Newcastle 50 Flog It!


Newcastle 50

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I'm here in west London where later on the programme,

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I'll be finding out how one man

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revolutionised the way large gardens and parks were designed.

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Of course, I'm talking about Lancelot Capability Brown,

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but first, I need to get to the valuation day,

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which is over 300 miles away.

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Welcome to "Flog It!"

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We're north of the river in Newcastle upon Tyne

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and our venue is the Discovery Museum.

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The museum's origins date back to the North East Exhibition of 1934.

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It celebrated what Newcastle was capable of,

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which is exactly what we're hoping to discover today.

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And it looks like there's no stopping

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the people of Tyneside today who have turned out in force

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to get their antiques and collectibles valued.

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Somewhere in this queue,

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someone has something that's worth a great deal of money

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and it's our experts' job to find it.

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Using his wealth of antiques knowledge,

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our expert Nick Davies,

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who's already delving through people's treasures in the queue.

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Right, what have you brought today, what have you got in the bag?

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It's exciting - you know what's in the bag. I haven't got a clue!

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And following on full of flair and fun

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is the formidable Anita Manning.

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You've got a terrific lot of stuff in there, ladies,

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and we'll look forward to getting them all unpacked

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when we get upstairs.

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We're making the most of our special venue today.

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We're going to be carrying out valuations

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at the ground level in the entrance hall

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and in the great hall that sits at the very top

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of this wonderful, historic building.

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You're about to move in a minute!

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That's for sure. Come on, you're one step nearer.

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While everyone finds their seats,

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let's take a peak at what's coming up later.

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Which one of these items from a bygone age

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will make double our expert's estimate?

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Will it be these ornamental buttons?

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Or this eclectic collection of jewellery?

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Or will this delightful little piece of silver steal the show?

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Stay with us to find out.

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Well, it really is lights, camera, action now.

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We have our on-screen experts,

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we have our off-screen valuers working away behind the scenes,

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but more importantly, we have this fantastic crowd

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all laden with unwanted antiques and collectibles,

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so let's hand the proceedings over to our experts.

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It's up to Anita Manning. Let's see if she can find that real gem.

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Lisa, welcome to "Flog It!"

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It's lovely of you to come along today and to bring along

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this super little early 19th century silver vinaigrette.

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Have you had this little box for a long time?

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-About ten year.

-About ten years?

-Uh-huh.

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-Had you never thought of selling it before?

-Not really, no.

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It just lay about.

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-You didn't think that it was of any value?

-No.

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Why did you bring it along today?

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Because my friend, Lesley, wanted to come.

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I was coming with her and I said,

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"I'll just get it valued while you're there."

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Tell me where you got it.

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An ex-boyfriend gave it to us for a birthday present.

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-Was that a nice birthday present?

-No.

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-I couldn't believe it.

-What did you say?

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Well, I didn't say anything. It was just the way I looked at him.

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-I wanted a car.

-You wanted a car and you got a vinaigrette?

-Yeah.

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Did you know what it was?

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Well, I didn't know. He explained to us what it was.

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-But it didn't press your buttons?

-No.

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-Is he still your boyfriend?

-No. Definitely not.

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-Did that have anything to do with it?

-Might have done.

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OK, let's look at it.

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It's a little silver box and if we look in the box,

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we will see that there is a little decorative grill

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and it's quite a pretty-looking thing.

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What would happen is that underneath this grill,

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there would be some cotton wool or some linen or something

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and it would be soaked with an aromatic oil.

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-Ah, right.

-Now, this would be carried about by a lady

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and if she was overcome by unpleasant smells

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on the street or the fact that the bones in her corset were too tight,

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she would take out her little vinaigrette,

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-she would have a sniff of it and it would revive her.

-Right.

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So that's what it was for and I don't know what sort of message

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your boyfriend was sending you.

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-Well...

-This is a particularly nice one.

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I want to look first of all to the exterior of that.

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Little vinaigrettes tend to be small things

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so that they can be tucked into a little pocket

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-or it can be hung on the end of a chain.

-Right.

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This one is in the shape of a little purse

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or a little suitcase and that's unusual.

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It's a little bit different from the ordinary rectangular ones

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and this will make it a wee bit more appealing...

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-Good!

-..to the buyers. I've got you smiling now!

-Yeah!

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I've had a look at the dates in there.

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It was made in Birmingham and Birmingham was a centre

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of the manufacture of small silver items.

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It was made in 1817, so it's nearly 200 years old

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and it was made by Simpson & Company,

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so we've got a lot of information there

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and as well as the information that the box is telling us,

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-we have a story of how people lived...

-Yeah.

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..and what they needed to carry about with them.

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Now, does any of this information

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make you like this wee box any better?

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No, not really.

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OK, it's a lovely wee thing.

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The estimate I would put on it would be, say, £100-£150.

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That's great.

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If you want, we could put a reserve on it...

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-Yeah.

-..of £100, but to give the auctioneer

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-a little discretion on that.

-Right.

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-Would you be happy with that?

-I've be over the moon.

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-You'd be over the moon?

-Yes, I would.

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It's not going to buy you a car.

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No, well, a night out, though.

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-A good night out in Newcastle.

-Yeah.

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Well, I look forward to seeing you at the auction

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and let's hope it takes a wee flyer,

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-cos it's a wee bit unusual.

-Yeah.

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Lovely, thank you very much.

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Well, it just goes to show,

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one person's trash really is another person's treasure.

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Downstairs, Nick has found something much more commonplace.

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Or is it?

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So, Ruth, have you come far today?

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-Just from Sunderland.

-Excellent, so not too far.

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Now, tell me how this has appeared here at "Flog It!"

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What's the history behind it?

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I don't much about it.

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I've always grown up with it

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and I think it was my maternal grandparents'.

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-Right, OK.

-Yes.

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And then my mother had it and when she died, I got it.

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-OK, so it's been in the family...

-And I have displayed it.

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-You have displayed it?

-Yes.

-I noticed a bit of wire on the back.

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It's always been there.

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-Being hanging off the wall, has it?

-Mm-hmm.

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Which is a bit odd, cos do you know what it's for?

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Yes, it's a teapot stand.

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It's a teapot stand, so it shouldn't be hanging on the wall,

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it should be sat on the table. In the wrong place all these years.

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Never mind. We've got this faience tile in the middle, here,

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with the birds and the bees.

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It's probably going to be late-1800s, early-1900s.

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I think it's by a company called Thorns, who are Black Forest.

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-Oh.

