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Today, "Flog It!" comes from Margam Country Park | 0:00:04 | 0:00:06 | |
in South Wales, a place that has experienced the highs and lows | 0:00:06 | 0:00:10 | |
of fame and fortune over the centuries. | 0:00:10 | 0:00:12 | |
More about that later on in the programme. | 0:00:12 | 0:00:14 | |
Plus, I get to visit the home of my personal idol, | 0:00:14 | 0:00:18 | |
arguably one of the most famous and infamous actors of the 20th century. | 0:00:18 | 0:00:23 | |
Welcome to "Flog It!" | 0:00:23 | 0:00:24 | |
Margam Country Park near Port Talbot | 0:00:47 | 0:00:49 | |
is home to an impressive Tudor Gothic revival castle. | 0:00:49 | 0:00:53 | |
It sits on a hill, overlooking beautiful parkland | 0:00:53 | 0:00:55 | |
and is the backdrop to our valuation day. | 0:00:55 | 0:00:59 | |
It was created by CRM Talbot, | 0:00:59 | 0:01:01 | |
who inherited this estate in the 19th century | 0:01:01 | 0:01:04 | |
and was referred to as the richest commoner in Britain. | 0:01:04 | 0:01:08 | |
This magical castle with its elaborate turrets, | 0:01:08 | 0:01:10 | |
pinnacles and soaring chimney cost over £2 million to build | 0:01:10 | 0:01:15 | |
in today's money, | 0:01:15 | 0:01:16 | |
but sometimes fame and fortune can be transient things | 0:01:16 | 0:01:19 | |
and don't always ensure happiness. | 0:01:19 | 0:01:21 | |
But more of that later. | 0:01:21 | 0:01:23 | |
Our valuation day is taking place | 0:01:27 | 0:01:29 | |
right in front of this magnificent Georgian orangery. | 0:01:29 | 0:01:33 | |
This splendid architectural delight | 0:01:33 | 0:01:35 | |
is the longest of its kind in Britain, | 0:01:35 | 0:01:37 | |
and today, I'm hoping for some | 0:01:37 | 0:01:39 | |
record-breaking antiques and collectibles. | 0:01:39 | 0:01:42 | |
I wonder what's in store for our experts, but more importantly... | 0:01:42 | 0:01:45 | |
-ALL: -What's it worth? | 0:01:45 | 0:01:47 | |
Our experts are the very glamorous Catherine Southon... | 0:01:49 | 0:01:53 | |
I thought that was actually your baby. Oh, my goodness. | 0:01:53 | 0:01:56 | |
That's quite frightening. | 0:01:56 | 0:01:58 | |
..and someone you would have to describe as priceless - Mark Stacey. | 0:01:58 | 0:02:03 | |
Gosh. They're rather fun, aren't they? | 0:02:03 | 0:02:05 | |
-Yeah. -It reminds me of Paul Martin because he's such a wise old bird. | 0:02:05 | 0:02:08 | |
-Oh. -HE LAUGHS | 0:02:08 | 0:02:10 | |
-Do you know what? -There's a pair of them. -Yeah. | 0:02:10 | 0:02:12 | |
-That's so you. -They're so... -That's so kitsch, isn't it? | 0:02:12 | 0:02:15 | |
-It really is. -They are. -Well spotted. -Thank you, Paul. | 0:02:15 | 0:02:17 | |
They're already trying to outwit each other to find the best pieces. | 0:02:17 | 0:02:21 | |
That's amazing. | 0:02:21 | 0:02:23 | |
-MARK: -Is it? | 0:02:23 | 0:02:24 | |
What do you know about art? | 0:02:24 | 0:02:26 | |
But they will have to be quick, | 0:02:26 | 0:02:28 | |
as I'm keen to see what is going to come | 0:02:28 | 0:02:30 | |
through our doors today. | 0:02:30 | 0:02:31 | |
Our production team is getting everyone organised, | 0:02:31 | 0:02:34 | |
and we've a fine posse of cameramen | 0:02:34 | 0:02:36 | |
waiting to capture everything that happens, | 0:02:36 | 0:02:39 | |
so here's a quick glimpse of what's coming up later. | 0:02:39 | 0:02:42 | |
Mark meets someone with an eye for a bargain. | 0:02:44 | 0:02:47 | |
-2.99. -2.99. | 0:02:47 | 0:02:49 | |
'There is a surprise at the auction.' | 0:02:50 | 0:02:52 | |
-We're expecting. -I'm quite shocked. -It was. -You are shocked. | 0:02:52 | 0:02:55 | |
'And I'm visiting the birthplace of my hero - | 0:02:55 | 0:02:57 | |
'a Welshman who took Hollywood by storm.' | 0:02:57 | 0:03:00 | |
Who knows what we're going to uncover today? | 0:03:02 | 0:03:05 | |
But there's only one way to find out. | 0:03:05 | 0:03:07 | |
Let's get straight over to Mark Stacey's table | 0:03:07 | 0:03:09 | |
and take a closer look at what he's spotted. | 0:03:09 | 0:03:12 | |
-Haley. -How are you? | 0:03:14 | 0:03:16 | |
-I'm very well. How are you? -Nice to be here. | 0:03:16 | 0:03:18 | |
It's nice to meet you, and it's even nicer, dare I say, | 0:03:18 | 0:03:21 | |
to meet your bowl. | 0:03:21 | 0:03:22 | |
Oh, lovely. I'm glad you like it. | 0:03:22 | 0:03:24 | |
Now, tell us the story about this bowl, Haley. | 0:03:24 | 0:03:26 | |
Well, I went to a charity shop at Christmas | 0:03:26 | 0:03:29 | |
cos I needed my Christmas baubles to go inside it. | 0:03:29 | 0:03:34 | |
-Your Christmas baubles. -I did. | 0:03:34 | 0:03:36 | |
And I wanted something silver, so I went into a charity shop | 0:03:36 | 0:03:39 | |
and I found this bowl and it already had a bit of glitter in it, | 0:03:39 | 0:03:43 | |
so I thought, "That's ideal." | 0:03:43 | 0:03:45 | |
And how much did you pay for this bauble-holding tray? | 0:03:45 | 0:03:48 | |
-2.99. -£2.99. -Yes. | 0:03:48 | 0:03:51 | |
-You had a bargain, didn't you? -I did. | 0:03:51 | 0:03:54 | |
Because I must admit, when you look at it just like this, | 0:03:54 | 0:03:58 | |
-it looks rather uninteresting, really. -It does. | 0:03:58 | 0:04:00 | |
And it looks a bit battered, doesn't it? | 0:04:00 | 0:04:02 | |
Yeah, but when you lift it up you can see actually | 0:04:02 | 0:04:06 | |
the bowl itself is wood. | 0:04:06 | 0:04:08 | |
-Yeah. -Wonderful years of patina on there. -Right. | 0:04:08 | 0:04:11 | |
But when we turn it upside down, look at that decoration. | 0:04:11 | 0:04:16 | |
Yeah, it's lovely, isn't it? | 0:04:16 | 0:04:17 | |
All this is hand-done, so you've got the writhing dragons... | 0:04:17 | 0:04:22 | |
-Yeah. -..and then you've got this wonderful mask here. -Yes. | 0:04:22 | 0:04:26 | |
And at first, I thought, "It's a really difficult thing to place," | 0:04:26 | 0:04:30 | |
cos my first thoughts were Chinese. | 0:04:30 | 0:04:32 | |
-Yeah. -Then I thought, "Well, could it be Indian?" | 0:04:32 | 0:04:34 | |
cos it looks like Indian silver work. | 0:04:34 | 0:04:37 | |
But then I don't associate dragons with India, | 0:04:37 | 0:04:40 | |
-I associate them with China. -Chinese, yeah. | 0:04:40 | 0:04:43 | |
And I think this is a mask of a deity, | 0:04:43 | 0:04:46 | |
maybe longevity or good health or good wealth. | 0:04:46 | 0:04:50 | |
-Good luck for me. -And good luck. | 0:04:50 | 0:04:52 | |
-And this is all silver. -Oh, right. | 0:04:52 | 0:04:54 | |
-I wondered. -This is Chinese silver. -And it's all handmade? | 0:04:54 | 0:04:58 | |
-All hand-done. -Right. | 0:04:58 | 0:05:00 | |
And it is really a wonderful piece. | 0:05:00 | 0:05:02 | |
-2.99. -2.99. | 0:05:03 | 0:05:05 | |
I think we should put that bowl into auction battered... | 0:05:05 | 0:05:09 | |
-Yeah. -..at 200 to 300... | 0:05:09 | 0:05:11 | |
-Really? -..with a 200 reserve. | 0:05:11 | 0:05:14 | |
What do you think about that? | 0:05:14 | 0:05:15 | |
That would be great. Thank you very much. | 0:05:15 | 0:05:17 | |
Where was this charity shop again? | 0:05:17 | 0:05:19 | |
Down in Cardiff. | 0:05:19 | 0:05:20 | |
THEY LAUGH | 0:05:20 | 0:05:22 | |
What a great find. | 0:05:22 | 0:05:24 | |
Haley obviously has a good eye, | 0:05:24 | 0:05:26 | |
but Catherine has come across a collection of items | 0:05:26 | 0:05:29 | |
with a fascinating story to tell. | 0:05:29 | 0:05:31 | |
Angela, what I love about "Flog It!" | 0:05:32 | 0:05:34 | |
is seeing beautiful objects but also finding out about a story, | 0:05:34 | 0:05:41 | |
and here we have an exceptional story. | 0:05:41 | 0:05:43 | |
Tell me a little bit about it. | 0:05:43 | 0:05:45 | |
Well, Arthur, or Great Uncle Arthur, was my grandmother's brother. | 0:05:45 | 0:05:50 | |
He liked to do the pools, | 0:05:50 | 0:05:52 | |
