Brighton Flog It!


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Being on the south coast an hour from the capital, no wonder this place is a day-tripper's paradise.

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Welcome to Flog It from London-by-the-Sea - sunny Brighton!

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Brighton has been a fashionable destination since the Prince Regent brought his mistress here in 1783

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for maybe the first dirty weekend

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and the exotic Royal Pavilion which he built was certainly the place to be seen in.

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But the most fashionable place to be seen today is outside the Regency Corn Exchange

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where looking through the bags and boxes for something in vogue

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to take to the saleroom are Catherine Southon and Mark Stacey.

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-Hello, Ed.

-Hi, Mark.

-I always like seeing boxes like this

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because you never know what's going to be inside.

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And even more interesting, lots of inscriptions. Tell me what you know.

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It was offered to me at a reasonable price of £20.

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-Good Lord!

-I spoke to the lady about it. They were going across to France to live.

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I obligingly bought it, opened it up and it appeared to have never been used or seen the light of day.

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We'll come on to that in a second.

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We have this nice inscription,

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which is, "First prize presented by Baron Profumo."

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I don't think he would have given it as a personal gift. He was probably the grandee at the event.

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It was presented as a prize for something.

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It's a very interesting case.

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When we open it up, we see exactly what we've got inside -

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this very nice little Art Nouveau morning set.

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I think these are grapefruit spoons.

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We've got a butter knife, sugar tongs

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and then preserve spoons for your marmalade and jams.

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And a little cruet set which I am going to take out for one moment

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because I don't think this was originally part of this set.

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Stylistically, it's completely different.

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We've got a more angular shape with the stepped section.

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On the top I would have expected a similar Art Nouveau motif.

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When you look at all those pieces,

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they are very, very typical of that sort of 1890 to 1905 period.

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Very high Art Nouveau. They are silver plate, rather than silver.

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But it's obviously lived in there because it fits very snugly in there to protect it.

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We also have this little cut-out of three gentlemen in uniform.

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-They look like musicians from a regiment.

-They certainly do.

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And unfortunately, I didn't get a chance to ask the previous owners what the connection was

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because it was laying in the bottom underneath this cruet set.

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Well, it's got a date on there, "May 24th, 1900."

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So it does tie in a bit with 1906.

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I thought he may have been the sportsman who this was presented to.

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This is the mystery and what makes antiques so interesting.

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You find these clues and if you've got an investigative mind, you see if you can develop it any more.

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-Looking at value, you didn't pay very much for it.

-That's right.

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If we were putting it in for auction, I would suggest maybe 100 to 150 with a 100 reserve.

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If two people like it, it could go a bit above that.

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But with a 100 reserve, we're not giving it away.

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-How do you feel about that?

-I feel very happy at a 100 reserve.

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-At the auction let's hope it makes a lot of money for you.

-I hope so too.

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-Thank you.

-Thank you for your time.

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Stella, welcome to Flog It. Thank you for coming along.

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You've brought along some rather nice little pieces here.

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-Where did you get them from?

-They've come down through the family.

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They've been there ever since I can remember.

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Although they look like Meissen, I don't think they are. I'm not sure.

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If you turn these over, we can see that it's got the mark of "AR".

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Do you know "AR"? Do you know what that stands for?

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I think it stands for "Augustus Rex", but I don't know much else.

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Augustus Rex was involved with the Meissen factory.

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These aren't actually Meissen. They are a later reproduction.

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They would be early 20th century, up to 1920s.

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But obviously of that Meissen style.

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They would be by another Dresden factory, so still German, but very late.

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This piece really caught my eye,

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this lovely little chamber stick here.

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You put your finger through the hole and your thumb rests on the top

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and you would've carried this as you go up to bed, the candle in here.

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-This piece looks much finer.

-Yes.

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Flowers you can see. Much more intricate.

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The colour is a lot finer than on these flowers here.

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-If you turn it over, it has got the crossed swords.

-Meissen mark?

-Yes.

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A lot of people have copied this, but I think,

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I would put money on it, that this is actually Meissen.

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-Good.

-Unfortunately, I think it is a late piece and these are all of the same sort of period.

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So again, early 20th century,

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but I think that, unlike these pieces, is actually Meissen.

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Yes, when you see them together, it's so much finer.

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These aren't so nicely painted, not such good quality.

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So taking that into account,

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I would like to put on the whole lot probably £100 to £150.

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-OK.

-With an £80 reserve.

-That sounds fine.

-Does that sound OK?

-Yes.

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-These have been in your family a long time. Why are you selling them?

-They're very delicate.

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You couldn't use them and I don't want them any more, although they're pretty.

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-I've got too many other things to show and I don't want to show those.

-The time has come.

-Yes.

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-Good morning, Peter.

-Good morning.

-This is a charming watercolour.

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-What happened here?

-After surviving on Granny's wall for decades, it took a tumble in the back of my car.

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I suspect somebody would want to reframe it anyway

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-and put a new backing on it.

-Yeah.

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-You inherited the picture?

-Yes, it was one of two or three paintings hanging up in my grandmother's house.

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That was the one I always liked, so she gave it to me.

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-How long have you had it?

-I think probably about 25 years.

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-Why have you decided to sell it now?

-It's been in the attic for so long and it's not my style of painting.

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-I've seen something I'd rather buy.

-Something more contemporary?

-Yes.

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You've kind of hit the nail on the head in some ways.

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This type of painting is a little bit out of fashion.

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It's dated 1871 by Collier who isn't that well-known.

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But it's a rather charming subject.

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We've got this nice robin's nest on your side with the eggs inside

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and these rather nice wild flowers cut in that very framed setting as a watercolour.

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You wouldn't find that in real life. Have you thought of the value?

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No, not at all. I just thought I ought to bring it along and investigate further really.

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It is slightly out of vogue at the moment and it does need a little bit of cleaning and remounting.

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Even if the glass hadn't been broken, I think some people would want to reframe it.

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At auction, we'd be looking at around £200 to £300.

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-How does that grab you?

-That sounds great.

-Is that OK?

-Yeah.

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-Would you want to put a reserve on it?

-Yeah, I think probably 175.

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-I think that sounds sensible. We'll put a fixed reserve of 175.

-Right.

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-If we can't get that for it, put it back in the loft and see what happens in a few years.

-Good idea.

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Ann, thank you for coming along. This jumped out at me in the queue.

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-Tell me where you got it from.

-It belongs to my mother.

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She gave it to me a few weeks ago to have valued and I hadn't done anything about it.

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I saw an advertisement in the paper that Flog It was coming here.

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I thought, "Let's go along and see what happens."

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It belongs to your mother, but where did she get it from?

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It's been in the family for three generations, but we think it came from an antiques shop.

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One of our ancestors had an antiques shop in Cheltenham.

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We used to try and blow it as a horn.

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-We now know it's a powder horn.

-It's a scrimshaw powder horn.

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These things were done by sailors on either whale's teeth or indeed on this wonderful horn

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for their sweethearts and loved ones back home.

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This has got wonderful sunshine on the back.

