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-There you go. -Thank you. | 0:00:05 | 0:00:06 | |
Today we are in Reading in the County of Berkshire, | 0:00:08 | 0:00:11 | |
and we are here at this magnificent Grade-II listed town hall. | 0:00:11 | 0:00:14 | |
We haven't even opened the doors yet and I've already lost my voice! | 0:00:14 | 0:00:18 | |
But Reading is situated between the port cities of Bristol and London, | 0:00:18 | 0:00:22 | |
so when the railways arrived here in the 19th century, | 0:00:22 | 0:00:25 | |
manufacturing was able to boom, | 0:00:25 | 0:00:26 | |
goods were sent all over the world, | 0:00:26 | 0:00:28 | |
and this in turn made Reading its fortune, | 0:00:28 | 0:00:31 | |
and we're hoping that trend continues here today. | 0:00:31 | 0:00:33 | |
We're hoping some of you make your fortune. | 0:00:33 | 0:00:35 | |
Hurrah! | 0:00:35 | 0:00:37 | |
Welcome to Flog It! | 0:00:37 | 0:00:39 | |
In the 19th century, | 0:01:04 | 0:01:05 | |
Reading was built upon three main industries, | 0:01:05 | 0:01:07 | |
which became known locally as | 0:01:07 | 0:01:09 | |
the three Bs - beer, bulbs and biscuits. | 0:01:09 | 0:01:13 | |
The brewery, H & G Simonds, was a pioneer of pale ale. | 0:01:13 | 0:01:17 | |
Suttons Seeds used the new Great Western Railway to send | 0:01:17 | 0:01:20 | |
their seeds and bulbs across the country. | 0:01:20 | 0:01:23 | |
But by far the town's biggest employer of the period | 0:01:23 | 0:01:26 | |
was the family-run biscuit manufacturers, Huntley & Palmers, | 0:01:26 | 0:01:30 | |
whose name was known across the globe. | 0:01:30 | 0:01:32 | |
One of the members of the family was also | 0:01:33 | 0:01:36 | |
the founding member of Reading Museum, | 0:01:36 | 0:01:38 | |
which is housed inside this magnificent town hall. | 0:01:38 | 0:01:40 | |
Now, I know this crowd are eager to get inside, | 0:01:40 | 0:01:42 | |
and get on with those valuations. | 0:01:42 | 0:01:44 | |
They want to know, "What's it worth?" Are you ready to go in? | 0:01:44 | 0:01:46 | |
-CROWD: -Yes! -Yes! | 0:01:46 | 0:01:48 | |
And helping to put a value on the antiques and collectables of Reading | 0:01:48 | 0:01:52 | |
we have two experts, Nick Davies and David Harper. | 0:01:52 | 0:01:57 | |
And it looks as if David has already found his first item. | 0:01:57 | 0:02:00 | |
I think I'm going to take a chance on you. | 0:02:00 | 0:02:02 | |
-I'm going to red sticker you. -OK. | 0:02:02 | 0:02:04 | |
This is an experience you are never going to forget. | 0:02:04 | 0:02:07 | |
Is that right? | 0:02:07 | 0:02:08 | |
And eagle-eyed Nick is working the queue too. | 0:02:08 | 0:02:11 | |
It's a good job I brought my glasses. | 0:02:11 | 0:02:14 | |
So it looks like we're in safe hands today. | 0:02:14 | 0:02:16 | |
-We can have one each, Nick. -Yeah, that's good. | 0:02:16 | 0:02:18 | |
Well, they've got to be Japanese or Chinese. One or the other. | 0:02:18 | 0:02:21 | |
I'm going Japanese. | 0:02:21 | 0:02:23 | |
Well, just to be contentious, I might go Chinese. | 0:02:23 | 0:02:25 | |
You boys! | 0:02:26 | 0:02:28 | |
Right, it's 9.30am, and time to open the town hall's doors. | 0:02:28 | 0:02:31 | |
As well as housing the 11 galleries which make up Reading Museum, | 0:02:33 | 0:02:37 | |
the town hall complex also boasts | 0:02:37 | 0:02:39 | |
a fantastic concert hall which dates from 1882, | 0:02:39 | 0:02:44 | |
and this is where our crowd are | 0:02:44 | 0:02:45 | |
making themselves comfortable today. | 0:02:45 | 0:02:47 | |
Whilst everyone gets seated, | 0:02:47 | 0:02:49 | |
let's take a look at what's coming up on the show. | 0:02:49 | 0:02:51 | |
A wealth of collectables with a local connection land on our tables, | 0:02:53 | 0:02:56 | |
such as the 1930s football programme featuring Reading, | 0:02:56 | 0:03:00 | |
brought in by a local fan. | 0:03:00 | 0:03:02 | |
I used to sneak in without my mother knowing. | 0:03:02 | 0:03:05 | |
Mother said that football wasn't the game for young ladies. | 0:03:05 | 0:03:09 | |
And David uncovers the life story of a local Reading policeman. | 0:03:11 | 0:03:15 | |
This, including his truncheon, | 0:03:15 | 0:03:17 | |
actually sums up one man's career and one man's life. | 0:03:17 | 0:03:21 | |
And I'll be taking a closer look at the history of Huntley & Palmers, | 0:03:21 | 0:03:24 | |
and finding out what it was like to work at their factory. | 0:03:24 | 0:03:28 | |
If the wind was in the right direction, | 0:03:28 | 0:03:31 | |
the smell would waft across to the town centre. | 0:03:31 | 0:03:36 | |
As you can see, everybody is now | 0:03:36 | 0:03:38 | |
safely seated inside the concert hall - | 0:03:38 | 0:03:40 | |
it's time to get on with those valuations. | 0:03:40 | 0:03:42 | |
Who is that lucky first person going to be? | 0:03:42 | 0:03:45 | |
We're just about to find out. | 0:03:45 | 0:03:46 | |
Let's catch up with David Harper, | 0:03:46 | 0:03:48 | |
and take a closer look at what he's found. | 0:03:48 | 0:03:50 | |
Elaine and Richard, we met outside. | 0:03:52 | 0:03:54 | |
-I said we were going to go on a journey of discovery. -Yes. | 0:03:54 | 0:03:58 | |
Elaine, start the journey off. | 0:03:58 | 0:04:00 | |
Well, this is my grandfather, | 0:04:00 | 0:04:02 | |
my father's father, David Jessie George, | 0:04:02 | 0:04:06 | |
and his wife Clara. | 0:04:06 | 0:04:07 | |
And he was in the Wiltshire Regiment | 0:04:07 | 0:04:10 | |
and posted to Fort Napier, | 0:04:10 | 0:04:12 | |
-Pietermaritzburg, South Africa. -South Africa. | 0:04:12 | 0:04:15 | |
So you can trace back these pieces, really way back. | 0:04:15 | 0:04:20 | |
-Yes. -If you look at the dress here, | 0:04:20 | 0:04:23 | |
it screams late Victorian, 1890, maybe 1900. | 0:04:23 | 0:04:27 | |
But I wouldn't suggest very much later than that, | 0:04:27 | 0:04:30 | |
looking at the photos. | 0:04:30 | 0:04:31 | |
What was his job in the Army? | 0:04:31 | 0:04:32 | |
He was a Sergeant Major. | 0:04:32 | 0:04:34 | |
Oh! I bet he was a stern one. | 0:04:34 | 0:04:36 | |
He looks stern, doesn't he? | 0:04:36 | 0:04:37 | |
-He does. -Was he involved in the Boer War? | 0:04:37 | 0:04:40 | |
-No idea. -He would have been, but, you know... | 0:04:40 | 0:04:42 | |
Well, let's be honest, he had to have been. | 0:04:42 | 0:04:44 | |
If he was there posted with the British Army, | 0:04:44 | 0:04:46 | |
he in one way or another was involved. | 0:04:46 | 0:04:49 | |
-He would have been involved. -Yes. | 0:04:49 | 0:04:50 | |
So what's his connection, then, | 0:04:50 | 0:04:52 | |
with what are most certainly Zulu artefacts? | 0:04:52 | 0:04:55 | |
We don't know whether he traded them or brought them back | 0:04:55 | 0:04:58 | |
because they were of interest to him. | 0:04:58 | 0:05:00 | |
-OK. -I don't know, I just know that they've always been in the family. | 0:05:00 | 0:05:03 | |
-Do you know what that is? -I'm guessing that is drinking vessel. | 0:05:03 | 0:05:07 | |
It is, it's a water bottle. | 0:05:07 | 0:05:09 | |
Then we have a very ornate belt. | 0:05:09 | 0:05:12 | |
I was always told that was the lady's. | 0:05:12 | 0:05:14 | |
-Yes, I would say it was. -To wear round her waist. | 0:05:14 | 0:05:16 | |
-Yes. -This is the male one. | 0:05:16 | 0:05:18 | |
Now, you think it's male? | 0:05:18 | 0:05:20 | |
I don't think it's male at all. | 0:05:20 | 0:05:21 | |
-I think it's female. -Do you? | 0:05:21 | 0:05:23 | |
I think it's a female modesty belt. | 0:05:23 | 0:05:25 | |
What about that one there, Elaine? | 0:05:25 | 0:05:26 | |
That's a diddly one, isn't it? | 0:05:26 | 0:05:28 | |
Well, I think that is an infant's dress piece. | 0:05:28 | 0:05:32 | |
Or neck piece. | 0:05:32 | 0:05:34 | |
Well, yes, I just assume it would go round the waist. | 0:05:34 | 0:05:37 | |
Either way, it's incredibly beautiful | 0:05:37 | 0:05:39 | |
and very, very decorative, isn't it? | 0:05:39 | 0:05:41 | |
Now, these are what we might refer to as trade beads, | 0:05:41 | 0:05:45 | |
so these were introduced to Africa in the early 1800s, '20s, '30s, | 0:05:45 | 0:05:50 | |
almost as currency. | 0:05:50 | 0:05:51 | |
-So glass beads. -From the UK? | 0:05:51 | 0:05:53 | |
-From the West. -They are glass, are they? I didn't know that. | 0:05:53 | 0:05:56 | |
