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Lancashire goes up against Yorkshire today | 0:00:02 | 0:00:05 | |
as we look back at some of the top Flog It finds. | 0:00:05 | 0:00:07 | |
Even though they're on opposite sides of the Pennines, we find that Rochdale and Doncaster | 0:00:07 | 0:00:12 | |
have something in common - they love their bears. | 0:00:12 | 0:00:14 | |
It's a lovely inkwell. It's a nice group. | 0:00:14 | 0:00:18 | |
-You've got mummy and daddy bear and a couple of babies... -That's right. | 0:00:18 | 0:00:21 | |
And we can be sure of a big surprise at auction. | 0:00:21 | 0:00:24 | |
These little bears are very collectable, | 0:00:24 | 0:00:27 | |
especially in this lovely green colour. | 0:00:27 | 0:00:30 | |
There's plenty of animal passion to come on Flog It. | 0:00:30 | 0:00:33 | |
Rochdale in Lancashire and Doncaster in South Yorkshire | 0:01:06 | 0:01:10 | |
are going to do battle today, just as the houses of Lancaster and York did | 0:01:10 | 0:01:14 | |
back in the 15th century during the War of the Roses. | 0:01:14 | 0:01:18 | |
And we're set to see some thrilling results. | 0:01:18 | 0:01:21 | |
Wow! Betty, what a magical moment. That is what Flog It is all about. | 0:01:21 | 0:01:26 | |
And although the rivalry between the two counties is not quite so fierce these days, | 0:01:26 | 0:01:31 | |
we'll have to watch our Ps and Qs because around here | 0:01:31 | 0:01:34 | |
they're not afraid to call a spade a spade. | 0:01:34 | 0:01:37 | |
-Do you think I need a haircut? -It could do with something doing with it! | 0:01:38 | 0:01:42 | |
But which of our two northern towns will turn up the best treasures for the saleroom? | 0:01:45 | 0:01:49 | |
First we're off to Rochdale, with its proud history of textile manufacturing | 0:01:49 | 0:01:54 | |
and where the locals can't wait to show us their antiques. | 0:01:54 | 0:01:58 | |
Looking at the size of this massive queue, | 0:01:59 | 0:02:02 | |
it seems that the whole of Rochdale has turned out to the town hall, | 0:02:02 | 0:02:05 | |
all eager to learn as much as they can from our two experts, | 0:02:05 | 0:02:08 | |
Anita Manning and Nigel Smith. | 0:02:08 | 0:02:11 | |
And something that glitters has already caught Anita's eye. | 0:02:12 | 0:02:17 | |
These items belong to a grander time where gentlemen | 0:02:18 | 0:02:23 | |
wore their watches in their pockets, | 0:02:23 | 0:02:26 | |
and they were attached to these wonderful chains on their waistcoat. | 0:02:26 | 0:02:32 | |
Ray, tell me where you got this wee lot. | 0:02:32 | 0:02:35 | |
Well, it was handed down to my father | 0:02:35 | 0:02:38 | |
from his uncle, or my great-uncle. | 0:02:38 | 0:02:42 | |
He was born in a place called Hindley, Wigan, and that's where they took his name. | 0:02:42 | 0:02:49 | |
He then emigrated to America... | 0:02:49 | 0:02:51 | |
-As a young man? -As, yes, I would think so. | 0:02:51 | 0:02:54 | |
I mean, obviously I never met him, he's long gone, | 0:02:54 | 0:02:57 | |
but he joined the navy out there, made a fortune of some sort, | 0:02:57 | 0:03:02 | |
antiques, this, that and the other, brought them all back | 0:03:02 | 0:03:05 | |
and they were dished out to like four or five brothers | 0:03:05 | 0:03:08 | |
and my father ended up with this, other odds and sods... | 0:03:08 | 0:03:12 | |
Now it's mine! I've two sons - who do I leave it to? I can't leave it to one and not the other, so... | 0:03:12 | 0:03:18 | |
-Well, you don't want them fighting over it! -Well, this is it, so it's got to go. | 0:03:18 | 0:03:22 | |
-We'll look at them each individually. -OK. Fine. | 0:03:22 | 0:03:25 | |
American watch. | 0:03:25 | 0:03:27 | |
It's a Waltham, which is a good make, and they made a wide range. | 0:03:27 | 0:03:32 | |
They made very simple ones with simple mechanisms which were called traveller watches, | 0:03:32 | 0:03:37 | |
right up to the Rolls-Royce of watches, which were the Royale ones. | 0:03:37 | 0:03:43 | |
-Now, this one's sort of... -In-between. | 0:03:43 | 0:03:46 | |
It's in-between, it's in-between. | 0:03:46 | 0:03:48 | |
If we look in the back here, we can see that it's made of 14-carat gold. | 0:03:48 | 0:03:54 | |
Now, this was favoured by the Americans. | 0:03:54 | 0:03:58 | |
We open the other little lid and we can see that it's still ticking away there. | 0:03:58 | 0:04:02 | |
Nice mechanism, and in good condition, and in working order. | 0:04:02 | 0:04:08 | |
One of the interesting things here, you have the original receipt for that watch, | 0:04:08 | 0:04:14 | |
and it was bought in New York, | 0:04:14 | 0:04:17 | |
and it was bought in 1900. And 65 dollars! | 0:04:17 | 0:04:22 | |
-That was quite a lot of money at that time. -Probably! | 0:04:22 | 0:04:25 | |
Yeah! If we look at the albert here, | 0:04:25 | 0:04:28 | |
and these were called alberts, rather than watch chains, | 0:04:28 | 0:04:32 | |
and they were called after Queen Victoria's husband, | 0:04:32 | 0:04:36 | |
who favoured that type of jewellery. | 0:04:36 | 0:04:38 | |
Now, this is what we would call a double albert, | 0:04:38 | 0:04:42 | |
-with a graduated curb link. -Curb link, yeah. | 0:04:42 | 0:04:47 | |
This appendage here is a ten-dollar piece. | 0:04:47 | 0:04:50 | |
This will be 22-carat gold and your albert is 9-carat gold. | 0:04:50 | 0:04:57 | |
So, price-wise... | 0:04:57 | 0:05:00 | |
I would like to put these in as one lot | 0:05:00 | 0:05:05 | |
and I would like to make an estimate of £450 to £550. | 0:05:05 | 0:05:11 | |
-Would you be happy with that? -It sounds reasonable, that, yes. | 0:05:11 | 0:05:14 | |
It sounds reasonable? It will find its own level. | 0:05:14 | 0:05:17 | |
We'll put a reserve on it, Ray, | 0:05:17 | 0:05:21 | |
and I think if we put a reserve of, say, 420? | 0:05:21 | 0:05:24 | |
Would you be happy enough with that? | 0:05:24 | 0:05:27 | |
Yeah! If it was no less than the 420. | 0:05:27 | 0:05:30 | |
No less than 420. 420, firm. | 0:05:30 | 0:05:33 | |
-I'm sure it will go beyond there. -OK. Yeah. Fine. | 0:05:33 | 0:05:36 | |
-Thank you for bringing this along. -My pleasure. | 0:05:36 | 0:05:38 | |
Heather, this little group of bears is absolutely stunning. | 0:05:43 | 0:05:46 | |
I'm so pleased you've brought some oak in for me... It's my favourite wood! Did you know that? | 0:05:46 | 0:05:51 | |
-I know you like wood. -Oak? -No, I didn't! No, I didn't! No. | 0:05:51 | 0:05:54 | |
It's typical of the Black Forest carvings from Austria. What's its story and how did you acquire it? | 0:05:54 | 0:05:59 | |
An old lady gave it to me who I used to look after. | 0:05:59 | 0:06:03 | |
-I just said how nice it was and she said... -She said you could have it? | 0:06:03 | 0:06:06 | |
How long did you look after her? Did you do that for a living? | 0:06:06 | 0:06:09 | |
-No, no! Five years. -What did you do for a living? -I was a hairdresser. | 0:06:09 | 0:06:13 | |
You're a hairdresser! That's why your hair's so neat! | 0:06:13 | 0:06:15 | |
-Do you cut your own hair? -Neat! | 0:06:15 | 0:06:18 | |
Well, it's a good cut! Do you think I need a haircut? | 0:06:18 | 0:06:21 | |
Yeah! It could do with something doing with it! | 0:06:21 | 0:06:24 | |
Right. Let's talk about your Black Forest carving. | 0:06:28 | 0:06:31 | |
Did you know they're called Black Forest carvings? | 0:06:31 | 0:06:34 | |
-No, I didn't know! -Austrian... and this dates from about the early 1900s. | 0:06:34 | 0:06:38 | |
It's done with just quite basic chisels and gouges and it's known as "chip carving". | 0:06:38 | 0:06:44 | |