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It's very naively done, but that's its charm.

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On the front of this, this man has engraved "Lucy" and perhaps this is Lucy underneath, the sweetheart.

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What's rather nice about it is it's got colour

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which is something you don't always find on scrimshaw.

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This has got red across the belt and also around the arm of Lucy.

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These things are very brittle, so they do damage quite easily.

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I often see ones with cracks down them or little parts broken.

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We can see that there is a little bit that's been broken off this sort of scalloped edge,

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but that's not a major problem.

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Is it something you're interested in?

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No, I'm not interested in it. It's just the tale that it tells.

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Lucy's got a spade and there's a graveyard.

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-You turn it over and there are some graves.

-There's a fort.

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-There's the old Union Jack.

-That's also coloured in with this red wax.

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-Does your mum not like it?

-It's in a cupboard.

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It's in a polythene bag in the cupboard, she moves it around and it gets damaged.

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-Yes.

-And she just thinks it ought to go.

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-It's time to go.

-Time to go.

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What would you think it is worth? What would you like it to be worth?

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I'd like it to be worth over £200.

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-How does £800 sound?

-My word!

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-No!

-That's what I would like it to fetch at auction.

-Wow!

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These things are very sought after.

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-My goodness me!

-It is in lovely condition.

-I can't believe it.

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It's 1830s, 1840s and it should be worth about £800.

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My word! How exciting!

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Let's put it in the auction at around £800 to £1,000.

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Let's put a reserve on of 650 and let's not let it go for any less.

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It's a great piece. You've made my day.

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-You've made my day too!

-Thank you.

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-Hello, Paul.

-Hello.

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-Thank you for coming to see us in Brighton.

-Happy to come.

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Before we talk about your Edwardian tantalus,

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you've got a little bit of family history about it, haven't you?

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Well, it belonged to my great uncle, Uncle Will, who died in the '50s.

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And the story is that he won this, as third prize, in a bowls tournament.

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And I know this is featured here in the little clipping from the paper.

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It dates from 1912 and it states the fact that he won third prize in this tournament.

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-And to reinforce that, of course, we've also got a little plaque on the front.

-That's right.

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-Which mentions him.

-His name there, yeah.

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Third prize. You don't often find this.

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It's really nice to see something like this that ties in.

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Now, looking at it, it's a fairly straight forward produced tantalus.

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And we've got an oak case, with silver plated mounts.

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This is quite nice. This is quite a nice feature, the handle there.

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And, of course, it was meant, really, to protect your valuable alcohol.

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-Absolutely, yeah.

-So, when you went out for the evening, you locked this up.

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-That's right.

-And the servants

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then couldn't get their hands on any of your port or sherry or whiskey.

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As you're closer than me there, can you show us the mechanism?

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-Yeah, sure.

-So, if you open that.

-You have a couple of keys here. You simply just turn it, it opens,

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-and that allows that to come out.

-Absolutely.

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But it's so closely fit that once it's closed, you can't do anything about it. It's, you know, secure.

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Now, we do see these quite a lot and they're always reasonably popular items.

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We know, actually, that it was made around 1912.

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I think it was relatively new at the time.

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Could be a few years older than that.

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It could have been donated as the prize.

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In terms of the value, I think we're probably looking at something like £100-£150. Something like that.

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It might make a bit more, because we've got the family history there.

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-And I think it would sell very well at auction. Are you happy to put it in?

-I think so, yes.

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Wonderful.

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I think a swim in the sea is one of the great pleasures of coming to the seaside.

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And it all took off really in the early 18th century, when doctors encouraged their patients

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to have a dip in the salt water to improve their health and wellbeing.

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Now, early bathers were encouraged to bathe naked.

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But that wasn't as straightforward as it sounds.

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It wasn't appropriate to have people walking naked along the beach.

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So a more discreet solution was needed.

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Bathing machines - basically beach huts on wheels -

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were invented to provide the occupant with the modesty,

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and as a way of getting from the top of the beach down to the water.

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But fashions changed and by the turn of the 20th century,

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it became acceptable to wear a bathing costume and be seen in it.

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But people still needed a place to change in, and the answer was static beach huts.

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And these soon became a sought after accessory to any seaside holiday.

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And nowadays, these brightly painted beach huts

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are an iconic symbol of the great British seaside resort.

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We tend to take their presence for granted.

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So, I'm here to find out a little bit more.

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And the person to tell me is Dr Catherine Ferry,

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a seaside historian, who's an expert on beach huts.

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Catherine, you're so passionate about beach huts.

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-You've even written a book on them.

-That's right.

-Do you have a beach hut?

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Oh, I wish I did! I don't. I feel a bit of a fraud, admitting that.

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But there's something that appeals to me about these tiny buildings, on the margin between the land and the sea.

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They could get blown away, but they're bright and cheerful.

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They do put a smile on your face.

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I mean, what a backdrop we've got. Bit of golden sunshine?

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-Exactly, exactly.

-That keeps you snug.

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On some of our summers days, you know, you want to be in there. if the sun doesn't come out.

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I think that's why the British love them so much. Cos when the rain comes down, it doesn't matter.

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You just go inside and you can make yourself cosy.

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And you can see all the other poor people walking in the rain.

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But you're, sort of, snug inside your hut.

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-Your research has taken you all over the country, studying beach huts.

-That's right. Absolutely.

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You spent months on the road, going around to, well, virtually a tour of the coast, haven't you?

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That's right. I did actually count the beach huts as I went.

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OK, come on. Let's, let's hear it.

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There were... I counted just over 19,000.

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But I think I missed a few...

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and, actually, that's quite a surprisingly low number.

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There's so much interest in beach huts these days,

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-you imagine there'd be hundreds of thousands.

-I like the brightly painted ones.

-So do I.

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They remind you of a stick of rock, kids playing in the sand

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-and put a smile on your face.

-They do. They're summery, aren't they?

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-Even in winter, they look summery.

-I think that's what it's all about.

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Lots of people do lots of different things in them, don't they?

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They do. It depends what your idea of the beach is, I suppose.

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I mean, a lot of people use them as a place to relax.

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Surfers use them these days.

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It's a great place to change into your wetsuit, isn't it?

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-Write a book in them?

-Well, absolutely.

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PD James has a beach hut at Southwold, where she writes her books.

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I think, really, most people don't do very much in their huts.

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Because they get here with good intentions.

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-They bring a book or...

-They just want to relax.

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Yeah. And you can just... It's the perfect place to watch the world go by, isn't it?

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-Look out to sea, and why would you want to do anything?

-You wouldn't!

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-Yeah. It's... A nice glass of wine.

-I'm having this image now... Yeah, I'd have my glass of wine.

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Mine would be like a little artist's studio.

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I'd do all my painting here and stick it on the walls in there.

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-A little gallery space.

-A gallery! That would be perfect, yeah.

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Beach huts aren't just places to relax in.

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They're also highly sought-after pieces of real estate.

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Prices have rocketed in recent years, with some

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in popular locations now selling for well over £100,000.