Yeah, absolutely. They would be as good as money. | 0:05:56 | 0:05:59 | |
I think they're magnificent. | 0:05:59 | 0:06:00 | |
And what's lovely about these objects is the fact that you can | 0:06:00 | 0:06:04 | |
categorically trace them back in time. | 0:06:04 | 0:06:08 | |
And I would say that they are not tourist, because they're too good. | 0:06:08 | 0:06:11 | |
I've seen too many cheap, mass-produced tourist things. | 0:06:11 | 0:06:15 | |
These are really high-end. I think, good quality, late 19th, | 0:06:15 | 0:06:19 | |
early 20th-century Zulu pieces. | 0:06:19 | 0:06:22 | |
Very, very tricky to put a price on them. | 0:06:22 | 0:06:24 | |
Oh, yes, I can imagine, yes. | 0:06:24 | 0:06:25 | |
You've got photographs, you've got the family history, | 0:06:25 | 0:06:29 | |
you can give it the provenance that we need. | 0:06:29 | 0:06:32 | |
-Yes. -So an estimate of, take a chance, | 0:06:32 | 0:06:36 | |
£200 to £300. | 0:06:36 | 0:06:38 | |
-Really? -Is that bad? | 0:06:38 | 0:06:40 | |
-No. -Good. | 0:06:40 | 0:06:41 | |
-Good? -Good. -It sounds incredible. | 0:06:41 | 0:06:43 | |
Really? Well, I am delighted because | 0:06:43 | 0:06:45 | |
these are the kind of things, you two, | 0:06:45 | 0:06:47 | |
that may not get any interest whatsoever, but with that story, | 0:06:47 | 0:06:52 | |
-they might just absolutely take off. -Wonderful. | 0:06:52 | 0:06:56 | |
I know, don't you like taking a chance? | 0:06:56 | 0:06:58 | |
Excitement! | 0:06:58 | 0:06:59 | |
-Shall we go for a bit of excitement? -Absolutely. | 0:07:00 | 0:07:03 | |
Shall we do it? Are we going to reserve them? | 0:07:03 | 0:07:05 | |
No, no, no. | 0:07:05 | 0:07:06 | |
I don't want them back. I didn't know Grandfather. | 0:07:06 | 0:07:08 | |
I'll gain, though! | 0:07:09 | 0:07:11 | |
We move from South Africa to Berkshire now, | 0:07:13 | 0:07:16 | |
as Nick has found an item with a local connection. | 0:07:16 | 0:07:18 | |
Well, Doreen, thank you for coming in. | 0:07:18 | 0:07:20 | |
You've brought us an interesting football programme here, | 0:07:20 | 0:07:23 | |
Reading against Arsenal. | 0:07:23 | 0:07:25 | |
1935 FA Cup match. | 0:07:25 | 0:07:27 | |
-That's correct. -How have you come about this? | 0:07:27 | 0:07:29 | |
Well, this came from my father who supported Reading, | 0:07:29 | 0:07:34 | |
and went to almost every home match. | 0:07:34 | 0:07:38 | |
-And did you go with him? -No. | 0:07:38 | 0:07:40 | |
-No? -No, no. Mother said that | 0:07:40 | 0:07:43 | |
football wasn't the game for young ladies. | 0:07:43 | 0:07:47 | |
-Right. -So what I did is I went out to a friend's house | 0:07:47 | 0:07:52 | |
who lived near the ground, | 0:07:52 | 0:07:54 | |
telling my mother that I was going to visit a friend, | 0:07:54 | 0:07:58 | |
and then the two of us used to go along to football. | 0:07:58 | 0:08:02 | |
So you used to sneak in without your mother knowing? | 0:08:02 | 0:08:05 | |
I used to sneak in without my mother knowing. | 0:08:05 | 0:08:08 | |
Although I found Father quite often in the ground, Father never let on. | 0:08:08 | 0:08:13 | |
And this is all at Elm Park? They don't play there any more. | 0:08:13 | 0:08:15 | |
This was all at Elm Park. | 0:08:15 | 0:08:17 | |
No, they've moved now to a beautiful stadium, the Madejski Stadium, | 0:08:17 | 0:08:20 | |
which is the other side of town. | 0:08:20 | 0:08:22 | |
And do you still go? | 0:08:22 | 0:08:24 | |
Only very occasionally now. | 0:08:24 | 0:08:26 | |
So tell me, the programme here from the FA Cup | 0:08:26 | 0:08:29 | |
is a fifth-round tie, I believe. My, how times have changed. | 0:08:29 | 0:08:33 | |
There's a picture in here of the Arsenal team. | 0:08:33 | 0:08:36 | |
Look at them, they look like they've got woolly jumpers on. | 0:08:36 | 0:08:39 | |
They're playing in woolly jumpers, knee-length shorts. | 0:08:40 | 0:08:44 | |
I mean, can you imagine the players of today going out like that? | 0:08:44 | 0:08:47 | |
Even when I used to go in the late '40s and '50s, | 0:08:47 | 0:08:50 | |
the shorts and the tops were very different, | 0:08:50 | 0:08:53 | |
although Reading have always played in blue and white. | 0:08:53 | 0:08:55 | |
Always played in blue and white. And they're called the Royals, aren't they? | 0:08:55 | 0:08:58 | |
-They're called the Royals. -Why is that? | 0:08:58 | 0:09:00 | |
Well, before that I think they were called the Biscuits. | 0:09:00 | 0:09:03 | |
The Biscuits because of making biscuits in town. | 0:09:03 | 0:09:05 | |
I didn't know that. You see, I am learning something today. I learn something every day as well. | 0:09:05 | 0:09:09 | |
It's a really interesting bit of social history. | 0:09:09 | 0:09:11 | |
The good thing about it - it's pre-war, | 0:09:11 | 0:09:14 | |
so there is a little more value to the items that are pre-war. | 0:09:14 | 0:09:17 | |
People tend to like the pre-war programmes. | 0:09:17 | 0:09:19 | |
And the other good thing in its favour, | 0:09:19 | 0:09:21 | |
two things, it's an FA Cup match, | 0:09:21 | 0:09:22 | |
and its Arsenal as well, because there are collectors | 0:09:22 | 0:09:24 | |
of, obviously, all different teams. | 0:09:24 | 0:09:26 | |
Arsenal - still being one of the biggest teams, | 0:09:26 | 0:09:28 | |
there'll be more collectors for that. | 0:09:28 | 0:09:30 | |
Do you know the result? | 0:09:30 | 0:09:32 | |
I think Arsenal won 1-0. | 0:09:32 | 0:09:34 | |
Correct. But apparently, don't feel too bad, | 0:09:34 | 0:09:36 | |
because they got knocked out in the next round | 0:09:36 | 0:09:37 | |
by Sheffield Wednesday, apparently. | 0:09:37 | 0:09:39 | |
I didn't know that. | 0:09:39 | 0:09:41 | |
So value wise, it is not worth a fortune, | 0:09:41 | 0:09:44 | |
-but it is a nice bit of local, social history. -Yes. | 0:09:44 | 0:09:47 | |
I would say it is somewhere around about £50, | 0:09:47 | 0:09:51 | |
so 40-60 I would probably put in as an estimate. | 0:09:51 | 0:09:53 | |
How do you think about that? | 0:09:53 | 0:09:55 | |
That's fine. Absolutely fine, yes. | 0:09:55 | 0:09:57 | |
You just want it to go to someone who will enjoy it, by the looks of it. | 0:09:57 | 0:10:00 | |
-Well, yes. -Put a reserve with a little discretion of 40, sound OK? | 0:10:00 | 0:10:04 | |
That sounds fine. | 0:10:04 | 0:10:05 | |
Whilst our experts continue searching the valuation day | 0:10:06 | 0:10:09 | |
for items to take off to auction, | 0:10:09 | 0:10:11 | |
I'm heading to Reading Museum in another part of the town hall | 0:10:11 | 0:10:14 | |
to have a look at something of local interest. | 0:10:14 | 0:10:17 | |
Now, earlier on I was telling you how Reading was known | 0:10:19 | 0:10:22 | |
as the town of the three Bs, | 0:10:22 | 0:10:23 | |
for its industries in beer, bulbs and biscuits. | 0:10:23 | 0:10:26 | |
Well, a lot of people argue it should be the town of four Bs, | 0:10:26 | 0:10:29 | |
because Reading's brick manufacturing | 0:10:29 | 0:10:31 | |
should be included too. | 0:10:31 | 0:10:32 | |
S & E Collier Ltd was the town's largest brickmakers, | 0:10:32 | 0:10:35 | |
who established themselves in Reading in the mid-19th century. | 0:10:35 | 0:10:40 | |
They were well known for their terracotta and Reading red bricks, | 0:10:40 | 0:10:43 | |
which were made from iron-rich clay deposits from the local area. | 0:10:43 | 0:10:47 | |
Many of the streets in the town had houses | 0:10:47 | 0:10:49 | |
which were made from these red bricks. | 0:10:49 | 0:10:52 | |
In 1974, Reading Borough Council commissioned John Piper, | 0:10:52 | 0:10:56 | |
a well-known British artist of the 20th century, | 0:10:56 | 0:10:59 | |
to design two tapestries for the new civic offices, | 0:10:59 | 0:11:02 | |
called Rural Reading and Urban Reading. | 0:11:02 | 0:11:05 | |
In the urban tapestry, Piper was trying to show that Reading was a | 0:11:05 | 0:11:08 | |
beautiful town that shouldn't be overlooked. | 0:11:08 | 0:11:11 | |
He was a big fan of Reading's redbrick heritage, | 0:11:11 | 0:11:14 | |
and said of the redbrick streets, "The washable, | 0:11:14 | 0:11:17 | |
"weather-resisting surface that will hardly change with centuries of wear | 0:11:17 | 0:11:22 | |
"changes its look with the different lights of different days, | 0:11:22 | 0:11:25 | |
