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Now, who was Britain's first Christian martyr? | 0:00:06 | 0:00:08 | |
This might be a clue. This marvellous cathedral | 0:00:08 | 0:00:13 | |
and abbey church behind me was dedicated to him. He was St Alban and today, | 0:00:13 | 0:00:17 | |
Flog It comes from the town named after him... St Albans. | 0:00:17 | 0:00:21 | |
Even though St Alban sounds virtuous, which indeed he was, and I'll tell you why a bit later, | 0:00:56 | 0:01:01 | |
this place is reputed to have more pubs per square mile than any other town in the United Kingdom. | 0:01:01 | 0:01:09 | |
And this one is supposed to be the oldest in Britain. | 0:01:09 | 0:01:13 | |
It's called Ye Olde Fighting Cocks and it boasts many illustrious visitors, | 0:01:13 | 0:01:18 | |
one of whom was Sir Walter Raleigh. | 0:01:18 | 0:01:21 | |
Well, the weather is slightly inclement. It's been raining but thankfully there are no puddles, | 0:01:34 | 0:01:38 | |
so our gallant expert, Mark Stacey, doesn't have to take his cloak off for the wonderful Kate Bliss. | 0:01:38 | 0:01:43 | |
-Are you enjoying this today? -Yes. | 0:01:43 | 0:01:45 | |
-Loads of people. -What have you seen so far? | 0:01:45 | 0:01:47 | |
Oh, lots of interesting items, Paul. I can't wait to get them inside and unwrapped. | 0:01:47 | 0:01:51 | |
Well, I think it's 9:30, the doors are open, let's get them in. | 0:01:51 | 0:01:55 | |
We're in the town hall today and some of the owners of family heirlooms you can see below | 0:02:04 | 0:02:09 | |
are getting rather excited. | 0:02:09 | 0:02:11 | |
Let's see who has made it to the valuation table first. | 0:02:11 | 0:02:14 | |
-Hello, Dee. -Hello. | 0:02:21 | 0:02:23 | |
It wouldn't be Flog It if we didn't have another piece of Troika. | 0:02:23 | 0:02:26 | |
-Yes. -Now, where did it come from? | 0:02:26 | 0:02:28 | |
Well, it belonged to my parents, | 0:02:28 | 0:02:30 | |
and in the '60s and early '70s we took many holidays in Cornwall, | 0:02:30 | 0:02:36 | |
although I don't remember exactly where they bought it. | 0:02:36 | 0:02:39 | |
It was probably on one of those summer holidays and they've had it ever since and my father | 0:02:39 | 0:02:45 | |
died several years ago and my mother has recently moved into a care home, | 0:02:45 | 0:02:49 | |
so this has come to me, and I wondered if I ought to keep it | 0:02:49 | 0:02:54 | |
but I think they would rather like to think that other people had seen it, | 0:02:54 | 0:02:59 | |
-someone else had bought it. -And do you like it yourself? | 0:02:59 | 0:03:02 | |
I do like it, yes, I do. | 0:03:02 | 0:03:04 | |
-And this looks almost the original shade? -It is. | 0:03:04 | 0:03:07 | |
So, if we take the shade off, Dee, and then we can have a little look at the lamp base. | 0:03:07 | 0:03:12 | |
We've got a typical Troika shade... | 0:03:12 | 0:03:14 | |
very geometric, very abstract, this circular shape, and if we turn it round, | 0:03:14 | 0:03:20 | |
you've got a completely different design on the other side, | 0:03:20 | 0:03:23 | |
so you can actually use all sides, so if you get bored with looking at that one, you just turn it around. | 0:03:23 | 0:03:29 | |
If we turn it upside down we can see we've got a cover which will almost certainly be marked Troika, | 0:03:29 | 0:03:35 | |
possibly then with an artist or designer signature on it, initials, but very much late '60s. | 0:03:35 | 0:03:40 | |
I think if it was a slightly stronger colour where we had a sort of dark blue background | 0:03:40 | 0:03:46 | |
and brighter colours, we would probably be looking at £300, | 0:03:46 | 0:03:51 | |
£400. I think because it's got that sort of paler, earthier colours, | 0:03:51 | 0:03:56 | |
we're probably looking at sort of £150 to £250, with £150 reserve. | 0:03:56 | 0:04:02 | |
How do you feel about flogging it? | 0:04:02 | 0:04:04 | |
-Yes. -Wonderful! Well, I look forward to seeing you at the auction. | 0:04:04 | 0:04:08 | |
-Thank you very much, Mark. I look forward to it as well. -Thank you. -Thank you. | 0:04:08 | 0:04:12 | |
What a handsome bear, Zoe! So has he got a name? | 0:04:22 | 0:04:25 | |
-Rupert. -Rupert? Rupert the Bear! | 0:04:25 | 0:04:28 | |
-Now we've got three generations here. How old are you, Zoe? -Six. | 0:04:28 | 0:04:32 | |
And this is mum, Caroline, isn't it, and we've got your grandma with us, so who does this bear belong to? | 0:04:32 | 0:04:38 | |
-My mum. -Your mum? So how did your mum come by this? | 0:04:38 | 0:04:42 | |
When I was about three, my mum's family worked in a house in St Albans, in Hangar House. | 0:04:42 | 0:04:47 | |
-Called what, sorry? -Hangar House. -Which is a big country house, not far from here? | 0:04:47 | 0:04:52 | |
Hangar Park in London Colney. | 0:04:52 | 0:04:54 | |
-OK. -And apparently when I was three, the lady...what was her name? | 0:04:54 | 0:04:58 | |
-Calladine. -Lady Calladine, she took me upstairs to choose something from the nursery, and I chose this. | 0:04:58 | 0:05:03 | |
-What a lucky girl! -Mum said there were loads of soft lions up there, | 0:05:03 | 0:05:07 | |
but I chose the bear. | 0:05:07 | 0:05:09 | |
-You wanted the bear? -Yes. -Not interested in anything else? | 0:05:09 | 0:05:11 | |
No, the bear. I don't remember it, but I still like him! | 0:05:11 | 0:05:15 | |
-So has he been much loved? -Yes, very loved, yes. | 0:05:15 | 0:05:18 | |
-Ride it up and down the road! -Did you? -Yes. Mum lives on a hill, | 0:05:18 | 0:05:22 | |
-so my brother had his go kart and I had Rupert! -Did you have races? -Yes! -Poor Rupert! | 0:05:22 | 0:05:28 | |
Now he's up in Mum's loft and that's where he's been for quite a few years, so he's just up there. | 0:05:28 | 0:05:34 | |
I've got three daughters, my brother has got children as well | 0:05:34 | 0:05:37 | |
and you can't divide him between six children, or... | 0:05:37 | 0:05:40 | |
He's in a remarkable condition considering you used to ride him down the hill! | 0:05:40 | 0:05:43 | |
He's got lovely fur, and he's straw-filled, | 0:05:43 | 0:05:47 | |
and he's got a few characteristics which help us to date him. | 0:05:47 | 0:05:50 | |
If we look at his eyes, the early bears that were made - | 0:05:50 | 0:05:55 | |
in Germany - of this sort of type, had what were called "boot black" eyes, or "boot button" eyes... | 0:05:55 | 0:06:02 | |
little tiny black button eyes, rather like the buttons on boots, hence they got their name, | 0:06:02 | 0:06:07 | |
