.

0:30:250:30:27

Doulton was very instrumental in encouraging

0:30:270:30:29

artists from the local Lambeth School of Arts to producing

0:30:290:30:32

these wonderful ornamental wares and he very much encouraged them,

0:30:320:30:36

which is why we get some really wonderfully wacky Doulton

0:30:360:30:39

pieces just like this.

0:30:390:30:41

But I think the thing that strikes me

0:30:410:30:43

about it is this wonderful shell design.

0:30:430:30:46

It's just really beautiful.

0:30:460:30:49

-Do you like it?

-Yes, I love it.

-It's rather sweet, isn't it?

0:30:490:30:52

-I do love it.

-Just a bit unusual.

-It's a different and it's tactile.

0:30:520:30:55

-It is, absolutely. Do you sort of want to...?

-Yeah, feel it.

0:30:550:30:58

Yeah, exactly.

0:30:580:30:59

I think that is a wonderful thing about Doulton is that it does

0:30:590:31:02

throw some rather unexpected things that you.

0:31:020:31:04

And it is very much of its time.

0:31:040:31:06

-The Victorians were wonderfully eccentric.

-That's right.

0:31:060:31:09

I am slightly concerned.

0:31:090:31:11

-There should be a little lip, as in a normal teapot spout.

-Yeah.

0:31:110:31:14

Some person has obviously chipped it on the end and had it ground down.

0:31:140:31:19

Unfortunately, that will affect the value.

0:31:190:31:21

And then we have also got a couple of other little chips

0:31:210:31:24

just on here as well.

0:31:240:31:26

So I think at auction...

0:31:260:31:28

..we are probably looking somewhere in the region of

0:31:300:31:32

-maybe £60 to £100, how would you feel about that?

-That's fine.

0:31:320:31:36

So if we put an estimate of 60 to 100,

0:31:360:31:39

-and then perhaps if we put a reserve of £50 firm...

-That's right.

0:31:390:31:42

And we'll hope that it doesn't fall off this very precarious table

0:31:420:31:46

up here on this wonderful balcony before we get it to the auction.

0:31:460:31:49

While our valuations are going on around me,

0:31:490:31:52

I thought I'd take the opportunity

0:31:520:31:54

to have a quick look around the museum.

0:31:540:31:56

Everywhere you turn, you are surrounded by aviation history.

0:31:560:32:00

Just take a look at this, a wonderful old piece of aviation art.

0:32:000:32:04

It was salvaged from the side of a Firefly, of 1772 squadron,

0:32:040:32:09

which flew in the Pacific during the Second World War.

0:32:090:32:12

It was shot down by the Japanese.

0:32:120:32:14

Thankfully, the pilot, Chris Maclaren,

0:32:140:32:17

and his observer, Wally Prichard, survived.

0:32:170:32:21

And this panel was rescued and kept as a memento.

0:32:210:32:24

Isn't that lovely?

0:32:240:32:25

And there it is signed, look, Chris and the observer, Wally.

0:32:250:32:28

And I love the way these two characters have been portrayed,

0:32:280:32:31

almost as a comic caricature of Popeye and Bluto.

0:32:310:32:35

Aviation art is thought to have begun in the German

0:32:350:32:38

and Italian military at the beginning of the 20th century.

0:32:380:32:41

It appears like tribal markings for those going into battle,

0:32:430:32:47

and the tradition continues today.

0:32:470:32:49

Take a look at this, for instance,

0:32:490:32:51

a relatively recent piece sprayed with stencil onto

0:32:510:32:54

the side of a Lynx helicopter, which was flown during the First Gulf War.

0:32:540:32:58

It's in the style of a musical artist from the 1900s, Flory Ford.

0:32:580:33:03

Others are more sinister.

0:33:040:33:06

I wanted to meet a modern-day aviation artist here,

0:33:060:33:09

at Yeovilton, but no-one could be found.

0:33:090:33:12

It seems these unofficial markings are considered the military

0:33:120:33:16

equivalent of graffiti

0:33:160:33:18

and often those behind it want to remain anonymous.

0:33:180:33:22

The Banksy syndrome.

0:33:220:33:24

Let's hope Thomas has more luck identifying the artist

0:33:240:33:27

behind our next item.

0:33:270:33:28

Robert, tell me. You have brought along these propaganda posters.

0:33:300:33:35

How did you come by them?

