Episode 50 Flog It!


Episode 50

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Today, we're at one of the most romantic buildings

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in the country - Grade I listed Highcliffe Castle in Dorset,

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which has many fascinating features hidden in its furthest recesses,

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and we'll be looking at some of those later on in the programme.

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Welcome to "Flog It!"

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Our valuation day is at Highcliffe Castle in Dorset,

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where the sweeping hills and rugged coastline reveal a past

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that goes back to prehistoric times.

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The fossils of ancient dinosaurs can still be uncovered in the rocks,

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as well as the remnants of early Britons.

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The castle isn't quite that old

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but, nevertheless, it holds its own kind of secrets.

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Look at this magnificent setting. Hundreds of people have turned up

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and we're going to be taking over

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all of the formal lawns for our valuations.

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And, of course, fingers crossed,

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one or two of you will be going home with a small fortune in the auction.

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They're here to show our experts their antiques and collectibles,

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some of which have been hidden in cupboards

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or under the stairs for many years.

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And if you're happy with the valuation, what are you going to do?

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ALL: Flog it!

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As our crowds get their objects out,

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our experts have their eyes on the prize.

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But Christina Trevanion doesn't seem to know what to do with it

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once she's got it...

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It probably would help if I opened it, wouldn't it, really?

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..while Philip Serrell has found the model for several objects.

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Just hold on just a minute.

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A slight pout. A bit of a pout, look.

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-Like that, out there like that...

-Yes.

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That leg like that. It is!

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It's you, isn't it?! When did you model for that?

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That sets the tone for the day.

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And later on in the show... Christina is modelling again.

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-Ooh!

-CHRISTINA LAUGHS

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Philip is playing games.

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-Look at that little mouse.

-I know, he's lovely.

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And there are some great surprises at the auction.

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Wow!

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Oh!

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And later on in the programme, I'm going back in time

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to find out how you use a tool like this

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to make a building like that.

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Our valuation day venue, Highcliffe Castle,

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might look like a medieval stronghold,

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but it's only been here since the 19th century,

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when its great turrets, stained glass and embellishments were taken

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from medieval buildings in France to decorate this vast structure.

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And what a beautiful job they did.

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Well, the sun has come out and everybody is smiling

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but, right now, things are going to get a whole lot better.

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We have our first item and it's with Philip Serrell.

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And he's found an object with something interesting hidden inside.

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Now, that looks, to all the world,

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-like you bought a little football, doesn't it?

-It does.

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But you and I know it's not that, don't we?

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So, if we just open that up like that... There we go.

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This is a Masonic pendant and, if you look at it,

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these are called the working tools, here, of a mason,

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cos you've got the square and the level and the compasses,

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you've got the columns here, you've got the all-seeing eye just there,

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and you've got all these other symbols and ciphers,

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all of which, in Masonic terms, are very, very emblematic.

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So, Masonry, in this country,

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I suppose started off in the 18th century,

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so do you come from a long family of Masons

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or is this something you bought or...?

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No, no, I come from a family of Masons, yeah.

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My father, my grandfather,

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all the uncles that I can think of are Masons.

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-So, every male in your family was a Mason.

-Yes, including my mother.

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So, your mum was a Mason. Now, many people don't know

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-that there are, sort of, lodges for ladies, aren't there?

-Yeah.

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Did your dad wear this?

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No, I can't remember seeing him with that

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because they kept it secret and I used to peek into the briefcase

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and you'd see aprons and gloves and...

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Someone once told me there's an expression

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that Freemasonry is not a secret society,

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-but it's a society with secrets.

-Yeah.

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But all that's changing now because there's this great move

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that Masonry should be much more open

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and people should know what's going on, and quite right it is.

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So here, you've got this lovely little Masonic ball

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and perhaps the most important symbol and cipher on it

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is that one up there which says nine-carat gold!

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THEY LAUGH

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-OK, so no more Masons in the family?

-No, no.

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-Not looking like there's going to be any more?

-No.

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-It's time to go?

-It is, it's time to go.

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I think, at auction, it's going to make probably £80 to £120

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-and I think I'd probably recommend a fixed reserve of £80.

-OK.

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-Are you happy with that?

-Yeah.

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And let's hope that the auction room is full of Masons,

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all of whom haven't got one of these and are desperate for one.

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As we know on this show,

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Masonic memorabilia is highly sought-after

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and I'm sure there will be plenty of eager buyers

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for this mysterious pendant.

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There are more secrets hidden in the nooks and crannies of this castle.

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In the attic, there are architectural remnants piled high,

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which will eventually go on display,

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and in the lower floor of the castle,

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there's a fascinating feature.

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This is below stairs, where the servants would have been

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and this is the butler's staircase.

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Only the butler could use this staircase

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and I'll show you where it ends up, if you follow me.

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It's quite narrow.

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He couldn't be a portly sort of chap, that's for sure.

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Anyway, here I am, I'm at the top,

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and this is where he would arrive, rather discreetly,

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to greet guests, upon arrival, at the front of the house.

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And just look at that for an entrance! Isn't that spectacular?

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Well, right now, it's time to catch up with our experts

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to see what else we can find to take off to auction.

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Christina's found an object that depicts the kind of people

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who would have been greeted at the doors of a castle like Highcliffe.

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-It's such a pleasure to welcome you two here.

-Thank you.

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-It's Doortje and Jan, is that right?

-Yes.

-That's right.

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Very, very huge welcome to "Flog It!" and to England,

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-cos you've travelled here specially today, haven't you?

-Yes.

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-And where have you come from?

-From Holland.

-From Holland?

-Yes.

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-Just to see us today.

-Yesterday.

-The south of Holland, yes.

-My goodness!

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What an honour to have you here. Thank you so much for coming.

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You have brought, today,

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the most quintessential of English pictures with you.

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Where on earth did you get it from?

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Um, we bought it a few years ago in an auction in Belgium.

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-And what attracted you to the picture?

-The humour.

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-The humour in it?

-Yes.

-It's wonderful, isn't it?

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-And the more you look at it, the more you see, don't you?

-Yes.

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So this is a fairly iconic image. I have seen quite a few of them.

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It's by a chap called Charles Johnson Payne,

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who was an artist at the turn of the century. He actually died in 1967.

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-And his most prolific work was between 1900 and 1920.

-Mmm-hmm.

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He's more popularly known as Snaffles

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and the reason that he was called Snaffles is cos originally,

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-his logo was in the form of a horse's snaffle, a horse's bit.

