Greenwich 24 Flog It!


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There's something so special about London.

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It makes one feel like anything could happen,

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and judging by the size of this queue, I think we could bank on it.

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Today, we're at the Old Royal Naval College

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in Greenwich, and this iconic landmark is as impressive

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on the inside as it is on the outside,

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so let me take you on a journey.

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Welcome to "Flog It!"

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Once a rural marshland used for animal pasture,

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the Isle of Dogs is now the financial hub of London

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and home to the impressive skyscrapers of Canary Wharf.

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It's bounded on three sides by one of the largest meanders

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of the River Thames, a river which stretches for 215 miles,

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making it England's longest river.

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Well, they say the best views of this place are from up there,

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from the sky, or from the river,

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but we don't have time to be getting on a boat right now

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because this queue is growing bigger and bigger by the minute.

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Hundreds of people have turned up from London and beyond.

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They're eager to get inside to see our experts,

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to find the answer to that all-important question, which is...

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-ALL:

-What's it worth?

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If you are happy with the valuation, what are you going to do?

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Flog It!

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So who are our experts today?

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Well, if you have a problem,

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our expert Mark Stacey is on hand to help...

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We can talk about your gas problem when we get inside, all right?

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-Oh, yes.

-Yes, I mean, it's lovely.

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..while Jonathan Pratt is ensuring the items brought in

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are above board.

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Coach and Horses. Did you have a good night there

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-and you walked away with it?

-LAUGHTER

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It seems we're in for a fun-filled day,

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so before the valuations get under way,

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here's a glimpse of what's coming up in today's show.

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There are no holds barred on Mark's valuations.

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What on earth made you think we'd be interested in this item?

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I didn't know that you was going to be!

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SHE CHUCKLES

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And can Jonathan do the didgeridoo?

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It's going to be a bit loud, everybody.

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BUM NOTE

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And later on, I take a tour of London

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on a truck that can swim in the River Thames,

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and we find out how amphibious vehicles like this

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played a key role during World War II.

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While everybody gets safely seated inside,

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let me quickly tell you about this fantastic building.

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It was designed by one

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of England's most renowned architects,

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Sir Christopher Wren.

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In 1696, he was given the task of building a refuge

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for retired or injured sailors,

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and he was told to make it grand.

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And that he surely did.

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And as you step inside, just look at this grand hall.

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It's called the Painted Hall.

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What greets you at first is that above you, 90 feet up there,

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spectacular dome.

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One of the finest in London.

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The ceiling and the walls were painted by Sir James Thornhill,

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and he got a knighthood for his work,

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and it's hardly surprising because it's absolutely jaw-dropping.

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And at 5,683 square feet,

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it is the largest figurative painting in the country.

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And right now, we're going straight over to our experts' tables,

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and let's take a closer look at what they've spotted.

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Hopefully, it's equally as impressive.

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-Theresa.

-Hello.

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Hello, thank you so much for bringing in this wonderful sampler.

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Is it a family piece?

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Well, it belonged to my aunt, I think,

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but otherwise I don't know very much about it.

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Well, it's wonderful.

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You know, samplers we see quite a lot

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and they're made in all periods.

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This type of work was educational

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and it also filled time,

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because before the enjoyments of television and radio and computers,

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people used to learn skills,

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and these sort of pictures go back

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to the sort of 16th and 17th century and stump work.

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As soon as you see this, without even looking for the date,

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you can see it's going to be 18th century.

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-Yes.

-Because it's very, very fine stitch work.

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When you look at a sampler, collectors are looking for quality

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and looking for certain features.

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This wonderful floral border, very formalised.

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You've got what you find on a lot of samplers, the religious text,

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because everything was put into the morality of life.

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I love this scene here.

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-Yes.

-The country house.

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Terribly Georgian, isn't it?

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-Yes.

-Everything symmetrical.

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And I love the little bird table here, the little dog.

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-I love these parrots.

-Yes.

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And then when you come down to the bottom panel,

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you've got Elizabeth Harding's work, year of her age March 1791,

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-so late 18th century.

-Yes.

-So it's been around an awfully long time.

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-That's right.

-And it's got a little bit of wear here and there.

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But it is absolutely charming. And these samplers

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from this particular date are, I think, still quite sought-after.

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Up until the 1820s.

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When you get after 1820, the Victorian samplers,

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they become less desirable.

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-Why is that?

-Well, I think because...

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-Too many of them.

-There's a lot of them around.

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The silk work isn't so detailed.

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You often find much more text than actual pictorial imagery.

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This just screams 18th century.

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And if you own a house like this,

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you would love to have that up on the wall, wouldn't you?

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I actually feel quite guilty. I've not really looked at all this.

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Well, when you own something, though, you don't, do you?

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Where has it been? Has it been on the wall?

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No, it's not the sort of thing I would put on a wall.

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So it's been hidden in a box?

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Well, tucked in a recess.

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Well, it needs to come out of the recess, doesn't it?

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I think there will be a lot of collectors for this.

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-Oh, really?

-I really do, I think it's charming, I love it.

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What do you think it might be worth?

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I haven't any idea whatsoever.

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I think, if we put it in the auction,

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we should be looking at something like £150-250,

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with a reserve of 150.

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OK.

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Now, if you get two or three collectors,

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it might even go higher than that.

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It has got star quality about it, and I absolutely love it.

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I think it will do very well.

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-Yes.

-I love it.

-All right. Good, thank you.

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It looks like Mark's got that all stitched up...

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..while Jonathan's gone down under

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to the undercroft of the Painted Hall.

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So, Sue, you've got everything here.

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It looks like you've got a whole tribe's worth.

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You've got boomerangs and you've got spears and clubs

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and all sorts of stuff, pretty much everything bar the didgeridoo.

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Well, actually, Jonathan, we have one.

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Ah. Concealed upon the person.

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-Indeed.

-I'm guessing. These great labels tell me a lot of things here.

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-Who did the labels?

-I did.

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-You did.

-Many years ago.

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I was a teacher of geography and so I was able to use these artefacts in

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-my teaching.

-You see a lot of these sort of things,

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people have travelled and they've come back over the last few years,

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I see a lot of them in houses hanging on walls and stuff,

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but this doesn't look like this, so where has this come from?

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-How did you get them?

-Well, it goes back to early 1960s.

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-Mm-hm.

-My father was in the Royal Air Force.

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He had a posting to Australia.

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I accompanied him with my mother.

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And whilst we were there, a little lady used to visit,

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and she had contacts to one of the aboriginal reservations.