"and has plenty of delights to satisfy the unprejudiced eye." | 0:11:25 | 0:11:30 | |
I absolutely love this and to top it all off, he has even put a flock of | 0:11:30 | 0:11:33 | |
seagulls up there enjoying the view. | 0:11:33 | 0:11:36 | |
Well, hopefully our experts are enjoying the view | 0:11:36 | 0:11:38 | |
back in the concert hall. | 0:11:38 | 0:11:39 | |
Let's catch up with them and see | 0:11:39 | 0:11:41 | |
what else we can find to take off to auction. | 0:11:41 | 0:11:43 | |
Now, Jane, I'm sorry to say, | 0:11:49 | 0:11:50 | |
but I do feel there are three of us in this relationship. | 0:11:50 | 0:11:53 | |
You could be right there. | 0:11:53 | 0:11:54 | |
Yes. Tell me all about the third person. | 0:11:54 | 0:11:57 | |
Well, the third person should have been brought here by my brother. | 0:11:57 | 0:12:01 | |
Why couldn't he make it today? | 0:12:01 | 0:12:02 | |
Because he's in Berlin on his jolly holidays yet again. | 0:12:02 | 0:12:06 | |
Right. And you're here at work, because this is where you work. | 0:12:06 | 0:12:09 | |
Indeed. Yes. | 0:12:09 | 0:12:11 | |
-What is your job here? -I run the conference office here. | 0:12:11 | 0:12:14 | |
And I love your surname. | 0:12:14 | 0:12:16 | |
-Is it true you are called Jane Austen? -I am Jane Austen. | 0:12:16 | 0:12:19 | |
That's my married name. | 0:12:19 | 0:12:20 | |
Anyway, we must get back to the mask. | 0:12:21 | 0:12:23 | |
-Yes. -Do you know who made it? | 0:12:23 | 0:12:25 | |
Only in as much as it's Troika. | 0:12:26 | 0:12:28 | |
So he bought it in Liberty's in 1978 for £20. | 0:12:28 | 0:12:34 | |
If we turn it upside down, | 0:12:34 | 0:12:37 | |
we can see that it is signed Troika, | 0:12:37 | 0:12:39 | |
and an initial by the potter themselves. | 0:12:39 | 0:12:41 | |
And it is all, of course, hand-painted, | 0:12:41 | 0:12:43 | |
so each and every one is completely individual. | 0:12:43 | 0:12:47 | |
So you've got the very Aztec design at the front, | 0:12:47 | 0:12:50 | |
but it is, in actual fact, reversible, isn't it? | 0:12:50 | 0:12:53 | |
-It is. -So if you get bored of that face, you can spin him around. | 0:12:53 | 0:12:58 | |
That's more a kind of Picasso face in actual fact, isn't it? | 0:12:58 | 0:13:01 | |
Would you have it in your house? | 0:13:01 | 0:13:03 | |
I think I probably would, actually. | 0:13:03 | 0:13:04 | |
Well, I think, Jane, the more I look at it, the more I like it. | 0:13:04 | 0:13:08 | |
I mean Troika itself is a fascinating company, | 0:13:08 | 0:13:11 | |
founded in 1962 by three people. | 0:13:11 | 0:13:14 | |
Troika is Russian for three. | 0:13:14 | 0:13:16 | |
-Oh, yep, yep. -It's a great story. | 0:13:16 | 0:13:18 | |
Apparently one of the founders' grandfather | 0:13:18 | 0:13:22 | |
escaped Russia in a troika, | 0:13:22 | 0:13:24 | |
which is a sledge pulled by... | 0:13:24 | 0:13:26 | |
I've had a ride in a troika. | 0:13:26 | 0:13:27 | |
-Have you? -Indeed, in Russia. | 0:13:27 | 0:13:29 | |
Well, there you go. | 0:13:29 | 0:13:31 | |
A great story behind the mask, if you like. | 0:13:31 | 0:13:34 | |
But I think it makes it even more interesting | 0:13:34 | 0:13:37 | |
the fact that your brother bought it new. | 0:13:37 | 0:13:39 | |
-Yes, yes. -Because the firm in the early '80s came to an end, so 1978. | 0:13:39 | 0:13:45 | |
And from Liberty's as well, | 0:13:45 | 0:13:46 | |
it's got a great history as well, hasn't it? | 0:13:46 | 0:13:48 | |
-Yes. -£20 in 1978. | 0:13:48 | 0:13:50 | |
What would that equate to today? | 0:13:50 | 0:13:52 | |
Oh, tricky one. | 0:13:52 | 0:13:54 | |
100? I'll guess. | 0:13:54 | 0:13:55 | |
-Yes. -OK, so valuation today, has it increased in value? | 0:13:55 | 0:13:59 | |
Has it been a really good investment? | 0:13:59 | 0:14:01 | |
Well, I would guess, | 0:14:01 | 0:14:04 | |
in auction, 300 to 400, | 0:14:04 | 0:14:07 | |
taking into account a little bit of a chip, | 0:14:07 | 0:14:09 | |
add a little discretion on the 300. | 0:14:09 | 0:14:13 | |
How would he feel about that, do you think? Can you act on his behalf? | 0:14:13 | 0:14:16 | |
Well, I can, as I spoke to him this morning, | 0:14:16 | 0:14:19 | |
and I think he would be quite happy with 300-ish. | 0:14:19 | 0:14:22 | |
OK, so he has already mentioned the figure of 300? | 0:14:22 | 0:14:25 | |
Yes, I think he was saying 300 would probably be his bottom line. | 0:14:25 | 0:14:29 | |
OK, OK, shall we go to auction at 300 to 400, fixed reserve at three? | 0:14:29 | 0:14:32 | |
Yes, I think that sounds good. | 0:14:32 | 0:14:34 | |
Jane Austen, I will see you in auction. | 0:14:34 | 0:14:35 | |
Well, what a great day we are having here in the town hall in Reading. | 0:14:39 | 0:14:42 | |
Our experts have been working flat out, as you've just seen. | 0:14:42 | 0:14:45 | |
They've now found their first three items to take off to auction, | 0:14:45 | 0:14:49 | |
so stay with us, it could get very exciting. | 0:14:49 | 0:14:51 | |
Here's a quick recap, just to jog your memory of all the items we are | 0:14:51 | 0:14:54 | |
putting under the hammer. | 0:14:54 | 0:14:55 | |
Elaine threw caution to the wind | 0:14:56 | 0:14:58 | |
when she decided not to put a reserve | 0:14:58 | 0:15:00 | |
on her decorative Zulu artefacts made from glass trade beads. | 0:15:00 | 0:15:04 | |
We are staying in Berkshire to sell Doreen's 1935 Reading versus Arsenal | 0:15:06 | 0:15:11 | |
FA Cup match programme, | 0:15:11 | 0:15:12 | |
so fingers crossed it can stir up a local crowd. | 0:15:12 | 0:15:15 | |
And finally the two-sided Troika mask belonging to Jane's brother, | 0:15:19 | 0:15:23 | |
who bought it for £20 in 1978. | 0:15:23 | 0:15:26 | |
Let's hope it's grown in value since then. | 0:15:26 | 0:15:29 | |
Well, today it's auction day. | 0:15:29 | 0:15:31 | |
This is where we put those valuations to the test right here, | 0:15:31 | 0:15:35 | |
Martin and Pole auction rooms in Wokingham. | 0:15:35 | 0:15:37 | |
And I've got a good feeling about today, | 0:15:37 | 0:15:39 | |
because the sun is shining and I tell you what, | 0:15:39 | 0:15:42 | |
I think our owners are going to be in for a jolly good time. | 0:15:42 | 0:15:44 | |
They're all inside now, | 0:15:44 | 0:15:46 | |
so let's catch up with them, and get on with that hammer action. | 0:15:46 | 0:15:49 | |
Remember, whether you're buying or selling at auction, | 0:15:49 | 0:15:52 | |
there is always commission and VAT to pay. | 0:15:52 | 0:15:55 | |
Here, the rate if you are selling is 15% plus VAT. | 0:15:55 | 0:15:59 | |
Our auctioneer today is Matt Coles, and he's already on the rostrum | 0:15:59 | 0:16:02 | |
wielding his gavel, so fingers crossed for our first lot. | 0:16:02 | 0:16:06 | |
I've just been joined by Elaine and Richard and going under the hammer | 0:16:06 | 0:16:09 | |
right now, your grandfather's African clothing, the Zulu clothing, | 0:16:09 | 0:16:12 | |
-and it has been in the family ever since? -Yes, it has, yes. | 0:16:12 | 0:16:15 | |
Good luck, everyone, we're looking for £200-£300, | 0:16:15 | 0:16:17 | |
let's find out what the bidders think. | 0:16:17 | 0:16:19 | |
It's going under the hammer right now. | 0:16:19 | 0:16:22 | |
Pre-19th century south African beaded neck pieces and gourd. | 0:16:22 | 0:16:27 | |
Starting with me at £150. | 0:16:27 | 0:16:28 | |
160 anywhere? | 0:16:28 | 0:16:30 | |
With me at £150. | 0:16:30 | 0:16:32 | |
Any further offers? | 0:16:32 | 0:16:33 | |
150. Go on, come on. | 0:16:33 | 0:16:35 | |
It's at £150. | 0:16:35 | 0:16:37 | |
Are we all done at 150? | 0:16:37 | 0:16:40 | |
No more? | 0:16:40 | 0:16:41 | |
At 150, then. | 0:16:41 | 0:16:42 | |
Maiden bid, Paul. | 0:16:42 | 0:16:44 | |
-£150, we were lucky because there was no reserve on that. -Yeah. | 0:16:44 | 0:16:48 | |
-No, that's fine. -You didn't want a reserve, did you? | 0:16:48 | 0:16:50 | |
-No, it can go. -Well, lucky it went for 150 and not 50 quid, in a way. | 0:16:50 | 0:16:54 | |
-That's true. -Happy? | 0:16:54 | 0:16:55 | |
Yes, yes, I think that's absolutely lovely. | 0:16:55 | 0:16:58 | |
Thank you very much indeed. Yes. | 0:16:58 | 0:17:00 | |
Now it's time for an item from a little closer to home. | 0:17:01 | 0:17:04 | |