and on 24 October 1938 he actually won, | 0:05:52 | 0:05:59 | |
which it says in the telegram here. | 0:05:59 | 0:06:01 | |
He received a telegram first, | 0:06:01 | 0:06:03 | |
which said they were very pleased to inform him | 0:06:03 | 0:06:05 | |
that he had a first dividend. | 0:06:05 | 0:06:07 | |
But he didn't know at this point how much he'd actually won. | 0:06:07 | 0:06:10 | |
-No, he didn't. -No. | 0:06:10 | 0:06:11 | |
He didn't. | 0:06:11 | 0:06:12 | |
And a couple of days later the letter arrived | 0:06:12 | 0:06:15 | |
saying exactly how much he had won. | 0:06:15 | 0:06:17 | |
Which was £879, | 0:06:17 | 0:06:21 | |
-which doesn't seem a great amount of money to us... -No. | 0:06:21 | 0:06:24 | |
-..but then it was a huge amount of money. -Enormous. | 0:06:24 | 0:06:27 | |
And if we put that in today's money, we are looking at about £54,000... | 0:06:27 | 0:06:31 | |
-Yeah. -..which was huge. -Huge, yes. | 0:06:31 | 0:06:34 | |
-So, tell me a little bit about your uncle. -He was a very kind man. | 0:06:34 | 0:06:39 | |
My dad had died when I was two years old, | 0:06:39 | 0:06:42 | |
so he was always very, very kind to me, | 0:06:42 | 0:06:44 | |
and one Christmas, out of the blue, | 0:06:44 | 0:06:46 | |
he came out with a watch that he had bought me. | 0:06:46 | 0:06:48 | |
-He loved watches. -And this is him here, is it? -That's it, yes. | 0:06:48 | 0:06:51 | |
-And is this your...? -That's my grandmother. | 0:06:51 | 0:06:53 | |
Grandmother as well. Oh, he looks a jolly nice man there. | 0:06:53 | 0:06:57 | |
So, he bought these with just a fraction of the money. | 0:06:57 | 0:07:00 | |
What do you think he did with the rest? | 0:07:00 | 0:07:02 | |
He put it in the suitcase under the bed | 0:07:02 | 0:07:04 | |
because he didn't trust the banks. | 0:07:04 | 0:07:06 | |
-Did he? -Yes. -Oh, my goodness. | 0:07:06 | 0:07:10 | |
So, you say that he liked watches, | 0:07:10 | 0:07:12 | |
and he's bought this rather smart pair-cased pocket watch | 0:07:12 | 0:07:15 | |
of William IV, | 0:07:15 | 0:07:17 | |
so we're talking about 1830, that sort of date. | 0:07:17 | 0:07:20 | |
Unfortunately, the dial is quite badly smashed. | 0:07:20 | 0:07:24 | |
-It's been dropped, which is a real shame. -Mm. | 0:07:24 | 0:07:27 | |
Rather nice little pair of cufflinks. | 0:07:27 | 0:07:29 | |
Around 1920s, maybe 1930s. That sort of date. | 0:07:29 | 0:07:33 | |
And what about the ring? Do you know anything about the ring? | 0:07:33 | 0:07:36 | |
That ring amazes me because when I first saw it, | 0:07:36 | 0:07:39 | |
-I remember seeing it on my uncle's hand. -Mm. | 0:07:39 | 0:07:42 | |
-It's so different. -It is, isn't that? | 0:07:42 | 0:07:44 | |
I didn't know if it was worth a lot of money or no money. | 0:07:44 | 0:07:47 | |
Well, this looks like you've got little garnets or something, | 0:07:47 | 0:07:50 | |
perhaps semiprecious stones, | 0:07:50 | 0:07:52 | |
but it's a nice nine-carat gold shank | 0:07:52 | 0:07:54 | |
and interesting that you've got the sort of snake heads, | 0:07:54 | 0:07:56 | |
-or serpent heads, sort of intertwined. -Yes. | 0:07:56 | 0:07:59 | |
There's not a huge amount of value here, | 0:07:59 | 0:08:01 | |
but I think the story as a whole | 0:08:01 | 0:08:02 | |
will really hopefully interest buyers. | 0:08:02 | 0:08:05 | |
I would put an estimate on of about £80 to £120 for the lot, | 0:08:05 | 0:08:10 | |
with perhaps a reserve of about £70, just to protect it. | 0:08:10 | 0:08:14 | |
But I hope that it does make a small fortune. | 0:08:14 | 0:08:18 | |
-Well, I hope so. -And hopefully will do him proud. | 0:08:18 | 0:08:21 | |
Yes. Thank you. | 0:08:21 | 0:08:23 | |
Uncle Arthur sounds like a great character. What a brilliant story. | 0:08:23 | 0:08:28 | |
While the experts continue their search for items, | 0:08:28 | 0:08:31 | |
I've made my way up the hill to take a closer look at the castle. | 0:08:31 | 0:08:35 | |
CRM Talbot was a landowner and industrialist | 0:08:35 | 0:08:38 | |
and he wanted to make a statement with this building. | 0:08:38 | 0:08:41 | |
It took ten years to complete, | 0:08:41 | 0:08:44 | |
and he packed it with beautiful furniture, paintings, chandeliers, | 0:08:44 | 0:08:48 | |
books and objects. | 0:08:48 | 0:08:49 | |
Sadly, today the house is an empty shell, | 0:08:49 | 0:08:51 | |
but there is one feature that gives a sense | 0:08:51 | 0:08:54 | |
of its former grandeur. | 0:08:54 | 0:08:56 | |
The interior of the house is literally dominated | 0:08:59 | 0:09:01 | |
with this central staircase tower. | 0:09:01 | 0:09:03 | |
It's powerful. It's very, very impressive. | 0:09:03 | 0:09:06 | |
I've not seen anything like this in my life before. | 0:09:06 | 0:09:10 | |
These cluster columns are hand-cut from local stone on the estate, | 0:09:10 | 0:09:15 | |
and it really gives you an idea of the impression that Talbot | 0:09:15 | 0:09:19 | |
was trying to create with his home. | 0:09:19 | 0:09:22 | |
But his vision for the future of the castle | 0:09:24 | 0:09:26 | |
and estate changed dramatically in 1876 when Theodore, | 0:09:26 | 0:09:31 | |
his son and heir, fell from his horse while hunting. | 0:09:31 | 0:09:35 | |
He died a few months later, leaving his father grief-stricken. | 0:09:35 | 0:09:39 | |
Talbot's unmarried daughter, Emily, inherited the estate, | 0:09:39 | 0:09:42 | |
but after her death it was passed on to her nephew. | 0:09:42 | 0:09:45 | |
But in 1941, everything was sold off | 0:09:45 | 0:09:48 | |
and the castle was never lived in again. | 0:09:48 | 0:09:51 | |
Today, it's an empty shell. | 0:09:51 | 0:09:53 | |
It's now a dramatic backdrop for film crews and television series | 0:09:53 | 0:09:57 | |
such as Dr Who, and I have to say, looking around, | 0:09:57 | 0:10:00 | |
it's the perfect place for a Time Lord. | 0:10:00 | 0:10:04 | |
While I've been exploring, | 0:10:06 | 0:10:07 | |
Mark has lost no time in meeting up with the lady | 0:10:07 | 0:10:10 | |
he met in the queue earlier on. | 0:10:10 | 0:10:12 | |
Carol, you brought in a wonderful pair of candle sconces. | 0:10:14 | 0:10:17 | |
I love them. How long have you had them? | 0:10:17 | 0:10:19 | |
I've had them now 21 years, | 0:10:19 | 0:10:21 | |
but my husband had them a long time before that. | 0:10:21 | 0:10:24 | |
Oh. Are they hanging on the wall in pride of place? | 0:10:24 | 0:10:26 | |
-No, always been in the case... -No. -..after my husband died in 2003. | 0:10:26 | 0:10:31 | |
-So, you haven't had them on the wall? -No. | 0:10:31 | 0:10:33 | |
-You don't like them? -They're too heavy. -Too heavy. | 0:10:33 | 0:10:36 | |
You know, to put... We only live in a flat. | 0:10:36 | 0:10:38 | |
-They're quite big. -Yeah. | 0:10:38 | 0:10:39 | |
-You need a nice big... -Big room. -..entrance or something for them. | 0:10:39 | 0:10:42 | |
And yet he kept them. | 0:10:42 | 0:10:43 | |
He only had a little place, but he had them on the wall. | 0:10:43 | 0:10:46 | |
I think they're wonderful. I don't think they're terribly old. | 0:10:46 | 0:10:50 | |
They probably date to the sort of 1930s, 1950s or something. | 0:10:50 | 0:10:54 | |
That's not the point of something like this. | 0:10:54 | 0:10:57 | |
These are incredibly decorative, and it's lovely to have a pair. | 0:10:57 | 0:11:01 | |
And people collect owls. | 0:11:01 | 0:11:02 | |
My mother always used to tell me birds are... | 0:11:02 | 0:11:05 | |
-Unlucky. -..unlucky. -Well, some birds... | 0:11:05 | 0:11:08 | |
-That's my mother, see. -No, no, she's right. | 0:11:08 | 0:11:10 | |
Some people do think birds are unlucky, | 0:11:10 | 0:11:12 | |
particularly things like peacocks, | 0:11:12 | 0:11:14 | |
but I think wise old owls are quite lucky. | 0:11:14 | 0:11:17 | |
-Unusual, aren't they? -Very unusual. | 0:11:17 | 0:11:19 | |