-It's that neck of the woods.

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Might be Switzerland, German border, that type of area,

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but it has a little secret, doesn't it,

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-which I'm sure you're well aware of.

-Musical.

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It is a music box as well.

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It plays four tunes, which is lovely.

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We've got a little lever on the side here

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and if we just push that down nice and softly...

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TINKLING MUSIC

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..it plays a nice tune you can have your afternoon tea with.

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Not a tune I recognise, I must admit.

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But then I've never had one of these before.

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So there we are - something a bit unusual,

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and that's what the market likes.

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So have you used it at all?

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Have you put any pots on it, or has it just been...

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-It's just been hung on the wall.

-And do you play it often?

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No, I test it out about once a year.

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-Very good.

-And when I got it down yesterday,

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it wouldn't play, so I reckoned it needed a little drop of oil.

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OK.

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Some...in the mechanical music world

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would squeal a little bit at that.

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They try not to recommend it, so I think we've got away with it,

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it's fine, it's not making a great deal of difference to it

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and it's running smoothly now.

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There's some nice carving.

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This is typically Black Forest, the carving round the outside,

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and when I looked at it first,

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I thought, "Oh, no! It's got loads of woodworm!", but it isn't.

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There's tiny little dot details

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and these little scallops all the way round the outside.

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It's me being a pessimist, as I am, you see.

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It's a good size.

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I would put it in at round about 80-120,

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somewhere in that region

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and it should do fine at that sort of money.

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Might do a little bit more, you never know.

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It'll be interesting to sell at auction

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and I don't think we'll have much of a problem selling it, to be honest,

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and I think probably a reserve at round about £70

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and just stress the novelty factor of it and I think it'll be fine.

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-You happy with that?

-Oh, yes.

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Thanks very much for bringing it down.

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I'll see you at the auction and fingers crossed,

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-it does well.

-Thank you.

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A musical teapot stand, what fun.

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My turn next with a "Flog It!" favourite.

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Valerie, you can recognise this a mile off

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and I bet you can at home as well.

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Come on, come on, what is it?

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-Yes, you've got it, it's Moorcroft.

-It's Moorcroft.

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It's just those distinct colourways.

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It sort of tells you the richness about it,

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the style of it.

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Look at all that tube lining.

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Make sure there's no chips on that, cos that's slightly raised.

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Wonderful, wonderful piece of pottery,

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one of the great names in potters, really, isn't it?

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From Stoke-on-Trent and I think the company dates back to about 1902,

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when they were in production.

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William Moorcroft was working for MacIntyre-Moorcroft

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and then branched out in 1912 by himself,

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moving not far away, still in the potteries,

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and you have to credit Moorcroft, really,

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for not only being a very good potter,

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being a very good artist, but also an extremely good chemist,

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because those colourways are so particular to Moorcroft

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and they kept these sort of ingredients secret.

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They didn't want other potteries to know,

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cos they'd copy their colourways.

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-Do you know what pattern that is? That's the hibiscus.

-Right.

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Now, this isn't from the early period.

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-No.

-I can tell that straightaway.

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The first thing you do - turn it upside down

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and take a look at the bottom.

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It's stamped "Moorcroft", can you see that?

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-Yeah, I can see that by...

-But, also, it's got its original paper label.

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"By appointment", look, "to Her Majesty Queen Mary."

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-"The late Queen Mary."

-"The late Queen Mary."

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Now, this tells us that this was stamped after her death, OK?

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And the stamp would last for 25 years, but Queen Mary died in 1953,

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so this stamp would be on there until 1978,

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so I can date this vessel now between that period.

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Right, I had no idea how old it was, to be honest. Absolutely none.

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How did you come by this?

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We bought this when we were walking around in a shop, to be honest.

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We saw it, we liked it, but now we're collecting more local stuff.

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-Like what?

-Linthorpe...

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-Maling?

-Maling.

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-Well, I think you're going for the right thing.

-Thank you.

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You're going for something slightly more academic,

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something slightly more niche

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and local, which I think is the right thing to do.

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Can you remember how much you paid for this?

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Probably a couple of hundred pounds, because we did like it at the time

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and we thought it was probably a reasonable investment as well.

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-I think it's got a lot going for it.

-Smashing!

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I think we could turn your £200 into £300-£400.

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-Brilliant.

-We could double your money.

-Fab.

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And I think it's a good time to sell that

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and then you can obviously trade upwards.

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That's what I would be doing.

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Wanting to get something else to go with our own collection.

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Yes, to keep.

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-Good for you. Look, it's been lovely talking to you.

-Thanks.

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It's been great to meet you

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-and, hopefully, on the day we'll double your money.

-Fabulous.

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Valerie's got the right idea there.

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Before we head off to the sale room,

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let's take another look at all the lots going under the hammer.

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I get the feeling that Lisa's not going to be sad to see

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the little silver vinaigrette go.

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Let's hope that quirky musical teapot stand

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strikes a chord with the bidders.

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And I'm full of confidence that the Moorcroft vase will do well.

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It has everything going for it.

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We're heading east towards the coast

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for today's fine art and antiques sale,

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courtesy of the Boldon Auction House in the small village of East Boldon.

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Look, that chap's here to buy. He's picked up a bidder's paddle.

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In order to buy something, you've got to register your name

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and address and identify yourself.

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You can pick up a bidder's paddle, then you're free to bid.

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Hopefully, he's going to buy some of our lots.

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Now, remember, there is commission to pay

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and there is a buyer's premium.

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Here it's 17.5% plus VAT,

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but it varies from sale room to sale room, so check the detail.

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It's all printed in the catalogue and do your sums,

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because it does add up.

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Right, let's get on with the sale.

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Taking the hot-seat to sell our lots is auctioneer Giles Hodges.

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Going under the hammer right now, we've got a silver vinaigrette

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in the form of a little purse, belonging to Lisa,

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stamped Birmingham 1817.

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This is quality. It's a really, really nice-looking thing

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and I think the collectors will like that.

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Good story, I loved the story - you got this for a birthday present,

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you didn't know what it was,

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you didn't like it, you don't want it

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and you were expecting something completely different, weren't you?

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Yeah, I was expecting a car.

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-Doesn't get much different, does it, really?

-No!

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Anyway, look, it's good quality, it's good craftsmanship.

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Let's find out what the bidders think, shall we?

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It's going under the hammer right now.

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A little silver vinaigrette.

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Lovely little one in the form of a purse,

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with a silver gilt grill. Birmingham 1817.

