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Cornwall has some of the most beautiful and stunning coastline, | 0:00:02 | 0:00:06 | |
but it can be very treacherous. This kind of stuff gives rise to legends of shipwrecks and pirates. | 0:00:06 | 0:00:13 | |
That's what we hope to find today - some real treasure on Flog It. | 0:00:13 | 0:00:17 | |
Penzance is an ancient market town in the depths of west Cornwall. | 0:00:57 | 0:01:01 | |
It was the inspiration for Gilbert and Sullivan's musical baddies, the Pirates of Penzance. | 0:01:01 | 0:01:07 | |
And we're hoping these lovely landlubbers in this massive queue have plenty of loot to plunder. | 0:01:18 | 0:01:24 | |
Our two pirate kings are Philip Serrell and Jethro Marles. | 0:01:24 | 0:01:28 | |
-Right, me hearties? -Aye-aye, cap'n. | 0:01:28 | 0:01:31 | |
While everyone's unpacking their treasures, let's see who Philip's got to walk the plank. | 0:01:31 | 0:01:39 | |
-Lesley, how are you? -Fine, thanks. | 0:01:39 | 0:01:42 | |
This has been in an auction before. It's got Lot 211 on there. | 0:01:42 | 0:01:47 | |
-Shall I find out what it is? -Go on. | 0:01:47 | 0:01:50 | |
The Lifeguard Patent Periscope. | 0:01:52 | 0:01:56 | |
Sole Makers F Duerr and Son, Manchester. | 0:01:56 | 0:02:00 | |
-A periscope. -Mm-hm. | 0:02:00 | 0:02:02 | |
What on earth happens here? | 0:02:04 | 0:02:07 | |
-Where did you get this from? -My grandfather. -Your grandfather. | 0:02:07 | 0:02:12 | |
Yes, he brought it back at the end of WWI. | 0:02:12 | 0:02:16 | |
There's that Jethro over there. I can see him looking at me. | 0:02:16 | 0:02:20 | |
Is he waving at me or shooting at me? That's a great thing. | 0:02:20 | 0:02:25 | |
-So this was your granddad's. -Well, yes and no. He didn't actually use it. | 0:02:26 | 0:02:32 | |
He was in the army and worked behind the lines looking after the horses. | 0:02:32 | 0:02:37 | |
At the end of WWI, he was sent over to Germany to help the rebuilding | 0:02:37 | 0:02:42 | |
and he came back with all sorts of bits and pieces. That was one. | 0:02:42 | 0:02:46 | |
It's just a really cool thing. | 0:02:46 | 0:02:49 | |
You arrive at a figure for valuation by comparison. | 0:02:50 | 0:02:55 | |
So if you've sold a painting by John Constable for X and someone brings another one in, | 0:02:55 | 0:03:01 | |
you know it's probably going to be worth X plus or minus 10%. | 0:03:01 | 0:03:06 | |
-This may come as some surprise to you, but I haven't sold too many periscopes. -No! | 0:03:06 | 0:03:12 | |
And the truthful answer is I have no idea what it's worth. | 0:03:12 | 0:03:16 | |
But it's a great talking point. Really a good bit of fun. | 0:03:16 | 0:03:20 | |
My guess is... | 0:03:20 | 0:03:23 | |
that it's worth sort of £30-£50. Stick a reserve on it of £25. | 0:03:23 | 0:03:29 | |
Anybody would pay that. It's a great thing to have at a dinner party. | 0:03:29 | 0:03:34 | |
It's just wonderful, that. | 0:03:34 | 0:03:37 | |
-Are you going to sell it? -Yes. | 0:03:37 | 0:03:39 | |
-It's just been sitting in our loft. -I think I can just see a buyer! | 0:03:39 | 0:03:44 | |
-Now, Doreen... May I call you Doreen? -Of course. -I'm Jethro. | 0:03:54 | 0:03:58 | |
You've brought in this little clock. It's left a space on your mantelpiece, I guess. | 0:03:58 | 0:04:04 | |
-Well, in the glass cabinet. -How long's it been in that glass cabinet? | 0:04:04 | 0:04:10 | |
-Since 1942. -Well, it's older than that. Older than 50-60 years old. | 0:04:10 | 0:04:15 | |
-Is it? Oh, yes? -You had it from new, you thought? | 0:04:15 | 0:04:19 | |
No, my husband gave it to me in 1942. | 0:04:19 | 0:04:22 | |
-Where did he get it from? -I don't know. It was a present. | 0:04:22 | 0:04:27 | |
-I've got no idea. -Well, let's have a little look. | 0:04:27 | 0:04:31 | |
It has a small clock mechanism in the top with a figure of Old Father Time on it. | 0:04:31 | 0:04:37 | |
He's off lighting the lamps, lighting lamps in the street. | 0:04:37 | 0:04:41 | |
-Or calling out, "Get up from bed!" -Or something like that. | 0:04:41 | 0:04:46 | |
The style, does it say anything to you about when it was made? | 0:04:46 | 0:04:51 | |
Well, no. I shouldn't think... Around 1900, is it? | 0:04:51 | 0:04:55 | |
Very good! Very good. | 0:04:55 | 0:04:58 | |
It is around about 1900. You've got this Art Nouveau influence | 0:04:58 | 0:05:04 | |
and this very dark grassy green glaze. | 0:05:04 | 0:05:07 | |
I can see this sitting on an oak sideboard. That was the sort of colour scheme people had. | 0:05:07 | 0:05:15 | |
-Let's have a look underneath and see what it says. -Not a lot. | 0:05:15 | 0:05:19 | |
-It's on the back. -Here we go. | 0:05:19 | 0:05:22 | |
It's got a registered number. | 0:05:22 | 0:05:25 | |
-And I can tell you that that is for 1901. -Is it really? | 0:05:25 | 0:05:29 | |
-So you were spot on. -Near enough. Well, I never. | 0:05:29 | 0:05:33 | |
A year out is pretty good. | 0:05:33 | 0:05:35 | |
This is Intasien ware. Fully marked on the back here. | 0:05:35 | 0:05:39 | |
Of course, you wouldn't look at the back of a clock. | 0:05:39 | 0:05:44 | |
They haven't bothered with glazing on the back. | 0:05:44 | 0:05:47 | |
-It all looks a bit messy. -It does. -But that would have been against the wall. Never saw it. | 0:05:47 | 0:05:53 | |
So what's the point in decorating it? Don't waste precious glaze, even on the back of a clock. | 0:05:53 | 0:06:00 | |
