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It's full steam ahead, as Flog It!" has pulled into Swindon for today's valuations. | 0:00:02 | 0:00:07 | |
Our venue today is called Steam, and it's a museum that's totally dedicated | 0:00:39 | 0:00:43 | |
to the Great Western Railway, and in fact the building that we're actually filming in | 0:00:43 | 0:00:48 | |
is part of the former Swindon Railway Works. | 0:00:48 | 0:00:51 | |
And it was right here, in 1960, that the last British mainline steam locomotive was built. | 0:00:51 | 0:00:57 | |
And she was called Evening Star. | 0:00:57 | 0:00:59 | |
Cameras, yes, check. | 0:01:03 | 0:01:05 | |
Lights, all around us, on. | 0:01:05 | 0:01:07 | |
Experts David Barby and Will Axon. | 0:01:07 | 0:01:10 | |
But clearly there's something missing. | 0:01:10 | 0:01:12 | |
Where are all the people? | 0:01:12 | 0:01:15 | |
-PA: -'The train now arriving at platform six is the 9.30 "Flog It!" Express.' | 0:01:15 | 0:01:21 | |
I think they've arrived! | 0:01:21 | 0:01:23 | |
And now the hall is full of day-trippers, we can get started with the valuations! | 0:01:23 | 0:01:28 | |
Making a fast track to the table is Will Axon. | 0:01:28 | 0:01:32 | |
Dawn, this is a really good old-fashioned toy. | 0:01:34 | 0:01:38 | |
In the days today where people are complaining about the "yoof" sitting on the sofas, | 0:01:38 | 0:01:44 | |
in front of the TV, in front of the computer console... | 0:01:44 | 0:01:47 | |
-This is when toys were toys, isn't it? -Exactly. | 0:01:47 | 0:01:50 | |
Now, how did you come by this? | 0:01:50 | 0:01:51 | |
Um, I was either nine or ten, and it was a Christmas present from my parents. | 0:01:51 | 0:01:56 | |
Very nice. So they obviously thought that you'd enjoy this sort of... | 0:01:56 | 0:02:01 | |
It's perhaps a bit of a boy's toy, perhaps, don't you think? | 0:02:01 | 0:02:04 | |
I think it is more, but I played with it for so many hours, building my dream home. | 0:02:04 | 0:02:10 | |
-You enjoyed playing with it obviously. -Absolutely. I loved it. | 0:02:10 | 0:02:14 | |
We can see from the box, one of the first things that strikes you with toys is condition. | 0:02:14 | 0:02:20 | |
-Yes. -I mean, we've got the box here, which is a little bit tattered. | 0:02:20 | 0:02:24 | |
It's a little bit frayed. | 0:02:24 | 0:02:26 | |
There's a bit of Sellotape that's kept the label on, and so on. | 0:02:26 | 0:02:29 | |
-But you've played with it. -Yep. | 0:02:29 | 0:02:31 | |
It's been well loved and well used, and that's what these things were made for. | 0:02:31 | 0:02:35 | |
-Yes. -When it comes to value, that is a factor we have to take into consideration. | 0:02:35 | 0:02:41 | |
Now, we've got it here laid out on the table. | 0:02:41 | 0:02:45 | |
Bayko, it's not a firm that I've heard of, actually. | 0:02:45 | 0:02:48 | |
We're used to seeing a lot of Meccano on "Flog It!", | 0:02:48 | 0:02:51 | |
which was the market leader in this sort of construction toy. | 0:02:51 | 0:02:56 | |
But Bayko... Made out of plastic. | 0:02:56 | 0:03:00 | |
You've got all the pieces here. | 0:03:00 | 0:03:02 | |
Now it comes down to value. | 0:03:02 | 0:03:04 | |
You got any idea? What do you think? | 0:03:04 | 0:03:06 | |
I have no idea, honestly. Nobody has ever heard of it, so I don't know. | 0:03:06 | 0:03:10 | |
It's a little bit, from my point of view, an unknown quantity. | 0:03:10 | 0:03:15 | |
My suggestion to you would be to put it in the sale and just let it make what it makes. Happy with that? | 0:03:15 | 0:03:21 | |
-Yes, because I do want to sell it. -Once you've decided to sell something, the best thing | 0:03:21 | 0:03:26 | |
is to just let the market decide what the value is. | 0:03:26 | 0:03:29 | |
It might be £20 or £30. | 0:03:29 | 0:03:31 | |
So I think if you're happy to go with that "let it make what it makes" approach, | 0:03:31 | 0:03:36 | |
we're definitely going to get it away for you. | 0:03:36 | 0:03:39 | |
OK, then. Thank you very much indeed. Thank you. | 0:03:39 | 0:03:43 | |
Mervyn, I find this particular book absolutely fascinating. | 0:03:51 | 0:03:58 | |
-Where did it come from? -Well, originally it belonged to my uncle. | 0:03:58 | 0:04:04 | |
And he recently passed away, and I had the job of clearing his house out, and I came across it. | 0:04:04 | 0:04:10 | |
I thought it would probably be of some value or some interest to somebody. | 0:04:10 | 0:04:16 | |
-But you can't tell me who they are. -No, I'm afraid not. -That's not very good, Mervyn! -No. | 0:04:16 | 0:04:21 | |
Well, first of all, the album itself, without the photographs, | 0:04:21 | 0:04:25 | |
is interesting, because all of these designs are by an artist called Caton Woodville. | 0:04:25 | 0:04:32 | |
And he did these military subjects and hunting subjects, | 0:04:32 | 0:04:35 | |
illustrations people would put on the wall in frames, and also postcards. | 0:04:35 | 0:04:41 | |
So he was quite a well-known artist. | 0:04:41 | 0:04:43 | |
But one of the fascinating things is for albums, they often used | 0:04:43 | 0:04:47 | |
-the colour illustrations with apertures to put photographs. -Yes. | 0:04:47 | 0:04:52 | |
Now, the emphasis on this album is military. Military and naval. | 0:04:52 | 0:04:57 | |
-Naval, yes. -So, did your family have any connections with the military or navy? | 0:04:57 | 0:05:01 | |
Well, I suppose all the family, at some time, | 0:05:01 | 0:05:05 | |
was in the military sort of thing. Army etc. | 0:05:05 | 0:05:09 | |
Right. Now, looking at the photographs, they're all of a very affluent society. | 0:05:09 | 0:05:16 | |
And we're looking at the latter part of the Victorian period. | 0:05:16 | 0:05:19 | |
Crimean War period, particularly the army uniforms here. | 0:05:19 | 0:05:23 | |
So, is your background from a sort of wealthy background, upper-middle class? | 0:05:23 | 0:05:28 | |
-Probably middle class. -Middle class. | 0:05:28 | 0:05:30 | |
Well, this strikes a chord with these. | 0:05:30 | 0:05:33 | |
Because if we look at the portraits, | 0:05:33 | 0:05:35 | |
they're all of very well-to-do people of the late Victorian period. | 0:05:35 | 0:05:40 | |
Beautifully dressed. And this is one of the reasons why people buy these albums because of the costume detail. | 0:05:40 | 0:05:48 | |
And if we look at this one here, this one looks to be a captain. | 0:05:48 | 0:05:53 | |
-Aren't you fascinated by this? -Yeah, I am really. | 0:05:53 | 0:05:55 | |
I love looking at these photographs because it's looking at other people's lives. | 0:05:55 | 0:06:00 | |
-That's right. -And the society. | 0:06:00 | 0:06:02 | |
When we look at... This one is absolutely intriguing. | 0:06:02 | 0:06:05 | |
