Leicestershire 45 Flog It!


Leicestershire 45

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Today, we're in Leicester, a vibrant, multicultural city

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in the heart of the East Midlands.

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It's the birthplace of legendary footballer Gary Lineker

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and controversial playwright Joe Orton.

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It's also the place where the remains of one of history's

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most famous kings was discovered.

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Let's hope our experts can measure up to the great

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and the good of this city.

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Welcome to "Flog It!".

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King Richard III was killed in battle in Leicestershire in 1485.

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It has since been a mystery as to where he was laid to rest...

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until 2012, when archaeologists began excavating beneath the car park in Leicester.

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Human remains were unearthed

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which were later confirmed as those of King Richard.

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Leicester has claimed Richard III as one of their own, and the plan

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is for his final burial place to be within the city's cathedral.

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Imagine if we had a royal relic through the door today.

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Here at De Montfort Hall, we've already got an impressive turnout.

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The more people, the more antiques we see,

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and the greater chance of finding something special.

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And scouring the crowds today are our very own regal couple,

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experts Thomas Plant...

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-Do these work?

-Yes.

-Look at those.

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..and Catherine Southon.

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-Lovely. And you're "Hottie", are you?

-Was!

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LAUGHTER

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They are on a mission to find antiques unusual, intriguing

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and priceless.

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Basically, anything fit for a king.

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Yeah, we've got The Mouth.

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You've got The Mouth? Is that what you call him?! The Mouth!

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LAUGHTER

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Well, it's time to get the doors open,

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get this big crowd inside and hopefully find a few gems.

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And we've got a packed show ahead.

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Coming up, our experts go to battle with a couple of beautiful

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little boxes.

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Will Thomas's Chinese snuffbox find its fitting home

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in an emperor's palace?

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Or will Catherine's exquisite continental pillbox be

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the king of the castle when it comes to the auction?

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Whilst the crowds are still pouring in,

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Thomas has already found his first item - some unusual glassware.

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-OK, girls, you're sisters, aren't you?

-We are indeed.

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-But there's four years' difference.

-Four years' difference? OK.

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She's the oldest!

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THEY CHUCKLE

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-So, it's Jane...

-Yes.

-..and Sue.

-Yes.

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-There's no other siblings?

-No.

-No, I can see you're quite close.

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There wouldn't be room for anybody else, would there?

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So, tell me about these. What do you know about these things here?

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They are marvellous.

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They've been in the family for ever, I think.

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Well, it feels as though for ever.

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Certainly, when I was a child,

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they were always on the mantelpiece or on the hearth.

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-I think Mum thought they were French.

-Oh, really?

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-Yes, but, erm, we're here to find out.

-I don't think they're French.

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I call these, funny enough, Norfolk glass dumps.

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Only because I heard the late, great David Barby once call them Norfolk glass dumps.

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So I've always called them that.

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-But people just call them doorstops, really.

-Yeah.

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How old do you think they are?

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Interestingly, you have got quite a bit of wear on this base here.

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I would say they are going to be late 19th century.

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-So you're looking at the 1890s.

-Really?

-Yeah, 1900s.

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The thing about glass, it is difficult...

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You can fake it, you can make it look old easily.

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-But to get that honest wear on the base, you can't fake.

-Right.

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And to have a trio is marvellous, isn't it? Absolutely marvellous.

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And this technique of getting the flowers within the actual

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dump itself...

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How do they make the flowers so uniform, almost?

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I have no idea. When they blow glass, literally... I can't...

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I did a bit last year and it is just amazing. So hot, you know.

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A bit of blowing and back in the glory hole and then out.

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And they only use a limited amount of tools. It's brilliant.

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-It's absolutely brilliant.

-Mm.

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Why have you brought them to "Flog It!"?

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-To find out the value.

-Do you want to sell them?

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-For the right price, yes.

-Oh, yes!

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-Is that always the wrong answer?!

-Oh, the pressure!

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The pressure, you two!

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I feel I'm being ganged up on. What is the right money?

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Do you know, we have no idea.

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We've looked on the internet and never seen anything quite like them.

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I think they have got to be worth between 30 and 40 each.

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So, as a holistic lot, it's £100.

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£100... That's quite disappointing.

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-Is it?

-Mm.

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Yes. Because it's got to be split two ways, you see.

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I think...£100, with a fixed reserve at 100.

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-So give that a wide estimate. 100 to 200, £100 reserve.

-Yeah.

-Yeah.

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-Are you going to agree?

-Yes.

-Yes.

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Yes! We're there. I don't want to disappoint you.

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-No, we don't want you to!

-No, you don't!

-No!

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Thomas is feeling the pressure, but he needs to keep his cool.

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There are plenty more people to see.

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We've got a packed main hall here.

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I've been told the queue goes outside, so let's have a look.

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We might go through a bit of darkness to get there, so follow me.

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Hello, everyone. We'll get you seated in just a moment.

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Thank you so much for turning up today.

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Without you, we would not have a show. How many outside?

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PAUL CHUCKLES

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Oh, my gosh, look. What a lot of people!

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I tell you what, it's going to be a long day.

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But a good one.

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There's bound to be some treasure in all of those bags and I am hoping

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for the crown jewels, but silver is a great start for Catherine.

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Now, Paul, I see silver christening cups constantly,

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but nothing quite as special as this.

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-I want to know where you got this from.

-Car-boot sale.

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How much did you pay for it?

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About £3.50.

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Erm, we used to go to 'em Sunday mornings.

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It was just something to do.

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And I just... I came across this.

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But obviously, when I seen it, it wasn't... It didn't look like that.

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-It was black.

-It was black, right.

-It was black. It's about 20 years ago.

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Why now are you coming to "Flog It!" to sell it?

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Cos...my partner doesn't like it.

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-Right, OK.

-I do. So...

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..I'd like to sell it and reinvest the money into another collectable,

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but one that I can have on show at home and be proud of.

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Well, I think you should keep this, but then I'm a little bit biased.

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Let's have a look at this.

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First of all, a silver christening cup.

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And you were drawn to it as a piece of silver?

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I had a feeling it could be silver.

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-Right, OK, but it was all covered in black?

-Yes.

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Now, what I am so interested in with this is these little

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figures around the bottom of the christening cup,

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which are all figures of sailors, and they are all holding a ship.

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And then you've got this swag detail going round,

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which you quite often find on silver pieces of this era.

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But they are actually made up like they're pieces of rope,

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so you have this whole nautical theme.

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Perhaps it was made for...

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a baby of a nautical family,

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-perhaps the family were sailors or something.

-Yes.

