Compilation 10 Flog It!


Compilation 10

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Today we have a show that's not only jam-packed

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with interesting collectables, we've got high valuations

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and auction tension, not to mention some great British icons.

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We'll be finding out more about one rather generous Royal,

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four of the country's most fabulous songwriters

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and one of our greatest novelists.

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It's got all the ingredients of a classic,

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so sit back and enjoy this special edition of "Flog It!"

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We've travelled the length

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and the breadth of the British Isles in search of exceptional stories

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and objects to take to auction

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and we met some rather special people along the way.

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Today, we visit Birmingham, Southwell, Edinburgh...

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and Wallasea.

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But can you guess which one of our items makes over £1,000

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and which one doesn't sell at all?

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Will it be Caroline's find -

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four rather fabulous autographs?

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-I've got The Beatles' autograph, all four of them.

-Oh!

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Or the gold ornate mirror

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that Thomas thinks might have a royal connection?

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"Dear Sir, I am commanded by the Queen

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"to acknowledge your letter of the 25th."

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Isn't that lovely?

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Or will it be the boys' toys in pole position

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when Adam spots a Matchbox collection in Edinburgh?

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Well, this display takes me straight back about 35 years.

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We start today's show here at Dunster Castle,

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just outside of Minehead, in Somerset,

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which seems a fitting place to begin really,

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as like any Flog It! auction,

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this place has had its fair share of jeopardy and tension.

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Twice the castle's future has hung in the balance.

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More recently in 1949, when it was sold to a property developer,

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but the biggest threat came during the English Civil War.

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For 12 days in 1650,

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the castle was under attack by Oliver Cromwell's troops

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as punishment for the family's support for King Charles I.

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Eventually, Cromwell revoked the order and the castle was spared.

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So, having been fought over

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by two of the most famous names in history,

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it seems like the perfect place to start

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our day here at Dunster Castle.

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And an object with a famous name attached to it

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is the perfect valuation to start with.

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'Over to Thomas Plant

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'who's in Birmingham's Museum and Art Gallery.'

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Catherine, you've come in with a mirror.

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Tell me, how has it come into your possession?

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It was given to the church in Bridgend, Nolton Church,

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for the church bazaar, to get funds for the war memorial,

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-and my aunt bid in an auction and she won it.

-Wonderful.

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Now, the important thing is, it was given by somebody to the church.

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-Yes, it was given by the Queen.

-The Queen?

-Yeah, Queen Mary.

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-Queen Mary?

-Mm-hm.

-God... So what's the story behind this?

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-Do you know much about it?

-No, not really.

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It was passed down to my mother by my grandmother

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and I don't really know much about it other than the letters.

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-Can I have a look at the letters?

-Yep, you can.

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-From HM the Queen.

-Yep.

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Obviously to go with the mirror on display, I would think.

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-For the bazaar.

-Yeah.

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-There's nothing better than a church bazaar...

-I know, yeah.

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..with a classy quiche... Stewed tea...

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And this is the letter. "Dear Sir, I am commanded by the Queen

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"to acknowledge your letter of the 25th.

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"Her Majesty will be glad to send you a small gift towards your sale,

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-"and Christmas..."

-Christmas tree, it says.

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Christmas tree. Interesting.

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-"The Queen well remembers her visit to..."

-Nolton Church.

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Nolton... So she actually went there?

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-"I hope that you will succeed in..."

-Raising.

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"Raising the money you require

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"to pay off the debt on your war memorial."

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-So, the First World War memorial.

-Yeah.

-This is really interesting.

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"The Queen hardly ever gives to any individual memorial

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"as it makes a difficult precedent where so many are concerned.

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"So, perhaps the fact of Her Majesty's gift

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"is only known locally."

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-Isn't that lovely?

-Except we're telling the world now!

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-Yeah, but it's a long time ago, come on!

-OK, sorry.

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It would have been quite a highly sought-after thing,

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I would have thought. Why have you brought it today?

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-For the fun of the programme, really.

-Fun of the programme.

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So, have you had it valued before?

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Yes, we had it valued about ten years ago

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and they valued it for about £500. They didn't actually see the item.

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We sent off photographs and documentation.

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-And of the letters, interesting.

-Yep.

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I had a similar figure in mind, maybe a bit more,

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because you've got the letters, the memorial...

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You've actually got the object itself,

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which we've not really spoken about.

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-A gilt, ormolu mirror...

-Yes.

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So, such nice quality and on the back here,

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West 1, St James's Street, that would be London.

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-Yep.

-So it's super quality.

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-A mirror on its own like this at auction is only worth £60-£100.

-OK.

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You put the letters with it, the story,

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-and I think that's got to be worth £600-£800.

-Yep.

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-And I would fix the reserve at 600.

-OK.

-Don't give it away.

-No.

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-So, I'll see you at the auction, Catherine?

-Yeah.

-Brilliant.

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It may not have been royal etiquette to give gifts to charities,

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but Queen Mary, grandmother to our own Queen,

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was clearly eager to play her part during World War I.

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She threw herself into various charitable activities.

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Most notable was her involvement with many of the organisations

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which supported wounded servicemen and their families,

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some of which continue to this day.

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Before we find out how the mirror does at auction,

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Adam Partridge is in Hopetoun House near Edinburgh,

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parked up beside a rather nice collection of toy cars.

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Well, this display takes me straight back about 35 years.

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-Well, it takes me back longer.

-Does it?

-Yeah.

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-Cos obviously I'm a lot younger than you, aren't I, Chris?

-Yeah.

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Just a couple of years!

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-They made them right through to the '70s, didn't they?

-Yeah.

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Cos I really remember these in their characteristic Matchbox boxes...

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-Yeah.

-Really clever marketing idea, wasn't it?

-Mm-hm.

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So, these were yours as a kid?

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-Yeah.

-You must have played with them really carefully

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-because there's hardly a mark on 'em.

-Ah, well...

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-I mean, the digger...

-Yeah.

-..has got a couple of little chips

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-on the paint, hasn't it?

-Yeah.

-That's about the only thing

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I can see that's not absolutely perfect.

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Now, I've got young boys and they love their toy cars

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and they're crashing them into each other and into the wall,

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and they're all chipped and...

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I think...when your parents scrimped and scraped to get these things...