and then from the 1920s glass eyes replaced them and then from the 1950s, the plastic eyes came in, | 0:06:07 | 0:06:13 | |
and I think that's what we've got here, with the amber surrounds, and also the wheels help us date it. | 0:06:13 | 0:06:20 | |
Now I would put this probably post War, perhaps 1950s even, | 0:06:20 | 0:06:24 | |
and we've got two little tell-tale signs as well. | 0:06:24 | 0:06:27 | |
We've got a label actually on the wheels' axle, on the base here. | 0:06:27 | 0:06:32 | |
It's Muhlhauser, and it says sportspiel, which is German for a sporting toy, | 0:06:32 | 0:06:39 | |
or something that moves, basically I think and Muhlhauser would be the manufacturer of that metal base, | 0:06:39 | 0:06:46 | |
but...is there anything else you have noticed about his ears? | 0:06:46 | 0:06:50 | |
Have you seen a little button in his ear? | 0:06:50 | 0:06:52 | |
-Well, you've pointed it out to us... -But you didn't see it before? -No. | 0:06:52 | 0:06:56 | |
Well, we've got a little button here which is characteristic for, really, the top of the tree | 0:06:56 | 0:07:03 | |
in toy manufacturing in Germany, the factory called Steiff, and there were different | 0:07:03 | 0:07:08 | |
little buttons in ears for different periods of manufacture and this also helps me to tell me that it is 1950s. | 0:07:08 | 0:07:16 | |
Does it do anything else, Zoe? | 0:07:16 | 0:07:18 | |
-Yes. It growls! -Listen to that! BEAR GROWLS | 0:07:18 | 0:07:20 | |
Can we hear it again? Oh, yeah! BEAR GROWLS | 0:07:20 | 0:07:23 | |
Well, I think it is super that that still works. Lovely. | 0:07:23 | 0:07:26 | |
So what about value? Any ideas? | 0:07:26 | 0:07:29 | |
-Not at all. -Well, if he was slightly earlier, if he was 1910 or slightly later, then we'd be talking | 0:07:29 | 0:07:35 | |
several hundred pounds, but I still think | 0:07:35 | 0:07:38 | |
as a sort of 1950s in date, he's going to be worth £100 to £150 at auction. | 0:07:38 | 0:07:44 | |
-Not bad for an old bear, is he? Thank you very much for bringing him along. -OK. -I rather fancy him myself! | 0:07:44 | 0:07:50 | |
Cathy, this doesn't look like the usual violin cases we normally see. | 0:08:02 | 0:08:06 | |
Well, I presume it is a violin. | 0:08:06 | 0:08:08 | |
I can see the violin bow there. | 0:08:08 | 0:08:09 | |
Let's have a look. Shall I take this out? | 0:08:09 | 0:08:12 | |
-Yes, please do. -You don't sound like you're from St Albans. There's a slight Irish... | 0:08:12 | 0:08:16 | |
There is an Irish undertone there but I have been | 0:08:16 | 0:08:21 | |
made a British citizen now. You're in safe hands. | 0:08:21 | 0:08:24 | |
-A St Albans' citizen! -St Albans it is, yes. | 0:08:24 | 0:08:26 | |
Well, let's move the case. | 0:08:26 | 0:08:29 | |
I'm kind of getting the picture of what this is all about now. | 0:08:29 | 0:08:32 | |
I like the original case, that's nice. | 0:08:32 | 0:08:35 | |
The bow, that's OK. | 0:08:35 | 0:08:38 | |
It's a typical student bow. | 0:08:38 | 0:08:39 | |
Some bows are worth an awful lot of money | 0:08:39 | 0:08:42 | |
if they're silver mounted, but this one is a typical student bow with | 0:08:42 | 0:08:46 | |
probably no value whatsoever, but this is what is intriguing me, because it's not a violin, is it? | 0:08:46 | 0:08:50 | |
-No, it isn't! -Aah, look at that! | 0:08:50 | 0:08:53 | |
It's a practice violin! | 0:08:53 | 0:08:56 | |
How wonderful! | 0:08:56 | 0:08:57 | |
Tell me all about this. | 0:08:57 | 0:09:00 | |
Well, unfortunately I have very little to tell you because it was given to my husband by an uncle | 0:09:00 | 0:09:06 | |
and he gave us no information about where it came from at all. | 0:09:06 | 0:09:11 | |
My husband plays the violin, but has a very long neck | 0:09:11 | 0:09:15 | |
and consequently can't make use of the practice violin. | 0:09:15 | 0:09:18 | |
-Can I have a look? -You may. | 0:09:18 | 0:09:21 | |
Aah! That is exquisite! | 0:09:21 | 0:09:23 | |
Just look at that shape! | 0:09:23 | 0:09:26 | |
That is a typical "S" scroll | 0:09:26 | 0:09:28 | |
that you see on the sound holes either side on the violin. | 0:09:28 | 0:09:34 | |
That is so beautiful. | 0:09:34 | 0:09:36 | |
There's a little bit of age to this, you know. | 0:09:36 | 0:09:39 | |
I would say that is over 100 years old. | 0:09:39 | 0:09:42 | |
-Really? -Yes, yes. | 0:09:42 | 0:09:44 | |
-This is made of mahogany. -Really? | 0:09:44 | 0:09:46 | |
Yes, and obviously it would be used to practice fingering positions. | 0:09:46 | 0:09:51 | |
Yes. I'm sure you're right. | 0:09:51 | 0:09:53 | |
Any idea of the value? | 0:09:54 | 0:09:56 | |
None whatsoever. None whatsoever. | 0:09:56 | 0:10:00 | |
It has kind of puzzled me, really, because this one is a hard one to value. | 0:10:00 | 0:10:04 | |
I can see this quite easily doing £300, put it that way. | 0:10:04 | 0:10:07 | |
Oh, goodness, wow, yes, OK. | 0:10:07 | 0:10:10 | |
-That sounds good to start with, doesn't it? -It does. | 0:10:10 | 0:10:13 | |
It might even do £400, but I don't want to get your hopes up. | 0:10:13 | 0:10:17 | |
-No. -But I think that is where we have got to pitch this. Yes, let's protect this with a fixed reserve | 0:10:17 | 0:10:23 | |
-of £250... -Mm-hm. | 0:10:23 | 0:10:24 | |
..And put it into auction with a value of, hopefully £300 to £400. | 0:10:24 | 0:10:29 | |
-Wonderful! -I'm sure it will find... | 0:10:29 | 0:10:31 | |
-A good home. -..A really lovely home. -Yes, indeed. | 0:10:31 | 0:10:34 | |
Irene, James. Now, you've brought a nice gold Albert chain to show us. | 0:10:38 | 0:10:43 | |
-It is a family piece? -It's my husband's. | 0:10:43 | 0:10:45 | |
Is it? Where did it come from, James? | 0:10:45 | 0:10:47 | |
My father gave it to me 20, 25 years ago. | 0:10:47 | 0:10:52 | |
Do you think it was handed down to him by his father, or did he...? | 0:10:52 | 0:10:56 | |
Really that's where I haven't got a clue. | 0:10:56 | 0:10:59 | |
I don't know where it came from originally. | 0:10:59 | 0:11:02 | |
I don't know whether it has ever been used. I can assume it has, but I don't know for sure. | 0:11:02 | 0:11:07 | |
-Have you used it yourself? -No. | 0:11:07 | 0:11:08 | |
-Have you? -No. | 0:11:08 | 0:11:11 | |
Because people do wear them, actually, these days as neck chains, | 0:11:11 | 0:11:14 | |
but basically what we've got is a nice nine carat gold Albert watch chain. | 0:11:14 | 0:11:19 | |
This is a gentleman's accessory for keeping his pocket watch | 0:11:19 | 0:11:22 | |