0:33:350:33:37

Well, I bought a collection of books from an elderly

0:33:370:33:39

lady about 15 or 16 years ago, took the books home,

0:33:390:33:43

put them in the loft and three or four years ago,

0:33:430:33:46

I got them out to start sorting them out to sell. And in amongst them,

0:33:460:33:49

I found an envelope, and it had these lovely posters in it.

0:33:490:33:52

Wow, fantastic.

0:33:520:33:54

So are you in the book trade?

0:33:540:33:56

Yes, I had my own bookshop in Bournemouth for 12 years.

0:33:560:33:59

Retired five years ago.

0:33:590:34:01

And now I sell a few books on the Internet, second-hand,

0:34:010:34:05

-just to supplement my passion.

-These are by this man called Fougasse.

0:34:050:34:10

-Cyril Kenneth Bird is his real name.

-OK.

0:34:100:34:14

-Fougasse was his pen name, I suppose, so to speak.

-Right.

0:34:140:34:18

The interesting thing about Bird, the artist,

0:34:180:34:20

was that he was in the First World War.

0:34:200:34:23

-Right.

-And he was at Gallipoli, so that hideous battle.

0:34:230:34:25

-And it was quite rare for a Brit to be in Gallipoli, an Englishman.

-Yes.

0:34:250:34:29

He was badly wounded and injured out

0:34:290:34:30

and then I suppose he turned to cartoons, convalescing, and drawing.

0:34:300:34:35

-He was editor of Punch.

-Right.

-And these are of World War II,

0:34:350:34:38

-cos we can see Adolf here, can't we?

-Yes, we can.

0:34:380:34:41

-Adolf Hitler, there he is there.

-Yes.

0:34:410:34:43

-And you've got Herman Geren.

-Yes.

0:34:430:34:45

-The two ladies in the '40s, lipstick and rouge.

-Yes.

0:34:450:34:50

Having tea, Russian tea. And don't forget, "Walls have ears,"

0:34:500:34:55

and there is Adolf there, in this repeating pattern.

0:34:550:34:58

It has got a real

0:34:580:35:00

-humour to it.

-Yes.

-So it was making the public aware.

0:35:000:35:03

-Yes.

-But in a humorous way.

-Yes.

0:35:030:35:05

I think they're worth between four and £600.

0:35:050:35:08

-I think they are.

-Right.

0:35:080:35:11

-Because they are in such good, clean condition.

-Thank you.

0:35:110:35:13

I would reserve them at roundabout three,

0:35:130:35:15

with a little bit of discretion, but I think that will be fine.

0:35:150:35:19

You've got the militaria interest, decorative appeal

0:35:190:35:22

it's quite funny, quite good.

0:35:220:35:23

I mean, they're good lavatory pictures.

0:35:230:35:25

-True.

-Do you know what I mean? They are, aren't they?

-Yes, they are.

0:35:250:35:28

They are. And I quite like them.

0:35:280:35:31

-So anyway, that is what I would say.

-Well, thank you, that's very good.

0:35:310:35:34

-I'm very pleased with that.

-Now, if we achieve the £400,

0:35:340:35:39

what do you want to do with that money, buy more books?

0:35:390:35:42

No, I've got plenty of books at the moment.

0:35:420:35:46

My wife and I now are both retired, we enjoy the sunshine,

0:35:460:35:49

so I think it will go towards the cost of two airline tickets.

0:35:490:35:52

-Oh, well, who doesn't enjoy the sunshine?

-That's right.

0:35:520:35:55

And if all goes well at auction,

0:35:550:35:57

Robert should be able to buy a couple of airline tickets.

0:35:570:36:00

Being surrounded by planes certainly makes you want to jet off

0:36:000:36:03

to warmer climates.

0:36:030:36:05

Well, that's it.

0:36:080:36:09

What a marvellous time we've had here at the Fleet Air Arm Museum

0:36:090:36:12

and HMS Heron.

0:36:120:36:14

But before we leave the military base for the last time today,

0:36:140:36:17

here is a quick recap of what we are taking with us to the auction room.

0:36:170:36:20

Careless Talk Costs Lives.

0:36:200:36:23

Fougasse's iconic propaganda posters should resonate

0:36:230:36:26

with the collectors.

0:36:260:36:27

With such a popular name attached to it, someone is bound to reach

0:36:320:36:35

deep into their pockets for this silk handkerchief.

0:36:350:36:38

And it is certainly quirky,

0:36:380:36:39

but will Angela's Royal Doulton teapot find a new home?

0:36:390:36:44

It's not just the selling that auction houses do.