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-Yeah.

-..you learned to respect them more.

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Yeah, I shall have a word with them when I get home!

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Did you have a favourite out of these, Chris?

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Not really, but what you see here is, like,

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-how vehicles have changed over the years as well.

-That's right, yeah.

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I mean, some of these are classic examples, aren't they?

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And then you see something like that

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-and that is really a thing of the past now, isn't it?

-Yeah.

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-Why are you selling 'em?

-Well, I've got grandsons...

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-Yeah.

-..and to be honest, nothing against them,

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I don't think they appreciate them.

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-Everything's more technological these days.

-All this...

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-Yeah.

-Oh...

-You know, and...

-They're not out and about,

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-you think you might as well move them on?

-Yeah, that's true.

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-Any idea the values?

-No, I don't.

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OK, well, they're going to vary a little bit.

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I mean, as a general rule, they're only...maybe a few pounds each.

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-Yeah.

-But you've got a lot of them and there's the odd one amongst them

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that's going to be a bit more than that.

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-I would suggest that we put them as one lot.

-Yeah.

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A good collection of Matchbox cars, I think we guide them at £100-£150.

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I think they'll probably make a bit more than that,

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but I think you need to pitch the estimate at a sensible level.

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-Is that all right with you?

-A chance to get the buyers in, yeah.

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Yeah, absolutely. A reserve price?

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-80?

-80 quid, I think that's very sensible, Chris. Yeah, very good.

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You know, you don't want to frighten them off.

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-That's right! You've been watching the show, haven't you?

-Oh, aye!

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Thanks, Chris, for coming along. The collectors are going to love it.

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Good.

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Those motors are certainly in good condition.

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And now over to the awe-inspiring Southwell Minster, where Mark Stacey

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has found a rather exotic item, but can you guess where it derives from?

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Graham, you've brought a wonderful little novelty item in to show us.

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-Yes.

-What can you tell me about it?

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Well, all I can tell you is that I was working for the council...

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-I actually found it on a rubbish tip.

-No!

-It was in a little tin

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with two or three other things and I just kicked it and I thought,

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"Something's in it," opened it up and that was in it

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with a couple of other things.

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-This was quite a long time ago.

-Well, it's 25 years ago.

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Gosh! Well, I want to transport you back to 1922

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and think of the Egyptian desert

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when they just discovered Tutankhamun's tomb

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-and all those fabulous riches, it caused a worldwide sensation...

-Yes.

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And after that, firms started making little Egyptian-type items.

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-Ah, right.

-Cartier made wonderful brooches and necklaces

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and panther bracelets, all resembling ancient Egypt

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-and the treasures that had just been discovered.

-Yeah.

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It's a wonderful object and this is a delicate little thing,

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which when you open it, you can see the little enamelled mummy inside...

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-Yes.

-..all made of silver.

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-It's probably French.

-Right.

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It's marked 800, so it's a Continental mark,

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and it's just such a wonderful little object of virtue.

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-Yeah.

-I love it, it's very well-made.

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It's all enamelled in those typical Egyptian colours

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-of the turquoise blue and the dark blue.

-Yeah.

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It's a complete nonsense really,

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I don't know what on earth you do with it.

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I'll tell you what I thought about doing, I thought about

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-putting it on a necklace.

-Yes, I mean, you could do that,

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-but then it might get lost or damaged and...

-That's right, yeah.

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-At the moment, it's in lovely condition.

-Yeah.

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Well, after all this romanticizing,

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you'd think it's going to be worth...

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a Tutankhamun price, wouldn't you?

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-I'd love it to be!

-I'm... I've got to disappoint you, Graham.

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-Have you?

-I think it's a great novelty and I think we should put it

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-in as a gamble.

-Yep.

-Put it in at 40 to 60 quid...

-Yes.

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-..with a reserve of 40, all right?

-Yeah, that's fine.

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-And let's just see what happens.

-Yep, that's marvellous.

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-And you never know, the mummy might return.

-Yeah!

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-GRAHAM CHUCKLES

-And we'll get a good price. Might get £100 for it.

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-Well, that'd be nice.

-Happy with that?

-I am happy, yeah.

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Well done for finding it.

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-Thank you very much.

-Nice to see you.

-Thank you.

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It may not be a high value, but Graham still looks like

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he's going to make a tidy profit from his find.

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Before we go off to auction for the first time today,

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there's just enough time for me to show you

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the collection of family portraits here at Dunster Castle.

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Now, that one-eyed gent up there caught my eye, no pun intended.

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That is the family's military hero, Colonel Francis Luttrell.

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Now, he fought at the Battle of Waterloo in 1815

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and it's said that he played a key role in helping

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the Duke of Wellington defeat Napoleon Bonaparte.

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So, there you go, a real family hero.

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And right now it's time for us to do some battle, in the auction rooms!

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As we head off, here's a quick recap

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of all the items going under the hammer.

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Catherine's oval mirror may or may not have reflected

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the image of Queen Mary at one time,

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but will the popularity of the Royals today help attract

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the bidders?

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Chris's childhood collection of Matchbox cars should light up

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the saleroom, considering their Formula One condition.

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And Graham's curious silver mummy...

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Let's hope there's a bidder out there who knows what to do with it

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and that its sale price doesn't reflect its miniature stature.

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'First up, Fieldings Auctioneers in Stourbridge,

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'where we're hoping to sell our royal mirror.

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'Before the auction, I had a quick chat to auctioneer Nick Davies

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'about the importance of provenance with an object like this.'

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There's one thing I want to talk about before the sale

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and that's the oval mirror. It belongs to Catherine.

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Now, we've got some letters that accompany it

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-and it's all about provenance...

-Absolutely.

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..as you know in this game -

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that's why we have a valuation of £600-£800

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on what I think is an £80 mirror.

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I'd agree with you, and provenance, provenance, provenance is the word.

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The trouble is with the letters, the one from Buckingham Palace,

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she doesn't actually mention the word "mirror".

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-Right, OK.

-She's given a small gift,

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but it doesn't say the word "mirror"...

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So, does that automatically send alarm bells ringing

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-to an auctioneer?

-It does, but also to anybody who's going to buy it.

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I mean, if it said "mirror",

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I wouldn't have a problem with the estimate whatsoever.