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But it is just so lovely. So you're appealing to two different markets -

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you're appealing to the silver buyers

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and also to those who are interested in nautical works of art.

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Now, we've got a lovely, crisp hallmark here.

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We've got the maker's initials, DF...

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..for David Fullerton, and the letter A.

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So we can date that precisely to 1916, which is lovely.

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-What worries me about this is that you bought it and it was black.

-Yes.

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-And what did you do to it?

-The worst thing that I could do.

-You did!

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-The one thing that you tell us...

-I'm glad you recognise that!

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-The one thing you tell us not to do - clean.

-Right. You've cleaned it.

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And you've really, really polished it.

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It looks like to me that you've got a very abrasive pad

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and given it a good scrub.

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-At the time, I didn't realise that.

-Naughty boy!

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I mean, it's nice to be able to see the detail, but really,

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we should keep it in its original condition.

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-Now, you paid £3.50 for this?

-Yes.

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I would put that into auction at £100 to £150.

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-But I can see it doing well.

-Can we put a reserve on it?

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We can put a reserve. What do you want your reserve to be?

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-The bottom end of the estimate.

-£100. I think that is very sensible.

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We'll put a reserve on of £100. I think this is going to do well.

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-I think you're going to get a lot of people interested in it.

-Great.

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It's all go here at our valuation day

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and it looks like the whole of Leicester has turned out.

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Even the local radio station has turned up.

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..Paul Martin now.

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We are Flogging It between now and midday on BBC Radio Leicester...

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But DJ Tony Wadsworth has found a moment to chat to me

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about this lovely piece of local memorabilia.

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Tony, I absolutely love this photograph. It sums up Beatlemania.

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Look at this, screaming fans going, "Aaaaaah!"

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-You couldn't hear the concert.

-You're absolutely right.

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-You saw The Beatles, didn't you?

-I did indeed, yeah.

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-Did you hear any music?

-Not at all, no.

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I was screaming alongside the girls,

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but I was screaming at the girls to stop screaming!

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PAUL LAUGHS

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How funny. But that picture really sums up Beatlemania

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and the frenzy everybody got into.

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I love the ticket stub, I love everything about that.

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Did you put this together?

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I bought this ticket from a well-known internet auction website.

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I know the one!

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This picture here was taken by the local paper at the time,

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so this was taken in this very concert hall.

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I thought it would be nice to put it in a frame like that.

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I like what you've done. You've mounted it up

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and created a little bit of history here, you know,

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connected to De Montfort Hall, which I really like.

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Now, did you get this set of autographs?

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I wish I could say I did.

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-Because, you know, provenance and authenticity...

-I know!

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..with The Beatles' autographs is key. It's crucial.

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The story goes that the mentioned Mrs Glenn there,

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she was employed as an outside catering contractor to serve

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The Beatles sandwiches in their dressing room.

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And got the Fab Four's signature and the rest, as they say, is history.

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That's incredible.

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-So this signature came with this piece of paper to you?

-Indeed.

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I bought it just like that.

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Is it something you want to sell?

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No, I don't want to flog it, Paul!

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You know, I'm a Leicester lad born and bred, and for me,

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this is a little bit of local history. And I was there.

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I was at that very concert in 1964.

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And I remember it as if it was yesterday.

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You really can't put a price on memories,

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and for Tony, the value of this just isn't important.

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But in the past, we've seen authentic Beatles autographs

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which have sold for thousands of pounds.

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2,500, then.

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-Ohhh!

-Yes!

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And recently at Christie's, a piece of Buckingham Palace

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headed notepaper, signed by the Fab Four, sold for £20,000.

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Marie, Dale, tell me - how did you come by this box?

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Erm, well, I bought it off a friend. It was probably 15, 20 years ago.

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Ooh. Well, let's have a look at it.

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-It's very light, isn't it?

-It is, yes.

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It's extraordinarily light for something which is so delicate

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and so well carved.

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And you look at the space inside here

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and you wonder what it could have been for.

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-Quite a good tight fit as well, isn't it?

-It is, yes.

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I think it's snuff tobacco.

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And do you know the material?

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I thought it was tortoiseshell.

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It is tortoiseshell.

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And you can see the colour coming through.

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If you hold it up you can see that, can't you?

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-Yes, it's beautiful.

-Isn't that delightful?

-Yeah.

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So, we have to look at a number of things with this.

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Where is it from? The country of origin?

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Chinese, I think.

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How old do you think it is?

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100 years.

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I think it's a bit older than 100 years.

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It's probably going to be around 1870s.

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1860s, 1870s.

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Produced for our markets, produced for us in the West.

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And we can tell that

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because on the front of it there is a monogram here.

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Yes, I noticed it was English.

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Yeah, absolutely.

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Somebody like the East India Company,

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who were based in the Far East,

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dealing in tea and trading, etc,

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some merchant would have had this commissioned

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and had this very fine,

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and it is fine, carving done on this piece of tortoiseshell.

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Beautiful work.

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And you've got a story here as well, haven't you?

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You've got figures within a landscape, with pagodas,

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weeping willow trees, within a bamboo border,

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but I think the real gem is on the front

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with these two dragons.

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-Yes.

-So, I've told you what it is.

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Why are you selling it?

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Well, I've always collected loads of things, bits and bobs,

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-and I'm getting on a bit now, so...

-Don't be silly!

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Why is your mother selling this?

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It's in a cupboard. it doesn't do anything. She doesn't look at it.

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-It has been shut away for a while.

-Oh, really?

-Yes.

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I used to have it in a display cabinet for a long while,

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and then I just put it away.

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It's a great market, with the emerging Chinese economy

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and a new middle class, so to speak.

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I would suggest, at auction today, it would be worth

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between £500 and £700.

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Fix the reserve at around about 450.

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I think it could do a bit better.

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But I don't want to push it.

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No.

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-Are you going to be happy with that?

-Yes.

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So, the 450 fixed reserve, and it's a realistic estimate,

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for what it's worth.

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But it also gives the intention that maybe,

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intention that maybe it could go a bit higher.

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Tortoiseshell is like ivory, and thus has sale restrictions in place.

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But this box predates 1947,

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which means we can legally sell it at auction.

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Well, three great gems there.

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You've just seen them.

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There's nothing better for me than being surrounded by fine art

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and antiques, makes me feel good.

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And some of these items are fit for royalty.

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Right now we're going to put them to the test in the auction room.

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Here's a quick recap of what's going under the hammer.

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We're taking those pretty glass dumps.

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I hope they sell, or Thomas will be in trouble.

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The christening cup is gorgeous.

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But has Paul scrubbed the life out of it?