and other things on and we've got a nice little seal down here | 0:11:22 | 0:11:27 | |
which has got a bloodstone on one side. | 0:11:27 | 0:11:29 | |
There's a cornelian on the other side. | 0:11:29 | 0:11:31 | |
Not marked, so nobody has put their family crest on that, and that's quite a typical sort of shape. | 0:11:31 | 0:11:38 | |
So, where has it lived with you all these years? | 0:11:38 | 0:11:41 | |
In a little... | 0:11:41 | 0:11:43 | |
leather pouch... | 0:11:43 | 0:11:45 | |
-In my bedside table. -It never sees the light of day, really. | 0:11:45 | 0:11:50 | |
17 years it has been in there, and Jim hasn't known! | 0:11:50 | 0:11:53 | |
So, it's time for it to go? | 0:11:53 | 0:11:55 | |
Yes, I think so. | 0:11:55 | 0:11:57 | |
Well, gold is doing quite well at the moment, the prices are quite high because of the current | 0:11:57 | 0:12:02 | |
world economic situation, and we've weighed it. | 0:12:02 | 0:12:05 | |
It comes in at about 60 grams, I think. | 0:12:05 | 0:12:08 | |
I would have thought we should put this in with an estimate of something like £250 to £350... | 0:12:08 | 0:12:13 | |
-Wow! -With a £250 reserve. | 0:12:13 | 0:12:16 | |
Crikey! I didn't realise that. | 0:12:16 | 0:12:18 | |
-Is that all right? -That's good. -Does that please you? -It does. | 0:12:18 | 0:12:21 | |
Better than sitting on the bedside table. | 0:12:21 | 0:12:23 | |
-Yeah. -You can put the money to better use, although it's a very attractive thing. | 0:12:23 | 0:12:27 | |
That's wonderful, so I look forward to seeing you at auction, and let's hope you get a good price. | 0:12:27 | 0:12:32 | |
Thank you very much. | 0:12:32 | 0:12:34 | |
Well, we're seeing such a variety of items here today, | 0:12:39 | 0:12:42 | |
but right now it is time to put our experts' theories to the test, | 0:12:42 | 0:12:45 | |
and find out if they're on the money. | 0:12:45 | 0:12:48 | |
It's our first visit to the sale room - here are the items we're taking with us. | 0:12:48 | 0:12:52 | |
Pity about the colour, Dee! Blue might have been better, but Troika always does well. | 0:12:56 | 0:13:01 | |
Zoe's Steiff bear, Rupert, climbed out of the loft straight into | 0:13:04 | 0:13:07 | |
the auction room where, with a bit of luck, he's going to find a new home. | 0:13:07 | 0:13:14 | |
What an unusual piece! I'm hoping there will be plenty of bidders | 0:13:14 | 0:13:18 | |
in the sale room who might appreciate Cathy's shapely practice violin. | 0:13:18 | 0:13:23 | |
And with gold prices riding high, Irene and James' chain should do really well. | 0:13:23 | 0:13:28 | |
Now, I wonder whose heirlooms will be tempting the bidders today at Tring Market Auction. | 0:13:31 | 0:13:38 | |
Well, it's nearly auction time. | 0:13:38 | 0:13:40 | |
You've just heard what our valuers think back at the valuation day, | 0:13:40 | 0:13:43 | |
but what does Steven Hearn think, our auctioneer? Let's get his opinion. | 0:13:43 | 0:13:48 | |
This is a bit of quality. It belongs to Irene and James. | 0:13:48 | 0:13:51 | |
It's a nine carat fob chain. | 0:13:51 | 0:13:54 | |
We've got £250 to £350 on here. | 0:13:54 | 0:13:58 | |
-Phew! -Well, gold is fetching a lot of money right now. -Well, yes. We're in a period of good pricing for gold | 0:13:58 | 0:14:03 | |
and other precious metals and it's just right for that gentleman about town, PAUL, isn't it?! | 0:14:03 | 0:14:10 | |
That's right, gentleman about town. | 0:14:10 | 0:14:12 | |
I don't like the bloodstone, though. | 0:14:12 | 0:14:14 | |
Oh, dear! Well, it's a good weight, you know. | 0:14:14 | 0:14:18 | |
You've got 60 grams, excluding the fob, so if you start breaking it down, | 0:14:18 | 0:14:23 | |
and also a lot of the value now can be attributed to the fact that unfortunately, | 0:14:23 | 0:14:29 | |
once it moves on from the sale room we could have two ladies' bracelets, | 0:14:29 | 0:14:35 | |
we could have a pendant, or we could just have it... With 60 grams, | 0:14:35 | 0:14:39 | |
60 grams at metal prices today... | 0:14:39 | 0:14:42 | |
-Scrap metal. -..That's going to achieve its reserve for scrap metal! | 0:14:42 | 0:14:45 | |
And it may get broken up by the trade, so it has got legs, hasn't it? | 0:14:45 | 0:14:49 | |
I think so. I think so, and I think we could be close to £500. | 0:14:49 | 0:14:56 | |
-Suits you! -Suits me! | 0:14:56 | 0:14:59 | |
This Troika lamp should light up the room. Your mum bought this in Cornwall, didn't she? | 0:15:08 | 0:15:12 | |
Yes, she did. My mum and dad, on a holiday in Cornwall and she's now moved into a care home. | 0:15:12 | 0:15:18 | |
-Does she mind you flogging it? -Oh, no! She's given her permission. | 0:15:18 | 0:15:21 | |
She's very happy for us to sell it and she'd like the money to go towards my daughter's wedding. | 0:15:21 | 0:15:26 | |
Oh, how super! She will be watching this! | 0:15:26 | 0:15:28 | |
-Yes, she will! -I think you'll enjoy this and what a great way of putting money towards the wedding. | 0:15:28 | 0:15:33 | |
We've got lots of Troika in today's sale. | 0:15:33 | 0:15:36 | |
-Which is a good thing. -The buyers are here, the collectors are here. | 0:15:36 | 0:15:39 | |
-Let's find out what this is going to do. -Let's. -This is going under the hammer now. | 0:15:39 | 0:15:44 | |
Lot number 214. | 0:15:44 | 0:15:45 | |
Troika, and we have the vase and the shade is in the store. | 0:15:45 | 0:15:48 | |
£100 to start me, thank you. £100 I'm bid then. | 0:15:48 | 0:15:51 | |
And ten I have bid now. 120... and 30. Are you 40, sir? | 0:15:51 | 0:15:55 | |
140, 50 is it? £150 now. | 0:15:55 | 0:16:00 | |
And 60 I'm bid for. | 0:16:00 | 0:16:01 | |
And 70 now. No? 160 then. | 0:16:01 | 0:16:05 | |
60, we've reached it. | 0:16:05 | 0:16:06 | |
Thank you. At £160, then. Thank you. | 0:16:06 | 0:16:09 | |
He sold it - £160! | 0:16:09 | 0:16:11 | |
-Brilliant, brilliant! -That's not bad, is it! | 0:16:11 | 0:16:14 | |
No. That might pay for my outfit! | 0:16:14 | 0:16:16 | |
No, it will pay for the hat! | 0:16:16 | 0:16:18 | |
You know as well as I do, a wedding is so expensive, isn't it? | 0:16:18 | 0:16:22 | |
-But it will pay for... -I'll tell you what you can do. You could buy the shoes and hire the hat for that! | 0:16:22 | 0:16:27 | |
Yes, what a brilliant idea! | 0:16:27 | 0:16:29 | |
Thank you, Paul! | 0:16:29 | 0:16:31 | |
We see plenty of Steiff bears on the show and they all go, | 0:16:39 | 0:16:42 | |
but a Steiff with wheels, that's definitely going to go! | 0:16:42 | 0:16:45 | |