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So, I'm keen to have a look inside a hut and meet some of the owners.

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This is what I like to see. Look, a whole family together enjoying their beach hut.

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-Hello, how do you do?

-Hi, Paul.

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-Is it Paul?

-Yeah.

-Hello, what's your name?

-Sarah.

-Sarah. What's his name?

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-Alfie.

-Even the dog's come along!

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Hello, everyone. Can we see what you've done to your beach hut?

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Yeah, delighted. Yeah, yeah.

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So, what have you managed to do in here?

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-I rebuilt it about five years ago.

-Yeah.

-It was falling to pieces.

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And rebuilt it in my garden, assembled it down here,

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-and painted it.

-You've done a really good job!

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How much did you pay for this?

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about 12 years ago I paid £300 for it.

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I think that was a bargain, don't you?

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Best investment I've ever made, considering they're worth between £8,000-£10,000 now.

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It's a family heirloom. Hey, you two.

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-Yeah.

-This is your inheritance here.

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Hope you look after it.

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-Would you ever sell it?

-No, we'd never sell it.

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-The idea is to keep it in the family.

-Yeah.

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Children, grandchildren, forever. This is our bolthole.

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Paul, thank you very much for showing me around. Thank you.

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Enjoy the rest of the day. Thanks a lot.

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Oh, Christine and Ian, this is the life, isn't it?

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-Just the business.

-Sun shining down on us, outside your own beach hut.

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What could be better? Well, apart from a chocolate biscuit.

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-There we go.

-Do you mind?

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So, how long have you had this one?

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We've had it six months. We moved to Brighton in October, last October.

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And we decided we'd like to retire by the sea.

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Can't get any closer to the sea than this, can you! It's just there.

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I come down when the weather's nice like this and, if it's windy, then I just sit in the hut.

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-Yup.

-Just inside, out of the wind. Otherwise, out here. Sandwiches, food, wine.

-Oh, lovely.

0:21:080:21:13

Champagne. You know, just have a lovely time.

0:21:130:21:17

It's no wonder you look so happy.

0:21:170:21:19

-It's a good life.

-I've got to try some of this.

0:21:190:21:22

-I've got to try some of this.

-You have to.

0:21:220:21:24

Yeah. Slow your ageing process down.

0:21:240:21:27

Relax, you know, sit and look at the water shimmering.

0:21:270:21:30

That low sunlight coming down on us. So, where's that champagne, then?

0:21:300:21:34

-Coming up.

-It's chilling down, right now.

0:21:340:21:37

Well, I've got to say, this definitely is the life.

0:21:450:21:48

I've just had a fascinating insight into what life is like,

0:21:480:21:52

owning a beach hut, by a few very, very enthusiastic owners.

0:21:520:21:56

And I can honestly say, if I lived anywhere near the coast, I would definitely invest in one of these.

0:21:560:22:01

And my dogs? They would absolutely love it.

0:22:010:22:05

I'm hoping we're going to be making EVERYBODY'S day at the auction,

0:22:130:22:17

so let's see what we're taking with us.

0:22:170:22:20

The Art Nouveau morning set should be a winner

0:22:200:22:24

as Ed only paid £20 for it.

0:22:240:22:27

Of Stella's china, only the chamber stick was Meissen,

0:22:270:22:32

but its quality should light up the saleroom.

0:22:320:22:35

Peter's granny's watercolour definitely needs reframing now.

0:22:350:22:41

It's charming and it should attract interest.

0:22:410:22:44

The bidders are bound to be knocked over by this fantastic tantalus,

0:22:450:22:48

which Paul's great-uncle won as a prize, at a bowls tournament.

0:22:480:22:53

The scrimshaw powder horn was such an exciting find.

0:22:530:22:57

I'm certainly feeling very bullish about this one.

0:22:570:23:01

Now it's time to put our experts' valuations to the test. Everything is about to go under the hammer.

0:23:050:23:12

Today's sale comes from the Worthing Auction Galleries and Scarborough Fine Arts.

0:23:120:23:17

I hope this lot will be bidding on all our items.

0:23:170:23:21

Today's auctioneer is Nick Hall.

0:23:210:23:23

I want to find out what he thinks of the piece of scrimshaw.

0:23:230:23:29

-I think this is absolutely stunning.

-Yeah, I agree.

0:23:320:23:35

One of the best pieces of scrimshaw.

0:23:350:23:37

It's been in Ann's family for three generations. It's proper folk art.

0:23:370:23:43

Catherine Southon, our expert, has put £800 to £1,000 on this.

0:23:430:23:47

You would expect it to make that and more.

0:23:470:23:51

Folk art is so popular at the minute. Good, early folk art.

0:23:510:23:55

It's so hard to find genuine, quirky pieces. This fits the bill.

0:23:550:24:00

We've got the named lady we assume it was made for. It's cow horn, not marine bone.

0:24:000:24:07

-It would add value if it was marine bone.

-Yes.

0:24:070:24:10

It's more tactile to touch cow horn rather than whale bone.

0:24:100:24:14

-It's softer and lighter.

-There's a little bit of damage around one rim.

0:24:140:24:18

But I've got high hopes. Sometimes these things just fly away.

0:24:180:24:24

And rightly so. They're wonderful and rare things.

0:24:240:24:27

If it made 2,000, 3,000, no-one would be surprised.

0:24:270:24:31

-Where will you find another?

-On a one-horned cow!

0:24:310:24:36

Let's hope the bidders are all in the room.

0:24:380:24:42

Before we find out, here comes the boxed morning set.

0:24:420:24:45

We'll turn 20 quid hopefully into £150 if we get the top end of Mark's estimate on Ed's morning set.

0:24:470:24:53

I'll put a little pressure on you here.

0:24:530:24:56

£100, £150 - will we get that top end?

0:24:560:24:59

-I don't know. You always want the top end.

-Yes.

-It is nice quality.

0:24:590:25:05

-I love that sinuous Art Nouveau design.

-That's your thing.

-It is.

0:25:050:25:09

-You've got keen eyes to spot this for only £20.

-Absolutely, yes.

0:25:090:25:14

-Seven months ago?

-Seven months ago, I bought that.

0:25:140:25:18

People going out the country offered it to me and I snipped it up.

0:25:180:25:22

-Knowing you were going to flog it.

-Yeah.

-It's not your thing.

0:25:220:25:27

Certainly not, no, but it's welcome to anyone who is a collector of Art Nouveau.

0:25:270:25:34

We've got a change of auctioneer. It's Andrew Scarborough giving us some hammer action.

0:25:340:25:40

-Good luck, Ed.

-Thank you, Paul.

0:25:400:25:42

The Art Nouveau plated, cased breakfast set.

0:25:420:25:45

Lovely quality. Shall we start it at 80?

0:25:450:25:49

60 then?

0:25:490:25:52

50 it is to start. 55.

0:25:530:25:55

60. 5. 70.

0:25:550:25:58

5. 80. 5.

0:25:580:26:00

90 standing in the middle. 5. 100.

0:26:000:26:04

Right in the middle at 100. Are we all done at 100 then...?