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It's the right period, it's the right look,

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but it's not in the letter!

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-That one word.

-So, basically, YOU cannot prove anything?

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-I can't categorically sell that as a gift from the Queen Mary.

-No.

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No. No, no. Instantly, that devalues it for me.

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And for a lot of collectors, but on the other hand,

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there may be people out there who are quite happy with that scenario

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and the documentation that's with it.

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We can't get to the bones of it, you know, in the time we've had,

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maybe someone will take it on and do a little bit more.

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Look, fingers crossed, good luck.

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280. 290 with me. 300, sir?

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'Remember that with every auction house,

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'there's varying rates of commission and VAT to pay,

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'whether you're buying or selling.

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'So, make sure you find out how much that is in advance.

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'And now, let's see how that mirror does.'

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I've been joined by Catherine

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who's holding the most wonderful photograph album,

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which shows the lady who gave the mirror to the family.

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-Yeah, my great-aunt.

-Lizzie.

-Yep, Auntie Lizzie.

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And there she is, look at that.

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You see, all this is part of the provenance,

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but it's getting that story told to the general public

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to convince them that they can buy that,

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but the letter from Buckingham Palace didn't mention any mirror.

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-It's one of these stories which you're not going to make up.

-No.

0:14:520:14:55

-Exactly, no, I totally agree.

-You've got to go with it.

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I totally agree, it's family history,

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-and you know it better than anybody.

-Yeah, I do.

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But it's convincing the general public through a third party.

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-This is it.

-The oval wall mirror with handwritten letters reputedly

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relating the gift of a mirror from Her Majesty Queen Mary,

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towards the fundraising of a war memorial.

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And I've got to open the mirror here at £550

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and I look for 580 in the room.

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550 with me, 580 anywhere?

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At 550 it is. 580 anywhere else in the room for the mirror?

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£550, it will stay with me then at 550. 80 anywhere else?

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Are you all sure at 550? All done?

0:15:310:15:33

-A couple of bids away.

-Didn't sell, we had a reserve, didn't we?

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-Yes, 600.

-600.

-600.

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I think another day you will have a better chance.

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-I think the story is correct.

-Yes.

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Well, I'll give it another go.

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-Take it off the market for a little while...

-Yes.

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..and put it back into another saleroom

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-and try that again with that same story.

-OK.

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-Yeah, good luck.

-Thank you.

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'A disappointing result there, which just underlines the importance

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'of provenance, as well as how unpredictable auction rooms can be.

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'Will Mark's valuation be nearer the mark

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'at our Nottingham auction room?'

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£400. Fair warning and selling...

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Next up, a little silver Egyptian mummy found at a tip by Graham...

0:16:100:16:14

-Yes.

-..who's standing next to me right now.

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So, were you sort of foraging around the tip or chucking things

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from the house and you thought, "Ooh, look at that!"?

0:16:180:16:21

-Well... It was, yes.

-Were you?

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I just kicked this, like, old cigarette tin...

0:16:220:16:24

-Did you realise how much it was worth and...

-I had no idea...

0:16:240:16:27

-And then you found out from Mark at the valuation?

-I did, yes.

0:16:270:16:29

-I think it's charming.

-You do?

-It's only tiny.

-Sort of 1920s, isn't it?

0:16:290:16:33

Yeah, well, it's after Tutankhamun, I think,

0:16:330:16:34

that huge Egyptian revival,

0:16:340:16:36

and there's a little mummy inside as well, when you open it,

0:16:360:16:39

and we've only put £40-£60 on it. It's silver, French, an enamel.

0:16:390:16:41

Which is really a "come and buy me", isn't it?

0:16:410:16:44

I hope so, I mean, it should. It's a charming little object.

0:16:440:16:46

Well, we're going to find out what the bidders think right now.

0:16:460:16:49

It's going under the hammer, here we go.

0:16:490:16:52

£20 for it? 20 I am bid.

0:16:520:16:53

Thank you, sir. At 20, five I'll take.

0:16:530:16:56

25, £30.

0:16:560:16:58

30, 35, five, 40.

0:16:580:17:00

-40, 45? £40, buying online.

-MARK:

-'Come on.

0:17:000:17:03

'Oh, that's the online.'

0:17:030:17:05

-PAUL:

-'This is good, come on.'

-At 50, a room bid. 60? 60's bid.

0:17:050:17:08

Chap in the room there, look. That chap.

0:17:080:17:09

£60, standing over there at 60.

0:17:090:17:11

70 for it anywhere? Selling at £60.

0:17:110:17:14

-£60, doof!

-Well, top of the estimate.

-It's a good estimate.

0:17:140:17:18

That's not bad for foraging around with all the flies on a tip, is it?

0:17:180:17:21

-Not bad at all!

-Let's face it!

0:17:210:17:23

It's a yummy mummy.

0:17:230:17:24

It's a yummy mummy, it certainly proved a yummy mummy, didn't it?

0:17:240:17:28

'Can Chris's collection of toy cars race home too when they're sold

0:17:290:17:33

'by expert and auctioneer Anita Manning back up in Scotland?'

0:17:330:17:37

Well, we can't have an auction without boys and their toys, can we?

0:17:370:17:41

There's a collection of Matchbox cars going under the hammer.

0:17:410:17:43

I like them. Adam loves them.

0:17:430:17:45

Chris, you're selling them, you've had enough of them,

0:17:450:17:47

-you've had them since you were five years old.

-Yeah.

0:17:470:17:50

-Foot on the pedal, let's do it. £150 plus, let's go.

-Yeah.

0:17:500:17:54

Matchbox series cars, trucks et cetera, all in original boxes,

0:17:550:17:59

ladies and gentlemen.

0:17:590:18:01

Looks like a shop window display up there on the screen.

0:18:010:18:04

..And I have...

0:18:040:18:06

one, two, three...

0:18:060:18:09

four bids on the books.

0:18:090:18:11

Four bids on the books,

0:18:110:18:12

which means we're going to have a bit of a bun fight.

0:18:120:18:15

-I will start the bidding at £150.

-It'll be more than that!

0:18:150:18:19

-Any advance on 150?

-Phone line, look, man very keen, down there.

0:18:190:18:23

160, 170...

0:18:230:18:25

180, 190, 200.