It's about to go under the hammer. | 0:16:45 | 0:16:47 | |
I've been joined by the gorgeous Zoe, Kate, and, of course, | 0:16:47 | 0:16:51 | |
mum and grandma - Maureen and Caroline. | 0:16:51 | 0:16:53 | |
Three generations are going to wave off. What is teddy called? | 0:16:53 | 0:16:57 | |
-Rupert. -Rupert! They're all going to wave Rupert off! | 0:16:57 | 0:17:01 | |
We've got £100 to £150, so what are you going to do with the money? | 0:17:01 | 0:17:05 | |
Hopefully we're going to get loads. | 0:17:05 | 0:17:07 | |
I'll put it in the building society for my three daughters. | 0:17:07 | 0:17:10 | |
I think we could do... ooh, £250 hopefully. | 0:17:10 | 0:17:13 | |
Well, there are two other bears in the sale. | 0:17:13 | 0:17:15 | |
They're just ordinary teddy bears and they've actually got good labels, | 0:17:15 | 0:17:20 | |
too, so I think that will attract the toy buyers. | 0:17:20 | 0:17:22 | |
-I think it is in for a good chance. -Right. Good luck, you two. | 0:17:22 | 0:17:25 | |
Good luck, Zoe. It's going under the hammer now. | 0:17:25 | 0:17:28 | |
Lot number ten. We have now the Steiff pull-along bear. | 0:17:28 | 0:17:31 | |
This is a lovely one. | 0:17:31 | 0:17:33 | |
What a lovely condition this is in. Isn't that a grand one? | 0:17:33 | 0:17:36 | |
Rupert is coming on now! | 0:17:36 | 0:17:38 | |
Well, at least we think he's going! | 0:17:38 | 0:17:40 | |
20 for him, 80 for him. | 0:17:40 | 0:17:41 | |
Are you £80 madam? £80. £90. | 0:17:41 | 0:17:44 | |
Are you £100? | 0:17:44 | 0:17:46 | |
Yes, £100 I'm bid then. | 0:17:46 | 0:17:47 | |
100 for the bear. £110 I am bid now for him. | 0:17:47 | 0:17:51 | |
£120. £130 now... | 0:17:51 | 0:17:53 | |
-It's going up, Zoe! -140. 150, sir. | 0:17:53 | 0:17:56 | |
£150. And 60, and 170 we have now. | 0:17:56 | 0:18:00 | |
170 for him. Are you 80? | 0:18:00 | 0:18:02 | |
180, yes, that's... 190 now. | 0:18:02 | 0:18:05 | |
180, then, I'm selling bear. | 0:18:05 | 0:18:08 | |
At £180 then. Thank you very much. | 0:18:08 | 0:18:10 | |
-Yes. Great result! -Well, done! -Yeah! | 0:18:10 | 0:18:13 | |
-180! -Rupert has done the business! | 0:18:13 | 0:18:15 | |
180! | 0:18:15 | 0:18:17 | |
We're all happy with that, aren't we? Lots of smiles? | 0:18:17 | 0:18:20 | |
-Yes. -I can share the 80 or 100. -Sorry? | 0:18:20 | 0:18:25 | |
She'll have the 100. They can share the 80! | 0:18:25 | 0:18:28 | |
-What a smart cookie! -That is a shrewd business lady down there! | 0:18:28 | 0:18:32 | |
Right. My turn to be the expert. I've just been joined by Cathy | 0:18:39 | 0:18:42 | |
and we've got that wonderful "S" scroll training violin, | 0:18:42 | 0:18:45 | |
it doesn't make a lot of noise, so you can put it with somebody practising | 0:18:45 | 0:18:49 | |
-and learning their fingering. -Indeed. | 0:18:49 | 0:18:51 | |
It is a great cause. All the money is going to charity, so tell us a little bit about it. | 0:18:51 | 0:18:56 | |
Well, I have been a volunteer for many years at Grove House in St Albans. | 0:18:56 | 0:19:00 | |
It is the local day hospice and we treat not only cancer patients, | 0:19:00 | 0:19:04 | |
but patients with other life-threatening illnesses and we have to raise an awful lot of money | 0:19:04 | 0:19:10 | |
so anything that we can do, we like to in order to increase the funds. | 0:19:10 | 0:19:13 | |
-Right. So we need top dollar, right here, right now, don't we, basically? -We'll do our best. | 0:19:13 | 0:19:18 | |
We'll find out because it's going under the hammer. | 0:19:18 | 0:19:21 | |
There we are, the training violin. | 0:19:21 | 0:19:23 | |
I think that one we ought to be looking somewhere in the region | 0:19:23 | 0:19:26 | |
of £300 for it, surely. | 0:19:26 | 0:19:27 | |
300, 200 for it. | 0:19:27 | 0:19:29 | |
Yes, at £200 then. | 0:19:29 | 0:19:31 | |
At £210. Are you 20, 30 now and 240 and 250 is it? At £260... | 0:19:31 | 0:19:37 | |
and 70 now... 280 and 90. No? | 0:19:37 | 0:19:41 | |
At £280... then I'm selling at £280. | 0:19:41 | 0:19:48 | |
-Thank you. -Yes! That's OK, isn't it? -It will do very nicely, thank you. | 0:19:48 | 0:19:51 | |
-He sold it. Just did it, just, just, just did it. -Mmm-hmm. | 0:19:51 | 0:19:56 | |
Remember that swivel! | 0:20:05 | 0:20:06 | |
My word, didn't it go on the end of that Albert watch chain. | 0:20:06 | 0:20:09 | |
It belongs to James and Irene. | 0:20:09 | 0:20:11 | |
We're looking for around £300, aren't we? £250 to £350. | 0:20:11 | 0:20:15 | |
Had a chat to the auctioneer and he said it's got to do that. | 0:20:15 | 0:20:18 | |
The gold is worth that at scrap value. | 0:20:18 | 0:20:20 | |
Unfortunately that is what you judge a lot of these values on, | 0:20:20 | 0:20:23 | |
because the fob itself, while it is quite nice quality, it is not rare, | 0:20:23 | 0:20:27 | |
it is not 18th century, it hasn't got a good armorial or anything like that on it, | 0:20:27 | 0:20:31 | |
so it basically is the gold value and we're riding a bit of a high in gold at the moment. | 0:20:31 | 0:20:36 | |
-It's selling well. -The right time to sell it. -It's going under the hammer. This is it. | 0:20:36 | 0:20:40 | |
Very fine quality Albert chain, with the bloodstone swivel fob. | 0:20:40 | 0:20:45 | |
Lot 586. Where do we start for this one? | 0:20:45 | 0:20:47 | |
Do we start at 200? Thank you. | 0:20:47 | 0:20:49 | |
-200, I'm bid there. At 220... -That's a good in. | 0:20:49 | 0:20:52 | |
240, 260, at 280, £300, 320, | 0:20:52 | 0:20:56 | |
-340, 360, 380... -Wow, they love it! | 0:20:56 | 0:21:01 | |
£400, 420, 450, 480, £500, 520, 520. | 0:21:01 | 0:21:09 | |
On my right at 520, then. | 0:21:09 | 0:21:11 | |
You lose it, sir. I'm selling on the right here. | 0:21:11 | 0:21:14 | |
It's going for £520. Sold. | 0:21:14 | 0:21:16 | |
Yeah, £520! James, you were standing with your mouth open! | 0:21:16 | 0:21:20 | |
Good grief! | 0:21:20 | 0:21:23 | |
-Wow! -That was wonderful! | 0:21:23 | 0:21:24 | |
Just goes to show, doesn't it? If you've got stuff like this | 0:21:24 | 0:21:28 | |
lying around, bring it into one of our valuation days. | 0:21:28 | 0:21:30 | |
We'd love to see you. You can get details on our BBC website or just check details in your local press. | 0:21:30 | 0:21:36 | |
Come on, bring it along! | 0:21:36 | 0:21:38 | |
Have you ever wondered what is behind the name of the village, | 0:21:47 | 0:21:50 | |
the town or the city that you live in? | 0:21:50 | 0:21:52 | |