0:26:040:26:08

-We did it, £100. It was touch and go.

-What a result!

0:26:110:26:15

-We turned £20 into 100.

-Not bad.

0:26:150:26:18

Next under the hammer, two cups and saucers and a chamber stick belonging to Stella

0:26:220:26:28

valued by Catherine at £100 to £150.

0:26:280:26:31

-Let's find out what this lot think, Stella.

-Yes.

0:26:310:26:36

-Why are you flogging these?

-They're just going to get broken.

0:26:360:26:40

-I've got eight grandchildren, so it's a bit vulnerable.

-Time to move them.

0:26:400:26:45

I think it is. We should get that top end, shouldn't we?

0:26:450:26:49

I would hope so. There's quite a few people here today. It's very pretty.

0:26:490:26:55

Yes. I think that's going to get them away. We'll find out now.

0:26:550:27:00

Some nice Meissen porcelain, floral chamber stick. Start me at 100?

0:27:000:27:05

-£100? 40 I'll take. It's a low start.

-That is low.

-It's an "in" though.

0:27:050:27:11

50. 5. 60. 5.

0:27:110:27:13

-70. 80.

-We've sold.

-90?

0:27:130:27:16

80 it is in the front row. 90 behind you. 100 in front.

0:27:160:27:21

110. 120.

0:27:210:27:23

120 in the front row. 120 I'm bid on this lot. Are you all sure?

0:27:230:27:28

At 120 I'm selling...

0:27:280:27:31

-Fantastic.

-£120. Great result. Well done.

-I'm pleased about that.

0:27:310:27:37

What are you going to put the money towards?

0:27:370:27:40

I'll take my family out for a slap-up meal.

0:27:400:27:42

Something for you art lovers - real quality and immense detail.

0:27:500:27:54

It's a Victorian watercolour that belongs to Peter and not for much longer, valued at £200 to £300.

0:27:540:28:01

It really is there, isn't it? I saw this in the queue.

0:28:010:28:04

-It had glass on it.

-Bits.

-It was cracked on the way in.

-It was, yeah.

0:28:040:28:10

We've had to take the glass out in the auction room for health and safety reasons.

0:28:100:28:15

The auctioneer thinks it might sit at the lower end.

0:28:150:28:20

He's probably right, which is why we put a fixed reserve of 175.

0:28:200:28:25

It should be worth a lot more. It is nice quality.

0:28:250:28:29

But unfortunately, this sort of Victorian genre is out of vogue.

0:28:290:28:34

Keep hold of it for another five years, it's back in fashion and worth £400 to £500.

0:28:340:28:40

Or you can do what Peter's doing and sell something that isn't being enjoyed and buy something that is.

0:28:400:28:47

-You're after a new modern artist?

-Yeah, there's an artist in Eastbourne that I like.

0:28:470:28:53

-To invest in?

-Yes, and just because I enjoy the work.

0:28:530:28:57

Good luck. It's going under the hammer right now.

0:28:570:29:01

The still life by Collier.

0:29:010:29:04

The nest with the eggs and flowers. Pretty little picture.

0:29:050:29:09

Shall we say 100 for it?

0:29:090:29:11

Thank you, 100. 110.

0:29:110:29:14

120. 130. 140.

0:29:140:29:17

150. 160.

0:29:170:29:20

-170. 180.

-We've done it.

-We've done it.

0:29:200:29:24

190. 200.

0:29:240:29:26

-Oh.

-On my left at 2...

0:29:260:29:28

210.

0:29:280:29:31

At 210 at the back. 220. 230...

0:29:310:29:35

-Keep going, keep going.

-240.

-It's creeping up.

0:29:350:29:38

250. At £250, right at the back of the room...

0:29:380:29:44

-Yes! £250, Peter.

-Excellent.

-Middle of the estimate.

-I'm pleased.

0:29:460:29:51

-So am I.

-Very pleased with that.

-Good valuation.

0:29:510:29:54

-That's something towards the picture.

-Thank you.

0:29:540:29:57

-Thank you for taking part.

-It's been good fun.

0:29:570:30:01

This is a cracking item and it's turning out to be a family affair

0:30:040:30:09

because we've been joined by Ann who we saw at the valuation day

0:30:090:30:13

with that beautiful bit of scrimshaw, the carved powder horn.

0:30:130:30:18

-But it is Mum's?

-Yes.

-Who have you brought along?

-My mother Ruby.

0:30:180:30:22

-Hi, Ruby. This is gorgeous, brilliant.

-You think so?

-Yes, I do.

0:30:220:30:27

-And who's this?

-This is Ella, the great-granddaughter.

0:30:270:30:31

-How many great-granddaughters do you have?

-Eight. Five boys.

0:30:310:30:37

The money's all going to be divided up.

0:30:370:30:40

That's where the money's going.

0:30:400:30:41

We've got a valuation of £800 to £1,000 put on this by Catherine.

0:30:410:30:46

I had a chat to Nick the auctioneer and we both waxed lyrical over this.

0:30:460:30:51

-It's fabulous.

-It's so good. It really is. I just hope it goes well above Catherine's estimate.

0:30:510:30:57

-It should do. If it doesn't, don't sell it.

-It was only in a cupboard.

0:30:570:31:03

All credit to you because you've looked after this, haven't you?

0:31:030:31:08

-No.

-No? What happened? Tell us the story.

0:31:080:31:11

The children used to blow down it and try and get a tune.

0:31:110:31:15

Did they? Well, all I can say is... let's watch this.

0:31:150:31:20

Lot 270 is the piece of scrimshaw.

0:31:200:31:24

Lovely item. Super bit of folk art.

0:31:240:31:27

What are we going to say? 700 to start me?

0:31:270:31:30

£700? Is that 5?

0:31:300:31:33

It's a start. It's 500 I'm bid on the far side.

0:31:330:31:38

Any advance on 500? At 500 in the far corner.

0:31:380:31:42

510 I'll take, thank you. 520.

0:31:420:31:44

530. 540.

0:31:440:31:46

-540 on the side. At £540.

-It's struggling.

-Come on.

0:31:460:31:52

Any further bids on 540 quid? It's worth more.

0:31:520:31:56

It's not going to go.

0:31:560:31:57

Anyone else coming in at 550? At £540...

0:31:570:32:02

A little disappointing, this lot. At 540.

0:32:020:32:06

Can't let it go. The reserve's higher.

0:32:060:32:08

At 540, we're going to pass it.

0:32:080:32:10

Unsold, I'm afraid.

0:32:120:32:14

-Don't worry.

-I can't believe it.

0:32:140:32:17

I'm pleased it didn't sell at the lowest end.

0:32:170:32:19

-We all think this is worth about £1,500, £1,600, £1,800.

-Absolutely.

0:32:190:32:24

In the right sale. It's just the wrong day.

0:32:240:32:28

It's not worth a few hundred. It's worth a lot more.

0:32:280:32:32

-This just means it stays in the family. It didn't want to be sold.

-It didn't want to be sold.