-Oh!

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So that's how he became known as Snaffles.

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This isn't an original.

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It would be great if it was, but it's not, sadly.

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But he was known for producing these prints,

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so it's a hand-coloured lithograph and it's, effectively, a print

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which has been hand-coloured

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to introduce these highlights of colour.

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We've got this wonderful hunting scene here.

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He was famous for depicting the leisure time,

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the pastimes of the very upper echelons of society.

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And this one here, we've got the title here which says...

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I love it! And every one of them, I would imagine,

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has been taken from life, because they're so detailed.

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He's picked up all these wonderful little idiosyncrasies.

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We've got a chap smoking a cigar here, this chap doffing his hat,

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saying good morning, and I think that's glorious.

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He did the sketches and he was famous for these sketches,

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and then, originally, it would be Snaffles' sisters

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-who would hand-colour them...

-Oh!

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..and pick out all the different colour elements to them

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and have the colours wonderfully balanced.

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You've got the three grey horses sort of equidistantly spaced,

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but one of them is behind,

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this one is really bringing the eye to the centre of the picture,

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as a lovely focal point, and this one is leading the pack,

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so it just creates this wonderful sense of movement.

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And I think that's really clever and it was very typical of his work

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that he would use this quite muted palette but very effectively.

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And I think what's even nicer,

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we've got this wonderful description down here.

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It says here, "Published April 2nd, 1913,

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"by Messrs Fores, 41 Piccadilly, London."

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At auction, I would say somewhere in the region of £100 to £200.

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-How would you feel about that?

-Yes, it's OK.

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-Would that be all right?

-Mmm-hmm.

-Splendid.

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-And how much did you pay for it, if you don't mind me asking?

-38 euros.

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-OK, so you can't be too disappointed with that.

-No.

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-Would you like to protect it with a reserve?

-Yes.

-£100.

-Yeah.

-Yeah.

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I would suggest a discretionary reserve of £100

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and I'm fairly sure that we'll find it a new home at that.

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I think it's a wonderful thing and thank you so much

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for travelling so far just to come and see us.

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-We're truly honoured, thank you.

-It was our pleasure.

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Yeah, it was our pleasure.

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The Dorset coast, just a few yards from the castle

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and our valuation day, is famous for the animals and fossils

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that lie hidden in its limestone cliffs.

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And just look what Kenneth has brought me.

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It is the footprint of a dinosaur.

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Yes, it's the footprint of an iguanodon.

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Are you a budding palaeontologist?

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I was interested in palaeontology as a kid

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but I was helping my father at my uncle's quarry,

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making tiles, and I was splitting the rocks,

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cos they needed to be split to a certain thickness

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-to make roofing tiles.

-Ah, right.

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But when I split it open, I could see a dinosaur footprint.

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My dad said, "Oh, they're no good.

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"You can't use them as roofing tiles."

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Well, I think this is worth an awful lot more than a roofing tile.

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Basically, that's the raised section,

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-so that sits on top of this.

-Yes.

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-And you split this with your chisel...

-That's right.

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..straight down there. That's the footprint.

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That's the impression of its toes, so its heel section's missing.

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But you can see it better from that section, can't you,

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-which is upside down?

-Yes, so that's its foot really, isn't it?

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So, these things, really,

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iguanodons, were on the menu for T Rexes, weren't they?

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Cos these were plant eaters. I think this is fantastic.

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It's possibly one of the most exciting things

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I've ever seen on the show.

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The new wave of antique collectors now, it's all about curios

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and things that are different.

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I think it's fascinating, absolutely fascinating!

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How much do you think these two sections are worth?

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It's about £30-worth of stone.

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Yeah, I think you give it a valuation of £200 to £300,

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with a reserve of £180, OK?

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-Yes, most definitely!

-Wow, what a find!

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And we have found our first three objects.

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But before we put them under the hammer,

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there's something I want to point out and it's around the main tower.

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You see these gothic cluster columns?

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Well, hidden amongst the little gargoyles, there are two faces

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that are slightly out of keeping with the gothic architecture.

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One is wearing spectacles and the other is a female

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and they're just a small homage to the bespectacled site agent

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and the female architect that worked on this restoration project

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and I think that's quite clever.

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Right, we're off to auction

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and here's a quick recap of what's coming with us.

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The Masonic pendant, owned by Chris's family,

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who's ready to pass them on.

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Doortje and Jan's very British Snaffles print of the hunt,

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brought all the way from Holland.

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And will the buyers be lured by the amazing dinosaur footprint

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uncovered in a quarry?

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On our way to the saleroom at Wareham,

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we had to stop off and show you something

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that's always mystified the locals - the Cerne Abbas Giant.

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It might dominate the area,

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but its purpose is hidden in the mists of time.

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One theory is that it was carved out of the ground by the local priests

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to taunt one of their number who had misbehaved.

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Well, there will be no misbehaving at the auction.

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We're off to Cottees,

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where our first lots are about to go under the hammer.

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John Condie is on the rostrum

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and here the commission is 20% plus VAT. It can vary,

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so be aware of that if you are selling.

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Our first lot is Chris's gold pendant with Masonic symbols,

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which has been in the family for generations.

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I've got to tell you something, OK.

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I wasn't going to but I can't keep it a secret.

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The room is full of Masons. Somewhere in here there's Masons.

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I don't know who! THEY LAUGH

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But there's a few in here, so I think we're going to sell it.

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A Masonic nine-carat gold pendant.

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I'll start at £50 for that one.

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5. 60. 5. 70.

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5. 80.

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85 on the net.

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90. 95, two of you.

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100. 110.

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It's going up.

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120 here. 130.

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140. 140 bid.

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-It's doing well.

-That's good.

-Yeah.

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150 now. 150.

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Do you want to come in? 160 now, fresh bidder.

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170. 180 I've got.

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180. 190 now.

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Internet bid at 190.

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-It's very good, but it's a lovely thing.

-It is.

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Anyone else want to come in? Your last chance, at 190 then.

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GAVEL COMES DOWN Yes, hammer's gone down at 190.

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That was unique, wasn't it, and it had the secret inside it.

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-Someone's going to enjoy it and use it.

-I hope so.

-That's great.

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-Maybe another Mason.

-Absolutely.

-You never know.

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And we probably never will!

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And now it's time for the early 20th-century Snaffles print,

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brought in by a couple all the way from Holland.