The great thing about it is this fellow and the motif to get you up and get you going. | 0:06:00 | 0:06:07 | |
-I have to say the thing against it is the colour scheme. -Oh, I see. -A little bit. | 0:06:07 | 0:06:13 | |
If anybody wants this in their house, it's not subtle, is it? | 0:06:13 | 0:06:18 | |
-It's not going to blend in. -It isn't going to blend in easily. | 0:06:18 | 0:06:22 | |
But a lot of people collect this sort of motto ware. | 0:06:22 | 0:06:26 | |
-I thought it might make around about £100. -Yes. -Maybe. | 0:06:26 | 0:06:30 | |
And I think, realistically, if you put a reserve of £100, that's as much as you should push it. | 0:06:30 | 0:06:36 | |
-Would you put it in with a reserve of £100? -Yes, I would. | 0:06:36 | 0:06:42 | |
An estimate of £100-£150 is fair enough, but if the reserve is £100, | 0:06:42 | 0:06:47 | |
it could sell for £100. And you would be happy with that? | 0:06:47 | 0:06:52 | |
-That's right. -Despite it being a gift from your husband? -That's right. | 0:06:52 | 0:06:58 | |
Getting older. Things have got to go. | 0:06:58 | 0:07:00 | |
You've got to bite the bullet. | 0:07:00 | 0:07:03 | |
-Let's put it in. -Thank you. | 0:07:03 | 0:07:06 | |
Bob and Sandra, you haven't let me down. Lots of Troika. We're here in Cornwall. | 0:07:11 | 0:07:17 | |
I'm so pleased to be back home. | 0:07:17 | 0:07:20 | |
-Flog It has brought Troika out of the woodwork. -Right. -It has. | 0:07:20 | 0:07:25 | |
-What's his or her name? -Fern. -It's a her. | 0:07:25 | 0:07:29 | |
That's got to be the best-behaved Jack Russell I've ever met. | 0:07:29 | 0:07:33 | |
It'll soon be time for the W. Walkies! | 0:07:33 | 0:07:37 | |
-Are you ready for a walk? -Oh, dear. | 0:07:37 | 0:07:40 | |
Thank you for bringing Troika in. We had to see some down here. | 0:07:40 | 0:07:45 | |
You've brought a choice piece in. How did you come by this? | 0:07:45 | 0:07:49 | |
-It was bought for me as a Christmas present. -Oh, yes? -When I worked in a school. -As a teacher? | 0:07:49 | 0:07:56 | |
-No, I was a school cook. -You worked there how many years? -10. | 0:07:56 | 0:08:01 | |
-And this was a leaving present? -Yes. -Did you leave in the '70s? -Yes. | 0:08:01 | 0:08:06 | |
How did I work that out? | 0:08:06 | 0:08:09 | |
This was very prolific in the '70s. | 0:08:09 | 0:08:12 | |
If you watch Flog It, you must know a bit about Troika. | 0:08:12 | 0:08:16 | |
Only what I've seen on Flog It. | 0:08:16 | 0:08:19 | |
OK, this is a very nice vase. It's got two face sides to it. | 0:08:19 | 0:08:24 | |
-If you get bored looking at it that way, you can put it back that way. -Right. | 0:08:24 | 0:08:31 | |
-Troika started in 1963. -Oh, right. -In St Ives, | 0:08:31 | 0:08:37 | |
which is just down the road, really. | 0:08:37 | 0:08:39 | |
They settled on the name Troika two or three years later. | 0:08:39 | 0:08:43 | |
And things became very good for them. And at one stage, in the mid-'70s, | 0:08:43 | 0:08:50 | |
-they had 80 workers working for them. -Oh. -At their peak. | 0:08:50 | 0:08:55 | |
A lot were working from home, freelance, | 0:08:55 | 0:08:58 | |
and a lot were part-timers. | 0:08:58 | 0:09:00 | |
The lady that spent the majority of time working for them was one of the artists they employed. | 0:09:00 | 0:09:07 | |
Her name was Avril Bennett. If I turn this over... | 0:09:07 | 0:09:10 | |
There you can see, "Troika, Cornwall, AB". Avril Bennett. | 0:09:10 | 0:09:15 | |
She signed this. | 0:09:15 | 0:09:17 | |
So this one is one of her prolific pieces. It's a lovely spill vase. | 0:09:17 | 0:09:23 | |
-What do people use them for? Pens and pencils? -Yes. | 0:09:23 | 0:09:27 | |
-My parents put pens and pencils in there. -Yes. -Their original wares were white and smooth, | 0:09:27 | 0:09:33 | |
but it was these rough-textured wares that the tourists wanted. | 0:09:33 | 0:09:38 | |
When you came down to Cornwall in the 1970s, everybody went back with a piece of Troika. | 0:09:38 | 0:09:44 | |
That cost about £7. What do you think it's worth today? | 0:09:44 | 0:09:49 | |
Well, only from looking at Flog It, about £100. | 0:09:49 | 0:09:54 | |
You're spot on. That would be your reserve. We could put it in auction with a value of £120-£180. | 0:09:54 | 0:10:02 | |
-Right. -Avril Bennett is a good name. She's very prolific, though. | 0:10:02 | 0:10:07 | |
-The other thing that puts the value up now is having blue on it. -Right. | 0:10:07 | 0:10:12 | |
Collectors like a bit of blue. We have a little bluey-green so we're OK, not in the doldrums. | 0:10:12 | 0:10:18 | |
And, of course, condition. Because it's so affordable, collectors want it perfect. | 0:10:18 | 0:10:25 | |
And it's in perfect condition. There's no scratches or chips. Shall we flog it, then? | 0:10:25 | 0:10:32 | |
-Yes, please. -Shall we? -Yes. | 0:10:32 | 0:10:34 | |
-Happy with the valuation? -Yes. -What do YOU think? | 0:10:34 | 0:10:38 | |
-Buy a few dog biscuits. -Woof! | 0:10:38 | 0:10:41 | |
-How are you? -Fine, thank you. -Where has this chap come from? | 0:10:49 | 0:10:53 | |
It was given to me by my mother-in-law two years ago. She passed away in November. | 0:10:53 | 0:11:00 | |
-There are one or two things she's left. -What don't you like? | 0:11:00 | 0:11:04 | |
-Why is it going? -Because I would like to sell it and use the money elsewhere. | 0:11:04 | 0:11:10 | |
-What will you do with it? -I'm going to buy a puppy. -A puppy? | 0:11:10 | 0:11:14 | |