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She actually brought these items to be sold,

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and we think it was probably

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the proceeds went to help the aborigines in the reservation,

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some of which were utilitarian and some were ceremonial items.

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Yeah, and you can see the difference straightaway.

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I mean, something like this very simple hardwood,

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a heavy dense wood...

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-Yes.

-..that have whatever uses

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and you can see it's been used quite a lot.

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What's this? It's a sort of spear of sorts.

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It is a ceremonial... I think they called it a sort of yam stick,

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but again, those with the decorations

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were used for ceremonial occasions.

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And that's... That's a weighty old lump

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with some rather sinister looking discolorations on it, which,

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you know, you've got a very heavy club end,

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does look like blood would stain.

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So they look like objects that have been used.

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These guys, they're using this for hunting.

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Yes, it was used as a club.

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It's called a nulla nulla, to finish off their prey.

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I reckon, I mean, look at that, there's cracks in the grain.

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It's a tough, tough wood, but it's curved from use.

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-Yes.

-This intrigues me. A bullroarer.

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So this is something that is spun around.

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It is, and it makes a roaring sound.

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The chief would use that to summon the tribesmen to meetings.

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As a collection, it's very interesting.

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Why are you selling it?

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I'm hoping to move shortly, downsize,

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and they'd only go into storage again,

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so it's time for these to move to a new home.

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Looking at them as a collection,

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I would suggest their value is something of the region of

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between £300-500 as a collection.

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£300, we can have it as a reserve for that

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and what they'll do is they'll look at the lots

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and then maybe if they split it into two, they'll

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try and make two £150 lots.

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Last object here, the didgeridoo.

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Do you didgeridoo?

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I don't didgeridoo.

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But do you do didgeridoo?

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I don't do. Well, I can try the didgeridoo.

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Does it matter which end you blow?

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-This end.

-Good.

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Which has got a slightly softer end to it.

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OK. Now, I think I've tried once in the past.

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You have to try and make, you have to... "Pffft!" Is that right?

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-A sort of...

-Here we go.

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BUM NOTE

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Oh!

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Right.

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Let's make to make it a bit louder, everybody.

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PARP!

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LAUGHTER

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How do they do it?

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And they keep it going for so long!

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Well, I'm not even going to bother now.

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I've got a note, and that's good enough for me.

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-Yes.

-Thank you very much. Well, um...

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Yes, well, I think we should leave it

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for the auctioneer now, don't you?

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I think so. Thank you so much.

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What little monstrosity have you brought in to show us?

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What on earth made you think we'd be interested in this item?

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I didn't know that you was going to be!

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SHE LAUGHS

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Um, because "Flog It!" was here in Greenwich,

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I decided to bring it along.

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I've had it all that time, so I just wanted you to see it.

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I'm so glad you have. Where did you get it from?

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My mother-in-law. She died about 25 years ago and we just acquired it.

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So where's it been living, in a drawer?

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-In a cupboard.

-Oh, no!

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At least we've elevated it into the Painted Room at Greenwich.

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-Yes, we have!

-Did she ever show it to you?

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Did you ever know where it came from?

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No, no, never saw it before.

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-So you have no idea?

-No.

-Gosh, how interesting.

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I mean I spotted it in the queue hours ago,

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and there's just something a bit quirky about it, isn't there?

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Because you've got this sort of car clock, which is made by Smiths.

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-Yes.

-And Smiths is quite an interesting maker.

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The actual first Smith, Samuel Smith,

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ran a clock shop in London,

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in the middle of the 19th century, so a long time ago.

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But in the 1930s, they turned their hand to modern household clocks,

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electric clocks, and car clocks.

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-Right.

-So there's a lot of history connected there,

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-and they are still going today.

-Yes.

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You see what I liked about it is it's a complete one-off item.

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-Yes.

-You can't go round finding one of these.

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-No.

-Because somebody obviously loves this car clock

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and decided when they got rid of the car, "I want the clock."

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They keep the clock!

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They've had someone, they've taken it to a little engineer or something

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and they've had this very Art Deco mount made for it,

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which is completely handmade.

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You've got these little sort of drums, almost, as the feet,

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but actually I did notice on the bottom here as well,

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that's the winder.

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It's SO aesthetically 1930s Art Deco.

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-Right.

-And I love that, what we call a lion rampant,

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holding the whole thing up.

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I think it's just great fun and I think there must be people out there

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with sort of minds like mine, I hope,

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who like these individual, quirky items.

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I love it, you can see that,

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I think it's great.

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-Do you like it?

-No.

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-No?

-No.

-Now I'm glad you're sitting down.

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-Right.

-Because it's not going to be worth a fortune.

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-No.

-You know? But you are happy to sell it.

-Yes, of course.

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I think your little novelty clock should have an estimate

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of something like £40-60.

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That's more than I thought.

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And we should put a reserve, let's put a £30 fixed reserve.

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-OK.

-So we don't give it away for nothing.

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-No, that's fine.

-But hopefully on the day you get two or three people,

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particularly on the internet.

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-Yeah.

-There might be mad collectors out there

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and it might make 50, 60, 70, who knows?

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-Who knows, yeah.

-But a truly one-off item.

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-Like us!

-Yes!

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-Thanks for bringing it in, Carole.

-Thank you.

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We do love those quirky items.

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Well, I tell you what, as a backdrop to a valuation day venue,

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it doesn't get any better than this,

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the Painted Hall at the Old Royal Naval College.

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It's an honour to be here.

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Isn't it great, everyone?

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-ALL:

-Yes!

-What surroundings.

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We need items and collectables worthy of these surroundings,

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and I tell you what, our experts have found three right now,

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and we're going to put those valuations to the test

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in the auction room.

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Here's a quick recap of all the items we're taking with us.

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The fine craftsmanship in this late 18th-century sampler

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should ensure we sew up a good deal.

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Boomerangs, spears and a didgeridoo, right from the heart of the outback,

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should draw in the collectors.

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And let's hope this one-of-a-kind car clock catches someone's eye.

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Our auction destination today is in Chiswick.

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This West London suburb was originally a fishing village,

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with houses clustered around its 15th-century medieval church.

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Today, it still maintains its riverside charm,

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so let's hope we can lure the buyers to Chiswick Auctions

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just down the road.

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William Rouse is our auctioneer.

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Remember, when you're selling or buying at auction,

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you need to pay a commission fee, which, here today, is 15% plus VAT.

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First up, Carole's car clock.

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-Good luck, Carole.

-Thank you very much.

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Now, is this something for the motor enthusiast, or clock enthusiast,

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or just people that love quirky things?

