Swindon Flog It!


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It's full steam ahead, as "Flog It!" has pulled into Swindon for today's valuations.

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Our venue today is called Steam, and it's a museum that's totally dedicated

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to the Great Western Railway, and in fact the building that we're actually filming in

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is part of the former Swindon Railway Works.

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And it was right here, in 1960, that the last British mainline steam locomotive was built.

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And she was called Evening Star.

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Cameras, yes, check.

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Lights, all around us, on.

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Experts David Barby and Will Axon.

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But clearly there's something missing.

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Where are all the people?

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-PA:

-'The train now arriving at platform six is the 9.30 "Flog It!" Express.'

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I think they've arrived!

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And now the hall is full of day-trippers, we can get started with the valuations!

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Making a fast track to the table is Will Axon.

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Dawn, this is a really good old-fashioned toy.

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In the days today where people are complaining about the "yoof" sitting on the sofas,

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in front of the TV, in front of the computer console...

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-This is when toys were toys, isn't it?

-Exactly.

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Now, how did you come by this?

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Um, I was either nine or ten, and it was a Christmas present from my parents.

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Very nice. So they obviously thought that you'd enjoy this sort of...

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It's perhaps a bit of a boy's toy, perhaps, don't you think?

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I think it is more, but I played with it for so many hours, building my dream home.

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-You enjoyed playing with it obviously.

-Absolutely. I loved it.

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We can see from the box, one of the first things that strikes you with toys is condition.

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-Yes.

-I mean, we've got the box here, which is a little bit tattered.

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It's a little bit frayed.

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There's a bit of Sellotape that's kept the label on, and so on.

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-But you've played with it.

-Yep.

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It's been well loved and well used, and that's what these things were made for.

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-Yes.

-When it comes to value, that is a factor we have to take into consideration.

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Now, we've got it here laid out on the table.

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Bayko, it's not a firm that I've heard of, actually.

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We're used to seeing a lot of Meccano on "Flog It!",

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which was the market leader in this sort of construction toy.

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But Bayko... Made out of plastic.

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You've got all the pieces here.

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Now it comes down to value.

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You got any idea? What do you think?

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I have no idea, honestly. Nobody has ever heard of it, so I don't know.

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It's a little bit, from my point of view, an unknown quantity.

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My suggestion to you would be to put it in the sale and just let it make what it makes. Happy with that?

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-Yes, because I do want to sell it.

-Once you've decided to sell something, the best thing

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is to just let the market decide what the value is.

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It might be £20 or £30.

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So I think if you're happy to go with that "let it make what it makes" approach,

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we're definitely going to get it away for you.

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OK, then. Thank you very much indeed. Thank you.

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Mervyn, I find this particular book absolutely fascinating.

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-Where did it come from?

-Well, originally it belonged to my uncle.

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And he recently passed away, and I had the job of clearing his house out, and I came across it.

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I thought it would probably be of some value or some interest to somebody.

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-But you can't tell me who they are.

-No, I'm afraid not.

-That's not very good, Mervyn!

-No.

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Well, first of all, the album itself, without the photographs,

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is interesting, because all of these designs are by an artist called Caton Woodville.

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And he did these military subjects and hunting subjects,

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illustrations people would put on the wall in frames, and also postcards.

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So he was quite a well-known artist.

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But one of the fascinating things is for albums, they often used

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-the colour illustrations with apertures to put photographs.

-Yes.

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Now, the emphasis on this album is military. Military and naval.

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-Naval, yes.

-So, did your family have any connections with the military or navy?

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Well, I suppose all the family, at some time,

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was in the military sort of thing. Army etc.

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Right. Now, looking at the photographs, they're all of a very affluent society.

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And we're looking at the latter part of the Victorian period.

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Crimean War period, particularly the army uniforms here.

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So, is your background from a sort of wealthy background, upper-middle class?

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-Probably middle class.

-Middle class.

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Well, this strikes a chord with these.

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Because if we look at the portraits,

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they're all of very well-to-do people of the late Victorian period.

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Beautifully dressed. And this is one of the reasons why people buy these albums because of the costume detail.

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And if we look at this one here, this one looks to be a captain.

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-Aren't you fascinated by this?

-Yeah, I am really.

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I love looking at these photographs because it's looking at other people's lives.

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-That's right.

-And the society.

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When we look at... This one is absolutely intriguing.

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Can you see what it is? It's a plantation.

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We've got maybe the owners of the plantation with all the workforce all the way round. That's intriguing.

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And that alone will be a valuable photograph on its own.

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-You want to sell this?

-Yes.

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We've got to project a price that's going to be appealing for people to buy it.

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And I would have thought round about 100 to 120, that sort of price range.

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But I'm going to suggest we put the reserve at 80.

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-I see, yeah.

-Would that be agreeable?

-Yes, certainly. Yep.

-No qualms?

-No.

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Let's hope we get a high price for you and you can do what you want with the money.

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-Thank you very much for coming along.

-Right. Thank you very much.

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Eleanor, this has certainly brightened up the afternoon for me.

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This wonderful hand-embroidered silk shawl or throw.

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Is it something that you've inherited or is it something you bought along the way?

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-I bought it at a jumble sale.

-At a jumble sale.

-Yes.

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There seemed to be some very good jumble sales in this area.

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What sort of money did you have to part with?

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It would have been pennies rather than shillings.

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It was that sort of stage, where everything goes for 5p or 10p.

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-Towards the end, when no-one wants to take anything home.

-Yeah.

-What to say about it?

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I mean, obviously it's silk.

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You can feel the fineness of the material and the coloured

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silk threads, and beautiful floral sprays here with these exotic birds.

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And then you've got this lovely lattice-worked border, with the tassels.

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It's probably going to date from, I'd guess, around late 19th early 20th century.

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You wouldn't wear it nowadays, but the shawls themselves came into fashion in the late 18th century,

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when the fashion for dresses in northern Europe were shift dresses, which would have had exposed

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shoulders, and that's why without a shawl to wrap around your shoulders,

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it would have been impossible to wear them in our climate. That's where the shawl originated.

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Have you worn it yourself, or is it on display at home?

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I've never worn it, and it's never been used for display.

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I bought it for the children to use to put into their dressing up box.

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-Has it got good use from them?

-Absolutely. Four children have had to wear it on many occasions.

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None of them liked it, but it's been very useful.

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-And it's a decent size, as well.

-That's right.

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And it's got some weight to it, when you pick it up because of the density of this lattice border.

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What sort of figure... You said you paid for it would be pence - is that right?

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-Yes.

-So we're not in any danger of you having to perhaps make a loss on this?

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I think whatever happens, you're going to be winning,

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-and I'd suggest an estimate of perhaps around £60 to £80.

-Good.

-Happy with that?

-Yeah.

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-You're not afraid to have it back if it doesn't sell?

-No.

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So we'll put £60 on it as a reserve.

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If it doesn't sell at £60, perhaps put it in the toy box, waiting for the grandchildren to arrive.

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-Yes.

-So, £60 to £80. £60 reserve.

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And we'll get it away for you on the day. Fingers crossed.

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That's good. Excellent. Thank you.

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-Peter.

-Yes, David.

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I could imagine your bedroom, or maybe the attic, all set out with a railway track.

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Well, years ago, my father, his collection was...

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The attic in our bungalow was one mass railway track.

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You go out from the hallway,

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there is this massive wood and above it would be track and then trains.

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You heard your father playing with these trains

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and you heard this hum of electric current as it was going round.

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You could hear it downstairs. You could tell a train was going. You couldn't see it but just the noise.

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So, why are you parting with these?

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My father died about 10 years ago,

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and I don't really have much interest in the trains.

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They were passed on to me and my brother and I saw "Flog It!"

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recently advertised in local papers and thought, come and see if I could sell any of them.

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So, they don't have any sort of sentimental attachment.