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Bit 80 to start it.

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85, 90,

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5, 100,

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110, 120...

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-See, they like it, Lisa.

-Yeah.

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Good. I'm pleased somebody does.

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..150, 160,

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170, 180,

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180 downstairs. Now the internet.

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At 180, bid.

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190, 200.

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One more?

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At £200. 10?

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At £200, it's at the door.

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At £200 and we're... Oh, 210.

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At 210, we're seated.

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Shake of the head at the back of the room.

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£210, are we all away at 210?

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-HAMMER FALLS

-They loved it! They loved it!

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-We're happy, aren't we? Big smiles all round.

-That's great.

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-Good day out.

-Good day out.

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I'm glad Lisa got a good price for that.

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Now going under the hammer,

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we've got a 19th century musical teapot stand belonging to Ruth.

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-Does it sing Polly Put The Kettle On?

-I don't think so.

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-No, we didn't recognise any of the tunes.

-None of the tunes at all.

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It's such a novelty, really, though, isn't it?

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-Yes.

-Obviously, you've used it, had a bit of fun with it.

-No.

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Didn't you put the teapot on it?

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-No.

-Never?

-He was shocked when I said it.

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Never used it. Hung on the wall.

0:15:190:15:22

Well, in that case, it's in very good condition.

0:15:220:15:24

-That's why!

-Yeah, it's actually not been harmed

0:15:240:15:26

and that's probably one of its virtues.

0:15:260:15:28

That's we should get the top end of the 80-120.

0:15:280:15:31

Why are you selling this?

0:15:310:15:33

-Well, I love it and I'm missing it already...

-Uh-oh.

0:15:330:15:37

..but I've had my three-score years and ten,

0:15:370:15:39

so I don't want it to end up in a skip.

0:15:390:15:41

Oh, that's a bit negative, isn't it?

0:15:420:15:44

AWKWARD LAUGHTER

0:15:440:15:46

Right, let's find out what the bidders think, shall we? Here we go.

0:15:460:15:49

A late 19th century musical teapot stand

0:15:490:15:51

with the tile decorations at the centre.

0:15:510:15:54

Bid 30, straight in at 30.

0:15:540:15:57

At £30. 5, anybody else?

0:15:570:16:00

35, 40,

0:16:000:16:01

5, 50,

0:16:010:16:03

5, 60...

0:16:030:16:05

Getting there, Ruth.

0:16:050:16:07

..5. At £75.

0:16:070:16:09

It's in the room at £75.

0:16:090:16:12

Have we got discretion?

0:16:120:16:13

-It's fine. There was a reserve of 70.

-Great.

0:16:130:16:15

£75, ladies and gentlemen. We're all done...

0:16:150:16:19

at 75.

0:16:190:16:20

-Sold it! It's gone.

-Yes.

0:16:200:16:22

Yes. Aw!

0:16:220:16:24

I don't know whether to celebrate or not now,

0:16:240:16:27

because I know you're a bit disappointed that it's gone.

0:16:270:16:29

-I am happy.

-Oh, good.

0:16:290:16:31

At 220, 230 now.

0:16:320:16:34

Right, my time to be the expert, and we've got a great name in ceramics.

0:16:360:16:39

It doesn't get much better than this - Moorcroft,

0:16:390:16:41

belonging to Valerie, who's very nervous, aren't you?

0:16:410:16:43

-Very nervous.

-I know you are. Is this your first auction?

0:16:430:16:46

No, I have been to a couple,

0:16:460:16:48

but it's the first big thing that I've sold, I must admit.

0:16:480:16:51

-I've bought a few little things.

-OK, OK.

0:16:510:16:53

Well, we're looking at the top end of this. You know that, don't you?

0:16:530:16:56

-I'd like 450. I'd like a little bit more. So would you, I know.

-Yes.

0:16:560:17:00

There are some other bits of Moorcroft here,

0:17:000:17:02

which really does help, because the collectors won't travel a long way

0:17:020:17:05

-to buy one piece, but there's about ten items here, isn't there?

-Yes.

0:17:050:17:08

-Have you had a nosy?

-I have.

0:17:080:17:09

-Are you going to buy anything?

-I might.

0:17:090:17:12

Come on, let us into the secret.

0:17:120:17:13

There's some Maling saucers that I'm quite interested in.

0:17:130:17:16

-Bit of local stuff.

-Yes, definitely. That's what I'm into.

0:17:160:17:20

Exactly. Good for you as well.

0:17:200:17:22

-And we talked about that at the valuation day.

-Yes.

-Sensible move.

0:17:220:17:24

Right, the moment has arrived.

0:17:240:17:26

Let's hand proceedings over to Giles Hodges.

0:17:260:17:29

The Moorcroft hibiscus-patterned baluster-shaped vase

0:17:290:17:31

with the autumnal ground.

0:17:310:17:33

I'm bid 200 to start it.

0:17:330:17:36

At £200. At 200.

0:17:360:17:38

SHE GASPS

0:17:380:17:39

220, 240,

0:17:390:17:40

260, 280.

0:17:400:17:42

At £280.

0:17:420:17:44

300, 320,

0:17:440:17:46

340, 360...

0:17:460:17:48

-We've sold it.

-Excellent. Yes, it's gone.

0:17:480:17:50

..380. 400 now.

0:17:500:17:52

At £380. It's in the room. On the right.

0:17:530:17:56

At £380. Are we all done?

0:17:560:17:59

At 380.

0:17:590:18:02

Wasn't bad going, was it?

0:18:020:18:03

-Not too bad, no.

-Happy with that?

0:18:030:18:04

-Yes, thanks very much.

-And you can reinvest that...

-I will do.

0:18:040:18:07

-..in a bit of Linthorpe, you see.

-I'm going to.

-Yes.

0:18:070:18:09

And that's the great thing about antiques.

0:18:090:18:11

You got it in a second-hand shop.

0:18:110:18:12

-Yes.

-So now it's going to be third-hand, hopefully fourth

0:18:120:18:15

and fifth throughout its life. Classic recycling.

0:18:150:18:17

-It doesn't get greener than antiques, does it?

-No, not at all.

0:18:170:18:20

-It really doesn't.

-No.

-And you can learn so much from them.

0:18:200:18:23

-So get out there and get buying. Thank you so much.

-I'm going to.

0:18:230:18:26

Now Valerie's going to invest her money in something local,

0:18:270:18:30

and we're going to find out more about a local man who's been

0:18:300:18:34

referred to as England's greatest gardener.