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And the snuffbox is exquisite.

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I'm expecting big things.

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Our auction today comes from Market Harborough on

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the Leicestershire/Northamptonshire border.

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The town is located in an area which was formerly part of

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Rockingham Forest, a royal hunting ground used by

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the medieval monarchs.

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Well, here we are. Gildings auction rooms.

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It may be quiet outside, but hopefully it's buzzing inside.

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The commission to pay at Gildings is 15% plus VAT.

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And Mark Gilding takes to the rostrum as our first lot

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goes under the hammer.

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Here's hoping he makes one of our owners a king's ransom.

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Going under the hammer right now we have three glass dumpy weights

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belonging to Jane and Susan.

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Sisters who join me right now here in this very exciting atmosphere.

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-Are you looking forward to this?

-Very much.

-Indeed.

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It's the moment of truth. Wants £200, Thomas.

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Yes.

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I think they're worth £150 any day of the week for three of them.

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I like them a lot.

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They were very popular

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when we first started doing this show 12 years ago.

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-Everybody was collecting these.

-Now they're not?

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Well, we don't know.

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This is the problem with antiques, fashions change, you see,

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and prices fluctuate.

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And we've got to sell them because they can't be divided up.

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Two sisters, and there's three of them.

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You could keep one each and sell one.

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-But it's too late now, isn't it?

-Yes, it is.

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-We'll wait and see.

-OK.

0:16:130:16:14

Let's put them under the hammer, shall we?

0:16:140:16:16

Let's find out what the bidders think.

0:16:160:16:18

Here we go. This is it.

0:16:180:16:19

SHE GASPS

0:16:190:16:21

Bidding opens at £55.

0:16:210:16:24

55. I'm bid at 65.

0:16:240:16:26

75.

0:16:260:16:27

80. 90.

0:16:270:16:28

100. 110.

0:16:280:16:30

110 I'm bidding.

0:16:300:16:32

You're out at my left at 110.

0:16:320:16:33

120. 120 online now.

0:16:330:16:36

And you're still out over here.

0:16:360:16:37

It's 120 online.

0:16:370:16:39

Online bidding, then.

0:16:390:16:40

And selling away. Fair warning at 120.

0:16:400:16:43

£120. Good result.

0:16:430:16:45

Look, it was better than £100, wasn't it?

0:16:450:16:48

That extra 20 helps.

0:16:480:16:50

Yeah, it's fine. That's good.

0:16:500:16:51

It wasn't the top end, unfortunately, but...

0:16:510:16:53

It was worth it for the experience.

0:16:530:16:55

Yes. Your first auction as well.

0:16:550:16:57

There's nothing quite like your debut sale for excitement

0:16:570:17:00

and exhilaration.

0:17:000:17:02

Let's hope we keep the buzz going for our next lot.

0:17:020:17:05

Going under the hammer right now we have a silver christening cup

0:17:050:17:08

with a value of £100-£150, brought along by Paul.

0:17:080:17:11

Was it yours as a christening cup,

0:17:110:17:13

-or just yours because you acquired it?

-No, I acquired it.

0:17:130:17:15

-Where from?

-A car-boot sale.

0:17:150:17:18

I think somebody's in for a lot of profit here.

0:17:180:17:20

But you know what he's done?

0:17:200:17:22

He's polished it to death.

0:17:220:17:23

-Oh, dear.

-With an abrasive pad.

0:17:230:17:26

Oh, no. Oh, that's a no-no. You do not do that.

0:17:260:17:29

-You don't touch it, do you?

-Good luck.

0:17:290:17:31

Let's hope we get the top end.

0:17:310:17:33

Here we go. This is it.

0:17:330:17:35

And bidding opens with me here on my books at £95.

0:17:350:17:40

£95 I'm bid.

0:17:400:17:42

At 95. 100 in the room.

0:17:420:17:46

Now at 100. And all my bids are lost.

0:17:460:17:48

£100 I'm bid.

0:17:480:17:50

We're at 100.

0:17:500:17:51

The internet's out. The book's out. Selling to the room at £100.

0:17:510:17:56

It's gone, but the damage let it down a bit.

0:17:560:17:59

-I think it was the scrubbing.

-It was that over-polishing.

0:17:590:18:02

I shouldn't have polished it. I should have left it alone.

0:18:020:18:04

Next time you will know - when you go to your boot fair,

0:18:040:18:07

you find your bit of silver, you leave it.

0:18:070:18:10

-Leave it to the experts.

-Yes.

0:18:100:18:13

But even so, what a great find and an amazing return on just £3.50.

0:18:130:18:18

Thank you so much for coming along to our valuation day

0:18:200:18:24

because you brought along absolute quality in the form of

0:18:240:18:27

a carved tortoiseshell snuffbox.

0:18:270:18:30

I mean, it's exquisite.

0:18:300:18:32

The detail on this, absolutely beautiful.

0:18:320:18:34

It's luscious.

0:18:340:18:36

Got the reserve at 500.

0:18:360:18:37

-Did you increase it to five?

-I did.

0:18:370:18:40

No, I don't blame you.

0:18:400:18:42

Right. Let's find out what it's worth. Here we go.

0:18:420:18:45

It's going under the hammer now. Good luck.

0:18:450:18:48

Cantonese carved box.

0:18:490:18:51

Carved in high relief, pavilions and foliage.

0:18:510:18:54

A smart object, this one.

0:18:540:18:56

And interest on the books here, 280, 300, 320, 340, I'm bid.

0:18:560:19:00

It's not enough.

0:19:000:19:02

£340. At 340.

0:19:020:19:04

360. 380.

0:19:040:19:06

I'm bid at 380.

0:19:060:19:08

It's against you online at £380.

0:19:080:19:11

400. 420.

0:19:110:19:13

They're being cautious.

0:19:140:19:16

They are.

0:19:160:19:18

480 bid now.

0:19:180:19:20

Against you online.

0:19:220:19:24

At 480.

0:19:250:19:27

Waiting for you.

0:19:270:19:28

500.

0:19:280:19:30

500 bid. We're online now.

0:19:300:19:32

It takes time to wait.

0:19:320:19:34

Selling away online now at £500.

0:19:340:19:37

Hammer's gone down.

0:19:380:19:40

That's a sold sound, and we love that sound.

0:19:400:19:42

-Well done.

-Thank you.

0:19:420:19:44

You did the right thing.

0:19:440:19:45

Putting the reserve at 500. He had one online bidder.

0:19:450:19:48

As the auctioneer, he reserves the right to bid up to the reserve.

0:19:480:19:51

That's exactly what he did.