-Oh, right! -And they're very, very collectable. | 0:06:44 | 0:06:46 | |
-Are they really? -Yeah! It's a lovely inkwell. It's a nice group. | 0:06:46 | 0:06:49 | |
-You've got mummy and daddy bear and a couple of babies... -Yeah, that's right, yeah! | 0:06:49 | 0:06:55 | |
With a naturalistic log, which has been hollowed out, which holds the inkwell. Now, if I take that out... | 0:06:55 | 0:07:01 | |
Unfortunately you've got the pin missing. | 0:07:01 | 0:07:03 | |
-Did you acquire it like that? -No... Yeah. -The hinge is still there. | 0:07:03 | 0:07:07 | |
-It just needs the pin sliding in. -Yeah, it was like that... | 0:07:07 | 0:07:10 | |
That'll make it work... And a bit of solder. | 0:07:10 | 0:07:12 | |
You can see that's cut glass. | 0:07:12 | 0:07:15 | |
That's all done by being offered up to a little wheel, a little grinding wheel. | 0:07:15 | 0:07:19 | |
You only get one attempt at that, otherwise if you muck it up, | 0:07:19 | 0:07:23 | |
-you've got to grind it all off and start again. -Start again, right! | 0:07:23 | 0:07:27 | |
-So that's not going to devalue it. -No. | 0:07:27 | 0:07:28 | |
It would if the top was missing. | 0:07:28 | 0:07:30 | |
-Yeah, yeah. -Cos you'd have to find another vessel to put in, really. | 0:07:30 | 0:07:34 | |
That can be sorted out. I think the chip carving, the detail in the work is super... | 0:07:34 | 0:07:40 | |
it really is super. | 0:07:40 | 0:07:42 | |
It's one of the nicest little groups I've seen. It's complete. | 0:07:42 | 0:07:45 | |
It puts a smile on your face and that's very important, cos that puts the value up. | 0:07:45 | 0:07:50 | |
So the all-important question, then, I guess... | 0:07:50 | 0:07:53 | |
What's it worth, isn't it? That's what you're all here for! | 0:07:53 | 0:07:56 | |
-Yeah! Go on! -Go on! Well, you tell me! -I don't know! | 0:07:56 | 0:07:59 | |
I've no idea! You're the expert. You tell me! | 0:07:59 | 0:08:02 | |
If I thought I... I'd tell you... | 0:08:02 | 0:08:04 | |
When you were in the queue this morning, you were thinking, "Could I get a cruise out of it?" | 0:08:04 | 0:08:12 | |
No! Come on! You must, you must. | 0:08:12 | 0:08:14 | |
-No, honest to God! I've no idea at all. -You've not given it any thought? | 0:08:14 | 0:08:19 | |
No, no, I haven't! | 0:08:19 | 0:08:20 | |
-I think this will do £250 if you put it into auction, yes. -Do you really? Oh! | 0:08:20 | 0:08:25 | |
-And I'd like to put a valuation of £200 to £300 on it... -Oh, very nice! | 0:08:25 | 0:08:29 | |
-We might just get that top end! -Thank you! | 0:08:29 | 0:08:32 | |
Why do you want to sell it, though? | 0:08:32 | 0:08:34 | |
Well, because we've gone from a big house to a small bungalow, | 0:08:34 | 0:08:37 | |
I'm frightened of it getting broken now. | 0:08:37 | 0:08:40 | |
There's nowhere to put it. It's just been stuck in the cupboard. | 0:08:40 | 0:08:43 | |
I thought it's a shame, really. | 0:08:43 | 0:08:45 | |
We're going to protect this with a fixed reserve of 200, OK? | 0:08:45 | 0:08:47 | |
-OK. -If it doesn't make 200, it's going home. | 0:08:47 | 0:08:50 | |
-That's right! -Are you happy with that? | 0:08:50 | 0:08:52 | |
Yes! I'll sell it to you, if you want to have it! | 0:08:52 | 0:08:54 | |
John! | 0:09:01 | 0:09:02 | |
-Nice to see you. Well, thanks for struggling in with this. -Right, yes! | 0:09:02 | 0:09:06 | |
-Did you come on the bus? -No! | 0:09:06 | 0:09:09 | |
It's a great thing, isn't it? You've done some work on this - | 0:09:09 | 0:09:12 | |
-it's a restored piece? -Yeah. | 0:09:12 | 0:09:14 | |
I bought it originally at an auction and it was in quite a state, really, | 0:09:14 | 0:09:19 | |
so a lot of this top was quite dark. | 0:09:19 | 0:09:21 | |
It's only since I cleaned it up and polished it up that you can see a lot of the features. | 0:09:21 | 0:09:25 | |
Is it your hobby, furniture restoration? | 0:09:25 | 0:09:28 | |
Yeah. It's just something that I like to do. | 0:09:28 | 0:09:30 | |
A lot of the furniture in the house arrived this way. | 0:09:30 | 0:09:34 | |
It's lovely burr walnut. It's quarter-veneered. | 0:09:34 | 0:09:37 | |
I'm not sure about this panel, whether that's a later inlet. | 0:09:37 | 0:09:40 | |
It's got what we call seaweed marquetry... | 0:09:40 | 0:09:43 | |
this very fine sort of flowery marquetry on the top, | 0:09:43 | 0:09:45 | |
and if we turn it round, it's got a well in there for your playing cards, and then we flip it over... | 0:09:45 | 0:09:51 | |
..and there we are! It's a cracking card table. | 0:09:53 | 0:09:56 | |
The baize is a bit sad, a bit faded, but it's original, I think, isn't it? | 0:09:56 | 0:09:59 | |
-Well, that's how it was. -Is that how it was? We've got these nice, flush hinges. | 0:09:59 | 0:10:04 | |
It's a nice-quality thing. It's on standard supports, | 0:10:04 | 0:10:07 | |
these end turn supports, nicely turned, | 0:10:07 | 0:10:10 | |
and then just one turned stretcher | 0:10:10 | 0:10:12 | |
and these lovely sort of quite elegant outswept splayed feet. | 0:10:12 | 0:10:16 | |
It's got original casters with ceramic rollers on, so it's not a bad thing. | 0:10:16 | 0:10:21 | |
It's worth you spending a bit of time and effort and money on it, really! | 0:10:21 | 0:10:25 | |
Can you remember how much you paid for it in the sale? | 0:10:25 | 0:10:28 | |
-The total paid with the additional percentage on top was about £90. -£90? | 0:10:28 | 0:10:32 | |
-Altogether, yeah! -That was a bargain, wasn't it, really? | 0:10:32 | 0:10:35 | |
Well, I think it was in such a bad state, you know, nobody else looked twice at it, really! | 0:10:35 | 0:10:40 | |
All your efforts may have paid off because I would have thought | 0:10:40 | 0:10:44 | |
it ought to be worth 200 or 300 now, | 0:10:44 | 0:10:46 | |
although the market's been a little bit up and down for furniture. | 0:10:46 | 0:10:50 | |
This is quite an attractive thing, so we could put a reserve of a couple of hundred on it. | 0:10:50 | 0:10:55 | |
If it did more than that, I'd definitely be happy, | 0:10:55 | 0:10:57 | |
but, yeah, I've been buying this stuff, cluttering up the house, | 0:10:57 | 0:11:01 | |
so I think if I got something back, yeah, my wife would be happy, anyway! | 0:11:01 | 0:11:05 | |
-And what are you going to do with £200? Buy another piece of furniture? -Yeah! Buy another project! | 0:11:05 | 0:11:10 | |
Sue, I love this type of thing... | 0:11:18 | 0:11:22 | |
a beautiful, delicate Edwardian drop pendant. | 0:11:22 | 0:11:27 | |
Where did you get it? | 0:11:27 | 0:11:29 | |
Well, my grandad bought it for my grandma in about, | 0:11:29 | 0:11:33 | |
I think, round about 1920 time. | 0:11:33 | 0:11:36 | |
He bought it from a local market from Salford, where I live. | 0:11:36 | 0:11:40 | |
It sold things like fruit and vegetables and antiques, all in the same place. | 0:11:40 | 0:11:45 | |
-It was called the Flat Iron... -The Flat Iron? | 0:11:45 | 0:11:47 | |
Yes, because the little church that stood at the side of it resembled the shape of a flat iron, | 0:11:47 | 0:11:54 | |
like the one in New York, I hope. | 0:11:54 | 0:11:56 | |
He gave it to my grandma and she wore it all her married life. | 0:11:56 | 0:12:00 | |
So it was originally a love token? | 0:12:00 | 0:12:04 | |
-Absolutely, yes! -Aw. | 0:12:04 | 0:12:06 | |
-Did you ever wear it? -Just once! | 0:12:06 | 0:12:09 | |
I was so frightened of it being so delicate. | 0:12:09 | 0:12:12 | |
-I was constantly checking that it was still there. -That's right. | 0:12:12 | 0:12:15 | |
Well, this is a feature of this particular type of jewellery. | 0:12:15 | 0:12:19 | |