Can you see what it is? It's a plantation. | 0:06:05 | 0:06:09 | |
We've got maybe the owners of the plantation with all the workforce all the way round. That's intriguing. | 0:06:09 | 0:06:16 | |
And that alone will be a valuable photograph on its own. | 0:06:16 | 0:06:20 | |
-You want to sell this? -Yes. | 0:06:20 | 0:06:22 | |
We've got to project a price that's going to be appealing for people to buy it. | 0:06:22 | 0:06:27 | |
And I would have thought round about 100 to 120, that sort of price range. | 0:06:27 | 0:06:32 | |
But I'm going to suggest we put the reserve at 80. | 0:06:32 | 0:06:35 | |
-I see, yeah. -Would that be agreeable? -Yes, certainly. Yep. -No qualms? -No. | 0:06:35 | 0:06:39 | |
Let's hope we get a high price for you and you can do what you want with the money. | 0:06:39 | 0:06:43 | |
-Thank you very much for coming along. -Right. Thank you very much. | 0:06:43 | 0:06:46 | |
Eleanor, this has certainly brightened up the afternoon for me. | 0:06:52 | 0:06:56 | |
This wonderful hand-embroidered silk shawl or throw. | 0:06:56 | 0:07:00 | |
Is it something that you've inherited or is it something you bought along the way? | 0:07:00 | 0:07:05 | |
-I bought it at a jumble sale. -At a jumble sale. -Yes. | 0:07:05 | 0:07:08 | |
There seemed to be some very good jumble sales in this area. | 0:07:08 | 0:07:11 | |
What sort of money did you have to part with? | 0:07:11 | 0:07:14 | |
It would have been pennies rather than shillings. | 0:07:14 | 0:07:18 | |
It was that sort of stage, where everything goes for 5p or 10p. | 0:07:18 | 0:07:21 | |
-Towards the end, when no-one wants to take anything home. -Yeah. -What to say about it? | 0:07:21 | 0:07:26 | |
I mean, obviously it's silk. | 0:07:26 | 0:07:28 | |
You can feel the fineness of the material and the coloured | 0:07:28 | 0:07:32 | |
silk threads, and beautiful floral sprays here with these exotic birds. | 0:07:32 | 0:07:37 | |
And then you've got this lovely lattice-worked border, with the tassels. | 0:07:37 | 0:07:42 | |
It's probably going to date from, I'd guess, around late 19th early 20th century. | 0:07:42 | 0:07:48 | |
You wouldn't wear it nowadays, but the shawls themselves came into fashion in the late 18th century, | 0:07:48 | 0:07:55 | |
when the fashion for dresses in northern Europe were shift dresses, which would have had exposed | 0:07:55 | 0:08:01 | |
shoulders, and that's why without a shawl to wrap around your shoulders, | 0:08:01 | 0:08:06 | |
it would have been impossible to wear them in our climate. That's where the shawl originated. | 0:08:06 | 0:08:11 | |
Have you worn it yourself, or is it on display at home? | 0:08:11 | 0:08:15 | |
I've never worn it, and it's never been used for display. | 0:08:15 | 0:08:17 | |
I bought it for the children to use to put into their dressing up box. | 0:08:17 | 0:08:22 | |
-Has it got good use from them? -Absolutely. Four children have had to wear it on many occasions. | 0:08:22 | 0:08:27 | |
None of them liked it, but it's been very useful. | 0:08:27 | 0:08:30 | |
-And it's a decent size, as well. -That's right. | 0:08:30 | 0:08:33 | |
And it's got some weight to it, when you pick it up because of the density of this lattice border. | 0:08:33 | 0:08:38 | |
What sort of figure... You said you paid for it would be pence - is that right? | 0:08:38 | 0:08:42 | |
-Yes. -So we're not in any danger of you having to perhaps make a loss on this? | 0:08:42 | 0:08:47 | |
I think whatever happens, you're going to be winning, | 0:08:47 | 0:08:50 | |
-and I'd suggest an estimate of perhaps around £60 to £80. -Good. -Happy with that? -Yeah. | 0:08:50 | 0:08:55 | |
-You're not afraid to have it back if it doesn't sell? -No. | 0:08:55 | 0:08:58 | |
So we'll put £60 on it as a reserve. | 0:08:58 | 0:09:00 | |
If it doesn't sell at £60, perhaps put it in the toy box, waiting for the grandchildren to arrive. | 0:09:00 | 0:09:06 | |
-Yes. -So, £60 to £80. £60 reserve. | 0:09:06 | 0:09:08 | |
And we'll get it away for you on the day. Fingers crossed. | 0:09:08 | 0:09:11 | |
That's good. Excellent. Thank you. | 0:09:11 | 0:09:14 | |
-Peter. -Yes, David. | 0:09:21 | 0:09:23 | |
I could imagine your bedroom, or maybe the attic, all set out with a railway track. | 0:09:23 | 0:09:29 | |
Well, years ago, my father, his collection was... | 0:09:29 | 0:09:33 | |
The attic in our bungalow was one mass railway track. | 0:09:33 | 0:09:36 | |
You go out from the hallway, | 0:09:36 | 0:09:38 | |
there is this massive wood and above it would be track and then trains. | 0:09:38 | 0:09:43 | |
You heard your father playing with these trains | 0:09:43 | 0:09:47 | |
and you heard this hum of electric current as it was going round. | 0:09:47 | 0:09:50 | |
You could hear it downstairs. You could tell a train was going. You couldn't see it but just the noise. | 0:09:50 | 0:09:56 | |
So, why are you parting with these? | 0:09:56 | 0:09:58 | |
My father died about 10 years ago, | 0:09:58 | 0:10:02 | |
and I don't really have much interest in the trains. | 0:10:02 | 0:10:05 | |
They were passed on to me and my brother and I saw "Flog It!" | 0:10:05 | 0:10:09 | |
recently advertised in local papers and thought, come and see if I could sell any of them. | 0:10:09 | 0:10:15 | |
So, they don't have any sort of sentimental attachment. | 0:10:15 | 0:10:18 | |
-They're not as though you had them when you were a child. -They were my father's. | 0:10:18 | 0:10:22 | |
It was more, you can look but don't touch. | 0:10:22 | 0:10:25 | |
Right! What I find with this particular group is that they're all in such good condition. | 0:10:25 | 0:10:31 | |
And, they've been maintained, on the whole in their original boxes. | 0:10:31 | 0:10:36 | |
Which is so important when you're selling toys - probably that's the wrong word to use - toys. | 0:10:36 | 0:10:42 | |
It's more of an adult toy. | 0:10:42 | 0:10:44 | |
I do like these trains - particularly the Mallard here. | 0:10:44 | 0:10:49 | |
Yes. Everybody's heard of the Mallard. | 0:10:49 | 0:10:51 | |
And that wonderful, streamlined front. | 0:10:51 | 0:10:54 | |
I think it's still got the record for the highest speed in the world for a steam train. | 0:10:54 | 0:11:00 | |
This is perfectly correct. And then you have the Nigel Cresley here. | 0:11:00 | 0:11:04 | |
-What's the one right at the very front? -That is the Duchess of Montrose. -Absolutely superb! | 0:11:04 | 0:11:09 | |
-And then you have standard locos. -Yes. -How many trains have you got? | 0:11:09 | 0:11:13 | |
-I think I've got about eight here. -You're wanting to sell these. -Yes. | 0:11:13 | 0:11:17 | |
When it comes to the actual value, I think they're quite speculative. | 0:11:17 | 0:11:21 | |