Very quirky and you'll go a long way to find another pair of these. | 0:11:19 | 0:11:23 | |
I'd love to own them, but I can't. | 0:11:23 | 0:11:26 | |
-No. -So, you've decided it's time for them to... | 0:11:26 | 0:11:29 | |
Yeah, well... | 0:11:29 | 0:11:30 | |
If he's looking down, he'd be happy to know that they've gone to a home. | 0:11:30 | 0:11:34 | |
I think they'll go to a very good home, | 0:11:34 | 0:11:36 | |
and there'll be several people who'll want to buy them. | 0:11:36 | 0:11:38 | |
Might surprise you, actually. | 0:11:38 | 0:11:40 | |
I'm going to be conservative because I want them to fly, | 0:11:40 | 0:11:43 | |
so I think if we put £100, £150 on them for the pair... | 0:11:43 | 0:11:46 | |
-Fine, yes. -..and I wouldn't be surprised | 0:11:46 | 0:11:49 | |
if they get above the top estimate, you know, | 0:11:49 | 0:11:51 | |
and then you can buy something that you enjoy. | 0:11:51 | 0:11:54 | |
-I'll buy something in memory of -him then. Absolutely. | 0:11:54 | 0:11:57 | |
-Something you can look at and enjoy. -Yeah. | 0:11:57 | 0:12:00 | |
-Thank you so much for bringing them in, Carol. -Thank you. | 0:12:00 | 0:12:03 | |
Those owls really are impressive. | 0:12:03 | 0:12:05 | |
Mark has given them a "come and buy me" estimate, | 0:12:05 | 0:12:08 | |
so they really could fly. | 0:12:08 | 0:12:10 | |
Well, it looks like our experts have found some fabulous lots there | 0:12:11 | 0:12:14 | |
and I can't wait to put those valuations to the test | 0:12:14 | 0:12:17 | |
in the auction room, but before we do that, | 0:12:17 | 0:12:20 | |
I want to tell you about another auction that took place here | 0:12:20 | 0:12:22 | |
on the estate. | 0:12:22 | 0:12:24 | |
In 1941, Christie's of London were invited with instructions | 0:12:24 | 0:12:28 | |
to sell the castle and its contents. | 0:12:28 | 0:12:30 | |
Now, what I have here are copies of the original catalogues. | 0:12:30 | 0:12:34 | |
Now, everything sold - thousands of lots - except for one. | 0:12:34 | 0:12:38 | |
So, here it is. | 0:12:42 | 0:12:43 | |
Look, inside the orangery, a life-size marble statue | 0:12:43 | 0:12:47 | |
of an obscure Roman emperor, Lucius Verus, | 0:12:47 | 0:12:50 | |
in all of his glory, and over 70 years later, he is still here. | 0:12:50 | 0:12:54 | |
Let's hope we have good luck in our auction. | 0:12:54 | 0:12:56 | |
We definitely don't want any "no sales" today. | 0:12:56 | 0:12:59 | |
And here's a quick run-down | 0:12:59 | 0:13:00 | |
of all the items that are going under the hammer. | 0:13:00 | 0:13:03 | |
Haley's Oriental bowl is a bit battered, | 0:13:03 | 0:13:06 | |
but it's beautifully decorated. | 0:13:06 | 0:13:07 | |
There's the collection of items brought in by Angela | 0:13:10 | 0:13:13 | |
belonging to her great uncle Arthur. | 0:13:13 | 0:13:15 | |
And Mark loved this pair of unusual owl candle sconces. | 0:13:17 | 0:13:22 | |
We've travelled to the Welsh capital, Cardiff, | 0:13:25 | 0:13:27 | |
for our auction today. | 0:13:27 | 0:13:28 | |
Its early fortunes were based on the world-famous port | 0:13:28 | 0:13:32 | |
during the Industrial Revolution, | 0:13:32 | 0:13:34 | |
but today, it's as famous for its remarkable modern architecture, | 0:13:34 | 0:13:38 | |
with buildings like the National Assembly of Wales | 0:13:38 | 0:13:41 | |
and the Wales Millennium Centre. | 0:13:41 | 0:13:43 | |
Well, the sun is shining. I've got a good feeling about today. | 0:13:43 | 0:13:46 | |
I think it's going to be a good day. | 0:13:46 | 0:13:48 | |
We could have one or two big surprises. | 0:13:48 | 0:13:50 | |
We're putting our valuations for the test right here | 0:13:50 | 0:13:52 | |
at Rogers Jones & Company - | 0:13:52 | 0:13:53 | |
one of the oldest auction rooms in Wales | 0:13:53 | 0:13:55 | |
and it's a family-run business. | 0:13:55 | 0:13:57 | |
We're going inside to catch up with our owners, | 0:13:57 | 0:13:59 | |
and let's get on with the action. | 0:13:59 | 0:14:01 | |
The room is full of browsers. | 0:14:02 | 0:14:03 | |
Even our experts are taking a look at what's on offer. | 0:14:03 | 0:14:06 | |
Don't forget today's commission, which is 15% plus VAT. | 0:14:06 | 0:14:11 | |
Well, this is what it's all about - a room full of bidders and fine art. | 0:14:13 | 0:14:16 | |
It doesn't get much better than this. | 0:14:16 | 0:14:18 | |
I tell you what, are you here to buy? Look, look. | 0:14:18 | 0:14:21 | |
If you are, you need one of these - a registration card. | 0:14:21 | 0:14:24 | |
Now, our lots are just about to go under the hammer. | 0:14:24 | 0:14:27 | |
I'm going to get in place and catch up with our first owner | 0:14:27 | 0:14:30 | |
as we hand the proceedings over to Ben Rogers Jones. | 0:14:30 | 0:14:34 | |
First up, it's the intricate silver bowl | 0:14:34 | 0:14:36 | |
found in a charity shop for 2.99. | 0:14:36 | 0:14:40 | |
-Haley, it's good to see you. -Nice to see you. | 0:14:40 | 0:14:42 | |
Right now we're bringing a touch of the Orient to South Wales | 0:14:42 | 0:14:44 | |
with this wonderful little Chinese bowl. | 0:14:44 | 0:14:46 | |
-It's beautiful, isn't it? -Yes. -Paul, it's one of those things. | 0:14:46 | 0:14:49 | |
You know when you touch something, you get a feeling for it? | 0:14:49 | 0:14:52 | |
And you don't know why, | 0:14:52 | 0:14:53 | |
but it's just such an interesting, beautiful quality. | 0:14:53 | 0:14:56 | |
And the wear on the silver... | 0:14:56 | 0:14:57 | |
It's got that rub, hasn't it? There's something about it. | 0:14:57 | 0:15:00 | |
-Did you ever use this? -I did. -What did you put in it? | 0:15:00 | 0:15:02 | |
-I put my Christmas baubles in it. -Your baubles in it. | 0:15:02 | 0:15:05 | |
-What would you put in it? -Bonbons, fondant fancies. | 0:15:05 | 0:15:08 | |
There you go. He's using his imagination now. | 0:15:08 | 0:15:10 | |
Right, OK, let's put your valuation to the test, shall we? This is it. | 0:15:10 | 0:15:13 | |
Good luck. | 0:15:13 | 0:15:15 | |
Tibetan burr-wood bowl with a silver lining | 0:15:15 | 0:15:18 | |
embossed with circling dragon, clouds, etc. | 0:15:18 | 0:15:20 | |
-Starts with me at £120. 120. -Come on. -Is there 30? | 0:15:20 | 0:15:24 | |
At 120. 130 in Denmark. 140. | 0:15:24 | 0:15:27 | |
-Denmark. -150. 160. | 0:15:27 | 0:15:30 | |
170. 180. 190. | 0:15:30 | 0:15:32 | |
-It's still going up online. -190, it's in Denmark. | 0:15:32 | 0:15:35 | |
-Is there 200? -Denmark. -Denmark. -200 in Denmark. -Denmark. | 0:15:35 | 0:15:39 | |
-£200. Are you coming back? At 200. -Oh, come on. | 0:15:39 | 0:15:42 | |
-£200. All done, ladies and gentlemen, at £200. -Oh, well. | 0:15:42 | 0:15:45 | |
And here we go. £200. | 0:15:45 | 0:15:48 | |
-You've got to be happy. -Yes, I am. Very happy, thanks. | 0:15:48 | 0:15:51 | |
If you can do that with every charity shop find | 0:15:51 | 0:15:54 | |
-you came across, you'd be laughing. -I know. | 0:15:54 | 0:15:56 | |
-It brought you good luck, didn't it? -Yes, it did. | 0:15:56 | 0:15:58 | |
-Yeah, it did, actually. -Yeah, it did. Thank you very much. | 0:15:58 | 0:16:01 | |
What a great start to our auction. | 0:16:01 | 0:16:03 | |
Haley has turned her £2.99 into an impressive £200. | 0:16:03 | 0:16:08 | |
Next up is the collection of items brought in by Angela. | 0:16:09 | 0:16:13 | |
Right now we're putting Great Uncle Arthur's pocket watch, | 0:16:13 | 0:16:16 | |
his ring and cufflinks under the hammer. | 0:16:16 | 0:16:18 | |
It's a mixed lot. We're selling it in one lot. | 0:16:18 | 0:16:21 | |
They belong to Angela, | 0:16:21 | 0:16:22 | |
and Great Uncle Arthur had a story to tell. | 0:16:22 | 0:16:25 | |
-He only went and won the football pools, didn't he? -That's right. | 0:16:25 | 0:16:27 | |
Then he went out and bought this pocket watch, | 0:16:27 | 0:16:30 | |
which is lovely, isn't it? | 0:16:30 | 0:16:31 | |