It's 9-carat gold. | 0:12:19 | 0:12:22 | |
They were made in 9 carat and 15 carat. 15 carat - more desirable. | 0:12:22 | 0:12:29 | |
What I do like about this one, however, are these beautiful sapphires. | 0:12:31 | 0:12:36 | |
I think they're absolutely lovely. | 0:12:36 | 0:12:38 | |
We've got this central one here | 0:12:38 | 0:12:41 | |
and it's surrounded by a circle of seed pearls. | 0:12:41 | 0:12:44 | |
We've got the chain coming up here to another little sapphire here. | 0:12:44 | 0:12:52 | |
-Now, I like that! -Pretty! | 0:12:52 | 0:12:54 | |
What I am worried about, however, | 0:12:54 | 0:12:56 | |
was there another little appendage here at one point? | 0:12:56 | 0:13:00 | |
Yes, there was! It came down, and then it scrolled to both sides | 0:13:00 | 0:13:05 | |
and I think maybe had another tiny seed pearl in each side. | 0:13:05 | 0:13:09 | |
I do remember that, but I can't remember where it got lost or... | 0:13:09 | 0:13:14 | |
They're so delicate, these things. It's come off. | 0:13:14 | 0:13:17 | |
Well, when we were talking about commercial value, | 0:13:17 | 0:13:21 | |
this will make a difference. | 0:13:21 | 0:13:22 | |
It's not complete, but having said that, I think, | 0:13:22 | 0:13:26 | |
if I put an estimate of 80 to 120, | 0:13:26 | 0:13:29 | |
would you feel happy enough with it to be sold at that price? | 0:13:29 | 0:13:35 | |
-I would, yes! -Would you like us to put a reserve on it? | 0:13:35 | 0:13:38 | |
I think so, because I wouldn't like it to go for nothing, yes. | 0:13:38 | 0:13:41 | |
We'll put a reserve to safeguard it and I would suggest a reserve of 70. | 0:13:41 | 0:13:47 | |
-Would you be happy at that? -Yes. That would be fine. | 0:13:47 | 0:13:50 | |
OK. Hopefully it will go much more. | 0:13:50 | 0:13:53 | |
It will find its proper market. | 0:13:53 | 0:13:55 | |
Now let's see how proud we can make our owners | 0:14:03 | 0:14:06 | |
as we head off for the saleroom. | 0:14:06 | 0:14:08 | |
Will the pendant put a sparkle in somebody's eye? | 0:14:08 | 0:14:11 | |
Or will the bidders be hedging their bets on this lovely card table? | 0:14:11 | 0:14:15 | |
Heather's sure of a big surprise with her group of Black Forest bears. | 0:14:15 | 0:14:20 | |
-Sock it to 'em, boy! -Wow! -Well, lovely! | 0:14:20 | 0:14:23 | |
And Ray's watch and chain should get a solid gold result. | 0:14:23 | 0:14:26 | |
For today's sale, we've left Lancashire and crossed just over the border to Yorkshire | 0:14:31 | 0:14:36 | |
and playing host is the Calder Valley Auctioneers. | 0:14:36 | 0:14:40 | |
And today's auctioneer is Ian Peace. | 0:14:41 | 0:14:44 | |
I've just been joined by Sue, who's just about to flog some family heirlooms, aren't you? | 0:14:47 | 0:14:52 | |
-This was Grandma's and Grandad bought it? -Yes. | 0:14:52 | 0:14:54 | |
Can you remember Grandma wearing this drop pendant? | 0:14:54 | 0:14:57 | |
-She wore it all the time. -Did she? -She did, yes. That's why I've always admired it. | 0:14:57 | 0:15:01 | |
Lots of memories! I know it took Anita's eye, didn't it? | 0:15:01 | 0:15:04 | |
-Yes. -Well, you've got £80 to £120... | 0:15:04 | 0:15:06 | |
Well, I love these little pendants. I think they're very, very charming. | 0:15:06 | 0:15:11 | |
I would have estimated it higher if we hadn't been missing the little drop at the end. | 0:15:11 | 0:15:15 | |
-That's going to bring it down a bit... -Condition is everything! | 0:15:15 | 0:15:18 | |
I've had that little piece for a long time and I just couldn't find it anywhere! | 0:15:18 | 0:15:22 | |
-Dropped it somewhere? -Yes! | 0:15:22 | 0:15:24 | |
-Fingers crossed. It's going under the hammer now! -Thank you. | 0:15:24 | 0:15:27 | |
Edwardian 9-carat gold drop pendant. | 0:15:27 | 0:15:29 | |
May I say 50 to open? | 0:15:29 | 0:15:31 | |
£40, thank you. 40 I'm bid. | 0:15:31 | 0:15:33 | |
At £40. I'm going 5s. At 45 do I see? | 0:15:33 | 0:15:38 | |
At 40. And 5, 50 and 5, 60, | 0:15:38 | 0:15:42 | |
and 5, 70 and 5, 80, 5, 90, | 0:15:42 | 0:15:48 | |
5, 100 and 5, 110, 115. | 0:15:48 | 0:15:54 | |
£115. Anybody else at 115? | 0:15:54 | 0:15:57 | |
£115 I'm bid for this lot. Are there any further bids? | 0:15:57 | 0:16:01 | |
£115 and it's selling. | 0:16:01 | 0:16:05 | |
-Yes! -That's great, thank you! | 0:16:05 | 0:16:07 | |
-It's good, good, excellent! -£115! | 0:16:07 | 0:16:10 | |
Right, John. It's time to put the cards on the table, literally. | 0:16:18 | 0:16:21 | |
We've got a wonderful burr walnut card table, £200 to £300, which you've restored. | 0:16:21 | 0:16:25 | |
It looks fantastic over there. I agree with you, Nigel, wonderful valuation. | 0:16:25 | 0:16:30 | |
-Yeah, it's quality! -It is quality, isn't it? | 0:16:30 | 0:16:33 | |
Ready-to-go condition now, so... | 0:16:33 | 0:16:35 | |
-It's tactile... -All you need is a buyer! -It's been loved! I love my wood. | 0:16:35 | 0:16:39 | |
I would buy it if I was allowed to, but I'm not allowed, | 0:16:39 | 0:16:42 | |
and it's just there staring at me saying, "Please buy me!" | 0:16:42 | 0:16:45 | |
-I'm staring at it! -"What am I doing, flogging this now?" | 0:16:45 | 0:16:48 | |
-That's what it's all about. -No, no. It's got to go. -It's going under the hammer, right now! | 0:16:48 | 0:16:52 | |
DM foldover card table. Lot 334. | 0:16:52 | 0:16:55 | |
Lovely condition, it's in, so what am I bid for this? | 0:16:55 | 0:16:58 | |
Couple of hundred? | 0:16:58 | 0:17:00 | |
Let's open at a hundred pounds. £100 to open the bidding? | 0:17:00 | 0:17:03 | |
£100 bid, £100. | 0:17:03 | 0:17:04 | |
At 120, at 140, | 0:17:04 | 0:17:08 | |
160, 180. | 0:17:08 | 0:17:10 | |
At £180. Do I see 200 in the room? | 0:17:10 | 0:17:14 | |
£180. I have £180. Any advance? | 0:17:14 | 0:17:17 | |
I have £200 in the room. £200. | 0:17:17 | 0:17:18 | |
210 if you like, 210 do I see? | 0:17:18 | 0:17:21 | |
210... 220. | 0:17:21 | 0:17:26 | |
£220. £220 I'm bid at the back of the room. Any further bids? £220. | 0:17:26 | 0:17:33 | |
Are you all finished at £220, then? | 0:17:33 | 0:17:36 | |
220! It's gone! Sold! | 0:17:36 | 0:17:38 | |
That is a sold sound! John, what are you doing with £220? | 0:17:38 | 0:17:41 | |
If it had sold earlier, I might have bid for something else, but no! | 0:17:41 | 0:17:45 | |
Are you buying something else? | 0:17:45 | 0:17:47 | |
Er, well, everything's in too good condition, really. | 0:17:47 | 0:17:50 | |
I'm looking out for something that I can have another go at, yeah. | 0:17:50 | 0:17:54 | |
I'll hang on to it for now. | 0:17:54 | 0:17:55 | |
Well, time's up. Yes, it definitely is for Ray, | 0:18:00 | 0:18:04 | |
and your gold pocket watch - we're looking at £450 to £550. | 0:18:04 | 0:18:08 | |
-This has been in the family some time? -Some time. | 0:18:08 | 0:18:10 | |
100-and-odd years, yeah, right from the start. | 0:18:10 | 0:18:12 | |
Why are you flogging a family heirloom? | 0:18:12 | 0:18:15 | |
I've got two sons, I can't leave... | 0:18:15 | 0:18:17 | |
-You can't share that. -I've got five grandchildren. | 0:18:17 | 0:18:20 | |
Whatever it goes for, they get it. | 0:18:20 | 0:18:22 | |
That's a very diplomatic answer! | 0:18:22 | 0:18:24 | |
Good valuation as well. It's a lovely item. | 0:18:24 | 0:18:27 | |
Well, we've got three items here, really. | 0:18:27 | 0:18:30 | |
We have this very nice key pocket watch, American pocket watch. | 0:18:30 | 0:18:34 | |
We have a good, long albert, and we have the American ten-dollar as well. | 0:18:34 | 0:18:38 | |
-There's a lot of value in the chain. -Oh, yes, yes! | 0:18:38 | 0:18:41 | |
Heck of a lot! This is it, Ray! | 0:18:41 | 0:18:43 | |