0:19:510:19:53

So, in the end, you did the right thing.

0:19:530:19:55

Cos otherwise it would have been sold at 450.

0:19:550:19:57

There was only one online bidder.

0:19:570:19:59

Well, there you are, that concludes our first visit to the saleroom,

0:20:020:20:05

as the curtain comes down on our first lots.

0:20:050:20:08

And right now I'm off to the city of London, to the West End,

0:20:080:20:11

to theatreland, to find out about one of the most influential

0:20:110:20:14

playwrights of the 20th century.

0:20:140:20:16

And he was a Leicester lad - Joe Orton.

0:20:160:20:19

Joe Orton was born in Leicester in 1933 into a working class family,

0:20:300:20:34

but it was here in the West End that he made his name.

0:20:340:20:37

He wrote some of the modern era's controversial and challenging plays,

0:20:370:20:42

including Entertaining Mr Sloane, What The Butler Saw and Loot.

0:20:420:20:46

But the road from the council estate to the West End

0:20:460:20:49

would be a bumpy one.

0:20:490:20:51

Orton had a fascination with the theatre

0:20:520:20:54

and writing from an early age

0:20:540:20:56

and was actively involved in amateur dramatics.

0:20:560:20:59

In 1951,

0:20:590:21:00

he won a scholarship to the Royal Academy of Dramatic Arts in London.

0:21:000:21:04

It was during this time at RADA that he met his long-term partner

0:21:040:21:08

Kenneth Halliwell.

0:21:080:21:10

The pair were both aspiring writers,

0:21:100:21:12

but never really had a great deal of success,

0:21:120:21:14

and Orton had a few failed novels.

0:21:140:21:17

They both took menial jobs for six months of the year to fund

0:21:170:21:20

their lives so they could return to their typewriters to write

0:21:200:21:23

for the rest of the year.

0:21:230:21:25

But it wasn't their writing that first brought them to

0:21:250:21:27

the attention of the public.

0:21:270:21:29

It was a prolonged and elaborate practical joke.

0:21:290:21:31

I'm leaving theatreland to head to North London to the local

0:21:330:21:37

history museum in Islington, and I'm here to meet manager Mark Aston.

0:21:370:21:42

-Mark, pleased to meet you.

-Hello, Paul, likewise.

0:21:420:21:45

-Thanks for talking to me today.

-Not at all.

0:21:450:21:47

What was the practical joke all about?

0:21:470:21:48

What exactly did they do?

0:21:480:21:49

Well, Joe Orton and Kenneth Halliwell would go to their local libraries.

0:21:490:21:53

They would steal library books, take them back to their flat

0:21:530:21:57

and start doctoring the covers by adding alternative images

0:21:570:22:00

and narrative - bit of text, as well.

0:22:000:22:03

Occasionally changing the dust jacket blurb.

0:22:030:22:05

The would then sneak the library books back onto the library shelves

0:22:050:22:08

from those same libraries and just wait for drama to unfold.

0:22:080:22:12

Let's look at the original of John Betjeman, I'm a big fan.

0:22:120:22:15

OK. I think the full effect of the covers, the collage,

0:22:150:22:18

is to see the original.

0:22:180:22:20

and here we have a facsimile of the original cover,

0:22:200:22:24

which is a very basic cover showing Betjeman there in a boater.

0:22:240:22:28

When you look at that, I mean, that's so typical Betjeman, really.

0:22:280:22:31

But that puts a smile on your face.

0:22:310:22:33

It certainly does. Look at that.

0:22:330:22:35

And we've got there the Collins Guide To Roses.

0:22:350:22:37

Lots of wonderful, pretty roses.

0:22:370:22:39

Very simple cover.

0:22:390:22:41

And English rose, what could be more institutional?

0:22:410:22:45

But to cause a little bit of havoc, a simple monkey pasted on the rose.

0:22:450:22:50

How long did this go on for?

0:22:510:22:53

This went on for two and a half years.

0:22:530:22:55

From 1959 to mid-1962.

0:22:550:22:58

How many books in total, do you think?

0:22:580:23:00

We believe they doctored hundreds of books

0:23:000:23:03

as well as cutting out pictures to wallpaper their flat wall with.

0:23:030:23:07

Now that Orton is well-known, a very famous playwright,

0:23:070:23:11

these are quite rare, there's a lot of value attached to these now.

0:23:110:23:14

There is a lot of value attached.

0:23:140:23:17

We only have 42 originals.

0:23:170:23:19

They are priceless because they're irreplaceable.

0:23:190:23:21

Thank you very much for talking to me today.

0:23:210:23:23

You're very welcome, Paul.

0:23:230:23:25

This is Essex Road library in North London

0:23:250:23:28

and it's the scene of the crime.

0:23:280:23:30

Orton and Halliwell would come here

0:23:300:23:32

and replace their defaced books on the shelves and sit and wait

0:23:320:23:35

until an unsuspecting member of the public picked them up.

0:23:350:23:40

Like all practical jokers they wanted to see

0:23:400:23:42

the results of their work.

0:23:420:23:44

A lot of the staff here at the library used to look forward

0:23:440:23:48

to their latest creations,

0:23:480:23:49

but not everyone saw the funny side.

0:23:490:23:51

In fact, a lot of the changes that Orton

0:23:510:23:53

and Halliwell made were pretty racy,

0:23:530:23:56

especially for the 1950s, early 1960s.

0:23:560:23:59

This may have been a bit of fun for Orton and Halliwell,

0:23:590:24:02

but for many it was hugely shocking and blatant vandalism.

0:24:020:24:06

This was an attack on our books.

0:24:060:24:09

Our book stock, of which we are very proud,

0:24:090:24:12

was being attacked by predators.

0:24:120:24:14

The authorities took defacing public property very seriously,

0:24:140:24:18

and the joke drastically backfired.

0:24:180:24:21

And eventually in 1962 they were caught and both men were sentenced

0:24:210:24:25

to six months' imprisonment for malicious damage.

0:24:250:24:29

One person who knew Joe Orton and Kenneth Halliwell back then

0:24:310:24:35

was their next door neighbour Elena Salvoni, who still lives here today.

0:24:350:24:40

I always used to call them "the boys next door".

0:24:400:24:43

I remember quite a lot.

0:24:430:24:45

My son-in-law, he said, "Mum, what they've done is unbelievable."

0:24:450:24:50

I said, "What have they done?"

0:24:500:24:52

He said, "They've defaced library books."

0:24:520:24:55

The boys were very mischievous.

0:24:550:24:57

I mean, they used to banter off each other.

