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Today is the day I come home. | 0:00:06 | 0:00:08 | |
I'm back in Falmouth. This is Falmouth harbour, | 0:00:08 | 0:00:10 | |
the world's third largest, deepest natural harbour. | 0:00:10 | 0:00:13 | |
I grew up here and our valuation day venue is this magnificent | 0:00:13 | 0:00:17 | |
building, the National Maritime Museum, Cornwall, which houses | 0:00:17 | 0:00:20 | |
the county's large collection of nautical heritage. | 0:00:20 | 0:00:23 | |
I can't wait to get inside, because we've taken it over. | 0:00:23 | 0:00:26 | |
It's going to be home for our valuations. | 0:00:26 | 0:00:28 | |
It's going to be full of art and antiques and collectables. | 0:00:28 | 0:00:30 | |
Our crew are inside. I'm going to join them. | 0:00:30 | 0:00:32 | |
We're going to get valuing. Welcome to "Flog It!" | 0:00:32 | 0:00:36 | |
Falmouth is steeped in maritime history, | 0:00:57 | 0:00:59 | |
which is reflected in this extraordinary collection of boats | 0:00:59 | 0:01:02 | |
exhibited here in the museum. | 0:01:02 | 0:01:05 | |
From this wrought-iron-hulled Waterlily, | 0:01:05 | 0:01:08 | |
to the flotilla of boats suspended from the ceiling. | 0:01:08 | 0:01:11 | |
Around them, the crowds are gathering and the tension is rising. | 0:01:11 | 0:01:14 | |
It looks like all of Falmouth has turned up | 0:01:16 | 0:01:18 | |
laden with bags and boxes, full of antiques and collectables ready | 0:01:18 | 0:01:22 | |
for a valuation from our experts, | 0:01:22 | 0:01:24 | |
and, if you're happy with the valuation, what're you going to do? | 0:01:24 | 0:01:27 | |
ALL: Flog It! | 0:01:27 | 0:01:29 | |
And we have two shipshape experts manning the queue today. | 0:01:30 | 0:01:34 | |
Philip Serrell is certainly in good spirits. | 0:01:36 | 0:01:39 | |
What have you got there? | 0:01:39 | 0:01:41 | |
Well, we think it's a rum pot. | 0:01:41 | 0:01:43 | |
-Rum? -Yeah. | 0:01:43 | 0:01:44 | |
-Rum? -Rum. -Rum. | 0:01:44 | 0:01:46 | |
And Caroline Hawley is staying sober but stylish. | 0:01:49 | 0:01:53 | |
Well, it's a bit too smart for down the pub, isn't it? | 0:01:53 | 0:01:56 | |
But this is lovely embroidery. | 0:01:56 | 0:01:58 | |
-But there's so much work in it. -An awful lot of work. -Incredible! | 0:01:58 | 0:02:02 | |
Right, let's get everyone inside and rummage through those bags. | 0:02:03 | 0:02:07 | |
Who knows what other treasures we might find? | 0:02:07 | 0:02:10 | |
Cos, without members of the general public, | 0:02:10 | 0:02:12 | |
we would not have a show, and fingers crossed we're going to find | 0:02:12 | 0:02:15 | |
something fantastic here today. | 0:02:15 | 0:02:17 | |
While the crowd is settling down, | 0:02:17 | 0:02:20 | |
let's take a quick look at what's coming up. | 0:02:20 | 0:02:22 | |
It's no surprise that many of the items have a maritime feel. | 0:02:24 | 0:02:28 | |
I feel a bit seasick while you're doing all this. | 0:02:28 | 0:02:30 | |
I'm just feeling it's starting to rock a bit here. | 0:02:30 | 0:02:32 | |
And I'll be finding my sea legs to explore life aboard | 0:02:34 | 0:02:37 | |
packet ships in the 18th century. | 0:02:37 | 0:02:40 | |
-And it's a very rare account of an ordinary seaman. -Really? -Yes. | 0:02:40 | 0:02:44 | |
He didn't have a hammock, he slept in corners, | 0:02:44 | 0:02:47 | |
and, on watch, he would commit the cardinal sin of falling asleep, | 0:02:47 | 0:02:51 | |
and so he had water thrown over him. | 0:02:51 | 0:02:53 | |
And we hear a heroic story of survival. | 0:02:54 | 0:02:58 | |
Now, this small dinghy you can see behind me | 0:02:58 | 0:03:00 | |
saved the lives of a family of five, | 0:03:00 | 0:03:02 | |
plus a hitchhiker they picked up | 0:03:02 | 0:03:05 | |
when their yacht was attacked by a pod of killer whales, | 0:03:05 | 0:03:08 | |
and, later on in the programme, | 0:03:08 | 0:03:10 | |
I'll be meeting one of those brave survivors. | 0:03:10 | 0:03:12 | |
With the valuation day already in full swing, I wonder if Philip can | 0:03:13 | 0:03:17 | |
steer us in the right direction | 0:03:17 | 0:03:19 | |
with this seafarers' navigation instrument. | 0:03:19 | 0:03:22 | |
Do you know what, Peter? I think you look like an old sea dog, I do. | 0:03:22 | 0:03:26 | |
So, are you an old sea dog? | 0:03:26 | 0:03:27 | |
Well, I was professionally at sea for the first job I had, | 0:03:27 | 0:03:32 | |
-till I was in my 30s... -Yeah. | 0:03:32 | 0:03:34 | |
..and, er, I've been pleasure-sailing ever since. | 0:03:34 | 0:03:39 | |
-Now, this is a sextant, isn't it? -Yeah. | 0:03:39 | 0:03:42 | |
I'm sort of ashamed to say this, but I can look at the box like that | 0:03:42 | 0:03:45 | |
and go, that's a sextant, but how do they work? | 0:03:45 | 0:03:48 | |
-Well, you pick it up carefully... -Yeah? -..out like this, | 0:03:48 | 0:03:53 | |
-then get the handle. -Yeah. | 0:03:53 | 0:03:56 | |
Get the shades out the way, | 0:03:56 | 0:03:59 | |
cos there's not a bright sun today, you turn it zero on the scale, | 0:03:59 | 0:04:07 | |
look at your object in the sky, | 0:04:07 | 0:04:10 | |
bring it down to the horizon. | 0:04:10 | 0:04:13 | |
Just fine-tune it with a micrometre. | 0:04:13 | 0:04:18 | |
I feel a bit seasick while you're doing all this. | 0:04:18 | 0:04:20 | |
-I feel it's starting to rock a bit here. -Yeah! | 0:04:20 | 0:04:22 | |
Then you shout "stop" to the bloke on the chronometer. | 0:04:22 | 0:04:26 | |
STOP! Yeah, I've done that. | 0:04:26 | 0:04:28 | |
And then you put your sextant away and then do the calculations. | 0:04:28 | 0:04:33 | |
This would work with a chart, wouldn't it? | 0:04:33 | 0:04:35 | |
-It would need a chart, yeah. -Yeah. | 0:04:35 | 0:04:38 | |
So, by basically using this, a chart and a good watch, | 0:04:38 | 0:04:42 | |
-that would tell you where you were? -Yeah. | 0:04:42 | 0:04:44 | |
I could do with one of these for life, really. | 0:04:44 | 0:04:46 | |
-So, I've seen here this is by Kelvin & Hughes Ltd... -Yeah. | 0:04:46 | 0:04:50 | |
..and this is dated 1953. What did you pay for it? | 0:04:50 | 0:04:53 | |
Well, I haven't a clue, but I know that I bought it | 0:04:53 | 0:04:58 | |
just before I went to sea as a third mate. | 0:04:58 | 0:05:01 | |
So, what did a third mate do? What was a third mate? | 0:05:01 | 0:05:03 | |
The 8 to 12 watch. | 0:05:03 | 0:05:05 | |
-You were the navigator? -You'd be a navigator. | 0:05:05 | 0:05:08 | |
-Presumably, these things are now redundant, are they? -Yeah. | 0:05:08 | 0:05:11 | |
-Because of satellites... -GPS stuff? -GPS, yeah. | 0:05:11 | 0:05:15 | |
After all this, I've got to try and put a value on it, haven't I? | 0:05:15 | 0:05:18 | |
-You have indeed, sir. -I think that one is going to make | 0:05:18 | 0:05:21 | |
£60-£90 at auction, | 0:05:21 | 0:05:24 | |
and you'd sort of reserve it at £50? | 0:05:24 | 0:05:25 | |
-That would be my guess-timate for it. -OK. | 0:05:25 | 0:05:28 | |
-Are you happy with that? -Yes. Sure, because it's got to go. | 0:05:28 | 0:05:31 | |
Well, let's see if we can steer this | 0:05:31 | 0:05:33 | |
into the calm waters of an auction room | 0:05:33 | 0:05:35 | |
and hope that we can turn £60-£90 into a half-decent profit, shall we? | 0:05:35 | 0:05:40 | |
Well, I'd be very pleased if you could, Philip. | 0:05:40 | 0:05:43 | |
-Peter, it's been a pleasure to meet you. -Best of bells, sir. | 0:05:43 | 0:05:46 | |