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Doortje and Jan, it's great to see you again

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and thank you for flying in from Holland.

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-We have international jetsetters on this show!

-Absolutely.

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And Snaffles is so British, you had to bring Snaffles home, didn't you?

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-That's right.

-Have you bought something to replace it yet?

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-Not yet.

-Not yet?

-Not yet. I will be.

-The day is yet young.

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Do some shopping here in the saleroom later on.

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Anyway, good luck and thanks for coming over

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It's great to see you again. Fingers crossed you go home with a few bob.

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It's the Snaffles print.

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Start me at £60 for this lot then.

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-60?

-Come on!

-Nice print at 60.

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-Yes, 60 on the net. £60 is bid.

-I should hope so!

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65 now. 70. 5.

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-It's creeping up, creeping up.

-80. 5.

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85 bid. 90.

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5. 95 bid.

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-100 make it?

-Come on!

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£95. 95 here.

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100 now, lady in the room. 100.

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110, anyone else? You're out, on the internet.

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-£100, lady in the room, at £100.

-GAVEL COMES DOWN

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Thank goodness we're sending you home with some money

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for all the effort you've made.

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And you never know, we may see you again.

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-If we find something else, yeah.

-I really hope so.

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How wonderful to have international "Flog It!" followers.

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Our third lot is that incredible dinosaur imprint

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from the Jurassic coast.

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We are, literally, walking with dinosaurs,

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because we that iguanodon footprint, the cast,

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going under the hammer, belonging to Kenneth.

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I think every schoolboy in the county

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is going to ask their parents to buy this for them.

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Well, I was expecting some scientist to get a microscope up to it

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and see what he trod in and see if there was any insects

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-or something like that in it.

-At least we rescued it from your shed,

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-that's the main thing.

-That's true.

0:16:350:16:37

I know the reserve's been dropped to £120. Was that your decision?

0:16:370:16:40

Yeah, I just didn't care. I just want it out of the house.

0:16:400:16:44

-You just want it to go.

-Yeah.

0:16:440:16:45

Well, fingers crossed it does two to three plus a bit.

0:16:450:16:48

It's going under the hammer right now.

0:16:480:16:50

We've got the interesting dinosaur footprint.

0:16:500:16:53

£100 for them?

0:16:530:16:55

Yes, thank you very much. A strong voice.

0:16:550:16:57

£100 bid. 100.

0:16:570:16:59

-110.

-Wow!

-120.

0:16:590:17:01

130. 140.

0:17:010:17:03

140 bid, on my right. 140.

0:17:030:17:06

150 anywhere?

0:17:060:17:08

-150.

-Come on!

-160?

0:17:080:17:11

-160 now?

-Come on, let's get you £200.

-160.

0:17:110:17:14

170 anyone else? I thought these might do a bit better.

0:17:140:17:17

At £160...for the fossil footprints.

0:17:170:17:22

-I'm selling.

-GAVEL COMES DOWN

0:17:220:17:25

-It's gone. Are you happy?

-Absolutely.

0:17:250:17:27

Well, it didn't cost me nothing. It was like a day's work, really.

0:17:270:17:30

-But what a find.

-Yes.

0:17:300:17:32

At least you had the pleasure of finding that and uncovering it

0:17:320:17:34

because that was the very first time in millions of years

0:17:340:17:38

that that has been revealed.

0:17:380:17:39

And you can't put a price on that, can you?

0:17:390:17:42

Well, there we are. Three good sales so far today

0:17:450:17:48

and it's nice to escape the mayhem of the auction room.

0:17:480:17:51

Now, for the best part,

0:17:510:17:52

an antique expert can work out the history of an object

0:17:520:17:55

by looking at makers' marks, construction methods,

0:17:550:17:58

materials and styles,

0:17:580:18:00

but what if an object is old, and I mean really, really old,

0:18:000:18:03

and virtually nothing is known about the people who made it?

0:18:030:18:07

Well, that's where archaeologists come in.

0:18:070:18:09

Recently, I met up with some

0:18:090:18:11

to find out more about the prehistoric people of Dorset.

0:18:110:18:15

The British landscape is full of the intriguing remains

0:18:210:18:24

of ancient civilisations - barrows, standing stones and hill forts.

0:18:240:18:29

It's hard to imagine how these prehistoric people lived,

0:18:290:18:32

so how do we discover what they did and why?

0:18:320:18:35

I've come to a place that is dedicated to finding out.

0:18:380:18:41

This is the Ancient Technology Centre in Cranborne

0:18:410:18:44

and all of these amazing structures have been built

0:18:440:18:47

using traditional techniques and methods.

0:18:470:18:50

I'm going to be finding out more about the work that goes on here,

0:18:500:18:53

chatting to some of the experts,

0:18:530:18:55

who are going to introduce me to some of our ancient ancestors.

0:18:550:18:59

First up is John Gale,

0:19:000:19:02

an archaeologist at Bournemouth University,

0:19:020:19:04

who specialises in Bronze Age Britain,

0:19:040:19:07

which lasted from around 2000 BC to 800 BC.

0:19:070:19:12

So, how do we know how these people lived?

0:19:120:19:14

Well, archaeology, as you probably know,

0:19:140:19:17

is all about excavation and survey.

0:19:170:19:19

It's the relationship of what's left, the objects,

0:19:190:19:23

but also the way that the structure is built.

0:19:230:19:25

This roundhouse, for example,

0:19:250:19:27

was composed mainly of below-ground post holes and stake holes

0:19:270:19:30

and, of course, they create a pattern on the floor, so...

0:19:300:19:33

So you're looking at the footprint?

0:19:330:19:35

Exactly, it's the footprint we look at and then we look at

0:19:350:19:38

the features inside the house - the hearth, for example.

0:19:380:19:41

That can be picked up because the burnt soil still survives.

0:19:410:19:45

And then, of course, we'll record the presence of objects

0:19:450:19:48

-in relation to places within the structure as well.

-I see.

0:19:480:19:52

Brilliant, isn't it?

0:19:520:19:54

All those little tiny things, those little clues you piece together.

0:19:540:19:57

If you ask any archaeologist why they get into this,

0:19:570:19:59

it's about reconstructing, about telling a tale, telling a story.

0:19:590:20:03

We're really storytellers at heart.

0:20:030:20:05

A lot of things you find are just fragments,

0:20:050:20:07

but I notice you've got a complete pot there.