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We have that car clock, and I like it

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because it's been adapted over the years

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and made into something, and it is quirky.

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That's why I fell in love with it, Paul.

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Somebody obviously hasn't wanted to chuck it away

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and made that lovely mount for it, so it's very Art Deco.

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I like the fact that it's scratch built.

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And you can't do your comparables.

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-It's finite. It's a one-off.

-Yes, it's a one-off.

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You wouldn't see another one anywhere.

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No, you won't see another one.

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-And that's the beauty of it. Happy?

-Yes, of course I am.

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Happy enough? HE LAUGHS

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We always want a bit more, don't we?

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Right, let's find out what the bidders think.

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It's going under the hammer right now.

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And 411, a vintage Smiths clock.

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What's it worth? Start me, £40 to go.

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£40 for it. £30 for it, then, to go.

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For the clock. It's got to be worth that, come on.

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-£30, surely?

-BIDDER:

-Yes, 30.

-30 is bid, thank you.

0:15:550:15:58

-Oh, 30 is bid.

-Phew!

0:15:580:16:00

£30 in the room. One maiden bid so far of £30.

0:16:000:16:03

-Come on.

-Anybody else? It's going to sell, for you.

0:16:030:16:05

It's going, then, 30...

0:16:050:16:07

How much is that?

0:16:070:16:08

£30, in the room, then, at 30.

0:16:080:16:10

Oh, I think they're sitting on their hands.

0:16:110:16:14

£30, it's gone.

0:16:150:16:17

-It's... Only just.

-That's all right. I don't have to take it home.

0:16:170:16:20

We're happy, aren't we? We're happy.

0:16:200:16:21

-You didn't... I liked it.

-We're happy.

0:16:210:16:23

-You didn't like it, did you?

-No. No.

-Thank you so much.

0:16:230:16:26

-Thank you.

-We did our very best.

-Yeah, thank you.

0:16:260:16:28

Next, it's the collection of aboriginal items.

0:16:300:16:33

Sue, good luck. Ethnographica is big business worldwide now.

0:16:340:16:38

We've seen it on the show before.

0:16:380:16:39

We get a lot of aboriginal items going under the hammer

0:16:390:16:42

that Jonathan put a value on.

0:16:420:16:43

Your father was in the RAF in the '60s?

0:16:430:16:46

-Yes, yes.

-He brought all of this back?

-He did.

0:16:460:16:48

I hope we don't disappoint.

0:16:480:16:49

We've got £300-500.

0:16:490:16:50

I think it's a "come and buy me."

0:16:500:16:52

It's one lot. It's going, hopefully, to a new owner.

0:16:520:16:54

Are you pleased with this?

0:16:540:16:56

-I am, yes.

-Is it going to be a sad moment to say goodbye?

0:16:560:16:58

Have you got lots more things?

0:16:580:17:00

Erm, no, no, I think it's time they found a new owner.

0:17:000:17:03

-Time they moved on?

-Yes.

-OK. Good luck, both of you.

0:17:030:17:05

Let's hope these boomerangs don't come back.

0:17:050:17:07

Lot 495 is a collection of Australian artefacts.

0:17:070:17:13

Interesting little lot, 495, and start me, £200, start me for it.

0:17:130:17:18

200 is bid on the internet.

0:17:180:17:19

210. 230. 240.

0:17:190:17:22

250. 260. 270.

0:17:220:17:25

270 with me.

0:17:250:17:27

280. 290.

0:17:270:17:28

290. 300.

0:17:280:17:31

Internet bid now of 300.

0:17:310:17:33

Is that it? 320.

0:17:330:17:36

-Slowly, slowly.

-340. 340 on the internet.

0:17:360:17:40

£340, Internet bid.

0:17:400:17:42

340, you all finished and done?

0:17:420:17:44

Selling, then, for 340.

0:17:440:17:46

It's gone. It's going, it's going.

0:17:460:17:48

Oh, yes, it's gone. £340.

0:17:480:17:50

No big surprise, there, but you were spot on with your three to five.

0:17:500:17:53

-Good, good.

-And you're happy because you don't have to take them home.

0:17:530:17:56

-Yes.

-That's the main thing.

0:17:560:17:57

Now, let's see if we can get this next lot sewn up.

0:17:590:18:02

Right now on the show, we've got some textiles

0:18:050:18:07

in the form of a wonderful late-18th-century sampler

0:18:070:18:09

belonging to Theresa. And thank you for bringing that in

0:18:090:18:12

because we don't see too many samplers.

0:18:120:18:14

We used to, about ten years ago, but they've fallen out of fashion.

0:18:140:18:17

-Oh, right.

-And I like this one, and I agree with Mark -

0:18:170:18:20

when you're buying a sampler,

0:18:200:18:21

you've got to get one with a good central architectural image.

0:18:210:18:24

Let's hope we get a couple of hundred pounds. This is it.

0:18:240:18:26

361 is a George III needlework sampler.

0:18:260:18:30

361, good little lot, this.

0:18:300:18:33

There we go. What's it worth? Start me at £100 to go.

0:18:330:18:36

180. 200.

0:18:360:18:38

240. 260.

0:18:380:18:39

-Yes, yes, yes.

-240 on the internet.

0:18:390:18:42

260. 280.

0:18:420:18:45

280 on the internet.

0:18:450:18:47

300 on the internet.

0:18:470:18:49

300. Do you want 320?

0:18:490:18:51

320 in the room. 340.

0:18:510:18:53

360. 380. 400.

0:18:530:18:56

420. 440. 460.

0:18:560:19:00

-480. 500.

-500!

0:19:000:19:03

Thank you, sir, £500. Internet bid of 500.

0:19:030:19:05

Are we...? Is that it? I'm selling it, then, £500.

0:19:070:19:12

Fantastic. £500!

0:19:120:19:13

Do you know, that's a good result.

0:19:130:19:15

A proper document of social history,

0:19:150:19:17

those wonderful skills.

0:19:170:19:19

But it's nice that the market still responds well

0:19:190:19:21

-with these good quality ones.

-Yes, yes.

-Faith.

0:19:210:19:24

Yeah, faith in the market.

0:19:240:19:25

-Absolutely.

-Yeah. Thank you for bringing it in.

0:19:250:19:27

OK, thank you.

0:19:270:19:28

Well, that concludes our first visit to the auction room today.

0:19:350:19:38

Not bad so far.

0:19:380:19:39

We're coming back later on.

0:19:390:19:40

Do not go away.