Now, Caroline has managed to find | 0:05:47 | 0:05:49 | |
something with no connection to the sea! | 0:05:49 | 0:05:52 | |
-Hello, Anne. -Hello, Caroline. | 0:05:52 | 0:05:53 | |
Thank you for coming and bringing your lovely bowl! | 0:05:53 | 0:05:56 | |
-You've had it forever, haven't you? -Yes. -So tell me... -My christening. | 0:05:56 | 0:06:00 | |
-Who gave it to? -Godmother. | 0:06:00 | 0:06:03 | |
-Aw, and did you use it, then, as a child? -Oh, yes! | 0:06:03 | 0:06:05 | |
I'm afraid it has been used. | 0:06:05 | 0:06:07 | |
How it never got broken, I have no idea. | 0:06:07 | 0:06:10 | |
Well, you were a good girl, that's why! | 0:06:10 | 0:06:12 | |
THEY LAUGH | 0:06:12 | 0:06:13 | |
Well, it's lovely. Do you know anything about it? | 0:06:13 | 0:06:16 | |
-Haven't got a clue. -Now, I think it dates from the 1930s. | 0:06:16 | 0:06:20 | |
-Does that tie in? -Yes. -I don't want to be indelicate. | 0:06:20 | 0:06:24 | |
I was born in 1937. | 0:06:24 | 0:06:25 | |
-Were you? -Yes! -Well, that's spot-on, isn't it? So far, so good. | 0:06:25 | 0:06:29 | |
-And it's beautifully illustrated by Mabel Lucie Attwell... -Yeah. | 0:06:29 | 0:06:33 | |
..and this is so iconic of the thirties, | 0:06:33 | 0:06:37 | |
and she based these designs on her daughter Peggy. | 0:06:37 | 0:06:41 | |
-Oh, really? -Can you see Peggy poking out of a house there? -Yeah. | 0:06:41 | 0:06:44 | |
But I think you've scraped your spoon a bit, haven't you? | 0:06:44 | 0:06:48 | |
-Yeah. -You've been scraping up that porridge. -That's it! | 0:06:48 | 0:06:51 | |
-Did you use it every day? -Yes. | 0:06:51 | 0:06:53 | |
It's great and it's got a great maker. It's made by Shelley. | 0:06:53 | 0:06:57 | |
-Oh, is it? -Which is lovely. | 0:06:57 | 0:06:58 | |
So if we have a look at the back, here. | 0:06:58 | 0:07:01 | |
-Shelley... -Right. -..and it's not damaged at all. | 0:07:01 | 0:07:05 | |
As I say, the only wear is | 0:07:05 | 0:07:07 | |
-where you've rubbed your spoon. -It's a bit worn. | 0:07:07 | 0:07:09 | |
But I like it, and other people like things like this. | 0:07:09 | 0:07:13 | |
-Do they collect them, then? -Yes, they do, | 0:07:13 | 0:07:16 | |
but the collectors, they really like them in mint condition, | 0:07:16 | 0:07:20 | |
which I think's sad. I think it's nicer to have one has been used. | 0:07:20 | 0:07:23 | |
-Well, you can see it's been loved. -You can see it's been loved. | 0:07:23 | 0:07:26 | |
It brings me to put a value on it. | 0:07:26 | 0:07:28 | |
It was a very generous present when it was given. | 0:07:28 | 0:07:30 | |
-Was it? -Yes, they weren't cheap, | 0:07:30 | 0:07:33 | |
and I think now, it would get £20-£40. | 0:07:33 | 0:07:37 | |
-Right. -I think, to be certain of it selling... | 0:07:37 | 0:07:41 | |
-Yeah. -..if we put a reserve of £15, a fixed reserve. | 0:07:41 | 0:07:45 | |
-Right? -And see where it goes from there. | 0:07:45 | 0:07:47 | |
-Fine. -Would you be happy with that? -Yeah. | 0:07:47 | 0:07:49 | |
-It's only in the cupboard doing nothing. -Aw! | 0:07:49 | 0:07:51 | |
And then you'll come to the auction and see it? It'll be very exciting. | 0:07:51 | 0:07:54 | |
-Yeah, I'd love to. -Aw, well, thank you very much. | 0:07:54 | 0:07:56 | |
-It's a pleasure to meet you, Anne. -Thank you very much for choosing it! | 0:07:56 | 0:08:00 | |
Thank you! | 0:08:00 | 0:08:01 | |
Now, while the valuations are going on downstairs, I've popped up here | 0:08:07 | 0:08:11 | |
to show you one of the museum's most important exhibits - | 0:08:11 | 0:08:14 | |
the history of the packet ships. | 0:08:14 | 0:08:16 | |
In 1688, Falmouth was made the Royal Mail packet station | 0:08:16 | 0:08:20 | |
and ships brought letters, bullion, private goods and passengers back | 0:08:20 | 0:08:24 | |
and forth from the colonies, turning Falmouth into a global news hub. | 0:08:24 | 0:08:29 | |
They were boom times for the town. But it came at a price. | 0:08:29 | 0:08:33 | |
It was risky business, sailing the high seas for the captains. | 0:08:33 | 0:08:36 | |
Not only were there the dangers of storms, of the high seas, | 0:08:36 | 0:08:39 | |
but also of mutiny and attack by pirates. | 0:08:39 | 0:08:43 | |
Packet vessels weren't fighting ships, | 0:08:45 | 0:08:47 | |
but they were armed with small deck cannon and guns, | 0:08:47 | 0:08:51 | |
which frequently saved them from being captured. | 0:08:51 | 0:08:53 | |
And hand pistols like these, standard issue ones, | 0:08:53 | 0:08:56 | |
often helped protect the letters and the bullion, | 0:08:56 | 0:08:59 | |
which was frequently entrusted on those voyages, | 0:08:59 | 0:09:02 | |
so that's a wonderful example of what was around, | 0:09:02 | 0:09:06 | |
but what I love is this mailbag. | 0:09:06 | 0:09:08 | |
This is the only surviving example of a mailbag from a packet ship. | 0:09:08 | 0:09:13 | |
And it was donated to the museum, kindly, | 0:09:13 | 0:09:15 | |
by a Falmouth resident who found it in his attic. | 0:09:15 | 0:09:19 | |
That really is a wonderful document of the packet's social history. | 0:09:19 | 0:09:24 | |
A hardy survivor. | 0:09:24 | 0:09:26 | |
Back at the valuation tables, | 0:09:27 | 0:09:29 | |
Philip has his hands on another piece of maritime history. | 0:09:29 | 0:09:34 | |
-John, how you? -Very well, thanks. | 0:09:34 | 0:09:35 | |
Are you a Falmouthian or whatever the term is? | 0:09:35 | 0:09:38 | |
-No, I'm a Camelfordian. -A Camelfordian? -Yeah. | 0:09:38 | 0:09:42 | |
-Now, we're surrounded by boats, aren't we? -This is true. | 0:09:42 | 0:09:45 | |
-We're surrounded by water -This is true. -I'm kind of hoping | 0:09:45 | 0:09:48 | |
-this has got some sort of marine... -Just a little. -Has it? -Yes. | 0:09:48 | 0:09:51 | |
-Would this have fitted on a boat? -No. It would be more shore-sides. | 0:09:51 | 0:09:55 | |
-Why? -Stone frigates. | 0:09:55 | 0:09:57 | |
-How'd you know? -It would be a bit difficult... | 0:09:57 | 0:09:59 | |
What did you just say? A stone frigate? | 0:09:59 | 0:10:01 | |
-Stone frigate. -What does that mean? -It's a shore base. | 0:10:01 | 0:10:04 | |
So, if you're a naval officer based in the shore, | 0:10:04 | 0:10:07 | |
-you'd call it a stone frigate? -Stone frigate. | 0:10:07 | 0:10:10 | |
-I thought you were swearing at me. -No, no. Would I do that? | 0:10:10 | 0:10:13 | |
-I hope not! -No. -So, it's obviously been dispensing something, | 0:10:13 | 0:10:16 | |
cos you've got taps here. | 0:10:16 | 0:10:18 | |
Well, this used to contain the daily ration of rum | 0:10:18 | 0:10:21 | |
-for senior ratings in the Royal Navy. -Really? | 0:10:21 | 0:10:25 | |
The junior ratings got grog, which was rum and water mixed. | 0:10:25 | 0:10:28 | |
So, if you were below deck or you were lesser ranks, | 0:10:28 | 0:10:32 | |
-grog was a mixture of water and rum. -Water and rum. | 0:10:32 | 0:10:35 | |
-And if you were a ranking officer... -No! If you were a senior rating. | 0:10:35 | 0:10:39 | |
-Senior rating? -Petty officer or chief petty officer, | 0:10:39 | 0:10:42 | |
then you used to get neat rum. | 0:10:42 | 0:10:44 | |
-Were you a naval man? Is that why you bought this? -Yes. | 0:10:44 | 0:10:47 | |
-I did a few years in the Navy. 22. -22? -Mm-hm. | 0:10:47 | 0:10:51 | |
-So, were you a grog man or a rum man? -I started off as a grog man. | 0:10:51 | 0:10:54 | |
-And you became a rum...? -And became a neat rum man, yes. | 0:10:54 | 0:10:58 | |