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-They're not as though you had them when you were a child.

-They were my father's.

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It was more, you can look but don't touch.

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Right! What I find with this particular group is that they're all in such good condition.

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And, they've been maintained, on the whole in their original boxes.

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Which is so important when you're selling toys - probably that's the wrong word to use - toys.

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It's more of an adult toy.

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I do like these trains - particularly the Mallard here.

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Yes. Everybody's heard of the Mallard.

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And that wonderful, streamlined front.

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I think it's still got the record for the highest speed in the world for a steam train.

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This is perfectly correct. And then you have the Nigel Cresley here.

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-What's the one right at the very front?

-That is the Duchess of Montrose.

-Absolutely superb!

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-And then you have standard locos.

-Yes.

-How many trains have you got?

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-I think I've got about eight here.

-You're wanting to sell these.

-Yes.

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When it comes to the actual value, I think they're quite speculative.

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I only hope that we get the collectors in that room.

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If we do, the price can be something in the region of £400 to £500, if not more.

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-We shall do our very best for you.

-Hopefully, it will be nice.

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I will keep some. I'm not going to get rid of all of them.

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I'll keep one or two with the tracks saying, "That's what my father had."

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-All these on the table now are to be sold.

-I'm quite happy for all these to go.

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-Peter, thank you very much for coming along.

-OK. Thank you.

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Chas, you've bought in today something, bearing in mind

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that we're in the Steam Museum in Swindon, that really, sort of,

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hits the note as far as the locos goes. If I open up this box here,

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-this quite splendid array of... How many did you say there were?

-50.

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-50 silver ingots, sterling silver.

-Sterling silver.

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-Solid sterling silver ingots, which commemorate a wide variety of locomotives.

-Yes.

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How did you come by them?

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Well, my wife had a second-hand dealership and somebody came in and obviously she was interested.

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-What did she pay for them?

-Oh, under £100, I think.

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-So under £100, which is good going considering the value of silver at the moment.

-Yeah.

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-Date-wise, they're from the 1970s.

-They are. Yeah.

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Were these collected over a period of time?

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-50 months. One a month.

-Right. So it was one a month. 50 months.

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-Over four years.

-Exactly. If you miss one, you've got to go back...

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-That's it. Yeah.

-And, we've got here the original receipt.

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£11.25. That was each, which I suppose in the '70s was a decent bit of money, wasn't it?

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-Quite a bit of money, I'd say.

-We've got a bit of literature

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saying that it is the National Railway Museum Collection.

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-That came with it.

-Came with it.

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-So these were produced to commemorate the opening of the museum.

-Yeah.

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We've had a quick look through. There are obviously some, sort of, classics,

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-like the Rocket and the Flying Scotsman.

-Yeah.

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But looking down here, there's one... There it is, the Evening Star.

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That's quite poignant, as that was the last steam loco made.

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-It was, yes. In here.

-In here, in the 1960s.

-It was.

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So, again, bearing in mind where we are, it really sort of hits the right note.

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Now, like I said, with regards to the value, it's tricky because 1970s -

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it's not what most people would call an antique -

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-but, what it's got going for it is that they are solid sterling.

-Yeah.

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Have you got any idea of what sort of figure they should be valued at?

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Have you thought about it, at all?

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Well, scrap price... I mean, probably around £5.

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Is it around £5, £6 an ounce?

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Yes. Cos I think you said they were an ounce each?

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-They're an ounce each. Yep.

-So each ingot is an ounce. We've got 50, so 50 ounces, obviously.

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-Say a fiver for an ounce.

-Yeah.

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-And at scrap value, we're looking at around, sort of, 250.

-Yeah. Yeah.

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But at least then we know it can only go up from there, value-wise.

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-Yeah.

-So what I would suggest was, if we could value these at perhaps £200 to £300. What do you think?

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-That's fine. Yeah.

-You think we'll go for that?

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-Yeah.

-Cos again, people who are viewing the sale

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-will be doing their own maths and working out what it is worth scrap.

-I understand that.

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Well, I'm happy to give these a go at £200 to £300, if you're happy to go with that.

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-Sure.

-And, reserve it at a couple of hundred, do you think?

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-I want to reserve it. Yeah. At least 200.

-Reserve at 200?

-Yeah.

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-OK. Hopefully on the day, we'll get it away for you.

-Brilliant.

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Now I reckon I've been to hundreds of antique auctions in my life.

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I know how they work, but today I'm doing something completely different.

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I'm going behind the scenes at a livestock auction

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to find out what it's like to be a buyer, a seller and an auctioneer.

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Cirencester Livestock Market has been going since 2005

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and has twice-weekly sales and most breeds of farm animals.

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I'm going to learn how it all works from one of the auctioneers, John Pullen.

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-What are these cattle?

-These are continental cross cattle.

-Yeah.

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-They would be beef breeds. These will go into the food chain.

-These are for slaughter?

-Yes.

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Someone's just put dobs of grease on their back. What's that for?

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We put lot numbers on the back, as you do in the antiques world.

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Keep the lots numbered! Couldn't do that with antiques!

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Every beast has a lot number on its back which must match up with a passport.

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These are very important in our industry.

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You can't move cattle without one of these?

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Cannot move or sell without this. This tells us where the beast has come from, where it was born

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-and where it's going, ultimately.

-You still haven't told me your estimate!

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I would expect this beast to make...

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I guess she's a good beast, so she's going to be, hopefully, 750 to £800.

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-Will you get that today, do you think?

-I'd like to hope so.

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I hope you do, as well!

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-What are your commission charges?

-We work on a percentage,

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but we're probably going to earn about 15 to £17 for selling that beast today.

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-That's not a lot, is it?

-No.

-I mean, in my world,

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in the antiques world, most auction houses are charging 17 to 20% commission to the buyer.

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-Yes...

-And also to the seller.

-Yes.

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-They're earning 40%.

-We're in the wrong trade.

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-You are!

-In the wrong trade.

-You are, aren't you?

-We're working on 2, 2.5%.

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-And no buyer's premium.

-Gosh!

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I've got to say, looking around, I mean, the auction's not far off starting.

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I can't see a lot of bidders.

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How many people do you expect turning up?

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We don't unfortunately get the numbers you get randomly turning up to your antiques.

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On average, what do you expect?

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-Probably five or six bidders on the sheep.

-Is that all?

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-And five or six bidders on the cattle.

-And that's it?

-And that's it.

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-Crikey.

-We've got our work cut out.

-You have!

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-So you've got to make them fight amongst each other.

-We do regularly.

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Which is difficult as they all know each other!

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RINGS BELL

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It's typical. All the bidders turned up in the nick of time.

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I think they were in the cafe all along. That is so typical of auction rooms.

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Good morning, ladies and gentlemen.

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Welcome to Cirencester. My pleasure to say they're cheaper than normal.

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Green lines are farm assured. Blue lines, non-farm assured. Red market today.

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On we go, gentlemen, 42 kilos, then.

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HE TAKES BIDS VERY RAPIDLY

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So quick, I can't even see the bidding going on.

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AUCTIONEER CONTINUES TO TAKE BIDS VERY RAPIDLY

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He's just sold that pen off. What does that work out per kilo, per sheep and also, per pen?

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-Well, about 130 pence a kilo for those lambs in there.

-Yeah.

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They come to £64 per head.

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There was ten in the pen so we've made £640 from that pen of sheep.

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OK. £64 per sheep. That's not bad.

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I've got mixed feelings, because I'm a vegetarian and I don't eat meat,

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but looking at these animals, they have been cared for and loved by the farmers,

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and the farmer needs to earn a living and he needs top money.

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-Peter, these are yours, aren't they?

-Yes.

-What are they?

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-They're the Belgian Blues.

-They're beautiful.

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And they're about 25 months old.

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-How many of those have you got?

-In total, we have 550 in two counties.