-Now that's a living testimony! -When Mum came to live with me, I got rid of a German Shepherd. | 0:11:14 | 0:11:20 | |
Paul's got a German Shepherd. Bluebell. | 0:11:20 | 0:11:24 | |
She's lovely. So, getting back to reality here... | 0:11:24 | 0:11:28 | |
I think this is a piece of early Ruskin. Let's have a look. | 0:11:28 | 0:11:32 | |
-See that scissor mark there? -Yes. -That's a Ruskin mark. | 0:11:32 | 0:11:36 | |
It was produced from about 1895, 1898 onwards. | 0:11:36 | 0:11:41 | |
In fact, it's dated 1912. | 0:11:41 | 0:11:43 | |
This is an early piece. A little ginger jar. I think it's sweet. | 0:11:43 | 0:11:48 | |
I love this trailing foliate decoration that goes round. | 0:11:48 | 0:11:52 | |
Over the years, this tops come off, gone on, and clattered around. | 0:11:52 | 0:11:57 | |
As that's happened, can you see these white marks? | 0:11:57 | 0:12:01 | |
It's taken the yellow glaze off and left the white underneath. | 0:12:01 | 0:12:06 | |
It won't make a great difference. It's not, per se, damage | 0:12:06 | 0:12:12 | |
or a crack. It's just wear and tear. | 0:12:12 | 0:12:15 | |
It's reminiscent of a high-fired ware, where the kiln is taken up to a really high temperature. | 0:12:15 | 0:12:21 | |
High-fired wares really are very sought-after | 0:12:21 | 0:12:25 | |
and therefore very valuable. So, what's it worth? | 0:12:25 | 0:12:29 | |
I think we ought to estimate this at £80-£120. | 0:12:29 | 0:12:34 | |
We'll put a reserve on it of £80, give the auctioneer 10% discretion. | 0:12:34 | 0:12:38 | |
I think you will find that today, with the internet, that will sell quite well. It's attractive. | 0:12:38 | 0:12:45 | |
So what will you call the puppy? | 0:12:45 | 0:12:48 | |
-Buzz. -Buzz? -Buzz II. -A dog or a bitch? -A dog. | 0:12:48 | 0:12:54 | |
-I think that's brilliant. Let's hope we can get Buzz II. Good luck. -Thank you. | 0:12:54 | 0:13:00 | |
It's up periscope as we head off to the auction. | 0:13:03 | 0:13:07 | |
Will the buyers stick their neck above the parapet for this? | 0:13:07 | 0:13:12 | |
We're also taking the green and brown clock, which has reminded Doreen of the time for many years. | 0:13:12 | 0:13:19 | |
I valued a Troika spill vase, so I hope the bidders in Cornwall don't let me down with that. | 0:13:19 | 0:13:25 | |
Or with the sweet little ginger jar which may have a lot to live up to with Philip's spicy valuation. | 0:13:25 | 0:13:32 | |
For our auction today we've left Penzance and travelled back up the A30 to Jefferys. | 0:13:32 | 0:13:40 | |
Our man with all the local knowledge is Ian Morris. | 0:13:40 | 0:13:44 | |
Let's go inside before the sale starts and see what he says about our experts' valuations. | 0:13:44 | 0:13:50 | |
Fingers crossed we've got it right. | 0:13:50 | 0:13:52 | |
This, to me, sums up contemporary Cornwall. It belongs to Sandra. | 0:13:57 | 0:14:02 | |
I put a valuation of £120-£180, with a fixed reserve of £100. | 0:14:02 | 0:14:06 | |
It's been the norm on Flog It. That really is a book price. | 0:14:06 | 0:14:11 | |
Troika in the past has always sold and sold quite well, | 0:14:11 | 0:14:15 | |
but the market was at its height two years ago. | 0:14:15 | 0:14:19 | |
Anything then I could sell easily. | 0:14:19 | 0:14:22 | |
-In the last six months, a number of pieces have been left. -Is that because we're in Cornwall? | 0:14:22 | 0:14:28 | |
-Too much of it about? -Certainly, in another area that don't see a lot, | 0:14:28 | 0:14:34 | |
-rarity value would increase that. -So you think this might struggle? | 0:14:34 | 0:14:39 | |
I do think it might struggle. | 0:14:39 | 0:14:42 | |
This might be a difficult question, but are you a Troika fan? ..He's not, is he? | 0:14:42 | 0:14:48 | |
I gathered that! | 0:14:49 | 0:14:51 | |
Get on the rostrum, lots of enthusiasm, make out you love it and flog it! | 0:14:51 | 0:14:57 | |
I'll try, but I think bottom end. | 0:14:57 | 0:15:00 | |
Lesley, this is a bit of fun. The First World War periscope. | 0:15:06 | 0:15:10 | |
-We've got our sights set on £30-£50. -That would be great. | 0:15:10 | 0:15:14 | |
Why do you want to sell it? It's such a great talking point. | 0:15:14 | 0:15:18 | |
-It's got nothing personal to us. -I think Philip talked you into it. | 0:15:18 | 0:15:23 | |
-You just gravitated towards this! -It's just a great bit of fun. | 0:15:23 | 0:15:28 | |
Peering round bends, peering over your neighbour's hedge. | 0:15:28 | 0:15:33 | |
-I shouldn't say that! -We need it in the sale room today! | 0:15:33 | 0:15:37 | |
I can hardly see the auctioneer. It's jam-packed! | 0:15:37 | 0:15:41 | |
Let's hope we get that top end. | 0:15:41 | 0:15:44 | |
Lifeguard Patent Periscope, made by Duerr and Son. | 0:15:44 | 0:15:48 | |
Can we say £30 away? £20 to start? | 0:15:48 | 0:15:51 | |
£20 I'm bid. At £20. At £20. 22. | 0:15:51 | 0:15:55 | |
25. 28. £30. 32. 35. | 0:15:55 | 0:15:58 | |
-38. -They love it! -Up periscope! | 0:15:58 | 0:16:02 | |
At 45. At 45. We're done? £45. | 0:16:02 | 0:16:06 | |
Yes! The hammer's gone down. 45 quid. That was a good result. | 0:16:07 | 0:16:12 | |
I'd never have sold that. | 0:16:12 | 0:16:14 | |
Right. The pressure is on. It's my turn to be the expert and it's a bit of Troika. | 0:16:19 | 0:16:25 | |
I've just been joined by Sandra and Bob and young Fern. Ohh. | 0:16:25 | 0:16:31 | |
We've got £120 riding on this vase. | 0:16:31 | 0:16:34 | |
Fingers crossed. I've got to tell you, I'd a chat with the auctioneer | 0:16:34 | 0:16:39 | |