0:18:340:18:37

Over the years on "Flog It!",

0:18:510:18:52

we've visited some of the country's finest stately homes,

0:18:520:18:55

from Chatsworth up in the north to Petworth down in the south,

0:18:550:18:58

Ickworth in the east and Berrington Hall in the west,

0:18:580:19:02

and like many of our great country estates,

0:19:020:19:05

they all have one thing in common -

0:19:050:19:07

their grounds have been designed by a man whose name has become

0:19:070:19:10

synonymous with 18th-century English landscaping.

0:19:100:19:14

Lancelot Brown was born in 1715 in Northumberland, just a short

0:19:150:19:20

distance from where today's valuations are taking place.

0:19:200:19:23

After leaving school, he got a job as a garden boy on a local

0:19:250:19:28

estate, and slowly started to learn his craft.

0:19:280:19:32

He worked at a number of stately homes and by the age of 23,

0:19:320:19:35

he'd moved away from the north for a position on the gardening

0:19:350:19:38

staff of Lord Cobham in Buckinghamshire.

0:19:380:19:41

And it was there that he worked with an architect named

0:19:410:19:44

William Kent, who is recognised as one of the founders of what

0:19:440:19:47

is known as the new English style of landscaping.

0:19:470:19:50

Brown admired and respected Kent - he even married his daughter -

0:19:500:19:55

but it would be Brown who took this new style of landscaping

0:19:550:19:58

to the next level.

0:19:580:20:00

He set up his own company in London and was soon highly sought after

0:20:000:20:04

by the aristocracy from all over the country.

0:20:040:20:08

His gardens really were the height of fashion

0:20:080:20:11

and anyone who was anyone had to have a garden designed by Brown.

0:20:110:20:15

His style was to use wide, green lawns punctuated with

0:20:160:20:19

clumps of trees, to give a feeling of a romantic, natural scene.

0:20:190:20:24

But the irony was - nothing about it was natural.

0:20:240:20:28

Everything was planned, right down to the smallest detail.

0:20:280:20:31

He described himself not as a landscape gardener

0:20:330:20:36

but as a place-maker, and so radical were his changes that he's been

0:20:360:20:40

criticised for destroying the work of previous generations

0:20:400:20:44

to make way for gardens built to his own standards.

0:20:440:20:47

Lancelot Brown got his nickname "Capability"

0:20:490:20:52

because of his habit of telling his clients their gardens had

0:20:520:20:54

great capabilities - and in his hands they certainly did.

0:20:540:20:58

He was hugely prolific,

0:20:580:20:59

responsible for redesigning over 170 gardens, which is

0:20:590:21:04

a fantastic achievement, because they're not small, suburban ones -

0:21:040:21:08

they're all on a grand scale, and this is one of them.

0:21:080:21:11

Syon Park in west London.

0:21:110:21:13

Brown was so prolific because of the speed at which he worked,

0:21:140:21:18

which enabled him to work on many gardens in parallel.

0:21:180:21:22

He'd often spend just half a day surveying the land on horseback,

0:21:220:21:26

and another half day marking out so the labourers knew what to do.

0:21:260:21:30

The man responsible for maintaining Brown's work here at Syon Park

0:21:300:21:35

is head gardener Simon Hadleigh-Sparks.

0:21:350:21:38

-Hi. Pleased to meet you.

-It's a pleasure.

0:21:380:21:40

-This is absolutely beautiful.

-It's fantastic.

0:21:400:21:43

You'd think you were deep in the countryside,

0:21:430:21:45

-rather than five miles from central London.

-Yeah.

0:21:450:21:48

What were the grounds and the gardens like

0:21:480:21:50

before Lancelot Brown got his hands on them?

0:21:500:21:52

Well, actually, during the time of the first Duke and Duchess,

0:21:520:21:56

the house and the grounds were pretty much run down,

0:21:560:21:59

especially after the severe frost of 1739,

0:21:590:22:02

So they called in Brown and he massively changed

0:22:020:22:05

the entire landscape here at Syon Park.

0:22:050:22:08

So what are we looking at here? Was this lake here?

0:22:080:22:11

-No. This was actually the prehistoric channel of the Thames.

-Right.

0:22:110:22:14

And he built this lake on the prehistoric channel.

0:22:140:22:16

Diverting the water from the Thames back here?

0:22:160:22:20

Well, it was a marshy land before that,

0:22:200:22:22

and he removed a road which was over here,

0:22:220:22:24

and then he landscaped the entire park,

0:22:240:22:27

-because Brown was very much a sort of trees-and-grass man.

-Sure.

0:22:270:22:30

How many acres are here?

0:22:300:22:31

We're actually 200 acres, which includes the gardens

0:22:310:22:35

and the parkland here.

0:22:350:22:36

That's a lot of work, and obviously a lot of labour, at a time

0:22:360:22:39

-when there was no machinery.

-Well, yes, as you say,

0:22:390:22:42

it's quite easy nowadays just to bring in some diggers...

0:22:420:22:44

You can do a lot with a few diggers.

0:22:440:22:46

..but in Brown's day, there was none of that,

0:22:460:22:49

and just to emphasise that, he was here for 25 years,

0:22:490:22:53

-creating the landscape you see now.

-It took that long?

-Yes.

0:22:530:22:55

-That's a big project. This is not a small garden, is it?

-No.

0:22:550:22:59

So hundreds of men would have been employed throughout that 25 years.

0:22:590:23:02

How many gardeners are there here today?

0:23:020:23:04

There are eight of us at the moment.

0:23:040:23:06

-Something like this landscape here, essentially, is untouched.

-Sure.

0:23:060:23:10

So this is as it was when he did it.

0:23:100:23:13

-So his vision has lasted this long, and...

-It was perfect.

0:23:130:23:18

-It was perfect.

-In its day, and it's perfect today.

0:23:180:23:20

We don't have to do a lot, yeah.

0:23:200:23:22

Isn't that marvellous? And you wouldn't want to add to it anyway,

0:23:220:23:25

-would you? There's nothing you could do, really.

-Not really.

0:23:250:23:29

Lancelot Capability Brown continued his association with

0:23:330:23:36

great country estates, but it wasn't just the rich

0:23:360:23:39

and the famous who would enjoy the fruits of his labour.

0:23:390:23:42

This is Wimbledon Park in southwest London.

0:23:420:23:45

It also was designed by Lancelot Capability Brown,

0:23:450:23:48

but this time for members of the public to enjoy.