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They're such an affectionate animal, the Belgian Blue.

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And that's why I choose them now to farm, because they're slower in energy.

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Whereas the Limousins are a very high energy animal, and I can't run fast enough to keep up with them!

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-BELL RINGS

-More bells. It's now the sale of the beef cattle

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-so they'll be coming in a minute. Is it Chris on the rostrum?

-It is.

-Chris is coming back on the rostrum.

0:19:260:19:31

HE TAKES BIDS VERY RAPIDLY

0:19:310:19:34

Do you know, I can't understand him at all!

0:19:360:19:39

HE TAKES BIDS VERY RAPIDLY, THEN INHALES DEEPLY

0:19:390:19:43

On we go, gentlemen, we move on...

0:19:430:19:46

Cor, that was big!

0:19:460:19:48

510 kilos, gentlemen. 510 kilos coming in.

0:19:480:19:53

Angus bullock...

0:19:530:19:54

How many sales a year do you have?

0:19:540:19:57

-We're in here twice a week.

-Twice a week.

-Every week. Two sales a week.

0:19:570:20:01

Bar Christmas week. Every other week of the year.

0:20:010:20:04

And is it just sheep and cattle, or do you do pigs?

0:20:040:20:07

-We do sheep, cattle, pigs. and goats in here.

-Yeah.

0:20:070:20:10

-What's your favourite bit of the job?

-The selling.

-The sale.

0:20:100:20:13

The adrenalin of a sale. It's a real buzz and we all enjoy that.

0:20:130:20:18

Well, the auction's coming to an end and that was an experience, but right now,

0:20:290:20:34

I'm looking forward to getting back to the antiques world.

0:20:340:20:37

Well, we've found some wonderful items,

0:20:470:20:49

so now it's time for our first trip to the auction room.

0:20:490:20:51

Let's find out what lots we've got.

0:20:510:20:53

I think Dawn's Bayko construction kit

0:20:540:20:56

is just the thing for a budding young architect -

0:20:560:20:59

hours of building fun. What a lovely lot this is!

0:20:590:21:02

There really are some intriguing photos in the collection

0:21:020:21:05

but not anyone that Mervyn recognises.

0:21:050:21:07

So, it's time to let them go.

0:21:070:21:09

Is this the end of the dressing up for Eleanor and her kids?

0:21:090:21:13

That pretty shawl goes under the hammer.

0:21:130:21:15

If Peter's trains sell well, I hope he's going to be chuffed to bits.

0:21:150:21:20

And lastly, there's Chas's collection of silver ingot locomotives.

0:21:200:21:24

Let's hope they build up a head of steam among the bidders!

0:21:240:21:27

So, where is today's auction destination?

0:21:300:21:33

We're in Cirencester, the self proclaimed capital of the Cotswolds, which is quite fitting really,

0:21:330:21:38

because we're at the Cotswolds Auction Company.

0:21:380:21:41

This lot behind me are here to buy.

0:21:410:21:44

It seems auctioneer Elizabeth Paul has something to tell us about Peter's trains.

0:21:440:21:49

Do you know, I wish I had hung on to all my toys as a kid

0:21:490:21:53

-with their boxes but I haven't got anything in that condition.

-No.

0:21:530:21:56

These belonged to Peter - they were his father's.

0:21:560:21:59

-The message was, "Look, but do not touch".

-Poor boy!

0:21:590:22:02

In a way, but it has paid off because we've got a valuation because of condition

0:22:020:22:08

and the packaging and boxing which is just right of £400 to £500 with a fixed reserve of 350.

0:22:080:22:13

-That's gone up.

-Has it?

-Yes, it has.

0:22:130:22:16

Why? It looks about right to me.

0:22:160:22:18

-We had his second look and this one alone could make 250, 300. Just that one.

-The coach? Why?

0:22:180:22:24

The electric motor coach.

0:22:240:22:27

Just probably a bit rarer, nice box, pristine condition. I doubt it's ever run.

0:22:270:22:31

Are you going to split this lot?

0:22:310:22:34

It's staying together. And there's been a lot of interest.

0:22:340:22:38

-And now the reserve is?

-550.

0:22:380:22:41

Big difference, £200.

0:22:410:22:43

What are you hoping to get? On a good day, fingers crossed.

0:22:430:22:47

Let's hope six.

0:22:470:22:49

This is a bit of fun. Dawn's Bayko construction kit.

0:22:560:23:00

-What value have you got on this? 50, 40?

-No, less than that actually.

0:23:000:23:04

We put it in at 20, 30.

0:23:040:23:06

It is a poor man's Meccano.

0:23:060:23:08

-Ooh, cheeky Will!

-In the collector's world. That's what I'm saying.

0:23:080:23:12

-I'm not saying it is any less fun or any less taxing.

-It's brilliant.

0:23:120:23:16

-For the collector...

-Dawn, you've had this in long, long time.

0:23:160:23:20

-50 years.

-You played with it as a young girl.

0:23:200:23:22

-Lots.

-You have grandchildren.

-Yes.

-They're not interested?

0:23:220:23:25

-You can't pass it on to anyone?

-You can't divide between three, can you?

0:23:250:23:29

You can't let anyone play with it really.

0:23:290:23:32

It's not safe. With the little ones - screws - it's not safe.

0:23:320:23:35

-Lots of fun though.

-Brilliant.

-Does it bring back lots of memories?

-Oh, it does. Yeah, loved it.

-Ah!

0:23:350:23:41

Oh, we could have tears, we could have tears. And you've been doing a bit of research.

0:23:410:23:46

A friend did. The Bayko club is celebrating 75 years next year.

0:23:460:23:51

That might help the price. Anniversaries always bunk the price up.

0:23:510:23:55

-Well, nobody had heard of it.

-It depends how many people know about it as well.

0:23:550:23:59

We're going to find out right now.

0:23:590:24:02

-This is it.

-Is it mine?

-Yeah.

0:24:020:24:04

OK, 122. Bayko building set - number two.

0:24:040:24:08

A nice lot. Start me at £10.

0:24:080:24:10

£10 to start. Five then. £5 anywhere. Five I'm bid.

0:24:100:24:13

Six seated. 7.

0:24:130:24:15

8. 9, 10.

0:24:150:24:17

12. 15. At £15 with the gentleman.

0:24:170:24:22

All done.

0:24:220:24:24

-And a new home.

-What else can we do?

0:24:240:24:27

You will get a coffee by the time they have taken off the commission.

0:24:270:24:31

Exactly!

0:24:310:24:32

You've got a sandwich and a coffee.

0:24:320:24:35

-But it's been good fun being on "Flog It!"

-That's what it is about.

0:24:350:24:38

Mervyn's photographs, Caton Woodville, these are absolutely lovely.

0:24:450:24:49

A lot of family history here.

0:24:490:24:51

David, you've put about £100 to £120 on them.

0:24:510:24:54

Yes, basically, it's a military interest.

0:24:540:24:57

Also, the artist that did the lithograph plates, absolutely superb.

0:24:570:25:01

So, you've got two combinations. Military photographs, family history, all the way through.

0:25:010:25:06

The military connection and the naval connection

0:25:060:25:09

which is going to help these hopefully fly away. Lots of family history here.

0:25:090:25:13

Your family history - your social history. Why is he flogging them? That's what we want to know.

0:25:130:25:19

Well, I got to the age where money is more important than everything else.

0:25:190:25:25

-What age is that?

-Well, I'm just coming up to 75 now.

0:25:250:25:29

-You don't look it.

-That's not old this day and age, is it?

0:25:290:25:32

With all these drugs going, they can keep your alive till you're 100.

0:25:320:25:36

ALL CHUCKLE

0:25:360:25:37

The only one I like is a little bit of...

0:25:370:25:39

Now we know where the money's going!

0:25:390:25:42

Hopefully, you'll have one of those after the sale.