and he said it might just struggle around the lower end | 0:16:39 | 0:16:44 | |
because there's so many of them. | 0:16:44 | 0:16:46 | |
-But I think we'll sell this. I'm pretty sure. The condition's good. -OK. | 0:16:46 | 0:16:52 | |
-I've got my fingers crossed. -I hope so. -It's down to the bidders now. | 0:16:52 | 0:16:57 | |
Troika, slab-form vase. Can I say £100, please? £80 on the books. | 0:16:57 | 0:17:03 | |
At £80 away. At 90. | 0:17:03 | 0:17:05 | |
100. 110. 120. At 120 we're bid. | 0:17:05 | 0:17:10 | |
At 120. At 120. 130? At 120, going. | 0:17:10 | 0:17:13 | |
£120. | 0:17:13 | 0:17:16 | |
Yes! That was a relief! Ooh, £120. | 0:17:16 | 0:17:19 | |
It was a bit dubious. He said it would struggle. Gosh, that's good. | 0:17:19 | 0:17:24 | |
-What will you put the money towards? -Well, I've been taking lessons in computing. | 0:17:24 | 0:17:30 | |
-How are you getting on? -Struggling! Cos I'm an old person going into technology! | 0:17:30 | 0:17:36 | |
So I'll put the money towards a laptop computer. | 0:17:36 | 0:17:40 | |
Get surfing on the internet! Surfing's the thing down here. | 0:17:40 | 0:17:44 | |
Something for you Arts and Crafts lovers now. A Ruskin vase. | 0:17:50 | 0:17:55 | |
I love this. It belongs to Lynn, but not for much longer. £80-£120 is riding on this. | 0:17:55 | 0:18:02 | |
Why are you getting rid of it? | 0:18:02 | 0:18:04 | |
-Um, I need some money to buy a new puppy. -Ohh, what sort? | 0:18:04 | 0:18:09 | |
-German Shepherd. -Yeah! | 0:18:09 | 0:18:12 | |
-Bluebell's a German Shepherd. -I thought you'd approve. -I do. | 0:18:12 | 0:18:16 | |
-We need top dollar for this! I think we'll get it as well. -Yeah. | 0:18:16 | 0:18:21 | |
The Ruskin lidded ginger jar with green foliate decoration on yellow lustre. | 0:18:21 | 0:18:27 | |
£80 away? £50 away? | 0:18:27 | 0:18:31 | |
£40 I'm bid. 45. £50. 55. | 0:18:31 | 0:18:34 | |
At £55. At £55. I'll take 60. At £55. | 0:18:34 | 0:18:39 | |
We need more! | 0:18:39 | 0:18:41 | |
Are we all done at £55, then? Going at £55. | 0:18:41 | 0:18:46 | |
-He didn't sell, did he? -No puppy. -£55. | 0:18:46 | 0:18:50 | |
There was a reserve of 80. | 0:18:50 | 0:18:52 | |
That's too much discretion. I feel really bad about that. | 0:18:52 | 0:18:56 | |
-Lynn's still going to get the puppy. -Oh, yes, yes. | 0:18:56 | 0:19:00 | |
Yes, I've got some other things. | 0:19:00 | 0:19:02 | |
-Other things up my sleeve! -To start flogging? -Yes! | 0:19:02 | 0:19:07 | |
Well, it's now time to flog Doreen's mantel clock. | 0:19:13 | 0:19:17 | |
Made in 1901. Doreen, have you had a good trip up this morning? | 0:19:17 | 0:19:22 | |
-Yes, very good. -This was a wedding present, or a present from your husband. Why are you flogging this? | 0:19:22 | 0:19:29 | |
-Well, they persuaded me to. -Yes, exactly! | 0:19:29 | 0:19:34 | |
And who was our expert? Jethro here. | 0:19:34 | 0:19:37 | |
We've got a valuation of £100-£150. Did you twist Doreen's arm? | 0:19:37 | 0:19:43 | |
-Not exactly. I was dithering. -You were dithering! | 0:19:43 | 0:19:47 | |
Someone has to take you by the hand, so we had a little stroll and you decided to sell it. | 0:19:47 | 0:19:53 | |
-You didn't have anyone you wanted to give it to as a gift. -No. | 0:19:53 | 0:19:57 | |
You wouldn't let me have it! | 0:19:57 | 0:19:59 | |
-Were you happy with Jethro's valuation? -Yes. | 0:19:59 | 0:20:03 | |
-Well, let's hope we get that top end. -It would be lovely if we did. | 0:20:03 | 0:20:08 | |
We're going to find out right now. Watch this. Here we go. | 0:20:08 | 0:20:13 | |
A mantel clock, figure of a lamp man. | 0:20:13 | 0:20:15 | |
With an inscription, "Wake up! And get up for business." | 0:20:15 | 0:20:19 | |
Can I say £100 away? £100? £80 away? | 0:20:19 | 0:20:23 | |
£70 I'm bid. The bid's with me. | 0:20:23 | 0:20:26 | |
75. 80. 5. 90. | 0:20:26 | 0:20:29 | |
5. 100. At £100. At £100. For a fine lot. | 0:20:29 | 0:20:33 | |
105. 110. 115. | 0:20:33 | 0:20:35 | |
At 115 in the back there. 120. | 0:20:35 | 0:20:38 | |
125. 130. | 0:20:38 | 0:20:41 | |
-5. 140 there. 5. Is it 50? -Yes! | 0:20:41 | 0:20:46 | |
-We're getting to the top end. -That's a surprise! I was hoping. | 0:20:46 | 0:20:50 | |
-190. 200. -They love it! | 0:20:50 | 0:20:52 | |
200 down the alleyway. At £200. | 0:20:52 | 0:20:56 | |
At £200. | 0:20:56 | 0:20:58 | |
Yes! £200, Doreen! The hammer has gone down. That is a sold sound! | 0:20:58 | 0:21:03 | |
-Good, yes. -What'll you do with that? | 0:21:03 | 0:21:05 | |
-I don't know! -What'll you spend that on? -The grandchildren. | 0:21:05 | 0:21:10 | |
-How many have you got? -10. -10?! My word! | 0:21:10 | 0:21:14 | |
-They won't get very much each! -No! | 0:21:15 | 0:21:17 | |
There's no mistaking the Cornish coastline. It's beautiful. | 0:21:26 | 0:21:31 | |
But now and then, we get visitors washed up on the beach that don't want to be here. | 0:21:31 | 0:21:37 | |
They get stranded and need some help from us. | 0:21:37 | 0:21:40 | |
Seals are often seen on the coast around Cornwall. They live and breed on the rocks and beaches. | 0:21:40 | 0:21:47 | |
But from time to time, seal pups are left and for a variety of reasons, can't fend for themselves. | 0:21:47 | 0:21:55 | |
In the winter of 1958, a local chap called Ken Jones rescued a seal pup | 0:21:56 | 0:22:01 | |
from the beach of St Agnes, just a few miles away from here. | 0:22:01 | 0:22:06 | |