0:23:480:23:51

The 18th-century writer Hannah More said about this park,

0:23:510:23:55

"I did not think there could have been

0:23:550:23:57

"so beautiful a place within seven miles of London.

0:23:570:24:01

"The park has so much variety of ground and is as un-London-ish

0:24:010:24:04

"as if it were 100 miles out."

0:24:040:24:07

And I'm sure that was his aim -

0:24:080:24:10

to bring a part of the countryside to the city centre.

0:24:100:24:14

Brown died in 1783, but he lives on in the gardens he designed,

0:24:140:24:18

and if you feel inspired by his work

0:24:180:24:20

and want to see some of it, because of his prolific output, hopefully

0:24:200:24:24

there will be a great example not too far from where you live.

0:24:240:24:27

Come and see the legacy he left behind, which is

0:24:270:24:30

unparalleled in English gardening.

0:24:300:24:33

Welcome back to our valuation day venue, here at the Discovery Museum,

0:24:430:24:47

the first science museum to be built outside of London in the country.

0:24:470:24:51

Let's now catch up with our experts to find more antiques to take off

0:24:510:24:54

to auction, and hopefully we'll have that one big surprise.

0:24:540:24:58

And something rather distinctive has caught Anita's eye.

0:24:580:25:01

Val, welcome to "Flog It!".

0:25:020:25:04

It's lovely to have you along,

0:25:040:25:05

and you've brought this very nice piece of Lalique.

0:25:050:25:09

-Tell me, where did you get it?

-From my sister. She just said...

0:25:090:25:13

Well, she does a lot of clearing out.

0:25:130:25:15

She says, "I'm getting old. Nobody wants this, nobody wants that..."

0:25:150:25:19

-Where did she get it?

-I've no idea.

0:25:190:25:22

She's just had it for a long time, but she likes antique shops,

0:25:220:25:25

she likes jumble sales, charity shops. If it's nice, she buys it.

0:25:250:25:29

I thought, "And you thought that was nice?" she says,

0:25:290:25:32

"Well, you're wanting it, aren't you?"

0:25:320:25:34

I says, "Well, yeah, go on, then. I'll put a plant in it."

0:25:340:25:37

-But what if that's worth a bob or two? Are you going to tell her?

-No.

0:25:370:25:40

-OK, do you know what it is, Val?

-I just know the name Lalique.

0:25:430:25:46

The name Lalique.

0:25:460:25:47

That's one of these magic names in the world of art and antiques.

0:25:470:25:53

Originally, he made jewellery,

0:25:530:25:55

and he made the most wonderful, wonderful pieces,

0:25:550:25:59

and instead of using precious stones in his jewellery,

0:25:590:26:03

which would have made them very, very expensive, and taken them

0:26:030:26:07

out of the price range of so many of even the smart Parisiennes,

0:26:070:26:12

he used glass, and this jewellery became very popular,

0:26:120:26:17

and he developed from using glass in his jewellery to making

0:26:170:26:22

pieces of wonderful glass, and this glass was made from the late 1800s

0:26:220:26:28

up to this one, which would have been in the 1940s.

0:26:280:26:32

When I look at it, the first thing that I do when a piece of glass

0:26:320:26:37

comes in front of me, I will tend to lift it - and this has good weight -

0:26:370:26:42

and that is some indication of the quality of glass,

0:26:420:26:45

if it's a nice, weighty piece.

0:26:450:26:47

I also look for the signature,

0:26:470:26:50

and I'll perhaps show you that in a wee minute,

0:26:500:26:52

but I want to draw your attention first of all to these lovely

0:26:520:26:56

bands and embossed glass, as if they've been carved out.

0:26:560:27:00

And these bands are decorated with grapes and leaves,

0:27:000:27:04

so it's a sort of happy, rejoicing little vase.

0:27:040:27:08

Might even have been an ice bucket.

0:27:080:27:11

When your sister gave it to you, was she just fed up with this,

0:27:110:27:14

-or did you ask her for it...?

-She didn't use it for anything,

0:27:140:27:17

and it was just in the garage for quite some time.

0:27:170:27:20

I said, "Well, that'll get broke."

0:27:200:27:22

-She said, "Well, you can have it if you want it."

-It's a nice thing.

0:27:220:27:26

-It just looks nice.

-Now, did you notice a signature?

0:27:260:27:28

Well, my friend who's in the antique thing said, "That'll be Lalique."

0:27:280:27:33

I says, "What's Lalique ?"

0:27:330:27:34

He said, "Well, if it's got a signature on, it'll be Lalique,"

0:27:340:27:37

so that was when I started looking, but I couldn't find it at first.

0:27:370:27:40

-It took some time.

-Yeah.

0:27:400:27:41

He used various different signatures or ways of marking his glass,

0:27:410:27:46

and these ways often told us

0:27:460:27:48

what period the things were made in, and this one here,

0:27:480:27:52

it's like a hand-signed signature, and it's "R Lalique. France."

0:27:520:27:57

Now, this indicates to us that it was made before 1945,

0:27:570:28:03

but because of the stylistic qualities of it,

0:28:030:28:07

it's putting it in that mid-'40s for me,

0:28:070:28:10

so although it's not one of the most desirable pieces of Lalique...

0:28:100:28:14

-No, I didn't think it would be!

-But it still is, Val. It still is.

0:28:140:28:18

-All right.

-I would put a conservative estimate of £100 to £200.

0:28:180:28:23

-Would you be happy for it to go to auction within that estimate?

-Yeah.

0:28:230:28:27

-Shall we put a reserve on it?

-Yeah.

0:28:270:28:29

£100, I would say, with a little bit of discretion,

0:28:290:28:33

but I'm sure it's going to go much further than that,

0:28:330:28:36

because it's a bonny, bonny piece of glass.

0:28:360:28:38

-Thank you for bringing it along.

-Thank you very much.

0:28:380:28:40

-Are you going to tell your sister?

-No.

0:28:400:28:42

-Are you going to share the money with her?

-No.

0:28:420:28:45

No, I'll take her for lunch.

0:28:460:28:49

Well, that's only fair.

0:28:490:28:51

This next lot that Nick has picked out looks like a little

0:28:510:28:54

treasure to me.

0:28:540:28:56

Well, hello, Clive.

0:28:570:28:58

Thank you for coming down to "Flog It!".

0:28:580:29:00

And what have we got here?

0:29:000:29:01

We've got a set of six buttons.

0:29:010:29:03

-That's right.

-How did you come by these?