0:19:400:19:42

While we're in London, I took the opportunity

0:19:420:19:45

to explore the city on a truck that both drives on land and water.

0:19:450:19:50

London is currently one of the world's

0:19:550:19:58

most popular travel destinations,

0:19:580:20:00

accommodating more than 17 million visitors in recent years.

0:20:000:20:04

# London calling

0:20:040:20:06

# To the faraway towns

0:20:060:20:08

# Now war is declared... #

0:20:080:20:10

People are just drawn to the sights such as the London Eye, Big Ben,

0:20:100:20:13

the Houses of Parliament and the list just goes on and on and on.

0:20:130:20:17

There are many tour buses you can take

0:20:170:20:18

that give you a fantastic view of the city by road,

0:20:180:20:21

and there are also boats that give you a view

0:20:210:20:23

of the London skyline from the River Thames.

0:20:230:20:26

But I'm taking a truck that can do both.

0:20:260:20:29

My name's Matt and this is Nelson, our driver.

0:20:400:20:44

Matt and Nelson have kindly agreed

0:20:440:20:46

to give me a special private tour of London.

0:20:460:20:49

..abolished in the 1980s, and it's now the London Aquarium.

0:20:510:20:57

I have to admit that my reason for taking a special tour

0:20:570:20:59

is not only because of the London sights.

0:20:590:21:02

I want to find out more about these amphibious DUKW vehicles,

0:21:050:21:09

or Ducks as they're affectionately nicknamed.

0:21:090:21:12

Nowadays, they're a fun way of sightseeing around London,

0:21:120:21:15

but the original vehicles, the original Ducks,

0:21:150:21:18

played a key role during World War II.

0:21:180:21:20

In the early 1940s, as the war entered its most critical phase,

0:21:240:21:27

Allied forces needed a more efficient way

0:21:270:21:30

to transport men and urgent supplies.

0:21:300:21:33

Too much time was being wasted with ships waiting for barges,

0:21:340:21:38

barges waiting for trucks and trucks waiting for trains.

0:21:380:21:41

The answer was to develop a new kind of landing craft

0:21:420:21:46

so that cargo could be delivered directly onto the beach.

0:21:460:21:50

Or a truck that could swim.

0:21:510:21:54

Now, that was the brief

0:21:540:21:55

given to General Motors Corporation in America.

0:21:550:21:58

It needed to be able to handle rough sea swells,

0:21:580:22:02

high surf and have the ability

0:22:020:22:05

to drive over coral reefs and sandbanks.

0:22:050:22:08

It was decided that they would try and convert

0:22:090:22:11

the already successful six by six, two and a half tonne army truck.

0:22:110:22:16

An American-based marine company designed the hull,

0:22:190:22:22

which made the truck seaworthy, and they were soon put into operation.

0:22:220:22:26

Britain put in an order for 2,000 of them.

0:22:260:22:30

I'm meeting with John Bigos, who is the managing director,

0:22:350:22:38

and he can tell me more about how these vehicles work.

0:22:380:22:41

John, we know these have been converted for the tours,

0:22:410:22:43

but are they operating very much

0:22:430:22:45

like they did when they saw active service?

0:22:450:22:47

Absolutely, yes. They have a lot of the original features.

0:22:470:22:50

It has six-wheel drive.

0:22:500:22:52

It is able to operate on soft sand, tarmac, gravel, shingle,

0:22:520:22:57

anything like that. And, yes, she's a lovely old girl.

0:22:570:23:01

What was their role during the war?

0:23:010:23:02

What were they really good at?

0:23:020:23:04

One of the main areas was carrying equipment.

0:23:040:23:07

I've personally seen two of the original Ducks

0:23:070:23:10

with what I would refer to as scaffold boards going across,

0:23:100:23:13

carrying original tanks, and they would travel together

0:23:130:23:16

-and go across rivers and things like that.

-Wow, acting as a bridge?

0:23:160:23:19

-Yes.

-It's some weight, though, isn't it?

-She weighs...

0:23:190:23:22

Seven to eight tonnes She is eight tonnes, yes.

0:23:220:23:24

-Phew!

-And, erm, when we've got passengers on,

0:23:240:23:28

that brings it up to about 10.5-12 tonnes, yeah.

0:23:280:23:31

The duality is just perfect and the fact that it trundles along

0:23:310:23:34

and it has so much original history with it,

0:23:340:23:36

many, many people stop and stare at it

0:23:360:23:38

and think, "What on earth is that?"

0:23:380:23:40

It's more of a boat than a truck, isn't it? Let's face it.

0:23:400:23:43

-I would agree.

-Yeah.

-I think it's more of a boat than a truck.

0:23:430:23:46

-And...

-I'm pleased you said that

0:23:460:23:48

because I've got to go out in it in a minute!

0:23:480:23:50

Very good, very good. I hope you enjoy your tour.

0:23:500:23:52

So, everyone, welcome to London's Amazing Amphibious Adventure!

0:23:560:24:01

Well, we are travelling on a Duck called Mistress Quickly,

0:24:130:24:16

and she's equipped with a full complement of life jackets

0:24:160:24:19

and life rafts situated on the roof.

0:24:190:24:22

These Ducks played a significant role during the Second World War,

0:24:230:24:26

for example, the invasion of mainland Italy.

0:24:260:24:29

In September 1943, as part of the Allied invasion of Salerno in Italy,

0:24:310:24:36

Ducks moved 190,000 troops,

0:24:360:24:39

30,000 vehicles and 12,000 tonnes of supplies across the invasion beaches

0:24:390:24:45

to Salerno.

0:24:450:24:46

The Ducks also played a vital role

0:24:500:24:52

in one of the biggest invasions of all -

0:24:520:24:54

the D-Day landings in Normandy, in France, on June the 6th, 1944.

0:24:540:24:59

This account by Ronnie Frankland, one of the drivers,

0:24:590:25:01

gives us a fascinating insight into what it was really like.

0:25:010:25:05

In June 1944, on the D-Day landings,

0:25:100:25:12

I found myself crossing the Channel on a coaster,

0:25:120:25:15

along with the Duck I was to drive.

0:25:150:25:17

As I had been loaded on last,

0:25:190:25:20

I was the first to embark on the beaches at La Riviere, Normandy.

0:25:200:25:23

And a terrifying moment that was,

0:25:240:25:26

as I drove into the sea with shells and mortars exploding all around me.

0:25:260:25:30

My friend who was following

0:25:320:25:33

signalled for help as the rudder had been damaged on his Duck

0:25:330:25:35

and he was unable to steer.