He took it home and nursed it back to health in his back garden. | 0:22:06 | 0:22:10 | |
Word soon spread and before long, he was inundated with phone calls, | 0:22:10 | 0:22:15 | |
"I've just found a seal on the beach, what do I do with it?" | 0:22:15 | 0:22:20 | |
Eventually, Ken's seals outgrew his garden pool and in 1975 he moved to Gweek on the Lizard Peninsula | 0:22:20 | 0:22:27 | |
where he could expand his sanctuary to take in more seals. | 0:22:27 | 0:22:32 | |
This is the National Seal Sanctuary in Gweek. | 0:22:32 | 0:22:36 | |
They rescue seals from the beach, nurse them back to health and then release them back into the wild. | 0:22:36 | 0:22:43 | |
There are seals of all shapes and sizes, two little pups there, but this fella is called Magnus. | 0:22:43 | 0:22:50 | |
He's just made it into the Guinness Book of Records as the world's oldest grey seal in captivity. | 0:22:50 | 0:22:57 | |
He's 39 years old this year and he weighs an incredible 44 stone. | 0:22:57 | 0:23:02 | |
There's plenty more to see here, so I'm gonna take a look around. | 0:23:02 | 0:23:08 | |
The first stop is the hospital to meet Tamara Cooper with her latest arrival. | 0:23:08 | 0:23:13 | |
This is our hospital section. This is where our pups first come when they arrive at the sanctuary. | 0:23:13 | 0:23:20 | |
We make sure they're healthy before they go down to the pools. | 0:23:20 | 0:23:25 | |
-And what have you named this one? -This one's Mowgli. | 0:23:25 | 0:23:29 | |
He's an orphan. Unfortunately he was abandoned on the beach by his mum. | 0:23:29 | 0:23:34 | |
-And she was nowhere in sight? -No. | 0:23:34 | 0:23:37 | |
-Do they all get a welly boot on arrival for company? -Yeah. | 0:23:37 | 0:23:41 | |
When they're this young. He'll suckle on that and treat it as Mum. | 0:23:41 | 0:23:46 | |
-What are you feeding him? -Because he's so young, he's having milk. | 0:23:46 | 0:23:51 | |
We're stomach-tubing milk every four hours. | 0:23:51 | 0:23:55 | |
-Then he'll graduate to fish? -As soon as he starts to moult in the next day or two, yes. | 0:23:55 | 0:24:02 | |
How many weeks before he can go into the pool with all the others? | 0:24:02 | 0:24:07 | |
That's the main aim. Hopefully, within a couple of weeks. | 0:24:07 | 0:24:11 | |
So this is the pool all the youngsters are in. | 0:24:16 | 0:24:21 | |
Yes, they've just come down from the hospital. | 0:24:21 | 0:24:25 | |
-They're learning to feed themselves in the water before they go into the main pool. -Fish is on the menu! | 0:24:25 | 0:24:32 | |
-It is. -"Not fish again!" Lots of mackerel. -All mackerel today. | 0:24:32 | 0:24:36 | |
-Can I...? -Yes, go ahead. -Come on. | 0:24:36 | 0:24:40 | |
Do you feed them individually or let them fight for it? | 0:24:40 | 0:24:44 | |
The idea is they've got to fight amongst themselves. | 0:24:44 | 0:24:48 | |
They shouldn't see us feeding them, so we stand back. | 0:24:48 | 0:24:53 | |
-How many fish will the pups get through a day? -They eat 10 to 20 fish a day, depending on their size. | 0:24:53 | 0:25:00 | |
-Who have we got down here? -This is our convalescence pool. | 0:25:07 | 0:25:11 | |
It's home to our resident seals, but in breeding season, it's home to all of the pups we've rescued as well. | 0:25:11 | 0:25:18 | |
How many seals can this pool take? Is there a limit? | 0:25:18 | 0:25:22 | |
We try and move them through as fast as we can, so they go back into the wild in three to six months. | 0:25:22 | 0:25:29 | |
We have 20 pups in here at one time, but we try and move them along. | 0:25:29 | 0:25:33 | |
-These are all grey seals? -They're all Atlantic grey seals, yeah. | 0:25:33 | 0:25:39 | |
How many seals a year do you rescue? | 0:25:39 | 0:25:42 | |
It depends on each winter, the weather brings us more pups, | 0:25:42 | 0:25:47 | |
but between 30 and 50 seals a year. | 0:25:47 | 0:25:49 | |
-How do they get abandoned? -Lots of different reasons. | 0:25:49 | 0:25:53 | |
In heavy storms and rough seas they get washed off their breeding beach and lose their mums. | 0:25:53 | 0:26:00 | |
If they're born by inexperienced mums on public beaches, there's lots of people around, | 0:26:00 | 0:26:06 | |
in which case the mum will abandon the pup. | 0:26:06 | 0:26:09 | |
You know all the characters. Are some permanent residents because they can't be put back? | 0:26:09 | 0:26:16 | |
We have had residents who couldn't be released back to the wild. | 0:26:16 | 0:26:21 | |
We've got a number of blind seals in here. If they can't see, they won't be able to catch fish. | 0:26:21 | 0:26:28 | |
Usually, the pups we rescue each year do go to the wild. We've got a very good success rate. | 0:26:28 | 0:26:35 | |
It must be a tough job. There must be a tear in your eye. | 0:26:35 | 0:26:39 | |
You do get a bit attached to some of them, some of our favourites, | 0:26:39 | 0:26:44 | |
but we're so pleased they're healthy and for them to go back to the wild | 0:26:44 | 0:26:49 | |
-and perhaps down the line be spotted is brilliant. -Do you tag them? -Yes, on their rear flippers. | 0:26:49 | 0:26:56 | |
-In the last few years, we've put hat tags on our seals. -To identify them from a distance? -Yes. | 0:26:56 | 0:27:03 | |
-Are you selective where you release them? -We release them as close as possible to where we rescued them. | 0:27:03 | 0:27:11 | |
-There are seal colonies out there for them to join. -Do they turn back and give you a glance? -Not usually! | 0:27:11 | 0:27:18 | |