-And, presumably, that doesn't happen now. -No, it doesn't. | 0:10:58 | 0:11:00 | |
-And here we've got... -"Mechanician Candidates." | 0:11:00 | 0:11:03 | |
-And that says "Mess" in there. -That would be in their mess. | 0:11:03 | 0:11:06 | |
-This has come from the mess. -Yes. -Dated 1924, so even I can date this. | 0:11:06 | 0:11:11 | |
-That's true. -And what have we got underneath? | 0:11:11 | 0:11:14 | |
-"One and One Only." -So that's your measure. | 0:11:14 | 0:11:17 | |
-Right. -You're allowed one measure and one measure only? -That's it. | 0:11:17 | 0:11:21 | |
That's a cool thing. How did you come by it? | 0:11:21 | 0:11:23 | |
-I found it in Weybridge in an auction. -Can I ask a rude question? | 0:11:23 | 0:11:27 | |
-Go on. -How much did you pay for it? -I think about £20. | 0:11:27 | 0:11:30 | |
-How long ago was that? -It could've been 35-40 years ago. | 0:11:30 | 0:11:33 | |
Well, I think we're just selling it in the right part of the world. | 0:11:33 | 0:11:36 | |
-Mm-hm. -And I've got strong hopes for that, | 0:11:36 | 0:11:38 | |
-so fingers crossed. -Yes, I'll cross my fingers. | 0:11:38 | 0:11:41 | |
Just one last question - how many bottles would you get in there? | 0:11:41 | 0:11:44 | |
Well, we didn't fill it from the bottle, | 0:11:44 | 0:11:46 | |
-we used to carry it.. -In casks? -..in casks. That's right. | 0:11:46 | 0:11:49 | |
Ah, right. I think, if I wanted to sell this, I'd put an estimate on it | 0:11:49 | 0:11:53 | |
-of £80-£120... -Yeah. -..I'd put a fixed reserve on it of 60 quid | 0:11:53 | 0:11:57 | |
and it wouldn't surprise me if it made £60 | 0:11:57 | 0:12:00 | |
and it wouldn't surprise me if it made £200. | 0:12:00 | 0:12:02 | |
I think it's a real fun thing. | 0:12:02 | 0:12:04 | |
-Are you happy to put it in the auction? -I am indeed. | 0:12:04 | 0:12:06 | |
Do you know one thing that's going to make it a bit more saleable? | 0:12:06 | 0:12:09 | |
I don't know if you're able to do this. | 0:12:09 | 0:12:12 | |
-Fill it up. -Fill it up? -Fill it up! | 0:12:12 | 0:12:14 | |
Well, I don't know about you, | 0:12:18 | 0:12:20 | |
but I think there's some real gems there. | 0:12:20 | 0:12:22 | |
Our experts have worked tremendously hard. | 0:12:22 | 0:12:24 | |
And now, they're going to put those valuations to the test. | 0:12:24 | 0:12:27 | |
We're making our way over to the salerooms | 0:12:27 | 0:12:29 | |
and here's a quick recap of all the items we're taking with us. | 0:12:29 | 0:12:32 | |
Pointing us in the right direction is Peter's sextant. | 0:12:33 | 0:12:37 | |
Will Anne's beautifully illustrated christening plate be | 0:12:40 | 0:12:43 | |
scooped up by the bidders? | 0:12:43 | 0:12:45 | |
And let's hope we can raise a toast | 0:12:49 | 0:12:50 | |
when this rum drum goes under the hammer. | 0:12:50 | 0:12:53 | |
We're heading 40 miles up the road to Lostwithiel, | 0:12:57 | 0:12:59 | |
which is a small town with lots of lovely antique shops. | 0:12:59 | 0:13:02 | |
And, of course, Jefferys auction house, our destination today. | 0:13:02 | 0:13:06 | |
Remember, every saleroom charges varying rates of commission. | 0:13:07 | 0:13:11 | |
Here, sellers pay 15%, plus VAT, | 0:13:11 | 0:13:15 | |
so make sure you've done your sums in advance. | 0:13:15 | 0:13:18 | |
Taking charge of the gavel today is auctioneer Ian Morris. | 0:13:18 | 0:13:21 | |
We're just about to sell Peter's sextant. | 0:13:23 | 0:13:25 | |
Now, this is the standard kit for a ship's captain, isn't it, really? | 0:13:25 | 0:13:29 | |
-Well, I hope so! -Yeah, I know you were in two minds. | 0:13:29 | 0:13:31 | |
-Some of the family members wanted you to keep it. -I'm not, I'm not! | 0:13:31 | 0:13:34 | |
-But you want to sell it? -Well, it's at auction now! -It's at auction now. | 0:13:34 | 0:13:37 | |
-Anyone can bid on it, except for us. -Absolutely. | 0:13:37 | 0:13:39 | |
-Well, good luck with that. -Thank you. -We're in the right place to sell it. | 0:13:39 | 0:13:42 | |
We're surrounded by water down here in Cornwall, | 0:13:42 | 0:13:44 | |
so fingers crossed. Here we are. | 0:13:44 | 0:13:45 | |
RK sextant by Kelvin Hughes, dated 1953. | 0:13:45 | 0:13:50 | |
Not that old, but got some interest at £140. | 0:13:50 | 0:13:54 | |
Bids on the book at 140. | 0:13:54 | 0:13:55 | |
At 140. 150 down? | 0:13:55 | 0:13:57 | |
At 140. 150. 160. 170. | 0:13:57 | 0:14:00 | |
180. 190. 200. | 0:14:00 | 0:14:02 | |
220. 240. 260. | 0:14:02 | 0:14:05 | |
280. 280. The bid's with me at £280. | 0:14:05 | 0:14:09 | |
The hammer's gone down. | 0:14:09 | 0:14:11 | |
It's gone. £280. | 0:14:11 | 0:14:13 | |
-Wow! -Wow! | 0:14:13 | 0:14:15 | |
-That's a good result. -I hope it wasn't my son that bought it! | 0:14:15 | 0:14:17 | |
Well, look, if it was, then that's brilliant. | 0:14:17 | 0:14:19 | |
-Thank you so much for bringing that in, and entertaining us. -Absolutely. | 0:14:19 | 0:14:23 | |
Actually, Peter's son, Ben, did buy the sextant, | 0:14:23 | 0:14:27 | |
and they're thrilled to have it back in the family, | 0:14:27 | 0:14:30 | |
because they remember their dad using it on sailing trips. | 0:14:30 | 0:14:33 | |
Does Mabel Lucie Atwell ring a bell with you? Yes, of course it does. | 0:14:35 | 0:14:38 | |
It's Anne's baby bowl! | 0:14:38 | 0:14:40 | |
And we're joined by Anne and our wonderful expert Caroline. | 0:14:40 | 0:14:43 | |
-Now, you scooped your porridge out with this, didn't you? -I sure did. | 0:14:43 | 0:14:48 | |
-How did that survive? -I have no idea. | 0:14:48 | 0:14:51 | |
Well, look, I want it to go for 20 to 40 quid. That's what we hope. | 0:14:51 | 0:14:54 | |
-Wouldn't it be nice? -Yes. Then you can treat yourself to a lunch out. | 0:14:54 | 0:14:58 | |
-No, it's going to my great granddaughter. -Oh, is it? | 0:14:58 | 0:15:00 | |
Into her savings bank. | 0:15:00 | 0:15:02 | |
-Oh, that's lovely. -Aw. -That's lovely. | 0:15:02 | 0:15:04 | |
Well, let's find out what the bidders think, shall we? | 0:15:04 | 0:15:06 | |
It's going under the hammer right now. | 0:15:06 | 0:15:08 | |
Mabel Lucie Atwell. A nice little baby's plate there. | 0:15:08 | 0:15:11 | |
Bid's on the books. That means I've got to start at £20. | 0:15:11 | 0:15:13 | |
-At £20. 22. 25. -20...28? | 0:15:13 | 0:15:17 | |
£30 with me. 32? 32. | 0:15:17 | 0:15:19 | |
I'm out on the book. £32 beats the high bid. | 0:15:19 | 0:15:22 | |
-£32. -35, no? Are we all done at 32? | 0:15:22 | 0:15:25 | |
-Yes! -£32, so that was worth selling, better than 15 quid. -Lovely! | 0:15:25 | 0:15:29 | |
-Yeah, brilliant. -Thank you very much. | 0:15:29 | 0:15:31 | |
Memories, eh? Memories. THEY LAUGH | 0:15:31 | 0:15:33 | |
That's what these shows are all about. | 0:15:33 | 0:15:35 | |
And they turn into treasures, and talking of treasure... | 0:15:36 | 0:15:39 | |
Every sailor needs one of these. | 0:15:39 | 0:15:42 | |
His own personal rum drum | 0:15:42 | 0:15:43 | |
Exactly what John had. Well done, you! | 0:15:43 | 0:15:46 | |
-And you were in the Navy for 22 years, weren't you? -I was, yes. | 0:15:46 | 0:15:49 | |
Do they have something like that equivalent today, a rum drum? | 0:15:49 | 0:15:52 | |
No, not really. No, a museum piece now. | 0:15:52 | 0:15:55 | |
-Dry ship. It's a dry ship now. -Yes. -Go find another one. | 0:15:55 | 0:15:59 | |
Well, that's what I was just about to say, Phil. | 0:15:59 | 0:16:02 | |
It's in beautiful condition. You'd like to own it. I'd like to own that. | 0:16:02 | 0:16:05 | |