0:25:420:25:45

We're going to find out right now because it's going under the hammer.

0:25:450:25:49

Victorian army and navy photograph album.

0:25:490:25:52

There it is. Put it in, £50. Who'll give me 50?

0:25:520:25:55

£50 anywhere? £50 somewhere.

0:25:550:25:57

30 then. £30. Nobody wants it?

0:25:570:26:00

30 bid. At 30. At 35.

0:26:000:26:03

40. 5.

0:26:030:26:04

50. 5. 60. 5. 70.

0:26:040:26:09

5. 80.

0:26:090:26:10

5. At 85 on my right, at 85.

0:26:100:26:13

At 85. Any advance, 90? At 90. The gentleman's bid now at 90.

0:26:130:26:17

Are we all done? Seated now, at £90 with the gentleman.

0:26:170:26:21

Are we all finished?

0:26:210:26:22

Yes, the hammer's gone down.

0:26:220:26:24

£90. We had a reserve but it just tucked it in there.

0:26:240:26:28

-Yes.

-£90 less commission.

0:26:280:26:30

-Drinks all round?

-Yeah.

0:26:300:26:34

Problem is, drinking and driving.

0:26:340:26:35

You've got to go home first.

0:26:350:26:37

Go to the local boozer.

0:26:370:26:40

Well done!

0:26:400:26:41

Right now, it's the shawl. We've got £60 to £80 on this. Put on by our expert, Will.

0:26:500:26:56

-Totally agree.

-Good!

-Eleanor, you've had this 30 years.

-Yes.

-It is absolutely exquisite.

0:26:560:27:01

-Why do you want to sell it now?

-I don't need it any more. It takes up space.

0:27:010:27:05

The children played with it for years and I don't need it.

0:27:050:27:07

OK, we've got a reserve. With a bit of discretion at 60. You're not giving us away.

0:27:070:27:13

What do you think?

0:27:130:27:14

I think for quality of the shawl, a nice silk, hand-embroidered.

0:27:140:27:18

Good size, decorative.

0:27:180:27:20

It's got to be worth £50 to £55.

0:27:200:27:22

So, fingers crossed, like you say, a few ladies in the room.

0:27:220:27:25

I reckon it's going to go.

0:27:250:27:26

-A good decorator's piece.

-Someone will go home wearing this.

0:27:260:27:30

We're going to find out right now.

0:27:300:27:32

-This is it.

-A rather lovely fringed and bordered silk shawl.

0:27:320:27:36

Centre embroidered with exotic birds.

0:27:360:27:39

A very lovely thing. £50. Start me off somewhere.

0:27:390:27:41

30 then. Come on, it's cheap at 30.

0:27:410:27:45

30, I'm bid. At 30.

0:27:450:27:47

At 35. At 35, any advance?

0:27:470:27:49

At 35, are will done then? At 35.

0:27:490:27:53

It seems to be struggling a bit here.

0:27:530:27:56

It didn't sell. You did the right thing.

0:27:560:27:58

You protected it with a reserve, that's the main thing.

0:27:580:28:01

At £30, £35, it's worth holding on to.

0:28:010:28:05

-Just for a bit longer.

-I think so.

0:28:050:28:07

Maybe use it again for dressing up - let the grand kids use it next time.

0:28:070:28:11

-Maybe.

-If you do want to sell it, I suggest putting it into a textiles sale.

0:28:110:28:17

This is the only item of textiles here.

0:28:170:28:20

-It's out on a limb really.

-Yep.

0:28:200:28:22

-Never mind.

-Another 30 years!

-Another day.

0:28:220:28:25

ALL CHUCKLE

0:28:250:28:26

Well, we're steaming along now. We should be after this lot.

0:28:340:28:37

It is the Hornby trains. There's a lot of locomotives.

0:28:370:28:40

They belong to Peter. We had a valuation of £400 to £500.

0:28:400:28:43

Since that valuation day, you've had a chat with the auctioneer.

0:28:430:28:47

I had a chat with her before the sale started and now,

0:28:470:28:50

-the price has gone up.

-Yes, there was an electric diesel.

0:28:500:28:53

We did talk about it on the day. That's worth a bit more.

0:28:530:28:56

That's why we've actually upped the reserve price.

0:28:560:28:59

-What did you put the reserve up to?

-550.

0:28:590:29:01

And the auction house is agreeable to that?

0:29:010:29:03

-That's fine.

-We could be looking at sort of £600, £700 now.

0:29:030:29:07

-I hope so.

-It would be nice.

-It would be very, very good.

0:29:070:29:10

It's full steam ahead. Let's find out.

0:29:100:29:13

-Let's hope there are buyers here, Paul.

-Hopefully.

0:29:130:29:16

136, Hornby 00 locomotives -

0:29:160:29:18

rolling-stock and track - including electric motor coach.

0:29:180:29:21

A very nice lot. Lots and lots of interest. Start me at 200.

0:29:210:29:25

200 to start.

0:29:250:29:27

200, I'm bid. Thank you. At 200.

0:29:270:29:30

At 200, who's going on? 220. 250.

0:29:300:29:32

280. 300.

0:29:320:29:35

At 300. 320. 350.

0:29:350:29:38

At 350 now. 380.

0:29:380:29:40

400. 420.

0:29:400:29:42

450. 480. 500.

0:29:420:29:45

At 500. 520.

0:29:450:29:46

550. At 550 now, are we all done?

0:29:460:29:49

550 and selling.

0:29:490:29:53

Yes. Not bad. The hammer's gone down.

0:29:530:29:55

-That's good.

-That's good. We'll settle for that.

0:29:550:29:58

I'm happy with that.

0:29:580:30:00

This is interesting. 50 silver ingots just about to go under the hammer.

0:30:030:30:07

They belong to Chas. He can't be with us right now.

0:30:070:30:10

He's at work in Manchester, but we do have Donna, his wife.

0:30:100:30:13

200 to £300. What do you think?

0:30:130:30:16

On the day...who knows?

0:30:160:30:18

-You don't know.

-Anything's possible.

-we're going to find out now.

0:30:180:30:21

We put 200 to 300 on them cos we thought they're worth 200 quid scrap,

0:30:210:30:25

so, you know, they should make that money.

0:30:250:30:27

They're an ounce a go. 50 of them. Fingers crossed.

0:30:270:30:30

Silver ingot collection. 50 in the box.

0:30:300:30:33

In a fitted case. Start me at £100. £100 bid.

0:30:330:30:36

Thank you. 110. 120.

0:30:360:30:38

30. 40. 150. 160.

0:30:380:30:40

170. 180. 190. 200.

0:30:400:30:43

-210. 220.

-They've sold.

-They've sold.

-230. 240.

0:30:430:30:46

250. 260. 280.

0:30:460:30:50

-280.

-At 290. At 290.

0:30:500:30:54

Selling at 290. Gentleman's bid.

0:30:540:30:56

Last time at 290.

0:30:560:30:58

Yes! £290! That's brilliant, isn't it? You were feeling so nervous!

0:30:580:31:02

You got me worried there.

0:31:020:31:03

-And me!

-But good job the scrap value is worth £200.

0:31:030:31:06

Hopefully they won't be scrapped.

0:31:060:31:08

-Hopefully someone will keep them as a part of a collection.

-They were pretty.

0:31:080:31:12

The great thing about my job is I get out and about all over the British Isles

0:31:220:31:26

visiting fascinating places that put a smile on my face

0:31:260:31:29

and I always feel privileged to witness some of the things

0:31:290:31:32

that I see, which most people rarely get a chance to.

0:31:320:31:35

Today, I'm doing just that.

0:31:350:31:38

Here, on this disused airfield, just outside Swindon in Wiltshire,

0:31:410:31:45

the Science Museum houses all its oversized objects in six big aircraft hangars, like this one.