0:24:570:25:00

And then Ken would say, "Joe, now behave yourself."

0:25:000:25:03

I said, "It's about time you behaved yourself

0:25:030:25:05

"after what you've been up to."

0:25:050:25:07

And Elena clearly remembers the day they were arrested.

0:25:070:25:10

I found out by coming out of the door after going shopping

0:25:110:25:14

and Mrs Gordon was seeing to her flowers, and she said,

0:25:140:25:18

"Elena, isn't it disgraceful?" I said, "What?"

0:25:180:25:21

"The boys have been arrested."

0:25:210:25:22

I said, "What do you mean?"

0:25:220:25:24

She said, "They've defaced the library books.

0:25:240:25:27

"Didn't you see the blue van?"

0:25:270:25:29

I said, "No.

0:25:290:25:30

"Lewis saw the blue van,"

0:25:300:25:31

and I tell her I didn't have time to come to the window

0:25:310:25:33

because I was busy cooking.

0:25:330:25:35

Orton's time alone in prison

0:25:350:25:37

allowed him to find his style as a writer.

0:25:370:25:40

He later described his spell inside as his most formative.

0:25:400:25:43

And after his release he had a new lease of life.

0:25:430:25:46

And over the next few years he went from a struggling writer

0:25:460:25:49

to become to the toast of the West End.

0:25:490:25:52

In 1960s Britain, the working classes were on the rise,

0:25:520:25:55

and that suited Orton's background, his writing style

0:25:550:25:58

and his dislike for the middle classes.

0:25:580:26:00

The timing was absolutely perfect.

0:26:000:26:03

And his first play was a huge success, Entertaining Mr Sloan.

0:26:030:26:07

And that continued for his second play, Loot,

0:26:070:26:09

which won the London Evening Standard theatre award.

0:26:090:26:12

Orton's career as a playwright and celebrity continued to grow, but

0:26:120:26:16

his partner Kenneth Halliwell found his fame difficult to cope with

0:26:160:26:20

and there was an increasing distance between them.

0:26:200:26:23

Their relationship ended tragically.

0:26:230:26:25

In August 1967, Halliwell, suffering from depression,

0:26:250:26:29

murdered Joe Orton before taking his own life in that flat just there.

0:26:290:26:34

He was only 34 years old.

0:26:340:26:36

In a few short years, Orton wrote some of the most important plays

0:26:360:26:40

of the last century.

0:26:400:26:42

Tackling and challenging social issues of the day.

0:26:420:26:44

Themes that had never been put on stage before.

0:26:440:26:47

He was truly pioneering.

0:26:470:26:49

Welcome back to our evaluation day De Montfort Hall.

0:26:580:27:01

Let's now catch up with our experts

0:27:010:27:03

and see what else we can find to take off to auction.

0:27:030:27:06

Janet, there's one word, and one word only, to describe this.

0:27:080:27:14

And that's fabulous.

0:27:140:27:16

Oh. Amazing.

0:27:160:27:19

Fabulous. It is a beautiful object.

0:27:190:27:22

Predominantly, probably a pillbox, I would say.

0:27:220:27:26

Tell me first of all how you got this beautiful box?

0:27:260:27:30

Well, my late first husband,

0:27:300:27:32

he just liked looking around antique shops and buying what he wanted.

0:27:320:27:36

May I say that your husband had a fantastic eye

0:27:360:27:40

because this is superb quality, and it is of the very, very best.

0:27:400:27:44

Oh, good.

0:27:440:27:46

When I look at it, to me, it looks...Swiss.

0:27:460:27:51

-Oh.

-Because it looks like the musical boxes of a similar period.

0:27:510:27:56

Similar small musical boxes that had little flip-up lids

0:27:560:27:59

with birds singing. Like singing bird boxes.

0:27:590:28:03

They were made in Switzerland towards the late 19th century.

0:28:030:28:07

If you look inside there's this little mark here.

0:28:070:28:10

-A tiny little mark, which is a little bit rubbed.

-Yeah.

0:28:110:28:14

And I think... I've got a feeling that mark may actually be French.

0:28:140:28:18

So it could be Swiss or it could be French.

0:28:180:28:21

But it's so rubbed it's very difficult to be sure.

0:28:210:28:24

The box itself...

0:28:240:28:26

is rose gold.

0:28:260:28:28

Oh, right.

0:28:280:28:30

And all of this around the outside is enamel.

0:28:300:28:32

I thought it was enamel.

0:28:340:28:35

All this blue work. This blue here, that's all enamel.

0:28:350:28:38

-But what I love is this lovely central panel here.

-Yes.

0:28:380:28:42

This has been overlaid onto the gold.

0:28:420:28:45

We have this lovely central urn.

0:28:450:28:48

Yeah.

0:28:480:28:49

And this here is platinum. And then we've got the yellow gold

0:28:490:28:54

and the little rose gold...

0:28:540:28:55

all around the outside, the leaves and the flowers.

0:28:550:28:58

It's absolutely exquisite.

0:28:580:29:00

The detail is just second to none.

0:29:000:29:02

Even on the sides there you've got the little...urns

0:29:030:29:08

and with the flowers.

0:29:080:29:10

And all these wonderful panels, everywhere.

0:29:100:29:12

It's just lovely quality.

0:29:120:29:14

Is it not something you would like to keep?

0:29:150:29:18

Well, I would like to keep it

0:29:180:29:20

but I would like to travel a bit and do one or two things.

0:29:200:29:22

Probably a second youth, sort of thing!

0:29:220:29:26

Why not? Why not?

0:29:260:29:29

It's the sort of thing that

0:29:290:29:30

people will get very excited about at auction.

0:29:300:29:33

-Oh, right.

-Really because of the pure quality of it.

0:29:330:29:35

It's just untouched.

0:29:350:29:37

I mean, it looks... Apart from a little rubbing inside,

0:29:370:29:40

which is really not the end of the world...

0:29:400:29:42

the condition, I think, is perfect.

0:29:420:29:45

Do you have any ideas on prices?

0:29:460:29:48

I haven't a clue, no.

0:29:480:29:50

It must've been in the '70s when he bought it.

0:29:500:29:52

I would absolutely love to rewind to the '70s

0:29:520:29:55

and find out what he paid for it.

0:29:550:29:57

I haven't a clue, to be honest.

0:29:570:29:58

It would just be wonderful to know.

0:29:580:30:00

-Well, I would love to put this in auction.

-Thank you.

0:30:000:30:02

I would like to put this in with an estimate of £2,000-£3,000.

0:30:020:30:06

Golly, that much!

0:30:060:30:07

How does that sound?