Right, let's hope our next lot hits the back of the net, | 0:17:06 | 0:17:09 | |
and we score a goal with it. | 0:17:09 | 0:17:11 | |
We're talking about Doreen's FA Cup programme, | 0:17:11 | 0:17:14 | |
and it's Reading versus Arsenal. | 0:17:14 | 0:17:16 | |
Great that it's pre-war, and it's local, | 0:17:16 | 0:17:18 | |
and that's what it's all about. | 0:17:18 | 0:17:19 | |
Hopefully someone in Reading is going to buy this. | 0:17:19 | 0:17:21 | |
A fan will buy this, and they will want to cherish it. | 0:17:21 | 0:17:24 | |
Maybe an Arsenal fan. | 0:17:24 | 0:17:25 | |
Or an Arsenal fan. | 0:17:25 | 0:17:27 | |
But it's thanks to you, anyway. | 0:17:27 | 0:17:29 | |
Let's find out - what's it worth? | 0:17:29 | 0:17:31 | |
We're putting this programme under the hammer. Here we go. | 0:17:31 | 0:17:34 | |
Start this with me at £28. | 0:17:34 | 0:17:35 | |
30 anywhere? | 0:17:35 | 0:17:37 | |
With me at 28. | 0:17:37 | 0:17:38 | |
30, 32, | 0:17:38 | 0:17:40 | |
35, 38, 40. | 0:17:40 | 0:17:42 | |
With you now, £40. 42 on the internet. | 0:17:42 | 0:17:45 | |
45, 48 on the internet. | 0:17:45 | 0:17:49 | |
50 in the room, 55. | 0:17:49 | 0:17:52 | |
At 55 on the internet. | 0:17:52 | 0:17:53 | |
Any more at £55? | 0:17:53 | 0:17:55 | |
Are we selling at £55? | 0:17:55 | 0:17:57 | |
Any more at £55? | 0:17:58 | 0:18:00 | |
All done? | 0:18:00 | 0:18:01 | |
£55, it's gone. | 0:18:01 | 0:18:02 | |
That's not bad, is it? | 0:18:02 | 0:18:04 | |
-For one programme. -For one programme, yeah, absolutely. | 0:18:04 | 0:18:07 | |
Thank you. | 0:18:07 | 0:18:08 | |
Next it's that hand-painted Troika mask. | 0:18:10 | 0:18:12 | |
This was brought to our valuation day by Jane. | 0:18:13 | 0:18:16 | |
-It's great to see you again. And I know it was your brother's. -It is. | 0:18:16 | 0:18:18 | |
-And this is your brother? -This is my brother. -What's your name? -Peter. | 0:18:18 | 0:18:21 | |
Peter, pleased to meet you. | 0:18:21 | 0:18:22 | |
A man of good taste. | 0:18:22 | 0:18:24 | |
-Thank you. -Why are you selling this? | 0:18:24 | 0:18:25 | |
Why do you want to sell it? | 0:18:25 | 0:18:26 | |
Well, I've got a house full of collectables, | 0:18:26 | 0:18:28 | |
and this is the only thing that has actually appreciated in value! | 0:18:28 | 0:18:31 | |
Let's realise some cash. | 0:18:31 | 0:18:34 | |
So you're really playing the money market in a way. | 0:18:34 | 0:18:36 | |
Look, fingers crossed. I hope it does a lot more than the 3-4. | 0:18:36 | 0:18:40 | |
I'm hoping this is a come-and-buy-me. | 0:18:40 | 0:18:42 | |
Slight chip in this one, | 0:18:42 | 0:18:43 | |
just a little nibble out of it which will make some difference. | 0:18:43 | 0:18:46 | |
But this is speculation, this is what auctions are all about. | 0:18:46 | 0:18:49 | |
This is why they're such great fun, | 0:18:49 | 0:18:50 | |
and it's going under the hammer right now. | 0:18:50 | 0:18:52 | |
Let's hand the proceedings over to our auctioneer. | 0:18:52 | 0:18:55 | |
Absentee bids on this one. | 0:18:55 | 0:18:56 | |
I can start it with me at £300. | 0:18:56 | 0:18:58 | |
320 anywhere? | 0:18:58 | 0:18:59 | |
320, 350, 380, 400, | 0:18:59 | 0:19:02 | |
420 with you now. | 0:19:02 | 0:19:04 | |
-At £420. Any more? -That was a nice little roll. -Yeah. | 0:19:04 | 0:19:07 | |
-I wanted that to keep on going. -At 420. | 0:19:07 | 0:19:09 | |
Any more? Are we all done, then, at £420? | 0:19:09 | 0:19:12 | |
Well, we just did over the top end which is good news, isn't it? | 0:19:14 | 0:19:17 | |
-It's good news. -That's all right. -It's good news. -It is good. | 0:19:17 | 0:19:19 | |
-Well done. -Well, thank you - thank you for bringing it in! | 0:19:19 | 0:19:22 | |
Some great results so far - | 0:19:24 | 0:19:25 | |
and we'll be back at the auction a little later on in the show. | 0:19:25 | 0:19:29 | |
Now, when I was in Reading, | 0:19:29 | 0:19:30 | |
I was keen to find out more about the town's biscuit heritage. | 0:19:30 | 0:19:34 | |
Huntley & Palmers were the world's largest biscuit manufacturers | 0:19:34 | 0:19:37 | |
in the 19th and early 20th century. | 0:19:37 | 0:19:40 | |
In fact, their success | 0:19:40 | 0:19:41 | |
led to Reading being nicknamed Biscuit Town. | 0:19:41 | 0:19:44 | |
The company began in 1822, when Joseph Huntley, who was a Quaker, | 0:19:50 | 0:19:55 | |
founded a small bakers in London Street in Reading. | 0:19:55 | 0:19:59 | |
Then he entered into partnership with George Palmer, | 0:19:59 | 0:20:01 | |
who was a distant Quaker cousin of his, | 0:20:01 | 0:20:03 | |
and Huntley & Palmers was born. | 0:20:03 | 0:20:06 | |
By 1846, the pair had opened a large factory on King's Road. | 0:20:06 | 0:20:10 | |
This site ended up growing to over 30 acres, | 0:20:10 | 0:20:13 | |
and it even had its own steam train | 0:20:13 | 0:20:15 | |
to take biscuits to the nearby mainline. | 0:20:15 | 0:20:18 | |
Huntley & Palmers was hugely successful - | 0:20:22 | 0:20:25 | |
as the largest biscuit manufacturer in the world, | 0:20:25 | 0:20:27 | |
their produce was shipped as far from the South Pole to the Sudan, | 0:20:27 | 0:20:30 | |
it went everywhere - | 0:20:30 | 0:20:32 | |
and their success was largely due to the cousins' religious beliefs, | 0:20:32 | 0:20:35 | |
which meant they turned out a great product. | 0:20:35 | 0:20:38 | |
It was because of their Quaker conscience | 0:20:39 | 0:20:41 | |
that the cousins used only the finest ingredients | 0:20:41 | 0:20:45 | |
in their biscuits - and they charged a fair price, too. | 0:20:45 | 0:20:48 | |
So the public soon came to trust their brand. | 0:20:48 | 0:20:51 | |
By the 1900s, | 0:20:51 | 0:20:53 | |
the company was making around 400 different types of biscuit. | 0:20:53 | 0:20:57 | |
And the popularity of their biscuits | 0:20:57 | 0:20:59 | |
meant that a whole entire army of people were required | 0:20:59 | 0:21:02 | |
to service the small town that Huntley & Palmers had become - | 0:21:02 | 0:21:05 | |
and the people of Reading were more than willing. | 0:21:05 | 0:21:08 | |
In fact, many generations and entire families | 0:21:08 | 0:21:10 | |
worked at their biscuit factories, and by the year 1900, | 0:21:10 | 0:21:14 | |
Huntley & Palmers were employing around 5,500 people... | 0:21:14 | 0:21:19 | |
and these people needed somewhere to live, | 0:21:19 | 0:21:20 | |
and many of them ended up living here. | 0:21:20 | 0:21:22 | |
This area is called Newtown, | 0:21:22 | 0:21:23 | |
which is close to the factories where they worked - | 0:21:23 | 0:21:26 | |
and a lot of them, the Huntley & Palmers employees, | 0:21:26 | 0:21:29 | |
ended up living in these redbrick terraced houses. | 0:21:29 | 0:21:32 | |
Now, these were built from the 1870s onwards. | 0:21:32 | 0:21:35 | |
The company had a reputation of being a good employer | 0:21:38 | 0:21:41 | |
who provided benefits for their workers, | 0:21:41 | 0:21:44 | |
such as a sick fund, pensions, and even a cake on their wedding day. | 0:21:44 | 0:21:48 | |
In return for good working conditions, | 0:21:48 | 0:21:50 | |
the owners had high expectations of their employees, | 0:21:50 | 0:21:54 | |
who had to abide by strict rules. | 0:21:54 | 0:21:57 | |
The company also looked after the health and wellbeing | 0:21:57 | 0:22:00 | |
of their workers. | 0:22:00 | 0:22:01 | |
Today this area is called Palmer's Park. | 0:22:03 | 0:22:05 | |
Now, originally, it was purchased towards the end of the 19th century | 0:22:05 | 0:22:09 | |
by George Palmer for the Huntley & Palmers employees | 0:22:09 | 0:22:12 | |
to use as a recreation facility, | 0:22:12 | 0:22:13 | |
so they could come here and play football and cricket and tennis - | 0:22:13 | 0:22:17 | |
and subsequently the employees lived a long and healthy life, | 0:22:17 | 0:22:21 | |
and it's also been said | 0:22:21 | 0:22:22 | |
that they largely enjoyed working in the biscuit factory, too. | 0:22:22 | 0:22:26 | |
It was like one big, happy family. | 0:22:26 | 0:22:27 | |
Although biscuit production ceased in Reading in the 1970s, | 0:22:28 | 0:22:32 | |
there are still people who still have fond memories | 0:22:32 | 0:22:35 | |
of working at the factory. | 0:22:35 | 0:22:37 | |
Both John Manning and Ray Bell started at the company in the 1950s | 0:22:37 | 0:22:42 | |