0:31:450:31:51

The collection ranges from sock-darning machines to the first ever hovercraft,

0:31:510:31:55

from nuclear missiles to the Blue Peter lifeboat.

0:31:550:32:00

Each item comes with its own unique story.

0:32:000:32:03

Peter Turvey, pleasure to meet you. You're the head curator here.

0:32:150:32:19

-Yes, that's it.

-So you're the person to tell me how many items does this place house?

0:32:190:32:23

We have about 18,000 museum objects here at Science Museum, Swindon.

0:32:230:32:27

You're responsible responsible for all of them?

0:32:270:32:30

Well, our collections care team is responsible

0:32:300:32:33

for making them safe and well looked after.

0:32:330:32:35

What about the history of this place, though, prior to when you got hold of it?

0:32:350:32:39

This was a World War II airfield. It was a maintenance unit, Number 15 maintenance unit.

0:32:390:32:45

All the buildings were built before the outbreak of the Second World War.

0:32:450:32:49

This site was in use by the RAF until the late 1970s

0:32:490:32:54

and then we gradually took it over for museum storage.

0:32:540:32:57

Do you have a particular favourite?

0:32:570:32:59

It's difficult, because I've so many things to look at.

0:32:590:33:02

I've got lots of different favourites depending on what day it is!

0:33:020:33:05

I think my favourite at the moment is our steam car.

0:33:050:33:09

Maybe we'll have a look at that a bit later!

0:33:090:33:11

What I'd like to see is something quite iconic, something that may be

0:33:110:33:16

the oldest item here or the largest or the heaviest. What have you got to show me?

0:33:160:33:20

We could look at our Fleet Street printing press, the heaviest object we've got at 140 tons.

0:33:200:33:25

-OK. Is it this way?

-Just down here.

0:33:250:33:28

After you.

0:33:280:33:29

Where is it then, Peter?

0:33:390:33:42

I'm being a bit cheeky, because I know we've just walked through it or underneath it. That is colossal.

0:33:420:33:47

-An impressive piece of machinery.

-It's as big as a house, isn't it?

0:33:470:33:51

Yes. Actually, we only have one third of it here.

0:33:510:33:54

It was bigger! Wow, gosh!

0:33:540:33:56

Obviously, you had to assemble it here, it came in bits.

0:33:560:33:59

Yes, it came in pieces from Fleet Street

0:33:590:34:02

and skilled engineers spent nine weeks putting it together here.

0:34:020:34:06

-What date is that? When was it decommissioned?

-It dates from about 1930

0:34:060:34:09

and it was in use printing the Daily Mail and the Evening News until about 1989.

0:34:090:34:15

Incredible! Do you know roughly how it worked?

0:34:150:34:17

-Yes. It's quite simple. See that big roll of newsprint there?

-Yes.

0:34:170:34:21

That was fed up through the machine up to all those rollers.

0:34:210:34:25

Some of the rollers have the type face for printing the newspaper.

0:34:250:34:28

Some carry ink onto the type face.

0:34:280:34:31

Then it shoots all the way up into that bedstead contraption at the top

0:34:310:34:35

and it's folded and turned into bits of newspaper, and then shot off elsewhere into the building.

0:34:350:34:40

-You could say that is a Fleet Street heavyweight.

-It really is.

0:34:400:34:44

-Keeps you fit, walking around.

-Yes. It's a big site.

0:34:520:34:56

One big giant attic and everything is in juxtaposition. It's quite interesting.

0:34:560:35:00

I can just see, you've got the Sno-Cat here next to an old bus.

0:35:000:35:05

-Everything is organised according to size and weight.

-Tell me about the Sno-Cat.

0:35:050:35:09

This is really one of our star objects.

0:35:090:35:11

It's got an amazing history with it.

0:35:110:35:13

It was one of four sent to Antarctica in 1957

0:35:130:35:16

for a British expedition that was the first motorised crossing of Antarctica.

0:35:160:35:21

They set off in late-1957 and got to the other side in early-1958.

0:35:240:35:29

It was a very important scientific expedition.

0:35:290:35:32

Some of the research they did is very relevant today.

0:35:320:35:35

One of the things they did was measure the thickness of the Antarctic ice sheet,

0:35:350:35:39

-so we can actually see how global warming has affected the ice sheet.

-Incredible.

0:35:390:35:44

I can see how it works now. It's got four pontoons as wheels, with tracks on it.

0:35:440:35:49

They were developed in America for servicing telephone lines,

0:35:490:35:52

so they spread the weight so they can go over snowfields.

0:35:520:35:56

Fascinating machines.

0:35:560:35:58

It must be a big headache for conservation,

0:35:580:36:01

because you've got to look at these things once they're in here

0:36:010:36:04

and make sure they aren't rusting any further.

0:36:040:36:07

Yes. We have a specialist team of conservators who look after our objects.

0:36:070:36:11

If you go over to our conservation laboratory you can meet Dennis, who's one of our conservators.

0:36:110:36:17

-Hi, Dennis.

-Hi.

-I've been walking around the hangars with Peter

0:36:250:36:30

and he's been showing me around.

0:36:300:36:31

I want to find out a bit more about conservation. Where do you start?

0:36:310:36:35

What do you pick on?

0:36:350:36:37

We're usually getting objects ready for display

0:36:370:36:40

down at the Science Museum in London, so we don't do any repairs.

0:36:400:36:44

-Conservation isn't about making it work.

-It's note restoration.

0:36:440:36:47

-That's right.

-This is a computer, isn't it?

0:36:470:36:50

Actually, this is ERNIE I.

0:36:500:36:51

He picked the Premium Bond numbers.

0:36:510:36:53

Yeah, that's right. Back in the 1950s.

0:36:530:36:57

The acronym ERNIE stands for Electronic Random Number Indicator Equipment.

0:36:570:37:02

From 1957 to 1972, ERNIE I produced thousands upon thousands of winning numbers for the premium bonds.

0:37:020:37:09

Today, ERNIE IV does the job and ERNIE I has been saved as a museum piece.

0:37:090:37:17

What are you doing? I see you're using traditional methods and techniques.

0:37:170:37:20

It's like you're restoring a little bit of fine art on a canvas.

0:37:200:37:24

Absolutely. Art conservators use saliva to clean objects,

0:37:240:37:29

and we've found that the enzymes in saliva are one of the most effective ways of cleaning it.

0:37:290:37:36

-Not all YOUR saliva, though.

-Yes.

0:37:360:37:38

-Really?

-I have to think about lemons a lot.

0:37:380:37:42

-Seriously?

-Yes.

0:37:420:37:44

They work on a canvas, let's say, this size. Your canvas is, well...

0:37:440:37:49

-You're going to be here for months.

-Yes, it's quite a bit bigger.

0:37:490:37:52

I'm not doing all the surfaces.

0:37:520:37:53

Mostly the plastic surfaces.

0:37:530:37:55

How long will this take?

0:37:550:37:57

We've booked in six months to do it and that's going to be pushing it.

0:37:570:38:03

Dennis, I can't shake your hand to say thank you,

0:38:030:38:05

but I know you've got your work cut out so I'll let you get on with it.

0:38:050:38:09

-Thank you very much.

-Thank you.

0:38:090:38:11

The Science Museum here at Wroughton is such a fascinating place,

0:38:150:38:19

but it's only open to the general public on certain days of the year.

0:38:190:38:23

Do keep an eye open, because there's plenty to see here and they are preserving your heritage.

0:38:230:38:30

It's back to the valuation day and David looks like a very happy man.

0:38:390:38:44

Judy, this is such a remarkable piece of porcelain.

0:38:440:38:50

Where did it come from?

0:38:500:38:52

It used to sit in my mother's display cabinet

0:38:520:38:55

for many years and I was often told how very valuable it was.