0:30:070:30:09

Well, I could have a good holiday on that!

0:30:090:30:12

You could have a jolly good holiday. I could come, too!

0:30:120:30:14

Well, shall we put it in with an estimate of £2,000-£3,000?

0:30:140:30:19

-Yeah.

-And let's put a reserve on of £1,800.

0:30:190:30:23

-Right.

-Just to protect it.

0:30:230:30:25

-And I hope that it does very, very well.

-Thank you.

0:30:250:30:28

And you can go round the world a few times.

0:30:280:30:30

Well, I don't know about that!

0:30:300:30:32

What a beautiful find for Catherine!

0:30:320:30:34

And now it's my turn and I've discovered something

0:30:340:30:37

with a brilliant local connection.

0:30:370:30:38

Corinne, is this yours?

0:30:400:30:42

Well, it was my husband's.

0:30:420:30:44

He was the locomotive enthusiast, was he?

0:30:440:30:46

Absolutely. Not me.

0:30:460:30:48

It's a lovely, lovely image, isn't it?

0:30:480:30:50

You see that steam locomotive rolling down the tracks.

0:30:500:30:53

Has this been on the wall in pride of place?

0:30:530:30:56

It's been on the wall, not necessarily in pride of place.

0:30:560:30:59

-How long has it been on the wall for?

-Oh, years. Years and years.

0:30:590:31:02

When you took it off this morning to come to the valuation day,

0:31:020:31:04

-did it leave a sort of mark behind?

-It's left a mark.

0:31:040:31:07

Now, it is signed Weston. It is by David Weston.

0:31:070:31:10

And look...there it is, there's the date - 1968.

0:31:100:31:13

So it's one of his earlier works.

0:31:130:31:15

He sadly died in 2011.

0:31:150:31:17

He was born in...1935.

0:31:170:31:20

Leicester-based artist.

0:31:200:31:22

Yes, yes.

0:31:220:31:23

And his work is exhibited at the London Transport Museum.

0:31:230:31:27

-Right. I didn't know that.

-He's highly sought-after.

0:31:270:31:30

-I know it's highly sought-after.

-Especially in this area.

-Yes.

0:31:300:31:33

Especially with railway enthusiasts.

0:31:330:31:34

I mean, that's a nice image, isn't it?

0:31:340:31:36

You've got this wonderful tank locomotive

0:31:360:31:38

steaming down the track,

0:31:380:31:40

smoke bellowing everywhere,

0:31:400:31:42

pulling the Pullman carriage.

0:31:420:31:44

His work, I think, is quite popular with his acrylics on board.

0:31:440:31:48

This is slightly different, this is an oil on canvas.

0:31:480:31:51

-Yes, it is.

-And it's quite big.

0:31:510:31:52

-Yes.

-Have you any idea of the value?

0:31:520:31:55

Well, I've been told £200, but I'd got no idea, prior to that.

0:31:550:31:59

You bought this in the '60s?

0:31:590:32:02

Erm... No, later than that.

0:32:020:32:03

-I would say it was later than that.

-OK.

0:32:030:32:06

-And I don't know how much it cost.

-OK, right.

0:32:060:32:08

I'm confident with you on £200.

0:32:080:32:10

-There's a lot of paint in there for £200.

-Mm-hm.

0:32:100:32:13

Yeah.

0:32:130:32:15

Can we put it in for a sale with a value of 250 to 350?

0:32:150:32:18

Would you be happy?

0:32:180:32:21

I'd be very pleased. I would be very pleased with that!

0:32:210:32:24

So, I think your husband made a wise investment back then in the day.

0:32:240:32:26

He did, didn't he?

0:32:260:32:28

Fixed reserve at 250?

0:32:280:32:29

If you were going to take £200, then I'd just up the ante a bit.

0:32:290:32:32

-Yes.

-I think this will be jolly exciting.

0:32:320:32:35

It's full steam ahead and we're on the right track.

0:32:350:32:37

-Yes. I'm with you.

-OK?

-Yes.

0:32:370:32:38

See you at the auction room.

0:32:380:32:40

Oh, I love a good pun, so, how about this one?

0:32:400:32:43

Thomas has found a collection which could light up the room!

0:32:430:32:46

Fiona, tell me about your collection of pipes, "peeps" -

0:32:480:32:51

whatever you want to call them.

0:32:510:32:52

They were passed down to me from my grandfather.

0:32:520:32:56

He died about 12 years ago

0:32:560:32:58

and I inherited them from him.

0:32:580:33:00

And I think they came from his great-grandfather.

0:33:000:33:04

-Do you know what they are called?

-I know they're meish...

0:33:040:33:07

-Meerschaum.

-..meerschaum.

0:33:070:33:08

-Meerschaum pipes.

-Yeah.

0:33:080:33:10

Was your father a pipe smoker?

0:33:100:33:12

-Never smoked in his life.

-Really? Do you smoke?

0:33:120:33:15

-No.

-Never in your life?

-No.

0:33:150:33:17

Meerschaum pipes from...probably Austria, these ones.

0:33:170:33:20

Or that mid-continental European bloc.

0:33:200:33:24

And this is sea foam.

0:33:240:33:26

They are late 19th, early 20th century.

0:33:260:33:28

Right.

0:33:280:33:29

It's carved and they are brilliant, brilliant white

0:33:290:33:33

-when you first buy them.

-OK.

0:33:330:33:35

And as the tobacco

0:33:350:33:37

stains the pipe as you're smoking it,

0:33:370:33:42

it colours the pipe.

0:33:420:33:44

And it creates these lovely patterns, doesn't it, really?

0:33:450:33:48

Yeah.

0:33:480:33:49

And patination within these marvellous things.

0:33:490:33:52

And, of course, because it's quite a soft material - chalky almost -

0:33:520:33:56

it's easy to carve.

0:33:560:33:58

So you get lots of different faces and heads and objects, etc.

0:33:580:34:03

Where are they at home?

0:34:030:34:04

They're kept in a cabinet in the lounge.

0:34:040:34:07

Are they?

0:34:070:34:08

-Do you like looking at them?

-Yes, I do. Yes.

0:34:080:34:10

So, why have you brought them along?

0:34:100:34:12

Well, I've got nobody to leave them to

0:34:120:34:14

and I can let someone else have some enjoyment out of them.

0:34:140:34:16

Which one is your favourite one?

0:34:160:34:19

I like the one with the lady with the colours.

0:34:190:34:22

Where it is all mottled.

0:34:220:34:25

Yeah, it's good that, isn't it?

0:34:250:34:26

It's got a lovely richness to the colour.