0:25:350:25:37

We pulled alongside and threw a rope to give him a tow to shore.

0:25:380:25:41

Unfortunately for the third Duck embarking,

0:25:430:25:45

he was now in the lead on the race to the beach.

0:25:450:25:47

He hit a mine, killing the driver and injuring the rest of the crew.

0:25:470:25:50

My good deed had saved my life.

0:25:520:25:54

I continued to drive the Duck throughout Europe

0:25:560:25:59

for the rest of the war and became very attached to my vehicle,

0:25:590:26:01

naming her the Normandy Beauty.

0:26:010:26:03

Ronnie survived, but more than 57,000 men

0:26:080:26:11

lost their lives during the Battle of Normandy.

0:26:110:26:14

Undoubtedly, the D-Day landings and further battles in World War II

0:26:170:26:21

around Asia and the Pacific

0:26:210:26:22

were heavily influenced by vehicles like this.

0:26:220:26:24

They allowed men, supplies and materials to be taken ashore

0:26:240:26:28

before the port was taken, in pretty unpleasant seas.

0:26:280:26:32

Today, these reconditioned machines

0:26:330:26:36

are giving tourists a fun way of sightseeing, not just in London

0:26:360:26:39

but other cities all around the globe,

0:26:390:26:41

and they've taken to it like a duck to water!

0:26:410:26:44

Welcome back to our valuation day venue

0:26:550:26:58

here at the Old Royal Naval College in Greenwich.

0:26:580:27:01

It's now time to catch up with our experts

0:27:010:27:03

to see what other items we can find to take off to auction.

0:27:030:27:06

So, Valerie, you've got this lovely silver mesh purse.

0:27:080:27:11

-Yes, I have.

-Where's it come from?

0:27:110:27:13

Well, I like going through, erm, charity shops,

0:27:130:27:16

and I bought it in my local charity shop.

0:27:160:27:19

-Really?

-Mm-hm.

-Oh, my word!

0:27:190:27:22

I think it was the fringing because I have a lot...

0:27:220:27:24

I love fringing. So I just saw that and thought, "Ooh!"

0:27:240:27:26

And I wondered if it was silver, but I wasn't sure.

0:27:260:27:29

OK, and what made you think it might be silver?

0:27:290:27:31

Well, the colour is silver, and this looks like jewellery, you know,

0:27:310:27:34

-silver jewellery.

-Yeah.

-I thought to myself, "Well, it can't be, can it?"

0:27:340:27:37

Well, it is silver, as you were quite right to assume.

0:27:370:27:40

-OK.

-Erm, but this is a nice touch.

0:27:400:27:42

I love this fringe, like this, around here, and along the bottom.

0:27:420:27:45

-I love that.

-Erm, it's... There is a hallmark on the side, here.

0:27:450:27:49

It's not made in England but it's imported into England, OK?

0:27:490:27:52

-Oh, right.

-So the mark on the side is an import mark.

0:27:520:27:54

Obviously, the style of this is...

0:27:540:27:56

-..sort of alluding to sort of the Art Deco you'd expect.

-OK.

0:27:560:28:00

So it's got to be post-1920s.

0:28:000:28:02

-So how much did you pay for it?

-Well, I paid £5.

0:28:020:28:05

OK, well, it went £5 to charity but then, that's what people do,

0:28:050:28:08

-don't they?

-Yeah.

-OK, well, that's a really good buy for £5.

0:28:080:28:11

Would you have dressed up specially to wearing it, taking this?

0:28:110:28:13

Or is it the normal Saturday night gear?

0:28:130:28:16

It would be the normal... Yeah, bling, lots and lots of bling!

0:28:160:28:18

Well, it's definitely bling, yeah, absolutely.

0:28:180:28:20

-Did you have to clean it?

-No, I wouldn't touch it!

-Oh, OK.

0:28:200:28:23

I would say it's probably worth £60-80.

0:28:230:28:26

Oh, that's much more than I thought it would be.

0:28:260:28:29

I mean, I wasn't thinking of it being any more than, like, 30?

0:28:290:28:32

-£30?

-And were you planning to use it?

0:28:320:28:35

I would use it. Now I've found out it definitely was silver,

0:28:350:28:38

then there's no way I was going to go out, you know...

0:28:380:28:40

What would you do with it anyway, if you did?

0:28:400:28:42

-What would you put in it?

-Well, my mobile phone.

0:28:420:28:46

-Come on!

-My lipstick and that's all I need.

0:28:460:28:48

-Yeah, I suppose so.

-Yeah.

-Yeah.

0:28:480:28:50

I'm only going out on the tiles. I don't need much!

0:28:500:28:52

Yeah, you know, just don't leave it behind. Well, there you are.

0:28:520:28:55

It's much nicer than that,

0:28:550:28:56

in the sense of it has that intrinsic value and, erm...

0:28:560:28:59

..we can happily sell it for you.

0:28:590:29:00

So if we say £60-80, and, erm, set a reserve just around the £60 mark?

0:29:000:29:06

-That sounds fabulous. I didn't expect that.

-OK.

0:29:060:29:08

-Brilliant.

-Well, I'm very pleased.

0:29:080:29:11

-Thank you.

-And we'll find out exactly what happens.

0:29:110:29:13

Oh, I can't wait!

0:29:130:29:14

That was a good find.

0:29:180:29:19

Now I'm keen to see what Mark has spotted.

0:29:190:29:22

Liz. I love this item you've brought in.

0:29:220:29:25

-I'm so glad.

-I think it's wonderful but before we look at it,

0:29:250:29:28

there's an interesting history to this object, isn't there?

0:29:280:29:31

-Can you tell us?

-Yes.

0:29:310:29:32

Erm, in 1938, my father sponsored a young girl of 18 from Vienna.

0:29:320:29:39

-From Vienna?

-Yes, and things were getting very sticky in Vienna,

0:29:390:29:43

so she came to our family, and later,

0:29:430:29:46

my father tried to get her parents over.

0:29:460:29:49

They got as far as Italy,

0:29:490:29:51

were turned back and ended up in concentration camps.

0:29:510:29:54

Oh, gosh. So, obviously, they were Jewish?

0:29:540:29:56

-Yes, yes.

-And in Vienna at the time...

0:29:560:29:59

Things were very bad.

0:29:590:30:00

She wanted to be a doctor, but, erm, her parents said, "Things are bad,

0:30:000:30:04

-"better not."

-Get...get her to safety.

0:30:040:30:07

Yes. She was sort of adopted by our family,

0:30:070:30:10

an extra grandma to all of us.