and became engineer apprentices at the age of 16. | 0:22:42 | 0:22:45 | |
Do you remember the smell of the biscuits, | 0:22:45 | 0:22:49 | |
the smell that used to come out of South Factory? | 0:22:49 | 0:22:52 | |
If the wind was in the right direction, | 0:22:52 | 0:22:56 | |
the smell would waft across to the town centre. | 0:22:56 | 0:23:00 | |
Yeah, you could tell what they were baking on any particular day | 0:23:00 | 0:23:03 | |
-by the smell. -Yeah. The ginger nuts, especially. | 0:23:03 | 0:23:06 | |
The sheer numbers of people, as well. | 0:23:06 | 0:23:08 | |
I always remember where we came out at lunchtime, | 0:23:08 | 0:23:12 | |
it was like a football crowd, wasn't it? Coming up Gas Works Lane. | 0:23:12 | 0:23:15 | |
So many people all milling about. | 0:23:15 | 0:23:18 | |
Because when you think back, it was almost everyone in Reading, | 0:23:18 | 0:23:22 | |
I honestly believe, had some relation - | 0:23:22 | 0:23:24 | |
mum, dad, brother, sister, uncle - | 0:23:24 | 0:23:27 | |
who had actually worked at Huntley & Palmers. | 0:23:27 | 0:23:29 | |
-Yeah. -Every day was a laugh, wasn't it? To be honest. -Oh, yeah. | 0:23:29 | 0:23:33 | |
It was really good fun, yeah. | 0:23:33 | 0:23:35 | |
I think it was the characters that made the place. | 0:23:35 | 0:23:38 | |
It isn't just memories that survive | 0:23:40 | 0:23:42 | |
from the era of biscuit manufacturing in the town. | 0:23:42 | 0:23:45 | |
Reading Museum in the Town Hall | 0:23:45 | 0:23:47 | |
holds a wealth of the company's artefacts, | 0:23:47 | 0:23:50 | |
and hundreds of examples of their biscuit tins. | 0:23:50 | 0:23:52 | |
Huntley & Palmers' phenomenal success | 0:23:54 | 0:23:56 | |
is partly due to the fact that | 0:23:56 | 0:23:57 | |
they pioneered the use of the biscuit tin. | 0:23:57 | 0:24:00 | |
Now, their airtight tins were extremely popular abroad. | 0:24:00 | 0:24:04 | |
They preserved the biscuits and kept them fresh in hot, humid climates. | 0:24:04 | 0:24:08 | |
Now, it's even rumoured that when the first white man entered Tibet, | 0:24:08 | 0:24:11 | |
he was greeted with a tin of Huntley & Palmers biscuits - | 0:24:11 | 0:24:14 | |
they'd got there before him. | 0:24:14 | 0:24:16 | |
And it wasn't just families that enjoyed Huntley & Palmers biscuits. | 0:24:16 | 0:24:19 | |
Here, in its very own tin, is a biscuit that was provided | 0:24:19 | 0:24:23 | |
to Captain Scott's ill-fated expedition to Antarctica in 1911. | 0:24:23 | 0:24:27 | |
Scott ordered these as a vital provision. | 0:24:27 | 0:24:30 | |
He knew biscuits originated from the sea biscuit | 0:24:30 | 0:24:33 | |
which was provided to sailors on long voyages, | 0:24:33 | 0:24:36 | |
and it seems that Scott was a bit of a connoisseur, | 0:24:36 | 0:24:39 | |
because we have a letter here which he wrote to the company | 0:24:39 | 0:24:42 | |
and it says - I can read it out, look, | 0:24:42 | 0:24:44 | |
"We find on opening the tins of Antarctica and Emergency Biscuits | 0:24:44 | 0:24:48 | |
"that the biscuits are considerably cracked and broken. | 0:24:48 | 0:24:52 | |
"The cases have been handled a good deal, | 0:24:52 | 0:24:54 | |
"but I also think that some change has taken place | 0:24:54 | 0:24:57 | |
"which makes them more brittle." Isn't that fabulous? | 0:24:57 | 0:25:00 | |
It wasn't just Scott who cottoned on to the fact | 0:25:00 | 0:25:03 | |
that biscuits could be used as a vital ration - | 0:25:03 | 0:25:06 | |
during World War I, | 0:25:06 | 0:25:07 | |
Huntley & Palmers made up the standard ration for the soldier, | 0:25:07 | 0:25:11 | |
and here are some wonderful surviving examples. | 0:25:11 | 0:25:14 | |
Look at this - this one here, December the 25th 1917, | 0:25:14 | 0:25:19 | |
and it says "teacake" on it - | 0:25:19 | 0:25:20 | |
but look at that, it's got a little wooden box | 0:25:20 | 0:25:23 | |
made up from the side of the trenches. | 0:25:23 | 0:25:25 | |
That is absolutely fabulous - | 0:25:25 | 0:25:27 | |
and there's another one here, look, | 0:25:27 | 0:25:28 | |
with a cut-out of a soldier standing in a sentry box. | 0:25:28 | 0:25:32 | |
That's lovely, that's dated 1915. | 0:25:32 | 0:25:34 | |
In the interwar years, | 0:25:35 | 0:25:37 | |
the high costs of goods and the strength of the pound | 0:25:37 | 0:25:40 | |
led to a fall in production. | 0:25:40 | 0:25:41 | |
Then, after World War II, | 0:25:41 | 0:25:43 | |
labour shortages, competition from cheaper manufacturers | 0:25:43 | 0:25:47 | |
and a lack of investment all contributed to the eventual closure | 0:25:47 | 0:25:53 | |
of Reading's biscuit factory in 1976. | 0:25:53 | 0:25:57 | |
Down in South Factory when the last biscuit came through the oven, | 0:25:57 | 0:26:02 | |
the last Cornish wafer, there were men there, | 0:26:02 | 0:26:06 | |
old men, they'd been there as boys | 0:26:06 | 0:26:09 | |
in the late '20s, perhaps, and '30s, | 0:26:09 | 0:26:12 | |
they were in tears when they saw those last biscuits coming through. | 0:26:12 | 0:26:15 | |
-They'd been there all their life, yeah. -All their life. | 0:26:15 | 0:26:17 | |
They'd been through a world war, | 0:26:17 | 0:26:19 | |
and they come back and then see the end of this. | 0:26:19 | 0:26:22 | |
Yeah, it was very sad. | 0:26:22 | 0:26:24 | |
-It was a tragedy for Reading when the company packed up. -Yeah. | 0:26:24 | 0:26:28 | |
A lot of people were really upset about that. | 0:26:28 | 0:26:30 | |
But it was good fun. It was good fun. | 0:26:30 | 0:26:33 | |
I think it was probably the best job that we ever had. | 0:26:33 | 0:26:36 | |
Oh, yeah. | 0:26:36 | 0:26:37 | |
Back over in the concert hall, | 0:26:47 | 0:26:48 | |
our valuation day is still in full swing, | 0:26:48 | 0:26:50 | |
with hundreds of people waiting patiently for a valuation - | 0:26:50 | 0:26:55 | |
and it looks as if we haven't quite had our fill of biscuits yet, | 0:26:55 | 0:26:58 | |
as Nick is indulging in a sweet treat. | 0:26:58 | 0:27:02 | |
Well, here we are, Barbara, leaning on the stage of Reading Town Hall, | 0:27:02 | 0:27:05 | |
where lots of famous people, I'm sure, have performed - | 0:27:05 | 0:27:08 | |
and it's our turn now. | 0:27:08 | 0:27:10 | |
So, tell me about this tin you've brought with us today. | 0:27:10 | 0:27:12 | |
-How long have you had it? -I reckon about 30 years. | 0:27:12 | 0:27:15 | |
-My sister-in-law gave it to us. -OK. | 0:27:15 | 0:27:17 | |
She worked at Huntley & Palmers biscuit factory, | 0:27:17 | 0:27:19 | |
and we decided to keep it - | 0:27:19 | 0:27:21 | |
-my husband thought it was quite fun... -Yeah. | 0:27:21 | 0:27:23 | |
..and then they withdrawed it. | 0:27:23 | 0:27:24 | |
-So you'd already got this... -Yes. | 0:27:24 | 0:27:26 | |
-..and your sister said it's going to be withdrawn? -Yes. | 0:27:26 | 0:27:29 | |
-Why? -Because of the naughtiness that was on the... | 0:27:29 | 0:27:32 | |
Now, we need to look at this very closely, don't we? | 0:27:32 | 0:27:35 | |
-We do, yes. -I might even have to get my glasses out. | 0:27:35 | 0:27:37 | |
-Yes. -So in this lithograph, here, | 0:27:37 | 0:27:40 | |
which is in the manner of Kate Greenaway, | 0:27:40 | 0:27:44 | |
who was a very good illustrator of children's books... | 0:27:44 | 0:27:46 | |
-That's right. -So it's quite an... | 0:27:46 | 0:27:48 | |
..idyllic English country scene, isn't it? | 0:27:48 | 0:27:51 | |
-Yes, it is. -With a nice tea party - | 0:27:51 | 0:27:53 | |
but if you look very closely, what's going on? | 0:27:53 | 0:27:56 | |
Well, if you look here, there's two dogs... | 0:27:56 | 0:28:00 | |
Right, just there... | 0:28:00 | 0:28:02 | |
-Yes. -There's two dogs enjoying themselves, shall we say? | 0:28:02 | 0:28:06 | |
And also just under that branch there, right at the back, | 0:28:06 | 0:28:09 | |
you can see some knees and arms | 0:28:09 | 0:28:11 | |
of a young courting couple, shall we say, and leave it at that? | 0:28:11 | 0:28:15 | |
Now, I assume that's why it was withdrawn. | 0:28:15 | 0:28:18 | |
Who found out about this? | 0:28:18 | 0:28:20 | |
-I don't really know. -We're not sure. -No. | 0:28:20 | 0:28:22 | |
The gentleman who designed it was a chap called Mark Hill. | 0:28:22 | 0:28:25 | |