0:34:260:34:29

This is my favourite one. I like the Cossack.

0:34:290:34:31

-Yes.

-He's got a really expressive face.

0:34:310:34:33

Let me just pick him up.

0:34:330:34:35

He's rather handsome, isn't he?

0:34:350:34:38

Almost a bit sort of Sherlock Holmes-y, isn't he?

0:34:380:34:40

I've always thought that these are lovely things.

0:34:400:34:43

We do see them quite often.

0:34:430:34:45

You do get lots of faces.

0:34:450:34:47

You get, erm, interesting objects such as the acorn.

0:34:470:34:50

The more racy ones are obviously the more valuable ones.

0:34:500:34:54

Because they were more risque.

0:34:540:34:56

So you get naked ladies, and stuff.

0:34:560:34:58

-Yes.

-Have you got an idea of value?

0:34:580:35:00

Probably between 100 and 200.

0:35:000:35:02

Yeah. I mean, there's one here with a bit of damage to it,

0:35:020:35:05

which will knock it down.

0:35:050:35:08

You're in the right ballpark.

0:35:080:35:10

There's no moment here when I can surprise you and say,

0:35:100:35:13

actually, madam, they're going to be worth £50,000.

0:35:130:35:16

-It's not one of those.

-It'd be nice if you could!

0:35:160:35:19

I know. It'd be lovely, but it's not.

0:35:190:35:21

If we sort of base this around that £100 bracket

0:35:210:35:23

and we sort of use our typical auctioneer's estimate -

0:35:230:35:26

-can we use that one?

-You can.

0:35:260:35:28

IN UNISON: £80 to £100!

0:35:280:35:30

Because I think that's fair.

0:35:300:35:33

Reserve at £80.

0:35:330:35:35

I think they should do rather well. There are many collectors for them.

0:35:350:35:38

Are you going to be happy to let them go?

0:35:380:35:40

Yeah, we've decided that we might as well let somebody else have them.

0:35:400:35:44

So our valuation day is nearly over

0:35:440:35:46

but before we head off to the auction for the last time

0:35:460:35:49

I'm taking advantage of the peace and quiet

0:35:490:35:51

to show you something rather lovely.

0:35:510:35:54

This striking sculpture that you'll find standing proudly

0:35:540:35:57

outside De Montfort Hall is entitled Concerto.

0:35:570:36:00

It was made by Leicester artist Dr John Sydney in 2010.

0:36:000:36:05

The sculpture is of great significance to De Montfort Hall

0:36:050:36:08

as the venue is a second home

0:36:080:36:10

to London's world-renowned Philharmonia Orchestra.

0:36:100:36:14

In 1997, this elite orchestra took up residence here in Leicester

0:36:140:36:18

and each season the city sees around nine performances

0:36:180:36:22

featuring some of the world's leading conductors and soloists.

0:36:220:36:26

What a truly eclectic venue De Montfort Hall is.

0:36:260:36:29

It's played host to everything -

0:36:290:36:31

from the Philharmonia Orchestra to The Beatles.

0:36:310:36:33

But now it's time to head back to the saleroom for the last time.

0:36:330:36:37

And here's what we're taking with us.

0:36:370:36:39

One of the finest little boxes I've ever seen.

0:36:390:36:42

The painting which I hope will tempt in not just the locals,

0:36:450:36:47

but the train enthusiasts.

0:36:470:36:50

And the pipes!

0:36:520:36:53

Quirky items often do well, so I'm keeping everything crossed.

0:36:530:36:56

Welcome back to Gildings Auction Rooms in Market Harborough.

0:37:020:37:05

Let's now catch up with our experts

0:37:050:37:07

and get on with our next lots.

0:37:070:37:09

Hopefully, we'll have one or two big surprises.

0:37:090:37:11

We've got some bearded gentleman going under the hammer

0:37:130:37:16

in the form of meerschaum pipes belonging to Fiona.

0:37:160:37:18

We've seen these before.

0:37:180:37:20

-And the characters are wonderful, Thomas?

-Absolutely.

0:37:200:37:22

So, have these been in the family a long time?

0:37:220:37:25

Who's been collecting these?

0:37:250:37:26

They came from either my great-grandad or great-great-grandad.

0:37:260:37:29

Not sure which.

0:37:290:37:30

Hopefully, we'll get the top end of Thomas's estimate,

0:37:300:37:33

I think there's one or two that are quite delightful.

0:37:330:37:35

-They are delightful.

-Yes.

-We have to wait and see.

0:37:350:37:38

Well, we can't really say any more about it,

0:37:380:37:40

let's hand proceedings over to Mark Gilding on the rostrum. Here we go.

0:37:400:37:43

Bidding opens here with me at 35.

0:37:430:37:45

45...55...

0:37:450:37:48

£55, I'm bid.

0:37:480:37:50

At £55. I'm bid at 55.

0:37:500:37:52

60. Do I see it? 55.

0:37:520:37:54

Then 60. 65.

0:37:540:37:55

65? Bid at 65.

0:37:550:37:56

70 online.

0:37:560:37:58

75 bid now. At 75.

0:37:580:37:59

At 75. 80, I'm bid. At 80.

0:37:590:38:02

At £80 I'm bid.

0:38:020:38:04

At 80 now, at 80. Online at 80.

0:38:040:38:06

You're all out in the room?

0:38:060:38:07

At £80 I'm bid. Selling to the internet at £80.

0:38:070:38:10

-It's gone!

-Lovely. Wonderful.

0:38:100:38:12

-Well done, Thomas.

-I'm really pleased about that.

-Yeah, so am I.

0:38:120:38:15

Because we kind of said, you know,

0:38:150:38:17

these were in vogue about 10-15 years ago,

0:38:170:38:19

and the fashion has really dropped.

0:38:190:38:21

-But they've got away. Thank goodness.

-That was a good job.

0:38:210:38:24

I'm glad. I've filled the space in the cabinet already!

0:38:240:38:28

And now time for another pun.

0:38:290:38:31

OK, well, we seem to be chugging along quite nicely,

0:38:330:38:35

which brings me to one of my valuations.

0:38:350:38:37

Yes, it is the oil painting by David Weston.

0:38:370:38:39

The wonderful locomotive under steam belonging to Corinne

0:38:390:38:42

-who has just joined me.

-That's true.

0:38:420:38:44

And we're looking at £250-£350.

0:38:440:38:46

He's a local artist, so hopefully the word is out there

0:38:460:38:49

and there's a bit of interest.

0:38:490:38:52

-Let's hope for the best.

-Yeah, let's hope. Fingers crossed.

-Yes!