Well, sometimes the answer can often reveal a fascinating glimpse into the historical events | 0:21:52 | 0:21:58 | |
that have shaped the place you live in, and St Albans, well, that's definitely no exception. | 0:21:58 | 0:22:03 | |
During the Roman occupation in the 3rd century AD, | 0:22:06 | 0:22:09 | |
St Albans was called Verulamium. | 0:22:09 | 0:22:11 | |
It was the second largest town in the Britain. | 0:22:11 | 0:22:14 | |
You can still see remnants of the Roman occupation here today. | 0:22:14 | 0:22:19 | |
The ruins of St Albans' Roman theatre, for example, were unearthed in 1847. | 0:22:19 | 0:22:25 | |
This was the scene of all sorts of Pagan ceremonies and entertainments | 0:22:25 | 0:22:29 | |
played out in front of several thousand cheering spectators. | 0:22:29 | 0:22:34 | |
Now, among the crowd here, some 1800 years ago, | 0:22:34 | 0:22:38 | |
was a man whose name would go down in history. | 0:22:38 | 0:22:42 | |
And he was called Alban. | 0:22:42 | 0:22:44 | |
St Alban was the first Christian martyr in Britain and is venerated | 0:22:50 | 0:22:54 | |
to this day by the cathedral for his integrity, | 0:22:54 | 0:22:58 | |
courage and self-sacrifice. | 0:22:58 | 0:23:00 | |
And someone who knows all about Alban's extraordinary life story | 0:23:03 | 0:23:06 | |
is Jeffrey John, the Dean of St Albans Cathedral. | 0:23:06 | 0:23:10 | |
So, tell me about this extraordinary man, Alban? | 0:23:10 | 0:23:14 | |
Well, Alban was a citizen of Verulamium, | 0:23:14 | 0:23:16 | |
that is the Roman city that is down the hill from the cathedral. | 0:23:16 | 0:23:22 | |
It was one of the biggest of the Roman cities. | 0:23:22 | 0:23:25 | |
Alban lived around about the middle of the third century, about 250 AD, | 0:23:25 | 0:23:31 | |
and it was a time when the Christian faith | 0:23:31 | 0:23:36 | |
fell in and out of favour with the empire. | 0:23:36 | 0:23:38 | |
It all rather depended on the whim of the emperor whether Christianity was legal or not. | 0:23:38 | 0:23:43 | |
Alban himself was not a Christian, he was a Pagan. | 0:23:43 | 0:23:47 | |
He would have worshipped the old Roman gods and sacrificed to the Emperor as citizens had to do, | 0:23:47 | 0:23:52 | |
but the important thing is | 0:23:52 | 0:23:55 | |
that he befriended a Christian priest at a time when Christianity | 0:23:55 | 0:24:00 | |
was out of favour and when a time of serious persecution came, he took him into his house, | 0:24:00 | 0:24:06 | |
he hid him from the authorities. This is despite the fact | 0:24:06 | 0:24:09 | |
that he wasn't Christian himself, but he must have been impressed by this priest, | 0:24:09 | 0:24:14 | |
and began to learn a little bit about Jesus and about the Christian faith. | 0:24:14 | 0:24:18 | |
But of course the day came when the Roman soldiers were looking for him, | 0:24:18 | 0:24:22 | |
came to the house and Alban protected the priest by changing clothes with him. | 0:24:22 | 0:24:27 | |
Because Alban was a citizen, he had a special cloak. | 0:24:27 | 0:24:29 | |
The priest, by taking the cloak, would have been able to pass | 0:24:29 | 0:24:33 | |
through the guards, through the city walls and escape, which he did. | 0:24:33 | 0:24:37 | |
Alban took the priest's garb, so he was wearing a priest's cloak | 0:24:37 | 0:24:40 | |
and when the soldiers came they therefore arrested Alban as the priest, so he took his place. | 0:24:40 | 0:24:46 | |
Incredibly brave, deeply Christian thing to do. | 0:24:46 | 0:24:49 | |
So Alban was taken to the Roman forum, put on trial and asked his name and religion. | 0:24:51 | 0:24:57 | |
He replied, "My name is Alban and I'm Christian". | 0:24:57 | 0:25:01 | |
This was enough to incriminate him and he was taken to be beheaded | 0:25:01 | 0:25:04 | |
on the site of where the cathedral stands today. | 0:25:04 | 0:25:08 | |
Legend tells us that spring water miraculously | 0:25:11 | 0:25:14 | |
popped up out of nowhere and began to refresh Alban right at the moment of his death, and on seeing this, | 0:25:14 | 0:25:22 | |
his executioner refused to carry out the deed and converted to the faith, there and then. | 0:25:22 | 0:25:28 | |
He was also beheaded and became Britain's second martyr. | 0:25:28 | 0:25:33 | |
His replacement, another executioner who did carry out the execution | 0:25:33 | 0:25:38 | |
on Alban, is said to have gone blind shortly after, his eyes | 0:25:38 | 0:25:44 | |
literally fell out. Now that is an incredible story. | 0:25:44 | 0:25:48 | |
Do you think we can witness the same sort of courage today, Jeffrey? | 0:25:58 | 0:26:04 | |
-Well, there's an answer here, I think. Here we've got a... -Gosh! Brightly coloured! | 0:26:04 | 0:26:08 | |
-They are, yes. -They would have been, wouldn't they? | 0:26:08 | 0:26:11 | |
Yes. The Medieval statues would have been very brightly coloured. These are very modern ones. | 0:26:11 | 0:26:16 | |
These were made by our young people here at the abbey. They're actually made of papier mache. | 0:26:16 | 0:26:21 | |
-Very clever, very lightweight. -Yes, they are! | 0:26:21 | 0:26:24 | |
Yes, they were made by a group of our young people for our pilgrimage | 0:26:24 | 0:26:28 | |
and they represent modern martyrs. | 0:26:28 | 0:26:30 | |
We've got Alban in the middle there, with St Amphibalus, the priest | 0:26:30 | 0:26:35 | |
that he rescued on his left, but all the others are 20th century martyrs. | 0:26:35 | 0:26:39 | |
-I can recognise one - that's Martin Luther King. -That's Martin Luther King, yes. | 0:26:39 | 0:26:43 | |
Then on Amphibalus's left here, we have Manche Masemola. | 0:26:43 | 0:26:47 | |
She is a South African martyr, a young girl | 0:26:47 | 0:26:50 | |
who was converted to Christianity but very much against the wishes of her family and very tragically | 0:26:50 | 0:26:56 | |
her martyrdom, her death, was arranged by her own parents. | 0:26:56 | 0:27:00 | |
She was stoned to death in the Transvaal, that was about 1928. | 0:27:00 | 0:27:04 | |
And then more famously, I think, Dietrich Bonhoeffer, right at the end, | 0:27:04 | 0:27:09 | |
of course, was martyred under the Nazis in 1945, just right at the end of the War. | 0:27:09 | 0:27:14 | |
-It looks like St Alban is in good company today! -Absolutely! | 0:27:14 | 0:27:17 | |
I wonder how many people today know the remarkable tale of heroism attached to the city of St Albans. | 0:27:20 | 0:27:25 | |
Or that their home town's name commemorates a man | 0:27:25 | 0:27:28 | |
who was prepared to give his life for what he believed in. | 0:27:28 | 0:27:32 | |