Yeah, just because it's a really good talking point. | 0:16:05 | 0:16:08 | |
These are the kind of decorator's items | 0:16:08 | 0:16:10 | |
that get slightly converted into lamp bases. | 0:16:10 | 0:16:13 | |
Someone'll cleverly put a copper tube coming up with a big shade on it, | 0:16:13 | 0:16:16 | |
and then you can use it as a lamp base. | 0:16:16 | 0:16:18 | |
Anyway, it's just an idea. It's going under the hammer right now. | 0:16:18 | 0:16:21 | |
Bid's on the books. It means I've got to start at £90. | 0:16:21 | 0:16:24 | |
At £90 I'm bid. | 0:16:24 | 0:16:25 | |
At £100. 110. 120. 130. | 0:16:25 | 0:16:28 | |
140. 150. 160. 170. | 0:16:28 | 0:16:32 | |
180. 190. 200. 210. | 0:16:32 | 0:16:35 | |
220? 220. 230... | 0:16:35 | 0:16:37 | |
-It'd be fair to say that's a spirited bid. -260. | 0:16:37 | 0:16:40 | |
Your bid amount. At £260, I'm bid. | 0:16:40 | 0:16:43 | |
£260. That's more like it, isn't it? | 0:16:43 | 0:16:44 | |
We're done at £260. | 0:16:44 | 0:16:47 | |
Yes, hammer's gone down. £260. | 0:16:47 | 0:16:50 | |
-We're happy. Are you happy? -Proper job. | 0:16:50 | 0:16:52 | |
That's what they say down here, don't they? | 0:16:52 | 0:16:54 | |
Proper job. We've certainly done that today. | 0:16:54 | 0:16:57 | |
Condition was fantastic on there. It was really, really good. | 0:16:57 | 0:17:00 | |
Well done, you. Thank you for bringing that in. | 0:17:00 | 0:17:02 | |
-Thank you very much and thank you, Phil. -My pleasure, thank you. | 0:17:02 | 0:17:05 | |
Well, there you are - the end of our first visit to the auction today. | 0:17:08 | 0:17:11 | |
We are coming back here a little later, so don't go away, | 0:17:11 | 0:17:14 | |
but first, how do you think you and your family would cope | 0:17:14 | 0:17:19 | |
if you were stranded in the middle of an ocean in a small dinghy | 0:17:19 | 0:17:22 | |
after killer whales had capsized your big yacht? | 0:17:22 | 0:17:26 | |
Well, this is an amazing story of survival. | 0:17:26 | 0:17:29 | |
In 1972, a family from Falmouth hit the news headlines | 0:17:33 | 0:17:37 | |
when they were rescued from near death at sea. | 0:17:37 | 0:17:40 | |
Film crews captured the moment they were safely brought to shore. | 0:17:40 | 0:17:43 | |
Their father, Dougal Robertson, | 0:17:45 | 0:17:47 | |
described just how desperate they had been. | 0:17:47 | 0:17:50 | |
We heard you were hit by a whale? | 0:17:51 | 0:17:53 | |
Just as our schooner was sunk by an attack of killer whales... | 0:17:53 | 0:17:58 | |
..we sank in a very short time. | 0:18:00 | 0:18:03 | |
We were unable to collect any stores or water, | 0:18:03 | 0:18:09 | |
and had to survive from the sea for as long as we were able. | 0:18:09 | 0:18:17 | |
The Robertson family story all began on the 27th of January 1971. | 0:18:20 | 0:18:25 | |
Mum, Dad, two teenage children and 12-year-old twins | 0:18:25 | 0:18:30 | |
set sail from this harbour in Falmouth | 0:18:30 | 0:18:32 | |
on a 43-foot schooner called Lucette. | 0:18:32 | 0:18:35 | |
The plan was to sail around the world. | 0:18:35 | 0:18:37 | |
Although the trip had taken a couple of years to organise, | 0:18:39 | 0:18:42 | |
the family was equipped for the voyage. | 0:18:42 | 0:18:44 | |
Dad, Dougal Robertson, was an accomplished sailor | 0:18:44 | 0:18:47 | |
with some 15 years' experience at sea. | 0:18:47 | 0:18:50 | |
His wife, Lynn, was a practising midwife and qualified nurse, | 0:18:50 | 0:18:54 | |
and their children, 18-year-old Anne, 16-year-old Douglas | 0:18:54 | 0:18:58 | |
and young twins, Sandy and Neil, were all physically fit | 0:18:58 | 0:19:01 | |
from helping out on a large cattle farm for several years. | 0:19:01 | 0:19:05 | |
So, how did a family, prepared and trained to take on the high seas, | 0:19:07 | 0:19:12 | |
end up struggling for survival in a three-man dinghy | 0:19:12 | 0:19:15 | |
that was only nine foot long? | 0:19:15 | 0:19:17 | |
The epic but near fatal adventure has been documented | 0:19:18 | 0:19:21 | |
here at the valuation day venue, the National Maritime Museum Cornwall. | 0:19:21 | 0:19:25 | |
They also have the small dinghy | 0:19:26 | 0:19:28 | |
the family remarkably managed to survive in. | 0:19:28 | 0:19:31 | |
I've come to meet one of the children, Douglas Robertson, | 0:19:31 | 0:19:34 | |
who was a teenager at the time. | 0:19:34 | 0:19:36 | |
Douglas, it's really great to meet you. Welcome back to Falmouth. | 0:19:36 | 0:19:40 | |
-Thank you. -PAUL LAUGHS | 0:19:40 | 0:19:41 | |
-Where it all started for your family! -It is. | 0:19:41 | 0:19:43 | |
Why did your dad decide to set off on such an epic adventure? | 0:19:43 | 0:19:48 | |
-Had he done anything like it before? -Well, he was a former sea captain | 0:19:48 | 0:19:51 | |
-from the Merchant Navy days. -Right, OK. | 0:19:51 | 0:19:53 | |
And he wanted to educate his children in the university of life. | 0:19:53 | 0:19:57 | |
The plan was to sail via Portugal to the Canary Islands. | 0:19:59 | 0:20:02 | |
They would then travel across the Atlantic to the Caribbean | 0:20:02 | 0:20:06 | |
and then on to Miami, Jamaica, | 0:20:06 | 0:20:10 | |
and through the Panama Canal to the Galapagos Islands. | 0:20:10 | 0:20:13 | |
The return journey back to Britain would be via the Suez Canal. | 0:20:15 | 0:20:18 | |
Douglas's sister Anne decided to stay in Miami | 0:20:21 | 0:20:25 | |
and a new person came aboard in Panama. | 0:20:25 | 0:20:28 | |
We picked up a hitchhiker, Robin Williams, | 0:20:28 | 0:20:31 | |
who was looking for a trip to New Zealand. | 0:20:31 | 0:20:33 | |
He was a graduate and my dad thought that he would help with | 0:20:33 | 0:20:37 | |
the tutoring of the boys especially and myself, indeed, | 0:20:37 | 0:20:40 | |
because we'd been taken out of school to do this trip. | 0:20:40 | 0:20:44 | |
However, 16 months into their journey, tragedy struck. | 0:20:44 | 0:20:48 | |
The family were sailing to the remote island of Marquesas | 0:20:48 | 0:20:51 | |
when the boat was suddenly attacked by some 20 killer whales. | 0:20:51 | 0:20:54 | |
Talk me through the exact moment that pod of whales hit. | 0:20:57 | 0:21:01 | |
What were you doing? | 0:21:01 | 0:21:02 | |
Well, I was standing in the cockpit on deck, | 0:21:02 | 0:21:06 | |
my brother was at the wheel, and I saw a little | 0:21:06 | 0:21:09 | |
sort of darkness in the sea and next thing, bang, bang, bang, like that. | 0:21:09 | 0:21:15 | |
Ear-splitting, cracking sound of splintering wood. | 0:21:15 | 0:21:19 | |
-It was just so deep and powerful... -Yeah. | 0:21:19 | 0:21:22 | |
-..that I knew that was trouble. -Trouble. | 0:21:22 | 0:21:24 | |
My dad was up to his waist in water, saying "Abandon ship. | 0:21:24 | 0:21:26 | |
"We've got to get out." About two minutes later, the yacht had gone. | 0:21:26 | 0:21:31 | |
-Did you manage to grab some supplies and some charts? -Not really. | 0:21:31 | 0:21:35 | |
We got the dinghy over the side, we got the life raft over the side | 0:21:35 | 0:21:38 | |
and we all managed to get on the raft, thank God. | 0:21:38 | 0:21:40 | |
-Cos it was drifting quickly. -It was drifting away quickly. | 0:21:40 | 0:21:43 | |
The killer whales were in the water, | 0:21:43 | 0:21:45 | |
we knew the killer whales were there. I thought, | 0:21:45 | 0:21:47 | |
-"This is how I'm going to die. I'm going to be eaten." -You are lucky. | 0:21:47 | 0:21:50 | |