0:30:100:30:12

-Oh, how lovely.

-And she left me, erm, this, which I have to say,

0:30:120:30:17

I loved her dearly, but I'm not very fond of it!

0:30:170:30:20

-I know you like it.

-I love it.

0:30:200:30:22

And we all can't like the same things.

0:30:220:30:24

-Absolutely.

-It's very interesting, this, that you mention Vienna.

0:30:240:30:29

Because, of course, I think this is Austrian.

0:30:290:30:31

-Yes.

-And it's what we generally refer to as cold-painted bronze.

0:30:310:30:36

Originally, I think this would all have been painted.

0:30:360:30:39

-Oh, really?

-Erm, towards the late 19th century,

0:30:390:30:41

just into the beginning of the 20th century,

0:30:410:30:44

these little novelty cold-painted bronze items

0:30:440:30:47

were very fashionable items for a Victorian house,

0:30:470:30:50

right throughout Europe and the Western world.

0:30:500:30:53

And there were a lot of odd items made.

0:30:530:30:56

This is one of those.

0:30:560:30:57

This is a little baby seated on a stork.

0:30:570:31:01

And, of course, one of the stories is that storks delivered the babies.

0:31:010:31:04

-Of course.

-Which is lovely.

0:31:040:31:06

-Yes.

-There's one particular firm

0:31:060:31:08

that everybody looks out for, and that's Bergman.

0:31:080:31:12

-Yes.

-Franz Xavier Bergman,

0:31:120:31:14

born in the 1860s, died in the 1930s.

0:31:140:31:18

He produced the most collectable cold-painted bronze figures,

0:31:180:31:21

but he always marked his pieces, or pretty always marked his pieces,

0:31:210:31:25

with a little B in an urn.

0:31:250:31:27

Some of his risque ones, which involved nudity,

0:31:270:31:31

he signed his name backwards.

0:31:310:31:34

-Really?

-So it was Namgreb, rather than Bergman.

-Oh, wow.

-I love this.

0:31:340:31:37

I think it's got everything

0:31:370:31:39

a collector of this sort of thing would like.

0:31:390:31:42

You've got the stork, who looks quite evil, actually.

0:31:420:31:45

-Does it?

-Yes, well, I think it's got quite an evil eye.

0:31:450:31:48

-It does, it's got a very long...

-A very long beak.

-Yes, yes.

0:31:480:31:51

And the baby's clinging on, there.

0:31:510:31:52

The baby looks rather sad, or has fallen asleep, maybe.

0:31:520:31:55

But it's great. It was made about 1900.

0:31:550:31:57

It's not marked, so we can't say Bergman.

0:31:570:31:59

-No.

-But it's certainly got an edge of quality about it.

0:31:590:32:02

Hopefully, when we put it into the sale,

0:32:020:32:04

-we will find someone who loves it and wants to collect it.

-Yes, yes.

0:32:040:32:08

I'm holding it, of course, because

0:32:080:32:09

when I put it down, it's a little bit unstable.

0:32:090:32:11

-Yes.

-So that needs to be addressed, but we need a professional

0:32:110:32:13

to repair that. I don't want to twist the leg and break it off.

0:32:130:32:16

-No, no.

-It's got a fascinating history.

0:32:160:32:19

-It's not your favourite item in the world.

-Absolutely not, no.

0:32:190:32:21

It's one of my favourite items.

0:32:210:32:23

-Well, I'm glad.

-And I think there will be a lot of favourites at the

0:32:230:32:26

-auction for this.

-Really?

0:32:260:32:27

In terms of value, I'd like to keep it realistic.

0:32:270:32:30

-Yes.

-If it's all right with you, Liz, because it's not marked.

0:32:300:32:33

I'd like to put £100-150 on it.

0:32:330:32:36

-Great, that would be perfect.

-And we'll put a £100 fixed reserve.

0:32:360:32:38

-Yes.

-So if it doesn't make 100, we'll try it another day.

0:32:380:32:42

-Thank you.

-I don't think we need to worry.

0:32:420:32:45

How can I say it? Not to make too fine a point, I think it might fly.

0:32:450:32:48

-Well, it should fly.

-With the baby, hopefully.

0:32:480:32:50

With that thing, shouldn't it?

0:32:500:32:52

-With the baby, hopefully.

-Yes, yes.

0:32:520:32:53

Wonderful. Thanks for bringing it in.

0:32:530:32:55

-Thank you very much. Really enjoyed it.

-Thank you.

0:32:550:32:58

Now, this building is full of nooks and crannies,

0:33:080:33:11

and I'm off to take a snoop around.

0:33:110:33:13

Imagine a life at sea

0:33:140:33:16

and then coming to live in this grand setting.

0:33:160:33:19

The naval pensioners must have felt this was a gift from God.

0:33:190:33:23

This corridor connects the Old Royal Naval College

0:33:250:33:29

to the chapel, and this is the way

0:33:290:33:30

that the pensioners would have come on a wet day.

0:33:300:33:33

I have to show you inside

0:33:350:33:37

because the chapel of St Peter and St Paul is a feast for the eyes.

0:33:370:33:42

Gosh! Just look at the architectural detail here.

0:33:440:33:49

This is incredible.

0:33:490:33:52

Every square foot of the walls and the ceiling have been applied

0:33:520:33:57

and adorned with architectural motifs.

0:33:570:34:00

It's absolutely superb.

0:34:000:34:03

And up there, look, figures in niches, but that's trompe l'oeil,

0:34:030:34:07

it's a trick of the eye.

0:34:070:34:09

It looks like they are in a recess, but it is just a flat surface.

0:34:090:34:12

This is really quite breathtaking.

0:34:120:34:15

This neoclassical masterpiece took ten years to build

0:34:150:34:19

and it was completed in 1789.

0:34:190:34:21

Today, it still serves its original purpose as a place of worship,

0:34:210:34:26

as well as being used for recitals and concerts.

0:34:260:34:30

Now, you know I love wood,

0:34:310:34:34

so it's inevitable that I'm drawn to this fabulous pulpit.

0:34:340:34:37

It is constructed of oak, mahogany, and carved lime wood detail.

0:34:370:34:41

It is absolutely fabulous.

0:34:410:34:43

It's also got these medallions around the outside

0:34:430:34:45

which depict Biblical stories - the lives of St Peter and Paul.

0:34:450:34:50

Originally, this would have been placed in front of the altar,

0:34:500:34:53

over here,

0:34:530:34:55

rising well above the floor level for audibility and visibility.

