Compilation 40 Flog It!


Compilation 40

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We start today's show at Breamore House in Hampshire,

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an Aladdin's cave of art and treasure through four centuries.

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From its Tudor Great Hall, to its Georgian Blue Room,

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this is a testament to preserving the past.

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And of course, "Flog It!" relies on people having an interest

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and a passion for antiques and collectables, whether it's been

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a prized find or something that's been handed down though the generations.

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Today on "Flog It!" we're going to bring you some of the best

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items we've found from our travels around the country.

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We've travelled across Britain in search of exceptional stories

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and objects to take to auction

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and we've met some rather special people along the way.

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At Wrest Park, a Grade I listed mansion is surrounded by

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an early-18th-century garden

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that spreads over 92 acres in Bedfordshire.

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Our journey has taken us to Lulworth Castle in Dorset,

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home to some of the French royal family during the French Revolution.

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And to Chiddingstone Castle in Kent,

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which can be traced back to Tudor times.

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On our show today, one of our experts, Christina Trevanion,

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has an embarrassment of riches.

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You have brought me

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possibly one of the most fascinating things I've ever seen on "Flog It!"

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I hope you don't mind me saying, but it's one of the finest pieces

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-of cloisonne that I have had the pleasure of handling.

-Really?

-Yeah.

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-It's really, really beautiful.

-Well, that's wonderful.

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Really beautiful.

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Later on, we'll see what happens to these extraordinary items

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in the saleroom.

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It's highly unlikely when a house's history stretches as far back

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as Breamore's does, that it remains untouched by tragedy.

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Now, up here is a wonderful example of family history.

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This is Mrs William Doddington,

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the wife of the first owner of the house.

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Now, you can see she's painted in her mourning clothes.

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This is an oil on panel.

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Now, she sat for the artist after her husband's death.

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He committed suicide on the eve of a court case which caused

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a right old scandal back in Elizabethan England.

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It's a wonderful document of social history

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and over 400 years later, you can still see the sadness on her face.

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That's because the painting has been taken care of properly.

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It's up high, out of harm's way.

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It's out of the sunlight and it's also not been over-varnished.

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Now, let's hope our first set of items has been equally cared for.

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We kick off our journey in Kent, at Chiddingstone Castle,

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where Thomas Plant is making the most of the great outdoors.

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-John.

-Yeah.

-Tell me about your cane.

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Well, it's... I don't know quite what I can tell you, really.

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It was a find in a loft when we moved into our house about 30 years ago.

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Really? It's extraordinary what people leave behind in attics.

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Well, quite. There was nothing else in the attic apart from that.

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-A real sort of Cash In The Attic moment for you, isn't it?

-Well, hopefully!

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Well...

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I precis it by saying it's not going to make you a huge king's ransom.

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-No, probably not.

-But what a find to find.

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-Now, this is an Indian cane.

-Oh!

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This is Indian silver at the top end and it is embossed design,

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which means it's beaten from the reverse, hammered out.

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And these are Hindu gods and that's what appealed to me when I saw it.

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I thought, Indian silver is becoming more and more collectable...

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-Oh, right.

-..as India becomes more and more developed...

-Yeah.

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..and there becomes more of an affluent society,

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-who want to buy back bits of culture.

-Oh, I see, yeah.

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So therefore, Indian silver, which used to be rather devalued because

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it was colonial, because it was Indian, it wasn't

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-hallmarked, has now risen up to be quite valuable.

-Oh, I see.

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I wondered why there wasn't a hallmark on it.

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No, no hallmarks on it at all.

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I was pretty sure it was silver, but I wasn't sure.

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No. It's never normally marked. It might have an area mark to it...

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-Yeah...

-..but it's very difficult to find.

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But the beautiful design is just so good, and it's on this

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Malacca sort of shaft with a ferrule, which looks original.

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This ferrule wouldn't be silver at the end, here?

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-No, that would wear away. Silver's a very soft metal.

-Yeah.

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And this wouldn't be our standard of silver, which is

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-925 parts of silver to every thousand parts of metal.

-Mmm.

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I would suggest that this is going to be

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more like 600-700 parts of silver.

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So not as pure, but it has to be,

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-because it's going to get handled quite a lot.

-Right.

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What did you think of it when you picked it up in the loft?

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What were you hoping it was?

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Well, I just thought it was a walking stick.

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It was somewhat more tarnished when we found it, I remember, but, um...

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I just thought it was a walking stick, it was an interesting thing.

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And what made you bring it to "Flog It!"?

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It's been hanging around the house for 30-odd years and frankly,

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every time we open the door in the downstairs cupboard, it falls out.

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THEY LAUGH

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That's going to be annoying, isn't it?

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So, you know, it really wasn't serving any particular purpose to us.

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-And you've not twisted your ankle, so you don't need a cane.

-No.

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-Not at the moment, no.

-Now, I've been quite realistic with you...

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-Mm-hm.

-..it is silver, Malacca cane, there is a collectable value

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because it's a walking cane, but that doesn't mean it's going to be

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-worth hundreds and hundreds and hundreds.

-OK.

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-I doubt that even if it would break the £50 barrier.

-All right.

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-But we're looking at between £40-£60.

-OK.

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-We might get £50 for it.

-All right.

-We might get a bit more.

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-Are you happy to sell it?

-Um, yes, yes, I am.

-Yeah? Good.

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And I think, with the £40-£60 estimate,

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-you put a reserve on it, so it's not given away.

-All right.

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-I would say, suggest £30.

-Yeah, OK.

-Is that fair enough?

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Yes, that sounds fine.

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Yeah, because if it's been kicking around the house for 30 years,

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£30, 30 years, it sounds sort of...

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all mixed in together, doesn't it?

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Yeah. That'll be fine. THOMAS LAUGHS

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I think John would be happy with anything to stop it

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from falling out of that cupboard.

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Bedfordshire in Wrest Park is our next port of call,

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where Christina Trevanion has found a collection

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that she really is taken with.

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Sharon and Rob, you have brought me

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possibly one of the most fascinating things I've ever seen on Flog It!

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We've got all these slides here and this slide viewer,

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-where did they come from?

-They were my grandad's.

-Right.

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And my dad had them in the loft

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and my son was having to do a history project,

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so my dad was finding a few things out to say about his great-grandad

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and that's when we first saw them.

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So how long ago was that?

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About six months ago he was doing his project.

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-Oh, so really recently, then?

-Yeah, recently, yeah.

-Oh, wow, OK.

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I mean, they are all related to the First World War.

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Is there a family connection with somebody that

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-fought in the Great War?

-Yeah, my grandad.

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-What part did he play in the war, do we know?

-No.