0:20:070:20:09

-Can I have a look at it?

-Yes, of course.

0:20:090:20:11

-It's quite rare to find complete pots...

-It is.

-..at this age.

0:20:110:20:15

-This is more or less 4,000 years old.

-Where did you find this?

0:20:150:20:19

I was excavating a barrow site,

0:20:190:20:22

only five miles away from where we're sitting at the moment.

0:20:220:20:25

A barrow site meaning a long barrow?

0:20:250:20:27

A barrow site meaning a cemetery, because in the Bronze Age,

0:20:270:20:30

they tended to construct barrows in groups

0:20:300:20:32

and they are, essentially, monuments for the ancestors.

0:20:320:20:35

And this was contained in a burial pit under a barrow,

0:20:350:20:39

-alongside two cremations.

-Wow.

0:20:390:20:43

So, archaeologists can tell us what ancient people left behind

0:20:440:20:48

and work how they may have lived.

0:20:480:20:50

But how do we get from these theories

0:20:500:20:52

to the reality of these fantastic buildings?

0:20:520:20:55

Paul Grigsby might be able to shed some light.

0:20:550:20:58

He was a builder by trade but now works here,

0:20:580:21:01

bringing his knowledge of construction

0:21:010:21:04

to the recreation of the past.

0:21:040:21:05

So how do you start by creating an ancient structure?

0:21:050:21:09

It's all to do with the evidence

0:21:090:21:11

and we looked at Bronze Age houses or hut circles

0:21:110:21:14

and tried to recreate the building as close as we can get it

0:21:140:21:16

-to the same sort of structure that would have been...

-Sure.

0:21:160:21:20

So you kind of copied stone from stone.

0:21:200:21:22

-The keystones here, you copied that to start with.

-Yeah.

0:21:220:21:25

You copied the size and some of these larger stones to build up on.

0:21:250:21:29

Yeah, the difficulty then becomes, when you start to build a wall

0:21:290:21:31

and they're estimating about a metre high

0:21:310:21:33

-because of those keystones for the door...

-Yeah.

0:21:330:21:36

You've got to try and work out what happens to the stones above that,

0:21:360:21:39

so we looked at other sites. There's about 3,000 hut circles on Dartmoor.

0:21:390:21:43

We looked at lots of other sites

0:21:430:21:44

and it turned out they weren't doing a traditional stone wall job on this

0:21:440:21:47

by knocking the edges off and making everything fit nice and neatly.

0:21:470:21:50

They were working it out like a 3-D jigsaw puzzle, essentially.

0:21:500:21:53

And what covers this?

0:21:530:21:55

We're going to thatch it,

0:21:550:21:56

very similar to the buildings we have onsite,

0:21:560:21:59

which are thatched with wheat straw.

0:21:590:22:01

-And what about tools?

-Tools they'd use for this...

0:22:010:22:03

-Obviously, nothing's going to cut the granite.

-No.

0:22:030:22:06

But the hazel will be cut with either bronze or stone tools.

0:22:060:22:10

-Have you any examples of these tools?

-Yeah, they're just here.

0:22:100:22:13

-OK, so this is a stone, a flint axe.

-That's the earliest?

0:22:130:22:17

That's the earliest.

0:22:170:22:20

We're going back how many thousands of years?

0:22:200:22:22

You're looking at probably 5000 BC for this sort of axe.

0:22:220:22:25

This is a reproduction, so this isn't original.

0:22:250:22:27

Someone's created that.

0:22:270:22:29

Then we move on to this one, which is a bronze tool.

0:22:290:22:32

It's starting to look more serious.

0:22:320:22:34

Yeah, and again, it's not sharp, though. It's not like a steel axe.

0:22:340:22:38

It's not a sharp thing. You can keep them sharp. You can hone it...

0:22:380:22:41

-Whereas you can't with that.

-No, not so well.

0:22:410:22:43

You'd have to take the edge off and start again.

0:22:430:22:46

I was just thinking, you know, on some of that felled stuff there.

0:22:460:22:50

-Yeah.

-Can I have a go?

-You can try.

-Which one?

0:22:500:22:52

-Um...that would be a better chance.

-I don't want to damage it.

0:22:520:22:55

No, you won't damage that.

0:22:550:22:57

Let's try it on this.

0:22:580:23:00

That's not bad!

0:23:030:23:05

Look at that! That's brilliant!

0:23:060:23:08

-Can I have a job?

-Yeah, got loads to cut!

0:23:100:23:12

So, experimental archaeology takes the theories

0:23:140:23:17

of traditional archaeologists and tests them out,

0:23:170:23:20

seeing what works and what doesn't.

0:23:200:23:22

I'd love to find out more about those ancient tools,

0:23:250:23:28

so it's time to meet Mark Vyvyan-Penney.

0:23:280:23:30

He's a wood carver who makes bronze tools using ancient techniques.

0:23:300:23:35

I can see you're using an odd pair of bellows, bringing up the fire.

0:23:360:23:40

What are you about to do?

0:23:400:23:42

Well, I'm using these bag bellows, which are made of leather,

0:23:420:23:45

to pump air into this furnace, and in the furnace,

0:23:450:23:49

there's a crucible and in that, there's some scraps of bronze.

0:23:490:23:54

-What do you hope to make?

-Well, there's some moulds there

0:23:540:23:57

for some chisels and a little axe. It might work...

0:23:570:24:00

-THEY LAUGH

-..it might not.

0:24:000:24:03

Just a second.

0:24:030:24:04

-Is it nearly ready?

-The metal is ready.

0:24:070:24:10

It's liquid, so I can now pour it into one of the moulds.

0:24:100:24:13

You need some glasses though.

0:24:130:24:15

-They wouldn't have had these in the Bronze Age.

-No.

0:24:150:24:18

But we've only got one pair of eyes.

0:24:180:24:21

So, there we go. I'm going to pour it into a mould.

0:24:210:24:24

That happened quite quickly. You've got no control over it.

0:24:290:24:32

-Well, you know that it's going to last 11 seconds.

-OK.

0:24:320:24:35

It's 11 seconds before it freezes. I'm quite pleased with that.

0:24:350:24:38

This was the whole point of the Bronze Age.

0:24:390:24:42

It was this amazing technology that they discovered

0:24:420:24:45

and they went from copper, which is really soft,

0:24:450:24:47

-to putting tin with it, which makes it really hard.

-Yeah.