Things are certainly heating up - I'm feeling the pressure. | 0:18:43 | 0:18:46 | |
The gentleman's 14-carat gold pocket watch, | 0:18:46 | 0:18:49 | |
nice 19-inch chain, mounted with a 10-dollar gold piece. | 0:18:49 | 0:18:52 | |
What am I bid for this lot here? 400? 300? | 0:18:52 | 0:18:55 | |
200, thank you. £200 I'm bid. | 0:18:55 | 0:18:57 | |
I have £200. I have £200. | 0:18:57 | 0:18:59 | |
At 220, 240, 260, 280, 300... | 0:18:59 | 0:19:04 | |
And 20, 340, 360? At £360? | 0:19:04 | 0:19:07 | |
At £380, at 400, £420. At £420. | 0:19:07 | 0:19:12 | |
420, I'll take 10, at 420. | 0:19:12 | 0:19:18 | |
430 anywhere? We'll mark it at £420 first and last time. All done. | 0:19:18 | 0:19:23 | |
It's gone! We were getting hot there! | 0:19:23 | 0:19:25 | |
Getting slightly worried! | 0:19:25 | 0:19:27 | |
-That's not bad, is it? -Yes, it's OK. | 0:19:27 | 0:19:29 | |
You can divide that up amongst the family. | 0:19:29 | 0:19:32 | |
Who've you brought along for a bit of moral support? | 0:19:32 | 0:19:34 | |
The lady captain of our golf club - she knew the way so I thought, well, best thing, you get me here! | 0:19:34 | 0:19:40 | |
Next up it's my turn to be the expert and we've got some real quality on the show, haven't we? | 0:19:47 | 0:19:51 | |
-Like me! -It's Heather! | 0:19:51 | 0:19:54 | |
And, your beautiful carved Black Forest bears. It's a lovely little group. | 0:19:54 | 0:19:58 | |
Gorgeous inkwell, £200 to £300. We are going to breeze that, because these always sell well. | 0:19:58 | 0:20:04 | |
I had a chat with the auctioneer earlier, off camera, | 0:20:04 | 0:20:07 | |
and he said really nice, something he'd like to own. | 0:20:07 | 0:20:10 | |
-200 to 300, no problem. -Ooh, brilliant! That's great! | 0:20:10 | 0:20:13 | |
It is, isn't it? We've got a packed saleroom. | 0:20:13 | 0:20:15 | |
I don't think they're sitting on their hands because most of them are standing. | 0:20:15 | 0:20:19 | |
Anyway, the money's going towards the holiday fund, isn't it? | 0:20:19 | 0:20:22 | |
-Yeah, yeah. -For the grandkids, for the kids! | 0:20:22 | 0:20:24 | |
-Yeah, yeah! -Good luck! I love what you're wearing! | 0:20:24 | 0:20:28 | |
-Oh, thank you! -Right. | 0:20:28 | 0:20:29 | |
Easy, tiger. This is it. Here we go. | 0:20:29 | 0:20:33 | |
Late 19th-century Black Forest carved inkstand. | 0:20:33 | 0:20:36 | |
Lot 49. What am I bid for this? | 0:20:36 | 0:20:37 | |
A couple of hundred? 150? | 0:20:37 | 0:20:40 | |
£100, thank you. £100. £100, 120, | 0:20:40 | 0:20:43 | |
120, 140, 160, 180, 200. | 0:20:43 | 0:20:47 | |
At £200, 220, 240... | 0:20:47 | 0:20:51 | |
-Go on! -260, 280, 300 and 20. | 0:20:51 | 0:20:55 | |
340, 360... | 0:20:55 | 0:20:57 | |
-Give it some welly! -380, 400, | 0:20:57 | 0:21:00 | |
-and 20. -Are you whistling? -At £420. | 0:21:00 | 0:21:04 | |
Any further bids at 420? | 0:21:04 | 0:21:06 | |
We're selling 4-2-0. First and last time. | 0:21:06 | 0:21:09 | |
-Yes! -Whee-hee! | 0:21:10 | 0:21:11 | |
LAUGHTER | 0:21:11 | 0:21:13 | |
-Easy, tiger. -Brilliant. -£420! | 0:21:14 | 0:21:18 | |
-Sock it to 'em, boy! -Wow! | 0:21:18 | 0:21:20 | |
-Well, lovely! Thank you very much. -Isn't that a good result? | 0:21:20 | 0:21:22 | |
What are you going to spend that on? | 0:21:22 | 0:21:24 | |
As I say, it's going towards the kids' spending money for Benidorm. | 0:21:24 | 0:21:27 | |
That's what you said! Treat yourself as well! | 0:21:27 | 0:21:29 | |
-I treat myself every week... -I bet you do. -..so I'll give it to t'kids! | 0:21:29 | 0:21:33 | |
-I bet you do! -Life's for living, Paul, you know! | 0:21:33 | 0:21:36 | |
-Exactly! It's not a rehearsal, is it? -No, not at all, no! | 0:21:36 | 0:21:38 | |
Wow, what a result! No wonder Heather was over the moon. | 0:21:39 | 0:21:43 | |
There's plenty more excitement to come, | 0:21:43 | 0:21:45 | |
as we're off to rival town Doncaster to see what's in store for us there. | 0:21:45 | 0:21:51 | |
Doncaster's heritage is rooted in the transport industry | 0:21:53 | 0:21:57 | |
and the town is well known for building some very fast locomotives, | 0:21:57 | 0:22:00 | |
including the Flying Scotsman. | 0:22:00 | 0:22:03 | |
Today we're right on track for a first-class show. | 0:22:03 | 0:22:06 | |
And the good people of bonny Donny have turned out in their hundreds. | 0:22:07 | 0:22:11 | |
We've got a massive queue here. | 0:22:11 | 0:22:13 | |
Our experts are Catherine Southon and Adam Partridge. | 0:22:13 | 0:22:16 | |
They've already sifted through the queue hoping to find the best antiques to sell at auction. | 0:22:16 | 0:22:21 | |
Right now it's 9:30. It's time to get the doors open and the show on the road. | 0:22:21 | 0:22:25 | |
Let's get inside! | 0:22:25 | 0:22:27 | |
Carrie and Carol, thank you very much for coming along today. | 0:22:31 | 0:22:35 | |
Welcome. At the beginning of the day I like to find something special. | 0:22:35 | 0:22:38 | |
I certainly found something special here. | 0:22:38 | 0:22:41 | |
It even tells us that on the box. | 0:22:41 | 0:22:43 | |
The box is written in German. | 0:22:43 | 0:22:45 | |
It says, "For you, for you, here's something special." | 0:22:45 | 0:22:49 | |
Inside we have this fantastic little green teddy bear. | 0:22:49 | 0:22:54 | |
Can you tell me where you got him from? | 0:22:54 | 0:22:57 | |
Yes, my dad brought it back from the war for my mum. | 0:22:57 | 0:23:01 | |
It's always been in the little china cabinet. | 0:23:01 | 0:23:05 | |
That is about as much as I know. | 0:23:05 | 0:23:07 | |
OK, it's probably German, but he's a bear which was manufactured by the company Schuco. | 0:23:07 | 0:23:13 | |
Schuco were a German factory making bears in the early part of the 20th century. | 0:23:14 | 0:23:19 | |
This bear is about 1930s in date. | 0:23:19 | 0:23:22 | |
That would correspond with your father coming back from the war. | 0:23:22 | 0:23:26 | |
He's no ordinary bear. He's not just your average green bear. | 0:23:26 | 0:23:30 | |
Let's just have a look inside and we can see he's a lovely little scent bottle. Isn't that beautiful? | 0:23:30 | 0:23:37 | |
What I like to see about it, it's all in perfect condition. | 0:23:37 | 0:23:39 | |
We don't have the perfume any more, | 0:23:39 | 0:23:41 | |
but never mind, it's in good condition. | 0:23:41 | 0:23:43 | |
It's not broken or anything. | 0:23:43 | 0:23:45 | |
These little bears are very collectable, especially in this lovely green colour. | 0:23:45 | 0:23:50 | |
Who does this belong to now? | 0:23:50 | 0:23:53 | |
When Mum died, I said to Carrie and my other daughter | 0:23:53 | 0:23:57 | |
if you want to choose something out of the cabinet by all means do so. | 0:23:57 | 0:24:01 | |
-So Carrie chose this. -I chose the bear. -You chose this bear. | 0:24:01 | 0:24:04 | |
-I think it was very well chosen. -It's been on display always | 0:24:04 | 0:24:09 | |
leant up against something. | 0:24:09 | 0:24:11 | |
The lid was damaged then. | 0:24:11 | 0:24:14 | |
She showed me it and I said I would like the bear because it was a girlie thing. | 0:24:14 | 0:24:18 | |
It's fantastic that you kept it in its box. It has the Schuco stamp on the box. | 0:24:18 | 0:24:23 | |
That really is a fabulous thing. Amazing that you've got the box. | 0:24:23 | 0:24:26 | |
Amazing that it is in pretty good condition. | 0:24:26 | 0:24:29 | |
There is a bit of wear to the paws but the scent bottle is still there. They do come in other colours. | 0:24:29 | 0:24:34 | |
You've got the red and golden ones. | 0:24:34 | 0:24:36 | |