0:18:260:18:30

220.

0:18:300:18:32

240, 260.

0:18:320:18:34

280.

0:18:340:18:36

300.

0:18:360:18:37

-300 on the books.

-£300!

-Oh, you called it.

0:18:390:18:41

-It's on the books...

-Bid there, look.

0:18:410:18:44

..at 300.

0:18:440:18:45

320, fresh bidder.

0:18:450:18:47

-330 on the books.

-PAUL:

-'Yeah, he's got it.'

0:18:470:18:51

-340, the book is out.

-OK, it's 340...

0:18:510:18:53

Commission is out. It's on the floor at 340.

0:18:530:18:55

-All right with that?

-More!

0:18:550:18:57

-We're going to take that.

-Yeah.

0:18:570:18:58

-There's a phone line coming in, look.

-350.

0:18:580:19:01

-It's not over yet.

-360.

0:19:010:19:04

-370. On the phone at £370.

-Oh, I love it when she stands up.

0:19:040:19:08

Any advance on 370?

0:19:100:19:12

Any advance on 370? All done at 370? 370...

0:19:120:19:18

That's a great result, £370.

0:19:180:19:19

-Excellent.

-Lesson learnt there -

0:19:190:19:22

condition, condition, condition.

0:19:220:19:24

It's all about that.

0:19:240:19:26

-Absolutely right, yep.

-Yes.

0:19:260:19:28

-So, you're a happy man?

-Oh, aye!

0:19:280:19:29

-Congratulations on being such a careful and diligent child.

-Yes.

0:19:290:19:34

They've more than doubled their estimate,

0:19:360:19:38

it just goes to show even investors can be big kids at heart.

0:19:380:19:42

Well, we're only halfway through our day

0:19:440:19:47

and we still have lots more auction action to come,

0:19:470:19:50

including what a set of Beatle autographs might fetch.

0:19:500:19:53

The Fab Four were wonderful artists in their day,

0:19:530:19:56

but before we get to them,

0:19:560:19:58

I had the opportunity to find out a little bit more about another

0:19:580:20:01

fine and respected artist,

0:20:010:20:03

this time an author who grew up amongst the dirt and the soot

0:20:030:20:07

of the Nottingham coal mining industry,

0:20:070:20:10

and he used this as his inspiration.

0:20:100:20:12

I am, of course, talking about DH Lawrence.

0:20:120:20:17

When you mention the name DH Lawrence,

0:20:310:20:33

images immediately spring to mind

0:20:330:20:35

of the love scene in Lady Chatterley's Lover

0:20:350:20:38

or the erotic wrestling fight in Ken Russell's film, Women In Love.

0:20:380:20:42

But as well as the exploration of relationships and love,

0:20:420:20:46

Lawrence's work is steeped in place and class,

0:20:460:20:49

and much of it he took from the place where he grew up,

0:20:490:20:52

right here in the mining town of Eastwood in Nottinghamshire.

0:20:520:20:55

Eastwood was a typical industrial town,

0:20:560:20:58

part of the boom and bust coal mining industry

0:20:580:21:01

at the turn of the 20th century.

0:21:010:21:04

# Let the gauge go down

0:21:050:21:07

# Come on and join the local crew

0:21:070:21:09

# Join with us and have a few Sit down... #

0:21:090:21:12

This place was built to house the workers and in its heyday,

0:21:120:21:15

most of the inhabitants were employed in the pits.

0:21:150:21:19

Now imagine this street over 100 years ago.

0:21:210:21:23

All these buildings covered in a black dust

0:21:230:21:26

and hoards of people heading off down the street to work in the pits.

0:21:260:21:30

And then this place, number 8A Victoria Street,

0:21:300:21:33

into which David Herbert Lawrence, better known as DH Lawrence,

0:21:330:21:36

was born on 11th September in 1885.

0:21:360:21:39

And this is the typical miner's cottage of the day.

0:21:420:21:45

It's a two-up-two-down.

0:21:450:21:47

And in this lived Lawrence, his four siblings, his mother Lydia

0:21:470:21:51

and his father Arthur.

0:21:510:21:53

Seven of them in this tiny, little house.

0:21:530:21:56

This is as modest as a house would get.

0:21:560:21:59

Class was everything and felt keenly in the Lawrence household.

0:22:000:22:04

His mother had come from a middle-class family

0:22:040:22:07

who had fallen on hard times

0:22:070:22:09

and she valued education as a way to better herself.

0:22:090:22:12

Her husband, Lawrence's father Arthur, worked at the pits

0:22:120:22:16

and was working class through and through.

0:22:160:22:19

There were ten mines within a stone's throw of Lawrence's home

0:22:230:22:27

and people flooded into the area for the lucrative work.

0:22:270:22:30

The children would be expected to follow in their fathers' footsteps.

0:22:370:22:41

But this was most definitely not the destiny his mother saw

0:22:410:22:44

for Lawrence and his siblings.

0:22:440:22:46

Lawrence grew up wanting to please his mother and his sister

0:22:470:22:50

and he helped out in all of the household chores.

0:22:500:22:53

He'd have cleaned out that fire most mornings

0:22:530:22:55

and got down on his hands and knees and scrubbed that tiled floor.

0:22:550:22:59

His sympathy with women and understanding their needs

0:22:590:23:02

would prove central in his writing in years to come.

0:23:020:23:05

His mother was determined to better herself and the family,

0:23:070:23:10

moving them from Victoria Street to The Breach

0:23:100:23:13

and then to Walker Street.

0:23:130:23:15

And finally here, to Lincroft.

0:23:170:23:19

Now back in the day, this was the street to aspire to,

0:23:190:23:22

with its wonderful views and houses with bay windows,

0:23:220:23:26

they said were a cut above the rest.

0:23:260:23:28

But it wasn't just about bricks and mortar.

0:23:280:23:30

All credit to the mother, because she got all of those kids educated.

0:23:300:23:34

None of them ended up working down the mines.

0:23:340:23:37

She literally lifted the whole family up by their boot strings.

0:23:370:23:41

Lawrence won a scholarship to Nottingham High School,

0:23:440:23:47

but it was when he moved to London

0:23:470:23:49

as a young man in 1908 that he started to write in earnest.