0:29:030:29:06

They belonged to an old aunt of mine.

0:29:060:29:08

-When she died, they were in the house when we cleared it.

-Right, OK.

0:29:080:29:13

So you say they came from your aunt.

0:29:130:29:15

Do you remember the history behind her? Was she local, or...?

0:29:150:29:18

She was local, and we think, but I'm not sure on this, that she

0:29:180:29:23

-used to be a reporter for a local newspaper.

-Oh, interesting.

-Yes.

0:29:230:29:28

-That's a good thing. But she never had big buttons on her coat?

-No.

0:29:280:29:31

-That you can remember.

-No.

0:29:310:29:33

Any idea how she would have come by them, at all?

0:29:330:29:36

No. I just wondered if they'd been handed down to her by somebody else.

0:29:360:29:40

-Right.

-You know.

-Now, I think these date from around about 1900.

0:29:400:29:46

The ladies... Gainsborough-style lady,

0:29:460:29:49

the portrait panel in the centre, is a transfer. It's not hand-painted.

0:29:490:29:53

-It's transfer-printed.

-Yes.

0:29:530:29:54

And you can see on a couple of them, her neckline is slightly lower

0:29:540:29:58

than the others, where the transfer's slightly slipped.

0:29:580:30:01

But they're on porcelain.

0:30:010:30:03

So if we just turn one over there on the back,

0:30:030:30:05

you can see they're on porcelain, and they're overlaid

0:30:050:30:08

with silver, probably a low-grade silver, I suspect.

0:30:080:30:11

There's no marks on them whatsoever, but I'd hazard a guess

0:30:110:30:14

that they're probably French,

0:30:140:30:15

possibly Dutch, but Continental definitely.

0:30:150:30:18

And the great thing about them

0:30:180:30:20

is 100-odd years later we've got all six.

0:30:200:30:23

Often with earrings they lose one, let alone a set of six buttons.

0:30:230:30:26

So that's brilliant.

0:30:260:30:27

But for collectors of buttons - and there are plenty of them -

0:30:270:30:30

they're something a bit different, unusual.

0:30:300:30:32

We see quite a lot of silver buttons with Art Nouveau ladies' faces etc,

0:30:320:30:36

but these Continental ones are a little bit different.

0:30:360:30:38

And they're in a lovely box, as well!

0:30:380:30:41

And it's the original box.

0:30:410:30:42

They fit very snugly, and there's no doubt about that,

0:30:420:30:45

so it will help increase the value.

0:30:450:30:47

Value-wise, I would probably put them in

0:30:470:30:50

around about £50 to £60 at auction

0:30:500:30:53

and put a reserve on them of around about 40.

0:30:530:30:55

-Is that the type of price you expected?

-Yes.

-Surprised, or...?

0:30:550:30:59

-In that region.

-Somewhere in that region.

0:30:590:31:01

And what do you think you'd do with the money if we get them sold?

0:31:010:31:05

Well, we're going on a family holiday to Majorca, so that will be a help.

0:31:050:31:10

Well, it all helps. We can sell them for you

0:31:100:31:12

-and hopefully make you a few pounds for your trip.

-Very good!

-OK?

-Yes.

0:31:120:31:15

Well, Clive's face certainly lit up on hearing that valuation.

0:31:160:31:19

Now, before our next lot,

0:31:190:31:21

I want to shed some light on something I've found in the museum.

0:31:210:31:25

Now, what I have in front of me is something we all take for granted,

0:31:260:31:30

and it's used in countries all over the globe.

0:31:300:31:33

This is a replica of the first ever electric lamp,

0:31:330:31:37

invented by Joseph Swan, a Gateshead resident.

0:31:370:31:40

It was first shown in Newcastle in 1878,

0:31:400:31:43

and it received a patent two years later,

0:31:430:31:46

and Swan's home in Gateshead was the first domestic house in the world

0:31:460:31:50

to be lit by the electric lamp.

0:31:500:31:53

So there's a great piece of history right here.

0:31:530:31:56

The manufacturing took place here in Newcastle

0:31:560:31:58

until Swan went into partnership

0:31:580:32:01

with American inventor Thomas Edison,

0:32:010:32:03

and then the manufacturing process moved down to London,

0:32:030:32:06

where it was known as Ediswan.

0:32:060:32:08

And the rest, as they say, is history.

0:32:080:32:11

And right now, it's time for us to make a little history

0:32:110:32:13

as we find our next item to put under the hammer.

0:32:130:32:16

Anita has found a group of items that also light up the room.

0:32:180:32:22

Sally, I love playing with wee groups of jewellery like this.

0:32:220:32:27

It's absolutely great fun.

0:32:270:32:29

But tell me first of all, where did you get them?

0:32:290:32:31

They're all from both sides of the family, mother and father.

0:32:310:32:34

-So they've been with me all my life, or I've known about them.

-Yeah.

0:32:340:32:38

Have you worn any of these?

0:32:380:32:39

I've worn the crescent

0:32:390:32:41

and I wore the silver one about two months ago in the local show.

0:32:410:32:45

I was a suffragette.

0:32:450:32:46

-Ah!

-So I had to wear something across my neck, and that fitted.

0:32:460:32:50

-With the purple...

-Yes. Yes. The right colours.

0:32:500:32:53

The others, no, I haven't really worn.

0:32:530:32:55

-Right. So just really kept in a box.

-Pretty much, yes. Yes.

0:32:550:33:00

Let's have a look at them and go through them,

0:33:000:33:02

because they're quite interesting wee lots here.

0:33:020:33:05

Do you know anything about what the bracelet's made of?

0:33:050:33:07

-Well, it's beetles.

-It's beetles.

0:33:070:33:09

Real beetles, but quite where from I don't know.

0:33:090:33:11

So we have this scarab beetle bangle. Is this one that's escaped?

0:33:110:33:16

It is!

0:33:160:33:17

-An extra!

-Is that an extra? Is that a "just in case"?

0:33:170:33:21

-Well, I would assume so.

-Maybe they've been breeding.

-Possibly!

0:33:210:33:24

I hadn't thought of that! ANITA LAUGHS

0:33:240:33:26

So, it's not mounted in gold, but it's an interesting piece.

0:33:260:33:30

-Mm.

-You have some little pins here.

0:33:300:33:33

Again, I've looked at them all,

0:33:330:33:35

and I can find no hallmarks on any of these things.

0:33:350:33:37

-Oh, right.

-And I was surprised at that.