0:38:520:38:55

And I know you've brought some support along today.

0:38:550:38:57

Yes, my son's here. Yes.

0:38:570:38:58

OK, good luck.

0:38:580:39:00

Let's find out what the bidders think.

0:39:000:39:02

-Let's see if we're on the right track!

-Let's hope so.

-Here we go.

0:39:020:39:05

And this is the David Weston.

0:39:070:39:08

With Michael here on my right -

0:39:080:39:10

the steam tank locomotive, signed and dated '68, an oil on canvas.

0:39:100:39:14

And, understandably, quite a bit of interest in this.

0:39:140:39:18

-120.

-Good!

0:39:180:39:19

130, 140, 160, 180, 200...

0:39:190:39:21

Someone in the room's bidding in the front.

0:39:210:39:23

..240, 250 I'm bid.

0:39:230:39:25

250 I'm bid.

0:39:250:39:26

He's got it away at 250.

0:39:260:39:28

Yeah.

0:39:280:39:29

It should fetch more than that, really.

0:39:290:39:32

-..280.

-That's encouraging - a phone bid.

0:39:320:39:35

Yes, yes.

0:39:350:39:36

300 on the telephone. At 320?

0:39:360:39:38

340 with the telephone.

0:39:410:39:44

360 with me.

0:39:440:39:45

360 with me, then.

0:39:470:39:49

The telephone is out and walking away.

0:39:500:39:53

360, then. Selling at 360.

0:39:530:39:55

-Top end of the estimate.

-Yeah.

0:39:570:39:59

-We wanted to fetch more, but it's gone.

-We did, a bit, didn't we?

0:39:590:40:02

But it's gone, I didn't want to take home.

0:40:020:40:04

-But money is tight at the moment.

-Yes, it is.

0:40:040:40:06

-But nevertheless, it's gone and you didn't want it, did you?

-No.

0:40:060:40:09

-I didn't want it back home.

-We did it.

-Thank you very much.

0:40:090:40:11

Thank you for bringing it in.

0:40:110:40:13

And finally Janet's beautiful gold pillbox

0:40:130:40:16

is going under the hammer.

0:40:160:40:17

Catherine valued it at £2,000-£3,000,

0:40:170:40:21

but on the auction preview day I asked Mark Gilding what he thought.

0:40:210:40:25

It's absolutely exquisite. It really is.

0:40:250:40:28

It's about as good as you'd find

0:40:280:40:30

from the period these were made - the 1840s.

0:40:300:40:32

Yeah.

0:40:320:40:33

What I want to know is,

0:40:330:40:34

has this been picked up and handled plenty of times

0:40:340:40:37

along the viewing days?

0:40:370:40:39

Not only that, it's been picked up through the internet

0:40:390:40:42

-and lots of interest - from the UK and abroad.

-Brilliant!

0:40:420:40:45

Can we see the top end of that two to three?

0:40:450:40:47

Can we see that and that more?

0:40:470:40:49

Well, I think we can be certain of it selling.

0:40:490:40:52

OK, the market will dictate later on.

0:40:520:40:54

If three or four people really want this, they might pay over the odds.

0:40:540:40:57

So without further ado,

0:40:580:41:01

let's see how it does.

0:41:010:41:02

Every now and then our valuation days throw up a real gem.

0:41:020:41:05

And we certainly had one back at De Montfort Hall

0:41:050:41:08

in the form of Janet, and also in her beautiful little

0:41:080:41:11

rose gold and enamel box.

0:41:110:41:12

This is a delight! An absolute treasure!

0:41:120:41:16

-You were gobsmacked.

-Stunning.

-Really.

-It's absolutely beautiful!

0:41:160:41:20

Had a chat to the auctioneer - he said he's had phone bids,

0:41:200:41:24

we've got internet booking on it, and hopefully interest in the room.

0:41:240:41:28

Oh, good.

0:41:280:41:30

-We're here to enjoy the moment, aren't we?

-I'm interested.

0:41:300:41:32

OK, well, let's see what the bidders think. Here we go.

0:41:320:41:35

This is it. Good luck, both of you.

0:41:350:41:38

So, this is the rose gold, enamelled, rectangular snuffbox.

0:41:380:41:41

And I think you'd struggle to find a better one

0:41:410:41:45

in many other places.

0:41:450:41:47

Lots of interest in this throughout all of the viewing.

0:41:480:41:51

I'm going to open the bidding here at £1,000.

0:41:510:41:54

1,000 I'm bid.

0:41:540:41:56

It's not enough!

0:41:560:41:58

1,100. 1,200,

0:41:580:41:59

1,300. 1,400.

0:41:590:42:01

1,500.

0:42:010:42:03

1,600.

0:42:030:42:04

1,700.

0:42:050:42:06

£1,800, I'm bid now.

0:42:070:42:09

1,900.

0:42:090:42:11

Two phone lines ready to battle it out. See those two gentlemen?

0:42:110:42:14

-Oh, yeah.

-..2,200.

0:42:140:42:16

2,300. 2,400.

0:42:170:42:18

-2,500.

-(Amazing. It's wonderful.)

0:42:200:42:22

-2,600.

-(It's a great thing.)

0:42:220:42:24

2,700.

0:42:240:42:26

2,700 I'm bid, then.

0:42:270:42:29

2,800 - new bidder.

0:42:290:42:32

2,900.

0:42:320:42:34

£3,000.

0:42:340:42:36

-Did you know it was worth this much?

-Not really. No.

0:42:360:42:39

-Are you OK?

-It's very nice...

0:42:390:42:41

3,400.

0:42:410:42:42

3,600.

0:42:440:42:46

3,800.

0:42:470:42:48

£4,000 I'm bid.

0:42:490:42:52

So, £4,000 we're bid.

0:42:520:42:53

No bidding with the internet, as well.

0:42:550:42:57

With the telephone, then. £4,000?

0:42:570:42:59

Last chance - selling at £4,000.

0:42:590:43:02

-Well done.

-Wow. What a wonderful way to end today's programme!

0:43:040:43:08

-You don't really know what to say, do you?

-No.

-No.

0:43:080:43:10

I enjoyed it.

0:43:100:43:12

You enjoyed it!

0:43:120:43:14

-Thank you so much for bringing that in.

-Thank you.

0:43:140:43:16

It's been a real delight to see.

0:43:160:43:18

Our experts love things like that.

0:43:180:43:20

If you've got anything like that we'd love to see it.

0:43:200:43:22

But for now, from Market Harborough and from all of us,

0:43:220:43:25

it's goodbye from a wonderful, wonderful "Flog It!".

0:43:250:43:27

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