Fingers crossed this is going to sell. | 0:16:31 | 0:16:32 | |
It's not a lot of money, and it's going under the hammer right now. | 0:16:32 | 0:16:36 | |
A little lot here with a silver pocket watch, | 0:16:37 | 0:16:39 | |
nine-carat yellow gold ring | 0:16:39 | 0:16:41 | |
and a pair of bright-cut nine-carat yellow gold cufflinks. | 0:16:41 | 0:16:44 | |
-It's a proper old lot, isn't it? -It is. | 0:16:44 | 0:16:47 | |
At £100. At 100. Is there ten? At £100 with me. | 0:16:47 | 0:16:49 | |
110. 120 online. 120. | 0:16:49 | 0:16:52 | |
Is there 30? At 120. At 120 now. Is everybody done? | 0:16:52 | 0:16:57 | |
I'm out. It's online. Here we go now. | 0:16:57 | 0:17:00 | |
Wrapping it up. | 0:17:00 | 0:17:01 | |
That is it, isn't it? Straight in, straight out, top end. | 0:17:01 | 0:17:04 | |
Well done. And well done you. | 0:17:04 | 0:17:06 | |
-I think he'd be proud, wouldn't he? -He would. -Great Uncle Arthur. | 0:17:06 | 0:17:09 | |
-Thank you, Catherine. -Thank you. | 0:17:09 | 0:17:11 | |
It's got a nice ring to it, hasn't it? Great Uncle Arthur. | 0:17:11 | 0:17:14 | |
What a good price, and an even better story. | 0:17:14 | 0:17:17 | |
That's what I love about "Flog It!" | 0:17:17 | 0:17:19 | |
But now it's the turn of that striking pair of candle sconces. | 0:17:19 | 0:17:22 | |
They look really impressive hanging on the wall at the saleroom. | 0:17:22 | 0:17:26 | |
Carol, I love this next lot. | 0:17:26 | 0:17:28 | |
We've got the pair of owls going under the hammer. | 0:17:28 | 0:17:31 | |
The candle sconces, they are fantastic. | 0:17:31 | 0:17:33 | |
-And I know you fell in love with them. -I think they're adorable. | 0:17:33 | 0:17:36 | |
And having a pair as well, Paul. | 0:17:36 | 0:17:38 | |
-You've got £100 of these. -Oh, it's nothing. | 0:17:38 | 0:17:40 | |
It's absolutely nothing. Can we please have £300? | 0:17:40 | 0:17:42 | |
That's what I would love to think, wouldn't you? | 0:17:42 | 0:17:44 | |
I'd love them to make that, Paul. | 0:17:44 | 0:17:46 | |
Good luck. Ready, everyone? Let's watch this. Here we go. | 0:17:46 | 0:17:50 | |
These lovely owl sconces. | 0:17:51 | 0:17:53 | |
-Oh. -A hoot. -I bet you said that. -Oh, they are a hoot. | 0:17:53 | 0:17:56 | |
Straight in I go at £80. At £80. Is there 90? At 90. | 0:17:56 | 0:18:02 | |
I'm jumping to 400. | 0:18:02 | 0:18:05 | |
THEY LAUGH Hey, did you hear that? | 0:18:05 | 0:18:07 | |
-Eh? -400. -Never. -400, yes. | 0:18:07 | 0:18:10 | |
Where's 20 now? At 400. At £400. | 0:18:10 | 0:18:13 | |
-Can't believe it. -Yeah. -Is there 20? | 0:18:13 | 0:18:14 | |
Have you all done? This is 400 online, the bid. | 0:18:14 | 0:18:17 | |
At £400. Everybody done? | 0:18:17 | 0:18:20 | |
-£400. -Mark said it. | 0:18:24 | 0:18:26 | |
-Straight in. -You said it. -What did he say? | 0:18:26 | 0:18:29 | |
Why didn't he say 400 at the valuation? | 0:18:29 | 0:18:31 | |
No, he said they'd fly off the handle, didn't you? | 0:18:31 | 0:18:33 | |
-Straight away. -They would at £100 starting blocks. | 0:18:33 | 0:18:36 | |
-Well, you've got to ease them in, Paul. -Just believe it. | 0:18:36 | 0:18:39 | |
He'd be wishing you two all the best, | 0:18:39 | 0:18:42 | |
looking down and seeing those owls going to a home. | 0:18:42 | 0:18:45 | |
-If it wasn't for you coming here... -Thank you for bringing them. | 0:18:45 | 0:18:47 | |
..they would've always been in the box. | 0:18:47 | 0:18:50 | |
Yeah, well, thank you for bringing them, as Mark said. | 0:18:50 | 0:18:52 | |
Without people like you, without you, we wouldn't have a show. | 0:18:52 | 0:18:55 | |
If you've got something like that, we would love to flog it. | 0:18:55 | 0:18:58 | |
Mark was delighted to find an item like that, | 0:18:58 | 0:19:00 | |
but one bidder was even more determined | 0:19:00 | 0:19:02 | |
to get them for their own wall. | 0:19:02 | 0:19:04 | |
Well, there you are. | 0:19:04 | 0:19:05 | |
Our first three lots done and dusted under the hammer. | 0:19:05 | 0:19:08 | |
We are coming back here later on in the programme, so don't go away. | 0:19:08 | 0:19:11 | |
Before we find some more antiques, | 0:19:11 | 0:19:12 | |
there's something I want to show you. | 0:19:12 | 0:19:14 | |
Port Talbot and the surrounding area boasts many famous sons. | 0:19:14 | 0:19:17 | |
One of them is a particular hero of mine | 0:19:17 | 0:19:20 | |
and a few days ago, I got to visit the home of one of the world's | 0:19:20 | 0:19:23 | |
most famous actors who was born just a stone's throw from the town. | 0:19:23 | 0:19:27 | |
Richard Burton was a man with a magnetic charm | 0:19:34 | 0:19:37 | |
who lived a jet set lifestyle. | 0:19:37 | 0:19:39 | |
He became famous as Hollywood's most highly-paid actor | 0:19:39 | 0:19:42 | |
and infamous for his weakness for alcohol and women. | 0:19:42 | 0:19:46 | |
But his roots lie in a humble village in South Wales, | 0:19:46 | 0:19:49 | |
more used to producing coal miners than movie stars - Pontrhydyfen. | 0:19:49 | 0:19:54 | |
I have loved Richard Burton as an actor | 0:19:56 | 0:19:59 | |
ever since I can remember. | 0:19:59 | 0:20:00 | |
It's that distinctive voice, it was like velvet. | 0:20:00 | 0:20:03 | |
The characterful face and the intelligence. | 0:20:03 | 0:20:05 | |
For me, it was the complete package. | 0:20:05 | 0:20:07 | |
No other actor could ever get anywhere near him. | 0:20:07 | 0:20:10 | |
And I've never been here before to Pontrhydyfen, | 0:20:10 | 0:20:13 | |
so coming here is really special | 0:20:13 | 0:20:15 | |
because I want to know how he got from here | 0:20:15 | 0:20:17 | |
to becoming a world-famous star and what this place meant to him. | 0:20:17 | 0:20:22 | |
I've turned to the BBC archives | 0:20:24 | 0:20:26 | |
to see what Richard Burton himself had to say. | 0:20:26 | 0:20:29 | |
I really don't know what to say about my race. | 0:20:30 | 0:20:33 | |
I'm so proud of them and I love the Welsh with a passion | 0:20:33 | 0:20:37 | |
that's almost idolatrous, | 0:20:37 | 0:20:39 | |
but particularly the South Welsh are the people I know best | 0:20:39 | 0:20:42 | |
and particularly the mining class. | 0:20:42 | 0:20:44 | |
His story began here. | 0:20:46 | 0:20:47 | |
He was born Richard Jenkins and he was born in this house | 0:20:47 | 0:20:50 | |
on 10 November in 1925. | 0:20:50 | 0:20:53 | |
He was the 12th child of Dic and Edith Jenkins. | 0:20:53 | 0:20:56 | |
Sadly, when he was two years old, | 0:20:56 | 0:20:58 | |
his mother died shortly after giving birth to her 13th child. | 0:20:58 | 0:21:02 | |
He went to live with his sister, who was known as Cis. | 0:21:02 | 0:21:05 | |
I still think of her as a mumma | 0:21:05 | 0:21:08 | |
because I don't remember any other mumma. | 0:21:08 | 0:21:10 | |
I stayed with her for the next 11 to 12 years. | 0:21:10 | 0:21:13 | |
His family struggled for money | 0:21:16 | 0:21:18 | |
and Richard was determined to change his life. | 0:21:18 | 0:21:20 | |
He found a mentor at secondary school, | 0:21:20 | 0:21:23 | |
drama teacher Philip Burton, | 0:21:23 | 0:21:25 | |
and declared his intention to become an actor. | 0:21:25 | 0:21:29 | |
His voice was dreadful at the time and his speech, | 0:21:29 | 0:21:32 | |
he spoke Welsh at home. | 0:21:32 | 0:21:34 | |
He spoke Welsh at home | 0:21:34 | 0:21:35 | |
and he spoke English with a very strong Welsh accent. | 0:21:35 | 0:21:39 | |
So, he said to me, "Change them." | 0:21:39 | 0:21:41 | |
Philip Burton gave Richard elocution lessons | 0:21:41 | 0:21:44 | |
to hone the voice that was to become world-famous. | 0:21:44 | 0:21:47 | |
I was submitted to the most ferocious discipline | 0:21:47 | 0:21:50 | |
because I did my schoolwork during the day, | 0:21:50 | 0:21:53 | |
and at 4 o'clock, I then started with Burton. | 0:21:53 | 0:21:56 | |