No thank-yous or goodbyes. They're just off. They know where they're meant to go and that's it. | 0:27:18 | 0:27:24 | |
Let's rejoin the crowds and see if anything is making a splash back at the valuation day. | 0:27:29 | 0:27:36 | |
-Heather, how are you? -Fine, thanks. -This is a really stylish mirror. | 0:27:38 | 0:27:43 | |
It looks like it might have a bit of a look to it. This is yours? | 0:27:43 | 0:27:47 | |
-No, it's my mother's. -Why does your mum want to sell it? | 0:27:47 | 0:27:52 | |
-She thought it could be valuable. -Had a bit of a look? -Exactly. | 0:27:52 | 0:27:57 | |
There are two names you think of when it's copper and one of them is Newlyn School. | 0:27:57 | 0:28:03 | |
Newlyn School copper is very, very sought after and very valuable. | 0:28:03 | 0:28:08 | |
The other thing you look for in a mirror like this is a plastic label | 0:28:08 | 0:28:13 | |
-that says "Liberty & Co". -Right. | 0:28:13 | 0:28:16 | |
If this is, and I doubt it, a Newlyn School mirror, | 0:28:16 | 0:28:20 | |
it might be worth upwards of £1,000, £1,500. | 0:28:20 | 0:28:25 | |
If this has a little plastic label on the back that says "Liberty & Co", it might be £300 to £500. | 0:28:25 | 0:28:32 | |
-Right. -I doubt it because I don't think it's got that quality. | 0:28:32 | 0:28:37 | |
It's nice, but the moment of truth, | 0:28:37 | 0:28:39 | |
turn it over and we hope to find a Liberty label. | 0:28:39 | 0:28:43 | |
And lo and behold, nothing. | 0:28:43 | 0:28:46 | |
If we look at the edge of the mirror here, | 0:28:46 | 0:28:50 | |
what we might find around there is a Newlyn stamp somewhere. | 0:28:50 | 0:28:55 | |
What have we found? | 0:28:55 | 0:28:57 | |
-No... -Nothing. -Nothing. -It's time to put it back in its resting place. | 0:28:57 | 0:29:02 | |
So what we've got is just an oval, copper-framed mirror. | 0:29:04 | 0:29:10 | |
It would've been a good quality item. If it has a bevelled plate, | 0:29:10 | 0:29:15 | |
it's better quality than one with a flat plate straight to the recess. | 0:29:15 | 0:29:20 | |
You've got a bit of damage here, the silvering's gone. | 0:29:20 | 0:29:25 | |
I think that's acceptable. This is an old thing. | 0:29:25 | 0:29:29 | |
-It's probably between 70 and 100 years old. -Really? | 0:29:29 | 0:29:33 | |
-So what's it worth? I've told you what it might have been worth if Mum was really lucky. -Yeah. | 0:29:33 | 0:29:40 | |
-I think at auction, £30 to £50. -30 to 50. | 0:29:40 | 0:29:44 | |
Put a reserve on it at £30. | 0:29:44 | 0:29:46 | |
If two people take a shine to it, it might make 60, 70. | 0:29:46 | 0:29:51 | |
I doubt if it will make three figures, but it should sell. | 0:29:51 | 0:29:56 | |
-Happy with that? -Yeah. -Mum won't be too disappointed? | 0:29:56 | 0:30:00 | |
-No, she'll be happy you valued it for her. -That's sweet. | 0:30:00 | 0:30:04 | |
Pamela, you've brought this stoneware jug. | 0:30:10 | 0:30:13 | |
How did you come by it? | 0:30:13 | 0:30:16 | |
It originally belonged to my grandmother | 0:30:16 | 0:30:20 | |
and it was passed down the family to her youngest son, my father. | 0:30:20 | 0:30:25 | |
-And he passed it on to me. -Do you remember it in Grandmother's house? -Yes, I do. | 0:30:25 | 0:30:32 | |
I used to go to see her on a Saturday to do a bit of shopping | 0:30:32 | 0:30:36 | |
because she was quite elderly. | 0:30:36 | 0:30:39 | |
And I just used to see it then. | 0:30:39 | 0:30:42 | |
It's been in your family all this time. Why sell it? | 0:30:42 | 0:30:46 | |
We've got four sons and you can't cut a jug in four quarters. | 0:30:46 | 0:30:51 | |
We're doing lots of alterations around our bungalow, | 0:30:51 | 0:30:56 | |
-making it more comfortable for when we get older and every penny helps. -Absolutely right. | 0:30:56 | 0:31:02 | |
It's quite a charming little jug. | 0:31:02 | 0:31:05 | |
We've got this nice stoneware construction with a deep blue glaze on the top, | 0:31:05 | 0:31:12 | |
but the real charming aspect is this lovely scene on the front. | 0:31:12 | 0:31:16 | |
-It's unusual, isn't it? -Very unusual, especially when you know who made this jug. | 0:31:16 | 0:31:23 | |
If we tip it upside down, we see that it's Royal Doulton, England. | 0:31:23 | 0:31:28 | |
-And it's got the date of 1899, so that's when it was made. -Yeah. | 0:31:28 | 0:31:34 | |
-So just over 100 years of age. -Yeah, right. | 0:31:34 | 0:31:38 | |
And it's in perfect condition. | 0:31:38 | 0:31:40 | |
I bet a lot of people are surprised | 0:31:40 | 0:31:43 | |
to see a Royal Doulton stamp on that jug with this type of scene. | 0:31:43 | 0:31:48 | |
We've got this young lad who has fallen in the water. | 0:31:48 | 0:31:52 | |
What does this sign say? "No fishing allowed in these waters." | 0:31:52 | 0:31:57 | |
I've never seen a Royal Doulton jug quite like this one. | 0:31:57 | 0:32:02 | |
-So it's a bit of a puzzle, this one. -It's not a fake, is it? | 0:32:02 | 0:32:06 | |
-No, I don't think it is. -That's the main thing. -It's a lovely thing. | 0:32:06 | 0:32:12 | |
I'll be honest with you, I'm guessing what this might be worth. | 0:32:12 | 0:32:17 | |
If it didn't have that nice scene, it's a £20 jug. | 0:32:17 | 0:32:21 | |
-Yeah. -If it was one of the very fine pieces, it could be worth £200 or £300. | 0:32:21 | 0:32:28 | |
So I'm going to guess that it's worth perhaps...£100 to £200. | 0:32:28 | 0:32:34 | |
-Ooh! I didn't think it would be as much as that. -Did you not? -No. | 0:32:34 | 0:32:39 | |