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I know that he was 15 when he forged his birth certificate

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because he was unhappy at home. CHRISTINA GASPS

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-So he was very young.

-So he was 15 when he went to war?

-Yeah.

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-Oh, my goodness.

-Yeah.

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He got torpedoed at sea and he was buried alive and...

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Because he was in a trench...

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-Oh, so he was at sea and then he was in a trench?

-Yeah.

-Oh.

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-So he was possibly Navy and then...

-He's been through it, yeah, he's been through it all.

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-Oh, my goodness!

-Yeah, and then he couldn't speak for a year.

-God.

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I mean, it always amazes me hearing these types of stories

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and especially looking at some of the images we've got here,

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the absolute horror that these young men went through.

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The reason why we've got two images here is

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because you would have put your slide here...

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Unfortunately, we have got a bit missing here.

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And that would've held one of these cards in place and then

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you would be able to see these images in 3-D.

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So before that, you would have seen these images potentially

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in newspapers, but seeing it in 3-D must have been incredible.

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And it's some really unbelievably fascinating scenes that

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I've never seen before.

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We've got some pictures of the King in here,

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we've got munitions factories and here, this one,

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-which unfortunately is in quite bad condition...

-Yes.

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We've got a Zeppelin, shot down near Colchester.

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Even with the back broken, it towers above a nearby farmhouse.

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-My granny, who - bless her - was 104 last week...

-Wow.

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..remembers seeing a Zeppelin flying over the south coast.

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And that sort of first-hand history is all going to be lost to us soon.

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-Yeah.

-But hopefully, these sorts of things will keep it alive.

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BOTH: Yeah.

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And I think there is certainly a resurgence of interest in

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the First World War and quite how important it was.

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-There are a few which are in slightly poor condition.

-Yeah, yeah.

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I think, unfortunately, your slide viewer, which is

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-the Perfectscope, ain't so perfect any more, is it?

-I know!

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-And my dad couldn't find the, um...

-The slider.

-Yeah, the slider, there.

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But nonetheless, you can still see them and I think really,

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the main event is not so much the slide viewer,

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it's the topic of these slides which is so important.

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-And we've got approximately 65 in total here.

-Mmm.

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I am going to be quite modest on my auction expectations

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because it's a very difficult collector's market,

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and I'm just hoping that this sort of resurgence of interest in

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the Great War will help to sell them.

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I would suggest an auction estimate in the region of 150-200

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-and hope that it might go higher.

-Yeah.

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How do you think Dad would feel about that, because

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-they're Dad's, aren't they?

-Yes.

-They're not...

-No, they're my dad's, yeah.

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-I mean, he's asked me to bring them here to get them valued to sell, so, yeah.

-OK.

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So, if we said an estimate of 150-200 and a reserve of 150 firm?

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-Yeah, I'm sure that'd be fine.

-Yeah. Super.

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For me, personally, I think they are utterly fascinating.

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I really do, and I thank you very much for

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making the effort to bring them in

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-because it's been certainly a great lesson.

-Thank you.

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It's really not a lot of money for such an amazing historical archive.

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Onto the Dorset coast and Lulworth Castle,

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where Catherine Southon has found a car boot enthusiast.

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Sue, welcome to Flog It!

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and thank you for bringing along your vase here.

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Now, we see tubeline decoration here and we see autumnal colours

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and there's only one name that comes to mind and it is...?

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-Charlotte Rhead.

-Absolutely.

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It screams Charlotte Rhead in every single direction.

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These colours in particular, the autumnal oranges and greens

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and the cream background as well, is so Charlotte Rhead.

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She did this design on a number of different vases and plates.

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Where did you get this from, Sue?

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-I bought it at a car-boot sale.

-Oh, did you?

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-I did.

-Recently?

-No, about 18 months ago.

-Right.

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And did you know what it was when you saw it?

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I looked at it and thought it was Art Deco

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-and I sort of had an inkling it could be.

-Right.

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And it was only confirmed when I turned it over

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and I read the signature on the bottom.

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And is it the name that you knew at the time?

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-Yeah, I watch a lot of these programmes, so I see it, you see!

-Ah!

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That's very good! Right, that's a big tick and an A-star for you.

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Well, Charlotte Rhead did a number of different designs

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for Crown Ducal

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and you can see on the bottom there, it has got a nice, clear signature.

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-Sometimes she does an L for Lottie, Lottie Rhead.

-Mm-hm.

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But you can see the C Rhead, Charlotte Rhead, at the bottom.

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And the impressed mark there, Crown Ducal, which is the factory.

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And then you can see as we turn it round further, you've got

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-the number 212 and that's the actual shape of the vase.

-OK.

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-Do you like the colours?

-See, I like Art Deco and I thought it was Art Deco.

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Yeah. Well, you're bang on with that, because it is 1930s in date.

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-And I like the colours. I wasn't too sure if I could afford it.

-Yes.

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So I did have to ask how much it was - at a car boot!

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And how much did you pay?

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I paid £30 for it, but he did want 45. So...

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So you knocked him down?

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-Yeah.

-So you've seen these antique programmes.

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So you did a bit of bartering. Very good, I like your style.

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Charlotte Rhead does sell quite well at auction,

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but it's not such a popular colouring.

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This is the colouring that she does quite often,

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but the other colours which you don't see so often,

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which are the purples and the greens and the more sort of pinky colours,

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-they tend to be the ones that make the bigger prices at auction.

-OK.

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So you paid £30 for it. How much are you expecting it to be worth?

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I really don't know.

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It's just... I need to sell it because my daughter's cat is

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a big Maine Coon cat, and I know he's going to knock it off one day and

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-I'll regret it.

-Oh, right. OK.

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-So we're not selling it to get money...

-No, no.

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..big money back on it. We are selling it because of the cat.

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-Right.

-SUE LAUGHS

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Well, that's a bit of a relief because I was a bit concerned that

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you were thinking you'd paid £30 for it and it was going to be worth 100.

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I liked it. No, I liked it at the time,

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-it was something that I would have kept.

-Right, right.

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Charlotte Rhead's slightly gone off the boil a bit

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-and I would say a sensible estimate would be £40-60.

-OK.

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-Is that all right?

-Yeah, that's good.

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-But you're still happy to sell it at that?

-Yeah.

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I would really like to get you a little bit back,

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but I think it's going to be a few pounds rather than 10 or 20.

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-Uh-huh.

-So I'm going to suggest we put £40-60 on it.

-OK.

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Let's put a 30 reserve on it because that's what you paid for it.

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-Yep.

-Are you happy to let it go for that?

-Yeah, definitely.

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-Now we can have a nice clear shelf...

-Yeah.