That generally went on till ten. | 0:21:56 | 0:21:59 | |
That student room became a room of terror. | 0:21:59 | 0:22:03 | |
But the hard work paid off. | 0:22:03 | 0:22:05 | |
Richard changed his name to Richard Burton | 0:22:05 | 0:22:08 | |
in honour of his teacher and guardian. | 0:22:08 | 0:22:10 | |
Armed with that voice, great looks and his acting talent, | 0:22:10 | 0:22:14 | |
he was spotted by Hollywood. | 0:22:14 | 0:22:16 | |
His marriage to Elizabeth Taylor seals his superstardom, | 0:22:16 | 0:22:19 | |
but he didn't forget his roots. | 0:22:19 | 0:22:21 | |
He used his new-found wealth to take care of his family, | 0:22:21 | 0:22:25 | |
using his first big pay cheque to buy a house | 0:22:25 | 0:22:28 | |
for each of his siblings. | 0:22:28 | 0:22:30 | |
It's not my profits. I give it away. | 0:22:30 | 0:22:34 | |
Give it to my family. | 0:22:34 | 0:22:36 | |
The fact that I was able to take care | 0:22:36 | 0:22:40 | |
of a certain amount of people has given me some pleasure, | 0:22:40 | 0:22:44 | |
the fact that I had the power to do it. | 0:22:44 | 0:22:48 | |
As a child, Richard Burton always used to come to this street | 0:22:48 | 0:22:50 | |
to visit his sister Hilda, | 0:22:50 | 0:22:52 | |
and later on in life when he was a huge star, he always returned. | 0:22:52 | 0:22:55 | |
I've come here today to meet Hilda's daughter Sian, | 0:22:55 | 0:22:58 | |
who still lives here. | 0:22:58 | 0:22:59 | |
Hopefully she's in. She's got to be in. | 0:23:02 | 0:23:04 | |
-She knows I'm coming. Hello. -Hi, Paul. | 0:23:04 | 0:23:06 | |
How lovely to meet you. | 0:23:06 | 0:23:08 | |
-Come on in out of the rain. -OK. | 0:23:08 | 0:23:10 | |
I just noticed this photograph is taken in this very room. | 0:23:12 | 0:23:15 | |
There's Richard leaning against the fireplace like most blokes do. | 0:23:15 | 0:23:19 | |
You've given the fireplace a bit of a makeover. | 0:23:19 | 0:23:21 | |
A little bit of a Sian makeover. | 0:23:21 | 0:23:23 | |
That's it, darling. And that's my mother there. | 0:23:23 | 0:23:26 | |
Uncle Rich, of course. | 0:23:26 | 0:23:27 | |
And Cis and Elfed then took Uncle Rich in as a two-year-old. | 0:23:27 | 0:23:31 | |
Yeah. How important was his family and his need to provide for them? | 0:23:31 | 0:23:35 | |
Oh, I think it was the most important thing | 0:23:35 | 0:23:38 | |
because they'd gone through such poverty, really, growing up | 0:23:38 | 0:23:43 | |
that when he had money | 0:23:43 | 0:23:44 | |
he didn't want them to go without anything in life. | 0:23:44 | 0:23:47 | |
-Gosh, he's got such a kind nature. -Yeah. -Such a kind nature. | 0:23:47 | 0:23:50 | |
Something very special happened to you when you were 13. | 0:23:50 | 0:23:53 | |
Tell me about that. | 0:23:53 | 0:23:54 | |
Well, I don't know if my mother would call it special, | 0:23:54 | 0:23:57 | |
but I was a very a naughty girl. | 0:23:57 | 0:23:59 | |
And a teen and 20 club opened in Port Talbot | 0:23:59 | 0:24:02 | |
and I spent most of my school days there rather than in school, | 0:24:02 | 0:24:06 | |
so I was caught mitching. | 0:24:06 | 0:24:08 | |
And then Uncle Rich phoned, and he was in London with Elizabeth. | 0:24:08 | 0:24:12 | |
And mother said, "I can't deal with this child any more. | 0:24:12 | 0:24:16 | |
"You're going to have to do something with her." | 0:24:16 | 0:24:18 | |
So, he said, "Put her on a train. Send her up to London." | 0:24:18 | 0:24:21 | |
So, my punishment was going to London, | 0:24:21 | 0:24:23 | |
being met at Paddington Station by Gaston, the chauffeur, | 0:24:23 | 0:24:27 | |
and taking me to The Dorchester Hotel, | 0:24:27 | 0:24:31 | |
going up to the terraced suite and then going to meet Elizabeth, | 0:24:31 | 0:24:34 | |
you know, for the first time. | 0:24:34 | 0:24:36 | |
That's not punishment, is it? | 0:24:36 | 0:24:37 | |
Not at all. I loved it. But I did start going to school after that. | 0:24:37 | 0:24:41 | |
THEY LAUGH | 0:24:41 | 0:24:43 | |
What did this place mean to him? | 0:24:44 | 0:24:46 | |
Why did he keep coming back throughout his life? | 0:24:46 | 0:24:49 | |
He did feel a lot of hiraeth, we call it in Welsh - | 0:24:49 | 0:24:52 | |
a longing for Wales - | 0:24:52 | 0:24:54 | |
and he used to love just coming into the house and then | 0:24:54 | 0:24:57 | |
he'd sort of relax and say, "Oh, now we're speaking Welsh," you know. | 0:24:57 | 0:25:02 | |
-Yes. -And then with all the family, we only spoke in Welsh with him. | 0:25:02 | 0:25:06 | |
Burton returned to the village to visit his siblings, | 0:25:06 | 0:25:09 | |
but also his father, known as Dic Bach, | 0:25:09 | 0:25:13 | |
a miner less likely to be found at home than in the local pub. | 0:25:13 | 0:25:17 | |
Richard's father was known as a hard drinker. | 0:25:18 | 0:25:21 | |
This pub, The Miners Arms, well, | 0:25:21 | 0:25:22 | |
this place was like a second home to him. | 0:25:22 | 0:25:25 | |
He was always in here. | 0:25:25 | 0:25:26 | |
But Richard also had his own drinking issues. | 0:25:26 | 0:25:29 | |
And there was period in his life | 0:25:29 | 0:25:31 | |
where he nearly took things too far | 0:25:31 | 0:25:34 | |
when his elder brother Ifor sadly fell and broke his neck | 0:25:34 | 0:25:38 | |
whilst staying at Burton's home in Switzerland. | 0:25:38 | 0:25:41 | |
Later, he died as a result of his injuries. | 0:25:41 | 0:25:44 | |
Richard was devastated and the drinking escalated. | 0:25:44 | 0:25:49 | |
He revealed how serious his drinking became | 0:25:49 | 0:25:52 | |
after his brother's death on the Michael Parkinson show. | 0:25:52 | 0:25:55 | |
Well, there was a second or two, I think, | 0:25:55 | 0:25:59 | |
perhaps about a year ago, | 0:25:59 | 0:26:02 | |
when I didn't fancy much staying alive. | 0:26:02 | 0:26:06 | |
Really? | 0:26:08 | 0:26:10 | |
You contemplated suicide? | 0:26:10 | 0:26:12 | |
-Oh, no. -LAUGHTER | 0:26:12 | 0:26:14 | |
No. | 0:26:14 | 0:26:15 | |
No, I wouldn't kill myself in the ordinary sense of the word. | 0:26:15 | 0:26:18 | |
I wouldn't take pills or drugs or anything really in that sense, | 0:26:18 | 0:26:23 | |
but you can, of course, drink yourself to death. | 0:26:23 | 0:26:27 | |
-Mm. -And that's really rather pleasant. | 0:26:27 | 0:26:29 | |
LAUGHTER | 0:26:29 | 0:26:32 | |
It's better than falling on a sword. | 0:26:33 | 0:26:35 | |
There was an awful guilt in Uncle Rich. Ifor was the one. | 0:26:37 | 0:26:42 | |
He always looked up to Ifor. | 0:26:42 | 0:26:43 | |
Ifor was always the better rugby player. | 0:26:43 | 0:26:47 | |
His physique was fantastic and he was really like a father-figure. | 0:26:47 | 0:26:52 | |
Burton lived the glamorous life of an international superstar, | 0:26:54 | 0:26:58 | |
travelling all over the world, | 0:26:58 | 0:27:00 | |
constantly photographed and scrutinised, | 0:27:00 | 0:27:02 | |
yet he always returned to the village. | 0:27:02 | 0:27:05 | |
No matter how much his life changed, this place didn't. | 0:27:05 | 0:27:08 | |
But why did he love it so much? | 0:27:08 | 0:27:10 | |
Quoting James Joyce, he once said, | 0:27:10 | 0:27:13 | |
"Every man is searching for the place he belongs to." | 0:27:13 | 0:27:17 | |
It is in my case the place where I came from, which is Pontrhydyfen. | 0:27:18 | 0:27:24 | |
Richard Burton died in 1984 at the age of 58 | 0:27:24 | 0:27:29 | |
of a cerebral haemorrhage. | 0:27:29 | 0:27:30 | |
He was buried at his home in Switzerland, | 0:27:30 | 0:27:33 | |
but his friends and family, | 0:27:33 | 0:27:34 | |
including his new wife, Sally Burton, | 0:27:34 | 0:27:37 | |
held a memorial service to pay tribute to him | 0:27:37 | 0:27:40 | |
in the place he loved so much. | 0:27:40 | 0:27:43 | |
He's remembered here in the graveyard | 0:27:43 | 0:27:45 | |
of Jerusalem Chapel. | 0:27:45 | 0:27:47 | |