What bear collectors like is this unusual colour and also the fact that | 0:24:36 | 0:24:41 | |
it's not just a bear, it's a scent bottle holder as well. | 0:24:41 | 0:24:44 | |
I shall put you out of your misery. | 0:24:44 | 0:24:46 | |
-I would like to see it at auction for about £200 to £300. -Wow! | 0:24:46 | 0:24:50 | |
I'd hope it would make a bit more than that. | 0:24:50 | 0:24:53 | |
-I'd probably put a reserve on of about 150. How does that sound? -Wow! | 0:24:53 | 0:24:58 | |
-Are you pleased? -Yeah. | 0:24:58 | 0:25:01 | |
I hope it makes more because it is in good condition. It's in its box. | 0:25:01 | 0:25:05 | |
If bear collectors are there, who knows what it will make? | 0:25:05 | 0:25:08 | |
It's a great piece and thank you for bringing it along. You've made my day! | 0:25:08 | 0:25:13 | |
BOTH: Thank you. | 0:25:13 | 0:25:15 | |
And ours, yes. | 0:25:15 | 0:25:18 | |
Welcome to Flog It! | 0:25:22 | 0:25:23 | |
-How are you doing? -All right, dear. -And what are your names? -Betty and Charlie. | 0:25:23 | 0:25:28 | |
-Nice to meet you both, my name's Adam. -Pleased to meet you. | 0:25:28 | 0:25:30 | |
These are lovely. | 0:25:30 | 0:25:32 | |
-They look like a pair, but I'd sell them separately. -Would you? | 0:25:32 | 0:25:35 | |
Yeah, I'd sell them consecutively, one lot after the other. | 0:25:35 | 0:25:39 | |
Royal Worcester. Where did you get them from? | 0:25:39 | 0:25:42 | |
I think we got them from Spencer's at Retford auction. | 0:25:42 | 0:25:46 | |
-That's not going any more, is it? -No, we used to go regular, each week. | 0:25:46 | 0:25:50 | |
-How long ago do you reckon you got them? -About 20 years. | 0:25:50 | 0:25:53 | |
20-odd years ago, weren't it? | 0:25:53 | 0:25:55 | |
-Definitely. -Who bought them? Was it you, Betty? -No, pair of us. | 0:25:55 | 0:25:59 | |
We always buy things together. | 0:25:59 | 0:26:01 | |
-Joint decision? -Yeah. -OK. You have been together a long time? | 0:26:01 | 0:26:04 | |
-Yeah, nearly 50 years. -Goodness me. | 0:26:04 | 0:26:07 | |
What attracted you to these? | 0:26:07 | 0:26:08 | |
I just liked them. We bought something else with cattle on. | 0:26:08 | 0:26:13 | |
And then I went and I saw them. And they've got the sheep on them. | 0:26:13 | 0:26:17 | |
And with it being Davis I was told that it was a good name. | 0:26:17 | 0:26:20 | |
Yes, it is a good name. | 0:26:20 | 0:26:22 | |
So I decided to have a bid for them. | 0:26:22 | 0:26:24 | |
What did they cost, do you remember? | 0:26:24 | 0:26:27 | |
I think they were about 600 for the pair. | 0:26:27 | 0:26:30 | |
-So not cheap. -No. -But they're never going to be cheap, these, | 0:26:30 | 0:26:34 | |
because Royal Worcester always makes good money. | 0:26:34 | 0:26:36 | |
Hand-painted by Harry Davis, one of the top Worcester artists, | 0:26:36 | 0:26:40 | |
specialist in sheep. | 0:26:40 | 0:26:42 | |
A lot of Worcester artists specialised in different things. | 0:26:42 | 0:26:45 | |
Some did flowers and fruit, cattle, sheep, game birds. | 0:26:45 | 0:26:48 | |
Different ones. Harry Davis was mainly a sheep man. | 0:26:48 | 0:26:52 | |
And they're both signed and nicely marked on the bottom as well. | 0:26:52 | 0:26:55 | |
We've got the signature just there on this one. | 0:26:55 | 0:26:58 | |
And it'll be in a similar place on the other one. You've got this puce-coloured mark on the bottom. | 0:26:58 | 0:27:03 | |
The shape number on the bottom and all these dots. | 0:27:03 | 0:27:06 | |
You can add the dots together to get a date code. | 0:27:06 | 0:27:09 | |
I reckon they date to about 1910. Something about there. | 0:27:09 | 0:27:14 | |
I would sell them separately, as I said, with an estimate of 4-6 on each. | 0:27:14 | 0:27:18 | |
-Very nice. -So there's a bit of a return there. | 0:27:18 | 0:27:22 | |
What's made you decide to sell them, please? | 0:27:22 | 0:27:25 | |
Well, we've got a grandson, Jamie. | 0:27:25 | 0:27:27 | |
He's six months old and we want to give him some money for in the bank. | 0:27:27 | 0:27:31 | |
Then we've been married 50 years next year. So there's a golden wedding coming up. | 0:27:31 | 0:27:36 | |
What are you going to do for that? | 0:27:36 | 0:27:38 | |
-I might go on a cruise. Or go to the Caribbean. -I used to work on a cruise ship in the Caribbean. | 0:27:38 | 0:27:43 | |
I'll have to talk to you about that later. | 0:27:43 | 0:27:46 | |
-We've heard all tales what you do on those Caribbean cruises. -Really? -Yeah, we've heard a lot of tales. | 0:27:46 | 0:27:51 | |
-Have you? -Oh, not half. | 0:27:51 | 0:27:53 | |
I won't say any more! OK. | 0:27:53 | 0:27:56 | |
Well, £400 to £600 each estimate. | 0:27:56 | 0:27:59 | |
Reserve of 400 on each. | 0:27:59 | 0:28:00 | |
-If they don't make that, they're not worth selling. -That's right. | 0:28:00 | 0:28:04 | |
Let's hope they make a good price. I'll be at the auction. I'll stand with you there and they'll do well. | 0:28:04 | 0:28:09 | |
Lovely. I hope they do. | 0:28:09 | 0:28:11 | |
This is absolutely stunning, Rosemary. | 0:28:16 | 0:28:18 | |
You are with your son, Alexander. Hi. Whose is this? | 0:28:18 | 0:28:21 | |
It's mine. It has been in the family a very long time. | 0:28:21 | 0:28:24 | |
It belonged to my grandfather and I understood it was his christening present. | 0:28:24 | 0:28:28 | |
-Wow! -But what is it? I don't know. -It's a feminine piece. | 0:28:28 | 0:28:32 | |
-It's a jewellery casket. -Right. OK. | 0:28:32 | 0:28:34 | |
It would stand on a table top or a dressing table. | 0:28:34 | 0:28:37 | |
-We always put it on the mantelpiece. -It's absolutely stunning. | 0:28:37 | 0:28:41 | |
It is a jewellery casket. | 0:28:41 | 0:28:43 | |
It's made of mixed metals. | 0:28:43 | 0:28:45 | |
It's been gilded and silvered. | 0:28:45 | 0:28:47 | |
Obviously it's losing its glint. | 0:28:47 | 0:28:50 | |
That can be sorted out. | 0:28:50 | 0:28:52 | |
It's the quality of the moulding that I am interested in. It's absolutely divine. | 0:28:52 | 0:28:57 | |
Look at the figure on the top. Isn't she beautiful? A little cherub. | 0:28:57 | 0:29:00 | |
You think it's a woman. | 0:29:00 | 0:29:02 | |
We understood it was supposed to be my grandfather. | 0:29:02 | 0:29:06 | |
-Do you think so? -But they wouldn't be purpose commissioned. | 0:29:06 | 0:29:09 | |
It looked factory made. | 0:29:09 | 0:29:11 | |
Yes, it was made by Elkington's. I've established that because... | 0:29:11 | 0:29:14 | |
It's on the foot. And numbers, but I didn't know what any of them meant. | 0:29:14 | 0:29:18 | |
It's a serial number. Elkington registered in Birmingham and Sheffield and also London. | 0:29:18 | 0:29:23 | |
They were a London family, originally. | 0:29:23 | 0:29:25 | |
Originally Frederick Elkington and then it went to Elkington & Co. | 0:29:25 | 0:29:31 | |
This one is just right for the Great Exhibition. What a showpiece. | 0:29:31 | 0:29:35 | |
Look, at every face side you see these little caryatids holding up the whole thing. | 0:29:35 | 0:29:43 | |
Look at the swags. Look at the ribbons and look at the decoration. | 0:29:43 | 0:29:47 | |
-It's beautiful. -It collects the dust. | 0:29:47 | 0:29:49 | |
-Ah, well, it would, wouldn't it? -All the detail. | 0:29:49 | 0:29:52 | |
I don't mind that because that's added the character to it. | 0:29:52 | 0:29:56 | |
And I'm pleased you haven't polished it. I really am. | 0:29:56 | 0:30:00 | |
You can see it's typical of Elkington's. | 0:30:00 | 0:30:02 | |
This would be lined and padded and silk lined. | 0:30:02 | 0:30:07 | |
I have never known it to have anything. Obviously, this metal is corroding and looks not very nice. | 0:30:07 | 0:30:12 | |