I only hope that we get the collectors in that room. | 0:11:21 | 0:11:25 | |
If we do, the price can be something in the region of £400 to £500, if not more. | 0:11:25 | 0:11:30 | |
-We shall do our very best for you. -Hopefully, it will be nice. | 0:11:30 | 0:11:34 | |
I will keep some. I'm not going to get rid of all of them. | 0:11:34 | 0:11:37 | |
I'll keep one or two with the tracks saying, "That's what my father had." | 0:11:37 | 0:11:41 | |
-All these on the table now are to be sold. -I'm quite happy for all these to go. | 0:11:41 | 0:11:45 | |
-Peter, thank you very much for coming along. -OK. Thank you. | 0:11:45 | 0:11:49 | |
I think Dawn's Bayko construction kit | 0:11:50 | 0:11:53 | |
is just the thing for a budding young architect - | 0:11:53 | 0:11:55 | |
hours of building fun. What a lovely lot this is! | 0:11:55 | 0:11:58 | |
There really are some intriguing photos in the collection | 0:11:58 | 0:12:01 | |
but not anyone that Mervyn recognises. | 0:12:01 | 0:12:04 | |
So, it's time to let them go. | 0:12:04 | 0:12:05 | |
Is this the end of the dressing up for Eleanor and her kids? | 0:12:05 | 0:12:09 | |
That pretty shawl goes under the hammer. | 0:12:09 | 0:12:11 | |
If Peter's trains sell well, I hope he's going to be chuffed to bits. | 0:12:11 | 0:12:16 | |
So, where is today's auction destination? | 0:12:19 | 0:12:22 | |
We're in Cirencester, the self proclaimed capital of the Cotswolds, which is quite fitting really, | 0:12:22 | 0:12:27 | |
because we're at the Cotswolds Auction Company. | 0:12:27 | 0:12:30 | |
This lot behind me are here to buy. | 0:12:30 | 0:12:33 | |
It seems auctioneer Elizabeth Paul has something to tell us about Peter's trains. | 0:12:33 | 0:12:38 | |
Do you know, I wish I had hung on to all my toys as a kid | 0:12:38 | 0:12:42 | |
-with their boxes but I haven't got anything in that condition. -No. | 0:12:42 | 0:12:45 | |
These belonged to Peter - they were his father's. | 0:12:45 | 0:12:48 | |
-The message was, "Look, but do not touch". -Poor boy! | 0:12:48 | 0:12:51 | |
In a way, but it has paid off because we've got a valuation because of condition | 0:12:51 | 0:12:57 | |
and the packaging and boxing which is just right of £400 to £500 with a fixed reserve of 350. | 0:12:57 | 0:13:02 | |
-That's gone up. -Has it? -Yes, it has. | 0:13:02 | 0:13:05 | |
Why? It looks about right to me. | 0:13:05 | 0:13:07 | |
-We had his second look and this one alone could make 250, 300. Just that one. -The coach? Why? | 0:13:07 | 0:13:13 | |
The electric motor coach. | 0:13:13 | 0:13:16 | |
Just probably a bit rarer, nice box, pristine condition. I doubt it's ever run. | 0:13:16 | 0:13:20 | |
Are you going to split this lot? | 0:13:20 | 0:13:23 | |
It's staying together. And there's been a lot of interest. | 0:13:23 | 0:13:27 | |
-And now the reserve is? -550. | 0:13:27 | 0:13:30 | |
Big difference, £200. | 0:13:30 | 0:13:32 | |
What are you hoping to get? On a good day, fingers crossed. | 0:13:32 | 0:13:36 | |
Let's hope six. | 0:13:36 | 0:13:38 | |
This is a bit of fun. Dawn's Bayko construction kit. | 0:13:45 | 0:13:49 | |
-What value have you got on this? 50, 40? -No, less than that actually. | 0:13:49 | 0:13:53 | |
We put it in at 20, 30. | 0:13:53 | 0:13:55 | |
It is a poor man's Meccano. | 0:13:55 | 0:13:57 | |
-Ooh, cheeky Will! -In the collector's world. That's what I'm saying. | 0:13:57 | 0:14:01 | |
-I'm not saying it is any less fun or any less taxing. -It's brilliant. | 0:14:01 | 0:14:05 | |
-For the collector... -Dawn, you've had this in long, long time. | 0:14:05 | 0:14:09 | |
-50 years. -You played with it as a young girl. | 0:14:09 | 0:14:11 | |
-Lots. -You have grandchildren. -Yes. -They're not interested? | 0:14:11 | 0:14:14 | |
-You can't pass it on to anyone? -You can't divide between three, can you? | 0:14:14 | 0:14:18 | |
You can't let anyone play with it really. | 0:14:18 | 0:14:21 | |
It's not safe. With the little ones - screws - it's not safe. | 0:14:21 | 0:14:24 | |
-Lots of fun though. -Brilliant. -Does it bring back lots of memories? -Oh, it does. Yeah, loved it. -Ah! | 0:14:24 | 0:14:30 | |
Oh, we could have tears, we could have tears. And you've been doing a bit of research. | 0:14:30 | 0:14:35 | |
A friend did. The Bayko club is celebrating 75 years next year. | 0:14:35 | 0:14:40 | |
That might help the price. Anniversaries always bunk the price up. | 0:14:40 | 0:14:44 | |
-Well, nobody had heard of it. -It depends how many people know about it as well. | 0:14:44 | 0:14:48 | |
We're going to find out right now. | 0:14:48 | 0:14:51 | |
-This is it. -Is it mine? -Yeah. | 0:14:51 | 0:14:53 | |
OK, 122. Bayko building set - number two. | 0:14:53 | 0:14:57 | |
A nice lot. Start me at £10. | 0:14:57 | 0:14:59 | |
£10 to start. Five then. £5 anywhere. Five I'm bid. | 0:14:59 | 0:15:02 | |
Six seated. 7. | 0:15:02 | 0:15:04 | |
8. 9, 10. | 0:15:04 | 0:15:06 | |
12. 15. At £15 with the gentleman. | 0:15:06 | 0:15:11 | |
All done. | 0:15:11 | 0:15:13 | |
-And a new home. -What else can we do? | 0:15:13 | 0:15:16 | |
You will get a coffee by the time they have taken off the commission. | 0:15:16 | 0:15:20 | |
Exactly! | 0:15:20 | 0:15:21 | |
You've got a sandwich and a coffee. | 0:15:21 | 0:15:24 | |
-But it's been good fun being on "Flog It!" -That's what it is about. | 0:15:24 | 0:15:27 | |
Mervyn's photographs, Caton Woodville, these are absolutely lovely. | 0:15:34 | 0:15:38 | |
A lot of family history here. | 0:15:38 | 0:15:40 | |
David, you've put about £100 to £120 on them. | 0:15:40 | 0:15:43 | |
Yes, basically, it's a military interest. | 0:15:43 | 0:15:46 | |
Also, the artist that did the lithograph plates, absolutely superb. | 0:15:46 | 0:15:50 | |
So, you've got two combinations. Military photographs, family history, all the way through. | 0:15:50 | 0:15:55 | |
The military connection and the naval connection | 0:15:55 | 0:15:58 | |
which is going to help these hopefully fly away. Lots of family history here. | 0:15:58 | 0:16:02 | |
Your family history - your social history. Why is he flogging them? That's what we want to know. | 0:16:02 | 0:16:08 | |
Well, I got to the age where money is more important than everything else. | 0:16:08 | 0:16:14 | |
-What age is that? -Well, I'm just coming up to 75 now. | 0:16:14 | 0:16:18 | |
-You don't look it. -That's not old this day and age, is it? | 0:16:18 | 0:16:21 | |
With all these drugs going, they can keep your alive till you're 100. | 0:16:21 | 0:16:25 | |
ALL CHUCKLE | 0:16:25 | 0:16:26 | |
The only one I like is a little bit of... | 0:16:26 | 0:16:28 | |
Now we know where the money's going! | 0:16:28 | 0:16:31 | |
Hopefully, you'll have one of those after the sale. | 0:16:31 | 0:16:34 | |