And here is the Jenkins family gravestone. | 0:27:49 | 0:27:53 | |
His mother and father are buried here. | 0:27:53 | 0:27:55 | |
It's in quite an amazing and poignant spot, | 0:27:55 | 0:27:58 | |
overlooking all of the village. | 0:27:58 | 0:28:00 | |
It's a wonderful resting place, | 0:28:00 | 0:28:02 | |
and it's quite a poignant moment for me as well to see this. | 0:28:02 | 0:28:05 | |
There's an inscription on it and it's written in Welsh, | 0:28:05 | 0:28:08 | |
and it reads "Seren Cymru a'r byd," | 0:28:08 | 0:28:11 | |
which translates to star of Wales, star of the world. | 0:28:11 | 0:28:16 | |
That was such a special and moving visit for me, | 0:28:25 | 0:28:28 | |
but now it's time to see what's been happening back at our valuation day. | 0:28:28 | 0:28:33 | |
There are crowds of people still waiting | 0:28:33 | 0:28:35 | |
to have their items valued, | 0:28:35 | 0:28:36 | |
but it looks like Catherine has found a famous name of her own. | 0:28:36 | 0:28:41 | |
So, we have Yvonne and Jan, and you're good friends? | 0:28:41 | 0:28:44 | |
-Yes, we've been friends for almost 40 years. -Right. | 0:28:44 | 0:28:48 | |
Now, the item that you've brought along today, | 0:28:48 | 0:28:51 | |
who does it belong to? | 0:28:51 | 0:28:52 | |
-It belongs to me. -It belongs to Yvonne. -Yes. | 0:28:52 | 0:28:55 | |
We've brought Lady Penelope's car. | 0:28:55 | 0:28:58 | |
This is amazing. I love this car. | 0:28:58 | 0:29:01 | |
I love the Fab 1 on the front, the numberplate, | 0:29:01 | 0:29:04 | |
and little Parker sitting at the front. | 0:29:04 | 0:29:06 | |
Tell me where you got it from. | 0:29:06 | 0:29:08 | |
I saved up my pocket money to get this car and I travelled | 0:29:08 | 0:29:11 | |
all the way down from the Rhondda Valley to Cardiff | 0:29:11 | 0:29:14 | |
to buy it, and I was very excited. | 0:29:14 | 0:29:15 | |
-So, you actually remember that day. -I do remember it, yes. | 0:29:15 | 0:29:18 | |
I actually remember the shop, because the price is on the box. | 0:29:18 | 0:29:22 | |
-You've got the price on there. How much? -15 shillings and 11 pence. | 0:29:22 | 0:29:25 | |
Pre-decimalisation. | 0:29:25 | 0:29:26 | |
But it doesn't look like you've ever played with it. | 0:29:26 | 0:29:28 | |
No, I just didn't open the box. | 0:29:28 | 0:29:30 | |
I must've had a distraction with some other toy | 0:29:30 | 0:29:33 | |
that was popular at the time. | 0:29:33 | 0:29:35 | |
-Thunderbirds probably had finished on the TV. -By the time you got home. | 0:29:35 | 0:29:38 | |
-By the time I got home. -From Cardiff. -From Cardiff. | 0:29:38 | 0:29:40 | |
And I just didn't open the box. | 0:29:40 | 0:29:43 | |
Because this is in perfect condition. | 0:29:43 | 0:29:45 | |
This is every collector's dream. I mean, it's absolutely mint. | 0:29:45 | 0:29:50 | |
-And what's brilliant about it is you've got the missiles. -Oh, yes. | 0:29:50 | 0:29:53 | |
-The missiles. -The three missiles which fire. | 0:29:53 | 0:29:55 | |
There's a rocket that fits here. | 0:29:55 | 0:29:57 | |
The rocket that fits in the radiator grille just here, | 0:29:57 | 0:30:00 | |
and on the back, there are two missiles that go into the exhausts. | 0:30:00 | 0:30:06 | |
Did you have one of these? | 0:30:06 | 0:30:08 | |
-No, I wasn't as fortunate. -Aw. -I know. | 0:30:08 | 0:30:10 | |
I would've ruined it, probably. | 0:30:10 | 0:30:12 | |
-She would've. She would've. -Yes. | 0:30:12 | 0:30:13 | |
Right, let's talk about value. | 0:30:13 | 0:30:15 | |
I think people will get very excited about this. | 0:30:15 | 0:30:18 | |
I'm going to put an auction estimate of 80 to 120. | 0:30:18 | 0:30:22 | |
I'm going to put a fixed reserve on of £70, | 0:30:22 | 0:30:24 | |
-if that's all right with you. -That's fine. | 0:30:24 | 0:30:26 | |
I don't think I'll buy a Rolls-Royce out of it. | 0:30:26 | 0:30:28 | |
No, I don't think you will buy a Rolls-Royce. | 0:30:28 | 0:30:30 | |
-So, will we see you at the auction? -You won't see me, you'll see Jan. | 0:30:30 | 0:30:33 | |
I'm unfortunately on holiday. I'm walking the Somme battlefield. | 0:30:33 | 0:30:36 | |
-Oh, right. OK. -So, I won't be around, but Jan will... | 0:30:36 | 0:30:39 | |
Yeah, I'm the stand-in. | 0:30:39 | 0:30:40 | |
-..will be my replacement. -Jan will be the stand-in. | 0:30:40 | 0:30:43 | |
-She will look after it. -Yeah, and run away with the money. | 0:30:43 | 0:30:45 | |
-And run away with the money. -Yes. | 0:30:45 | 0:30:47 | |
Mates rates. | 0:30:47 | 0:30:48 | |
-Right, well, hopefully we'll do very well. -Thank you. | 0:30:48 | 0:30:50 | |
-I'll see you at the auction. -Thank you, Catherine. | 0:30:50 | 0:30:53 | |
-Enjoy your holiday. -Wonderful. Thank you very much. | 0:30:53 | 0:30:55 | |
MUSIC: Thunderbirds theme | 0:30:55 | 0:30:57 | |
How amazing to see that car in such perfect condition. | 0:30:57 | 0:31:01 | |
I think the collectors will love it. | 0:31:01 | 0:31:03 | |
But Mark has found something that has gone in and out of fashion. | 0:31:03 | 0:31:08 | |
John, you've brought a very colourful | 0:31:08 | 0:31:10 | |
and interesting piece of pottery in. | 0:31:10 | 0:31:12 | |
How long have you had it? | 0:31:12 | 0:31:13 | |
We think something like 20 to 25 years. | 0:31:13 | 0:31:17 | |
And what first attracted you to it? | 0:31:17 | 0:31:19 | |
I always liked the maiolica. | 0:31:19 | 0:31:20 | |
I always wanted to have one of these. | 0:31:20 | 0:31:22 | |
-You called it maiolica. -Yeah. Maiolica, majolica. | 0:31:22 | 0:31:25 | |
-It is majolica, yes. -OK, majolica. | 0:31:25 | 0:31:27 | |
It's copying maiolica, which is continental, | 0:31:27 | 0:31:29 | |
but this is very typically English majolica. | 0:31:29 | 0:31:32 | |
-Yeah. -You've got that very bold design, very bold colours, | 0:31:32 | 0:31:35 | |
and it's a very typical game pie dish. | 0:31:35 | 0:31:38 | |
You know all this, of course. | 0:31:38 | 0:31:39 | |
We can see of the lid here | 0:31:39 | 0:31:40 | |
it's very nicely modelled with the mallard duck, | 0:31:40 | 0:31:43 | |
the hare and the pigeon, and I love, of course, | 0:31:43 | 0:31:46 | |
this very typical turquoise blue | 0:31:46 | 0:31:49 | |
which you find on particularly Minton majolica. | 0:31:49 | 0:31:52 | |
-And you have the liner. It is a bit damaged. -Yeah. | 0:31:52 | 0:31:55 | |
But you have the liner which they used to take out | 0:31:55 | 0:31:57 | |
and you'd make your casserole or whatever in there, | 0:31:57 | 0:32:00 | |
cook it in the oven | 0:32:00 | 0:32:01 | |
and you would serve it at the table in this wonderful game pie dish. | 0:32:01 | 0:32:06 | |
Again, a lovely turquoise background. | 0:32:06 | 0:32:07 | |
And if we look underneath, | 0:32:07 | 0:32:09 | |
we can clearly see the mark for Minton's there. | 0:32:09 | 0:32:15 | |
This is a fairly standard pattern with the dead game on the top. | 0:32:15 | 0:32:20 | |
-So, you've had this sitting in your home. -Yeah. | 0:32:20 | 0:32:23 | |
And why have you brought it along today? | 0:32:23 | 0:32:25 | |
It's been sitting under the bed for quite a while. | 0:32:25 | 0:32:27 | |
-Under the bed? -Yeah, in a box. | 0:32:27 | 0:32:29 | |
I'm not sure it's the right thing to keep under the bed. | 0:32:29 | 0:32:31 | |
-Isn't that a chamber pot? -We changed... | 0:32:31 | 0:32:33 | |
-No, not one of those either. -HE LAUGHS | 0:32:33 | 0:32:36 | |
I mean, the sad thing about these, like a lot of traditional antiques, | 0:32:36 | 0:32:40 | |
the market for majolica has shifted a little bit over 20-odd years. | 0:32:40 | 0:32:44 | |
This particular model, if you estimated it for auction, | 0:32:44 | 0:32:48 | |
you would need to be realistic. | 0:32:48 | 0:32:50 | |
-Yeah. -And I think an estimate today would be around £200 to £300... | 0:32:50 | 0:32:54 | |