Why do you want to sell this? | 0:30:12 | 0:30:14 | |
Because I think it's a bit of a liability sitting on the mantelpiece. | 0:30:14 | 0:30:18 | |
I don't know how to clean it. I'm terrified I'm going to damage it. | 0:30:18 | 0:30:21 | |
Which brings me to the all-important question. | 0:30:21 | 0:30:25 | |
What is it worth? Have a guess, Alex, what do you think? | 0:30:25 | 0:30:30 | |
-50 quid. -50 quid. You'd take 100 right now, wouldn't you? -Yeah. | 0:30:30 | 0:30:34 | |
On an average day that's still £300 to £400. | 0:30:34 | 0:30:38 | |
My goodness me, that is amazing. | 0:30:38 | 0:30:41 | |
If I gave you £400 and said, "Go and find me one, could you?" | 0:30:43 | 0:30:47 | |
-Er... -No. | 0:30:47 | 0:30:48 | |
-I've never seen one - that's why I was interested to know. -It's beautiful. | 0:30:48 | 0:30:53 | |
You could have said it was somebody's remains and I wouldn't have known! | 0:30:53 | 0:30:57 | |
£300 to £400 we'll put on this, with a fixed reserve of 300. | 0:30:57 | 0:31:01 | |
-Brilliant! -If it doesn't sell at 300, it's going home. | 0:31:01 | 0:31:05 | |
-You must not sell for any less. -No. | 0:31:05 | 0:31:07 | |
-Shall we flog it? -Yes. -Yes. -See you at the auction. | 0:31:07 | 0:31:10 | |
Hi, Gwen, hi, Daniel, thanks very much for coming along today. | 0:31:14 | 0:31:18 | |
We've got in front of us this lovely lady in a very classic Art Deco pose. | 0:31:18 | 0:31:23 | |
Tell me about her. Where did you get her from? | 0:31:23 | 0:31:26 | |
Two years ago I had the chance of a house clearance and I couldn't resist it. | 0:31:26 | 0:31:31 | |
I love ladies, but all my ladies are pale | 0:31:31 | 0:31:35 | |
green and flowing clothes. She just didn't belong so I thought... | 0:31:35 | 0:31:40 | |
She sticks out like a sore thumb, does she? | 0:31:40 | 0:31:42 | |
Yes, yes. She just doesn't belong with my other ladies, does she? | 0:31:42 | 0:31:46 | |
I am glad you didn't resist the house clearance because | 0:31:46 | 0:31:49 | |
you have brought in this beautiful Art Deco piece. | 0:31:49 | 0:31:52 | |
She has got that wonderful classic pose and she is 1930s. | 0:31:52 | 0:31:57 | |
I do like her, but she just doesn't fit in. | 0:31:57 | 0:32:00 | |
-She just doesn't fit in. She doesn't fit in, so she's got to go. -Yeah. | 0:32:00 | 0:32:04 | |
You will probably know she's made by Sitzendorf, which | 0:32:04 | 0:32:07 | |
is a very good German maker, and she's hard paste porcelain. | 0:32:07 | 0:32:12 | |
She does seem to be in good condition, although there is | 0:32:12 | 0:32:15 | |
a bit of wear to the gilt around here and it looks like somebody has tried to touch it up in various places. | 0:32:15 | 0:32:21 | |
It's not me. I was going to paint that gold, but I thought, no. | 0:32:21 | 0:32:27 | |
I'm glad you did leave well alone. That is the best thing you could have done. She is a beautiful piece. | 0:32:27 | 0:32:32 | |
It's very classic, and obviously Art Deco is collectable. | 0:32:32 | 0:32:37 | |
To me, I don't think the ball looks brilliant. | 0:32:37 | 0:32:40 | |
I'm not that sure about this ball. | 0:32:40 | 0:32:42 | |
I don't think it's in keeping with the whole design, but | 0:32:42 | 0:32:45 | |
-nevertheless she is very elegant and really in quite good condition. -A funny place to have a ball as well. | 0:32:45 | 0:32:52 | |
It is a funny place to have a ball, on the end of your leg. | 0:32:52 | 0:32:56 | |
I don't think I'd like to do that pose. | 0:32:56 | 0:32:58 | |
No, I wouldn't. | 0:32:58 | 0:33:00 | |
How much do you think it's worth? Any idea? | 0:33:00 | 0:33:03 | |
-No, I've no idea. -I think £300 to £400 is probably about right. | 0:33:03 | 0:33:07 | |
Do you know how much you paid for it? Can you remember? | 0:33:07 | 0:33:10 | |
No, because it was in the whole house clearance. | 0:33:10 | 0:33:14 | |
-You got it in a job lot? -Yeah. -I think about £300 to £400 with a 250 reserve. How does that sound? | 0:33:14 | 0:33:21 | |
-Good to me. -Sounds good to you. Does it sound good to you, Daniel? | 0:33:21 | 0:33:24 | |
-Is it something you like? -No, not really. -Not really. | 0:33:24 | 0:33:27 | |
I'm sure you'd prefer to have the cash. | 0:33:27 | 0:33:29 | |
Maybe Granny will give him a little something. | 0:33:29 | 0:33:31 | |
Yes, definitely, he has been such a good boy. | 0:33:31 | 0:33:34 | |
Well done, Daniel, I hope it makes lots of money and you can get something special. Thanks for coming. | 0:33:34 | 0:33:40 | |
Before we go off to the auction room, let's take another look at these four fabulous items. | 0:33:41 | 0:33:47 | |
Can this little green bear do better than the family of bears we sold in Rochdale for £480? | 0:33:47 | 0:33:54 | |
We'll soon find out. | 0:33:54 | 0:33:56 | |
Adam is confident that the Worcester vases will do well, and I'm sure they'll attract the collectors. | 0:33:56 | 0:34:01 | |
The jewellery casket is an unusual item | 0:34:01 | 0:34:03 | |
which I hope someone will love as much as I do. | 0:34:03 | 0:34:06 | |
And there's always a market for Art Deco figurines like the one brought in by Gwen. | 0:34:06 | 0:34:11 | |
But first here's something you don't see me doing very often. | 0:34:11 | 0:34:15 | |
Sadly I can't persuade all of you to go down the antique furniture route. | 0:34:16 | 0:34:20 | |
Besides, we don't have the space for it nowadays and the kids might ruin it. So what do we do? | 0:34:20 | 0:34:25 | |
We get in a car and drive to a giant shed on an out-of-town retail park and pick up one of these. | 0:34:25 | 0:34:31 | |
A flat-pack. | 0:34:31 | 0:34:32 | |
Then of course you spend the rest of the weekend looking at diagrams, making sure there's no bits missing | 0:34:33 | 0:34:39 | |
and wondering where you put that Allen key. | 0:34:39 | 0:34:42 | |
I am pleased to tell you there's a third way. It's the Steve Handley way. | 0:34:45 | 0:34:49 | |
He takes old bits of wood, bits of junk, metalwork, kitchen utensils, | 0:34:49 | 0:34:53 | |
puts them all together in a very unconventional way and makes unique kitchen cupboards, | 0:34:53 | 0:34:58 | |
chunky chairs of distinction and tables made of abandoned bits of boats. | 0:34:58 | 0:35:03 | |
That's great recycling, isn't it? | 0:35:03 | 0:35:05 | |
Steve, it's a real pleasure to meet you. A true artisan at work in his workshop. Look at this. | 0:35:09 | 0:35:14 | |
This is organised chaos, isn't it? | 0:35:14 | 0:35:16 | |
-So how long have you been doing this? -12 years, full time. | 0:35:16 | 0:35:21 | |
I originally trained as a sculptor and I taught that for a long time. | 0:35:21 | 0:35:25 | |
And I got tired of that. | 0:35:25 | 0:35:27 | |
But I'd always had this thread of interest in furniture, | 0:35:27 | 0:35:30 | |
particularly Irish country furniture and later folk art, | 0:35:30 | 0:35:34 | |
Eastern European furniture. | 0:35:34 | 0:35:36 | |
And I always had the thread of recycling. | 0:35:36 | 0:35:39 | |
My dad taught me a lot in post-war austerity, how to mend the shed with bits of wood. | 0:35:39 | 0:35:45 | |
-Heath Robinson! -Yeah. | 0:35:45 | 0:35:47 | |
Some are just quirky ideas. I've made nearly 2,000 of these cupboards. | 0:35:47 | 0:35:51 | |
The doors are all old pastry boards or chopping boards. | 0:35:51 | 0:35:53 | |
That's the basis they're sold on. | 0:35:53 | 0:35:55 | |
And all the materials, apart from the hinges, are recycled materials. | 0:35:55 | 0:36:00 | |
That's like a little cupboard door for spices. | 0:36:00 | 0:36:04 | |
-Yeah, yeah. Herb and spice cupboard. -The way you've put two ventilation panels... | 0:36:04 | 0:36:08 | |