0:33:370:33:40

But that's not to say that they're not gold.

0:33:400:33:43

It may be that they've been made specially and not hallmarked,

0:33:430:33:46

and this can often happen.

0:33:460:33:48

You've got two little pins here, one with a little pearl

0:33:480:33:51

and a plain one,

0:33:510:33:53

and these would have been used on a neckerchief or a little scarf.

0:33:530:33:57

This one is a particularly lovely one.

0:33:570:33:59

It's Edwardian, so it would have been

0:33:590:34:01

some time at the very beginning of the 20th century.

0:34:010:34:04

We have a crescent moon here, and the crescent moon, I think,

0:34:040:34:08

is a beautiful symbol. It's a beautiful image.

0:34:080:34:11

And you have these little graduated seed pearls along the crescent.

0:34:110:34:17

Now, the colour of it seems to indicate, to me,

0:34:170:34:20

that it might be a higher-carat gold,

0:34:200:34:22

so I would have expected that to be 15 or 18,

0:34:220:34:26

-but there's no hallmark at all.

-Again? I've never looked.

0:34:260:34:30

Yeah. This one here,

0:34:300:34:32

your wee suffragette one, sterling silver, and a purple-coloured stone.

0:34:320:34:37

It's not an amethyst.

0:34:370:34:38

What sort of date are we looking at for the silver one?

0:34:380:34:41

You could be looking 1930s, 1940s, that type of date.

0:34:410:34:46

It's a fairly classic style, just a plain pin with a central stone.

0:34:460:34:52

But this one here is the one that I find most interesting.

0:34:520:34:56

Again, no hallmark.

0:34:560:34:59

The colour of the pin here is slightly different

0:34:590:35:02

from the colour of the mount of this central piece,

0:35:020:35:06

and I'm tending to think

0:35:060:35:08

that this has been stuck on as an afterthought.

0:35:080:35:11

It looks like gold. It's a sort of expensive safety pin!

0:35:110:35:15

Mm-hm. Yeah.

0:35:150:35:16

But if we look at this and if we look at it carefully,

0:35:160:35:19

we can see an image of a tiger here,

0:35:190:35:22

and what has happened is that it has been painted on the back.

0:35:220:35:28

So this has been enamelled or hand-painted.

0:35:280:35:31

-And if you look at it, the work is very good.

-Intricate, isn't it?

0:35:310:35:35

It's good-quality work.

0:35:350:35:37

So, this part here is what I like most of all your items here,

0:35:370:35:43

and I think it's the thing which will draw people to this lot,

0:35:430:35:47

because to put that into auction I'd want to put it in as one lot.

0:35:470:35:52

How do you feel about selling it now, Sally?

0:35:520:35:54

Well, it's just sitting in a box,

0:35:540:35:56

and it's silly for it to sit in a box, really.

0:35:560:35:59

-That's right.

-It's not the only stuff that I have,

0:35:590:36:01

-I have other stuff. I quite like the tiger.

-You like the tiger now?

0:36:010:36:05

ANITA LAUGHS I always did like the tiger,

0:36:050:36:07

-but I would never have worn it.

-Yeah.

0:36:070:36:09

I would put an estimate of 80 to 120...

0:36:090:36:13

-Right.

-..on this little group. It may do more than that.

0:36:130:36:16

Would you be happy to put them forward to auction at that estimate?

0:36:160:36:20

Yes. Yes, I think I probably would. If it was a fixed reserve at 80, yes.

0:36:200:36:25

We'll put a fixed reserve, then.

0:36:250:36:27

But I'm sure we'll get a good chance of these little bits taking a flier.

0:36:270:36:31

-Thank you!

-Thank you for bringing them. I'll see you at the auction.

0:36:310:36:34

Yes, great. Thank you.

0:36:340:36:36

Some excellent workmanship there.

0:36:360:36:39

Well, what a marvellous time we've had here at the Discovery Museum,

0:36:390:36:42

our host location for our valuation days.

0:36:420:36:45

We've been surrounded by fine art and antiques

0:36:450:36:47

and great advances in science.

0:36:470:36:49

We've learnt a lot about local history

0:36:490:36:51

and also history that has shaped this nation.

0:36:510:36:55

But right now, we need to make some history of our very own.

0:36:550:36:58

We're going to the Boldon Auction Galleries for the last time today,

0:36:580:37:01

and here's what's going under the hammer.

0:37:010:37:03

It may not be particularly early,

0:37:030:37:05

but the vase does have the name Lalique on it.

0:37:050:37:07

Need I say more?

0:37:070:37:09

Clive's buttons are highly decorative.

0:37:110:37:14

I think they will certainly appeal to the collectors.

0:37:140:37:17

And finally, Anita's come-and-buy-me,

0:37:190:37:21

80 to 120 for all those beautifully made pieces of jewellery.

0:37:210:37:25

What a bargain!

0:37:250:37:27

The saleroom is packed here in East Boldon,

0:37:340:37:36

where auctioneer Giles Hodges is on the rostrum.

0:37:360:37:39

Let's hope our final three items will race to a great price.

0:37:390:37:43

120.

0:37:430:37:44

And first up, it's Valerie with the Lalique vase.

0:37:440:37:48

Have you been thinking about this moment for the last few weeks?

0:37:480:37:51

-Thinking of not coming.

-Thinking of not coming?

0:37:510:37:54

-Have you been to many auctions before?

-No.

-So this is the first.

0:37:540:37:57

OK. Sum it up for us. What do you think?

0:37:570:38:00

It's quite interesting, isn't it,

0:38:000:38:01

-when you see a lot of things that's going on there?

-It's chaos.

0:38:010:38:04

It's chaos. You don't know where to look, to start with, really,

0:38:040:38:07

because there's too much going on, fine art and antiques everywhere.

0:38:070:38:10

The best thing to do is come to an auction preview day

0:38:100:38:13

prior to the sale, look around, ask the auctioneer -

0:38:130:38:16

they're duty-bound to help you, they've got all the knowledge -

0:38:160:38:19

and feel a bit more relaxed.

0:38:190:38:21

So, we see a lot of Lalique on the show, and it is quality, isn't it?

0:38:210:38:25

It's good glass. And it's the name that attracts the collectors.

0:38:250:38:28

Right, OK, let's go over to Giles, shall we,

0:38:280:38:30

and put this lot to the test?

0:38:300:38:32

Got the piece of Lalique,

0:38:320:38:33

the clear ice bucket with the bands of leaves, the graping vines.