When it comes to a reserve, we should be a bit cautious. | 0:32:39 | 0:32:44 | |
Shall we put a reserve at £100? | 0:32:44 | 0:32:46 | |
I think an estimate of 100 to 150. | 0:32:46 | 0:32:49 | |
-Do you trust us to put it in with a reserve at 100 and see what happens? -Definitely. | 0:32:49 | 0:32:55 | |
-Let's hope we can raise a jug and a glass at the end of it. -That'd be nice. Thank you very much. | 0:32:55 | 0:33:02 | |
-How are you, Ken? -Very well. You're looking very well. | 0:33:08 | 0:33:12 | |
-That's a compliment. -You're the first gentleman I've met. -Let me shake you by the hand. | 0:33:12 | 0:33:19 | |
-Where's this come from? -Our family lived in a house, "Ivanhoe", Carbis Bay, | 0:33:19 | 0:33:25 | |
named after the Ivanhoe gold mine in Kalgoorlie where Grandfather worked. | 0:33:25 | 0:33:30 | |
-Granny bought it in 1906. -We're talking about the house now? -Yes. -1906, she bought the house? -Yes. | 0:33:30 | 0:33:37 | |
-So where's this come from? -I don't know. It's been in the house. | 0:33:37 | 0:33:42 | |
-I really don't know. -No idea? -No. -You haven't hung it on the wall? | 0:33:42 | 0:33:47 | |
-No, never on the wall. -Where's it been? -In the boxroom upstairs. | 0:33:47 | 0:33:52 | |
-You haven't got any more up there, have you? -I don't know. -I'm gonna come back with you after this! | 0:33:52 | 0:33:59 | |
We've taken it out of the gilt frame which is a bit battered. | 0:33:59 | 0:34:04 | |
This isn't in the best condition. There's a lot of crazing round here. | 0:34:04 | 0:34:09 | |
It needs a clean and restoration | 0:34:09 | 0:34:12 | |
and all this sky here, that actually would be a lovely blue. | 0:34:12 | 0:34:17 | |
It's quite vibrant colours underneath this. | 0:34:17 | 0:34:21 | |
-It's signed just here. -Who's it signed by? | 0:34:21 | 0:34:24 | |
It says "Suthers". Then there's a Christian name which is L-E-G-H-E. | 0:34:24 | 0:34:29 | |
-How do you think you pronounce that? -I don't know. -Ledg-ay, Leg-ay? | 0:34:29 | 0:34:35 | |
This is a dictionary of British artists. Look at that - "Suthers, Leghe, portrait and figure painter." | 0:34:35 | 0:34:43 | |
He painted from 1883 to 1905, but here's the interesting bit. | 0:34:43 | 0:34:48 | |
"Exhibited Newlyn, Penzance." | 0:34:48 | 0:34:51 | |
-So that'll do, won't it? -Yes. | 0:34:51 | 0:34:54 | |
I've looked him up on the internet | 0:34:54 | 0:34:57 | |
and his prices range from between about £800 | 0:34:57 | 0:35:02 | |
to a much bigger painting estimated to make £8,000 to £10,000. | 0:35:02 | 0:35:06 | |
Now, this is in bad order. | 0:35:06 | 0:35:09 | |
I want you to put a sensible estimate on it, but an attractive estimate. | 0:35:09 | 0:35:15 | |
-I think we need to estimate this at £600 to £900. -That's all right. | 0:35:15 | 0:35:21 | |
£600 to £900 estimate, fixed reserve £600. | 0:35:21 | 0:35:25 | |
I think if you get a real result, this could make £1,000. | 0:35:25 | 0:35:30 | |
It might make £2,000 and it might make more. | 0:35:30 | 0:35:34 | |
-Are you happy with that, Ken? -Yes. -Fingers crossed. -Fingers crossed. | 0:35:34 | 0:35:40 | |
It's time to head back to the saleroom | 0:35:42 | 0:35:46 | |
with the copper mirror which has got style, but no maker's mark. | 0:35:46 | 0:35:51 | |
There's the Royal Doulton stoneware jug which is an unknown quantity. | 0:35:51 | 0:35:57 | |
And last, but definitely not least, we could have a real flyer here, | 0:35:57 | 0:36:02 | |
despite the grime on Ken's painting. | 0:36:02 | 0:36:05 | |
The copper mirror, remember it? We're just about to find out | 0:36:08 | 0:36:13 | |
-if £30 to £50 is a true reflection of its value. -Oh! Who writes these for you? -I don't know! | 0:36:13 | 0:36:21 | |
-Hi, Heather. -Hello. -Who have you brought with you? -My mum, Margaret. | 0:36:21 | 0:36:26 | |
-Hi, Margaret. -Hi, Paul. -This is your mirror? -Yes. | 0:36:26 | 0:36:30 | |
-Philip doesn't know this, but you rang the auctioneer up. -I did. | 0:36:30 | 0:36:34 | |
-Yes. -Sorry, Philip. -It depends what you said to him! | 0:36:34 | 0:36:39 | |
I'll tell you what she said, OK? | 0:36:39 | 0:36:41 | |
Ian said, "We've got a valuation of £30 to £50 with a reserve fixed at 30." | 0:36:41 | 0:36:48 | |
Margaret's rung up and increased the fixed reserve to £50 now. | 0:36:48 | 0:36:52 | |
-We've got to get more than £50 to sell it. -What does the auctioneer think? -He thinks it will struggle. | 0:36:52 | 0:36:59 | |
-Oh, well... -I do. | 0:36:59 | 0:37:01 | |
An oval, copper-framed mirror, bevel-edged. Lot 386. | 0:37:01 | 0:37:06 | |
£50 away? £40 away? £40 I'm bid. | 0:37:06 | 0:37:10 | |
At £40. I'll take 5. | 0:37:10 | 0:37:12 | |
-45. 50. -What do I know? Proved yet again! Well done, you. | 0:37:12 | 0:37:17 | |
At £50 and I'm selling at £50... | 0:37:17 | 0:37:20 | |
Well done, Margaret. Well done, Heather. Stand your ground! | 0:37:20 | 0:37:25 | |
-You did it! -I think you had a bit of luck, but well done. -Thank you. | 0:37:25 | 0:37:30 | |
-Where in Cornwall do you come from? -Perranarworthal. -And you? -Portreath. | 0:37:30 | 0:37:35 | |
We've got a great name and some quality - it's Pamela, | 0:37:43 | 0:37:47 | |
but it's also a Royal Doulton stoneware jug, £100 to £150. | 0:37:47 | 0:37:51 | |
-You've got four sons. You don't know who to give it to or none of them want it? -Well, yes. | 0:37:51 | 0:37:58 | |
I've found out since I've come to Flog It that one of them likes it, | 0:37:58 | 0:38:03 | |