0:24:470:24:50

Do you belong to a particular group of artisans

0:24:500:24:53

that sort of wear the clothing you're wearing

0:24:530:24:56

and do this kind of thing as a passion and a hobby?

0:24:560:24:59

Yes, I'm in a group called the Ancient Wessex Network

0:24:590:25:02

and, yes, you're right, it is a passion.

0:25:020:25:05

We want to make things from the past.

0:25:050:25:08

We want to make it the way they did.

0:25:080:25:10

Will that bronze now be cooling down in that mould?

0:25:100:25:12

-Will you have to break it apart?

-Yes.

-OK, brilliant.

0:25:120:25:15

-The moment of truth.

-The moment of truth, yeah. So, here's some water.

0:25:150:25:20

And if I bring that mould over...over there.

0:25:210:25:25

OK.

0:25:260:25:28

There we go. That's still quite hot. So...

0:25:280:25:31

-So...

-Wow.

0:25:420:25:44

So, we've got there...

0:25:440:25:46

It's a bit bent but I can knock that back into shape,

0:25:460:25:48

and there's a chisel.

0:25:480:25:50

That's quite incredible, isn't it? That's brilliant.

0:25:520:25:55

Will you be able to use that on some of your carvings?

0:25:550:25:58

Yes, it would be very authentic then, wouldn't it?

0:25:580:26:01

What a great way to explore the past,

0:26:030:26:06

hands-on, testing things out

0:26:060:26:08

and becoming immersed in the lives of ancient Britons.

0:26:080:26:11

A place like this really does show us

0:26:140:26:16

how the expertise of people from diverse backgrounds

0:26:160:26:19

can come together to help us advance our knowledge of the past.

0:26:190:26:24

It really is quite incredible.

0:26:240:26:26

So, the next time you go for a walk in the countryside

0:26:260:26:29

and you come across a stone circle or a hill fort, stop for a moment,

0:26:290:26:33

have a good look and think about the people who created them

0:26:330:26:36

and how amazing it is that the remains of those sites

0:26:360:26:39

are still with us today, playing a prominent part of our lives,

0:26:390:26:43

all of these thousands of years later.

0:26:430:26:46

Welcome back to our valuation day venue, Highcliffe Castle,

0:26:560:26:59

where down below, our valuations continue.

0:26:590:27:02

Our experts are hard at work,

0:27:020:27:04

hopefully unearthing some more treasures to take off to auction.

0:27:040:27:07

But I doubt if anything will date as far back as the Bronze Age.

0:27:070:27:11

Let's catch up with the team.

0:27:110:27:13

And Christina is definitely looking to the 1960s for her next object.

0:27:150:27:20

-Sue, I love this Biba coat.

-Thank you!

-I REALLY love this Biba coat.

0:27:200:27:24

-It is so fab! Where did you get it from?

-Well, I'm not sure.

0:27:240:27:28

I know Biba had catalogues out and I know they had a shop in Kensington.

0:27:280:27:32

-Did you ever go into the shop?

-Yes, I did.

-Did you? What was it like?

0:27:320:27:35

-Black!

-Oh, was it?

-Black and gold, with very loud music.

0:27:350:27:40

And mirrors everywhere. But you couldn't see the clothes.

0:27:400:27:44

-It was just awesome.

-I've heard that.

0:27:440:27:46

Somebody said that they had to take the clothes to the window.

0:27:460:27:49

-They saw something in the dark... Do you remember this?

-ALL:

-Yes.

0:27:490:27:52

Oh, ladies! We've got a fashionista pack behind us.

0:27:520:27:55

Did you have to take the clothes to the window in order to see them?

0:27:550:27:58

-That's right, yes.

-Oh, my goodness, that's wonderful!

0:27:580:28:01

Let's start at the very beginning.

0:28:010:28:03

Barbara Hulanicki started the Biba brand in the mid-1960s

0:28:030:28:07

and it started out as a brand that wanted to bring

0:28:070:28:10

cheap and affordable clothing to the masses in the 1960s.

0:28:100:28:14

And that it did, and it was incredibly successful.

0:28:140:28:16

-Started out as a mail order catalogue.

-Yes.

0:28:160:28:19

And then they very quickly built up a fantastic client base

0:28:190:28:23

because it was cheap and affordable but it was stylish, so stylish.

0:28:230:28:28

-They opened a shop in Kensington. Is that the one you went to?

-Yes.

0:28:280:28:31

Oh, fantastic. Then they went on and on

0:28:310:28:34

and they continued with the mail order as well,

0:28:340:28:36

-which is really important to the history of Biba.

-Yes.

0:28:360:28:39

-Cos you didn't have to go to London to own a Biba piece.

-No.

0:28:390:28:42

You could get it through the post, effectively.

0:28:420:28:44

If we look at this piece, yes, it's an incredibly stylish piece.

0:28:440:28:48

If we start with the material, it is quite itchy. Was it nice to wear?

0:28:480:28:52

-Not particularly.

-Oh, really?

-I do remember it being itchy, yes, I do.

0:28:520:28:57

-When you wore it, were you fidgeting all day?

-Yes.

0:28:570:29:00

Did you have Saint Vitus's dance or something?

0:29:000:29:03

-I had to wear it because you just felt so good.

-I bet!

0:29:030:29:06

So, a little bit itchy,

0:29:060:29:07

which kind of goes along with that cheap, affordable clothing aspect,

0:29:070:29:12

but just look at it! It's just gorgeous.

0:29:120:29:14

Double-breasted. If we spin her...

0:29:140:29:17

This might be a male model, but we'll spin him/ her round

0:29:170:29:20

and we've got, look, acres of material here.

0:29:200:29:23

It is just beautiful, isn't it?

0:29:230:29:25

I bet you swished around London in this, didn't you?

0:29:250:29:28

-Oh, no, on the Isle of Wight.

-You swished around the Isle of Wight.

0:29:280:29:32

So I felt very, very fashionable.

0:29:320:29:34

And were you the envy of all your friends?

0:29:340:29:36

-Well, yes, because no-one else had one.

-I bet. My goodness!

0:29:360:29:40

It's 1960s, but it has got that sort of Edwardiana appeal, look,

0:29:400:29:45

about it that was very much a Biba style.

0:29:450:29:48

I'm wiffling on about Biba,

0:29:480:29:49

but we'd better just make sure that it IS Biba, hadn't we?

0:29:490:29:52

Let's look at the label. Oh, yeah, perfect.