0:23:490:23:53

He soon caught the eye of a publisher who encouraged him

0:23:570:24:00

to turn his attention to the area and the experiences

0:24:000:24:03

he'd been so eager to leave behind,

0:24:030:24:05

as Dr Andrew Harrison, director of the DH Lawrence Research Centre

0:24:070:24:11

at Nottingham University explained.

0:24:110:24:14

Mining community all around him,

0:24:140:24:15

I mean, a big part of his childhood obviously reflected in his novels.

0:24:150:24:19

Most definitely. Lawrence understood the rituals of this community,

0:24:190:24:23

the way of life, the speech of these people.

0:24:230:24:25

And he reproduced it, not only in his great novel Sons And Lovers,

0:24:250:24:29

but also in sketches and in plays as well.

0:24:290:24:31

In the classic novel Sons And Lovers,

0:24:330:24:35

he creates the characters of Mrs Morel,

0:24:350:24:38

a woman disappointed in marriage,

0:24:380:24:40

and Walter, her drunken miner husband.

0:24:400:24:42

But did this bear any relationship to his own parents?

0:24:560:24:59

I think certainly, there was a good deal of conflict

0:25:000:25:03

within the marriage

0:25:030:25:04

and Lawrence was very, very good at reproducing their arguments

0:25:040:25:08

in his writing. He did that particularly well.

0:25:080:25:10

But of course, Lawrence is an artist, so there's an element

0:25:100:25:13

of exaggeration in everything that he does. I think he wants to

0:25:130:25:17

present something that's sensational

0:25:170:25:19

and in later life, when he revisited that relationship,

0:25:190:25:22

he came to see that his father was not quite the drunken monster

0:25:220:25:25

that he's presented as in Sons And Lovers.

0:25:250:25:28

Are there also some similarities with his own mother

0:25:280:25:31

and the mother in Sons And Lovers? You know, unhappy women?

0:25:310:25:33

Oh, absolutely. I think Lawrence was very close to his mother.

0:25:330:25:37

His closest sibling was his youngest sister, Ada.

0:25:370:25:41

He's aware of women's push for the vote

0:25:410:25:44

and he was aware of them needing to move away from their roles

0:25:440:25:48

as mothers, as wives, as daughters,

0:25:480:25:50

in order to fully realise themselves.

0:25:500:25:53

Lawrence never went with the flow,

0:25:560:25:58

at times labelled a feminist, a socialist and even a fascist.

0:25:580:26:02

And in 1912, he shocked society by going abroad with a married woman

0:26:020:26:07

who would later become his wife.

0:26:070:26:10

For most of his remaining 20 years, he travelled the world,

0:26:100:26:13

and never returned to this area to live.

0:26:130:26:16

Although Eastwood was out of sight, it wasn't out of mind.

0:26:190:26:22

In one of his later letters,

0:26:220:26:24

he described the rolling landscape as, "The country of my heart."

0:26:240:26:28

And he returned to the theme of mining again and again

0:26:280:26:32

in his letters, writings and in his most famous novel,

0:26:320:26:35

Lady Chatterley's Lover.

0:26:350:26:37

He certainly mined the vein of his own past deeply, documenting a world

0:26:390:26:44

that would eventually disappear, but which remains vivid and alive

0:26:440:26:48

in the books of Lawrence that we can still read to this day.

0:26:480:26:52

Well, there's no doubt

0:27:010:27:02

we're visiting some marvellous locations on today's show.

0:27:020:27:05

From the birthplace of one of our greatest novelists,

0:27:050:27:07

to here, at Dunster Castle.

0:27:070:27:09

Now there's something I must show you

0:27:090:27:11

and it's possibly one of my favourite pieces here. It's this.

0:27:110:27:14

This magnificent staircase. Just look at it!

0:27:140:27:17

It was installed in the 1680s by Francis and Mary Luttrell

0:27:170:27:21

and it's possibly by Edward Pearce, one of our greatest woodcarvers.

0:27:210:27:24

And when you come and take a closer look at it and sit on the stairs,

0:27:240:27:28

you can really appreciate what a wonderful work of art it is.

0:27:280:27:31

I love the fact that each section of this staircase

0:27:310:27:34

has been carved out of one solid lump of elm tree

0:27:340:27:37

which would have been grown just locally,

0:27:370:27:40

on the estate, possibly. But look at it.

0:27:400:27:42

What he's managed to achieve here.

0:27:420:27:44

He's got scrolling acanthus leaves

0:27:440:27:46

which sort of scroll and wind all the way up the staircase

0:27:460:27:49

which just takes your eye right to the very top,

0:27:490:27:52

intermingled with carved hunting scenes,

0:27:520:27:55

which reflects the family's love for country sports.

0:27:550:27:58

This really is a wonderful,

0:27:580:28:00

wonderful example of the county's heritage.

0:28:000:28:03

And talking of heritage, back up at our valuation day at Wallasey,

0:28:030:28:07

Anita Manning found something that's very dear to her Clydeside heritage.

0:28:070:28:11

-John, welcome to "Flog It!"

-Thank you.

0:28:190:28:22

And you've brought these books along but I also know that

0:28:220:28:25

you have a background of the Mersey and shipbuilding,

0:28:250:28:30

and I feel that's very close to my heart. I'm a Glasgow girl.

0:28:300:28:35

-Yes, absolutely.

-And we had the Clyde

0:28:350:28:37

and the wonderful shipbuilding industry there.

0:28:370:28:40

First, give me a bit of your background.

0:28:400:28:43

Well, I served my time in Cammell Laird's in shipbuilding

0:28:430:28:47

as a plater, was the term used then,

0:28:470:28:50

which deals with the ship's construction. I got qualifications

0:28:500:28:54

and eventually became a college lecturer in Liverpool,

0:28:540:28:57

one of the Liverpool technical colleges

0:28:570:29:00

and so I was approached to start a shipbuilding course which I did

0:29:000:29:04

and ran for quite a number of years.

0:29:040:29:06

And tell me how you came by these books.

0:29:060:29:09

Now I have to say that what we have here... We have the Cunard Lines.

0:29:090:29:13

-Yes.

-But we've got the Queen Elizabeth and the Queen Mary,

0:29:130:29:17

-both Clyde-built, just like me!

-Absolutely.