0:32:320:32:37

But don't use it as a trumpet. It's too fragile.

0:32:370:32:42

I'm in the trendy Kemptown area of Brighton and have found an antiques shop with a difference.

0:32:470:32:54

It belongs to Alex MacArthur. I could spend hours in this shop.

0:32:540:32:58

Alex has created a unique look by mixing traditional antiques with heavy industrial furniture

0:32:580:33:05

and many other intriguing items.

0:33:050:33:07

Alex's talent is seeing beauty in the unusual.

0:33:070:33:12

But it's hard to visualise how some of these pieces would fit in a home,

0:33:120:33:17

which is why Alex's house doubles as a showcase where buyers can see the stock at its very best.

0:33:170:33:24

Alex, you've got a great eye.

0:33:270:33:28

When you walk into your house, it's got the wow factor, as has the shop.

0:33:280:33:33

You know how to knit things together but it doesn't work for everybody.

0:33:330:33:39

You've got to have a very good eye.

0:33:390:33:42

That's what makes it fascinating. It's about balance.

0:33:420:33:46

-I don't like it when people think they can put me into a certain category.

-Put you in a box.

0:33:460:33:52

Then I go, "This is me as well."

0:33:520:33:55

Because in a way, it's all about self-expression, expressing all of the facets of who we are.

0:33:550:34:02

So I might have my gym equipment and my sports benches and my antlers and my horns.

0:34:020:34:09

But I might also have my Little House On The Prairie piece like this piece here.

0:34:090:34:15

It's homely, it's authentic, it's simple, it's English.

0:34:150:34:20

And that is also part of what I am.

0:34:200:34:23

Now, that's nice. That is very me, very traditional.

0:34:300:34:34

I love the way you've created symmetry and balanced it up.

0:34:340:34:38

I love that and what it says.

0:34:380:34:40

"No poisons are used. Family prescriptions prepared daily."

0:34:400:34:45

-Pharmaceutical cabinet.

-It's so simple.

-It is, isn't it?

0:34:450:34:50

That chemist was in Bond Street from the late 18th century to the early 20th century.

0:34:500:34:56

I think that piece is Georgian. It's very simple.

0:34:560:35:00

George IV, yes, it's really nice.

0:35:000:35:03

So everything in this room is for sale?

0:35:090:35:13

-Absolutely everything except what is already sold.

-OK.

0:35:130:35:17

And that is the downside of dealing from home.

0:35:170:35:22

These two Chesterfields, I had to move the whole house around to accommodate them.

0:35:220:35:27

They look like they were meant to be in this room.

0:35:270:35:31

It's quite rare, two matching button-back Chesterfields.

0:35:310:35:34

They're a lovely colour. And I love things in pairs, in collections.

0:35:340:35:40

-Pairs sell so well.

-Unfortunately, they're already sold.

-Are they?

0:35:400:35:45

I sold them last Saturday.

0:35:450:35:48

I only had them for two weeks and they made me happy for two weeks.

0:35:480:35:53

I was skipping around because I had two lovely Chesterfields.

0:35:530:35:57

I can sympathise. I used to deal from home. I had my flat above the shop.

0:35:570:36:03

And good clients came up to the flat. At first, it's hard to let go.

0:36:030:36:07

You strive for these nice pieces, then someone wants to buy it. It's cash flow.

0:36:070:36:14

You need to let go to buy more, but it's a hard principle to follow.

0:36:140:36:19

My philosophy is you need to let go and there might be a period of void,

0:36:190:36:24

but something equally gorgeous will take its place. You need that faith.

0:36:240:36:29

Where do you buy a lot of your stock from? Do you go abroad or search auctions?

0:36:290:36:35

I do a little bit of auctions, but mainly I buy in Europe, I buy in France. I'm constantly buying.

0:36:350:36:42

-You've got a good gym theme going, lots of leather, old benches.

-That comes from Eastern Europe.

0:36:420:36:48

I have somebody who sources it for me, but the supplies are running out.

0:36:480:36:54

The guy who supplies me used to have 20 or 30 leather gym mats to choose from at a time.

0:36:540:37:00

Now he has two or three.

0:37:000:37:02

'The gym equipment shows Alex's vision - seeing style, beauty and new uses for obsolete things,

0:37:020:37:09

turning old leather benches and mats into chic tables and sofas, which he can then show off at home.'

0:37:090:37:15

There's so much space here. You can create themes in different rooms.

0:37:170:37:21

That's something I quite enjoy. At the top of the house, there are two smaller rooms.

0:37:210:37:28

One of them is a study and the other one is my daughter's bedroom.

0:37:280:37:32

-My daughter's bedroom is the girliest...

-Pretty pink with '50s mirrored tables

0:37:320:37:39

for putting make-up on and things.

0:37:390:37:42

And that lovely 19th century, four-poster bed which I couldn't sell. She loves it.

0:37:420:37:48

You have to draw the line. You can't take clients up there, your daughter comes home and everything's gone!

0:37:480:37:55

I know. I feel guilty because it's quite an insecure lifestyle,

0:37:550:37:59

feeling as though the sofa from underneath you might be sold.

0:37:590:38:04

-So with certain things, I do have to draw the line. I can't sell my daughter's bed.

-No.

0:38:040:38:10

It's nice the way you can incorporate a slightly more industrial look in certain rooms.

0:38:100:38:16

-Yeah.

-Hard-edged metal.

-That's right. But it's about finding the balance.

0:38:160:38:22

It's a bit like being the conductor of an orchestra

0:38:220:38:25

and realising that you have trombones, but also violins.

0:38:250:38:30

And if you can see that and accept that, you can get them to play very well together.

0:38:300:38:35

I found Alex's taste absolutely fascinating.

0:38:440:38:47

It's creative, exciting, pushing boundaries and embracing the avant-garde.

0:38:470:38:52

It's so distinctive that you either love it or you hate it,

0:38:520:38:56

but there is now an Alex MacArthur look.

0:38:560:39:00

There is still plenty to look at back at the valuation day.

0:39:060:39:10

Catherine has a piece of jewellery brought in by Sally.

0:39:100:39:15

This is a very charming Victorian bracelet. Where did you get it from?

0:39:150:39:20

I remember getting it, I think I was a teenager, from my grandmother,

0:39:200:39:25

-who is my mother's mother.

-Right.

0:39:250:39:27

But I've never worn it because I don't wear jewellery at all.

0:39:270:39:32

I've always thought it was really pretty, but it was your mother's.

0:39:320:39:36

I can remember as a child looking through my mother's bits and pieces

0:39:360:39:41

and thinking how pretty that was.

0:39:410:39:44

-It was the turquoise that I liked.

-Absolutely.

0:39:440:39:47

Date-wise, it's from about 1870, so it's been passed through...

0:39:470:39:52

-It could have been my mother's mother?

-Yes.

0:39:520:39:56

I just remember it with my mother.

0:39:560:39:58

What I particularly like are these lovely little turquoise stones which are in a criss-cross pattern.

0:39:580:40:05

It's going to be 15-carat gold. I've had a good look and I think that's probably what it is.