0:29:520:29:54

So, was that very much the style of the shop as well,

0:29:540:29:57

-this wonderful black and gold?

-Yes, it was.

0:29:570:30:00

Oh, what to put on it?

0:30:000:30:01

I mean, it doesn't fetch as much as I would hope it to fetch at auction.

0:30:010:30:05

Having that name in it, obviously, is imperative,

0:30:050:30:08

otherwise it would be a nice tweed coat.

0:30:080:30:11

I'm going to be modest,

0:30:110:30:12

but I would hope that it would fetch in the region of £50 to £70.

0:30:120:30:15

-That's fine.

-A reserve of maybe £50,

0:30:150:30:17

with some discretion, should we need it.

0:30:170:30:19

Hopefully, with some internet interest

0:30:190:30:21

and some fashionistas, which I think we've got here...

0:30:210:30:24

-Yes.

-..it might go up.

0:30:240:30:25

That coat really captures an era.

0:30:270:30:29

The 1960s swept aside old ideas about fashion for the elite.

0:30:290:30:34

Designers like Mary Quant and Ossie Clark exploded onto the scene,

0:30:340:30:38

making clothes for young people,

0:30:380:30:40

who had the highest income since the Second World War.

0:30:400:30:43

They wanted a modern look that suited their freer lifestyle

0:30:430:30:47

and their taste in music.

0:30:470:30:48

And for the first time, they had a place specially designed for them,

0:30:480:30:52

the high street boutiques, filled with the new modern look -

0:30:520:30:55

colourful clothes in unusual fabrics and the maxiskirt.

0:30:550:31:00

Christina's certainly hooked on the Biba maxicoat

0:31:020:31:05

and we hope our buyers will be too.

0:31:050:31:07

And as I join the crowds, I've come across something

0:31:100:31:12

by a pop group who were the epitome of 1960s cool.

0:31:120:31:16

Lynne, what have you got in there? What's in your bag?

0:31:160:31:19

-A Rolling Stones autograph.

-Ooh! Hey, who likes the Rolling Stones?

0:31:190:31:24

-ALL:

-Yes.

-I love the Rolling Stones!

0:31:240:31:27

Oh, it's a signed...

0:31:270:31:29

Oh, look at that. It's a boarding card. Where's that from?

0:31:290:31:32

Hurn Airport, as it was then, in the early '60s.

0:31:320:31:34

-That's Bournemouth Airport.

-It's now Bournemouth Airport.

0:31:340:31:37

They flew into Bournemouth Airport?

0:31:370:31:39

-Yes, and my parents got the autograph.

-Did they?

0:31:390:31:41

-At risk of death!

-LAUGHTER

0:31:410:31:43

Look, there's Mick Jagger, Keith Richards, Bill Wyman...

0:31:430:31:47

Brian Jones...

0:31:470:31:48

..and Charlie Watts.

0:31:500:31:52

-Wow. And you've looked after that ever since.

-Yes.

0:31:530:31:56

Were you a big Stones fan?

0:31:560:31:58

Yes, I saw them at the Crawdaddy Club in Richmond.

0:31:580:32:00

Yes, cos they grew up in Richmond, didn't they?

0:32:000:32:03

-Yes, they were pretty disgusting then.

-Oh!

0:32:030:32:05

They didn't have baths very often.

0:32:050:32:07

THEY LAUGH

0:32:070:32:10

-They didn't have much money then, did they?

-No, they didn't.

0:32:100:32:12

That's brilliant. If you put that into any auction

0:32:120:32:15

anywhere in the country, £600 to £800, no problem, OK.

0:32:150:32:20

-And it should do the top end.

-Thank you very much.

0:32:200:32:23

Not for sale today, but it's wonderful

0:32:240:32:26

when you bring in unusual objects for us to look at.

0:32:260:32:29

Now, what would Philip have been doing in the 1960s

0:32:290:32:31

and what's he got at his table?

0:32:310:32:34

So, you brought along this early 20th-century ping pong bat,

0:32:340:32:37

-is that right?

-That's right.

-What's your name?

-I'm Jane.

0:32:370:32:40

-Are you from round here, Jane?

-I'm local to Highcliffe.

0:32:400:32:43

And you know exactly what this is, don't you?

0:32:430:32:45

I do know it's a Mouseman piece but...

0:32:450:32:47

And we know it's a Mouseman, because we've got a mouse here.

0:32:470:32:49

-I did think a Mouseman paddle but...

-Cheeseboard.

-Yes.

0:32:490:32:53

The chap who made this was a man called Robert Thompson,

0:32:530:32:56

who came from Kilburn in Yorkshire.

0:32:560:32:57

He was born in the late 1870s and died in the 1950s.

0:32:570:33:02

This is his signature. Everybody knows this is Mouseman.

0:33:020:33:06

Do you know how it came about?

0:33:060:33:07

I think it was something to do with the pews in a church

0:33:070:33:10

-and he used to...

-You're getting good, aren't you?

0:33:100:33:12

-How do you know all this?

-I'm interested in antiques,

0:33:120:33:15

particularly Mouseman.

0:33:150:33:17

I've heard a little bit about his work,

0:33:170:33:19

so I know he used to put the mouse into the pews.

0:33:190:33:22

-Why did he do that then?

-Ah, that I don't know.

0:33:220:33:25

Yes! No, let me tell you.

0:33:250:33:27

-His first job was the interior of a church...

-Ah, right.

0:33:270:33:31

..and he and his workmen were talking

0:33:310:33:34

-and they claimed to be as poor as church mice.

-Ah...

0:33:340:33:38

-It makes sense now.

-And Mouseman was born.

0:33:380:33:40

We talked about patina and that's got patina by the bucketful.

0:33:400:33:45

And all that patina is is the grease and grime

0:33:450:33:49

off your hand that's just polished that, as time's gone by,

0:33:490:33:54

and it just gives it that lovely colour.

0:33:540:33:57

I would think this is probably 1930s.

0:33:570:33:59

Early Mouseman wares have this lovely dark colour.

0:33:590:34:02

-The slightly later wares have a lighter colour.

-Right.

0:34:020:34:06

And it's hugely collectible. Have you had this a long time?

0:34:060:34:10

Well, it came to me through a donation to our shop.

0:34:100:34:13

-Oh, so you're fundraising.

-We're fundraising yes.

0:34:130:34:16

-This was given to you.

-This was given to us by one of our donors.