At any moment, I'm going to feel those teeth come in, you know? | 0:21:50 | 0:21:52 | |
But I didn't. | 0:21:52 | 0:21:54 | |
They probably had attacked us, thinking we were a whale. | 0:21:54 | 0:21:57 | |
Unfortunately, the raft only lasted 17 days and all six of them | 0:21:57 | 0:22:03 | |
had to pile into this small 9ft dinghy. | 0:22:03 | 0:22:06 | |
They headed north towards the Doldrums, | 0:22:09 | 0:22:12 | |
in the hope of reaching the shipping routes, | 0:22:12 | 0:22:15 | |
but with just ten days of supplies left, | 0:22:15 | 0:22:17 | |
they were in imminent danger of dying. | 0:22:17 | 0:22:20 | |
At the same time, we talked about... | 0:22:21 | 0:22:23 | |
Cos we've all heard stories of getting shipwrecked and castaways | 0:22:23 | 0:22:27 | |
-eating each other and things like that... -Did that cross your mind? | 0:22:27 | 0:22:30 | |
Yeah, it crossed our minds and we agreed with each other | 0:22:30 | 0:22:33 | |
and promised that we would never resort to that. | 0:22:33 | 0:22:36 | |
We would die together, quietly, when the time came. | 0:22:36 | 0:22:40 | |
And, er, luckily, it never did, you know? So... | 0:22:40 | 0:22:44 | |
And we wrote letters home as well and in the raft itself, | 0:22:44 | 0:22:50 | |
in the dinghy itself, my father carved a message | 0:22:50 | 0:22:54 | |
and it was really important to us at the time that, | 0:22:54 | 0:22:59 | |
if that dinghy was found empty, my sister would know what had happened. | 0:22:59 | 0:23:04 | |
And... | 0:23:04 | 0:23:05 | |
Because we didn't want people to think that the Lucette had | 0:23:05 | 0:23:09 | |
just sank because she was an old boat or something like that. | 0:23:09 | 0:23:12 | |
What had happened to us, nobody could have foreseen it, you know? | 0:23:12 | 0:23:16 | |
With just three days of supplies left, | 0:23:16 | 0:23:19 | |
they experienced yet another setback. A passing ship failed to spot them. | 0:23:19 | 0:23:24 | |
With hopes fading, | 0:23:24 | 0:23:25 | |
their rescue plan now turned into one of sheer survival. | 0:23:25 | 0:23:29 | |
But with the South American coast some 50 days' sailing away, | 0:23:29 | 0:23:33 | |
the family were determined not to lie down and die. | 0:23:33 | 0:23:37 | |
We gathered food, we gathered water. | 0:23:37 | 0:23:39 | |
We were thinking now about not waiting to get picked up, | 0:23:39 | 0:23:42 | |
but about making this voyage back home, you know, | 0:23:42 | 0:23:45 | |
which was a much bigger undertaking. | 0:23:45 | 0:23:47 | |
'Their survival now depended on finding ingenious methods | 0:23:47 | 0:23:51 | |
'to get water and nutrients.' | 0:23:51 | 0:23:53 | |
-Talk me through some of these things. -OK. | 0:23:53 | 0:23:55 | |
-Well, this was the water bag, water being the critical thing. -Yeah. | 0:23:55 | 0:23:59 | |
We only had some tins inside the raft of water, | 0:23:59 | 0:24:02 | |
ten days' supply, when we set off. | 0:24:02 | 0:24:04 | |
And when it rained, later when we got to the Doldrums | 0:24:04 | 0:24:08 | |
and it rained, we managed to fill the tins | 0:24:08 | 0:24:11 | |
and then we had this bag that we kept filled with water as well. | 0:24:11 | 0:24:15 | |
And what else? What's that? It's a bottle of oil. | 0:24:15 | 0:24:18 | |
This is a bottle of oil. | 0:24:18 | 0:24:19 | |
One of the luck elements of the trip was that | 0:24:19 | 0:24:22 | |
-the turtles kept coming to see what we were. -So you could eat the... | 0:24:22 | 0:24:26 | |
You could catch them and eat a turtle every other day or so. | 0:24:26 | 0:24:29 | |
Yeah, every other day. We caught 13 turtles on our trip. | 0:24:29 | 0:24:32 | |
So is that turtle oil? | 0:24:32 | 0:24:34 | |
Yeah, this is turtle oil here that we rendered from the fat. | 0:24:34 | 0:24:36 | |
And the sun rendered it down into oil. | 0:24:36 | 0:24:39 | |
And we then put the oil in a bottle | 0:24:39 | 0:24:40 | |
and we were able to rub on our sores. | 0:24:40 | 0:24:43 | |
Pressure sores from sitting in the dinghy. | 0:24:43 | 0:24:45 | |
It was amazing how our behaviour sort of centred around survival. | 0:24:45 | 0:24:50 | |
At one point, we ran out of water | 0:24:50 | 0:24:52 | |
and we only had the water that was in the bottom of the dinghy | 0:24:52 | 0:24:56 | |
and so we took a rung off the ladder of the raft | 0:24:56 | 0:24:59 | |
and made an enema tube out of it and we actually drank the water, | 0:24:59 | 0:25:02 | |
the dirty water that was in the bottom of the dinghy, rectally. | 0:25:02 | 0:25:06 | |
We took it as enemas. | 0:25:06 | 0:25:08 | |
-And that enabled us to last until it rained later on. -God! | 0:25:08 | 0:25:12 | |
-So we were quite innovative in... -Mother skills coming in. | 0:25:12 | 0:25:16 | |
Mother skills, yeah. | 0:25:16 | 0:25:17 | |
You're probably amazed that you're still alive, I suppose. | 0:25:17 | 0:25:21 | |
I am. | 0:25:21 | 0:25:22 | |
I can only say how grateful we are | 0:25:22 | 0:25:24 | |
to these Japanese people who picked us up. | 0:25:24 | 0:25:26 | |
They probably didn't realise what you have been through. | 0:25:26 | 0:25:29 | |
They didn't think there was anyone in the boat and I think this | 0:25:29 | 0:25:32 | |
was the next to our last flare, so we were very fortunate indeed. | 0:25:32 | 0:25:36 | |
What a remarkable story of survival through sheer determination | 0:25:39 | 0:25:43 | |
and against the odds and, thankfully, a happy ending. | 0:25:43 | 0:25:46 | |
Back at the museum, hundreds of people have already | 0:25:51 | 0:25:54 | |
had their antiques valued, so let's catch up with Caroline | 0:25:54 | 0:25:58 | |
and see what else she's uncovered. | 0:25:58 | 0:26:00 | |
So, Jackie, thank you | 0:26:00 | 0:26:02 | |
so much for bringing this gorgeous jewellery along. | 0:26:02 | 0:26:05 | |
-Now, these haven't come from Cornwall, have they? -No. | 0:26:05 | 0:26:08 | |
-They came from America. -How did they come by...? | 0:26:08 | 0:26:11 | |
My brother went to America a lot of years ago, | 0:26:11 | 0:26:13 | |
when I was about four years old, and he travelled around the States | 0:26:13 | 0:26:17 | |
quite a bit and he met this lovely lady and married her. | 0:26:17 | 0:26:20 | |
-An American lady? -Well, she was born in England, Birmingham, | 0:26:20 | 0:26:25 | |
-and then, all her family emigrated to America. -Right. | 0:26:25 | 0:26:29 | |
But my sister-in-law died, bless her. She was a lovely lady. | 0:26:29 | 0:26:33 | |
And my brother didn't know what to do with them, | 0:26:33 | 0:26:35 | |
so he shared them out between the sisters. | 0:26:35 | 0:26:37 | |
-And you chose these? -Yes. | 0:26:37 | 0:26:39 | |
Well, I think you've chosen very, very wisely. | 0:26:39 | 0:26:42 | |
Now, if we start with my favourite, which is this diamond solitaire. | 0:26:42 | 0:26:47 | |
Perfect engagement ring. The only thing is to find the perfect chap. | 0:26:47 | 0:26:51 | |
-Easier to find the ring, I would say. -Yes. | 0:26:51 | 0:26:54 | |
Now, this is wonderful clarity. | 0:26:54 | 0:26:57 | |
It is 1/8 carat, in 18-carat white gold. | 0:26:57 | 0:27:01 | |
-Have you any idea of the sort of value of this? -Not really. | 0:27:01 | 0:27:05 | |
It was valued in the '70s. I think it was valued then 1,500. | 0:27:05 | 0:27:09 | |
-Well, I would think now that this could well be £2,000 to £3,000. -Oh. | 0:27:09 | 0:27:15 | |
-Which is quite a nice lot of money, isn't it? -Absolutely. | 0:27:15 | 0:27:21 | |
But I think we ought to put a reserve on it | 0:27:21 | 0:27:24 | |