St Alban is buried in the tomb behind me, and as you can see, | 0:27:34 | 0:27:38 | |
the stonemason's work is absolutely incredible. | 0:27:38 | 0:27:41 | |
His shrine really is the centrepiece of the cathedral, and for nearly two millennia, thousands of Christians | 0:27:41 | 0:27:47 | |
have made the pilgrimage to his final resting place. | 0:27:47 | 0:27:51 | |
Back in St Alban's town hall, Kate has found something for a sweet tooth. | 0:27:59 | 0:28:04 | |
Lynne, I would call this a pretty, smart silver sugar caster. | 0:28:04 | 0:28:07 | |
But I doubt you use it, do you? | 0:28:07 | 0:28:09 | |
No, not at all. It's kept in the cupboard. | 0:28:09 | 0:28:11 | |
-Is it? -Yes. -Stashed away? -Yes, it certainly is. | 0:28:11 | 0:28:13 | |
Where did it come from? | 0:28:13 | 0:28:15 | |
It was actually a wedding anniversary present for my parents for their 25th wedding anniversary. | 0:28:15 | 0:28:21 | |
OK. So how long ago was that? | 0:28:21 | 0:28:23 | |
-Mid '80s, I think that was. -OK. Right. So, do you like it? | 0:28:23 | 0:28:26 | |
Yes, I like it, but it's not, sort of like, to my taste to actually have out on display. | 0:28:26 | 0:28:33 | |
Well, the sad thing is, they're just not very practical, these days. | 0:28:33 | 0:28:37 | |
People don't need sugar casters really. I know in the States | 0:28:37 | 0:28:40 | |
they sprinkle on their doughnuts, | 0:28:40 | 0:28:42 | |
but today, we don't use them in this country at all. | 0:28:42 | 0:28:44 | |
-No, no. -I have to say, the design | 0:28:44 | 0:28:47 | |
dates from right back to the mid 18th century, to about 1760, | 0:28:47 | 0:28:52 | |
the Georgian period, when things, of course, | 0:28:52 | 0:28:55 | |
would have been used at the table | 0:28:55 | 0:28:58 | |
in a pretty well-to-do household in the dining room and would have | 0:28:58 | 0:29:02 | |
been a very normal accoutrement to have on the dining table. | 0:29:02 | 0:29:05 | |
It's what I call a baluster shape, | 0:29:05 | 0:29:08 | |
obviously with this pierced lid here, which comes off. | 0:29:08 | 0:29:13 | |
There we go. | 0:29:15 | 0:29:16 | |
So we've got the hallmark just here, as you would expect, on the side, | 0:29:16 | 0:29:20 | |
dated for London 1894 and these initials here, | 0:29:20 | 0:29:24 | |
G M, stand for G M Jackson, who is the silversmith, quite well known, | 0:29:24 | 0:29:30 | |
but the date, I just told you, is 1894. | 0:29:30 | 0:29:33 | |
So, it is a Victorian piece, | 0:29:33 | 0:29:34 | |
although the design goes right back to the Georgian period. | 0:29:34 | 0:29:38 | |
-Oh, right! -So, I am afraid the good news is if it was Georgian, | 0:29:38 | 0:29:42 | |
it would be about to £600 to £800 at auction. | 0:29:42 | 0:29:45 | |
The bad news is that it is Victorian, | 0:29:45 | 0:29:47 | |
-and, if you like, it is in the Georgian style. -Yes. | 0:29:47 | 0:29:51 | |
-And as it is, it is worth £60 to £90. -Right. I won't moan at that. | 0:29:51 | 0:29:58 | |
-If you're not using it... -Yes. -..it's going to be a bonus. | 0:29:58 | 0:30:01 | |
-That's right, yes. -So you're not worried about getting rid of it? | 0:30:01 | 0:30:05 | |
-Not at all. -Pleased to see the back of it? | 0:30:05 | 0:30:07 | |
-Yep! -Well, thank you very much for bringing it along. -Thank you. Thanks. | 0:30:07 | 0:30:11 | |
-Hello, Neil. -Hello. -One of my favourite items. | 0:30:25 | 0:30:28 | |
Now, Geoffrey Baxter for Whitefriars, this Banjo vase. | 0:30:28 | 0:30:31 | |
Tell me about it. Where did you get it from? | 0:30:31 | 0:30:33 | |
Well, I used to work in a department store up in Oxford Street, | 0:30:33 | 0:30:37 | |
and Whitefriars were clearing out a warehouse, | 0:30:37 | 0:30:41 | |
and they found a load of vases, | 0:30:41 | 0:30:44 | |
and they were selling them for 15 shillings or 75 pence. | 0:30:44 | 0:30:49 | |
-75 pence? -And it didn't matter whether it was a large vase like that | 0:30:49 | 0:30:53 | |
or one of the small Whitefriars' vases. | 0:30:53 | 0:30:56 | |
-So you bought it for 75p? -Yes, I bought it for 75 pence, | 0:30:56 | 0:31:00 | |
and in fact, on the first day of clearance, | 0:31:00 | 0:31:03 | |
only about half a dozen vases went out on display. | 0:31:03 | 0:31:06 | |
They were bought by the staff, weren't they? | 0:31:06 | 0:31:08 | |
-Most of the staff bought them for wedding presents. -Of course, at that sort of price! | 0:31:08 | 0:31:13 | |
-It's amazing, isn't it? -Indeed. | 0:31:13 | 0:31:14 | |
And you've had it on display, have you, at home? | 0:31:14 | 0:31:17 | |
-Yes, but it's been at my parents' house. -Oh, right. | 0:31:17 | 0:31:19 | |
And my dad's not very well, so basically we would like to buy him something with it. | 0:31:19 | 0:31:25 | |
To cheer him up? Oh, wonderful! | 0:31:25 | 0:31:28 | |
Well, I hope we can, because I don't... | 0:31:28 | 0:31:31 | |
We can certainly turn 75p into a bit of a profit, | 0:31:31 | 0:31:34 | |
because this particular shape vase - the Banjo vase - | 0:31:34 | 0:31:37 | |
comes, of course, in 12 different colourways, | 0:31:37 | 0:31:41 | |
and depending on the colour, depends on the value, really. | 0:31:41 | 0:31:45 | |
Those striking ones, all the rare colours that were tried, | 0:31:45 | 0:31:48 | |
but weren't commercial, weren't produced so much. | 0:31:48 | 0:31:52 | |
This is the willow pattern, which isn't the more sought after design. | 0:31:52 | 0:31:56 | |
-Oh, no, but for 15 shillings... -For 15 shillings... | 0:31:56 | 0:31:58 | |
You had not much choice, really. | 0:31:58 | 0:32:00 | |
No, no, but it's fantastic, | 0:32:00 | 0:32:02 | |
and we've done a lot of Whitefriars on the show, so we all know how it was made. | 0:32:02 | 0:32:06 | |
Now, we know it was by Geoffrey Baxter, | 0:32:06 | 0:32:08 | |
but it still remains quite popular, although the prices have become more realistic | 0:32:08 | 0:32:13 | |
than they were two or three years ago, so my estimate | 0:32:13 | 0:32:16 | |
-on this would be somewhere around £500 to £700. -That would be fine! | 0:32:16 | 0:32:21 | |
-So quite a lot more than the 75p! -Indeed! -Which is really good news... | 0:32:21 | 0:32:24 | |
and we'll put the reserve at £500, with 10% discretion, | 0:32:24 | 0:32:29 | |
but I think, you know, we'll have... Hopefully, they'll be a few other bits of Whitefriars in the sale | 0:32:29 | 0:32:35 | |
-and that will rub together and we'll get a good price. -Let's hope so. | 0:32:35 | 0:32:39 | |