We're going to find out right now because it's going under the hammer. | 0:16:34 | 0:16:38 | |
Victorian army and navy photograph album. | 0:16:38 | 0:16:41 | |
There it is. Put it in, £50. Who'll give me 50? | 0:16:41 | 0:16:44 | |
£50 anywhere? £50 somewhere. | 0:16:44 | 0:16:46 | |
30 then. £30. Nobody wants it? | 0:16:46 | 0:16:49 | |
30 bid. At 30. At 35. | 0:16:49 | 0:16:52 | |
40. 5. | 0:16:52 | 0:16:53 | |
50. 5. 60. 5. 70. | 0:16:53 | 0:16:58 | |
5. 80. | 0:16:58 | 0:16:59 | |
5. At 85 on my right, at 85. | 0:16:59 | 0:17:02 | |
At 85. Any advance, 90? At 90. The gentleman's bid now at 90. | 0:17:02 | 0:17:06 | |
Are we all done? Seated now, at £90 with the gentleman. | 0:17:06 | 0:17:10 | |
Are we all finished? | 0:17:10 | 0:17:11 | |
Yes, the hammer's gone down. | 0:17:11 | 0:17:13 | |
£90. We had a reserve but it just tucked it in there. | 0:17:13 | 0:17:17 | |
-Yes. -£90 less commission. | 0:17:17 | 0:17:19 | |
-Drinks all round? -Yeah. | 0:17:19 | 0:17:23 | |
Problem is, drinking and driving. | 0:17:23 | 0:17:24 | |
You've got to go home first. | 0:17:24 | 0:17:26 | |
Go to the local boozer. | 0:17:26 | 0:17:29 | |
Well done! | 0:17:29 | 0:17:30 | |
Right now, it's the shawl. We've got £60 to £80 on this. Put on by our expert, Will. | 0:17:39 | 0:17:45 | |
-Totally agree. -Good! -Eleanor, you've had this 30 years. -Yes. -It is absolutely exquisite. | 0:17:45 | 0:17:50 | |
-Why do you want to sell it now? -I don't need it any more. It takes up space. | 0:17:50 | 0:17:54 | |
The children played with it for years and I don't need it. | 0:17:54 | 0:17:56 | |
OK, we've got a reserve. With a bit of discretion at 60. You're not giving us away. | 0:17:56 | 0:18:02 | |
What do you think? | 0:18:02 | 0:18:03 | |
I think for quality of the shawl, a nice silk, hand-embroidered. | 0:18:03 | 0:18:07 | |
Good size, decorative. | 0:18:07 | 0:18:09 | |
It's got to be worth £50 to £55. | 0:18:09 | 0:18:11 | |
So, fingers crossed, like you say, a few ladies in the room. | 0:18:11 | 0:18:14 | |
I reckon it's going to go. | 0:18:14 | 0:18:15 | |
-A good decorator's piece. -Someone will go home wearing this. | 0:18:15 | 0:18:19 | |
We're going to find out right now. | 0:18:19 | 0:18:21 | |
-This is it. -A rather lovely fringed and bordered silk shawl. | 0:18:21 | 0:18:25 | |
Centre embroidered with exotic birds. | 0:18:25 | 0:18:28 | |
A very lovely thing. £50. Start me off somewhere. | 0:18:28 | 0:18:30 | |
30 then. Come on, it's cheap at 30. | 0:18:30 | 0:18:34 | |
30, I'm bid. At 30. | 0:18:34 | 0:18:36 | |
At 35. At 35, any advance? | 0:18:36 | 0:18:38 | |
At 35, are will done then? At 35. | 0:18:38 | 0:18:42 | |
It seems to be struggling a bit here. | 0:18:42 | 0:18:45 | |
It didn't sell. You did the right thing. | 0:18:45 | 0:18:47 | |
You protected it with a reserve, that's the main thing. | 0:18:47 | 0:18:50 | |
At £30, £35, it's worth holding on to. | 0:18:50 | 0:18:54 | |
-Just for a bit longer. -I think so. | 0:18:54 | 0:18:56 | |
Maybe use it again for dressing up - let the grand kids use it next time. | 0:18:56 | 0:19:00 | |
-Maybe. -If you do want to sell it, I suggest putting it into a textiles sale. | 0:19:00 | 0:19:06 | |
This is the only item of textiles here. | 0:19:06 | 0:19:09 | |
-It's out on a limb really. -Yep. | 0:19:09 | 0:19:11 | |
-Never mind. -Another 30 years! -Another day. | 0:19:11 | 0:19:14 | |
ALL CHUCKLE | 0:19:14 | 0:19:15 | |
Well, we're steaming along now. We should be after this lot. | 0:19:23 | 0:19:26 | |
It is the Hornby trains. There's a lot of locomotives. | 0:19:26 | 0:19:29 | |
They belong to Peter. We had a valuation of £400 to £500. | 0:19:29 | 0:19:32 | |
Since that valuation day, you've had a chat with the auctioneer. | 0:19:32 | 0:19:36 | |
I had a chat with her before the sale started and now, | 0:19:36 | 0:19:39 | |
-the price has gone up. -Yes, there was an electric diesel. | 0:19:39 | 0:19:42 | |
We did talk about it on the day. That's worth a bit more. | 0:19:42 | 0:19:45 | |
That's why we've actually upped the reserve price. | 0:19:45 | 0:19:48 | |
-What did you put the reserve up to? -550. | 0:19:48 | 0:19:50 | |
And the auction house is agreeable to that? | 0:19:50 | 0:19:52 | |
-That's fine. -We could be looking at sort of £600, £700 now. | 0:19:52 | 0:19:56 | |
-I hope so. -It would be nice. -It would be very, very good. | 0:19:56 | 0:19:59 | |
It's full steam ahead. Let's find out. | 0:19:59 | 0:20:02 | |
-Let's hope there are buyers here, Paul. -Hopefully. | 0:20:02 | 0:20:05 | |
136, Hornby 00 locomotives - | 0:20:05 | 0:20:07 | |
rolling-stock and track - including electric motor coach. | 0:20:07 | 0:20:10 | |
A very nice lot. Lots and lots of interest. Start me at 200. | 0:20:10 | 0:20:14 | |
200 to start. | 0:20:14 | 0:20:16 | |
200, I'm bid. Thank you. At 200. | 0:20:16 | 0:20:19 | |
At 200, who's going on? 220. 250. | 0:20:19 | 0:20:21 | |
280. 300. | 0:20:21 | 0:20:24 | |
At 300. 320. 350. | 0:20:24 | 0:20:27 | |
At 350 now. 380. | 0:20:27 | 0:20:29 | |
400. 420. | 0:20:29 | 0:20:31 | |
450. 480. 500. | 0:20:31 | 0:20:34 | |
At 500. 520. | 0:20:34 | 0:20:35 | |
550. At 550 now, are we all done? | 0:20:35 | 0:20:38 | |
550 and selling. | 0:20:38 | 0:20:42 | |
Yes. Not bad. The hammer's gone down. | 0:20:42 | 0:20:44 | |
-That's good. -That's good. We'll settle for that. | 0:20:44 | 0:20:47 | |
I'm happy with that. | 0:20:47 | 0:20:49 | |
What are you going to do with £550? | 0:20:49 | 0:20:51 | |
We're going to go on a holiday to China in 2009 on an eclipse tour. | 0:20:51 | 0:20:55 | |
That's one of my hobbies. I enjoy it. The track goes across China. | 0:20:55 | 0:20:59 | |
You've got no choices. You've to go where the eclipse goes. | 0:20:59 | 0:21:02 | |
-We're planning to do that in 2009. -A good job it wasn't this year, the Olympics are on. | 0:21:02 | 0:21:07 | |
-You'd never find a hotel! -Very true. | 0:21:07 | 0:21:09 | |
-Very true. -Are you going by train? | 0:21:09 | 0:21:11 | |
No, we're flying. It's a bit quicker. Nice one! | 0:21:11 | 0:21:15 | |
The great thing about my job is I get out and about all over the British Isles | 0:21:24 | 0:21:29 | |
visiting fascinating places that put a smile on my face | 0:21:29 | 0:21:32 | |
and I always feel privileged to witness some of the things | 0:21:32 | 0:21:35 | |
that I see, which most people rarely get a chance to. | 0:21:35 | 0:21:38 | |
Today, I'm doing just that. | 0:21:38 | 0:21:40 | |
Here, on this disused airfield, just outside Swindon in Wiltshire, | 0:21:44 | 0:21:48 | |
the Science Museum houses all its oversized objects in six big aircraft hangars, like this one. | 0:21:48 | 0:21:54 | |