and what would you say if we put an 1,800 fixed reserve? | 0:27:24 | 0:27:30 | |
-Make it 2,000. -Make it 2,000. -Yeah. | 0:27:30 | 0:27:32 | |
OK, 2,000 reserve, with a little bit of discretion, can we? | 0:27:32 | 0:27:36 | |
-Yeah, discretion is fine. -OK. | 0:27:36 | 0:27:38 | |
-So we'll put a 2,000 reserve on that one. -OK, thank you. | 0:27:38 | 0:27:41 | |
And then, we'll go to this one, | 0:27:41 | 0:27:43 | |
which is four stones, so you would think the four | 0:27:43 | 0:27:45 | |
is better than the one, but they're much, much smaller. | 0:27:45 | 0:27:48 | |
They have a combined weight of 0.5 carat. | 0:27:48 | 0:27:52 | |
Again, it's a very pretty ring, | 0:27:52 | 0:27:53 | |
but not worth anywhere near as much as this. | 0:27:53 | 0:27:56 | |
Oh, no. No. | 0:27:56 | 0:27:58 | |
-I would think 150 to 250. -OK. | 0:27:58 | 0:28:02 | |
And then, we have this, which couldn't be more perfect, | 0:28:02 | 0:28:06 | |
-here in Falmouth. -Absolutely. | 0:28:06 | 0:28:07 | |
By Danish silversmith Anton Michelsen. Have you heard of him? | 0:28:07 | 0:28:12 | |
-No, I've heard of Jensen. -Right, which brings me | 0:28:12 | 0:28:15 | |
-to Georg Jensen... -Yeah. -..actually was apprenticed to Anton Michelsen. | 0:28:15 | 0:28:20 | |
-Wow. -So this is quite a nice little boat. | 0:28:20 | 0:28:24 | |
Silver, not of huge value, but really interesting and quite modern. | 0:28:24 | 0:28:30 | |
I would say '60s, '70s. | 0:28:30 | 0:28:32 | |
-A value of £40 to 60. -Yep. | 0:28:32 | 0:28:35 | |
Which brings me to this little thing | 0:28:35 | 0:28:37 | |
and look at this, with this lovely comedy and tragedy mask. How lovely. | 0:28:37 | 0:28:42 | |
And it's set with the most gorgeous sapphires and rubies. | 0:28:42 | 0:28:46 | |
It's 14-carat gold. What more would you want? I think it's gorgeous. | 0:28:46 | 0:28:52 | |
And it's just so evocative of the 1970s, I would say, | 0:28:52 | 0:28:56 | |
and I would have no hesitation but to value this between 200 | 0:28:56 | 0:29:00 | |
and £300 and it will go all day long. Are you happy with that? | 0:29:00 | 0:29:05 | |
I'm fine, thank you. | 0:29:05 | 0:29:06 | |
Lovely to see you and your beautiful things. Thank you so much. | 0:29:06 | 0:29:10 | |
Thank you for having me. | 0:29:10 | 0:29:11 | |
Pleasure. | 0:29:11 | 0:29:13 | |
Let's hope that collection shines at auction. | 0:29:13 | 0:29:16 | |
Philip has also found something decorative, | 0:29:17 | 0:29:20 | |
although this piece might be more suited to the great outdoors. | 0:29:20 | 0:29:25 | |
-Julie, how are you? -I'm fine, thank you. -I love this. -It's lovely. | 0:29:25 | 0:29:28 | |
It's really, really sweet. How long have you had it? | 0:29:28 | 0:29:31 | |
About two years. | 0:29:31 | 0:29:32 | |
-And where does it come from? -It was my mother-in-law's. | 0:29:32 | 0:29:35 | |
It was passed on to my husband when she died. | 0:29:35 | 0:29:37 | |
-And time's come, you don't like it, or...? -We like it, | 0:29:37 | 0:29:40 | |
but it...it sits in the cabinet and we just thought we'd move it along. | 0:29:40 | 0:29:43 | |
I don't know, it's just sitting there, doing nothing. | 0:29:43 | 0:29:46 | |
I think it's lovely. It would be so easy to make this | 0:29:46 | 0:29:48 | |
-with a straight stick thermometer, wouldn't it? -Yes. | 0:29:48 | 0:29:50 | |
And it's just the way it's put together, I think, is really, | 0:29:50 | 0:29:53 | |
really lovely. It's by Parkinson and Frodsham of Liverpool | 0:29:53 | 0:29:56 | |
and they occupied really the bulk of the 19th century, | 0:29:56 | 0:29:58 | |
from about 1880, 1805, through to the 1890s. | 0:29:58 | 0:30:02 | |
So you can say with some confidence it's mounted on ivory, | 0:30:02 | 0:30:05 | |
but 19th century, certainly pre-1947, | 0:30:05 | 0:30:08 | |
so it's OK for you to have this and sell it and it's lovely, | 0:30:08 | 0:30:11 | |
because you've got this thermometer here with the mercury in the bowl | 0:30:11 | 0:30:15 | |
and this sea scroll here and what I love about this is | 0:30:15 | 0:30:19 | |
-you've got blood heat, summer heat, temperate and freezing. -Yes. | 0:30:19 | 0:30:24 | |
And then we've got the compass here. | 0:30:24 | 0:30:26 | |
I'm just checking to see which way north is... | 0:30:26 | 0:30:28 | |
-North is that-a-way. Is that right or wrong? -I actually don't know. | 0:30:28 | 0:30:31 | |
-You don't know. -I've got no bearings in here. -Let's swiftly put it down. | 0:30:31 | 0:30:35 | |
-So, we come to value. Any idea what it might be worth? -No. | 0:30:35 | 0:30:37 | |
-Nothing at all. -Not a clue? -No. | 0:30:37 | 0:30:39 | |
-So, it could be worth 30 quid. -It could be. | 0:30:39 | 0:30:42 | |
-It could be worth 40 quid. -Again, it could be. | 0:30:42 | 0:30:44 | |
-It could be worth 50 quid. -It would be nice. -Well, I think... | 0:30:44 | 0:30:48 | |
I'm going to take the Serrell approach, that, if I own that, | 0:30:48 | 0:30:51 | |
-I would hope and expect it to make between 60 and £90. -OK. | 0:30:51 | 0:30:54 | |
-Put a fixed reserve on it of £50. -Mm-hm. | 0:30:54 | 0:30:56 | |
I think, if you have a really, really good day at the office, | 0:30:56 | 0:30:59 | |
-it might just tickle in to the three figures. -Oh. | 0:30:59 | 0:31:02 | |
And let's hope that the temperature in the saleroom | 0:31:02 | 0:31:04 | |
-whizzes round to blood heat, shall we? -Yeah! | 0:31:04 | 0:31:06 | |
We'll see what we can do and what a great navigational tool. | 0:31:06 | 0:31:10 | |
Now, being a sailor back in the 18th century was a harsh, gruelling job. | 0:31:10 | 0:31:14 | |
Indeed, those who worked on the packet ships out of Falmouth | 0:31:14 | 0:31:18 | |
could spend much of their life at sea. | 0:31:18 | 0:31:21 | |
To give you an idea of what the conditions were like on board, | 0:31:21 | 0:31:24 | |
take a look at this. | 0:31:24 | 0:31:26 | |
Now, this is a replica of a cabin on a packet ship | 0:31:26 | 0:31:30 | |
that paying passengers would've slept in. | 0:31:30 | 0:31:32 | |
For the crew, conditions would be far more cramped, | 0:31:32 | 0:31:35 | |
with hammocks slung between decks. | 0:31:35 | 0:31:37 | |
Now, already, and I've only been in here a few seconds, | 0:31:37 | 0:31:40 | |
it's feeling quite cramped. I don't think I'd survive a long voyage. | 0:31:40 | 0:31:43 | |
Now, with me today is the author Philip Marsden, | 0:31:43 | 0:31:46 | |
who has been researching the history of the packet ships, | 0:31:46 | 0:31:49 | |
and I know you've discovered something rather interesting. | 0:31:49 | 0:31:52 | |
Yes, a manuscript that was discovered in a drawer | 0:31:52 | 0:31:54 | |
in St Ives about 100 years ago | 0:31:54 | 0:31:56 | |
and it ended up in the Cornwall Records Office | 0:31:56 | 0:31:59 | |
and I came across it there during my research | 0:31:59 | 0:32:01 | |
and it's a very rare account of life on board a packet ship | 0:32:01 | 0:32:04 | |
and, interestingly, it's not the account of an officer or | 0:32:04 | 0:32:07 | |
someone who was used to sleeping in a cabin like that, but of a seaman. | 0:32:07 | 0:32:11 | |
And a seaman who could write. | 0:32:11 | 0:32:12 | |
He'd been to school for about three years, at Helston. | 0:32:12 | 0:32:15 | |
He was 14 when he joined ship. | 0:32:15 | 0:32:17 | |
And he says in his account that, for seven years, | 0:32:17 | 0:32:20 | |
he was seasick and, because he had no strength, he didn't have | 0:32:20 | 0:32:23 | |