-Yeah. -..with a reserve of 200. -Fine. | 0:32:54 | 0:32:57 | |
Wonderful. Let's see what happens at the auction, shall we? | 0:32:57 | 0:33:00 | |
-Right, yeah. -Thank you, John. -Thank you. | 0:33:00 | 0:33:02 | |
The crowds are still eagerly waiting their turn in the sunshine. | 0:33:04 | 0:33:07 | |
I love seeing what they've brought in, | 0:33:07 | 0:33:09 | |
but I couldn't quite believe what turned up today. | 0:33:09 | 0:33:12 | |
Well, you never know who you're going to meet | 0:33:13 | 0:33:16 | |
and what they're going to show you at a "Flog It!" valuation day. | 0:33:16 | 0:33:18 | |
Now, this is Rachel. Great to see you, Rachel. | 0:33:18 | 0:33:20 | |
I'm a big Richard Burton fan. | 0:33:20 | 0:33:22 | |
You've got something you want to show me, haven't you? | 0:33:22 | 0:33:24 | |
This is my gran's hymn book from chapel, | 0:33:24 | 0:33:28 | |
and it was hers in Pontrhydyfen, | 0:33:28 | 0:33:31 | |
which is just up the valley from here. | 0:33:31 | 0:33:33 | |
This is my father then. It passed on to him. | 0:33:33 | 0:33:36 | |
Now it's mine, but it was signed by Richard Burton in Welsh, | 0:33:36 | 0:33:39 | |
so it says, "From Richard," | 0:33:39 | 0:33:41 | |
but his nickname was Jinks cos Richard Jenkins was his real name. | 0:33:41 | 0:33:44 | |
Ooh, right, yeah. | 0:33:44 | 0:33:45 | |
And my gran and Richard used to go to youth club together, | 0:33:45 | 0:33:48 | |
cos they lived very close to each other, in Cwmafan. | 0:33:48 | 0:33:51 | |
So, he was friends with your gran. | 0:33:51 | 0:33:53 | |
Yeah, she had her first kiss with him on a bus stop. | 0:33:53 | 0:33:56 | |
-Really? -And she didn't tell me much more than that. | 0:33:56 | 0:33:59 | |
So, I can try and find out some more. | 0:33:59 | 0:34:01 | |
So, she was one of Richard Burton's first girlfriends. | 0:34:01 | 0:34:04 | |
-I'm not sure if one kiss qualifies as girlfriend, but maybe. -OK. | 0:34:04 | 0:34:07 | |
That's incredible, isn't it? | 0:34:07 | 0:34:08 | |
Obviously, I don't think I'd sell it. | 0:34:08 | 0:34:10 | |
-No. That's a treasured possession. You must never sell that. -No. | 0:34:10 | 0:34:13 | |
-You couldn't put a price on it. -No. | 0:34:13 | 0:34:15 | |
-I just thought I'd bring it to show today. -Good on your gran. | 0:34:15 | 0:34:17 | |
I know. Thank you. | 0:34:17 | 0:34:20 | |
Well, that was such a treat for me, | 0:34:20 | 0:34:22 | |
and I'm so glad that Rachel is going to hang onto it | 0:34:22 | 0:34:25 | |
for future generations, | 0:34:25 | 0:34:26 | |
but we still have to find our final item of the day, | 0:34:26 | 0:34:29 | |
and I think Catherine has come across | 0:34:29 | 0:34:31 | |
one of the finest names in porcelain. | 0:34:31 | 0:34:33 | |
-Carol, welcome to "Flog It!" -Thank you. | 0:34:34 | 0:34:36 | |
Welcome to the beautiful surroundings of the park, | 0:34:36 | 0:34:39 | |
and this is a beautiful vase that you've brought. | 0:34:39 | 0:34:42 | |
Where did you get this Royal Worcester? | 0:34:42 | 0:34:44 | |
It was handed down to me by my grandparents, | 0:34:44 | 0:34:47 | |
and it's been in our family for probably 50 years, | 0:34:47 | 0:34:52 | |
I would imagine, at least. | 0:34:52 | 0:34:53 | |
-Cos actually it's a potpourri vase. -Right. I see. | 0:34:53 | 0:34:56 | |
That's what it would've been used for initially. | 0:34:56 | 0:34:58 | |
-Do you know anything about this vase? -Nothing at all, No. | 0:34:58 | 0:35:01 | |
Because the first thing that strikes me is the lid. | 0:35:01 | 0:35:05 | |
It's the same sort of colour - that blush ivory - | 0:35:05 | 0:35:08 | |
that you often find with Worcester pieces, | 0:35:08 | 0:35:11 | |
Royal Worcester pieces, | 0:35:11 | 0:35:13 | |
but it just doesn't sort of fit right. | 0:35:13 | 0:35:16 | |
-I see. -And the reason being, this is actually a replaced lid. -Right. | 0:35:16 | 0:35:20 | |
So, I think possibly, initially you might have had another flat lid | 0:35:20 | 0:35:26 | |
inside here with the holes in | 0:35:26 | 0:35:28 | |
and then perhaps another lid on the top... | 0:35:28 | 0:35:31 | |
-I say, yes. -..as it was a potpourri vase. -Right. | 0:35:31 | 0:35:34 | |
But what I love - really love - | 0:35:34 | 0:35:36 | |
about these Worcester vases is how they are so beautifully painted. | 0:35:36 | 0:35:41 | |
Yes. | 0:35:41 | 0:35:42 | |
And this is painted by one of the main names, | 0:35:42 | 0:35:46 | |
and it's one of the names that you go for when you're buying Worcester. | 0:35:46 | 0:35:49 | |
-He's a sought-after name, and this is Harry Stinton. -Ah, right. | 0:35:49 | 0:35:53 | |
-And there he's signed on the bottom there. -I see. | 0:35:53 | 0:35:55 | |
-H Stinton. -Right. | 0:35:55 | 0:35:57 | |
Now, turning this over, | 0:35:57 | 0:35:58 | |
you can see a nice, clear Worcester mark. | 0:35:58 | 0:36:01 | |
Do you have any idea of the date of this? | 0:36:01 | 0:36:03 | |
No idea at all, I'm afraid. | 0:36:03 | 0:36:04 | |
Right. This one has a star in the middle. | 0:36:04 | 0:36:07 | |
Now, they introduced the star in 1916, | 0:36:07 | 0:36:10 | |
-and then after that they would put a dot for every year. -Right. | 0:36:10 | 0:36:14 | |
This has got a number of dots after that, | 0:36:14 | 0:36:16 | |
which would take it up to 1925, so that's when it dates from. | 0:36:16 | 0:36:21 | |
Now, if this were perfect, which I'm afraid it's not... | 0:36:21 | 0:36:25 | |
-Right. -..we'd be looking at about £400 to £600. | 0:36:25 | 0:36:28 | |
-Right. -But I think we'd probably be looking at more like 200 to 300. | 0:36:28 | 0:36:32 | |
-I see. -How does that sound to you, Carol? -Yes, that's fine. | 0:36:32 | 0:36:35 | |
-Are you happy for it to go? -Yes, yes. | 0:36:35 | 0:36:37 | |
-OK, thank you. -We'll put the lid back on. -Right. | 0:36:37 | 0:36:39 | |
-And I will do my best for you. -Thank you very much indeed. | 0:36:39 | 0:36:42 | |
-Thank you so much, Carol. -Thanks very much. -Beautiful vase. | 0:36:42 | 0:36:44 | |
Well, there you are. You've just seen them. | 0:36:46 | 0:36:48 | |
Our experts have now found their final items to take off to auction. | 0:36:48 | 0:36:51 | |
I've got my favourites, you've probably got yours. | 0:36:51 | 0:36:54 | |
We're going to let the bidders decide in just a moment, | 0:36:54 | 0:36:56 | |
which means it's time to say farewell to Margam Park, | 0:36:56 | 0:36:59 | |
our magnificent host location. | 0:36:59 | 0:37:01 | |
And thank you to the hundreds of people who have turned up. | 0:37:01 | 0:37:03 | |
-Have you enjoyed yourselves, everyone? ALL: -Yeah! | 0:37:03 | 0:37:05 | |
Yes. What a day it's been. | 0:37:05 | 0:37:07 | |
I'll tell you what, it's just starting to rain | 0:37:07 | 0:37:09 | |
but it hasn't dampened our spirits. | 0:37:09 | 0:37:10 | |
Right now we're going straight over to the auction room, | 0:37:10 | 0:37:13 | |
and here's a quick rundown of all the items | 0:37:13 | 0:37:15 | |
going under the hammer. | 0:37:15 | 0:37:16 | |
The wonderful pink Lady Penelope Rolls-Royce. | 0:37:16 | 0:37:19 | |
I think the bidders are going to fight over that. | 0:37:19 | 0:37:22 | |
John's colourful majolica pie dish. | 0:37:24 | 0:37:26 | |
And the Harry Stinton decoration on this Royal Worcester vase | 0:37:28 | 0:37:31 | |
is bound to attract attention. | 0:37:31 | 0:37:33 | |
We're back at Rogers Jones & Sons in Cardiff | 0:37:37 | 0:37:40 | |
and Ben is holding the fort on the rostrum, so let's crack on. | 0:37:40 | 0:37:44 | |
Right, this next lot has special memories for me. | 0:37:44 | 0:37:47 | |
I had one of these cars - | 0:37:47 | 0:37:48 | |
the pink Rolls-Royce with Lady Penelope and Parker. | 0:37:48 | 0:37:52 | |
And you know what? I've still got it. | 0:37:52 | 0:37:54 | |
I don't have the box and all the bits are missing | 0:37:54 | 0:37:56 | |