0:36:460:36:49

Before they can advertise their wares,

0:36:490:36:51

they need to be sure of their authenticity.

0:36:510:36:54

I caught up with auctioneer Claire Rawle, who had been getting

0:36:540:36:57

a bit twitchy about that Florence Nightingale handkerchief.

0:36:570:37:01

Thomas got excited about this, he put £200 to £300 on it.

0:37:010:37:04

This was given to Liz when she started her nursing career by a

0:37:040:37:08

great-niece of Florence Nightingale, so the provenance is there.

0:37:080:37:11

Looking at that signature,

0:37:110:37:12

Thomas was led to believe it belonged to Florence Nightingale.

0:37:120:37:15

Right. Well, actually, there are quite a lot of letters

0:37:150:37:18

and things archived of Florence Nightingale's.

0:37:180:37:20

In fact, we've sold some here.

0:37:200:37:22

So it was quite easy to check the writing,

0:37:220:37:24

and it is not her signature.

0:37:240:37:26

Does that differ greatly from Florence's signature?

0:37:260:37:30

It does in certain key areas.

0:37:300:37:31

The N is quite similar,

0:37:310:37:32

but it is once you get to the end of the signature.

0:37:320:37:35

If you look at a lot of documents

0:37:350:37:37

and letters with her signature on it, then I think once you

0:37:370:37:40

get around the G and the end of the signature, it's not, it's just...

0:37:400:37:43

I mean, it is obviously hand written,

0:37:430:37:45

of that date. That's like a laundry mark, really.

0:37:450:37:48

-But it is not her signature.

-It's not hers, no.

0:37:480:37:51

Anything that has her personal connection is worth a small fortune.

0:37:510:37:54

Yeah.

0:37:540:37:55

And because of this new information, Claire has amended the valuation.

0:37:550:37:59

What have you put on this now?

0:37:590:38:01

Well, we are down to £80 reserve, so 80, 120,

0:38:010:38:04

which with the family history, I think we stand a chance of getting.

0:38:040:38:07

Well, you never know what is going to happen in an auction,

0:38:070:38:10

so let's get on with it.

0:38:100:38:12

Right, Liz's handkerchief, or should I say Florence Nightingale's.

0:38:130:38:16

I had a chat to Claire.

0:38:160:38:17

She has reduced the valuation to £80 to £120.

0:38:170:38:20

And she believes great provenance,

0:38:200:38:22

and that is what it is all about, but not her signature.

0:38:220:38:25

Well, good luck with this anyway.

0:38:250:38:26

Hopefully you can get the top end plus a little bit more.

0:38:260:38:29

It is going under the hammer now.

0:38:290:38:30

Linked to Florence Nightingale.

0:38:300:38:32

Well, you've read the history, it does come from the family.

0:38:320:38:35

And I've got 55 here to start it away.

0:38:350:38:38

At 55. At 55. Do I see 60 anywhere?

0:38:380:38:41

Bid is with me at 55. At 55.

0:38:410:38:43

At 55. 60. Five?

0:38:430:38:46

70. Five?

0:38:460:38:48

Go on, one more. You know you want it.

0:38:480:38:50

-At 75.

-Claire is doing her best, isn't she?

-She is, isn't she?

0:38:500:38:54

No! You call that a tissue?

0:38:540:38:57

75, it is still with me. 80 if you want it.

0:38:590:39:01

75. Are you sure? You all done?

0:39:010:39:04

-Well, sadly, it is not going to sell at that.

-Tried her best.

0:39:040:39:08

-Tried our best.

-Thank you anyway.

0:39:080:39:09

It is one of those difficult things on the valuation day.

0:39:090:39:12

It is so immediate, you don't get too much time to research.

0:39:120:39:15

If it was Florence Nightingale's, I'm sure it would have flown away.

0:39:150:39:18

I think, Liz, you're meant to keep this.

0:39:180:39:20

It has got a family connection and it was given to you

0:39:200:39:23

-because of your nursing career.

-Yes.

0:39:230:39:24

Maybe hang onto it for a little while.

0:39:240:39:26

Perhaps I'll give it to a museum, I expect, send it to London.

0:39:260:39:29

That's a good idea.

0:39:290:39:31

Angela, good luck, good luck.

0:39:360:39:38

We've got a bit of damage on this, a bit of grinding down.

0:39:380:39:41

I'm talking about the Doulton Lambeth stoneware teapot,

0:39:410:39:43

which is just about to go under the hammer.