but I can't give it to one and not the others. | 0:38:03 | 0:38:07 | |
-So the idea is to flog it. Let's hope we get that top end. -Yeah. | 0:38:07 | 0:38:12 | |
-If he really likes it, he could always bid on it. -He could do. | 0:38:12 | 0:38:16 | |
He's offered to buy it if I don't sell it, but I wouldn't sell it to him. | 0:38:16 | 0:38:23 | |
Let's hope it goes today. It's pretty, but it's in the balance. | 0:38:23 | 0:38:27 | |
Is it gonna make £100 or quite a bit more? I don't know. | 0:38:27 | 0:38:32 | |
We'll find out right now. It's going under the hammer. This is it. | 0:38:32 | 0:38:38 | |
Royal Doulton stoneware jug, | 0:38:38 | 0:38:40 | |
hand-painted decoration of a boy who has fallen into a pond. Lot 115. | 0:38:40 | 0:38:45 | |
£100? £50 for the Doulton jug? | 0:38:45 | 0:38:48 | |
£50 I'm bid. At 50. 55. 60. 5. | 0:38:48 | 0:38:52 | |
-70. 5. 80. -Come on. -£80. | 0:38:52 | 0:38:55 | |
At £85. At £85. 90 to get on. At £85. 90 anywhere? | 0:38:55 | 0:39:00 | |
-At 85 then, going... -He's selling. | 0:39:00 | 0:39:03 | |
The hammer's gone down. £85 it fetched in the room, | 0:39:04 | 0:39:08 | |
but he didn't sell it, there was a fixed reserve. | 0:39:08 | 0:39:12 | |
We protected the interests of your little jug. It's a pretty thing. | 0:39:12 | 0:39:17 | |
-You shouldn't have sold it for less than 100. -I'm quite happy. I'd rather take it home. | 0:39:17 | 0:39:24 | |
You can sell it to one of your sons. You can say, "You can have it at £100. It only made 85 in the room." | 0:39:24 | 0:39:31 | |
Right now we've got something that's fresh to the market. | 0:39:39 | 0:39:43 | |
-It's been in Ken's family since 1906. -Could have been, yes. | 0:39:43 | 0:39:48 | |
Just after the artist died. Leghe Suthers, Newlyn School, lovely oil on canvas. | 0:39:48 | 0:39:54 | |
-Who have you brought along? -This is my niece, Sarah. | 0:39:54 | 0:39:58 | |
-Hello, Sarah. -Hello. -Do you like the painting? -Yeah, it's nice. | 0:39:58 | 0:40:03 | |
It's not been cleaned for a long time. I hope it cleans up well. | 0:40:03 | 0:40:08 | |
-Why are you flogging this? -I don't want it. -You don't look at it? | 0:40:08 | 0:40:12 | |
-I'd rather have the money. -I'm with you, Ken. | 0:40:12 | 0:40:16 | |
There's a bit of damage, it needs restoration, hence £600 to £800. | 0:40:16 | 0:40:21 | |
-But it could do four figures. -This'll do four figures, | 0:40:21 | 0:40:26 | |
but you've got to put a "come and buy me" estimate on it. | 0:40:26 | 0:40:30 | |
Leghe Suthers there, 19th century oil on canvas. | 0:40:30 | 0:40:34 | |
Village scene. Can I say £1,000? | 0:40:34 | 0:40:36 | |
£800 to start me? £600 I've got. | 0:40:36 | 0:40:39 | |
At 600. At 600. I'll take 50 now. At 650. | 0:40:39 | 0:40:43 | |
700. 750. | 0:40:43 | 0:40:46 | |
-800. 850. 900. -They like it. | 0:40:46 | 0:40:49 | |
950. 1,000. | 0:40:49 | 0:40:51 | |
At £1,000. £1,000. Is it 50? £1,000. | 0:40:51 | 0:40:55 | |
On the phone? At 50. | 0:40:55 | 0:40:58 | |
1,100. Is it 50...? | 0:40:58 | 0:41:01 | |
1,150. 1,200. Is it 50? | 0:41:01 | 0:41:04 | |
-1,250. 1,300. Is it 50? -This is fantastic. | 0:41:04 | 0:41:07 | |
-This is good, Ken. -Very good. | 0:41:07 | 0:41:10 | |
1,350. 1,400. Is it 50...? 1,450. | 0:41:10 | 0:41:13 | |
1,500. Is it 50? | 0:41:13 | 0:41:15 | |
1,550. 1,600. Is it 50? | 0:41:17 | 0:41:20 | |
1,650. My bid is out. | 0:41:20 | 0:41:23 | |
1,650. Now is it 1,700? | 0:41:23 | 0:41:26 | |
Is it 50? 1,750. 1,800, is it? | 0:41:26 | 0:41:29 | |
1,800. Is it 50? | 0:41:31 | 0:41:34 | |
They think it'll restore pretty well, Ken. | 0:41:34 | 0:41:37 | |
1,900. Is it 50? | 0:41:37 | 0:41:40 | |
1,950. Is it 2? | 0:41:41 | 0:41:44 | |
2,000. Is it 2,100? 2,100. Is it 2,200? | 0:41:44 | 0:41:47 | |
They've got two bidders fighting it out. | 0:41:47 | 0:41:51 | |
2,300. Is it 2,400? | 0:41:51 | 0:41:53 | |
2,400. Is it 2,500? | 0:41:54 | 0:41:56 | |
2,500. Is it 2,600? | 0:41:56 | 0:41:58 | |
-2,600. Is it 2,700? -This is brilliant. | 0:41:58 | 0:42:03 | |
2,700. Is it 2,800? 2,800. Is it 2,900? 2,900. Is it 3? | 0:42:03 | 0:42:07 | |
3,000. Is it 200...? | 0:42:07 | 0:42:11 | |
3,200. 3,400? | 0:42:11 | 0:42:13 | |
At 3,200, on the phone with Fiona. At £3,200... | 0:42:13 | 0:42:17 | |
3,400? 3,400. 3,600? | 0:42:17 | 0:42:20 | |
-Wow! -3,600. | 0:42:20 | 0:42:22 | |
-3,800? -3,600, Ken! | 0:42:22 | 0:42:25 | |
At 3,600 on the phone with Fiona... | 0:42:25 | 0:42:27 | |
At £3,600. Are we all done at £3,600...? | 0:42:27 | 0:42:31 | |
-Yes! -Well done, Ken. That'll do. -£3,600! | 0:42:32 | 0:42:37 | |
-My God! -You've got to be pleased with that. -I am! | 0:42:37 | 0:42:41 | |
-What is all that money going towards? -A holiday and I've got to buy more stuff for my brother. | 0:42:41 | 0:42:48 | |
-What are you gonna buy him? -For a start, a body warmer. -Keep him warm. -I've got to have one myself. | 0:42:48 | 0:42:55 | |
-You'll buy a decent one at £3,600! -What a brilliant result! | 0:42:55 | 0:43:00 | |
The auction's still going on. It's all over for our owners. What a cracking finale! | 0:43:07 | 0:43:13 | |
That big grin on Ken's face when we got £3,600 for his oil on canvas, the Leghe Suthers! | 0:43:13 | 0:43:20 | |
That's £3,000 above reserve! Not bad, eh? Join me for many more surprises next time on Flog It! | 0:43:20 | 0:43:28 | |
Subtitles by Subtext for Red Bee Media Ltd 2007 | 0:43:48 | 0:43:53 | |
Email us at [email protected] | 0:43:53 | 0:43:56 |