-And you're happy to Flog It now? -Yes, indeed. -Wonderful! | 0:32:39 | 0:32:42 | |
-I look forward to seeing you at the auction. -Thank you. | 0:32:42 | 0:32:45 | |
Denise, what a splendid piggy wig! Isn't he great! | 0:32:55 | 0:32:59 | |
Yes, he's lovely. Always loved him. | 0:32:59 | 0:33:01 | |
-Do you feel quite attached to him? -Well, I do, really. | 0:33:01 | 0:33:03 | |
He belonged to my husband's nana, and he used to sit on her hearth, | 0:33:03 | 0:33:07 | |
and when she passed away, it was the first thing I said, could I have? | 0:33:07 | 0:33:13 | |
What can you tell me about the manufacturer of him? | 0:33:13 | 0:33:15 | |
Do you know what factory he is? | 0:33:15 | 0:33:18 | |
-He's Wemyss, which is a Scottish factory. -That's right. | 0:33:18 | 0:33:21 | |
And I know they closed in the 1930s. | 0:33:21 | 0:33:23 | |
-The factory was in Fife, in Scotland, named after Wemyss Castle and the family who lived there. -Oh, right! | 0:33:23 | 0:33:30 | |
So it wasn't the manufacturer, then? | 0:33:30 | 0:33:32 | |
-No. -Ah! -And if we just have a look underneath, | 0:33:32 | 0:33:36 | |
I'm just looking for the all important mark, | 0:33:36 | 0:33:39 | |
and there we go, so we've got the standard mark here, | 0:33:39 | 0:33:42 | |
impressed on the base, and that helps us to date it as well. | 0:33:42 | 0:33:45 | |
We've got Wemyss Ware there. | 0:33:45 | 0:33:48 | |
I would say he's roughly sort of circa 1900. | 0:33:48 | 0:33:50 | |
-Oh, right! -Perhaps a little bit later. | 0:33:50 | 0:33:52 | |
The factory started in 1880, but in 1883, a very important man joined. | 0:33:52 | 0:33:58 | |
His name was Karel Nekola. He was actually a Bohemian designer, | 0:33:58 | 0:34:02 | |
and he brought to the factory a very distinctive hand-painted style, | 0:34:02 | 0:34:07 | |
which is what you normally associate with Wemyss, | 0:34:07 | 0:34:10 | |
and instead of this sort of lime green glaze, | 0:34:10 | 0:34:13 | |
he hand-decorated useful and ornamental wares | 0:34:13 | 0:34:17 | |
with big cabbage roses, with animals... | 0:34:17 | 0:34:21 | |
The most sought after of his designs are cockerels and hens... | 0:34:21 | 0:34:24 | |
-I didn't know that! -Or ducks amongst reeds, which he hand-painted. | 0:34:24 | 0:34:28 | |
I have to say, the hand-decorated wares are more commercial. They're a little bit prettier, | 0:34:28 | 0:34:34 | |
-and I have noticed, sadly, he's lost his tail! -Yes, he's missing his tail! | 0:34:34 | 0:34:38 | |
-Did that happen when he came to you? -No. He was always like that. -Right. | 0:34:38 | 0:34:43 | |
And I guess it was because he was against the hearth. | 0:34:43 | 0:34:45 | |
So what about value? | 0:34:45 | 0:34:47 | |
You've always been attached to him, you say. What about monetary value? | 0:34:47 | 0:34:52 | |
I've always thought he was collectable, | 0:34:52 | 0:34:54 | |
but I've never really known how much he was worth, | 0:34:54 | 0:34:57 | |
because he is a plain glaze. | 0:34:57 | 0:34:59 | |
I know the ones that are painted are more valuable, | 0:34:59 | 0:35:02 | |
-so that's why I brought him along today. -OK. | 0:35:02 | 0:35:05 | |
-I can see a collector paying £400 to £600 for him... -Really! | 0:35:05 | 0:35:11 | |
..certainly at auction. | 0:35:11 | 0:35:12 | |
-Would it be all right to put a reserve on? -Certainly. Yes. | 0:35:12 | 0:35:15 | |
-I would suggest a reserve at the bottom level, so at £400. -Right. | 0:35:15 | 0:35:18 | |
-OK. -I certainly hope he would fetch that. -Yes, I would as well. | 0:35:18 | 0:35:22 | |
Will you be sad to see him go? | 0:35:22 | 0:35:23 | |
I will, in a way, but then my husband has just retired and we're | 0:35:23 | 0:35:28 | |
planning on spreading our wings, so we don't want to take a pig with us! | 0:35:28 | 0:35:32 | |
Let's just remind ourselves of what we've got before we head off to the sale room. | 0:35:35 | 0:35:40 | |
Lynne's glad to be rid of her sugar shaker, so let's hope it spreads sweetness in the auction today! | 0:35:41 | 0:35:46 | |
Well done, Neil! What a buy! | 0:35:49 | 0:35:52 | |
I don't think we'll have any problem making a profit out of your 75p! | 0:35:52 | 0:35:57 | |
And if pigs had wings, Denise's should fly right out of the auction room! | 0:35:57 | 0:36:02 | |
So, it's back to the auction room where Steven Hearn is on the rostrum. | 0:36:12 | 0:36:17 | |
Denise's Wemyss pig. Now, Kate's put a valuation on this at £400 to £600. | 0:36:21 | 0:36:27 | |
-Well, that's a fair valuation for a pig without a tail, isn't it! -Mmm. | 0:36:27 | 0:36:33 | |
He is an old pig. If we turn him over, belly up as they say, | 0:36:33 | 0:36:37 | |
you can see underneath, he's got a good impressed crescent mark on there. | 0:36:37 | 0:36:41 | |
-Yes. -Which is going to put him as one of the earlier piggies, and he is probably going to be 1885, 1890. | 0:36:41 | 0:36:48 | |
Another good sign of these older pigs is the furrowing | 0:36:48 | 0:36:51 | |
or the wrinkles on his snout and his face. | 0:36:51 | 0:36:56 | |
You know they do say, Paul, the more wrinkles you get, that dates you, you know! | 0:36:56 | 0:37:00 | |
Ha ha ha! Well, I'm getting a few! | 0:37:00 | 0:37:03 | |
Well, there you go. Say no more about the pig and the wrinkles, | 0:37:03 | 0:37:07 | |
but price wise, I think it's... | 0:37:07 | 0:37:09 | |
-I think he'll go beyond the estimate. -Yes, he's got to, hasn't he? | 0:37:09 | 0:37:14 | |
It's a great name, the condition is there. | 0:37:14 | 0:37:16 | |
As you say, the tail's missing. | 0:37:16 | 0:37:18 | |
-If we had the tail, you'd be looking at £800 to £1,000. -Well, there you are! | 0:37:18 | 0:37:22 | |
Right, it's time to put the Victorian sugar caster under the hammer, | 0:37:31 | 0:37:35 | |
and we've got £90 hopefully, top end... £60 to £90 on this. | 0:37:35 | 0:37:38 | |
-It's good to see you, Lynne. -Thank you. | 0:37:38 | 0:37:40 | |
-Who is this you? -This is Katie. | 0:37:40 | 0:37:42 | |
Hello, Katie. We've got our expert Kate here, | 0:37:42 | 0:37:45 | |
who fell in love with this. You like this. | 0:37:45 | 0:37:47 | |
Yeah. It's a Georgian design, and of course, it's Victorian. | 0:37:47 | 0:37:50 | |
Silver... It's not the most commercial item in the world, | 0:37:50 | 0:37:53 | |
but it should sell well! | 0:37:53 | 0:37:55 | |
It's just about to go under the hammer, Katie. Not really bothered! | 0:37:55 | 0:38:00 | |
Anyway, this is it. | 0:38:00 | 0:38:01 | |
There you are, lot 629, the sugar caster. | 0:38:01 | 0:38:05 | |