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-And the cat can walk along.

-He likes heights.

-He likes heights.

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-Well, just don't buy another vase.

-SUE LAUGHS

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As far as I know, they don't have any cats at Breamore House,

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which is just as well.

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Well, before we head off to auction, there's just enough time for me

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to show you this incredible collection of Napoleonic art.

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These pictures have been produced from sketches

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painted in the field by a French artist.

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And here you can see Napoleon and his army arriving at port.

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And I would say these are the spring of 1815, because

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the Battle of Waterloo took place that year, during the summer months.

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And here is the man who defeated Napoleon.

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The Duke of Wellington, one of our greatest military leaders.

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Napoleon was sent to exile on the island of Saint Helena,

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and Wellington went on to become one of our prime ministers

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and lived at number one, Marble Arch, London.

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Well, now, let's have a quick reminder

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of our experts' favourite items that are going under the hammer.

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The walking cane needs a new owner who can offer it

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a better home.

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This collection of First World War slides offers

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a poignant view of the past.

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And the Charlotte Rhead vase is looking for

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a safe haven with no cat!

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First up, Ewbank's Auctions, near Guildford.

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And remember, of course, that with every auction

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there are varying rates of commission to pay

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and VAT to add on top, whether you're buying or selling.

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So make sure you find out how much that is in advance.

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Now, let's see how that walking cane does.

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Good luck, John.

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This is your moment, we're putting this valuation to the test by Thomas.

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It's the walking cane topped with Indian silver. It's a nice thing.

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Not a lot of money, either. Why do you want to sell this?

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Um, well, it's... We're not collectors or anything.

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And it's been hanging around the house, more or less.

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It's a nice thing. I'd kind of hang on to it as a prodding stick.

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-A prodding stick? What...

-You know, a stick to chase the dog, move things away, you know...

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-..prod the kids with and the wife?

-No, no!

-"Get out of the way!"

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-You found this, didn't you?

-We did indeed, in the attic.

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What, it didn't belong to your family when you bought the house? Someone left it in the attic?

0:15:140:15:18

Yeah, literally.

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-About 30 odd years ago we bought a house and...

-That's where it was.

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-That's all right, isn't it?

-Good story, good story.

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Well, here we are, and we're going to put it to test in the auction

0:15:260:15:28

and I'm pretty sure this is going to find a new home

0:15:280:15:31

and a new attic. Here we go.

0:15:310:15:32

The Indian bamboo tapered walking cane,

0:15:320:15:34

with the white metal pommel emboss there, with the deities there,

0:15:340:15:37

and I've got bids, and I go in at 20 on this one.

0:15:370:15:40

At 20, 25, 30, now, 35. 40, now.

0:15:400:15:43

-45, now, looking for 50.

-Sold.

0:15:430:15:46

Looking for 50, anywhere. All and done, then. Selling then at £45.

0:15:460:15:51

-Oh!

-Yes, the hammer has gone down, that is a sold sound, we like that.

0:15:510:15:55

-Happy?

-Very good.

-Well done, Thomas.

0:15:550:15:58

-You know, a result.

-Yes.

0:15:580:15:59

-Excellent stuff. It won't fall out the cupboard on me any more.

-No.

0:15:590:16:02

Someone's got a new prodding stick.

0:16:020:16:04

THEY LAUGH

0:16:040:16:06

Onto Sherborne in Dorset, where

0:16:060:16:08

auctioneer Richard Bromell is at Charterhouse Auctioneers.

0:16:080:16:11

It's a name that crops up quite regularly on the show, and it is

0:16:130:16:16

Catherine Southon, and she is right next to me now, looking beautiful.

0:16:160:16:19

-Full of hearts, look at that.

-Queen of hearts.

-THEY LAUGH

0:16:190:16:22

Now, Charlotte Rhead, and it belongs to Sue.

0:16:220:16:24

-This is a nice item. You bought this recently?

-Not that long ago.

0:16:240:16:28

Last year, some time in the summer.

0:16:280:16:30

So why did you decide to bring it in to the valuation day, to Catherine?

0:16:300:16:34

I am looking after my daughter's cat at the moment,

0:16:340:16:36

and he's a big Maine Coon, and he likes to go high.

0:16:360:16:40

So I'm frightened it is going to go on the floor.

0:16:400:16:42

-OK, so will we get you your money back? I think we will.

-Hopefully.

-I hope so.

0:16:420:16:47

Charlotte Rhead has had a bit of a dip recently,

0:16:470:16:50

but let's hope we can get the price.

0:16:500:16:52

-We are going to give it a go for you. Are you ready, Sue?

-Yes.

-Right, here we go, this is it.

0:16:520:16:55

Pretty little Charlotte Rhead Crown Ducal vase here.

0:16:550:16:59

-Come on, come on.

-30, £30, I have now. At 30. I'll take a five.

0:16:590:17:02

-And five.

-Well done.

-Sue!

0:17:020:17:05

Far away, the bid on the right at £35. I sell at 35.

0:17:050:17:09

It's gone. OK, look, you've got to pay commission, it is 15%

0:17:090:17:12

plus VAT here.

0:17:120:17:13

Everyone has to pay it if you're buying or selling, OK.

0:17:130:17:16

But you didn't lose too much money, did you?

0:17:160:17:18

And it is better to sell it now than before that cat smashes it.

0:17:180:17:23

THEY LAUGH Definitely. Definitely.

0:17:230:17:26

Thank you for bringing it in, it was good to see a bit of Charlotte Rhead.

0:17:260:17:29

Now over to Tring Market Auctions, where Stephen Hearn is

0:17:290:17:32

selling those fascinating slides.

0:17:320:17:34

Rob and Sharon, good luck, this is the moment we've been waiting for.

0:17:340:17:38

65 slides of the Great War, of national importance.

0:17:380:17:42

-So hard to put a value on.

-I'm really nervous.

-I'm nervous for you.

0:17:420:17:45

I wouldn't like to do that.

0:17:450:17:46

You have to understand, it really is a hard thing to value.

0:17:460:17:50

As much as they are incredibly important, and obviously the things

0:17:500:17:52

they evoke, you sort of think, "What do you do with them now?"

0:17:520:17:56

Hopefully somewhere in your mum and dad's loft,

0:17:560:17:59

or in your loft, you've got other things from the Great War.

0:17:590:18:02

-Oh, he's a cheery soul, isn't he?

-THEY LAUGH

0:18:020:18:05

Look, I wouldn't sell them.

0:18:050:18:06

I wouldn't sell them if my grandad... And he had quite a life, didn't he?

0:18:060:18:10

-He was torpedoed, he was buried alive, survived it, though.

-He did.