0:34:160:34:18

Do you know what?

0:34:180:34:20

I think this is going to make you probably over £100.

0:34:200:34:23

-That's good.

-Is that good?

-That's good, yes!

0:34:230:34:26

I think we should put £100 to £150 on it as an estimate.

0:34:260:34:29

-We'll fix reserve it at £80.

-Fantastic.

0:34:290:34:32

-That gives the auctioneer a bit of leeway.

-Yes.

-Just look at that.

0:34:320:34:35

-Look at that little mouse.

-He's lovely.

0:34:350:34:37

I think that Robert Mouseman has made

0:34:370:34:39

-a whole generation of people become unfrightened of mice.

-True!

0:34:390:34:44

Christina's definitely not concerned about her next object. Far from it!

0:34:460:34:51

Oh, Barbara!

0:34:510:34:53

You know how to excite a girl. My goodness!

0:34:540:34:56

They say diamonds are a girl's best friend

0:34:560:34:58

and oh, my God, these are gorgeous! Why aren't you wearing them?

0:34:580:35:02

-Well, they're not my style, are they?

-Are they not? No?

-No.

0:35:020:35:06

-So, in this instance, they're NOT a girl's best friend.

-No.

0:35:060:35:09

What we've got is a beautiful pair of diamond drop earrings

0:35:090:35:13

and we've got a rather lovely lady here who...

0:35:130:35:16

-Well, it looks like she's modelling them for us.

-She is.

0:35:160:35:19

So, where have they come from? Who is this lady?

0:35:190:35:21

-She is my grandma but she died in 1950.

-Right.

0:35:210:35:25

-But she was 75 when she died.

-Right, OK.

0:35:250:35:29

So, I don't know how old she is in that photograph

0:35:290:35:32

but she was married three times.

0:35:320:35:35

-They might have been a present from a husband.

-Was it third time lucky?

0:35:350:35:38

-Yes, could have been, yes.

-Oh, good.

0:35:380:35:41

-Yes.

-Even just looking at the box that they're within,

0:35:410:35:44

they really are very beautiful

0:35:440:35:47

-and very beautiful quality, exquisite quality.

-Really?

0:35:470:35:50

-Was she an affluent lady?

-She loved her jewellery.

0:35:500:35:53

I don't know a lot about her. She lived in London.

0:35:530:35:56

So she was in possibly quite a high society set.

0:35:560:35:59

-She could have been, yes.

-OK.

0:35:590:36:01

They are within this box which says, at the top...

0:36:010:36:04

One of the best addresses in London.

0:36:090:36:11

You've got a Bond Street jeweller here, Hunt & Roskell.

0:36:110:36:14

They designed and retailed exquisite pieces, expensive pieces.

0:36:140:36:18

There was nothing about the, sort of,

0:36:180:36:20

standard run-of-the-mill jewellery about them.

0:36:200:36:22

They only did the very best,

0:36:220:36:24

and absolutely typified by this beautiful pair of drop earrings.

0:36:240:36:28

Each one a four-diamond drop,

0:36:280:36:30

each one with a brilliant cut diamond,

0:36:300:36:33

so we know that they are 20th century,

0:36:330:36:35

rather than Victorian or earlier,

0:36:350:36:37

because they wouldn't have had the brilliant cut at that point.

0:36:370:36:40

That was only developed in the 20th century.

0:36:400:36:42

They are set in platinum, probably with an 18-carat gold back,

0:36:420:36:45

-although they're not marked, which is quite frustrating.

-Oh.

0:36:450:36:48

But they're a good colour, they're a good clarity,

0:36:480:36:51

and all of that is important because it all makes a value for us, OK.

0:36:510:36:55

At auction, I wouldn't hesitate to put an estimate

0:36:550:36:58

of between £800 to £1,200 on them

0:36:580:37:01

and I think a firm reserve at £800.

0:37:010:37:04

-How would you feel about that, Barb?

-That sounds wonderful.

0:37:040:37:07

Well, you've just seen our experts pick out

0:37:130:37:16

their final three items of the day, so now, we have to say goodbye

0:37:160:37:20

to our host location, Highcliffe Castle.

0:37:200:37:23

We've had a wonderful time here

0:37:230:37:25

and I'm sure everybody who's turned up has thoroughly enjoyed it.

0:37:250:37:28

And the weather has just been perfect!

0:37:280:37:30

But right now, we've got to change the tempo.

0:37:300:37:32

We've got some unfinished business to do in the saleroom.

0:37:320:37:35

And here's a quick recap of all the items

0:37:350:37:37

that are going under the hammer.

0:37:370:37:39

The designer Biba coat

0:37:400:37:42

that Sue swished around in during the swinging '60s.

0:37:420:37:45

We've got the classic Mouseman cheeseboard,

0:37:470:37:50

which can't go wrong at auction.

0:37:500:37:52

And a pair of diamond earrings.

0:37:530:37:55

They're not to owner Barbara's taste

0:37:550:37:57

but are they set to adorn someone else's ears?

0:37:570:38:00

We're about to find out, as we head back to the saleroom,

0:38:010:38:04

where John Condie has our next lot, the Biba coat that charmed Cristina.

0:38:040:38:09

What a coat! Biba and this is fantastic.

0:38:090:38:12

-Why don't you want to keep it?

-It doesn't fit.

0:38:120:38:14

It's been in the loft for 43 years.

0:38:140:38:16

-Why hang on to it in a box, wrapped up?

-No.

0:38:160:38:19

That label, that Biba label, people will pick up on it online.

0:38:190:38:22

There are plenty of collectors of vintage clothing,

0:38:220:38:25

especially women's clothing, and they sell well.

0:38:250:38:27

-And it's so wearable, it's so wearable!

-It is.

0:38:270:38:30

-I don't think I'm going to cope with this.

-You've got to be tough, OK?

0:38:300:38:33

You've got to be strong. It's going under the hammer right now

0:38:330:38:36

and, hopefully, it'll find a new home,

0:38:360:38:38

-This is it. Good luck, Sue.

-Thank you.

0:38:380:38:40

Original woollen coat, with the Biba label to the collar, of course.

0:38:400:38:47

I remember shopping there myself.

0:38:470:38:49

CROWD TITTERS

0:38:490:38:50

-So trendy!

-LAUGHTER

0:38:500:38:53

I was there, I was there!

0:38:530:38:55

Right, I've got interest and I'm bid £50 straight in.