and it's scratched and battered to hell because I played with it. | 0:37:56 | 0:37:59 | |
-Well, this one hasn't been played with... -No, it's perfect. -..at all. | 0:37:59 | 0:38:03 | |
-Oh, it's mint. Look, Jan, good luck. -Yeah. Fingers crossed. | 0:38:03 | 0:38:06 | |
You can get on the phone to Yvonne because this is definitely selling. | 0:38:06 | 0:38:09 | |
It's a proper collector's item for us boys, | 0:38:09 | 0:38:11 | |
and it's going under the hammer. | 0:38:11 | 0:38:12 | |
Remarkable condition for the Dinky Toy Lady Penelope FAB 1, | 0:38:14 | 0:38:19 | |
still with the propellers. | 0:38:19 | 0:38:21 | |
I lost those on the first day of Christmas. | 0:38:21 | 0:38:23 | |
I've got 60 to start. | 0:38:23 | 0:38:25 | |
Is there five? £60. Five. 65. 70 in Ireland. | 0:38:25 | 0:38:29 | |
-80 now. £80. -Yes. -£80. 90 now. 100 bid. | 0:38:29 | 0:38:33 | |
£100. Where's ten now? | 0:38:33 | 0:38:35 | |
£100. Still with the propellers. £100. Is there ten? | 0:38:35 | 0:38:37 | |
Come on. It's got its box. She's bidding. | 0:38:37 | 0:38:39 | |
-At 100 online. 110 in the room. -Yes. | 0:38:39 | 0:38:42 | |
-110 in the room. -Yes. | 0:38:42 | 0:38:43 | |
Come back online. 110. 120. | 0:38:43 | 0:38:46 | |
130. | 0:38:47 | 0:38:48 | |
140. | 0:38:50 | 0:38:52 | |
140. 140. 140. | 0:38:52 | 0:38:54 | |
-Yes. -What a great bit of nostalgia. This is lovely. I love it. | 0:38:54 | 0:38:57 | |
-150. Is there 60? -Yes! | 0:38:57 | 0:39:00 | |
160. | 0:39:00 | 0:39:01 | |
Don't regret it tomorrow. 170. 170. Is there 80? | 0:39:03 | 0:39:06 | |
At 170. Standing bid. Online, you're out. 170. 170. | 0:39:06 | 0:39:11 | |
180. | 0:39:11 | 0:39:13 | |
180. Is there 90? | 0:39:13 | 0:39:15 | |
At 180 online. Is everybody done? | 0:39:15 | 0:39:17 | |
£180, here it goes. | 0:39:17 | 0:39:20 | |
180. Ooh, yes! | 0:39:20 | 0:39:23 | |
-I'm delighted. -She'll be so thrilled. | 0:39:23 | 0:39:25 | |
Absolutely great toy. Really is. | 0:39:25 | 0:39:27 | |
-And of course, Thunderbirds is back on telly. -Yeah. | 0:39:27 | 0:39:29 | |
-It is, isn't it? She's in Calais. -She's in Calais. | 0:39:29 | 0:39:31 | |
-You get on the phone and tell her, 180! -Tell her to have a drink. | 0:39:31 | 0:39:35 | |
It looks like Yvonne did the right thing by keeping the car in its box, | 0:39:37 | 0:39:41 | |
unlike me. | 0:39:41 | 0:39:42 | |
Next, it's the turquoise-coloured majolica pie dish. | 0:39:42 | 0:39:45 | |
It's been used in the past, but that shouldn't affect the price. | 0:39:45 | 0:39:50 | |
Going under the hammer right now we have a Minton game dish. | 0:39:50 | 0:39:52 | |
This one belongs to you, John. Great to see you again. | 0:39:52 | 0:39:55 | |
It's all there, isn't it? | 0:39:55 | 0:39:56 | |
You've got the lining. Everything is there. £200 to £300. | 0:39:56 | 0:39:59 | |
-You've had this about 20-odd years. -Oh, yes. Many years. | 0:39:59 | 0:40:02 | |
-Used it? Enjoyed it? -Oh, yes. Yes. | 0:40:02 | 0:40:04 | |
-I thought we should get this away quite easily. -Yeah, 200 to 300. | 0:40:04 | 0:40:07 | |
-It's lovely quality. -Good luck with that. -Thanks. | 0:40:07 | 0:40:09 | |
It's going under the hammer right now. This is it. | 0:40:09 | 0:40:12 | |
Wonderful Minton majolica game pie dish in very, very nice condition. | 0:40:13 | 0:40:18 | |
Straight in on this one at £250. | 0:40:18 | 0:40:21 | |
-Yes. Straight in. -Good. -At 260. 270. | 0:40:21 | 0:40:25 | |
280. 290. At 290. Is there 300? | 0:40:25 | 0:40:28 | |
At £290. All done? Are you coming in on the phone? | 0:40:28 | 0:40:32 | |
300. 320. Is there 40? At £320. | 0:40:32 | 0:40:36 | |
340, and I'm out at 340. | 0:40:36 | 0:40:39 | |
On the telephone at £340. Anybody new? | 0:40:39 | 0:40:42 | |
At 340. | 0:40:42 | 0:40:43 | |
Fair warning. | 0:40:43 | 0:40:46 | |
£340. | 0:40:46 | 0:40:47 | |
Not as buoyant as ten, 14 years ago, but nevertheless, top money. | 0:40:47 | 0:40:52 | |
-Good price for this market. -Yes, yes. | 0:40:52 | 0:40:54 | |
-Happy with that. -You've got to be happy with that. -Fine with that. | 0:40:54 | 0:40:57 | |
-Thank you for bringing that in. -Thank you. | 0:40:57 | 0:40:59 | |
-Thank you for being so game, John. -Thank you. | 0:40:59 | 0:41:01 | |
Game, indeed. | 0:41:01 | 0:41:03 | |
The majolica did better than expected, | 0:41:03 | 0:41:05 | |
so it just goes to show there are collectors still out there. | 0:41:05 | 0:41:09 | |
Now it's the turn of the lovely Royal Worcester vase | 0:41:09 | 0:41:12 | |
with that beautiful hand-painted decoration. | 0:41:12 | 0:41:14 | |
Going under the hammer right now, | 0:41:14 | 0:41:16 | |
a great name in porcelain, Royal Worcester. | 0:41:16 | 0:41:18 | |
It belongs to Carol, and not for much longer. | 0:41:18 | 0:41:21 | |
This dates to around what, 1925? Decorated by Stinton. | 0:41:21 | 0:41:25 | |
-The name. -Why are you selling it? | 0:41:25 | 0:41:27 | |
Oh, well, it was just in a cupboard, really. And, you know, nobody... | 0:41:27 | 0:41:31 | |
-Not on display, then? -No, not really. | 0:41:31 | 0:41:33 | |
-We forgot about it, so... -Aw. It's more... | 0:41:33 | 0:41:36 | |
It's more than a bit of pottery, isn't it? It's a work of art. | 0:41:36 | 0:41:39 | |
It's all hand-painted. | 0:41:39 | 0:41:41 | |
Absolutely. To have that name as well, the Stinton name. | 0:41:41 | 0:41:43 | |
If you're going to have a bit of Worcester, have the Stinton name. | 0:41:43 | 0:41:46 | |
Right. Let's put it to the test. | 0:41:46 | 0:41:47 | |
It's going under the hammer. This is it. | 0:41:47 | 0:41:49 | |
-A lot of interest in this. -A lot of interest. | 0:41:50 | 0:41:53 | |
It's Stinton. It's the name, isn't it? | 0:41:53 | 0:41:55 | |
-Straight in at £520. -Yes! | 0:41:55 | 0:41:58 | |
At 520. Is there 40? 540. 550. | 0:41:58 | 0:42:01 | |
I've got to go to 600. | 0:42:01 | 0:42:03 | |
600. 650 in Canada. 650. Is there 700? | 0:42:03 | 0:42:07 | |
-700 on the phone. -All over the world, they are admiring this. | 0:42:07 | 0:42:10 | |
750 in Canada. | 0:42:10 | 0:42:12 | |
-800 on the phone. -Wow. -850 in Canada. | 0:42:13 | 0:42:16 | |
-Wow. -Gosh, this is great. | 0:42:16 | 0:42:19 | |
-900 on the phone. -It was "Come on, buy me," wasn't it? | 0:42:20 | 0:42:23 | |
I was just about to say that. I think it was a "Come on, buy me." | 0:42:23 | 0:42:28 | |
950. | 0:42:28 | 0:42:30 | |
Anybody coming in? 1,000. | 0:42:30 | 0:42:33 | |
1,000. | 0:42:33 | 0:42:34 | |
-1,100. -Oh! | 0:42:34 | 0:42:36 | |
This is wonderful. | 0:42:36 | 0:42:38 | |
12. | 0:42:38 | 0:42:39 | |
On the telephone. | 0:42:41 | 0:42:43 | |
Canada, you're out at 1,200. At £1,200. | 0:42:43 | 0:42:48 | |
Is everybody done? It's on the telephone. | 0:42:48 | 0:42:50 | |
Last call. | 0:42:52 | 0:42:54 | |
£1,200, Carol. | 0:42:54 | 0:42:56 | |
That is easily a £1,000 more than what you were expecting. | 0:42:56 | 0:42:59 | |
-I'm quite shocked. -It was, actually. -You are shocked. | 0:42:59 | 0:43:01 | |
I think it was cos the lid, | 0:43:01 | 0:43:03 | |
we weren't that sure of whether it was original. | 0:43:03 | 0:43:05 | |
But look, it doesn't really matter. What a lot of money! | 0:43:05 | 0:43:08 | |
-We don't care. -Wonderful. -Yes. -Wonderful. -Fantastic. | 0:43:08 | 0:43:10 | |
-What are you going to do with that? -Put it towards a holiday. | 0:43:10 | 0:43:13 | |
-Oh, good for you. -Can I come? -Oh, definitely. Definitely, yes. | 0:43:13 | 0:43:16 | |
Everyone's going on holiday. | 0:43:16 | 0:43:17 | |
Well, sadly, it's time for us to say goodbye here from Wales. | 0:43:17 | 0:43:20 | |
We've had a marvellous time. I hope you've enjoyed the show. | 0:43:20 | 0:43:23 | |
Join us again for many more surprises to come, | 0:43:23 | 0:43:25 | |
but until then, it's goodbye from all of us. | 0:43:25 | 0:43:28 | |
-Bye! -Yes. | 0:43:28 | 0:43:30 |