0:29:170:29:22

But we have the Mauretania. And that is Mersey-built.

0:29:220:29:27

-Cammell Laird-built.

-Just like you.

-Yes, exactly.

0:29:270:29:30

Erm, one of the older lecturers, he was in his 60s, came to me

0:29:300:29:34

and said, "Would these be any use to you?"

0:29:340:29:37

And he gave me these three books.

0:29:370:29:39

If we look at this one here,

0:29:390:29:42

we see a scene of shipbuilding

0:29:420:29:46

on the Mersey in the early 1900s.

0:29:460:29:51

Yeah, 1938 she was launched

0:29:510:29:53

and this shows a picture of the actual launch of the ship.

0:29:530:29:56

It shows the way in which the ships were built in those days.

0:29:560:30:00

And here's the Queen Mary who was the Clyde-built liner

0:30:000:30:05

and this is the old girl herself with these wonderful three funnels.

0:30:050:30:09

Number of things in wonderful condition here.

0:30:090:30:12

The Queen Elizabeth...

0:30:120:30:13

-And there she is. Isn't that a wonderful image?

-Gorgeous, isn't it?

0:30:150:30:18

Isn't she just as sleek as a lovely babe?

0:30:180:30:22

Absolutely fascinating. These are about shipbuilding.

0:30:220:30:27

Shipbuilding, which is in your blood. It's in my blood as well.

0:30:270:30:31

Cammell Laird's built some fantastic ships and yes,

0:30:330:30:36

there's a lot of pride.

0:30:360:30:37

A lot of skill went into them and we've lost that skill nowadays

0:30:370:30:40

because they don't build those sorts of ship anymore.

0:30:400:30:43

If they go to auction, they will be bought by enthusiasts

0:30:430:30:48

who will treasure and be as excited by them as you were.

0:30:480:30:53

Yep. I hope so anyway, yes.

0:30:530:30:56

But really, I'm finished with them now

0:30:560:30:58

so if an enthusiast can use them, that would be good.

0:30:580:31:01

I think...

0:31:010:31:03

Best maybe to estimate them conservatively.

0:31:030:31:06

We could estimate them £30 to £50.

0:31:060:31:10

Now, would you be happy to let them go at that?

0:31:100:31:13

-Yes. Yeah, I would. Definitely.

-We'll do that.

0:31:130:31:16

But I think we'll put a fixed reserve on it.

0:31:160:31:19

-If the lot doesn't make £30, you'll get them back.

-That's right.

0:31:190:31:24

And do you know something?

0:31:240:31:25

I don't think you'd be too unhappy if you got them back.

0:31:250:31:28

No, you're probably right. Absolutely.

0:31:280:31:30

But you never know, they might sail away.

0:31:300:31:32

The Mauretania was the largest ship built in England at the time.

0:31:350:31:39

She was only in commercial operation for a short time

0:31:390:31:42

before being called in to help the World War II effort,

0:31:420:31:45

which she did, for six years, travelling around the globe

0:31:450:31:49

and carrying 340,000 troops.

0:31:490:31:52

Undoubtedly, she is a ship worth remembering.

0:31:520:31:56

Back to Southwell Minster now,

0:31:590:32:01

where Caroline Hawley has found an object

0:32:010:32:03

that John, Paul, George and Ringo all got their hands on.

0:32:030:32:08

-Hello, David, Teresa.

-Hello, Caroline.

0:32:090:32:11

-You're clutching this little book here.

-Yes.

0:32:110:32:14

And something tells me there is

0:32:140:32:15

something very interesting inside it.

0:32:150:32:17

Would you like to tell me all about it?

0:32:170:32:20

-Yes. I've got The Beatles' autograph, all four of them.

-Oh!

0:32:200:32:24

-Which I got in 1963...

-Yeah?

0:32:240:32:29

..when they came to a local hotel about six or seven miles from here

0:32:290:32:35

called The Old England Hotel at Sutton-on-Trent

0:32:350:32:39

and my mum was working there then and she was in the kitchen

0:32:390:32:44

and there was a knock at the door and a gentleman came and he said,

0:32:440:32:48

-"Can you feed four hungry lads?"

-No!

0:32:480:32:51

She sort of looked and couldn't believe it was them,

0:32:510:32:54

and ran to the proprietor, Mr William Pike - Billy Pike, he was known as -

0:32:540:32:59

and the local paper came out,

0:32:590:33:02

so they got in touch with the local paper and...

0:33:020:33:05

-And then they went on their onward journey.

-Gosh, that's fantastic.

0:33:050:33:08

And to have such good provenance, because as you well know,

0:33:080:33:12

there are loads of reproductions, fakes of The Beatles.

0:33:120:33:17

But to know exactly where it's come from.

0:33:170:33:20

And your mum got this for you, did she?

0:33:200:33:22

She did, because I was at the local secondary school.

0:33:220:33:25

-And how old were you at the time, if that's not rude?

-13. About 13, yeah.

0:33:250:33:29

-So your mum came back from work with this?

-And I was so mad with her...

0:33:290:33:34

-Mad, why?!

-Because she hadn't fetched me from school to see then.

0:33:340:33:38

Oh! So why are you now considering selling this lovely collection?

0:33:380:33:43

I've a daughter in Australia that I like to keep going to see

0:33:430:33:47

-because I've got grandchildren.

-I see where this is leading, yes.

0:33:470:33:50

And it's becoming ever so expensive to fly.

0:33:500:33:53

Well, I think because of the provenance of this,

0:33:540:33:57

which is so rock solid, I think that in auction,

0:33:570:34:03

it could get anywhere from £1,000 to £1,500.

0:34:030:34:07

So at that sort of estimate, the reserve would have to be 1,000.

0:34:070:34:10

-Yeah, we'd be happy with that.

-Yeah.

0:34:100:34:13

Then if it doesn't sell, you take the boys home and enjoy them,

0:34:130:34:16

but if it does sell, you get that flight booked

0:34:160:34:19

and one of you will certainly be going.

0:34:190:34:21

-Yeah.

-First class.

-Yeah.

0:34:210:34:23

That has to be one of the best sets of autographs

0:34:260:34:29

we've seen on the show.