0:18:100:18:14

Fingers crossed we get that £150-£200 because I think it's

0:18:140:18:17

-worth a great deal more than that. Good luck.

-Thank you.

-Best of luck.

0:18:170:18:21

These are rather interesting, these are.

0:18:210:18:23

You've got some of the Boer War, you've got some of the stereoscopic

0:18:230:18:26

viewers and, well, you've got some of the First World War in here.

0:18:260:18:30

A very interesting collection. What about a couple of hundred for them?

0:18:300:18:34

150 for them. 100 for them bid. 100, I'm bid.

0:18:340:18:37

-Oh, 100 is bid.

-Come on.

0:18:370:18:39

120 is bid. 130, and 40,

0:18:390:18:41

-and 50, and 60.

-Oh, there we go.

0:18:410:18:44

Lots of interest.

0:18:440:18:46

At £160, then, I shall sell.

0:18:460:18:48

They are going, then, down they go for £160.

0:18:480:18:52

-Well, they've gone. Good valuing.

-In the room as well.

0:18:520:18:56

-Fantastic, well done.

-Happy?

-Yes.

-Good.

0:18:560:19:00

Thank you for bringing those in. They were great pictures.

0:19:000:19:02

-It was just such an honour to see, they were really, really fascinating.

-I think so.

0:19:020:19:06

Thank you, well done.

0:19:060:19:08

Over to Hampshire now to uncover some more remarkable

0:19:110:19:14

history in an unexpected place.

0:19:140:19:18

The beautiful unspoiled Beaulieu River is unusual for being

0:19:180:19:21

one of the few privately owned rivers in the world.

0:19:210:19:25

King John gave it to the monks of Beaulieu Abbey in 1204,

0:19:250:19:29

and it has belonged to the family of the current owners of the estate

0:19:290:19:32

since the time of Henry VIII.

0:19:320:19:35

So you may be surprised to discover that this idyllic rural spot,

0:19:350:19:40

known as Buckler's Hard - the "hard" meaning the gravel

0:19:400:19:43

running down to the low water mark, is the maritime centre of the river,

0:19:430:19:47

and it has played a remarkable part in British naval history.

0:19:470:19:52

Three of the sailing ships that took part in the British victory at

0:19:520:19:55

the Battle of Trafalgar, against the combined fleets of

0:19:550:19:58

the French and Spanish navies, were built on these very launch ways.

0:19:580:20:03

The 36-gun Euryalus, the 74-gun

0:20:030:20:06

Swiftsure and the 64-gun Agamemnon,

0:20:060:20:09

affectionately known to her crew as "Eggs-and-Bacon".

0:20:090:20:12

One of Admiral Nelson's favourite vessels,

0:20:120:20:14

and he'd written of her earlier, "She is without doubt the finest

0:20:140:20:18

"64 in the service and has the character to sail very well."

0:20:180:20:22

So how did this quiet backwater, Buckler's Hard,

0:20:220:20:25

find itself in the naval history books?

0:20:250:20:28

It might never have been without the ambitions of John,

0:20:290:20:32

the 2nd Duke of Montagu,

0:20:320:20:34

who early on in the 18th century had grand plans

0:20:340:20:37

to build a splendid port for sugar coming from the West Indies.

0:20:370:20:41

It was to be called Montague Town,

0:20:410:20:43

and an 80 foot wide street was built down to the quay,

0:20:430:20:48

but that's as far as it got.

0:20:480:20:50

The French put a stop to it by claiming the islands

0:20:500:20:53

in the West Indies for themselves, the ones the Duke had his eye on,

0:20:530:20:57

so no sugar reached here.

0:20:570:20:59

All the Duke was left with was a rather wide high street

0:20:590:21:03

and a few cottages.

0:21:030:21:05

But the Duke, being an enterprising chap, wanted to make use of this

0:21:100:21:13

extra wide high street.

0:21:130:21:14

It had ideal access to get big elm trees and oak trees down here,

0:21:140:21:18

and the river at this point is exceptionally deep.

0:21:180:21:21

The ground was hard and it was sheltered,

0:21:210:21:24

it was ideal for boat-building, so the Duke leased it to some shipwrights.

0:21:240:21:28

And in 1744, a contract was drawn up with the Navy.

0:21:280:21:32

Then began 100 years of shipbuilding here at Buckler's Hard.

0:21:320:21:37

It is thought that around 100 naval and merchant ships were built here.

0:21:370:21:42

Of course there were no power tools available to the men who

0:21:420:21:46

built these ships, so it was a slow process.

0:21:460:21:49

A ship could take two years to construct.

0:21:490:21:52

It must have been an amazing spectacle,

0:21:520:21:54

when at the height of its activity five of these magnificent

0:21:540:21:58

ships were all being built in the shoreline launches,

0:21:580:22:02

towering over the cottages behind.

0:22:020:22:04

In the early 19th century, wooden shipbuilding sites

0:22:050:22:08

in the country fell into disuse

0:22:080:22:10

and Buckler's Hard became a sleepy backwater again.

0:22:100:22:13

But good news, the traditional skills of shipbuilding are on their

0:22:130:22:17

way back to here, and the man in charge of doing this is Nat Wilson.

0:22:170:22:22

-Hi, it's Paul, a pleasure to meet you.

-You too.

0:22:230:22:26

I'm so jealous, I love all of this. Look at it.

0:22:260:22:28

-This is your work space! Here you are boat-building.

-Yes.

0:22:280:22:32

Well, I've never seen an oar being made

0:22:320:22:33

-so hopefully you'll let me have a go.

-Absolutely.

0:22:330:22:36

First of all, tell me about the boat-building here.

0:22:360:22:38

This is all about working with big, heavy timbers,

0:22:380:22:41

the likes of HMS Victory and HMS Warrior,

0:22:410:22:43

and it is teaching people how to handle big lumps of timber,

0:22:430:22:47

how to work with them with the old tools, like the...

0:22:470:22:50

-Traditional skills and methods.

-Absolutely, yes.

0:22:500:22:53

I know you're working on an oar here,

0:22:530:22:54

and I can see you've got some laminated parts for the blade.

0:22:540:22:57

So talk me through what you are doing.

0:22:570:22:59

We are basically shaping the blade

0:22:590:23:02

and then we are turning the shaft from a square into a circle.

0:23:020:23:05

We mark it out, so that once this is cut down,

0:23:050:23:09

that distance will end up the same as that distance

0:23:090:23:11

-and that distance, so it will be an octagon all the way round.

-I see what you are doing.

0:23:110:23:15

Then you re-mark it and take off the corners.

0:23:150:23:17

So that one has been roughed out as an octagon.