0:38:550:39:01

I've treasured it for a while but it's not actually my cup of tea,

0:39:010:39:06

so I'd like to find something that I can replace it with.

0:39:060:39:11

I think it's very good indeed.

0:39:110:39:14

It's a nice comparison with the other pieces that we've taken in, because

0:39:140:39:20

-this is the top end of the early-20th century porcelain market.

-Oh, right.

0:39:200:39:26

This is the sort of choice porcelain that would have been in the rather splendid Edwardian cabinets.

0:39:260:39:33

-Right, OK.

-Highly decorative.

0:39:330:39:36

Produced not necessarily for usage.

0:39:360:39:39

No, I was wondering what it might be used for, actually.

0:39:390:39:42

The nearest thing you could get for table usage would be bonbons.

0:39:420:39:46

-Yes.

-And these would have been hand-made sweets and truffles

0:39:460:39:50

that would have been made in the kitchen, below stairs.

0:39:500:39:54

Below stairs. Yes.

0:39:540:39:55

Otherwise, they might have had candied fruit or something like that.

0:39:550:40:00

But this is a highly decorative piece.

0:40:000:40:02

If you look at it carefully and squint at it it almost looks like a Renaissance goblet.

0:40:020:40:07

Yes.

0:40:070:40:09

-Yes. I can see that. It's...

-It is very, very fine Worcester porcelain.

0:40:090:40:13

Now, just tell me, why are you selling this?

0:40:130:40:17

Well, although I can see how attractive it is,

0:40:170:40:21

it's not really my cup of tea.

0:40:210:40:24

It's not something that I look at and think, "Isn't that gorgeous?"

0:40:240:40:28

I'd like something that I'll look at and think, "Isn't that gorgeous?"

0:40:280:40:32

-What I like about it is its sheer opulence.

-Yes. Yes.

0:40:320:40:36

It's the amount of gilt that is used.

0:40:360:40:38

This wonderful floral painting and if you look at the floral painting, its outlined in gilt as well.

0:40:380:40:45

It's an incredible piece.

0:40:450:40:47

I love these scroll handles which you'd hold.

0:40:470:40:50

It's almost a drinking vessel.

0:40:500:40:52

If it had been circular it would have been,

0:40:520:40:55

something like that. You are looking back to the past for the inspiration of design.

0:40:550:41:00

Now, these were produced at end of the 19th, into the 20th century.

0:41:000:41:06

This piece has a mark on the bottom which will tell me the exact date it was made.

0:41:060:41:11

The beauty of Worcester porcelain is, it's exactly like silver marks.

0:41:110:41:15

You can tell the exact year that this was made by the dots underneath.

0:41:150:41:21

Now, the dots start in 1892.

0:41:210:41:22

-Yes.

-And if you count up all the other dots, it works out to 1911.

0:41:220:41:29

-1911? Wow.

-So, this piece was made in 1911.

0:41:290:41:33

-That glorious epoch of the early- 20th century.

-Before the Great War.

0:41:330:41:37

The Edwardian ladies. My Fair Lady.

0:41:370:41:39

-Yes. That's where the opulence comes from, yes, yes.

-That sort of period.

0:41:390:41:44

It is very opulent.

0:41:440:41:45

It's a cabinet piece.

0:41:450:41:48

Now, price.

0:41:480:41:49

These are still in demand.

0:41:490:41:52

-But not as much as they were five or even 10 years ago.

-Yes. Yes.

0:41:520:41:59

This piece, let's say,

0:41:590:42:01

five years ago, would have been 150 to £200. That sort of price range.

0:42:010:42:07

-Yes. Yes.

-There's a slight resilience in the market now

0:42:070:42:11

to go for this blush ground.

0:42:110:42:13

Fashions change. I never understand why.

0:42:130:42:16

If we are looking at this, around about 100 to 130.

0:42:160:42:21

-That sort of price range.

-OK.

-If it goes for more, I shall be very happy.

0:42:210:42:25

Yes. Well, so shall I!

0:42:250:42:26

Thank you very much for coming along. I do appreciate it. I hope we make a very good price for you.

0:42:260:42:31

-Thank you very much.

-Thank you.

0:42:310:42:33

Well, look at this lay-out we've got on the table here, Adrian.

0:42:390:42:44

This is taking me back to my childhood.

0:42:440:42:46

Were these yours as a child? Did you play with these?

0:42:460:42:49

They were my father-in-law's. He collected them in the '70s.

0:42:490:42:52

They were just put in a case by all accounts.

0:42:520:42:54

And when he passed away, he left them to the wife.

0:42:540:42:57

So, this is how we've come to get them and they've been in the loft for six years.

0:42:570:43:01

It's amazing, he didn't open these, did he?

0:43:010:43:03

Was he buying these for investment, do you think?

0:43:030:43:06

He just liked collecting the cars.

0:43:060:43:08

But he never let the children play with them.

0:43:080:43:11

Well, as you can see, from here, the majority of these are Matchbox.

0:43:110:43:16

Most people when they think of this type of toy think of

0:43:160:43:20

Corgi and Dinky and then third in that tier comes Matchbox.

0:43:200:43:24

You've got quite an array that you've brought with you today, Adrian.

0:43:240:43:29

This one is fairly out here, the GWR.

0:43:290:43:31

Yeah, the GWR train.

0:43:310:43:33

Bearing in mind where we are today, then we've got another loco here.

0:43:330:43:37

If I move towards the front I can see here, again, reminding me of some of

0:43:370:43:41

the television programmes I used to watch as a small boy.

0:43:410:43:44

-Any particular favourites of yours, here?

-Starsky and Hutch.

0:43:440:43:47

-Starsky and Hutch?

-I used to watch that in the '70s.

0:43:470:43:50

Yeah, I think that carries a certain place in a lot of people's hearts,

0:43:500:43:53

doesn't it? Well, that's a Corgi one, as is the James Bond ones.

0:43:530:43:57

Now, that was a bandwagon that a lot of them jumped on.

0:43:570:44:01

That would open up the market to a whole new collector, shall we say?

0:44:010:44:06

They tend to be well collected.

0:44:060:44:09

Just looking at the sort of quantity and variety you have got here,

0:44:090:44:13

-have you any idea of what they might be worth?

-Not a clue.

0:44:130:44:17

They've got to be worth a couple of pounds each,

0:44:170:44:20

certainly the ones that have been kept in the packaging. That's a premium that's hard to get.

0:44:200:44:26

It means they're mint condition.

0:44:260:44:31

I've had a quick tot up. I don't know how many there are here.

0:44:310:44:34

-20, 30?

-Something like that.

0:44:340:44:36

My suggestion, to put them into the auction, would be perhaps put an estimate on of £40 to £60.

0:44:360:44:43

Straddle that £50-mark. And see how they do on the day.

0:44:430:44:48

Were you thinking of putting a reserve on them?

0:44:480:44:50

Your wife inherited them - you have permission to sell these?

0:44:500:44:53

-We've got her permission to sell.

-Have we?

0:44:530:44:55

If we say no reserve, we're going to get a sale on the day.

0:44:550:44:58

That's what it's about at the end of the day.

0:44:580:45:00

Who knows, I reckon someone might buy them and then just rip them all out of the packaging

0:45:000:45:05

and have a great nostalgic play with them, what do you think?

0:45:050:45:08

-Could do.

-Excellent. So, we'll see you on the day?

-Yeah, that's fine. Thank you.

0:45:080:45:12

Well, Diane, this is absolutely devastating.

0:45:170:45:22

It's one of the most exciting things that's been brought in today.

0:45:220:45:25

-Right.

-Do you know what it is?

0:45:250:45:28

Well, we've always thought it was a visitor's card case.

0:45:280:45:31

That's perfectly correct. Have you seen one like this before?

0:45:310:45:34

-Not so much decoration on it.

-This is beautiful.