The collection ranges from sock-darning machines to the first ever hovercraft, | 0:21:54 | 0:21:58 | |
from nuclear missiles to the Blue Peter lifeboat. | 0:21:58 | 0:22:03 | |
Each item comes with its own unique story. | 0:22:03 | 0:22:06 | |
Peter Turvey, pleasure to meet you. You're the head curator here. | 0:22:18 | 0:22:22 | |
-Yes, that's it. -So you're the person to tell me how many items does this place house? | 0:22:22 | 0:22:26 | |
We have about 18,000 museum objects here at Science Museum, Swindon. | 0:22:26 | 0:22:30 | |
You're responsible responsible for all of them? | 0:22:30 | 0:22:33 | |
Well, our collections care team is responsible | 0:22:33 | 0:22:36 | |
for making them safe and well looked after. | 0:22:36 | 0:22:38 | |
What about the history of this place, though, prior to when you got hold of it? | 0:22:38 | 0:22:42 | |
This was a World War II airfield. It was a maintenance unit, Number 15 maintenance unit. | 0:22:42 | 0:22:48 | |
All the buildings were built before the outbreak of the Second World War. | 0:22:48 | 0:22:52 | |
This site was in use by their area until the late 1970s | 0:22:52 | 0:22:57 | |
and then we gradually took it over for museum storage. | 0:22:57 | 0:23:00 | |
Do you have a particular favourite? | 0:23:00 | 0:23:01 | |
It's difficult, because I've so many things to look at. | 0:23:01 | 0:23:05 | |
I've got lots of different favourites depending on what day it is! | 0:23:05 | 0:23:08 | |
I think my favourite at the moment is our steam car. | 0:23:08 | 0:23:12 | |
Maybe we'll have a look at that a bit later! | 0:23:12 | 0:23:14 | |
What I'd like to see is something quite iconic, something that may be | 0:23:14 | 0:23:19 | |
the oldest item here or the largest or the heaviest. What have you got to show me? | 0:23:19 | 0:23:23 | |
We could look at our Fleet Street printing press, the heaviest object we've got at 140 tons. | 0:23:23 | 0:23:27 | |
-OK. Is it this way? -Just down here. | 0:23:27 | 0:23:30 | |
After you. | 0:23:30 | 0:23:32 | |
Where is it then, Peter? | 0:23:42 | 0:23:45 | |
I'm being a bit cheeky, because I know we've just walked through it or underneath it. That is colossal. | 0:23:45 | 0:23:50 | |
-An impressive piece of machinery. -It's as big as a house, isn't it? | 0:23:50 | 0:23:54 | |
Yes. Actually, we only have one third of it here. | 0:23:54 | 0:23:56 | |
It was bigger! Wow, gosh! | 0:23:56 | 0:23:59 | |
Obviously, you had to assemble it here, it came in bits. | 0:23:59 | 0:24:02 | |
Yes, it came in pieces from Fleet Street | 0:24:02 | 0:24:05 | |
and skilled engineers spent nine weeks putting it together here. | 0:24:05 | 0:24:09 | |
-What date is that? When was it decommissioned? -It dates from about 1930 | 0:24:09 | 0:24:12 | |
and it was in use printing the Daily Mail and the Evening News until about 1989. | 0:24:12 | 0:24:17 | |
Incredible! Do you know roughly how it worked? | 0:24:17 | 0:24:20 | |
-Yes. It's quite simple. See that big roll of newsprint there? -Yes. | 0:24:20 | 0:24:24 | |
That was fed up through the machine up to all those rollers. | 0:24:24 | 0:24:28 | |
Some of the rollers have the type face for printing the newspaper. | 0:24:28 | 0:24:31 | |
Some carry ink onto the type face. | 0:24:31 | 0:24:34 | |
Then it shoots all the way up into that bedstead contraption at the top | 0:24:34 | 0:24:38 | |
and it's folded and turned into bits of newspaper, and then shot off elsewhere into the building. | 0:24:38 | 0:24:43 | |
-You could say that is a Fleet Street heavyweight. -It really is. | 0:24:43 | 0:24:46 | |
-Keeps you fit, walking around. -Yes. It's a big site. | 0:24:55 | 0:24:59 | |
One big giant attic and everything is in juxtaposition. It's quite interesting. | 0:24:59 | 0:25:03 | |
I can just see, you've got the Sno-Cat here next to an old bus. | 0:25:03 | 0:25:08 | |
-Everything is organised according to size and weight. -Tell me about the Sno-Cat. | 0:25:08 | 0:25:12 | |
This is really one of our star objects. | 0:25:12 | 0:25:14 | |
It's got an amazing history with it. | 0:25:14 | 0:25:16 | |
It was one of four sent to Antarctica in 1957 | 0:25:16 | 0:25:19 | |
for a British expedition that was the first motorised crossing of Antarctica. | 0:25:19 | 0:25:24 | |
They set off in late-1957 and got to the other side in early-1958. | 0:25:27 | 0:25:32 | |
It was a very important scientific expedition. | 0:25:32 | 0:25:35 | |
Some of the research they did is very relevant today. | 0:25:35 | 0:25:38 | |
One of the things they did was measure the thickness of the Antarctic ice sheet, | 0:25:38 | 0:25:42 | |
-so we can actually see how global warming has affected the ice sheet. -Incredible. | 0:25:42 | 0:25:47 | |
I can see how it works now. It's got four pontoons as wheels, with tracks on it. | 0:25:47 | 0:25:52 | |
They were developed in America for servicing telephone lines, | 0:25:52 | 0:25:55 | |
so they spread the weight so they can go over snowfields. | 0:25:55 | 0:25:59 | |
Fascinating machines. | 0:25:59 | 0:26:00 | |
It must be a big headache for conservation, | 0:26:00 | 0:26:04 | |
because you've got to look at these things once they're in here | 0:26:04 | 0:26:07 | |
and make sure they aren't rusting any further. | 0:26:07 | 0:26:10 | |
Yes. We have a specialist team of conservators who look after our objects. | 0:26:10 | 0:26:14 | |
If you go over to our conservation laboratory you can meet Dennis, who's one of our conservators. | 0:26:14 | 0:26:20 | |
-Hi, Dennis. -Hi. -I've been walking around the hangars with Peter | 0:26:28 | 0:26:33 | |
and he's been showing me around. | 0:26:33 | 0:26:34 | |
I want to find out a bit more about conservation. Where do you start? | 0:26:34 | 0:26:38 | |
What do you pick on? | 0:26:38 | 0:26:39 | |
We're usually getting objects ready for display | 0:26:39 | 0:26:43 | |
down at the Science Museum in London, so we don't do any repairs. | 0:26:43 | 0:26:47 | |
-Conservation isn't about making it work. -It's note restoration. | 0:26:47 | 0:26:50 | |
-That's right. -This is a computer, isn't it? | 0:26:50 | 0:26:53 | |
Actually, this is ERNIE I. | 0:26:53 | 0:26:54 | |
He picked the Premium Bond numbers. | 0:26:54 | 0:26:56 | |
Yeah, that's right. Back in the 1950s. | 0:26:56 | 0:27:00 | |
The acronym ERNIE stands for Electronic Random Number Indicator Equipment. | 0:27:00 | 0:27:05 | |
From 1957 to 1972, ERNIE I produced thousands upon thousands of winning numbers for the premium bonds. | 0:27:05 | 0:27:12 | |
Today, ERNIE IV does the job and ERNIE I has been saved as a museum piece. | 0:27:12 | 0:27:19 | |
What are you doing? I see you're using traditional methods and techniques. | 0:27:19 | 0:27:23 | |
It's like you're restoring a little bit of fine art on a canvas. | 0:27:23 | 0:27:27 | |