the ability to sort of assert himself, he didn't have a hammock. | 0:32:23 | 0:32:26 | |
He slept in corners. | 0:32:26 | 0:32:28 | |
And, on watch, he would commit the cardinal sin of falling asleep, | 0:32:28 | 0:32:32 | |
so he had water thrown over him to wake him up. | 0:32:32 | 0:32:35 | |
Where do the accounts end in his journal? Are they happy ones? | 0:32:35 | 0:32:39 | |
Does he had a life at sea? | 0:32:39 | 0:32:40 | |
He spent 17 years at sea | 0:32:40 | 0:32:42 | |
and he said he made a calculation that he'd sailed more | 0:32:42 | 0:32:45 | |
than 100,000 miles on the Atlantic Ocean during those years at sea. | 0:32:45 | 0:32:49 | |
-Gosh! -What saved him was a preacher | 0:32:49 | 0:32:52 | |
and he felt, after all these years of being a sort of | 0:32:52 | 0:32:55 | |
superstitious but not devout seaman, he found God, | 0:32:55 | 0:32:59 | |
and lived the rest of his days in happy devotion in St Ives. | 0:32:59 | 0:33:03 | |
What a wonderful record! | 0:33:03 | 0:33:05 | |
That is a lovely piece of social history, isn't it? | 0:33:05 | 0:33:07 | |
It really is. And it's all there, well documented. | 0:33:07 | 0:33:10 | |
Now, let's get back to the valuation tables as there is no time to waste. | 0:33:11 | 0:33:17 | |
-Hi, Carol. -Hello. -Hello. Now, thank you very much | 0:33:17 | 0:33:21 | |
-for bringing this lovely watch along. -That's OK. -Has it come far? | 0:33:21 | 0:33:24 | |
-It's come from Spain. -From Spain?! | 0:33:24 | 0:33:26 | |
-Not today it hasn't. -No, no. Some years ago. -Right. | 0:33:26 | 0:33:31 | |
So, how have you come by this lovely watch? | 0:33:31 | 0:33:34 | |
It was left to my husband from an American friend who | 0:33:34 | 0:33:37 | |
lived in Spain for many years and he died and my husband inherited it. | 0:33:37 | 0:33:42 | |
-And does your husband not want to wear it? -No, he's never worn it. | 0:33:42 | 0:33:46 | |
-It's been tucked away in a cupboard for many years. -Right. | 0:33:46 | 0:33:48 | |
Well, it doesn't want to be forgotten about any more. | 0:33:48 | 0:33:51 | |
-Shall we have a look at it? -OK. -You obviously know the make. | 0:33:51 | 0:33:54 | |
-Yes. -Yeah. It's got that magic R, Rolex. | 0:33:54 | 0:33:57 | |
Oyster Perpetual and it's the Submariner. | 0:33:57 | 0:34:00 | |
It's got the crown here, you can see. | 0:34:00 | 0:34:04 | |
-OK. -And I think the strap is contemporary to it. | 0:34:04 | 0:34:08 | |
-I would say it's 1960s. -OK. | 0:34:08 | 0:34:10 | |
And I think that that would sell very well, | 0:34:10 | 0:34:13 | |
but it's missing a really important part. The bezel all around here. | 0:34:13 | 0:34:17 | |
-Now, that would have been movable. -Right. -And it's gone. | 0:34:17 | 0:34:21 | |
We've got these bits here which are part of it | 0:34:21 | 0:34:24 | |
-and that would enable the bezel to rotate. -Yes. -But it's gone. | 0:34:24 | 0:34:27 | |
-You haven't got it anywhere in a drawer? -We haven't got it. | 0:34:27 | 0:34:30 | |
I'll have another look when I go home, | 0:34:30 | 0:34:31 | |
-but I'm pretty sure we haven't got it. -Do look. -Yeah. | 0:34:31 | 0:34:34 | |
It's seen some action, this poor watch, hasn't it? | 0:34:34 | 0:34:36 | |
-Yes, it's a bit battered, isn't it? -Yes. | 0:34:36 | 0:34:39 | |
But because it's such a popular model, | 0:34:39 | 0:34:42 | |
if it was in a good condition, I think it would be £3,000-£4,000. | 0:34:42 | 0:34:45 | |
-Wow, that's a lot. -It is. But it's not in good condition, Carol. -No. | 0:34:45 | 0:34:51 | |
-But as such I still think it would get between £300 and £500. -OK. | 0:34:51 | 0:34:56 | |
-That's good. -What do you feel about that sort of figure? | 0:34:56 | 0:34:59 | |
Yes, that sounds good. | 0:34:59 | 0:35:00 | |
-And would you like a reserve on it, Carol? -Yes, please. | 0:35:00 | 0:35:03 | |
-What about a 250 reserve? -A bit higher? -Do you want a 300 reserve? | 0:35:03 | 0:35:08 | |
My husband was thinking of 400. Might he be too greedy? | 0:35:08 | 0:35:11 | |
-Yeah. -Oh, right, OK. -I think, at 400, | 0:35:11 | 0:35:13 | |
-you're knocking its chance of sale, to be honest. -OK, OK. | 0:35:13 | 0:35:16 | |
So, if it was 3 to 5, | 0:35:16 | 0:35:18 | |
I think we could safely put a 300 reserve fixed. | 0:35:18 | 0:35:22 | |
-OK, that's fine. -Do you think you could square that with your husband? | 0:35:22 | 0:35:25 | |
-Yes. I'll just say yes. -Yes. Just say yes. | 0:35:25 | 0:35:27 | |
I think that's great and I'm sure that will easily go to a great home. | 0:35:27 | 0:35:32 | |
-And it's a lovely thing. -Yes. -Thank you very much for bringing it. | 0:35:32 | 0:35:36 | |
That's OK. | 0:35:36 | 0:35:37 | |
The original Bond movie featured the first ever Rolex Submariner. | 0:35:37 | 0:35:41 | |
With provenance like that, | 0:35:41 | 0:35:43 | |
let's hope there's a Dr No fan in the saleroom. | 0:35:43 | 0:35:47 | |
Well, that's it. Our work is done here. | 0:35:47 | 0:35:49 | |
Our experts have found their final items to take off to auction, | 0:35:49 | 0:35:53 | |
so sadly it's time to say goodbye to our magnificent host location, | 0:35:53 | 0:35:57 | |
the National Maritime Museum, Cornwall, | 0:35:57 | 0:36:00 | |
as we head over to the auction room for the last time today. | 0:36:00 | 0:36:03 | |
And here's a quick recap of all the items we are taking with us. | 0:36:03 | 0:36:07 | |
Jackie's got four gems going under the hammer. | 0:36:08 | 0:36:11 | |
A four stone diamond ring. | 0:36:11 | 0:36:13 | |
A 14-carat gold bracelet. | 0:36:15 | 0:36:17 | |
A Viking brooch. | 0:36:20 | 0:36:21 | |
And the icing on the cake - this diamond solitaire ring. | 0:36:24 | 0:36:27 | |
Julie is hoping the auction heats up with her compass | 0:36:31 | 0:36:33 | |
and a built-in thermometer. | 0:36:33 | 0:36:35 | |
And will this Rolex Submariner do well? Only time will tell. | 0:36:39 | 0:36:43 | |
We're now heading back to Lostwithiel to sell our final items. | 0:36:48 | 0:36:52 | |
And up first is Jackie's jewellery collection, | 0:36:52 | 0:36:55 | |
which is being sold individually, | 0:36:55 | 0:36:57 | |
starting with this four stone diamond ring. | 0:36:57 | 0:37:00 | |
These do sparkle, but there's not a lot of money, Jackie and Caroline. | 0:37:00 | 0:37:04 | |
There's not a lot of money. Is it because these stones are so small? | 0:37:04 | 0:37:07 | |
-Yes. -What are we hoping for? Come on, be punchy now. | 0:37:07 | 0:37:09 | |
-You've told us at the valuation day. -Couple of hundred? | 0:37:09 | 0:37:12 | |
-Couple of hundred. -I think so. -That would be lovely. -Yeah? | 0:37:12 | 0:37:15 | |
-Hopefully, we'll find a home for £200. -Yeah. -It does sparkle. | 0:37:15 | 0:37:18 | |
Here we go. It's going under the hammer. | 0:37:18 | 0:37:20 | |
White gold diamond four stone ring. Can I say £200 away? | 0:37:20 | 0:37:23 | |
150 to start? £100 I'm bid. £100. £100. | 0:37:23 | 0:37:26 | |
110 to get on. | 0:37:26 | 0:37:27 | |
110, 120, 130, 140, 150. 150, the bid's with you. | 0:37:27 | 0:37:33 | |
At 150. 160 now. | 0:37:33 | 0:37:35 | |
At £150, I'm bid. 160? Are we done? I'm selling at £150. | 0:37:35 | 0:37:38 | |
You were spot on with your valuation there. | 0:37:38 | 0:37:41 | |
-£150. We've done it. -That's all right. | 0:37:41 | 0:37:43 | |
Next up, the gold bracelet. | 0:37:43 | 0:37:45 | |
Why are you selling this? | 0:37:45 | 0:37:48 | |
-I don't wear it. -You don't wear it? -No. | 0:37:48 | 0:37:51 | |