0:23:170:23:21

Needs cleaning up a bit and then we proceed, taking off corners

0:23:210:23:24

until you end up with a round.

0:23:240:23:25

And how long would it take to make one oar from start to finish?

0:23:250:23:29

-Half a day. I can make a pair in one day.

-Gosh, that's quick going, isn't it?

0:23:290:23:32

-Once they are glued up and ready to go.

-Can I have a go at that?

0:23:320:23:35

-Of course you can.

-Can I use the drawknife?

-You can indeed.

0:23:350:23:38

I'll flip it round.

0:23:380:23:40

Hold it.

0:23:430:23:45

All yours.

0:23:450:23:46

So, start facing this way

0:23:470:23:50

and draw in, or... Yes.

0:23:500:23:52

-That way.

-Oh, crikey.

0:23:520:23:54

-That's where you have to flip...

-Go back against the grain.

0:23:540:23:58

In fact, the grain is quite kind in this direction.

0:24:010:24:04

Gosh, it is a satisfying feeling.

0:24:040:24:07

It is, and it's very quick as well.

0:24:070:24:09

-Shall I turn it around?

-Yes, reposition it to make it comfortable.

0:24:090:24:14

It really does want to tear.

0:24:140:24:15

It's the joy of wood, it is never exactly as you want it.

0:24:230:24:26

You've done that before. Did you sign up for a course?

0:24:280:24:31

-I have done it before, actually.

-THEY LAUGH

0:24:310:24:34

I was just about to say, you know, fresh wood shavings, it doesn't get any better

0:24:340:24:38

-than that smell, but we are outside so we can't actually smell them.

-THEY LAUGH

0:24:380:24:41

That's lovely, isn't it? So I can see how the process works now.

0:24:410:24:45

Just literally taking the square into a round by taking off sections

0:24:450:24:50

-of the corner each time.

-Yeah.

0:24:500:24:52

So how do you shape this section?

0:24:520:24:54

-That section, we use this wonderful little thing called a bollow plane.

-A what?

0:24:540:24:58

-A bollow plane.

-Bollow plane, OK.

-This is something that all the students make.

0:24:580:25:02

-It is what I make.

-You made that yourself?

-25 years ago, yes.

0:25:020:25:05

But that's curved in both directions, which means

0:25:050:25:07

we can scoop in...

0:25:070:25:09

-That's clever.

-..and create...

-That's very clever.

-..create that shape.

0:25:090:25:12

Look at that, that's dished out beautifully.

0:25:130:25:16

-You're a very skilful man.

-No, it's just lots of practice.

0:25:160:25:18

Well, it is really encouraging to know there are people with

0:25:180:25:22

the skills that you have that are passing them on,

0:25:220:25:24

because that's so important with these traditional skills.

0:25:240:25:26

A lot of them are being lost.

0:25:260:25:28

They are, but we are doing our own little bit to bring them back again.

0:25:280:25:31

Well, look, good luck with that and good look with the school here.

0:25:310:25:34

It has been a real pleasure having a go.

0:25:340:25:36

Seeing these magnificent warships being built here is

0:25:370:25:40

a thing of the past,

0:25:400:25:41

but it's heartening to know that the traditional skills

0:25:410:25:44

and methods that built our maritime history

0:25:440:25:48

are still alive today.

0:25:480:25:50

I've worked on "Flog It!" for 13 years and I still get surprised

0:26:010:26:04

about the amount of history you can discover on this show.

0:26:040:26:08

This country continues to serve up a feast of delights for heritage lovers like myself.

0:26:080:26:14

And here, at Breamore, there's plenty to indulge in.

0:26:140:26:19

Like this fabulous old kitchen, for instance.

0:26:190:26:21

It really is copper heaven here.

0:26:210:26:23

There's hundreds of copper pots and pans

0:26:230:26:26

and jelly moulds.

0:26:260:26:28

"Why?" you're probably asking. Well,

0:26:280:26:30

many of this collection came as part of a dowry with

0:26:300:26:33

the young brides because the Hulse family had many generations of boys.

0:26:330:26:38

All the kitchen equipment here and all the items in it have been

0:26:380:26:42

beautifully preserved.

0:26:420:26:44

Let's hope the same can be said about our next batch of items.

0:26:440:26:47

We arrive next in Kent, at Chiddingstone Castle, where we

0:26:490:26:53

find Adam Partridge under blue skies.

0:26:530:26:55

Well, Mary, I must say that the cloud formation on this painting

0:26:570:27:00

is very similar to the one we've got today at Chiddingstone Castle.

0:27:000:27:03

-Yes, we are very lucky.

-Aren't we just?

0:27:030:27:06

And it's a beautiful painting.

0:27:060:27:08

I remember seeing you earlier this morning, and this was wrapped

0:27:080:27:12

in a blue tarpaulin and my interest was immediately aroused by it.

0:27:120:27:16

Can you tell me where you got it from, because I know there's

0:27:160:27:18

a bit of interesting history to this, isn't there?

0:27:180:27:20

Well, it belonged to my late father, who died last year.

0:27:200:27:24

And at the age of 14, he started to work for

0:27:240:27:28

Sir John Ellerman...Baronet.

0:27:280:27:30

-Baronet, yes.

-Who was not a well-known person

0:27:300:27:34

but was actually one of the richest people in the world

0:27:340:27:38

and founded the Ellerman shipping companies.

0:27:380:27:41

Sir John died in 1973,

0:27:410:27:45

and much of his art collection was sold,

0:27:450:27:47

but some of the paintings which remained... Sir John's widow,

0:27:470:27:51

Lady Esther Ellerman, made a gift to my father

0:27:510:27:54

of this painting in 1975.

0:27:540:27:58

So they obviously thought very highly of your father.

0:27:580:28:00

Well, he stayed on all his working life until he was 61.

0:28:000:28:05

And actually met my mother at the company.

0:28:050:28:07

So he progressed all the way through, got married,

0:28:070:28:09

-everything has happened...

-Absolutely.

-..while being at Ellerman's.

0:28:090:28:12

-Yes.

-So did you know this painting growing up, then?

0:28:120:28:15

No, I didn't at all, because I'd left home in 1971

0:28:150:28:19

-to go to university.

-Ah, so...

0:28:190:28:21

This was before the gift was made to him.

0:28:210:28:24

It certainly beats a battery-powered carriage clock, doesn't it?

0:28:240:28:27

I think he had one of those as well. THEY LAUGH

0:28:270:28:29

So the artists, do you know a little bit about Edmund Marie Petitjean?

0:28:290:28:33

I've done a little research on the internet.

0:28:330:28:36

It seems he was quite well thought of.