0:38:550:38:59

50. £50. 55.

0:38:590:39:02

60. 5. 70.

0:39:020:39:05

5. 80.

0:39:050:39:07

-5. 90.

-Wow.

-Oh, it's gone.

0:39:070:39:10

-No!

-It's gone well.

0:39:100:39:12

100. 110. 110, I've got.

0:39:120:39:15

110. 110. 120 now?

0:39:150:39:20

120 bid. 120.

0:39:200:39:23

130, anybody else?

0:39:230:39:24

At 120, in the room. You're all out on the net.

0:39:240:39:28

It's selling in the room.

0:39:280:39:30

GAVEL COMES DOWN

0:39:300:39:32

-That hammer's gone down.

-I don't know what to say because I'm gutted!

0:39:320:39:35

THEY LAUGH

0:39:350:39:37

-Well done.

-I'm really pleased for you.

0:39:370:39:39

-Yeah, no way did I expect that!

-Good.

-It is fantastic for me.

0:39:390:39:43

-It's brilliant.

-Thank you so much.

0:39:430:39:46

We are delighted, really, Christina.

0:39:460:39:49

Double the estimate for the ultimate in '60s style.

0:39:490:39:52

Our next lot is from a craftsman

0:39:520:39:54

whose work has also stood the test of time.

0:39:540:39:58

Jane, it's great to see you.

0:39:580:40:00

We're talking about Robert Thompson, Mr Mouseman.

0:40:000:40:03

-And we have a cheeseboard.

-I thought it was a table tennis bat.

0:40:030:40:06

It could be. It has a duality to it, yes, yes. He's cheeky, isn't he?

0:40:060:40:11

-He is.

-So, this was a charity shop find, I gather.

-It is.

0:40:110:40:15

So, fingers crossed, we should get £100 plus for this.

0:40:150:40:18

I'll be really disappointed if it didn't make three figures.

0:40:180:40:21

-Well, everything counts to our charity, so...

-It does, doesn't it?

0:40:210:40:24

-Whatever we can make.

-Every penny.

0:40:240:40:26

OK, good luck, both of you. It's going under the hammer right now.

0:40:260:40:29

Mouseman cheeseboard. Got the typical mouse to the handle there.

0:40:290:40:34

I've got a bit of interest on the book for you.

0:40:340:40:37

50. 5.

0:40:370:40:39

60. 5.

0:40:390:40:41

70.

0:40:410:40:42

75.

0:40:420:40:44

80, I've got to go.

0:40:440:40:46

£80. I've got a gentleman there at 80. £80.

0:40:460:40:50

85, anyone else want to take it on?

0:40:500:40:53

The gentleman there at 80. 85 on the internet.

0:40:530:40:56

90 now. 90.

0:40:560:40:58

95, make it. We're out on the internet. It's 90.

0:40:580:41:02

Anyone else? I'm closing it.

0:41:020:41:04

-At £90 then.

-GAVEL COMES DOWN

0:41:040:41:08

-Well done.

-Fantastic, thank you very much.

0:41:080:41:10

-Every penny helps for that charity.

-Yeah.

0:41:100:41:11

-Keep up the good work, won't you?

-I will do.

0:41:110:41:14

Time for our final lot of the day,

0:41:140:41:16

the drop-dead gorgeous diamond drop earrings, set in platinum.

0:41:160:41:20

-Barbara, your earrings - well, your gran's earrings.

-Yes.

0:41:210:41:25

It's time to say goodbye.

0:41:250:41:26

-These are definitely going to sell.

-They are.

-They're so beautiful.

0:41:260:41:29

-Did you know they were quite valuable?

-I did.

0:41:290:41:32

That's why I didn't like them left in the house when I went out.

0:41:320:41:35

-Oh, really?

-I sincerely hope you get lots of interest for them.

0:41:350:41:39

They're still so wearable today,

0:41:390:41:40

especially in that white gold or platinum.

0:41:400:41:43

-They're very stylish, aren't they?

-Very stylish. Best of luck.

0:41:430:41:46

Here we go, this is it.

0:41:460:41:48

Lot 312, the lovely pair of diamond drop earrings,

0:41:480:41:52

set with four lovely graduated diamonds there.

0:41:520:41:54

-I have got interest presale.

-Oh, good!

0:41:540:41:57

And I'm starting at 700.

0:41:570:42:00

-Oh.

-750.

-Come on.

-800.

0:42:000:42:03

850. 900 on the internet.

0:42:030:42:06

950 in the room, lady's bid.

0:42:060:42:09

1,000. 1,100.

0:42:090:42:11

1,100, I've got.

0:42:110:42:13

1,200, lady's bid.

0:42:130:42:15

-1,200 there.

-Yes.

-1,300 on the internet.

0:42:150:42:19

1,300, internet bid.

0:42:190:42:21

1,400 on the telephone.

0:42:210:42:23

1,400 on the telephone.

0:42:230:42:25

1,500 close to me.

0:42:250:42:28

At 1,500.

0:42:280:42:30

1,550 comes in over here.

0:42:310:42:33

Ooh, there's a bidder in the room at 1,550.

0:42:330:42:36

1,600 here.

0:42:360:42:38

And 50 now.

0:42:380:42:40

1,650, it's close.

0:42:400:42:42

-1,700 do you want to go?

-Are you all right?

0:42:420:42:44

1,700 here, next to me.

0:42:460:42:48

Anyone else coming in? I'm going to sell.

0:42:480:42:51

You're all out elsewhere. At 1,700 they go.

0:42:510:42:54

GAVEL COMES DOWN

0:42:540:42:56

-Barbara, that's fantastic news!

-It is.

-£1,700.

-Fantastic.

0:42:560:42:59

Well over the top end. Brilliant.

0:42:590:43:01

-Brilliant.

-Lovely.

-You had faith in those, didn't you?

0:43:010:43:04

Oh, they sold themselves.

0:43:040:43:05

They were just stunning, they really were.

0:43:050:43:07

-So, congratulations, that's great.

-Well done, you.

0:43:070:43:10

-You're a bit speechless.

-I am lost for words.

0:43:100:43:12

-You don't know what to say, do you?

-No.

0:43:120:43:14

How about, "What a way to end today's show"?

0:43:140:43:16

I hope you've enjoyed it.

0:43:160:43:17

We promised you a surprise and we delivered.

0:43:170:43:20

Join us again soon for many more.

0:43:200:43:22

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