0:45:340:45:39

It's not just bright cut, so you get the shiny elements in the decoration,

0:45:390:45:44

but it's also raised work, as well.

0:45:440:45:46

When you look at all these flower heads and scrolls,

0:45:460:45:50

it's all raised. Possibly cast originally then chased away,

0:45:500:45:55

so you've got all this lovely open work here on a matt ground.

0:45:550:45:59

But what is such a feature

0:45:590:46:01

is the decoration in the centre panel here, which is of a house.

0:46:010:46:05

Do you know what the house is?

0:46:050:46:08

No. No. We would like to know.

0:46:080:46:10

That house is important, and the one on the other side's important,

0:46:100:46:13

-because it commemorates two major writers of the day.

-Oh.

0:46:130:46:19

This one is Abbotsford.

0:46:190:46:22

-And where's that?

-Who lived at Abbotsford? Sir Walter Scott.

0:46:220:46:26

-Ah.

-On the other side...

0:46:260:46:30

we have Newstead Abbey.

0:46:300:46:32

Who lived at Newstead Abbey?

0:46:320:46:34

-Byron, the poet.

-Oh.

0:46:340:46:37

So this commemorates

0:46:370:46:39

-two major literary figures of the early 19th century.

-Oh.

0:46:390:46:45

Now, when I say early 19th century, this little box dates from 1836.

0:46:450:46:51

-1836?

-1836.

-Gosh!

0:46:510:46:55

-Earlier than we thought.

-Yes.

0:46:550:46:57

This was made in Birmingham by a company called Taylor and Perry.

0:46:570:47:03

Right.

0:47:030:47:04

-It's lovely. Now, does this belong to you?

-No. It's my father's.

0:47:040:47:09

So your father's instructed you to sell this on his behalf?

0:47:090:47:13

-Yes.

-If the price is right.

0:47:130:47:15

-If the price is right.

-OK.

0:47:150:47:17

How much do you think it's worth yourself?

0:47:170:47:20

Erm... Well, he did think, round about 200 to 300.

0:47:200:47:25

200 to 300. Well, I think he's got a sensible head on his shoulders.

0:47:250:47:29

-Where he is now that you've had to come along?

-He's actually on a half world cruise.

0:47:290:47:33

Oh! Doesn't really need the money, does he?

0:47:330:47:36

Oh, he's working though, on it.

0:47:360:47:38

-What does he do?

-He's a dance host for Saga.

0:47:380:47:41

-Really?

-Yes.

-What a fascinating way to see the world, isn't it?

0:47:410:47:45

Yes. So, he left last week from Southampton to Sydney...

0:47:450:47:49

Oh, that's brilliant. Oh, that's brilliant, isn't it?

0:47:490:47:52

I reckon that if it goes up for auction

0:47:520:47:54

we should get something in the region of about 400, £600.

0:47:540:47:58

-Excellent.

-That sort of price range.

0:47:580:48:01

But the factors are the decoration and the subject matter.

0:48:010:48:06

-Right.

-So that's Newstead Abbey and Abbotsford.

0:48:060:48:08

-Locally made, Birmingham.

-Right.

0:48:080:48:10

So you've got all the ingredients and the condition is so important,

0:48:100:48:14

-and that is in perfect condition.

-Yeah.

0:48:140:48:16

It is a collector's piece, and I've seen wonderful collections

0:48:160:48:19

of card cases, but not as beautiful as this,

0:48:190:48:24

so I think it'll make the top end of the price.

0:48:240:48:26

-Excellent.

-Thank you for bringing it along.

0:48:260:48:29

Sandra, these two pictures are of real quality.

0:48:300:48:34

I think they're very special.

0:48:340:48:36

Will you tell me a bit about them? What do you know?

0:48:360:48:38

Not very much. They were given to my father, when we lived in London.

0:48:380:48:44

A customer gave them to him as a present.

0:48:440:48:46

Just a present?

0:48:460:48:48

-To say thank you. And they've hung in our house ever since.

-Do you know what they are?

0:48:480:48:52

Not really. I thought they were painted on slate, but that's all.

0:48:520:48:56

You're right about one thing. They are on slate.

0:48:560:48:58

But they're not painted.

0:48:580:49:00

When you look at them, you think a couple of cavaliers,

0:49:000:49:03

a little bit naively painted on slate,

0:49:030:49:06

and they could have done a better job, because that's not painted on.

0:49:060:49:10

That slate has been carved out and stone and marble has been inset into the aperture that's been carved out.

0:49:100:49:18

"Pietra dura", that's what it means,

0:49:180:49:21

hard durable stone. It's Italian and it's a very, very clever technique.

0:49:210:49:28

The Italians were absolutely amazing at this.

0:49:280:49:30

It's a technique that dates back to the Renaissance, the 1500s.

0:49:300:49:34

Very expensive in their day, as well. The condition is absolutely beautiful.

0:49:340:49:38

If I can just turn them over, you can see, both backs have not been tampered with.

0:49:380:49:42

Original hanging rings and the original paper backing.

0:49:420:49:46

Now, the trade are going to absolutely love that.

0:49:460:49:49

And the collectors.

0:49:490:49:50

Because it's not been fiddled with.

0:49:500:49:53

But look at the quality of that.

0:49:530:49:55

Lovely bold Victorian, ebonised frame.

0:49:550:49:58

Wonderful gold inset. It just picks the whole thing out.

0:49:580:50:01

But look at the stones you've got involved in there.

0:50:010:50:04

There's black onyx, some lapis as well. There's bits of marble.

0:50:040:50:08

Look at the trousers, the boots, that's a lovely marble.

0:50:080:50:11

Isn't it beautiful? Why do you want to sell them?

0:50:110:50:15

I don't think our house is suitable.

0:50:150:50:18

It's a modern central-heated house and I think the central heating is spoiling them.

0:50:180:50:23

Never hang anything like this over a radiator.

0:50:230:50:27

Never hang anything obviously, a bit of fine art work, in a room with direct sunlight coming on to it.

0:50:270:50:34

Ruins everything.

0:50:340:50:36

Have you any idea how much these are worth?

0:50:360:50:39

-Not really.

-Well, if I said to you,

0:50:390:50:43

I'd like to put them into auction with an estimated guide of £300 to £500,

0:50:430:50:49

and I think we could possibly break that barrier on a very good day

0:50:490:50:54

-if two people fell in love with these, we could sell the pair for £600.

-Fine.

0:50:540:50:59

-Would you be happy with that? Has that surprised you?

-Yes.

0:50:590:51:02

It has, really.

0:51:020:51:04

I think it's a cracking lot and hopefully we'll have some eager bidding on this.

0:51:040:51:08

Thank you.

0:51:080:51:09

Here are our second lot of items to go under the hammer.

0:51:100:51:14

The Royal Worcester isn't to Judy's taste,

0:51:140:51:16

but there are plenty of people who love it, so let's hope they are in the saleroom today.

0:51:160:51:21

This collection shouldn't be hidden away.

0:51:210:51:23

It's great fun and could take a willing bidder on a very nostalgic trip down memory lane.

0:51:230:51:28

Finally, these pietra dura are exquisite

0:51:280:51:33

and at £300 to £500, I'd be amazed if they're not snapped up.

0:51:330:51:36

And last up is a silver card case.

0:51:360:51:38

Diane's father has gone on a cruise,

0:51:380:51:40

and told her to flog it.

0:51:400:51:42

And taking the rostrum for this lot is auctioneer Lindsay Broom.

0:51:440:51:47

It's not Judy's cup of tea but plenty of you will love this Royal Worcester,

0:51:470:51:51

including David. You put £100, £150 on it, it's fixed at £100.

0:51:510:51:56

-Why don't you like it?

-It's just a bit too much.

0:51:560:52:01

I think it's very attractive.

0:52:010:52:03

I can see the value of it. But it's just a bit too much.