Absolutely. Art conservators use saliva to clean objects, | 0:27:27 | 0:27:32 | |
and we've found that the enzymes in saliva are one of the most effective ways of cleaning it. | 0:27:32 | 0:27:38 | |
-Not all YOUR saliva, though. -Yes. | 0:27:38 | 0:27:41 | |
-Really? -I have to think about lemons a lot. | 0:27:41 | 0:27:45 | |
-Seriously? -Yes. | 0:27:45 | 0:27:47 | |
They work on a canvas, let's say, this size. Your canvas is, well... | 0:27:47 | 0:27:52 | |
-You're going to be here for months. -Yes, it's quite a bit bigger. | 0:27:52 | 0:27:55 | |
I'm not doing all the surfaces. | 0:27:55 | 0:27:56 | |
Mostly the plastic surfaces. | 0:27:56 | 0:27:58 | |
How long will this take? | 0:27:58 | 0:28:00 | |
We've booked in six months to do it and that's going to be pushing it. | 0:28:00 | 0:28:05 | |
Dennis, I can't shake your hand to say thank you, | 0:28:05 | 0:28:08 | |
but I know you've got your work cut out so I'll let you get on with it. | 0:28:08 | 0:28:12 | |
-Thank you very much. -Thank you. | 0:28:12 | 0:28:14 | |
The Science Museum here at Wroughton is such a fascinating place, | 0:28:18 | 0:28:22 | |
but it's only open to the general public on certain days of the year. | 0:28:22 | 0:28:26 | |
Do keep an eye open, because there's plenty to see here and they are preserving your heritage. | 0:28:26 | 0:28:32 | |
It's back to the valuation day and David looks like a very happy man. | 0:28:42 | 0:28:47 | |
Judy, this is such a remarkable piece of porcelain. | 0:28:47 | 0:28:53 | |
Where did it come from? | 0:28:53 | 0:28:55 | |
It used to sit in my mother's display cabinet | 0:28:55 | 0:28:58 | |
for many years and I was often told how very valuable it was. | 0:28:58 | 0:29:04 | |
I've treasured it for a while but it's not actually my cup of tea, | 0:29:04 | 0:29:09 | |
so I'd like to find something that I can replace it with. | 0:29:09 | 0:29:14 | |
I think it's very good indeed. | 0:29:14 | 0:29:17 | |
It's a nice comparison with the other pieces that we've taken in, because | 0:29:17 | 0:29:23 | |
-this is the top end of the early-20th century porcelain market. -Oh, right. | 0:29:23 | 0:29:29 | |
This is the sort of choice porcelain that would have been in the rather splendid Edwardian cabinets. | 0:29:29 | 0:29:36 | |
-Right, OK. -Highly decorative. | 0:29:36 | 0:29:39 | |
Produced not necessarily for usage. | 0:29:39 | 0:29:42 | |
No, I was wondering what it might be used for, actually. | 0:29:42 | 0:29:45 | |
The nearest thing you could get for table usage would be bonbons. | 0:29:45 | 0:29:49 | |
-Yes. -And these would have been hand-made sweets and truffles | 0:29:49 | 0:29:53 | |
that would have been made in the kitchen, below stairs. | 0:29:53 | 0:29:57 | |
Below stairs. Yes. | 0:29:57 | 0:29:58 | |
Otherwise, they might have had candied fruit or something like that. | 0:29:58 | 0:30:03 | |
But this is a highly decorative piece. | 0:30:03 | 0:30:05 | |
If you look at it carefully and squint at it it almost looks like a Renaissance goblet. | 0:30:05 | 0:30:10 | |
Yes. | 0:30:10 | 0:30:11 | |
-Yes. I can see that. It's... -It is very, very fine Worcester porcelain. | 0:30:11 | 0:30:16 | |
Now, just tell me, why are you selling this? | 0:30:16 | 0:30:20 | |
Well, although I can see how attractive it is, | 0:30:20 | 0:30:24 | |
it's not really my cup of tea. | 0:30:24 | 0:30:27 | |
It's not something that I look at and think, "Isn't that gorgeous?" | 0:30:27 | 0:30:31 | |
I'd like something that I'll look at and think, "Isn't that gorgeous?" | 0:30:31 | 0:30:34 | |
-What I like about it is its sheer opulence. -Yes. Yes. | 0:30:34 | 0:30:39 | |
It's the amount of gilt that is used. | 0:30:39 | 0:30:41 | |
This wonderful floral painting and if you look at the floral painting, its outlined in gilt as well. | 0:30:41 | 0:30:48 | |
It's an incredible piece. | 0:30:48 | 0:30:50 | |
I love these scroll handles which you'd hold. | 0:30:50 | 0:30:53 | |
It's almost a drinking vessel. | 0:30:53 | 0:30:55 | |
If it had been circular it would have been, | 0:30:55 | 0:30:57 | |
something like that. You are looking back to the past for the inspiration of design. | 0:30:57 | 0:31:03 | |
Now, these were produced at end of the 19th, into the 20th century. | 0:31:03 | 0:31:08 | |
This piece has a mark on the bottom which will tell me the exact date it was made. | 0:31:08 | 0:31:14 | |
The beauty of Worcester porcelain is, it's exactly like silver marks. | 0:31:14 | 0:31:18 | |
You can tell the exact year that this was made by the dots underneath. | 0:31:18 | 0:31:23 | |
Now, the dots start in 1892. | 0:31:23 | 0:31:25 | |
-Yes. -And if you count up all the other dots, it works out to 1911. | 0:31:25 | 0:31:32 | |
-1911? Wow. -So, this piece was made in 1911. | 0:31:32 | 0:31:36 | |
-That glorious epoch of the early- 20th century. -Before the Great War. | 0:31:36 | 0:31:40 | |
The Edwardian ladies. My Fair Lady. | 0:31:40 | 0:31:42 | |
-Yes. That's where the opulence comes from, yes, yes. -That sort of period. | 0:31:42 | 0:31:47 | |
It is very opulent. | 0:31:47 | 0:31:48 | |
It's a cabinet piece. | 0:31:48 | 0:31:50 | |
Now, price. | 0:31:50 | 0:31:52 | |
These are still in demand. | 0:31:52 | 0:31:55 | |
-But not as much as they were five or even 10 years ago. -Yes. Yes. | 0:31:55 | 0:32:01 | |
This piece, let's say, | 0:32:01 | 0:32:04 | |
five years ago, would have been 150 to £200. That sort of price range. | 0:32:04 | 0:32:10 | |
-Yes. Yes. -There's a slight resilience in the market now | 0:32:10 | 0:32:14 | |
to go for this blush ground. | 0:32:14 | 0:32:16 | |
Fashions change. I never understand why. | 0:32:16 | 0:32:19 | |
If we are looking at this, around about 100 to 130. | 0:32:19 | 0:32:24 | |
-That sort of price range. -OK. -If it goes for more, I shall be very happy. | 0:32:24 | 0:32:28 | |
Yes. Well, so shall I! | 0:32:28 | 0:32:29 | |
Thank you very much for coming along. I do appreciate it. I hope we make a very good price for you. | 0:32:29 | 0:32:34 | |
-Thank you very much. -Thank you. | 0:32:34 | 0:32:36 | |
Well, look at this lay-out we've got on the table here, Adrian. | 0:32:42 | 0:32:47 | |
This is taking me back to my childhood. | 0:32:47 | 0:32:49 | |
Were these yours as a child? Did you play with these? | 0:32:49 | 0:32:52 | |
They were my father-in-law's. He collected them in the '70s. | 0:32:52 | 0:32:55 | |
They were just put in a case by all accounts. | 0:32:55 | 0:32:57 | |
And when he passed away, he left them to the wife. | 0:32:57 | 0:33:00 | |
So, this is how we've come to get them and they've been in the loft for six years. | 0:33:00 | 0:33:03 | |
It's amazing, he didn't open these, did he? | 0:33:03 | 0:33:06 | |