0:40:050:40:12

Unfortunately, here there's one of the links missing which would join the chains together.

0:40:120:40:19

That's not a huge problem. I can't believe you want to sell it.

0:40:190:40:24

-Why are you selling it?

-Just because it's literally shut...

0:40:240:40:29

It was in a drawer under the bed. I had to move furniture to get it out.

0:40:290:40:33

It's not seeing the light of day.

0:40:330:40:37

-Somebody else should enjoy it.

-It is quite a chunky piece of jewellery.

0:40:370:40:42

It's not everybody's cup of tea.

0:40:420:40:45

But I think a lot of people will be interested in the wonderful turquoise stones

0:40:450:40:49

and it's a good, collectable piece of Victorian jewellery.

0:40:490:40:54

Value-wise, I'd like to see it make £200-plus.

0:40:540:40:59

So I'd suggest putting it in the auction at around £150 to £250.

0:40:590:41:04

-How does that sound to you?

-Yes, I think so.

0:41:040:41:09

But as it's been in the family for such a long time, it would be a shame to let it go,

0:41:090:41:13

-so maybe put a reserve on of £120?

-That would be fine, yes.

0:41:130:41:19

Mum looks like she's having second thoughts.

0:41:190:41:22

No, I'm not having second thoughts. It's Sally's decision.

0:41:220:41:26

It's silly if it's not worn.

0:41:260:41:29

It's a piece of jewellery that should be worn and enjoyed.

0:41:290:41:34

You're not enjoying it as it's under the bed, so it's time to flog it.

0:41:340:41:38

-Thank you very much for coming along.

-Thank you.

0:41:380:41:43

-Hi, Paul.

-Hi.

0:41:470:41:48

We won't win any prizes for guessing what's in here.

0:41:480:41:52

-It's a concertina.

-Yes.

-This one is a nice example.

0:41:520:41:56

You know it will be good quality because the case is rosewood.

0:41:560:42:01

-OK.

-Then when we do open it up,

0:42:010:42:03

you can see this rosewood concertina inside. I'll pull it out delicately.

0:42:030:42:09

It's quite important when you look at these to look at certain features.

0:42:090:42:15

Why have you brought it along?

0:42:150:42:17

Because it's been sitting in my cupboard for the last ten years since my father died.

0:42:170:42:23

He was an open-air missioner who travelled up and down the country preaching the Gospel

0:42:230:42:29

to various places like Rhyl, Redcar and during...

0:42:290:42:34

-All the exciting places?

-Yes. He'd be on the beach preaching to people.

0:42:340:42:39

They would have services and my father would play the concertina in order to produce the hymns.

0:42:390:42:45

We've been clearing out the house and as Flog It was coming to Brighton,

0:42:450:42:51

I thought I could get a valuation and see where we go from there.

0:42:510:42:55

We've got this nice pierced top to it

0:42:550:42:59

and I'm sure that'll match underneath, which it does.

0:42:590:43:02

We've got the nice maker's label, which is a London maker, Wheatstone.

0:43:030:43:07

Looking at the type of wood used,

0:43:070:43:10

it's towards the end of the Victorian period, the 1890s.

0:43:100:43:15

You also have to look for the number of keys.

0:43:150:43:18

They can be as low as 14 for quite poor quality ones

0:43:180:43:21

and over 30-something for very high quality ones which can make over £1,000.

0:43:210:43:28

This one is mid-range. There are 25, I think, here.

0:43:280:43:32

Also you must look at the bellows.

0:43:320:43:35

You've got a bit of damage on the actual pull-out, so I'll be careful when I open it.

0:43:350:43:40

The bellows is in quite good condition and quite decorative.

0:43:400:43:46

-So it's time for it to go to a good home?

-I think so.

0:43:460:43:49

-Somebody that will treasure it.

-What would you hope it was worth?

0:43:490:43:55

I had a feeling that it could be around maybe £300, £400?

0:43:550:44:00

-I think you're spot-on.

-Right.

0:44:000:44:02

An estimate of £300 to £400 with a 300 reserve would be perfect.

0:44:020:44:08

-How would you feel about that?

-Entirely happy.

0:44:080:44:12

Thank you for bringing it in. I look forward to seeing you at auction.

0:44:120:44:17

Let's hope we make sweet music.

0:44:170:44:19

Tess, this puts a big smile on my face. I absolutely adore it.

0:44:270:44:32

Why have you brought this in to Flog It in order to flog it? Why do you want to do that?

0:44:320:44:37

I've got a lot of other paintings and this one doesn't fit in with some of those.

0:44:370:44:44

And it's been up in my attic for at least two or three years.

0:44:440:44:49

Shame on you. This is gorgeous. Where did you get this from?

0:44:490:44:53

I found it in a junk shop in Brighton. I happened to see it and the shop was closed.

0:44:530:45:00

I rattled the door and the chap who lived above the shop came down. That was about ten years ago.

0:45:000:45:06

-You said, "How much is that?"

-It was a time when I didn't have a lot of money. I think I paid £50 for it.

0:45:060:45:14

Just because I fell in love with it.

0:45:160:45:18

I can see why. I've fallen in love with it as well.

0:45:180:45:22

It's very much along the lines of the Newlyn School who copied the French Impressionists.

0:45:220:45:28

I've looked up the artist and it's Margaret Sheffield.

0:45:280:45:32

And there is a Mary Sheffield, her sister.

0:45:320:45:36

They lived in Blackheath in London.

0:45:360:45:38

They both flourished around the 1890s with great painters like Stanhope Forbes and Walter Langley.

0:45:380:45:45

They went down to Cornwall for the light. Maybe this is Cornwall.

0:45:450:45:50

-The cliff range doesn't look high enough.

-I thought it might have been East Anglia or Suffolk.

0:45:500:45:56

-That's the feeling it gave me.

-Low horizons, typical of that area.

0:45:560:46:01

I love this character. It looks like his trousers are rolled up.

0:46:010:46:06

He's either a fisherman digging for ragworm or he could be an artist. That could be an easel.

0:46:060:46:12

-Yes, painting for the day.

-Yes.

0:46:120:46:15

There's a little bit of damage there, but other than that, the paintwork is very thick, very bold.

0:46:150:46:21

If I walked past a gallery in the West End and saw this

0:46:210:46:26

and it had a price ticket of £500 on it,

0:46:260:46:30

I'd be inclined to buy it and that's my gut feeling.

0:46:300:46:34

Obviously, for auction purposes we must pitch it lower than that.

0:46:340:46:39

I think if we put it into auction, we've got to be asking around £250 to £350

0:46:410:46:46

-and hope that it tops that £400 mark.

-Right.

0:46:460:46:50

-Happy?

-Sounds good.

-Do you really want to sell it?

-Yes.

0:46:500:46:54

Shall we put a fixed reserve...

0:46:540:46:55

-Yeah, I'd like a reserve.

-Of £250?

-Yeah, 250 would be great.

0:46:550:47:02

-I'm pleased you brought this in and I can't wait to see this sell.