0:28:360:28:39

Oh, very much so. Born in 1844

0:28:390:28:41

and died in 1925. He exhibited quite widely.

0:28:410:28:44

And they meet with quite strong responses. It is clearly done by

0:28:440:28:48

a very accomplished artist. I particularly like this little scene going on here.

0:28:480:28:53

I think it must be a French scene, do you?

0:28:530:28:55

I've always thought it was France but...

0:28:550:28:58

-It would be nice to know where, wouldn't it?

-Maybe Italy.

-European.

0:28:580:29:00

I honestly don't know, but definitely European.

0:29:000:29:03

So presumably you've only recently come into the ownership of it.

0:29:030:29:05

-Yes, my father died in August last year.

-Yep.

0:29:050:29:09

And had this on his dining room wall. So, yes, we now have it in the family.

0:29:090:29:14

-Do you have it on display...?

-No.

0:29:140:29:17

It is quite a hard thing to accommodate.

0:29:170:29:19

It's very big but it will meet with a very enthusiastic demand commercially.

0:29:190:29:22

It is very pleasantly composed, isn't it?

0:29:220:29:25

Clearly, he knows how to paint - a very talented painter.

0:29:250:29:28

Lovely original gilt frame.

0:29:280:29:29

It's got a lot of things going for it.

0:29:290:29:31

Let's hope a lot of people should like that when it comes up for auction.

0:29:310:29:35

Well, I hope so, because I think it should be seen.

0:29:350:29:37

It's not something that I would be able to display in my house, nor my brother's.

0:29:370:29:41

-So that's the reason for selling?

-Indeed.

0:29:410:29:44

Now, the artist has a record at auction.

0:29:440:29:46

Some of the smaller works are around the £1,000 mark

0:29:460:29:50

and some of the very important works are several thousand pounds.

0:29:500:29:53

So we have decided that we would suggest

0:29:530:29:55

an estimate of £2,000-£3,000 on this.

0:29:550:29:58

I would suggest a reserve of £2,000 because it must be worth that.

0:29:580:30:01

-Sound all right?

-Yes, yes, yes, I think my father would be pleased.

0:30:010:30:06

Good. Is there anything specific that you would put the money towards?

0:30:060:30:09

I haven't really thought about that but something to remind me of my dad.

0:30:090:30:14

I'm sure the auctioneers will be delighted to see it in their saleroom

0:30:140:30:17

and hopefully they will put a picture in their catalogue and give it a lovely spot on the wall,

0:30:170:30:21

and loads of people will bid for it and it will make a great price.

0:30:210:30:24

Well, my father would have been tickled pink with that. Thank you.

0:30:240:30:28

Well, fingers crossed then.

0:30:290:30:30

Along the south coast to Dorset and Lulworth Castle,

0:30:320:30:35

where Mark Stacey is examining a recently purchased bargain.

0:30:350:30:38

-Kane. Lovely to meet you.

-And yourself.

0:30:400:30:43

You brought this rather interesting bowl in.

0:30:430:30:46

-Tell me where you got it from.

-From Allington Lane, a car-boot sale. Ten pence.

0:30:460:30:50

10p! Gosh. What attracted you to it?

0:30:500:30:53

-I thought it was a piece of Delft.

-Delft pottery?

-That's what I thought.

0:30:530:30:56

Well, I can see that, because it's quite heavy pottery, isn't it?

0:30:560:30:59

And you've got quite a lot of flaking which does happen on Delft pottery.

0:30:590:31:02

It's not, actually. It's from a completely different region. It's from the Persian area.

0:31:020:31:06

This type of ware we refer to as Iznik pottery.

0:31:060:31:10

Now, that's normally because of these colours,

0:31:100:31:13

the turquoises, the blues, the reds.

0:31:130:31:15

What we really want to find is pieces that date from the 14th, 15th and 16th centuries.

0:31:150:31:20

They were produced in the Anatolia region

0:31:200:31:23

in what is now the Persian Gulf and Turkey.

0:31:230:31:27

That whole Arab area.

0:31:270:31:28

This, I think, is probably late 19th century.

0:31:280:31:31

It's got these rather nice arabesque motifs on it

0:31:310:31:34

and the stylised flowers - all hand-painted, of course.

0:31:340:31:37

And there is a little bit of fritting on the edges. And we turn it over,

0:31:370:31:41

and we've got this continuous frieze of flowering branches, which is really quite Chinese in inspiration.

0:31:410:31:46

So there is obviously a lot of Chinese porcelain

0:31:460:31:50

coming around into Europe and Asia and the Arabic countries,

0:31:500:31:54

so they've started to have a bit of an influence on that.

0:31:540:31:56

And it is not marked, which you expect.

0:31:560:31:58

I have to say, if it was an early piece it would be worth an awful lot of money

0:31:580:32:04

but as a decorative, sort of late 19th century piece, and you only paid 10p for it...

0:32:040:32:08

-Yes, that's true.

-What would you hope it to be worth?

-Oh, thousands and thousands.

0:32:080:32:12

Well, maybe of Turkish lire. Which is about 10p or something.

0:32:120:32:17

But it's worth more than 10p.

0:32:170:32:20

I think if we put this into auction with an estimate

0:32:200:32:23

of something like £40-£60 and just have fun with it.

0:32:230:32:27

Because you just might find two or three buyers on the internet who'll think, "I really like this,"

0:32:270:32:32

-and it could give us a real surprise on the day.

-Yes.

0:32:320:32:36

-Happy with that estimate?

-Yes, well, I was hoping it was going to be worth a lot more, but...

0:32:360:32:40

We're all hoping for more, even Paul Martin hopes for top of the estimate all the time.

0:32:400:32:45

I think, had it been earlier, the colours would've been much more vibrant.

0:32:450:32:49

I mean, really vivid blues and greens and reds.

0:32:490:32:52

And this is why I'm valuing it as a later piece, because of the muted colours.

0:32:520:32:55

But it is a good interior design piece.

0:32:550:32:57

It will fit into a modern apartment as well as an antique house.

0:32:570:33:01

So there is a good chance it might make a bit more than our estimate.

0:33:010:33:04

-Let's just hope so.

-Fingers crossed.

-Yes.

0:33:040:33:06

As you only paid 10p for it, what do you think about a reserve?

0:33:060:33:09

-Are happy to just let it go and have a bit of fun?

-Yeah, just let it go.

-I think so.

0:33:090:33:13

-Kane, thank you so much. Lovely to see you.

-And yourself. Cheers. Thank you.

0:33:130:33:18

Of course, we all want top dollar if we can get it.

0:33:180:33:21

We end our tour at Wrest Park in Bedfordshire,

0:33:220:33:25

where Christina Trevanion has found our final item of the day.