0:34:290:34:31

But now back to Birmingham's Museum and Art Gallery,

0:34:310:34:34

where James Lewis has spotted a name in pottery

0:34:340:34:37

which started life just 30 miles south of here.

0:34:370:34:41

Hilary, it really should be Philip Serrell sitting here

0:34:420:34:46

with a bit of Worcester,

0:34:460:34:47

but a wonderful little blush-ivory potpourri vase and cover.

0:34:470:34:52

Made at Worcester, one of the most recognisable pieces

0:34:520:34:55

of any porcelain that was ever made in England.

0:34:550:34:58

You look at that, and you know exactly what it is automatically.

0:34:580:35:01

Where did you find it?

0:35:010:35:03

Believe it or not, I bought it at a car boot sale about nine years ago.

0:35:030:35:07

There was a box under a table with 50p on and I looked into this box.

0:35:070:35:13

It was all odds and ends of glass and china,

0:35:130:35:16

and that was all wrapped up in cotton wool, brown paper, Sellotape.

0:35:160:35:21

I gave the man 50p and didn't unwrap it till I got home

0:35:210:35:24

-and what a surprise I had.

-Well, well done you.

0:35:240:35:27

Well, let's have a look. First of all, let's look at the cover.

0:35:270:35:30

It's pierced as you can see. Totally pierced cover for potpourri

0:35:300:35:34

so that the vase can be filled with aromatic leaves

0:35:340:35:37

and flower heads and the scent can still escape through the cover.

0:35:370:35:40

This one is marked, Royal Worcester underneath,

0:35:400:35:44

and then we've got lots of little dots.

0:35:440:35:47

First dot was put on in 1892, add up the number of dots

0:35:470:35:51

and we come to a year code for 1907.

0:35:510:35:54

And this 279 is the shape number, and H is in recognition of Hadley.

0:35:540:36:00

So Hadley's Worcester was another factory

0:36:000:36:02

that Royal Worcester took over.

0:36:020:36:04

We've got a bit of wear to the gilding and Royal Worcester

0:36:050:36:09

suffered considerably from wear to the gilding.

0:36:090:36:12

It was a nice, soft gild,

0:36:120:36:14

very different to the continental gilding.

0:36:140:36:16

But this Royal Worcester

0:36:160:36:18

was actually inspired by continental porcelain,

0:36:180:36:20

by the Austrian porcelain of the 1870s-1880s.

0:36:200:36:23

But for 50p? Blimey!

0:36:230:36:25

If it had been in very good mint condition,

0:36:260:36:30

it could have made 100 or maybe slightly more.

0:36:300:36:34

But the wear to the gilding lowers it,

0:36:340:36:36

so I would say £50 to £80 as an auction estimate.

0:36:360:36:40

-Is that OK for you?

-Yes, yes.

-Do you want to put a reserve on it?

-No.

0:36:400:36:45

-You don't want it to make a tenner though, do you?

-No.

0:36:450:36:48

-Shall we put 50 on it?

-Yes.

-£50 with discretion.

-Yes.

0:36:480:36:51

It's a pretty little vase and I'm sure it will do well.

0:36:510:36:54

Thank you very much.

0:36:540:36:55

Well, that really was a lovely item and it's great to see

0:36:590:37:02

the endurance of a quality brand through the centuries.

0:37:020:37:05

Sadly, it's time to say goodbye to Dunster Castle as we head over

0:37:050:37:09

to the auction rooms for the last time today,

0:37:090:37:11

and here's a quick recap of what's in store for us.

0:37:110:37:14

Teresa and David won't need much HELP

0:37:170:37:19

when their collection of Beatles autographs goes under the hammer.

0:37:190:37:23

I'm hopeful they will get their flights to Australia

0:37:230:37:26

covered outright.

0:37:260:37:27

John's collection of ship brochures are being sold in the right place,

0:37:300:37:34

at our Liverpool auction room,

0:37:340:37:36

so fingers crossed we have a successful launch.

0:37:360:37:39

And Hilary's Royal Worcester pot

0:37:430:37:45

is in good condition rather than mint,

0:37:450:37:48

but considering she bought it for just 50p,

0:37:480:37:50

it's surely bound to make her a tidy profit.

0:37:500:37:53

First up, we're at Fielding's Auctions,

0:37:590:38:02

where the Royal Worcester is up for sale.

0:38:020:38:04

A bit of Royal Worcester for 50p in a car boot sale?

0:38:050:38:09

Hilary, why don't you want to keep it?

0:38:090:38:11

-I wanted to come and see you in Birmingham.

-Aw!

0:38:110:38:14

That's sweet, isn't it? That really is. Hey, I like the story though.

0:38:140:38:17

-50p. How long ago was this?

-Erm, it was nine years ago.

0:38:170:38:20

It wasn't actually on the table, it was underneath.

0:38:200:38:23

It was wrapped up and I could just see the Royal Worcester mark

0:38:230:38:27

-peeping out.

-And I bet you got excited at that very moment.

0:38:270:38:30

You thought, "I won't knock it down, I'll just say, 50p? Yes.

0:38:300:38:33

-"Here you are."

-That's exactly what I did.

0:38:330:38:35

I bet you walked off and went, "Oh, look! Ooh!"

0:38:350:38:37

You see, it is out there. It is all out there.

0:38:370:38:39

You've just got to be lucky on the day.

0:38:390:38:41

-This is it.

-The Royal Hadley shaped potpourri jar and cover.

0:38:410:38:44

There we are, in the blush ivory.

0:38:440:38:47

£65 takes all the other bidders out. At £65. Do I see 70 in the room?

0:38:470:38:50

I've got you. 70 and five?

0:38:500:38:52

You're out? £70, the lady's bid at the back. 75 anywhere else now?

0:38:520:38:55

At £70, I'm selling then. Right in the distance, 75, fresh bid.

0:38:550:38:59

Ooh, late legs.

0:38:590:39:01

-90 and five.

-We might do it! We might do 100.

0:39:010:39:04

Says no. 95, it's the gentleman's bid now at £95. 100?

0:39:040:39:07

Anyone else want to take it up?

0:39:070:39:09

At £95 then. I'm selling at £95. All done.

0:39:090:39:12

-Hilary, £95!

-I didn't expect that!

0:39:120:39:16

-That's a good price.

-That's lovely.