-That's right. -Who was a little bit... | 0:28:25 | 0:28:28 | |
-mischievous, shall we say? -Mischievous, that's right. | 0:28:28 | 0:28:30 | |
-He thought he'd have a bit of fun. -Have a bit of fun - | 0:28:30 | 0:28:33 | |
and put these two scenes within the context of this scene here, | 0:28:33 | 0:28:37 | |
and they are very difficult to spot. | 0:28:37 | 0:28:39 | |
It's not that old, though, is it? | 0:28:39 | 0:28:40 | |
This was done in about 1980, I believe, is that correct? | 0:28:40 | 0:28:43 | |
-Something like that, yes. -Something like that - | 0:28:43 | 0:28:45 | |
and you've kept it wrapped up, unused, ever since? | 0:28:45 | 0:28:47 | |
It's been at the top of the wardrobe ever since. | 0:28:47 | 0:28:49 | |
The biscuits are still in there. | 0:28:49 | 0:28:50 | |
You're better than me - I'd have eaten the biscuits, | 0:28:50 | 0:28:53 | |
without a shadow of a doubt. | 0:28:53 | 0:28:54 | |
-Assortments... -Assortments. | 0:28:54 | 0:28:57 | |
Assortment biscuits, there. | 0:28:57 | 0:28:59 | |
-A nice bourbon in there, as well. -Yes. | 0:28:59 | 0:29:01 | |
So, what do we think on value? | 0:29:01 | 0:29:02 | |
I'm not going to go mad on it. | 0:29:02 | 0:29:03 | |
-I think somewhere around about 60 to £80 as a reserve. -Yes. | 0:29:03 | 0:29:06 | |
Maybe with a little discretion, give a little bit of flexibility again. | 0:29:06 | 0:29:10 | |
I think that should do. You happy with that? | 0:29:10 | 0:29:12 | |
Yes, I'm quite happy with it. | 0:29:12 | 0:29:13 | |
-It's not bad for a tin of biscuits, 60 quid, is it? -That's right. | 0:29:13 | 0:29:16 | |
I think we'll do that - | 0:29:16 | 0:29:17 | |
-we'll go to sale and see what happens on the day. -Yes. | 0:29:17 | 0:29:19 | |
And afterwards we'll have a cup of tea and biscuits as well. | 0:29:19 | 0:29:22 | |
OK, thanks very much. | 0:29:22 | 0:29:24 | |
I'll join you for that cuppa! | 0:29:24 | 0:29:26 | |
Next it's over to an interesting collection on David's table. | 0:29:26 | 0:29:29 | |
Now, Len, I can see the family resemblance - but that is not you? | 0:29:31 | 0:29:35 | |
No, that's Father. | 0:29:35 | 0:29:36 | |
So, your father, was called...? | 0:29:36 | 0:29:38 | |
-Leonard. -Leonard? -Same as me. -Same as you, OK. | 0:29:38 | 0:29:40 | |
So, named after your father. | 0:29:40 | 0:29:42 | |
-Yeah, 1931, that was. -1931? | 0:29:42 | 0:29:44 | |
-Yeah. -Wow. -Tell me about your dad. | 0:29:44 | 0:29:46 | |
Did he have a full career in the police force? | 0:29:46 | 0:29:48 | |
Oh, yeah, he done 32... 32 years, he done the business - | 0:29:48 | 0:29:51 | |
and with him, police force came before family and friends. | 0:29:51 | 0:29:56 | |
Did you find that your life was slightly restricted, | 0:29:56 | 0:29:58 | |
-having a father in the police? -Oh, yes. | 0:29:58 | 0:30:00 | |
I done things that... I shouldn't have done. | 0:30:00 | 0:30:03 | |
You know, nothing serious - | 0:30:03 | 0:30:05 | |
and he'd come home and he'd say, "You got something to tell me?" | 0:30:05 | 0:30:08 | |
And I'd say, "No." And he'd say, "Well, I think you have." | 0:30:08 | 0:30:11 | |
-He would know, wouldn't he? -Yeah. | 0:30:11 | 0:30:12 | |
And all of these badges and emblems and medals, they're all his. | 0:30:12 | 0:30:16 | |
Can you talk me through, here? | 0:30:16 | 0:30:17 | |
-Well, that would be his cap badge in the '30s. -Yeah. -Right? | 0:30:17 | 0:30:22 | |
And then that was his number when he started. | 0:30:22 | 0:30:25 | |
Then he was a Sergeant with the number 8. | 0:30:25 | 0:30:27 | |
-Yeah. -Then he was an inspector... | 0:30:27 | 0:30:30 | |
-Right. -..and he went into a cap... | 0:30:30 | 0:30:32 | |
-HE WHISTLES -Oh, I see. -Which became that. | 0:30:32 | 0:30:35 | |
And then he progressed up the line, | 0:30:35 | 0:30:38 | |
which gave him a crown on the shoulders. | 0:30:38 | 0:30:40 | |
-Meaning what? -Just a higher rank. -Service? -Yeah. -Yeah. | 0:30:40 | 0:30:43 | |
After that, he done the distance through the medals. | 0:30:43 | 0:30:46 | |
OK, so what medals have we got here? | 0:30:46 | 0:30:48 | |
What are they relating to? | 0:30:48 | 0:30:50 | |
One's a war medal... | 0:30:50 | 0:30:51 | |
-OK, so that's service during the Second World War? -Yeah. -Yeah. | 0:30:51 | 0:30:55 | |
Which, in actual fact, me mother took a bit of stick over that, | 0:30:55 | 0:30:58 | |
because everybody else's husband went in the forces... | 0:30:58 | 0:31:01 | |
-Yeah. -..and they used to say to her, "It's all right for you, | 0:31:01 | 0:31:04 | |
-"your husband's at home." -Yeah. | 0:31:04 | 0:31:06 | |
-But he had to be home. -Of course he did, yeah. | 0:31:06 | 0:31:09 | |
-That was it. -Yeah. -And then he got a Coronation medal. | 0:31:09 | 0:31:12 | |
-That's the one there. -OK. | 0:31:12 | 0:31:13 | |
Your dad was issued with a medal to wear on the day, I suppose? | 0:31:13 | 0:31:16 | |
-Yeah. -OK. -Is that for long service, this one? | 0:31:16 | 0:31:19 | |
-More than likely. -Yeah? -More than likely. | 0:31:19 | 0:31:21 | |
And then, to top it all, | 0:31:21 | 0:31:23 | |
Queen's Police Medal for duty to the country. | 0:31:23 | 0:31:26 | |
And this, I assume, then, | 0:31:26 | 0:31:28 | |
relates to the letter here | 0:31:28 | 0:31:30 | |
from the Home Office at Whitehall dated 1962, | 0:31:30 | 0:31:33 | |
-so this, I'm guessing, is just before your dad retires. -Yeah. | 0:31:33 | 0:31:37 | |
It says here, "Sir, I am directed by the Secretary of State | 0:31:37 | 0:31:40 | |
"to inform you that Her Majesty the Queen is pleased to award you | 0:31:40 | 0:31:45 | |
"the Queen's Police Medal for distinguished service." | 0:31:45 | 0:31:48 | |
That's pretty good going, isn't it? | 0:31:48 | 0:31:50 | |
That ain't bad for 32 years, is it? | 0:31:50 | 0:31:52 | |
32 years is all wrapped up in that one medal. | 0:31:52 | 0:31:56 | |
-It is. -He must have been so proud. -Oh, yeah. -And you, too. | 0:31:56 | 0:31:59 | |
-Oh, yeah. -Yeah? | 0:31:59 | 0:32:00 | |
He gave his life to it, you know what I mean? | 0:32:00 | 0:32:02 | |
Yeah - and you're right, this, including his truncheon, | 0:32:02 | 0:32:05 | |
actually sums up one man's career and one man's life. | 0:32:05 | 0:32:09 | |
So when you look at these things, it must flood back, memories, | 0:32:09 | 0:32:13 | |
-good and bad, I assume? -Yeah. -But what's the situation today? | 0:32:13 | 0:32:16 | |
-What are you looking to do? -I'm going to unload them, if I can. | 0:32:16 | 0:32:19 | |
I mean, they've been in the back of the wardrobe. | 0:32:19 | 0:32:21 | |
They don't deserve to be in the back of the wardrobe. | 0:32:21 | 0:32:24 | |
-They don't. -For 40 or 50 years, or whatever. | 0:32:24 | 0:32:26 | |
They don't. There are collectors out there for this sort of thing, | 0:32:26 | 0:32:29 | |
and rightly so. | 0:32:29 | 0:32:30 | |
They need to be, now, in a collection. | 0:32:30 | 0:32:32 | |
They're almost museum quality, | 0:32:32 | 0:32:34 | |
and you've got all that local connection, as well. | 0:32:34 | 0:32:36 | |
They'd sit well here, today, in a museum, wouldn't they? | 0:32:36 | 0:32:39 | |
-Oh, yeah. -They really would. | 0:32:39 | 0:32:40 | |
So, they want to be offered to someone | 0:32:40 | 0:32:42 | |
who's going to look after them and display them. | 0:32:42 | 0:32:44 | |
So, it's very difficult to value a man's career and life | 0:32:44 | 0:32:49 | |
-sat in front of us... -Yeah. | 0:32:49 | 0:32:51 | |
..but unfortunately we have to do it, and I think... | 0:32:51 | 0:32:53 | |
I don't know whether you're going to be shocked or horrified, here, | 0:32:53 | 0:32:56 | |
but I think, in auction... | 0:32:56 | 0:32:58 | |
..their value, really, sensibly, is only £200-300 for the collection, | 0:32:59 | 0:33:04 | |
which seems a drop in the ocean. | 0:33:04 | 0:33:06 | |
-Well, yeah... -Doesn't it? | 0:33:06 | 0:33:08 | |
Compared to what it actually represents - | 0:33:08 | 0:33:11 | |
but I think, more to the point, it needs to be out there on display. | 0:33:11 | 0:33:15 | |
-Let's get it out there. -Shall we do it? | 0:33:15 | 0:33:17 | |
-Someone enjoy it. -Are you happy at that, 200-300? | 0:33:17 | 0:33:19 | |
-Oh, yeah. -With a little bit of discretion on the 200? | 0:33:19 | 0:33:22 | |