-I look forward to that.

0:47:020:47:08

-Firstly, hello, Margaret.

-Hello, Mark.

0:47:130:47:15

-Welcome to Brighton Flog It.

-Thank you.

0:47:150:47:17

-What a wonderful treasure you've brought in.

-Yeah.

0:47:170:47:20

-It's lovely, isn't it?

-Where did you get it from?

0:47:200:47:23

Well, it belonged to my father.

0:47:230:47:25

But the strange thing was that, we none of us saw it when we were children. We only, unfortunately,

0:47:250:47:30

discovered it after he'd died and we were going through his things, to sort through them.

0:47:300:47:34

-No! It was hidden away, was it?

-Yes, that's right. Bottom of the wardrobe and we'd never seen it before.

0:47:340:47:40

He never got it out at Christmas, so all the family could play along?

0:47:400:47:44

-No, no.

-And what did you think when you first saw it?

0:47:440:47:46

I was just amazed, that he'd actually had something.

0:47:460:47:49

And we didn't know anything about it.

0:47:490:47:51

But yes, I thought it was lovely. So...

0:47:510:47:54

And did he have a lot of antiques?

0:47:540:47:57

Not... A few things, which are mainly from his father, I think.

0:47:570:48:00

-So, this probably would have been passed down the family?

-I think so, yeah.

0:48:000:48:04

-Your father died when?

-1987.

0:48:040:48:06

So, about 20 years ago or so? And what was it probated at then?

0:48:060:48:10

I think it was £150, if I remember.

0:48:100:48:13

-Not a lot of money.

-No.

0:48:130:48:15

The other nice thing to see, straight away, is the little inset brass plaque here.

0:48:150:48:20

-Engraved with the maker's name, which is?

-Tourmin and Cale from Cheapside in London.

0:48:200:48:26

Well, there's nothing cheap about this box, is there?

0:48:260:48:29

-Because the other thing you see immediately is the case is made of rosewood.

-Right.

0:48:290:48:34

Rosewood is one of those very expensive, exotic woods

0:48:340:48:37

that was used only for very good quality pieces.

0:48:370:48:41

And you can tell this with that lovely, sort of, black fleck in the graining.

0:48:410:48:46

Then, of course, we've laid it out here, just to touch on some of the pieces that are in the set.

0:48:460:48:51

We've naturally got a full set of chess. We've got a set of dominos,

0:48:510:48:57

a full set of draughts, of course.

0:48:570:48:59

-This one I can never remember.

-I think it's the cribbage board.

0:48:590:49:03

Cribbage, that's the one. Cribbage board.

0:49:030:49:05

Then we've got a bezique game, which I never know how to play.

0:49:050:49:09

No, I know, no.

0:49:090:49:11

But my favourite, I have to say, and I'm not a betting man...

0:49:110:49:14

Is the horse racing.

0:49:140:49:16

-But I love this horse racing game.

-Yes, it's lovely.

0:49:160:49:19

We've only put a few horses out there, and a few of the jumps, but there's more fitted inside here.

0:49:190:49:24

-There's more there.

-And even the, sort of, beakers for shaking the dice.

0:49:240:49:27

-It's just absolutely superb. It's wonderful.

-It's lovely.

0:49:270:49:31

So, we've got to think of a price.

0:49:310:49:34

We're quite excited about this.

0:49:340:49:36

We've got to think of a price.

0:49:360:49:38

If I was putting it into auction, I would put it in with a come and get me estimate.

0:49:380:49:42

Which means you're telling people it's private.

0:49:420:49:44

-It hasn't been out of the same family for a number of years.

-Right.

0:49:440:49:48

-And it's to get their taste buds watering, if you like.

-Yes.

0:49:480:49:52

-So, I would put something like £400-£600 on it.

-OK. That's good.

0:49:520:49:57

With a £400 fixed reserve.

0:49:570:49:59

And I think that will really tempt the bidders in. How do you feel about that?

0:49:590:50:03

-I'd be happy with that.

-Is that OK?

-Yes.

0:50:030:50:05

-I wouldn't be surprised if we got a lot more than that.

-Really? Yes.

0:50:050:50:09

Let's have a final look at what we have to offer the bidders.

0:50:110:50:14

The Victorian bracelet is too pretty to keep under the bed.

0:50:140:50:19

I'm sure someone is going to snap it up.

0:50:190:50:22

Paul's rosewood concertina is in good condition, so Mark hopes it will squeeze the right price!

0:50:220:50:29

Mark may not be a gambling man, but my money is on this magnificent games compendium,

0:50:290:50:34

which is in superb condition.

0:50:340:50:36

Finally, my choice...the Margaret Sheffield oil painting -

0:50:360:50:40

I love it and I think others will too!

0:50:400:50:42

First up, it's Paul's concertina.

0:50:450:50:48

We've got £300 to £400 put on this by our expert Mark

0:50:480:50:52

and this is another quality item. It's rosewood.

0:50:520:50:56

It pushes all the right buttons.

0:50:560:50:58

-Let's hope two people push it higher.

-It strikes a chord with me.

0:50:580:51:03

-I'm glad we're all singing from the same hymn sheet.

-I think we should get on with it. Here we are.

0:51:050:51:12

Musical lot, it's the 19th century concertina, by Wheatstone.

0:51:120:51:17

Nice fretwork. Rosewood case. 300 anywhere?

0:51:170:51:21

-Come on.

-250 then? 250 offered.

-That's it, we're off.

0:51:210:51:25

£250. 250 I'm bid. 260 I'll take.

0:51:250:51:28

270. 280.

0:51:280:51:30

300 standing. All done? At 300 I'm selling here...

0:51:300:51:34

That was short and sweet. £300, on the money.

0:51:340:51:38

What are you going to do with the money?

0:51:380:51:41

Hopefully, I'm going to get a painting to fit into my lounge.

0:51:410:51:45

-What...?

-I'm not sure I've seen anything here today.

0:51:450:51:49

-Nothing tickles your fancy?

-I think that the painting over there,

0:51:490:51:55

that's quite a nice little painting.

0:51:550:51:58

-Will you be getting a bidding paddle and having a go?

-I might do.

0:51:580:52:02

Coming up right now is that wonderful gold bracelet.

0:52:070:52:11

-We've got Sally here, but not Shirley. Where's Mum?

-She's looking after my daughter.

0:52:110:52:17

OK. It is a bit of a family affair because the bracelet was Great-grandmother's, wasn't it?

0:52:170:52:24

-Yes, I think so.

-Not going to your daughters?

-No.

0:52:240:52:28

It's just too fussy. I don't think it's going to be their cup of tea.

0:52:280:52:33

-You don't like it?

-I think it's pretty, but not to wear.

0:52:330:52:37

I'd prefer to get a photo frame to put a photograph of Grandmother in

0:52:370:52:42

and remember her that way.

0:52:420:52:45

Rather than have the bracelet put away in a drawer. Optimistic?

0:52:450:52:49

It's a nice little piece. It's very pretty.

0:52:490:52:52

-I just don't know...