0:34:550:35:00

But looking at the height of that,

0:35:000:35:02

and looking at the image on the wall,

0:35:020:35:04

looking at the painting,

0:35:040:35:05

you could see that the flames right in the middle,

0:35:050:35:07

if the chaplain was on top of the pulpit,

0:35:070:35:10

it would look like those flames were coming out of his head

0:35:100:35:12

as he delivered the sermon.

0:35:120:35:14

Now, that would create such a dramatic effect

0:35:140:35:17

and I'm sure it would keep the congregation transfixed.

0:35:170:35:21

Now, I wonder if our experts

0:35:210:35:23

are engrossed back at the valuation tables?

0:35:230:35:25

Let's join up with them.

0:35:250:35:28

Hello, Vicky. You've brought this lovely watch along.

0:35:280:35:30

-Yes.

-Tell me, whose was it?

0:35:300:35:31

-How did you get it?

-Erm, it was my husband's.

0:35:310:35:34

We were married for 55 years and, unfortunately, he died in March.

0:35:340:35:38

-Oh, OK.

-Erm, but...

0:35:380:35:41

I think it was a collective present from his family.

0:35:410:35:43

-OK.

-I think so, anyway.

0:35:430:35:45

It's lovely. I mean, I look forward to the collective present myself

0:35:450:35:49

when they bring themselves round to buying a Rolex for me!

0:35:490:35:52

When was that, roughly?

0:35:520:35:55

Erm, he was born in 1931, so it would have been about...

0:35:550:35:57

-'31...

-1952, wouldn't it?

0:35:570:35:59

That's fairly accurate, obviously,

0:35:590:36:01

so we know that we're dealing with the right thing.

0:36:010:36:03

This is a 1950s watch. What did your husband do?

0:36:030:36:06

-Erm, he was actually a watchmaker.

-Oh, was he?

-Yes, he was, yes.

0:36:060:36:09

And that is apparent in the watch, actually cos, OK,

0:36:090:36:11

we're dealing with a watch which is circa 1950.

0:36:110:36:13

It's a gold case.

0:36:130:36:15

Behind the, erm, the minute hand,

0:36:150:36:17

very, very faded now, is the magic name, Rolex.

0:36:170:36:19

And the chap who set up the Rolex factory was trying to think of

0:36:190:36:23

a name that was memorable in every language,

0:36:230:36:26

and apparently he was riding on the top deck of a bus

0:36:260:36:29

and, supposedly, an angel whispered in his ear,

0:36:290:36:31

"Rolex", and that's how he...he chose the name.

0:36:310:36:34

-Really?

-Apparently so, yeah.

-Oh, that's amazing.

0:36:340:36:36

Amazing, isn't it? The other magical word down there

0:36:360:36:39

is the fact that it says chronometer.

0:36:390:36:40

And a chronometer is a precision watch.

0:36:400:36:43

And everyone knows Rolex are precision watches, but, erm,

0:36:430:36:45

it has to meet very strict criteria, where over 15 days,

0:36:450:36:49

it has to be tested at three different temperatures,

0:36:490:36:53

in...in a number, in numerous different ways.

0:36:530:36:55

Under the Rolex, it says perpetual. OK?

0:36:550:36:58

-Yes.

-And the "perpetual" is that it's an automatic watch.

0:36:580:37:01

-Yes.

-Erm, Rolex invented the...the self-winding mechanism.

0:37:010:37:06

This will come off, so let's unscrew the back.

0:37:060:37:09

You'll see on the back, the weight that spins round.

0:37:090:37:12

It doesn't want to move much at the moment, but it does say on there,

0:37:120:37:16

"Rolex perpetual chronometer", and it's got the date,

0:37:160:37:18

the warranty date on there.

0:37:180:37:20

It's a really good watch, actually. It's a really good watch.

0:37:200:37:24

Erm, now, I'll just see if I can get that back in.

0:37:240:37:26

This is a market now which is becoming very fashionable,

0:37:260:37:29

with the rising sort of wealth in countries around the world,

0:37:290:37:32

a watch is a status symbol for gentlemen.

0:37:320:37:34

It would be great if it was ticking now and I could know that it was,

0:37:340:37:36

it was sort of a pretty much working condition.

0:37:360:37:38

The feeling is, it's probably worth between £600-1,000.

0:37:380:37:42

What sort of value would you be comfortable with selling this for?

0:37:420:37:45

I wouldn't want less than 800.

0:37:450:37:47

You wouldn't want less than £800?

0:37:470:37:48

If we said £800-1,200...

0:37:480:37:50

Yes. And for now, what,

0:37:500:37:52

just to have a reserve of £800 and if it didn't sell for 800,

0:37:520:37:55

you'll just happily have it back?

0:37:550:37:57

-Yes.

-I think it has a very good chance of...

0:37:570:38:00

-Do you?

-Surprising us, I think so, yeah.

0:38:000:38:02

I really like it. I'd love to have one of these for myself.

0:38:020:38:05

-Would you?

-There we are.

-Yeah.

-Thank you very much.

0:38:050:38:08

Oh, you're very welcome.

0:38:080:38:09

And, erm, I'm sure it will go well on the day.

0:38:090:38:11

Thank you. Thank you very much.

0:38:110:38:13

Well, sadly, it's time to say goodbye to all of this.

0:38:200:38:23

We've had a marvellous day

0:38:230:38:24

at the Old Royal Naval College in Greenwich.

0:38:240:38:27

Everybody's thoroughly enjoyed themselves, but right now

0:38:270:38:29

we're making our way up the River Thames

0:38:290:38:31

to the auction rooms in Chiswick,

0:38:310:38:33

and here's a quick recap of the final items

0:38:330:38:36

that are going under the hammer.

0:38:360:38:38

A lady would feel like the belle of the ball

0:38:380:38:40

with this silver cocktail purse.

0:38:400:38:42

We hope to see the bronze baby, sat on a stork, fly at auction.

0:38:470:38:51

And those timepiece collectors will have to be quick

0:38:540:38:57

to get their hands on this 1950s Rolex.

0:38:570:39:00

Back in the Chiswick saleroom, William Rouse and Stephen Large

0:39:050:39:07

are still in charge of the proceedings.

0:39:070:39:10

£100.

0:39:100:39:11

Time to find out how this silver purse will fare.

0:39:120:39:15

-Valerie, it's great to see you.

-Hi.

-Going under the hammer right now,

0:39:150:39:18

we've got that silver cocktail purse which Jonathan valued.