-Yeah, yeah. Fine, yeah. -Len, let's go to auction. | 0:33:22 | 0:33:25 | |
-Let's do it. -Let's do it. | 0:33:25 | 0:33:26 | |
Well, we've found two items, so, so far, so good. | 0:33:33 | 0:33:35 | |
Everyone's having a cracking time. | 0:33:35 | 0:33:37 | |
We only need one more before we go off to auction | 0:33:37 | 0:33:39 | |
and, I tell you what, my day just gets better and better and better, | 0:33:39 | 0:33:42 | |
because I have just bumped into Martha here with a tray of delights. | 0:33:42 | 0:33:46 | |
Look at that, very Nice, I must say. | 0:33:46 | 0:33:48 | |
Now, the viewers might recognise you... | 0:33:48 | 0:33:50 | |
Look at this face - yes, you're working it out now. | 0:33:50 | 0:33:53 | |
Remind everybody where they last saw you? | 0:33:53 | 0:33:55 | |
So, I was on the Great British Bake Off season five, | 0:33:55 | 0:33:58 | |
and I've made some coconut Nice biscuits and some iced gems, | 0:33:58 | 0:34:02 | |
which originate from right here. | 0:34:02 | 0:34:04 | |
So you've made this, inspired by Huntley & Palmers? | 0:34:04 | 0:34:07 | |
Yes - so, I did an event here in Reading | 0:34:07 | 0:34:08 | |
with people who used to work in the factory | 0:34:08 | 0:34:10 | |
and they were sharing their stories with me, | 0:34:10 | 0:34:12 | |
and I hadn't realised that things like iced gems | 0:34:12 | 0:34:14 | |
were actually made right here, invented here. | 0:34:14 | 0:34:16 | |
They put some biscuits in the oven one day and they came out shrunk, | 0:34:16 | 0:34:19 | |
and they thought, "Do you know what? We'll just sell them as gems," | 0:34:19 | 0:34:21 | |
and they were un-iced, | 0:34:21 | 0:34:22 | |
and they sold them for about 30 years with no icing on at all, | 0:34:22 | 0:34:25 | |
and then one day they thought, "Do you know what? | 0:34:25 | 0:34:27 | |
"let's put some icing on them, make them a bit more fun." | 0:34:27 | 0:34:29 | |
It was about 100 years ago now, | 0:34:29 | 0:34:30 | |
but they're still on every party table all around the country. | 0:34:30 | 0:34:33 | |
-They look great. -Thank you. | 0:34:33 | 0:34:34 | |
I bet they taste great. I'm going to have a go in a minute, | 0:34:34 | 0:34:36 | |
but I'm going to offer some to the audience. | 0:34:36 | 0:34:38 | |
Go on, have one of these, have one of these. | 0:34:38 | 0:34:40 | |
Thank you very much. | 0:34:40 | 0:34:41 | |
Really good. | 0:34:42 | 0:34:43 | |
Thank you! | 0:34:46 | 0:34:47 | |
Do you know, what? That is fantastic. | 0:34:47 | 0:34:49 | |
That is really good, isn't it? | 0:34:49 | 0:34:50 | |
That just melts in your mouth. | 0:34:50 | 0:34:52 | |
I just love the way that it makes so many people happy. | 0:34:52 | 0:34:55 | |
Nobody ever says no to cake, and it makes you a lot of friends. | 0:34:55 | 0:34:58 | |
I just love to share food around. | 0:34:58 | 0:35:00 | |
Now it's time for our final valuation of the day, | 0:35:00 | 0:35:03 | |
and Nick has come across a couple of pieces of grandmother's silver. | 0:35:03 | 0:35:08 | |
Well, Peter, I spotted you outside in the queue | 0:35:08 | 0:35:10 | |
with these two little quirky bits of silver. | 0:35:10 | 0:35:12 | |
They were actually my grandmother's. | 0:35:12 | 0:35:14 | |
When I was clearing the house when my mother died, | 0:35:14 | 0:35:16 | |
we picked up these things... | 0:35:16 | 0:35:18 | |
-Right. -..and these were actually... came back from Latvia. | 0:35:18 | 0:35:20 | |
-OK. -When the Russians invaded, | 0:35:20 | 0:35:22 | |
it was one of the things... They could only carry... | 0:35:22 | 0:35:24 | |
They had to leave everything else behind... | 0:35:24 | 0:35:26 | |
..and they had to actually flee, | 0:35:26 | 0:35:28 | |
and the few things they brought with them. | 0:35:28 | 0:35:29 | |
-Oh, excellent. -That and some cutlery, and that was it. | 0:35:29 | 0:35:32 | |
Pocket-sized things, really. | 0:35:32 | 0:35:33 | |
Pocket sized, it was all you could carry. Yeah. | 0:35:33 | 0:35:35 | |
-You were running for your life. -Absolutely. | 0:35:35 | 0:35:37 | |
The stories behind these things are half as interesting | 0:35:37 | 0:35:39 | |
as the items themselves. I just LOVE this. | 0:35:39 | 0:35:42 | |
-I love this. -Yeah. -I know it's a cigarette case, | 0:35:42 | 0:35:45 | |
and cigarette smoking is a bit de rigueur, | 0:35:45 | 0:35:47 | |
but of the time, it's beautiful. | 0:35:47 | 0:35:49 | |
Now, they're both Latvian silver, | 0:35:49 | 0:35:51 | |
so they're from your parents' home...home country. | 0:35:51 | 0:35:54 | |
Bernard Bergholz is the maker of that one. | 0:35:54 | 0:35:57 | |
Do you know what? We've looked at this, | 0:35:57 | 0:35:59 | |
I can't dig a maker out for this one. | 0:35:59 | 0:36:00 | |
We have tried. They are similar sorts of dates, | 0:36:00 | 0:36:03 | |
-and this we can date because of the mark. -Mm-hm. | 0:36:03 | 0:36:06 | |
It's 1924 to 1944 - | 0:36:06 | 0:36:09 | |
but we can date this even better inside | 0:36:09 | 0:36:10 | |
-cos there's a little inscription, isn't there? -Yes, that's right. | 0:36:10 | 0:36:13 | |
The little owl, that was a mark of endearment | 0:36:13 | 0:36:16 | |
-by my grandfather to my grandmother... -Oh, sweet. | 0:36:16 | 0:36:18 | |
-..and he used to call her owl. -He used to call her owl? | 0:36:18 | 0:36:20 | |
Yeah, made that, and that was... | 0:36:20 | 0:36:22 | |
..and presented it, and that was her birthday. | 0:36:22 | 0:36:24 | |
That's beautiful. | 0:36:24 | 0:36:26 | |
What a nice touch. | 0:36:26 | 0:36:27 | |
I mean, from the outside it's got nuances of Russian silver, | 0:36:27 | 0:36:31 | |
and this coiled snake, | 0:36:31 | 0:36:33 | |
and the way his tongue comes round right to the snap, | 0:36:33 | 0:36:36 | |
you can almost hear his mouth snapping as you shut it. | 0:36:36 | 0:36:39 | |
I think it's beautiful. | 0:36:39 | 0:36:40 | |
Your little matchbook cover complements, as well. | 0:36:40 | 0:36:44 | |
Slightly different. | 0:36:44 | 0:36:45 | |
I suspect might be a little bit earlier, | 0:36:45 | 0:36:47 | |
-maybe the same sort of period. -Yeah. | 0:36:47 | 0:36:49 | |
I always thought this one was German, actually, | 0:36:49 | 0:36:51 | |
because of the scene. | 0:36:51 | 0:36:53 | |
-It's very Black Forest, absolutely. -Yeah. | 0:36:53 | 0:36:55 | |
When you look at it, like you say, it's a typical woodland scene - | 0:36:55 | 0:36:58 | |
but they're just something a bit different, something a bit unusual, | 0:36:58 | 0:37:01 | |
-but this, to me... -Yeah. -I prefer this than that, personally, | 0:37:01 | 0:37:04 | |
I think it reeks of better quality. | 0:37:04 | 0:37:06 | |
-Yeah. -What about value? | 0:37:06 | 0:37:07 | |
-They're difficult. -Yeah, I can believe that. | 0:37:08 | 0:37:10 | |
They're difficult because of what they are, they're smoking-related. | 0:37:10 | 0:37:13 | |
Also they're not English silver, | 0:37:13 | 0:37:15 | |
and people tend to love a hallmark in this country - | 0:37:15 | 0:37:17 | |
but the design is beautiful. | 0:37:17 | 0:37:19 | |
On both of them, but, again, particularly this one. | 0:37:19 | 0:37:21 | |
My head's telling me 60, 80, | 0:37:21 | 0:37:23 | |
my heart's saying it's worth more, should be 80 to 100. | 0:37:23 | 0:37:25 | |
So let's go 80 to 100, with a bit of discretion. | 0:37:25 | 0:37:28 | |
-Yeah, I'm happy with that. -OK? Are you happy with that? -Yeah. | 0:37:28 | 0:37:30 | |
That one probably not as much. | 0:37:30 | 0:37:32 | |
That one I would have thought you're going to be around about 30 to 40, | 0:37:32 | 0:37:35 | |
reserve around the bottom estimate's 30 on that one, 80 on that one. | 0:37:35 | 0:37:38 | |
-How does that sound? -I'm happy with that. | 0:37:38 | 0:37:40 | |
Thanks ever so much for bringing them along... | 0:37:40 | 0:37:42 | |
-My pleasure, sir. -..and we shall see you at the auction, | 0:37:42 | 0:37:44 | |
-and enjoy ourselves. -Will do. | 0:37:44 | 0:37:46 | |
Well, that's it, we've found our final three items | 0:37:46 | 0:37:49 | |
to take off to auction - | 0:37:49 | 0:37:50 | |
so, it's time to say goodbye to Reading Town Hall. | 0:37:50 | 0:37:53 | |
We've been made very welcome here today, | 0:37:53 | 0:37:55 | |
and I've loved finding out about Reading's biscuit heritage. | 0:37:55 | 0:37:58 | |