-You were looking around there.

0:52:520:52:56

-I don't know that the jewellery collectors are here.

-We've got a reserve of £120. Here it is now.

0:52:560:53:03

The 15-carat gold and turquoise bracelet. There we are showing...

0:53:030:53:08

-Shall we say 150?

-200, sir.

0:53:080:53:11

-2 is a good start.

-Oh, that's nice. That's a surprise.

0:53:110:53:15

It's always nice to have bidders like that!

0:53:150:53:19

At 200 on the book. 210 standing. At 210 at the very back.

0:53:190:53:23

Are we all done at 210...?

0:53:230:53:25

They're not mucking around here. The hammer's gone down at £210.

0:53:270:53:32

That was incredible. The bid came in at 200.

0:53:320:53:34

He just shouted out.

0:53:340:53:36

-Got to be happy with that.

-I am. We can get a nice frame with that.

0:53:360:53:42

I think this Margaret Sheffield oil on canvas, which I valued at 250 to 350, should do the business.

0:53:460:53:53

-Hopefully.

-We just need fingers crossed for the top end of the estimate,

0:53:530:53:58

plus a little bit more.

0:53:580:54:00

This is the next lot. Good luck.

0:54:000:54:03

The Sheffield oil on canvas.

0:54:030:54:06

Shall we say 200?

0:54:070:54:09

-Yes, please.

-2 it is then. Thank you. On the right.

0:54:090:54:13

210. 220. 230.

0:54:130:54:16

-240. 250.

-Sold.

-260.

0:54:160:54:20

270. 280.

0:54:200:54:22

290. 300.

0:54:220:54:26

320? Thank you, 320.

0:54:260:54:29

340.

0:54:290:54:31

At 340 on the commission bid. Are we all done?

0:54:310:54:35

-Yes! There's a delayed reaction.

-Excellent.

-£340, that's great.

0:54:390:54:44

Top end of the estimate. You're happy.

0:54:440:54:47

Really good.

0:54:470:54:48

Did I ask you what you were going to put the money towards?

0:54:480:54:52

Probably split. I've got a new granddaughter, Aoife, who is three weeks old.

0:54:520:54:59

She's going to get some of it and I'm going to plant a tree for my dad who died,

0:54:590:55:04

-so it's going to go between the two of them.

-Lovely.

0:55:040:55:08

I've been waiting for this moment!

0:55:160:55:18

That wonderful rosewood games compendium. It's all there, Margaret.

0:55:180:55:23

-£400-£600. It's got to sell.

-It's got to.

-It's got to sell.

0:55:230:55:27

I had a chat to Nick, the auctioneer, just before the sale started. You know what he said.

0:55:270:55:31

Agreed with Mark totally. Hopefully we'll get there...

0:55:310:55:34

-top end of the estimate.

-I hope so. It's worth it.

0:55:340:55:37

-That would be nice.

-But it's not going for a penny less, is it?

0:55:370:55:40

-Nope, absolutely not.

-Than £400.

0:55:400:55:41

-Nope.

-Margaret put her foot down.

-Quite rightly so.

0:55:410:55:45

It's a lovely... My only, I suppose, slight criticism,

0:55:450:55:48

is the box is actually quite plain. It's lovely.

0:55:480:55:50

-I mean, a nice rosewood, but it is wonderful to see all those pieces untouched.

-Yup.

0:55:500:55:55

-It's a real collector's item.

-It is.

0:55:550:55:57

And it's here to sell right here and right now. This is it.

0:55:570:56:01

Lot 240. Nice quality lot this Victorian games compendium.

0:56:010:56:06

What we going to say? Start me at £300? 250's a start.

0:56:060:56:10

Thank you, sir. A little low, but I'll take it at 250.

0:56:100:56:13

Come on, where are all these hands?

0:56:130:56:15

260 bid. 280 now, 300, 320 bid.

0:56:150:56:19

-340 against you in the room.

-We're climbing.

0:56:190:56:22

360, 380, 400. With you at £400.

0:56:220:56:26

At £400 on commission. 420 the lady.

0:56:260:56:30

-440, 460 now, 480.

-That's a bit better.

-This is better.

0:56:300:56:35

500, 520, 540, 560 against you, madam. Are you still in?

0:56:350:56:40

580, £580, 600 on my right.

0:56:400:56:43

You going 620? 620 with you, thank you.

0:56:430:56:46

-This is great.

-640.

-Doing all right, isn't it?

0:56:460:56:49

660 now, 680. 700, 720, 740,

0:56:490:56:53

800 offered. Against you at 800.

0:56:530:56:55

-800.

-820 now.

0:56:550:56:58

On the phone still at 850.

0:56:580:57:00

At 850, go 860? 860 I'll take.

0:57:000:57:03

880 on the phone. At 880 now.

0:57:030:57:05

900, 900 seated. Latest bid at £900.

0:57:050:57:08

-This is absolutely brilliant.

-920 offered, 940 the lady.

0:57:080:57:13

At 940 I'm bid.

0:57:130:57:15

This is absolutely brilliant.

0:57:150:57:17

-940, 960.

-Still going, Paul.

-Oh, please, let's do a 1,000.

0:57:170:57:21

We might get to it. We might get there.

0:57:210:57:23

Lady's bid at 980. 1,000.

0:57:230:57:25

-1,000!

-Yes! Fantastic.

0:57:250:57:29

It's £1,000 against you. Lovely lot. Don't let it go. £1,050, thank you.

0:57:290:57:33

1,050, I'm bid. I'm looking for 1,100?

0:57:330:57:35

-It's 1,050 in the room.

-Wow!

0:57:350:57:38

Lady seated. At £1,050.

0:57:380:57:41

All out at the back? If you're all done, at 1,050 I'm selling.

0:57:410:57:45

-How amazing!

-Crack! £1,050.

0:57:450:57:48

-Margaret, I'm tingling.

-Amazing.

0:57:480:57:50

I am absolutely tingling all over.

0:57:500:57:52

-You must be as well.

-Yeah. That's amazing.

0:57:520:57:55

What a great feeling that is? That's a surprise, isn't it?

0:57:550:57:58

That's more than I thought it was going to be.

0:57:580:58:01

Wow. What comes to mind?

0:58:010:58:02

What's the first thing that comes to mind? Gosh!

0:58:020:58:05

I'm giving it to the children. It would have been their inheritance.

0:58:050:58:08

I'm giving it to the children, so they can buy something they like.

0:58:080:58:11

-OK, how many children?

-Two.

-Two. What are their names?

0:58:110:58:14

Claire, there, and Antony.

0:58:140:58:16

What a lovely present!

0:58:160:58:18

I wish I was one of the children.

0:58:180:58:20

-Have to adopt you.

-Thank you.

0:58:200:58:22

That was game on. I certainly hope you've enjoyed today's show.

0:58:220:58:26

-We've enjoyed it here, haven't we?

-Absolutely.

0:58:260:58:29

So, until the next time. Join us again for many more surprises on Flog It.

0:58:290:58:33

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0:58:570:59:00

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