0:52:030:52:05

Is it? You like it a bit more simple things? More humble, bohemian?

0:52:050:52:09

-I wouldn't say humble.

-I like humble things.

-Just something that's not quite so ornate.

0:52:090:52:15

People might say it's over the top,

0:52:150:52:17

but it has got that richness you associate with the the Edwardian period.

0:52:170:52:21

Again, that's antiques, in a way. Some of them have to be showy. That's what it's all about.

0:52:210:52:25

-You want to show them off, otherwise it's not worth investing in them.

-That's true.

0:52:250:52:29

OK, let's see who's going to invest in this one, shall we? Here we go.

0:52:290:52:32

Lot 217, the Royal Worcester porcelain pedestal bowl.

0:52:320:52:36

Very pretty one. What shall we say, £100 to start on this? £100?

0:52:360:52:41

50 then, £50 to start.

0:52:410:52:43

It's a big jump, isn't it?

0:52:430:52:44

Anyone interested at £50 to start?

0:52:440:52:48

£50, thank you, at 50,

0:52:480:52:50

55, 60, 65, 70,

0:52:500:52:53

75, 80, 85, 90,

0:52:530:52:56

-95, at 95...

-Oh, come on!

0:52:560:52:59

95... 100, is it? At 95...

0:52:590:53:02

It's got to be £100!

0:53:020:53:03

£100 for you... 100 bid, right at the back.

0:53:030:53:07

-Gosh, just!

-At 100 then, I'm selling at 100...

0:53:070:53:12

Oh, we had a fixed reserve at 100.

0:53:120:53:14

That was close, wasn't it? Sailing a bit close to the wind, there.

0:53:140:53:18

-We did it. 100 quid.

-We got the hundred. That's fine.

-Ooh!

0:53:180:53:22

Next up, Adrian's Matchbox cars.

0:53:300:53:32

There's a lot of them, but he can't be here today, he's at a conference,

0:53:320:53:36

but his mum, Ruth, is here, flogging his cars.

0:53:360:53:40

Well, we've got £40 to £60 put on these.

0:53:400:53:42

I love the Kojak one and the old catchphrase was, "Who loves you, baby?"

0:53:420:53:46

Let's see if someone falls in love with this one. Here it is.

0:53:460:53:49

A quantity of Corgis and Matchbox die cast. Two boxes.

0:53:490:53:53

A very nice lot.

0:53:530:53:55

£50 to start? 50 I'm bid, at 50. At 50.

0:53:550:53:59

55, 60, 65, 70, at 70,

0:53:590:54:04

who's going on then at 70?

0:54:040:54:06

Any advance then at 70?

0:54:060:54:08

-75, 80...

-Good.

0:54:080:54:10

85, 90, any other buyers? 95.

0:54:100:54:14

100, 110, at 110 now,

0:54:140:54:19

are we all done at 110? Are we all finished at 110?

0:54:190:54:23

Yes. Hammer's down at £110. £110.

0:54:230:54:28

-Good grief.

-That's fantastic.

0:54:280:54:29

-He will be over the moon.

-A result! Kojak did that with his lollipop!

0:54:290:54:33

Diane, David, good luck.

0:54:420:54:43

I know you've been waiting a long time for this one and so have we.

0:54:430:54:46

It's that wonderful silver card case. 400 to £600. Beautiful work.

0:54:460:54:53

Lovely embossed work. We were musing over it.

0:54:530:54:55

The auctioneer and myself were just poring over it.

0:54:550:54:58

It's absolutely divine. I hope we get that top end.

0:54:580:55:01

It's the best thing in the sale!

0:55:010:55:04

-It's unbelievably good.

-Yeah.

-It really is good.

0:55:040:55:06

What will you do with the money?

0:55:060:55:08

-Well, it's my dad's.

-OK. So what's the money going to?

0:55:080:55:11

To him, but I hope he'll give me a commission!

0:55:110:55:13

Yeah. Let's hope we get that top end.

0:55:130:55:15

I'd like to see the 600.

0:55:150:55:17

Victorian silver castle top card case. Very lovely piece here.

0:55:170:55:21

Beautifully decorated. 300 to start.

0:55:210:55:25

£300. Bid at 300. At 300 near me.

0:55:250:55:27

320. 350. 380.

0:55:270:55:31

-400. At 400 near me.

-Diane, we're selling.

0:55:310:55:34

420. 450. 480.

0:55:340:55:36

500. 520. 550.

0:55:360:55:39

-At 550.

-Come on!

-At 550, now, are we all done?

0:55:390:55:44

At 550 near me, then.

0:55:440:55:45

-I feel greedy. Come on...!

-At 550...

0:55:450:55:49

£550, Diane!

0:55:490:55:52

-Excellent.

-You've got to be happy.

0:55:520:55:54

-David's very happy.

-I'm delighted.

0:55:540:55:56

-Dad's going to be over the moon, isn't he?

-Yeah, when he gets back.

0:55:560:56:00

-He's on a cruise at the moment.

-Is he?

-Yeah.

-On his way to Australia.

0:56:000:56:04

Sounds like he doesn't need the money!

0:56:040:56:06

THEY LAUGH

0:56:060:56:07

-Sandra, what's going through your mind right now?

-Are we going to reach the value...

0:56:130:56:17

-of £300?

-We've got those two wonderful...

0:56:170:56:20

a pair of pietra dura, in fact, look at this, they're right next to us, just there.

0:56:200:56:24

Going under the hammer, we are two lots away, £300 to £500.

0:56:240:56:28

I had a chat to the auctioneer before the sale.

0:56:280:56:31

They sold a pair in a previous sale for £600 and the images were of birds.

0:56:310:56:37

You've got these wonderful cavaliers.

0:56:370:56:39

We're coming towards the end of the sale and the room has thinned out.

0:56:390:56:42

I just hope there's enough people here who have seen them and left bids

0:56:420:56:46

or you never know, there might be a phone bid.

0:56:460:56:48

-You won't bash me over their head, will you, if they don't sell?

-No. They'll just go home again.

0:56:480:56:54

OK. Good luck. They're going under the hammer, now.

0:56:540:56:57

331, pair of pietra dura pictures showing there.

0:56:570:57:00

Very lovely. Start me off, lots and lots of interest. Start me at 300.

0:57:000:57:04

300 I'm bid, at 300, 320, 350,

0:57:040:57:08

380, 400,

0:57:080:57:10

-420, 450...

-Yes...

-..480,

0:57:100:57:13

at 500, 520, 540,

0:57:130:57:17

550, 580, at 580, 600.

0:57:170:57:23

-That's more like it.

-At £600, any advance on £600?

0:57:230:57:26

At £600, standing in the room now, are we all done?

0:57:260:57:30

At 600, selling...

0:57:300:57:33

Yes! £600.

0:57:330:57:36

-Wonderful.

-That's what we talked about on the day, didn't we?

0:57:360:57:39

We said, we'd pitch it at 300-500, but hopefully they'll make the £600.

0:57:390:57:44

Phew. Pressure is off. What are you going to do with that £600? What's it going towards?

0:57:440:57:48

-For a holiday.

-A bit of commission.

0:57:480:57:50

A holiday. Everybody is spending their money on holidays.

0:57:500:57:53

-Where is the holiday going to be?

-Guernsey.

0:57:530:57:55

-Ooh, lovely, have you been there before?

-Yes.

0:57:550:57:58

Nice peaceful two weeks, just sort of taking it easy.

0:57:580:58:00

Yes. In a hotel this time, not a guest house.

0:58:000:58:04

Thank you so much, Sandra. That was pure quality and quality always sells.

0:58:050:58:10

I hope you've enjoyed today's show. We thoroughly enjoyed making it.

0:58:100:58:13

So, until next time, it's cheerio from Cirencester.

0:58:130:58:17

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0:58:370:58:40

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