0:33:250:33:28

Janet, you have brought this really, utterly stunning piece

0:33:300:33:35

to show me today. Where has it come from?

0:33:350:33:38

Well, as far as I'm aware, it came with my grandad

0:33:380:33:41

when he and his family left Odessa

0:33:410:33:46

in the Ukraine in the late 1890s.

0:33:460:33:50

OK. So what made them come to England from the Ukraine?

0:33:500:33:53

-Well, they were on a ship headed for America.

-Right.

0:33:530:33:56

Because of the pogroms.

0:33:570:34:00

My grandfather's mother saw her parents taken out and shot.

0:34:000:34:04

-So they were fleeing, effectively?

-Exactly.

-Understandably.

-Yes.

0:34:040:34:08

I mean, good Lord, if you've seen members of your family taken out and shot then it's...

0:34:080:34:12

-Yes, you want to get out of there, don't you?

-You do, absolutely.

0:34:120:34:15

So they got on a boat and they were headed for America...

0:34:150:34:18

-And their boat was shipwrecked.

-Oh, really?

0:34:180:34:21

-Yes, and they were rescued.

-Oh, my goodness.

0:34:210:34:23

And they ended up in London.

0:34:230:34:25

So where does this jug come into the equation?

0:34:250:34:28

Well, I'm just assuming that it came with the family

0:34:280:34:33

when they escaped from Odessa.

0:34:330:34:36

It certainly didn't start life in the Ukraine.

0:34:360:34:39

Is there any sort of connection in the family to the East, to Japan?

0:34:390:34:43

Not as far as I'm aware.

0:34:430:34:44

Because this rather lovely little thing

0:34:440:34:47

is a Japanese cloisonne jug and cover, or ewer and cover.

0:34:470:34:51

It probably dates to what we call the Meiji Period, which was 1868-1912,

0:34:510:34:57

but I would probably date this to about 1880-1890. And it is...

0:34:570:35:02

I hope you don't mind me saying, but it is possibly one

0:35:020:35:05

of the finest pieces of cloisonne that I've had the pleasure of handling.

0:35:050:35:08

-Really?

-It's really, really beautiful.

-That's wonderful.

-Really beautiful.

0:35:080:35:13

Especially when we consider how laborious this process of cloisonne is.

0:35:130:35:19

Effectively, you've got a gilt metal, bronze or brass base,

0:35:190:35:22

which this would have been made of.

0:35:220:35:24

-You then get all these tiny little swirls, these pieces of wire.

-Yes.

0:35:240:35:30

Which they would have individually soldered on

0:35:300:35:33

and then done the decoration of the animals and the flowers as well.

0:35:330:35:36

And then, individually, you would have hand poured molten

0:35:360:35:39

enamel into each of these tiny little things.

0:35:390:35:42

So the process is incredibly labour-intensive.

0:35:420:35:45

-It must've taken an age to produce.

-Literally days.

0:35:450:35:49

I mean, it is just the most beautiful thing

0:35:490:35:51

and you see cloisonne, which is a few bits of wire filled in with enamel,

0:35:510:35:54

and then you see cloisonne, which is gorgeous.

0:35:540:35:58

And it really is beautiful.

0:35:580:36:00

It is so detailed and in itself it sort of tells a little story

0:36:000:36:04

because you've got a dragon down here chasing the flaming pearl, which was a legend.

0:36:040:36:08

You've got a rooster here which is a symbol of bravery.

0:36:080:36:11

So it really speaks volumes.

0:36:110:36:13

-It looks particularly modest but it is really quite special.

-Gosh.

-It's lovely.

0:36:130:36:17

So if I turn it upside down, I would really,

0:36:170:36:19

really hope to see a mark, but there is no mark in there, sadly.

0:36:190:36:22

Which is such a shame, because an item of such quality, I would

0:36:220:36:25

really, really like to be able to attribute it to a particular artist.

0:36:250:36:29

Do you have any sort of expectations for it at auction?

0:36:290:36:32

I've got no idea whatsoever.

0:36:320:36:34

At auction, I would hope that it would fetch

0:36:340:36:37

somewhere in the region of £300-£500. OK.

0:36:370:36:40

-Maybe a reserve of £250.

-OK.

-But I do think it's quite stunning.

0:36:400:36:44

Thank you very, very much for bringing it in.

0:36:440:36:47

And especially the history that it has seen.

0:36:470:36:50

Bearing in mind that it has been in a shipwreck, in the Ukraine,

0:36:500:36:53

and goodness knows elsewhere, it has remained in remarkable condition.

0:36:530:36:59

It really has. So well done you for treasuring it for so long.

0:36:590:37:01

-Thank you very much.

-You're more than welcome. Thank you.

0:37:010:37:04

That sounds like the one to watch.

0:37:040:37:07

It's now time for our final visit to the auction room,

0:37:110:37:14

so here's a quick recap of all the items going under the hammer.

0:37:140:37:18

This painting has real quality, so it shouldn't get the brush-off

0:37:190:37:23

in the saleroom.

0:37:230:37:25

It may not be early Delft but this bowl has the look

0:37:270:37:30

and with no reserve it's going to go.

0:37:300:37:33

Christina fell in love with this cloisonne vase which has got to be a good sign.

0:37:360:37:41

Charterhouse Auctioneers in Dorset is where our first sale

0:37:480:37:52

is being held.

0:37:520:37:53

Auctioneer Richard Bromell is on the rostrum selling our car boot

0:37:530:37:56

find of the day. Going under the hammer right now we have a bowl.

0:37:560:38:00

It cost ten pence in a car-boot sale.

0:38:000:38:02

We're hoping to get around £60, the top end for it. It belongs to Kane.

0:38:020:38:06

Sadly, he can't be with us today, but we do have the item

0:38:060:38:08

-and we do have our expert, Mr Mark Stacey.

-Hello, Paul.

0:38:080:38:11

-Will it get that top end?

-I don't know. It is a lovely thing.

-It is.

0:38:110:38:14

-He thought it was Delft.

-He did think it was Delft.

0:38:140:38:16

And I think it's late, don't you? It's not that early Islamic.

0:38:160:38:20

But the colours are nice, the pattern is good.

0:38:200:38:22

-It should make £40-£60.

-It should do. I like the arabesque patterns.

0:38:220:38:25

-I love it.

-And it sort of attracts your eye. Here we go.

0:38:250:38:28

Fingers crossed for Kane. This is it.

0:38:280:38:30

This bowl here comes straight in at £25... I have bid.

0:38:300:38:33

£25, £30, £35, £40, £45...

0:38:330:38:35

-That's good.

-We're over the lower end anyway.