0:39:160:39:17

That's the wonderful thing about car boots,

0:39:170:39:20

there is money to be made. There really is.

0:39:200:39:22

Yeah, just looking forward to the summer now

0:39:220:39:24

when we can go to a few more.

0:39:240:39:25

Good for you. Good for you. Thank you for bringing it in.

0:39:250:39:28

Anchors aweigh now as we set sail for the Wirral

0:39:310:39:34

and try to sell those ship brochures.

0:39:340:39:37

Expert and auctioneer Adam Partridge is on the rostrum.

0:39:370:39:40

Going under the hammer right now, we have some maritime memorabilia.

0:39:410:39:44

Three commemorative ship launching brochures

0:39:440:39:47

and they belong to John, and possibly for not much longer.

0:39:470:39:50

We are in the right part of the country

0:39:500:39:52

to sell maritime memorabilia.

0:39:520:39:53

And we have, in our brochures, we have the Mauretania which was built

0:39:530:39:57

in Liverpool and we have the two Queens that were built on the Clyde.

0:39:570:40:01

-Yeah.

-We got on really well, didn't we?

-We did. We did, yeah!

0:40:010:40:04

-A lot in common.

-A lot in common.

0:40:040:40:06

Well, hopefully we'll get top money as well.

0:40:060:40:08

And that's what it's all about right now.

0:40:080:40:10

They're going under the hammer.

0:40:100:40:12

We now have three commemorative launch brochures.

0:40:120:40:14

Mauretania, Queen Mary and Queen Elizabeth. All in the 1930s.

0:40:140:40:17

Will you start me at £20 for the lot?

0:40:170:40:19

It's not a lot of money, is it?

0:40:190:40:21

£20 for the three. There we go. At £20, the bid. At £20.

0:40:210:40:25

I'll take five now. At 25 online.

0:40:250:40:28

30 bid. At £30 the room. At 35 online.

0:40:280:40:31

40 bid. At £40 the bid. Five online. At 45.

0:40:310:40:34

50 bid. At 50 the room. Five online.

0:40:340:40:37

-At 55. Another one, sir?

-Five?

-60 in the corner, five online. 70?

0:40:370:40:42

-There you go. £70.

-That's not bad.

-That's not bad.

0:40:420:40:46

At 75. At 75. Don't let them beat you, sir!

0:40:460:40:50

It's 75 on the internet then, and we're selling. At 75...

0:40:500:40:54

80, there you go. Good advice. At £80. 85 online.

0:40:540:40:58

They're laughing at you now. It's 85 online.

0:40:580:41:01

Thank you though. We appreciate the underbid.

0:41:010:41:03

We're selling at £85 online now. 85.

0:41:030:41:06

Job done, £85. Well done, well done.

0:41:070:41:09

And it's lovely to think that these books will bring

0:41:090:41:12

-as much pleasure to someone else.

-To the next owner.

0:41:120:41:15

-They could be on display somewhere and so on.

-Yes.

-Thank you.

0:41:150:41:18

-It was lovely to look at them.

-Thank you.

-Well done.

0:41:180:41:21

It just shows the importance of the online sale these days.

0:41:230:41:26

And finally, those Beatles autographs

0:41:260:41:29

are going under the hammer at Mellors And Kirk Auctions.

0:41:290:41:32

Let's hope they don't go for a song.

0:41:320:41:34

This business is all about provenance.

0:41:350:41:37

It's got to be watertight.

0:41:370:41:39

And we've got it right here, right now, with our Beatles autographs.

0:41:390:41:42

Bit of a local connection to Nottingham, to the hotel as well.

0:41:420:41:45

Teresa and David, it's lovely to see you. I love The Beatles.

0:41:450:41:47

-I know you love The Beatles.

-I do.

-I wanted to do this as a valuation.

0:41:470:41:50

I would have gone straight in

0:41:500:41:52

and said "Two grand, no problem, with that sort of provenance."

0:41:520:41:55

Because that is watertight, it really is. Why are you selling it?

0:41:550:41:58

Australia.

0:41:580:41:59

We've got a daughter in Australia and grandchildren and every year,

0:41:590:42:03

we like to go and it's getting more expensive, so I think it will do...

0:42:030:42:06

Do nice to put forward to a flight and treat the grandchildren.

0:42:060:42:10

-You'll miss the signatures, but it's a good thing to do.

-Oh, yes.

0:42:100:42:13

-It's a lovely thing to do with the money, isn't it?

-Yes, I think so.

0:42:130:42:16

-I think so.

-Might as well spend it and enjoy it.

-Yeah.

0:42:160:42:20

And I know, rock and pop memorabilia is big, big business,

0:42:200:42:23

so hopefully the whole world will know about this sale right now.

0:42:230:42:27

-This is it.

-Oh, really?

-Yes.

0:42:270:42:29

£1,200 for this lot. I am bid 1,200.

0:42:290:42:33

13, 14, 1,500.

0:42:330:42:35

16, 1,700, 1,800, 1,900.

0:42:350:42:39

-£1,900, I am bid.

-Come on, it's worth two grand.

0:42:390:42:42

-Yes.

-2,000. 21, for them.

0:42:420:42:44

2,200 from, I think, it's Estonia at £2,200.

0:42:440:42:48

2,500, I am bid from the US.

0:42:480:42:50

2,500. 28 for them?

0:42:500:42:53

At £2,500. The bid is online

0:42:530:42:58

and I sell. Fair warning.

0:42:580:43:01

-£2,500.

-Oh, wow! Yes.

0:43:020:43:05

-I can't believe it!

-That'll buy two seats.

-My heart's fluttering!

0:43:050:43:08

How much? 28?

0:43:080:43:10

-25. That's a good price. It's a very good price.

-We were expecting 15.

0:43:100:43:13

Well, look, enjoy the money. Enjoy that flight.

0:43:130:43:16

Give our blessings to all the grandchildren

0:43:160:43:18

and the kids out there. What a wonderful way to end the show.

0:43:180:43:22

We've really hit the high note there

0:43:220:43:23

and I hope you've enjoyed it as well.

0:43:230:43:25

Join us for many more surprises in auction rooms to come in the future,

0:43:250:43:28

but until then, it's goodbye from all of us here in Nottingham.

0:43:280:43:31

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