0:39:180:39:20

I don't know why you're selling this because, don't you think

0:39:200:39:23

you would look gorgeous carrying this to a ball somewhere?

0:39:230:39:26

-Thank you.

-And how much did you pay?

-Five.

-£5.

0:39:260:39:30

Did you go, "Yes, I've got to have it. £5, here's the money"?

0:39:300:39:33

-Yes, definitely.

-Don't blame you.

0:39:330:39:35

-Yeah, I liked it.

-Right, well, let's find out what it's worth, shall we?

0:39:350:39:38

Let's see if we're right with our value.

0:39:380:39:39

It's going under the hammer right now.

0:39:390:39:41

So, Lot 515 is this 1930s silver flapper's mesh handbag.

0:39:410:39:46

Good little lot, there. Start me, £60, it must be worth.

0:39:460:39:49

£60 to start me for the flapper's bag, £60.

0:39:490:39:53

For this silver bag. I thought so. £60 is bid on the internet.

0:39:530:39:56

-65.

-Good luck.

0:39:560:39:58

-Straight in at 60.

-£60.

0:39:580:40:00

Deathly silence. £60 on the internet is bid.

0:40:000:40:04

Doesn't seem a lot, but it can go...

0:40:040:40:05

-Come on, come on.

-It goes, then, for £60.

0:40:050:40:08

Are you all finished and done?

0:40:080:40:09

-It's gone! you can't wear it out again.

-I can't wear it again.

0:40:110:40:14

Hey, look, but go back to the charity shops.

0:40:140:40:16

-I will do.

-You know where they are.

-I do.

-You've got a great eye.

0:40:160:40:18

-Thank you.

-Go and kit yourself out.

-I will.

-Thank you.

0:40:180:40:20

It's all out there. Check it out.

0:40:200:40:22

Next, the bronze baby sat on a stork.

0:40:230:40:26

Elizabeth, you made Mark Stacey jump up and down with excitement

0:40:270:40:32

-at the valuation day.

-I'm so pleased.

0:40:320:40:34

And I saw it, and I thought, "Yes, quirky, quirky's in."

0:40:340:40:36

And it's hard to put a value on that because it could fly away.

0:40:360:40:38

It is, because I've never seen that model but it's charming.

0:40:380:40:41

It's a representation of the stork delivering the baby,

0:40:410:40:43

but the baby's on the back, clinging onto the stork.

0:40:430:40:46

And I think it's great fun.

0:40:460:40:47

I think this is going to find its own level and it may surprise us.

0:40:470:40:50

-Ready for this?

-Oh, I am, Paul.

0:40:500:40:52

Right, let's do it. It's going under the hammer right now.

0:40:520:40:54

311 is the bronze model of a baby riding a stork, an unusual subject.

0:40:540:41:01

What's it worth? Start me, £100 to go.

0:41:010:41:03

-80 then, to start.

-Come on.

-Come on.

-Come on, £80, surely.

0:41:030:41:07

80 is bid. £80.

0:41:070:41:08

85?

0:41:080:41:09

90. 95? £100?

0:41:100:41:13

-Oh, we've got the reserve.

-Selling on the internet now for £100.

0:41:130:41:16

Is that it?

0:41:160:41:18

£100 bid. I'm going to sell it, though.

0:41:180:41:21

All done? £100.

0:41:210:41:23

Oh, I feel quite deflated.

0:41:230:41:26

So do I, so do I, because if it was Bergman, it would be 300.

0:41:260:41:29

But we don't know that.

0:41:290:41:31

-It's going to a good cause.

-It's going to a good cause.

0:41:310:41:33

-It's going to a hospice.

-Oh, well, that's wonderful.

-Yeah.

0:41:330:41:36

Thank God we put a reserve on it.

0:41:360:41:38

-Yes, well...

-I'm glad we protected it.

0:41:380:41:40

Yeah, and it's been fun.

0:41:400:41:41

And finally, next up, the 1950s Rolex.

0:41:420:41:46

Going under the hammer right now we have a '50s Rolex watch,

0:41:460:41:49

belonging to Vicky,

0:41:490:41:50

and I think this could do the top end of Jonathan's estimate.

0:41:500:41:54

-And I know your husband's sadly passed away now, hasn't he?

-Yes.

0:41:540:41:57

But he loved his watches.

0:41:570:41:58

-He did.

-And this was one he picked out, so it means...

0:41:580:42:00

-It means a lot to you?

-Yes, yes.

0:42:000:42:03

Have you got any other watches that he had?

0:42:030:42:06

-Lots.

-Lots.

0:42:060:42:07

OK. I think you're right with the estimate, eight to 12.

0:42:070:42:10

It's a good-looking watch.

0:42:100:42:12

Well, look, fingers crossed we get that top end of Jonathan's estimate.

0:42:120:42:16

It is quality. We keep saying, quality sells,

0:42:160:42:18

but it's a great name as well,

0:42:180:42:19

and hopefully it's going to go to someone in the room.

0:42:190:42:21

-Let's put it to the test. Ready?

-Right.

0:42:210:42:23

A gents' Rolex Oyster perpetual,

0:42:230:42:25

a very nice thing and I've got to go straight in at £1,200 on the bid.

0:42:250:42:29

-£1,200.

-You were right.

0:42:290:42:31

-Got the phone on it as well.

-Straight in.

0:42:310:42:33

-He knew his stuff, didn't he?

-1,300 on the phone.

0:42:340:42:37

Commission's out. It's at £1,300.

0:42:370:42:40

Any more interest at 1,300?

0:42:400:42:42

Commission's out, no?

0:42:420:42:43

I think we're going to be selling to the phone bid.

0:42:430:42:45

It's going to be sold, fair warning, it's sold, £1,300.

0:42:450:42:49

-Well. Well done, you.

-Yeah, very pleased.

-Well done. You knew that.

0:42:490:42:52

-Yeah, so am I, so am I.

-He knew his quality, didn't he?

0:42:520:42:55

He did, yes, yes.

0:42:550:42:56

-It's a good thing.

-Well, great to see you again.

0:42:560:42:58

-OK, thank you.

-If you've got anything like that,

0:42:580:43:00

we'd love to sell it for you.

0:43:000:43:01

Bring it along to one of our valuation days.

0:43:010:43:03

That's where your journey starts.

0:43:030:43:04

Details of upcoming venues you can find on our BBC website,

0:43:040:43:07

or check our BBC Facebook page.

0:43:070:43:09

We're coming to an area, hopefully, very near you soon.

0:43:090:43:11

So dust them down, bring them in and we'll flog 'em.

0:43:110:43:14

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