0:39:430:39:45

-Why are you selling this?

-Because I'm afraid I will break it.

0:39:450:39:49

-Are you really?

-Yeah.

-Sturdy old stuff, stoneware.

-Is it?

-Yeah.

0:39:490:39:53

-It's durable, that's what it was made for, you know.

-Absolutely.

0:39:530:39:56

-A bit of use.

-Yeah.

-Anyway, look, it's going under the hammer now.

0:39:560:39:59

The Royal Doulton Lambeth stoneware teapot,

0:39:590:40:02

with the seashell decoration to it, lot 272.

0:40:020:40:05

And I have to start away at £42. At 42.

0:40:050:40:08

Do I see five anywhere?

0:40:080:40:10

Bid's at 42. At 42, now five.

0:40:100:40:12

At £42, now five. At 42, now five.

0:40:120:40:15

At 42. At 42 it is, then. 45.

0:40:150:40:19

48. 50, sir? 50 I have. I've got 50 here.

0:40:190:40:23

Do you want to go five at the back?

0:40:230:40:25

Five at the back. At 55. Are you sure? At 55.

0:40:250:40:28

Right at the back of the room, then, at £55. You all done?

0:40:280:40:31

It's going to sell at £55.

0:40:310:40:34

Well done, the man at the back there.

0:40:340:40:36

-That's gone.

-He must like it.

-Yes!

0:40:360:40:38

Brilliant, I love it.

0:40:400:40:42

Well, Angela's teapot found a new home.

0:40:440:40:46

And straight from the home front, Robert came across these posters,

0:40:460:40:49

hidden among some old books he'd bought.

0:40:490:40:53

I think they could generate quite a stir.

0:40:530:40:56

Careless Talk Costs Lives.

0:40:560:40:57

You know what is going under the hammer right now.

0:40:570:40:59

They belong to Robert, and I think these are highly collectible,

0:40:590:41:03

I really do.

0:41:030:41:04

Why are you selling them?

0:41:040:41:06

Well, I've had them a long time.

0:41:060:41:07

They came in a book collection that I bought

0:41:070:41:09

-and they have been in the drawer.

-Very nice.

0:41:090:41:11

Look, they're going under the hammer right now. Let's put it to the test.

0:41:110:41:15

Here it is.

0:41:150:41:16

A set of eight.

0:41:160:41:18

Careless Talk Costs Lives series by Fougasse.

0:41:180:41:21

Nice series, this,

0:41:210:41:23

and I have actually had quite a bit of interest in them.

0:41:230:41:25

So I am going to have to start them

0:41:250:41:29

at 400.

0:41:290:41:30

Straight in and we've sold.

0:41:300:41:32

At £480. At 480, do I see 500?

0:41:330:41:38

500. I've got to go 550.

0:41:380:41:41

So I am now looking for 600.

0:41:410:41:42

At 550, now... 600 on the telephone.

0:41:420:41:45

At £600 on the telephone. At 600, looking for 650

0:41:450:41:49

if the other telephone is going to do anything.

0:41:490:41:51

At £600 on the telephone here. At 600.

0:41:510:41:55

Are you all done now? Internet's... No, 650 on the Internet.

0:41:550:41:59

At 650, looking for 700.

0:41:590:42:01

700 on the telephone.

0:42:010:42:03

At £700. 750 on the net. At 750.

0:42:030:42:07

800 on the telephone. At £800.

0:42:070:42:11

At £800. Now 850.

0:42:110:42:13

At 800 is on the telephone. All out on the Internet. He's hovering.

0:42:130:42:18

At £800 on the telephone. You all done out there?

0:42:180:42:22

-At £800.

-£800!

0:42:220:42:25

At £800...

0:42:250:42:27

-Yes!

-Fantastic!

-Wow!

-Fantastic!

0:42:270:42:30

-Thank you, thank you.

-Wow.

0:42:300:42:32

It doesn't get much better than that, does it?

0:42:320:42:34

-It really doesn't.

-Wonderful.

-Thank you so much for bringing those in.

0:42:340:42:37

-Thanks for giving me the opportunity.

-How about that!

0:42:370:42:39

What a way to end today's show here, in Somerset.

0:42:390:42:42

I hope you have enjoyed it.

0:42:420:42:43

I told you there was going to be a big surprise, didn't I?

0:42:430:42:45

Join us for many more, but until then, from all of us, it's goodbye.

0:42:450:42:49

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