Before we head off to the saleroom, though, | 0:37:58 | 0:38:01 | |
here's a quick reminder of the items that are going under the hammer. | 0:38:01 | 0:38:04 | |
Barbara's Huntley & Palmers biscuit tin shows an idyllic country scene | 0:38:04 | 0:38:08 | |
with a few hidden extras, and it's still full of biscuits. | 0:38:08 | 0:38:12 | |
Len's collection of police memorabilia, | 0:38:14 | 0:38:16 | |
including badges, medals and a truncheon, | 0:38:16 | 0:38:18 | |
are mementos of his father's 32 years' dedicated service | 0:38:18 | 0:38:22 | |
in the force... | 0:38:22 | 0:38:23 | |
..and finally, fashioned from Latvian silver, | 0:38:25 | 0:38:27 | |
let's hope Peter's cigarette case and matchbox cover | 0:38:27 | 0:38:31 | |
strike a chord with the bidders... | 0:38:31 | 0:38:33 | |
..as we head back to Martin & Pole, | 0:38:35 | 0:38:37 | |
where auctioneer Matt Coles is still hard at work. | 0:38:37 | 0:38:40 | |
Latvian silver, absolute little treasures, aren't they? | 0:38:41 | 0:38:44 | |
-Yes. -Family heirlooms. -Yes, they are. | 0:38:44 | 0:38:45 | |
So, why are you selling these? | 0:38:45 | 0:38:47 | |
They've been sitting in a drawer for years, | 0:38:47 | 0:38:49 | |
so I thought, "Time to move on." | 0:38:49 | 0:38:50 | |
-I can understand that. -Mm. | 0:38:50 | 0:38:51 | |
Right, let's find out what the bidders think, | 0:38:51 | 0:38:53 | |
because I'm quite excited about these. | 0:38:53 | 0:38:55 | |
They're going under the hammer right now. | 0:38:55 | 0:38:57 | |
The continental style cigarette case, | 0:38:57 | 0:38:59 | |
I have absentee bids on this one. | 0:38:59 | 0:39:01 | |
I can start it with me at £85. | 0:39:01 | 0:39:02 | |
90, anywhere? | 0:39:02 | 0:39:04 | |
With me at £85. | 0:39:04 | 0:39:05 | |
I'm selling at £85... | 0:39:05 | 0:39:07 | |
-Straight in. -Any more at £85? | 0:39:07 | 0:39:10 | |
At 85, then, selling. | 0:39:10 | 0:39:11 | |
Are we all done? | 0:39:11 | 0:39:13 | |
-Oh, that's gone. It was a nice Art Deco piece, though, wasn't it? -Yeah. | 0:39:14 | 0:39:17 | |
And here's the next lot, the little matchbox cover. | 0:39:17 | 0:39:19 | |
Start this with me at £22. | 0:39:20 | 0:39:21 | |
25, anywhere? | 0:39:21 | 0:39:23 | |
With me at £22? | 0:39:23 | 0:39:25 | |
Any further offers at £22? | 0:39:25 | 0:39:27 | |
Are we all done at £22? | 0:39:27 | 0:39:28 | |
Gosh, that's nothing, is it? | 0:39:28 | 0:39:30 | |
-At 25... -Oh. -At 28? -Go on! | 0:39:30 | 0:39:32 | |
With me at £28, now. | 0:39:32 | 0:39:34 | |
One more? 30 with you, now. | 0:39:34 | 0:39:36 | |
£30. Any further offers at £30? | 0:39:36 | 0:39:39 | |
Selling, then, for £30... | 0:39:39 | 0:39:41 | |
It sold at £30, just. | 0:39:41 | 0:39:43 | |
That was on your estimates. | 0:39:43 | 0:39:45 | |
Well, that's a total of £115. | 0:39:45 | 0:39:47 | |
-Happy? -I'm happy with that, yes. | 0:39:47 | 0:39:49 | |
Pay for a good night out. | 0:39:49 | 0:39:50 | |
I'm quite happy with that. | 0:39:50 | 0:39:52 | |
Next up it's that Huntley & Palmers biscuit tin. | 0:39:53 | 0:39:56 | |
Oh, crumbs, Barbara! | 0:39:57 | 0:39:59 | |
See, I had to start with that, didn't I? | 0:39:59 | 0:40:00 | |
-You know what's coming up, don't you? -Yes. | 0:40:00 | 0:40:02 | |
Yes, the biscuit tin. | 0:40:02 | 0:40:03 | |
We couldn't come to Reading without finding a biscuit tin. | 0:40:03 | 0:40:06 | |
-No, certainly not. No. -Especially not a naughty one! | 0:40:06 | 0:40:08 | |
I've seen that one before. | 0:40:08 | 0:40:10 | |
-Condition's good? -Yes. -Yeah? -Still perfect condition. | 0:40:10 | 0:40:13 | |
-It is, isn't it? -Yes. -Been in the cupboard for 30 years! | 0:40:13 | 0:40:16 | |
Let's find out what it's worth, it's going under the hammer right now. | 0:40:16 | 0:40:19 | |
Here we go, this is it. | 0:40:19 | 0:40:20 | |
I've got absentee bids on this one, I have to start it with me at £40. | 0:40:21 | 0:40:25 | |
42, anywhere? | 0:40:25 | 0:40:27 | |
With me at £40. | 0:40:27 | 0:40:29 | |
Any further offers at £40? | 0:40:29 | 0:40:31 | |
At £40, then? | 0:40:31 | 0:40:33 | |
-All done? -Yes... | 0:40:33 | 0:40:34 | |
42. 45. | 0:40:34 | 0:40:36 | |
With me at £45, now. | 0:40:37 | 0:40:39 | |
Any more, at 45? | 0:40:39 | 0:40:41 | |
As £45, now. | 0:40:41 | 0:40:42 | |
Are we all done, then, at 45? | 0:40:42 | 0:40:44 | |
We had a reserve of £60... | 0:40:45 | 0:40:47 | |
-£60 discretion. -Not quite there. | 0:40:47 | 0:40:49 | |
-No. -Not quite there. | 0:40:49 | 0:40:51 | |
I think that's a good thing. | 0:40:51 | 0:40:52 | |
-I think we don't want to sell this too cheaply... -No. | 0:40:52 | 0:40:54 | |
-..stick to that £60 reserve and hopefully another day, OK? -Yes. | 0:40:54 | 0:40:58 | |
-Better luck next time, OK? -Yes, OK. | 0:40:58 | 0:40:59 | |
-Thank you very much for bringing it in, though. -Thank you. | 0:40:59 | 0:41:02 | |
Now for our final lot of the day. | 0:41:07 | 0:41:10 | |
-Leonard, good luck with this. -Thank you. | 0:41:10 | 0:41:12 | |
We're talking about the police memorabilia - | 0:41:12 | 0:41:14 | |
all of this memorabilia is your dad's, isn't it? | 0:41:14 | 0:41:17 | |
Is this a bit of a wrench, to let go? | 0:41:17 | 0:41:19 | |
-Not really. -Not really? -No. | 0:41:19 | 0:41:20 | |
Well, look, it's great. | 0:41:20 | 0:41:21 | |
What we've got here, with the medals and everything, | 0:41:21 | 0:41:24 | |
-the whole collection, I think it's fantastic. -Yes. | 0:41:24 | 0:41:26 | |
I think this has got to stay in the borough, | 0:41:26 | 0:41:27 | |
-it's got to stay in Reading. -It'd be nice. | 0:41:27 | 0:41:29 | |
We're going to put this to the test | 0:41:29 | 0:41:31 | |
as it goes under the hammer right now. | 0:41:31 | 0:41:32 | |
Here's the collection of police memorabilia. | 0:41:33 | 0:41:36 | |
Interesting lot, this one. | 0:41:36 | 0:41:37 | |
I have to start it with me at £290. | 0:41:37 | 0:41:42 | |
-Good. -290, 300. | 0:41:42 | 0:41:44 | |
£290. Any further offers at 290? | 0:41:44 | 0:41:47 | |
-Come on. -Hang on, the internet's going wild. | 0:41:47 | 0:41:50 | |
Hang on. Hang on, hang on. | 0:41:50 | 0:41:51 | |
We've got the internet at £380. | 0:41:51 | 0:41:54 | |
I've got 400 here. | 0:41:54 | 0:41:56 | |
-Great. -At £400 with me, 420. | 0:41:56 | 0:41:59 | |
-Come on. -450, here. | 0:41:59 | 0:42:01 | |
Brilliant, there's someone in the room. | 0:42:01 | 0:42:03 | |
I've got a bid, here, of 480, actually. | 0:42:03 | 0:42:05 | |
480 with me, at 480. | 0:42:05 | 0:42:08 | |
Where do you want to go on the internet? | 0:42:08 | 0:42:10 | |
500, thank you. | 0:42:10 | 0:42:11 | |
At £500. Any more at £500? | 0:42:11 | 0:42:13 | |
At 500. | 0:42:15 | 0:42:17 | |
-You want to bid? -Go on! | 0:42:17 | 0:42:19 | |
Yeah? 550 on the telephone, now. | 0:42:19 | 0:42:21 | |
550. | 0:42:21 | 0:42:22 | |
-It's good. -Any more, at 550? | 0:42:22 | 0:42:25 | |
600 on the internet, now. | 0:42:25 | 0:42:26 | |
600 against us... | 0:42:26 | 0:42:29 | |
The suspense is killing me here! | 0:42:29 | 0:42:31 | |
Any more? | 0:42:32 | 0:42:34 | |
It's on the internet at £600. | 0:42:34 | 0:42:35 | |
At £600, then. | 0:42:35 | 0:42:37 | |
Any more at £600? | 0:42:37 | 0:42:39 | |
Selling on the internet, then, at £600. | 0:42:39 | 0:42:41 | |
All done? | 0:42:41 | 0:42:42 | |
Yes, it went on the internet, | 0:42:42 | 0:42:44 | |
-but hopefully that person's bidding from Berkshire. -Good man. -£600. | 0:42:44 | 0:42:48 | |
-My expert. Good boy. -£600. | 0:42:48 | 0:42:51 | |
-Feel all right about that? -Oh, yeah, magic. | 0:42:51 | 0:42:53 | |
-Good, good. -Well done, Dad. | 0:42:53 | 0:42:55 | |
-Yeah, well done, Dad, yeah. -Absolutely. | 0:42:55 | 0:42:56 | |
What a career. What a great career he had. | 0:42:56 | 0:42:59 | |
You're smiling and we're smiling, | 0:42:59 | 0:43:01 | |
and it's brought our show to a close today with a lovely surprise. | 0:43:01 | 0:43:04 | |
-Yeah, it was. -So, thank you so much. | 0:43:04 | 0:43:05 | |
-Thank you. -I hope you've enjoyed the show, | 0:43:05 | 0:43:07 | |
we thoroughly enjoyed being here, | 0:43:07 | 0:43:08 | |
and do join us again for many more surprises - | 0:43:08 | 0:43:10 | |
but until then, it's goodbye from Wokingham, and evenin' all. | 0:43:10 | 0:43:14 |