Was he buying these for investment, do you think? | 0:33:06 | 0:33:09 | |
He just liked collecting the cars. | 0:33:09 | 0:33:10 | |
But he never let the children play with them. | 0:33:10 | 0:33:13 | |
Well, as you can see, from here, the majority of these are Matchbox. | 0:33:13 | 0:33:19 | |
Most people when they think of this type of toy think of | 0:33:19 | 0:33:23 | |
Corgi and Dinky and then third in that tier comes Matchbox. | 0:33:23 | 0:33:27 | |
You've got quite an array that you've brought with you today, Adrian. | 0:33:27 | 0:33:32 | |
This one is fairly out here, the GWR. | 0:33:32 | 0:33:34 | |
Yeah, the GWR train. | 0:33:34 | 0:33:35 | |
Bearing in mind where we are today, then we've got another loco here. | 0:33:35 | 0:33:39 | |
If I move towards the front I can see here, again, reminding me of some of | 0:33:39 | 0:33:44 | |
the television programmes I used to watch as a small boy. | 0:33:44 | 0:33:47 | |
-Any particular favourites of yours, here? -Starsky and Hutch. | 0:33:47 | 0:33:50 | |
-Starsky and Hutch? -I used to watch that in the '70s. | 0:33:50 | 0:33:53 | |
Yeah, I think that carries a certain place in a lot of people's hearts, | 0:33:53 | 0:33:56 | |
doesn't it? Well, that's a Corgi one, as is the James Bond ones. | 0:33:56 | 0:34:00 | |
Now, that was a bandwagon that a lot of them jumped on. | 0:34:00 | 0:34:04 | |
That would open up the market to a whole new collector, shall we say? | 0:34:04 | 0:34:09 | |
They tend to be well collected. | 0:34:09 | 0:34:12 | |
Just looking at the sort of quantity and variety you have got here, | 0:34:12 | 0:34:16 | |
-have you any idea of what they might be worth? -Not a clue. | 0:34:16 | 0:34:20 | |
They've got to be worth a couple of pounds each, | 0:34:20 | 0:34:23 | |
certainly the ones that have been kept in the packaging. That's a premium that's hard to get. | 0:34:23 | 0:34:29 | |
It means they're mint condition. | 0:34:29 | 0:34:34 | |
I've had a quick tot up. I don't know how many there are here. | 0:34:34 | 0:34:37 | |
-20, 30? -Something like that. | 0:34:37 | 0:34:39 | |
My suggestion, to put them into the auction, would be perhaps put an estimate on of £40 to £60. | 0:34:39 | 0:34:46 | |
Straddle that £50-mark. And see how they do on the day. | 0:34:46 | 0:34:51 | |
Were you thinking of putting a reserve on them? | 0:34:51 | 0:34:53 | |
Your wife inherited them - you have permission to sell these? | 0:34:53 | 0:34:56 | |
-We've got her permission to sell. -Have we? | 0:34:56 | 0:34:58 | |
If we say no reserve, we're going to get a sale on the day. | 0:34:58 | 0:35:01 | |
That's what it's about at the end of the day. | 0:35:01 | 0:35:03 | |
Who knows, I reckon someone might buy them and then just rip them all out of the packaging | 0:35:03 | 0:35:08 | |
and have a great nostalgic play with them, what do you think? | 0:35:08 | 0:35:11 | |
-Could do. -Excellent. So, we'll see you on the day? -Yeah, that's fine. Thank you. | 0:35:11 | 0:35:15 | |
Sandra, these two pictures are of real quality. | 0:35:21 | 0:35:24 | |
I think they're very special. | 0:35:24 | 0:35:26 | |
Will you tell me a bit about them? What do you know? | 0:35:26 | 0:35:29 | |
Not very much. They were given to my father, when we lived in London. | 0:35:29 | 0:35:34 | |
A customer gave them to him as a present. | 0:35:34 | 0:35:37 | |
Just a present? | 0:35:37 | 0:35:38 | |
-To say thank you. And they've hung in our house ever since. -Do you know what they are? | 0:35:38 | 0:35:43 | |
Not really. I thought they were painted on slate, but that's all. | 0:35:43 | 0:35:46 | |
You're right about one thing. They are on slate. | 0:35:46 | 0:35:49 | |
But they're not painted. | 0:35:49 | 0:35:50 | |
When you look at them, you think a couple of cavaliers, | 0:35:50 | 0:35:53 | |
a little bit naively painted on slate, | 0:35:53 | 0:35:57 | |
and they could have done a better job, because that's not painted on. | 0:35:57 | 0:36:00 | |
That slate has been carved out and stone and marble has been inset into the aperture that's been carved out. | 0:36:00 | 0:36:08 | |
"Pietra dura", that's what it means, | 0:36:08 | 0:36:11 | |
hard durable stone. It's Italian and it's a very, very clever technique. | 0:36:11 | 0:36:18 | |
The Italians were absolutely amazing at this. | 0:36:18 | 0:36:20 | |
It's a technique that dates back to the Renaissance, the 1500s. | 0:36:20 | 0:36:24 | |
Very expensive in their day, as well. The condition is absolutely beautiful. | 0:36:24 | 0:36:28 | |
If I can just turn them over, you can see, both backs have not been tampered with. | 0:36:28 | 0:36:33 | |
Original hanging rings and the original paper backing. | 0:36:33 | 0:36:36 | |
Now, the trade are going to absolutely love that. | 0:36:36 | 0:36:39 | |
And the collectors. | 0:36:39 | 0:36:40 | |
Because it's not been fiddled with. | 0:36:40 | 0:36:43 | |
But look at the quality of that. | 0:36:43 | 0:36:45 | |
Lovely bold Victorian, ebonised frame. | 0:36:45 | 0:36:48 | |
Wonderful gold inset. It just picks the whole thing out. | 0:36:48 | 0:36:51 | |
But look at the stones you've got involved in there. | 0:36:51 | 0:36:54 | |
There's black onyx, some lapis as well. There's bits of marble. | 0:36:54 | 0:36:59 | |
Look at the trousers, the boots, that's a lovely marble. | 0:36:59 | 0:37:01 | |
Isn't it beautiful? Why do you want to sell them? | 0:37:01 | 0:37:05 | |
I don't think our house is suitable. | 0:37:05 | 0:37:08 | |
It's a modern central-heated house and I think the central heating is spoiling them. | 0:37:08 | 0:37:13 | |
Never hang anything like this over a radiator. | 0:37:13 | 0:37:18 | |
Never hang anything obviously, a bit of fine art work, in a room with direct sunlight coming on to it. | 0:37:18 | 0:37:25 | |
Ruins everything. | 0:37:25 | 0:37:26 | |
Have you any idea how much these are worth? | 0:37:26 | 0:37:30 | |
-Not really. -Well, if I said to you, | 0:37:30 | 0:37:33 | |
I'd like to put them into auction with an estimated guide of £300 to £500, | 0:37:33 | 0:37:40 | |
and I think we could possibly break that barrier on a very good day | 0:37:40 | 0:37:44 | |
-if two people fell in love with these, we could sell the pair for £600. -Fine. | 0:37:44 | 0:37:49 | |
-Would you be happy with that? Has that surprised you? -Yes. | 0:37:49 | 0:37:52 | |
It has, really. | 0:37:52 | 0:37:54 | |
I think it's a cracking lot and hopefully we'll have some eager bidding on this. | 0:37:54 | 0:37:58 | |
Thank you. | 0:37:58 | 0:38:00 | |
Here are our second lot of items to go under the hammer. | 0:38:01 | 0:38:04 | |
The Royal Worcester isn't to Judy's taste, | 0:38:04 | 0:38:07 | |
but there are plenty of people who love it, so let's hope they are in the saleroom today. | 0:38:07 | 0:38:11 | |