These are cheese graters, which I thought were quite an architectural shape. | 0:36:08 | 0:36:13 | |
Some people think it looks like a confessional box. | 0:36:13 | 0:36:15 | |
I invented this. I started making hooks out of cutlery. | 0:36:15 | 0:36:19 | |
I call this the Handley Patent Cutlery Latch. | 0:36:19 | 0:36:23 | |
-It's quite a satisfying click. -Who are your main clients? | 0:36:23 | 0:36:27 | |
My main clients are women, who buy 95% of my cupboards. | 0:36:27 | 0:36:33 | |
Some of them won't even tell their friends where they got it from, | 0:36:33 | 0:36:37 | |
because they just want it for themselves. | 0:36:37 | 0:36:41 | |
Being herb and spice cupboards, they are also functional, | 0:36:41 | 0:36:44 | |
which is what I like having moved away from more fine-art things. | 0:36:44 | 0:36:47 | |
It was coming up to my wife's birthday and I made her a cupboard. | 0:36:47 | 0:36:51 | |
The door was a pastry board and I sawed a rolling pin in half, and put some other things on. | 0:36:51 | 0:36:56 | |
Then people saw it and said, "Oh, I really like that. | 0:36:56 | 0:37:00 | |
"Can you make me one?" | 0:37:00 | 0:37:02 | |
Then the whole thing developed. | 0:37:02 | 0:37:04 | |
-And a bed. -The big cross piece on the top, with the iron hoop, is from a wagon, a turning table. | 0:37:04 | 0:37:12 | |
This is from a Lincolnshire cart extension. | 0:37:12 | 0:37:18 | |
I cut the cocks out, because this end of the bed is supposed to be morning | 0:37:18 | 0:37:22 | |
and the swallows used to come in the barn where I was. | 0:37:22 | 0:37:25 | |
That's an old breadboard. This piece which is like a ploughed field, | 0:37:25 | 0:37:29 | |
because it's very much a landscape, the headboard, | 0:37:29 | 0:37:32 | |
my mate with a sawmill, he'd sawn up timber on it with a chain saw for ages. | 0:37:32 | 0:37:37 | |
I went in the yard one morning and he was about to saw it up and throw it on the bonfire. | 0:37:37 | 0:37:42 | |
-And you went, "No!" -So I said no. | 0:37:42 | 0:37:44 | |
You could play around for hours trying to get that. | 0:37:44 | 0:37:47 | |
So I just sanded the top off and linseeded it. | 0:37:47 | 0:37:50 | |
-Steve, thank you so much for showing me around. -You're welcome, it's been a pleasure. | 0:37:50 | 0:37:54 | |
You've given me so many ideas, I don't know where to start. | 0:37:54 | 0:37:57 | |
I'm going to go home and look at my junk in a different light. | 0:37:57 | 0:38:01 | |
Steve Handley's furniture is never going to be available in flat-pack form. That's its beauty. | 0:38:01 | 0:38:07 | |
It's individual, it's unique and it's got its own character. | 0:38:07 | 0:38:10 | |
That's what gives it its appeal and value. | 0:38:10 | 0:38:13 | |
Talking of value, we're off to auction. | 0:38:17 | 0:38:20 | |
Let's find out if the Art Deco figurine will score with the bidders. | 0:38:20 | 0:38:24 | |
And whether there's a new home for the jewellery casket. | 0:38:24 | 0:38:27 | |
We could be scenting success for the German Schuco bear. | 0:38:27 | 0:38:30 | |
They love it! | 0:38:33 | 0:38:36 | |
And how much will the collectors be prepared to cough up for the Worcester vases? | 0:38:36 | 0:38:40 | |
It's time to find out. | 0:38:40 | 0:38:42 | |
We've left Doncaster and we've come to Matlock | 0:38:45 | 0:38:48 | |
to catch up with our Flog It favourite James Lewis | 0:38:48 | 0:38:51 | |
the auctioneer for today at Bamfords salerooms. | 0:38:51 | 0:38:54 | |
Before the sale gets under way, let's ask Steve Iredale, the principal valuer, | 0:38:54 | 0:38:59 | |
what he's got to say about a couple of our lots. | 0:38:59 | 0:39:02 | |
Art Deco figurine, she's beautifully modelled. | 0:39:04 | 0:39:07 | |
We've got £300 to £400 on this. It belongs to Gwen. | 0:39:07 | 0:39:10 | |
She came along with her grandson, Daniel. It is well modelled. | 0:39:10 | 0:39:13 | |
I love the fingers and the pose but I'm not sure about 300 to 400. | 0:39:13 | 0:39:19 | |
I hope it does it. I'm a little dubious. | 0:39:19 | 0:39:21 | |
-Do you want my honest answer? -Yeah. -I think it's too much. -Do you? -It's too much. | 0:39:21 | 0:39:25 | |
It's got the style. Art Deco is all the rage. | 0:39:25 | 0:39:28 | |
It could be a very, very good thing. | 0:39:28 | 0:39:30 | |
I just think it's too much. There is some rubbing to the gilding. | 0:39:30 | 0:39:34 | |
-Yeah. -It just doesn't excite me the way a £300 to £400 Art Deco figure should. | 0:39:34 | 0:39:38 | |
OK, if this came into your saleroom tomorrow, you're a principal valuer here and auctioneer, | 0:39:38 | 0:39:43 | |
what would you put on this if it came through the door? | 0:39:43 | 0:39:46 | |
I would probably put something more like 100, 150. | 0:39:46 | 0:39:49 | |
I see it perhaps making a couple, but 300 to 400 is just a bit too strong. | 0:39:49 | 0:39:55 | |
-We'll try our best. -Yes, James has his work cut out, hasn't he? -If James can't do it, nobody can. | 0:39:55 | 0:40:00 | |
That's what good auctioneers are about. We'll find out in a few moments. | 0:40:00 | 0:40:04 | |
It was brought along by Gwen and grandson Daniel. Hello. | 0:40:05 | 0:40:09 | |
Day off school for the auction? | 0:40:09 | 0:40:11 | |
This is exciting, isn't it? | 0:40:11 | 0:40:13 | |
Fingers crossed, Daniel. It's going under the hammer now. | 0:40:13 | 0:40:16 | |
Lot 165, the German Art Deco figure of the ball dancer. | 0:40:16 | 0:40:20 | |
It really is a stylish lot. | 0:40:20 | 0:40:22 | |
-A stylish lot. -We've got a single bid. | 0:40:22 | 0:40:24 | |
We can just let it go at 250. | 0:40:24 | 0:40:29 | |
-At £250, just. -Come on, a bit more. | 0:40:29 | 0:40:31 | |
At 250, 260 do I see? A little bit of wear to the gilding but she's still a nice lot. | 0:40:31 | 0:40:36 | |
-260, yes. -260. -270. 280 in the room. | 0:40:36 | 0:40:40 | |
-We're going to sell it. -290 for you. | 0:40:40 | 0:40:42 | |
Just 290, one more, go on. | 0:40:42 | 0:40:45 | |
-Come on, push it up a bit more. -300. | 0:40:45 | 0:40:46 | |
-310. -We've sold it. We've sold it. | 0:40:46 | 0:40:49 | |
At £300 at the back. | 0:40:49 | 0:40:51 | |
At 300 with you. At £300, all sure? | 0:40:51 | 0:40:55 | |
-We've done it. -That's good. | 0:40:55 | 0:40:57 | |
-Sorry we couldn't get you a bit more. -I don't care. | 0:40:57 | 0:41:01 | |
-We've sold it. -We wanted her to go. -There's a holiday coming up! | 0:41:01 | 0:41:04 | |
-Rosemary, I'm feeling a little bit nervous. -Don't be! | 0:41:07 | 0:41:10 | |
Your lot's up in a few moments' time. | 0:41:10 | 0:41:13 | |
It's the jewellery casket. We've a fixed reserve on it of £300. | 0:41:13 | 0:41:17 | |
-Fine. -So it's going home if it doesn't sell. | 0:41:17 | 0:41:19 | |
We don't mind having it home, the mantelpiece looks empty without it. | 0:41:19 | 0:41:23 | |
I wouldn't sell it, as I told you. | 0:41:23 | 0:41:24 | |
Right, yes. I've also found some more family history | 0:41:24 | 0:41:29 | |
and I'm trying to work it out, because it wasn't my grandfather's. | 0:41:29 | 0:41:32 | |
You said it was, didn't you? | 0:41:32 | 0:41:33 | |
Yes, but I think it belonged to his mother. She was born in 1870. | 0:41:33 | 0:41:39 | |
I wondered if it was her christening present and whether he had taken it on when she died. | 0:41:39 | 0:41:45 | |
Having second thoughts! | 0:41:45 | 0:41:46 | |
This is the problem when you put family heirlooms into auction, isn't it? | 0:41:46 | 0:41:50 | |
We'll find out. | 0:41:50 | 0:41:52 | |
Lot 532 is the Elkington & Co gilt metal casket. | 0:41:52 | 0:41:57 | |
Starts at £200 with me. At 200, 220. | 0:41:57 | 0:42:00 | |