0:38:350:38:38

£45 I have, and £50 on the internet.

0:38:380:38:41

At £50, £60? £60 and away now. £70. It's on the internet.

0:38:410:38:43

The internet is pretty good.

0:38:430:38:44

So it is on the internet

0:38:440:38:46

and going away. So selling at £70, last chance at £70...

0:38:460:38:49

The hammer goes down. Yes.

0:38:490:38:50

£70. Not bad. I wish we could do that every day of the week.

0:38:500:38:54

I would love to, Paul. We would be happy, wouldn't we?

0:38:540:38:57

Yes, but we can't.

0:38:570:38:58

We can't. It is just not possible. Well, I hope you enjoyed that little moment, Kane.

0:38:580:39:02

Mark will be on the phone, won't you?

0:39:020:39:04

I will. I'll give them a ring.

0:39:040:39:06

And I'm sure Kane will be delighted.

0:39:060:39:08

Now, 145 miles north to Tring, where auctioneer Stephen Hearn,

0:39:100:39:15

at Tring Market Auctions, is on the rostrum.

0:39:150:39:17

Going under the hammer right now, a real treasure.

0:39:190:39:22

A Japanese cloisonne vase. It belongs to Janet.

0:39:220:39:24

Unfortunately she can't be here, she is on holiday.

0:39:240:39:26

But we do have her stepdaughter, Charlotte, who is with me right now. Do you know much about this vase?

0:39:260:39:31

-I'm afraid I don't.

-Have you ever seen it?

0:39:310:39:33

I've seen it in the house but that's about it.

0:39:330:39:35

-Probably gathering dust somewhere.

-Actually, it is stunning.

0:39:350:39:39

I mean, it really is. It is a great example of cloisonne.

0:39:390:39:41

It is just so detailed, it is unbelievable, but the thing that worries me

0:39:410:39:45

is that the Japanese market is not as hot as the Chinese market.

0:39:450:39:47

-No, never has been.

-Never has been. Will it ever be?

-I don't know.

-Not sure.

0:39:470:39:52

But we have put £300-£500 on it, with a reserve of £250 firm.

0:39:520:39:57

Try making that for £500. Try asking a potter to do that.

0:39:570:40:01

They'd go, "Sorry, gov. Couldn't do it." Anyway, Charlotte, it's going under the hammer.

0:40:010:40:06

-Right, we'll see.

-And hopefully you can be the bearer of good news on the telephone.

0:40:060:40:10

-Let's see.

-Here we go. Let's put it to the test.

0:40:100:40:12

We have a cloisonne miniature vase, now. There we are. What about that?

0:40:120:40:17

£100, £200? £150, £160, £180. £180, I have it.

0:40:170:40:22

£190. Are you £200?

0:40:220:40:23

£180, perhaps madam?

0:40:230:40:25

No more, at £190, then it's going down for £190...

0:40:250:40:30

No! Thank you.

0:40:300:40:31

You can take it home now and actually look at it

0:40:320:40:35

and see it and appreciate it.

0:40:350:40:36

-I'll have to appreciate it.

-And appreciate how beautiful it is.

0:40:360:40:39

Well, there you. Look. We are very, very sorry.

0:40:390:40:41

-It's going home now.

-We've tested the market and they didn't want it.

0:40:410:40:44

OK, well, thank you.

0:40:440:40:46

Well, they don't know what they missed.

0:40:460:40:49

Our journey concludes at Ewbank Auctions with auctioneer

0:40:490:40:52

Tim Duggan conducting the sale.

0:40:520:40:55

Going under the hammer right now, something for you fine art lovers.

0:40:550:40:59

It is a Petitjean oil and it really is stunning. It belongs to Mary.

0:40:590:41:03

-Thank you so much for bringing that in.

-That's my pleasure.

0:41:030:41:06

It lit up everybody's faces. Why are you selling this?

0:41:060:41:10

I love the picture but I don't think I could do it justice in my house.

0:41:100:41:16

I would just like it to give somebody some pleasure...

0:41:160:41:19

Adam, you've sold his works before?

0:41:190:41:21

Yes, they vary depending on size and subject.

0:41:210:41:23

But one of the best paintings we've had,

0:41:230:41:25

certainly in my time...

0:41:250:41:26

-Oh, that's promising.

-Definitely, definitely. One of the nicest paintings.

0:41:260:41:30

It is beautiful, yes.

0:41:300:41:31

-Very accomplished, and it's ready to go under the hammer right now.

-I hope so.

0:41:310:41:35

This is it. I'm tingling. Here we go. Look.

0:41:350:41:37

Edmund Marie Petitjean, there.

0:41:370:41:39

The village there with the church scene looking across the river.

0:41:390:41:42

Oil on canvas, signed. How do you see this one? £1,000 for it?

0:41:420:41:45

£1,000 bid, £1,000 bid now, £1,100 now.

0:41:450:41:48

£1,200, £1,300,

0:41:480:41:50

£1,400, £1,500,

0:41:500:41:52

£1,600, £1,700,

0:41:520:41:55

£1,800, £1,900. At £1,900,

0:41:550:41:58

looking for £2,000, sir.

0:41:580:42:00

-I'm looking for £2,000.

-We need one more bid.

-£2,000 now.

0:42:000:42:03

I've got £2,100 on the commission,

0:42:030:42:04

-I want £2,200 online please.

-£2,100.

-I was worried...

0:42:040:42:08

Looking for £2,200. It is £2,100 with me on the commission now.

0:42:080:42:12

£2,200 online now... It is with you online now.

0:42:120:42:15

Looking for £2,300 anywhere.

0:42:150:42:18

Looking for £2,300 anywhere.

0:42:180:42:20

All done then, selling then at £2,200 online, at £2,200.

0:42:200:42:25

-Yay!

-£2,200. Yay. That is a happy sound, Mary.

0:42:250:42:30

-Yes, that's good.

-Happy?

-Yes.

0:42:300:42:33

I'm so glad I spotted you with that big tarpaulin in the queue in the morning.

0:42:330:42:37

I found it in the queue under a big tarpaulin, with her husband.

0:42:370:42:40

-Good, keeping it out of the sunlight.

-Absolutely.

-Yes, yes.

0:42:400:42:43

-It was hot that day, wasn't it?

-It was boiling.

-It was.

0:42:430:42:46

Well, Mary is happy, as I imagine the new owner will be.

0:42:480:42:51

And that is what it's all about.

0:42:510:42:53

We've been to some fabulous locations which have provided us

0:42:540:42:58

with a really interesting and historic collection of items.

0:42:580:43:02

Join us again soon for more surprises in the saleroom on Flog It!

0:43:020:43:07

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