This collection shouldn't be hidden away. | 0:38:11 | 0:38:13 | |
It's great fun and could take a willing bidder on a very nostalgic trip down memory lane. | 0:38:13 | 0:38:18 | |
Finally, these pietra dura are exquisite | 0:38:18 | 0:38:23 | |
and at £300 to £500, I'd be amazed if they're not snapped up. | 0:38:23 | 0:38:27 | |
And taking the rostrum for this lot is auctioneer Lindsay Broom. | 0:38:27 | 0:38:30 | |
It's not Judy's cup of tea but plenty of you will love this Royal Worcester, | 0:38:30 | 0:38:34 | |
including David. You put £100, £150 on it, it's fixed at £100. | 0:38:34 | 0:38:39 | |
-Why don't you like it? -It's just a bit too much. | 0:38:39 | 0:38:44 | |
I think it's very attractive. | 0:38:44 | 0:38:45 | |
I can see the value of it. But it's just a bit too much. | 0:38:45 | 0:38:48 | |
Is it? You like it a bit more simple things? More humble, bohemian? | 0:38:48 | 0:38:52 | |
-I wouldn't say humble. -I like humble things. -Just something that's not quite so ornate. | 0:38:52 | 0:38:58 | |
People might say it's over the top, | 0:38:58 | 0:39:00 | |
but it has got that richness you associate with the the Edwardian period. | 0:39:00 | 0:39:04 | |
Again, that's antiques, in a way. Some of them have to be showy. That's what it's all about. | 0:39:04 | 0:39:08 | |
-You want to show them off, otherwise it's not worth investing in them. -That's true. | 0:39:08 | 0:39:12 | |
OK, let's see who's going to invest in this one, shall we? Here we go. | 0:39:12 | 0:39:15 | |
Lot 217, the Royal Worcester porcelain pedestal bowl. | 0:39:15 | 0:39:19 | |
Very pretty one. What shall we say, £100 to start on this? £100? | 0:39:19 | 0:39:23 | |
50 then, £50 to start. | 0:39:23 | 0:39:25 | |
It's a big jump, isn't it? | 0:39:25 | 0:39:27 | |
Anyone interested at £50 to start? | 0:39:27 | 0:39:31 | |
£50, thank you, at 50, | 0:39:31 | 0:39:33 | |
55, 60, 65, 70, | 0:39:33 | 0:39:36 | |
75, 80, 85, 90, | 0:39:36 | 0:39:39 | |
-95, at 95... -Oh, come on! | 0:39:39 | 0:39:42 | |
95... 100, is it? At 95... | 0:39:42 | 0:39:45 | |
It's got to be £100! | 0:39:45 | 0:39:46 | |
£100 for you... 100 bid, right at the back. | 0:39:46 | 0:39:50 | |
-Gosh, just! -At 100 then, I'm selling at 100... | 0:39:50 | 0:39:55 | |
Oh, we had a fixed Reserve at 100. | 0:39:55 | 0:39:57 | |
That was close, wasn't it? Sailing a bit close to the wind, there. | 0:39:57 | 0:40:01 | |
-We did it. 100 quid. -We got the hundred. That's fine. -Ooh! | 0:40:01 | 0:40:05 | |
Next up, Adrian's Matchbox cars. | 0:40:13 | 0:40:15 | |
There's a lot of them, but he can't be here today, he's at a conference, | 0:40:15 | 0:40:19 | |
but his mum, Ruth, is here, flogging his cars. | 0:40:19 | 0:40:23 | |
Well, we've got £40 to £60 put on these. | 0:40:23 | 0:40:25 | |
I love the Kojak one and the old catchphrase was, "Who loves you, baby?" | 0:40:25 | 0:40:29 | |
Let's see if someone falls in love with this one. Here it is. | 0:40:29 | 0:40:32 | |
A quantity of Corgis and Matchbox die cast. Two boxes. | 0:40:32 | 0:40:36 | |
A very nice lot. | 0:40:36 | 0:40:38 | |
£50 to start? 50 I'm bid, at 50. At 50. | 0:40:38 | 0:40:42 | |
55, 60, 65, 70, at 70, | 0:40:42 | 0:40:47 | |
who's going on then at 70? | 0:40:47 | 0:40:49 | |
Any advance then at 70? | 0:40:49 | 0:40:50 | |
-75, 80... -Good. | 0:40:50 | 0:40:53 | |
85, 90, any other buyers? 95. | 0:40:53 | 0:40:57 | |
100, 110, at 110 now, | 0:40:57 | 0:41:02 | |
are we all done at 110? Are we all finished at 110? | 0:41:02 | 0:41:06 | |
Yes. Hammer's down at £110. £110. | 0:41:06 | 0:41:11 | |
-Good grief. -That's fantastic. | 0:41:11 | 0:41:12 | |
-He will be over the moon. -A result! Kojak did that with his lollipop! | 0:41:12 | 0:41:16 | |
-Sandra, what's going through your mind right now? -Are we going to reach the value... | 0:41:25 | 0:41:29 | |
-of £300? -We've got those two wonderful... | 0:41:29 | 0:41:32 | |
a pair of pietra dura, in fact, look at this, they're right next to us, just there. | 0:41:32 | 0:41:36 | |
Going under the hammer, we are two lots away, £300 to £500. | 0:41:36 | 0:41:40 | |
I had a chat to the auctioneer before the sale. | 0:41:40 | 0:41:43 | |
They sold a pair in a previous sale for £600 and the images were of birds. | 0:41:43 | 0:41:49 | |
You've got these wonderful cavaliers. | 0:41:49 | 0:41:51 | |
We're coming towards the end of the sale and the room has thinned out. | 0:41:51 | 0:41:54 | |
I just hope there's enough people here who have seen them and left bids | 0:41:54 | 0:41:58 | |
or you never know, there might be a phone bid. | 0:41:58 | 0:42:00 | |
-You won't bash me over their head, will you, if they don't sell? -No. They'll just go home again. | 0:42:00 | 0:42:06 | |
OK. Good luck. They're going under the hammer, now. | 0:42:06 | 0:42:09 | |
331, pair of pietra dura pictures showing there. | 0:42:09 | 0:42:12 | |
Very lovely. Start me off, lots and lots of interest. Start me at 300. | 0:42:12 | 0:42:16 | |
300 I'm bid, at 300, 320, 350, | 0:42:16 | 0:42:20 | |
380, 400, | 0:42:20 | 0:42:22 | |
-420, 450... -Yes... -..480, | 0:42:22 | 0:42:25 | |
at 500, 520, 540, | 0:42:25 | 0:42:29 | |
550, 580, at 580, 600. | 0:42:29 | 0:42:35 | |
-That's more like it. -At £600, any advance on £600? | 0:42:35 | 0:42:38 | |
At £600, standing in the room now, are we all done? | 0:42:38 | 0:42:42 | |
At 600, selling... | 0:42:42 | 0:42:44 | |
Yes! £600. | 0:42:44 | 0:42:48 | |
-Wonderful. -That's what we talked about on the day, didn't we? | 0:42:48 | 0:42:51 | |
We said, we'd pitch it at 300-500, but hopefully they'll make the £600. | 0:42:51 | 0:42:56 | |
Phew. Pressure is off. What are you going to do with that £600? What's it going towards? | 0:42:56 | 0:43:00 | |
-For a holiday. -A bit of commission. | 0:43:00 | 0:43:02 | |
A holiday. Everybody is spending their money on holidays. | 0:43:02 | 0:43:05 | |
-Where is the holiday going to be? -Guernsey. | 0:43:05 | 0:43:07 | |
-Ooh, lovely, have you been there before? -Yes. | 0:43:07 | 0:43:09 | |
Nice peaceful two weeks, just sort of taking it easy. | 0:43:09 | 0:43:12 | |
Yes. In a hotel this time, not a guest house. | 0:43:12 | 0:43:16 | |
Thank you so much, Sandra. That was pure quality and quality always sells. | 0:43:17 | 0:43:22 | |
I hope you've enjoyed today's show. We thoroughly enjoyed making it. | 0:43:22 | 0:43:25 | |
So, until next time, it's cheerio from Cirencester. | 0:43:25 | 0:43:29 | |
For more information about "Flog It!" including how the programme was made, | 0:43:43 | 0:43:46 | |
visit the website at bbc.co.uk/lifestyle | 0:43:46 | 0:43:49 | |
Subtitles by Red Bee Media Ltd | 0:43:49 | 0:43:52 | |
E-mail [email protected] | 0:43:52 | 0:43:55 |