At 200 and 20 do I see? | 0:42:00 | 0:42:02 | |
At 200, with me at £200. | 0:42:02 | 0:42:04 | |
Do I see 220? | 0:42:04 | 0:42:06 | |
Is that all, no interest in that? | 0:42:06 | 0:42:08 | |
That's life, isn't it? | 0:42:08 | 0:42:10 | |
No, that's not sold. | 0:42:10 | 0:42:12 | |
Going back to a good home. | 0:42:12 | 0:42:14 | |
-I feel awful. -Don't worry. | 0:42:14 | 0:42:16 | |
Please don't say that! | 0:42:16 | 0:42:18 | |
Some good has come out of this. | 0:42:18 | 0:42:20 | |
My over-valuation has protected it. | 0:42:20 | 0:42:23 | |
Now we're looking for the sweet smell of success. | 0:42:28 | 0:42:31 | |
£200 to £300, we want that top end. | 0:42:31 | 0:42:33 | |
I've just been joined by Carrie and Carol, mum and daughter. | 0:42:33 | 0:42:37 | |
-This is a little gem, isn't it? -It is. | 0:42:37 | 0:42:40 | |
Catherine loves it as well. You put the valuation on? Should do it. | 0:42:40 | 0:42:43 | |
-Do you think? -Yeah. | 0:42:43 | 0:42:45 | |
-Should do it. -Any feedback? | 0:42:45 | 0:42:47 | |
No, we didn't chat to the auctioneer or valuer. | 0:42:47 | 0:42:49 | |
So he agrees with Catherine's value. | 0:42:49 | 0:42:51 | |
Fingers crossed we're going to flog it! | 0:42:51 | 0:42:55 | |
Lot 319 is this little Schuco bear scent bottle. | 0:42:55 | 0:43:00 | |
Unusual to have his box. And £150 is bid. 150. 160 do I see? | 0:43:00 | 0:43:07 | |
160 in the room, 170, 180. | 0:43:07 | 0:43:10 | |
180 has it. 190? 190, 200. | 0:43:10 | 0:43:12 | |
Keep going. Come on, a little bit more. | 0:43:12 | 0:43:15 | |
In the room at 190. 200 on the phone. | 0:43:15 | 0:43:17 | |
Yes, we've sold it. We've got our 200, we've got the lower end. | 0:43:17 | 0:43:23 | |
-Now it's climbing. -240. 250. | 0:43:23 | 0:43:27 | |
250, 260. | 0:43:27 | 0:43:30 | |
270, 280. | 0:43:30 | 0:43:33 | |
We're going to do the £300 mark, aren't we? | 0:43:33 | 0:43:36 | |
I was worried. That's excellent. | 0:43:36 | 0:43:39 | |
I feel really sick. | 0:43:39 | 0:43:41 | |
They love it! | 0:43:41 | 0:43:43 | |
Money, money, money. | 0:43:43 | 0:43:46 | |
-Fantastic. -Oh, my God. -It's the box that's done it. -380. | 0:43:46 | 0:43:50 | |
-390. -Wonderful. | 0:43:50 | 0:43:53 | |
400. And 20? | 0:43:53 | 0:43:55 | |
They're not going to stop. | 0:43:55 | 0:43:57 | |
I hope not. | 0:43:57 | 0:43:59 | |
We could be here all night. That would be good. | 0:43:59 | 0:44:02 | |
-Shall we take a break? -Oh, my Lord. | 0:44:02 | 0:44:06 | |
Excellent. | 0:44:06 | 0:44:08 | |
-470. -God bless Grandma. | 0:44:08 | 0:44:12 | |
500. 510. | 0:44:12 | 0:44:15 | |
-That's wonderful. -520. | 0:44:15 | 0:44:18 | |
530. At 520, are you all out? | 0:44:18 | 0:44:23 | |
At £520. | 0:44:23 | 0:44:24 | |
Oh, that's brilliant. Well done! | 0:44:24 | 0:44:28 | |
I don't believe it. | 0:44:30 | 0:44:32 | |
Oh, my knees. | 0:44:32 | 0:44:34 | |
-OK. OK, you both would have settled for the 200. I know that. -Yes. | 0:44:34 | 0:44:40 | |
What are you going to put that money to? | 0:44:40 | 0:44:43 | |
Don't forget there is commission to pay. | 0:44:43 | 0:44:45 | |
But you've got a lot of money. | 0:44:45 | 0:44:47 | |
Well, it was my grandma's | 0:44:47 | 0:44:50 | |
and she was a great horse fan. | 0:44:50 | 0:44:52 | |
And my son owns his own pony. | 0:44:52 | 0:44:55 | |
So we are going to go to Olympia at London at Christmas time as a treat for the family. Cos we're all... | 0:44:55 | 0:45:01 | |
Yeah. My daughter that's come with us as well. | 0:45:01 | 0:45:04 | |
We're all going to Olympia to... | 0:45:04 | 0:45:06 | |
-Watch the horses. -Take Mum | 0:45:06 | 0:45:09 | |
with us in spirit as well. | 0:45:09 | 0:45:11 | |
That's wonderful. A nice idea. | 0:45:11 | 0:45:13 | |
We've got some real quality on the show right now. | 0:45:16 | 0:45:19 | |
I've just been joined by Betty and Charlie. We've got some | 0:45:19 | 0:45:21 | |
Royal Worcester vases, two of them, both decorated by Harry Davis, both with a value of £400 to £600. | 0:45:21 | 0:45:28 | |
Sounds like you're selling up your collection. | 0:45:28 | 0:45:30 | |
Yes, two more to go, but these are the best. | 0:45:30 | 0:45:33 | |
If everything goes all right, so much for us golden wedding and so much to the grandson, our first grandchild. | 0:45:33 | 0:45:39 | |
Aw! What a lovely occasion, then. | 0:45:39 | 0:45:42 | |
Be Grandad. Looks like you've been on holiday. | 0:45:42 | 0:45:45 | |
-Have you? -No, golf. | 0:45:45 | 0:45:46 | |
-Golf! -Golf every day. | 0:45:46 | 0:45:48 | |
Well, good luck. Let's hope we get that top end. Adam, what do you think? Will we? | 0:45:48 | 0:45:53 | |
Well, I like to think I know the Worcester market. | 0:45:53 | 0:45:55 | |
-We've put our neck on the line with the valuations, but I think we'll be just fine. -OK. Good luck. | 0:45:55 | 0:46:00 | |
Lot 55 and 56. | 0:46:00 | 0:46:02 | |
Please be sure that you realise they are two separate lots. | 0:46:02 | 0:46:05 | |
Lot 55, the Worcester slender vase. | 0:46:05 | 0:46:08 | |
Where shall we start it? 500? | 0:46:08 | 0:46:10 | |
-Fantastic! -6. 6. 7. 800. 9. | 0:46:10 | 0:46:15 | |
1,000. | 0:46:15 | 0:46:16 | |
11. 12. | 0:46:16 | 0:46:19 | |
-Fantastic! -13. 14. | 0:46:19 | 0:46:23 | |
15. 16. | 0:46:23 | 0:46:25 | |
17. 18. | 0:46:25 | 0:46:26 | |
-Oh, dear! -There's a lot of Worcester collectors here. | 0:46:26 | 0:46:30 | |
2,000. 2,2. 2,4. | 0:46:31 | 0:46:34 | |
Oh, I say! | 0:46:34 | 0:46:36 | |
2,3. 2,4. Phone two. | 0:46:36 | 0:46:38 | |
-2,5? -I can't believe it. -At 2,400. | 0:46:38 | 0:46:40 | |
Phone two. At 2,400 on phone two. Are we all sure? | 0:46:40 | 0:46:45 | |
-Two thousand... -2,5. | 0:46:45 | 0:46:47 | |
-2,5. -2,6. | 0:46:48 | 0:46:50 | |
They're still going. | 0:46:50 | 0:46:52 | |
2,7. He's wavering. One more. | 0:46:52 | 0:46:53 | |
At 2,600. All sure? Phone two at 2,6... | 0:46:53 | 0:46:58 | |
Come and buy me! Yes! | 0:46:59 | 0:47:01 | |
Fantastic! Fantastic! | 0:47:01 | 0:47:02 | |
-Brilliant, isn't it? -Yeah! | 0:47:02 | 0:47:04 | |
OK, there's one more to go, Betty. Here's the second lot. | 0:47:04 | 0:47:08 | |
Lot 56, a similar one. | 0:47:08 | 0:47:10 | |
£1,000 somewhere straight in. | 0:47:10 | 0:47:12 | |
At 1,000. 11 at the back. | 0:47:12 | 0:47:14 | |
1,200. 1,400. | 0:47:14 | 0:47:16 | |
1,400. 1,600. 1,700, new phone. | 0:47:16 | 0:47:21 | |
-1,700. 1,800. -Incredible. | 0:47:21 | 0:47:23 | |
1,800. 19. 19. 2,000. | 0:47:23 | 0:47:27 | |
2,000. 2,1. | 0:47:27 | 0:47:31 | |
2,1? At £2,000. All done? 2,000. | 0:47:31 | 0:47:34 | |
£2,000. The hammer's gone down. | 0:47:34 | 0:47:37 | |
-That's not bad, is it? A grand total of 4,600. -Marvellous! | 0:47:37 | 0:47:41 | |
Wow! Betty! What a magical moment. That is what Flog It is all about. | 0:47:41 | 0:47:46 | |
That's the end of another amazing show. | 0:47:47 | 0:47:50 | |
The bears certainly had a picnic, both in Yorkshire and Lancashire, | 0:47:50 | 0:47:55 | |
making way over estimate. | 0:47:55 | 0:47:56 | |
But who'd have thought another county would swoop in and take the honours | 0:47:56 | 0:48:00 | |
with the Worcester vases fetching £4,600? | 0:48:00 | 0:48:05 | |
it's a resounding success for everyone, | 0:48:05 | 0:48:07 | |
especially for the white rose of Yorkshire and Doncaster. | 0:48:07 | 0:48:11 | |
Sadly we're running out of time right here. | 0:48:11 | 0:48:13 | |
I hope you've enjoyed the show, so from everybody here at Matlock... | 0:48:13 | 0:48:16 | |
Round of applause? | 0:48:16 | 0:48:19 | |
Cheerio! | 0:48:20 | 0:48:22 | |
Subtitles by Red Bee Media Ltd | 0:48:26 | 0:48:29 |