1894. Victorian one. | 0:38:05 | 0:38:07 | |
£80 for it. 50 I'm bid for it. | 0:38:07 | 0:38:09 | |
Five, 60, five, 70, five, 80... | 0:38:09 | 0:38:12 | |
-Brilliant! -Five, 90... -Fantastic! | 0:38:12 | 0:38:14 | |
-Five, 100, surely. -Excellent! -At £100...and five now. No? | 0:38:14 | 0:38:19 | |
Sir's got it then, for £100. | 0:38:19 | 0:38:20 | |
I'm selling to sir for £100, then. | 0:38:20 | 0:38:24 | |
-Sweet! -Brilliant! -Perfect! -£100! -Top of the estimate. | 0:38:24 | 0:38:28 | |
Perfect! What do you think, Katie? | 0:38:28 | 0:38:31 | |
£100! | 0:38:31 | 0:38:33 | |
Oh, it's still gone right over her head, hasn't it! | 0:38:33 | 0:38:36 | |
-That was a great result. -Yes, that was brilliant! | 0:38:36 | 0:38:38 | |
My mum's got one of these at home - a Banjo Whitefriars vase. | 0:38:51 | 0:38:54 | |
She'll be interested to know. | 0:38:54 | 0:38:56 | |
She's got the same colourway. This one goes under the hammer. | 0:38:56 | 0:38:59 | |
It doesn't belong to my mum, but to Neil. | 0:38:59 | 0:39:01 | |
We've got £500 to £700 on this, Mark. | 0:39:01 | 0:39:03 | |
-Yes, we should... -I think we're going to get that. | 0:39:03 | 0:39:06 | |
We should do, should do. | 0:39:06 | 0:39:08 | |
-Happy with that? -I am indeed! | 0:39:08 | 0:39:09 | |
He should be, cos he only paid 75p for it, didn't you? | 0:39:09 | 0:39:12 | |
-I did indeed! -If we get £700, what would you put the money towards? | 0:39:12 | 0:39:17 | |
Well, hopefully towards my dad's... | 0:39:17 | 0:39:19 | |
helping him towards some of his care at home. | 0:39:19 | 0:39:22 | |
Well, it's about to go under the hammer right now! | 0:39:22 | 0:39:25 | |
Right. Here's another good piece of Whitefriars. There you are. | 0:39:25 | 0:39:28 | |
Nice Banjo, in willow. What do we say for this one? | 0:39:28 | 0:39:31 | |
Are we going to get around £600 for this one? £600? | 0:39:31 | 0:39:35 | |
Are we £400? £300 bid, thank you. | 0:39:35 | 0:39:37 | |
320 I have it now. At 350 and 80, 400, three of you, 420... | 0:39:37 | 0:39:42 | |
-Good! -Are you 80? 480 now. | 0:39:42 | 0:39:46 | |
-Come on! -480 I'm bid for it. 480. | 0:39:46 | 0:39:49 | |
500 I'm bid, 520, sir, and 550 there. 58... 50 in the corner. | 0:39:49 | 0:39:55 | |
580, yes? 600 we've got it. | 0:39:55 | 0:39:58 | |
As 620 now. 620, 650, 680 now. | 0:39:58 | 0:40:03 | |
At £680 then, you're out in the room. | 0:40:03 | 0:40:06 | |
I'm selling away from you then at £680, then. Thank you. | 0:40:06 | 0:40:10 | |
£680! We're gonna settle for that! | 0:40:10 | 0:40:14 | |
-I think you are, Neil! -Yes, I am indeed. | 0:40:14 | 0:40:16 | |
Better than 75 pence, isn't it? | 0:40:16 | 0:40:18 | |
It is, indeed! It's a good profit. | 0:40:18 | 0:40:20 | |
Right. What's next? Off to market? | 0:40:35 | 0:40:37 | |
Yes, you've guessed it, the Wemyss pig, which belongs to Denise. | 0:40:37 | 0:40:40 | |
-Hello, Denise! -Hi. -Who have you brought? | 0:40:40 | 0:40:42 | |
-This is my son George. -George, pleased to meet you. -Hi. | 0:40:42 | 0:40:45 | |
-I gather all the proceeds are going to George's... -Driving... | 0:40:45 | 0:40:48 | |
-Driving lessons. -How many have you had so far? | 0:40:48 | 0:40:51 | |
None so far. I'm waiting until summer, cos I've got my exams. | 0:40:51 | 0:40:54 | |
Oh, OK. OK. So this Wemyss pig should do...should do £400 to £600! | 0:40:54 | 0:41:00 | |
-Kate, you fell in love with it. -I'm hoping! -It will! -Even with the missing tail? -He's off to market. | 0:41:00 | 0:41:04 | |
This is it. Ready? He's hot to trot. It's going under the hammer. | 0:41:04 | 0:41:08 | |
Right. Now we change direction, and we start off with the Wemyss pig. | 0:41:08 | 0:41:13 | |
There he is. Lost his tail. | 0:41:13 | 0:41:15 | |
What shall we say for him? Are we going to start him off at £500? | 0:41:15 | 0:41:19 | |
500, 400 for him? Yes. 400. That's it. I thought you would like that. | 0:41:19 | 0:41:23 | |
-400 is bid for him, then. -Straight in! -At £400. | 0:41:23 | 0:41:26 | |
420 we're bid, at 450, 480, 500, £520, 530... | 0:41:26 | 0:41:33 | |
-That's good! -Yeah. -That's very good! -580, 600... | 0:41:33 | 0:41:37 | |
We've got somebody on the phone, that means they're keen! | 0:41:37 | 0:41:40 | |
680 is it for him? 680, 700 we're bid, 720... | 0:41:40 | 0:41:44 | |
-Oooh! -720 and 750, I have it. 780, yeah... | 0:41:44 | 0:41:48 | |
-This could be a new car as well! -At 750 for him. 780. | 0:41:48 | 0:41:52 | |
800 bid. Are you going to bid 20? 820, 850, 880 now, £900. | 0:41:52 | 0:42:00 | |
Gosh! Could we do that magic thousand? | 0:42:00 | 0:42:03 | |
920. 950. Is he 980? Let's get where we should have started. | 0:42:03 | 0:42:08 | |
-£1,000. -Yeah! -1,000 I'm bid for him. £1020 now? | 0:42:08 | 0:42:12 | |
Yes? No. £1,000 then for pig. | 0:42:12 | 0:42:16 | |
-£1020. -Oh! -We have a new bidder at £1,020. | 0:42:16 | 0:42:20 | |
The new bid against it, there you go, just one bid takes it. | 0:42:20 | 0:42:24 | |
He's going then at £1,020, then. | 0:42:24 | 0:42:28 | |
-£1,020, yes, bang, under the hammer! -Oh, that's brilliant! | 0:42:28 | 0:42:32 | |
-George and Denise, what do you think of that? -That's fabulous! | 0:42:32 | 0:42:35 | |
-Oh, I'm really, really pleased! -You're pleased! -I'm just ecstatic! | 0:42:35 | 0:42:39 | |
A group of lessons. | 0:42:39 | 0:42:41 | |
If you pass first time, well, there's probably £500 left | 0:42:41 | 0:42:45 | |
in the kitty to put towards a car. | 0:42:45 | 0:42:46 | |
That's definitely going towards a car, then! | 0:42:46 | 0:42:49 | |
Oh, what a kind mum! Give your mum a big hug! | 0:42:49 | 0:42:51 | |
Yeah, thanks, Mum, for the new car as well! | 0:42:51 | 0:42:54 | |
-"Thanks, Mum!" "Thanks, Mum!" -And maybe some new clothes? | 0:42:54 | 0:42:58 | |
That's what I call a great mum. I mean, what a great result as well. | 0:42:58 | 0:43:02 | |
That is double what I thought. | 0:43:02 | 0:43:03 | |
I thought we might top the top of my estimate, | 0:43:03 | 0:43:06 | |
but with the damage, that's a very good price. | 0:43:06 | 0:43:08 | |
-I'm really pleased! -Right. I think that's great! -That's brilliant! | 0:43:08 | 0:43:12 | |
George got his driving lessons, we've had a brilliant day in Tring. | 0:43:12 | 0:43:15 | |
I hope you've enjoyed the show. Join us next time for plenty more surprises on Flog It. | 0:43:15 | 0:43:20 | |
Subtitles by Red Bee Media Ltd | 0:43:39 | 0:43:41 | |
Email [email protected] | 0:43:41 | 0:43:43 |