-Right. OK, £200-£300 we've got on this. It's 14-carat gold. -Yeah. | 0:37:51 | 0:37:54 | |
-It should do that, shouldn't it? -I'm sure. -It's got to. -I'm sure. | 0:37:54 | 0:37:57 | |
Fingers crossed. | 0:37:57 | 0:37:59 | |
A quality 14-carat gold bracelet with a face, comedy and tragedy. | 0:37:59 | 0:38:04 | |
-About 33g in total. I now have five bids on there. -Wow. | 0:38:04 | 0:38:08 | |
We're going to start at £410. | 0:38:08 | 0:38:10 | |
-He's very theatrical, isn't he? -Yes! -At 410, at 410, the bracelet. | 0:38:10 | 0:38:13 | |
At 410, 420 now. | 0:38:13 | 0:38:15 | |
At 410, we've got the smiley face on the mask. At 410. Are all done? | 0:38:15 | 0:38:19 | |
-At £410. -Gosh. 410. That was straight in at 410 and straight out. | 0:38:19 | 0:38:26 | |
Yes. Extraordinary. | 0:38:26 | 0:38:27 | |
And I was expecting a climb from 2 to 210, to 220. 410, boom, sold! | 0:38:27 | 0:38:33 | |
So let's move straight on to the Viking brooch. | 0:38:33 | 0:38:36 | |
-Fingers crossed. Fingers crossed we'll get the top end. -Hopefully. | 0:38:36 | 0:38:40 | |
We're going to find out right now. Here we go. | 0:38:40 | 0:38:42 | |
The Anton Mickelson Danish silver Viking ship brooch. | 0:38:42 | 0:38:45 | |
£40 away, £30 away? | 0:38:45 | 0:38:46 | |
£20, a bid. Bid's on the book at £20. 25, £30. 35, £40. | 0:38:46 | 0:38:53 | |
45. Your bid. At 45, 50 now. £45 I'm bid. Is it 50 anywhere? | 0:38:53 | 0:38:57 | |
I'm selling at £45. | 0:38:57 | 0:39:00 | |
£45. Hammer's gone down. Short and sweet. It's collectable. | 0:39:00 | 0:39:04 | |
No problem. | 0:39:04 | 0:39:07 | |
This is the big one. £2,000-£3,000 on this diamond ring. | 0:39:07 | 0:39:11 | |
-I mean, it is a sparkler, isn't it? -It is a beauty. -Here we go. | 0:39:11 | 0:39:14 | |
Let's find out what it's worth, shall we? | 0:39:14 | 0:39:16 | |
Diamond solitaire. Fine 40-carat weight gold ring with a diamond. | 0:39:16 | 0:39:21 | |
Approximately one-and-three-quarter carats. Can I see £1,500 away? | 0:39:21 | 0:39:24 | |
£1,000 I have. At £1,000. £1,000, take 50 to get on. 1,050. 1,100. | 0:39:24 | 0:39:30 | |
And 50. 1,200. And 50. 1,300. | 0:39:30 | 0:39:35 | |
And 50. 1,400. And 50. 1,500. | 0:39:35 | 0:39:38 | |
-And 50. 1,600. -We're getting there. -And 50. 1,700. And 50. | 0:39:38 | 0:39:44 | |
-1,800. -Come on. | 0:39:44 | 0:39:45 | |
Is there 50 anywhere? At £1,800 I'm bid. Is it 50 or not? 1,850. | 0:39:45 | 0:39:50 | |
At 1850 I'm bid. Done. At 1,850, selling. | 0:39:50 | 0:39:55 | |
£1,850. | 0:39:55 | 0:39:58 | |
You had 10% discretion on £2,000. It's gone. | 0:39:58 | 0:40:02 | |
-THEY LAUGH -Yeah. Thank you very much. | 0:40:02 | 0:40:05 | |
Wow, that's a whopping total of £2,455. | 0:40:06 | 0:40:12 | |
Going under the hammer right now, we have a compass with | 0:40:12 | 0:40:14 | |
a built-in thermometer. I've not seen anything like this before. | 0:40:14 | 0:40:18 | |
Julie, it's great to see you again. I like this a lot. | 0:40:18 | 0:40:21 | |
Why are you selling this? | 0:40:21 | 0:40:22 | |
It was just found in my mother-in-law's effects, | 0:40:22 | 0:40:25 | |
so we have no connection to it, so we thought we'd move it along. | 0:40:25 | 0:40:28 | |
It's a nice curio and it's a great scientific instrument as well. | 0:40:28 | 0:40:31 | |
It's another Flog It! thing I'd love to own. | 0:40:31 | 0:40:32 | |
I've never seen anything like it. It will be interesting | 0:40:32 | 0:40:35 | |
-to see what it does make. -We're going to find out. Ready? -Yes. | 0:40:35 | 0:40:37 | |
Right now, it's going under the hammer. | 0:40:37 | 0:40:39 | |
It's the ivory compass by Parkinson and Frodsham of Liverpool. | 0:40:39 | 0:40:42 | |
Bids on the books mean I've got to start this lot at £40. | 0:40:42 | 0:40:45 | |
At £40, £40, take five. 45. £50. 55. I'm out already on the book. | 0:40:45 | 0:40:51 | |
£55, the bid's in the room. At £55. I'll take 60 to get on. | 0:40:51 | 0:40:55 | |
-At £55 I'm bid. 60 not. At £55. -£55 he's sold it. -OK. | 0:40:55 | 0:41:01 | |
Yeah. And, hopefully, it's gone to a good collector. | 0:41:01 | 0:41:03 | |
-I hope so. -Yes. Thank you for bringing it in. -Thank you. -Thank you. | 0:41:03 | 0:41:07 | |
Now, from the unusual to a real design icon. | 0:41:07 | 0:41:10 | |
It is the Rolex Perpetual Submariner. | 0:41:10 | 0:41:13 | |
-I have one, look. There you go. -Oh, yes. -Complete with bezel. | 0:41:13 | 0:41:17 | |
Yours is a '60s one, Carol. Good luck with it. | 0:41:17 | 0:41:20 | |
-People are slightly dubious about buying watches in auction rooms. -Mm. | 0:41:20 | 0:41:24 | |
Because, obviously, there's no guarantee with the movement. | 0:41:24 | 0:41:27 | |
That's the fundamental problem. | 0:41:27 | 0:41:29 | |
-But with a price set this low... -Yeah. -..somebody will invest in this | 0:41:29 | 0:41:33 | |
and be prepared to take that gamble. | 0:41:33 | 0:41:34 | |
Good luck with it. Who's was it anyway? | 0:41:34 | 0:41:36 | |
-It was my husband's. -And he's here in the saleroom? -Yes. -There he is. | 0:41:36 | 0:41:40 | |
-He's hiding away. -Here we go. | 0:41:40 | 0:41:41 | |
Let's find out what it's worth, shall we? This is it. | 0:41:41 | 0:41:44 | |
The Rolex Gents' stainless steel | 0:41:44 | 0:41:46 | |
Oyster Perpetual Submariner wristwatch. I have to start | 0:41:46 | 0:41:50 | |
-at £3,200. -THEY GASP | 0:41:50 | 0:41:54 | |
At 3,200. At 3,400, I'll take. | 0:41:54 | 0:41:56 | |
-At 3,200, 3,400... -He's only just starting. | 0:41:56 | 0:41:59 | |
..3,600. At 3,600, 3,800 to go on. 3,800... | 0:41:59 | 0:42:04 | |
That's what they cost new. Modern ones like this one. | 0:42:04 | 0:42:07 | |
-..4,000, 4,200. 4,400. 4,600... -This is an antique collectable. | 0:42:07 | 0:42:12 | |
-..5,000. 5,200... -Oh, Carol! | 0:42:12 | 0:42:15 | |
..5,400, 5,600. | 0:42:15 | 0:42:18 | |
At 5,600. | 0:42:18 | 0:42:19 | |
5,800, still on the phone, still going. New bidder. 6,000 with me... | 0:42:19 | 0:42:23 | |
-Someone's got the bezel. -Yeah. -6,200 on the phone. | 0:42:23 | 0:42:26 | |
I'm out on the book. At £6,200 on the phone, then. | 0:42:26 | 0:42:30 | |
Are we all done at £6,200? | 0:42:30 | 0:42:35 | |
-Boosh! -Yes! -Wow! -At £6,200, time is definitely up for you, Carol. | 0:42:35 | 0:42:39 | |
And we thought it was fake. | 0:42:39 | 0:42:40 | |
-No. -No! -No, no, no, no. That was a great, great watch. | 0:42:40 | 0:42:44 | |
It just shows that people are prepared to pay | 0:42:44 | 0:42:48 | |
-the money for an original, even with work needed. -Yes. -Yeah. | 0:42:48 | 0:42:51 | |
-Cos it was badly scratched. -Yeah. | 0:42:51 | 0:42:52 | |
-And take a risk with no guarantee. -Can we take your bezel, Paul? | 0:42:52 | 0:42:55 | |
No. That is my wedding present. Look, that was a brilliant result. | 0:42:55 | 0:42:59 | |
-That was very good. -An absolutely brilliant result. | 0:42:59 | 0:43:02 | |
And what a way to end today's show. | 0:43:02 | 0:43:04 | |
And your husband is over there and he's beaming like mad. | 0:43:04 | 0:43:06 | |
-We can go and treat ourselves now. -I bet you are. I bet you are. | 0:43:06 | 0:43:09 | |
Thank you for bringing that in. Thank you very much as well. | 0:43:09 | 0:43:11 | |
We have run out of time here in Cornwall, but what a day we've had! | 0:43:11 | 0:43:14 | |
If you've got anything like that, we want to flog it, | 0:43:14 | 0:43:16 | |
but until then, see you next time. | 0:43:16 | 0:43:19 |