0:38:330:38:38

I'm bid 60 to start it. At £60.

0:38:380:38:41

-5, anybody else, now?

-It's that typical cocktail era.

0:38:410:38:44

-It's got the look.

-For just putting ice cubes in.

-Yeah. It's exceptional.

0:38:440:38:48

5. 80.

0:38:480:38:49

5. 90. 5. At £95.

0:38:490:38:53

It's in the room. Again at £95.

0:38:530:38:55

It's against the internet, as well.

0:38:550:38:58

At £95 for the first. I'll use my discretion.

0:38:580:39:00

-He's going to sell it.

-He's going to sell it.

0:39:000:39:03

We're away. At 95.

0:39:030:39:05

Done. Good job. Giles has worked his magic on the rostrum there.

0:39:070:39:11

That's what you call a man who believes in our lots.

0:39:110:39:13

-And a great salesman, as well. So, we just got it away at 95.

-Yeah.

0:39:130:39:17

-Happy, everyone?

-Yes, of course!

0:39:170:39:19

There you go, quality always sells.

0:39:190:39:22

Now it's time for those fabulous buttons.

0:39:220:39:24

Clive, you don't look like the sort of chap

0:39:250:39:28

to own six Continental enamelled buttons!

0:39:280:39:31

-CLIVE LAUGHS

-How did you come across these?

0:39:310:39:33

I got them from an old aunt, who died when she was over 90.

0:39:330:39:37

-Ah.

-So they've been around for quite a few years.

-Lots of memories, then.

0:39:370:39:41

-Yes, yeah.

-But time to let somebody enjoy them and, more importantly,

0:39:410:39:44

-do something with them...

-Yes.

0:39:440:39:46

..because you don't see these every day of the week, Nick, do you?

0:39:460:39:49

No, and the condition's great, and they're in the box.

0:39:490:39:52

-No chips, no cracks.

-They're just a good example of what they are, so...

0:39:520:39:57

-Yeah.

-Should be all right, hopefully.

0:39:570:39:59

There's a lot of people browsing on the preview day and today.

0:39:590:40:01

And this is the kind of thing that they didn't set out to buy.

0:40:010:40:04

They'd probably come to buy a piece of furniture or something

0:40:040:40:07

and thought, "Actually, they're nice.

0:40:070:40:09

"It's not a lot of money. I'll buy those."

0:40:090:40:11

-Yes.

-That's the sort of punter we want right now,

0:40:110:40:14

because it's going under the hammer. So this is it.

0:40:140:40:17

Continental porcelain buttons,

0:40:170:40:19

each with a little portrait of a lady, and I'm bid 20 to start them.

0:40:190:40:24

At £20 for a set of buttons. At 20.

0:40:240:40:27

5. 30. 5. We're in the room at 35.

0:40:270:40:31

-40. 5.

-This is good.

-We're at the back of the hall on the left at 45.

0:40:310:40:35

50. 5.

0:40:350:40:37

-60 on the internet. At £60 it's away on the net. 65.

-Clive, Clive...

-5.

0:40:380:40:45

80. £80 right at the back of the hall.

0:40:450:40:48

Are we 85? £85 on the internet. The room is now out.

0:40:480:40:53

90. Lady's back in at £90.

0:40:530:40:55

-Another fiver on the net, please.

-This lady's determined.

0:40:550:40:58

She's holding her bidding paddle up and not putting it down.

0:40:580:41:01

"They're mine, they're mine, they're mine!"

0:41:010:41:03

At £90 are we all done, ladies and gents? At 90.

0:41:030:41:07

Do you know, looking at those, Clive, I mean,

0:41:070:41:09

they're subtle yet they say class, they say something exquisite.

0:41:090:41:13

-A really good example of what they are.

-Yeah!

0:41:130:41:15

I'm glad other people appreciate it as well.

0:41:150:41:17

-Thank you so much for coming in.

-Thanks very much, Paul,

0:41:170:41:20

-and it's credit to you.

-Pleasure.

0:41:200:41:22

Good job. I really like those.

0:41:220:41:25

Our next lot is a fashion item, but will it be in vogue today?

0:41:260:41:29

We're going to find out. I've just been joined by Sally and Anita,

0:41:290:41:32

and we've got six unique brooches. Did you ever wear them?

0:41:320:41:36

I think I've worn one of them, but I'm obviously not a broochy person!

0:41:360:41:42

-Anita's a broochy person. You are, aren't you?

-I love my jewellery.

0:41:420:41:45

You like the big, bright ones.

0:41:450:41:47

Yeah. And what we've got here is a little collection of bijouterie,

0:41:470:41:51

and the buyers love that.

0:41:510:41:52

They think they're getting quite a lot for their money,

0:41:520:41:55

so we're all together!

0:41:550:41:57

What is your thing, then? You don't do brooches. You've got earrings.

0:41:570:42:00

You like earrings and jewellery, things like that?

0:42:000:42:02

I like going to the pub!

0:42:020:42:04

Fair comment. Right, well, you could be doing that after this lot.

0:42:050:42:08

It's going under the hammer now.

0:42:080:42:10

We've got the unusual gilt-metal inset bracelet

0:42:100:42:12

and the five other brooches, and I'm bid 80 to start them.

0:42:120:42:17

At 80. 90. 100.

0:42:170:42:19

110. I'm out at 110.

0:42:190:42:22

-120.

-Yes! Good.

-140. 150.

0:42:220:42:26

160. 170. 180. 190.

0:42:260:42:30

200. 220.

0:42:300:42:32

220. We've stopped. It's upstairs right, at £220.

0:42:320:42:37

£220 all told.

0:42:370:42:40

At 220.

0:42:400:42:42

The hammer has gone down. Sounds like drinks all round, doesn't it?

0:42:420:42:47

Oh, absolutely, yes! Yes, one or two!

0:42:470:42:50

There you are, that's it, the hammer has gone down on our last lot.

0:42:540:42:57

It's another day in the office for "Flog It!", and what a day it was.

0:42:570:43:00

I thoroughly enjoyed it. I hope you did, too.

0:43:000:43:03

If you've got any antiques and collectibles you want to sell,

0:43:030:43:05

we would love to see them. Bring them to one of our valuation days.

0:43:050:43:09

Details of up-and-coming dates and venues

0:43:090:43:11

you can find on our BBC website,

0:43:110:43:12

or check the details in your local press. We'd love to see you.

0:43:120:43:15

But for now, from the North-East, it's goodbye from all of us.

0:43:150:43:19

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